Podcasts about Unsuk Chin

Was Unsuk Chin über die Sackgassen beim Komponieren denkt und was niemand während dieser Arbeit fragen darf, erfahren Sie in dieser Folge von „Erstklassisch mit Mischke“

Jaume Segalés habla de El legado universal de Ligeti y entrevista a la violinista de la formación 4Sonora, Émilie Langlais.El legado universal de Ligeti Así se llama el concierto que va a tener lugar este miércoles 30 de abril en los Teatros del Canal (c/ Cea Bermúdez, 1). En la Sala Verde a las 19:30, a cargo del cuarteto de cuerda 4Sonora, conjunto enfocado a la recuperación, experimentación y promoción de la música de los siglos XX y XXI escrita para este tipo de formación, con especial atención a la creación iberoamericana. Con este recital, se suman a la conmemoración del nacimiento, hace poco más de 100 años, de György Ligeti, compositor de nacionalidad húngara, rumana y austríaca no sólo reconocido en los círculos musicales clásicos, sino también por el gran público gracias a que Stanley Kubrick lo incluyó en la bandas sonoras de 2001, El resplandor y Eyes Wide Shut. 4Sonora, integrado por los violinistas Raúl Suárez y Émilie Langlais y con Alfonso Noriega en la viola y Sara Chordà en el violonchelo, ensalza el legado de este gran compositor, que es una de las figuras más influyentes en la música de nuestro tiempo. Y lo hace a través de las piezas de los cuatro colaboradores y compositores más cercanos que Ligeti tuvo en vida: el húngaro-rumano Péter Eötvös, la finlandesa Kaija Saariahoy. dos de sus alumnos más insignes, el puertorriqueño Roberto Sierra y la surcoreana Unsuk Chin. Entrevistamos a la violinista de la formación 4Sonora, Émilie Langlais.Comparecencia de Pedro Sánchez Jaume Segalés y Juan Pablo Polvorinos siguen y comentan en directo la rueda de prensa del Presidente del Gobierno de España sobre el apagón.

2024. aasta Veneetsia muusikabiennaalil on Itaalia esiettekandel Kuldlõvi 2024 laureaadi Rebecca Saundersi "Wound" (2022) ansamblile ja orkestrile ning tunnustatud Lõuna-Korea helilooja Unsuk Chini teos "Puzzles and Games from Alice in Wonderland" (2017).

durée : 00:14:11 - Fantaisie mécanique : Unsuk Chin - Ensemble Intercontemporain - Le titre Fantaisie mécanique annonce l'union de deux concepts contradictoires : improvisation et déroulement logique et déterminé.

durée : 00:14:11 - Fantaisie mécanique : Unsuk Chin - Ensemble Intercontemporain - Le titre Fantaisie mécanique annonce l'union de deux concepts contradictoires : improvisation et déroulement logique et déterminé.

durée : 00:14:11 - Fantaisie mécanique : Unsuk Chin - Ensemble Intercontemporain - Le titre Fantaisie mécanique annonce l'union de deux concepts contradictoires : improvisation et déroulement logique et déterminé.

Mit einem Doppelprogramm ist Lahav Shani, der zukünftige Chefdirigent der Münchner Philharmoniker, in diesen Tagen am Pult seines zukünftigen Orchesters zu erleben. Zu hören sind Werke von Henri Dutilleux, Unsuk Chin, Paul Ben-Haim und Michael Seltenreich.

Nur schöne Konzerte hören? Nein. Am Lucerne Festival kümmert sich eine Akademie für die Interessen des musikalischen Nachwuchses: Instrumentalist:innen, Komponierende, Dirigent:innen. 110 an der Zahl, aus 30 verschiedenen Ländern. Sie alle bringt die Lucerne Festival Academy zusammen.  Die Idee zu dieser Akademie hatten vor 20 Jahren Festivalintendant Michael Haefliger und der Komponist und Dirigent Pierre Boulez. Nach Boulez Tod übernahm der Komponist Wolfgang Rihm die Leitung der Akademie. Heute liegt sie in Händen von Dieter Amman und Unsuk Chin. An einem Podium des Lucerne Festivals diskutierten der Leiter der Akademie, Felix Heri, Intendant Michael Haefliger, die Dirigentin Susanne Malangré und weitere über den Stand der Dinge und wohin sich diese bedeutsame Akademie noch entwickeln könnte. Gesprächsrunde mit: Michael Haefliger, Intendant Lucerne Festival Felix Heri, Leiter der Lucerne Festival Academy Christiane Engelbrecht, Geschäftsführerin der Internationalen Ensemble Modern Akademie (IEMA) Estelle Costanzo, Harfenistin und Contemporary Leader der Lucerne Festival Academy Johanna Malangré, Dirigentin Benjamin Herzog, Moderator

