Podcast appearances and mentions of Richard A Whiting

This is Five and Nine, a podcast and newsletter at the crossroads of magic, work and economic justice. We're in the midst of Season 5, on the theme of Generation, but we wanted to take a brief look back at Season 2 with a “retro” episode originally published September 2022.SummaryHow can everyday magic helps us navigate change?Five and Nine talks with artist, designer, and witch Helen Shewolfe Tseng. They share their work on growth spells, drawings made over an extended period of time for personal healing and transformation, and their Coyote Portals series, inspired by the fission-fusion adaptations and mythos of these often misunderstood animals. We also talk about what we learned in nature during lockdown and how to find grounding in uncertain times, from petting our plants to working with free ballpoint pens.Season 2 is about transitions. As fall sets in in the northern hemisphere and spring int he south, Five and Nine looks at change in all its forms — leaving jobs, changing industries, starting new paths, and the wisdom that tarot and magic have to offer in a world that seems to be ever in flux.ResourcesFrom Our Guest* Helen Shewolfe Tseng* Growth Spells* Coyote Portals (prints available here!)* The Man Who Could Move Clouds, by Ingrid Rojas ContrerasMusic* Episode: Bow Wow Blues, performed by the Original Dixieland Jazz Band, 1921.* Outro: Ain't we got fun, composed by Richard A. Whiting and performed by the Benson Orchestra of Chicago, 1921. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit fiveandnine.substack.com/subscribe

In which it was all on Danann.   A Call of Cthulhu Scenario by Matthew Sanderson, from 'Nameless Horrors', by Scott Dorward, Paul Fricker, and Matthew Sanderson. Episodes released weekly.   Scene 1: Isle of the Dead, Arnold Böcklin Scene 2: Andromeda Chained to a Rock, Rescued by Perseus, Gustave Moreau Scene 3: La Raison Probante, Félix Vallotton   Cast: Clovis Hérbert – Danann McAleer Donatien Benoit – Dominic Allen Jane Harnsworth-Wright – Joseph Chance Edwina Alexander – Jessica Temple Keeper of Arcane Lore ­– Dan Wheeler Additional Voices: Suzanne Ahmet Dominic Gerrard   CW: This podcast contains mature themes, strong language and cosmic horror. Human discretion is advised.   The Apocalypse Players LIVE! @ The Loco Klub, Bristol Fri 18th October 2024, 7pm, Tickets: https://hdfst.uk/e114966 Sat 19th October 2024, 7pm, Tickets: https://hdfst.uk/e114704 APOCTOBERFEST one-day convention @ Wiper & True Taproom Sun 20th October 10am–7pm, Book: https://hdfst.uk/e114952   The Apocalypse Players is an actual play (or live play) TTRPG podcast focused on horror tabletop roleplaying games. Think Dimension 20 or Critical Role, but fewer dragons, more eldritch horrors, and more British actors taking their roleplaying very seriously (most of the time). We primarily play the Chaosium RPG Call of Cthulhu, but have also been known to dabble with other systems, most of which can be found on our Patreon: www.patreon.com/apocalypseplayers We now have a free Discord server where you can come and worship at the altar of the Apocalypse, play Call of Cthulhu online, and meet like-minded cultists who will be only too eager to welcome you into the fold. New sacrifices oops we mean players are always welcome. Join here: discord.com/invite/kRQ62t6SjH For more information and to get in touch, visit www.apocalypseplayers.com   Special thanks to Julie Abbé for the use of her music in this scenario. Visit www.julieabbe.com to hear more!   Check out our friends, THE GOOD FRIENDS OF JACKSON ELIAS at https://blasphemoustomes.com and for the Keepers among you, why not treat yourself to the brand new edition of NAMELESS HORRORS?   The Apocalypse Players are: Dominic Allen @DomJAllen Joseph Chance @JosephChance2 Danann McAleer @DanannMcAleer Dan Wheeler @DanWheelerUK   Music from Incompetech "Lost Frontier" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/  https://incompetech.com/music/royalty-free/music.html   "Come Play with Me" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/   Music from Epidemic Sound The main intro/recap theme is: Control Bridge by Etienne Roussel A Bad Place to Be - Bonn Fields Antimony – Ethan Sloan Blues Manouche - Vendla Children's Corner, L. 113_ I_ Doctor Gradus Ad Parnassum - Traditional Creepy Thoughts - Phoenix Tail Desigh Ney - Ajwaa Désordonné – Magnus Ludvigsson Falling Slowly - Anna Landstrom Fluxure - Ethan Sloan For Jelena - Vendla For Motivation (Instrumental Version) - CLNGR Gymnopedie No. 1 (Version 2) - Traditional It's Just a Dream - Lars Meyer Jordskred - Anna Dager & Hanna Ekström Le Petit Danseur - Rune Dale Let Me Introduce Myself - Rune Dale Lickety Split - Moins Le Quartet Medusa – Jo Wandrini Memories of Paris – Trabant 33 Mist – Jon Algar Northern Road - Lars Meyer Painted Memories - Franz Gordon Paris in Spring - Trabant 33 Peer Gynt, Op. 23_ Morning Mood Version 2 - Traditional Place Des Vosges – Trabant 33 Rivers Run Red - Christoffer Moe Ditlevsen Slippery Leaves - Franz Gordon Suite Bergamasque, L. 75_ III_ Clair De Lune - Traditional Suite Bergamasque, L. 75_ III_ Clair De Lune (Intro) - Traditional Sunday at the Museum - Franz Gordon Suspension - Anna Dager & Hanna Ekström The Elephant (Version 1) - Traditional The Farewell - Franz Gordon The French Library - Franz Gordon The Parisian Barber - Trabant 33 The Surface - Anna Dager & Hanna Ekström Two Three on E - Franz Gordon   From Pond 5 Valse Manouche Maurice Ravel: Classical piano Les Frites Montmartre Memories Valse du Clochard Reve de Paris Satie: Gnossiennes No 1   Wikicommons: THE JAPANESE SANDMAN (Words by Raymond B. Egan / Music by Richard A. Whiting, 1920) (public domain)   Xeno-Canto European Robin: Fernand DEROUSSEN, XC138375. Accessible at www.xeno-canto.org/138375. Creative Commons Attribution-NonCommercial-NoDerivs 3.0   Nightingale Tristan Guillebot de Nerville, XC678934. Accessible at www.xeno-canto.org/678934. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Night ambience (crickets) Stanislas Wroza, XC827364. Accessible at www.xeno-canto.org/827364. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Blackbird Manuel Grosselet, XC857699. Accessible at www.xeno-canto.org/857699. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Additional sound from Epidemic Sound and Zapsplat.com

In which Clovis Herbert is taken into police custody in Paris...where there is another unexpected reunion. Meanwhile, in Thoiry, our intrepid investigators experience revelations and suffer frenzies. The end is very nigh... A Call of Cthulhu Scenario by Matthew Sanderson, from 'Nameless Horrors', by Scott Dorward, Paul Fricker, and Matthew Sanderson. Episodes released weekly.   Scene 1: Day of the God, Paul Gaugin Scene 2: Vision, Edvard Munch Scene 3: Fallen Caryatid, Rodin   Cast: Clovis Hérbert – Danann McAleer Donatien Benoit – Dominic Allen Jane Harnsworth-Wright – Joseph Chance Edwina Alexander – Jessica Temple Keeper of Arcane Lore ­– Dan Wheeler Additional Voices: Suzanne Ahmet Dominic Gerrard   CW: This podcast contains mature themes, strong language and cosmic horror. Human discretion is advised.   The Apocalypse Players LIVE! @ The Loco Klub, Bristol Fri 18th October 2024, 7pm, Tickets: https://hdfst.uk/e114966 Sat 19th October 2024, 7pm, Tickets: https://hdfst.uk/e114704 APOCTOBERFEST one-day convention @ Wiper & True Taproom Sun 20th October 10am–7pm, Book: https://hdfst.uk/e114952   The Apocalypse Players is an actual play (or live play) TTRPG podcast focused on horror tabletop roleplaying games. Think Dimension 20 or Critical Role, but fewer dragons, more eldritch horrors, and more British actors taking their roleplaying very seriously (most of the time). We primarily play the Chaosium RPG Call of Cthulhu, but have also been known to dabble with other systems, most of which can be found on our Patreon: www.patreon.com/apocalypseplayers We now have a free Discord server where you can come and worship at the altar of the Apocalypse, play Call of Cthulhu online, and meet like-minded cultists who will be only too eager to welcome you into the fold. New sacrifices oops we mean players are always welcome. Join here: discord.com/invite/kRQ62t6SjH For more information and to get in touch, visit www.apocalypseplayers.com   Special thanks to Julie Abbé for the use of her music in this scenario. Visit www.julieabbe.com to hear more!   Check out our friends, THE GOOD FRIENDS OF JACKSON ELIAS at https://blasphemoustomes.com and for the Keepers among you, why not treat yourself to the brand new edition of NAMELESS HORRORS?   The Apocalypse Players are: Dominic Allen @DomJAllen Joseph Chance @JosephChance2 Danann McAleer @DanannMcAleer Dan Wheeler @DanWheelerUK   Music from Incompetech "Lost Frontier" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/  https://incompetech.com/music/royalty-free/music.html   "Come Play with Me" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/   Music from Epidemic Sound The main intro/recap theme is: Control Bridge by Etienne Roussel A Bad Place to Be - Bonn Fields Antimony – Ethan Sloan Blues Manouche - Vendla Children's Corner, L. 113_ I_ Doctor Gradus Ad Parnassum - Traditional Creepy Thoughts - Phoenix Tail Desigh Ney - Ajwaa Désordonné – Magnus Ludvigsson Falling Slowly - Anna Landstrom Fluxure - Ethan Sloan For Jelena - Vendla For Motivation (Instrumental Version) - CLNGR Gymnopedie No. 1 (Version 2) - Traditional It's Just a Dream - Lars Meyer Jordskred - Anna Dager & Hanna Ekström Le Petit Danseur - Rune Dale Let Me Introduce Myself - Rune Dale Lickety Split - Moins Le Quartet Medusa – Jo Wandrini Memories of Paris – Trabant 33 Mist – Jon Algar Northern Road - Lars Meyer Painted Memories - Franz Gordon Paris in Spring - Trabant 33 Peer Gynt, Op. 23_ Morning Mood Version 2 - Traditional Place Des Vosges – Trabant 33 Rivers Run Red - Christoffer Moe Ditlevsen Slippery Leaves - Franz Gordon Suite Bergamasque, L. 75_ III_ Clair De Lune - Traditional Suite Bergamasque, L. 75_ III_ Clair De Lune (Intro) - Traditional Sunday at the Museum - Franz Gordon Suspension - Anna Dager & Hanna Ekström The Elephant (Version 1) - Traditional The Farewell - Franz Gordon The French Library - Franz Gordon The Parisian Barber - Trabant 33 The Surface - Anna Dager & Hanna Ekström Two Three on E - Franz Gordon   From Pond 5 Valse Manouche Maurice Ravel: Classical piano Les Frites Montmartre Memories Valse du Clochard Reve de Paris Satie: Gnossiennes No 1   Wikicommons: THE JAPANESE SANDMAN (Words by Raymond B. Egan / Music by Richard A. Whiting, 1920) (public domain)   Xeno-Canto European Robin: Fernand DEROUSSEN, XC138375. Accessible at www.xeno-canto.org/138375. Creative Commons Attribution-NonCommercial-NoDerivs 3.0   Nightingale Tristan Guillebot de Nerville, XC678934. Accessible at www.xeno-canto.org/678934. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Night ambience (crickets) Stanislas Wroza, XC827364. Accessible at www.xeno-canto.org/827364. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Blackbird Manuel Grosselet, XC857699. Accessible at www.xeno-canto.org/857699. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Additional sound from Epidemic Sound and Zapsplat.com

In which the investigators arrive at Thoiry, and a long time is spent looking through windows. Benoit and Edwina become animated by the animated, while Jane is petrified by the petrified.    A Call of Cthulhu Scenario by Matthew Sanderson, from 'Nameless Horrors', by Scott Dorward, Paul Fricker, and Matthew Sanderson. Episodes released weekly.   Scene 1: The Revelation, Gaston Bussière Scene 2: The Minotaur, George Frederick Watts Scene 3: Frenzy of Exultations, Władysław Podkowiński   Cast: Clovis Hérbert – Danann McAleer Donatien Benoit – Dominic Allen Jane Harnsworth-Wright – Joseph Chance Edwina Alexander – Jessica Temple Keeper of Arcane Lore ­– Dan Wheeler Additional Voices: Suzanne Ahmet Dominic Gerrard   CW: This podcast contains mature themes, strong language and cosmic horror. Human discretion is advised.   The Apocalypse Players LIVE! @ The Loco Klub, Bristol Fri 18th October 2024, 7pm, Tickets: https://hdfst.uk/e114966 Sat 19th October 2024, 7pm, Tickets: https://hdfst.uk/e114704 APOCTOBERFEST one-day convention @ Wiper & True Taproom Sun 20th October 10am–7pm, Book: https://hdfst.uk/e114952   The Apocalypse Players is an actual play (or live play) TTRPG podcast focused on horror tabletop roleplaying games. Think Dimension 20 or Critical Role, but fewer dragons, more eldritch horrors, and more British actors taking their roleplaying very seriously (most of the time). We primarily play the Chaosium RPG Call of Cthulhu, but have also been known to dabble with other systems, most of which can be found on our Patreon: www.patreon.com/apocalypseplayers We now have a free Discord server where you can come and worship at the altar of the Apocalypse, play Call of Cthulhu online, and meet like-minded cultists who will be only too eager to welcome you into the fold. New sacrifices oops we mean players are always welcome. Join here: discord.com/invite/kRQ62t6SjH For more information and to get in touch, visit www.apocalypseplayers.com   Special thanks to Julie Abbé for the use of her music in this scenario. Visit www.julieabbe.com to hear more!   Check out our friends, THE GOOD FRIENDS OF JACKSON ELIAS at https://blasphemoustomes.com and for the Keepers among you, why not treat yourself to the brand new edition of NAMELESS HORRORS?   The Apocalypse Players are: Dominic Allen @DomJAllen Joseph Chance @JosephChance2 Danann McAleer @DanannMcAleer Dan Wheeler @DanWheelerUK   Music from Incompetech "Lost Frontier" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/  https://incompetech.com/music/royalty-free/music.html   "Come Play with Me" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/   Music from Epidemic Sound The main intro/recap theme is: Control Bridge by Etienne Roussel A Bad Place to Be - Bonn Fields Antimony – Ethan Sloan Blues Manouche - Vendla Children's Corner, L. 113_ I_ Doctor Gradus Ad Parnassum - Traditional Creepy Thoughts - Phoenix Tail Desigh Ney - Ajwaa Désordonné – Magnus Ludvigsson Falling Slowly - Anna Landstrom Fluxure - Ethan Sloan For Jelena - Vendla For Motivation (Instrumental Version) - CLNGR Gymnopedie No. 1 (Version 2) - Traditional It's Just a Dream - Lars Meyer Jordskred - Anna Dager & Hanna Ekström Le Petit Danseur - Rune Dale Let Me Introduce Myself - Rune Dale Lickety Split - Moins Le Quartet Medusa – Jo Wandrini Memories of Paris – Trabant 33 Mist – Jon Algar Northern Road - Lars Meyer Painted Memories - Franz Gordon Paris in Spring - Trabant 33 Peer Gynt, Op. 23_ Morning Mood Version 2 - Traditional Place Des Vosges – Trabant 33 Rivers Run Red - Christoffer Moe Ditlevsen Slippery Leaves - Franz Gordon Suite Bergamasque, L. 75_ III_ Clair De Lune - Traditional Suite Bergamasque, L. 75_ III_ Clair De Lune (Intro) - Traditional Sunday at the Museum - Franz Gordon Suspension - Anna Dager & Hanna Ekström The Elephant (Version 1) - Traditional The Farewell - Franz Gordon The French Library - Franz Gordon The Parisian Barber - Trabant 33 The Surface - Anna Dager & Hanna Ekström Two Three on E - Franz Gordon   From Pond 5 Valse Manouche Maurice Ravel: Classical piano Les Frites Montmartre Memories Valse du Clochard Reve de Paris Satie: Gnossiennes No 1   Wikicommons: THE JAPANESE SANDMAN (Words by Raymond B. Egan / Music by Richard A. Whiting, 1920) (public domain)   Xeno-Canto European Robin: Fernand DEROUSSEN, XC138375. Accessible at www.xeno-canto.org/138375. Creative Commons Attribution-NonCommercial-NoDerivs 3.0   Nightingale Tristan Guillebot de Nerville, XC678934. Accessible at www.xeno-canto.org/678934. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Night ambience (crickets) Stanislas Wroza, XC827364. Accessible at www.xeno-canto.org/827364. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Blackbird Manuel Grosselet, XC857699. Accessible at www.xeno-canto.org/857699. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Additional sound from Epidemic Sound and Zapsplat.com

