Podcasts about Printed matter

Send us a textIn this episode, we interrogate the photobook, while discussing the various challenges in production and distribution that undergird the still-nascent photobook phenomenon in South Asia. The episode features a candid, free-flowing conversation where Akshay Mahajan, Adira Thekkuveettil & Kaamna Patel explore the origins and evolution of the photobook, as also their own struggles with this ambivalent form, across questions of radical experimentation, genre, dissemination, longevity, and the bequests of the market; excerpts from an insightful talk by Varun Nayar, former Managing Editor of Aperture magazine, at Printed Matter's annual book fair; and snippets of a conversation between Lesley Martin, the Executive Editor of Printed Matter, and Kaamna, illustrating parallels between a range of experimental engagements with the photobook form. Complete Show Notes: https://www.editionsjojo.com/all-episodesHosted by Adira Thekkuveettil - https://www.adirathekkuveettil.com Akshay Mahajan - https://akshaymahajan.in Kaamna Patel - https://kaamna.com Supported by PhotoSouthAsia and Art South Asia Project Produced by Editions JOJOSpecial thanks to Dayanita Singh This podcast is meant to serve as an educational resource and all the recordings used in the episodes are for the purpose of supporting the research.

Razstavo svojih velikih barvnih fotografij -, ki je na ogled v Mali galeriji Cankarjevega doma, je poimenoval Beli dim, rjav odblesk. Njujorški odsev je sicer še vedno zlat, a že malo odglancan, pravi Nik, ki je fotografijam dodal še tekst, nekakšne izpovedne haikuje. Na ulicah, v barih in klubih, se z njujorčani zlahka zapleteš v pogovor in tudi fotografiranje jim ni tuje. Nik Erik Neubauer je avtor dveh fotografskih knjig: Ko greš na jug, vedno jokaš dvakrat, ki je bila izbrana za najboljšo knjigo na Photo Festivala v Belfastu in knjigo Kje je After?, ki je prišla v ožji izbor festivala fotografije v Arlesu, knjiga je od lani naprodaj v njujorški knjigarni Printed Matter bookshop. Nik Erik Neubauer je član kolektiva Študio, skupaj pripravljajo časopis sodobne slovenske fotografije. Njegovo avtorsko delo zastopa Galerija Fotografija.

Star Feliz is a Dominican-American artist originally from New York, NY currently based in Los Angeles, CA. Their artistic practice activates the intersections of spirit, ecology, and technology. Building upon their ancestral Afro-Taino lineage of multi-dimensional healing — Feliz works within sculpture, music, film, performance, and plant medicine to expand upon themes of hybridity, knowledge, and healing. In 2018 under the moniker of Priestusssy they released their first EP ‘Cantos de Aje', an experimental exploration of devotional music. Their book When Eye Land was published by Printed Matter in 2023, and the 3rd edition of The Green Gold Oracle Deck is forthcoming in 2025.  Feliz is also the founder of Botánica Cimarrón — a wellness brand bridging connections between people and the transformative healing power of plants. Feliz has performed and exhibited nationally and internationally including The Kitchen, New York, NY; The Oregon Contemporary, Portland, OR; The Horse Hospital, London, UK; among others. They have been awarded numerous fellowships, residencies, and grants including ACRE, Steuben, WI; Mohn LAND Grant, Los Angeles, CA; and the Printed Matter Emerging Artist Publication Grant, New York, NY. They are a graduate of the MFA program at UCLA's department of Interdisciplinary Studio. KNOW MORE ABOUT STAR FELIZ: Sign up for my mailing list to be the first to know about upcoming classes, releases, and other drops via my website: botanicacimarron.love Instagram: @priestusssy  -----------

In this episode Platemark, I talk with Leslie Diuguid, owner and founder of Do-Good Press in Bed-Stuy, Brooklyn. Leslie shares her journey as a screenprinter and discusses the intricacies of screenprinting, including processes, challenges, and the nuances of halftone and moiré patterns. We talk about how much math comes into the enterprise, especially about the relationship of mesh counts of screens and the frequency modulation of dot patterns. We explore Leslie's deep connection with her community, her unique approach to remembering names by sketching neighborhood visitors, and her experiences moving from a bedroom workshop to a storefront space. Leslie also details various projects, such as printing on glass, working with unique materials, and producing one-off prints in collaboration with artists like Selena Kimball and Rose Salane. We touch on the importance of sharing knowledge, community engagement, and the future of printmaking. This enriching conversation highlights Leslie's passion for her craft and her innovative contributions to the printmaking world. https://du-goodpress.com/ IG @dugoodpress IG @little_mouse_diuguid Article in Bomb Magazine about Selena Kimball: https://bombmagazine.org/articles/2023/09/20/selena-kimball-interviewed/ Leslie's Omaha show: https://www.u-ca.org/exhibition/meet-me-at-the-fence-ok-bye Nyssa Chow information: https://www.tellinghistories.com/trace Du-Good Press published Simon Benjamin's Crown and Anchor, which was acquired by the Perez Art Museum: https://www.instagram.com/p/DDNPhswRslT/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA%3D%3D Platemark website Sign-up for Platemark emails Leave a 5-star review Support the show Get your Platemark merch Check out Platemark on Instagram Join our Platemark group on Facebook Leslie Diuguid priming canvas with open mesh at Du-Good Press, Brooklyn, NY. One-off set up for artist Simon Benjamin at Du-Good Press, Brooklyn, NY. Shepard Fairey. Tribal Anniversary, 2024. Screenprint. 24 x 18 in. Signari Gallery, Temecula, CA. Selena Kimball standing on screenprinting table getting ready to work with Andrea “Nina” Knoll in the background. Selena Kimball inspecting work in progress. Andrea “Nina” Knoll pouring ink as Selena Kimball holds the squeegee and prepares to print. Selena Kimball with Leslie Diuguid pointing out details in Selena's work in progress. Installation shot of Leslie Diuguid's exhibition, Meet me at the fence ok bye. February 10–April 13, 2024. The Union for Contemporary Art, Omaha. Courtesy of the Artist. Leslie Diuguid (American, born 1986). Eduardo, Chanel, and Jessica, 2024. Screenprints on canvas (12 x 12 in. each) installed in Leslie Diuguid's exhibition, Meet me at the fence ok bye. February 10–April 13, 2024. The Union for Contemporary Art, Omaha. Courtesy of the Artist. Installation shot of Leslie Diuguid's exhibition, Meet me at the fence ok bye. February 10–April 13, 2024. The Union for Contemporary Art, Omaha. Courtesy of the Artist. Leslie Diuguid (American, born 1986). 12,528, 2024. Screenprint on canvas. 30 x 40 in. Courtesy of the Artist. Installation shot of Leslie Diuguid's exhibition, Meet me at the fence ok bye. February 10–April 13, 2024. The Union for Contemporary Art, Omaha. Courtesy of the Artist. Leslie Diuguid (American, born 1986). These Are Leslie's Hands, 2024. Screenprint on canvas. 30 x 40 in. Courtesy of the Artist. Leslie Diuguid (American, born 1986). Screamie, 2024. Screenprint. 30 x 40 in. Courtesy of the Artist. Leslie Diuguid (American, born 1986). Emily, 2024. Screenprint. 30 x 40 in. Courtesy of the Artist. Leslie Diuguid (American, born 1986). 942-0733, 2024. Screenprint. 30 x 40 in. Courtesy of the Artist. Rose Salane. 64,000 Attempts at Circulation, 2022. Five screenprints, counterfeit metal coins, and steel tables. Overall: 106 13/16 × 232 × 131 in. Whitney Museum of American Art, New York. Tiona Nekkia McClodden. Black Insanity on the Ledge of a Death Star, 2022. 2-color screenprint. 18 x 24 in. Printed by Du-Good Press; published by 52 Walker. Alake Schilling (American, born 1993). Spotty Dotty Dog House, 2023. Color screenprint. 16 x 16 in. Published by Printed Matter; printed by Du-Good Press, Brooklyn.  Printed Matter Char Jeré. The Periodic Table of Black Revolutionaries, 2021. 10-color screenprint. 18 x 24 in. Printed and published by Du-Good Press, Brooklyn. Kai Jenrette (American, born 2001). I'm Perfect Life's Perfect I Love Being Me, 2024. 2-color screenprinted zine. Unfolded: 16 x 20 in. Printed and published by Du-Good Press, Brooklyn.  

