Podcasts about skidmore college orchestra

Will Falk survive the wriggling horror that descends from the heavens? Why did he murder his wife? When did he get married? How do you make a piano out of squids? Listen to find out!The Chilling Horror That Grinds and Wiggles, episode 117 of This Gun in My Hand, was molded, frozen and dropped on you by Rob Northrup. This episode and all others are available on Youtube with automatically-generated closed captions of dialog. Visit http://ThisGuninMyHand.blogspot.com for credits, show notes, archives, and to buy my books, such as Little Heist in the Big Woods and Other Revisionist Atrocities. What's the scariest part of the episode? This Gun in My Hand!Show Notes:1. The “slush pile” is publishing industry jargon for unsolicited manuscripts mostly from amateurs. I know the term because outside of self-publishing, that's as far as my stories have gotten.Credits:The opening music clip was from The Sun Sets at Dawn (1950), and the closing music was from Killer Bait (1949), both films in the public domain. Most of the music and sound effects used in the episode are modified or incomplete versions of the originals.Music Title: Pictures at an Exhibition - I. Gnomus VivoComposed by Modest Petrovich MussorgskyPerformed by Skidmore College OrchestraLicense: Public Domainhttps://commons.wikimedia.org/wiki/File:Skidmore_College_Orchestra_-_02_-_I_Gnomus_Vivo.ogg Music Title: Pictures at an Exhibition - VIII. Catacombae. Sepulcrum romanum LargoComposed by Modest Petrovich MussorgskyPerformed by Skidmore College OrchestraLicense: Public Domainhttps://commons.wikimedia.org/wiki/File:Skidmore_College_Orchestra_-_12_-_VIII_Catacombae_Sepulcrum_romanum_Largo.ogg Music Title: Pictures at an Exhibition - Cum mortuis in lingua mortua Andante non troppo con lamentoComposed by Modest Petrovich MussorgskyPerformed by Skidmore College OrchestraLicense: Public Domainhttps://commons.wikimedia.org/wiki/File:Skidmore_College_Orchestra_-_13_-_Cum_mortuis_in_lingua_mortua_Andante_non_troppo_con_lamento.oggSound Effect Title: forest boreal light wind breeze through leaves +close loud birds.flac License: Public Domainhttps://freesound.org/s/637563/ Sound Effect Title: Silbido bomba cayendo.wav License: Public Domainhttps://freesound.org/s/393006/ Sound Effect Title: Broken Egg Squelch By d.n.audio.ukLicense: Creative Commons Attribution 3.0https://freesound.org/s/461049/Sound Effect Title: Pouring Soup in a Metal Pan - Quick,Short,Gross by HitrisonLicense: Creative Commons Attribution 4.0https://freesound.org/s/251410/Sound Effect Title: Messy Splat 3a by FoolBoyMediaLicense: Creative Commons Attribution 4.0https://freesound.org/s/237928/ Sound Effect Title: Blood Gush and Squelch License: Public Domainhttps://freesound.org/s/635042/ Sound Effect Title: GateShutThumps.wavLicense: Public Domainhttps://freesound.org/s/401041/  Sound Effect Title: lion.wav License: Public Domain https://freesound.org/s/684527/ Sound Effect Title: Gore Cabbage by IENBALicense: Public Domainhttps://freesound.org/s/607909/ The image accompanying this episode is a modified detail of the public domain drawing “squid holding sailor” by Alphonse de Neuville, featured in the Hetzel edition of 20000 Lieues Sous Les Mers.

For our 100th episode, we look at one of the technologies that marks an endpoint for the middle ages, the printing press, and consider how Johann Gutenberg may be a prototype for today's paranoid tech tycoons and the lawsuits that so often dog them. Today's Texts: Van der Linde's, A. The Haarlem Legend of the Invention of Printing. Translated by J.H. Hessels, Blades, East, & Blades, 1871. Google Books. Schröder, Edward. Das Mainzer Fragment vom Weltgericht. Gutenberg-Gesellschaft, 1908. Archive.org. Trithemius, Johannes. "From In Praise of Scribes." In Writing Material: Readings from Plato to the Digital Age. Edited by Evelyn B. Tribble and Anne Trubek, Longman, 2003, pp. 469-475. Music Credit: Edvard Grieg, Piano Concerto in A minor, Op. 16, II. Adagio, performed by Skidmore College Orchestra and made available under the CC-PD license on MusOpen.org.

Léo vive com o pai e seis gatos numa casinha à beira mar. O pai trabalha longa horas em seu barco de pescador. Um dia, Leo encontra uma baleia encalhada na praia, mas será que os dois podem virar amigos? De: Benji Davies (texto e ilustração) Traduzido por Marília Garcia Editora Paz e Terra Música: Leo e a Baleia - Camille Saint-Saëns, Concerto para Violoncelo no. 1 em A menor, Op. 33 (executada por Skidmore College Orchestra, www.musopen.org). Abertura: Pitzikati por JCar. ____ O Histórias de Pai Para Filha é um podcast que agrada a pais e filhos, com histórias produzidas, escritas ou adaptadas por mim, um pai coruja que quer ensinar à sua filha o gosto pelas histórias e pela língua portuguesa. Siga meu perfil no Instagram @pablouch e acompanhe o podcast também pelo Youtube (www.youtube.com/historiasdepaiparafilha) --- Send in a voice message: https://podcasters.spotify.com/pod/show/depaiparafilha/message

I det här avsnittet av Mindy på äventyr gästas Micke av podden Rollspelsdags. De spelar rollspelet Star Wars Edge Of The Empire av Fantasy Flight Games. Så följ med besättningen och deras äventyr i Templet.  Illustrationen är gjord av Henrik Rosenborg Ni hittar mer om honom här. https://www.artstation.com/henrikrosenborg Bakgrundsljud och musik är hämtat ifrån  https://freesfx.co.uk/Default.aspx Övrig musik var komponerad av Gustav Holst framförd av Skidmore College Orchestra och är Public Domain via Wikimedia Common Rollspelsdags länkar Facebook https://www.facebook.com/Rollspelsdags Instagram https://www.instagram.com/rollspelsdags_/ Våra länkar Hemsida https://mindy.nu/ Facebook https://www.facebook.com/Mindypodd.nu/ Twitter https://twitter.com/MindyPodd Youtube https://www.youtube.com/channel/UCmOr6MyeugbWX_VnckgGkDQ?view_as=subscriber Instagram https://www.instagram.com/mindypodd/?hl=sv Vår Patreon https://www.patreon.com/user?u=2776677 Vår merch butik https://www.spreadshirt.se/shop/user/mindy/ Mickes Mail Micke@mindy.nu

I det här avsnittet av Mindy på äventyr gästas Micke av podden Rollspelsdags. De spelar rollspelet Star Wars Edge Of The Empire av Fantasy Flight Games. Så följ med besättningen ut i rymden.  Illustration gjord av Henrik Rosenborg ni hittar honom här. https://www.artstation.com/henrikrosenborg Bakgrundsljud och musik är hämtat ifrån  https://freesfx.co.uk/Default.aspx   Övrig musik var komponerad av Gustav Holst framförd av Skidmore College Orchestra och är Public Domain via Wikimedia Common Rollspelsdags länkar Facebook https://www.facebook.com/Rollspelsdags Instagram https://www.instagram.com/rollspelsdags_/ Våra länkar Hemsida https://mindy.nu/ Facebook https://www.facebook.com/Mindypodd.nu/ Twitter https://twitter.com/MindyPodd Youtube https://www.youtube.com/channel/UCmOr6MyeugbWX_VnckgGkDQ?view_as=subscriber Instagram https://www.instagram.com/mindypodd/?hl=sv Vår Patreon https://www.patreon.com/user?u=2776677 Vår merch butik https://www.spreadshirt.se/shop/user/mindy/ Mickes Mail Micke@mindy.nu

Overachiever, Sam Kingston, and his under-prepared buddy, Edgar, recount the gory, gruesome, grating murder of Roger Fedderer at the hands of his friend John Douglas. Sam would like to thank the documentary, Murder In Thin Air, for allowing him to use their footage for his podcast. This episode features Edd Garcia, Cherry Bomb. Cast (in order of appearance:) Dana Daniele, Libby Genz, Edd Garcia, and Rachel Wilson. Editing and Production by Dana Daniele. Theme Song by Meghan Rose. Artwork by Dave Daniele. Sound effects from PacDV, FreeSound.org, Sound Effects Plus, and Free Music Archive. Soundtrack: Trio for Piano Violin and Viola by Kevin MacLeod; 1910 - The Flatterer by Victor Herbert Orchestra; 1911 - Naughty Marietta by Victor Herbert Orchestra; 1913 - Chanson Triste by Victor Herbert Orchestra; 1909 - It Happened in Nordland by Victor Herbert Orchestra; Sonatina by Kevin MacLeod; IV. Bydlo Sempre moderato pesante by Skidmore College Orchestra

Cosa succede quando i Grimm si interrogano su come mai l'uomo viva circa 70 anni?Un casino, ecco cosa. Credits:IV. Bydlo Sempre moderato pesanteby Skidmore College Orchestra

Markis de Sade var en våldsam man i en våldsam tid. Vi har lidit oss igenom hans liv och verk. Nu skänker vi dig käre lyssnare hela den väldigt nakna sanningen utan att skräda orden.Musik: ”1812 ouverture” av Peter Tjajkovskij med Skidmore College Orchestra.Bild: Markis de Sade från 1760 av Charles Amédée Philippe van Loo. Det enda kända autentiska porträttet av honom. / Wikimedia Commons See acast.com/privacy for privacy and opt-out information.

