Nymphs in Greek mythology
POPULARITY
Apples yeah? Everyone LOVES apples. But imagine if they were GOLD! OMGeeees you'd never have to work again. Where was I? Oh yeah, HERACLES! Everyone's fave, yet troubled demigod has yet another labour. To steal the Golden Apples of the Hesperides. We'll meet giant men at the space gym. A dude what is tied to a mountain, and yet MORE sons of Poseidon. Enchanted apple pie for ZapSplat for Music & SFX Burn your mouth off apple turnover for extra SFX by FreeSFX and the whole run of the mythical garden and all the sin he can eat goes to Scott Buckley for his amazing apple (not apple) related music. Come say hi and follow us a little too closely for comfort on Facebook & Insta Come shed your unwanted money on us at our Ko-Fi
In this episode, we wrap up the year with one final look at Satan in 2024's news. Or more accurately, we put shit on liars who invoke Satan to get attention from those, mentally, emotionally and intellectually less fortunate than the rest of us.We talk about Roman Emperor Theodosius I, Olympic Games, pagan rituals, Ancient Greek, Zeus, Paris, drag queens, Jan van Bijlert, Le Festin des Dieux, The Feast of the Gods, Leonardo da Vinci, Last Supper, Gay Turtles, Gay frogs, Alex Jones, Rob Schneider, Twitter, American Olympic team, C-Span, Conservative Christian Podcaster, Allie Beth Stuckey, Christian Bible, Elbe Spurling, Brick Bible, LEGO, Jesus, Kung Fu, Blaze Media, transgender atheist, minifigs, Judeo-Christian mythology, yoghurt, The Satanic Temple, Iowa, John Milton, Paradise Lost, Iowa State Capitol Building, Tama County Courthouse, Curt Hilmer, La porte des Ténèbres, The Gate of Shadows, Toulouse, France, Marine Lee Pen, Minotaur, spider woman Ariadne, half-woman half-scorpion, Lilith, The Guardian of Darkness, Hellfest, Jewish folklore, Frasier, Xerox, Hesperides, Hades, Archbishop Guy de Kerimel, Sacred Heart, Catholic priests, America, Armageddon, Democrats, Lance Wallnau, Amanda Grace, Department of Justice, Inland Revenue Service, DOJ, IRS, charismatic evangelical preachers, Paul Djupe, Donald Trump, White House, robot, Hilary Clinton, UFC, Ultimate Fighting Championship, Madison Square Gardens, Elon Musk, Joe Rogan, Omega, Kash Patel, Director of the FBI, Federal Bureau of Investigation, Mark Taylor, Michelle Moore, The Plot Against the King, wizard, warlock, witch, billionaire #666 #SketchComedy #Sketch #Comedy #Sketch Comedy #Atheist #Science #History #Atheism #Antitheist #ConspiracyTheory #Conspiracy #Conspiracies #Sceptical #Scepticism #Mythology #Religion #Devil #Satan #Satanism #Satanist #Skeptic #Debunk #Illuminati #SatanIsMySuperhero #Podcast #funny #sketch #skit #comedy #comedyshow #comedyskits #HeavyMetal #weird #RomanEmpire #Rome #AncientRome #Romans #RomanEmperor
Tonight, we'll read the story “The Three Golden Apples” written by Nathaniel Hawthorne and found in “A Wonder Book” originally published in 1851. This episode first aired in 2021. This is Hawthorne's retelling of Hercules' search for three golden apples. Along the way he meets the Old Man of the Sea, a six-legged man creature and the mighty giant, Atlas. This story also features the Hesperides. In Greek mythology, they are the nymphs of evening and golden light of sunsets. The Hesperides love to sing, and they spend their time tending to Queen Hera's apple orchard. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices
As the season of spring unfurls before us, we contemplate the symbol of the garden. Different from the lush vitality of wild nature, the garden tends to be protected by a fortress, guarded by angels, with something sacred and special at its very center. Join us as we explore the meaning of the garden and its occulted fertility, moving through famous gardens like Eden and the Garden of the Hesperides, and how these gardens are a reminder of the sacred space of the womb, the generative creative processes of life, and that which we must protect first, in order for true growth to occur.
Juan David Betancurelnarrodororal@gmail.com Bienvenidos a habia una vez. Hoy continuamos con la serie de mitos griegos versión milenials. Y hoy nos toco contar el mayor chisme de todos. La historia de Hera o Juno como la llaman los rreomanos y su vida con Zeus o jupiter para los romanos. Preparense por que esto es de serie tipo Netflix. Había una vez un mundo griego una muchachita de lo más queridita que era hija de Cronos y hermana de zeus, y como cronos tenia la fea constumbre de comerse a sus hijos, pues se la comio recién nacida. Pero como vimos hace algunas semanas Zeus que era el tenaz hizo que Metis le diera una pócima que lo hizo expulsar a Hera y sus otros hermanos. Pues bien Cuando hera ya estaba digamos libre de ser digerida por cronos, se convirtió en una joven bella e inteligente y tenía millones de seguidores en las redes. Era tremenda influencer. Pues dicen que Zeus que ya estaba interesado en el sexo femenino alguna vez vio a su hermana Hera en Instagram y mientras preparaba la guerra contra su padre y los gigantes, como que le gusto mucho la muchacha y al chequearla en Facebook se dio cuenta que estaba todavía soltera. Obviamente Hera era la hermana y cuando ella vio que Zeus, su hermanito del alma, le estaba arrastrando el ala o echándole los perros como dicen por ahí, y le mandaba emojis de corazoncitos , le respondió. No way Jose… conmigo nada de nada asi que a ahuecar el ala y a perderte en el firmamento. #Abuscar otra. Pero Zeus que ya estaba envalentonado no aceptaba un no como respuesta y decidio tramarse a su hermana. Se entero en su Instagram que a Hera le gustaban mucho los pajaritos y en especial uno que llamaban cuco y entonces se dijo a si mismo. … Esta es la oportunidad. Pues se convirtió en cuco y simulando que había una gran tormenta (creada por el mismo) el pajarito cuco cayo en el regazo de Hera y ella toda candorosa lo recogió, le tomo una foto, la subió a Instagram y luego lo cubrió con su manta para protegerlo. Pero Zeus se transformó de nuevo en Zeus y la perjudico como decían las abuelas. Pues resulta que Hera como que no le disgusto mucho la historia y comenzó a ver a escondidas a Zeus. Tenia que ser así porque su madre Rea no estaba muy de acuerdo con aquella relación entre hermanos (le daba miedo que le naciera un nieto bobo o con cola de marrano como decía Gabriel Garcia Marquez) El punto es que después de mucho pensar y cansados de verse al escondido, decidieron hacer pública su relación para escandalo de todo el olimpo. Pero como Zeus era el jefe todos hablaban de esto al escondido. Frente a el todos decían.. Nooo que bonita pareja hacen ustedes, es que son como igualitos, se ven lindos juntos. Pero por detrás la criticadera no paraba Pues dicen algunos que el noviazgo les duro la bobadita de 300 años y que Zeus cansado de que su madre y suegra Rea le saliera siempre con la cantaleta a Hera de …. Mijita ese muchacho está muy demorado en pedirla en matrimonio. Recuerde que la novia del estudiante no es la esposa del profesional. Pongase las pilas. Y Zeus que era muy orgulloso, le dijo a Hera. Mañana mismo nos vamos para el jardín de Hesperides y nos cazamos allá. Las hesperides eran tres ninfas que cuidaban un jardín precioso que alquilaban para matrimonios y que contaba con un arbol que producía manzanas de oro. Pues así fue, al otro día Zeus invito a todo el mundo a su matrimonio con su hermana Hera y como era el matri entre dos de los mayores influencers de la época, se volvió rápidamente trendi. Todos los youtubers o instagramers se peleaban por ser invitados y a las afueras del jardín miles de paparazis trataban de colarse en el jardín, pero los dragones encargados de proteger el jardín esta
We talk Barbe-n-harming, the trio on prison planet make a new friend, then swiftly betray that friend. And we talk about how this is where the writing of the show starts getting confusing. Patreon: https://www.patreon.com/Gofloatpod Insta: https://bit.ly/2IHgNIt Twitter: https://bit.ly/2H337qu Theme song: Severe Tire Damage by Kevin MacLeod: https://bit.ly/2ICU0h2 Logo Design by Tori Russell: https://torirussell.com/
I'm doing a show about gold at the Edinburgh Fringe. If you are in Scotland between August 4th and August 20th, plesase come. It's at Panmure House in the room in which Adam Smith wrote Wealth of Nations. You can get tickets here.Thousands of years before the dawn of civilisation, as prehistoric man hunted and gathered his way through the Stone Age, he might have come across six native metals - metals which occur in nature in a relatively pure state: silver, tin, lead, iron, copper and goldHe found gold in river beds - nuggets, mixed in with sediment, relatively easy to find, collect and shape. Gold doesn't naturally combine with other metals in nature, so it is easy to identify. It shone, it glistened and so man adorned himself with it - as well as with bones, teeth, precious stones and shells. Archaeological evidence from Spanish caves shows that gold was used by human societies as early as 40,000 years ago. This predates agriculture and the development of settled communities. It is the earliest example of human use of any kind of metal, and its purpose was as jewellery. The first records of man using copper came tens of thousands of years later. Lead, tin and iron's first use, when advances in metallurgy took us into the Bronze Age, came even later. The use of gold for personal adornment was an established practice, even in prehistory. (Even copper's first use was as jewellery). It is easy to make anthropological interpretations. Gold, a symbol of beauty, power and status, also indicates reproductive fitness: Look at me, I have access to this rare, shiny substance.Stone Age man had the same basic instincts as we do today - the same urges, desires and compulsions: fear, desire, love, hate, greed. Nothing inspires greed like gold. Survival is the most basic compulsion: to find water, food and shelter, for yourself and for those close to you. Then there is the survival of your species: the need to reproduce. If you are to survive, thrive and reproduce, so does the species as a whole grow stronger. Thus can an individual's self-interest be good for the species as a whole. What often goes unmentioned, though, is our instinct for beauty. What we find beautiful is also often good for us in some way. We are instinctively repulsed or alarmed by things that are dangerous – snakes, spiders, a cliff edge, loud noises - but things that aid our survival we find beautiful - the sound of running water, a fit and healthy potential mate, an open landscape with water, varied animal and plant life, good visibility and shelter. And we find gold beautiful. The experience of beauty, whether derived from nature, art, music or even mathematics, correlates with activity in the emotional brain - in the medial orbito-frontal cortex. Beauty has long been associated by philosophers with truth and purity – also qualities commonly associated with gold. Our instinct for gold and the emotions it inspires from beauty to desire are basic. There has not been a culture in all history that did not appreciate the value of gold. It is a primal instinct. “The desire for gold,” said Wall Street trader Gerald Loeb, “is the most universal and deeply rooted commercial instinct of the human race.”The artefacts found in those Spanish caves suggest that the people who lived in them had some basic skills. (Gold, which is relatively soft, is fairly easy to shape even using simple tools). Like shells, bones, stones, even hand axes, gold would have been used as reward as well as for decoration: as an expression of gratitude, as a prize for completing a task, for heroic deeds, as a tool in barter and exchange - as early money, in other words,. Even in prehistory gold was performing the role it has always performed - and always will: to store, display and exchange value. Subscribe to this brilliant newsletter.Transcendent Treasure: Gold's Link to the DivineGiven its unique characteristics - beautiful, eternal, immutable - it is no surprise that gold found special status at the dawn of civilization. Our prehistoric ancestors cherished gold even before they were able to speak. Nor did that captivation fade after pre-history. Whether Asian, African, American, Mediterranean, Germanic or Celtic, gold occupies a place in the history and mythology of almost every ancient culture, the most valuable of all metals. As money, it was at the core of all their economies, however primitive.Today we know of 90 metals or more. Many you've probably never heard of, let alone touched or seen. The likes of Cesium, Nihonium, Flerovium, Moscovium, Livermorium, Yttrium or Zirconium. Until the 13th century we knew of just seven: gold, silver, copper, tin, lead, iron, and mercury. There were also only seven known celestial bodies: the sun, the moon, Mars, Mercury, Jupiter, Venus and Saturn. Each metal came to be associated with a celestial body - silver with the moon, iron, rusty and red, with Mars, Mercury with its namesake, Jupiter with tin. With its glimmering yellow colour, gold was associated with the sun. To the ancient Greeks, and other cultures besides, the sun was a golden chariot driven by the sun god, Apollo, across the sky each day. The Egyptian sun god Ra was depicted as a yellow blaze of gold. The Incas of South America believed gold to be the sweat or tears of the sun. The Latin word for gold, aurum, derives from Aurora, the goddess of dawn, who rose each morning to announce the sun's arrival. The root of the word by which the Celts and Greeks referred to gold was the Sanskrit “Harat” which means colour of the sun. Plato and Aristotle both thought gold was actually obtained by combining intense sunlight with water.The symbol for the Sun (a circle with a dot in it - ☉) was once the alchemical symbol for gold. There are seven days of the week, too, and in many cultures so did each metal come to be associated with a day. Gold's day, of course, was Sunday.Tell someone about this really interesting article.While silver was perceived as feminine, gold was a masculine metal, connected not just with the sun but with the lion, a symbol of strength. This association lives on today, from the lion rampant (standing on its hind legs) found on so many family crests to the three gold lions on the English coat of arms. Gold represented wealth, prosperity, authority and charisma. It was a symbol of knowledge and enlightenment, its radiant qualities mirroring the illumination provided by the sun. And so scholars and sages adorned themselves with it to reflect their intellectual and spiritual pursuits.The sun's energy was thought to have infused gold with special healing properties. Ancient healers and priests often used gold in their remedies and elixirs, attributing its regenerative powers to the sun's life-giving energy. Wearing gold could help physical well-being and aid in recovery from ailments. The ancient Greek sun god Apollo was the god of healing and diseases, while his son, Asclepius, was the god of medicine. Apollo delivered people from epidemics, but could bring ill-health and deadly plague. Modern science confirms these instincts, with Vitamin D, which we get from sunlight, now being seen as so important for our general well-being. As the sun was a guardian against darkness and evil, so could gold ward off negative energies and offer spiritual protection, thus talismans and amulets were often made of gold. Kings and queens decorated their bodies with gold to demonstrate their power, to impress, to dazzle, to command and to authenticate their god-like status. Because of gold's imperishable characteristics many imbued it with divine qualities, and it is forever associated with the eternal, the permanent and the incorruptible. From Hercules' quest for the Golden Apples of Hesperides (which bestowed immortality) to King Arthur's knights' search for the Holy Grail to Frodo's attempt to destroy the precious ring of power in The Lord of the Rings, gold has become a symbol of incorruptible quest, purity, ambition and purpose. The golden thread left for Theseus by his lover Ariadne to help him escape the minotaur and the labyrinth symbolises an enlightened or clear path. Even today the young student gets a gold star, the athlete a gold medal. It is a symbol of achievement.In Scotland between Aug 4th and Aug 20? I'm doing a show about gold at the Edinburgh Fringe. It's at Panmure House in the room in which Adam Smith wrote Wealth of Nations. You can get tickets here.Buying gold?Interested in buying gold to protect yourself in these uncertain times? My recommended bullion dealer is The Pure Gold Company, whether you are taking delivery or storing online. Premiums are low, quality of service is high. They deliver to the UK, US, Canada and Europe, or you can store your gold with them. More here.This article first appeared at Moneyweek. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theflyingfrisby.com/subscribe
