Podcasts about house engineer

Welcome to Studio B Podcast. Genre: Music Industry Professional - Front of House Engineer, Tour Manager, Recording/Mixing EngineerGuest: Hamilton "Hammer" CholowskiLocation: Edmonton, Alberta, CanadaSong: N/A BUT you may see him at an upcoming Fefe Dobson and Avril Lavigne show!Studio B Podcast is all about creating deeper connections between Canadian musical artists, the Canadian music industry, and their audiences. Since 2019, each episode features dynamic conversations with musicians, bands, and industry professionals, diving into their personal journeys, inspirations, and future projects.You get an exclusive look behind the scenes, with candid stories and insights into the unique impact these individuals are making in the music world. Tune in for a deeper understanding of the artists and the industry they shape.Hosted by Alberta, Canada's own award-winning and multi-nominated media personality, podcaster, and MC, Sarah Scott. Find Studio B Podcast on Facebook (Studio B Podcast), Instagram (@__studio__b__) or on TikTok (@studiobpodcastprod) to stay up to date on new episode releases and hot new music.Sarah Scott can be found on Instagram @heyitssarahscott.STUDIO B PODCAST: LIVE SESSIONS ARE HERE!Join award-winning and multi-nominated media personality and podcaster, Sarah Scott, at Mucky Duck Pub on Wednesday, March 5th for the first Studio B Podcast: Live Sessions!It's from 6pm-8pm, it's FREE and will be featuring Country Artists Brett Cassidy and Chris Brien at Mucky Duck Pub!The experience:Join us for an evening of heartfelt candid conversations and original songs! Hosted by award-winning media personality Sarah Scott since 2019, Studio B Podcast has spotlighted Canadian musicians and industry professionals. Just like streaming episodes, live sessions also offer in-depth conversations about their careers, music, inspirations and projects, featuring candid stories and behind-the-scenes insights into their impact on the music scene. However, the live sessions are unique! They feature two artists and four songs!Studio B Podcast: Live Sessions is a celebration of our local Alberta music. Live Sessions will only be a live experience and will not be recorded for audio or video purposes unless otherwise stated. So we would love to have you come out and experience the magic!First 45min: Brett Cassidy (Country)A Calgary, AB-based multi-instrumentalist who has spent the past decade honing his songcraft as part of a bevy of bands, playing folk, country, indie, and rock music across Canada. You can often catch him weaving heartbroken cowboy songs of yesteryear from the likes of Townes Van Zandt, Marty Robbins, and Hank Williams into his set.Second 45min: Chris Brien (Country)Calgary country musician he is a 2x Country Music Alberta Awards nominee and has opened for Brett Kissel and Jojo Mason in (2022). He has amassed 330,000+ streams on Spotify, was named "Most Downloaded Country Singles in Canada" on Yangaroo, and "Most Active Indie" on FYI Music (#6)

Ever wonder what it's like to mix sound at Madison Square Garden for the first time without as much as a line check, let alone a proper sound check? In Episode 273, front of house engineer Ben Ivey shares his thrilling experience doing just that for country artist Warren Zeiders. This episode is sponsored by Allen & Heath and RCF.Ben also talks about his journey from learning church sound alongside his sound engineer dad to balancing life on and off the road, mixing sound for top acts that include Zeiders, TI, and Killer Mike, why empathy and talent both play crucial roles in engineering, and more. In addition to his work at FOH, he's a production manager and consultant who's worked with a variety of artists, including country, pop, rock, hip-hop, and gospel music. He's toured arenas, stadiums, theaters, clubs, ballrooms, TV shows, and tons of festivals over the years.Other clients include Megan Moroney, Lily Rose, Priscilla Block, Elle King, Trace Atkins, Eli Young Band, T-Pain, Lil Baby, Maverick City Music, LANY, Jason Upton, and Simply Irresistible. Most recently, he just got off the road with the Beautifully Broken tour with Jelly Roll, where he had the opportunity to mix in venues including Madison Square Garden, the Staples Center, and TD Garden for country artist Warren Zeiders.Episode Links:Ben Ivey Website, on Instagram, and on LinkedInWarren Zeiders on Jimmy Kimmel LiveSTN Episode 245: Kenny Barnwell on Maintaining Healthy Relationships When Working Away From HomeEpisode 273 TranscriptBe sure to check out the Signal To Noise Facebook Group and Discord Server. Both are spaces for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments!Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by pro audio veterans Andy Leviss and Sean Walker.Want to be a part of the show? If you have a quick tip to share, or a question for the hosts, past or future guests, or listeners at home, we'd love to include it in a future episode. You can send it to us one of two ways:1) If you want to send it in as text and have us read it, or record your own short audio file, send it to signal2noise@prosoundweb.com with the subject “Tips” or “Questions”2) If you want a quick easy way to do a short (90s or less) audio recording, go to https://www.speakpipe.com/S2N and leave us a voicemail there

In this episode of The Sonic Truth, we sit down with Lloyd Williams, the Front of House Engineer currently on tour with Young The Giant, for an in-depth conversation about his live rig setup and how it's being used on the road. Joining him is Eric Cannata, the guitarist for the chart-topping band, Young The Giant. Together, they share insights on the evolution of live sound, from minimizing guitar pedals on stage to the resurgence of outboard gear in modern setups. We also dive into the importance of mixing with your ears instead of relying solely on visual cues. Plus, get an inside look at their visit to Audioscape headquarters in Daytona Beach, where they tested all the gear in preparation for the band's tour. Don't miss this exclusive behind-the-scenes discussion packed with tips and stories from the world of live music!