In part three of our series of composer and musical genius, Ludwig van Beethoven, we look at his life as he continued to develop into a world famous musician. We look at how he coped with his continued hearing loss, how he handled having a real boss, and we find out that Beethoven can't take a joke.  Music Attributions:Symphony No. 5 & Symphony No. 6: Skidmore College Orchestra

Host: Amy Elle Produced by: Whimsical Productions and Collected Sounds Story: A Haunted House by Virginia Woolf (public domain). Music: Theme music by Cannelle Elanian, written especially for Collected Sounds. Story background music is “Il vecchio castello Andante” which was composed by Modést Petróvich Mussorgsky and performed by the Skidmore College Orchestra and from the album Mussorgsky's Pictures at an Exhibition. Learn more about the orchestra here: http://www.skidmore.edu/academics/music/aholland/orch.html ( http://www.skidmore.edu/academics/music/aholland/orch.html ) Collected Sounds Hotline: 612-281-4463 and leave your story after the beep, you might hear it on a future episode of Collected Sounds. Collected Sounds email (contact or send your story): collectedsounds@gmail.com In both cases, by leaving a message on that hotline or in email, you are giving Collected Sounds permission to use it on the podcast.

Pietro Aretino kan till och med få Ligga med P3 att verka pryda. Och det gjorde han redan på 1500-talet. Välkommen till Sveriges snuskigaste poddavsnitt hittills om en världsmästare i personangrepp.Musik: Sats 1 ur Felix Mendelssohns symfoni nr. 4 i A, ”Den italienska”, med Skidmore College Orchestra.Bild: Pietro Aretino målad av hans vän Titian/Wikimedia Commons. See acast.com/privacy for privacy and opt-out information.

I Pompeji stannade tiden 79 e.Kr., vilket ger oss en unik inblick i en antik stad. Vi kollar på klotter, kiss och erotisk konst. Dessutom tar vi pulsen på det romerska vardagslivet.Musik: "Roman Carnival Overture" av Hector Berlioz med Skidmore College Orchestra.Bild: Pompeji / Wikimedia Commons See acast.com/privacy for privacy and opt-out information.

Escape!  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  So concludes The Heroes, the sixth and penultimate arc of All Hail Yog. Our villains will return for one final future adventure. Unfortunately, we'll be taking a somewhat longer hiatus than usual. Thanks to the coronavirus, I've been unable to convene the cast and record the finale. Stay tuned to the feed and I'll be sure to update you as soon as a plan presents itself. In the meantime, special thanks to everyone – especially our generous Patrons – who made this arc possible. MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra), "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra) and "Symphony No. 6 in D Major" by Antonín Dvorák (performed by the Czech Philharmonic).

Azathomet & Ernst's excellent adventure.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra), "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra) and "Jupiter" by Gustav Holst (performed by the Royal Scottish National Orchestra)

Gone fissuring.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

One good turn.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

Talking heads.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master and featuring Kate Enge as Zyzzenxkys.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

Meet Zyzzenxkys.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master and featuring Kate Enge as Zyzzenxkys.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra) and "Symphony No. 6 in D Major" by Antonín Dvorák (performed by the Czech Philharmonic).

Food for thought.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Yogoth mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

In broad daylight.   Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

The fall of the house of Yog.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  This episode was sponsored by Knuckledragger RPG, now on Kickstarter! On a planet called Planet, alien visitor bestow beneficent gifts fo advanced technology upon nine prehistoric races and are promptly bludgeoned to death for their trouble. Interested in combat with no initiative? A GM called a Map Daddy? Rampaging hordes of gun-toting elephant men. Kickstarting now through March 12th – become a backer today!  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

The villains gather.  ALL HAIL YOG is a D&D actual play evil campaign brought to you by the creators of Experience Points. In ALL HAIL YOG, our rotating cast of villains are the fell servants of a dark lord and must travel the realms of Ondûn to enact Yog's evil upon the earth. This 10-episode arc is called The Heroes and describes a direct assault upon Yog's homeland and the Vessel itself.  Steven Molony as Azathomet, Allen Walton as Ernst, Megan Captaine as Skoura Dan Glaser as Xosh and Timothy J. Meyer as the Dungeon Master.  This episode was sponsored by Knuckledragger RPG, now on Kickstarter! On a planet called Planet, alien visitor bestow beneficent gifts fo advanced technology upon nine prehistoric races and are promptly bludgeoned to death for their trouble. Interested in combat with no initiative? A GM called a Map Daddy? Rampaging hordes of gun-toting elephant men. Kickstarting now through March 12th – become a backer today!  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

The art of the meal.  Cody Bushee as Dr. Hughbert Hilkington, Allen Walton as Ernst,Matthew Pitner as Raelas the StalkerAliza Pearl as Smuj and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  So concludes The Ritual, the fifth arc of All Hail Yog. Our villains – plus some new voices – will return in future adventure. We'll be taking a short break but we'll be back at the beginning of March with a new cast and a new arc. Special thanks to everyone – especially our generous Patrons – who made this arc possible.  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),"Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Pictures At An Exhibition" by Modest Mussorgsky (performed by the Berlin Philharmonic) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

Don't play with your food.  Cody Bushee as Dr. Hughbert Hilkington, Allen Walton as Ernst,Matthew Pitner as Raelas the StalkerAliza Pearl as Smuj and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),"Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Pictures At An Exhibition" by Modest Mussorgsky (performed by the Berlin Philharmonic) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

Teeth and tongues.  Cody Bushee as Dr. Hughbert Hilkington, Allen Walton as Ernst,Matthew Pitner as Raelas the StalkerAliza Pearl as Smuj and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),"Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Pictures At An Exhibition" by Modest Mussorgsky (performed by the Berlin Philharmonic) and "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra).

The ritual begins.  Cody Bushee as Dr. Hughbert Hilkington, Allen Walton as Ernst,Matthew Pitner as Raelas the StalkerAliza Pearl as Smuj and Timothy J. Meyer as the Dungeon Master.  This episode is brought to you by our partner, Spirit of the Wilds Candles! Some of the best geeky candles in the business – even including an exclusive All Hail Yog candle! Enter "ALLHAILYOG" at check-out to get 15% off your order. What a steal! If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Pictures At An Exhibition" by Modest Mussorgsky (performed by the Berlin Philharmonic), "Symphony No. 1 in D Minor" by Sergei Rachmaninov (performed by the Russian National Orchestra) and "Carmina Burana" by Carl Orff (performed by the Brighton Festival Chorus and the Royal Philharmonic Orchestra)

Creatures of pure goodness.  Cody Bushee as Dr. Hughbert Hilkington, Allen Walton as Ernst,Matthew Pitner as Raelas the StalkerAliza Pearl as Smuj and Timothy J. Meyer as the Dungeon Master.  This episode is brought to you by our podcasting partner, Wild Endeavors! Apart from their fun and fascinating show, you should really check out these folks on social. Find @WildEndeavors on Twitter and Instagram for unique lore and fun segments like "NPC Missed Connections."  If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet),  "Pictures At An Exhibition" by Modest Mussorgsky (performed by the Berlin Philharmonic).

The Deputy Vice-Liaison to the Task Force on Community Development.  Cody Bushee as Dr. Hughbert Hilkington, Allen Walton as Ernst,Matthew Pitner as Raelas the StalkerAliza Pearl as Smuj and Timothy J. Meyer as the Dungeon Master.  This episode is brought to you by our podcasting partner, Wild Endeavors! Apart from their fun and fascinating show, you should really check out these folks on social. Find @WildEndeavors on Twitter and Instagram for unique lore and fun segments like "NPC Missed Connections."  If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Pictures At An Exhibition" by Modest Mussorgsky (performed by the Berlin Philharmonic).

In the stacks.  Cody Bushee as Dr. Hughbert Hilkington, Allen Walton as Ernst,Matthew Pitner as Raelas the StalkerAliza Pearl as Smuj and Timothy J. Meyer as the Dungeon Master.  This episode is brought to you by our newest partner, Chartopia! On Chartopia, you can create and publish your own random table or roll on their massive database – random loot, random monsters, random encounters, you name it!  If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Pictures At An Exhibition" by Modest Mussorgsky (performed by the Berlin Philharmonic).

An abominable alliance. Cody Bushee as Dr. Hughbert Hilkington, Allen Walton as Ernst,Matthew Pitner as Raelas the StalkerAliza Pearl as Smuj and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Dies Irae" (performed by the Schola Antigua), "Pictures At An Exhibition" by Modest Mussorgsky (performed by the Berlin Philharmonic).

The villains gather. ALL HAIL YOG is a D&D actual play evil campaign brought to you by the creators of Experience Points. In ALL HAIL YOG, our rotating cast of villains are the fell servants of a dark lord and must travel the realms of Ondûn to enact Yog's evil upon the earth. This 9-episode arc is called The Ritual and tells of Yog's effort to make common cause with another elder evil beyond the stars.  Cody Bushee as Dr. Hughbert Hilkington, Allen Walton as Ernst,Matthew Pitner as Raelas the Stalker and Aliza Pearl as SmujTimothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Dies Irae" (performed by the Schola Antigua), "Pictures from an Expedition" by Modest Mussorgsky (performed by the Berlin Philharmonic).

The one that got away.  Steven Molony as Azathomet, Heather Lore as Desdemonia Malice, Cody Bushee as Dr. Hughbert Hilkington, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  So concludes The Covenant, the fourth arc of All Hail Yog. Our villains – plus some new voices – will return in future adventure. We'll be taking a short break but we'll be back at the end of October with a new cast and a new arc. Special thanks to everyone – especially our generous Patrons – who made this arc possible.  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Uranus" by Gustav Holst (performed by the Royal Liverpool Philharmonica Orchestra) and "The Tempest" by Pyotr Tchaikovsky (performed by the Polish National Radio Symphony Orchestra). 

Three down.  Steven Molony as Azathomet, Heather Lore as Desdemonia Malice, Cody Bushee as Dr. Hughbert Hilkington, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Uranus" by Gustav Holst (performed by the Royal Liverpool Philharmonica Orchestra) and "The Tempest" by Pyotr Tchaikovsky (performed by the Polish National Radio Symphony Orchestra). 