I'm doing a show about gold at the Edinburgh Fringe. If you are in Scotland between August 4th and August 20th, plesase come. It's at Panmure House in the room in which Adam Smith wrote Wealth of Nations. You can get tickets here.Thousands of years before the dawn of civilisation, as prehistoric man hunted and gathered his way through the Stone Age, he might have come across six native metals - metals which occur in nature in a relatively pure state: silver, tin, lead, iron, copper and goldHe found gold in river beds - nuggets, mixed in with sediment, relatively easy to find, collect and shape. Gold doesn't naturally combine with other metals in nature, so it is easy to identify. It shone, it glistened and so man adorned himself with it - as well as with bones, teeth, precious stones and shells. Archaeological evidence from Spanish caves shows that gold was used by human societies as early as 40,000 years ago. This predates agriculture and the development of settled communities. It is the earliest example of human use of any kind of metal, and its purpose was as jewellery. The first records of man using copper came tens of thousands of years later. Lead, tin and iron's first use, when advances in metallurgy took us into the Bronze Age, came even later. The use of gold for personal adornment was an established practice, even in prehistory. (Even copper's first use was as jewellery). It is easy to make anthropological interpretations. Gold, a symbol of beauty, power and status, also indicates reproductive fitness: Look at me, I have access to this rare, shiny substance.Stone Age man had the same basic instincts as we do today - the same urges, desires and compulsions: fear, desire, love, hate, greed. Nothing inspires greed like gold. Survival is the most basic compulsion: to find water, food and shelter, for yourself and for those close to you. Then there is the survival of your species: the need to reproduce. If you are to survive, thrive and reproduce, so does the species as a whole grow stronger. Thus can an individual's self-interest be good for the species as a whole. What often goes unmentioned, though, is our instinct for beauty. What we find beautiful is also often good for us in some way. We are instinctively repulsed or alarmed by things that are dangerous – snakes, spiders, a cliff edge, loud noises - but things that aid our survival we find beautiful - the sound of running water, a fit and healthy potential mate, an open landscape with water, varied animal and plant life, good visibility and shelter. And we find gold beautiful. The experience of beauty, whether derived from nature, art, music or even mathematics, correlates with activity in the emotional brain - in the medial orbito-frontal cortex. Beauty has long been associated by philosophers with truth and purity – also qualities commonly associated with gold. Our instinct for gold and the emotions it inspires from beauty to desire are basic. There has not been a culture in all history that did not appreciate the value of gold. It is a primal instinct. “The desire for gold,” said Wall Street trader Gerald Loeb, “is the most universal and deeply rooted commercial instinct of the human race.”The artefacts found in those Spanish caves suggest that the people who lived in them had some basic skills. (Gold, which is relatively soft, is fairly easy to shape even using simple tools). Like shells, bones, stones, even hand axes, gold would have been used as reward as well as for decoration: as an expression of gratitude, as a prize for completing a task, for heroic deeds, as a tool in barter and exchange - as early money, in other words,. Even in prehistory gold was performing the role it has always performed - and always will: to store, display and exchange value. Subscribe to this brilliant newsletter.Transcendent Treasure: Gold's Link to the DivineGiven its unique characteristics - beautiful, eternal, immutable - it is no surprise that gold found special status at the dawn of civilization. Our prehistoric ancestors cherished gold even before they were able to speak. Nor did that captivation fade after pre-history. Whether Asian, African, American, Mediterranean, Germanic or Celtic, gold occupies a place in the history and mythology of almost every ancient culture, the most valuable of all metals. As money, it was at the core of all their economies, however primitive.Today we know of 90 metals or more. Many you've probably never heard of, let alone touched or seen. The likes of Cesium, Nihonium, Flerovium, Moscovium, Livermorium, Yttrium or Zirconium. Until the 13th century we knew of just seven: gold, silver, copper, tin, lead, iron, and mercury. There were also only seven known celestial bodies: the sun, the moon, Mars, Mercury, Jupiter, Venus and Saturn. Each metal came to be associated with a celestial body - silver with the moon, iron, rusty and red, with Mars, Mercury with its namesake, Jupiter with tin. With its glimmering yellow colour, gold was associated with the sun. To the ancient Greeks, and other cultures besides, the sun was a golden chariot driven by the sun god, Apollo, across the sky each day. The Egyptian sun god Ra was depicted as a yellow blaze of gold. The Incas of South America believed gold to be the sweat or tears of the sun. The Latin word for gold, aurum, derives from Aurora, the goddess of dawn, who rose each morning to announce the sun's arrival. The root of the word by which the Celts and Greeks referred to gold was the Sanskrit “Harat” which means colour of the sun. Plato and Aristotle both thought gold was actually obtained by combining intense sunlight with water.The symbol for the Sun (a circle with a dot in it - ☉) was once the alchemical symbol for gold. There are seven days of the week, too, and in many cultures so did each metal come to be associated with a day. Gold's day, of course, was Sunday.Tell someone about this really interesting article.While silver was perceived as feminine, gold was a masculine metal, connected not just with the sun but with the lion, a symbol of strength. This association lives on today, from the lion rampant (standing on its hind legs) found on so many family crests to the three gold lions on the English coat of arms. Gold represented wealth, prosperity, authority and charisma. It was a symbol of knowledge and enlightenment, its radiant qualities mirroring the illumination provided by the sun. And so scholars and sages adorned themselves with it to reflect their intellectual and spiritual pursuits.The sun's energy was thought to have infused gold with special healing properties. Ancient healers and priests often used gold in their remedies and elixirs, attributing its regenerative powers to the sun's life-giving energy. Wearing gold could help physical well-being and aid in recovery from ailments. The ancient Greek sun god Apollo was the god of healing and diseases, while his son, Asclepius, was the god of medicine. Apollo delivered people from epidemics, but could bring ill-health and deadly plague. Modern science confirms these instincts, with Vitamin D, which we get from sunlight, now being seen as so important for our general well-being. As the sun was a guardian against darkness and evil, so could gold ward off negative energies and offer spiritual protection, thus talismans and amulets were often made of gold. Kings and queens decorated their bodies with gold to demonstrate their power, to impress, to dazzle, to command and to authenticate their god-like status. Because of gold's imperishable characteristics many imbued it with divine qualities, and it is forever associated with the eternal, the permanent and the incorruptible. From Hercules' quest for the Golden Apples of Hesperides (which bestowed immortality) to King Arthur's knights' search for the Holy Grail to Frodo's attempt to destroy the precious ring of power in The Lord of the Rings, gold has become a symbol of incorruptible quest, purity, ambition and purpose. The golden thread left for Theseus by his lover Ariadne to help him escape the minotaur and the labyrinth symbolises an enlightened or clear path. Even today the young student gets a gold star, the athlete a gold medal. It is a symbol of achievement.In Scotland between Aug 4th and Aug 20? I'm doing a show about gold at the Edinburgh Fringe. It's at Panmure House in the room in which Adam Smith wrote Wealth of Nations. You can get tickets here.Buying gold?Interested in buying gold to protect yourself in these uncertain times? My recommended bullion dealer is The Pure Gold Company, whether you are taking delivery or storing online. Premiums are low, quality of service is high. They deliver to the UK, US, Canada and Europe, or you can store your gold with them. More here.This article first appeared at Moneyweek. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theflyingfrisby.com/subscribe
Three years of podcasting, and for the third annual time, we're covering Star Trek! This time, however, we examine a series that has no connection to actual filmed production with IDW's Star Trek Year Five! Our discussion takes us from Hesperides to Simga Iotia III, all with a young Tholian aboard! Join us for our examination of this collaborative effort by many of the talents at IDW, and as always: live long and prosper!
Tonight's bedtime story is The Three Golden Apples - an adaptation of a Greek myth by Nathaniel Hawthorne. It was first published in 1851 in his collection of stories called "A Wonder Book for Girls and Boys". A retelling of a Greek myth featuring the hero Hercules and his quest to retrieve three golden apples from the garden of the Hesperides. Interested in more sleepy content or just want to support the show? Join Just Sleep Premium here: https://justsleeppodcast.com/supportAs a Just Sleep Premium member you will receive:Ad-free and Intro-free episodesThe entire audiobook of the Wizard of OzA collection of short fairy tales including Rapunzel and the Frog PrinceThe chance to vote on the next story that you hearThe chance to win readings just for youThanks for your support!Sweet Dreams...Intro Music by the Psychedelic Squirrel Hosted on Acast. See acast.com/privacy for more information.
Today's poem is by Robert Herrick (baptised 24 August 1591 – buried 15 October 1674)[1], a 17th-century English lyric poet and Anglican cleric. He is best known for Hesperides, a book of poems. This includes the carpe diem poem "To the Virgins, to Make Much of Time", with the first line "Gather ye rosebuds while ye may".—Bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Mitología griega .Este jardín tenía un árbol muy especial y estaba custodiado por las Hesperides . --- Send in a voice message: https://podcasters.spotify.com/pod/show/princesa-glamurosa/message
On Today's Quiz there will be a Trivia Round Time for 20 new questions on this trivia podcast! Enjoy our trivia questions: What is the largest and heaviest deer species? In Greek mythology, which golden fruit grew on a tree guarded by the Hesperides? What two names are found in both a book of the bible and a Shakespeare play title? In which country is the Suez Canal located? What alloy are pinballs made out of? Which Tennis great won six straight wimbledon singles titles in the 1980s? Who played the drums for Siouxsie & The Banshees first-ever live performance? Sir William Herschel first observered that which planet, which is visible to the naked eye, was in fact a planet in 1781? Which Revolutionary War battle was referred to using the phrase, “The shot heard around the world”? Cr is the chemical symbol for what? What does URL stand for? "Puffin' Billy" was the title song of what long running children's show, which had no actual puffins but did feature a mischievous moose? If you liked this episode, check out our last trivia episode! Music Hot Swing, Fast Talkin, Bass Walker, Dances and Dames by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Don't forget to follow us on social media for more trivia: Patreon - patreon.com/quizbang - Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support! Website - quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question! Facebook - @quizbangpodcast - we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess. Instagram - Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess. Twitter - @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia - stay for the trivia. Ko-Fi - ko-fi.com/quizbangpod - Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!
Follow Hera, the Goddess of Marriage and the Heavens, from her childhood days in the lush gardens of the Hesperides to her marriage with Zeus, the god of the sky and thunder. Let this Greek mythology sleep story lull you into restful sleep.
Dr. Nikolai G. Wenzel has taught at a number of TFAS International programs spanning the globe including Croatia, Hong Kong, Guatemala and Chile. Currently, he is an economics professor at Universidad de las Hesperides in Spain. He was previously a professor at Flagler College and Florida Gulf Coast University, and he was the former Wallace and Marion Reemelin Chair in Free-Market Economics at Hillsdale College. He holds a Ph.D. in economics from George Mason University and graduated cum laude from Georgetown University with a bachelor's in international affairs. In this week's Liberty and Leadership Podcast, Roger and Nikolai discuss how he has been able to combine his passion for travel with his joy of teaching economics in multiple countries, his time in Chile, the heartbreak he feels towards China's crackdown on Hong Kong, the powerful attraction socialism holds on younger generations, and the how his students continue to inspire him. The Liberty and Leadership Podcast is hosted by TFAS President Roger Ream and produced by kglobal. If you have a comment or question for the show, please drop us an email at podcast@TFAS.org.Support the show
