Podcast appearances and mentions of Ruth Asawa

Send us a textComing at you on location from the SFFilm lounge, we talk meeting famous crushes and musical icons, Captain Party's cameo on the news, Erin's newest famous nemesis, Benihana birthdays, and being honored at SFFilm's Essential SF Program. Then we cap off the episode with our newest segment, This Bitch. Support the showThanks for listening and for your support! We couldn't have won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without you! -- Fight fascism. Shop small. Use cash. -- Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram & Facebook Listen every Tuesday at 9 - 10 am on BFF.FM

A conversation with Janet Bishop, co-curator of the exhibition Ruth Asawa: Retrospective.

“An artist is an ordinary person who can take ordinary things and make them special,” said San Francisco artist Ruth Asawa. From her studio in her home in Noe Valley, Asawa created crocheted wire sculptures whose shadows are just as evocative as the art itself. But as the mother of six, Asawa was also passionate about arts education and teaching. As a new retrospective of her work and life opens at SF MOMA, we talk about Asawa's legacy as an artist, teacher, and community member as part of our Bay Area Legends series. Guests: Janet Bishop, Thomas Weisel Family chief curator, SFMOMA; She co-curated the exhibition Ruth Asawa: Retrospective Terry Kochanski, executive director, SCRAP - a nonprofit education and creative reuse center based in the Bayview and founded in 1976 Andrea Jepson, close friend of Ruth Asawa; Jepson served as the model for the fountain "Andrea" in Ghiradelli Square, and also worked with Asawa on her public school education projects Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we're celebrating Women's History Month with Nicole spotlighting fascinating new children's picture books about trailblazing women like Marjorie Stoneman Douglas, a conservationist who helped save the Everglades; Ruth Asawa, an artist shaped by her internment camp experience; and Clara Driscoll, the creative force behind Tiffany Studios' iconic glasswork. Then, Sara previews a thrilling lineup of April DVD releases, including the mysterious Companion starring Jack Quaid, the high-stakes Flight Risk with Mark Wahlberg, and the award-winning Anora, a modern Cinderella tale. Packed with history, humor, and movie buzz, this episode has it all! Catch up on past shows at mcplpodcast.com, and don't forget to like, subscribe, and check out our History Bites series on YouTube. #WomensHistoryMonth #Podcast #MovieReleases

President Joe Biden became emotional as he honored acclaimed filmmakers, singers, writers, and others who have made their mark on American culture, awarding the prestigious National Medals of Arts and National Humanities Medals to 39 recipients. Filmmakers Steven Spielberg, Spike Lee, and Ken Burns and singers Missy Elliott and Queen Latifah were among 20 recipients of National Medals of Arts, while the 19 recipients of National Humanities Medals included playwright-screenwriter Aaron Sorkin and historian Jon Meacham. Three of the medals were awarded posthumously: The late singer Selena Quintanilla and artist Ruth Asawa are arts medal winners and the late chef-author Anthony Bourdain was among the humanities medal winners. “Above all, you are the masters of your craft that have made us a better America with all of you have done,” Biden said at the White House ceremony. Biden grew emotional as he recounted that Dr. Martin Luther King, as a ten-year-old boy, listened on the radio to Marian Anderson sing “My Country, ‘Tis of Thee” on the steps of the Lincoln Memorial in 1939 after she had been denied from performing at Constitution Hall. Decades later, when King delivered his famous speech at the Lincoln Memorial during the March on Washington, Biden recounted that Anderson was there to sing again. “She sang, “He's Got the Whole World in His Hands,” Biden said. “My fellow Americans, today we honor that legacy.” Biden also told the winners that the moment was a “very consequential time in the arts and humanities in America” because “extreme forces are banning books, trying to erase history, spreading misinformation.” The arts medals are given “to individuals or groups who are deserving of special recognition by reason of their outstanding contributions to the excellence, growth, support, and availability of the arts in the United States.” Other humanities winners included former U.S. poet laureate Joy Harjo, actor-literacy advocate LeVar Burton, cartoonist Roz Chast, and philanthropists Wallis Annenberg and Darren Walker. The humanities medals honor “an individual or organization whose work has deepened the nation's understanding of the human experience, broadened citizens' engagement with history or literature, or helped preserve and expand Americans' access to cultural resources.” This article was provided by The Associated Press.

Hello and welcome back to a new episode of Jo's Art History Podcast Bitesize. The week we deep dive into the life and work of Ruth Asawa. Host: Jo McLaughlin Instagram: ⁠⁠https://www.instagram.com/josarthistory/⁠⁠ Website: ⁠⁠https://www.josarthistory.com/podcast⁠⁠ Email: ⁠⁠josarthistory@gmail.com⁠⁠ Please support the podcast by buying me a book from my Amazon Wishlist - this will go towards future episodes of the podcast: https://www.amazon.co.uk/hz/wishlist/ls/FZ1XZKILJJCJ?ref_=wl_sha

Episode No. 646 features curators Edouard Kopp and Shelley Langdale. With Kim Conaty, Kopp is the co-curator of "Ruth Asawa: Through Line," a survey of Asawa's lifelong drawing practice. (Kirsten Marples and Scout Hutchinson assisted Kopp and Conaty.) The exhibition, which is at Houston's Menil Collection through July 21, presents drawings, collages, watercolors, sketchbooks, paper-folds and other work. The show is accompanied by an excellent catalogue published by the Menil and the Whitney Museum of American Art, New York. Amazon and Bookshop offer it for $36-$46.  Langdale is the curator of "The Anxious Eye: German Expressionism and Its Legacy," an exhibition of German expressionist works on paper from the rich collection of the National Gallery of Art, Washington. The show features a wide range of rarely exhibited (and little-known) drawings, as well as prints. It is on view through May 27.

Redge's first painting class with the famous artist, Honey B. Bearton, was marvelous! So why is he feeling so blue? It's his homework assignment--picking one thing to paint that will show the world who he is. But how can he narrow it down and choose JUST ONE? He seeks guidance from friends like Big Bad and Midge the Pidge, who help him get inspired and find the perfect idea for a creative masterpiece that will showcase his true self.Episode webpage: https://jonincharacter.com/redges-marvelous-masterpiece/ DOWNLOAD FREE COLOR PAGE:https://bit.ly/MyMarvelousMasterpiece GRAB YOUR FREE PDF LIST of conversation questions for this episode: https://dorktalesstorytime.aweb.page/ep82freePDFPARENTS, TEACHERS AND HOMESCHOOLERS: This original story offers insightful takeaways about creativity, friendship, and the joy of discovering one's unique identity. Painted into the narrative are social-emotional components of self-discovery, emotional intelligence and positive social interactions. (Aligns with CASEL Social and Emotional learning framework.) IF YOU ENJOYED THIS STORY, you may also enjoy, episode 25, the story about Ruth Asawa, one of California's most beloved sculptors and an influential advocate for arts education. The intro to her story includes mention of Honey B. Bearton: https://jonincharacter.com/ruth-asawa/ CREDITS: This episode has been a Jonincharacter production. Today's story was written and produced by Molly Murphy and performed by Jonathan Cormur. Sound recording and production by Jermaine Hamilton at Hamilton Studio Recordings.Support the showREACH OUT! Subscribe to @dorktalesstorytime on YouTube Write to us at dorktalesstorytime@gmail.com DM us on IG @dorktalesstorytime Newsletter/Free Resources: https://bit.ly/dorktalesplus-signup One time donation: https://www.buymeacoffee.com/dorktales Original Music Available on Bandcamp: https://dorktalesstorytime.bandcamp.com/music Now, go be the hero of your own story and we'll see you next once-upon-a-time!

The poet and longtime art critic John Yau joins Kate Wolf and Eric Newman to speak about his latest collection of criticism, Please Wait By the Coatroom: Reconsidering Race and Identity in American Art. The book's title comes from an essay Yau wrote in 1988 on reductive readings of the Cuban artist Wifredo Lam and the unwillingness of art historians and curators to consider Lam's biracial identity as relevant to his work. In his collection, Yau makes a case for the role identity and cultural background can play in the formation of an artist's aesthetic choices, and he interrogates standard art historical hierarchies and the supposed objective viewpoint of the avant-garde. While he acknowledges a number of strides in recent decades toward a more inclusive, open version of art history, he also shows how far there is to come, a gap he helps to close through thoughtful pieces on artists such as Ruth Asawa, Kerry James Marshall, Richard Hunt, Jiha Moon, Ed Clark, and many more. Also, Juana María Rodríguez, author of Puta Life: Seeing Latinas, Working Sex, returns to recommend A Lover's Discourse: Fragments by Roland Barthes.

The poet and longtime art critic John Yau joins Kate Wolf and Eric Newman to speak about his latest collection of criticism, Please Wait By the Coatroom: Reconsidering Race and Identity in American Art. The book's title comes from an essay Yau wrote in 1988 on reductive readings of the Cuban artist Wifredo Lam and the unwillingness of art historians and curators to consider Lam's biracial identity as relevant to his work. In his collection, Yau makes a case for the role identity and cultural background can play in the formation of an artist's aesthetic choices, and he interrogates standard art historical hierarchies and the supposed objective viewpoint of the avant-garde. While he acknowledges a number of strides in recent decades toward a more inclusive, open version of art history, he also shows how far there is to come, a gap he helps to close through thoughtful pieces on artists such as Ruth Asawa, Kerry James Marshall, Richard Hunt, Jiha Moon, Ed Clark, and many more. Also, Juana María Rodríguez, author of Puta Life: Seeing Latinas, Working Sex, returns to recommend A Lover's Discourse: Fragments by Roland Barthes.