durée : 00:25:09 - Hae Sun Kang, violoniste (5/5) - par : Judith Chaine - Dans ce dernier épisode, Hae-Sun Kang revient sur sa relation d'interprète avec de nombreux compositeurs d'aujourd'hui. Elle évoque notamment sa collaboration avec la compositrice Unsuk Chin et d'autres belles rencontres avec des personnalités incroyables comme Ligeti. - réalisé par : Arnaud Chappatte

Šįkart laidoje – daug fortepijono. Naujas netikėtas Philipo Glasso solo albumas; klasikos pianistai Piotras Anderszewskis ir Martinas Jamesas Bartlettas, o taip pat duoklė alto virtuozui Lioneliui Tertisui, Pietų Korėjos kompozitorė Unsuk Chin ir švediškas Svantės Söderqvisto džiazo trio.Ved. Domantas Razauskas

durée : 00:59:04 - En pistes, contemporains ! du dimanche 28 janvier 2024 - par : Emilie Munera - Trois compositrices rythment notre émission du soir : Unsuk Chin, Sophie Lacaze et Raminta Serksnyte. Nous finirons notre programmation au piano avec une berceuse. - réalisé par : Céline Parfenoff

durée : 00:14:08 - Unsuk Chin : Concerto pour piano - Le disque contemporain de la semaine est Concerto pour piano d'Unsuk Chin avec l'Orchestre Philharmonique de Berlin, Sunwook Kim et le chef Sakari Oramo.

Mit ihrer Oper "Alice in Wonderland" hat sie der Zeitgenössischen Musik neue Wege aufgezeigt und ein breites Publikum begeistert. Jetzt bekommt die südkoreanische Komponistin Unsuk Chin, die seit fast 40 Jahren in Deutschland lebt, den Ernst von Siemens Musikpreis.

Zuviel Jingle Bells und Stille Nacht gehört? Dann brauchen Sie möglicherweise jetzt etwas Gegenwartsmusik, um Ihre Ohren wieder aufzubekommen. Am besten von einer außereuropäischen Komponistin! Aber keine Sorge vor Überforderung: Albrecht Selge, der sich das neue Unsuk-Chin-Album der Berliner Philharmoniker angehört und angeschaut hat, findet diese Musik eminent genussvoll: "Der entscheidende Tipp: Man muss es mehrmals hören – und man will es auch!"

Jenni Bank was born in Johannesburg, South Africa, grew up in Binghamton, New York, & studied at Peabody Conservatory. She has worked with Seattle Opera, Opera Theatre of Saint Louis, Chicago Lyric Opera, New York City Opera, Anchorage Opera, Opera Delaware, Des Moines Metro Opera, Florentine Opera, Wolf Trap Opera, Tri-Cities Opera, Knoxville Opera, Hawaii Opera Theatre, Bard Summer Music Festival, Ash Lawn Opera, Amarillo Opera, Baltimore Concert Opera, Annapolis Opera, Mid-America Productions at Carnegie Hall, Alabama Symphony Orchestra, Royal Stockholm Philharmonic, Bergen Filharmoniske Orkester, Seoul Philharmonic, Los Angeles Philharmonic, & the BBC Symphony Orchestra. Performances include Marcellina (Marriage of Figaro), Samira (Ghosts of Versailles), Mrs. De Rocher (Dead Man Walking), The Mother (The Consul), 3rd Lady (Magic Flute), Ruth (Pirates of Penzance), Buttercup (H.M.S. Pinafore), Mrs. Twist (Brokeback Mountain), Emilia (Otello), Mrs. Lovett (Sweeney Todd), Mary (Flying Dutchman), Old Lady (Candide), Mrs. Peachum (Threepenny Opera), Golde (Fiddler on the Roof), Azucena (Il Trovatore), Witch (Hänsel und Gretel), Quickly (Falstaff), Dryad (Ariadne auf Naxos), Frugola (Il Tabarro), Principessa (Suor Angelica), Zita (Gianni Schicchi), Martha (Faust), Giulietta (Hoffmann), Marquise (Daughter of the Regiment), Petra (A Little Night Music), Fairy Queen (Iolanthe), Katisha (The Mikado), Filipyevna (Eugene Onegin), Verdi Requiem, Mozart Requiem, Haydn's Lord Nelson Mass, & Beethoven's 9th Symphony. She is the leading interpreter of the Duchess in Unsuk Chin's Alice in Wonderland, created the role of Firdaus Noman in Shalimar The Clown & is featured on the Cast Recording, won the Sullivan Foundation Award, is a Metropolitan Opera Competition semi-finalist, & is the Artistic Advisor for Tri-Cities Opera. Jenni is also the Analysis Operations Team Lead at the fast-growing tech startup DoWhatWorks and lives in Upstate New York with her husband and two adorable dogs (@theharleyandeo on instagram). Find Jenni at www.JenniBank.com & @jenni_bank My gratitude goes out to Hannah Boissonneault who edits our Masterclass episodes and to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva series from The Sybaritic Singer. Let your emerging professionals be part of the podcast! Invite Megan to your studio class for a taping of an episode. Your students ask questions and informative, fun conversation ensues. Special Guest: Jenni Bank.