...or 'Clovis Herbert's Guide to Paris.' In which our gaze returns to the enigmatic Clovis Herbert, as he takes us on a whistle-stop tour of the French capital while trying to deal with the aftermath of the previous night's horrors...   A Call of Cthulhu Scenario by Matthew Sanderson, from 'Nameless Horrors', by Scott Dorward, Paul Fricker, and Matthew Sanderson. Episodes released weekly.   Scene 1: The Travelling Poet, Gustave Moreau Scene 2: Anxiety, Edvard Munch   Cast: Clovis Herbert – Danann McAleer Donatien Benoit – Dominic Allen Jane Harnsworth-Wright – Joseph Chance Edwina Alexander – Jessica Temple Keeper of Arcane Lore ­– Dan Wheeler Additional Voices: Suzanne Ahmet Dominic Gerrard   CW: This podcast contains mature themes, strong language and cosmic horror. Human discretion is advised.   The Apocalypse Players LIVE! @ The Loco Klub, Bristol Fri 18th October 2024, 7pm, Tickets: https://hdfst.uk/e114966 Sat 19th October 2024, 7pm, Tickets: https://hdfst.uk/e114704 APOCTOBERFEST one-day convention @ Wiper & True Taproom Sun 20th October 10am–7pm, Book: https://hdfst.uk/e114952   The Apocalypse Players is an actual play (or live play) TTRPG podcast focused on horror tabletop roleplaying games. Think Dimension 20 or Critical Role, but fewer dragons, more eldritch horrors, and more British actors taking their roleplaying very seriously (most of the time). We primarily play the Chaosium RPG Call of Cthulhu, but have also been known to dabble with other systems, most of which can be found on our Patreon: www.patreon.com/apocalypseplayers We now have a free Discord server where you can come and worship at the altar of the Apocalypse, play Call of Cthulhu online, and meet like-minded cultists who will be only too eager to welcome you into the fold. New sacrifices oops we mean players are always welcome. Join here: discord.com/invite/kRQ62t6SjH For more information and to get in touch, visit www.apocalypseplayers.com   Special thanks to Julie Abbe for the use of her music in this scenario. Visit www.julieabbe.com to hear more!   Check out our friends, THE GOOD FRIENDS OF JACKSON ELIAS at https://blasphemoustomes.com and for the Keepers among you, why not treat yourself to the brand new edition of NAMELESS HORRORS?   The Apocalypse Players are: Dominic Allen @DomJAllen Joseph Chance @JosephChance2 Danann McAleer @DanannMcAleer Dan Wheeler @DanWheelerUK   Music from Incompetech "Lost Frontier" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/  https://incompetech.com/music/royalty-free/music.html   Music from Epidemic Sound The main intro/recap theme is: Control Bridge by Etienne Roussel A Bad Place to Be - Bonn Fields Blues Manouche - Vendla Children's Corner, L. 113_ I_ Doctor Gradus Ad Parnassum - Traditional Creepy Thoughts - Phoenix Tail Desigh Ney - Ajwaa Désordonné – Magnus Ludvigsson Falling Slowly - Anna Landstrom Fluxure - Ethan Sloan For Jelena - Vendla For Motivation (Instrumental Version) - CLNGR Gymnopedie No. 1 (Version 2) - Traditional It's Just a Dream - Lars Meyer Jordskred - Anna Dager & Hanna Ekström Le Petit Danseur - Rune Dale Let Me Introduce Myself - Rune Dale Lickety Split - Moins Le Quartet Medusa – Jo Wandrini Memories of Paris – Trabant 33 Northern Road - Lars Meyer Painted Memories - Franz Gordon Paris in Spring - Trabant 33 Peer Gynt, Op. 23_ Morning Mood Version 2 - Traditional Place Des Vosges – Trabant 33 Rivers Run Red - Christoffer Moe Ditlevsen Slippery Leaves - Franz Gordon Suite Bergamasque, L. 75_ III_ Clair De Lune - Traditional Suite Bergamasque, L. 75_ III_ Clair De Lune (Intro) - Traditional Sunday at the Museum - Franz Gordon Suspension - Anna Dager & Hanna Ekström The Elephant (Version 1) - Traditional The Farewell - Franz Gordon The French Library - Franz Gordon The Parisian Barber - Trabant 33 The Surface - Anna Dager & Hanna Ekström Two Three on E - Franz Gordon   From Pond 5 Valse Manouche Maurice Ravel: Classical piano Les Frites Montmartre Memories Valse du Clochard Reve de Paris Satie: Gnossiennes No 1   Wikicommons: THE JAPANESE SANDMAN (Words by Raymond B. Egan / Music by Richard A. Whiting, 1920) (public domain)   Xeno-Canto European Robin: Fernand DEROUSSEN, XC138375. Accessible at www.xeno-canto.org/138375. Creative Commons Attribution-NonCommercial-NoDerivs 3.0   Nightingale Tristan Guillebot de Nerville, XC678934. Accessible at www.xeno-canto.org/678934. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Night ambience (crickets) Stanislas Wroza, XC827364. Accessible at www.xeno-canto.org/827364. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Blackbird Manuel Grosselet, XC857699. Accessible at www.xeno-canto.org/857699. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Additional sound from Epidemic Sound and Zapsplat.com

In which a prince is invoked, a phrase is coined, a secret is revealed, and something terrible is discovered. All in a day's work for “Paris' finest.”   SPECIFIC CONTENT WARNING: This episode contains some imagery related to birth/babies that some listeners may find upsetting (in addition to all the usual stuff).   A Call of Cthulhu Scenario by Matthew Sanderson, from 'Nameless Horrors', by Scott Dorward, Paul Fricker, and Matthew Sanderson. Episodes released weekly.   Scene 1: La Douleur, Carlos Schwabe Scene 2: Where do We Come From? What Are We? Where Are We Going? Paul Gauguin Scene 3: Vase with face, Pierre-Adrien Dalpayrat
   Cast: Clovis Hérbert – Danann McAleer Donatien Benoit – Dominic Allen Jane Harnsworth-Wright – Joseph Chance Edwina Alexander – Jessica Temple Keeper of Arcane Lore ­– Dan Wheeler Additional Voices: Suzanne Ahmet Dominic Gerrard   For more information and to get in touch, visit www.apocalypseplayers.com. Visit our Patreon to help us continue making the podcast, and receive exclusive horrors in return.   Special thanks to Julie Abbé for the use of her music in this scenario. Visit www.julieabbe.com to hear more!   Check out our friends, THE GOOD FRIENDS OF JACKSON ELIAS at https://blasphemoustomes.com and for the Keepers among you, why not treat yourself to the brand new edition of NAMELESS HORRORS?   The Apocalypse Players are: Dominic Allen @DomJAllen Joseph Chance @JosephChance2 Danann McAleer @DanannMcAleer Dan Wheeler @DanWheelerUK   Music from Incompetech "Lost Frontier" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/  https://incompetech.com/music/royalty-free/music.html   Music from Epidemic Sound The main intro/recap theme is: Control Bridge by Etienne Roussel A Bad Place to Be - Bonn Fields Blues Manouche - Vendla Children's Corner, L. 113_ I_ Doctor Gradus Ad Parnassum - Traditional Creepy Thoughts - Phoenix Tail Desigh Ney - Ajwaa Désordonné – Magnus Ludvigsson Falling Slowly - Anna Landstrom Fluxure - Ethan Sloan For Jelena - Vendla For Motivation (Instrumental Version) - CLNGR Gymnopedie No. 1 (Version 2) - Traditional It's Just a Dream - Lars Meyer Jordskred - Anna Dager & Hanna Ekström Le Petit Danseur - Rune Dale Let Me Introduce Myself - Rune Dale Lickety Split - Moins Le Quartet Medusa – Jo Wandrini Memories of Paris – Trabant 33 Northern Road - Lars Meyer Painted Memories - Franz Gordon Paris in Spring - Trabant 33 Peer Gynt, Op. 23_ Morning Mood Version 2 - Traditional Place Des Vosges – Trabant 33 Rivers Run Red - Christoffer Moe Ditlevsen Slippery Leaves - Franz Gordon Suite Bergamasque, L. 75_ III_ Clair De Lune - Traditional Suite Bergamasque, L. 75_ III_ Clair De Lune (Intro) - Traditional Sunday at the Museum - Franz Gordon Suspension - Anna Dager & Hanna Ekström The Elephant (Version 1) - Traditional The Farewell - Franz Gordon The French Library - Franz Gordon The Parisian Barber - Trabant 33 The Surface - Anna Dager & Hanna Ekström Two Three on E - Franz Gordon   From Pond 5 Valse Manouche Maurice Ravel: Classical piano Les Frites Montmartre Memories Valse du Clochard Reve de Paris Satie: Gnossiennes No 1   Wikicommons: THE JAPANESE SANDMAN (Words by Raymond B. Egan / Music by Richard A. Whiting, 1920) (public domain)   Xeno-Canto European Robin: Fernand DEROUSSEN, XC138375. Accessible at www.xeno-canto.org/138375. Creative Commons Attribution-NonCommercial-NoDerivs 3.0   Nightingale Tristan Guillebot de Nerville, XC678934. Accessible at www.xeno-canto.org/678934. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Night ambience (crickets) Stanislas Wroza, XC827364. Accessible at www.xeno-canto.org/827364. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Blackbird Manuel Grosselet, XC857699. Accessible at www.xeno-canto.org/857699. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Additional sound from Epidemic Sound and Zapsplat.com

In which the investigators split up to find some answers and to scratch that creative itch. A masterpiece is created.   A Call of Cthulhu Scenario by Matthew Sanderson, from 'Nameless Horrors', by Scott Dorward, Paul Fricker, and Matthew Sanderson. Episodes released weekly.   Scene 1: La Châtelaine ou Le Tocsin, Toulouse-Lautrec Scene 2: Contemplation, Jan Toorop Scene 3: The Origin of the World, Courbet   Cast: Clovis Hérbert – Danann McAleer Donatien Benoit – Dominic Allen Jane Harnsworth-Wright – Joseph Chance Edwina Alexander – Jessica Temple Keeper of Arcane Lore ­– Dan Wheeler Additional Voices: Suzanne Ahmet Dominic Gerrard   CW: This podcast contains mature themes, strong language and cosmic horror. Human discretion is advised.   The Apocalypse Players LIVE! Saturday 19th October 2024, 7pm, The Loco Klub, Bristol Tickets: https://hdfst.uk/e114704   For more information and to get in touch, visit www.apocalypseplayers.com. Visit our Patreon to help us continue making the podcast, and receive exclusive horrors in return.   Special thanks to Julie Abbé for the use of her music in this scenario. Visit www.julieabbe.com to hear more!   Check out our friends, THE GOOD FRIENDS OF JACKSON ELIAS at https://blasphemoustomes.com and for the Keepers among you, why not treat yourself to the brand new edition of NAMELESS HORRORS?   The Apocalypse Players are: Dominic Allen @DomJAllen Joseph Chance @JosephChance2 Danann McAleer @DanannMcAleer Dan Wheeler @DanWheelerUK   Music from Incompetech "Lost Frontier" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/  https://incompetech.com/music/royalty-free/music.html   Music from Epidemic Sound The main intro/recap theme is: Control Bridge by Etienne Roussel A Bad Place to Be - Bonn Fields Blues Manouche - Vendla Children's Corner, L. 113_ I_ Doctor Gradus Ad Parnassum - Traditional Creepy Thoughts - Phoenix Tail Desigh Ney - Ajwaa Désordonné – Magnus Ludvigsson Falling Slowly - Anna Landstrom Fluxure - Ethan Sloan For Jelena - Vendla For Motivation (Instrumental Version) - CLNGR Gymnopedie No. 1 (Version 2) - Traditional It's Just a Dream - Lars Meyer Jordskred - Anna Dager & Hanna Ekström Le Petit Danseur - Rune Dale Let Me Introduce Myself - Rune Dale Lickety Split - Moins Le Quartet Medusa – Jo Wandrini Memories of Paris – Trabant 33 Northern Road - Lars Meyer Painted Memories - Franz Gordon Paris in Spring - Trabant 33 Peer Gynt, Op. 23_ Morning Mood Version 2 - Traditional Place Des Vosges – Trabant 33 Rivers Run Red - Christoffer Moe Ditlevsen Slippery Leaves - Franz Gordon Suite Bergamasque, L. 75_ III_ Clair De Lune - Traditional Suite Bergamasque, L. 75_ III_ Clair De Lune (Intro) - Traditional Sunday at the Museum - Franz Gordon Suspension - Anna Dager & Hanna Ekström The Elephant (Version 1) - Traditional The Farewell - Franz Gordon The French Library - Franz Gordon The Parisian Barber - Trabant 33 The Surface - Anna Dager & Hanna Ekström Two Three on E - Franz Gordon   From Pond 5 Valse Manouche Maurice Ravel: Classical piano Les Frites Montmartre Memories Valse du Clochard Reve de Paris Satie: Gnossiennes No 1   Wikicommons: THE JAPANESE SANDMAN (Words by Raymond B. Egan / Music by Richard A. Whiting, 1920) (public domain)   Xeno-Canto European Robin: Fernand DEROUSSEN, XC138375. Accessible at www.xeno-canto.org/138375. Creative Commons Attribution-NonCommercial-NoDerivs 3.0   Nightingale Tristan Guillebot de Nerville, XC678934. Accessible at www.xeno-canto.org/678934. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Night ambience (crickets) Stanislas Wroza, XC827364. Accessible at www.xeno-canto.org/827364. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Blackbird Manuel Grosselet, XC857699. Accessible at www.xeno-canto.org/857699. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Additional sound from Epidemic Sound and Zapsplat.com

In which more conspiratorial words are whispered and a chief suspect is collared. The investigators end the evening back where they began; there, cards are laid on the table, and terrible decisions are made based on an impossible non-euclidean venn diagram of character motivations and player availabilities. (Stick with it guys, I promise it'll be worth it...)   A Call of Cthulhu Scenario by Matthew Sanderson, from 'Nameless Horrors', by Scott Dorward, Paul Fricker, and Matthew Sanderson. Episodes released weekly.   Scene 1: The Night Cafe, Van Gogh Scene 2: Monument to Balzac, Rodin   Cast: Clovis Hérbert – Danann McAleer Donatien Benoit – Dominic Allen Jane Harnsworth-Wright – Joseph Chance Edwina Alexander – Jessica Temple Keeper of Arcane Lore ­– Dan Wheeler Additional Voices: Suzanne Ahmet Dominic Gerrard   CW: This podcast contains mature themes, strong language and cosmic horror. Human discretion is advised.   The Apocalypse Players LIVE! Saturday 19th October 2024, 7pm, The Loco Klub, Bristol Tickets: https://hdfst.uk/e114704   For more information and to get in touch, visit www.apocalypseplayers.com. Visit our Patreon to help us continue making the podcast, and receive exclusive horrors in return.   Special thanks to Julie Abbé for the use of her music in this scenario. Visit www.julieabbe.com to hear more!   Check out our friends, THE GOOD FRIENDS OF JACKSON ELIAS at https://blasphemoustomes.com and for the Keepers among you, why not treat yourself to the brand new edition of NAMELESS HORRORS?   The Apocalypse Players are: Dominic Allen @DomJAllen Joseph Chance @JosephChance2 Danann McAleer @DanannMcAleer Dan Wheeler @DanWheelerUK   Music from Incompetech "Lost Frontier" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/  https://incompetech.com/music/royalty-free/music.html   Music from Epidemic Sound The main intro/recap theme is: Control Bridge by Etienne Roussel A Bad Place to Be - Bonn Fields Blues Manouche - Vendla Children's Corner, L. 113_ I_ Doctor Gradus Ad Parnassum - Traditional Creepy Thoughts - Phoenix Tail Desigh Ney - Ajwaa Désordonné – Magnus Ludvigsson Falling Slowly - Anna Landstrom Fluxure - Ethan Sloan For Jelena - Vendla For Motivation (Instrumental Version) - CLNGR Gymnopedie No. 1 (Version 2) - Traditional It's Just a Dream - Lars Meyer Jordskred - Anna Dager & Hanna Ekström Le Petit Danseur - Rune Dale Let Me Introduce Myself - Rune Dale Lickety Split - Moins Le Quartet Medusa – Jo Wandrini Memories of Paris – Trabant 33 Northern Road - Lars Meyer Painted Memories - Franz Gordon Paris in Spring - Trabant 33 Peer Gynt, Op. 23_ Morning Mood Version 2 - Traditional Place Des Vosges – Trabant 33 Rivers Run Red - Christoffer Moe Ditlevsen Slippery Leaves - Franz Gordon Suite Bergamasque, L. 75_ III_ Clair De Lune - Traditional Suite Bergamasque, L. 75_ III_ Clair De Lune (Intro) - Traditional Sunday at the Museum - Franz Gordon Suspension - Anna Dager & Hanna Ekström The Elephant (Version 1) - Traditional The Farewell - Franz Gordon The French Library - Franz Gordon The Parisian Barber - Trabant 33 The Surface - Anna Dager & Hanna Ekström Two Three on E - Franz Gordon   From Pond 5 Valse Manouche Maurice Ravel: Classical piano Les Frites Montmartre Memories Valse du Clochard Reve de Paris Satie: Gnossiennes No 1   Wikicommons: THE JAPANESE SANDMAN (Words by Raymond B. Egan / Music by Richard A. Whiting, 1920) (public domain)   Xeno-Canto European Robin: Fernand DEROUSSEN, XC138375. Accessible at www.xeno-canto.org/138375. Creative Commons Attribution-NonCommercial-NoDerivs 3.0   Nightingale Tristan Guillebot de Nerville, XC678934. Accessible at www.xeno-canto.org/678934. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Night ambience (crickets) Stanislas Wroza, XC827364. Accessible at www.xeno-canto.org/827364. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Blackbird Manuel Grosselet, XC857699. Accessible at www.xeno-canto.org/857699. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Additional sound from Epidemic Sound and Zapsplat.com

In which the party is reunited briefly, before those pesky gendarmes turn up and separate them again—and also force the players to remember what happened over the previous two sessions. Perhaps think of it as a mid-scenario recap? We certainly used it as such…   A Call of Cthulhu Scenario by Matthew Sanderson, from 'Nameless Horrors', by Scott Dorward, Paul Fricker, and Matthew Sanderson. Episodes released weekly.   Scene 1: Cup of delight, Jeanne Jacquemin Scene 2: Seated Woman in a Dark Room, Édouard Vuillard
   Cast: Clovis Hérbert – Danann McAleer Donatien Benoit – Dominic Allen Jane Harnsworth-Wright – Joseph Chance Edwina Alexander – Jessica Temple Keeper of Arcane Lore ­– Dan Wheeler Additional Voices: Suzanne Ahmet Dominic Gerrard   CW: This podcast contains mature themes, strong language and cosmic horror. Human discretion is advised.   For more information and to get in touch, visit www.apocalypseplayers.com. Visit our Patreon to help us continue making the podcast, and receive exclusive horrors in return.   Special thanks to Julie Abbé for the use of her music in this scenario. Visit www.julieabbe.com to hear more!   Check out our friends, THE GOOD FRIENDS OF JACKSON ELIAS at https://blasphemoustomes.com and for the Keepers among you, why not treat yourself to the brand new edition of NAMELESS HORRORS?   A huge thank you to everyone who voted for us in the CRIT Awards. There's still time for you to support us in the Listener's Choice Award from the British Podcast Awards. Go to britishpodcastawards.com/voting. Make sure to confirm your vote by clicking the link in your email after voting!   The Apocalypse Players are: Dominic Allen @DomJAllen Joseph Chance @JosephChance2 Danann McAleer @DanannMcAleer Dan Wheeler @DanWheelerUK   Music from Incompetech "Lost Frontier" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/  https://incompetech.com/music/royalty-free/music.html   Music from Epidemic Sound The main intro/recap theme is: Control Bridge by Etienne Roussel A Bad Place to Be - Bonn Fields Blues Manouche - Vendla Children's Corner, L. 113_ I_ Doctor Gradus Ad Parnassum - Traditional Creepy Thoughts - Phoenix Tail Desigh Ney - Ajwaa Désordonné – Magnus Ludvigsson Falling Slowly - Anna Landstrom Fluxure - Ethan Sloan For Jelena - Vendla For Motivation (Instrumental Version) - CLNGR Gymnopedie No. 1 (Version 2) - Traditional It's Just a Dream - Lars Meyer Jordskred - Anna Dager & Hanna Ekström Le Petit Danseur - Rune Dale Let Me Introduce Myself - Rune Dale Lickety Split - Moins Le Quartet Medusa – Jo Wandrini Memories of Paris – Trabant 33 Northern Road - Lars Meyer Painted Memories - Franz Gordon Paris in Spring - Trabant 33 Peer Gynt, Op. 23_ Morning Mood Version 2 - Traditional Place Des Vosges – Trabant 33 Rivers Run Red - Christoffer Moe Ditlevsen Slippery Leaves - Franz Gordon Suite Bergamasque, L. 75_ III_ Clair De Lune - Traditional Suite Bergamasque, L. 75_ III_ Clair De Lune (Intro) - Traditional Sunday at the Museum - Franz Gordon Suspension - Anna Dager & Hanna Ekström The Elephant (Version 1) - Traditional The Farewell - Franz Gordon The French Library - Franz Gordon The Parisian Barber - Trabant 33 The Surface - Anna Dager & Hanna Ekström Two Three on E - Franz Gordon   From Pond 5 Valse Manouche Maurice Ravel: Classical piano Les Frites Montmartre Memories Valse du Clochard Reve de Paris Satie: Gnossiennes No 1   Wikicommons: THE JAPANESE SANDMAN (Words by Raymond B. Egan / Music by Richard A. Whiting, 1920) (public domain)   Xeno-Canto European Robin: Fernand DEROUSSEN, XC138375. Accessible at www.xeno-canto.org/138375. Creative Commons Attribution-NonCommercial-NoDerivs 3.0   Nightingale Tristan Guillebot de Nerville, XC678934. Accessible at www.xeno-canto.org/678934. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Night ambience (crickets) Stanislas Wroza, XC827364. Accessible at www.xeno-canto.org/827364. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Blackbird Manuel Grosselet, XC857699. Accessible at www.xeno-canto.org/857699. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Additional sound from Epidemic Sound and Zapsplat.com