Our Myth Correspondent, Dr. Moiya McTier (@goastromo), is back to recap all the mythological references made in Percy Jackson and the Titan's Curse! Naturally, the episode ends with Mike share some silly language-based stories. Topics linclde: Focus mode, Orion's Belt, Artemis, immortality, Uncle Rick creations, the Hesperides, Puss in Boots, booping snoots, 101 Dalmatians, Game of Thrones, video games, Tony Hawk's Underground, serpent heads, keto, Ovid's Ophiotaurus, Hercules' Labors, Mt. Othrys, McCauley Caulkin, Bacchanalia, French stories, and more!Fate and Fabled constellation ep link: www.youtube.com/watch?v=HejyXGQN-wkFate and Fabled Gaia ep link: www.youtube.com/watch?v=d4njsy_VrhETNO IN MELBOURNE, CHRISTCHURCH, AND AUCKLAND: www.thenewestolympian.com/liveThanks to our sponsor, Athletic Greens! Get 5 free travel packs and 1 free year of Vitamin D at www.athelticgreens.com/newestolympian— Find The Newest Olympian Online —• Website: www.thenewestolympian.com• Patreon: www.thenewestolympian.com/patreon• Twitter: www.twitter.com/newestolympian• Instagram: www.instagram.com/newestolympian• Facebook: www.facebook.com/newestolympian• Reddit: www.reddit.com/r/thenewestolympian• Merch: www.thenewestolympian.com/merch— Production —• Creator, Host, Producer, Social Media, Web Design: Mike Schubert (https://schub.es)• Editor: Sherry Guo• Music: Bettina Campomanes and Brandon Grugle• Art: Jessica E. Boyd— About The Show —Is Percy Jackson the book series we should've been reading all along? Join Mike Schubert as he reads through the books for the first time with the help of longtime PJO fans to cover the plot, take stabs at what happens next, and nerd out over Greek mythology. Whether you're looking for an excuse to finally read these books, or want to re-read an old favorite with a digital book club, grab your blue chocolate chip cookies and listen along. New episodes release on Mondays wherever you get your podcasts!
The demi-god Hercules was regarded as a great hero for the people of Rome and Greece. He was known for performing various deeds that no mortal could. Hercules was an everyman who had bad days and even died due to another's trickery. These stories were entertaining, but they also told an important lesson to an audience: If bad things can happen to a hero, they have nothing to be ashamed of.The most famous of his activities was the 12 labours that Hercules was asked to perform by his cousin Eurystheus, who was the king of Mycenae and Tiryns. The first set of labours numbered only ten, but they eventually grew to twelve.To kill the Nemean Lion who was impervious to all weapons. To kill the monster known as the Hydra who had nine venomous heads and, when one was cut off, two more would grow in its place. To capture the Cerynitian Hind who was sacred to the goddess Artemis.To capture the Erymanthian Boar. Cleaning the Stables of Augeius in a day.To drive away the Stymphalian Birds.To bring back the Cretan Bull from Knossos.To bring back the Mares of Diomedes.To bring back Hippolyte's Girdle.To bring back the cattle of Geryon, king of Cadiz.To bring back the Golden Apples of Hesperides.To bring back Cerberus, the guard dog of the underworld.Read more at https://mythlok.com/hercules/
How did gold come into existence? No one really knows.Its origins are thought to lie in supernovae and the collision of neutron stars. It was present in the dust which formed the solar system four and a half billion years ago and came to earth via the asteroids that then bombarded the planet.According to the Bible, gold and silver are products of God. “The silver is mine, and the gold is mine, saith the Lord of hosts” in the book of Genesis. Although - given that in those days the distinction between God and King was not that always that distinct - that might he been a ploy to control capital.Given its unique characteristics - beautiful, eternal, immutable - it is no surprise that gold found special status at the dawn of civilisation. Our prehistoric ancestors cherished gold even before they were able to speak. Nor did that captivation fade after pre-history. Whether Asian, African, American, Mediterranean, Germanic or Celtic, gold occupies a place in the history, legend, mythology and folklore of almost every ancient culture: the most prized of all metals. Today we know of 90 or more metals. Many you've probably never heard of, let alone touched or seen. The likes of Cesium, Nihonium, Flerovium, Moscovium, Livermorium, Yttrium or Zirconium. But until the 13th century we knew of just seven: gold, silver, copper, tin, lead, iron, and mercury. There were also only seven known celestial bodies: the sun, the moon, Mars, Mercury, Jupiter, Venus and Saturn. Each metal came to be associated with a celestial body - silver, light and shining, with the moon, iron, rusty and red, with Mars, Mercury with its namesake, Jupiter with tin. With its glimmering yellow colour, gold was associated with the sun.To the ancient Greeks, and other cultures besides, the sun was a golden chariot driven by the sun god, Apollo, across the sky each day. The Egyptian sun god Ra was depicted as a yellow blaze of gold. The Incas of South America believed gold to be the “sweat of the sun.” The Latin word for gold, aurum, derives from Aurora, the goddess of dawn, who rose each morning to announce the sun's arrival. The root of the word by which the Celts and Greeks referred to gold was the Sanskrit “Harat” which means colour of the sun. The symbol for the Sun (a circle with a dot in it - ☉) was once the alchemical symbol for gold. Plato and Aristotle both thought gold was obtained by combining intense sunlight with water. We actually find gold in tiny particles embedded in ancient rocks, or as grains or nuggets in riverbeds where it collects after rushing water eroded away the rocks.There are seven days of the week too, and so did each metal come to be associated with a day. Gold's day, of course, was Sunday.Unlike feminine silver, gold is a masculine metal, connected not just with the sun but with the lion, a symbol of strength. It represents wealth, prosperity, authority and charisma. It was an aid to healing, to protection, to growth, and knowledge - all qualities associated with the sun and the gods of the sun. The ancient Greek sun god Apollo was also the god of healing and diseases, while his son, Asclepius, was the god of medicine. Apollo delivered people from epidemics. What's that about Vitamin D (which we get from sunlight) being an aid against COVID, while Vitamin D deficiency is linked to more severe cases? Apollo was also a god who could bring ill-health and deadly plague.Gold, like obscurity, is immortal. It is permanent, never rusting, nor tarnishing. In the museums of Cairo you will find a golden tooth bridge made 4,500 years ago for a pharaoh and it is good enough to go in your mouth today. Gold represented perfection, purity and excellence - “neither moth nor rust devoureth it”, said an ancient Greek text. Because of gold's imperishable characteristics many imbued it with divine qualities, and it is forever associated with the eternal, the permanent and the incorruptible. Kings and queens decorated their bodies with gold to demonstrate their power, to impress, to dazzle, to command and to authenticate their god-like status. In ancient Egypt gold was a royal prerogative and pharaohs were buried with their gold to aid their travel into the next world. Tutankhamun, whose father was the sun god, Ra, was buried in a golden shrine. Gold was a gift from and given to the gods. Indeed it was the breath of the gods.The myth of the Golden Apples of Hesperides is that they conferred immortality on whoever ate them. From Hercules' quest for these golden apples to Arthur's for the Holy Grail to Frodo's to destroy the precious ring of power, gold is a symbol of incorruptible quest, ambition, or purpose. Even today the young student gets a gold star, the athlete a gold medal. It is a symbol of achievement.For numerous reasons, I am a believer that everybody's investment portfolio should have an allocation to gold. My recommended dealer is The Pure Gold Company. The Flying Frisby is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.An earlier version of this article first appeared at Glint. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theflyingfrisby.com/subscribe
How did gold come into existence? No one really knows.Its origins are thought to lie in supernovae and the collision of neutron stars. It was present in the dust which formed the solar system four and a half billion years ago and came to earth via the asteroids that then bombarded the planet.According to the Bible, gold and silver are products of God. “The silver is mine, and the gold is mine, saith the Lord of hosts” in the book of Genesis. Although - given that in those days the distinction between God and King was not that always that distinct - that might he been a ploy to control capital.Given its unique characteristics - beautiful, eternal, immutable - it is no surprise that gold found special status at the dawn of civilisation. Our prehistoric ancestors cherished gold even before they were able to speak. Nor did that captivation fade after pre-history. Whether Asian, African, American, Mediterranean, Germanic or Celtic, gold occupies a place in the history, legend, mythology and folklore of almost every ancient culture: the most prized of all metals. Today we know of 90 or more metals. Many you've probably never heard of, let alone touched or seen. The likes of Cesium, Nihonium, Flerovium, Moscovium, Livermorium, Yttrium or Zirconium. But until the 13th century we knew of just seven: gold, silver, copper, tin, lead, iron, and mercury. There were also only seven known celestial bodies: the sun, the moon, Mars, Mercury, Jupiter, Venus and Saturn. Each metal came to be associated with a celestial body - silver, light and shining, with the moon, iron, rusty and red, with Mars, Mercury with its namesake, Jupiter with tin. With its glimmering yellow colour, gold was associated with the sun.To the ancient Greeks, and other cultures besides, the sun was a golden chariot driven by the sun god, Apollo, across the sky each day. The Egyptian sun god Ra was depicted as a yellow blaze of gold. The Incas of South America believed gold to be the “sweat of the sun.” The Latin word for gold, aurum, derives from Aurora, the goddess of dawn, who rose each morning to announce the sun's arrival. The root of the word by which the Celts and Greeks referred to gold was the Sanskrit “Harat” which means colour of the sun. The symbol for the Sun (a circle with a dot in it - ☉) was once the alchemical symbol for gold. Plato and Aristotle both thought gold was obtained by combining intense sunlight with water. We actually find gold in tiny particles embedded in ancient rocks, or as grains or nuggets in riverbeds where it collects after rushing water eroded away the rocks.There are seven days of the week too, and so did each metal come to be associated with a day. Gold's day, of course, was Sunday.Unlike feminine silver, gold is a masculine metal, connected not just with the sun but with the lion, a symbol of strength. It represents wealth, prosperity, authority and charisma. It was an aid to healing, to protection, to growth, and knowledge - all qualities associated with the sun and the gods of the sun. The ancient Greek sun god Apollo was also the god of healing and diseases, while his son, Asclepius, was the god of medicine. Apollo delivered people from epidemics. What's that about Vitamin D (which we get from sunlight) being an aid against COVID, while Vitamin D deficiency is linked to more severe cases? Apollo was also a god who could bring ill-health and deadly plague.Gold, like obscurity, is immortal. It is permanent, never rusting, nor tarnishing. In the museums of Cairo you will find a golden tooth bridge made 4,500 years ago for a pharaoh and it is good enough to go in your mouth today. Gold represented perfection, purity and excellence - “neither moth nor rust devoureth it”, said an ancient Greek text. Because of gold's imperishable characteristics many imbued it with divine qualities, and it is forever associated with the eternal, the permanent and the incorruptible. Kings and queens decorated their bodies with gold to demonstrate their power, to impress, to dazzle, to command and to authenticate their god-like status. In ancient Egypt gold was a royal prerogative and pharaohs were buried with their gold to aid their travel into the next world. Tutankhamun, whose father was the sun god, Ra, was buried in a golden shrine. Gold was a gift from and given to the gods. Indeed it was the breath of the gods.The myth of the Golden Apples of Hesperides is that they conferred immortality on whoever ate them. From Hercules' quest for these golden apples to Arthur's for the Holy Grail to Frodo's to destroy the precious ring of power, gold is a symbol of incorruptible quest, ambition, or purpose. Even today the young student gets a gold star, the athlete a gold medal. It is a symbol of achievement.For numerous reasons, I am a believer that everybody's investment portfolio should have an allocation to gold. My recommended dealer is The Pure Gold Company. The Flying Frisby is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.An earlier version of this article first appeared at Glint. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit frisby.substack.com/subscribe