Powerleegirl hosts Miko Lee & Jalena Keane-Lee, a mother daughter duo Asian-American Native Hawaiian Pacific Islander heritage month with another special episode of APEX Express. To celebrate the month we're going to be hearing from some incredible activists that we featured in our, “We Are the Leaders” series. We are the leaders was inspired by the famous Grace Lee Boggs quote. “We are the leaders we've been looking for.” Today's show features the following artists, activists and thinkers including: Helen Zia, Anirvan Chatterjee, Sammie Ablaza Wills, Hawane Rios, Yuri Kochiyama, Julia Putnam, Gail Romasanta & Saru Jayaraman.   May 8th Show Transcripts [00:00:00] Opening: Asian Pacific expression. Unity and cultural coverage, music and calendar revisions influences Asian Pacific Islander. It's time to get on board. The Apex Express. Good evening. You're tuned in to Apex Express. [00:00:18] Jalena Keane-Lee: We're bringing you an Asian American Pacific Islander view from the Bay and around the world. We are your hosts, Miko Lee and Jalena Keane-lee the powerleegirls, a mother daughter team. Happy Asian-American Native Hawaiian Pacific Islander heritage month. And welcome to another special episode of apex express. This is the powerleegirls. I'm Jalena Keane-Lee, and I'm Miko Lee. We're a mother-daughter duo talking today about Asian American native Hawaiian Pacific Islander heritage month, To celebrate the month we're going to be hearing from some incredible activists that we featured in our, we are the leaders series. We are, the leaders was inspired by the famous Grace Lee Boggs quote. We are the leaders we've been looking for. First up we hear from a claimed activist and lawyer helen Zia. [00:01:12] Helen Zia: I call it M I H that we are at so often missing in history. And the only thing that's going to change, that is our voices. We have to restore that history. We have to reclaim that involvement and we have to know that we have nothing to be ashamed about We were not missing it You know we were there and It's just that other people don't know that And so that part we have to do We love this phrase missing in history from Helen Zia. And that's a big part of what we think this month is all about. It's rewriting us into the dominant narratives of history. And of course it's a big mission of our show to make sure that our voices and stories are heard. Not just things from the past from ancestors from movements in the past but also things that are happening in the present and the interconnectedness and connections between The two Next up Anirvan Chatterjee, storyteller, an activist and founder of the Berkeley south Asian radical history. Walking tour tells us about a little bit of history that has long been missing from history. As Helen Zia would say. He talks about interconnectedness between the south Asian and African-American communities. And the importance of knowing about this history and knowing about these solidarities and that this kind of solidarity has existed throughout Time [00:02:36] Anirvan: There's been a lot written about, Points of intersection between South Asian and African American movements for justice. I knew from my immigrant community, that Ghandi influenced Dr. King and through the ways that, Ghandi and nonviolence kind of spread. as part of the civil rights movement, but I think that was pretty much the end of it. those points of intersection kind of stopped and ended there. it wasn't until I started doing a lot more reading, that I realized how little I knew. one of my favorite stories of African American and South Asian solidarities is the story of Bayard Rustin, who a lot of us know as the black gay civil rights activist, who was the architect of the 1963 March on Washington. What I didn't know was, in the 1940's, he was a Quaker, he was a pacifist. He was actually in prison for awhile because he was a pacifist during world war two. while he was in prison, he was thinking and reading about, Solidarity with colonized India and the work of de-colonizing India. And he gets involved with a free India committee in the mid 1940s. he gets out of prison and, he gets involved with things like sit down, protest outside of the British embassy in Washington, D C. just the idea that this skinny black gay activist in the 1940s was part of the global movement for the liberation of my people. it's really different from the sense of what an Indian freedom fighter looks like. I love the idea of being able to claim Bayard Rustin as one of my Indian freedom fighters. On the flip side, in 1964 in, Jackson, Mississippi, Tougaloo college who a historically black college , there was a Pakistani professor named Hamid Kizilbashand an Indian professor Savitri Chattopadhyay. They're teaching on this black college during the height of the civil rights movement, they could use their kind of. Asian immigrant in between kind of a status really interesting ways. for example , they were able to, support their student's work to desegregate a movie theaters by going into the movie theater buying tickets. Cause they were allowed to buy movie tickets. And hand those tickets over to their black students. So when the black students show up, they're like, well, you know, we actually have these tickets and it's just like a small act of every day allyship or being co-conspirator, it's something that actually made a difference for the students. They're able to kind of use their position in ways that are, that are strategically helpful. Now, at one point in time, Hamid Kizilbashand actually gets physically attacked by white racists. he gets pulled out of his car. He's chased down. There was somebody with him who basically calls out to these white racists going, “hang on, hang on. He's international. He's, he's Brown. He's, he's not black.” And he's not beaten up nearly as badly as somebody who's black and his position might have been. for a lot of South Asians, we know we're racist. We know we have deep, complicated anti-blackness in our communities, but I don't think we necessarily know what it looks like to be anti-racist. the story of these two, faculty members at Tougaloo college in 1964, it's a really great story. of what it actually looks like to be anti-racist, we have these stories to also build on that. It's not enough to just critique, and call out, but to also do uplift, just to kind of celebrate more of what it is that we want to see. Jalena: Thanks for sharing that story. And, you know, there's so many Asian American stories, Asian American Pacific Islander stories that are left out of history and even more so queer Asian American Pacific Islander stories. And we really want to make sure that we're uplifting our queer stories and queer ancestors. Next up. We hear from Sammy Ablaza Wills who is a queer organizer and activists and death doula. They tell us about a local bay area story of queer activism that proceeded the Stonewall riots and is a lot less known. So we're so grateful that Sammy Cahn. Bring up this piece that is missing in history Sorry. [00:06:45] Sammie Ablaza Wills: One thing that I will talk about, cause there, there truly is so many examples. is the contents cafeteria rights in San Francisco? many people at least nowadays, familiar or have heard of the Stonewall riots in New York, which happened at the Stonewall Inn. And was a rebellion against police brutality led by Marsha P Johnson and Sylvia Rivera. A few years prior to the Stonewall riots was, the incident at the conference cafeteria in San Francisco's Tenderloin and conference was a place where many trans people drag Queens and sex workers hung out late night, got food and spent time with one another. And, all of the places where trans folks and drag Queens and sex workers hung out were places where police raids would regularly happen, arresting people for the crime of impersonating a woman or arresting people for the crime of prostitution or arresting people for whatever reason they could think of because they thought of all of these folks as sexual deviance, right. that history has almost been forgotten, but one day at Constance cafeteria, the police came to raid and the patrons of conference cafeteria got fed up and said, we're not going to allow for another raid to happen. And a rebellion broke out in the streets between the trans folks and the drag Queens and the sex workers and the police officers in the Tenderloin. it was from that day that trans folks, drag Queens and sex workers really started a movement for trans liberation and trans justice against police brutality in the city of San Francisco. one of the folks who was active in the Tenderloin at that time is Tamara Ching, a trans API elder who is still alive and living in San Francisco today. She's somewhat of a local legend in trans communities because of all of the work she did in the Tenderloin even though she wasn't immediately present at the moment of competence cafeteria, she continued the legacy of what was started that day for many, many decades for trans people and for sex workers, for people living in the Tenderloin for low income folks. But the work that she did is not seen in textbooks it's not seen in Asian American history courses. the thing that really feels important for me to just state out right, is that LGBTQ history is Asian American, Pacific Islander history and Asian American Pacific Islander history is LGBTQ history because there is no way that either of those movements would have happened without each other. And these movements have not even always agreed. But agreement is not the precipice of history. history shows. What agreements and disagreements have been made to create the present conditions that we're in. When I think the importance of understanding our history, this phrase always comes to my mind and, It's like a, I feel like pretty popular in ethnic studies, but it's, no history, no self. Right. And if we don't know where we were, it's really, really hard to determine where we're going to be going. When I think about all of the history that has existed, that allows me to be alive. I don't see one clear lineage. Right? I see many, many stories. People, people in the United States, people outside of the United States. I see trans people. I see CIS people. I see many people that have worked and had success and built relationships and also people that have made mistakes, like deep, deep mistakes that have set us back or put us in different directions. And. I'm thinking it is incredibly important to know all of that history so we can understand ourselves as part of a larger lineage and also so that we can make new mistakes. Our ancestors and our elders have made mistakes so that we don't have to anymore. We can make new ones. We can try new experiments. We contend continue the best things that worked out. And try new things that can fail in different ways. but we don't need to be recreating the same failures and same mistakes and same hurt every five years or so. I think it's incredibly important as people invested in justice to know our histories so that we can have a more clear idea of where we can go in the future. And then we can look back at our histories, right. Our present. And write our future into existence with all of that context in mind Jalena: Huge. Thank you to Sammy for sharing about tomorrow. Ching has such an incredible trans Asian American activists that we should really all know about and also pointing out the differences throughout history and queer history, Asian American, Pacific Islander history, and that. They are one in the same and both inform where we are today. And they're truly one thing. And I love what Sammy said about, you know, we look back at our histories, right? Our present. And that's what allows us to write our future into existence. And that's what the show, and I dare say this month is all about. Next up we hear from Havana Rios, who is a NATO, Hawaiian activist and protector of the sacred mountain Mona Kath. She talks about. Genealogy ancestral knowledge. And just really builds on this idea of deep sacred knowing and how important that is in our communities These. [00:12:31] Jalena Keane-Lee: do you have any advice for people that don't have you know that history recorded for them or have been cut off from in various ways from their own history and their own ancestral power [00:12:42] Hawane Rios: Somebody always remembered something. It's not that lost and you can remember inside of you. You in your DNA can unlock much wisdom from your own ancestors if you believe it. Call upon your own Kapuna. If you even know the names of your grandparents and your great-grandparents that's a start. Just know where you come from. Find that out. I ask the questions. As the eldest person in your ohana, “What do you remember?” Spend time, even if it's on zoom or facetime right now, because that's what it has to be. Use your time wisely. Talk to anyone in your family that remembers. And if they don't go to the lens you remember. You remember where you come from. Find out the name of your mountain, the mountain that raised you and your ancestors. If you were in living somewhere that is not your original homelands bind that mountain unless you were born on there It's because you were still a part of it that air has fed you that water has fed you know What to think of who the bank have gratitude every single day By learning something new everyday challenge yourself Learn the story of the land that you're on whether you're from there or not And then honor it because that's how we learn how to honor things It's a way bigger out for one second That we're not the center of everything That there's so much around us that gave us like every single day And so Know that your life force It's not for nothing I really hope that she find her way home So yourself it's your lens and see your people into your power You know someday we're going to be the ancestors people seven generations from now they're going to say look at what they did With what they had And then whatever they're going to have is going to probably be 10 times more efficient and amazing than what we had But hopefully we pass out enough For them to not Take advantage of the beauty and the sacredness of this clinic Hopefully we did enough to switch The tides And change the tie ins for the next seven generations to come because the way that we're going We're not going to have anything to leave behind And again we're not here just for ourselves Women especially we are the vessels of the next seven generations even if we don't Bring children into this world And even if we can't bring children into this world we still have the kuleana to do whatever we can to make sure that any person coming into this realm Have a safe place to land That's what we do Jalena: Thank you Havana. It's a great reminder. That history is something that is always in the making and also something that can always be reclaimed. If you have people that you can talk to that you can ask, do that. And if you don't, as Havana said, you can connect with the land. You can know about the waters and the mountains that raised you. And then from there, maybe you can trace back to your ancestral places as well, but there's always a place to start and it helps us think about what are we going to leave? For the next seven generations as she said too. In addition to being a water protector and protector of the sacred mountain Monica. Havana is also a recording artist and release the album together. We rise in 2019. Next up listen to one of her songs from her album together we rise called free the streams. Music Welcome back. You're tuned in to an apex express special for a N H P I heritage month on 94.1 KPFA and 89.3 KPF. Be in Berkeley 88.1. KFCF in Fresno and 97.5 K 2 4 8. BR in Santa Cruz. And online@kpfa.org. You just listened to free the streams by Havana Rios from her album. Together we rise Next up, we hear more from Helen Zia, legendary Asian American lawyer, and activists and women who coined the term missing in history. We hear from her about the importance of solidarity and intersectionality [00:18:50] Helen Zia: The Lowest part