Two down.  Steven Molony as Azathomet, Heather Lore as Desdemonia Malice, Cody Bushee as Dr. Hughbert Hilkington, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master.  [Content Warning: This episode contains a depiction of suicide.] If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Uranus" by Gustav Holst (performed by the Royal Liverpool Philharmonica Orchestra) and "The Tempest" by Pyotr Tchaikovsky (performed by the Polish National Radio Symphony Orchestra). 

One down.  Steven Molony as Azathomet, Heather Lore as Desdemonia Malice, Cody Bushee as Dr. Hughbert Hilkington, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Uranus" by Gustav Holst (performed by the Royal Liverpool Philharmonica Orchestra) and "The Tempest" by Pyotr Tchaikovsky (performed by the Polish National Radio Symphony Orchestra).

Attack! Attack! Attack!  Steven Molony as Azathomet, Heather Lore as Desdemonia Malice, Cody Bushee as Dr. Hughbert Hilkington, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Uranus" by Gustav Holst (performed by the Royal Liverpool Philharmonica Orchestra).

Calm before the storm.  Steven Molony as Azathomet, Heather Lore as Desdemonia Malice, Cody Bushee as Dr. Hughbert Hilkington, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Uranus" by Gustav Holst (performed by the Royal Liverpool Philharmonica Orchestra) and "The Tempest" by Pyotr Tchaikovsky (performed by the Polish National Radio Symphony Orchestra).

Plans within plans. Steven Molony as Azathomet, Heather Lore as Desdemonia Malice, Cody Bushee as Dr. Hughbert Hilkington, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra) and "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir).

The slaughterhouse five.  Steven Molony as Azathomet, Heather Lore as Desdemonia Malice, Cody Bushee as Dr. Hughbert Hilkington, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Uranus" by Gustav Holst (performed by the Royal Liverpool Philharmonica Orchestra).

Skoura lives! Steven Molony as Azathomet, Heather Lore as Desdemonia Malice,Cody Bushee as Dr. Hughbert Hilkington, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra) and "Uranus" by Gustav Holst (performed by the Royal Liverpool Philharmonica Orchestra).

The villains gather. ALL HAIL YOG is a D&D actual play evil campaign brought to you by the creators of Experience Points. In ALL HAIL YOG, our rotating cast of villains are the fell servants of a dark lord and must travel the realms of Ondûn to enact Yog's evil upon the earth. This 10-episode arc is called The Covenant and concerns Yog's ploy to behead the alliance of nations that stands against Its conquest of the world. Steven Molony as Azathomet, Heather Lore as Desdemonia Malice,Cody Bushee as Dr. Hughbert Hilkington, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Battle on the Ice" by Sergei Prokofiev (performed by the West London Sinfonia and the St. Matthews Concert Choir), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "String Quartet #8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Uranus" by Gustav Holst (performed by the Royal Liverpool Philharmonica Orchestra).

Escape!  Kate Enge as Agnoment, Heather Lore as Desdemonia Malice, Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Cape Cowrie mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  So concludes The Instrument, the third arc of All Hail Yog. Our villains – plus some new voices – will return in future adventure. We'll be taking a short break but we'll be back in July with a new cast and a new arc. Special thanks to everyone – especially our generous Patrons – who made this arc possible.  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Dies Irae" (performed by the Schola Antiqua), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Firebird" by Igor Stravinksy (performed by the Chicago Symphony Orchestra) and "Jupiter" by Gustav Holst (performed by the Royal Scottish National Orchestra)

In the nick of time.  Kate Enge as Agnoment, Heather Lore as Desdemonia Malice,Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Cape Cowrie mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Dies Irae" (performed by the Schola Antiqua), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Toccata and Fugue in D Minor" by Johann Sebastian Bach (performed by organist Hannes Kästner), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic) and "Dies Irae" (performed by Olivier Kiener).

The last temptation of Agnoment.  Kate Enge as Agnoment, Heather Lore as Desdemonia Malice,Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Cape Cowrie mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Dies Irae" (performed by the Schola Antiqua), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Toccata and Fugue in D Minor" by Johann Sebastian Bach (performed by organist Hannes Kästner), "Firebird" by Igor Stravinksy (performed by the Chicago Symphony Orchestra) and "Interpretation of Night on Bald Mountain" arranged and performed by Vaughn Romero.

The hunt ends. Kate Enge as Agnoment, Heather Lore as Desdemonia Malice,Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Cape Cowrie mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Dies Irae" (performed by the Schola Antiqua), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Toccata and Fugue in D Minor" by Johann Sebastian Bach (performed by organist Hannes Kästner) and "Firebird" by Igor Stravinksy (performed by the Chicago Symphony Orchestra).

The things Desdemonia does for love.  Kate Enge as Agnoment, Heather Lore as Desdemonia Malice,Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Cape Cowrie mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Dies Irae" (performed by the Schola Antiqua), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Toccata and Fugue in D Minor" by Johann Sebastian Bach (performed by organist Hannes Kästner).

Off to see the wizard.  Kate Enge as Agnoment, Heather Lore as Desdemonia Malice, Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master. This episode was brought to you by Wild Endeavors, an actual play podcast with an audio drama heart. They're about to start a new campaign – a great time to get onboard!  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Cape Cowrie mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dies Irae" (performed by the Schola Antiqua), "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra) and "Firebird" by Igor Stravinksy (performed by the Chicago Symphony Orchestra).

Wehr's on first.  Kate Enge as Agnoment, Heather Lore as Desdemonia Malice, Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master. This episode was brought to you by Hit Dice, a real play podcast made by professionals and played for the love of the game. You cannot possibly recommend Hit Dice enough – these folks're the real deal.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of Cape Cowrie mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dies Irae" (performed by the Schola Antiqua), "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Toccata and Fugue in D Minor" by Johann Sebastian Bach (performed by organist Hannes Kästner), "Dies Irae" (performed by Olivier Kiener) and "Firebird" by Igor Stravinksy (performed by the Chicago Symphony Orchestra).

The hunt begins. Kate Enge as Agnoment, Heather Lore as Desdemonia Malice,Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master.This episode was brought to you by Spirit of the Wilds, peddlers of dreams, legends and homemade candles. Podcast listeners who visit their Amazon or Etsy pages and enter the promo code "ALLHAILYOG" at purchase can get 15% off their order! If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!(Here's the map of Cape Cowrie mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Firebird" by Igor Stravinksy (performed by the Chicago Symphony Orchestra), "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

Of stars, shadows and steeds. Kate Enge as Agnoment, Heather Lore as Desdemonia Malice,Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!(Here's the map of Cape Cowrie mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Toccata and Fugue in D Minor" by Johann Sebastian Bach (performed by organist Hannes Kästner).

The villains gather. ALL HAIL YOG is a D&D actual play evil campaign brought to you by the creators of Experience Points. In ALL HAIL YOG, our rotating cast of villains are the fell servants of a dark lord and must travel the realms of Ondûn to enact Yog's evil upon the earth. This 10-episode arc is called The Instrument and follows Yog's hunt for an ancient artifact, hidden in harmless halfling country. Kate Enge as Agnoment, Heather Lore as Desdemonia Malice,Allen Walton as Ernst, Hallie Clawson as Phantasmagoria and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Dies Irae" (performed by the Schola Antiqua), "Symphony #5 in D Minor by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Toccata and Fugue in D Minor" by Johann Sebastian Bach (performed by organist Hannes Kästner).

Hero versus villain. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!)  So concludes The Watchtower, the second arc of All Hail Yog. Our villains – plus some new voices – will return in future adventure. We'll be taking a short break but we'll be back at the beginning of May. Special thanks to everyone – especially our generous Patrons – who made this arc possible. MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra),"Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra), "Dante Symphony" by Franz Lizst (performed by the Berlin Philharmonic) and "Symphony No. 5" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

Narcinae summons reinforcements.  Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!)  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra),"Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Dante Symphony" by Franz Lizst (performed by the Berlin Philharmonic).

Battle for the blue flame. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra),"Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

Does humanity deserve another chance? A fable from the great Lorraine Hansberry about a hermit and some children at the end of the world--or the beginning.   To contact Make-Believe, email us at talk@makebelieve.fm   ---------------   What Use Are Flowers?: A Fable By Lorraine Hansberry Music by Mikhail Fiksel Sound by Erisa Apantaku and Mikhail Fiksel Directed by Daniel Kyri Executive produced by Jeremy McCarter   Performed and recorded live at the Harold Washington Library, Chicago   CAST Hermit - Billy Branch Charlie - Daniel Kyri Lily - Khloe Janel William - Tevion Lanier Narration read by Kiayla Ryann   SOUND TEAM Recording engineer - Joe Palermo Additional recording - Scott Tallarida at Trigger   PRODUCTION STAFF Production manager - Madeleine Borg Stage manager - JC Widman Community manager - LaRob Payton   POST-PRODUCTION Editing and mixing by Erisa Apantaku and Mikhail Fiksel Sound design by Mikhail Fiksel Final mixing and mastering by Joe Palermo   Permission from Joi Gresham and the Lorraine Hansberry Literary Trust   Graphic design by Carly Pearlman   Equipment provided by TechMagic Designs   Make-Believe theme music by Mikhail Fiksel   “Greensleeves” - traditional English folk melody   Ludwig van Beethoven Symphony No. 9 in D minor, Op. 125 - 4. Finale (Ode to Joy)   Ludwig van Beethoven Symphony No. 9 in D minor, Op. 125 - 3. Adagio molto e cantabile; Andante moderato Performed by Skidmore College Orchestra, via Musopen   SPECIAL THANKS Joi Gresham, Julie McGarvie, and the Lorraine Hansberry Literary Trust; Brian Bannon and the staff of Chicago Public Library; Carolyn Casselman of Paul, Weiss, Rifkind, Wharton, and Garrison; Robert Hornbostel; Nancy García Loza; Nate Marshall; SAG-AFTRA.   PRODUCTION SPONSORS The Chauncey and Marion Deering McCormick Family Foundation, for an essential launch grant The Poetry Foundation, our lead season sponsor Joyce Chelberg, whose generosity supports the work of Make-Believe’s actors All our donors and supporters   To support Make-Believe with a tax-deductible contribution, please visit: https://makebelieve.fm/support-us/

Enter the Soulsworn. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

The battle rages. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. This episode is brought to you by Wild Endeavors – a story-centric actual play podcast, edited and mixed like an audio drama. Go give them a listen! If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

The plan makes contact with the enemy. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Symphony No. 5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra).