In Episode 248, the hosts visit with front of house engineer Burton Ishmael, who is currently mixing Madonna's global Celebration tour, and learn about how the artist sought him out after hearing him mix Post Malone, the latest in a list of A-List hip-hop and R&B acts on his resume that also includes Lil Baby, Nas, Big Sean, Miguel, and H.E.R., and others. This episode is sponsored by Allen & Heath and RCF.They also talk about what it takes to make a concert spanning a 40-year career sound coherent and contemporary while still remaining true to the individual eras of the artist's career, as well as the unique collaborative process involved in mixing the vocals and effects for Madonna. And, they spend some time digging into Burton's outboard signal chains for both Madonna and Post Malone.Episode Links:Burton Ishmael On YouTubeRig Tour: Post Malone Front Of House Engineer Burton Ishmael (YouTube)This is DeLaCruz! — Running Sound For Madonna — Burton Ishmael (YouTube)Episode 248 TranscriptBe sure to check out the Signal To Noise Facebook Group and Discord Server. Both are spaces for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments!Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by pro audio veterans Andy Leviss and Sean Walker.Want to be a part of the show? If you have a quick tip to share, or a question for the hosts, past or future guests, or listeners at home, we'd love to include it in a future episode. You can send it to us one of two ways:1) If you want to send it in as text and have us read it, or record your own short audio file, send it to signal2noise@prosoundweb.com with the subject “Tips” or “Questions”2) If you want a quick easy way to do a short (90s or less) audio recording, go to https://www.speakpipe.com/S2N and leave us a voicemail there

David Stanton, currently serving as the front of house engineer for country music icon Tanya Tucker, joins the show in Episode 225 and talks the benefits of being a “weekend warrior” as well as why he continues to work at a small blues bar despite co-owning a production company in addition to touring with a top artist. This episode is sponsored by Allen & Heath, RCF, and Rational Acoustics.Episode Links:AKD Audio SolutionsAKD Audio On InstagramAnd, David mixed Tanya Tucker on for an upcoming episode of Austin City Limits that's slated to broadcast on PBS later this year, go here for more.Be sure to check out the Signal To Noise Facebook Group and Discord Server. It's a space for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments!Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by Live Sound/PSW and pro audio veterans Andy Leviss, Katie Karch and Sean Walker, with more co-hosts signing on soon.

Jose and Darren welcome Drew Molleur to Roadie Friday. They talk about Drew's career, mixing a concert to the room, and other tangents. Voiceover provided by Sara Parker. Music provided by Ricky Armellino. Cover art by Jeffery Daniels. Send them an email at roadiefridaypod@gmail.com Follow Jose and Darren on Instagram @iamjoseescudero & @thedarrenmakins. Follow the show on Instagram @roadiefridaypod

Since Billie Eilish began touring, Drew Thornton has been the Front of House Engineer—taking this show all over the world to arenas, stadiums, and festivals. Drew shares his approach and techniques as a live audio mix engineer in this in-depth interview.   Drew's Instagram: https://www.instagram.com/drewmthornton   Join ‘The Industry'—Learn Live Music's regular newsletter: https://www.learnlivemusic.com/  

Ihr hört den zweiten Teil des Gesprächs mit Audio Engineer & Front of House Benny Herrman. Wenn ihr den ersten Teil noch nicht gehört habt, holt das gerne nach. In dieser Folge gibt's Tipps: Wie klinge ich auf der Bühne besser? Welche Spuren sollte ich dem Front of House-Tontechniker vor einem Live-Auftritt geben, damit er den Song gut abmischen kann? Und wie werd ich selbst Live-Engineer? Benny hat an der Popakademie in Mannheim studiert: Popmusikdesign mit Schwerpunkt Producing. Anschließend hat er die Ausbildung zur „Fachkraft zur Veranstaltungstechnik“ gemacht. In der nächsten Folge geht's um ganz andere Themen. Dann ist Anwältin Ingrid Yeboah zu Gast. Folgt dem ThemaTakt-Podcast überall wo's Podcast gibt und lasst eine Bewertung bei Spotify und Apple Podcasts. Wenn euch die Folge gefallen hat, teilt sie in eurer Insta-Story. ThemaTakt via PayPal unterstützen: https://www.paypal.me/thematakt ThemaTakt bei Steady unterstützen: https://steadyhq.com/de/thematakt ThemaTakt bei Patreon unterstützen: https://www.patreon.com/join/thematakt ThemaTakt-NEWSLETTER: https://www.thematakt.de/newsletter/ Kapitel: 00:00 Intro 01:31 Beeindruckendste Live-Show 03:46 Aufwendige Liveshows 04:30 Mischpult schützen 05:21 Vorteile: Mischen Open-Air oder in der Halle 06:46 Rap oder Gesang mischen 08:14 Wie werde ich Front-of-House (FOH)? 10:06 Bennys Ausbildungsweg 12:22 Wichtigkeit zwischenmenschliche Beziehungen 13:44 Equipment beim Live-Mixing 15:36 Wie kann ich auf der Bühne besser klingen? 18:47 Wie viele Spuren dem Audio Engineer beim Auftritt geben? 21:07 Wie halte ich ein Mikrophon? 24:44 Wird der Support schlechter gemischt? 27:11 Was wenn Artists Equipment bei Shows zerstören? 28:22 Bezahlung von Live-Engineers 30:10 Wünsche für die Veranstaltungsindustrie Interview & Produktion: Tobias Wilinski Musik: Benethy Intro-Voice: Henrike Möller Genannte Namen und Begriffe: Lea Adel Tawil Mark Forster Max Giesinger Wincent Weiss ClockClock Pink Behringer X32 (Digital Mixer) UAD Apollo (Universal Audio Apollo - Audiointerface) Sm58 (Shure Mikrophon)