of the human experience can you know I get triggered by a crisis but actually crisis also brings people together and and history shows that people can overcome quite a lot when they are United When they see the importance of standing together and that you know we are all in this together There's no question We cannot overcome the covert crisis or the pandemic of racism unless we come together And so in the 1980s what happened was Vincent chin was killed We're looking Japanese He was a Chinese American And what made even that racist Attack and hate crime even worse was that his killers who were two white auto workers got off Scott free basically they got probation and fines And the judge said in a city of Detroit he said These are not the kind of men you sent to jail You fit the punishment to the criminal not to the crime In other words well these two white guys don't have to go to jail for beating somebody to death And then what does that mean about who should be punished in a in a city like Detroit which was even then you know about 70% African American So there was a large uproar throughout the city People were just just appalled you know all people of conscience you know said what do you mean You're going to let murderers killers off scott free you know And so so I think it's important to remember in these times when we are in a a very fractured time when you know it's almost like we get the message every day that people can't come together people are just to two divided Well in fact people do come together and we had had many historical periods where people of very different backgrounds came together and in the Vincent chin case you know it was not only Asian Americans and that came together and and remembering that time And then I actually knew the eighties Asian Americans were not together Vincent chin was a Chinese American Chinese community had to come together with the Japanese community which was being targeted and You know the the Southeast Asian and Filipino and South Asian communities I mean they were all separate So the Asian American community came together in a pan Asian movement And so did the allies all around us We knew that we were Too small a community to do this on our own And you know the the various African American civil rights organizations and churches know came out So all of that just like any organizing really took taking time To reach out to each other to sit down and talk and there would be leaders in different communities who would open that door for us And so it was a very very broad based multiracial multicultural United effort to try to do something that helped launch an Asian American civil rights movement And we need that today [00:22:13] Miko Lee: There have been times in our American history where we have fought back, the third world movement in this building of the ethnic studies programs at San Francisco state. And there's been so many others where people have come together. What do you think about like this time right now, of different people of color coming together and helping to reshape the American story, do you feel that's happening? Is that something you can kind of read in the, in the tea leaves based on your experience? [00:22:44] Helen Zia: I do. I believe not only can that happen, but it must happen everybody is under siege and it's very clear that , none of us can solve this alone, no group, whether that's political, racial, you know, sexual orientation. Gender, or political party, none of us can do it alone. It really is going to take everybody working together and to, to kind of, you know, tune out all of the noise, that are aimed to keep us divided. Looking at American society, people of color in California, for example, are already in the majority. if we could unite, we would be in the majority. And then you layer on that, that people of conscience from every color and walk of life are vastly and majority yet we haven't yet come together and this crisis has to be a wake up call for all of us. and you know, California is one of about a dozen States that have already crossed that milestone. within the next 10 years, the entire country is going to be majority people of color. And what does that mean? That means if we just. tune out the messages that keep saying, Oh, you're too divided. You know, the, anti-black views within the Asian community anti-Asian views within the black community, black and Brown versus yellow and white, and dividing, you know, having that narrative divide us continually is just. Serving that purpose to keep us divided. if we came together in what we have in common, we really are the majority and we could really make some change and we have to make change because people are getting sick and dying within our communities. That's the vision, we have to hold on to, I, I do think we'll get there. We have done it before many, many times in, in our history, so, that's, those are the lessons we need to draw from and seek out the unity that we really do have. I would love for the API younger activists today to know that we have such a rich history of activism that goes back to our first days on this continent. they should be proud of that. And to know that they're carrying on a very rich and strong legacy. Forward. when, Martin Luther King and the other civil rights activists were crossing the Pettus bridge, that famous March through Selma, Alabama, they were all wearing leis. I was very sad to see that the movie that just got made about that, show them without the leis. Where did the leis come from? They came from, activists in Hawaii who were supporting that March and many. People many Asian people were also there. That moment in all of our psyches is missing a historical piece, because any photograph of that time, you see , the involvement of Asian Americans and Pacific Islanders that were there. So we get erased. I want young activists today to know that yes, we have been marginalized erased. We've done a lot to, affect the lives of every American. That was true for the Vincent chin case. That was true after 9/11, the “me too” movement. Women who have survived, sexual harassment or sexual assault standing up at a trial, basing their accuser and saying, this is what that harm did, to me, part of that victim impact statement momentum for that also came from the Vincent Chin the fact that we can, be born in America and be citizens that's because. Of a Chinese American back in the 1800's who took that all the way to the Supreme court. Brown versus board of education, the legal justification for that came from, a Chinese American laundry who objected to be taxed as separate. so that was a Supreme court case to that then was the underpaid underpinnings for, Brown vs board of education. The great grape boycott that was initiated by Filipino American farm workers and then involved Cesar Chavez and the , Chicano farm workers that was initiated by Asian-Americans. We have so many things that we should, we can be proud of, but are MIH missing in history. The only people who are going to have to point that out is us because we've been systematically removed from, from this history. And that's part of the racism that we have to fight too. Asian American activists can be proud of the things that our forebears have done for us and for the whole country. I hope that all of our listeners out there can really take Helen Zia's. He has words to heart. Yes, we've been erased and yes, it's part of our job to write ourselves back into the history of this country and to take pride in the ancestral lineage that we come from and all that. Our ancestors have done to make this country a better place and to give us the freedoms and the protections that we do have today. And of course, there's so much more work to be done. And speaking of incredible ancestors and this lineage of activism that we inherit next up we hear from legendary activists URI coach Yama. [00:28:32] Yuri Kochiyama: That's the year that the us government launched a Chinese exclusion act this act or law rule that Chinese will not be allowed to come into this country again And yet this act went into effect just after the Chinese spent years building the railroad tracks from the police Pacific coast to the Midwest There was only one lone voice that oppose this order the Chinese Exclusion Act this courageous person was a black man The first black then became centered the Senator in Mississippi Senator blanche K Bruce Bruce felt an Exclusion act was an outright show racism There were no other exclusion acts before this was he felt there would surely be more people who would be excluded and send away from him I think the sensitivity to the Chinese was because he was himself black and had experienced many such situations He fought against the bill that himself of course the bill for years and years Chinese were not allowed to come in but we as Asians we must never forget those Trying to assist us in our journey as this lone black Senator did you will not find everything in school textbooks we must dig them and find them ourselves Asian Americans must be more vocal, visible, and take stands on crucial issues. Hopefully Asians will side with the most dispossessed, oppressed and marginalized, remembering our own history. We Asians need to reshape our image from the rather quiet, ambiguous, accommodating uncomplaining, palitable people to a more resolute, sensitive advocate for human worth, human rights and human dignity. Jalena: Thank you. Ancestor activist, Yuri Kochiyama. For those fiery words that are so important to really. Remember, especially this month, not only like we've been saying throughout this episode that we have these pieces of history that are so important that we need to dig up. And remember and talk about and bring to light, but also that we need to take a stand on these issues. We are faced with so many issues today and it's our responsibility to take a stand and to stand inside with those who are the most marginalized and oppressed. Yuri Kochiyama passed away June 1st, 2014, but she was such an incredible bay area. Figure that her whole life always showing up at events and being in community even well into her nineties. And of course she's famous for. Her political views and her close relationship With Malcolm. Some ex. Another incredibly fierce Asian American ancestor, activists who was showing up and extremely active in community well into her eighties. His Grace Lee Boggs. Grace Lee Boggs is a Chinese American activist, philosopher and author who among many other things believe fervently and the power of education and community Next up. We hear from Julia Putnam who studied under grace for a long time in Detroit. And currently runs the James and Grace Lee Boggs school. Where she puts many of james and Grace's activism principles into action in the classroom [00:32:34] Julia Putnam: I was 19 or so I was her intern for a summer. My role is I saw it was helping grace to organize her, study she would have these, cardboard folders that would contain articles that she read over the years or newspapers. And she would label topics and put these articles in newspapers, in those folders. And a lot of the newspapers were yellowing a lot. a lot of the papers were kind of just jammed in there. and I would say, you know, grace, you've written an article on this already, or the newspaper that exists here digitally, we should get rid of these or we can throw these away. And she was very resistant to that. and it was really frustrating because I thought, well, what am I supposed to be doing here? And I came to her one time, really troubled. And I said to her, you know, it feels like we're arguing a lot. And she grinned me and she said, “I know it's great, isn't it we're struggling.” And she said it was such joy. And it helped me understand that for her arguing conflict struggling was not a negative thing. she was saying, as we're learning from one another, we are frustrating one another, which is moving us toward forward. and it helped me to not be so afraid to be in conflict with people that I cared about to be in conflict with people that I trusted. I can have an opinion that is different from hers. And she sees that as okay. Because it means that we're struggling through something. that was really helpful and continues to help me in my work today. [00:34:13] Miko Lee: I love that story. Can you also talk about how she signed her letters? How she did her sign off? [00:34:20] Julia Putnam: She would sign off ” in love and struggle, grace,” that love doesn't come without struggle. and that when we communicate with one another, we are communicating out of love and we are also communicating out of the struggle we have with one another. What do I know There's so many things but what do you feel is the legacy that she leaves behind And obviously with her husband Jimmy too [00:34:42] Julia Putnam: I know that a legacy that she's left to our school Two very important things is when we asked for permission to name the school after her the James and Grace Lee Boggs school she said yes but with the challenge that we would have to as the school founders think beyond what we even believe is possible I am one of the cofounders along with Amanda Rossman and Marisol Teachworth and the three of us together As three women three women of different ethnicities very much love and struggle together and also take it very seriously This idea that we've been indoctrinated as to what school is and when things get hard we will deflect to what we know.as opposed to continue to imagine something different And so we often challenge ourselves with that and challenge our staff and we all challenge one another to are we thinking beyond what we believe it's possible What is the what is beyond the binary that we're being stuck in right now Wo that's the legacy that grace leaves to us that is very important And the other thing is that again the idea of her taking young people seriously and she saw young people as solutionaries she called them people who are able to problem solve to see a challenge and come up with solutions for it And she saw young people as especially creative in their ability to do that And so even on the school t-shirts that kids get there's the the Boggs school logo but on the back it says Solutionary and the kids really take on that identity They take it very seriously They take it very personally often when they come up with a solution to a problem they'll just kind of put their fingers up and just I'm a Solutionary you know I figured it out and and having that identity as young people is has been really important to our school for all of us And I'm wondering if there are thoughts that you feel grace would be teaching right now in this time [00:36:48] Julia Putnam: I think Grace would be highlighting that fact of the young people in the movement their leadership in this movement and their leadership in this time I think she would be encouraging us to listen to young people I think she would be listening to young people And I think that she would say I actually think she'd be very excited by this time heartbroken in the ways that we all are but also excited that we are being forced in this moment to realize that things need to be reimagined We are being forced to use our imaginations for how We stay connected in this time how we educate in this time how we organize in this time how we govern ourselves and how we think about governance in a completely different way than we've ever had to before And I think that's a lot of what she would be excited about that this is That this is the moment where not only do we have to reimagine but we also have to realize that we're the leaders that we're looking for She would often say when we were thinking about the school is that we don't have a lot of leadership around education and certainly not around the education We know that our communities need And so she would say Julia Amanda Mani you all have to imagine this differently yourself You are the leaders that you've been looking for No one's coming to figure this out for you And so we feel as the founders that we with our community of parents