Knowing is half the battle. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra), "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra) and "Interpretation of Night on Bald Mountain" (arranged and performed by Vaughn Romero).

The villains make the crossing. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra).

There's talk of invasion. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! (Here's the map of The Gatehouse mentioned in the episode!) MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic),  "Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra) and "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra).

The villains gather. ALL HAIL YOG is a D&D actual play evil campaign brought to you by the creators of Experience Points. In ALL HAIL YOG, our rotating cast of villains are the fell servants of a dark lord and must travel the realms of Ondûn to enact Yog's evil upon the earth. This 10-episode arc is called The Watchtower and details Yog's attempt to conquer an impregnable fortress, held by the allied forces of good. Paul Vonasek as Erick Idylvain, Allen Walton as Ernst, Emily Rose Jacobson as Narcinae Barrityl, Megan Captaine as Skoura and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic),  "Scythian Suite" by Sergei Prokofiev (performed by Ukrainian State Symphony Orchestra), "Danse Macabre" by Camille Saint-Saëns (performed by the National Philharmonic Orchestra), "Waltz from Masquerade" by Aram Khachaturian (performed by St. Petersburg State Symphony Orchestra) and "Uranus" by Gustav Holst (performed by Royal Liverpool Philharmonic Orchestra).

The Lone Reader homes in on naturalist Sy Montgomery's paen to the giant pacific octopus, Soul of an Octopus.   Music: Beethoven, Ludwig van Symphony No. 6 in F Major "Pastoral," Skidmore College Orchestra.  

Laura Faley of Hidden Meadow Ranch in Mt. Vernon, WA talks about what it takes to successfully raise chickens within within cities and suburbs in the state of Washington. Introduction by Kara Fox Music: Symphony No. 6, by Ludwig van Beethoven, Skidmore College Orchestra.

The fate of Princess Nimria is decided. Kate Enge as Agnoment, Heather Lore as Desdemonia Malice, Cody Bushee as Dr. Hughbert, Paul Vonasek as Erick Idylvain and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  So concludes The Child, the first arc of All Hail Yog. Our villains – plus some new voices – will return in future adventure. We'll be taking a short break but we'll be back in the New Year. Special thanks to everyone – especially our generous Patrons – who made this arc possible. MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dies Irae" by Auroa Surgit and Alessia Randon, "Symphony No. 5" by Dmitri Shostakovich, "String Quartet No. 8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Scythian Suite" by Sergei Prokofiev (performed by the Ukrainian State Symphony Orchestra) and "Interpretation of 'Night on Bald Mountain'" by Vaughn Romero.

The tide turns. Kate Enge as Agnoment, Heather Lore as Desdemonia Malice, Cody Bushee as Dr. Hughbert, Paul Vonasek as Erick Idylvain and Timothy J. Meyer as the Dungeon Master.  If you like the show, please consider backing us on Patreon. Curious about Yog and the world of Ondûn? Learn more here!  This episode is brought to you by Hit Dice! – a real play D&D 5E podcast made by professionals and played for the love of the game. Go give them a listen!  MUSIC USED: We claim no rights over any music featured in the episode.  "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dies Irae" by Auroa Surgit and Alessia Randon, "Symphony No. 5" by Dmitri Shostakovich, "String Quartet No. 8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Scythian Suite" by Sergei Prokofiev (performed by the Ukrainian State Symphony Orchestra). 

The battle for the babe begins. Kate Enge as Agnoment, Heather Lore as Desdemonia Malice, Cody Bushee as Dr. Hughbert, Paul Vonasek as Erick Idylvain and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here!  This episode is brought to you by Hit Dice! – a real play D&D 5E podcast made by professionals and played for the love of the game. Go give them a listen! MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dies Irae" by Auroa Surgit and Alessia Randon, "Symphony No. 5" by Dmitri Shostakovich, "String Quartet No. 8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Scythian Suite" by Sergei Prokofiev (performed by the Ukrainian State Symphony Orchestra).

Desdemonia finds a way in.  Kate Enge as Agnoment, Heather Lore as Desdemonia Malice, Cody Bushee as Dr. Hughbert, Paul Vonasek as Erick Idylvain and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Symphony No. 5" by Dmitri Shostakovich.

Enter the gargoyle. Kate Enge as Agnoment, Heather Lore as Desdemonia Malice, Cody Bushee as Dr. Hughbert, Paul Vonasek as Erick Idylvain andTimothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dies Irae" by Auroa Surgit and Alessia Randon, "Symphony No. 5" by Dmitri Shostakovich, "String Quartet No. 8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Scythian Suite" by Sergei Prokofiev (performed by the Ukrainian State Symphony Orchestra).

Dr. Hughbert finds a way in. Kate Enge as Agnoment, Heather Lore as Desdemonia Malice, Cody Bushee as Dr. Hughbert, Paul Vonasek as Erick Idylvain andTimothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.Curious about Yog and the world of Ondûn? Learn more here! MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dies Irae" by Auroa Surgit and Alessia Randon, "Symphony No. 5" by Dmitri Shostakovich, "String Quartet No. 8" by Dmitri Shostakovich (performed by the Lawrence Street String Quartet), "Scythian Suite" by Sergei Prokofiev (performed by the Ukrainian State Symphony Orchestra).

The villains lose the path. Kate Enge as Agnoment, Heather Lore as Desdemonia Malice, Cody Bushee as Dr. Hughbert, Paul Vonasek as Erick Idylvain andTimothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon. MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "String Quartet No. 8" by Dmitri Shostakovich (performed by the Lawreen Street String Quartet), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic) and "Dream of a Witches Sabbath" by Herman Berlioz (performed by the Concertgebouw Orchestra).

A big naked guy is shown sitting around with a bunch of lions in Rubens' over-the-top painting. Meet Daniel, a favorite counselor to the Persian king Darius. Daniel has made some powerful enemies which is how he got here. We'll find out who ends up being the lions' breakfast and how paintings like this allowed Rubens to become a successful diplomat. We'll also hear about how a painting the owners thought was just a copy and maintenance headache became one of the most highly praised pieces in the Gallery's collection. See the artwork at https://alonglookpodcast.com/daniel-in-the-lions-den-by-sir-peter-paul-rubens/ SHOW NOTES “A Long Look” theme is “Ascension” by Ron Gelinas Episode theme is Fugue in G minor, “Little”, BWV 578, composed by Johann Sebastian Bach and performed by the Skidmore College Orchestra. Courtesy of musopen.org Sir Peter Paul Rubens information https://www.nga.gov/collection/artist-info.1847.html Daniel in the Lions' Den information https://www.nga.gov/collection/art-object-page.50298.html#overview National Zoo Lion Cam Reviewing Committee information https://en.wikipedia.org/wiki/Reviewing_Committee_on_the_Export_of_Works_of_Art Slow Art Day Recommended Reading Master of Shadows: The Secret Diplomatic Career of the Painter Peter Paul Rubens by Mark Lamster The post Daniel in the Lions' Den by Sir Peter Paul Rubens appeared first on A Long Look.

A kidnapping plot is hatched. Kate Enge as Agnoment, Heather Lore as Desdemonia Malice, Cody Bushee as Dr. Hughbert, Paul Vonasek as Erick Idylvain andTimothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon. MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra) and "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic).

The villains gather. ALL HAIL YOG is a D&D actual play evil campaign brought to you by the creators of Experience Points. In ALL HAIL YOG, our rotating cast of villains are the fell servants of a dark lord and must travel the realms of Ondûn to enact Yog's evil upon the earth. This 10-episode arc is called The Child and chronicles Yog's attempt to kidnap a newborn elven princess for Its sinister purposes.  Kate Enge as Agnoment, Heather Lore as Desdemonia Malice, Cody Bushee as Dr. Hughbert, Paul Vonasek as Erick Idylvain and Timothy J. Meyer as the Dungeon Master. If you like the show, please consider backing us on Patreon.MUSIC USED: We claim no rights over any music featured in the episode. "A Night on Bald Mountain" by Modest Mussorgsky (performed by the Skidmore College Orchestra), "Dante Symphony" by Franz Liszt (performed by the Berlin Philharmonic), "Dies Irae" by Aurora Surgit & Alessia Randon, "Symphony #5 in D Minor" by Dmitri Shostakovich (performed by the DuPage Symphony Orchestra), "String Quartet No. 8" by Dmitri Shostakovich (performed by the Lawreen Street String Quartet) and "Scythian Suite" by Sergei Prokofiev (performed by the Ukranian State Symphony Orchestra).