...or, ‘A Belle Époque Around.'   In which the listener discovers what deception and subterfuge Jane and Benoit have been engaging in back at the party, in the meantime.   A Call of Cthulhu Scenario by Matthew Sanderson, from 'Nameless Horrors', by Scott Dorward, Paul Fricker, and Matthew Sanderson. Episodes released weekly.   Scene 1:I lock my door upon myself, Fernand Khnopff Scene 2:The Marsh Flower, A Sad Human Head, Odilon Redon
   Cast: Clovis Hérbert – Danann McAleer Donatien Benoit – Dominic Allen Jane Harnsworth-Wright – Joseph Chance Edwina Alexander – Jessica Temple Keeper of Arcane Lore ­– Dan Wheeler Additional Voices: Suzanne Ahmet Dominic Gerrard   CW: This podcast contains mature themes, strong language and cosmic horror. Human discretion is advised.   For more information and to get in touch, visit www.apocalypseplayers.com. Visit our Patreon to help us continue making the podcast, and receive exclusive horrors in return.   Special thanks to Julie Abbé for the use of her music in this scenario. Visit www.julieabbe.com to hear more!   Check out our friends, THE GOOD FRIENDS OF JACKSON ELIAS at https://blasphemoustomes.com and for the Keepers among you, why not treat yourself to the brand new edition of NAMELESS HORRORS?   A huge thank you to everyone who voted for us in the CRIT Awards. There's still time for you to support us in the Listener's Choice Award from the British Podcast Awards. Go to britishpodcastawards.com/voting. Make sure to confirm your vote by clicking the link in your email after voting!   The Apocalypse Players are: Dominic Allen @DomJAllen Joseph Chance @JosephChance2 Danann McAleer @DanannMcAleer Dan Wheeler @DanWheelerUK   Music from Incompetech "Lost Frontier" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/  https://incompetech.com/music/royalty-free/music.html   Music from Epidemic Sound The main intro/recap theme is: Control Bridge by Etienne Roussel A Bad Place to Be - Bonn Fields Blues Manouche - Vendla Children's Corner, L. 113_ I_ Doctor Gradus Ad Parnassum - Traditional Creepy Thoughts - Phoenix Tail Desigh Ney - Ajwaa Désordonné – Magnus Ludvigsson Falling Slowly - Anna Landstrom Fluxure - Ethan Sloan For Jelena - Vendla For Motivation (Instrumental Version) - CLNGR Gymnopedie No. 1 (Version 2) - Traditional It's Just a Dream - Lars Meyer Jordskred - Anna Dager & Hanna Ekström Le Petit Danseur - Rune Dale Let Me Introduce Myself - Rune Dale Lickety Split - Moins Le Quartet Medusa – Jo Wandrini Memories of Paris – Trabant 33 Northern Road - Lars Meyer Painted Memories - Franz Gordon Paris in Spring - Trabant 33 Peer Gynt, Op. 23_ Morning Mood Version 2 - Traditional Place Des Vosges – Trabant 33 Rivers Run Red - Christoffer Moe Ditlevsen Slippery Leaves - Franz Gordon Suite Bergamasque, L. 75_ III_ Clair De Lune - Traditional Suite Bergamasque, L. 75_ III_ Clair De Lune (Intro) - Traditional Sunday at the Museum - Franz Gordon Suspension - Anna Dager & Hanna Ekström The Elephant (Version 1) - Traditional The Farewell - Franz Gordon The French Library - Franz Gordon The Parisian Barber - Trabant 33 The Surface - Anna Dager & Hanna Ekström Two Three on E - Franz Gordon   From Pond 5 Valse Manouche Maurice Ravel: Classical piano Les Frites Montmartre Memories Valse du Clochard Reve de Paris Satie: Gnossiennes No 1   Wikicommons: THE JAPANESE SANDMAN (Words by Raymond B. Egan / Music by Richard A. Whiting, 1920) (public domain)   Xeno-Canto European Robin: Fernand DEROUSSEN, XC138375. Accessible at www.xeno-canto.org/138375. Creative Commons Attribution-NonCommercial-NoDerivs 3.0   Nightingale Tristan Guillebot de Nerville, XC678934. Accessible at www.xeno-canto.org/678934. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Night ambience (crickets) Stanislas Wroza, XC827364. Accessible at www.xeno-canto.org/827364. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Blackbird Manuel Grosselet, XC857699. Accessible at www.xeno-canto.org/857699. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Additional sound from Epidemic Sound and Zapsplat.com

In which Clovis and Edwina take a moonlit stroll through the streets of Paris to experience that most romantic of events: an occult ritual.   A Call of Cthulhu Scenario by Matthew Sanderson, from 'Nameless Horrors', by Scott Dorward, Paul Fricker, and Matthew Sanderson. Episodes released weekly.   Scene 1: Salon des Cent, Andhré des Gachons Scene 2: Pool of Blood, Degouve de Nuncques   Cast: Clovis Hérbert – Danann McAleer Donatien Benoit – Dominic Allen Jane Harnsworth-Wright – Joseph Chance Edwina Alexander – Jessica Temple Keeper of Arcane Lore ­– Dan Wheeler Additional Voices: Suzanne Ahmet Dominic Gerrard   CW: This podcast contains mature themes, strong language and cosmic horror. Human discretion is advised.   For more information and to get in touch, visit www.apocalypseplayers.com. Visit our Patreon to help us continue making the podcast, and receive exclusive horrors in return.   Special thanks to Julie Abbé for the use of her music in this scenario. Visit www.julieabbe.com to hear more!   Check out our friends, THE GOOD FRIENDS OF JACKSON ELIAS at https://blasphemoustomes.com and for the Keepers among you, why not treat yourself to the brand new edition of NAMELESS HORRORS?   The Apocalypse Players are: Dominic Allen @DomJAllen Joseph Chance @JosephChance2 Danann McAleer @DanannMcAleer Dan Wheeler @DanWheelerUK   Music from Incompetech "Lost Frontier" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/  https://incompetech.com/music/royalty-free/music.html   Music from Epidemic Sound The main intro/recap theme is: Control Bridge by Etienne Roussel A Bad Place to Be - Bonn Fields Blues Manouche - Vendla Children's Corner, L. 113_ I_ Doctor Gradus Ad Parnassum - Traditional Creepy Thoughts - Phoenix Tail Desigh Ney - Ajwaa Désordonné – Magnus Ludvigsson Falling Slowly - Anna Landstrom Fluxure - Ethan Sloan For Jelena - Vendla For Motivation (Instrumental Version) - CLNGR Gymnopedie No. 1 (Version 2) - Traditional It's Just a Dream - Lars Meyer Jordskred - Anna Dager & Hanna Ekström Le Petit Danseur - Rune Dale Let Me Introduce Myself - Rune Dale Lickety Split - Moins Le Quartet Medusa – Jo Wandrini Memories of Paris – Trabant 33 Northern Road - Lars Meyer Painted Memories - Franz Gordon Paris in Spring - Trabant 33 Peer Gynt, Op. 23_ Morning Mood Version 2 - Traditional Place Des Vosges – Trabant 33 Rivers Run Red - Christoffer Moe Ditlevsen Slippery Leaves - Franz Gordon Suite Bergamasque, L. 75_ III_ Clair De Lune - Traditional Suite Bergamasque, L. 75_ III_ Clair De Lune (Intro) - Traditional Sunday at the Museum - Franz Gordon Suspension - Anna Dager & Hanna Ekström The Elephant (Version 1) - Traditional The Farewell - Franz Gordon The French Library - Franz Gordon The Parisian Barber - Trabant 33 The Surface - Anna Dager & Hanna Ekström Two Three on E - Franz Gordon   From Pond 5 Valse Manouche Maurice Ravel: Classical piano Les Frites Montmartre Memories Valse du Clochard Reve de Paris Satie: Gnossiennes No 1   Wikicommons: THE JAPANESE SANDMAN (Words by Raymond B. Egan / Music by Richard A. Whiting, 1920) (public domain)   Xeno-Canto European Robin: Fernand DEROUSSEN, XC138375. Accessible at www.xeno-canto.org/138375. Creative Commons Attribution-NonCommercial-NoDerivs 3.0   Nightingale Tristan Guillebot de Nerville, XC678934. Accessible at www.xeno-canto.org/678934. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Night ambience (crickets) Stanislas Wroza, XC827364. Accessible at www.xeno-canto.org/827364. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Blackbird Manuel Grosselet, XC857699. Accessible at www.xeno-canto.org/857699. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Additional sound from Epidemic Sound and Zapsplat.com

In which Benoit continues to stir shit, then comes close to shitting himself, before shit suddenly hits the fan. A Call of Cthulhu Scenario by Matthew Sanderson, from 'Nameless Horrors', by Scott Dorward, Paul Fricker, and Matthew Sanderson. Episodes released weekly.   Scene 1: La Belle Dame Sans Merci, Dicksee Scene 2: The Gossips, Camille Claudel   Cast: Clovis Hérbert – Danann McAleer Donatien Benoit – Dominic Allen Jane Harnsworth-Wright – Joseph Chance Edwina Alexander – Jessica Temple Keeper of Arcane Lore ­– Dan Wheeler Additional Voices: Suzanne Ahmet Dominic Gerrard   CW: This podcast contains mature themes, strong language and cosmic horror. Human discretion is advised.   For more information and to get in touch, visit www.apocalypseplayers.com. Visit our Patreon to help us continue making the podcast, and receive exclusive horrors in return.   Special thanks to Julie Abbé for the use of her music in this scenario. Visit www.julieabbe.com to hear more!   Check out our friends, THE GOOD FRIENDS OF JACKSON ELIAS at https://blasphemoustomes.com and for the Keepers among you, why not treat yourself to the brand new edition of NAMELESS HORRORS?   The Apocalypse Players are: Dominic Allen @DomJAllen Joseph Chance @JosephChance2 Danann McAleer @DanannMcAleer Dan Wheeler @DanWheelerUK   Music from Incompetech "Lost Frontier" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/  https://incompetech.com/music/royalty-free/music.html   Music from Epidemic Sound The main intro/recap theme is: Control Bridge by Etienne Roussel A Bad Place to Be - Bonn Fields Blues Manouche - Vendla Children's Corner, L. 113_ I_ Doctor Gradus Ad Parnassum - Traditional Creepy Thoughts - Phoenix Tail Desigh Ney - Ajwaa Désordonné – Magnus Ludvigsson Falling Slowly - Anna Landstrom Fluxure - Ethan Sloan For Jelena - Vendla For Motivation (Instrumental Version) - CLNGR Gymnopedie No. 1 (Version 2) - Traditional It's Just a Dream - Lars Meyer Jordskred - Anna Dager & Hanna Ekström Le Petit Danseur - Rune Dale Let Me Introduce Myself - Rune Dale Lickety Split - Moins Le Quartet Medusa – Jo Wandrini Memories of Paris – Trabant 33 Northern Road - Lars Meyer Painted Memories - Franz Gordon Paris in Spring - Trabant 33 Peer Gynt, Op. 23_ Morning Mood Version 2 - Traditional Place Des Vosges – Trabant 33 Rivers Run Red - Christoffer Moe Ditlevsen Slippery Leaves - Franz Gordon Suite Bergamasque, L. 75_ III_ Clair De Lune - Traditional Suite Bergamasque, L. 75_ III_ Clair De Lune (Intro) - Traditional Sunday at the Museum - Franz Gordon Suspension - Anna Dager & Hanna Ekström The Elephant (Version 1) - Traditional The Farewell - Franz Gordon The French Library - Franz Gordon The Parisian Barber - Trabant 33 The Surface - Anna Dager & Hanna Ekström Two Three on E - Franz Gordon   From Pond 5 Valse Manouche Maurice Ravel: Classical piano Les Frites Montmartre Memories Valse du Clochard Reve de Paris Satie: Gnossiennes No 1   Wikicommons: THE JAPANESE SANDMAN (Words by Raymond B. Egan / Music by Richard A. Whiting, 1920) (public domain)   Xeno-Canto European Robin: Fernand DEROUSSEN, XC138375. Accessible at www.xeno-canto.org/138375. Creative Commons Attribution-NonCommercial-NoDerivs 3.0   Nightingale Tristan Guillebot de Nerville, XC678934. Accessible at www.xeno-canto.org/678934. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Night ambience (crickets) Stanislas Wroza, XC827364. Accessible at www.xeno-canto.org/827364. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Blackbird Manuel Grosselet, XC857699. Accessible at www.xeno-canto.org/857699. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Additional sound from Epidemic Sound and Zapsplat.com

In which our investigators engage, in their own inimitable ways, with the polite society of a Parisian salon. A Call of Cthulhu Scenario by Matthew Sanderson, from 'Nameless Horrors', by Scott Dorward, Paul Fricker, and Matthew Sanderson. Episodes released weekly.   Scene 1: The Circus, Seurat Scene 2: Angels in the Night, Degouve des Nuncques   Cast: Clovis Hérbert – Danann McAleer Donatien Benoit – Dominic Allen Jane Harnsworth-Wright – Joseph Chance Edwina Alexander – Jessica Temple Keeper of Arcane Lore ­– Dan Wheeler Additional Voices: Suzanne Ahmet Dominic Gerrard   CW: This podcast contains mature themes, strong language and cosmic horror. Human discretion is advised.   For more information and to get in touch, visit www.apocalypseplayers.com. Visit our Patreon to help us continue making the podcast, and receive exclusive horrors in return.   Special thanks to Julie Abbé for the use of her music in this scenario. Visit www.julieabbe.com to hear more!   Check out our friends, THE GOOD FRIENDS OF JACKSON ELIAS at https://blasphemoustomes.com and for the Keepers among you, why not treat yourself to the brand new edition of NAMELESS HORRORS?   The Apocalypse Players are: Dominic Allen @DomJAllen Joseph Chance @JosephChance2 Danann McAleer @DanannMcAleer Dan Wheeler @DanWheelerUK   Music from Incompetech "Lost Frontier" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/  https://incompetech.com/music/royalty-free/music.html   Music from Epidemic Sound The main intro/recap theme is: Control Bridge by Etienne Roussel A Bad Place to Be - Bonn Fields Blues Manouche - Vendla Children's Corner, L. 113_ I_ Doctor Gradus Ad Parnassum - Traditional Creepy Thoughts - Phoenix Tail Desigh Ney - Ajwaa Désordonné – Magnus Ludvigsson Falling Slowly - Anna Landstrom Fluxure - Ethan Sloan For Jelena - Vendla For Motivation (Instrumental Version) - CLNGR Gymnopedie No. 1 (Version 2) - Traditional It's Just a Dream - Lars Meyer Jordskred - Anna Dager & Hanna Ekström Le Petit Danseur - Rune Dale Let Me Introduce Myself - Rune Dale Lickety Split - Moins Le Quartet Medusa – Jo Wandrini Memories of Paris – Trabant 33 Northern Road - Lars Meyer Painted Memories - Franz Gordon Paris in Spring - Trabant 33 Peer Gynt, Op. 23_ Morning Mood Version 2 - Traditional Place Des Vosges – Trabant 33 Rivers Run Red - Christoffer Moe Ditlevsen Slippery Leaves - Franz Gordon Suite Bergamasque, L. 75_ III_ Clair De Lune - Traditional Suite Bergamasque, L. 75_ III_ Clair De Lune (Intro) - Traditional Sunday at the Museum - Franz Gordon Suspension - Anna Dager & Hanna Ekström The Elephant (Version 1) - Traditional The Farewell - Franz Gordon The French Library - Franz Gordon The Parisian Barber - Trabant 33 The Surface - Anna Dager & Hanna Ekström Two Three on E - Franz Gordon   From Pond 5 Valse Manouche Maurice Ravel: Classical piano Les Frites Montmartre Memories Valse du Clochard Reve de Paris Satie: Gnossiennes No 1   Wikicommons: THE JAPANESE SANDMAN (Words by Raymond B. Egan / Music by Richard A. Whiting, 1920) (public domain)   Xeno-Canto European Robin: Fernand DEROUSSEN, XC138375. Accessible at www.xeno-canto.org/138375. Creative Commons Attribution-NonCommercial-NoDerivs 3.0   Nightingale Tristan Guillebot de Nerville, XC678934. Accessible at www.xeno-canto.org/678934. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Night ambience (crickets) Stanislas Wroza, XC827364. Accessible at www.xeno-canto.org/827364. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Blackbird Manuel Grosselet, XC857699. Accessible at www.xeno-canto.org/857699. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Additional sound from Epidemic Sound and Zapsplat.com

In which our investigators start as they mean to go on: by mixing their drinks. Absinthe, crème de menthe, champagne, cheap table wine…what could possibly go wrong? A Call of Cthulhu Scenario by Matthew Sanderson, from 'Nameless Horrors', by Scott Dorward, Paul Fricker, and Matthew Sanderson. Episodes released weekly.   Scene 1: The Absinthe Drinker, Manet Scene 2: Street Scene in Paris, Felix Vallotton   Cast: Clovis Hérbert – Danann McAleer Donatien Benoit – Dominic Allen Jane Harnsworth-Wright – Joseph Chance Edwina Alexander – Jessica Temple Keeper of Arcane Lore ­– Dan Wheeler Additional Voices: Suzanne Ahmet Dominic Gerrard   CW: This podcast contains mature themes, strong language and cosmic horror. Human discretion is advised.   For more information and to get in touch, visit www.apocalypseplayers.com. Visit our Patreon to help us continue making the podcast, and receive exclusive horrors in return.   Special thanks to Julie Abbe for the use of her music in this scenario. Visit www.julieabbe.com to hear more!   Check out our friends, THE GOOD FRIENDS OF JACKSON ELIAS at https://blasphemoustomes.com and for the Keepers among you, why not treat yourself to the brand new edition of NAMELESS HORRORS?   The Apocalypse Players are: Dominic Allen @DomJAllen Joseph Chance @JosephChance2 Danann McAleer @DanannMcAleer Dan Wheeler @DanWheelerUK   Music from Incompetech "Lost Frontier" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/  https://incompetech.com/music/royalty-free/music.html   Music from Epidemic Sound The main intro/recap theme is: Control Bridge by Etienne Roussel A Bad Place to Be - Bonn Fields Blues Manouche - Vendla Children's Corner, L. 113_ I_ Doctor Gradus Ad Parnassum - Traditional Creepy Thoughts - Phoenix Tail Desigh Ney - Ajwaa Désordonné – Magnus Ludvigsson Falling Slowly - Anna Landstrom Fluxure - Ethan Sloan For Jelena - Vendla For Motivation (Instrumental Version) - CLNGR Gymnopedie No. 1 (Version 2) - Traditional It's Just a Dream - Lars Meyer Jordskred - Anna Dager & Hanna Ekström Le Petit Danseur - Rune Dale Let Me Introduce Myself - Rune Dale Lickety Split - Moins Le Quartet Medusa – Jo Wandrini Memories of Paris – Trabant 33 Northern Road - Lars Meyer Painted Memories - Franz Gordon Paris in Spring - Trabant 33 Peer Gynt, Op. 23_ Morning Mood Version 2 - Traditional Place Des Vosges – Trabant 33 Rivers Run Red - Christoffer Moe Ditlevsen Slippery Leaves - Franz Gordon Suite Bergamasque, L. 75_ III_ Clair De Lune - Traditional Suite Bergamasque, L. 75_ III_ Clair De Lune (Intro) - Traditional Sunday at the Museum - Franz Gordon Suspension - Anna Dager & Hanna Ekström The Elephant (Version 1) - Traditional The Farewell - Franz Gordon The French Library - Franz Gordon The Parisian Barber - Trabant 33 The Surface - Anna Dager & Hanna Ekström Two Three on E - Franz Gordon   From Pond 5 Valse Manouche Maurice Ravel: Classical piano Les Frites Montmartre Memories Valse du Clochard Reve de Paris Satie: Gnossiennes No 1   Wikicommons: THE JAPANESE SANDMAN (Words by Raymond B. Egan / Music by Richard A. Whiting, 1920) (public domain)   Xeno-Canto European Robin: Fernand DEROUSSEN, XC138375. Accessible at www.xeno-canto.org/138375. Creative Commons Attribution-NonCommercial-NoDerivs 3.0   Nightingale Tristan Guillebot de Nerville, XC678934. Accessible at www.xeno-canto.org/678934. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Night ambience (crickets) Stanislas Wroza, XC827364. Accessible at www.xeno-canto.org/827364. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Blackbird Manuel Grosselet, XC857699. Accessible at www.xeno-canto.org/857699. Creative Commons Attribution-NonCommercial-ShareAlike 4.0   Additional sound from Epidemic Sound and Zapsplat.com