and students and community members are beginning to think about how to do this differently and to look to the leadership of young people Thank you so much, Julia, for sharing about how Grace Lee Boggs legacy lives on through the James and Grace Lee Boggs school. And also just about the importance of struggle about love and struggle being one in the same and how. Being able to struggle with love and, you know, to disagree and to have conflict without canceling someone or hating them, but still, you know, in a, in a relationship that is full of a lot of love and not being part of being in community. I think that's really beautiful and that's something that we can all learn from, from Grace Lee Boggs and from Julia and from how they implement that. At their school Jalena Next up, let's listen to another song from Havana. Rio says album together. We rise. This song is called USI and it's focused on the importance of healing. Next up you see by havana rios Song That was UC by native Hawaiian singer and songwriter Havana. Rios from her album together. We rise. Next up we speak with Gail Romasanta who is a Filipina organizer author and community activists This She wrote journey for justice the life of Larry which is a children's book that tells the story of labor activists, Larry Itliong. You could keep going. We have all this information. We have all this history and we need to learn from it. And this isn't the first time at the rodeo. This is not the first time that we've held a picket sign. This is not the first time that we fought for our lives, literally. And we can do it if undocumented. If all of these workers who are migrant workers that no one even thought of that farm workers were even supposed to create unions. And they were supposed to be absolutely expendable. When the Filipinos came here, they were told that the United States was absolutely modern, was the best country in the whole, in the world, just because they were at the time. During this time, the United States was the colony of the United States and when Larry was growing up and so all the instruction he got was English and all the teachers were saying that there's a wonderful country. He comes here. And he's living in these deplorable conditions when it's really hot. They're working outside from light to dark. When they're drinking water, they're all sharing a tin cup. Is that modern? Is that the best country in the world to them? They didn't see that. And for them to be. Seeing kind of the worst of the United States the worst of its conditions and for them to fight and say, I'm going to stay me United States because I love the United States. I love this country and there is hope within us as a community who have decided to stay here, that we can continue to fight and say that we met. That we that we need to our needs get to be met. We need to get, we need to have dignity. We need to have pride in our work. We need to be able to work without pesticides, killing us. We need to have bathroom breaks. We need to have medical insurance. And they asked for all of this and they asked for a raise on top of it. And. And, there's lots of photos. We actually have a photo in the second edition of a riot and you can see, Filipinos aren't getting hit. We don't show the whole picture, but there's some pictures of Filipinos getting hits, hit by the police by batons and things like that. So violence against us is. It's not, unfortunately not new policy is against us, unfortunately is not new. Us being seen as cheap labor and not treated as fully human is not new. And despite that these generations before us were able to find justice. Able to speak to the world. Now this was a global campaign. This was just not the United States. People from all over the world. For instance, during Christmas would give Christmas presents to the farm workers, children. If they were able to. To create this change on a global scale, which is what is happening now. And they can sign those documents for that level that living wage, they can sign those documents to get medical insurance they have, and they're able to. And negotiate for the pesticides that can be used, where they're working. If we can negotiate that if our history was able to negotiate in the face of all that violence and the policies and the judges and the police were on the side of the growers. In fact, when they went on strike, if you look at Marissa or Roy's. Documentary, you can see when the Filipinos went on strike, there's about 2000 Filipinos who went on strike. After they voted the following day, they went on strike. They walked off, they went to work and they walked out the fields. And guess who was waiting for them? Was the police. All the police and you can see the growers just waiting. And they S they try to do this peacefully at first. So they asked at meeting for the growers first, before, and they weren't doing it peaceably, when they were protesting to begin with. But of course the police were waiting for them when they protested. But before that, they invited the growers so that they could negotiate. Rationally and without having to protest and not having to pick it for so long. But the growers never showed up. And what we've been going through as a country has only lasted, we've been going through this a long time. Many people have been doing this have been activists for decades now, or for most of their lives. They know what we're seeing now is oh my God, this is to me. I want to cry. This is something that I could not have imagined. And But it's something that has years and years in history behind it. And for us not to just create from zero, but to continue the arc that has been laid before us of what, the, what the generations before did Specifically during these times. And if you look at all the different movements what can we, what look, what can we learn from them? And a lot of it is you've got to sustain, we've got to strategize and it can't be. It absolutely can be done. . Jalena: Thank you so much, Gail Romasanta for sharing all of that history and all of that knowledge with us. And as she says, we have the knowledge, we have the history, we can do this. It's not necessarily going to be easy, but it is something that we can do. And. It is really important for us to figure out ways to make activism sustainable for ourselves and for future generations to come.While we're on the topic of labor and labor activism. Next up we hear from Saru Jayaraman. Who is an attorney and author and an activist. And. The president of one fair wage and director of the food and labor research center at UC Berkeley. She speaks with us about the campaign she's working on to make sure that restaurant workers are paid a fair and living wage. And the things that keep her hopeful even in times of despair There. I have been organizing in the restaurants many years and prior to the pandemic we had been working for many years on the issue of the sub minimum wage for tipped workers which is a Legacy of slavery It is $2 and 13 cents at the federal level That is the wage for six or 7 million tipped workers in America 70% of whom are women 40% of whom are single mothers struggling to make ends meet to feed their children on mostly on tips Now Was there prior to the pandemic it was a real problem with the pandemic About 10 million restaurant workers have lost their jobs They are in large majority are unable to access unemployment insurance at 60% of them unable to access unemployment insurance because they're being told by state unemployment insurance offices that there are some minimum wage plus tips is too little to meet the minimum threshold to qualify For benefits which means they're being penalized for being paid too little and it's opening up both workers and consumers and even employers to the fact that if the state is telling you you earn too little to qualify for benefits that by the way you paid taxes to get Then probably they were paid too little prior to the pandemic period And so that is an example of how the moment has really revealed that these were untenable unsustainable systems of inequity structural systems of inequity that never should have existed And now are going to create a catastrophe in some ways I think greater than the scale of the great difference Workers are telling us I am terrified and I'm having to choose between my life and my livelihood because the way that unemployment insurance has set up if they have access to unemployment insurance is that you lose unemployment insurance If you don't Take the job You have to be willing to take whatever comes your way If you get offered a job you must take it Otherwise you lose your benefits And so workers are terrified because they're going back to situations where there is no protective equipment Obviously there's still no testing or there's there's no healthcare There's very little con there's no contract tracing I mean it's it's a mess and people are terrified Workers are saying even if my boss did provide me with PP the customers are not wearing it when they come in Certainly they're not wearing it when they're eating so workers are in a really tough situation right now having to choose between their life and their livelihood On the other hand I think it is becoming a lot more obvious to consumers that this is not a tenable situation It's not fair to the workers It's not safe It's not healthy for anybody And so there is a lot of opportunity for change because employers know how Precarious The situation is consumers are wary of employers who don't take care of their workers Suddenly all the things we'd been fighting for a fair livable wage being able to take care of yourself as a worker getting the time off If you need it if you get sick suddenly all of those things have come to the forefront and honestly changes that we never in a million years thought could happen or are happening in our industry because of the pandemic we can reimagine every aspect of our world from the restaurant industry and the way it pays and treats people to our planet and the way that we choose to travel or not travel and the amount of footprint that we each have on our planet. To took the criminal justice system and whether people ever really needed to be locked up in the first place to education. And now the various ways that education can happen. Everything is changing. And it must because both for those young people and for lots of other people, what was normal prior to the pandemic was never normal, never worked. And so rather than going back to normal, I think what I would say to young people right now is join us in. Re-imagining every aspect of our lives and how this pandemic could be the portal that our, that the Roy has said that it is this moment of opportunity to walk into an entirely new world, a re-imagined world in which everything that we've needed all along we can finally achieve. And what are the main things that you'd like to see come out of a new day? Yeah we definitely need our organization is called one fair wage for a reason. We need a livable minimum wage for everybody in the United States who works tipped workers. Who get us some minimum wage right now, incarcerated workers who don't have to be paid the minimum wage because of the exception to the 13th amendment that allows for slavery in the case of incarceration, youth who often don't get the full minimum wage people with disabilities, who often don't get the minimum wage. Fundamentally, no workers should be left behind. Everybody who works in this country deserves to be paid a full, livable, minimum wage by their employer with tips on top of that. Not instead of that that's one piece we obviously need universal health care. That is a given of the moment. We need benefits for workers like hazard pay and sick pay and paid time off. We need a society. Actually thinks of public safety, not in terms of locking people up, but in terms of providing good jobs and good schools for communities that have been long devastated by racial inequities. So those are just some of the things I can rattle off the top of my head that we need in a new deal, but really what we need is a new world. And I, what I really want, I, what I really hope young people can hear is that is totally possible right now. In this moment, there is that opportunity to make everything different and better. And re-imagined Jalena: Thank you so much Saru for sharing your brilliance and these words that are so powerful and impactful. And I hope we can all think about what we can do to make our world better for all of us. , we've had so much incredible activists, thought leaders, ancestors speaking on the show today. These are interviews taken from our series called we are the leaders from Grace Lee Boggs, famous quote. But let's end. Celebrating this month with a little bit of joy. Yes. We have a lot of important issues to tackle. Yes. There are a lot of big problems ahead of us. But we won't be able to do any of it unless we have fun and have some pleasure along the. the way. So lastly, let's talk about some of our, rapid-fire a NHPI question. Okay. What's your favorite food? I think today it is, , kimchi fried rice. Mine is chashu about and strawberry mochi. And favorite fruit. Mango mango. Yeah, no question mango. Whatever book. I, my favorite book of all time is actually not Asian American. , but it's a Mallory book and it's called the bone people. But then recently my favorite book that is by an Asian-American is crying and H Bart, what about you? Oh, crying and HR is really good. woman warrior is one of my favorites. Oh, gee book. Yeah, for sure. Musician. Mine is her or Ruby Abara. Ooh, I think those are mine too. I really love her and Ruby Obara and then also shout out to my friends, raise our Goza, who is a phenomenal musician who is native American and Japanese and Hollis long-wear who is Chinese American and white. Oh, And Rena Rena. Oh, Rena saw. Yama. Yes, Rena. So yeah, I really liked. She's amazing. Film or TV show minds, everything everywhere. All at once. I can't think of a TV show, but movie is definitely everything everywhere. All was. Mine changes day-to-day but I did really like Menotti and parasite. What about artist? , I recently went to now Shima island in Japan. So right now, favorite Asian artists I can think of is Yaya. Kusama. Oh, I do love her work. For me, my favorite, a N H P I artists changes every day and today it would be Ruth Asawa because I'm thinking a lot about weaving and how she weaved these beautiful baskets out of wire. And she really transformed how we think about sculpture. So I love her, the SOA. Who's your favorite ancestor activist. , this changes every day too, but I really feel like I always, always most often think of quotes from Grace Lee Boggs. I was thinking Gracely Boggs too, but I also one. But also Yuri Kochiyama, and just thinking about how radical she was up until the very end and how she would be in her nineties coming to all these community events and still being just as sharp and just as radical and refusing to take anything from anyone. And I really admire that. I feel like a gift that we have of doing this show is so many of the elder activists that we've been able to interview that are still out there making changes. , really utilizing their voice to invigorate the next generation. So I'm thankful that we get to talk to those people and learn from them constantly. Me too. And what a great time, what a great month to celebrate. So happy Asian American native Hawaiian, Pacific Islander month. And thank you so much for joining us. Please check out our website, kpfa.org to find out more about these events and our guests. We thank all you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important. Apex expresses a proud member of acre Asian Americans for civil rights and equality. A network of progressive AAPI groups. Find out more@aker.org. APEX express is produced by Miko Lee that's me, Paige Chung, Swati Rayasam, Preeti Mangala Shakar, Nate Tan, Hien Nguyen and Jalena Keane-Lee. Have a great day The post APEX Express – AAPI Special Programming – We Are the Leaders 5.8.23 appeared first on KPFA.