June 27th, 1976. A routine flight from the Israeli coastal city of Tel Aviv to Paris. Two hundred and forty eight passengers and crew members have been kidnapped by armed terrorists aboard Air France flight 139. The destination: a little known city called Entebbe in the middle of Africa. Who were the terrorists behind this? What unique challenges did Israeli government and military officials face? What was President of Uganda Idi Amin's intentions? This episode is sponsored by Harry's (harrys.com/covert), Stamps.com (PROMO: COVERT) and Hims (forhims.com/ops). Covert's theme is "Anxiety" by Kai Engel (kai-engel.com). Music in this episode is “Take Off and Shoot a Zero” by Chris Zabriskie (http://chriszabriskie.com/); “VIII. Catacombae. Sepulcrum romanum Largo” by Skidmore College Orchestra; “Sands of Windhoek” by Ask Again (https://soundcloud.com/artofescapism/); “Escapade”, “Dos Lagos” by Nctrnm (https://soundcloud.com/nctrnlmusic); “Action Investigation” by Komiku (http://freemusicarchive.org/music/Komiku/); "Nothing (Bonus Track) by Kai Engel; and “Burnt To A Crisp” by Daniel Birch (http://freemusicarchive.org/music/Daniel_Birch). Sound effects from freesound.org by suz_soundcreations. Additional sound effects from freesfx.co.uk. Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

This week, Darcy's trying to curtail your religious freedom to wage death upon the public and Kieran's as typically feckless and work-shy as any other self-entitled millenial. We go deep on some terminology so that any accusations of intellectual laxity are confined to our morality and work ethic, and we take a squiz at the circus surrounding the latest missives from the Prophet Kanye West.   Modest Mussorgsky's Night on Bald Mountain performed by the Skidmore College Orchestra

Sátira o al suelo #007: con la cabeza alta 2018-01-16 / 2018-02-07 / 2018-04-14 ------------------------ Songs: "Promenade Allegro giusto nel modo russico senza allegrezza ma" by Skidmore College Orchestra is licensed under a Public Domain License. Composer: Modest Mussorgsky http://freemusicarchive.org/music/Skidmore_College_Orchestra/Mussorgskys_Pictures_at_an_Exhibition/Promenade_Allegro_giusto_nel_modo_russico_senza_allegrezza_ma "A good bass for gambling" by Komiku is licensed under a CC0 1.0 Universal License. http://freemusicarchive.org/music/Komiku/Its_time_for_adventure__vol_3/Komiku_-_Its_time_for_adventure_vol_3_-_06_A_good_bass_for_gambling "????????? ??? ????" by Kosta T is licensed under a Attribution License. Based on a work at http://kostat.bandcamp.com/ Permissions beyond the scope of this license may be available at https://www.facebook.com/kostatrokai. http://freemusicarchive.org/music/Kosta_T/Relax_Violin/Kosta_T_-_Relax_Violin_-_18___ "Whispering Through" by Asura is licensed under a Creative Commons Attribution License. http://freemusicarchive.org/music/Asura/Bonus_Beat_Blast_2011/09_asura-whispering_through "TENNESEE HAYRIDE" by Jason Shaw is licensed under an Attribution 3.0 United States License. Permissions beyond the scope of this license may be available at http://audionautix.com/index.html. Music by audionautix.com http://freemusicarchive.org/music/Jason_Shaw/Audionautix_Acoustic/TENNESEE_HAYRIDE_____________2-33 "Normalityazer" by Monplaisir is licensed under a CC0 1.0 Universal License. http://freemusicarchive.org/music/Monplaisir/No_Nothing/Monplaisir_Loyalty_Freak_Music_-_No_Nothing_-_13_Normalityazer "good dog" by boiled wool is licensed under a Attribution License. http://freemusicarchive.org/music/boiled_wool/how_can_you_tell_by_looking/boiledwool_-_how_can_you_tell_by_looking_-_02_good_dog

Obie Anthony spent 20 years of his life a prisoner of the California Justice System for a murder he did not commit... he now has created his own non-profit to help people who have been exonerated... this is Obie's story. Visit Obie Anthony's Non-Profit: http://exoneratednation.com/ Sponsors: www.thegreatcoursesplus.com/actual www.stamps.com Enter "Actual" Contact: Website: www.actualinpod.com Twitter: @actualinpod Email: actualinnocencepod@gmail.com For Advertising Inquiries Contact Executive Producer: Dennis Robinson dennis.e.robinson@gmail.com Music: Theme “Through The Lens" by Andy G. Cohen t Additional Music: http://freemusicarchive.org/music/Skidmore_College_Orchestra/

Hier ist sie endlich, die zweite Episode von Science Pie! Hier widmen wir uns zum ersten Mal der Geschichte und Literatur. In den 1930er Jahren wanderten viele bekannte Schriftsteller (neben zahlreichen anderen, natürlich), aus Deutschland aus, um der Verfolgung durch die Nazis zu entgehen. Einer der wohl berühmtesten Einwanderer Amerikas war der Nobelpreisträger Thomas Mann. Heute widme ich mich seinem Amerikabild und vor allem der Person, die für ihn alles verkörperte, was er in Amerika sah.Es geht um Eldorado, Arkadien, Wahlkampf, Gut und Böse, den Teufel und den Mönch-klickt auf Play, hört uns zu und teilt die Episode mit der Welt! Produziert von Annika Brockschmidt und Dennis Schulz. Music by Jason Shaw, Kevin McLeod, Chris Zabriskie, the United State Marine Band, the Skidmore College Orchestra, Helen Trix, the Victor Herbert Orchestra, Anonymous Choir, Welcome Wizard, the Illinois Brass Band and Kosta T. Find the complete tracklist here. For further reading, we collected the sources and the literature for this podcast here.

We are really, really excited about our second episode, which will be the first episode for us to tackle the fields of history and literature! During the 1930s, many well-known writers (among lots of other people, of course) had to emigrate from Germany to avoid being prosecuted by the Nazi regime. One of the most famous immigrants to America: Nobel prize laureate Thomas Mann. Here I will talk about the way he saw America and especially the one person who, for him, encorporated everything that America was about.We feature Eldorado, Arcadia, campaigning, good and evil, the devil and the monk.Tune in, get hooked and please share with all of your amazing friends! Produced by Annika Brockschmidt and Dennis Schulz. Music by Jason Shaw, Kevin McLeod, Chris Zabriskie, the United State Marine Band, the Skidmore College Orchestra, Helen Trix, the Victor Herbert Orchestra, Welcome Wizard, the Illinois Brass Band and Kosta T. Find the complete tracklist here. For further reading, we collected the sources and the literature for this podcast here.

The "Lovecraft 5" - Warren, Herbert, Charles, Edward, and Richard - gather again for another night of tall tales.  Tonight, Warren regales the group with a history of a noble house that ... went downhill. Loosely adapted by Julie Hoverson from a story by H.P. Lovecraft Music from the Skidmore College Orchestra (as found on MusOpen) Cover by Brett Coulstock

Acts 18 describes how Christianity came to Corinth. After a difficult sojourn in Athens, Paul arrived in Corinth alone. Soon he met a Jew named Aquilla and his wife Priscilla, with whom he shared the same trade, and began persuading Jews and Greeks in the synagogues to follow Christ. The Scriptures account that the Jews quickly "opposed and reviled” both Paul and his ministry (v 5-6). In response, he "shook out his garments and said to them, 'Your blood be upon your heads! I am innocent. From now on I will go to the Gentiles'" (v 6). After departing from the synagogue, he began a highly contentious form of evangelization to the Gentiles and God-fearers, establishing his base in the house "next door" to the synagogue (v 7). God protected Paul's oft-threatened ministry in Corinth, saying to him in a night vision, "Do not be afraid, but speak and do not be silent; for I am with you, and no man shall attack you to harm you; for I have many people in this city" (v 9-11). After Gallio became proconsul of Achaia (roughly modern Greece), the Jews unite to accuse Paul of spreading an illicit religion (cf v 12-13). Gallio refuses to be the judge of such debate, forcibly ejecting the Jews from his court (cf v 14-15). Tension between Jews and Gentiles is excruciatingly high in Corinth, as expressed by the small riot that ensues (cf v 16-17). Paul later wrote an epistle to “the church of God which is at Corinth," (1 Cor 1:1-2). Here he stresses the presence of a universal (i.e., catholic) Church with local manifestations. In the Greek, "the church of God which is at Corinth" does not refer to a local assembly, but rather to a universal church which is represented in Corinth. It is important to note that Christians derive the term for church, ecclesia, from the Septuagint (Greek Old Testament), where the entire Hebrew people is called the ecclesia of Israel, an assembly of millions. Ecclesia never refers to just a local community in the Septuagint. Early in the epistle, Paul links Jesus Christ to the grace which the Corinthians have received (cf v 4). In spite of having received the sacraments of Baptism, Confirmation and other spiritual gifts, however, Paul indicts them for misusing these gifts to further theological causes in a mean-spirited manner (cf v 5). The task of a Christian is to grow in holiness, to love one another and to evangelize, never to be contentious or self-seeking. Music: Beethoven's Piano Concerto No. 1 in C Major, Op. 15, performed by the Skidmore College Orchestra. www.musopen.com

An industrial hub and commercial center on an Isthmus, the city of Corinth contained many merchants and working-class types; many Roman army veterans retired to Corinth after their tour of duty. A conglomeration of Latins, Greeks, Syrians and Jews, it was the capital of the entire Roman province of the Achaia, roughly the boundary of the modern Greek state. Archaeological excavations have revealed entire streets of bars and brothels in the city. Corinth was notorious for its perverse sexual immorality. Among all Churches recorded in the New Testament, the church at Corinth most parallels the state of the modern Church in America: it contained a diverse group of individuals living in tumult: Jewish and Gentile converts with legalistic leanings, a more liberal contingent and charismatic groups on both ends of the spectrum. Among the believers arose sex scandals, debates over the place of women in worship and intense discussions regarding loyalty to the Apostolic tradition. So embittered were the factions that existed in the Church towards another group that when a representative of one group would start to address the congregation, a member of another party would begin speaking in tongues to drown them out. While Paul was staying in Ephesus, several prominent men of the Corinthian community sought out Paul's response on several matters. Obliging their request, Paul writes the First Epistle to the Corinthians in late spring of A.D. 55. A young Timothy most likely delivered Paul's letter to this first Century church in A.D. 55-57. Though they had received catechetical instruction from Paul himself over the course of 18 months, the Corinthians received neither Timothy nor the Epistle with high regard. Their tepid response raises questions as to how Christian the Corinthians actually were, and their turmoil speaks to the fact that they had not fully reformed their bawdy ways. Many members of the Corinthian church simply did not respect Paul as one who carried Apostolic authority. Music: Carl Maria von Weber's Der Freischutz, J. 277 performed by the Skidmore College Orchestra. www.musopen.com