مقدمة:بسم الله الرحمن الرحيم والحمد لله رب العالمين والصلاة والسلام على أشرف الأنبياء والمرسلين سيدنا محمد وعلى آله وصحبه أجمعين. سبحانك اللهم لا علم لنا إلا ما علمتنا أنك انت العليم الحكيم.أي شخص مطلع على الأدب او يلعب ألعاب فيديو أو يقرأ قصص مصورة أو يشاهد أفلام انمي يعلم مدى أثر الأساطير اليونانية على المخرجات الترفيهية. بل أن الأساطير، بالإضافة للأدب اليوناني، أثرت حتى على العلوم الإنسانية مثل الآتي:• علم النفس: مصطلح اضطراب الشخصية النرجسية نسبة لنرجس الأسطورة (Narcissus) • علم النفس والمسرح: عقدة أوديب (Oedipus Complex) التي ذكرها فرويد في كتابه تفسير الأحلام والمبنية على المسرحية اليونانية (أوديب ملكا) للمؤلف المسرحي سوفوكليس (Sophocles) والمذكورين في كتاب الأوديسة لهومر.• علم الجغرافيا: موسوعات الخرائط نسبة لأطلس حامل الأرض (Atlas).• في الطب: المخدر المورفين نسبة لمورفيوس إله تكوين الأحلام. (Morpheus).• قي الرياضة: الألعاب الأولمبية وشعلة النار بروميثيوس (Prometheus)• في تقنية المعلومات: حصان طروادة يطلق على الفيروس المتسلسل والمأخوذ من ملحمة هوميروس الإلياذة (Trojan Horse)• في أنظمة الدفاع "كعب أخيل" (Achilles Heel): والمقصود بها نقطة الضعف في أي نظام دفاعي والمأخوذة من موت أخيل في ملحمة طروادة عن طريق رميه بسهم مسموم في كعبه.• في الفن: "تأثير بيجماليون"، نسبة إلى بجيماليون النحات الكاره للنساء، ونحت تمثال لامرأة من العاج ووقع في حبها. وتعني لمن يقع في حب الشيء الذي يبتكره وبالتالي يصبح استثنائياًوغيرها الكثير من الأمثلة واليوم سوف تكون حلقتنا عن الوجود وقصص ميلاد الآلهة اليونانية وانوه ان لأصدقائنا الذين يستمعون إلينا عبر سحابة أدب بأن مدة الحلقة 45 دقيقة ولذا تجدون التكملة في الجزء التالي من هذه الحلقة.وأود ان أوضح التالي:• أن حلقات هاوس زوفي من الناحية العلمية ليست أكاديمية وهي أقرب للدردشة العلمية والتي ربما نخطئ في معلومة او نكون غير دقيقين في بعضها ورغم ذلك سنبذل جهدنا بإيصال المعلومة الصحيحة مع ذكر مرجعها.• اعتمدت على رسم شجرة الأنساب اليونانية عن طريق المايكروسوفت ورد نظام الهيكل الإداري وهو ليس برنامج فعال لرسم الشجر بصفة عامة وبصفة خاصة لشجرة النسب اليوناني الآلهي وستعرفون مدى تعقد الأنساب اليونانية في هذه الحلقة. لذا جعلت الذكر باللون الأزرق والأنثى باللون الأخضر افتراضا مني انهم ذكور واناث.في البداية لابد ان نأخذ نبذة مختصرة جدا عن:• أهم الكتب التراثية وبعض المراجع الحديثة.• أنساب الشعب اليوناني وارتباطها بنسب الآلهة.• طبيعة وجغرافية أرض اليونان.أهم الكتب اليونانيةبالنسبة لأهم الكتب لقصص وأساطير الشعب اليوناني:• كتب الأساطير والملاحم:o ميلاد او نسب الآلهة (Theogony) لهيسيود (Hesiod) وهو كتاب صغير لكن عظيم يذكر فيه تزاوج الآلهة والطيتان والكيانات الأولية والوحوش.o الأشغال والأيام (Work and Days) كذلك لهيسيود (Hesiod) كتبه لأخيه بيرسيس (Perses) الذي اغتصب ارضه بالتعاون مع أحد القضاء ويخبره لابد من التعب للحصول على الأرض وهذا كله بسبب الآلهة والمشاكل التي فيما بينها وهو كتاب مهم يوضح فيه قصص واجيال البشر عند الإغريق وكذلك يحكي فيه قصة باندورا وكيف المرأة بلاء على الرجال من زيوس.o كتاب المرأة (Catalogue of woman) او إييا (Ehoiai) لهيسيود (Hesiod) كتاب مفقود لم توجد منه إلا شذرات قليلة رغم ذلك به معلومات مهمة عن نسب اليونانيين وغير انساب اليونانيين.o ملحمة الإلياذة (Iliad) لهوميروس (Homer): قصة حرب الطرواديين (The Trojans) مع الآخيين (Achaean) والتي استمرت 10 سنوات، واختطاف باريس (Paris) الطروادي لهيلين (Helen Troy) زوجة ملك أسبرطة (Sparta) ميلنيوس (Menelaus). وقصص الأبطال: آخيل (Achilles)، باتروكلُس (Patroclus)، هيكتور (Hector)، أوديسيوس (Odysseus) وحصان طروادة الشهير. o ملحمة الأوديسة (Odyssey) لهوميروس (Homer): الملحمة الثانية لهوميروس والتي تأتي أحداثها بعد حرب طروادة (Trojan War) مباشرة. وبطلها أوديسيوس (Odysseus) ملك إيثكا (Ithaca) الذي تاه في البلاد والبحار 10 سنوات بسبب لعنة بسيادون (Poseidon) إله البحر وقصة زوجته بينولبي (Penelope) مع الذين أرادوا الزواج منها للاستيلاء على مُلك أوديسيوس.o ملحمة الأرجونوتيكا ((Argonautica لأبولونيوس الرودسي (Apollonius of Rhodes) التي تحكي قصة جيسون (Jason) مع بحارة الأرجون (The Argo) والصوف الذهبي (Golden Fleece)o أشغال هرقل (The Labors of Heracles): قصة أعمال هرقل الاثنا عشر كلف بها للتكفير عن خطاياه بسبب لعنة هيرا (Hera) زوجة زوس (Zeus) وكل مهمة أصعب من الأخرى وفي كل مرة كان يقتل وحش أسطوري مثل الأسد النيمي (the Nemean lion) والهيدرا (Lernaean Hydra) وأشهر كتاب القصة هو بيسندار (Peisander) وهو اول من ذكر ان هرقل بعد ان قتل الأسد النيمي سلخه وارتدى جلده. وقد عملنا حلقة في بودكاست كارتونيشن عن أعمال هرقل مقارنة بفيلم ديزني (Hercules). • بعض المراجع لمن أراد الاستزادة:o كتاب المكتبة اليونانية Bibliotheca او مكتبة أبولودورس الزائف (Pseudo-Apollodorus) وهذا كتاب مهم جدا فهو يسرد التاريخ اليوناني الأسطوري بطريقة سلسلة جدا وهو أسهل الكتب رغم كتابته بعد القرن الأول للميلاد.o الأدب اليوناني - من سلسلة زدني علما o الميتولوجيا اليونانية -من سلسلة زدني علماo تاريخ الأدب اليوناني – الدكتور علاء صابر -مكتبة لبنان ناشرونo كتاب التحولات أو مسخ الكائنات (The Metamorphoses) لأوفيد (Ovid) وهو شاعر روماني كتبه في القرن الثامن فقد جمع القصص اليونانية والرومانية الشفهية وتوجد ترجمتين:o مسخ الكائنات - نسخة دار المعارف - محمد عكاشةo التحولات – ترجمة أدونيس.o وانا انصح بكتاب باللغة الإنجليزي وهو دليل جيد يجمع لك القصص ومصادرها واهمها واسمه:o A brief guide to the Greek myths by Stephen p. Kershawنسب الشعب اليوناني الأسطورينسب الشعب اليوناني:الشعب اليوناني مصنف اصطلاحياً من الشعب الهندو-أوربي الشعوب التي هاجرت من منقطة بين اسيا وأوربا ولكن يهمنا هنا الفكرة الأسطورية وليس الفكرة الأنثروبولوجيه. فهم يعتقدون ان نسبهم امتداد ومتصل بالآلهة الأولمبية والطيتان فالقصة تحكي ان هناك شخص اسمه دوكيليان (Deucalion) وزوجته بيرا (Pyrra) وهو يمثل نوح في الأخبار التوحيدية فله قصة مشابهة لقصة نوح عليه السلام والطوفان سنذكرها في حينه.• دوكيليان قيل انه بن بروميثيوس خالق البشر ومختلف في امه قيل انها هيسيوني (Hesione) وفقاً لهيسيود.• بيرا هي ابنة ابيمثيوس (Epimetheus)، اخ بروميثيوس، وامها باندورا (Pandora) صاحبة قصة الصندوق وكذلك سنذكرها في حينه.• دوكيليان وبيرا لديهم ثلاثة أبناء يمثلون السلالة والقبائل اليونانية:o هيلين وثيا وباندورا الثانية• هيلين هذا ما يطلقون به اليونانيين أنفسهم حتى اليوم لذا تجد ان اليونان اسمها الجمهورية الهيلينية وتجد في جوازهم الجنسية هيليني. o هيلين لديه ثلاثة أبناء من حورية ماء الـ(nymph)أورسيس (Orseis): أيوليس (Aeolus) اب (الأيوليين) دوروس (Dorus) اب الدوريين) زاذس (Xuthus) وهذا زاذس لديه ابنين:• أخايس (Achaeus) اب الآخيون.• واخيراً أيونيس (Iones) أب الأيونين وقيل ان العرب اسمتهم اليونانيين بناءاً عليه.• ثيا قيل انها حبلت بواسطة زيوس (Zeus) وانجبت:o ماجنس (magnes)o ومقدون (Macedon) سلالة الإسكندر الأكبر (Alexander the Great) والفيلسوف ارسطو (Aristotle) ولهذا السبب قيل انه لم يرث اكاديمية افلاطون (Plato) لأنه ليس أثينيي (هيليني)• باندورا الثانية حبلت أيضا بواسطة زيوس وأنجب جرايكوس (Gragecus) وأبناء هذا جرايكوس كانوا من اول المهاجرين لبلاد روما (إيطاليا) وبسبب ذلك سمي الشعب اليوناني بالإغريق.o جرايكوس (Gragecus) لديه حسب هيسيود (Hesiod) بن اسمه لاتينوس (Latinus) هل هو أب اللاتينيين؟ هل هو لاتينوس المذكور في الإنيادة (Aeneid) للشاعر الروماني فيرجل (Virgil)؟ هل فيرجل (Virgil) هو المذكور في الكوميديا الإلهية (Divine Comedy) للشاعر الإيطالي دانتي (Dante)؟ دانتي وفيرجل من ديفل ماي كراي (Devil may cry)؟ الله أعلم.o إضافة أخيرة للأنساب: وفقاً لهيسيود في كتاب المرأة هناك شخص اسمه عربوس (Arabus) او عريبيوس (Arabius) هو بن هرميس (Hermes) وثرونيا (Thronia).وهذا نبذة جدا مبسطة لسلالة الشعب اليوناني ودائما ما تجد عند التعمق في السلالات اليونانية حتى بعد الامتداد نجد ان نسباً لأحدى الآلهات او الطيتان بطريقة او بأخرى.الطبيعة الجغرافية والسياسية لليونانالطبيعة الجغرافية: اليونان شبه جزيرة طبيعتها وعرة وكثيرة الجبال وحولها جزر صغيرة كثيرة داخلها جبال ومرتفعات كذلك. ولهذا كان الاتصال بين المدن شبه صعب بسبب وعارة الطرق وقيل هذا أحد أسباب عدم توحدهم كدولة وحدة الا في عهد الإسكندر.ولكن الملاحة البحرية بين الجزر في بحر ايجة شبه عوضت التواصل ولهذا التجارة الملاحية في كانت مثمرة بينهم وكأن البحر عوض ووحد ما فرقته الجبال والأرض. وقد سكنوا اليونانيين في أجزاء من مصر بالإسكندرية، وكذلك على الساحل الغربي في تركيا وقيل ان هناك حصلت معركة الإلياذة الشهيرة في مدينة طروادة.الطبيعة السياسية:ذكرنا ان صعوبة التواصل بين اليونانيين بسبب الظروف الجغرافية للمنطقة كانت أحد أسباب عدم توحدهم في دولة وحدة لذا كانت المدن والجزر اليونانية عبارة عن دول مستقلة صغيرة (City State) بعضها جزر ومدن ممالك، بعضها جزر ومدن جمهورية، بعضها جزر ومدن عشائر وقبائل.وهكذا نكون انتهينا من مقدمة الحلقة ونبدأ بقصص ميلاد الآلهة.ميلاد الآلهةمصدر القصص والأنسلب لهذا البودكاست:o بالنسبة لميلاد الآلهة سأذكر التي بها قصص واظن انه مهم، معتمداً على كتاب هيسيود ميلاد الآلهة.o الشعب اليوناني كان يتداول هذا القصص بشكل شفهي والكتب التي ذكرناها كتبت لاحقا في أعمال شعرية واعمال ملحمية وأعمال مسرحية.كيف يبدأ هيسيود ميلاد الآلهة: يذكر هيسيود بأنها إلهام من الميوسيس (The Muses)، ربات الفنون التسعة والتي ظهرن في فيلم ديزني هرقل، وأنهن يرقصن وينشدن في جبل هيليكون (Helicon Mount) وقد اهدياه غصن زيتون وسيلة تواصل بينه وبين ربات الفنون ومن خلال ألهم بقصيدة الثيوجني (Theogony).o ذكر هيسيود ان ربات الفنون التسعة، إذا فضلن ملك من الملوك، فبمجرد ميلاده يصببن من ريقهن في فمه فيصبح عذب الكلام.o وهن بنات زيوس من امهم نيموزين، في انمي بهذا الاسم، آلهة الذاكرة وهي أحد بنات اورانوس وجايا.o زيوس تشكل في شكل بشري وواقع نيموزين (Mnemosyne) تسعة ليالي وفي كل يوم كانت تنجب أنثى وهن: كليو ربة التاريخ (Cleo) اوتربي ربة الموسيقى (Euterpe) تالي ربة الكوميديا (Thalia) ملبومين للمأساة او التراجيديا (Melpomene) ترببسيكور للرقص (Terpsichore) اراتوا للشعر الغنائي او به وصف حسي (Erato) بوليمني للمسرح (Polyhymnia) اوراني للفلك (Urania) كاليوب للشعر الملحمي (Calliope).وقد ذكرت مقدمة هيسيود عن ربات الفنون لأن القارئ للأدب او الملاحم اليونانية دائما ما سيجد أن المؤلف يبدأ بالابتهال لهؤلاء التسعة.قصص الوجود:نجد في قصص الميلاد أو أنساب الآلهة أن الوجود وجد قبل ميلاد الآلهة. والآلهة بعد ذلك أتت لكي تنظم الوجود. وانتهز هذه الفرصة في ذكر أنواع الكائنات عند اليونان:• الكيانات الأولية (Primordial):الكيانات التي ظهرت مع بداية الوجود وتمثل الطبيعة وظواهرها، وظهر منهم أول من حكم العالم.• الجبابرة (Titans):الجبابرة: الجيل الثاني والذي أزاح الكيانات من الحكم وأخذ مكانهم.• الأولمبيين (The Olympians):الجيل الثالث والذي خاض حرب ضد الجبابرة (Titanomachy) وحكم العالم. وأطلق عليهم الأولمبيين لاتخاذهم جبل أوليمبس سكن لهم.• المخلوقات الأسطورية (Mythical Creatures): الوحوش (Monsters)، الحوريات (Nymphs)، القنطور (Centaur)، وغيرهم من ابناء الجبابرة وملعوني الأولمبيين.• أنصاف الآلهة (Demi-God):كائنات نصفها آلهة ونصفها بشر وهؤلاء كثير منهم أبطال وكثير منهم أبناء زوس مثل: بيرسيوس (Perseus)، هيراكليس (Heracles)، آخيل (Achilles) وهؤلاء لديهم الفرصة للترقي ويصبحون آلهة مثل داينوسيس (Dionysus).• البشر:هؤلاء الذين عاصروا وعبدوا الآلهة منذ جيلهم الذهبي (Golden Age) وحتى الجيل الحديدي (Iron Age) وسنذكر قصصهم بالتفصيل ان شاء الله.الكائنات الأولية:• أول الكيانات وجوداً هو كايوس (Chaos) ويمثل الخواء وقد ظهر في لعبة هيديس (Hades Video Game). • ثم ظهرت جايا (Gaia) وهي تمثل الأرض، وظهر تارتورس (Tartarus) ويمثل قاع قاع الأرض وظهر كذلك ايروس (Eros) وهو يمثل الرغبة.o قيل ان هؤلاء الثلاث هم أبناء كايوس وقيل انهم ظهروا مع كايوس.• كايوس لديه أبناء آخرين:o نيكس (Nyx) وتمثل الليل. وظهرت في لعبة هيديسo ايريبس (Erebus) يمثل الظلام.• نيكس واخاها ايريبس قرروا انهم ينجبوا كيانات أخرى وسنرى ان إنجاب الأخ من أخته طبيعي جداً عند الآلهة اليونانية:• هيمرا (Hemera) وهو يمثل النهار.• ايثر (Aether) وهو غطاء السماء التي تتنفسه الكيانات لذا في الألعاب الروائية (Table-top RPG) والعاب الفيديو (RPG Games) نجد ان الذي ينعش نقاط السحر المستخدمة او المفقودة مشروب الإيثر (Ether).وطبيعي جدا ان الكيانات ممكن تقرر الإنجاب بدون أي تواصل جنسي ومن ذاتها بالفيض مثل أبناء نيكس (Nyx):• ثانتوس (Thanatos) وهو مثل ملك الموت وهو ظهر في لعبة هيديس• موروس (Moros) وهو يمثل الهلاك (Doom).• هيبنوس (Hypnos) وهو يمثل النوم وقد ظهر في لعبة هيديس أيضاً.• أونيروس (Oneiros) وهو يمثل الأحلام.• مومس (Momus) ويمثل اللوم السخرية او إله الساتير (Satir) كائن اسطوري.• اوزيس (Oziys) ويمثل الويل.• وعندها كذلك الكيريس (The Keres) هن كائنات بأجنحة يمثلن المصير الموت المفجع ولهن دور مثل الفالكيريس لكن هن لا يأخذن الموتى من المقاتلين للجنة إنما لقاع الجحيم. • والثلاثي الميوري (Moirai) سيدات القدر:o كلوثو التي تغزل وتلف الخيطo ليتشيس التي تمد خيطo أتروبوس التي تقطع الخيط• وكذلك عندها الهيسبريديس (Hesperides) حوريات الغسق (Evening Nymphs)، حارسات التفاح الذهبي وقيل انهن سبع.• نيميسيس (Nemesis) ويمثل القصاص ولهذا يسمى العدو الأكبر للأبطال بالنميسيس • أباتي (Apate) تمثل التضليل (Deception)• جيراس (Geras) ويمثل الشيوخة.• فيلوتيس (Philotes) ويمثل المحبة او الصداقة.• ديسكورد (Discord) نعم ديسكورد أو ايريس (Eris) وتمثل الخلاف.ما ذكرت هذا نموذج لميلاد او تزاوج الآلهة وكتاب هيسيود يذكر عشرات الآلهة المولودة بالتزاوج، محارم او بغير محارم، أو بالفيض. ومن هؤلاء الآلهة كريتوس (Kreatos) ويمثل القوة أو القدرة هو بن الجبار بالاس (Pallas) ونهر الجحيم (Styx) واكتفي بهذا القدر من نموذج ميلاد الآلهة وندخل على أول الملاحم.أولى الدماء بين الآلهةجايا (Gaia) واقعت ابنها أورانوس (Uranus) وأنجبوا الذين يطلق عليهم:• الجبابرة أو التيتان او إذا نقحرت الطيتان (The Titans) وهم اثنا عشر: 1. اوكيانوس (Okeanos) وهذا شيخ كبير واب لكثيرين.2. كويوس ((Coeus.3. كريوس (Crius).4. هايبريون (Hyperion).5. ايابتوس (Iapetus).6. ثيا (Theia).7. ريا (Rhea).8. ثيميس (Themis).9. نيموزين (Mnemosyne) أم ربات الفنون.10. فيبي (Phoebe) وليست فيبي من (Friends).11. تيثس (Tethys).12. كرونوس (Cronus) أصغرهم وله قصة مهمة سنذكرها بعد قليل.• وأنجبوا الثلاثي السايكلوبس (Cyclops) وهم الذين صنعوا الأسلحة لزيوس واخوته وهو دور مشابه للأقزام (Dwarfs) في الأساطير النورسية (Norse Mythology):1. برونتوس (Brontes) ويمثل الرعد.2. ستروبس (Steropes) ويمثل البرق.3. ارجس (Arges) ويمثل الوميض.• ذو المئة اليد (the Hecatoncheires) والذين يجب الا يذكروا حسب هيسيود ولكن يذكرهم:1. كوتاس (Cottus).2. برورياس (Briareus)3. جايجيس (Gyges).أترون كل هؤلاء الأبناء؟ اورانوس كان لا يحبهم ويكرههم، بالذات الثلاثي الأخير، وكان كل ولد من هؤلاء عندما تلده جايا يقوم اورانوس بحبسه في مكان سري داخل جايا وقيل داخل تارتروس (Tartus). طبيعي جدا هذا كان يزعج جايا فقد تمددت وترهلت بسبب هذا الحشي، ولذلك بغضت ابنها اورانوس وقامت بصناعة سلاح أسود مكون من مادة الأدمانتيوم (adamantium) يشبح المنجل (Sickle) أو المحش (Scythe) وأعلنت بعد ذلك لجميع أبنائها من يقوم بالإنتقام من ابيهم ويساعدها؟ فتطوع لذلك إبنها الأصغر كرونوس وأخذ المنجل وانتظر اللحظة الحاسمة؛ فقد كان اورانوس يهبط من السماء دائما على الأرض لجايا وينام. هنا اتى كرونوس (Cronos)بضربة واحدة قام بخصي اباه اورانوس. وهنا تناثرت الدماء وبعض قطرات المني وهبطت على الأرض والبحر:• فقطرات الدماء التي سقطت على جايا الأرض بعدها مباشرة ولدوا:1. الساخطات (The Furies) او الإيرنيس (The Erinyes): اليكتو (Alecto)، تيسفوني (Tisphone)، وميجرا (Megra) وهؤلاء يتنقمن من الذي يحنث قسمه للآلهة او يقسم بالآلهة قسم كاذب.2. العمالقة (Giants)3. حوريات المُران (Ash-tree Nypmhs)• أما قطرات المني فسقطت على البحر وتحولت إلى رغوة فولدت أفروديت (Aphrodite).بعد ذلك قام كرونوس بتحرير أخوته من الجبابرة الأثناعشر، ماعدا السايكلوبس وذو المئة يد! وكأنه يقول المشكلة منكما فعلاً! (it's not you. It is you!). وهذا مجدداً أغضب جايا فهي لم تتكبد هذا العناء لكي يظلوا أبنائهم حبسى.ميلاد الأولمبيينلعنة أورانوس:الكيان أورانوس (Uranus) غضب على ابنه كرونوس (Cronos) وتنبأ بأن من أبنائه من سيأخذ من الحكم بسبب فعلته تلك. ولم يفت من كرونوس أخطار تلك النبوءة، فقد أختار كرونوس اخته ريا (Rhea) زوجة له وأجبت له الأولمبيين. ولكي يتجنب لعنة أباه أورانوس كان كرونوس بمجرد ميلاد أبنائه يبلعهم مباشرة دون ان ينظر إليهم وكان من ابتلعهم كرونوس بالترتيب هم:1. هيستيا (Hestia).2. ديميتر (Dimeter).3. هيرا (Hera).4. هيديس (Hades).5. بوسيدون (Poseidon).ميلاد زوس:هذا أحزن وأغضب زوجة كرونوس، ريا. وقد كانت ريا حامل بجنين أخير ولا تريد له مصير أخوته السابقين. فقامت ريا بالشكوى لصاحبة التجربة جايا. فأشارت جايا على ريا ان تلد مولودها في معبد بجزيرة كريت (Crete) وهو الأبن الأخير لكرونوس، سيد الآلهة، الماجن، المتحول، اب الكثيرين، وزوج وعاشق لكثيرات الآله زوس (Zeus). بعد ولادة زوس أودعته ريا لدى جايا، ثم ذهب جايا لكرونوس معها حجر ملفوف برداء كأنه طفل حديث الولادة، وأعطته كرونوس، والأخير قام مباشرة بابتلاعه دون النظر في الرداء.نشأ زوس جبل آيدا (Mount Ida) في كريت وقام بتربيته شياطين الجبل (The Kouretes)، قد قيل إنهم حوريات لكن اخترت شياطين من باب التنويع وهن من أولاد جايا ولا نعلم من اين أتوا، فجايا ام لكثيرين، وكن يرقصن ويصرخن عندما يبكي او يصرخ زوس. والتي أرضعت زوس هي أميثليا (Amaltheia) ابنة الشمس هيلوس (Helios) وهي كائن أقرب للمعزة للبشر وكانت تحتضنه عندما تريد اخفاؤه عن كرونوس. وعندما بلغ سن الرجولة ذهب زوس لإنقاذ اخوته بالتعاون مع جايا وأمه وبن عمته ميتيس (Metis) ابنة أوكيانوس (Okeanos)، التي صنعت دواء مقيئ، وزعم مني التي قامت بإعطاء كرونوس الدواء هي ريا. وبمجرد شربه استفرغ أولا الحجر، ثم بسايدون، هيديس، هيرا، ديميتر وأخيراً هستيا. لذا تقنيا زوس أصبح الأكبر الآن وهيستيا هي الصغرى، وهنا قامت حرب العشر سنوات، الملحمة التيتانية (Titanomachy).الحرب التيتانيةالحرب:اتخذ زوس جبل أولمبيا مقرا له (Mount Olympus)، واجتمع مع اخوته وبقية الآلهة التيتانية وأخبرهم بأنه سيخوض الحرب ضد أبيه كرونوس ووعد الذين سيشاركون الحرب معه، في حال انتصاره، سيعطيهم مكافآت وسيحافظون على مناصبهم التي نالوها مع الجبابرة.أستجاب بعضهم ورفض بعضهم وأشهر من استجاب لدعوة زوس هو بروميثيوس (Prometheus) ابن الجبار ايابتوس (Iapetus) وكان معنى اسمه بعيد النظر، وحث بقية اخوه ابيمثيوس (Epimetheus) ومعنى اسمه قليل العقل او قصير النظر، وكذلك حث اخوه أطلس (Atlas) واستجاب الأول ورفض الأخير.وبدأت الحرب واستمرت 10 سنوات سجالاً، لا نعلم ماهي حيثيات الحرب ولا المعارك التي حدثت، ولكن نعلم ان زوس استشار جدته جايا كيف ينتصر على ابيه؟ فأخبرته ان عليه تحرير أبنائها الثلاثي سايكلوب وكذلك ذوي المئة يد، وهم سيحققون النصر، وفعلا قام زوس بالهبوط إلى تارتروس وقتل حارسة السجن كامبي (Kampe) وحررهم.طلب زوس بعد ذلك منهم المساعدة، فقام الثلاثي باختراع ثلاث أسلحة: الصواعق لزوس (Thunder Bolts)، خوذة الإخفاء لهيديس (Hades Helmet) والرماح ذي الثلاث شعب لبسايدون (Trident). وبفضل الأسلحة استطاع زوس أخيرا الانتصار ثم حبس من حاربه من الجبابرة في اقصى قاع الأرض وبذلك أنتصر أخيرا زوس وحكم الأرض.لكن هذا الانتصار ليس نهاية الحروب، لأن جايا الأرض، أزعجها مجدداً حبس أبنائها. فكل ما تريد جايا فقط ان يكون جميع أبنائها أحراراً! قتلوا، نهبوا، استولوا لا يهم! المهم ان يكونوا أحراراً. فبدأت مجددا بحياكة حبكة أخرى تنتقم فيها من زوس في ملحمة أخرى، تسمى الـ(Gigantomachy) وسنعرض تفاصيلها الحلقة القادمة ان شاء الله.