Shortlisted for the Independent Podcast Awards 2023. This episode considers the benefits of arts education for schoolchildren through the work of the American artist Ruth Asawa and the film-maker Steve McQueen.The Gallery Companion is hosted by writer and historian Dr Victoria Powell. It's a thought-provoking dive into the interesting questions and messy stuff about our lives that art explores and represents.To see the images and watch the videos discussed in the podcast visit www.thegallerycompanion.com. This is where you can subscribe to The Gallery Companion email list, which goes out every fortnight to accompany each new podcast episode, and is packed full of links to more info. That's where you can share your thoughts and join the conversation too. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.thegallerycompanion.com/subscribe

Jerry and Matt give their takes on Art Basel Hong Kong (an art fair they didn't go to) and discuss Jerry's decision to pursue an MBA…but first, Gwyneth Paltrow takes half an hour outside of her grueling court case to talk Ruth Asawa, art dupes, and how reading is overrated. Follow us on social media: ⁠@jerrygogosian ⁠/ ⁠@mattcapasso⁠ Become a premium subscriber: ⁠www.gogosian.com⁠ About the podcast: ⁠www.artsmackpodcast.com⁠ Send us questions and topic requests at hello@artsmackpodcast.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/jerrygogosian/message

This Valentine's Day is the 50th anniversary of Ruth Asawa's most community-minded work, her San Francisco Fountain, which was conceived with baker's dough and made with contributions from more than a hundred locals ages 3 to 90. Asawa's grandson Henry Weverka joins Total SF hosts Peter Hartlaub, Heather Knight and Tony Bravo to talk about Ruth Asawa's legacy, growing interest in her work, the Apple Store controversy and the history and wonderful details of the fountain. More information about Asawa and her work at www.ruthasawa.com. Produced by Peter Hartlaub. Music from the Sunset Shipwrecks off their album "Community," Castro Theatre organist David Hegarty and cable car bell-ringing by 8-time champion Byron Cobb. Follow Total SF adventures at www.sfchronicle.com/totalsf  Learn more about your ad choices. Visit megaphone.fm/adchoices

From 1942–1946, more than 125,000 Japanese Americans were incarcerated at camps throughout the country. Artists including Ruth Asawa, Miyoko Ito, Isamu Noguchi, and Kay Sekimachi were among them, and this episode tracks their experience in the camps and how their lives and work were transformed by a painful chapter of American history. Show Notes and Transcript available at www.aaa.si.edu/articulated

Writer and curator Jordan Stein joins Kate Wolf to discuss his book Rip Tales: Jay DeFeo's Estocada and Other Pieces. The book centers on the American artist Jay DeFeo who's best known for her monumental 2,000 pound painting The Rose, which she worked on for eight years. Following her eviction, in 1965, it had to be removed from her apartment by a forklift after the building's bay window was sawed off. At the time, DeFeo was in the process of completing another painting, Estocada, a piece on paper stapled directly to the walls of her hallway. Instead of removing it intact, she ripped the pieces of the work apart and over the next decades reanimated the fragments by way of photography, photocopy, collage, and relief. While Stein documents the many incarnations of Estocada in his book, its mutating quality also become a template for writing about other Bay Area artists — including Trisha Donnelly, Ruth Asawa, Lutz Bacher, and Vincent Fecteau — whose work similarly engages with risk, reinvention, absence, ephemerality, and community. Also, Jamieson Webster, author of Disorganisation and Sex, returns to recommend The Case of Dominique by Francoise Dalto.      

Writer and curator Jordan Stein joins Kate Wolf to discuss his book Rip Tales: Jay DeFeo's Estocada and Other Pieces. The book centers on the American artist Jay DeFeo who's best known for her monumental 2,000 pound painting The Rose, which she worked on for eight years. Following her eviction, in 1965, it had to be removed from her apartment by a forklift after the building's bay window was sawed off. At the time, DeFeo was in the process of completing another painting, Estocada, a piece on paper stapled directly to the walls of her hallway. Instead of removing it intact, she ripped the pieces of the work apart and over the next decades reanimated the fragments by way of photography, photocopy, collage, and relief. While Stein documents the many incarnations of Estocada in his book, its mutating quality also become a template for writing about other Bay Area artists — including Trisha Donnelly, Ruth Asawa, Lutz Bacher, and Vincent Fecteau — whose work similarly engages with risk, reinvention, absence, ephemerality, and community. Also, Jamieson Webster, author of Disorganisation and Sex, returns to recommend The Case of Dominique by Francoise Dalto.

Episode 58 — Ruth Asawa  It's our final podcast of 2022! DLS co-founders Florian Duijsens and Katy Derbyshire join producer Susan Stone to toast the holiday season, chat about this year's good news in Dead Ladies, and to introduce our featured Dead Lady, artist Ruth Asawa.  Born to Japanese parents on a farm in California, Ruth Asawa first developed her artistic tendencies tracing shapes in the dirt. When her family was interned during World War II by the US government (along with thousands of US citizens with Japanese heritage, following the bombing of US military base Pearl Harbor by the Japanese) her life was put on hold, but she made opportunity where she could find it. When she was prevented from becoming a teacher by anti-Japanese prejudice and laws, she studied art and became a sculptor, often weaving cheap found material and wire. Her public artworks and her art education advocacy made her chosen home city, San Francisco, a more beautiful place, and her sculptures are now auctioned for millions, and exhibited around the world.  You can see wonderful pictures of Ruth and her art, and learn more about her on our episode notes page here:  deadladiesshow.com/podcast/2022/12/14/podcast-58-ruth-asawa  Her estate's website, a tremendous resource, can be found at https://ruthasawa.com/ We also mentioned the podcast Spatial Delight about geographer Doreen Massey, which is edited by Susan and hosted and produced by 2-time DLS Podcast star Agata Lisiak. You can find it here: https://thesociologicalreview.org/podcasts/spatial-delight/ Our theme music is “Little Lily Swing” by Tri-Tachyon. What's your favorite Dead Lady news of the year? Drop us a line info@deadladiesshow.com or tell us on social media @deadladiesshow Thanks for listening! We'll be back with a new episode next month. **** The Dead Ladies Show is a series of entertaining and inspiring talks about women who achieved amazing things against all odds, presented live in Berlin and beyond. This podcast is based on that series. Because women's history is everyone's history. The Dead Ladies Show was founded by Florian Duijsens and Katy Derbyshire. The podcast is created, produced, edited, and presented by Susan Stone. Don't forget, we have a Patreon! Thanks to all of our current supporters! Please consider supporting our transcripts project and our ongoing work: www.patreon.com/deadladiesshowpodcast  

Episode No. 563 of The Modern Art Notes Podcast features curator Aleesa Pitchamarn Alexander and artist Katherine Bradford. Alexander is the curator of "The Faces of Ruth Asawa," a new permanent installation at the Cantor Arts Center at Stanford University featuring Asawa's Untitled (LC.012, Wall of Masks). Wall of Masks is made up of ceramic face masks Asawa made with the cooperation of friends and visitors. The masks once hung on the exterior of the Asawa family's home. The artwork was the first acquisition made by Stanford's Asian American Art Initiative, which Alexander founded with Stanford professor Marci Kwon, and which she co-leads. "Faces" also includes three vessels by Asawa's son Paul Lanier. Each was made with clay mixed with the ashes of Asawa, her husband Albert, and their late son, Adam. Upon Asawa's death, by her request, Lanier threw these materials into a set of vessels, one for each surviving sibling. The second segment is a re-air of painter Katherine Bradford's 2018 appearance on the program. This summer, the Portland (Me.) Museum of Art is presenting "Flying Woman: The Paintings of Katherine Bradford," the first solo museum survey of Bradford's career. It was curated by Jaime DeSimone and is on view through September 11. The segment was taped on the occasion of “FOCUS: Katherine Bradford” at the Modern Art Museum of Fort Worth.

Helloooooo DT fam. As the school year is wrapping up, so is Season One of the DrawTogether Podcast! (Can you believe it?? 26 episodes!) As our Season One finale, we do a big-hearted DrawTogether classic: the blind contour portrait. This is a partner exercise, so grab a family member, friend or stranger, hit play above, and get ready to learn to LOOK in under a few minutes. Because in addition to helping us imagine a world we want to see, drawing teaches us to LOOK at one another. To slow down and pay attention. I deeply believe drawing is one of the most accessible and immediate ways to create connection between people and open doors for deeper relationships. My TED talk features this drawing exercise, and goes deeper on how Drawing helps us slow down, look closely and connect with the world around us - and each other. That drawing is looking, and looking is loving. And that DrawTogether isn’t really about drawing. ;) I hope you enjoy this episode, and continue to do this exercise anytime, anywhere, with anyone. I’ve done it in classrooms, workplaces, in hospitals - I even got a bar full of strangers to draw each other all at once. It’s the ultimate humanity ice-breaker/connection maker. I can’t wait to hear what you think (and see what you see.) Do let me know how it goes. Looking back on the DT Pod for a minute: When we started this podcast 26 episodes ago, we never thought we would come so far. With the help of phenomenal editor Amy Standen, we learned about artists Alma Thomas, Agnes Martin and Ruth Asawa. We talked about the war in Ukraine and drew sunflowers to process our feelings and show our support. We drew the shape of sound with musician Colin Meloy, and visited with children’s book author/illustrator Carson Ellis. We moved our feelings through our bodies and onto the page with five finger drawings and silly emotional fruit, and made a bunch of fun imaginary animals - because why not. We drew SO. MUCH. All these DT podcasts and more are here on Substack and on Apple Podcasts. If you or your kids missed any, they are here for you over the summer. Speaking of Summer: next week I’ll share deets on what’s coming next, what subscribers will be receiving in their inboxes, all that fun stuff. Plus a recap on everything DrawTogether has done in our classrooms program (SO MUCH STUFF) and some pretty awesome partnerships we’ll finally be able to share. For now, a huge thank you so much for being part of DrawTogether. There is no DT without YOU. And as we say at the end of every class, show, podcast episode, and first podcast season (!): Drawing is Looking and Looking is Loving. Also, Everything is better when we DrawTogether. See you soon!xoxow Get full access to DrawTogether with WendyMac at club.drawtogether.studio/subscribe

This week: are stolen Cambodian statues hidden in the world's great public collections? We discuss Cambodia's looted heritage with Celia Hatton, Asia Pacific editor and presenter at the BBC World Service, whose documentary for BBC TV and radio Cambodia: Returning the Gods exposes the connections between looters, smugglers and, allegedly, some of the world's most famous encyclopaedic museums. Plus, the dark truth behind the art and antiques assembled by the Marcos family in the Philippines as they return to power. We talk to the Filipino artist Pio Abad—who's made art about Ferdinand and Imelda Marcos and their collections for more than a decade—about Bongbong Marcos's presidential election victory in the Philippines and what that means for the country and the art and antiquities seized by its government after the Marcoses were deposed in the 1980s. And in this episode's Work of the Week, we discuss a sculpture by Ruth Asawa—Untitled (S.266, Hanging Seven-Lobed, Multi-Layered Interlocking Continuous Form within a Form) (1961)—a highlight of a new exhibition at Modern Art Oxford in the UK, with Emma Ridgway, the show's co-curator. Remarkably, the solo exhibition is the first in a European institution dedicated to the Japanese-American artist.You can read Celia's report on Cambodian antiquities online at bbc.co.uk. Cambodia: Returning the Gods (radio version) is on the BBC website and the BBC Sounds app—under The Documentary Podcast stream for the World Service and the Crossing Continents podcast stream in the UK—and on other podcast platforms. Cambodia: Returning the Gods (television version) is on iPlayer in the UK and will be shown again on the BBC World news channel, broadcast date tbc—check listings.Pio Abad: Fear of Freedom Makes Us See Ghosts, Ateneo Art Gallery, Ateneo de Manila University, until 30 July, pioabad.com.Ruth Asawa: Citizen of the Universe, Modern Art Oxford, UK, 28 May-21 August; Stavanger Art Museum, Norway, 1 October-22 January 2023. See acast.com/privacy for privacy and opt-out information.