In Galatians 5:13, Paul begins a pivotal discourse on the life in the Spirit. He writes, "for you were called to freedom; brethren, only do not use your freedom as an opportunity for flesh." His discourse aptly begins with exhortations to live in the maturity that is freedom and love; he then makes a statement that seems peculiar at first glance: "But if you bite and devour one another take heed that you are not consumed by one another" (v 14). To better understand this passage, one can recall that churches in Paul's age were frequently beset by fierce disputes between opposing ecclesial factions. As any good shepherd, he does not wish the victors to take vengeance on those who lose theological disputes. To do this, he highlights the sins of pride, "enmity, strife, jealousy, anger, selfishness, dissension, party spirit, envy," within his litany of sins of the flesh (v 20, 21). Finally, he presents the Fruits of the Spirit as the expression of a harmonious and fruitful community life and further encourages the strife-filled Galatians to "walk by the Spirit" and have "no self-conceit, no provoking of one another, no envy of one another" (v 25-26). In light of the vicious disputes in Galatia, Paul begins Chapter 6 with an underlying confidence in the ability of the Church to heal and return to harmony. He begins by instructing those who consider themselves "spiritual" Christians to restore fallen brothers and sisters, and to fulfill this responsibility with a "spirit of gentleness" that is fair and never that of a pushover (v 1). He demands that a man watch out for his brothers but warns against pride: "Bear one another's burdens, and so fulfill the law of Christ. For if anyone thinks he is something, when he is nothing, he deceives himself" (v 2-3). In the Galaitian Church, the burden "spiritual" Christians must bear is likely the shame and guilt they feel towards those who followed the Judaizers as well as the humility to allow them to return to the fold after reform. The verse "Let him who is taught the word share all good things with him who teaches" speaks to the just wages due to all clerics, presupposing that they are teaching well (v 6). Given the abysmal state of our catechesis, Catholics have a long way to go to attain the standards of the Galatian church, let alone the expectations of a true disciple of Jesus Christ. Music: Tchaikovsky's 1812 Overture performed by the Skidmore College Orchestra. www.musopen.com

The start of the second chapter of Galatians accounts Paul's journey to Jerusalem "after fourteen years," when he seeks Apostolic verification of the authenticity of his gospel and ministry. The Apostles clearly affirm his message and works, for "even Titus was not compelled to be circumcised, though he was a Greek" (v 3). His words become passionate when he describes the attempts of certain Judaizers to sabotage his ministry, but states "to them we did not yield submission even for a moment, that the truth of the gospel might be preserved for you" (v 5). Paul shrewdly puts himself on a par with Peter, whom he refers to as Cephas, citing his mission to the uncircumcised and that of Cephas to the circumcised (v 8). He writes, "But when Cephas came to Antioch I opposed him to his face, because he stood condemned," for he had abandoned eating with Gentiles after the arrival of the "circumcision party" (v 11-12). Peter's insincere actions influence the rest of the Jews and even Barnabas, going against the Antiochian Church's former custom of open fellowship between Jews and Greeks. Reacting to this, Paul says to Peter before the assembly, "If you, though a Jew, live like a Gentile and not like a Jew, how can you compel the Gentiles to live like Jews?" (v 14). A former rabbinical student, Paul properly follows the law but knows that "if justification were through the law, then Christ died to no purpose" (v 21). In this he emphasizes the singular merit of Christ's sacrificial death and upholds the notion of Biblical Catholicity, where both Jew and Greek have access to life through His saving death. Paul's intolerance to and efforts against legalism, divisions, and mere "cultural Christianity" should motivate the modern Christian who may feel surrounded by ungodly influences in an overly-polite Church; if he seems shrill, it is because modern Christians are so dull. Additionally, it is pivotal that Christians accept the life-giving sacrifice of Christ and proclaim with Paul that "I have been crucified with Christ; it is not I who live but Christ who lives in me; and the life I now live in the flesh I live by faith in the Son of God, who loved me and gave himself for me" (v 20). Only then will one discover that the Christian life is truly about "putting on divinity," and entering into the uncreated life of the triune God. Music: Beethoven's "Symphony No. 4 in B Flat Major, Op. 60" performed by the Skidmore College Orchestra. www.musopen.com

Within the first eleven verses of Galatians, Paul essentially damns twice over the Judaizers who have spread a contrary gospel. In our excessively polite culture, Paul's unwavering attitude toward critical theological issues may seem hostile or exaggerated; in reality, his reaction is both fitting and necessary. The most important argument in the dating of Galatians is the absence of any appeal to the Council of Jerusalem's decision (cf. Acts 15). Because of this, it is extremely likely that Paul wrote this epistle sometime between A.D. 46 and A.D. 48. A significant chronological problem remains, however, in two separate portions of the text. First, Galatians 1:18 speaks to Paul's first visit to Jerusalem three years after his conversion. Later, it states that he travels to Jerusalem after another fourteen years (cf. 2:1). Mathematically, seventeen years before the A.D. 48 would bring one to the improbable conclusion that Paul composed this letter in A.D. 31, too early by any theological or chronological assessment. However, one must realize that it is a Jewish chronological practices to consider even a part of a year as an additional year; it is also entirely possible that Paul may not have meant to add these fourteen years (cf. 2:1) to the three years he specifies earlier (cf. 1:18). Paul's point in referencing these years is to establish that God has given him His gospel, that the Jerusalem authorities confirmed his possession of the essential gospel and that villains of God's gospel are accursed. To provide some chronological background, one could date Paul's conversion in either A.D. 34 or 35 (cf. Acts 9), which would place many of the events within the Book of Acts in that decade. By A.D. 44, the gospel spreads into Antioch and beyond and in Chapter 13 of Acts, the Holy Spirit sets Saul (Paul) and Barnabas apart for missionary activity. Towards the end of this first missionary journey, Paul travels through southern Galatia and participates in a famine-relief effort in Antioch. He then travels to Jerusalem after fourteen years, which again, may refer to a date fourteen years after his conversion (cf. Gal 2:1). It is during this trip that Paul notices a rise of intense anti-Gentile attitudes among the Christians in Jerusalem and his confrontation with the Judaizers becomes inevitable. Music: Mussorgsky's "Night on Bald Mountain" performed by the Skidmore College Orchestra. www.musopen.com

History has shown that Christians do best when they approach the Bible comprehensively. Many have profited in Bible study by availing themselves of ample background information, prayerfully reading through the text, considering the opinions of worthy commentators and carefully pondering those elements of the story not expressly stated in Scripture. A good backdrop for a study of the Book of Galatians is that the Jewish people historically classified men into two races: Jews and Gentiles. In the Apostolic age, however, Christians began to believe that humanity had three races: Jews, Gentiles, and Christians born anew in Jesus Christ. For centuries, theologians assumed Paul wrote this epistle to the ethnic Gauls in northern Galatia. In the 20th Century, many began to consider an earlier early dating of the epistle and put forth a strong argument that Paul wrote instead to the Jews and Gentiles in southern Galatia. This latter position seems more credible for many convincing reasons, such as the fact that there is no reference to the Council of Jerusalem in the book and that the Galatian names listed in the epistle are from the south. Commentator F. F. Bruce recently stated that Galatians was the earliest of Paul's letters, composed just before the Council of Jerusalem. The issue of whether living a fully Christianity life required circumcision had great significance for the early Church, especially considering the lack of anesthesia and the rabbinical practice to use a stone knife for the procedure. History leaves few details about the Judaizers specific to Galatia, but it is likely that they traveled from church to church to spread their positions and claimed a commission from the pious and powerful James, Proto-Bishop of Jerusalem. From the onset, Paul passionately affirms that his message is from God, not from man (cf. Gal 1:1). He then juxtaposes the grace and peace of Christ's gospel with the troubling perversions that come from the Judaizers. He writes, "even if ... an angel from heaven should preach to you a gospel contrary to that which we preached to you, let him be accursed" (Gal 1:8). Not treating the issue as a mere discussion of doctrinal theory, he passionately points out all that is essential to know Jesus Christ and live in His resurrection. After reflecting on Galatians, a number of questions emerge: What place should Jewish teachings and the Old Testament have in the Church? Who or what tries to pervert the gospel in this age? What is essential to live the Gospel? How do we best live out that which is essential? Music: Mendelssohn's Symphony No. 4 in A Major performed by the Skidmore College Orchestra