Nachdem es in der Folge mit Shuko ums produzieren ging, habe ich mit Volker Gebhardt über das Mischen und Mastern von Songs gesprochen. In dieser und der nächsten Folge geht's mit Benny Herrmann um's Live-Mischen von Songs. Also was man eigentlich alles beachten muss, damit ein Konzert für alle Menschen - oder möglichst viele Menschen - gut klingt. Benny mischt auch Songs im Studio - auf Konzerten ist er der sogenannte FOH - Front of House Engineer. Also die Person die meist mittig zur Bühne steht und umringt ist von Mischpult, Monitoren und vielen Knöpfen oder bei größeren Konzerten im Turm sitzt. In dieser Folge geht's um die technische Ausstattung: Mikros, Lautsprechersysteme, In-Ear-Monitore. Ihr erfahrt was ein Virtual Soundcheck ist und was ein Musical Director macht. In der zweiten Folge gibt Benny Tipps, wie ihr als Artists bei Konzerten besser klingt und wie ihr selbst den FOH-Berufsweg einschlagen könnt. Folgt dem ThemaTakt-Podcast, damit ihr auch den zweiten Teil des Gesprächs hört und lasst eine Bewertung bei Spotify und Apple Podcasts. Wie ihr ThemaTakt noch unterstützen könnt: ThemaTakt via PayPal unterstützen: https://www.paypal.me/thematakt ThemaTakt bei Steady unterstützen: https://steadyhq.com/de/thematakt ThemaTakt bei Patreon unterstützen: https://www.patreon.com/join/thematakt ThemaTakt-NEWSLETTER: https://www.thematakt.de/newsletter/ Kapitel: 00:00 Start 02:25 Bedeutung Front of House-Engineer 02:46 Von der Schulband ins Musikbusiness 06:05 Häufiger Fehler: Overprocessing 07:11 Technische Ausrüstung beim Konzert 08:28 Mikrophon-Auswahl für Live-Auftritte 09:46 Auswahl Lautsprecher-System bei Konzerten 13:24 Technische Probleme bei Konzerten 18:45 In-Ear-Monitor vs. Boxen 21:40 Live-Mischen bei mehreren Bühnen 23:38 Arbeit mit Virtual Soundcheck 26:48 Equipment: Digital vs. Analog 28:25 Songs live anders mischen als auf dem Album 29:44 Kann Konzertsound zu sehr nach Studio klingen? 30:40 Unterschied: Akustik leere Halle vs. volle Halle 32:26 Nach Soundcheck weniger Arbeit bei der Live-Show 34:03 Arbeit des Musical Directors & Austausch mit Producern 37:06 Bedeutung von Nachhall 38:25 Umgang mit ständigem Lärm 41:11 Ist laut live immer besser? 42:37 Pink Noise erklärt 44:42 Lösungen bei konkurrierenden Frequenzen 45:57 Anstrengung Tourleben 50:59 Technik-Albträume 53:38 Soundausfälle Erwähnte Namen und Begriffe: Different Logomat MD - Musical Director Tonsystemtechniker CAD-System Line-Array („Bananenlautsprecher“) D-Live-Pult von Allen & Heath Frauenfeld-Festival Virtual Soundcheck Fader Layer Fletcher-Munson-Kurve Iron Maiden

This episode of AMP features Tour Manager and Front of House Engineer, Stephen Huss. Learn firsthand what it takes to be a successful Tour Manager, his favorite memories from the road, and some of the biggest challenges he's faced along the way. Stephen Huss has worked alongside Alice Cooper, Buckcherry, Maxxi Priest, Better Than Ezra, BB King, Jimmy Buffet, Living Colour, Brett Scallion, and more. Follow AMP on Social Media: Instagram.com/ampmusicpodcast TikTok.com/@ampmusicpodcast twitter.com/ampmusicpodcast

Ken "Pooch" Van Druten is a legendary Front of House Engineer whose mixed for bands such as Iron Maiden, Smashing Pumpkins, Van Halen, Linkin Park, & KISS to name a few! 

Deanne Franklin is a Legendary Front of House Engineer,  who has mixed artists such as Pink, Beck, Tom Waits, and many more

  Graham Mellor is a Production Manager, Monitor Engineer, and Front of House Engineer currently based out of Rhode Island. He is also the owner of Sound Advice LLC, a small sound/production company in North Kingstown, RI, providing production, backline, and audio services to venues in the state, as well as tours such as last years' The Last Waltz ft. Warren Haynes, Jamey Johnson, Don Was, Lukas Nelson, and John Medeski, as well as the Moe/Blues Traveler All Roads Run Around Tour last summer. FULL Episode HERE: https://open.spotify.com/episode/2M8ssxFWfSZ0b5cMj5DZJv?si=2MvWAgUMTnemM-rCkWh_Rw  

Tim Vesely is a bassist, guitarist, songwriter, composer, and sound engineer. Best-known as a co-founder (with Dave Bidini) of the much-revered Canadian art-rock band Rheostatics, Tim has also recorded 2 albums and an EP with his own band The Violet Archers.  Tim is the House Engineer at Blue Rodeo's Woodshed Studio in Toronto's Riverdale neighbourhood.Tim and Jane have worked together since 2008, mostly in the context of Jane's band The Real Shade. Their recent work together finds Tim as the Music Director of the Music Buddy Band Sessions, where musician guests record new versions of original songs.  In this conversation, they discuss the art and craft of songwriting, but in a "non-songwriterly" kind of way.  Tim's unique and thoughtful perspectives on music and life are insightful and astute, balanced with sharp wit and a positive outlook.MUSIC BUDDY SESSION: "The End of Part One"Written by Tim VeselyPerformed by Tim Vesely and Jane Gowan  (listen at 50:07)SONG SAMPLES IN THIS EPISODE“Claire” - Written by Tim Vesely, performed by Rheostatics (Introducing Happiness, 1994)“The Music Room” - Written by Tim Vesely, performed by Rheostatics (The Story of Harmelodia, 1999)“Ten Feet Tall” - Written by Colin Moulding, performed by XTC (Drums and Wires, 1979)“The Headless One” - Written by Tim Vesely, performed by Rheostatics (Whale Music, 1992)“Here Come the Feelings” - Written by Tim Vesely, performed by The Violet Archers (The End of Part One, 2007)“Music is the Message” - Written by Tim Vesely, Dave Clark, Dave Bidini & Hugh Marsh, performed by Rheostatics (Here Come the Wolves, 2019)“The End of Part One” - Written by Tim Vesely, performed by The Violet Archers (The End of Part One, 2004)“Making Progress” - Written by Tim Vesely, performed by Rheostatics (2067, 2004)“Listening” - Written by Tim Vesely, performed by The Violet Archers (Sunshine at Night, 2008)“Keep it In the Ground” - Written by Tim Vesely, performed by The Violet Archers (Keep It In The Ground, 2021)“Simple” - Written by Tim Vesely, performed by The Violet Archers (The End of Part One, 2007)The show's theme song, "Human Stuff," is written by Jane Gowan and Support the showA Morning Run Productions ProjectMusic Buddy is nomated for a 2023 Canadian Podcast Award for "Outstanding Music Series", and "Outstanding Main Title Theme Music for a Series". Many thanks to the Canadian Podcast Awards, and congratulations to all the Nominees! You can see the full list of Nominees at canpodawards.ca Jane Gowan (host, producer, editor) Tim Vesely (co-producer/co-host) The show's theme song, "Human Stuff," is written by Jane Gowan and Tim Vesely, and performed by Jane and Tim, with additional vocals by Steve Wright and Connie KostiukEmail: jane@musicbuddy.caInstagram: @musicbuddypodcastFacebook: @musicbuddypodcastTwitter: @janegowanTikTok: @musicbuddypod