Why haven't we been talking about JLo more here? Well, we're about to remedy that—and fill ya in on more, more, more design trends that are speaking to us right now.   The women artist biographies/books Claire will be picking up include Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five PaAnne Truittinters and the Movement by Mary Gabriel, Daybook: The Journal of an Artist by Anne Truitt, and Everything She Touched: The Life of Ruth Asawa by Marilyn Chase.   If you're also looking to do a JLo deep-dive, we recommend reading How to Fake It in Hollywood by Ava Wilder, Funny You Should Ask by Elissa Sussman, the story of the full-page ad Ben took out back when, Vulture's Peoria, Illinois, analysis re: Marry Me, and this GQ article about THE dress. Also, listen to Just Like Us: The Tabloids that Changed America hosted by Clare Malone and watch the music video that Ben made to “On My Way To You” for Jen for Valentine's Day.   In the home-design realm, some inspiration comes from two incredible New Orleans hotels, Hotel St. Vincent and Hotel Peter and Paul.    Fellow lovers of yellow furniture should bask in Billy Cotton space for Grace Morton, Sophie Ashby's giant yellow velvet couch, and this kid's room.    If you're thinking of doing some furniture-painting on your own (inspiration: Matilda Goad's London home!), see Erin Boyle of Reading My Tea Leaves make-over a dresser on IG and read her guides for refreshing trim and kitchen cabinets.    Wood paneling—SO COOL. See: Sound View Hotel, ​​Les Arcs ski resort, Jane Hallworth for Tinder co-founder Sean Rad and his Wife Lizzie Grover Rad, and Wall for Apricots.    On the Swedish tile stove front, we love painter Mary Nelson Sinclair's dining room, Victor Hugo's fireplace, Lindholm Kakelugnar, and this explainer from Messy Nessy Chic.   Your favorite niche JLo stories need an audience! Share ‘em at 833-632-5463, podcast@athingortwohq.com, or @athingortwohq.   So many more recs coming at you with a Secret Menu membership!   Get professional counseling with BetterHelp and take 10% off your first month with our link. Download Best Fiends—it's free!—on the App Store or Google Play. Grow hair that's thicker and healthier with Nutrafol. Your first month's subscription is $15 off with the code ATHINGORTWO. Help those muscles chill: Try Theragun for 30 days. YAY.   Produced by Dear Media  

Hellloooo! It’s another DrawTogether Podcast episode. Subscribers received a special letter yesterday: notes from a conversation with Ruth Asawa’s son, Paul Lanier, about cultivating creativity in young humans. If you’d like to get special treats like this that dig deeper into things we explore in the podcast, please subscribe. You’re also helping DrawTogether continue to make fun, educational, creative stuff for kids of all ages. Thank you. On to the podcast! This week we answer that age old question: How do you figure out what to draw when you don’t know what to draw?? Turns out, the answer is right in front of you. When you look closely, the most ordinary object becomes extraordinary (and makes an extra-extra ordinary drawing.)We practice our skills of observation by learning how to do a blind contour drawing (aka drawing without looking at your paper.) This practice helps us look closely and pay attention to the shapes and edges of an object, how it twists and turns. Then we do a little coloring and shading to help us notice texture and light. 3 months of art school into an 8 minute podcast! Hit the play button above or LISTEN ON iTUNES. Thanks for drawing together, y'all! Post your blind contour drawings of your extraordinary objects on instagram and tag @DrawTogether.Studio to share them out. Pencils up ,friends! See you next week. xo, wDT PODCAST CREDITS: Drawer: WendyMac, Editor: Amy Standen, Drawing Music: Cheeky CP, DT Theme Music: Thao Nguyen, Hold Music: Jay YouPS! DrawTogether got some BIG LOVE in New York Magazine this week! Thank you Liz Weil who wrote an amazing profile, and Damien Maloney who took the funnest photos. A reminder: even though it’s my silly face in the profile, there’s a whole group of kind, creative, hard-working folks who make DrawTogether happen. It’s not called DrawAlone, right?? Big love and shout out to everyone who contributes to DT.

Notes from a conversation with Ruth Asawa's son, Paul Lanier, on cultivating creativity in kids

Hellllloooo! Happy Friday. It’s been less than a week since DrawTogether was featured on PBS NewsHour, and boy did we get a great response. A big welcome to all the new folks joining us! And to our longtime DT peeps: thanks for continuing to draw, look and love with us as the DT family grows. Onwards! Our podcast drawing today is based the work of one of my favorite artists, Ruth Asawa. We explore her magnificent light-as-air wire sculptures using shape & line/pencil & paper. (Hit that play button above - or listen on iTunes or Spotify!) I discuss a bit of Ruth’s work and life in the podcast, but her are a few more fun facts: Ruth Asawa was the quintessential maker. She used her HANDS and whatever materials were available. She focused as much on the process of making art as the outcome. And through all the changes and chapters in her life, she kept making art. Ruth and her family were unjustly placed in a Japanese American internment camp during World War 2, and she kept on creating. She went on to study at the experimental Black Mountain College in North Carolina, and travelled to Mexico to see Diego Rivera’s murals and painting first hand. There, a local artisan taught her a basket weaving technique that became the basis for her wire sculptures. Here are some traditional weaving techniques that look similar to Ruth’s wire work, and the drawing we do on today’s podcast.And here’s a photo of Ruth weaving a wire sculpture based on technique she learned in Mexico. Or rather, here’s a photo of Ruth drawing in the air:Ruth worked constantly. She was always folding paper, drawing on scratch paper, or looping wire… so you can imagine what life was like given she had six kids (!) always hoping for her attention. BIG NEWS: I’m interviewing Ruth Asawa’s son, Paul Lanier (a teaching artist himself) about growing up in a creative home and cultivating creativity in young people. I’ll share conversation with subscribers in the days ahead. If you’d like access to features like this, please support/subscribe here:“An artist is not special. An artist is an ordinary person who can take ordinary things and make them special.” Ruth Asawa wove different techniques, cultures, identities and experiences into a tremendous life and body of work that continues to contribute so much to our creative humanity. She made, taught and tirelessly advocated for arts education. She drew in the air. Thank you Ruth Asawa.I’d love to see your Ruth Asawa inspired drawings. After you listen to the podcast, take a photo and post it on instagram and tag @drawtogether.studio, and we’ll share it with the community. Pencils up, friends. Everything is better when we DrawTogether. xo,wps - You can now listen to the DrawTogether Podcast on iTunes and Spotify! Please subscribe over there and share it out with your friends. We appreciate it.

Listen now (10 min) | A mindful drawing exercise based on Ruth Asawa's wire weaving

 Kim Shuck's parents met on Market Street in the late-1950s when her dad wrestled an ocelot away from its grips on her mom. In this podcast, the San Francisco poet laureate emerita talks about the five generations of San Franciscans on her mom's side. Her dad joined the Navy partly to get out of Oklahoma. He was "career" for a while, but then left that to become an electronics engineer in Silicon Valley. Her San Francisco grandparents (maternal) met at the Polish Hall in the Mission. Kim spent significant time with both sets of grandparents—both her in The City and in Oklahoma. When she was young, Kim's mom started working as a special needs para at a school near their home. She was also a founder of Noe Valley Nursery School, one of the first such co-ops in The City and also where Kim went to nursery school. Kim tells stories of the no longer extant Noe Valley Street Fair, which was a fundraiser for the school. Kim spent most of her years growing up in the Mission, Noe Valley, and the Castro. She lists the different public schools she went to. She reminisces about growing up in the Sixties and Seventies in San Francisco, with an emphasis on the way people used to paint houses in The City in vibrant color and with many hand-painted details (see our episode with Bob "Dr. Color" Buckter--Part 1 / Part 2) We eventually get around to stories about outdoor music shows and her memories of seeing the San Francisco Mime Troupe when she was young. We also spend a good amount of time talking about her love of roller skating (see our podcasts last week with David Miles, Jr., of the Church of 8 Wheels—Part 1 / Part 2). Ruth Asawa was a neighbor and (probably) Kim's first art teacher at Alvarado Elementary School. Later in her life, Kim did origami and became friends with Ruth again. Like so many guests of this show, Kim went to college at SF State. She recounts all the academic and social movements that have origins at the school, including ethnic students, free speech, and the American Indian takeover of Alcatraz. One theme Kim keeps coming back to is the cyclical nature of things, especially pertaining to creativity and art in San Francisco. "One step forward, one step back. We're cha-cha-ing." We end Part 1 with Kim going into her Cherokee heritage and then more of the story of her decision to stay in town and go to college at SF State. Check back Thursday for Part 2 and our last podcast of 2021. ​We recorded this podcast at Kim's house in the Sunnyside in December 2021. Photography by Michelle Kilfeather

Ruth Asawa (1926-2013) was an artist known for her geometric, woven wire sculptures.History classes can get a bad wrap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should.Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Sundus Hassan, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, and Ale Tejada. Special thanks to Shira Atkins.We are offering free ad space on Wonder Media Network shows to organizations working towards social justice. For more information, please email Jenny at pod@wondermedianetwork.com.Follow Wonder Media Network:WebsiteInstagramTwitter

After her time at the legendary Black Mountain College, Ruth Asawa went on to create incredible sculptures — way ahead of their time. Inspired by Mexican basket weavers and empowered after a unique and experimental art school experience, she battled against racism and subjugation to create art with impact, eventually cementing her legacy by spearheading more community based education opportunities. Kunst Please is a micro-dose of modern art history. An exploration into the more unexpected side of modern and contemporary art, featuring stories of the famous and the infamous, the weird and the wonderful, the unheard, the cult, the criminally overlooked and the criminally insane. Created and produced by Jonathan Heath. Follow the gallery space on Instagram @kunstplease Check out show-notes and assorted ephemera at kunstpleasepod.medium.com/

A story of artistic triumph and long-lasting legacies! Ruth Asawa is one of California's most beloved sculptors and was an influential advocate for arts education. She persisted through extreme prejudice and the injustice of Japanese internment camps to become a master at her craft. Today, her remarkable work lives on—from installations in famous museums, to monuments in city parks, to The Ruth Asawa San Francisco School of the Arts! Join us for future "Hidden Heroes of History" episodes of the Dorktales Storytime Podcast where you'll discover more hidden heroes in science, technology, engineering, arts, math and human rights who changed the world. Join us as we uncover the stories of the STEAMers and dreamers who made history!Find more information about Ruth Asawa: https://jonincharacter.com/ruth-asawa/ Visit the Dorktales Storytime Podcast website: https://jonincharacter.com/dorktales-storytime-podcast/ FOLLOW US: If our storytelling brings you some joy…and a few laughs, please follow us in your preferred podcast app so future episodes will automatically show up in your podcast library. We'd be so grateful if you helped us grow, by letting others know about our geeky tales too.Now, go be the hero of your own story and we'll see you next once-upon-a-time!Members of Kids Listen – advocates for quality podcasts for kids: https://www.kidslisten.org/Please rate this podcast: https://ratethispodcast.com/dorktales Join our mailing list: https://bit.ly/dorktales-signup BONUS CONTENT: Additional downloadable content and activities for our Hidden Heroes of History episodes will be available for free to our mailing list subscribers so please make sure you sign up.CREDITS: This episode has been a Jonincharacter production. Today's hero story was written by Molly Murphy and performed by Jonathan Cormur. Sound recording and production by Jermaine Hamilton at Studio Circle Recordings OUR PODCAST FRIEND: We wanted to let you know about our friends at “The Ten News.” The podcast is ten minutes of news and fun for the new generation of curious thinkers! Check them out wherever you listen to podcasts or go to thetennews.com. Support the show (https://www.buymeacoffee.com/dorktales)

For over twenty years JOAN HANLEY has balanced artmaking with a meditative practice. The ARTish Plunge podcast explores how Joan’s spiritual and art explorations around the world have influenced her practice, as reflected in her book Art & Yoga. Using oils, gouache, or ink, Joan creates large and small scale works with contemplative, emotional depth from her historic Harrisville, New Hampshire studio. In addition to creating thought-provoking public installations, Joan also works with other artists to help them find their own creative balance.Find Joan Website: www.hanleystudio.com Instagram:   @ hanleystudio  Facebook:  Joan Hanley Mentioned:Art & Yoga, Joan Hanley Hari Kirin (read)  Care of the Soul, Thomas Moore (read)  Original Self, Thomas Moore, illustrated Joan Hanley (read)Alice Neel exhibit, The Met Museum (see)Everything She Touched: The Life of Ruth Asawa (read) Becoming Astrid (watch) "Breath of the Forest" exhibit, Rochester Museum of Fine Arts (visit)Find Me, Kristy Darnell Battani: Website:   https://www.kristybattani.com Instagram:  kristybattaniart Facebook:  kristybattaniart Did you enjoy hearing about Joan's plunge? If so, please take a moment to leave a rating and a comment: https://lovethepodcast.com/artishplunge   Music:"Surf Guitar Madness," Alexis Messier, Licensed by PremiumBeat.comSupport the show (https://www.buymeacoffee.com/artishplunge)Support the show (https://www.buymeacoffee.com/artishplunge)