Can Hollywood's independent movie producers be saved from extinction?WEBSITE: Thousands of Tiny TyrantsSHOW NOTESAdditional Reading:The Producers Union | WebsiteBlumhouse | WebsiteGenome Spotlight: Christmas Island Rat | The Scientist | March 24, 2022Miami Blue Butterfly | Florida Fish & Wildlife Conservation CommissionKnopf v. Producers Guild of America, 40 Cal. App. 3d 233 (1974) | Decision & OrderAdditional Viewing:Producers & Directors Panel Presented by The Producers Union | Tribeca Film Festival 2023 | YouTubeThe Role of the Film Producer | Paula Wagner | Spotlight | Cooke Optics | YoutubeTom Cruise Receives David O. Selznick Achievement Award | 34th Annual Producers Guild Awards | February 25, 2023Additional Podcast Listening:The Business Genius Behind Get Out | Episode 650 | Planet Money | NPR | March 29, 2017 [Jason Blum]Deadline Strike Talk Podcast, Week 14 | Billy Ray, Jason Blum, Craig Mazin & Lilly Wachowski | August 10, 2023Deadline Strike Talk Podcast, Week 18 | Billy Ray & Jennifer Fox | September 1, 2023Triple-T Theme Music:“Lets Go”, created by Mark July via PixabayAdditional Music: "Inspiring Cinematic Ambient Music" by Aleksey Chistilin via Pixabay"Hooray for Hollywood" by Richard A. Whiting & Johnny Mercer"I Wanna Be a Producer" by Mel Brooks"Snatch" by OctoSound via Pixabay

When it feels like everything is lost, how do we find guidance? In this incredibly difficult and painful week, we've been seeking wisdom, prayer and spiritual guidance. As we get ready to return to Season 4, we wanted to take a step back with a “retro” episode, pulling from our archives from Season 2.In this episode, Five and Nine talks with Angela Mictlanxochitl Anderson Guerrero, who runs Lideramos, a Latino leadership organization in the US, and who is a practicing abuela, or grandmother, in the Danza de la Luna lineage, a transterritorial Mexica ceremonial practice.Angela Mictlanxochitl talks about the four components of her thoughtful engagement framework—intention, responsibility, reciprocity and care—, the role of prayer and spirituality in leadership, being authentic in the workplace and how we care for our physical, psychological and emotional health. She closes with a sound and prayer offering in collaboration with artist Enrique Arriaga Celis.ResourcesFrom Our Guest* Angela's bio on Lideramos* Bless Me, Ultima, by Rudolfo Anaya* Gloria Evangelina AnzaldúaTarot Cards Discussed* The Tower* The Lovers* Next World Tarot, by Cristy C. RoadPrayer Text(audio developed in collaboration with Enrique Arriaga Celis)As I hold my round obsidian mirror, the black magic mirror.My fingers are around the edges. I lift up the black mirror to my face. As I look into the mirror, I see the reflection of my face in the mirror. I feel myself.I invite each of you to look back via the other side into the black magic mirror.  Close your eyes and feel -- sense the darkness of the condition of possibility. With the permission of Nana Metzli, our Moon,  with the permission of Tonantzin, our Mother, with the permission of the cosmic energies,  and the permission of Tonatiuh, the Sun.I ask all the directions to invoke the loving energy of this sacred space we occupy to activate the black magic mirror.May we feel embraced in its stillness wherever you may be, and however you may be. May you honor your thoughts. May you honor your insecurities. May you honor the genius of all the movements in your life.In the beauty and the tragedy of our relations, I ask that you are shown the depth of your love. I ask the reflective black light to shine on each of you.As you feel it tingle, ask yourself, “Who am I and who do I wanna be?”Listen. Listen. Listen to yourself. Claim your sacredness, embrace your medicine to heal, and trust in your unique value and gifts. Now listen and repeat: My path is open. I am guided by my ancestors. The magic of the elements and the sacredness of life wants me to survive. My reflection is my life force. I dance with the weaving of life so I may come into union with the person I am. Listen. Listen. Listen to yourself. As we close, black magic mirror, Please shower the you in me and the me in you with love and kindness. In the light of the black magic mirror, I am you and you are me, We are never alone. With heart over our heads.Walk with confidence in the black light. Ometeotl.Music* Episode: Oh for the wings of a dove, performed by Geraldine Farrar in 1911 and composed by Felix Mendelssohn-Bartholdy.* Outro: Ain't we got fun, composed by Richard A. Whiting and performed by the Benson Orchestra of Chicago, 1921. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit fiveandnine.substack.com/subscribe

Beautifully manicured green lawns rose to popularity in the 1950s when mothers wearing pearls and high heels were baking cookies. (Was that ever really a thing besides on television?) With the growing urbanization of America, the importance of having a beautiful lawn grew, hence the popular phrase: The grass is always greener on the other side of the fence (actually it originated from Roman poet Ovid who said, “The harvest is always richer in another man's field.” And that phrase we know about grass, came from a folk song written by Raymond B. Egan and Richard A. Whiting in 1924. What's the significance? Americans have been in love with their lawns and wanting to have a better one (and better life overall) than their neighbors. But we have abandoned something that needs to return and thankfully is growing in popularity right now---gardens of native plants and pollinators. According to the National Wildlife Federation, one in four people specifically buy native plants and that is up from only 17 percent in 2020. What are native plants and pollinators and why should you rip up your grass in favor of them? Join me and my guest Shelly Niefert this week as we talk about these plants and much more. If you're thinking, "eh, I don't have a green thumb, this doesn't interest me." Think again, especially if you care about helping to save our planet, food supplies, and so on. To learn more about pollinators and native plants visit the following websites: Penn State, Monrovia and check out books by Doug Tallamy, a professor in the Department of Entomology and Wildlife Ecology at the University of Delaware. Shelly recommends "Bringing Nature Home" and "Nature's Best Hope." Visit my page on Buy Me a Coffee to invest in my award-winning podcast (well, it should win awards) and if monetary donations are not possible at this time, then please consider sharing my podcast on your social media or telling friends, family or strangers, and/or write a review on Spotify or Apple Podcasts to help me reach a broader audience! Follow Funny Wine Girl Jeannine on Facebook and Instagram for running inspiration, nature photos, wine stuff and random funnies. As always, I appreciate you from the bottom of my heart and the bottom of my wine glass.

durée : 00:58:37 - "Louise" (Richard Whiting / Leo Robin) (1929) - par : Laurent Valero - "Chanson écrite pour le film américain de Richard Wallace "La chanson de Paris / Innocents of Paris" pour son titre original, dans lequel jouait Maurice Chevalier. C'est le premier film qu'il tourne aux États-Unis, et il y reprend déjà Valentine un autre de ses grands succès !" Laurent Valero - réalisé par : Antoine Courtin

Creative Director and Co-Director of Magic Xiaowei Wang returns for our season finale!We talk union solidarity, life in a time of crisis, and our upcoming class on tarot and writing with The Shipman Agency. Dorothy breaks out the Modus Operandi Deck for a confessional tell-all with the three hosts that touches on what we can't let go of, the value of money, the role models and safety we wish we had when we were younger, and why we have a grudge on Timothée Chalamet.Five and Nine Season 2 is about transitions. As falls sets in in the northern hemisphere and spring in the south, Five and Nine looks at change in all its forms — leaving jobs, changing industries, starting new paths, and the wisdom that tarot and magic have to offer in a world that seems to be ever in flux.This is the Season 2 Finale. Paid subscribers will begin to receive our paid programming shortly. Our podcast returns in winter 2023!From Our Hosts* Robin DG Kelley* Tech Workers Coalition* Black Workers Alliance* Change Everything: Racial Capitalism and the Case for Abolition, by Ruth Wilson Gilmore and Naomi Murakawa* Modus Operandi Deck* Ethical Rainmaker Podcast* Five Mindfulness TrainingsPrevious Five and Nine Episodes Mentioned* 2.02. Magic in the Everyday, with Helen Shewolfe Tseng* 1.07. Burnout, Biases and Body Mindfulness, with Kai StowersTarot Cards Discussed* Hanged One (Hanged Man)* Page of CupsMusic* Episode and Outro: Ain't we got fun, composed by Richard A. Whiting and performed by the Benson Orchestra of Chicago, 1921.Enjoying the show? You can support us in three ways:* Subscribe now for just $6 per month and get access to our paid programming. This podcast is always free, but paid subscribers will get access to special content, including how-to's, journaling exercises, tarot suggestions and more. Your generous support also helps cover our costs, which include honoraria for our guest speakers, software subscriptions and our time. With enough support, we'll also be able to bring back written transcripts for the show.* Recommend this show to others. Do you know anyone who you think might enjoy this podcast? Send them a link. Ask them to tune in. You can send them snippets of our shows on Instagram, at @fiveandnine_podcast.* Leave us a review on Apple or Spotify. Reviews help bring visibility and credibility to indie podcasts like ours and help people know what to expect when tuning in.Five and Nine is a podcast and newsletter at the crossroads of magic, work and economic justice. We publish “moonthly” — every new moon

Over a year ago, Chicanx futurist artist Ruben Briseño Reveles grappled with a choice: either his job or his mental health and well-being. He decided to make a leap into a new life when he left his restaurant job of 20 years. His is one of many stories of great resignations in the face of the events of 2020 and 2021, and we talk with Ruben about what he's learned during this time — about his art, his spirituality, and his relationship to his family.In this episode, we conduct a live tarot reading with Ruben during the portal of Dia de los Muertos, or Day of the Dead, which occurs this year between the solar and lunar eclipses of the latter half of 2022. The reading touches on the practicalities of making a living as an artist and the role that prayer and ancestry have in keeping us steady in periods of change.Five and Nine Season 2 is about transitions. As falls sets in in the northern hemisphere and spring in the south, Five and Nine looks at change in all its forms — leaving jobs, changing industries, starting new paths, and the wisdom that tarot and magic have to offer in a world that seems to be ever in flux.ResourcesFrom Our Guest and Hosts* Ruben Briseño Reveles* Being Peace, by Thich Nhat Hanh* Tarot DoulaTarot Cards Discussed* Two of Swords* Four of Pentacles* Queen of Swords* Queen of PentaclesMusic* Episode: Shine on, harvest moon barn dance, performed by Arthur Pryor's Band in 1910 and composed by Nora Bayes and Jack Norworth.* Outro: Ain't we got fun, composed by Richard A. Whiting and performed by the Benson Orchestra of Chicago, 1921.Enjoying the show? You can support us in three ways:* Subscribe now for just $6 per month and get access to our paid programming. This podcast is always free, but paid subscribers will get access to special content, including how-to's, journaling exercises, tarot suggestions and more. Your generous support also helps cover our costs, which include honoraria for our guest speakers, software subscriptions and our time. With enough support, we'll also be able to bring back written transcripts for the show.* Recommend this show to others. Do you know anyone who you think might enjoy this podcast? Send them a link. Ask them to tune in. You can send them snippets of our shows on Instagram, at @fiveandnine_podcast.* Leave us a review on Apple or Spotify. Reviews help bring visibility and credibility to indie podcasts like ours and help people know what to expect when tuning in.Five and Nine is a podcast and newsletter at the crossroads of magic, work and economic justice. We publish “moonthly” — every new moon

When we talk about diversity, equity, and inclusion work, where do ancestral lineages fit in? What does wellness look like in a culture that celebrates overworking ourselves at the expense of our bodies? Five and Nine talks with Kim Acebo Ateche, who supports BIPOC organizational leaders to get in touch with their ancestry as a form of healing.In this episode, Kim shares about her own personal experiences with healing and being disconnected from her body, a framework she called intuitive leadership, and why carrying for one's full mind, body and spirit is an anti-racist act. She offers listeners a meditation for wayfinding and reconnecting with our ancestors.Season 2 is about transitions. As falls sets in in the northern hemisphere and spring int he south, Five and Nine looks at change in all its forms — leaving jobs, changing industries, starting new paths, and the wisdom that tarot and magic have to offer in a world that seems to be ever in flux.ResourcesFrom Our Guest* Kim Acebo Arteche* Ilaya* San Francisco Filipino Cultural DistrictFrom Our Hosts* Rest is Resistance: A ManifestoMusic* Episode: Life's a funny proposition after all, composed and performed by George M. Cohan in 1911.* Outro: Ain't we got fun, composed by Richard A. Whiting and performed by the Benson Orchestra of Chicago, 1921.Enjoying the show? Consider buying us a virtual cup of coffee. Subscribe now for just $6 per month.This podcast is always free, but paid subscribers will get access to special content, including how-to's, journaling exercises, tarot suggestions and more.Each paid subscription helps support our production costs and honoraria for our speakers. With enough support, we'll also be able to bring back written transcripts for the show, provide stipends for our producers and hosts, and more.Five and Nine is a podcast and newsletter at the crossroads of magic, work and economic justice. We publish “moonthly” — every new moon

This is Five and Nine, a podcast and newsletter at the crossroads of magic, work and economic justice. Welcome to Season 2, Episode 3.You can find us on Apple, Spotify, Google and Instagram.Enjoying the show? Consider buying us a virtual cup of coffee. Subscribe now for just $6 per month. This podcast is always free, but paid subscribers will get access to special content, including how-to's, journaling exercises, tarot suggestions and more.SummaryWhen it feels like everything is lost, how do we find guidance? Five and Nine talks with Angela Mictlanxochitl Anderson Guerrero, who runs Lideramos, a Latino leadership organization in the US, and who is a practicing abuela, or grandmother, in the Danza de la Luna lineage, a transterritorial Mexica ceremonial practice. Angela Mictlanxochitl talks about the four components of her thoughtful engagement framework—intention, responsibility, reciprocity and care—, the role of prayer and spirituality in leadership, being authentic in the workplace and how we care for our physical, psychological and emotional health. She closes with a sound and prayer offering in collaboration with artist Enrique Arriaga Celis.Season 2 is about transitions. As falls sets in in the northern hemisphere and spring int he south, Five and Nine looks at change in all its forms — leaving jobs, changing industries, starting new paths, and the wisdom that tarot and magic have to offer in a world that seems to be ever in flux.ResourcesFrom Our Guest* Angela's bio on Lideramos* Bless Me, Ultima, by Rudolfo Anaya* Gloria Evangelina AnzaldúaTarot Cards Discussed* The Tower* The Lovers* Next World Tarot, by Cristy C. RoadThoughtful Engagement FrameworkPrayer Text (audio developed in collaboration with Enrique Arriaga Celis)As I hold my round obsidian mirror, the black magic mirror.My fingers are around the edges. I lift up the black mirror to my face. As I look into the mirror, I see the reflection of my face in the mirror. I feel myself.I invite each of you to look back via the other side into the black magic mirror.  Close your eyes and feel -- sense the darkness of the condition of possibility. With the permission of Nana Metzli, our Moon,  with the permission of Tonantzin, our Mother, with the permission of the cosmic energies,  and the permission of Tonatiuh, the Sun.I ask all the directions to invoke the loving energy of this sacred space we occupy to activate the black magic mirror.May we feel embraced in its stillness wherever you may be, and however you may be. May you honor your thoughts. May you honor your insecurities. May you honor the genius of all the movements in your life.In the beauty and the tragedy of our relations, I ask that you are shown the depth of your love. I ask the reflective black light to shine on each of you.As you feel it tingle, ask yourself, “Who am I and who do I wanna be?”Listen. Listen. Listen to yourself. Claim your sacredness, embrace your medicine to heal, and trust in your unique value and gifts. Now listen and repeat: My path is open. I am guided by my ancestors. The magic of the elements and the sacredness of life wants me to survive. My reflection is my life force. I dance with the weaving of life so I may come into union with the person I am. Listen. Listen. Listen to yourself. As we close, black magic mirror, Please shower the you in me and the me in you with love and kindness. In the light of the black magic mirror, I am you and you are me, We are never alone. With heart over our heads.Walk with confidence in the black light. Ometeotl.Music* Episode: Oh for the wings of a dove, performed by Geraldine Farrar in 1911 and composed by Felix Mendelssohn-Bartholdy. * Outro: Ain't we got fun, composed by Richard A. Whiting and performed by the Benson Orchestra of Chicago, 1921.Enjoying the show? Consider buying us a virtual cup of coffee. Subscribe now for just $6 per month.This podcast is always free, but paid subscribers will get access to special content, including how-to's, journaling exercises, tarot suggestions and more.Each paid subscription helps support our production costs and honoraria for our speakers. With enough support, we'll also be able to bring back written transcripts for the show, provide stipends for our producers and hosts, and more.Five and Nine is a podcast and newsletter at the crossroads of magic, work and economic justice. We publish “moonthly” — every new moon

This is Five and Nine, a podcast and newsletter at the crossroads of magic, work and economic justice. Welcome to Season 2, Episode 2. We are now on Instagram! You can also find us on Apple, Spotify and Google. Enjoying the show? Consider buying us a virtual cup of coffee. Subscribe now for just $6 per month. This podcast is always free, but paid subscribers will get access to special content, including how-to's, journaling exercises, tarot suggestions and more.SummaryHow can everyday magic helps us navigate change? Five and Nine talks with artist, designer, and witch Helen Shewolfe Tseng. They share their work on growth spells, drawings made over an extended period of time for personal healing and transformation, and their Coyote Portals series, inspired by the fission-fusion adaptations and mythos of these often misunderstood animals. We also talk about what we learned in nature during lockdown and how to find grounding in uncertain times, from petting our plants to working with free ballpoint pens.Season 2 is about transitions. As falls sets in in the northern hemisphere and spring int he south, Five and Nine looks at change in all its forms — leaving jobs, changing industries, starting new paths, and the wisdom that tarot and magic have to offer in a world that seems to be ever in flux.ResourcesFrom Our GuestHelen Shewolfe TsengGrowth SpellsCoyote Portals (prints available here!)The Man Who Could Move Clouds, by Ingrid Rojas ContrerasMusicEpisode: Bow Wow Blues, performed by the Original Dixieland Jazz Band, 1921.Outro: Ain't we got fun, composed by Richard A. Whiting and performed by the Benson Orchestra of Chicago, 1921.Enjoying the show? Consider buying us a virtual cup of coffee. Subscribe now for just $6 per month.This podcast is always free, but paid subscribers will get access to special content, including how-to's, journaling exercises, tarot suggestions and more.Each paid subscription helps support our production costs and honoraria for our speakers. With enough support, we'll also be able to bring back written transcripts for the show, provide stipends for our producers and hosts, and more.Five and Nine is a podcast and newsletter at the crossroads of magic, work and economic justice. We publish “moonthly” — every new moon