Graham Mellor is a Production Manager, Monitor Engineer, and Front of House Engineer currently based out of Rhode Island. He is also the owner of Sound Advice LLC, a small sound/production company in North Kingstown, RI, providing production, backline, and audio services to venues in the state, as well as tours such as last years' The Last Waltz ft. Warren Haynes, Jamey Johnson, Don Was, Lukas Nelson, and John Medeski, as well as the Moe/Blues Traveler All Roads Run Around Tour last summer. FULL Episode HERE: https://open.spotify.com/episode/2M8ssxFWfSZ0b5cMj5DZJv?si=2MvWAgUMTnemM-rCkWh_Rw

PPUK Podcast members Chopin and Paddy speak to Scottie Baldwin Prince's Front of House Engineer

In this latest episode, Stephen talks to Simon JP Thomas, an Award-winning Front of House Sound Engineer with over 30 years experience in the industry. Detailing his career journey to date, Simon recalls his early experiences working with the likes of BB King, Gary Numan, Echo and the Bunnymen and Moby. By 2017 Simon had earnt his place as Front of House Engineer on US pop superstar Ariana Grande's Dangerous Woman World Tour. After a string of dates across North America the tour arrived at the Manchester Arena, UK on May 22nd and was enjoyed by over 14,000 avid pop fans, many of them families and children. At the very end of the show when the audience were making their way out, a bomb exploded just outside of the arena killing 22 people and injuring over 1000. Simon talks to Stephen about some of his memories of that appalling attack whilst also detailing his superb work in bringing together artists for the One Love Concert which occurred just two weeks later and highlighted the strength and resilience of the people of Manchester.Please Subscribe & Follow the 'We Are The Road Crew Podcast' over on Facebook, Twitter, and Instagram @roadcrewpod and leave us a little review wherever you listen to the podcast! Your support is hugely appreciated. x #RoadCrewPod'We Are The Road Crew' Podcast is a Factory Originals productionwww.factoryoriginals.uk.com

On Episode 117 the hosts talk with Jesse Vetrone about the role of a local venue house engineer.  They discuss the various roles and responsibilities at a venue, what the relationship is like with incoming touring engineers, how to set up your system and workflow for consistency and more. Jesse Vetrone is a house engineer at the Filmore in Charlotte, NC, as well as a freelance / touring audio engineer.This episode is sponsored by Audix and Allen & Heath.Be sure to check out the Signal To Noise Facebook Group, & Discord Server It's a space for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments! Let's build a great sound community with a place to learn, discuss, and reminisce about the “good old days.”Please check out and support The Roadie Clinic, Their mission is simple. "We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle."The Signal To Noise podcast series on ProSoundWeb is hosted by Live Sound/PSW technical editor Michael Lawrence and pro audio veterans Kyle Chirnside and Chris Leonard

Ken "Pooch" Van Druten is a Front of House Engineer who's worked with everyone from Iron Maiden to Jay-Z to Justin Beiber, in addition to co-hosting his own podcast project, The Wrong End of the Snake. Karen and Pooch catch up about how he's channeling his creative energy while the live industry is shut down, how engineers can be using this downtime to hone their craft, and how Nikki Sixx and Vince Neil gave him that famous nickname. --- Support this podcast: https://anchor.fm/one-and-dunn/support

Meegan Holmes attended California Institute of the Arts (“CalArts”) and graduated from their technical theater program in 1993. She has worked in the live sound industry for over 25 years touring, doing everything from System Engineer and Technician, to Monitor and Front of House Engineer. She has toured with TOOL, Queens Of The Stone Age, Gorillaz, Natalie Cole, Natalie Merchant and Soul Coughing. Full episode available here: https://soundcloud.com/roadiefreeradio/175-meegan-holmes-foh-mons Subscribe on iTunes: https://podcasts.apple.com/us/podcast/roadie-free-radio/id1115332289  

Meegan Holmes attended California Institute of the Arts (“CalArts”) and graduated from their technical theater program in 1993. She has worked in the live sound industry for over 25 years touring, doing everything from System Engineer and Technician, to Monitor and Front of House Engineer. She has toured with TOOL, Queens Of The Stone Age, Gorillaz, Natalie Cole, Natalie Merchant and Soul Coughing. Full episode available here: https://soundcloud.com/roadiefreeradio/175-meegan-holmes-foh-mons Subscribe on iTunes: https://podcasts.apple.com/us/podcast/roadie-free-radio/id1115332289