In episode 63 of The Great Women Artists Podcast, Katy Hessel interviews the esteemed curator Emma Ridgway of Modern Art Oxford on the majorly influential, RUTH ASAWA (where she is set to have an exhibition in 2022!!!).  [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] Artist, educator, trailblazer and sculptor, Ruth Asawa is up there with the greatest and most influential artists of the entire 20th century, Best known for her looped-wire sculptures that expand form, defy structure, and blurring all illusions between hard and soft, tall and small, strongand fragile, RuthAsawa's works ranged from colossal to small enough to fit in your hand.   The fourth of seven siblings, Ruth Asawa was brought up on a rural farm in California by immigrant parents of Japanese descent. Curious and energetic, she spent her childhood helping out on the farm by wiring beans, and attending Japanese calligraphy classes. But as it was the 1930s, the racial prejudice against people of Japanese heritage was worsening. Following the attack on Pearl Harbour, around 120,000 Japanese-Americans were placed in internment camps, including a teenage Ruth Asawa. Which in this episode, we speak about in great depth.   But against the demonstrative conditions and dehumanising set up, communities came together.Providing education for the young people in the camps, professional artists stepped up, and Ruth was taught by some of the greatest Disney animators of the day. Shaped by her teachers, Asawa set out to be an educator herself. However, despite training for three years, was denied a job due to racial prejudices.  So, in the summer of 1946, she enrolled at Black MountainCollege, and it was here where she flourished: ‘I spent three years there and encountered great teachers who gave me enough stimulation to last me for the rest of my life.’ Taking classes with Josef and Anni Albers to Buckminster Fuller (whose hair she cut for a bit of extra money!), Asawa took the BMC approach to her career, by inextricably linking art with life, and life with art.  Moving to SF in '49, Asawa's legacy in setting up art education is tough to compete with. And it is there that she still remains an icon, with the Ruth Asawa School of Arts still very much in full swing today.  I am not exaggerating when I say this may be the most extraordinary, hopeful, brilliant story in art history. I really hope you enjoy this as much as I did.   LISTEN NOW + ENJOY!!! FURTHER LINKS! https://www.davidzwirner.com/artists/ruth-asawa https://www.modernartoxford.org.uk/event/citizen-of-the-universe/ https://ruthasawa.com/life/black-mountain-college/ Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Winnie Simon Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ Ruth Asawa: Citizen of the Universe is curated by Emma Ridgway and Vibece Salther, organised in partnership by Modern Art Oxford UK and Stavanger Art Museum Norway, supported by the Terra Foundation for American Art.    Opens 28 May - 21 Aug 2022 at Modern Art Oxford then 1 Oct 2022 - 22 Jan 2023 at Stavanger Art Museum. I CAN'T WAIT!

Oh boy, dear listener. Silence is violence, and the patterns of racial violence that predicate the notion of Asian Americans as "not belonging" directly ties to US history. Look no further than today's artist, Ruth Asawa, who was forcibly detained in a WWII Japanese Internment camp on US soil. This American sculptor took her lifelong passion for art and her outstanding resilience, and radically transformed wire-crocheting baskets into something extraordinary and bizarre. After all, it was Ruth herself who said, "I would not be who I am today had it not been for the internment, and I like who I am." Join us as we discuss the atrocities of racism, gush about the Black Mountain College, celebrate the concept of true love, and make a ton of noise around the fact that her arts education space inspires both of your BYWAP hosts to start a school together. Things have changed, but we're changing with it. Donate. Sign petitions. Support Black-owned businesses. Challenge racism. Educate yourselves. Listen. Speak. Repatriate. Stay Safe. Don't Touch Your Face. Wash Your Hands. Donate! Donate to Black Lives Matter LA, the Action Bail Fund, Black Visions Collective. Please be sure you've signed petitions. If you like what we do, you can support BYWAP over on our Patreon! Find us online! You can follow BYWAP on Twitter and Instagram. You can also find us over on our website! We want to hear from you, to share this time with you. We're in this together, and we're better together. Please leave us a review wherever you listen to podcasts. Every little bit helps as we grow, and we cannot wait to talk to you all again. This is global. Your voice matters. Systemic change is possible. It will not happen overnight—so keep fighting! We stand with you. Our music was written and recorded by Elene Kadagidze. Our cover art was designed by Lindsey Anton-Wood.

San Francisco author Marilyn Chase reads from her new book "Everything She Touched: The Life of Ruth Asawa." The artist Ruth Asawa was imprisoned as a Japanese American during World War II and later revolutionized scultpure and art education.

Journalist Marilyn Chase talks with Jesse about her new book, Everything She Touched: The Life of Ruth Asawa, which celebrates the life and work of the legendary artist. She talks about Ruth's early life and influences, her experiences while in a Japanese-American internment camp during World War II, and her lasting artistic legacy. All that on the next Bullseye!

Claire and Linda discuss the amazing work and engagement they are witnessing in their Philadelphia literary community by Black-owned bookstores like Harriett's Bookshop and Uncle Bobbie's Coffee & Books. We also talk about poet Jenny Zhang's brilliant dialogue on resisting the tendency to define a group or individual by their most painful trauma and reading books that engender empathy and prime you to take action. Books recommended during the show and more are listed below. For more suggestions like these, peruse our online store here. The Underground Railroad by Colson Whitehead A Life Made by Hand: The Story of Ruth Asawa by Andrea D'Aquino Crooked Hallelujah by Kelli Jo Ford Amora: Stories by Natalia Borges Polesso, translated by Julia Sanches The Color of Law: A Forgotten History of How Our Government Segregated America by Richard Rothstein Fearing the Black Body: The Racial Origins of Fat Phobia by Sabrina Strings If Beale Street Could Talk by James Baldwin Or really, any James Baldwin On Earth We're Briefly Gorgeous by Ocean Vuong How We Fight for Our Lives: A Memoir by Saeed Jones Locking Up Our Own: Crime and Punishment in Black America by James Forman We Have Always Been Here: A Queer Muslim Memoir by Samra Habib Pew by Catherine Lacey Walking With the Wind: A Memoir of a Movement by John Lewis and Michael D’Ors May I Recommend? is a RADIOKISMET podcast. For more, visit RADIOKISMET.COM.

Alex Kurtzman praises the "amazing experiment" of Star Trek: Short Treks and floats the idea of a musical episode, George Takei is set to help the U.S. Postal Service launch a new set of stamps honoring Japanese sculptor Ruth Asawa, plus history! Support Daily Star Trek News on Patreon: https://patreon.com/dailystartreknews Subscribe on Apple Podcasts or Google Podcasts For more great Star Trek podcasts: https://podcasts.roddenberry.com Website: https://www.dailystartreknews.com Email: info@dailystartreknews.com Twitter and Instagram: @dailytreknews

Alex Kurtzman praises the "amazing experiment" of Star Trek: Short Treks and floats the idea of a musical episode, George Takei is set to help the U.S. Postal Service launch a new set of stamps honoring Japanese sculptor Ruth Asawa, plus history! Support Daily Star Trek News on Patreon: https://patreon.com/dailystartreknews Subscribe on Apple Podcasts or Google Podcasts For more great Star Trek podcasts: https://podcasts.roddenberry.com Website: https://www.dailystartreknews.com Email: info@dailystartreknews.com Twitter and Instagram: @dailytreknews

Guest: Marilyn Chase, a journalist and teacher, and the author of The Barbary Plague: The Black Death in Victorian San Francisco. She covers medical science and health care focusing on infectious-disease outbreaks and bioterrorism. She is the author of the book The Barbary Plague: The Black Death in Victorian San Francisco.  Her latest book is Everything She Touched: The Life of Ruth Asawa. The post When the Plague Came to San Francisco appeared first on KPFA.

Alysa Nahmias is an award-winning filmmaker and founder of the Los Angeles-based production company Ajna Films. Her directorial debut feature, Unfinished Spaces, co-directed with Benjamin Murray, won a 2012 Spirit Award, numerous festival prizes, and is in the permanent collection at the Museum of Modern Art, New York.  In The New Bauhaus, the film's narrative weaves original interviews with archival footage, voiceover, and stylized filming of documents and artwork. The result is a new perspective view of Laszlo Moholy-Nagy, a man who was ahead of his time creating a philosophy of art and design education that has captured imaginations for nearly a century.  Akira Boch is an award-winning filmmaker and Director of the Media Arts Center at the Japanese American National Museum in Los Angeles. He has made over 50 short films, documentaries, and music videos.  His latest film, Masters of Modern Design: The Art of the Japanese American Experience explores five second generation Japanese American artists—Ruth Asawa, George Nakashima, Isamu Noguchi, Gyo Obata, and S. Neil Fujita—following the ways in which their US internment camp experiences impacted their lives, influenced their art, and sent them on trajectories that eventually led to their changing the face of American culture with their immense talents.

Ruth Asawa. American Sculptor. Japanese American (Nisei). World War History lessons. Multi-cultural work. Weaving metal and stringing green-beans. Housewife AND a badass artist. Fountain Lady. Making the world better through art education. Middlebrow is hosted by Olive Moya and Lindsey Schulz You can find images from this episode on our instagram HERE

We tell more stories of women who we really should have known about before doing this recording! Plus some great recommendations to get your Sistery History fix in-between episodes! We hope you enjoy! Rebecca & Rhea xx Recorded by Rebecca Hansell & Rhea Brooks Edited by Rebecca Hansell Intro music sourced on Filmstro.com See acast.com/privacy for privacy and opt-out information.

In this episode of Out of the Dust, Francis and Anjelica examine the life of the Japanese-American and Californian artist Ruth Asawa through her oral history. Asawa describes her work, her education, and life as a teenager in a Japanese-American internment camp.

Joan Schoettler is the author of the nonfiction children's picture book, Ruth Asawa: A Sculpting Life, a story about the life and work of American artist Ruth Asawa. Tune in to the podcast to hear Joan talk about her writing journey, her fascination with Ruth Asawa's story and how her years of teaching children's literature at the university level helped shape her own writing.    

In today’s episode of Escrow Out Loud, our San Francisco Real Estate podcast, we talk about how, in San Francisco, our past does not live up to our ideals.[00:28] Compassion, brotherhood, love. These are just some of our values in San Francisco. But do we always live up to these ideals?The history of Sutro Baths is one example where we have some bad history. More recently a statue, Early Days, has been making the news due to to its portrayal of California history. Another example is the renaming of streets like Phelan.[07:24] In addition to all the street name changes throughout San Francisco, the Embarcadero Plaza has also had a name change. It was once known as Justin Herman Plaza. So, why has Justin Herman’s name been stripped and the Plaza renamed?[11:14] It’s not all bad though. To wrap up we give some shout-outs to the incredible women that have been a large part of San Francisco’s history. Namely: Julia Morgan, Dorothea Lange, Maya Angelou and finally Ruth Asawa. Thank You!Thank you for listening. If you enjoyed this episode leave us a review on your favorite platform, tell your friends and don’t forget to join us again next week! See acast.com/privacy for privacy and opt-out information.