In this episode, Unsuk Chin's modernist piece Clarinet Concerto is played to the sound of the host talking about the history and evolution of different art forms, as well as the definition and purpose of art.

Barton and Gabriel sit down to discuss the world of Opera, performance and Gabe's mindset of performing Internationally at the highest level.  Highlights from this podcast include: - Life lessons from his Voice Teacher Elizabeth Parham stating "that little voice in your head telling us we're not enough... that is the devil"- How Gabe thinks about performing for thousands of people- what type of things Gabe does to prepare himself for a big performance.- how the voice works and how he's able to create such powerful sound and sing professionally.  Gabriel's Bio: Multiple Grammy Award winning baritone Gabriel Manro has been called “a new kind of baritone: not lyric, not helden, not Kavalier, not Bariton-Martin — none of those. Rather, he's a knock-down baritone.” --San Francisco Classical Voice. Indeed, Manro regularly sings dramatic baritone roles such as Don Carlo di Vargas (La forza del destino), Andrei Shchelkalov (Boris Godunov), and Tonio (I Pagliacci) Opera News describes Manro as “Gifted with a striking, sinister baritone that remains strong, even and sonorous throughout the range, he tears into Verdi's music with a vengeance.” -- Opera News.Mr. Manro made his professional operatic debut as Third Inmate in Jake Heggie's ground-breaking opera Dead Man Walking for Opera Pacific with Frederica von Stade. He went on to perform the role of Inquisitor in Opera Pacific's Candide. Mr. Manro has appeared in numerous contemporary and world-premiere operas and musicals:As Muscovite Trader in John Corigliano's The Ghosts of Versailles (Pentatone Music: Grammy--Best Opera Recording), as the Mousling in the Los Angeles Philharmonic's Alice in Wonderland by Unsuk Chin, the Computer in Los Angeles Opera's The Fly by film composer Howard Shore (Lord of the Rings Trilogy); as The Chauffeur in Opera Santa Barbara's Séance on a Wet Afternoon by Stephen Schwartz (Wicked, Godspell); and as Angry Voter in Los Angeles Opera's Il Postino (Sony Classical DVD). Manro created the role of President Lincoln in Golden Gate Opera's world-premiere Civil War Epic: Lincoln and Booth. Off-Broadway, Mr. Manro led the original cast of Center for Contemporary Opera's production of Oration by Line Tjørnhøj. On television, Manro appeared as Joel Lynch and Father Jackson in the European premiere live telecast of William Mayer's: A Death in the Family at the Hungarian National Theater and Opéra Grand D'Avignon which was voted “audience favorite” opera.  Gabriel also played Jafar in Walt Disney Company's original stage production of Aladdin.Gabe's European operatic debut was as Doctor Bartolo (Il barbiere di Siviglia) with Corfu Opera in Greece. His extensive repertoire and engagements have also included the roles of Bluebeard (Bluebeard's Castle), Count Almaviva, Bartolo, Antonio (Le nozze di Figaro), Guglielmo, Don Alfonso (Cosí fan tutte), Don Giovanni (Don Giovanni). See Mr. Manro next as Osmund in the world-premiere stage production of Siegfried Wagner's Rainulf and Adelasia  during this summer's Bayreuth Festival in Germany.http://gabrielmanro.comhttp://instagram.com/g_manroBarton on Instagram https://www.instagram.com/bartonguybryan/Podcast Website is: https://www.podpage.com/the-mindset-forge-podcast/Join the Mindset Forge Premium membership for $3 / month (Donor Level) or $150 / month for Coaching: https://themindsetforge.supercast.com

