Podcast appearances and mentions of mark anthony turnage

Today, the Spotlight shines On Claire Cope. This British composer crafts music that combines the freedom of jazz with the precision of classical music, drawing inspiration from women whose stories are often overlooked in history books.Caire's new album Every Journey dropped in March to coincide with International Women's Day. On it, she expanded her original septet to an 11-piece band, giving her more colors to paint with as she tells stories of female explorers and their brave first steps.Claire's writing has been described as “beautiful and reflective,” earning praise for how she creates space for each musician to shine within these rich musical landscapes.(The musical excerpts heard in the interview are from Ensemble C's album Every Journey)–Dig Deeper• Visit Claire Cope's official website at clairecopemusic.com• Listen to Claire Cope's Ensemble C on Bandcamp, Qobuz, and your streaming platform of choice• Claire's new album Every Journey was released on March 7, 2025 via Adhyâropa Records• Listen to Michael Brecker's "Wide Angles" album that influenced Claire's approach to ensemble composition• Follow vocalist Brigitte Beraha, a key collaborator in Ensemble C• Listen to tenor saxophonist Matt Carmichael's "Dancing with Embers" album that Claire recommends• Explore composer Mark-Anthony Turnage's "Blood on the Floor", which combines classical and jazz elements• Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Hollywood legend Robert De Niro explains why he's starring in his first ever TV series Zero Day, where he plays a former US President out to find the culprits behind a deadly cyber-attack on America. He's joined by the show's screenwriter Eric Newman. With the British Council facing financial pressures it is considering the sale of its art collection, we hear from Jenny Waldman, Director of the Art Fund about what this might mean. Mark Anthony Turnage and Lee Hall talk about their new opera Festen, based on the Danish film by Thomas Vinterberg, which explores the impact of a dark family secret revealed at a birthday party. And, curator Anna Villi and author Elodie Harper discuss the British Museum and Colchester and Ipswich Museum's Gladiators of Britain exhibition. Presenter: Samira Ahmed Producer: Ruth Watts

Mark-Anthony Turnage is a composer of contemporary classical music. Once called “Britain's hippest composer”, he has been in a rock band, got drunk with Francis Bacon, and tackled anything from drug abuse to football in his works. Mark was born in June 1960 in the Thames estuary town of Corringham in Essex. His musical talent was nurtured by his parents and he studied composition at the junior department at the Royal College of Music from aged fourteen. There he met the composer Oliver Knussen who became his tutor, mentor, and life-long friend. His first performed work, Night Dances, written while still at the Royal College, won a prize and heralded Mark's evolution into what one critic calls “one of the best known British composers of his generation, widely admired for his highly personal mixture of energy and elegy, tough and tender”. Greek, his debut opera, a reimagining of the Oedipus myth whose protagonist is a racist, violent and foul-mouthed football hooligan, shocked the establishment, which flinched, but accepted “Turnage, the trouble-maker” as a forceful voice. Over the past four decades he has sustained a distinguished and productive career that has seen him working closely with conductors of the stature of Bernard Haitink, Esa-Pekka Salonen and, particularly, Simon Rattle. He has been attached to prestigious institutions, such as English National Opera and both the BBC and Chicago symphony orchestras, and has written a vast range of music for many different instruments and ensembles. His influences include soul, gospel, all sorts of jazz and the great symphonic works of the repertoire. He has written operas, ballets, concertos, chamber pieces and choral works together with orchestrating a football match. His key works include Three Screaming Popes and Blood on the Floor (both inspired by Francis Bacon paintings, and the latter containing an elegy for his younger brother, Andrew, who died of a drug overdose in 1995), as well as more operas including one about the former Playboy model Anna Nicole Smith. Mark lives in North London with his partner, the opera director, Rachael Hewer. DISC ONE: Symphony No. 9 in D Minor, Op. 125 II. Molto vivace - Presto - Molto vivace – Presto. Composed by Ludwig Van Beethoven and performed by The Berlin Philharmonic, conducted by Sir Simon Rattle DISC TWO: St. Matthew Passion, BWV 244 Pt. 1 No. 1, Kommt, ihr Töchter, helft mir klagen. Composed by Johann Sebastian Bach and performed by Bach Collegium Japan, conducted by Masaaki Suzuki DISC THREE: Two Organa, Op. 27 – 1 “Notre Dame des Jouets”. Composed and conducted by Oliver Knussen and performed by The London Sinfonietta DISC FOUR: Blue in Green - Miles Davis DISC FIVE: Living for the City - Stevie Wonder DISC SIX: Puccini: Madama Butterfly, Act II: Un bel dì vedremo. Composed by Giacomo Puccini and performed by Mirella Freni (Soprano) and Wiener Philharmoniker, conducted by Herbert von Karajan DISC SEVEN: Symphony of Psalms (1948 Version): III. Alleluja. Laudate Dominum - Psalmus 150 (Vulgata) Composed by Igor Stravinsky and performed by English Bach Festival Choir and The London Symphony Orchestra, conducted by Leonard Bernstein DISC EIGHT: Let's Say We Did. Composed by John Scofield and Mark-Anthony Turnage and performed by John Scofield, John Patitucci, Peter Erskine, Frankfurt Radio Symphony, hr-Bigband and Hugh WolfBOOK CHOICE: Rebecca by Daphne du Maurier LUXURY ITEM: A grand piano and tuning kit CASTAWAY'S FAVOURITE: St. Matthew Passion, BWV 244 Pt. 1 No. 1, Kommt, ihr Töchter, helft mir klagen. Composed by Johann Sebastian Bach and performed by Bach Collegium Japan, conducted by Masaaki Suzuki Presenter: Lauren Laverne Producer: Sarah Taylor