Nuestro paseo de hoy transcurre por las calles del barrio La Petxina y el Jardín Botánico. Dos barrios unidos por la Gran Vía Fernando el Católico. Otro clásico de Valencia situado en el centro de la ciudad, entre Arrancapins y Campanar, y perteneciente al distrito de Extramurs. En este caso estamos acompañados por con Vicente Todolí, todo un referente internacional en el mundo del arte. Es mundialmente conocido por haber sido director de uno de los museos más importantes del planeta, la Tate Modern Gallery de Londres. Anteriormente había dirigido espacios como el IVAM, Instituto Valenciano de Arte Moderno, donde fue uno de sus impulsores. NOTAS DEL PODCAST - Torres de Quarte - https://www.visitvalencia.com/que-hacer-valencia/cultura-valenciana/monumentos-en-valencia/torres-quart - Jardín Botánico - https://www.jardibotanic.org/?apid=historia-4 - Jardín de las Hesperides - https://openhousevalencia.org/portfolio/jardin-hesperides/ - Iglesia de Jesuitas - https://iglesiajesuitasvalencia.org/ - Sala Girasol - http://www.salagirasol.com/#!informacion - Mercado de Rojas Clemente - https://www.facebook.com/mercadorojasclemente/ - Todolí Citrus - https://todolicitrusfundacio.org/es/ - Los Cítricos de Vicente Todolí - https://elpais.com/elpais/2020/04/01/gastronotas_de_capel/1585725640_533117.html - Plaza de Rojas Clemente - https://valenciaplaza.com/asi-es-la-nueva-plaza-de-rojas-clemente
In this episode we review the Hardcore / Death Metal album Erebos by Venom Prison. Golden Blenders of the Hesperides.S01E36Buy Blenderstyle Merch!https://blenderstyle.square.site/Follow/Subscribe:Linktree: https://linktr.ee/blenderstyleYouTube: https://www.youtube.com/c/blenderstylePodcast: https://blenderstyle.buzzsprout.comInstagram: https://www.instagram.com/blenderstylemusicFacebook: https://www.facebook.com/blenderstylemusicWebsite: http://blenderstyle.netCheck the album out here:Youtube Music: https://music.youtube.com/playlist?list=OLAK5uy_l7FN4p1DmSagl6cxu8tV86DW52FTmRWlcSpotify: https://open.spotify.com/album/46PrcUpxkrMkWcwrXv8sZFApple Music: https://music.apple.com/us/album/erebos/1594919759Mindless Self Indulgence Reaction
Subscribe Apple | Google | Spotify | Stitcher | iHeart Support The Daily Gardener Buy Me A Coffee Connect for FREE! The Friday Newsletter | Daily Gardener Community Historical Events 1510 Death of Sandro Botticelli, Italian Renaissance master. His painting Allegory of Abundance or Autumn is one of his most elaborate and detailed drawings, and it depicts an abundance of flowers and fruits. Sandro painted idyllic garden scenes filled with beautiful women and men from the classical period. His painting, Primavera, depicts nine springtime gods and goddesses from classical mythology in a garden. Venus, the goddess of love, presides over the Garden of the Hesperides. To her right, Flora, the goddess of flowers, sprinkles roses. The garden features orange and laurel trees and dozens of other species of plants. 1642 On this day, Paul de Chomedey, Sieur de Maisonneuve, French military officer, catches his first glimpse of Montreal's landscape. He is recognized as the founder of Fort Ville-Marie (modern-day Montreal) in New France (Province of Quebec, Canada). In George Waldo Browne's 1905 book, The St. Lawrence River: Historical, Legendary, Picturesque, he wrote, On the 17th of May, the rounded slopes of Mount Royal, clad in the delicate green foliage of spring, burst into sight, stirring the hearts of the anxious beholders with newfound joy. They were delighted with the scenery. The fragrance of the springing forest permeated the balmy air, and, what was dearer far to them, over the water and over the landscape, rested an air of peace quite in keeping with their pious purpose. Maisonneuve was the first to step upon the land, and as the others followed him... they fell upon their knees, sending up their songs of praise and thanksgiving. Their first work was to erect an altar at a favorable spot within sight and sound of the riverbank, the women decorating the rough woodwork with some of the wildflowers growing in abundance upon the island, until the whole, looked very beautiful. Then every member of the party... knelt in solemn silence while M. Barthelemy Vimont... performed ...high mass. As he closed, he addressed his little congregation with these prophetic words: You are a grain of mustard seed that shall rise and grow till its branches overshadow the earth. 1810 Death of Robert Tannahill, Scottish poet, and lyricist. Remembered as the 'Weaver Poet,' Robert was born in Paisley and is often hailed as Paisley's own Robert Burns, as his work is said to rival Robert Burns. Today in Paisley, a stunning 50ft high mural of a young Robert Tannahill was painted by Mark Worst, collaborating with Paisley Housing Association. The mural overlooks where Robert Tannahill was born on Castle Street in 1774. One of Robert's most beloved songs is Will Ye Go Lassie, Go. The lyrics mention picking Wild Mountain Thyme, a plant known botanically as Thymus serpyllum (TY-mus sir-PIE-lum). Wild Mountain Thyme is a showy, wide growing groundcover from the Old World and has beautiful rose-red flowers and glossy deep green, mat-forming foliage. In the song, the thyme has grown in and around the heather. O the summer time has come And the trees are sweetly bloomin' The wild mountain thyme Grows around the bloomin' heather Will ye go, lassie, go? And we'll all go together To pull wild mountain thyme All around the bloomin' heather Will ye go, lassie, go? 1885 Birth of Elvin Charles Stakman, American plant pathologist. Elvin is remembered for his work identifying and combatting diseases in wheat. In 1917, he married fellow a plant pathologist named Estelle Louise Jensen. He also encouraged Norman Borlaug to pursue his career in phytopathology after Norman's job at the Forest Service was eliminated due to budget cuts. Elvin was Norman's teacher. And Norman went on to win the Nobel Peace Prize (1970) after discovering dwarf wheat varieties that reduced famine in India, Pakistan, and other third world countries. In 1938, Elvin gave a speech entitled These Shifty Little Enemies that Destroy our Food Crops. During his talk, Elvin focused on one shifty little enemy in particular: rust. Rust is a parasitic fungus that feeds on phytonutrients in grain crops like wheat, oat, and barley. Today, Elvin is remembered with the naming of Stakman Hall - the building where Plant Pathology is taught - at the University of Minnesota's St. Paul campus. In The Wizard and the Prophet: Two Remarkable Scientists and Their Dueling Visions to Shape Tomorrow's World, Charles Mann reflected, Stakman did not view science as a disinterested quest for knowledge. It was a tool—may be the tool—for human betterment. Not all sciences were equally valuable, as he liked to explain. “Botany,” he said, “is the most important of all sciences, and plant pathology is one of its most essential branches. Grow That Garden Library™ Book Recommendation 150 Gardens You Need To Visit Before You Die by Stefanie Waldek This book came out in 2022. Stefanie writes in her introduction: In 150 Gardens You Need to Visit Before You Die, I've shared a vast range of gardens, from immense botanical institutions with thousands of specimens, to smaller plots for quiet meditations, to museums that combine both artworks and plantings. I hope these brief introductions inspire you to plan a visit or two, whether in your hometown or on your global travels, so that you can enjoy the sights, smells, sounds, and stories of the world's best gardens. The publisher writes: From Kew Gardens in London to the Singapore Botanical Gardens, and from Monet's garden at Giverny to the Zen garden of the Ryoan-ji Temple in Kyoto, this handsomely bound book captures in words and images the most notable features of these 150 glorious, not-to-be-missed gardens. An essential bucket list book for garden lovers! You can get a copy of 150 Gardens You Need To Visit Before You Die by Stefanie Waldek and support the show using the Amazon link in today's show notes. Botanic Spark 1905 On this day, Louisa Yeomans King wrote in her garden journal about peonies. She published a year's worth of entries in her book, The Flower Garden Day by Day. In 1902, Louisa and her husband moved to Michigan, where they built a home called Orchard House. With the help of a gardener named Frank Ackney, Louisa began to plan and create her garden. She also began writing about her Gardens. Soon, she gave lectures, contributed pieces to magazines, wrote columns, and organized garden clubs. She even became friends with prominent gardeners of her time like Gertrude Jekyll, Charles Sprague Sargent, and the landscape architects Fletcher Steele and Ellen Biddle Shipman. Louisa learned to garden during the heyday of American Garden Culture. Her garden writing in newspaper columns and magazine publications made her the most widely read American Garden author in the United States. Louisa's first book, "The Well-Considered Garden," the preface was written by her dear friend Gertrude Jekyll. In 1915, when the book debuted, it was considered an instant classic in garden literature. Louisa would go on to write a total of nine books. The garden estate known as Blithewold has a copy of "The Well-Considered Garden." Their particular text also contains a handwritten inscription along with Louisa's signature. The inscription borrows a quote from Sir William Temple, who said, "Gardening is an enjoyment and a possession for which no man is too high or too low." Louisa changed the quote and wrote, "Gardening is an enjoyment and a possession for which no woman is too high or too low." Louisa helped start the Garden Club of America and the Women's National Farm and Garden Association. She held leadership positions in both organizations. When her husband died suddenly in 1927, Louisa was forced to sell Orchard House. She moved to Hartford, New York, and bought a property she called Kingstree. This time, she set up a smaller garden. The size meant less work, which accommodated her writing and speaking commitments better. On this day, Louisa wrote in her journal this note of advice about the Peony: May 17. Disbud most of your peonies now; that is, of a cluster of buds, cut off all but the larger central one. Certain varieties, however, are considered more beautiful if left alone to flower as they will. Among these are Alsace Lorraine and La Rosiere. Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.
Robert Herrick (baptised 24 August 1591 – buried 15 October 1674)[1] was a 17th-century English lyric poet and Anglican cleric. He is best known for Hesperides, a book of poems. This includes the carpe diem poem "To the Virgins, to Make Much of Time", with the first line "Gather ye rosebuds while ye may".Bio via Wikipedia See acast.com/privacy for privacy and opt-out information.
Free Air is a 1919 novel written by Sinclair Lewis. It follows the story of Claire Boltwood as she travels by automobile from New York City to the Pacific Northwest. The GSMC Audiobook Series presents some of the greatest classic novels, audiobooks, and theatrical presentations from a bygone era. Let Golden State Media Concepts take you on a ride through classic audiobooks read by some of the top audiobook performers of all time. This compiled collection of classic audiobooks contains a wide variety of classic Novels. ***PLEASE NOTE*** GSMC Podcast Network presents these shows and audiobooks as historical content and have brought them to you unedited. Remember that times have changed, and some Audiobooks might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate, and give you a glimpse into the past.
Robert Herrick (baptised 24 August 1591 – buried 15 October 1674)was a 17th-century English lyric poet and cleric. He is best known for Hesperides, a book of poems. This includes the carpe diem poem "To the Virgins, to Make Much of Time", with the first line "Gather ye rosebuds while ye may"
On this Thanksgiving Day episode, Bud turns to the Puritan Thomas Manton for the reading of an excerpt of his sermon about the Christian's special duty of giving thanks. Drawn from an exposition of Psalm 119:62, Manton emphasizes the necessity for the Christian to be much in giving thanks and giving praise to God. Manton's sermon No. LXX is sourced from Volume 7 of the 22 volume The Works of Thomas Manton published by The Banner of Truth Trust. Charles Spurgeon, in his collection "The Treasury Of David," says of Psalm 119: "This sacred ode is a little Bible, the Scriptures condensed, a mass of Bible, Holy Writ rewritten in holy emotions and actions. Blessed are they who can read and understand these saintly aphorism; they shall find golden apples in this true Hesperides, and come to reckon that this Psalm, like the whole Scripture which it praises, is a pearl island, or, better still, a garden of sweet flowers." For information on The Works of Thomas Manton, please visit the Banner of Truth website. The Treasury of David by Spurgeon may be sourced at Reformation Heritage Books or Solid Ground Christian Books.
Prometheus älskade människan mer än olympierna, som hade förvisat större delen av hans familj till Tartarus. Så när Zeus dekreterade att människan måste skänka en del av varje djur som han slaktade till gudarna, bestämde sig Prometheus för att lura Zeus. Han skapade två högar, den ena med benen insvepta i saftigt fett, den andra med det goda köttet gömt i skinnet. Han bad sedan Zeus att välja. Zeus valde benen. Eftersom han hade gett sitt ord, var Zeus tvungen att acceptera denna hög som sin del för framtida offer. I sin ilska över tricket tog han elden ifrån människan. Men Prometheus tände en fackla från solen och förde tillbaka den till människan. Zeus blev då arg över att människan återigen hade eld. Han bestämde sig därför för att utdöma ett fruktansvärt straff mot både människan och Prometheus. För att straffa människan lät Zeus Hefaistos skapa en dödlig av fantastisk skönhet. Gudarna gav den dödliga många rikedomsgåvor. Han lät sedan Hermes ge den dödliga ett vilseledande hjärta och en lögnaktig tunga. Denna skapelse var Pandora, den första kvinnan. En sista gåva var en burk som Pandora förbjöds att öppna. Således och avslutande, skickade Zeus Pandora ner till Epimetheus, som stannade bland människan. Att vara en skönhet som ord inte kunde beskriva, fick Pandora som en gåva till Epimetheus. Pandoras nyfikenhet på burken som hon förbjöds att öppna blev outhärdlig för henne. Hon öppnade burken och ut flög alla slags ondska, sorger, svält, sjukdom och olyckor. Dock rymde botten av burken en bra sak - hopp. Zeus lät gripa Prometheus, förde honom till Kaukasusbergen och kedjade fast honom vid en sten med okrossbara kedjor. Här plågades han dag och natt av en jätteörn som slet ut och åt upp hans lever. Zeus gav Prometheus två vägar ut ur denna plåga. Han kunde berätta för Zeus vem som var mor till barnet som skulle avsätta honom från tronen, eller uppfylla två villkor. Det första var att en odödlig måste frivilligt ställa upp på att dö för Prometheus, och det andra var att en dödlig måste döda örnen och lossa honom. Prometheus berättade för Zeus att havsnymfen Thetis skulle föda en son som skulle bli större än sin far. Detta var viktig information. Både Zeus och hans bror Poseidon åtrådde Thetis, men de ordnade så att hon gifte sig med en dödlig så att hennes son inte skulle utgöra en utmaning för deras makt. Zeus skickade därefter Herakles för att skjuta örnen som plågade Prometheus och för att bryta de kedjor som band honom. Efter sina år av lidande var Prometheus fri och kunde återförenas med sin kvinna Asia. För att belöna Herakles för hans hjälp rådde Prometheus honom hur man får tag i Hesperides gyllene äpplen, ett av de 12 storverk som den berömda hjälten var tvungen att utföra. I detta ligger där en viss sensmoral inbäddad, och är inte den innebördsmässiga betydelsen förvånansvärt lik en annan känd historia från Kristen mytologi? Att Carl som f.d världsmästare i styrkelyft är vår egna svenska Herakles och som i modern tid är den som släppt sanningen fri, är ju hur som helst i sammanhanget lite smålustigt trots allt. :) #CarlNorberg #DeFria #RealNews De Fria är en folkrörelse som jobbar för demokrati genom en upplyst och medveten befolkning! Stöd oss: SWISH: 070 - 621 19 92 (mottagare Sofia S) PATREON: https://patreon.com/defria_se HEMSIDA: https://defria.se FACEBOOK: https://facebook.com/defria.se
Tonight, we'll read the story “The Three Golden Apples” written by Nathaniel Hawthorne and found in “A Wonder Book” originally published in 1851.This is Hawthorne's retelling of Hercules' search for three golden apples. Along the way he meets the Old Man of the Sea, a six-legged man creature and the mighty giant, Atlas.This story also features the Hesperides. In Greek mythology, they are the nymphs of evening and golden light of sunsets. The Hesperides love to sing, and they spend their time tending to Queen Hera's apple orchard.— read by 'V' — See acast.com/privacy for privacy and opt-out information.
Exolore host and mythological scholar Dr. Moiya McTier joins to lend her expertise and charm as Schubes continues to make his way through the Lightning Thief! Topics include: myth nerds, wall sandwiches, becoming one with the plumbing, genie questions, naiads, Misery Business, Destiny's Child, wisegirl, Upstate New York, Texas A&M rings, LIRR, The Dark Knight, wedding planning, Garden of Hesperides, the Apple of Discord, treemelter, game-winners, Central Jersey, brisket, Peter Johnson, and more!Thanks to our sponsor: SHAKER & SPOOON - get $20 off at shakerandspoon[dot]com/tno— Find The Newest Olympian Online —• Website: https://thenewestolympian.com• Patreon: https://thenewestolympian.com/patreon• Twitter: https://twitter.com/newestolympian• Instagram: https://instagram.com/newestolympian— Production —• Creator, Host, Producer, Social Media, Web Design: Mike Schubert (https://schub.es)• Editor: Sherry Guo• Music: Bettina Campomanes and Brandon Grugle• Art: Jessica E. Boyd
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
After killing Medusa, Perseus comes across the Phoenician-Ethiopian princess, Andromeda, awaiting death by sea monster. He steps in, for a price...For the article referred to at the end of the episode: sententiaeantiquae.com/2021/08/07/just-a-girl-being-briseisCW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Theoi.com (entries on Perseus, Danae, Hesperides, primarily content from Apollodorus); Early Greek Myths by Timothy Gantz; Ovid's Metamorphoses translated by Allen Mandelbaum.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
Perseus's quest continues as he goes in search of the Gorgons sisters with a little (a lot) help from the gods. Looking at all the variations on this myth and their implications on one of the most ancient heroes... For more information on the intricacies of Medusa and all the variations over ~700 years, listen to this episode.CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Theoi.com (entries on Perseus, Danae, Hesperides, primarily content from Apollodorus); Early Greek Myths by Timothy Gantz.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.
In Greek mythology, there are a lot of golden apples being tossed around, but they're not the same apples. Some provide immortality, some a punishment, others are a distraction to win a race and still others are used to crash a wedding. All lead to tragic consequences. I mean, it's Greek mythology. There are always tragic consequences. Today we'll look at three absolutely legendary stories from Greek mythology that promptly feature golden apples. 1. Hercules and Garden of Hesperides 2. Atalanta the swift-footed huntress 3. The golden apple of Discord which eventually lead to the Trojan War The Fantastically Terrible Character or Creature this week is “immortality”. Or more specifically, 3 mythological ways to become immortal. But as you'll see, it never works out. LINKS ☆ Episode 31: Golden Apples in Norse Mythology https://soundcloud.com/7robotspodcast/episode-31-golden-apples-in-norse-mythology ★ For links to everything we mention on the show, visit: www.7robots.com/podcast/ ★ We turned this podcast into a documentary (2 day delay): www.youtube.com/7Robotsinc =^._.^= ∫ Read GHOST METAL, our FREE sci-fi & horror comic: bit.ly/3jZ3z6N (⌐■_■)ノ♪♬ Script and music by Suzy Dias
Welcome to Episode Sixty-Four of Lucretius Today. I am your host Cassius, and together with my panelists from the EpicureanFriends.com forum, we'll walk you through the six books of Lucretius' poem, and discuss how Epicurean philosophy can apply to you today. We encourage you to study Epicurus for yourself, and we suggest the best place to start is the book, "Epicurus and His Philosophy" by Canadian professor Norman DeWitt. For anyone who is not familiar with our podcast, please check back to Episode One for a discussion of our goals and our ground rules. If you have any question about that, please be sure to contact us at EpicureanFriends.com for more information.In this Episode 64 we begin our discussion of Book 5. Now let's join Martin reading today's text, which is fromLatin Lines 1-90 (Book 5)Browne 1743Who can, with all his soul inspired, compose fit numbers, worthy the majesty of so great things, of these discoveries? Or who, in words alone, can sing his praise, and equal his deserts, who from the labour of his mind has left such benefits, and bestowed rewards so glorious on mankind? No mortal man alive, as I conceive, for could I raise my verse to reach the dignity of things he knew - he was a god, my noble Memmius, a god he was, who first found out that rule of life which is now called true wisdom; and who this human life, so tossed with storms, and so overwhelmed in darkness, has been rendered by his art so calm, and placed in so clear a light. Compare the benefits long since found out by those who now are gods. Ceres, they say, discovered first the use of corn, and Bacchus gave to me the knowledge of the vine and its sweet juice. Yet men might still have lived without both these, as many nations, we are told, do now. But no true life could be, without the mind easy and free, and therefore with better right is he to us a god, whose gentle rules, received throughout the world, bestowed on men tranquility and peace.If you should think the great exploits of Hercules exceeded his, you are carried far from truth. For how could the wide, gaping jaws of the Nemaean Lion, or the terrible Arcadian Boar, affright us now? How could the bull of Crete, or Hydra, the Plague of Lerna, encompassed with his poisonous snakes? Or Geryon, with his triple face, and the collected strength of his three bodies? Or what can we now suffer from Diomedes' horses, from their nostrils breathing fire, dreadful to Thrace, the Bistonian Plains, and all about Mount Ismarus? Or what from the Arcadian birds of Stymphalus, feared for their crooked talons? Or that huge dragon, fierce and terrible in look, that, twining round the tree, guarded the gold fruit of the Hesperides? How could he hurt us here, removed far from us near the Atlantic shore, and the rough seas, where neither Roman nor barbarian dared to visit? And other monsters, which that hero slew, had they not been subdued, how could they hurt us now, were they alive? Not in the least, I think. For now the world abounds with frightful beasts, that fill with dreadful terror the forests, the high mountains and thick woods; yet these places commonly 'tis in our power to avoid.But unless the mind be purged, what wars within, what dangers wretched mortals must endure? What piercing cares of fierce desire must tear the minds of men? And then, what anxious fears? What ruin flows from pride, from villany, from petulance? What from luxury and sloth? The man therefore that has subdued these monsters, and drove them from the mind by precept, not by force; should not this man be worthy to be numbered with the gods? Especially since of these immortal deities he has spoken nobly and at large, and by his writings has explained to us the laws of universal nature?His steps I follow, and now pursue his rules, and by my verse I teach that things must needs subsist by the same laws by which they were first formed; nor can they break through the strong bonds that Nature has fixed to their being. Of this sort the soul, in the first place, I have proved to be originally derived from mortal seeds, nor can it remain eternally undissolved; and that images commonly deceive the mind in our dreams, when we fancy we see a person that has been long since dead.