In this episode of PhotoWork with Sasha Wolf, Sasha is joined by Pauline Vermare, Curator of Photography at the Brooklyn Museum, and Lesley Martin, Executive Director of Printed Matter. They discuss their collaborative efforts on "I'm So Happy You Are Here: Japanese Women Photographers from the 1950s to Now," published by Aperture. This publication offers a counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. Lesley and Pauline share their connections to Japanese society and their interest in the representation of women in photography. Together, Sasha, Lesley, and Pauline explore how they balanced the academic and historical aspects of their work with the artistic appeal of a photobook that highlights the contributions of Japanese women photographers. https://aperture.org/books/im-so-happy-you-are-here-japanese-women-photographers-from-the-1950s-to-now/ || https://www.instagram.com/la.martin_/ || https://www.instagram.com/paulinevermare/ Pauline Vermare is the Phillip and Edith Leonian Curator of Photography, Brooklyn Museum. She was formerly the cultural director of Magnum Photos NY, and a curator at the International Center of Photography (ICP), The Museum of Modern Art (MoMA), and the Henri Cartier-Bresson Foundation, in Paris. She sits on the boards of the Saul Leiter Foundation and the Catherine Leroy Fund. Lesley A. Martin is executive director of Printed Matter. Prior to that, she was the creative director of Aperture, founding publisher of The PhotoBook Review, and co-founder of the Paris Photo–Aperture Foundation PhotoBook Awards. She has edited more than one-hundred and fifty books of photography, including An-My Lê's Small Wars; Illuminance by Rinko Kawauchi; LaToya Ruby Frazier: The Notion of Family; and Zanele Muholi: Somnyama Ngonyama. Martin has curated several exhibitions of photography, including The Ubiquitous Image; the New York Times Magazine Photographs, co-curated with Kathy Ryan; Aperture Remix, a commission-based exhibition celebrating Aperture's sixtieth anniversary; and most recently, I'm So Happy You Are Here: Japanese Women Photographers Since the 1950s, co-curated with Pauline Vermare and Mariko Takeuchi. She received the Royal Photographic Society award for outstanding achievement in photographic publishing in 2020, and has been a visiting critic at the Yale University Graduate School of Art since 2016. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Glenham couple caters to creative and French tastes When Laura and Georges Goba-Byrne at Oui Oui Cuisine cater outdoor events, like the one last month when they served 1,400 people over two days at the Amazon warehouse in Fishkill, their airy green and pinkish-purple food trailer makes a striking impression. "Food trucks can be dark and closed off, with the people toiling in the back, so we wanted to have something open, where people can see the food being prepared and we can interact with them," says Laura. Built in Amsterdam, the trailer still gleams because it's only been rolled out five times, including stops at Two Way Brewery and The Yard during Beacon Open Studios. The curved windows that wrap around the narrow rectangle are difficult to get in the U.S., she says. When the front panels are open, the ledge serves as a buffet serving station. The fryer, grill and bain-marie, used to keep food hot, are from Japan. Born in Ireland, Laura came to New York in 2012 on a still-open artist visa and created the trailer's look. Georges is a trained French chef from the Ivory Coast who worked in Paris and customized the interior. The couple met at Barcade in the East Village, where he ran the kitchen and she tended bar. They often visited Dia Beacon and became enamored with the surroundings, so after deciding to get married and start a family, they moved from Brooklyn to Glenham in 2021. (On Aug. 2, they welcomed their first child, Georges.) Happy suburbanites, they only go into the big city for gigs. Laura has worked in the service sector since she was 13 but still pursues her artistic muses, including painting, creative bookmaking and experimental photography. Her forte, which brought her to New York City, is a specialized subset of publishing called artists' books, which showcase a visual creator's concept in book form and are designed to be works of art in themselves rather than a collection of works. She arrived in the city under the tutelage of the Ellen Frank Illumination Atelier, which led to a gig with Printed Matter, a nonprofit that promotes and advocates artists' books. Then came a year-long scholarship with the Center for Book Arts in Manhattan and the founding of Potatoe Press, which spotlights projects by female artists and bookmakers. Its titles stretch the boundaries of what a book can be: Forgotten Memories serves as a creative way to showcase old photos. Salvation Mountain binds around two dozen Polaroid photos and My Mother Told Me… [sic] is a small, round showcase of painted works devoid of text. For Chef Georges, his art is food and as the name Oui Oui suggests, the main focus of the rolling mini-restaurant is French cuisine. Yet orthodoxy is lax, and Americanization is imperative. Menu staples include a classic croque monsieur sandwich (ham) and waffle fries/frites with herbs de Provence and remoulade dipping sauce. They offer crème brulee for dessert but also cannolis. Other diversions include a Bavarian pretzel with beer cheese and Parisian Cheesesteak Eggrolls, a fried nod to the Philadelphia mainstay with gruyere cheese. "I'm trying to find a balance between the French connection and the demands of American palettes," he says. Coming soon: French tacos, hand-held street food that stuffs a tortilla with meat, cheese, french fries and other items, like a wrap or a panini. "I live here now, so I have to adjust the cuisine, and I always want to have a twist, like using brioche buns instead of rolls and substituting gruyere for American cheese," he says. "French tacos are wildly popular in Europe, and I think they'll make the jump to Beacon." Oui Oui Cuisine can be contacted via ouiouicuisine.com.

Avec Mélanie Scarciglia et Christophe Boutin, nous avons parlé de livres d'artistes. Nous sommes revenus sur la genèse des deux maisons d'édition qu'ils ont fondées ensemble, Onestar Press et Three Star Books. En parcourant leurs projets, nous avons abordé les évolutions du milieu de l'édition, comme l'arrivée de la technologie print on demand au début des années 2000, qui leur a permis de faire de petites quantités de tirages, mais aussi les premières éditions des foires du livre d'art en 2005, telles que Printed Matter à New York, qui ont aussi accompagné le développement du marché du livre d'artiste. Dans cet entretien, nous avons parlé des multiples qu'ils ont faits : tirages, chaises, étagères, des PDF de leurs livres qui sont disponibles en libre accès et de leur processus de travail basé sur une conversation avec des artistes pouvant prendre jusqu'à 10 ans pour réaliser un ouvrage. Bonne écoute !2'30 – Mélanie Scarciglia : des études en histoire de l'art et cinéma.3'30 – Christophe Boutin : une première carrière dans la musique et en tant qu'artiste plasticien.6' – Sa découverte du livre d'artiste : il a développé avec son ex-femme, la libraire Florence Loevy, une activité de self-éditeur.7'43 – Le premier livre d'artiste chez Onestar Press fut un livre de Christophe, puis il a travaillé avec ses amis artistes.10' – Arrivée de la technologie d'impression à la demande qui permettait de tirer des ouvrages en petites quantités.13' – Première diffusion de leurs livres à la foire du livre de Francfort en 2000, puis en 2005, première foire du livre d'artistes à NY, Printed Matter.15'30 – Les premiers acheteurs : un public de bibliophiles, puis les institutions principalement aux USA ont suivi et certaines personnes ont souhaité acheter tous les livres.Tous les PDF des livres sont accessibles gratuitement en ligne.19'45 – Les artistes publiés deviennent eux-mêmes des éditeurs en invitant un artiste.21'20 – Maison de livres d'artistes et de multiples : photos, collages, objets, chaises, étagères.23'15 – En 2007, création de Three Star Books : le livre n'est plus un geste, mais une vraie conversation pouvant aller de 1 à 10 ans de travail.26'40 – Leur processus de travail : on peut aller vers les artistes avec une idée technique à tester, ou la conversation peut venir des artistes eux-mêmes.32'30 – Exemple du livre d'artiste de Cyprien Gaillard au Sri Lanka.39'50 – Il s'agit de livres qui doivent être accompagnés et ils doivent expliquer comment ils sont faits pour les vendre.41'40 – Les défis pour les éditeurs de livres d'artistes : ils encouragent d'autres éditeurs à faire des livres d'artistes. Plus l'internet devient présent, plus ce type d'ouvrage devient important, car il existe un contact physique avec le regardeur et les objets.48'48 – Des conseils pour les éditeurs : il faut avoir un bon comptable et s'entourer des gens qu'on aime.Des conseils pour les artistes : si les artistes ne trouvent pas d'éditeurs qui veulent les éditer, il faut éditer soi-même. "Il est important de faire des choses qui vous ressemblent et ne pas se laisser faire par l'objet imprimé."Le site de Onestar press : https://www.onestarpress.com/Le site de Three Star Books : https://threestarbooks.com/Bénéficiez de 25% de remise sur tous les titres Onestar Press, pour des commandes supérieures à 100 euros avec le code promo : LESVOIX.Le code est valable du 26 Juin au 2 juillet.Pour vous inscrire à la newsletter du podcast : https://bit.ly/lesvoixdelaphotonewsletterPour suivre l'actualité du podcast : https://bit.ly/lesvoixdelaphotowebsiteEt vous pouvez retrouvez le podcast sur Instagram, Facebook et LinkedIn @lesvoixdelaphoto Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this episode I go over a doctrine in patent law called the "Printed Matter Doctrine." You generally can't get a patent on something if the only difference is that you provided some written instructions on your product, even if those written instructions are new and non-obvious.  Learn what kinds of printed matter is and isn't patent eligible in this episode. Connect with Adam Diament E-mail: adiament@nolanheimann.com Website: https://www.nolanheimann.com/legal-team/adam-diament Phone/Text: (424)281-0162 YouTube Channel LinkedIn