Šiais laikais dėmesys simfoniniam orkestui – sudėtingam ir neekonomiškam organizmui – gerokai sumažėjęs. Tačiau simfoninė muzika niekur neišnyko, ji kuriama ir atliekama nuolat. Laidoje aptariami trys ryškūs šiuolaikiniai simfonistai: danas Bent Sørensen (g. 1958), anglas Mark-Anthony Turnage (g. 1960) ir amerikietis Andrew Norman (g. 1979).Laidos autoriai Mindaugas Urbaitis ir Šarūnas Nakas

fWotD Episode 2491: Blood on the Floor (Turnage) Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Thursday, 29 February 2024 is Blood on the Floor (Turnage).Blood on the Floor is a suite in nine movements composed for orchestra and jazz trio by Mark-Anthony Turnage. It was composed over a span of three years (1993–1996) after a commission from the Ensemble Modern—a German music group—to produce a piece for an evening jazz event in 1994. After the performance, Turnage expanded the piece into the larger nine movement suite that is now performed. During this period of composition, Turnage's brother Andrew died of a drug overdose, shaping the music greatly. As a result, drug culture is one of the main themes in the suite. Blood on the Floor also draws influences from the paintings of Francis Bacon and Heather Betts; the suite's title is an adaptation of Bacon's painting Blood on Pavement.Like other compositions by Turnage, Blood on the Floor incorporates elements of both classical and jazz music. Due to this, it has been described as being part of the "third stream" genre, a term coined by Turnage's former teacher Gunther Schuller. The suite is written as a concerto grosso and features a blend of classical, jazz, non-western and electronic instruments. As part of this fusion, the suite contains space for soloists to improvise in four of its movements. Blood on the Floor shows elements of non-functional harmony and has complex rhythmic changes, often changing metre every bar. Motifs are found recurring throughout the suite. Blood on the Floor was premiered by the Ensemble Modern at the Queen Elizabeth Hall, London, in May 1996. The suite received a mixed reception from music critics. Some enjoyed the suite's fusion of classical and jazz music, while others found it to be an unfulfilling combination. Outside of the Ensemble Modern, Blood on the Floor has been performed by various ensembles, including the Berlin Philharmonic, Melbourne Symphony Orchestra and Boston Symphony Orchestra.This recording reflects the Wikipedia text as of 01:07 UTC on Thursday, 29 February 2024.For the full current version of the article, see Blood on the Floor (Turnage) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Kimberly Standard.