In the Garden of the Hesperides, Hermes gathers apples for the next leg of the journey while Perseus collects stories from the Titan Atlas, who holds up the sky. Live from Mount Olympus is a production of the Onassis Foundation, and co-produced by The TEAM. The podcast is directed by Tony Award-winner Rachel Chavkin (Hadestown) and Zhailon Levingston (Tina: The Tina Turner Musical) and created by Peabody Award-winning producer Julie Burstein. Karen Brooks Hopkins is the executive producer. Live from Mount Olympus is presented by TRAX from PRX with support from the Corporation for Public Broadcasting. Find out more at Onassis.link/Olympus Our actors include Vinie Burrows, Jill Frutkin, Divine Garland, Amber Gray, Modesto "Flako" Jimenez, Libby King, Ian Lassiter, Zhailon Levingston, Christina Liberus, Nehemiah Luckett, Jake Margolin, James Harrison Monaco, Kristen Sieh, Jillian Walker, Baby Perseus is played by Calvin Samuel Blanch and Whit Vega Margolin-Vaughan, and André De Shields is Hermes. Our production team includes: sound designer David Schulman; writer Alexie Basil; story editor Nalini Jones; music composed and performed by Magda Giannikou with Luca Bordonaro; and illustrations by Jason Adam Katzenstein.
The 11th of The Labours of Heracles, in ballad form and in Scots From The Trauchles O Heracles by Glenn Muir
Even those unfamiliar with Greek mythology will recognize the name Hercules and the twelve near-impossible feats of strength and bravery he was assigned to complete. But few know why Hercules labored on these tasks, and what the deeper lesson of the story is. Questions or comments regarding the podcast? Email the show at HollinsPodcast@NewtonMG.com or let us know what you think at http://bit.ly/hollinscomment Get the audiobook on Audible at https://bit.ly/legendaryselfdiscipline Show notes and/or episode transcripts are available at https://bit.ly/self-growth-home Peter Hollins is a bestselling author, human psychology researcher, and a dedicated student of the human condition. Visit https://bit.ly/peterhollins to pick up your FREE human nature cheat sheet: 7 surprising psychology studies that will change the way you think. For narration information visit Russell Newton at https://bit.ly/VoW-home For production information visit Newton Media Group LLC at https://bit.ly/newtonmg Alcmene,Apollo,Arcadia,Arete,Cerberus,Erytheia,Eurystheus,Geryon,Hera,Hercules,Hesperides,Hippolyta,Kakia,King Augeas,King Diomedes,Megara,Nemean,Peter Hollins,The Art and Science of Self-Growth,Russell Newton,NewtonMG,Legendary Self Discipline, #Alcmene #Apollo #Arcadia #Arete #Cerberus #Erytheia #Eurystheus #Geryon #Hera #Hercules #Hesperides #Hippolyta #Kakia #KingAugeas #KingDiomedes #Megara #Nemean #PeterHollins #TheArtandScienceofSelf-Growth #RussellNewton #NewtonMG #LegendarySelfDiscipline
This episode completes our review of The Labours of Hercules collection. We also took the opportunity to comment on the somewhat disappointing--but not entirely disastrous--Suchet adaptation.
The panel continues a survey of English Civil War poetry with a look at Robert Herrick's deliberately contradictory verses, including his Hesperides, and the famous Carpe Diem poems "To the Virgins, to Make Much of Time" and "Corinna's Going a Maying".
The panel continues a survey of English Civil War poetry with a look at Robert Herrick's deliberately contradictory verses, including his Hesperides, and the famous Carpe Diem poems "To the Virgins, to Make Much of Time" and "Corinna's Going a Maying".
Odysseus reflects on his deadly rivalry with Palamedes, one of the Warlord Agamemnon's most skilful generals on the fields of Troy. This episode of Lore & Legend comes to you thanks to the contributions of our Patreon subscribers: Storyfolk Christy Carson, Paul Jackson, Sian Powell and Shawnie Baskett; thanks to all of you your generosity and your enthusiasm for our stories. Please consider joining our Storyfolk in supporting the podcast by becoming a patron. For more details, visit our website and click ‘Support Us’, or go directly our patreon page at www.patreon.com/loreandlegend. Licensed/Approved Music 'Garden of the Hesperides' by Michael Levy on Album: Ancient Dreamscapes 'The Magic of Hekate' by Michael Levy on Album: Ancient Dreamscapes 'Ancient Dreamscapes' by Michael Levy on Album: Ancient Dreamscapes 'The Trance of Terpsichore' by Michael Levy on Album: Ancient Dreamscapes 'Seek Comfort in the Arms of Mother Nature' by Michael Levy on Album: New Ancestral Music MICHAEL LEVY: https://ancientlyre.com/ Facebook: https://www.facebook.com/beautifullyre Twitter: @ancientlyre 'A Coin on the Cobblestone' by Caleb Henessey on Album: Mediterranean CALEB HENESSEY: https://calebhennessy.bandcamp.com/music Facebook: https://www.facebook.com/calebhennessyscompositions 'ΨYXOΠOMΠOΣ' by Seikilo on Album: τo Káλεσµa τnς Moύσaς ΎMNOΣ ΣTON ΆΛΩNI by Seikilo on Album: τo Káλεσµa τnς Moύσaς 'O XOPOΣ THΣ NAΛΛAKIΔAΣ' by Seikilo on Album: τo Káλεσµa τnς Moύσaς SEIKILO: https://seikilo.com/ LUTHERIOS MUSICAL INSTRUMENTS: https://luthieros.com/ Additional music and sound-effects sourced from the community at Freesound.org. Visit the episode blog post linked below for full Audio Credits. LINKS BLOG: https://www.loreandlegend.co.uk/palamedes YOUTUBE: https://youtu.be/UcFeftRpbek --- Send in a voice message: https://anchor.fm/loreandlegend/message
The 100 crew goes full gangsta and we're one episode closer to our planet takeover. Find Mo on Twitter: @BookDreamer01 @TVMovieMistress Find Karly: @karlyVision @CoreTempArts Website: Tv Movie Mistress Wordpress Feedback: Tvmoviemistress@gmail.com Support the show: Paypal & Patreon Listen: Libsyn, Stitcher, iheart radio, & Apple Podcast
Wow! This is a big one. We dive deep (almost deep enough to reach the Anomoly) on the events on Skyring, the time that has past, the haircuts that have been gotten, the possibility of Orlando being more than he says, CADOGEN, and the developments on Sanctum. As always: Twitter: @AdventrSquad Read Stef's movie reviews: https://letterboxd.com/Adventure_Squad/ Email: the100adventuresquad@gmail.com Instagram: @the100adventuresquad Facebook: The 100 Adventure Squad
You broke one of The Shepherd's laws. You're sentenced to 10 years on Penance. Halfway in, these 3 randoms show up and steal your house. Then, they steal your heart just so they can break it. It's #The100 episode 704: Hesperides! If you like what we do here, please consider donating at: Patreon.com/theafictionados Do our survey! surveyhero.com/c/2e28ca51 Find us on the internet: The Afictionados: @theafictionados on Twitter, Facebook, Tumblr, Redbubble (but mostly Twitter) Email us at: afictionadospodcast (@) gmail .com Brittany: @brittania_ on Twitter Shopbeeluxe.com Robyn: @RobynEJeffrey on Twitter, Instagram, Snapchat, Redbubble @ffaraday on Tumblr shopbeeluxe.com/collections/hibyrdi Sam: @samcaseys on Twitter telltaletv.com/author/samantha-coley/
On this week's podcast Dan and Olga review The 100 season 7 episode 4 entitled “Hesperides.” We give our thoughts on the episode and read listener feedback. The music for this episode is “Disappointment” by Brian Altano. Please send any feedback to @The100Podcast on Twitter. Thanks for listening! For a direct link to the audio, … Continue reading "7×04: Hesperides Review"
The 100 episode 7x04, “Hesperides,” has given us a lot of jellyfish to chew on, literally. We have a plot to overthrow time pirates on Skyring, and a plot where time pirates come to throw down with the crew on Sanctum. But more importantly, we meet two new amazing (and sadly short-lived) characters who remind us why we love this show so much.
On this episode of Cryptic Accounts, disappearing through time and space. Neutrons, people, and even bodies of land seemingly appearing, disappearing, and reappearing at different places and times. A Podcast By Paranoid People, For Paranoid People
Borja Osaba y Mélanie han ido en coche desde Narbona (Francia) hasta Yaundé (Camerún).Han sido 8 meses y un día hasta que les sorprendio la pandemia del coranavirus y tuvieron que volar a París. Jose Antonio Larraza ha quedado confinado en un pequeña isla de las Maldivas. Se siente atrapado en el paraiso. Rosa Martín Tristán ha navegado en el buque oceanográfico "Hesperides" rumbo a las bases cientificas españolas en la Antártida. Urtzi Sagarribay anuncia el Sail in Festival de cultura de vela. Igone Mariezkurrena e Irantzu Pastor han estado en la reserva de los lakotas en Dakota del Sur. ...
Today's guest is Lucy (IG @Leannans) on this episode of Dreamy Coordinate! This episode, we passed by a mythical garden of Hesperides for a golden apple, dipped into the river of medieval and rococo aesthetics again and wrapped ourselves in strings of pearls. Contact us at: dreamycoordinate@gmail.com!
Purple Series (for ages 7 and up)copyright © 2019 by P. Haines-Ainsworth & Terence Alaric Levitt published by Winking Kat BooksCalliope and the other muses continue the story of "Hercules and the Golden Apple". Based on the advice from Hemmingway, the Old Man of the Sea, our hero travels to Egypt to find instructions for the next part of the journey to the Garden of Hesperides. But to get those instructions he has to ask the great Sphinx three riddles. Her riddles are never easy, but the Greek Chorus travels with him to help him out. Does he get to the Garden? Can he retrieve the apples? What does he do about Hera's hundred-headed dragon? You'll have to listen to find out.Original book and lyrics by P. Haines-Ainsworth. Music by Terence Alaric LevittCast: Jennifer Makenas, Adrian Cerrato, Arwen Dewey, Daniel Stoltenberg, Max Lopuszynski, David Bailey, Patricia Haines-Ainsworth. For fun details about this recording and the cast, visit: www.winkingkatbooks.com.Let us know if you enjoyed this musical podcast. If you have any comments or drawings of the characters you'd like to share, post them on Facebook or Twitter with the hashtag#winkingkattales. We'd love to see them.
EP17: Philippe Langner decided to start his own wine brand in the true West despite his peripatetic life in Central America, South Asia, South America, Africa, and Europe. In homage to the Garden of the Hesperides, Hesperian’s vineyard, at 1,400-foot elevation overlooking the valley from atop Napa’s Atlas Peak, Langner’s Read more... The post Wine Women – Philippe Langner, Hesperian Wines appeared first on Radio Misfits.
Plated Earth Food Fables are original short historical fiction stories about produce and its ability to connect people, culture, and history. This Food Fable explores the apricot’s cultural importance around the world, and also tells a story from Greek mythology about the hero, Hercules, and his mission to steal the golden fruit of Hesperides.
Click to buy on Beatport: https://bit.ly/2VvNNES Worldwide Booking for DJ Tarkan & V-Sag: harmandemirci@live.com DJ Tarkan @ Beatport: https://pro.beatport.com/artist/dj-tarkan/6116 V-Sag @ Beatport: https://pro.beatport.com/artist/v-sag/6118 For more info about DJ Tarkan: http://www.facebook.com/djtarkanofficial http://www.twitter.com/dj_tarkan http://www.instagram.com/djtarkan http://www.youtube.com/djtarkanofficial For more info about V-Sag: https://www.facebook.com/vsagmusic/ http://www.instagram.com/vsagonas https://soundcloud.com/vsagmusic
This week, we discuss the 11th (and first bonus) Labor of Heracles: The Apples of the Hesperides. Junegee and Dylan discuss cheating, unfair judging, and tricking Titans to get what you want. Also, Junegee says "penultimate" and Dylan says "peace out." Judge for yourself who's 11 and who's 44.