Not the World Cup was a "glorious celebration of classical and world music" that ran alongside a small men's football competition in late 2022. Each team in each game of the football was represented by a short piece of (largely classical) music - 110 pieces in all from 107 composers (including 41 pieces by women): loads of great music and loads of new discoveries. I got together with my friend the conductor and writer Lev Parikian to pick some highlights and talk about a few of the things we learnt - about music, about how we listen and how it makes us feel. Listening time 41 mins. Here's a Youtube playlist of our favourite things of all from Not the World Cup and a playlist of everything that was clipped in the episode.   What do you think? Let me know with a comment at cacophonyonline.com. I'd love to hear from you!   You can learn more about Lev Parikian, his books, gigs, writing, nature projects, etc., at: https://levparikian.com and also on Substack & Twitter.   It's a fluid conversation but things break down a bit like this: 01:56 Wistful piano pieces and surprise winners [Music by Dolores Castegnaro, Enrique Granados, Julio Fonseca] 04:30 Giving things a chance/ deciding quickly this isn't for you/ music that transports you/ powerful openings [Iris Szeghy, Karl Jenkins, John Williams] 08:16 Curation - contrasts and similarities [Hector Villa Lobos, Arthur Honegger, Reena Esmail, Kamancheh music played by Narges Dehghani, Sufi music from the group Hadarrattes Souiriyattes] 11:45 Universal music in a world of nationalism, colonialism, borders and nationality 16:10 Strange new worlds: non-western music to western ears and sensibilities -  Korea Republic and Africa [M. Birvaa, Unsuk Chin, Anne-Marie Nzie] 21:27 Moods and complexity: Joy, sadness and sheer energy [John Adams, ND Jobins balafon music] 24:49 Authenticity and craft [Astor Piazzolla, Dana al Fardan] 26:28 Biases, choosing pieces from classical music's ‘big players' & pre-conceptions [Orlande de Lassus, Hector Berlioz, Johann Sebastian Bach] 32:55 Music that's not by white guys and a Mayer detour 34:48 The final matches and final thoughts [Felix Mendelssohn, Eddie Mora, José Pablo Moncayo, Gabriela Ortiz]   The Cacophony episode on Emilie Mayer's 7th symphony, which excited Lev so much, can be found here.   ALL the music from the epic NWC adventure can be found by exploring the Cacophony website. ...and some of the pieces discussed have their own 'normal' Cacophony podcast episodes where they're discussed in a bit more depth: Felix Mendelssohn: Symphony No.3, "Scottish" (the 'winner' for Germany)  Maurice Ravel: Mother Goose suite ('should' have been the winner...) Reena Esmail: Darshan John Adams: Short ride in a fast machine John Williams: Olympic fanfare and theme   Cacophony podcast episodes are normally released on the 10th, 20th and 30th of each month. It's a podcast bringing you great music that you may or may not know, but I think you'll love, all aimed at helping us Hear more, feel more and 'be' more! All at www.cacophonyonline.com or direct to your podcast player at bit.ly/cacolink   If you'd like to support Cacophony there are easy, great, ways: – send us a little something or make a regular payment at ko-fi.com – share this episode with someone you know – share the 100 second trailer – subscribe/ review and keep listening!   Thanks for listening!      