Mark joins the show to chat about his new album, Smiling. Joining the show is Olivia Cuttill as a guest host. Saxophonist and composer Mark Lockheart first came to prominence in the mid 1980s with the influential big band Loose Tubes. In 1992 Mark formed the eclectic co-led quartet Perfect Houseplants, a group that released six albums and collaborated with classical artists such as the Orlando Consort, Andrew Manze and Pamela Thorby. The mid-90s saw Mark recording and performing with many jazz, folk and pop artists, including Django Bates, Kenny Wheeler, Norma Winstone, June Tabor, Stereolab, Jah Wobble, Robert Wyatt, Prefab Sprout, Don Um Romao, Thomas Dolby and Radiohead.In 2003 Mark joined Seb Rochford's Polar Bear, which over a period of 12 years recorded six ground-breaking albums. The band's second album, Held On The Tips Of Fingers, was nominated for the 2005 Mercury Award and later appeared in Jazzwise's 100 Albums That Shook the World. The band's fifth album, In Each And Every Way, was also nominated for a Mercury Award in 2013. In 2007 Mark was a featured soloist (along with John Pattitucci and Gwilym Simcock) in Mark Anthony Turnage's About Water, which premiered on the Southbank in June 2007. Mark collaborated several times more with Turnage, performing his A Man Descending with the Southbank Sinfonia in 2008 and more recently as one of the featured musicians in Turnage's opera Anna Nicole, which premiered at the Royal Opera House in London in 2011. In 2009 Mark's quintet album In Deep was released to critical acclaim. The following year saw the release of Mark's first big band album Days Like These with the Hamburg-based NDR big band. That same year Mark was awarded APPJC Parliamentary Jazz Musician of the Year 2010. In 2013 Mark released Ellington In Anticipation, a radical reworking of Ellington melodies with an all-star line up including Seb Rochford and Liam Noble. The album received numerous four and five-star reviews and was MOJO magazine's Jazz Album of 2013 and nominated as Best Jazz CD of 2013 by the APPJC at the 2014 Parliamentary Awards.  An invitation to perform at the New York Rochester Jazz Festival in 2014 led to the formation of Mark's trio, Malija, with bassist Jasper Hoiby and pianist Liam Noble. Malija's debut album The Day I Had Everything was released in December 2015 to critical acclaim. The group's second album Instinct was released in 2017 followed by a 21-date tour.  In 2016 Mark was awarded Jazz FM Instrumentalist of the Year and also nominated for the British Composer Awards for his composition With One Voice. A few years later saw the birth of two very contrasting projects , the jazz/orchestral work titled Days On Earth for jazz sextet and 30-piece orchestra, released on Edition Records in January 2019 and a set of English Renaissance music ‘Salvator Mundi' recorded at Temple church in London with organist Roger Sayer.mosaic: Exploring Jewish Issuesmosaic is Jewish Federation of Palm Beach County's news magazine show, exploring Jewish...Listen on: Apple Podcasts SpotifySupport the show

Face to Face, Nikki's new album is out today! As a founder member of the hugely innovative Creative Jazz Orchestra in the early 90s, Nikki Iles came to prominence working with musicians such as Anthony Braxton, Vince Mendoza, Mark Anthony Turnage, Kenny Wheeler and Mike Gibbs.Mike subsequently booked her for one of her first recording dates with great American musicians, Steve Swallow and Bob Moses on the CD “By The Way” on AH HUM records. For many years, Nikki served a lengthy apprenticeship in the North of England playing with the cream of British and American jazz such as Peter King, Iain Ballamy, Art Farmer, Peter King ,Tina May ,Tim Garland and Jim Mullen.Many of these relationships were re- kindled later ,when after a car accident, Nikki finally decided to make the move to London in 1998. Here she joined the groups and toured and recorded with musicians such as Steve Arguelles, Mick Hutton, Martin Speake, Stan Sulzmann and Julian Arguelles and Norma Winstone .Several awards followed with the BT British Jazz Award and an IAJE Award in America for services to Jazz. Although well known as a pianist, composition still remains a major part of her musical life.The breadth of Nikki's artistic vision has led her to disregard the arbitrary boundaries of the jazz scene and most notably, commissions have included a collaboration with American dancer Mimi Cichanowicz , the UMO Jazz Orchestra in Finland, “A Gentle Prayer “ - London Sinfonietta , “Red Ellen” - Tim Garland's Northern Underground Band, “Carillion – The LPO's Renga ensemble and this year “The Caged Bird” from the International Society of Jazz Arrangers and Composers.Nikki was honoured to have her piece HUSH commissioned by the National Youth Jazz Orchestra featured at the 2012 Proms ( BBC TV) and more recently write for the great American singer, Kurt Elling and The Scottish National Jazz Orchestra.Recently she has been particularly busy - she was awarded the prestigious Ivors Academy Gold Badge and the Ivor Novello Award - winning the best large ensemble composition in 2021.Support the show