A reading of The Night Piece, To Julia by Herrick from Hesperides (1648)
Épisode 19 les derniers travaux Héraclès
AT that moment we were interrupted by the appearance of Madame Coutras, who had been paying visits. She came in, like a ship in full sail, an imposing creature, tall and stout, with an ample bust and an obesity girthed in alarmingly by straight-fronted corsets. She had a bold hooked nose and three chins. She held herself upright. She had not yielded for an instant to the enervating charm of the tropics, but contrariwise was more active, more worldly, more decided than anyone in a temperate clime would have thought it possible to be. She was evidently a copious talker, and now poured forth a breathless stream of anecdote and comment. She made the conversation we had just had seem far away and unreal.Presently Dr. Coutras turned to me."I still have in my bureau the picture that Strickland gave me, " he said. "Would you like to see it?""Willingly. "We got up, and he led me on to the verandah which surrounded his house. We paused to look at the gay flowers that rioted in his garden."For a long time I could not get out of my head the recollection of the extraordinary decoration with which Strickland had covered the walls of his house, " he said reflectively.I had been thinking of it, too. It seemed to me that here Strickland had finally put the whole expression of himself. Working silently, knowing that it was his last chance, I fancied that here he must have said all that he knew of life and all that he divined. And I fancied that perhaps here he had at last found peace. The demon which possessed him was exorcised at last, and with the completion of the work, for which all his life had been a painful preparation, rest descended on his remote and tortured soul. He was willing to die, for he had fulfilled his purpose."What was the subject?" I asked."I scarcely know. It was strange and fantastic. It was a vision of the beginnings of the world, the Garden of Eden, with Adam and Eve -- que sais-je? -- it was a hymn to the beauty of the human form, male and female, and the praise of Nature, sublime, indifferent, lovely, and cruel. It gave you an awful sense of the infinity of space and of the endlessness of time. Because he painted the trees I see about me every day, the cocoa-nuts, the banyans, the flamboyants, the alligator-pears, I have seen them ever since differently, as though there were in them a spirit and a mystery which I am ever on the point of seizing and which forever escapes me. The colours were the colours familiar to me, and yet they were different. They had a significance which was all their own. And those nude men and women. They were of the earth, and yet apart from it. They seemed to possess something of the clay of which they were created, and at the same time something divine. You saw man in the nakedness of his primeval instincts, and you were afraid, for you saw yourself. "Dr. Coutras shrugged his shoulders and smiled."You will laugh at me. I am a materialist, and I am a gross, fat man -- Falstaff, eh? -- the lyrical mode does not become me. I make myself ridiculous. But I have never seen painting which made so deep an impression upon me. Tenez, I had just the same feeling as when I went to the Sistine Chapel in Rome. There too I was awed by the greatness of the man who had painted that ceiling. It was genius, and it was stupendous and overwhelming. I felt small and insignificant. But you are prepared for the greatness of Michael Angelo. Nothing had prepared me for the immense surprise of these pictures in a native hut, far away from civilisation, in a fold of the mountain above Taravao. And Michael Angelo is sane and healthy. Those great works of his have the calm of the sublime; but here, notwithstanding beauty, was something troubling. I do not know what it was. It made me uneasy. It gave me the impression you get when you are sitting next door to a room that you know is empty, but in which, you know not why, you have a dreadful consciousness that notwithstanding there is someone. You scold yourself; you know it is only your nerves -- and yet, and yet. . . In a little while it is impossible to resist the terror that seizes you, and you are helpless in the clutch of an unseen horror. Yes; I confess I was not altogether sorry when I heard that those strange masterpieces had been destroyed. ""Destroyed?" I cried." Mais oui; did you not know?""How should I know? It is true I had never heard of this work; but I thought perhaps it had fallen into the hands of a private owner. Even now there is no certain list of Strickland's paintings. ""When he grew blind he would sit hour after hour in those two rooms that he had painted, looking at his works with sightless eyes, and seeing, perhaps, more than he had ever seen in his life before. Ata told me that he never complained of his fate, he never lost courage. To the end his mind remained serene and undisturbed. But he made her promise that when she had buried him -- did I tell you that I dug his grave with my own hands, for none of the natives would approach the infected house, and we buried him, she and I, sewn up in three pareos joined together, under the mango-tree -- he made her promise that she would set fire to the house and not leave it till it was burned to the ground and not a stick remained. "I did not speak for a while, for I was thinking. Then I said:"He remained the same to the end, then. ""Do you understand? I must tell you that I thought it my duty to dissuade her. ""Even after what you have just said?""Yes; for I knew that here was a work of genius, and I did not think we had the right to deprive the world of it. But Ata would not listen to me. She had promised. I would not stay to witness the barbarous deed, and it was only afterwards that I heard what she had done. She poured paraffin on the dry floors and on the pandanus-mats, and then she set fire. In a little while nothing remained but smouldering embers, and a great masterpiece existed no longer."I think Strickland knew it was a masterpiece. He had achieved what he wanted. His life was complete. He had made a world and saw that it was good. Then, in pride and contempt, he destroyed, it. ""But I must show you my picture, " said Dr. Coutras, moving on."What happened to Ata and the child?"They went to the Marquesas. She had relations there. I have heard that the boy works on one of Cameron's schooners. They say he is very like his father in appearance. "At the door that led from the verandah to the doctor's consulting-room, he paused and smiled."It is a fruit-piece. You would think it not a very suitable picture for a doctor's consulting-room, but my wife will not have it in the drawing-room. She says it is frankly obscene. ""A fruit-piece!" I exclaimed in surprise.We entered the room, and my eyes fell at once on the picture. I looked at it for a long time.It was a pile of mangoes, bananas, oranges, and I know not what. and at first sight it was an innocent picture enough. It would have been passed in an exhibition of the Post- Impressionists by a careless person as an excellent but not very remarkable example of the school; but perhaps afterwards it would come back to his recollection, and he would wonder why. I do not think then he could ever entirely forget it.The colours were so strange that words can hardly tell what a troubling emotion they gave. They were sombre blues, opaque like a delicately carved bowl in lapis lazuli, and yet with a quivering lustre that suggested the palpitation of mysterious life; there were purples, horrible like raw and putrid flesh, and yet with a glowing, sensual passion that called up vague memories of the Roman Empire of Heliogabalus; there were reds, shrill like the berries of holly -- one thought of Christmas in England, and the snow, the good cheer, and the pleasure of children -- and yet by some magic softened till they had the swooning tenderness of a dove's breast; there were deep yellows that died with an unnatural passion into a green as fragrant as the spring and as pure as the sparkling water of a mountain brook. Who can tell what anguished fancy made these fruits? They belonged to a Polynesian garden of the Hesperides. There was something strangely alive in them, as though they were created in a stage of the earth's dark history when things were not irrevocably fixed to their forms. They were extravagantly luxurious. They were heavy with tropical odours. They seemed to possess a sombre passion of their own. It was enchanted fruit, to taste which might open the gateway to God knows what secrets of the soul and to mysterious palaces of the imagination. They were sullen with unawaited dangers, and to eat them might turn a man to beast or god. All that was healthy and natural, all that clung to happy relationships and the simple joys of simple men, shrunk from them in dismay; and yet a fearful attraction was in them, and, like the fruit on the Tree of the Knowledge of Good and Evil they were terrible with the possibilities of the Unknown.At last I turned away. I felt that Strickland had kept his secret to the grave." Voyons, Rene, mon ami, " came the loud, cheerful voice of Madame Coutras, "what are you doing all this time? Here are the aperitifs. Ask Monsieur if he will not drink a little glass of Quinquina Dubonnet. "" Volontiers, Madame, " I said, going out on to the verandah.The spell was broken. 这时候库特拉斯太太看朋友回来,我们的谈话暂时被打断了。库特拉斯太太象一只帆篷张得鼓鼓的小船,精神抖擞地闯了进来。她是个又高大又肥胖的女人,胸部膨脝饱满,却紧紧勒着束胸。她生着一个大鹰钩鼻,下巴耷拉着三圈肥肉,身躯挺得笔直。尽管热带气候一般总是叫人慵懒无力,对她却丝毫没有影响。相反地,库特拉斯太太又精神又世故,行动敏捷果断,在这种叫人昏昏欲睡的地带里,谁也想不到她有这么充沛的精力。此外,她显然还是个非常健谈的人;自踏进屋门的一分钟起,她就谈论这个、品评那个,话语滔滔不绝。我们刚才那场谈话在库特拉斯太太进屋以后显得非常遥远、非常不真实了。过了一会儿,库特拉斯医生对我说:“思特里克兰德给我的那幅画一直挂在我的书房①里。你要去看看吗?”①原文为法语。“我很想看看。”我们站起来,医生领着我走到室外环绕着这幢房子的阳台上。我们在外面站了一会儿,看了看他花园里争奇斗妍的绚烂的鲜花。“看了思特里克兰德用来装饰他房屋四壁的那些奇异的画幅,很久很久我老是忘不掉,”他沉思地说。我脑子里想的也正是这件事。看来思特里克兰德终于把他的内心世界完全表现出来了。他默默无言地工作着,心里非常清楚,这是他一生中最后一个机会了。我想思特里克兰德一定把他理解的生活、把他的慧眼所看到的世界用图象表示了出来。我还想,他在创作这些巨画时也许终于寻找到心灵的平静;缠绕着他的魔鬼最后被拔除了。他痛苦的一生似乎就是为这些壁画做准备,在图画完成的时候,他那远离尘嚣的受折磨的灵魂也就得到了安息。对于死他勿宁说抱着一种欢迎的态度,因为他一生追求的目的已经达到了。“他的画主题是什么?”我问。“我说不太清楚。他的画奇异而荒诞,好象是宇宙初创时的图景——伊甸园,亚当和夏娃……我怎么知道呢①?是对人体美——男性和女性的形体——的一首赞美诗,是对大自然的颂歌;大自然,既崇高又冷漠,既美丽又残忍……它使你感到空间的无限和时间的永恒,叫你产生一种畏惧的感觉。他画了许多树,椰子树、榕树、火焰花、鳄梨……所有那些我天天看到的;但是这些树经他一画,我再看的时候就完全不同了,我仿佛看到它们都有了灵魂,都各自有一个秘密,仿佛它们的灵魂和秘密眼看就要被我抓到手里,但又总是被它们逃脱掉。那些颜色都是我熟悉的颜色,可是又有所不同;它们都具有自己的独特的重要性。而那些赤身裸体的男男女女,他们既都是尘寰的、是他们揉捏而成的尘土,又都是神灵。人的最原始的天性赤裸裸地呈现在你眼前,你看到的时候不由得感到恐惧,因为你看到的是你自己。”①原文为法语。库特拉斯医生耸了一下肩膀,脸上露出笑容。“你会笑我的。我是个实利主义者,我生得又蠢又胖——有点儿象福斯塔夫②,对不对?——抒情诗的感情对我是很不合适的。我在惹人发笑。但是我真的还从来没有看过哪幅画给我留下这么深的印象。说老实话③,我看这幅画时的心情,就象我进了罗马塞斯廷小教堂一样。在那里我也是感到在天花板上绘画的那个画家非常伟大,又敬佩又畏服。那真是天才的画,气势磅礴,叫人感到头晕目眩。在这样伟大的壁画前面,我感到自己非常渺小,微不足道。但是人们对米开朗基罗的伟大还是有心理准备的,而在这样一个土人住的小木房子里,远离文明世界,在俯瞰塔拉窝村庄的群山怀抱里,我却根本没想到会看到这样令人吃惊的艺术作品。另外,米开朗基罗神智健全,身体健康。他的那些伟大作品给人以崇高、肃穆的感觉。但是在这里,虽然我看到的也是美,却叫我觉得心神不安。我不知道那究竟是什么,但它确实叫我不能平静。它给我一种印象,仿佛我正坐在一间空荡荡的屋子隔壁,我知道那间屋子是空的,但不知为什么,我又觉得里面有一个人,叫我惊恐万状。你责骂你自己吧;你知道这只不过是你的神经在作祟——但是,但是……过一小会儿,你就再也不能抗拒那紧紧捕捉住你的恐惧了。你被握在一种无形的恐怖的掌心里,无法逃脱。是的,我承认当我听到这些奇异的杰作被毁掉的时候,我并不是只觉得遗憾的。”②莎士比亚戏剧《亨利四世》中人物,身体肥胖,喜爱吹牛。③原文为法语。“怎么,毁掉了?”我喊起来。“是啊①。你不知道吗?”①原文为法语。“我怎么会知道?我没听说过这些作品倒是事实,但是我还以为它们落到某个私人收藏家手里去了呢。思特里克兰德究竟画了多少画儿,直到今天始终没有人编制出目录来。”“自从眼睛瞎了以后他就总是一动不动地坐在那两间画着壁画的屋子里,一坐就是几个钟头。他用一对失明的眼睛望着自己的作品,也许他看到的比他一生中看到的还要多。爱塔告诉我,他对自己的命运从来也没有抱怨过,他从来也不沮丧。直到生命最后一刻,他的心智一直是安详、恬静的。但是他叫爱塔作出诺言,在她把他埋葬以后——我告诉你没有,他的墓穴是我亲手挖的,因为没有一个土人肯走近这所沾染了病菌的房子,我们俩把他埋葬在那株芒果树底下,我同爱塔,他的尸体是用三块帕利欧缝在一起包裹起来的——他叫爱塔保证,放火把房子烧掉,而且要她亲眼看着房子烧光,在每一根木头都烧掉以前不要走开。”半天半天我没有说话;我陷入沉思中,最后我说:“这么说来,他至死也没有变啊。”“你了解吗?我必须告诉你,当时我觉得自己有责任劝阻她,叫她不要这么做。”“后来你真是这样说了吗?”“是的。因为我知道这是一个伟大天才的杰作,而且我认为,我们是没有权利叫人类失去它的。但是爱塔不听我的劝告。她已经答应过他了。我不愿意继续待在那儿,亲眼看着那野蛮的破坏活动。只是事情过后我才听人说,她是怎样干的。她在干燥的地板上和草席上倒上煤油,点起一把火来。没过半晌,这座房子就变成了焦炭,一幅伟大的杰作就这样化为灰烬了。”“我想思特里克兰德也知道这是一幅杰作。他已经得到了自己所追求的东西。他可以说死而无憾了。他创造了一个世界,也看到自己的创造多么美好。以后,在骄傲和轻蔑的心情中,他又把它毁掉了。”“我还是得让你看看我的画,”库特拉斯医生说,继续往前走。“爱塔同他们的孩子后来怎样了?”“他们搬到马尔奎撒群岛去了。她那里有亲属。我听说他们的孩子在一艘喀麦隆的双桅帆船上当水手。人们都说他长得很象死去的父亲。”走到从阳台通向诊疗室的门口,库特拉斯医生站住,对我笑了笑。“我的画是一幅水果静物画。你也许觉得诊疗室里挂着这样一幅画不很适宜,但是我的妻子却绝对不让它挂在客厅里。她说这张画给人一种猥亵感。”“水果静物会叫人感到猥亵?”我吃惊地喊起来。我们走进屋子,我的眼睛立刻落到这幅画上。很久很久我一直看着它。画的是一堆水果:芒果、香蕉、桔子,还有一些我叫不出名字的东西。第一眼望去,这幅画一点儿也没有什么怪异的地方。如果摆在后期印象派的画展上,一个不经心的人会认为这是张满不错的、但也并非什么杰出的画幅,从风格上讲,同这一学派也没有什么不同。但是看过以后,说不定这幅画就总要回到他的记忆里,甚至连他自己也不知道为什么。据我估计,从此以后他就永远也不能把它忘掉了。这幅画的着色非常怪异,叫人感到心神不宁,其感觉是很难确切说清的。浓浊的蓝色是不透明的,有如刻工精细的青金石雕盘,但又颤动着闪闪光泽,令人想到生活的神秘悸动;紫色象腐肉似的叫人感到嫌恶,但与此同时又勾起一种炽热的欲望,令人模糊想到亥里俄嘉巴鲁斯①统治下的罗马帝国;红色鲜艳刺目,有如冬青灌木结的小红果——一个人会联想英国的圣诞节,白雪皑皑,欢乐的气氛和儿童的笑语喧哗——,但画家又运用自己的魔笔,使这种光泽柔和下来,让它呈现出有如乳鸽胸脯一样的柔嫩,叫人神怡心驰;深黄色有些突兀地转成绿色,给人带来春天的芳香和溅着泡沫的山泉的明净。谁能知道,是什么痛苦的幻想创造出这些果实的呢?该不是看管金苹果园的赫斯珀里得斯三姐妹②在波利尼西亚果园中培植出来的吧!奇怪的是,这些果实都象活的一样,仿佛是在混沌初开时创造出来的,当时任何事物还都没有固定的形体,丰实肥硕,散发着浓郁的热带气息,好象具有一种独特的忧郁的感情。它们是被施展了魔法的果子,任何人尝了就能打开通向不知道哪些灵魂秘密的门扉,就可以走进幻境的神秘宫殿。它们孕育着无法预知的危险,咬一口就可能把一个人变成野兽,但也说不定变成神灵。一切健康的、正常的东西,淳朴人们所有的一切美好的情谊、朴素的欢乐都远远地避开了它们;但它们又具有莫大的诱惑力,就象伊甸园中能分辨善恶的智慧果一样,能把人带进未知的境界。①一名埃拉嘉巴鲁斯(205?—222),罗马帝国皇帝。②根据希腊神话,赫斯珀里得斯姐妹负责看管赫拉女神的金苹果树,并有巨龙拉冬帮助守卫。最后,我离开了这幅画。我觉得思特里克兰德一直把他的秘密带进了坟墓。“喂,雷耐,亲爱的①,”外面传来了库特拉斯太太的兴高采烈的响亮的声音,“这么半天,你在干什么啊?开胃酒②已经准备好了。问问那位先生③愿意不愿意喝一小杯规那皮杜邦内酒。”①②③原文为法语。“当然愿意,夫人④,”我一边说一边走到阳台上去。④原文为法语。图画的魅力被打破了。