Nate Northway is the guy that handles all the audio you hear in a live concert. It's a full-time job when you are on tour and one of the most stressful parts of the show as well. The pressure is on when you are the person who is fully responsible for how the band sounds coming out of those speakers. Nate has worked for Neil's band, A Day To Remember - as well as Rise Against. In this episode of the Don't Shit On The Bus podcast we will learn: • Nate's journey to success in the touring world • A day in the life of a front of house engineer on the road • The importance of • Tips for being a successful front of house engineer (0:00) Intro (3:56) Nate gets on the bus (6:57) How everyone met (8:28) FOH from an artist's perspective (12:03) Nate's start in the industry (19:44) Touring and performing are hard (23:42) Skills required to be a good FOH engineer (26:53) Training your ear and analog vs digital (30:25) Daily responsibilities (38:48) Soundcheck (the most important part of the day for FOH) (47:44) Doors (48:47) Personal time (51:19) Showtime! (54:30) How to get the setlist (57:24) The importance of teamwork during loadout (1:00:11) Chill routines and tour stories (1:06:15) Wrap up --- Nate Northway - Guest ► Instagram: https://www.instagram.com/natenorthway ► Twitter: https://twitter.com/natenorthway --- Don't Shit On The Bus Podcast ► Website: http://www.dontshitonthebus.com ► Spotify: http://bit.ly/DSotBspotify ► Apple Podcasts: http://bit.ly/DSotBapple ► Twitter: https://twitter.com/DSotBpodcast ► Instagram: https://instagram.com/DSotBpodcast ► Facebook: https://facebook.com/DSotBpodcast ► Patreon: https://patreon.com/DSotB --- Neil Westfall - Host ► Twitter: https://twitter.com/NW44 ► Instagram: https://www.instagram.com/neilwestfall44 ► Twitch: https://www.twitch.tv/neilwestfall44 Adam Elmakias - Host ► Twitter: https://twitter.com/elmakias ► Instagram: https://www.instagram.com/elmakias ► Website: https://www.adamelmakias.com

Maxime Brunet is a freelance Front of House engineer, tour manager and monitor engineer. She has worked with artists such as Wolf Parade, Operators and TR/ST. Maxime also developed an introduction to live sound class for womxn, which she has taught in several cities in Canada.

Thank you for taking the time to listen to our chat with Jessica! If you are listening to this on Apple Podcast, we'd love it if you could share your love in a review! About Jessica Paz: Jessica Paz is a Tony Award-winning Sound Designer for theater, film and music. Most recently, she collaborated with Nevin Steinberg on the sound design for Anaïs Mitchell’s acclaimed production of Hadestown, which earned the duo a Tony Award, Drama Desk Award and an Outer Critics Circle nomination. On Broadway, Jessica was an Associate Sound Designer on projects including Dear Evan Hansen, Bandstand, Disaster! The Musical; The Assembled Parties (MCC); and Fela!. Other design credits include Little Shop of Horrors (Westside Theater); Kiss My Aztec (Berkeley Rep); Twelfth Night, Othello, Miss You Like Hell, Julius Caesar, A Midsummer Nights Dream, and As You Like It (The Public Theater); Burn All Night (A.R.T Oberon Stage); Ugly Lies the Bone (Roundabout); A Sucker EmCee, and The Muscles in Our Toes (LAByrinth); The Kings Whore (Starcatcher Productions); Becoming Dr. Ruth (Westside Theater); Looking for the Pony (Vital Theater Co.); Women Beware Women (Red Bull Theater); STRETCH – A Fantasia (New Georges); Welcome to Fear City (KC Rep); Scott & Hem in the Garden of Allah, and See How They Run (Barrington Stage); Legally Blonde, and 9 to 5 The Musical (North Shore Music Theater); Romeo & Juliet, Midsummer Night’s Dream, Othello, and Much Ado About Nothing (Shakespeare on the Sound’s Productions); SCKBSTD (Virginia Stage Co) ; Volcanoes Birthright (Organic Magnetics); TempOdyssey, And Her Hair Went With Her, Bookends, and Minstrel Show (NJ Rep). Jessica has been a Front of House Engineer for musicians including The Preservation Hall Jazz Band, Antibalas, Julia Haltigan, Femi Kuti, Lady Antebellum, Candy Shop Boys, People vs. Larson, Michael Arenetta, Bugaboo, Carte Blanche, King Holiday, The Woes, Stone Cold Fox, The African Children’s Choir and many others. She has also been a Lecturer of Sound Design in addition to student advisor for Princeton Universities production of Next To Normal, and was the Sound Designer of the Actor’s Studio Drama School’s yearly Master’s Thesis productions from 2009 – 2014. Jessica is fascinated by music studio and live concert techniques. She is constantly learning and researching innovative approaches from the traditional music recording world, and bringing them into her theater work. A proud member of IATSE Local 829; Soundgirls.org; Woman’s Audio Mission; USITT; and Co-Chair of the board of the Theatrical Sound Designers and Composers Association. She currently resides in New York. Pizza is her favorite food group.  @jesstothepaz on Instagram @JtothePAZ on Facebook www.jessicapazdesigns.com --- @pagetostagepodcast on Instagram + @pagetostagepodcast on Facebook @themarydina on Instagram + @themarydina on Twitter @briansedita on Instagram + www.briansedita.com @broadwaypodcastnetwork on Instagram + @bwaypodnetwork on Twitter #PageToStagePodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Dani Munoz is a Front of House Engineer, Studio Mix Engineer, and Founder of Phantom Center Audio. Born in Columbia, Dani established his career in Miami and subsequently in Los Angeles, working for artists such as Flo Rida, Animal Collective, MAGIC!, Kali Uchis, Lykke Li, and Ricardo Arjona. This year, Phantom Center Audio began producing the G-Tone, a boutique reference monitor modeled after the classic Auratone sound cubes. Music Featured in this Episode: Hayley Gene Penner - "Smaller" Adam Ratner - "Into the Wave" Ruth Koleva - "Life of the Party" Meagan de Lima - "Just Fine" Mon - "Sunday Stroll" Support the Unidentify Podcast at patreon.com/unidentify