Welcome to Season 5 of The Art Career where we sit down with Sienna Fekete at The Lower East Side Girls Club. Sienna Fekete is a Curator and Educator based in New York City with a background in radio, podcasting, and music. She is currently the Senior Arts Manager at The Lower Eastside Girls Club. Additionally, she is the curator of The Community Cookbook project volumes 1-3, was the 2021–2022 Curatorial Fellow at The Kitchen, was the host of the Points of View podcast via Cultured Magazine, and and was a Co-founder of Chroma, a cultural agency and creative studio centering on the work and perspectives of women of color. She looks forward to creating more women of color-led initiatives, producing audio projects, spearheading public programming and educational opportunities, growing her practice as a curator, and building collectively with her community. She has worked with BBC Radio 1 and 1Xtra, On Air Fest, Red Bull Arts, NTS, The Lot Radio, StoryCorps, Top Rank Magazine, Domino Sound, SiriusXM, Adidas, Nike, CultureHub, AnOther Magazine, BOMB Magazine, Dazed Magazine, Awake NY, Knockdown Center, Abrons Art Center, Glossier, The Standard, Calvin, Klein, Silica Magazine, Sky High Farm, Ethel's Club, Buffalo Zine, 8 Ball Community, Documenting the Nameplate, POWRPLNT, TXTbooks, Park Avenue Armory, The New Museum, The Public Art Fund, The Studio Museum in Harlem, MoMa, MoMA PS1, Printed Matter, The Community Paris, The Guggenheim, and The Museum of Contemporary Art, Los Angeles. theartcareer.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sienna Fekete: @sii_sii The Lower Eastside Girls Club @girlsclubny Follow us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theartcareer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Podcast host: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@emilymcelwreath_art⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Editing: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@benjamin.galloway⁠

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Pre-Loved Podcast is a weekly vintage fashion interview show, with guests you'll want to go thrifting with! For more Pre-Loved Podcast, subscribe to our Patreon! On today's show, we're chatting with Rosie Mae Turner, a sustainable fashion creative and vintage fashion archivist based in NYC. It's hard to sum up all of Rosie's work in the sustainable fashion space – she is a sustainable swimwear designer, a textile artist, an archivist – as I mentioned – an editorial stylist, community builder, and much more!  Always a lover of printed matter, particularly vintage fashion magazines, Rosie has recently started showcasing her archive of vintage and contemporary fashion magazines, and we get into all that and more on today's show!  If you love special collections, you're going to love hearing Rosie talk about her vintage magazines, so let's dive right into it!  DISCUSSED IN THE EPISODE: [2:31] Rosie's journey into fashion, through a love of fashion magazines. [6:37] Rosie grew up antiquing in high school, and has been building her vintage archive ever since. [12:20] She even picked up a few fashion finds from the set of Gossip Girl. [14:23] The beginning of her vintage magazine collection. [25:17] Some of the themes that Rosie is drawn to in fashion magazines. [28:57] Her cat-themed collections, in magazines and fashion! [33:17] What we can learn about sustainability from vintage fashion magazines. [38:06] Taking the Remake #NoNewClothes Challenge [47:36] Some of the most cherished pieces in her collection. EPISODE MENTIONS:  Rosie Mae on Instagram Rosie Mae on TikTok Rosie's Magazines Rosina Mae swimwear What Goes Around Comes Around Manhattan Vintage Show Buy Nothing Group Rosie's favorite magazine shops in NYC Kinokuniya  Magazine Cafe Casa Magazines Soho News International Recylpt - Circular Fashion Playground Climate Cafe @meowrunway Remake #NoNewClothes Challenge Rosie's bag upcycle FABSCRAP Pre-Loved Podcast with FABSCARAP Rosie's NYC vintage shop recommendations EstateSales.Net on Pre-Loved Podcast Liisa of Gem Search on Pre-Loved Podcast Sustainable Baddie No Kill Magazine Reverie Page Magazine LET'S CONNECT: 

David Kennedy Cutler (b. 1979, Sandgate, VT) is an artist, writer and performer who lives and works in Brooklyn, New York. His practice addresses traces of domesticity; he presents material objects as witnesses of unseen labor and hidden objects. He observes, transfers, and transforms recognizable every day and artistic materials to create installations, paintings, and performances. Cutler received his BFA from The Rhode Island School of Design in 2001. He has had solo exhibitions at Derek Eller Gallery (NYC), Halsey McKay Gallery (East Hampton, NY), Essex Flowers (NYC), The Centre for Contemporary Art (Tallinn, Estonia) and Nice & Fit (Berlin, Germany). Cutler has performed in various spaces in New York including Klaus von Nichtssagend Gallery, Essex Flowers, Printed Matter, Halsey McKay, Derek Eller Gallery, and Flag Art Foundation, and internationally at the Center for Contemporary Arts Estonia, among others. His works are included in the permanent collections of the Wellin Museum at Hamilton College and The RISD Museum, and his artist's books are included in the libraries of the Whitney Museum and the Brooklyn Museum. He has been reviewed and featured in The New York Times, Artforum, Art in America, The New Yorker and Modern Painter, among others. Cutler is represented by Derek Eller Gallery, NY and Halsey McKay Gallery, East Hampton. Currently on view is a two person show, Hedge, with Mosieur Zohore. David Kennedy Cutler, Late Shift, 2023 Inkjet transfer, acrylic, and permalac on canvas, armature wire 88 x 69 x 3.5 inches (223.5 x 175.3 x 8.9 cm) David Kennedy Cutler, Barricade, 2023 Inkjet transfer, acrylic, and permalac on canvas, armature wire 82.75 x 64.5 inches (210.2 x 163.8 cm) David Kennedy Cutler, Balthazar, 2023 Inkjet transfer, acrylic, and permalac on canvas, armature wire and wood 39.5 x 20.5 x 20 inches (100.3 x 52.1 x 50.8 cm)

This week we come at you live from Printed Matter in New York City with Christopher Sperandio of the Kartoon Kings. We talk about his recent flurry of publications, how the pandemic has impacted publishing and the art world, the potency of Instagram, and the failure of NFTs. Max Schumann Jumps in from the audience to talk about the mission of Printed Matter and query the separation between artist book and art publication, while challenging the techniques and labor used to generate Artist books. Brilliant painter Michael Cline grabs Duncan a couple of glasses of wine because if you are talking politics and art, there has to be at least one or two drinks.