Synopsis Back in Bach's day, there were churchmen aghast at the thought that composers were trying to sneak flashy opera music into Sunday services. Church music was meant to be simple, austere, and, well , not “operatic.” So what would they have made of the three “church parables” – mini-operas, really, composed in the 20th century by the great English composer Benjamin Britten? The third of these, The Prodigal Son, debuted on today's date in 1968 at St. Bartholomew's Church in Orford, England. All three impart Christian values and were meant for church performance – scored for a handful of soloists, modest choir, and a small ensemble that would fit in front of and on either side of a church altar where church music was normally performed. But operas they are, and Britten himself let the “o” word slip when he commented in a 1967 interview that he was (quote), “doing another church opera to go with the other two, Curlew River and The Burning Fiery Furnace, to make a kind of trilogy.'” Britten took these mini-operas seriously, and dedicated The Prodigal Son to his new friend, the Soviet composer Dmitri Shostakovich, who in turn would dedicate his 14th Symphony to Britten. Music Played in Today's Program Benjamin Britten (1913 - 1976) The Prodigal Son Peter Pears, tenor; John Shirley-Quirk, baritone; Robert Tear, tenor; Bryan Drake, baritone; English Opera Group Orchestra; Benjamin Britten, conductor. Decca 425713 On This Day Births 1904 - German-born American musical composer Frederick Loewe, in Berlin; 1913 - Soviet composer Tikhon Khrennikov, in Elets (Julian date: May 28); 1960 - English composer Mark Anthony Turnage, in Grays, Essex; Deaths 1899 - French composer Ernest Chausson, age 44, after a bicycle accident near Limay; 1918 - Italian opera composer and librettist Arrigo Boito, age 76, in Milan; 1934 - British composer Frederick Delius, age 72, in Grez-sur-Loing, France; 1964 - American composer Louis Gruenberg, age 75, in Los Angeles; Premieres 1732 - Handel: opera "Acis and Galetea" (in an English/Italian version), in London at the King's Theater in the Haymarket, at the request of Princess Anne (Gregorian date: June 21); 1865 - Wagner: opera "Tristan and Isolde," in Munich at the Hoftheater, conducted by Hans von Bülow; 1921 - Stravinsky: "Symphonies of Wind Instruments" (in memory of Claude Debussy), in London at Queen's Hall, with Serge Kousevitzky conducting; Three days earlier, on June 7, 1921, Stravinsky had attended the British premiere of the concert version of his ballet score "The Rite of Spring," also at Queen's Hall, with Eugene Goossens conducting; 1939 - Bliss: Piano Concerto (with Solomon the soloist) and Vaughan Williams: "Five Variants of Dives and Lazarus," at Carnegie Hall by the New York Philharmonic, with Sir Adrian Boult conducting; These works (Along with Bax's Seventh Symphony, which premiered the previous day) were all commissioned by the British Council as part of the British Exhibition at 1939 World's Fair; 1941 - Poulenc: first public performance of Concerto for Organ, Strings and Timpani, in Paris; 1968 - Britten: church opera "The Prodigal Son," in Orford Church, near Aldeburgh. Links and Resources On Britten