AT that moment we were interrupted by the appearance of Madame Coutras, who had been paying visits. She came in, like a ship in full sail, an imposing creature, tall and stout, with an ample bust and an obesity girthed in alarmingly by straight-fronted corsets. She had a bold hooked nose and three chins. She held herself upright. She had not yielded for an instant to the enervating charm of the tropics, but contrariwise was more active, more worldly, more decided than anyone in a temperate clime would have thought it possible to be. She was evidently a copious talker, and now poured forth a breathless stream of anecdote and comment. She made the conversation we had just had seem far away and unreal.Presently Dr. Coutras turned to me."I still have in my bureau the picture that Strickland gave me, " he said. "Would you like to see it?""Willingly. "We got up, and he led me on to the verandah which surrounded his house. We paused to look at the gay flowers that rioted in his garden."For a long time I could not get out of my head the recollection of the extraordinary decoration with which Strickland had covered the walls of his house, " he said reflectively.I had been thinking of it, too. It seemed to me that here Strickland had finally put the whole expression of himself. Working silently, knowing that it was his last chance, I fancied that here he must have said all that he knew of life and all that he divined. And I fancied that perhaps here he had at last found peace. The demon which possessed him was exorcised at last, and with the completion of the work, for which all his life had been a painful preparation, rest descended on his remote and tortured soul. He was willing to die, for he had fulfilled his purpose."What was the subject?" I asked."I scarcely know. It was strange and fantastic. It was a vision of the beginnings of the world, the Garden of Eden, with Adam and Eve -- que sais-je? -- it was a hymn to the beauty of the human form, male and female, and the praise of Nature, sublime, indifferent, lovely, and cruel. It gave you an awful sense of the infinity of space and of the endlessness of time. Because he painted the trees I see about me every day, the cocoa-nuts, the banyans, the flamboyants, the alligator-pears, I have seen them ever since differently, as though there were in them a spirit and a mystery which I am ever on the point of seizing and which forever escapes me. The colours were the colours familiar to me, and yet they were different. They had a significance which was all their own. And those nude men and women. They were of the earth, and yet apart from it. They seemed to possess something of the clay of which they were created, and at the same time something divine. You saw man in the nakedness of his primeval instincts, and you were afraid, for you saw yourself. "Dr. Coutras shrugged his shoulders and smiled."You will laugh at me. I am a materialist, and I am a gross, fat man -- Falstaff, eh? -- the lyrical mode does not become me. I make myself ridiculous. But I have never seen painting which made so deep an impression upon me. Tenez, I had just the same feeling as when I went to the Sistine Chapel in Rome. There too I was awed by the greatness of the man who had painted that ceiling. It was genius, and it was stupendous and overwhelming. I felt small and insignificant. But you are prepared for the greatness of Michael Angelo. Nothing had prepared me for the immense surprise of these pictures in a native hut, far away from civilisation, in a fold of the mountain above Taravao. And Michael Angelo is sane and healthy. Those great works of his have the calm of the sublime; but here, notwithstanding beauty, was something troubling. I do not know what it was. It made me uneasy. It gave me the impression you get when you are sitting next door to a room that you know is empty, but in which, you know not why, you have a dreadful consciousness that notwithstanding there is someone. You scold yourself; you know it is only your nerves -- and yet, and yet. . . In a little while it is impossible to resist the terror that seizes you, and you are helpless in the clutch of an unseen horror. Yes; I confess I was not altogether sorry when I heard that those strange masterpieces had been destroyed. ""Destroyed?" I cried." Mais oui; did you not know?""How should I know? It is true I had never heard of this work; but I thought perhaps it had fallen into the hands of a private owner. Even now there is no certain list of Strickland's paintings. ""When he grew blind he would sit hour after hour in those two rooms that he had painted, looking at his works with sightless eyes, and seeing, perhaps, more than he had ever seen in his life before. Ata told me that he never complained of his fate, he never lost courage. To the end his mind remained serene and undisturbed. But he made her promise that when she had buried him -- did I tell you that I dug his grave with my own hands, for none of the natives would approach the infected house, and we buried him, she and I, sewn up in three pareos joined together, under the mango-tree -- he made her promise that she would set fire to the house and not leave it till it was burned to the ground and not a stick remained. "I did not speak for a while, for I was thinking. Then I said:"He remained the same to the end, then. ""Do you understand? I must tell you that I thought it my duty to dissuade her. ""Even after what you have just said?""Yes; for I knew that here was a work of genius, and I did not think we had the right to deprive the world of it. But Ata would not listen to me. She had promised. I would not stay to witness the barbarous deed, and it was only afterwards that I heard what she had done. She poured paraffin on the dry floors and on the pandanus-mats, and then she set fire. In a little while nothing remained but smouldering embers, and a great masterpiece existed no longer."I think Strickland knew it was a masterpiece. He had achieved what he wanted. His life was complete. He had made a world and saw that it was good. Then, in pride and contempt, he destroyed, it. ""But I must show you my picture, " said Dr. Coutras, moving on."What happened to Ata and the child?"They went to the Marquesas. She had relations there. I have heard that the boy works on one of Cameron's schooners. They say he is very like his father in appearance. "At the door that led from the verandah to the doctor's consulting-room, he paused and smiled."It is a fruit-piece. You would think it not a very suitable picture for a doctor's consulting-room, but my wife will not have it in the drawing-room. She says it is frankly obscene. ""A fruit-piece!" I exclaimed in surprise.We entered the room, and my eyes fell at once on the picture. I looked at it for a long time.It was a pile of mangoes, bananas, oranges, and I know not what. and at first sight it was an innocent picture enough. It would have been passed in an exhibition of the Post- Impressionists by a careless person as an excellent but not very remarkable example of the school; but perhaps afterwards it would come back to his recollection, and he would wonder why. I do not think then he could ever entirely forget it.The colours were so strange that words can hardly tell what a troubling emotion they gave. They were sombre blues, opaque like a delicately carved bowl in lapis lazuli, and yet with a quivering lustre that suggested the palpitation of mysterious life; there were purples, horrible like raw and putrid flesh, and yet with a glowing, sensual passion that called up vague memories of the Roman Empire of Heliogabalus; there were reds, shrill like the berries of holly -- one thought of Christmas in England, and the snow, the good cheer, and the pleasure of children -- and yet by some magic softened till they had the swooning tenderness of a dove's breast; there were deep yellows that died with an unnatural passion into a green as fragrant as the spring and as pure as the sparkling water of a mountain brook. Who can tell what anguished fancy made these fruits? They belonged to a Polynesian garden of the Hesperides. There was something strangely alive in them, as though they were created in a stage of the earth's dark history when things were not irrevocably fixed to their forms. They were extravagantly luxurious. They were heavy with tropical odours. They seemed to possess a sombre passion of their own. It was enchanted fruit, to taste which might open the gateway to God knows what secrets of the soul and to mysterious palaces of the imagination. They were sullen with unawaited dangers, and to eat them might turn a man to beast or god. All that was healthy and natural, all that clung to happy relationships and the simple joys of simple men, shrunk from them in dismay; and yet a fearful attraction was in them, and, like the fruit on the Tree of the Knowledge of Good and Evil they were terrible with the possibilities of the Unknown.At last I turned away. I felt that Strickland had kept his secret to the grave." Voyons, Rene, mon ami, " came the loud, cheerful voice of Madame Coutras, "what are you doing all this time? Here are the aperitifs. Ask Monsieur if he will not drink a little glass of Quinquina Dubonnet. "" Volontiers, Madame, " I said, going out on to the verandah.The spell was broken. 这时候库特拉斯太太看朋友回来,我们的谈话暂时被打断了。库特拉斯太太象一只帆篷张得鼓鼓的小船,精神抖擞地闯了进来。她是个又高大又肥胖的女人,胸部膨脝饱满,却紧紧勒着束胸。她生着一个大鹰钩鼻,下巴耷拉着三圈肥肉,身躯挺得笔直。尽管热带气候一般总是叫人慵懒无力,对她却丝毫没有影响。相反地,库特拉斯太太又精神又世故,行动敏捷果断,在这种叫人昏昏欲睡的地带里,谁也想不到她有这么充沛的精力。此外,她显然还是个非常健谈的人;自踏进屋门的一分钟起,她就谈论这个、品评那个,话语滔滔不绝。我们刚才那场谈话在库特拉斯太太进屋以后显得非常遥远、非常不真实了。过了一会儿,库特拉斯医生对我说:“思特里克兰德给我的那幅画一直挂在我的书房①里。你要去看看吗?”①原文为法语。“我很想看看。”我们站起来,医生领着我走到室外环绕着这幢房子的阳台上。我们在外面站了一会儿,看了看他花园里争奇斗妍的绚烂的鲜花。“看了思特里克兰德用来装饰他房屋四壁的那些奇异的画幅,很久很久我老是忘不掉,”他沉思地说。我脑子里想的也正是这件事。看来思特里克兰德终于把他的内心世界完全表现出来了。他默默无言地工作着,心里非常清楚,这是他一生中最后一个机会了。我想思特里克兰德一定把他理解的生活、把他的慧眼所看到的世界用图象表示了出来。我还想,他在创作这些巨画时也许终于寻找到心灵的平静;缠绕着他的魔鬼最后被拔除了。他痛苦的一生似乎就是为这些壁画做准备,在图画完成的时候,他那远离尘嚣的受折磨的灵魂也就得到了安息。对于死他勿宁说抱着一种欢迎的态度,因为他一生追求的目的已经达到了。“他的画主题是什么?”我问。“我说不太清楚。他的画奇异而荒诞,好象是宇宙初创时的图景——伊甸园,亚当和夏娃……我怎么知道呢①?是对人体美——男性和女性的形体——的一首赞美诗,是对大自然的颂歌;大自然,既崇高又冷漠,既美丽又残忍……它使你感到空间的无限和时间的永恒,叫你产生一种畏惧的感觉。他画了许多树,椰子树、榕树、火焰花、鳄梨……所有那些我天天看到的;但是这些树经他一画,我再看的时候就完全不同了,我仿佛看到它们都有了灵魂,都各自有一个秘密,仿佛它们的灵魂和秘密眼看就要被我抓到手里,但又总是被它们逃脱掉。那些颜色都是我熟悉的颜色,可是又有所不同;它们都具有自己的独特的重要性。而那些赤身裸体的男男女女,他们既都是尘寰的、是他们揉捏而成的尘土,又都是神灵。人的最原始的天性赤裸裸地呈现在你眼前,你看到的时候不由得感到恐惧,因为你看到的是你自己。”①原文为法语。库特拉斯医生耸了一下肩膀,脸上露出笑容。“你会笑我的。我是个实利主义者,我生得又蠢又胖——有点儿象福斯塔夫②,对不对?——抒情诗的感情对我是很不合适的。我在惹人发笑。但是我真的还从来没有看过哪幅画给我留下这么深的印象。说老实话③,我看这幅画时的心情,就象我进了罗马塞斯廷小教堂一样。在那里我也是感到在天花板上绘画的那个画家非常伟大,又敬佩又畏服。那真是天才的画,气势磅礴,叫人感到头晕目眩。在这样伟大的壁画前面,我感到自己非常渺小,微不足道。但是人们对米开朗基罗的伟大还是有心理准备的,而在这样一个土人住的小木房子里,远离文明世界,在俯瞰塔拉窝村庄的群山怀抱里,我却根本没想到会看到这样令人吃惊的艺术作品。另外,米开朗基罗神智健全,身体健康。他的那些伟大作品给人以崇高、肃穆的感觉。但是在这里,虽然我看到的也是美,却叫我觉得心神不安。我不知道那究竟是什么,但它确实叫我不能平静。它给我一种印象,仿佛我正坐在一间空荡荡的屋子隔壁,我知道那间屋子是空的,但不知为什么,我又觉得里面有一个人,叫我惊恐万状。你责骂你自己吧;你知道这只不过是你的神经在作祟——但是,但是……过一小会儿,你就再也不能抗拒那紧紧捕捉住你的恐惧了。你被握在一种无形的恐怖的掌心里,无法逃脱。是的,我承认当我听到这些奇异的杰作被毁掉的时候,我并不是只觉得遗憾的。”②莎士比亚戏剧《亨利四世》中人物,身体肥胖,喜爱吹牛。③原文为法语。“怎么,毁掉了?”我喊起来。“是啊①。你不知道吗?”①原文为法语。“我怎么会知道?我没听说过这些作品倒是事实,但是我还以为它们落到某个私人收藏家手里去了呢。思特里克兰德究竟画了多少画儿,直到今天始终没有人编制出目录来。”“自从眼睛瞎了以后他就总是一动不动地坐在那两间画着壁画的屋子里,一坐就是几个钟头。他用一对失明的眼睛望着自己的作品,也许他看到的比他一生中看到的还要多。爱塔告诉我,他对自己的命运从来也没有抱怨过,他从来也不沮丧。直到生命最后一刻,他的心智一直是安详、恬静的。但是他叫爱塔作出诺言,在她把他埋葬以后——我告诉你没有,他的墓穴是我亲手挖的,因为没有一个土人肯走近这所沾染了病菌的房子,我们俩把他埋葬在那株芒果树底下,我同爱塔,他的尸体是用三块帕利欧缝在一起包裹起来的——他叫爱塔保证,放火把房子烧掉,而且要她亲眼看着房子烧光,在每一根木头都烧掉以前不要走开。”半天半天我没有说话;我陷入沉思中,最后我说:“这么说来,他至死也没有变啊。”“你了解吗?我必须告诉你,当时我觉得自己有责任劝阻她,叫她不要这么做。”“后来你真是这样说了吗?”“是的。因为我知道这是一个伟大天才的杰作,而且我认为,我们是没有权利叫人类失去它的。但是爱塔不听我的劝告。她已经答应过他了。我不愿意继续待在那儿,亲眼看着那野蛮的破坏活动。只是事情过后我才听人说,她是怎样干的。她在干燥的地板上和草席上倒上煤油,点起一把火来。没过半晌,这座房子就变成了焦炭,一幅伟大的杰作就这样化为灰烬了。”“我想思特里克兰德也知道这是一幅杰作。他已经得到了自己所追求的东西。他可以说死而无憾了。他创造了一个世界,也看到自己的创造多么美好。以后,在骄傲和轻蔑的心情中,他又把它毁掉了。”“我还是得让你看看我的画,”库特拉斯医生说,继续往前走。“爱塔同他们的孩子后来怎样了?”“他们搬到马尔奎撒群岛去了。她那里有亲属。我听说他们的孩子在一艘喀麦隆的双桅帆船上当水手。人们都说他长得很象死去的父亲。”走到从阳台通向诊疗室的门口,库特拉斯医生站住,对我笑了笑。“我的画是一幅水果静物画。你也许觉得诊疗室里挂着这样一幅画不很适宜,但是我的妻子却绝对不让它挂在客厅里。她说这张画给人一种猥亵感。”“水果静物会叫人感到猥亵?”我吃惊地喊起来。我们走进屋子,我的眼睛立刻落到这幅画上。很久很久我一直看着它。画的是一堆水果:芒果、香蕉、桔子,还有一些我叫不出名字的东西。第一眼望去,这幅画一点儿也没有什么怪异的地方。如果摆在后期印象派的画展上,一个不经心的人会认为这是张满不错的、但也并非什么杰出的画幅,从风格上讲,同这一学派也没有什么不同。但是看过以后,说不定这幅画就总要回到他的记忆里,甚至连他自己也不知道为什么。据我估计,从此以后他就永远也不能把它忘掉了。这幅画的着色非常怪异,叫人感到心神不宁,其感觉是很难确切说清的。浓浊的蓝色是不透明的,有如刻工精细的青金石雕盘,但又颤动着闪闪光泽,令人想到生活的神秘悸动;紫色象腐肉似的叫人感到嫌恶,但与此同时又勾起一种炽热的欲望,令人模糊想到亥里俄嘉巴鲁斯①统治下的罗马帝国;红色鲜艳刺目,有如冬青灌木结的小红果——一个人会联想英国的圣诞节,白雪皑皑,欢乐的气氛和儿童的笑语喧哗——,但画家又运用自己的魔笔,使这种光泽柔和下来,让它呈现出有如乳鸽胸脯一样的柔嫩,叫人神怡心驰;深黄色有些突兀地转成绿色,给人带来春天的芳香和溅着泡沫的山泉的明净。谁能知道,是什么痛苦的幻想创造出这些果实的呢?该不是看管金苹果园的赫斯珀里得斯三姐妹②在波利尼西亚果园中培植出来的吧!奇怪的是,这些果实都象活的一样,仿佛是在混沌初开时创造出来的,当时任何事物还都没有固定的形体,丰实肥硕,散发着浓郁的热带气息,好象具有一种独特的忧郁的感情。它们是被施展了魔法的果子,任何人尝了就能打开通向不知道哪些灵魂秘密的门扉,就可以走进幻境的神秘宫殿。它们孕育着无法预知的危险,咬一口就可能把一个人变成野兽,但也说不定变成神灵。一切健康的、正常的东西,淳朴人们所有的一切美好的情谊、朴素的欢乐都远远地避开了它们;但它们又具有莫大的诱惑力,就象伊甸园中能分辨善恶的智慧果一样,能把人带进未知的境界。①一名埃拉嘉巴鲁斯(205?—222),罗马帝国皇帝。②根据希腊神话,赫斯珀里得斯姐妹负责看管赫拉女神的金苹果树,并有巨龙拉冬帮助守卫。最后,我离开了这幅画。我觉得思特里克兰德一直把他的秘密带进了坟墓。“喂,雷耐,亲爱的①,”外面传来了库特拉斯太太的兴高采烈的响亮的声音,“这么半天,你在干什么啊?开胃酒②已经准备好了。问问那位先生③愿意不愿意喝一小杯规那皮杜邦内酒。”①②③原文为法语。“当然愿意,夫人④,”我一边说一边走到阳台上去。④原文为法语。图画的魅力被打破了。
When the Polynesian trickster god Maui steals the golden apples of the Hesperides and the mighty Olympian demigod known as Hercules is sent to get them back, there's only one way to figure out who would win in a fight. And when you're doing a Smash Fiction match between Disney characters, there's only one guest host to call in: Kris Newton of Gameable and MegaDumbCast! Unfortunately, Kris' attempts at thinking are immediately lost in a sea of yelling, as arguments over animated films about the power of love and friendship become possibly more heated than they ever have before! Also, Claire dives deep into the realm of cartoon physics (which is to be expected), MeganBob joins in on the raised voices and name-calling (which is most assuredly not to be expected) and Dan unwitting unleashes horrors the human mind was not meant to consider in the Lightning Round!
Medusa, written by Brittany Garcia and narrated by Erik Shell: https://www.ancient.eu/Medusa/ If you like our audio articles, please support us by becoming a member or donating to our non-profit company: - www.ancient.eu/membership/ - www.ancient.eu/donate/ - www.patreon.com/ahe Medusa was one of three sisters born to Phorcys and Ceto known as the Gorgons. According to Hesiod's Theogony, the Gorgons were the sisters of the Graiai and lived in the utmost place towards the night by the Hesperides beyond Oceanus. Later authors such as Herodotus and Pausanias place the Gorgons' abode in Libya. The Gorgon sisters were Sthenno, Euryale, and Medusa; Medusa was mortal while her sisters were immortal.
The 1967 classic Disney animation, The Jungle Book, has undergone CGI treatment in a new live-action version of the Rudyard Kipling tale. Film critic Jason Solomons reviews.Lindsey Davis is best known for her widely-acclaimed detective novels set in the first-century AD Roman World. As she publishes her 30th book, The Graveyard of the Hesperides, Lindsey and her editor Oliver Johnston discuss working together on all her books since 1989.Quadriga, the bronze sculpture on top of Wellington Arch at Hyde Park Corner in London, is being cleaned, repaired and re-waxed. To find out more, Samira climbed to the top and stood alongside the work with historian Steven Brindle and conservator Katrina Redmond.As part of our Shakespeare's People series, Romola Garai chooses the nun Isabella from Measure for Measure, faced with a terrible choice.RL Stine's series of horror stories, Goosebumps, have been brought to life as the immersive theatre experience Goosebumps Alive. Director Tom Salamon discusses adapting the children's books for an adult audience.Presenter Samira Ahmed Producer Ella-mai Robey.
Robert Herrick was a Cambridge-educated Londoner stuck with an out of the way vicarship in Devon. He wasn't a fan of rural life, but it was there that he wrote almost all of the poetry he's known for: the volumes "Hesperides" and "Noble Numbers," both published in 1648. This poem sets forth the content of Hesperides. I sing of brooks, of blossoms, birds, and bowers, Of April, May, of June, and July-flowers. I sing of Maypoles, hock-carts, wassails, wakes, Of bridegrooms, brides and of their bridal-cakes. I write of youth, of love, and have access By these to sing of cleanly wantonness. I sing of dews, of rains, and piece by piece, Of balm, of oil, of spice and ambergris. I sing of times trans-shifting, and I write How roses first came red and lilies white. I write of groves, of twilights, and I sing The court of Mab, and of the fairy king. I write of Hell ; I sing (and ever shall) Of Heaven, and hope to have it after all. bower - A place closed in or overarched with branches of trees, shrubs, or other plants; a shady recess, leafy covert, arbour. (OED) hock-cart - The cart carrying the last load of the harvest, usually decorated in celebration. wassails - Twelfth Night celebrations, basically big drinking parties. wake - a rural church festival, like a fete or celebration of a feast day. wantonnesse - Often a word for lasciviousness. Can also be naughtiness (of a child, for instance), or capriciousness. (OED) ambergris - The base of many perfumes (at least it used to be). You don't want to know where it comes from. Mab - queen of the fairies: she gives people dreams. We'd love to hear from you! Email your comments and suggestions to poetryalivepodcast@gmail.com. If you've got something you'd like to hear, or even better, something you'd like to read for the podcast, send it along!