In this special episode we discuss tragic white singers, the NCAA lineup, the Sweet Sixteen, Urban Meyer, how Django was robbed, Devin watches movies, and we talk about our likes, dislikes, and predictions for Best Picture from the Academy Awards 2022 (note: this podcast will contain minor spoilers for all 10 of the Best Picture nominees, except West Side Story, we fully spoiled that one!) __ Please Like, Subscribe, and Share the Show, Leave a rating/review on iTunes/ApplePodcasts and Spotify! Follow us @EditThatOut1 on Twitter | Follow Jamelle on Twitter @JamelleMyBelle | Follow Devin on Twitter @DevinLamarr | Follow Juwan on Twitter @JayTeeDee and TikTok @chefjtd Text or Leave us a Voicemail at (205) 304-1655 | Email us at etopod@gmail.com __ 2022 Best Picture Nominees CODA Sian Heder KING RICHARD Reinaldo Marcus Green DON'T LOOK UP Adam McKay DRIVE MY CAR Ryûsuke Hamaguchi BELFAST Kenneth Branagh WEST SIDE STORY Steven Spielberg DUNE Denis Villeneuve LICORICE PIZZA Paul Thomas Anderson NIGHTMARE ALLEY Guillermo del Toro THE POWER OF THE DOG Jane Campion __ Credits: Musical Intro: "Hooray for Hollywood" by Richard A Whiting & Johnny Mercer --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/edit-that-out/message Support this podcast: https://anchor.fm/edit-that-out/support

In this special episode we discuss tragic white singers, the NCAA lineup, the Sweet Sixteen, Urban Meyer, how Django was robbed, Devin watches movies, and we talk about our likes, dislikes, and predictions for Best Picture from the Academy Awards 2022 (note: this podcast will contain minor spoilers for all 10 of the Best Picture nominees, except West Side Story, we fully spoiled that one!) __ Please Like, Subscribe, and Share the Show, Leave a rating/review on iTunes/ApplePodcasts and Spotify! Follow us @EditThatOut1 on Twitter | Follow Jamelle on Twitter @JamelleMyBelle | Follow Devin on Twitter @DevinLamarr | Follow Juwan on Twitter @JayTeeDee and TikTok @chefjtd Text or Leave us a Voicemail at (205) 304-1655 | Email us at etopod@gmail.com __ 2022 Best Picture Nominees CODA Sian Heder KING RICHARD Reinaldo Marcus Green DON'T LOOK UP Adam McKay DRIVE MY CAR Ryûsuke Hamaguchi BELFAST Kenneth Branagh WEST SIDE STORY Steven Spielberg DUNE Denis Villeneuve LICORICE PIZZA Paul Thomas Anderson NIGHTMARE ALLEY Guillermo del Toro THE POWER OF THE DOG Jane Campion __ Credits: Musical Intro: "Hooray for Hollywood" by Richard A Whiting & Johnny Mercer --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/edit-that-out/message Support this podcast: https://anchor.fm/edit-that-out/support

The ugly: Nazis. The bad: a husband killed in battle. The good: one spunky, silly, kinda-loopy, very brave young woman. Meet Violette Szabo, the secret agent who packed a machine gun…just in case she ran into any Nazis on her mission.    ___ ****STAY IN TOUCH!**** toritelfer.com toritelfer@gmail.com tinyletter.com/toridotgov instagram.com/tori__telfer ___ Support the podcast by supporting its sponsors! Go to calm.com/criminalbroads for 40% off Calm's entire library of soothing meditations. Go to dameproducts.com/criminalbroads for 15% off sitewide. Or become a patron at patreon.com/criminalbroads. Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode68 Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Sharon Wiggins killed a man in a bank robbery gone wrong when she was seventeen. Her state locked her up for life, no chance of parole. Then the Supreme Court stepped in, and Sharon started dreaming. This is the story of a woman with a dubious superlative: the longest-serving juvenile lifer in the world. __ Subscribe to my newsletter: tinyletter.com/toridotgov Support the podcast by supporting its sponsors! Go to dameproducts.com/criminalbroads for 15% off sitewide. Or become a patron at patreon.com/criminalbroads. Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode70 Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

A little stroll down memory lane to a song from my early childhood, sung to me by my grandpa, on car trips from New Jersey to New York. A song called, “When Did You Leave Heaven?” by Richard A Whiting and Walter Bullock. Originally a lighthearted, uptempo song, my grandpa sang it more in the vein of a ballad, and that's how I sing it, with a deep nod of respect to the inimitable Nancy Wilson. Oh, and some other stuff too. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In 1978, a man left Mary Vincent for dead. Ten years later, she told a journalist she'd never get over it. This is a story about surviving and about the narrative of the survivor—what we want from her, what she can't always give us. Support the podcast by supporting its sponsors! Go to dameproducts.com/criminalbroads for 15% off sitewide. Or become a patron at patreon.com/criminalbroads. Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode69 Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

In the 1950s, two lonely, imaginative teenage girls became best friends. Before long they had convinced themselves that they were the most mad, genius girls in the world. And then they began to dream of murder. — Support the podcast by supporting its sponsors! Go to calm.com/criminalbroads for 40% off Calm's entire library of soothing meditations. Or become a patron at patreon.com/criminalbroads. Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode68 Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

“Imagine at the age of 16 being sex-trafficked by a pimp named Kutthroat.” That was how the meme about Cyntoia Brown started. Cyntoia herself couldn't believe it when she heard Kim Kardashian was tweeting about her. After a lifetime of being thought of as a bad kid—people were suddenly on her side? Cyntoia's Instagram: https://www.instagram.com/cyntoiabrownofficial/?hl=en Falicia Blakely episode: https://www.criminalbroads.com/episodes/2018/11/28/episode-14-teenager-in-love-falicia-blakely Support the podcast by supporting its sponsors! Go to dameproducts.com/criminalbroads for 15% off sitewide, and modernfertility.com/criminalbroads for $20 off your fertility test. Or become a patron at patreon.com/criminalbroads. Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode66 Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

One night in September, a white lady in a long green dress reported that she'd been the victim of a horrific crime. Her story transformed Hawaii—some people were outraged, some were sure she was lying. And then her mother got involved. Read David Stannard's book on the Massie case here: https://www.penguinrandomhouse.com/books/291248/honor-killing-by-david-e-stannard/ Become a patron: patreon.com/criminalbroads Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode66 Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer.      Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Welcome to week two of SISTER MONTH. Today we're traveling to the midcentury Dominican Republic, where three of the four Mirabal sisters are facing off against notorious dictator Rafael Trujillo. Who wins? That depends on whether or not you take the long view. Email your sister stories to criminalbroads@gmail.com. *** Support the podcast by supporting its sponsors! Go to athenaclub.com/criminalbroads for 20% off your new favorite razor.  Head to Onmolecule.com and use promo code criminal for 20% off the best mattress ever. Or become a patron at patreon.com/criminalbroads! *** Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode59 Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Welcome to SISTER MONTH. We’re starting in 1930s France, where Christine and Lea Papin do everything together. They work together. They live together. They ignore everyone else together. They kill together. *** Support the podcast by supporting its sponsors! Go to dipseastories.com/criminalbroads for a free month of sensual stories! And go to dailyharvest.com and enter promo code criminalbroads to get twenty-five dollars off your first box! Or become a patron at patreon.com/criminalbroads! *** Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode58 Music: Matthew Noble. Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

We’ve covered over fifty broads on this podcast, from serial killers and cult leaders to lady lawyers and forensic artists. But their stories don’t end when the episode does. Today we’re taking a look at what some of our most infamous broads—Amy Bishop, Jasmuheen, Caril Ann Fugate, and more—have been doing lately. This episode contains everything from war crimes to nine nights spent in a dark cave with a “guru.” Buckle up. Want to send some money to Lloyd Dean? Venmo me @tori-telfer (or Paypal/Chase Quickpay: toritelfer@gmail.com), note that it’s for LLOYD DEAN, and let’s get him a nice little gift! Thanks to Darius Johnson for reading Lloyd Dean’s letter! Read Amy Bishop’s short story here: https://pen.org/man-of-few-words/ *** Support the podcast by supporting its sponsors! *Go to hellofresh.com/criminalbroads12 and use promo code criminalbroads12 for TWELVE FREE MEALS! *And go to sundayscaries.com and use promo code criminal for 25% off your order… *Or go to patreon.com/criminalbroads to become a patron!  *** Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode56 Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

One of the most powerful offices in the country is up for grabs this year, and it’s never been held by a woman. It’s the office of Manhattan District Attorney. And Eliza Orlins wants the job. She’s a public defender who’s represented over 3000 New Yorkers and now she’s ready to cross the courtroom aisle and reimagine criminal justice across the US. Oh: and she almost won Survivor. Join the fight at elizaorlins.com! Tell your friends about Eliza on social: instagram.com/eorlins and twitter.com/elizaorlins *** Support the podcast by supporting today’s sponsor. Go to athenaclub.com/criminalbroads for 20% off your new favorite razor.  Or check out: patreon.com/criminalbroads *** Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode55 Music: Matthew Noble. Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Last time we encountered Marie Hilley, she was running from the FBI. Now, she’s changed her name and her backstory and (eventually) even her hair color. Meet Robbi. No, meet Teri. You’ll like her. She’ll MAKE you like her.  *** Thanks to Alex Taylor and Anna Telfer for the great voiceover work. :) Support the podcast by supporting its sponsors! *Go to dailyharvest.com and enter promo code criminalbroads to get twenty-five dollars off your first box… *And go to sundayscaries.com and use promo code criminal for 25% off your order… *Or go to patreon.com/criminalbroads to become a patron!  *** Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/mariehilley Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Marie Hilley grew up thinking she was special. Marie Hilley spent a lot of money. Marie Hilley said she had a twin in Texas. Marie Hilley started carrying around hypodermic syringes. MEET MARIE. PART ONE OF TWO. *** Support the podcast by supporting its sponsors! *hellofresh.com/criminalbroads12 and use promo code criminalbroads12 for TWELVE FREE MEALS! *betterhelp.com/criminalbroads for 10% off affordable online counseling! *patreon.com/criminalbroads to become a patron! *** Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/mariehilley Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

She came to New York to make a name for herself, and despite a little, um, detour on Rikers Island, Anna Delvey succeeded. Netflix and HBO dueled over her life story; people dressed up as the scammer for Halloween. But behind the bravado and the $400 eyelash extensions, what can we say about the real Anna? …Is there a real Anna? Support the podcast! Go to dailyharvest.com and enter promo code criminalbroads to get twenty-five dollars off your first box! (YUM.) And go to sundayscaries.com and use promo code criminal for 25% off your order. (AHH.) Or check out: patreon.com/criminalbroads *** Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode52 Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

It was a crime made for the headlines: GOOD TWIN VS. EVIL TWIN. The twins themselves, Sunny and Gina Han, disagreed with the headlines. But you couldn’t deny that something had gone wrong between them, because now one of them was in shackles, and one of them was on the witness stand.  *** Support the podcast by supporting today’s sponsor. Go to athenaclub.com/criminalbroads for 20% off your new favorite razor. Or check out: patreon.com/criminalbroads *** Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode51 Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Nobody conquered crime quite like Sophie Lyons, who grew from a childhood pickpocket to a career criminal with a talent for disguises, netting husbands, and talking her way out of sticky situations. Author Shayne Davidson comes on the podcast to tell me Sophie’s story from her book Queen of the Burglars: The Scandalous Life of Sophie Lyons. *** Find more of Shayne’s work (lots of fabulous vintage mugshots!) at capturedandexposed.com Support the podcast by supporting this episode’s sponsor: Try affordable online counseling (and get 10% off!) by going to betterhelp.com/criminalbroads Or check out: patreon.com/criminalbroads *** Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode50 Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer.    Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Somewhere on the icy sidewalks of New York in 1910, an heiress vanished into thin air. Her family waited six weeks to call the police. This is the tale of Dorothy Arnold, one of America’s original front-page missing person stories. *** LINKS I MENTIONED IN THE INTRO: Donate to the Women’s Prison Association—if you become a quarterly or monthly donor and put “Criminal Broads” in the details section, you’ll get a free tote!: https://www.wpaonline.org/donate/ Watch the new series on John Wayne Gacy: https://www.peacocktv.com/stream-tv/john-wayne-gacy-devil-in-disguise *** Support the podcast: patreon.com/criminalbroads Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode49 Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

On January 17, 2014, Sister Eli decided not to go to a party because she was too pregnant. Three years later, she was taking a plea deal for something she hadn't done that night—to avoid a three-to-ten year prison sentence. This is the story of how the criminal justice system can come crashing down on an innocent woman like a wave and make it very hard for her to come up for air. Big thanks to Sister Eli, Somil Trivedi, and Diana McHugh at the Women’s Prison Association for making this episode possible! WANT TO HELP?! *Sign Sister Eli’s change.org petition for better conditions at her husband’s prison: https://www.change.org/p/ned-lamont-more-recreational-time-for-cheshire-ci?redirect=false *Follow the race for Manhattan’s next District Attorney (aka main prosecutor aka one of the most influential jobs in law enforcement)!!! This job has the potential to REALLY make a difference when it comes to mass incarceration, coercive plea deals, and more: https://www.thecity.nyc/2021/1/31/22253418/what-you-need-to-know-about-new-yorks-district-attorney-races-in-2021 *Donate to the Women’s Prison Association—if you become a quarterly or monthly donor and put “Criminal Broads” in the details section, you’ll get a free tote!: https://www.wpaonline.org/donate/ *…and the ACLU: https://action.aclu.org/give/fight-back-against-attacks-our-civil-liberties-multistep *** Support the podcast: patreon.com/criminalbroads Follow on Instagram: Instagram.com/criminalbroads Find sources here: https://www.criminalbroads.com/sources/episode48 Editor: Jennifer Longworth of Bourbon Barrel Podcasting Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Casey Anthony is a woman whose face launched a thousand death threats, because most Americans believe she killed her daughter. After her high-profile trial and shocking acquittal, she became an odd sort of celebrity: a famous recluse. What’s she been up to for the past ten years? Why do we care? How accurate are the headlines about her? And does it all add up to anything at all? *** Support the podcast by supporting this episode’s sponsor: Try affordable online counseling (and get 10% off!) by going to betterhelp.com/criminalbroads Or check out: patreon.com/criminalbroads *** Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode47 Editor: Jennifer Longworth of Bourbon Barrel Podcasting Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