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Donald Macleod is joined by the composer Mark-Anthony Turnage Mark-Anthony Turnage is a man with a reputation for shaking up the world of British classical music - a composer with a distinctive and rebellious creative voice. His work vividly fuses influences of jazz, soul and contemporary pop with music that remains boldly and defiantly avant-garde. It's music that packs a punch, yet whose visceral impact accompanies a deep lyricism and emotion. Over four decades, Turnage's work has tackled social commentary: domestic violence, drug abuse, and the refugee crisis. But he's also a composer with a subversive streak, with an opera exploring the life of former Playboy model Anna-Nicole Smith, and orchestral pieces inspired by his beloved Arsenal football club and pop superstar Beyoncé. Music Featured: Greek, Act 1: Breakfast Quartet On Opened Ground (1st mvt) Night Dances (3rd mvt, Nocturne) Greek, Act 1: Prologue and Wine Bar Music; Act 2: Journey to the Sphinx… Three Farewells (All Will Be Well) Blood On The Floor (Blood On The Floor) Set To Three Screaming Popes Twice Through The Heart (Part Two) Your Rockaby (excerpt) True life stories (Tune for Toru) The Silver Tassie, Act 1: Oh Bring To Me A Pint Of Wine Slide Stride The Silver Tassie, Act 2, Scene 2 (excerpt) The Silver Tassie, Act 4 Scene 3 Scorched (Let's Say We Did) Remembering (4th mvt) Hammered Out From The Wreckage Anna Nicole, Act 1 (excerpt) Texan Tenebrae Twisted Blues With Twisted Ballad (Reflections on “Stairway To Heaven” by Led Zeppelin) Milo, for solo cello Piano Concerto (2nd mvt, "Last Lullaby For Hans") UNDANCE (excerpts) Concerto for Two Violins "Shadow Walker" (2nd & 3rd mvts) Speranza (4th mvt, Tikvah) Presented by Donald Macleod Produced by Steven Rajam, for BBC Wales For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Mark-Anthony Turnage (b 1960) https://www.bbc.co.uk/programmes/m00126xb And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Kate Molleson talks to composer Mark-Anthony Turnage, a life-long Arsenal supporter, about his new piece 'Up for grabs' ahead of its premiere next week at the Barbican Centre in London. The work celebrates one of his team's most famous victories, back in 1989, and Kate learns about Mark's setting of the personnel who played during this much-famed football match, as well as his thoughts about the relationship between music and sport. We drop by on rehearsals of a new chamber opera, “Tomorrow's Wonder. . . A Window into Our Lives”, by the composer Electra Perivolaris written in collaboration with a family dealing with dementia. The work was commissioned by the fledgling opera company, Theatre of Sound, and accompanies their new production of 'Bluebeard's Castle' which retells the story of Bartok's psycho-drama through the lens of a long and happily married couple coming to terms with dementia. We hear, too, from the flautist and music journalist Eugenia Zuckerman, author of 'Like Falling Through a Cloud - a Lyrical Memoir of Coping with Forgetfulness, Confusion, and a Dreaded Diagnosis', who talks candidly about her book which documents her fight against memory loss. And 'Richard Wagner in Venice: A Symphony' – we hear how composer Matthew King has reconstructed sketches left by the German composer, and created the new orchestral piece Wagner wanted to write towards the end of his life.

Composer Mark-Anthony Turnage has written a Concertino for clarinettist John Carnac. It will be performed at Music@Malling in Kent in late September by clarinettist John Carnac. Jon Jacob spoke to composer and performer about the work at rehearsals in Birmingham. 

Composer and Arsenal fan Mark-Anthony Turnage will be setting a football game to music. Not just any game, but Arsenal's title-winning 1989 final game of the season. He tells fellow fan John Wilson how he'll be capturing the game in his piece Up for Grabs, which has its world premiere at the Barbican in London in November. As the V&A announce their plans for V&A East - two major new developments in the former London Olympic Park – which will open in 2024, its director Gus Casely-Hayford explains what they're setting out to create and his vision for the role of museums in the 21st century. Patricia Lockwood is the latest of our Women's Prize for Fiction shortlisted authors – we're talking to them all in the run up to the prize which will now be awarded on 8 September, when we'll hear from the winner. Lockwood's novel, No One Is Talking About This, has been described as furiously original. It's an exploration of our relationship with the online world and what happens when events in real life take over in the most moving way. Presenter: John Wilson Producer: Jerome Weatherald Main image: Mark-Anthony Turnage Image credit: Philip Gatward

Francis Bacon is one of Britain’s greatest twentieth century artists – a painter who captured and exposed the darker, stranger sides of life. He is the subject of a new biography, Revelations, by Annalyn Swan and Mark Stevens. Swan tells Andrew Marr how Bacon often fashioned his own autobiography, revelling in story-telling while immersed in the Soho nightlife. Francis Bacon never hid his homosexuality, even at a time when it was illegal in Britain. The celebrated script writer Russell T Davies is well-known for his depiction of the gay scene in Manchester with his 1990s series, Queer as Folk. He now turns his attention to what happened in the decades of the HIV/ AIDs crisis in the Channel 4 series, It’s A Sin. The composer Mark-Anthony Turnage took inspiration from a Francis Bacon’s triptych in his work Three Screaming Popes, combining expressionist complexity with English lyricism. 2020 was planned as a celebratory year for Turnage’s 60th birthday with several premieres scheduled. All were cancelled due to Covid-19. The composer discusses these works and what is inspiring him in the new year. Producer: Katy Hickman