Harpist Lavinia Meijer has worked with an impressive list of people, including Philip Glass, Iggy Pop and Patty Smith, she joins Jess Gillam this week to chat about the music they can't get enough of. Lavinia is declaring her love for the bagpipes with a track by The Chieftains, we've two stunning concertos from Unsuk Chin and Korngold, re-worked film music by Peter Gabriel plus Stravinsky, Alabama Shakes and a very famous Waltz! Playlist: Johann Strauss II - An der schönen, blauen Donau, Op. 314 [Berlin Philharmonic Orchestra, Herbert von Karajan] Peter Gabriel - With this Love The Chieftains - The Humours of Carolan Debussy – Trio for Piano, Violin and Cello in G Major, L. 3: Third Movement [Andre Previn (piano), Julie Rosenfeld (violin), Gary Hoffman (cello)] Unsuk Chin - Violin Concerto; Movement I [Viviane Hagner (violin), Orchestre symphonique de Montréal, Kent Nagano] Korngold - Cello Concerto in C Major, Op.37; I. Allegro moderato, ma con fuoco [Edgar Moreau (cello), Lucerne Symphony Orchestra, Michael Sanderling]

durée : 00:25:27 - Unsuk Chin, "Concerto pour piano" - par : Anne-Charlotte Rémond - Le 6 juin 1997 à St David de Cardiff, l'orchestre de la BBC du Pays de Galles donne trois œuvres composées sur mesure par trois compositeurs nés au début des années 60, deux britanniques David Sawer et John Pickard et une coréenne Unsuk Chin. La soirée est diffusée en direct sur BBC Radio 3. - réalisé par : Max James

Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. Anne-Sophie Mutter is a musical phenomenon: for more than 45 years the virtuoso has now been a fixture in all the world's major concert halls, making her mark on the classical music scene as a soloist, mentor and visionary. The four-time Grammy® Award winner is equally committed to the performance of traditional composers as to the future of music: so far she has given https://www.anne-sophie-mutter.de/en/page/biography/world-premieres-mutter/ (world premieres of 30 works) – Unsuk Chin, Sebastian Currier, Henri Dutilleux, Sofia Gubaidulina, Witold Lutoslawski, Norbert Moret, Krzysztof Penderecki, Sir André Previn, Wolfgang Rihm, Jörg Widmann and John Williams have all composed for Anne-Sophie Mutter. She dedicates herself to supporting tomorrow's musical elite and numerous benefit projects. Furthermore, the board of trustees of the German cancer charity “Deutsche Krebshilfe” elected her the new president of the non-profit organization in 2021. Starting in January 2022, she joins the foundation board of the Lucerne Festival. In the autumn of 1997 she founded the “Association of Friends of the Anne-Sophie Mutter Foundation e.V.”, to which the Anne-Sophie Mutter Foundation was added in 2008. These two charitable institutions provide support for the scholarship recipients, support which is tailored to the fellows' individual needs. Since 2011, Anne-Sophie Mutter has regularly shared the spotlight on stage with her ensemble of fellows, “Mutter's Virtuosi”. Track Credits: Hommage a Penderecki are 10 Anne-Sophie Mutter - 10 - CD 1 10 PENDERECKI La Follia (2013) for violin solo Var. VIII. Adagio tanquillo [3175364] 11 Anne-Sophie Mutter, Roman Patkolo - 11 - CD 1 11 PENDERECKI Duo Concertante for violin and double bass (2010) [3175365] 15 Anne-Sophie Mutter, Lambert Orkis - 15 - CD 1 15 PENDERECKI Sonata No. 2 (1999) for violin and piano 4. Allegro [3175369] 17 Anne-Sophie Mutter, London Symphony Orchestra, Krzysztof Penderecki - CD 2 17 PENDERECKI Metamorphosen Violin Concerto No. 2 1. Allegro man non troppo [3175371].

Today's guest is Clément Saunier. After studying with Clément Garrec at the Conservatoire National Supérieur de Musique in Paris, he obtained prizes in several international interpretation competitions: Citta di Porcia (Italy 2002), Prague Spring (2003), Jeju (South Korea 2004), Théo Charlier (Brussels 2005), Tchaikovsky (Moscow 2011). Clément Saunier is also the last French laureate in the last Maurice André trumpet competition (Paris 2006). In 2013 he was named solo trumpet with the Ensemble Intercontemporain in Paris and thus collaborates with influential composers and orchestral conductors of our time such as Peter Eötvös, Matthias Pintscher, Pierre Boulez, Simon Rattle, Pablo Heras-Casado, Unsuk Chin, Martin Matalon, Helmut Lachenmann, Olga Neuwirth… An international concert artist, his repertoire ranges from the Bach's 2nd Brandenburg Concerto to contemporary works (Maresz, Pintscher, Ligeti, Stockhausen, Berio). As such he is invited to perform recitals or to be accompanied by larger orchestral ensembles on stages across the globe. (Germany, Switzerland, Colombia, Japan, Italy, South Korea, Slovenia, Russia…). --- Support this podcast: https://anchor.fm/artssalon/support