In 1992, the body of a young nun named Sister Abhaya was pulled from a well with fingernail marks on her neck. Why did it take thirty years for anyone to be charged for her murder? Support the podcast: patreon.com/criminalbroads Sources: “Regressive, crude,” Indian Express, 24 July 2009 “Sister Sephy burst into tears, Fr Kottoor kept a stoic face,” The Times of India, 23 Dec 2020 “She was murdered for catching an Indian priest and nun in a sex act. Three decades later, justice is served,” Yerepouni Daily News, 25 Jan 2021 “A #MeToo movement for India as nuns speak out,” The Los Angeles Times, 8 Oct 2018 “Sister Abhaya case | Priest, nun, and the murder of a witness,” The Hindu, 2 Jan 2021 https://www.republicworld.com/india-news/law-and-order/nun-abhaya-murder-case-verdict-out-here-is-what-transpired-in-the-last-28-years.html https://www.onmanorama.com/kerala/top-news/2020/12/24/sister-abhaya-case-cbi-court-verdict-how-priest-and-nun-sentenced-life.html https://www.thenewsminute.com/article/what-does-justice-mean-teenaged-nun-killed-27-years-ago-kerala-108179 https://www.newindianexpress.com/states/kerala/2020/dec/23/finally-truth-has-come-out-former-cbi-officer-welcomes-court-verdict-on-sr-abhaya-murder-case-2239855.html https://theprint.in/india/instead-of-warning-they-silenced-her-kerala-nun-abhayas-brother-recalls-28-year-fight/573883/ https://theprint.in/india/how-the-case-of-kerala-catholic-nun-sister-abhaya-turned-from-suicide-to-murder-in-28-yrs/571823/ https://www.newindianexpress.com/states/kerala/2019/sep/18/abhaya-murder-case-hearing-father-kottoor-behaved-indecently-with-students-says-ex-colleague-2035187.html https://www.newindianexpress.com/magazine/voices/2021/jan/03/a-crime-of-convenience-2243769.html Team: Jillian Collins, research assistant Jennifer Longworth of Bourbon Barrel Podcasting, editor Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Rebekah Sebastian has interviewed pretty much everyone in the true crime universe on her podcast Die-Alogue. Now, for our second ever Crime-Obsessed Broad episode, I’m interviewing HER! She talks about the most emotional moments she’s heard during her interviews, why a jury trial scares her, and a HILARIOUS trend involving people who don’t turn down their…um…TV. Oh, and a conspiracy theory involving THE TITANIC. —Listen to Die-Alogue! https://podcasts.apple.com/us/podcast/die-alogue-a-true-crime-conversation/id1470890320 —Follow Rebekah on social media: https://www.instagram.com/diealoguepod/ and https://www.instagram.com/yellowtape_truecrime/ —Rebekah’s interview with Kathy Kleiner: https://podcasts.apple.com/us/podcast/die-alogue-a-true-crime-conversation/id1470890320?i=1000508417169 —Read my Rolling Stone piece with Kathy Kleiner: https://www.rollingstone.com/culture/culture-features/ted-bundy-kathy-kleiner-living-victim-serial-killer-784780/ —SUPPORT THE PODCAST! Become a Patron: https://patreon.com/criminalbroads —See photos from the episode on Instagram: http://instagram.com/criminalbroads —Order Confident Women: https://www.harpercollins.com/products/confident-women-tori-telfer?variant=32180878868514 Team:   Jillian Collins, research assistant Jennifer Longworth of Bourbon Barrel Podcasting, editor Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0 Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of a fortune teller, a romance novelist, and millions and millions of missing dollars. From CONFIDENT WOMEN: Swindlers, Grifters, and Shapeshifters of the Feminine Persuasion. —Preorder my new book, Confident Women, at Pilsen Community Books or Binnacle Books or wherever you get your reads! —SUPPORT THE PODCAST! Become a Patron. —See photos from the episode on Instagram. Sources: This episode is an abbreviated version of a chapter in my book. For all the sources and more wild details, including Brad Pitt's fake email address, see CONFIDENT WOMEN: Swindlers, Grifters, and Shapeshifters of the Feminine Persuasion. Team: Jillian Collins, research assistant Jennifer Longworth of Bourbon Barrel Podcasting, editor Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amy Bishop was obsessed with her Harvard degree, but the rest of the world failed to bow down to her, and she couldn’t take it. “These people are against me,” she ranted to a coworker. So she decided to take matters into her own hands. —Preorder my new book, Confident Women, at Pilsen Community Books or Binnacle Books or wherever you get your reads! —Here’s my Atlantic article about women who commit mass shootings. —SUPPORT THE PODCAST! Become a Patron. —See heartbreaking photos of young Amy and Seth here. Sources: “A Loaded Gun,” by Patrick Radden Keefe, New Yorker, 4 Feb 2013 “What Made This University Researcher Snap?” by Amy Wallace, Wired, 28 Feb 2011 “For Professor, Fury Just Beneath the Surface,” New York Times, 20 Feb 2010 “Ambition fueled a smoldering rage,” Boston Globe, 21 Feb 2010 Mother Jones mass shootings database “UAH shooter Amy Bishop pleads guilty to capital murder, avoids death penalty,” al.com, 11 Sept 2012 “UAH shooting victim speaks out following shooter's prison apology,” Waff48, 20 Oct 2015 “Amy Bishop claimed she was victim in 2002 IHOP assault,” al.com, 18 Feb 2010 Team: Jillian Collins, research assistant Jennifer Longworth of Bourbon Barrel Podcasting, editor Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2007, Jennifer Mee got her fifteen minutes of fame when she couldn’t stop hiccuping. In 2016, she was once again on TV—this time on a show called “Killer Women.” Fame is a curse, and it had cursed her.  *** SUPPORT THE PODCAST! Become a Patron.*** Sources: Jennifer Mee advocacy website: jmeefree.com St. Petersburg Times coverage of Jennifer Mee, 2007-2013, especially coverage from journalist Mary Jane Park “Fla. ‘hiccup girl’ charged with first-degree murder,” Charleston Daily Mail, 18 Sept 2013 “‘Hiccup Girl’ Charged in Fatal Robbery,” The Ledger, 25 Oct 2010 “Jail Call to Mom Played in Court,” Tampa Bay Times, 20 Sept 2013 “Victim’s brother: Hiccup girl’s Internet trap led to homicide,” Tribune Business News, 25 Oct 2010 Jennifer Mee episode, Killer Women with Piers Morgan, 6 July 2017 Freak Show entry in Encyclopedia Britannica “Teen Known for Hiccups Now Faces a Murder Charge,” New York Times, 25 Oct 2010 “Facing a New Surge, Florida Prisons Need to Get it Right This Time,” Orlando Sentinel, 4 Dec 2020 “3 on Florida Commission Decide Parole of Thousands of Inmates,” Juvenile Justice Information Exchange, 10 Dec 2019 “Florida’s Longest-Serving Inmates: They Get Older, Sicker and More Well-behaved,” Juvenile Justice Information Exchange, 17 Oct 2019 “VIDEO: Hiccup girl, Jennifer Mee, breaks silence after going from media darling to convicted killer,” ABC Action News, 17 November 2015 Team: Jillian Collins, research assistant Jennifer Longworth of Bourbon Barrel Podcasting, editor Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marie Dean Arrington looked out her window, saw a car parked outside, and knew it was the FBI. She’d been running from the law her entire life. And for this last crime—a vanished woman, a ransom note, blood in the trunk of a car—she knew she was going to have to pay.  *** SUPPORT THE PODCAST! Become a Patron.*** Sources: “Mean Marie” by Gary Corsair, Lake & Sumter Style, 1 July 2014 “30 Days of Mean Marie,” supplement to the above article, Lake & Sumter Style “Lake Lawyer Bob Pierce Dies at 74,” The Orlando Sentinel, 1 Feb 1990 “Mother of Accused Woman Takes Witness Stand in Murder Trial,” The Tampa Tribune, 5 Dec 1968 “National Search Started For Lowell Prison Escapee,” The Tampa Tribune, 5 March 1969 “Mrs. Arrington Gone, Not Forgotten,” The Orlando Sentinel, 1 Mar 1971 “Killer Loose,” Spokane Chronicle, 1 Mar 1969 “Mrs. Arrington On FBI’s 10 List,” The Orlando Sentinel, 29 May 1969 “2 Years Later, a Murderess Still at Large,” The Miami Herald, 31 May 1971 “Killer Escapes at Ocala,” Pensacola News Journal, 2 Mar 1969 “Marie Dean Arrington’s Daughter Granted Parole,” The Orlando Sentinel, 4 April 1971 “Arrington Judge Gets Voodoo Doll,” Orlando Evening Star, 16 Oct 1971 “Woman Murderer Transferred,” Tampa Bay Times, 4 July 1981 “Notorious Leesburg murderess Marie Arrington dead at 80,” The Orlando Sentinel, 29 Mar 2014 “Is This The Place They Call Hell?” The Palm Beach Post, 18 Mar 1973 “Segregation Has a Home in Her Stories,” The Orlando Sentinel, 2 Feb 2003 “Judge Names Lake Attorney To Defend Mrs. Arrington,” The Tampa Tribune, 2 May 1968 Team: Jillian Collins, research assistant Jennifer Longworth of Bourbon Barrel Podcasting, editor Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Learn more about your ad choices. Visit megaphone.fm/adchoices

FIRST EPISODE OF 2021 IS HERE. Meet Juana Barraza, who loved wrestling and her children, who hated elderly women and her mother. Our expert for this episode is Susana Vargas Cervantes, author of THE LITTLE OLD LADY KILLER: The Sensationalized Crimes of Mexico’s First Female Serial Killer. Also, you can preorder my new book Confident Women here, and listen to Red Flags (my latest podcast project) here!  *** SUPPORT THE PODCAST! Become a Patreon supporter. Purchase NOBODY’S NORMAL from this episode’s sponsor, W. W. Norton. *** Sources: Interview with Susana Vargas Cervantes, December 30, 2020 THE LITTLE OLD LADY KILLER: The Sensationalized Crimes of Mexico’s First Female Serial Killer, by Susana Vargas Cervantes “El/La Mataviejitas: Killing genders in Mexico City,: MA thesis, Susana Vargas Cervantes “Juana Barraza: analfabeta, su madre la regaló a los 12 años, fue violada y le mataron un hijo a batazos,” Crónica, 27 Jan 2006 “El papá de la mataviejitas,” Crónica, 5 Feb 2006 “The Lady Killer,” The Guardian, 18 May 2006 “Dan 759 años de prisión a La mataviejitas,” La Jornada, 1 April 2008 “Mexico's “Little Old Lady Killer” gets life term,” Reuters, 31 March 2008 “Woman Held in Mexico City Serial Killings,” New York Times, 26 Jan 2006 “Little Old Lady Killer handed 759 years in a Mexican prison,” The Guardian, 1 April 2008 “The Mexican serial killer who has found love behind bars,” El País, 28 July 2015 “48 murders later, the “Little Old Lady Killer” files for divorce,” El País, 28 Oct 2016 “Juana Barraza, la mataviejitas | Asesinos Seriales,” Azteca Noticias Music: Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer  Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0 Narration music: Stereodog Productions (Dan Pierson & Peter Manheim) Learn more about your ad choices. Visit megaphone.fm/adchoices

Jazzvaneio 04, Especial Divas em quatro atosAto Primeiro: Billie Holiday “Lady day”Primeiro de quatro homenagens que humildemente rendemos às quatro grandes “Divas Clássicas” do Jazz, Soul e da música popular americana. Alçamos as cortinas e com esmero apontamos os holofotes à “Lady Day”, protagonista e heroína deste episódio número 01. Sua trágica vida interrompida ainda aos 44 anos de idade, é o palco e a seiva de uma produção artística ímpar e, para muitos, revolucionária. Seu álbum “Songs For Distingué Lovers”, um dos seus últimos registros em vida, é testemunha de uma fragilizada e inspiradora Billie Holiday ainda comovente por sua inabalável capacidade expressiva. Voltemos assim a 1957...imaginemos!Album: Billie Holiday “Songs For Distingué Lovers” 1957 - Vervehttps://billieholiday.com/Ato gravado no dia 20 de Outubro de 2020Outras Referências Artísticas e “culturais” (por ordem de menção): Clarence Holiday (Músico), Louis Armstrong (Músico), Bess Smith (Músico), U2 (Banda de Rock), Angel of Harlem (Música do U2 do álbum Rattle and Hum), Billie Dove (Atriz), Benny Goodman (Músico), Brusnwick Records (Gravadora Musical), Teddy Wilson (Músico), Swing (estilo jazzístico mais simples e da caráter dançante), What a Little Moonlight Can Do (Música de Harry M. Woods interpretada por Billie Holiday em 1935), Miss Brown to You (Música de Richard A. Whiting e Ralph Rainger interpretada por Billie Holiday em 1935), Count Basie (Músico), Lester Young (Músico), Chick Webb (Músico), Ella Fitzgerald (Músico), Carnegie Hall (Casa de Espetáculos em NY), Savoy Ballroom (Sala de Música e Dança de NY), Artie Shaw (Músico), The Green Book (Filme dirigido por Peter Farrelly e estrelado pelos atores Vigo Mortensen e Mahershala Ali), Senhor dos Anéis (Filme dirigido por Peter Jackson e estrelado também por Vigo Mortensen), New York Café Society (Clube de Jazz em NY), Strange Fruit (Música de Abel Meeropol interpretada por Billie Holiday em 1939), God Bless the Child (Música de Billie Holiday and Arthur Herzog Jr de 1939), Lewis Allan (Pseudônimo usado pelo poeta Abel Meeropol), Lady Sings The Blues (Biografia da Billie Holiday de 1956), Lady in Satin (Álbum da Billie Holiday), Lady Sings The Blues (Filme dirigido por Sidney J. Furie e estrelado pela Atriz Diana Ross em 1972), Van Halen (Banda de Rock), Queen (Banda de Rock), Universal Studios (Estúdio e arquivo musical de Los Angeles), Like Someone in Love (Álbum da Ella Fitzgerald), Norman Granz (Produtor Musical), Harry Edison (Músico), Ben Webster (Músico), Ira Gershwin (Letrista), George Gershwin (Músico), Cole Porter (Músico), Jonny Mercer (Músico), Harold Arlen (Músico), Richard Rodgers (Músico), Columbia Records (Gravadora Musical), EP (Extended Play – mini álbum), LP (Long Play – álbum), Verve (Gravadora Musical), Walking Bass (estilo de “levada” baixo muito utilizada no âmbito jazzístico), David Bowie (Músico), Day-In Day-Out (Música de Johnny Mercer e Rube Bloom também regravada por David Bowie em seu álbum Never Let Me Down de 1987), George Benson (Músico) e Stan Getz (Músico).Contato: info@jazzvaneio.com

This week the bad piano player learns about Richard A. Whiting, who wrote the famous Shirley Temple tune about lollipops. 

Welcome back! For this episode I binged all nine Academy Award Best Motion Picture of the Year nominees. Check out which film I think is gonna win and which one's my favorite! Music: Hooray for Hollywood by Richard A. Whiting & Johnny Mercer

Episode Notes Mason, Andrew, and Donovan present The Cruisies.Footnotes: Visit us on Twitter @cruisinitpod Email us at cruisinitpod@gmail.com Check out our Tom Cruise movie rankings on Letterboxd Follow the Cruisin' It Pod page on [Facebook] (https://www.facebook.com/profile.php?id=2022464934538348&ref=content_filter) Songs in this episode include Hooray for Hollywood by Richard A. Whiting and Johnny Mercer. Find out more at http://gcatsmedia.com

Midnight. A hospital ward. A young woman writhes in her bed in pain. But wait—here comes the night nurse, Jane Toppan, with a cool glass of water, promising to make it all…go…away… The story of Jane Toppan will chill you to your core, shake you to your bones, and remind you of the inconvenient truth that female serial killers can be just as deadly as the male ones. Want more Criminal Broads? Come to Caveat NYC on October 30 at 70 pm to see me and the host of DIE-ALOGUE talk about female cult leaders!!! Get your tickets here! *** SUPPORT THE PODCAST! Become a Patreon supporter and get a cool postcard and bonus content on each broad. Snag a free month of weird and entertaining courses at The Great Courses Plus at thegreatcoursesplus.com/broads by entering code FREEMO. And get 10% off your first month of Betterhelp at betterhelp.com/criminalbroads. *** Sources:  Fatal by Harold Schechter Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer  “Shake It and Break It” by Lanin's Southern Serenaders, licensed under a Public Domain / Sound Recording Common Law Protection License” “The Haunted House” by Haunted Corpse, via freemusicarchive.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

On Halloween night, a young woman sneaks her boyfriend into her house…to kill her parents. Meet Suzane Von Richthofen, Brazil’s biggest teen girl psychopath.  Mega-thanks to Luiz Alberto Moura for the research assistance! Read his work on serial killers here. Want more Criminal Broads? Come to Caveat NYC on October 30 at 70 pm to see me the host of DIE-ALOGUE talk about female cult leaders!!! Get your tickets here! *** SUPPORT THE PODCAST! Become a Patreon supporter and get a cool postcard and bonus content on each broad. Get 30% off all Proverb jewelry with code BROADS. Snag a free month of weird and entertaining courses at The Great Courses Plus at thegreatcoursesplus.com/broads by entering code FREEMO. And check out the new Nevertheless She Existed podcast!*** Sources: “Sex-and-murder transfixes Brazil,” The Windsor Star, 24 July 2006 “‘Red Baron’ heiress who plotted to murder parents gets 39 years,” The Times, 24 July 2006 “Red Baron Descendant's Murder Trial Is Hot Ticket,” Bloomberg News, June 2, 2006 + Brazilian sources aplenty! https://entretenimento.uol.com.br/noticias/redacao/2019/06/23/carla-diaz-se-inspira-em-silencio-dos-inocentes-para-interpretar-suzane-von-richthofen.htm https://noticias.uol.com.br/cotidiano/ultimas-noticias/2019/05/08/suzane-von-richthofen-deixa-prisao-para-saida-de-dia-das-maes.htm https://tvefamosos.uol.com.br/noticias/redacao/2019/07/12/reporter-da-globo-cita-poder-de-seducao-de-suzane-von-richthofen-em-prisao.htm https://super.abril.com.br/mundo-estranho/suzane-von-richtofen-o-crime-que-chocou-o-brasil/ https://g1.globo.com/sp/vale-do-paraiba-regiao/noticia/teste-para-aval-a-soltura-de-suzane-richthofen-indica-detenta-egocentrica-e-narcisista.ghtml http://g1.globo.com/fantastico/noticia/2017/06/prontuario-diz-que-richthofen-estava-com-higiene-precaria-e-olhar-vidrado.html https://g1.globo.com/sao-paulo/noticia/irmao-de-suzane-von-richthofen-e-internado-em-ala-psiquiatrica-de-hospital-em-sp.ghtml https://veja.abril.com.br/brasil/daniel-cravinhos-vai-sair-em-lua-de-mel/ https://vejasp.abril.com.br/cidades/romance-suzane-richthofen-sandra-gomes-tremembe-presidio/ https://canalcienciascriminais.jusbrasil.com.br/artigos/323442322/caso-richthofen https://g1.globo.com/sao-paulo/noticia/irmao-de-suzane-von-richthofen-e-internado-em-ala-psiquiatrica-de-hospital-em-sp.ghtml https://istoe.com.br/promotor-de-justica-e-medico-foram-seduzidos-por-suzane-von-richthofen-diz-jornalista/ https://www1.folha.uol.com.br/folha/cotidiano/ult95u62515.shtml  Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer “Shake It and Break It” by Lanin's Southern Serenaders, licensed under a Public Domain / Sound Recording Common Law Protection License “Copo de Veneno” by Karina Buhr, via freemusicarchive.org Learn more about your ad choices. Visit megaphone.fm/adchoices

When a young black woman named Joan Little ran from her jail cell, leaving her white male guard dead on the floor—without his pants—the country couldn’t decide who, exactly, Joan Little was. The prosecution said she was a vicious seductress who’d lured the guard in specifically to kill him. The defense said she was an innocent angel who hadn’t even known he was dead. Who in the world was Joan Little, really? Want more Criminal Broads? Come to Caveat NYC on October 30 at 70 pm to see me the host of DIE-ALOGUE talk about female cult leaders!!! Get your tickets here! *** SUPPORT THE PODCAST! Become a Patreon supporter and get a cool postcard. Get 10% off your first month of Betterhelp at betterhelp.com/criminalbroads. Snag a free month of weird and entertaining courses at The Great Courses Plus at thegreatcoursesplus.com/broads by entering code FREEMO. And check out Harlequin Suspense’s new line of creepy fall books at bit.ly/mustreadsuspense.*** Sources: New York Times coverage of the Joan Little case, 1975-1989The Innocent of Joan Little: A Southern Mystery, by James RestonJoan Little ephemera (including her poem, “I Am Somebody”), from usprisonculture.com“Free Joan Little: Anti-Rape Activism, Black Power, and the Black Freedom Movement,” by Ashley Farmer, from Black Perspectives by AAIHS Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer “Shake It and Break It” by Lanin's Southern Serenaders, licensed under a Public Domain / Sound Recording Common Law Protection License“Gospel House Mix 1” by DJ Renay, via archive.org. Public domain.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Why do women love true crime? Wait, no—why do people love true crime? Author Rachel Monroe comes on the podcast to deconstruct our appetite for horrifying true stories. Also covered: relating to the Manson girls, why true crime is not the same as a bowl of oatmeal, the ethics of crime scene photos, and the murky side of the victim's rights movement. Check out Rachel’s new book, Savage Appetites: Four True Stories of Women, Crime, and Obsessiontoday! Want more #content? 1) Subscribe to the new podcast I’m hosting, Why Women Kill, from CBS All Access. 2) Come see me + the host of DIE-ALOGUE talk about female cult leaders in NYC on October 30. Tickets here! *** SUPPORT THE PODCAST! Become a Patreon supporter and get a cool postcard. Get a free month of courses at The Great Courses Plus at thegreatcoursesplus.com/broads. Check out Harlequin Suspense’s new line of creepy fall books at bit.ly/mustreadsuspense.*** Sources: Interview with Rachel Monroe: August 28, 2019Savage Appetites: Four True Stories of Women, Crime, and Obsession, by Rachel MonroeRachel’s con-man article in the Atlantic: “The Perfect Man Who Wasn’t,” April 2018 issueThe article about serial rapists we discuss: “An Epidemic of Disbelief,” by Barbara Bradley Hagerty, The Atlantic, August 2019 issue Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer“Can You Tame Wild Wimmen?” by Billy Murray, licensed under a Public Domain / Sound Recording Common Law Protection License“Shake It and Break It” by Lanin's Southern Serenaders, licensed under a Public Domain / Sound Recording Common Law Protection License  Learn more about your ad choices. Visit megaphone.fm/adchoices

On the night of January 15, 1978, Kathy Kleiner opened her eyes to see the serial killer Ted Bundy standing over her bed. One year later, she stared him down in the courtroom, thinking, “I’m standing, now, and you’re in the bed.”  This is her story, in her own words. Here’s the Vulture article about Ted Bundy that I wrote…and my profile of Kathy for Rolling Stone. *** SUPPORT THE PODCAST! Become a Patreon supporter and get a cool postcard. Get a free month of courses at The Great Courses Plus at thegreatcoursesplus.com/broads. Get 25% off your Care/of order by heading to takecareof.com and using code CRIMINALBROADS. And check out the new Nevertheless She Existed podcast!*** Sources: Interview with Kathy Kleiner: August 23, 2019 Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer“Shake It and Break It” by Lanin's Southern Serenaders, licensed under a Public Domain / Sound Recording Common Law Protection License“Show Yourself (Living Light remix)” by Ayla Nereo, licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License and used with permission. Learn more about your ad choices. Visit megaphone.fm/adchoices