WVFP talks with NYC artist Steven Vainberg (clip) about Printed Matter bookstore and his works Strange Worship and Plans To Strike. full eps available on patreon wvfp

Kyle Thurman (b. 1986, West Chester, PA) lives and works in Brooklyn, New York. In 2016 he received an MFA in painting from the Milton Avery Graduate School of the Arts at Bard College. From 2011 to 2012, Thurman studied with Christopher Williams and Peter Doig as a guest student at the Kunstakademie Dusseldorf. In 2009 he received his BA in Film Studies and Visual Arts from Columbia University. Most recently, Thurman was included in the 2019 Whitney Biennial curated by Rujeko Hockley and Jane Panetta; his work is now included in the permanent collection of the Whitney Museum of American Art. Other recent solo and group exhibitions include Central Fine, Miami Beach, FL; The Meeting, New York, NY; Sophie Tappeiner, Vienna, Austria; 1301PE, Los Angeles, CA; Off Vendome, New York, NY; The Cleveland Triennial, Cleveland, OH; Parapet Real Humans, St. Louis, MO; Hannah Hoffman Gallery, Los Angeles, CA; Cookie Butcher, Antwerp, Belgium; Office Baroque, Brussels, Belgium; Kostyal, London, England; Benevento, New York, NY; OFFSITE, New York, NY; Bodega, New York, NY; MOCA Tucson, Tucson, AZ; Fluxia Gallery, Milan, Italy; Laurel Gitlen, New York, NY; Dickinson Gallery, New York, NY; Galeria Marta Cervera, Madrid, Spain; Lisa Cooley and Laurel Gitlen, New York, NY; Room East, New York, NY; Middlemarch, Brussels, Belgium; Nudashank, Baltimore, MA; Shoot the Lobster, Miami, FL; Maison Particuliere, Brussels, Belgium; West Street Gallery, New York NY; Eleven Rivington, New York, NY; Clearing, Brussels, Belgium; M and B Art, Los Angeles, CA; Martos Gallery, New York, NY; Printed Matter, New York, NY; and The Mercantile Fiction Library, New York, NY among others. The artist's upcoming exhibitions include Central Fine, Miami Beach, FL and Sophie Tappeiner, Vienna, Austria. Kyle Thurman Dream Police (My neck) 2022 Acrylic dispersion, gouache, oil, and watercolor on PVA primed paper and Dibond panel in artist's frame 49 7/8 x 73 7/8 x 2 7/8 in 126.7 x 187.6 x 7.3 cm Image courtesy the artist and David Lewis. Kyle Thurman Forest (our shadow) 2022 Gouache, graphite, oil, and watercolor on PVA primed paper and Dibond panel in artist's frame 49 7/8 x 73 7/8 x 2 7/8 in 126.7 x 187.6 x 7.3 cm. Image courtesy the artist and David Lewis. Kyle Thurman Crown (model monument, emotion) 2022 with altar by Lesser Miracle Patinated bronze and wood Sculpture Dimensions: 21 1/10 x 21 1/10 x 21 1/10 in 53.6 x 53.6 x 53.6 cm Altar Dimensions: 30 x 70 x 33 in 76.2 x 177.8 x 83.82 cm. Image courtesy the artist and David Lewis.

I read this ordinance on https://library.municode.com and discuss its ramifications here. I reference Little Free Libraries: https://littlefreelibrary.org --- Support this podcast: https://anchor.fm/freepressmediapressinc/support

Photo of Nicolás by Wadi Céspedes Raful / Courtesy of Nicolás Dumit Estévez Raful Espejo Ovalles Nicolás Dumit Estévez Raful Espejo Ovalles treads an elusive path that manifests itself performatively through creative experiences that he unfolds within the quotidian. He has exhibited or performed at Madrid Abierto/ARCO, The IX Havana Biennial, PERFORMA 05/07, IDENSITAT, Prague Quadrennial, Pontevedra Biennial, Call/Walks, Queens Museum, MoMA, Printed Matter, P.S. 122, Hemispheric Institute of Performance Art and Politics, Princeton University, Anthology Film Archives, El Museo del Barrio, Center for Book Arts, Longwood Art Gallery/BCA, The Smithsonian National Museum of the American Indian, Franklin Furnace, and Lower Manhattan Cultural Council. Nicolás has received mentorship in art in everyday life from Linda Mary Montano, a historic figure in the performance art field. Residencies attended include P.S. 1/MoMA, Yaddo and MacDowell. Nicolás holds an MFA from Tyler School of Art, Temple University, Philadelphia, PA, where he studied with Coco Fusco; and an MA from Union Theological Seminary in the City of New York. Born in Santiago de los Treinta Caballeros, Dominican Republic, in 2011 he was baptized as a Bronxite; a citizen of the Bronx. Since 2006, he has pursued trainings with key people in the healing, somatic movement, and writing fields. Nicolás is the founding director of The Interior Beauty Salon, a space working at the intersection of creativity and healing. Learn more and follow The Interior Beauty Salon on Instagram. Nicolás Dumit Estévez Raful In Bed with the Tropicals, 2015, inaction Photo: Frances Pollitt / Courtesy of Nicolás Dumit Estévez In Bed with the Tropicals consisted of a five-hour stopover by a sleeping subject in Wave Hill's conservatory, NY. This dormant being rested uninterruptedly, side by side with the vast array of orchids, lichens, air plants and ferns that make up the lush greenhouse's collection. In this exercise, which relied on inaction, the cessation of the most visible movements on behalf of the sleeper were meant to put him on a par with the imperceptible activity generated by the plant world around him. In Bed with the Tropicals was meant to conjure images of hibernation, catalepsy, the Dormition of the Virgin, and the continuous interplay between life and death. It also signaled the urgent call for what deep ecology activist Joanna Macy refers to as the “greening of the self” or the eco-self; an awareness for one's inextricable interdependence with all living beings irrespective of the lesser status “humans” have assigned to them. Rhina Valentin and Nicolás Dumit Estévez Raful with Michael Max Knobbe and Angel RodríguezThe Metropolitan Portal, 2020, art in everyday lifePhoto: Argenis Apolinario / Courtesy of Nicolás Dumit EstévezNicolás Dumit Estévez Raful Espejo invites Rhina Valentín, who in turn invites Master Percussionist Angel Rodríguez to represent her spiritual guide, and BronxNet Executive Director, Michael Max Knobbe to represent her connection to community. They step into Rhina's everyday portal through the shopping district of Parkchester, reminiscent of the walk she would take to get to the train when she lived there with her Mother—through improvisational ritual choreography that launches near the fountain of Parkchester and processes through Metropolitan Avenue. Mantras, colors, and drum beats are all part of the portal through which Rhina skillfully takes the group: a magical field. She eventually leads all involved out into the day-to-day buzz of the City to enjoy the echo of any transformations experienced during the action. This action is part of Performing the Bronx. Performing the Bronx is an expansion of Nicolás's on-going efforts to generate work with and within different communities in the Bronx. It is also representative of his interest in recovering, reclaiming and remembering histories of the area's inhabitants that run the risk of being effac...