Lyrical Modernism, Light and Timbre: We explore the music of German-Korean composer, Unsuk Chin, the third woman to win the prestigious Grawemeyer Award for her Violin Concerto no. 1.  Listen as we explore her sonic world of lyrical modernism, centered around concepts of light, texture, and etherealism in a modernist classical music tradition.   Visit the APO Listening List on Spotify: https://open.spotify.com/playlist/5TWmchbUilbMXtHG4vpHd3?si=4787b1f0422d4033  

Unsuk Chin 1961-ben született Szöulban. Húszas évei elején számtalan díjat nyert, majd 1985-ben Ligeti Györgynél tanult a Hamburgi Zene- és Színházművészeti Főiskolán. Pályafutása kezdetén az elektronikus zene inspirálta, a témák helyett inkább az elvont hangzásképek érdekelték. Áttörést hozó Akrostichon-Wortspiel című művét 1991-ben komponálta. Azóta Chin zenéjét a világon mindenhol játsszák és idén ő lehet az első ázsiai származású zeneszerző, aki megkaphatja a Sonning Zenei Díjat.

Unsuk Chin, Double Concerto for piano, percussion and ensemble con Lucia Ronchetti

Clarinettist Joseph Shiner talks to Alex about classical music by living composers. Joe and Alex discuss music by Martin Butler, Unsuk Chin and Guillaume Connesson.Subscribe to New Notes on Apple Podcasts, Spotify, or wherever you get your podcasts and you'll be the first to hear new episodes each week.

durée : 00:59:11 - En pistes, contemporains ! du dimanche 14 juin 2020 - par : Emilie Munera - Au programme : le quatuor coréen Esmé enregistre ParaMetaString, une oeuvre commandée en 1996 à Unsuk Chin par le Kronos Quartet; Adam Tendler s'empare des oeuvres pour piano du compositeur américain Robert Palmer disparu en 2010; immersion dans l'univers du compositeur Benoît Menut ... - réalisé par : Claire Lagarde

Rubrikoje „Dabar prieš šimtą metų“ – tuštuma paženklintas tragiško likimo džiazo inovatoriaus Charlie Parkerio šimtmetis. Kiaurus metus jubiliejaus proga turėjusios vykti parodos, koncertai, turai, akcijos – viskas atšaukta. Tai lyg priminimas, kad paties saksofonininko gyvenimas nebuvo linksmas, o genialumas vienam įtakingiausių muzikantų istorijoje sveikatą ir gyvybę. Rubrikoje „O tuo metu kitoje pasaulio pusėje“ – gausiai apdovanotos Vokietijoje gyvenančios korėjietės kompozitorės Unsuk Chin eksperimentai. Ved. Domantas Razauskas.

durée : 00:25:27 - Unsuk Chin, "Concerto pour piano" - par : Anne-Charlotte Rémond - Le 6 juin 1997 à St David de Cardiff, l'orchestre de la BBC du Pays de Galles donne trois œuvres composées sur mesure par trois compositeurs nés au début des années 60, deux britanniques David Sawer et John Pickard et une coréenne Unsuk Chin. La soirée est diffusée en direct sur BBC Radio 3. - réalisé par : Max James

About the Performance: Ever-vibrant conductor Mirga Gražinytė-Tyla covers all the bases with this multifaceted program, beginning with Tchaikovsky's beloved Violin Concerto, featuring the astonishing Patricia Kopatchinskaja. Mirga also leads the latest by much-lauded South Korean composer Unsuk Chin and Debussy's masterpiece of orchestral color. This evening's performance is made possible in part by the generous support of the Kohl Virtuoso Violin Fund. Program: TCHAIKOVSKY : Violin Concerto in D major, Op. 35 Intermission Unsuk CHIN : SPIRA – A Concerto for Orchestra (world premiere, LA Phil commission) DEBUSSY : La mer Artists: Los Angeles Philharmonic Mirga Gražinytė-Tyla conductor Patricia Kopatchinskaja violin SUN / APR 7, 2019 - 2:00PM Upcoming concerts: www.laphil.com/calendar Upbeat Live schedule, details, and speaker bios: www.laphil.com/ubl

Tom Klaassen verkent iedere zaterdag en zondag tussen 23.00 en 24.00 uur de grenzen van de klassieke muziek. Met nieuwe releases, concerttips, reportages, actuele ontwikkelingen in de muziekwereld, een vaste plek voor jong talent, en natuurlijk: adembenemende muziek! Met vandaag werk van Tobias Hume, Orlando Gibbons, Robert Schumann, Claude Lejeune, Cherubino Waesich, Unsuk Chin, Robert Jones, en Gavin Bryars.