iTunes         Spotify         Youtube          Patreon Meegan attended California Institute of the Arts (“CalArts”) and graduated from their technical theater program in 1993. She has worked in the live sound industry for over 25 years touring, doing everything from System Engineer and Technician, to Monitor and Front of House Engineer. She has toured with TOOL, Queens Of The Stone Age, Gorillaz, Natalie Cole, Natalie Merchant and Soul Coughing. She spent 18 years working for Delicate Productions. In 2016, she was hired to start the Los Angeles branch of international audio company 8th Day Sound where she is both General Manager (GM) and a Sales Representative. She has done over 20 years of local festivals and special events throughout southern California. Her position as a Sales Representative for 8th Day Sound has kept her connected to the touring, festival, and special event communities, enabling her to maintain a wide variety of clientele. Her role as the GM for the Los Angeles branch has kept her connected to freelance audio technicians and engineers around the world.  Today’s episode is sponsored by Lensrentals, Soundgirls.org, HelloooTV, & Mixing Music Live. Check out these great classes by Lij Shaw of Recording Studio Rockstars:   Ultimate Mixing Masterclass with Craig Alvin and Lij Shaw     Mix Master Bundle     Rockstars Of Mastering - Skadoosh! mastering overview     Rockstars Of Drums     Special Mentions: Eighth Day Sound, Jake Clayton, VIP Live Sessions, Robert Scovill, HelloooTV.com, Mixing Music Live, Gorey Bypass Podcast, The Z Bakery Nashville, The Wrong End of the Snake, LIVE NATION HAVE JUST CHANGED THE MUSIC INDUSTRY FOREVER: What This Means For You, Tour Supply GoFundMe, Kevin Martin Tour Supply Episode, The Girl in the Back: A Female Drummer's Life with Bowie, Blondie, and the '70s Rock Scene, Tour Health Research Initiative, ROADIE: My Documentary (TJ Hoffman film), Loud: A Life In Rock ‘N Roll by the World’s First Female Roadie. By Tana Douglas, Mixing Music Live, The Last Seat in the House: The Story of Hanley Sound, The Power of Podcasting Panel at NAMM, Soundgirls, Roswell Pro Audio Mini K87, Filming Great Concert Footage, Roadie Short Film, Roadie: A True Story (at least the parts I remember) 

Jessica Paz is a Tony Award-winning Sound Designer for theater, film and music. Most recently, she collaborated with Nevin Steinberg on the sound design for Anaïs Mitchell’s acclaimed production of Hadestown, which earned the duo a Tony Award, Drama Desk Award and an Outer Critics Circle nomination. On Broadway, Jessica was an Associate Sound Designer on projects including Dear Evan Hansen, Bandstand, Disaster! The Musical; The Assembled Parties (MCC); and Fela!. Other design credits include Little Shop of Horrors (Westside Theater); Kiss My Aztec (Berkeley Rep); Twelfth Night, Othello, Miss You Like Hell, Julius Caesar, A Midsummer Nights Dream, and As You Like It (The Public Theater); Burn All Night (A.R.T Oberon Stage); Ugly Lies the Bone (Roundabout); A Sucker EmCee, and The Muscles in Our Toes (LAByrinth); The Kings Whore (Starcatcher Productions); Becoming Dr. Ruth (Westside Theater); Looking for the Pony (Vital Theater Co.); Women Beware Women (Red Bull Theater); STRETCH – A Fantasia (New Georges); Welcome to Fear City (KC Rep); Scott & Hem in the Garden of Allah, and See How They Run (Barrington Stage); Legally Blonde, and 9 to 5 The Musical (North Shore Music Theater); Romeo & Juliet, Midsummer Night’s Dream, Othello, and Much Ado About Nothing (Shakespeare on the Sound’s Productions); SCKBSTD (Virginia Stage Co) ; Volcanoes Birthright (Organic Magnetics); TempOdyssey, And Her Hair Went With Her, Bookends, and Minstrel Show (NJ Rep). Jessica has been a Front of House Engineer for musicians including The Preservation Hall Jazz Band, Antibalas, Julia Haltigan, Femi Kuti, Lady Antebellum, Candy Shop Boys, People vs. Larson, Michael Arenetta, Bugaboo, Carte Blanche, King Holiday, The Woes, Stone Cold Fox, The African Children’s Choir and many others. She has also been a Lecturer of Sound Design in addition to student advisor for Princeton Universities production of Next To Normal, and was the Sound Designer of the Actor’s Studio Drama School’s yearly Master’s Thesis productions from 2009 – 2014. Jessica is fascinated by music studio and live concert techniques. She is constantly learning and researching innovative approaches from the traditional music recording world, and bringing them into her theater work. A proud member of IATSE Local 829; Soundgirls.org; Woman’s Audio Mission; USITT; and Co-Chair of the board of the Theatrical Sound Designers and Composers Association. She currently resides in New York. Pizza is her favorite food group.  In this episode, we discuss: Manhattan Special Theater Sound Broadway/Off Broadway Theater Sound Design System Design Audio Teams Audio Roles Mentors Large Budgets Network Audio Rain vs. Audio Women in Audio Theater vs. Club Sound Union Rules Money Passion for Audio Past Jobs Trying to Leave Audio Advocacy Links and Show Notes: Jessica’s site: http://www.jessicapazdesigns.com/ TSDCA.: https://tsdca.org/ USITT: https://www.usitt.org/ Soundgirls: https://soundgirls.org/ Women's Audio Mission: https://womensaudiomission.org/ Monologue Link to Velcro Strips: https://amzn.to/2BcrMG6 WCA on Instagram: https://www.instagram.com/working_class_audio Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/ Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/ Current sponsors & promos: https://bit.ly/2WmKbFw Working Class Audio Journal: https://amzn.to/2GN67TP Credits: Guest: Jessica Paz Host: Matt Boudreau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith Editing: Anne-Marie Pleau & Matt Boudreau Additional Music: The License Lab

I'M WITH THE CREW's Episode 6, "Living with an Addict," We're joined by Front of House Engineer, Ken "Pooch" Van Druten, and Candice Rukes from The Roadie Clinic.Addiction is one of life's most difficult journeys. For those in the company of and who care for an addict, finding the resilience to survive and support may be even more difficult. The aftereffect of that journey impacts every corner of our lives.