Riso nyomtatás, budapesti ZINE-kultúra, különféle nyomtatási eljárások és az artbook-ok világa - ezekről és még sok érdekesről beszélgettünk Budapest legismertebb riso nyomdájában Szigeti Árpival és Rumi Zsófival. Hatalmas élmény volt nekünk hogy betekinthettünk a HURRIKAN PRESS kulisszái mögé, rengeteg képet készítettünk, amelyeket a blogunkon láthattok - igyekeztünk illusztrálni minden szóba kerülő témát: —> https://makersofbudapest.com/blogs/news/makers-of-budapest-podcast-02-hurrikan-press Az alábbiakban pedig a beszélgetés során elhangzó alkotók, csapatok, szakmai kezdeményezések és munkák linkjeit gyűjtöttük össze: A GESTETNER sokszorosítóról: https://en.wikipedia.org/wiki/Gestetner Többször szóba kerül MIMMA NOSEK, a Risoplant egyik alapítója, aki szintén riso nyomtatással készíti grafikáit. Mimma munkáit itt találjátok: https://www.instagram.com/mimmanosek/ Az osztrák SOYBOT csapat munkái itt láthatók: https://www.instagram.com/soybotvienna/ Árpi zenekara, a MAYBERIAN SANSKÜLOTTS zenéit itt találjátok: https://mayberian.bandcamp.com/ - lemezbemutató koncert október 7-én az A38-on, részletek itt: https://www.facebook.com/events/1050683635720008 A japán RISO márka oldala: https://www.riso.co.jp/english/ A HURRIKAN PRESS WEBSHOPJA saját kiadványokkal és printekkel (többek között a szóba került Color Guide-dal, naptárral, Csordás Levi szuper balatoni printjeivel, rengeteg remek holmival!): https://hurrikanpress.bigcartel.com/ Ha élőben szeretnétek megnézni a HURRIKAN PRESS KIADVÁNYOKAT irány az ISBN —> https://www.facebook.com/isbnbooksgallery Az UKMUKFUKK Zinefest oldala itt: https://www.facebook.com/ukmukfukkzinefeszt/ A pécsi DRUKKER nyomdával itt ismerkedhettek meg: https://www.facebook.com/drukkerpecs Az említett New York-i PRINTED MATTER könyvesbolt szervezésében megvalósuló ART BOOK FAIR-ekről: https://printedmatterartbookfairs.org/ CSATÓ CSENGE emlegetett diplomaképregénye: https://www.instagram.com/p/BxvFUlzAHda/ Az említett PARTIZÁN epizód Jancsó Dáviddal (többek között): https://open.spotify.com/episode/24DLixTwUyl9JsnrzqGWkw?si=VVQYw-hGTl6OM8HklCa3bA&dl_branch=1 --- Send in a voice message: https://anchor.fm/makers-of-budapest/message

Episode 11: Mitsuko Brooks was born in the Aomori Prefecture of Japan and moved to the United States at an early age. She is a 1.5 generation Shin-Issei Japanese American artist living and working in New York. Her mail art collages, artists books, zines, and assemblages are in special collections and libraries throughout North America, including the Smithsonian's Archive of American Art. Her work often utilizes storytelling or personal narrative while incorporating dense layered visuals or the use of materials others might consider discards.  ______________________________________________________________________________ Show notes:  Follow Mitsuko's adventures on Instagram: @mitsukobrooks and via the web: https://mitsukobrooks.com "Return to Sender" at the Steve Turner Gallery Mitsuko discusses mail art for Printed Matter's 2020 exhibition We Live in Real Time: A Window Exhibition of Mail Art Made During the Pandemic Those baby fawn stamps we talk about! A brief overview of the Gutai Art Association ____________________________________________________________________________ --> The Senders Receive intro/outro music is titled "Successful"; the musical artist is Keetsa. This track is used as per the artists Creative Commons usage statement, which can be found here: https://creativecommons.org/licenses/by-nc-nd/4.0/ --> Is there a postal modern or mail art maven that you'd like to hear from? An individual you think should be interviewed by Senders Receive? Send an email to sendersreceivepodcast.com and let us know! --> Follow us on Instagram: @sendersreceivepodcast  

Brian Isett and Claudia Biçen chat with me about their book project, The Forgotten Teachers: How Life Learned the Story of Earth. The Forgotten Teachers is an illustrated true fairytale about Life on Earth. Through natural history and poetic contemplation, readers are introduced to twelve forgotten teachers that shaped our past and define our present. Among them: Sun, Moon, Ocean and Trees, each depicted in intricate and dream-like watercolor illustrations. Through these encounters, we re-learn the story of our past: our emergence from Oceanic depths, our colorful history in Trees, and the ancient celestial rhythms that still permeate our biology today. By reexamining Earth’s role in our evolution, The Forgotten Teachers begins to repair the lost but crucial connection between science and spirit.Brian Isett is a published poet and neuroscientist at Carnegie Mellon University. While finishing his Ph.D. in neuroscience at U.C. Berkeley, his first book of poetry, Grid Poems Vol. I, reached an international audience (over 500,00 views on Ello) and quickly sold out through venues such as the New Museum and Printed Matter in New York, and Motto Books in Berlin. In the field of neuroscience, Brian has authored several high profile research articles in areas ranging from tactile perception to Parkinson’s disease. He won two competitive national awards, the National Science Foundation Graduate Research Fellowship as well as the National Institutes of Health NRSA Postdoctoral Fellowship. Brian received his B.S. at Cornell University in Biology, winning the George Harmon Coxe award for Fiction in 2009 and the Arthur Lynn Andrews Fiction Prize in 2008.Claudia Biçen is a visual artist exploring the nature of mind and the construction of meaning. She has exhibited at the Smithsonian’s National Portrait Gallery (Washington DC), the Royal Society of Portrait Painters (London), and the National Arts Club (New York). Her projects have been featured in the Washington Post, Huffington Post, and San Francisco Chronicle and displayed in hospitals and educational institutions around the world. Claudia is Creative Director at Project Wayfinder, where she designs curricula for fostering belonging and purpose that have been taught to more than 10,000 students worldwide. She is a lecturer at Stanford University, holds a BA in Philosophy & Psychology from the University of Oxford, and an MSc in Social Anthropology from University College London. Website: www.claudiabicen.comIn this episode, we discuss:3:10 – Claudia and Brian's journies 8:28 – Inspirations for The Forgotten Teachers book14:08 – The deeply collaborative nature of The Forgotten Teachers19:28 – The senses and embodiment as gateways into connecting with the Earth24:57 – The teachings of Plants31:34 – The teachings of Scale 37:00 – Ways that Claudia and Brian connect to nature45:44 – How art helps heal Claudia and Brian’s relationship with the Earth51:32 – Questions Claudia and Brian are asking right now56:16 – What gives Claudia and Brian hope right now Follow Claudia’s Instagram: @claudiabicen Follow Brian’s Instagram: @brisett_writes

**This episode originally aired on Clocktower Radio in 2016** ROAD, READ, BLOG, FEST, PROMOTE, DISTRIBUTE Guest: Sonel Breslav Host: Christopher Kardambikis Recorded in Brooklyn, NY Blond Art Books: Established by Sonel Breslav in 2012, Blonde Art Books is a Brooklyn based organization dedicated to promoting self-published art and poetry books through exhibitions, publications, book fairs, talks, and online exposure. Most recently, Blonde Art Books has organized exhibitions and events at Baxter Street / Camera Club of NY; SIGNAL, Brooklyn; MoMA, PS1, Queens, NY; and Printed Matter, New York. Past venues include ICA, Philadelphia, PA; Mattress Factory, Pittsburgh, PA; Wexner Center for the Arts, Columbus, OH; Nudashank, Baltimore, MD; Hyde Part Center, Chicago, IL; Schema Projects, Brooklyn; Present Company, Brooklyn; and Interstate Projects, Brooklyn. The first book published under the Blonde Art Books imprint, Kitsch Encyclopedia by Sara Cwynar, was launched in April 2014. This year will mark the fourth annual Bushwick Art Book and Zine Fair, organized by Blonde Art Books and hosted by SIGNAL. Breslav received her MA from UCL, London in 2010 and her BFA from University of Buffalo - State University of New York in 2005. --- Support this podcast: https://anchor.fm/paper-cuts/support

Guest: Paige Landesberg Host: Christopher Kardambikis Recorded on March 11th, 2020 in Brooklyn Paige Landesberg is a Brooklyn based artist who creates interdisciplinary artworks and curates public programming. She is committed to the idea of multiples and making work that is portable, accessible, multi-use and therefore pragmatic. In addition to her object practice, as an art-worker, Paige acts as the Curator of Books and Public Programming at Miriam, a new artist-run gallery and artist bookshop in Williamsburg, Brooklyn. She is committed to supporting and collaborating with artist publishers through independent projects as well, most recently with Brooklyn Art Book Fair and historically with institutions such as Printed Matter, Hauser & Wirth Publishers and Artbook @ MoMA PS1. Miriam is a new, artist-run contemporary gallery dedicated to working collaboratively with artists to support their practices and foster inclusive art experiences. Housed in a 1,250 squarefoot former matzah factory in South Williamsburg, the gallery opened its doors in December 2019 with Books at Miriam, an exhibition interrogating art books as a creative medium across a variety of perspectives and practices, with over 50 diverse artist publishers’ works. Miriam Gallery Brooklyn Art Book Fair --- Support this podcast: https://anchor.fm/paper-cuts/support

Los Angeles-based music collective mmarz is proud to present an exclusive mixtape for Printed Matter, to provide escape during turbulent times. By turns joyful and contemplative, this mix features a globe-trotting blend of downtempo, jazz fusion, ambient and electronic — selected by mmarz's residents: Max Salty, Ruling Planet, Saffron, Radha and Zach. If you enjoy the diversity of sounds here, check out their website at mmarzmix.com for a whole library of mixes to help see you through the next while.