During the LA Philharmonic's 2018/19 season, they commissioned 50 new works from artists including Louis Andriessen, Unsuk Chin, Philip Glass, and Steve Reich, just to name a few. Composer and curator of the first of the LA Phil's new music series, entitled Green Umbrella, Andrew Norman talks about the Southern Californian composers that he's presenting. Hosted by Seth Boustead Produced by Sarah Zwinklis Music Omie Wise by Bryce Dessner Eighth Blackbird Codex Seraphinianus: Machinery, Anthropology, Games by Marcos Balter International Contemporary Ensemble Aheym by Bryce Dessner Kronos Quartet Templating Tranquility (excerpt) by Tyshawn Sorey Tyshawn Sorey Trio New York Tendaberry by Laura Nyro Renée Fleming, soprano; Yo-Yo Ma, cello; Billy Childs, piano The Manufacture of Tangled Ivory- Part II by Annie Gosfield Roger Kleier, electric guitar; Christine Bard and Jim Pugliese, percussion; Annie Gosfield, sampler Four Rosesby Annie Gosfield Ted Mook, cello; Annie Gosfield, sampler

In the second of three companion programmes to BBC TV's Civilisations series, Tom Service unpicks western music's debt to the exotic and ponders the allure of western music for other cultures. Reflecting contemporary attitudes and trends in fashion and the arts, the exotic has long cast its spell on western composers. Mozart catered to the 18th-century Viennese craze for all things Turkish; in 19th-century France the exotic stretched east to Indonesia and Japan. More recently, the music of Africa has attracted the likes of Steve Reich and György Ligeti. And 150 years ago, as Japan opened up to outside influences, western culture became suddenly desirable in the east, with profound and lasting consequences. But what does it take to make the exotic in music more than a titillating and imperialist added extra? Including contributions from composer Unsuk Chin, and cultural historian of Japan, Jonathan Service. David Papp (producer).

Ensemble Offspring explores a world of dreams and fairytales in their final concert of 2017.

Ensemble Offspring explores a world of dreams and fairytales in their final concert of 2017.

“There is no boundary or difference: even different skin, different religion or different culture – we are all children of the stars.” Music to expand your horizons: mystical, echoing, otherworldly, Unsuk Chin’s The Song of the Children of the Stars sets 13 poems spanning centuries and continents, contemplating our place in the universe. Hear her introduce her music in conversation with Jonathan Cross, ahead of our European premiere on 15 April: http://www.philharmonia.co.uk/concerts/1754

Sonates est l'émission de musique classique de Radio Campus Paris. Notre première émission, diffusée le dimanche 8 octobre était consacrée aux Corées (du Nord et du Sud). Sous le feu des projecteurs depuis le milieu de l’été, la Corée du Nord a ravivé les tensions avec l’Occident en début septembre lorsque la présentatrice star du pays, Rin Chun-Hee et son fidèle costume traditionnel rose, a annoncé à tous ses compatriotes le test d’un nouveau missile nucléaire, une bombe H selon le régime. Ce 6e essai a réussi son objectif puisqu’il n’a pas fallu longtemps aux dirigeants occidentaux, et en particulier à Donald Trump, de réagir. Depuis, c’est un vrai match de ping-pong entre les deux pays : Corée du Nord vs Etats-Unis, un vrai duel ! Les provocations font craindre l’avènement d’un conflit, voire pour les plus pessimistes une 3e guerre mondiale ! Toute cette actualité valait un zoom de notre part sur la Corée. Mais, que serait la Corée du Nord sans sa plus grande rivale et en même temps sa sœur presque jumelle la Corée du Sud ? C’est pourquoi nous avons choisi dans cette émission de parler des Corées, de leur histoire musicale commune mais aussi de tout ce qui les sépare... En fin d'émission, Mathieu, comme il le fera une fois par mois, vous propose une chronique sur le rapport entre musique pop et musique classique. Vous pourrez également découvrir l'agenda de la musique classique à Paris pour les prochaines semaines. Merci à Lisa pour la réalisation de cette première émission ! Au cours de cette émission, vous avez pu entendre : Arirang, par l’Orchestre Philarmonique de New-York La jeune fille au trapèze, par l’Orchestre nord-coréen Unhasu. Le prélude de Carmen, composé par Georges Bizet, par l’Orchestre nord-coréen Unhasu. Aegukga, l'hymne sud-coréen Concerto pour violoncelle, Aniri, interprété par Unsuk Chin. Piano Trio No. 1 in E flat major Op.1 No.1: IV. Finale (Presto), interprété par le Chung Trio. Pluto, par Sufjan Stevens. Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH. 55: I. Allegro non troppo e molto maestoso - Allegro con spirito par Chung Trio.