There were plenty of jobs for women in WW2: nurse, ambulance driver, factory worker. But then there were the other jobs, the ones no one really talked about. Spy. Resistance fighter. Killer. These are the stories of five women—Nadezhda Popova, Vitka Kempner, Noor Inayat Khan, Nancy Wake, and Lyudmila Pavlichenko—who fought the Nazis. They terrorized them from the sky, blew up their trains, endured their torture, rode bikes through their territory, and shot them down with their rifles. In a world that threatened to be consumed by evil, they fought back.  *** SUPPORT THE PODCAST! Become a Patreon supporter and get a cool postcard. Get a free month of Stitcher Premium at stitcherpremium.com with code BROADS. And get 25% off your Care/of order by heading to takecareof.com and using code CRIMINALBROADS. *** Sources: “Nadezhda Popova, WWII ‘Night Witch,’ Dies at 91,” New York Times, 14 July 2013 “Nadezhda Popova, celebrated Soviet ‘Night Witch’ aviator of World War II, dies at 91,” The Washington Post, 13 July 2013 “Vilna Jewish Partisans Led By Young Girl,” The Wisconsin Jewish Chronicle, 8 Sept 1944 “VITKA KEMPNER-KOVNER,” The Encyclopedia of Jewish Women “Vitka Kovner, partisan, passes away at the age of 92,” Yad Vashem, 15 Feb 2012 “Overlooked No More: Noor Inayat Khan, Indian Princess and British Spy,” New York Times, 28 Nov 2018 “One Woman, Many Surprises: Pacifist Muslim, British Spy, WWII Hero,” NPR, 6 Sept 2014 “Noor Inayat Khan: The Indian princess who spied for Britain,” BBC, 8 Nov 2012 “Nancy Wake, Proud Spy and Nazi Foe, Dies at 98,” New York Times, 13 Aug 2011 “Farewell to Nancy Wake, the mouse who ran rings around the Nazis,” The Guardian, 8 Aug 2011 “War hero Nancy Wake's ashes scattered in France,” ABC Australia, 10 Mar 2013 “Eleanor Roosevelt and the Soviet Sniper,” Smithsonian, 21 Feb 2013 “The life and myths of Lyudmila Pavlichenko, Soviet Russia's deadliest sniper,” Public Radio International, 9 March 2018 “By the Numbers: End of World War II,” CNN, 2 Sept 2013 World War II Foundation (for statistics)   Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer “Shake It and Break It” by Lanin's Southern Serenaders, licensed under a Public Domain / Sound Recording Common Law Protection License “Piano Concerto No. 2 in C minor, Op. 16” by Sergei Rachmaninoff (Sviatoslav Richter, piano; Warsaw National Philharmonic Orchestra, Stanislaw Wislocki, cond.), via archive.org. Samples played from “Miss Pavlichenko” by Woody Guthrie and Inglorious Bastards by Quentin Tarantino.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Meet Irma Grese. She likes boys, girls, movies, makeup, and sadistic torture. She hates her dad, but loves Adolf Hitler. This is horrific story of the story of how propaganda—and a large dose of teenage boredom—transformed an unskilled peasant girl into one of the Holocaust’s most successful concentration camp guards.(Become a Patreon supporter.) Sources: The Beautiful Beast: The Life & Crimes of SS-Aufseherin Irma Grese, by Daniel Patrick Brown “The Violence of Female Guards in Nazi Concentration Camps (1939-1945): Reflections on the Dynamics and Logics of Power,” by Elissa Mailänder in SciencesPo “Nazi Bride Schools: ‘These girls were the nucleus of the Reich,’” Telegraph, 16 August 2013 “Auschwitz II-Birkenau,” from Auschwitz.org “Life for young people in Nazi Germany,” BBC Bitesize, accessed 6/31/2019 “Gendering the Holocaust: A case study of Irma Grese: Constructing the ‘evil’ and the ‘ordinary’ through digital oral testimonies and written trial testimonies of the Holocaust survivors,” by Bianka Vida, Kaleidoscope  Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer“Shake It and Break It” by Lanin's Southern Serenaders, licensed under a Public Domain / Sound Recording Common Law Protection License“Death Is Our Only God” by Silent Carrion, licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. Learn more about your ad choices. Visit megaphone.fm/adchoices

History remembers them as beautiful booze-hounds. Hollywood turned them into fame-hungry starlets. But who were these murderesses, really? With Emilie Le Beau Lucchesi, author of UGLY PREY: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago, we dive into the stories of Belva Gaertner and Beulah Annan, the most infamous lady killers of 1920s Chicago. What did the press get wrong about them? What do we get wrong about them today? WHY WERE THEIR JURIES SO UTTERLY MAD? And honestly, was the whole thing just a gin-soaked joke, or were real crimes committed?   Find Emilie on her website and Instagram. Buy her books here. And become a Patreon supporter for rewards and bonus content! Sources: Interview withEmilie Le Beau Lucchesi, 6/14/19UGLY PREY: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago, by Emilie Le Beau LucchesiThe Girls of Murder City: Fame, Lust, and the Beautiful Killers Who Inspired Chicago, by Douglas PerryLady Killers, by Tori Telfer  Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer“Shake It and Break It” by Lanin's Southern Serenaders, licensed under a Public Domain / Sound Recording Common Law Protection License“One Night Alone With You” via archive.orgBrief clips played for educational purposes: “Cell Block Tango” from Chicago and “Hula Lou” by Danny Kaye Learn more about your ad choices. Visit megaphone.fm/adchoices

The story behind New York’s first-ever female detective! In 1896, Isabella Goodwin was a quiet, hard-working police matron who wrangled murderesses, made up the prison beds, and earned about half of what her male coworkers did. As far as she knew, she’d be a police matron forever…until one day, a gruff captain called her over to his desk and asked if she’d like to take a crack at going undercover.  (Become a Patreon supporter for rewards and bonus content!) Sources: The Fearless Mrs. Goodwin: How New York's First Female Police Detective Cracked the Crime of the Century, by Elizabeth Mitchell“Robbers Hold Up Bank Messengers in Taxi; Steal $25,000 and Escape in an Auto,” Brooklyn Times Union, 15 Feb 1912“The First Municipal Woman Detective in the World,” The New York Times, 3 March 1912“Mrs. Isabella Goodwin is a Sherlock Holmes in Skirts,” Daily Long Island Democrat, 26 March 1912“Who Mrs. Isabella Goodwin Really Is,” St. Louis Post-Dispatch, 7 April 1912“Bandits’ Sentences Pile High,” New-York Tribune, 13 April 1912“Woman Detective is Secret Bride,” The Standard Union, 28 Nov 1921“Overlooked No More: Isabella Goodwin, New York City’s First Female Police Detective,” New York Times, 13 March 2019Ticket Scalping: An American History, 1850–2005, by Kerry Segrave (p. 68)  Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer.“Shake It and Break It” by Lanin's Southern Serenaders, licensed under a Public Domain / Sound Recording Common Law Protection License“La Traviata, Brindisi (Verdi)” by MIT Symphony Orchestra, licensed under a Attribution-NonCommercial License Learn more about your ad choices. Visit megaphone.fm/adchoices

Juanita Spinelli ran a gang of embarrassingly awful Northern Californian crooks who could barely rob enough gas stations to stay afloat. And yet three years after forming her gang, she was walking toward the gas chamber, while citizens across the country clamored that it wasn’t right to execute a woman. (Become a Patreon supporter for rewards and bonus content! And here’s the slideshow of California’s death row inmates that I mention at the end of the episode…) Sources: All Juanita Spinelli coverage from The San Francisco Examiner, 1940-1941“Murder Ring in State Broken,” Santa Maria Times, 16 April 1940“Robbery-Gang Killing Explained,” The Los Angeles Times, 17 April 1940“Woman Seized as Murder Ring Head,” Leader-Telegram, 17 April 1940“Gang is Indicted in Sacramento For Slaying of Youth,” Reno Gazette-Journal, 23 April 1940“Aided Slayers to Save Child,” Muncie Evening Press, 25 May 1940“'Duchess’ Gang Aid Admits Throwing Victim Into River,” Oakland Tribune, 27 May 1940“A Woman Condemned to Die,” Lincoln News Messenger, 13 Feb 1941“‘The Duchess’ to Die for Gang Slaying,” The Press Democrat, 19 June 1941“Murderess Snatched from Death’s Shadow,” The Press Democrat, 20 June 1941“Death Awaits Mrs. Spinelli,” The Los Angeles Times, 20 Nov 1941“‘The Duchess’ Dies in Gas Chamber,” The Roseville Press, 21 Nov 1941“Many Pleas Made For Duchess’ Life,” Oakland Tribune, 21 Nov 1941“‘Duchess’ Quiet in Execution,” Santa Cruz Evening News, 21 Nov 1941“Aides to ‘Duchess’ Executed; Laugh and Pray at Finish,” The Los Angeles Times, 29 Nov 1941“These Interesting People,” Oakland Tribune, 4 Nov 1946 "Big Names from the Big House,” Santa Cruz Sentinel, 17 Dec 2000“The Death of a Duchess,” Daily News, 29 June 2003“Timeline: Capital Punishment in California,” Southern California Public Radio“California Death Penalty Suspended; 737 Inmates Get Stay of Execution,” New York Times, 12 March 2019“The most notorious inmates on California's death row,” SF Gate, 13 March 2019“These are the 737 inmates on California's death row,” LA Times, 13 March 2019 Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer.“Me and the Blues,” sung by Mildred Bailey, from archive.org Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1982, Kazuko Fukuda strangled her coworker, changed her name, and went on the run—for fifteen years. She was playing a game of chicken with the law, trying to stay free until the statute of limitations for her crime ran out. To do this, she had to go under the knife. (Become a Patreon supporter for rewards and bonus content!) Sources: Crime stats for Japan and the US: The Japanese Industrial System (De Gruyter Studies in Organization, 3rd Edition), Page 46, and “The U.S. Murder Rate Is Up But Still Far Below Its 1980 Peak,” FiveThirtyEight, 25 Sept 2017 “Staying Healthy in Japan: Jujin Hospital,” Tokyo Weekender,  20 May 1888 “A Modest Proposal for Capturing Fugitives,” The Japan Times, Aug 07, 1997 “Informant donates reward to charity,” The Japan Times, 24 Aug 1997 “After 14 years on run, murder suspect arrested,” The Japan Times, 30 Jul 1997  “Japanese police scramble to catch up with criminals,” The Washington Post, Tokyo, 13 September 1997 “Ex-fugitive admits killing,” The Japan Times, 28 Oct 1997 “Life term for ex-fugitive upheld,” The Japan Times, 14 Dec 2000 “The rules of hostessing,” Japan Today, 3 November 2009  “Japan: Statute of Limitations for Murder Abolished,” Global Legal Monitor, The Law Library of Congress, 21 May 2010  “Heisei flashback: Kazuko Fukuda, ‘The Woman of Seven Faces,’” Tokyo Reporter, 19 April 2019 Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer.“Moon-kana – Tsuki Kinoko (Yaka-anima Slow Mix)” by Yaka-anima from Broken Doll (2018), used with permission from archive.org under license Attribution-NonCommercial-NoDerivs 4.0 International. Learn more about your ad choices. Visit megaphone.fm/adchoices

The victims of Jack the Ripper, the most famous serial killer in the world, are known to us mostly by their autopsy photos. On the conclusion to our WOMEN OF JACK THE RIPPER series, historian Hallie Rubenhold comes on the podcast to illuminate the rough and tragically brief lives of Mary Ann Nichols, Annie Chapman, Elisabeth Stride, Catherine Eddowes, and Mary Jane Kelly—the canonical five. Hallie is the author of The Five: The Untold Lives of the Women Killed by Jack the Ripper.  (Become a Patreon supporter for rewards and bonus content!) Sources: Interview with Hallie RubenholdThe Five: The Untold Lives of the Women Killed by Jack the Ripper, by Hallie RubenholdDescriptions of the victims’ injuries are available in detail on casebook.org/victims/ Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer.“Funeral March in C minor, Op. posth. 72 no. 2” by Frederick Chopin, used with permission from musopen.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

W. G. Snuffy Walden - "Angela Smiled" - My So-Called Life Armin van Buuren feat. Aaelyn - "In and out of love" Bart & Baker feat. Lolly Wish - "Downloaded (Rogan remix)" W. G. Snuffy Walden - "My So-Called Life theme" - My So-Called Life [Layers] Olivia Newton-John & ELO - "Xanadu" - Xanadu [Loops] Ken - "Nobody knows, we're all alone" [Recorded on cell phone camera (live during show)] Olivia Newton-John & ELO - "Xanadu" - Xanadu [Loops] W. G. Snuffy Walden - "Angela Smiled" Live phone caller & Ken - "Possibility is possible (It's possible)" W. G. Snuffy Walden - "Angela Smiled" - My So-Called Life Ken's Last Ever Radio Extravaganza - "You Don't Have Time (this is good news)" - Show #509, from 9/15/2016 [Live on stage at Twisted Branch Tea Bazaar] Set: Michael Linnen & David Wingo - "Kissing music" - All the Real Girls Ken - "Collective faith (something good will happen)" Cowboy Junkies - "Ring on the Sill" - Pale Sun Crescent Moon [Loops] Sharon Stone with Garry Shandling - "If you're not in your vulnerability, nothing is interesting" - Garry Shandling meets Sharon Stone [They didn't want to be in their truth or vulnerability; they wanted to be in their mask, and their whole acting out of how fabulous they were. It's only really interesting to be with people when they're in their vulnerability. It's better to be with someone when they're making mistakes and don't know what to do, than someone who's being so sure-footed and phony. That's not interesting at all.] Martin Donovan, Hal Hartley, Anatole France - "Ignorance is the necessary condition of human happiness." - Surviving Desire movie / The Gods Will Have Blood [We are almost entirely ignorant of ourselves, absolutely of others. In ignorance, we find our bliss; in illusions, our happiness.] Julia Kent - "Ebb" - Character Lou Reed - "Street Hassle" - Street Hassle [Loops] Live phone caller & Ken - "Having a great winter" Carel Struycken, Kyle MacLachlan (voices), David Lynch, Mark Frost (writers) - "Don't search for all the answers at once" - Twin Peaks: Season 2 episode 1 [Better to listen than to talk. A path is formed by laying one stone at a time.] Live phone caller & Ken - "Daytime (mossy lighthouse)" Ken - "Trembling and shaking" Live phone caller & Ken - "Transitional moment (mossy lighthouse)" Ken - "Shape and timelines" Ken - "Practice not being remembered" Explosions in the Sky - "Your Hand in Mine" - The Earth is Not a Cold Dead Place Ken - "Try to remember what you said, hope somebody was there as a witness" Charlie Kaufman - "Failure is a badge of honor, it means you risked failure" - BAFTA and BFI Screenwriters Lecture Series [Let's not worry about failure. And if you don't risk failure, you're never going to do anything that's different than what you've already done, or what somebody else has done. And just know that, that that's the choice you're making when you won't put yourself at jeopardy like that.] Martin Donovan (voice), Hal Hartley (writer) - "Intimacy list" - Surviving Desire [Kissing, caressing, holding, slapping, shouting, talking, waiting, sleeping, crying, listening, hoping, encouraging, forgiving, laughing, relenting.] Ken - "When did this happen? People speak of slipping out of time" Malcolm X - "I live like a man who is dead already. I have no fear whatsoever of anybody or anything." - Our history was destroyed by slavery [No, I don't worry. I'm a man who believed that I died 20 years ago.] Alexandre Desplat - "Closing credits music" - Birth Ken - "I remember that I wasn't sweating, moving forward in time" Spandau Ballet - "True" - True Andre Gregory (voice), Rupert Walters (writer) - "Mysteries going on all the time" - Some Girls [Right under our noses.] Ken - "Leaving one cookie over. What if I had 5 minutes? Then I'd worry that if I only had 7 minutes, I'd have enough" [How long do you need to fall in love with someone?] Explosions in the Sky - "Your Hand in Mine" - The Earth is Not a Cold Dead Place [with Spandau Ballet, David Wingo & Michael Linnen, Cowboy Junkies] Ken - "You can go back and edit. How long does it take us to unlearn everything?" [I think we already know everything. They probably already know. But it's probably time to tell them. You don't have time. This is good news.] Sawako - "White Sky Winter Chicada" - Hum Alan Watts - "Wanting what you are not divides you (from Intellectual Yoga)" - Philosophies of Asia [So long as you can be persuaded that there's something more you ought to be than you are, you've divided yourself.] Ken - "Assume their posture, see how you feel (I used to look down a lot, I feel like a child)" [Regression therapy, inner child] Andre Gregory (voice), Rupert Walters (writer) - "Mysteries going on all the time" - Some Girls [Piano loop] Pink Floyd - "Goodbye Cruel World" - The Wall [Bass loop] Al Bowlly (singer), Richard A. Whiting, Harry Akst (music), Gus Kahn (lyrics) - "Guilty" - Amelie s.t. Martin Donovan (voice), Hal Hartley (writer) - "Intimacy list" - Surviving Desire [Kissing, caressing, holding, slapping, shouting, talking, waiting, sleeping, crying, listening, hoping, encouraging, forgiving, laughing, relenting.] Ken - "You'll have a memory. I'm going to look straight at you" Cowboy Junkies - "Ring on the Sill" - Pale Sun Crescent Moon [Loops] Ken - "Remember this moment in time. You will look back and be glad we have no more devices, no more electronics, we only look directly at each other" [Appreciations] Set: Cowboy Junkies - "Ring on the Sill" - Pale Sun Crescent Moon [Loops, back in 2019] Ken - "We almost remember who we used to say we were, the identity we're supposed to put on" [We're not sure if it still fits] Ken's Last Ever Radio Extravaganza - "Be Who You Are Today" - Show #522, from 5/4/2017 [Live on stage at Twisted Branch Tea Bazaar ] Set: Garth Stevenson - "Dawn" Ken - "Here it comes, something is going to come together" Lionel Richie - "Stuck On You" [Loops] Noam Chomsky - "Social Policy - Welfare for the Rich" Weyes Blood [Piano loop] Bill Cosby - "Conflict" - To Russell, My Brother, Whom I Slept With [Mind and body don't get along at all] Stan Dale - "Stop trying to be a good person. If I do nice things for you, maybe you'll love me?" Bill Cosby - "Seattle" [And you get a gorilla and then the old gorilla] Jesse Rose - "Night at the Dogs" Christine and the Queens - "Christine" [Loops] Mazzy Star - "Fade Into You" War On Drugs - "In Reverse" - Lost in the Dream [Loops] Martin Luther King Jr - "I'm afraid we're integrating into a burning house" Ken - "You've walked in on the middle of a bit of an experiment" Steve Paxton - "Taking care of your partner, and this third thing, what you are together" - In a Non-Wimpy Way War On Drugs - "Burning" - Lost in the Dream [Loops] Ken - "People are looking for the good bits" Live phone caller - "Luck is when opportunity meets preparedness. Planning is great, but being open is great" [over War On Drugs-In Reverse loops] War On Drugs - "In Reverse" - Lost in the Dream [Loops in 2019] Ken - "Disasters, looking for the lessons, we need tragedy, we need television, we need preparedness" War On Drugs - "Burning" [Loops in 2019] Ken's Last Ever Radio Extravaganza - "Be Who You Are Today" - Show #522, from 5/4/2017 [Back in 2017!] Ken - "Self-indulgent. Sometimes I'm too ambitious" Elton John & Kiki Dee - "Don't Go Breaking My Heart" [Loops] Ken - "You're allowed to be a different person every day (you can be who you are today)" Timothy "Speed" Levitch - "Running from the cops, every day I feel like a fugitive" - The Cruise Kyle MacLachlan, David Lynch - "Better to listen than to talk, don't search for all the answers at once, a path is formed by laying one stone at a time" - Twin Peaks Lara Flynn-Boyle, David Lynch - "Crying" - Twin Peaks pilot episode Bill Cosby - "Seattle" [Gorilla loop] Lara Flynn-Boyle - "Crying" - Equinox - "Light and dark are equal" - Equinox Ken - "I don't like to explain, except that I love to explain, I just don't let myself do it. The crying is back. People expected crying" Lionel Richie - "Stuck On You" [Loops] Chevrolet - "The American Look (the freedom of individual choice)" Matthew Modine, Lara Flynn-Boyle - "There's always this pushing and pulling. I have my you. My whole life seems to be taking place without me in it" - Equinox Matthew Broderick - "First impulse was to demand that she admit she lied and cheated" - Election Frightened Rabbit - "The Wrestle" [Loops] Garth Stevenson - "Dawn" Ken - "None of it actually means anything, but it can mean everything" [Record them all] The Go Go's - "Our Lips Are Sealed (vocals only)" Moondog With Orchestra - "Stamping Ground" Ken - "You can look for meaning in your dreams" [Recording your dreams] John Carpenter - "Our impulses are being redirected. We are living in an artificially produced state of consciousness that resembles sleep" - They Live [The poor and the underclass are growing. Racial justice and human rights are non-existent. That is their primary objective: Keep us asleep, keep us selfish, keep us sedated.] Louis Hay - "Every thought we think and every word we speak is creating our future" Frightened Rabbit - "The Wrestle" [Loops] Steve Paxton - "The preservation of all concerned. Not injure or defeat or smash" - In a Non-Wimpy Way Steve Paxton - "If thinking is too slow, is an open state of mind useful? Seems to be" - Chute (from Contact Improv Archive 1972-1983) Steve Paxon - "A body could endure for decades (can't exclude fear)" - Chute (from Contact Improv Archive 1972-1983) Ken - "Some people are apparently transparent (start to unthink)" Ken - "There were a lot of things. I'll just name one of them: Lionel Richie" [I have to look away to think] Frightened Rabbit - "The Wrestle" [Final loops] Bill Cosby - "Seattle" Set: Elton John & Kiki Dee - "Don't Go Breaking My Heart" [Loops back in 2019] Ken - "This is the moment after. This is everything you've dreamed of. This is everything everybody has told you to want." Ken - "All the thoughts from before seem to be relevant again. We reinvent the wheel and we are the wheel and we imagine the wheel" W. G. Snuffy Walden - "My So-Called Life theme" - My So-Called Life [Layers] End of set http://www.wfmu.org/playlists/shows/83895