Just last weekend, a piece of Carmen’s - a portrait in multiple images of Toni Morrisson was featured on the last cover of the New York Times Magazine of the decade. The culmination of an eventful past couple of years for Carmen, she released two new books - Notes on Fundamental Joy with Printed Matter and My Birth with SPBH Editions. That book accompanied her show of the same name in MoMa’s New Photography in 2018. In that powerful installation, she used two facing walls to tape up over 2000 found photographs of women giving birth.Winant was born in San Fransisco, studied at UCLA and the California College of the Arts and now lives in Columbus, Ohio with her husband, artist Luke Stettner and their two sons, Carlo and Rafa. She is the Roy Lichtenstein chair of studio art at Ohio State University where she teaches as well. See acast.com/privacy for privacy and opt-out information.

Join us for Season 2, Episode 14 of The Wendy Love Edge Show with Topher Kogen Guests: Guest Host sitting in for Topher Kogen: Papa Rap http://www.paparap.net/ Music- Pat Ryan Key and Al Halpin Pat Ryan Key and Al Halpin can be best described as soulful, delta blues melded with their unique style of rock. Fate brought the two together on stage in early 2016. 200 shows under their belts later, they continue to move forward and have no intentions of slowing down. Veterans of the NWA music scene in their respective rights, it did not take long for these two to build on their creative chemistry and develop a sound that spans multiple generations of rock and roll. Health- Shelley Mouber Shelley, a self taught artist who holds a B.A. in sociology has been making art objects since early childhood. Her Uncle, a renowned sculptor and set-designer is amongst her earliest influences. His use of non-traditional materials, vibrant color and allegory to construct content continues to influence her art process. Shelley's use of repurposed materials informs her mosaic-like figurative collages to explore and celebrate the interconnectedness of humanity. Her artwork has been included in group and solo exhibitions and resides in private collections throughout the World. Shelley's artwork titled; Yayoi was included in an exhibition in NYC at Printed Matter, celebrating Yayoi Kusami. Shelley currently resides in Fayetteville Arkansas. In The Green Zone- Jeremy Murphy “ I am an Arkansas native, with Oklahoma roots. My wife and I have been married for 13 years, and I am very thankful for her support in this journey we have embarked on. We have a 16 year old son, and a 9 year old daughter. Our family has lived in Northwest Arkansas since 2004. I am the proud son of a Vietnam combat veteran! Veterans hold a very special place in my heart. My mission is to raise funds to assist veterans, home-bound patients, and those in financial need to obtain their recommendation for a medical marijuana card, and to offer assistance to these patients in obtaining medicine to detox from man-made pharmaceuticals to natural medicine. I also offer consultation services to assist patients with strain selection, and teaching skills to get the most out of their medicine. I, myself, struggle with debilitating conditions, and personally know how hard breaking the addiction can and will be. My goal is to #BreakTheStigma that surrounds those wanting to use natural medicine and holistic therapies over pharmaceuticals, by putting a face with the conditions that afflict those being criticized, and letting their stories be heard.” Sponsored in part by: https://www.litsmokingsupplies.com/ https://www.facebook.com/nwanaturallivingllc/ https://www.facebook.com/SparkieArkie420/ https://purelynaturalonline.com/ https://www.birthsongbotanicals.com/ https://familypetsvetcare.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/thewendyloveedgeshow/support

Grace Dent presents the story of a Hastings high street in the run-up to Christmas, and three shops fighting for survival. For many years, businesses on Queens Road came and went. Many windows were boarded up, shop faces were rundown. So a few years ago it was seen as a sign of successful regeneration when new independent businesses began to move in and shop fronts were repainted. It became known as a destination for people wanting independent shops, run by people with a passion for what they're selling. But in the last year, the retail environment has become subdued. It has been an uncertain and difficult twelve months, and the final weeks of the year are looking no easier. This is the story of three shops on one street, in the run down to a vital shopping period which they need to go well to survive into 2019. Vicky opened White Rhino in 2014, and used to specialise in furniture from independent designers. But demand dropped and now she must earn a living from smaller, less lucrative products like loose leaf tea and trinkets. Lee opened Printed Matter bookshop in 2017. Hastings was set to be a university town but as soon as he opened the shop, that fell through. He hopes to get 1% of the town's population as regular customers, but he's got tough competition. Jez opened Queen's Deli in 2017. He's taken a big risk in opening on this street, and has everything on the line for it. By the time their shop doors shut on Christmas Eve, Jez, Vicky and Lee need to know there is enough money in the till to see them into the new year. And it's looking very uncertain. Presenter: Grace Dent Producer: Georgia Catt

Adam Marnie is an artist and editor living in Los Angeles. Recent exhibitions of his work include New Constructions, Bad Reputation, Los Angeles, One/Thinking Two/Willing, kijidome, Boston, Rongwrong, Elaine de Kooning House, East Hampton, NY, and Construction/Destruction, Galerie Almine Rech, Paris. He is publisher and editor-in-chief of F Magazine, a biannual self-published art magazine based in Los Angeles and New York, a project around which he has organized group exhibitions such as The Garden of Forking Paths at Magenta Plains, New York, and Windows at David Peterson Gallery, Minneapolis. In 2018 he co-organized, with Rebecca Matalon, the traveling exhibition Harry Dodge: Works of Love at JOAN, Los Angeles, which will open at Tufts University, Boston, later this month. He is currently working on F issue 8: CELEBRITY to be released at the F Magazine table at Printed Matter’s LA Art Book Fair, April 2019. New Constructions, Bad Reputation, Los Angeles, April 2018 The F Magazine table at Printed Matter's NY Art Book Fair, MoMA PS1, Long Island City, NY, September 2018

Picture making is both my vocation and passion. For me the process of capturing the still image is magical. My continually evolving style integrates artistic and commercial pursuits. It is not unusual for the former to become the basis for the latter and visa versa. People are my primary subject matter. I enjoy interacting with my subjects and encourage their input and ideas. My photographs have been widely exhibited and reproduced in a range of publications. I’ve always enjoyed working on my own and have also had the opportunity to be part of some very provocative groups. Both types of experiences have been fundamental to my aesthetic development. I was part of the late ‘70s NYC downtown art world. It was a charged environment that expanded the parameters of art making. I was also a founding member of Colaborative Projects. The quirky-themed shows were not curated and took place in venues outside of galleries and museums. I participated in many Colab shows including the Real Estate Show and Times Square Show. The A More Store featured cleverly designed inexpensive items. My husband, Richard Miller, and I produced Spanner NYC, a magazine of art. The then unknown artists we published were encouraged to use the print medium as a creative resource. Begun incidentally in the late ‘80’s Mixed Doubles are black & white studio portraits of pairs – people connected by birth, marriage, social, business or other ties. I’ve taken the project into many different environments and the results have always been interesting. In 1992 I was part of the Women’s Action Coalition (WAC). Photography provided a way to be involved. Hundreds of smart, creative women met weekly. Our demonstrations featured outstanding graphics and targeted women’s issues as well as the presidential election. What’s interesting is how much of what I’ve done continues to resonate. It’s a real affirmation that my work from the past is still so vital. I am continually asked to provide photographs from past events and affiliations. There have been recreations of Colab shows and Printed Matter’s recently published book A Book About Colab …and Related Activities perfectly captures the era. Spanner/NYC continues to sell, and my WAC photos are frequently published and exhibited. Excerpts from the Mixed Doubles - Red Hook Brooklyn series were recently exhibited and received with such enthusiasm that I am exploring ways to continue it. - Terise Slotkin

Walter Robinson is a New York artist and art critic. He has exhibited his work at several New York City galleries since the 1980s, including Haunch of Venison, Lynch Tham and Metro Pictures. "Walter Robinson: Paintings and Other Indulgences," a retrospective exhibition of 90 works dating from 1979 to 2012, opened in 2014 at the University Galleries at Illinois State University in Normal, IL, and traveled this winter to Moore College in Philadelphia; its final appearance was at Jeffrey Deitch in SoHo. He was also the founding editor of Artnet Magazine (1996-2012) and news editor at Art in America (1980-1996). He also served as art editor of the East Village Eye (1983-85) and co-published and co-edited Art-Rite magazine during 1973-77. Walter was also a correspondent for Art TV Gallery Beat, a public access television show in the late '90s, and a cofounder of Printed Matter, the New York bookstore devoted to publications by artists. Brian stopped by Walter’s Long Island City studio to talk about Oklahoma, SoHo in it’s prime, writing about art, pulp imagery and more. This episode is brought to you by Golden Paint and Charter Coffeehouse.