To celebrate the Year of St. Paul, we begin now a study of the Epistle to the Galatians, a work which is authentically Pauline. The most argumentative and passionate of all his letters, it speaks to an extremely contentious issue in the early church: whether a Gentile male had to be circumcised to be considered fully Christian. Theologians aptly recognize this epistle as "spiritual dynamite," and the ways Luther and others interpreted this book ignited the Protestant Reformation. Galatians is well-renowned as a book that celebrates Christian liberty. Paul posits that if Jesus Christ is solely sufficient for our salvation, then a Christian's life must remain unadulterated by an outdated legalism and non-Christian philosophies. To provide a bit of historical background, after persecuting the Way and undergoing a dramatic conversion, Saul (only later called Paul) began his ministry outside Damascus. A few years later he presented himself to the Church in in Jerusalem, who quickly sent him to Tarsus because of his infamous reputation. While Paul was in Tarsus, a mass influx of Gentile Christians entered the primarily Jewish Church in Antioch. The problems that arose when these Gentiles intermixed with Jewish Christians presented a dire problem, especially considering that the latter group had safeguarded their pedigree for generations. Barnabas traveled to Antioch to survey the situation for the Church of Jerusalem. Overjoyed at the conversion of so many Gentiles, he soon realized that these new Christians need an experienced teacher and called Saul from Tarsus to take the office. One day, while the leaders of the Church of Antioch were at prayer, the Holy Spirit said to them, "Set apart for me Barnabas and Saul for the work to which I have called them" (Acts 13:2). Heeding this command, the Church sent them to Cyprus and then to Asia Minor where they ministered to southern Galatia. Upon returning to Antioch, Paul found troublesome Judaizers coercing Gentile Christians to undergo circumcision. When Peter arrived in Jerusalem, Paul contested the practice of the Apostle of eating only with Judaizers or by himself, whereas he used to eat freely with Gentiles. After Paul publicly rebuked Peter about this, the matter was decided at the Council of Jerusalem in A.D. 50 (cf. Acts 15). Although many scholars debate over the dating of Paul's letter, the fact he does not mention the council's decision in Galatians clearly places its composition prior to A.D. 50. Studying this epistle reveals that Paul is far more than just a cantankerous character. Rather, he emerges as a staunch defender of all that is essential to the Gospel, one who is more than willing to stand up a powerful school of legalists to uphold the truth. Amidst all the theological arguments in this book, Paul takes great care to describe a living spirituality in which Christians experience the full life of Christ: "I have been crucified with Christ; and it is no longer I who live, but Christ lives in me; and the life which I now live in the flesh I live by faith in the Son of God, who loved me and gave Himself up for me" (Gal 2:20). Music: Academic Festival Overture, Op. 80 by Johannes Brahms, performed by the Skidmore College Orchestra. www.musopen.com Image credit: Wikimedia Commons

Deuteronomy 21:18-21 describes a stubborn and rebellious son who, despite chastisements, will not obey his father and mother. The Law allows the parents of such a child to present him to the elders at their town's gate and "say to the elders, 'this son of ours is stubborn and rebellious. He will not obey us. He is a glutton and a drunkard.' Then all the men of his town shall stone him to death. You must purge the evil from among you. All Israel will hear of it and be afraid." Although this mitzvaoth may seem barbaric at first glance, it protects the wayward young man from his parents' anger and demands the elders' consensus before any judgment. After critical analysis, sees that only a law of divine origin could so brilliantly enshrine a principle while keeping a conviction virtually impossible. In 3,000 past years, no record exists of anyone dying in this manner. Mosaic Law permits using the death penalty as a punishment for crimes against a human person or for apostasy, never for crimes against property. Rabbinical literature further regulates the use of capital punishment only when it follows due process (the trial of Christ is the notable exception). Moses then proposes the covenant to the new Generation of Israelites: either serve the Lord your God or not (cf. 29:14). To visualize this fundamental choice for the people, he juxtaposes Gerizim, the mountain of blessing, with Ebal, the mountain of curse. Before giving them the opportunity to seal themselves to the Lord, Moses recounts the incredible safety with which God has blessed them during their 40-year sojourn. He then warns that those who agree to follow God's covenant but persist in their own sinful ways forsake the covenant and will bring a terrible curse upon themselves (cf. 21-28). Because God knows His people are apt to forget the Law, He instructs his priests to "Assemble the people – men, women and children, and the aliens living in your towns –so they can listen and learn to fear the Lord your God and follow carefully all the words of this Law" (cf. 31:9-13). This will also teach their children, who have not yet heard the Law, to fear the Lord their God as long as they live. God's incredible sovereignty instills fear and His people rightly tremble before His majesty. The Hebrew notion of holiness always contains elements of separation: cleaving to one's God will require a separation from the world. God will give life to His people if they love Him, obey the Him and persist in His ways. Following the Lord is always a matter of one's heart: to close one's heart to Him is to cease loving or obeying Him. Because Israel is a stiff-necked and rebellious people, Moses makes certain concessions to them. Jesus significantly raises the standards for the people of God, eliminating these concessions for His followers. Those who follow Christ are blessed with a greater blessing than that which the Law provided; not following Christ brings a larger curse than that which befell those who forsook the Law. The Messiah's teachings are for the spiritually-minded, not the fleshly-minded; adhering to them requires the complete gift of heart, soul and might. Music: Beethoven's "Piano Concerto No. 1 in C Major, Op. 15" performed by the Skidmore College Orchestra. www.musopen.com

Deuteronomy chapters 12-26 contain the exposition of God's law. At the onset, He demands that His people purge their land of all false religion (Deut. 12). The Lord of all will not tolerate being worshiped at shrines to pagan idols. Further, He abhors any relativistic attitudes where men do whatever seems right in their eyes (v 8). His people are to wholeheartedly resist the devil in all his forms, especially temptations to do those wrongs that may seem so right. God warns Israel in 12:29 to put away curiosity about the religions of other nations and to reject all forms of syncretism (when a religion begins to adopt pagan practices). Although God makes it clear He does not want His people to add or subtract from His law, in reality, modern Christianity has tended towards various forms of syncretism. Contrary to some modern notions, Christ did not eliminate any of the laws of Torah. While some of His laws may not directly apply to Gentiles, it is in His people's best interest to study and understand the Law of Moses. In chapter 13, God reveals that He will test His people with false prophets and apostates to see whether or not they will love Him fully (v 1-3). He instructs the community to put to death by due process any false prophets and all apostate family members who solicit idolatry. Although this may seem extreme to some, God is not a sap, and He will not be mocked. If God has called a nation to be His sons and daughters, His people have an obligation to keep His covenant and not to tolerate apostasy among their ranks in any form. The rest of the law continues to define the way God's people are to live. He instructs them in many areas of life, covering everything from Passover regulations, to dealing with an unruly son and neighborly conduct. Throughout the entire exposition, God reiterates that all His commandments are for the good of His people and will set them apart that they might be a witness for all the nations. Music: Beethoven's "Piano Concerto No. 1 in C Major, Op. 15" performed by the Skidmore College Orchestra. www.musopen.com

Because Jesus' teachings build upon the Law which God revealed through Moses, Christians must take care not to overlook the Old Testament. The fourth chapter of the Book of Deuteronomy contains God's demand that we heed all of His statutes and ordinances and that we "do them that [we] may live" (v 1). One brings judgment upon himself if he decides to add or subtract any of the Lord's commands. Acknowledging the weakness of man's memory, Moses repeatedly instructs the people to bind God's law to their hearts and to diligently put it into action. Although his approach may appear on the surface to be redundant, his repetition is a deliberate attempt to cultivate God's words deep into their memory. This type of instruction helps them realize what a profound gift God has given the people: "Did anything so great ever happen before? Did a people ever hear the voice of God speaking from the midst of fire, as you did, and live? Or did any god venture to go and take a nation for himself from the midst of another nation, by testings, by signs and wonders, by war and by great terrors, all of which the Lord, your God, did for you in Egypt before your very eyes? All this you were allowed to see that you might know the Lord is God and there is no other" (4:34-35). The fifth chapter of Deuteronomy contains the powerful giving of the Ten Commandments in the Covenant at Horeb. Deuteronomy six is at the core of the Bible, for it contains our Great Commandment, the Shema Israel. Any pious person will spend a lifetime struggling to follow this command in its entirety; only a fool would take any portion of it lightly. God commands, "Hear, O Israel! The Lord is our God, the Lord alone! And [therefore] you shall love the Lord your God, with all your heart, and with all your soul, and with all your strength. Take to heart these words which I enjoin on you today. Drill them into your children. Speak of them at home and abroad, whether you are busy or at rest. Bind them at your wrist as a sign and let them be as a pendant on your forehead. Write them on the doorposts of your houses and on your gates" (6:4-9). Following the Great Commandment means that one seeks to offer every thought and action of his life in worshipful reverence to the one true God. This includes the way he handles his money. Notably, following this commandment means doing whatever possible to teach one's children and grandchildren to live it fully. "When the Lord, your God, brings you into the land which he swore to your fathers, Abraham, Isaac and Jacob, that he would give you ... take care not to forget the Lord, who brought you out of the land of Egypt, that place of slavery" (v 10,12). Like the Israelites, Americans must beware not to "follow other gods ... lest the wrath of the Lord" flare up against us (v 14-15). Our "other gods" today can come in the form of sex, money, or prestige. The seventh chapter highlights the Israelites as a unique people, separate from all the other nations. So, too, Christians are "a chosen race, a royal priesthood, a holy nation, a people he claims for His own" (1 Pt 2:9, cf Ex 19:6). God demands these things from us for our own good. "Keep all the commandments, then, which I enjoin on you today, that you may be strong enough to enter in and take possession of the land into which you are crossing, and that you may have long life on the land which the Lord swore to your fathers he would give to them and their descendants, a land flowing with milk and honey" (Dt 11:9). Only by binding God's commandments to our hearts and living them out in holy habits, disciplines that train one to habitually do the right thing, does one have any chance to defeat the devil. God sets before us a blessing and a curse: a blessing for those who follow His commands, a curse for those who do not. The Book of Hebrews clearly shows that the New Covenant has raised the bar, for those who do not keep his commandments reap eternal punishment. The Lord knows the weakness of men's hearts and gives them the Sacrament of Baptism to circumcise this heart, the Eucharist to renew it, and innumerable other blessings. Let us firmly claim the blessings that He has given us, offering ourselves to Him entirely while we still have time to do so. Music: Beethoven's "Piano Concerto No. 1 in C Major, Op. 15" performed by the Skidmore College Orchestra. www.musopen.com