Brad Madix, Front-of-House Engineer for Rush, Bruce Hornsby, Shania Twain, Shakira, Queensrÿche, Jane’s Addiction, Mr. Big, and more joins Paul and Dave today to chat sound, mixing, stories, and Gig Gab! Brad's tales and advice are endless – and endlessly valuable! Listen to hear Brad share stories about finding himself behind the console in an arena for the first time, tweaking Geddy Lee's bass sound, taking the stage with Queensrÿche, and so much more. Brad also shares his tips and advice about getting the sound right in clubs, large and small, trusting your ears, and protecting your hearing in the process. A man who happily says that he has "years of practice" in the space tells us all why we should "never runs towards a fire." Press play and enjoy, folks. This is a good one! 00:00:00 Gig Gab 255 - Monday, May 4, 2020 Brad Madix - FOH Sound, Diablo Digital, And More John Cafferty and the Beaver Brown Band, Rush, Bruce Hornsby, Shania Twain, Shakira, Jane’s Addiction, Mr. Big, and More. The Early Years PM1000 Mixing Console 31-band Graphic EQs Tall Crowds Cause a Problem! Ted Leamy, Sound Engineer - “Never Run Towards a Fire” The Rush Trust Equation Tweaking Geddy Lee’s Bass Sound Four inputs: clean, gritty, and massively distorted (times two!) Strings on a Rock Stage Mr. Big's friends showed up. Live: condensers vs. dynamics “Years of Practice” Game-Changing Live Sound Tech Line Arrays Christian Heil and the V-DOSC System Digital Consoles Tips: Mix the First Song In Your Head It starts with the drummer! Club Tips! Vocals have to win Guitar Solos need to be heard Don’t cut everything from the EQ! Live with What you Have: the PA in the Room Hearing Protection Tips Manage your volume over time Measure your SPLs Target 97dB Manage your headphone volume (keep it low!) Buy quality earplugs But test with foam, because that’s what the audience is hearing! When do we tour again? Diablo Digital Recording and archiving multi-track recordings of live shows Brad Madix, jazz piano interlude, Queensryche, Here in the Now Frontier Tour 01:03:30 GG 255 Outtro

iTunes         Spotify         Youtube           Patreon Graham Mellor is a Production Manager, Monitor Engineer, and Front of House Engineer currently based out of Rhode Island. He is also the owner of Sound Advice LLC, a small sound/production company in North Kingstown, RI, providing production, backline, and audio services to venues in the state, as well as tours such as last years’ The Last Waltz ft. Warren Haynes, Jamey Johnson, Don Was, Lukas Nelson, and John Medeski, as well as the Moe/Blues Traveler All Roads Run Around Tour last summer. Graham began his career in audio working for PMA Industries, a local sound company doing stage patching and backline for small festivals and legacy acts like 5th Dimension and The Temptations. After a short time, he moved into mixing monitors and stage managing. He also worked as an apprentice electrician, and would travel on the weekends to do shows in the Northeast for PMA and other bands, like Dennis Edwards’ Temptations Review. In 2011 he started working at FETE, a 1000 cap night club in Providence and became the Production Manager within a few months there, where he began a close relationship with the Knitting Factory who handled booking the venue for a few years. His tenure on the road started in 2013 mixing monitors for Warren Haynes and Gov’t Mule. After roughly a year and a half to two years he moved to the FOH position and also Production Management. In 2018 he went on to Production Manage and Stage Manage the Willie Nelson's Outlaw Music Festival, produced by Blackbird Presents. When not in Coronavirus lockdown he can be found as the Production Manager for Sturgill Simpson’s ‘A Good Look’n Tour’. Today’s episode is sponsored by Boulevard Carroll, Lensrentals, Airturn, and ShowPro Beard Co. Special Mentions: Graham Mellor – Sound Advice, Crew Nation, Warren Haynes, Gov’t Mule, Sturgill Simpson, John Joseph – The PMA EFFECT, I Am Michael Alago: Breathing Music. Signing Metallica. Beating Death, The Girl in the Back: A Female Drummer's Life with Bowie, Blondie, and the '70s Rock Scene, Tour Health Research Initiative, ROADIE: My Documentary (TJ Hoffman film), Loud: A Life In Rock ‘N Roll by the World’s First Female Roadie. By Tana Douglas, Mixing Music Live, The Last Seat in the House: The Story of Hanley Sound, The Power of Podcasting Panel at NAMM, Soundgirls, Roswell Pro Audio Mini K87, Filming Great Concert Footage, Roadie Short Film, Roadie: A True Story (at least the parts I remember)

Happy New Year Everyone! Recorded December 18 we sit with Ryan Drozd. Growing up in Cheshire Ryan found an interest in sound engineering and has made a career of it. Ryan has the unique opportunity to travel the world as a Tour Manger or Front of House Engineer for major artists. He has mixed audio in some of the best live venues in the world! If you were ever curious about what goes on behind the scenes at your favorite concert, this is the show to checkout. Yes, really, he does this for a living! Enjoy!

Ep. 33 - Tom Abraham, Front of House Engineer on Tone-Talk! Alice in Chains, Metallica, Motley Crue

Pensado's Place - Audio info@pensadosplace.tv (Pensado's Place)noPensado's Place Audio PodcastGrammy winning mix engineer Dave Pensado and veteran manager/executive producer Herb Trawick are the host and co-host of Pensado’s Place. A weekly talk show covering the audio and music spectrum, its craftsman and the business of. Pensado’s Place has been called the “Charlie Rose of audio”, a description that sits fine with both Herb and Dave. Pensado’s Place segments cover include interviews, technique application, interactive audience participation, speed rounds and more. Along with location shoots, sweepstakes, gear and career opportunities, thought leader analysis of the challenges and evolution in the audio and music space, Pensado’s place is the tv show for the casual enthusiast up to the long term professional. With mix credits including Michael Jackson, Kelly Clarkson, AfroJack, Beyonce, Elton John, Christina Aguilera and Jill Scott, Dave is acknowledged as one of the leading online educators for all things audio. Trawicks experience as a successful manager makes him the resident

Pensado's Place - Video info@pensadosplace.tv (Pensado's Place)noPensado's Place - VideoGrammy winning mix engineer Dave Pensado and veteran manager/executive producer Herb Trawick are the host and co-host of Pensado’s Place. A weekly talk show covering the audio and music spectrum, its craftsman and the business of. Pensado’s Place has been called the “Charlie Rose of audio”, a description that sits fine with both Herb and Dave. Pensado’s Place segments cover include interviews, technique application, interactive audience participation, speed rounds and more. Along with location shoots, sweepstakes, gear and career opportunities, thought leader analysis of the challenges and evolution in the audio and music space, Pensado’s place is the tv show for the casual enthusiast up to the long term professional. With mix credits including Michael Jackson, Kelly Clarkson, AfroJack, Beyonce, Elton John, Christina Aguilera and Jill Scott, Dave is acknowledged as one of the leading online educators for all things audio. Trawicks experience as a successful manager makes him the