On this episode I talk about getting your images printed and print swapping. Places to find me: Flickr: https://www.flickr.com/photos/londonbackpacker/ IG: https://www.instagram.com/flaneur_with_a_camera/ Music used in the podcast: "Welcome to the Show" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ "Funkorama" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

On the show I talk with photographer Matthew Leifheit. Matthew approaches photography as both an artist and a curator. In addition to his own work he has published Matte Magazine, a journal for new ideas in photography, since 2010. Matthew also spent three years serving as the photo editor of Vice, in addition to writing for other platforms including Time and Aperture. In 2017 Leifheit graduated with an MFA from Yale where his thesis focused on a set of rejected photographs he originally took on assignment for the Yale Daily News. His work is held by ICP, the Philadelphia Museum of Art, and the MoMa Library among others.I met Matthew at his home one day in Brooklyn, and you can see the portrait we did on Instagram @william.jess.laird as well as at www.williamjesslaird.com/imagecultureYou can see more of Matt’s work at www.matthewleifheit.com and you can find Matte Magazine at MoMa PS1, Printed Matter, and ICP.

We had such a time ♥️ live on know_wave at NYABF ✨ we sat, laughed and chatted about being sweaty, gentrification, colorism across the diaspora, sexual health in poc communities, wack yts selling things at the fair and more with Stephanie Rodriguez, Tsige Tafesse, Medar De la Cruz, Gisela Zuniga, + Kandis Williams, and had a surprise call from la única Jay Boogie and Black Fly Zine's Justine Frost in the most melanin and glow room at the NY Art Book Fair

Welcome to Digging Through with Gessy Alvarez. In this episode, I talk about 4th of July, my obsession with art post-election, the artistic oasis that is Printed Matter in NYC, and the incomparable Sophie Calle. Music: Opening -Sérénades, Op.96, Ferdinando Carulli, performed by Menecha Casano and Néstor Guestrin. Closing - Forgotten Dreams, Leroy Anderson, performed by Markus Staab.

This week we look back at our interview with AA Bronson founding member of General Idea and Printed Matter.

Byte Into It co-host joins the Breakfasters for "Tech Talk", where she unpacks the technology behind batteries. Editor of "The Monthly" magazine Nick Feik drops by ahead of the 10th anniversary of The Monthly. Scott Edgar from 3RRR's "Superfluity" talked about the current developments in gaming on "Genius Squad". Max Schumann talked about the non-profit arts organization "Printed Matter" as part of the The Melbourne Art Book Fair.

The People: L.A. Art Book Fair: Special Edition Saturday, February 1, 2014 The People with Insert Blanc Press Editor and Publisher Mathew Timmons and Insert Blanc Artist Ben White. The People features the voices and ideas of The People that make up the cultural landscape of Los Angeles, the west coast, and beyond on KCHUNG 1630AM every 3rd Sunday at 3pm. The People is me, The People is you, The People is we, and You Can Too! … like a Broken Record magically repaired. Printed Matter presents the second annual LA Art Book Fair, from January 31 through February 2, 2014, at The Geffen Contemporary at MOCA. Printed Matter's annual fair of contemporary art books, art catalogs, artists' books, art periodicals, and 'zines 1. East of Borneo - Stacey Allan - http://www.eastofborneo.org/ 2. ABC Artists' Books Cooperative - Andreas Schmidt - http://abcoop.tumblr.com/ 3. Ampersand Gallery & Fine Books - Myles Haselhorst - http://www.ampersandgallerypdx.com/ 4. Bidoun Magazine - Tiffany Malakooti - http://www.bidoun.org/ 5. cmagazine - Kathleen McLean - http://cmagazine.com 6. Cabinet - Sasha Archibald - http://cabinetmagazine.org 7. Martine Syms - Dominica - http://dominicapublishing.com 8. Eric Kim - Human Resources - http://humanresourcesla.com/ 9. Joseph "Guiseppe" Mosconi - The Poetic Research Bureau - http://www.poeticresearch.com/ 10. Andrew Wessels - Les Figues Press - http://www.lesfigues.com/ 11. Lauren Mackler - Public Fiction - http://www.poeticresearch.com/ 12. Kelly Lynn Jones - Little Paper Planes - littlepaperplanes.com 13. Adam Michaels - Project Projects - http://projectprojects.com - Paper Monument - http://papermonument.com 14. Will Rogan - The Thing - http://thethingquarterly.com 15. Yelena Gluzman - Ugly Duckling Presse - http://www.uglyducklingpresse.org/ 16. Breezy Culbertson - Needles & Pens - http://needlesandpens.com/