Concert Chamber ensemble Loop38 Described as a “masterpiece” and “monumental work” by the New York Times and The Guardian, respectively, Austrian composer Georg Friedrich Haas’ hour-long work for twenty-four musicians, in vain (2000), creates an unforgettable listening experience. Just as “the natural light that illuminates the murals...accurately show the nuances and subtleties of [Rothko’s] color palette” in Rothko Chapel, the absence of light is used in Haas’ in vain to create an experience of “waves of opulently strange, beautiful sounds”. With most of the music performed in complete darkness as the performers play from memory, the sounds are liberated, and “the focus lies on what is trapped under listening habits”. While many works of Haas have been performed to great acclaim in New York, Los Angeles, Berlin, and London, he has yet to be discovered in Houston. With an emphasis on achieving artistic excellence and a passion to create unique aural experiences for the community, Loop38 is excited to include the Texas premiere of this demanding work in their first season. Co-founded by conductor Jerry Hou and pianist Yvonne Chen at the Shepherd School of Music in 2016, chamber ensemble Loop38 is comprised entirely of Houston transplants, bringing their unique musical experiences from all over the world to share with the Houston community. Its members hold degrees from The Juilliard School, Peabody Institute, Cleveland Institute of Music, Eastman School of Music, Yale University, University of Michigan, University for the Arts in Bremen, Germany, and Oberlin Conservatory. Members of the group have worked with composers such as Steve Reich, Pierre Boulez, Gyorgy Kurtag, Helmut Lachenmann, Bernard Rands, Unsuk Chin, and Mark-Anthony Turnage. www.loop38.org

Originally from China, the sheng is a traditional instrument – a mouth organ – with a three-thousand year history. Its sound was part of Korean composer Unsuk Chin’s childhood and she had long dreamed of writing for it. She was inspired finally to fulfil her dream when she heard the playing of sheng virtuoso Wu Wei. With the help of Wu, Chin began the long, collaborative process of learning how to write for sheng which resulted in the remarkable Šu for sheng and orchestra – and a deep friendship between composer and performer.

Jump into the present day as we focus on contemporary music in the latest episode of Backstage Pass. Leave Mozart and Beethoven aside for fifteen minutes, it’s all about the composers bringing their work to life today. Listen out for dancing clarinetists, jazzy riffs and unexpected collaborations. This podcast features interviews with Unsuk Chin, Anders Hillborg and Kevin John Edusei.

Bob Wilcox and Gerry Kowarsky review (1) CHICAGO, by John Kander, Fred Ebb, & Bob Fosse, at The Muny, (2) DISNEY'S THE JUNGLE BOOK, by Richard M. & Robert B. Sherman, Terry Gilkyson, & Marcy Heisler, at Stages St. Louis, (3) BOWLING EPIPHANY -- THE REVIVAL!, by Carter Lewis & Dan Rubin, at OnSite Theatre Co., (4) BROOKLYN BAGATELLE, by Neville Mur, at First Run Theatre, (5) ALICE IN WONDERLAND, by Unsuk Chin & David Henry Hwang, at Opera Theatre of St. Louis, (6) THOROUGHLY MODERN MILLIE, by Richard Morris, Dick Scanlan, & Jeanine Tesori, at The Muny, and (7) AND THE WORLD GOES ROUND, by John Kander & Fred Ebb, at Insight Theatre Co.