Welcome to Episode #03. Ruth Asawa is this week's inspiration. She's an original California artist. Her work to me is so authentically intricate and easy at the same time. It's something you could look at and perhaps think - maybe I could have made that! But you can't, and you didn't, and she did.1. Smog - I Was a Stranger2. Paul McCartney - One of These Days3. Chris Isaak - Back on Your Side4. Bruce Springsteen - the Ties That Bind5. John Lennon - One Day (At a Time)6. The Cairo Gang - Shivers7. Guided By Voices - As We Go Up, We Go Down8. Diana Ross - My Old Piano9. The Slits - Instant Hit10. Sade - The Sweetest Taboo

Have you ever wondered about the public art you see around town? Do you know how to find the meaning of outdoor sculptures and paintings? Join an adorable six-year-old host on a journey to discover monumental public artworks throughout San Francisco. Public art is all around us, but sometimes we don't even notice it! Get some insight about the famed Bow and Arrow by the bay by artists Claes Oldenburg and Coosje Van Bruggen, and Ruth Asawa's bay-framing fountain sculpture across the street. Then grab your hiking boots and head for the woods to see Andy Goldsworthy's all-natural installations in The Presidio. Learn how to read these public artworks and many more, brought to you by the cutest curator in town. Do you have a favorite public artwork in your town? Snap a photo and share it with us on Twitter @KQEDArtSchool.

See how renowned sculptor Ruth Asawa has passed along her love of art to her family. Original air date: May 2005.

This Educator Guide corresponds with the "Ruth Asawa: Sculpture" video from KQED Spark.

See how renowned sculptor Ruth Asawa has passed along her love of art to her family. Original air date: May 2005.

Our final podcast in the Artist of the Week series focuses on the California painter Helen Lundeburg (1908-1999). Lundeburg's painting "Untitled (Red Line)" recently came into the collection of the San Jose Museum of Art. For this episode we interviewed Tobey C. Moss, owner of the Tobey C. Moss Gallery. As a close friend of Lundeburg's, and also her representative, Moss was able to provide an intimate look into the life and art of this often overlooked artist. Thanks for listening to all of our Artist of the Week podcasts. Keep a look out for an Artist of the Month podcast, probably with a with a different title though! During the 8 week run of the exhibition "New Year, New Gifts", the San Jose Museum of Art will offer each week a podcast highlighting one of the artists in the show. The artist in the series are: Hung Liu, Jack Zajac, Rick Arnitz, Ruth Asawa, Richard Misrach, Amy Kaufman, Helen Lundeburg and Manuel Neri. We hope that visitors will download these podcasts and bring their iPods into the museum to experience the works first hand with the audio. However, these are enhanced podcasts and if you own an iPod that displays pictures or if you view the podcast in iTunes, you will be able to view images from the collection and images from the interviews. But you can also just listen to the audio and enjoy the insight that each podcast will provide. If you have any comments or questions please email: podcast@sjmusart.org The music from this podcast, “Fine Line”, is by the band Upper Left Trio and is from their album Cycling. Check them out at www.origin-records.com.

Chained to the office for this episode of Artist of the Week, we headed into the recording studio where we conducted phone interviews with two Bay Area art professionals. The subject of the interviews was Benicia based artist Manuel Neri, whose sculpture "Untitled (Kneeling Figure)" recently came into the SJMA collection. First up, we interviewed art critic and San Francisco Institute of Art professor Mark Van Proyen, who has written a catalog essay for Neri's upcoming show at Hackett-Freedman Gallery in San Francisco. Then we turned to the co-owner of the Hackett-Freedman Gallery, Tracy Freedman, to shed some personal insight on the artist who the gallery has represented for 7 years now. During the 8 week run of the exhibition "New Year, New Gifts", the San Jose Museum of Art will offer each week a podcast highlighting one of the artists in the show. The artist in the series are: Hung Liu, Jack Zajac, Rick Arnitz, Ruth Asawa, Richard Misrach, Amy Kaufman, Helen Lundeburg and Manuel Neri. We hope that visitors will download these podcasts and bring their iPods into the museum to experience the works first hand with the audio. However, these are enhanced podcasts and if you own an iPod that displays pictures or if you view the podcast in iTunes, you will be able to view images from the collection and images from the interviews. But you can also just listen to the audio and enjoy the insight that each podcast will provide. If you have any comments or questions please email: podcast@sjmusart.org The music from this podcast, “When the Telegram Arrived That She Was Dying”, is by the band Madagascar and is from their album Forced March. Check them out at www.westernvinyl.com.

We traveled to Oakland for this episode of Artist of the Week where we were invited into the studio of Amy Kaufman to discuss her artistic process and her piece, "Ice and Shoots" in the SJMA permanent collection. In her bright and welcoming studio we were able to see recent paintings and drawings in various states of progress. We also spoke with the San Jose Museum of Art's Chief Curator, Susan Landauer, who was able to put Kaufman's art into context with the Bay Area art scene and shed some insight on Kaufman's artistic abilities. During the 8 week run of the exhibition "New Year, New Gifts", the San Jose Museum of Art will offer each week a podcast highlighting one of the artists in the show. The artist in the series are: Hung Liu, Jack Zajac, Rick Arnitz, Ruth Asawa, Richard Misrach, Amy Kaufman, Helen Lundeburg and Manuel Neri. We hope that visitors will download these podcasts and bring their iPods into the museum to experience the works first hand with the audio. However, these are enhanced podcasts and if you own an iPod that displays pictures or if you view the podcast in iTunes, you will be able to view images from the collection and images from the interviews. But you can also just listen to the audio and enjoy the insight that each podcast will provide. If you have any comments or questions please email: podcast@sjmusart.org The music from this podcast, “Ice Machine”, is by the band The Stella Link and is from their album Mystic Jaguar...ATTACK. Check them out at www.asceticrecords.com.

For week 5, we focus on artist Richard Misrach and SJMA’s recent acquisition "Untitled", from the series On the Beach, photographed by Misrach. For the podcast we spoke with gallery owner Robert Mann who represented Richard Misrach for over 20 years and even traveled with him several summers through the desert Southwest. In addition, we interviewed geologist, SJMA board member and Misrach collector, Peter Lipman who shares his personal insight on Misrach’s work. During the 8 week run of the exhibition "New Year, New Gifts", the San Jose Museum of Art will offer each week a podcast highlighting one of the artists in the show. The artist in the series are: Hung Liu, Jack Zajac, Rick Arnitz, Ruth Asawa, Richard Misrach, Amy Kaufman, Helen Lundeburg and Manuel Neri. We hope that visitors will download these podcasts and bring their iPods into the museum to experience the works first hand with the audio. However, these are enhanced podcasts and if you own an iPod that displays pictures or if you view the podcast in iTunes, you will be able to view images from the collection and images from the interviews. But you can also just listen to the audio and enjoy the insight that each podcast will provide. If you have any comments or questions please email: podcast@sjmusart.org The music from this podcast, “Sky and the Ocean”, is by the band Volebeats and is from their album Sky and the Ocean. Check them out at www.myspace.com/volebeats

Ruth Asawa is the artist featured this week on our Artist of the Week PodCast whose tied-wire sculpture "Untitled" recently came into our collection. For the episode, we traveled to San Francisco to speak with Curator of American Art and Director of Contemporary Programs, Daniell Cornell, at the De Young Museum. Daniell Cornell worked closely with Asawa to curate and plan her retrospective exhibition "Contours in the Air". In addition, we spoke by phone with Aiko Cuneo, Ruth Asawa's oldest daughter, who spoke with us about what life was like living with such a prolific and renowned artist. During the 8 week run of the exhibition "New Year, New Gifts", the San Jose Museum of Art will offer each week a podcast highlighting one of the artists in the show. The artist in the series are: Hung Liu, Jack Zajac, Rick Arnitz, Ruth Asawa, Richard Misrach, Amy Kaufman, Helen Lundeburg and Manuel Neri. We hope that visitors will download these podcasts and bring their iPods into the museum to experience the works first hand with the audio. However, these are enhanced podcasts and if you own an iPod that displays pictures or if you view the podcast in iTunes, you will be able to view images from the collection and images from the interviews. But you can also just listen to the audio and enjoy the insight that each podcast will provide. If you have any comments or questions please email: podcast@sjmusart.org The music from this podcast, “Oil Thumbprints”, is by the band Bekar Bekar and is from their album Tropism. Check them out at www.westernvinyl.com Image of Ruth Asawa provided by Laurence Cuneo and came from www.ruthasawa.com

This week we interviewed Rick Arnitz in his live/work studio in Oakland, CA. We were treated to a tour of his studio after the interview where we saw recent works he was producing for an upcoming exhibition at Stephen Wirtz Gallery. During the interview he discusses his painting, a recent SJMA acquisition, called "Who Won What When and Where". In addition, we spoke to gallery owner Stephen Wirtz who has represented Arnitz for more than 10 years. During the 8 week run of the exhibition "New Year, New Gifts", the San Jose Museum of Art will offer each week a podcast highlighting one of the artists in the show. The artist in the series are: Hung Liu, Jack Zajac, Rick Arnitz, Ruth Asawa, Richard Misrach, Amy Kaufman, Helen Lundeburg and Manuel Neri. We hope that visitors will download these podcasts and bring their iPods into the museum to experience the works first hand with the audio. However, these are enhanced podcasts and if you own an iPod that displays pictures or if you view the podcast in iTunes, you will be able to view images from the collection and images from the interviews. But you can also just listen to the audio and enjoy the insight that each podcast will provide. If you have any comments or questions please email: podcast@sjmusart.org The music from this podcast, “Clocks”, is by the band Casual Dots and is from their album Casual Dots. Check them out at www.killrockstars.com Image of Stephen Wirtz provided by Alec Soth at www.alecsoth.com

Our second artist is Jack Zajac. We went to Santa Cruz, CA where Zajac lives and works to speak with him. In his studio, we were treated to a tour of his artwork and after we sat down with him in his home to speak about his travels, his art and his process. Providing extra insight is JoAnne Northrup, Senior Curator at SJMA, who helped bring "Falling Water, Santa Cruz XXIV" into our collection. During the 8 week run of the exhibition "New Year, New Gifts", the San Jose Museum of Art will offer each week a podcast highlighting one of the artists in the show. The artist in the series are: Hung Liu, Jack Zajac, Rick Arnitz, Ruth Asawa, Richard Misrach, Amy Kaufman, Helen Lundeburg and Manuel Neri. We hope that visitors will download these podcasts and bring their iPods into the museum to experience the works first hand with the audio. However, these are enhanced podcasts and if you own an iPod that displays pictures or if you view the podcast in iTunes, you will be able to view images from the collection and images from the interviews. But you can also just listen to the audio and enjoy the insight that each podcast will provide. If you have any comments or questions please email: podcast@sjmusart.org The music from this podcast, "Name's Winston, Friends Call Me James", is by the Brokeback and is from their album Looks at the Birds. Check them out at www.thrilljockey.com!

Our first artist is Hung Liu. For the podcast we went to Hung Liu's studio to discuss her painting "Shoah" which recently came into SJMA's collection. In addition we spoke with her husband, art critic, Jeff Kelly. During the 8 week run of the exhibition "New Year, New Gifts", the San Jose Museum of Art will offer each week a podcast highlighting one of the artists in the show. The artist in the series are: Hung Liu, Jack Zajac, Rick Arnitz, Ruth Asawa, Richard Misrach, Amy Kaufman, Helen Lundeburg and Manuel Neri. We hope that visitors will download these podcasts and bring their iPods into the museum to experience the works first hand with the audio. However, these are enhanced podcasts and if you own an iPod that displays pictures or if you view the podcast in iTunes, you will be able to view images from the collection and images from the interviews. But you can also just listen to the audio and enjoy the insight that each podcast will provide. If you have any comments or questions please email: podcast@sjmusart.org The music from this podcast, "Clowne Towne", is by the band Xiu Xiu and is from their album Fabulous Muscles. Check them out at www.killrockstar.com!