This week: San Francisco checks in with dance legend Anna Halprin!!! Anna Halprin (b. 1920) is a pioneering dancer and choreographer of the post-modern dance movement. She founded the San Francisco Dancer's Workshop in 1955 as a center for movement training, artistic experimentation, and public participatory events open to the local community. Halprin has created 150 full-length dance theater works and is the recipient of numerous awards including the 1997 Samuel H. Scripps Award for Lifetime Achievement in Modern Dance from the American Dance Festival. Her students include Meredith Monk, Trisha Brown, Yvonne Rainer, Simone Forti, Ruth Emmerson, Sally Gross, and many others. Printed Matter Live Benefit Auction Event: March 9, 6-8:30 pm Robert Rauschenberg Project Space 455 West 19th St, New York www.paddle8.com/auctions/printedmatter Printed Matter, Inc, the New York-based non-profit organization committed to the dissemination and appreciation of publications made by artists, will host a Benefit Auction and Selling Exhibition at the Rauschenberg Foundation Project Space to help mitigate damage caused by Hurricane Sandy. As a result of the storm, Printed Matter experienced six feet of flooding to its basement storage and lost upwards of 9,000 books, hundreds of artworks and equipment. Printed Matter's Archive, which has been collected since the organization's founding in 1976 and serves as an important record of its history and the field of artists books as a whole, was also severely damaged. Moreover, the damage sustained by Sandy has made it clear that Printed Matter needs to undertake an urgent capacity-building effort to establish a durable foundation for its mission and services into the future. This is the first fundraising initiative of this scale to be undertaken by the organization in many years, and will feature more than 120 works generously donated from artists and supporters of Printed Matter. The Sandy Relief Benefit for Printed Matter will be held at the Rauschenberg Project Space in Chelsea and will run from February 28 through March 9th. The Benefit has two components: a selling exhibition of rare historical publications and other donated works and an Auction of donated artworks. A special preview and reception will be held February 28th, 6-8 pm, to mark the unveiling of all 120 works and to thank the participating artists and donors. The opening will feature a solo performance by cellist Julia Kent (Antony and the Johnsons), followed by a shared DJ set from Lizzi Bougatsos (Gang Gang Dance) & Kyp Malone (TV on the Radio). The event is free and open to the public. All works will then be available for viewing at the Rauschenberg Project Space March 1 – March 9, gallery hours. All Selling Exhibition works may be purchased during this period and Auction works will be available for bidding online. Bids can be made at www.paddle8.com/auctions/printedmatter. A live Benefit Auction Event will take place March 9, 6-8:30 pm with approximately 20 selected works to be auctioned in a live format. Bidding on these works will commence at 7pm sharp, while silent bids can be made on all other Auction works. Note, highest online bids will be transferred to the room. For absentee bidding of works, please contact Keith Gray (Printed Matter) at 212 925 0325 or keith@printedmatter.org. The evening will feature a performance by Alex Waterman on solo cello with electronics. Admission is $150 and tickets may be pre-purchased here. There will be only limited capacity. Highlighted auction works include an oversize ektacolor photograph from Richard Prince, a woven canvas piece from Tauba Auerbach, an acrylic and newsprint work from Rirkrit Tiravanija, a large-scale Canopy painting from Fredrik Værslev, a rare dye transfer print from Zoe Leonard, a light box by Alfredo Jaar, a book painting by Paul Chan, a carbon on paper work from Frances Stark, a seven-panel plexi-work with spraypainted newsprint from Kerstin Brätsch, a C-print from Hans Haacke, a firefly drawing from Philippe Parreno, a mixed-media NASA wall-piece from Tom Sachs, a unique print from Rachel Harrison, a vintage xerox poem from Carl Andre, an encyclopedia set of hand-made books from Josh Smith, a photograph from Klara Liden, a table-top sculpture from Carol Bove, Ed Ruscha’s Rooftops Portfolio, as well as original works on canvas and linen by Cecily Brown, Cheyney Thompson, Dan Colen, Adam McEwen, RH Quaytman, and many others. These Auction works can be previewed at: www.paddle8.com/auctions/printedmatter In addition to auction works, a vitrine-based exhibition of rare books, artworks and ephemera are available for viewing and purchase. This material includes some truly remarkable items from the personal collection of Robert Rauschenberg, donated by the Robert Rauschenberg Foundation in memory of the late Printed Matter Board Member, bookseller and publisher, John McWhinnie. Among the works available are books and artworks from Marcel Duchamp, Willem de Kooning, Alfred Steiglitz, Joseph Beuys, Brigid Berlin (Polk), as well as a Claes Oldenburg sculpture, a rare William Burroughs manuscript, and the Anthology Film Archive Portfolio (1982). Additional artists’ books have been generously donated by the Sol LeWitt Estate. Works include pristine copies of Autobiography (1980), Four Basic Kinds of Straight Lines (1969), Incomplete Open Cubes (1974), and others. Three Star Books have kindly donated a deluxe set of their Maurizio Cattelan book edition. These works can be viewed and purchased at the space. For inquiries about available works please contact Printed Matter’s Associate Director Max Schumann at 212 925 0325 or mschumann@printedmatter.org. Co-chairs Ethan Wagner & Thea Westreich Wagner and Phil Aarons & Shelley Fox Aarons have guided the event, and Thea Westreich Art Advisory Services has generously lent its expertise and assisted in the production of the auction. In anticipation of the event Printed Matter Executive Director James Jenkin said: “Not only are we hopeful that this event will help us to put Sandy firmly behind us, it is incredibly special for us. To have so many artists and friends associated with our organization over its 36 years come forward and support us in this effort has been truly humbling.“ Auction includes work by: Michele Abeles, Ricci Albenda, Carl Andre, Cory Arcangel, Assume Vivid Astro Focus, Tauba Auerbach, Trisha Baga, John Baldessari, Sebastian Black, Mark Borthwick, Carol Bove, Kerstin Brätsch, Sascha Braunig, Olaf Breuning, Cecily Brown, Sophie Calle, Robin Cameron, Sean Joseph Patrick Carney, Nathan Carter, Paul Chan, Dan Colen, David Kennedy Cutler, Liz Deschenes, Mark Dion, Shannon Ebner, Edie Fake, Matias Faldbakken, Dan Graham, Robert Greene, Hans Haacke, Marc Handelman, Rachel Harrison, Jesse Hlebo, Carsten Höller, David Horvitz, Marc Hundley, Alfredo Jaar, Chris Johanson, Terence Koh, Joseph Kosuth, Louise Lawler, Pierre Le Hors, Leigh Ledare, Zoe Leonard, Sam Lewitt, Klara Liden, Peter Liversidge, Charles Long, Mary Lum, Noah Lyon, McDermott & McGough, Adam McEwen, Ryan McNamara, Christian Marclay, Ari Marcopoulos, Gordon Matta-Clark, Wes Mills, Jonathan Monk, Rick Myers, Laurel Nakadate, Olaf Nicolai, Adam O'Reilly, Philippe Parreno, Jack Pierson, Richard Prince, RH Quaytman, Eileen Quinlan, Sara Greenberger Rafferty, Ed Ruscha, Tom Sachs, David Sandlin, Paul Mpagi Sepuya, Cindy Sherman, Josh Smith, Keith Smith, Buzz Spector, Frances Stark, Emily Sundblad, Andrew Sutherland, Peter Sutherland, Sarah Sze, Panayiotis Terzis, Cheyney Thompson, Rirkrit Tiravanija, Nicola Tyson, Penelope Umbrico, Fredrik Værslev, Visitor, Danh Vo, Dan Walsh and Ofer Wolberger.

This week: James Jenkins Executive Director of Bad at Sports beloved place to spend our disposable income Printed Matter! Printed Matter is the world''s largest non-profit organization dedicated to the promotion of publications made by artists. Founded as a for-profit alternative arts space in 1976 by artists and artworkers, Printed Matter reincorporated in 1978 to become the independent non-profit organization that it is today. Originally situated in Tribeca, Printed Matter moved to SoHo in 1989 where for twelve years the book displays and artists’ projects in the large storefront windows contributed to the artistic and intellectual vibrancy of the neighborhood. In 2001 Printed Matter relocated to Chelsea, where it continued to foreground the book as an alternative venue - or artistic medium - for artists’ projects and ideas. Finally, in December of 2005 Printed Matter moved into our current storefront location in Chelsea with big windows and greatly increased display and exhibition space. Recognized for years as an essential voice in the increasingly diversified art world conversations and debates, Printed Matter is dedicated to the examination and interrogation of the changing role of artists’ publications in the landscape of contemporary art. Printed Matter''s mission is to foster the appreciation, dissemination, and understanding of artists' publications, which we define as books or other editioned publications conceived by artists as art works, or, more succinctly, as "artwork for the page." Printed Matter specializes in publications produced in large, inexpensive editions and therefore does not deal in "book arts" or "book objects" which are often produced in smaller, more expensive editions due to the craft and labor involved in their fabrication. To promote public awareness of and access to artists’ books, Printed Matter maintains a public reading room where over 15,000 titles by 6,000 international artists are available for viewing and purchase. In addition to being a wholesale and retail distribution hub for artists’ books, Printed Matter offers a free consulting service to libraries, art institutions, and art professionals involved with artists’ books throughout the world. Printed Matter presents a range of educational programs for the public from talks to student groups by staff members to in-store lectures and readings by artists, critics, and curators. These educational initiatives are complemented by our internationally recognized exhibitions program and publishing program.

This week: AA Bronson! Artist, curator, General Idea founder, former President of Printed Matter, magazine publisher. And more!

This week: Duncan and Abigail talk to Sam Gould. Sam Gould is co-founder of Red76, a collaborative art practice which originated in Portland, Oregon in 2000. Along with his work as the instigator and core-facilitator of many of the groups initiatives, Gould is the acting editor of its publication, the Journal of Radical Shimming. He full-time visiting faculty within the Text and Image Arts Department of the School of the Museum of Fine Arts Boston, as well the Director of Education for the Institute of Contemporary Art at the Maine College of Art in Portland, ME. Formerly Gould was a senior lecturer at the California College of the Arts in San Francisco, Ca. within the Graduate Fine Arts Dept. for Social Practice. He is a frequent guest lecturer at schools and spaces around the United States and abroad, and has activated projects and lectures on street corners, in laundromats, bars, and kitchen tables, as well as through collaborations with museums and institutions such as SF MoMA; the Walker Arts Center; the Drawing Center; the Bureau for Open Culture; Institute for Art, Religion, and Social Justice at Union Theological Seminary; ArtSpeak; Printed Matter; the Cooper Union; the New Museum/Rhizome; Manifesta8; and many other institutions and spaces worldwide. He was one of nine nominees for the de Menil Collection's 2006 Walter Hopps Award for Curatorial Achievement, is a founding "keyholder" of MessHall in Chicago, IL., and was the 2008 Bridge Resident at the Headlands Center for the Arts.