Deuteronomy is a keystone in the arch of Biblical theology. Literally meaning a "second recitation of the law," to understand this book is to understand the standards Christ sought to raise. Jesus said "think not that I have come to abolish the law and the prophets, I have come to fulfill them; not one jot or tittle will pass away until all is fulfilled. Anyone who relaxes on the least of these commandments will be considered the least in the Kingdom of God," so all remains in effect unless He specifically and explicitly gives dispensation. Before entering the text proper, we consider the many theological points that Deuteronomy establishes. First is a theology of words: God's words matter. Next, Deuteronomy contains a theology of memory: we would do well to reflect on all that God has done for His people. The story of Israel then becomes our own history: as we enter into these memories we are obligated to pass them on to each generation. The Church continues these Jewish traditions of word and memory in her liturgy. To illustrate, the priest stands on the altar as another Christ speaking to us, His disciples. Because God is beyond time, the raising of palms on Palm Sunday is both a remembrance of and a sharing in Christ’s entrance celebration at Jerusalem. Deuteronomy establishes categories that represent something timeless in man and his condition that point us to principles, ideas and objective things in our salvation experience. One might consider this a theology of "types." In the words of Fr. Paul Quay, SJ, ‘we are all fated to relive the Old Testament,’ so we should read the script and strive to live our parts faithfully. A theology of community, key to the divine intention, gives man meaning. All fell with Adam; all were redeemed in Christ's saving act: God calls us to be a corporate people without removing individual responsibilities. God's sovereignty and His sovereign choice are key to understanding Deuteronomy. He is supreme, one, Lord of all, and He chooses His people for salvation and consecration. We are called to come into the presence of the living God – let us not delay. The promises of Deuteronomy also imply an even greater grace that is only fulfilled after Christ in Baptism. God's call requires a response: holiness. The only faithful responses to God's call are to either to trust Him or to seek clarification on how to trust Him. All else is sin and borders on breaking the tenet, "Do not put the Lord your God to the test" (Deut 6:16). Israel all-too-often wanted their God to jump through hoops for them. They required constant "perks" and were ready to call everything off if they did not get their way immediately and in full. How foolish are we to still act as they did, we who have so many graces from Christ! Jesus recapitulated their 40-year sojourn in his 40-day fast in the desert. The devil's three temptations there were significant, especially when he asked Jesus to disobey Deuteronomy 6:16. Finally, theologies of obedience and love also emerge from the text. We are called to give ourselves freely, fully and faithfully to God and to our people. The Book of Deuteronomy begins with Moses giving the people a historical prologue for all the people about their journey from Sinai (Horeb) to the attempted mutiny of Moses at Kadesh which is essentially a rebellion against the Lord. Moses also accounts the other rebellions where tens of thousands die, and also their victories over Sihon and Og. Music: Grieg's "Piano Concerto in A Minor, Op. 16" performed by the Skidmore College Orchestra. www.musopen.com

Numbers clearly shows how terror strikes when the people of God will not maintain sustained worship of the God who is in their midst; in the absence of disciplined devotion, they simply lost hold of Him and turned to murmuring and to other gods. Exodus, Leviticus and Numbers all center on the holiness of God and what it means to be a people consecrated to Him. Christians are consecrated to God through the blood of Jesus Christ and the sacraments; to profane Christ and His covenant is to bring an even greater wrath upon yourself than that which befell the unfaithful Israelites. Beginning in Numbers Chapter 13, twelve tribal leaders, one from each tribe, are selected by Moses himself to scout out the whole of the promised land in a 40-day reconnaissance mission. Meeting in Kadesh after the 40-days, Caleb urges Moses to attack the land, but vast majority of the other men say "we cannot attack these people; they are too strong for us," describing the giants or "nephilim" that inhabit some of the land and inciting the people to agree with them. Although God asked them to make a stand for the faith, they psyche themselves out saying "we felt like mere grasshoppers and so we must have seemed to them" (13:32ff). At the sound of the majority's account, the people complain about what God has done for them and speak of a mutiny against Moses, moving to select another leader to take them back to Egypt. When Caleb and Joshua try to quell the rebellion they are nearly stoned to death. God then says, "How long will this people spurn me? How long will they refuse to believe in me, despite all the signs I have performed among them? I will strike them with pestilence and wipe them out. Then I will make of you [Moses] a nation greater and mightier than they." A true leader and living martyr, Moses intercedes for the people by saying that the nations know that God is in the midst of this people. If He were to kill them all here, people would say that "The Lord was not able to bring this people into the land he swore to give them; that is why he slaughtered them in the desert" (14:15). Moses knows that God will not clean the slate of those guilty who will not give up their guilt and their sinful ways. Instead, he admits the guilt of the people and appeals to the steadfastness of God's love; by no means is this an appeal to God's "softness," but rather a testament of His unspeakable love for the people and willingness to provide the graces of repentance. Answering Moses' intercession in the midst of His wrath, God swears by Himself and His glory that He will pardon the people but not one of those who have already spurned Him ten times will see the promised land. He then fates the people to wander for forty years for their supreme lack of devotion, "forty days you spend in scouting the land, forty years shall you suffer for your crimes: one year for each day. Thus you will realize what it means to oppose me" (14:34). Immediately after God's sentencing, in Chapter 15, He provides hope by saying "When you have entered the land that I will give you..." and setting up regulations for proper worship and devotion. To establish the need for a holy Sabbath day, the Lord commands Moses to put a man who gathers wood on the sabbath to death (15:32-36). Mindful of how easily distracted and forgetful the people are, God then commands the Israelites to put tassels on the corners of their garments as a reminder; whenever they see the tassels they are to remember and keep all the commandments of the Lord. It is written, "Thus will you remember to keep all my commandments and be holy to your God. I, the Lord, am your God who, as God, brought you out of Egypt that I, the Lord, may be your God" (15:40). While the Israelites may seem to be the most stupid, weak and unfaithful people on the face of the Earth, we realize that we are among their company. Miracles will do nothing for those who have no faith and are quickly forgotten, given the short attention span of human nature. Let us be ever-reminded of the need to be faithful and of God's indescribable steadfast love. Music: Tchaikovsky's "Romeo and Juliet Overture" performed by the Skidmore College Orchestra. www.musopen.com

What denotes a proper interpretation of the first eleven chapters of the Book of Genesis? When one begins to discusses Biblical interpretation, the terms "fundamentalist" and "literalist" quickly emerge. We derive the first of these two terms from a group of late-19th Century Christians who adhered to a set of fundamental beliefs. Earnest Christians who adhere to the Church's core teachings may be improperly perceived as radical Fundamentalists, groups of self-appointed moral policemen who cannot stop imposing their will on others. The second of these two terms, "literalist," has also taken on a negative connotation in popular parlance. Many Christians who are faithful to God's word are considered to interpret the Bible so literally that they throw logical reasoning into the wind and believe outlandish premises like that King Herod actually was a furry little fox (cf. Lk 13:32). Rather than say Catholics are literalists and associate them with a pejorative term, it would be better to affirm Catholics as believers who seek to believe and obey all that the Bible teaches according to God's intention in giving us His text, believing it to be without error and to contain all the things vital to our salvation and growth in holiness. The question of how to interpret the Bible does not arise from problems that individuals have with the Biblical text itself but from a disagreement over Biblical issues. Three such issues emerge: (1) Do we believe in Biblical miracles? (2) Do we believe in Biblical prophesy? (3) How are we to understand "myth," particularly the "creation myth"? How a group of Christians answers these three questions directly guides the way they interpret the Bible. For instance, the historic Churches' interpretation of Scripture leads them to a belief in seven Sacraments instead of two. Far from merely psychoanalyzing the human authors of Scripture, one does well to consider the divine intent of their words within the normal canons of language. One must never subtract the mystery of God from His Word, lest he render it flat and meaningless while multiplying his sorrows. Let us be confident in the words of the prophet Isaiah, "this is the man to whom I will look, he that is humble and contrite in spirit, and trembles at my word" (66:2). In this light, we turn to the two creation stories in Genesis. Some good points to establish from the start are that the meaning of the Hebrew word "day" neither precludes nor requires a 24-hour period and, interestingly, the text refers to "morning" and "evening" before the creation of the sun. From the start of Genesis, it emerges that God creates from nothing and then orders his creation. It is clear that God makes man from dust and forms him in His own image and likeness. Despite being moral, attracted to beauty and goodness and finding his meaning hidden in God, when given the opportunity to chose between life and death, he disbelieves and disobeys. As Paul establishes, all men have sinned not only because of Adam's sin but also due to their own delight in disbelief and disobedience. Pope Pius X's Against Modernism rebukes those who follow the lie that the Scriptures contain error or are not important to follow. St. Irenaeus says that heretics approach the Scriptures like one who destroy a mosaic of a man by rearranging its tiles into an image of a fox. When Paul says "the letter kills and the spirit gives life," he only seeks to say that the letter apart from the spirit brings condemnation and establishes that the letter along with the spirit gives life. The Holy Spirit guides us as we interpret the Scriptures, starting with the most central passages and then moving onto the more obscure points, always abiding by the living tradition and Magisterium of the Church. Unless are constrained by a right interpretation of the Scriptures, which are a "constitution of the people of God," we are prone to numerous divisions. Let us not be so presumptuous as to deny our identity as created beings or the fact that we have an infinitely powerful creator. By humbly approaching the Scriptures buttressed by sacred Tradition and the Magisterium will we be able to see that the first eleven chapters of Genesis contain the framework of the entire Bible: the creation and ordering of the universe; the sin of Adam which we recapitulate; the prophesies after the fall that reestablish an implicit covenant and establish hope for a second Adam and a second Eve; the wayward nature of the world; Noah's salvation through water as a prefigurement of Baptism; and that the prohibition of eating meat with blood in it is a key to the sanctity of life. We will be richly blessed by respecting and savoring the Biblical texts, asking the questions that God presses to our hearts and thanking Him for all the blessings He bestows upon us. As mentioned last week, these recordings are from a while ago (2005), so apologies if the quality is not as good as usual. Music: Mussorgsky's "Pictures at an Exhibition" performed by the Skidmore College Orchestra. www.musopen.com