Working Class Audio #175 with Adam Muñoz!!! Adam Muñoz has been an engineer in the Bay Area since 1991. Having joined the Fantasy Studios team as a full-time House Engineer in 2008 Adam has had the opportunity to engineer sessions for many local and national recording artists. Adam has worked with artists like Herbie Hancock, Dave Mathews, Marcus Miller, Snarky Puppy, Jason Moran, Lisa Fisher, Joanna Newsom, Ambrose Akinmusire, Bruce Cockburn, Jerry Granelli, Etienne Charles, Neal Schon, Animals As Leaders, Eric Gales, Tiffany Austin, The Marcus Shelby Orchestra, Bomba Estereo, Brad Mehldau, LaToya London, Carie Rodriguez, Rupa and the April Fishes, Rinde Eckert, Autopsy, Allison Miller's Boom Tic Boom, Sean Paul, Lyle Lovett, Matt Nathanson, Six Pence None the Richer, Hank Williams III, Otis Redding and Vince Guaraldi. Adam’s long-time relationship with Bill Frisell and producer Lee Townsend resulted in the 2015 AND 2016 GRAMMY Award nomination for Best Contemporary Instrumental Album. Adam came to Fantasy after many years as an independent engineer working out of some of the finest studios in the San Francisco and abroad.  As a staff engineer at Different Fur and Brilliant Studios, Adam worked on many notable sessions for artists like Faith No More, Mr. Bungle, Fantomas, Sleep, Neurosis, Chris Isaak, Bonnie Raitt, The Cranberries, Paula Cole and on George Winston’s Grammy Award-winning project “Forest.” Adam has been fortunate to have worked along side many super talented producers and engineers including Andy Wallace, Matt Wallace, Howard Johnston, Billy Anderson, Frankie Blue, Karl Derfler, Marc Senasac, John Cuniberti, Judy Clapp, Mike Curb, Steven Haigler, Thom Wilson and more. Adam's background also includes ADR/VO, Foley, lock-to-picture sessions and orchestral film scores. Photo by Monica Jane Frisell  About this Interview: Adam joins me to talk about his journey starting out as a DJ examining the credits on the back of records to working as a house engineer at the world famous Fantasy Studios in Berkeley, California. We talk studio leadership, survival, dedication and the increasing difficulty of repeating his journey in todays recording world.  Enjoy! - Matt Show notes and links: Adam's site: http://www.adammunoz.com/ Fantasy Studios: http://fantasystudios.com/ Saul Zaentz Company: http://www.zaentz.com/

As I looked through Joel Lonky's resume, one thing became very clear; there's a lot of black ink on the page. That only means one thing: the dude has worked his ass off for a long time, and the list of artists and experiences he's had have made him one of the most in-demand House Engineers in the business. It was also clear in our interview that Joel is a no-nonsense professional, who's passion for his career has been fueled by his love for adventure, problem-solving, and a focus on the task at hand. As the House Engineer for artists such as Billy Idol, Die Antwoord, Rob Zombie, Anthrax, Sean "P-Diddy" Combs, Rage Against the Machine, and so many others, Joel chooses to focus on the mix, not on the thousands of fans in the house and what they might think of the mix. Joel is also a former member of the United States Air Force, a commercial pilot, an FAA certified flight instructor and has logged over 1,200 jumps as an experienced skydiver.

"We can curse all we want, but this is the most explicit thing that's ever been said on our podcast" - Mohnish Soundararajan, to Ted Gonder While your friend Jen is working at the White House, you're on the couch eating Ramen at 4 o' clock in the morning and you can barely feel your face. Jen - you figure - must be lucky.  But what if you could reverse engineer the moments that would come to define you? And what if you could break into the White House while doing it? The guys cover:  - The weirdest thing about 5 Silicon Valley billionaires.  - Is it possible to go from unlucky to lucky?  - How do you engineer random chance in your life? Is it even possible?  - What is "bulk, positive, randomness"?  For more on this episode, go to www.realtalkstudio.com.  P.S. Become an Insider, get on the email list, and get your questions answered. Seriously - any question.    Production and Special Credits Host, Research, Production, Sound Design, Editing: Mohnish Soundararajan Co-Host and Editing: Kevin Sanji  Feedback: Jarrod Sport, Kevin Sanji, Justine Brumm, Vysali Soundararajan Intro Music: Electric Mantis  

Doreonne is a Front of House Engineer, Tour and Production Manager and Producer. Listen in on his inspirational talk he shared with us at an LASC Monday Night Hang.

Wir haben über den Sommer ein bißchen Zeit gebraucht und finden uns jetzt im schönen Berliner Herbst wieder zusammen um über unsere Passion zu sprechen - alles rund um Klang und Sound. Als Gast haben wir Ayke Bröcker dabei, seines Zeichens Front of House Engineer und was liegt da näher als genau darüber zu sprechen. Viel Spaß!

Brian J Simon is an audio engineer who has worked in the music industry for over twenty-five years.  Brian has mainly worked as a front of house audio engineer, but has also worked as a production manager, tour manager, monitor engineer and has also done backline. Brian has worked with bands like The Monkeys, Night Ranger and The Little River Band. But for the past two and a bit years Brian has been FOH mixing one of the most successful and legendary rock bands of all time. Foreigner! (80 million album sales world-wide).

Derrick got a job during college working for the band Flickerstick and never looked back. Currently he travels around the world with Bowling for Soup handling all of their audio tech needs. He lives in Fort Worth, Texas but his job has taken him all over the country, Europe, and Asia. Hear his stories of how fun it is to live the 'rock and roll' lifestyle. Hosted by Rich Baker. For more info go to facebook.com/livingthedreampodcast. Email me at livingthedreampodcast@gmail.com