W. G. Snuffy Walden - "Angela Smiled" - My So-Called Life Armin van Buuren feat. Aaelyn - "In and out of love" Bart & Baker feat. Lolly Wish - "Downloaded (Rogan remix)" W. G. Snuffy Walden - "My So-Called Life theme" - My So-Called Life [Layers] Olivia Newton-John & ELO - "Xanadu" - Xanadu [Loops] Ken - "Nobody knows, we're all alone" [Recorded on cell phone camera (live during show)] Olivia Newton-John & ELO - "Xanadu" - Xanadu [Loops] W. G. Snuffy Walden - "Angela Smiled" Live phone caller & Ken - "Possibility is possible (It's possible)" W. G. Snuffy Walden - "Angela Smiled" - My So-Called Life Ken's Last Ever Radio Extravaganza - "You Don't Have Time (this is good news)" - Show #509, from 9/15/2016 [Live on stage at Twisted Branch Tea Bazaar] Set: Michael Linnen & David Wingo - "Kissing music" - All the Real Girls Ken - "Collective faith (something good will happen)" Cowboy Junkies - "Ring on the Sill" - Pale Sun Crescent Moon [Loops] Sharon Stone with Garry Shandling - "If you're not in your vulnerability, nothing is interesting" - Garry Shandling meets Sharon Stone [They didn't want to be in their truth or vulnerability; they wanted to be in their mask, and their whole acting out of how fabulous they were. It's only really interesting to be with people when they're in their vulnerability. It's better to be with someone when they're making mistakes and don't know what to do, than someone who's being so sure-footed and phony. That's not interesting at all.] Martin Donovan, Hal Hartley, Anatole France - "Ignorance is the necessary condition of human happiness." - Surviving Desire movie / The Gods Will Have Blood [We are almost entirely ignorant of ourselves, absolutely of others. In ignorance, we find our bliss; in illusions, our happiness.] Julia Kent - "Ebb" - Character Lou Reed - "Street Hassle" - Street Hassle [Loops] Live phone caller & Ken - "Having a great winter" Carel Struycken, Kyle MacLachlan (voices), David Lynch, Mark Frost (writers) - "Don't search for all the answers at once" - Twin Peaks: Season 2 episode 1 [Better to listen than to talk. A path is formed by laying one stone at a time.] Live phone caller & Ken - "Daytime (mossy lighthouse)" Ken - "Trembling and shaking" Live phone caller & Ken - "Transitional moment (mossy lighthouse)" Ken - "Shape and timelines" Ken - "Practice not being remembered" Explosions in the Sky - "Your Hand in Mine" - The Earth is Not a Cold Dead Place Ken - "Try to remember what you said, hope somebody was there as a witness" Charlie Kaufman - "Failure is a badge of honor, it means you risked failure" - BAFTA and BFI Screenwriters Lecture Series [Let's not worry about failure. And if you don't risk failure, you're never going to do anything that's different than what you've already done, or what somebody else has done. And just know that, that that's the choice you're making when you won't put yourself at jeopardy like that.] Martin Donovan (voice), Hal Hartley (writer) - "Intimacy list" - Surviving Desire [Kissing, caressing, holding, slapping, shouting, talking, waiting, sleeping, crying, listening, hoping, encouraging, forgiving, laughing, relenting.] Ken - "When did this happen? People speak of slipping out of time" Malcolm X - "I live like a man who is dead already. I have no fear whatsoever of anybody or anything." - Our history was destroyed by slavery [No, I don't worry. I'm a man who believed that I died 20 years ago.] Alexandre Desplat - "Closing credits music" - Birth Ken - "I remember that I wasn't sweating, moving forward in time" Spandau Ballet - "True" - True Andre Gregory (voice), Rupert Walters (writer) - "Mysteries going on all the time" - Some Girls [Right under our noses.] Ken - "Leaving one cookie over. What if I had 5 minutes? Then I'd worry that if I only had 7 minutes, I'd have enough" [How long do you need to fall in love with someone?] Explosions in the Sky - "Your Hand in Mine" - The Earth is Not a Cold Dead Place [with Spandau Ballet, David Wingo & Michael Linnen, Cowboy Junkies] Ken - "You can go back and edit. How long does it take us to unlearn everything?" [I think we already know everything. They probably already know. But it's probably time to tell them. You don't have time. This is good news.] Sawako - "White Sky Winter Chicada" - Hum Alan Watts - "Wanting what you are not divides you (from Intellectual Yoga)" - Philosophies of Asia [So long as you can be persuaded that there's something more you ought to be than you are, you've divided yourself.] Ken - "Assume their posture, see how you feel (I used to look down a lot, I feel like a child)" [Regression therapy, inner child] Andre Gregory (voice), Rupert Walters (writer) - "Mysteries going on all the time" - Some Girls [Piano loop] Pink Floyd - "Goodbye Cruel World" - The Wall [Bass loop] Al Bowlly (singer), Richard A. Whiting, Harry Akst (music), Gus Kahn (lyrics) - "Guilty" - Amelie s.t. Martin Donovan (voice), Hal Hartley (writer) - "Intimacy list" - Surviving Desire [Kissing, caressing, holding, slapping, shouting, talking, waiting, sleeping, crying, listening, hoping, encouraging, forgiving, laughing, relenting.] Ken - "You'll have a memory. I'm going to look straight at you" Cowboy Junkies - "Ring on the Sill" - Pale Sun Crescent Moon [Loops] Ken - "Remember this moment in time. You will look back and be glad we have no more devices, no more electronics, we only look directly at each other" [Appreciations] Set: Cowboy Junkies - "Ring on the Sill" - Pale Sun Crescent Moon [Loops, back in 2019] Ken - "We almost remember who we used to say we were, the identity we're supposed to put on" [We're not sure if it still fits] Ken's Last Ever Radio Extravaganza - "Be Who You Are Today" - Show #522, from 5/4/2017 [Live on stage at Twisted Branch Tea Bazaar ] Set: Garth Stevenson - "Dawn" Ken - "Here it comes, something is going to come together" Lionel Richie - "Stuck On You" [Loops] Noam Chomsky - "Social Policy - Welfare for the Rich" Weyes Blood [Piano loop] Bill Cosby - "Conflict" - To Russell, My Brother, Whom I Slept With [Mind and body don't get along at all] Stan Dale - "Stop trying to be a good person. If I do nice things for you, maybe you'll love me?" Bill Cosby - "Seattle" [And you get a gorilla and then the old gorilla] Jesse Rose - "Night at the Dogs" Christine and the Queens - "Christine" [Loops] Mazzy Star - "Fade Into You" War On Drugs - "In Reverse" - Lost in the Dream [Loops] Martin Luther King Jr - "I'm afraid we're integrating into a burning house" Ken - "You've walked in on the middle of a bit of an experiment" Steve Paxton - "Taking care of your partner, and this third thing, what you are together" - In a Non-Wimpy Way War On Drugs - "Burning" - Lost in the Dream [Loops] Ken - "People are looking for the good bits" Live phone caller - "Luck is when opportunity meets preparedness. Planning is great, but being open is great" [over War On Drugs-In Reverse loops] War On Drugs - "In Reverse" - Lost in the Dream [Loops in 2019] Ken - "Disasters, looking for the lessons, we need tragedy, we need television, we need preparedness" War On Drugs - "Burning" [Loops in 2019] Ken's Last Ever Radio Extravaganza - "Be Who You Are Today" - Show #522, from 5/4/2017 [Back in 2017!] Ken - "Self-indulgent. Sometimes I'm too ambitious" Elton John & Kiki Dee - "Don't Go Breaking My Heart" [Loops] Ken - "You're allowed to be a different person every day (you can be who you are today)" Timothy "Speed" Levitch - "Running from the cops, every day I feel like a fugitive" - The Cruise Kyle MacLachlan, David Lynch - "Better to listen than to talk, don't search for all the answers at once, a path is formed by laying one stone at a time" - Twin Peaks Lara Flynn-Boyle, David Lynch - "Crying" - Twin Peaks pilot episode Bill Cosby - "Seattle" [Gorilla loop] Lara Flynn-Boyle - "Crying" - Equinox - "Light and dark are equal" - Equinox Ken - "I don't like to explain, except that I love to explain, I just don't let myself do it. The crying is back. People expected crying" Lionel Richie - "Stuck On You" [Loops] Chevrolet - "The American Look (the freedom of individual choice)" Matthew Modine, Lara Flynn-Boyle - "There's always this pushing and pulling. I have my you. My whole life seems to be taking place without me in it" - Equinox Matthew Broderick - "First impulse was to demand that she admit she lied and cheated" - Election Frightened Rabbit - "The Wrestle" [Loops] Garth Stevenson - "Dawn" Ken - "None of it actually means anything, but it can mean everything" [Record them all] The Go Go's - "Our Lips Are Sealed (vocals only)" Moondog With Orchestra - "Stamping Ground" Ken - "You can look for meaning in your dreams" [Recording your dreams] John Carpenter - "Our impulses are being redirected. We are living in an artificially produced state of consciousness that resembles sleep" - They Live [The poor and the underclass are growing. Racial justice and human rights are non-existent. That is their primary objective: Keep us asleep, keep us selfish, keep us sedated.] Louis Hay - "Every thought we think and every word we speak is creating our future" Frightened Rabbit - "The Wrestle" [Loops] Steve Paxton - "The preservation of all concerned. Not injure or defeat or smash" - In a Non-Wimpy Way Steve Paxton - "If thinking is too slow, is an open state of mind useful? Seems to be" - Chute (from Contact Improv Archive 1972-1983) Steve Paxon - "A body could endure for decades (can't exclude fear)" - Chute (from Contact Improv Archive 1972-1983) Ken - "Some people are apparently transparent (start to unthink)" Ken - "There were a lot of things. I'll just name one of them: Lionel Richie" [I have to look away to think] Frightened Rabbit - "The Wrestle" [Final loops] Bill Cosby - "Seattle" Set: Elton John & Kiki Dee - "Don't Go Breaking My Heart" [Loops back in 2019] Ken - "This is the moment after. This is everything you've dreamed of. This is everything everybody has told you to want." Ken - "All the thoughts from before seem to be relevant again. We reinvent the wheel and we are the wheel and we imagine the wheel" W. G. Snuffy Walden - "My So-Called Life theme" - My So-Called Life [Layers] End of set https://www.wfmu.org/playlists/shows/83895

If Wyoming Steve Gibson didn't exist, those darned culture industry stupidity profiteers would've had to invent him. What's that? He doesn't exist? Hot damn! The Gipper takes a back saddle to Dick Powell once again in 1938's COWBOY FROM BROOKLYN, a film that (as contemporaries were quick to observe) did absolutely nothing for any of the talented people involved in its creation.    An elaboration of the (white) cultural appropriation narrative popularized by earlier Powell vehicles like BROADWAY GONDOLIER, this lower-drawer Lloyd Bacon musical comedy does derive a bit of satiric energy from Warner Brothers' obvious contempt for all things rural and countrified, but the film's central conceit (that people will put up with - and possibly even laugh at - 90 minutes' worth of Dick Powell running screaming from squirrels and barnyard fowl) is so catastrophically misguided that most viewers will have fallen off this irritating bull long before its Gender Panic Rodeo finale.    Can a movie with Priscilla Lane, Ann Sheridan, James Stephenson, Pat O'Brien, Granville Bates, Hobart Cavanaugh, Elisabeth Risdon, Dick Foran, Dick Powell, and Ronald Reagan be all bad? 12-year old Dave would never have believed it, but...  Try watching this one under hypnosis and see if that helps.     Now is a time for choosing. Choose RED TIME FOR BONZO!   Outro Music: "Ride, Tenderfoot, Ride" performed by Dick Powell & Priscilla Lane, music by Richard A. Whiting & lyrics by Johnny Mercer Follow us at: Facebook Follow Romy on Twitter at @rahrahtempleton Follow Gareth on Twitter at @helenreddymades Follow David on Twitter at @milescoverdale   Intro Theme: "Driving Reagan" by Gareth Hedges

If Wyoming Steve Gibson didn't exist, those darned culture industry stupidity profiteers would've had to invent him. What's that? He doesn't exist? Hot damn! The Gipper takes a back saddle to Dick Powell once again in 1938's COWBOY FROM BROOKLYN, a film that (as contemporaries were quick to observe) did absolutely nothing for any of the talented people involved in its creation.    An elaboration of the (white) cultural appropriation narrative popularized by earlier Powell vehicles like BROADWAY GONDOLIER, this lower-drawer Lloyd Bacon musical comedy does derive a bit of satiric energy from Warner Brothers' obvious contempt for all things rural and countrified, but the film's central conceit (that people will put up with - and possibly even laugh at - 90 minutes' worth of Dick Powell running screaming from squirrels and barnyard fowl) is so catastrophically misguided that most viewers will have fallen off this irritating bull long before its Gender Panic Rodeo finale.    Can a movie with Priscilla Lane, Ann Sheridan, James Stephenson, Pat O'Brien, Granville Bates, Hobart Cavanaugh, Elisabeth Risdon, Dick Foran, Dick Powell, and Ronald Reagan be all bad? 12-year old Dave would never have believed it, but...  Try watching this one under hypnosis and see if that helps.     Now is a time for choosing. Choose RED TIME FOR BONZO!   Outro Music: "Ride, Tenderfoot, Ride" performed by Dick Powell & Priscilla Lane, music by Richard A. Whiting & lyrics by Johnny Mercer Follow us at: Facebook Follow Romy on Twitter at @rahrahtempleton Follow Gareth on Twitter at @helenreddymades Follow David on Twitter at @milescoverdale   Intro Theme: "Driving Reagan" by Gareth Hedges

In my first episode I have a chat to my ukulele teacher, Michael Rosenberg.  Michael plays snippets from a few songs.  If you want to hear the originals, check out the playlist on the YouTube channel. “I Am Sailin’ ”, by Memphis Minnie (1941) “Shine” by Cecil Mack, Lew Brown, and Ford Dabney (1910) “Dream A Little Dream of Me” by Fabian Andre, Wilbur Schwandt and Gus Kahn  (1931) “Ukulele Lady” by Gus Kahn and Richard A. Whiting (1925)  “Has Anybody Seen My Gal” by Ray Henderson, Sam M. Lewis & Joseph W. Young (1925) And check out the photos of Michael’s resonator ukulele and the amazing tri-coconut uke.  Thanks to Seb Carraro for doing my graphic design, and to everyone who has given me advice on this massive undertaking! The music played in this episode is licenced under a Podcasts (Featured Music) agreement with APRA AMCOS.

This week on Unorthodox, we’ve got two Jewish guests. First up is Scott Feinberg, the awards columnist for The Hollywood Reporter and host of the Awards Chatter podcast, and one of the “most informed Oscarologists,” according to the New York Times. He tells us how he makes his Oscar predictions and where he'll be Sunday night as the winners are announced. Our next guest knows the way to our hearts: homemade hamantaschen filled with sprinkles. Molly Yeh is the author of Molly on the Range, one of the New York Times’ top fall cookbook releases of 2016, and the creator of my name is yeh, named Saveur’s 2015 Blog of the Year. She tells us about fielding questions from strangers about her ethnicity (her father is Chinese and her mother is Jewish), leaving Brooklyn for a sugar beet farm on the North Dakota-Minnesota border, and how far she has to go for a good bagel with lox these days. Sign up for our weekly newsletter to get new episodes, behind-the-scenes photos, and more! Email us at Unorthodox@tabletmag.com—we'll share our favorite notes on air. This episode is sponsored by Harry’s. Enter code UNORTHODOX at checkout to get a free post-shave balm. Music Credits "Unorthodox Theme Song" by Golem "Come Get Me" by Nas "Klezmer Happy Birthday" by Gypsy Jive Band "Hooray for Hollywood" by Richard A. Whiting and Johnny Mercer "Hi, Stephanie" by 임형복, ft. David Duchovny & iOS7, prod. by Squish Turner "Home on the Range" written by Daniel E. Kelley and Brewster M. Higley, performed by Roy Rogers Learn more about your ad choices. Visit megaphone.fm/adchoices