This episode begins with a short interview with Dutch soprano, Eva Maria Westbroek (https://www.evamariawestbroek.com/). She and Keturah talk about Eva’s creation of the title role in Mark Anthony Turnage (https://www.boosey.com/pages/cr/composer/composer_main?composerid=16405&ttype=BIOGRAPHY) and Richard Thomas’ (https://www.richardthomascreative.com/) opera, Anna Nicole, which premiered at Covent Garden in 2011.the second part of the episode is an interview with British librettist, composer, and lyricist, Richard Thomas. Keturah and Richard also speak about Anna Nicole (https://www.nytimes.com/2011/02/19/arts/music/19nicole.html) throughout the interview, but delve into his other works as well. His most recent operatic endeavor is a new translation of The Merry Widow at ENO (https://www.theguardian.com/music/2019/mar/03/the-merry-widow-review-english-national-opera-coliseum-london).Keturah and Richard move on to his - arguably - most well-known work, Jerry Springer - The Opera (https://www.guidetomusicaltheatre.com/shows_j/jerryspringer.htm), which was originally shown at the Battersea Opera Festival, run by Tom Morris in South London: http://www.bacarchive.org.uk/. They then go into a deep conversation about Anna Nicole, and backtrack to discuss Richard’s first move into the opera genre: Tourette’s Diva.Here are a few more links about various topics of conversation:Tourette’s Diva: http://www.bacarchive.org.uk/items/show/5113Tourette’s Syndrome: https://tourette.org/about-tourette/overview/what-is-tourette/Kombat Opera Presents: http://www.bbc.co.uk/comedy/kombatopera/

Conductor Jason Lai talks to Alex about classical music by living composers. Jason shares music by Tan Dun and Mark-Anthony Turnage, and then turns the tables on Alex to discuss his Requiem!Subscribe to New Notes on Apple Podcasts, Spotify, or wherever you get your podcasts, and you'll be the first to hear new episodes each week.

This week’s guest is the marvellous, exhilarating and captivating cellist, Gabriella Swallow. Seb and Verity took a trip to her fabulous North London apartment on a rainy September day for a chat ranging from bowling with Hugh Jackman in Lederhosen to taking John Adams for lunch in Manchester. Gabi initially made a name for herself specialising in contemporary music - At the age of 22 she made her Southbank debut with London Sinfonietta playing Mark-Anthony Turnage’s About Water. However, she took an extended break in her mid to late 20’s to have her family and support her husband’s flourishing career. Gabi discusses rebuilding her career and expanding her horizons post hiatus....she has many great stories including meeting the Chuckle Brothers and Jackson 5 at a festival, wild times with Nigel Kennedy’s band and leading a double life at music college. For any ‘90’s students out there Gabi references listings paper Loot. Enjoy!///Show NotesGabi’s WebsiteInstagram: @gabriellaswallowTwitter: @gabiswallow Click here to join the Members' Club on Patreon! See acast.com/privacy for privacy and opt-out information.

1. Mark-Anthony Turnage's Blood On The Floorhttps://open.spotify.com/album/4xHOUUef30vZftklRI0JRO2. Nina C. Young's Rising Tidehttps://youtu.be/K42sIHsHW6o3. Karlheinz Stockhausen's Klang 13. Stunde: Cosmic Pulseshttps://youtu.be/8HaqC_DuLRIPanelists:Sonya Alexandra Knussen runs Go Compose! – North America, providing online workshops encouraging kids ages 11-18 to start or continue composing during the 2020 global pandemic. Additionally, she teaches in Maryland and on online platforms. As a singer, Sonya has been praised by The New York Times for her “gracefully shaped vocal lines” and The Washington Post for her “confident and penetrating account of line.” She has premiered many works at festivals in the U.S. and U.K and, as a featured soloist, she has worked with ensembles including the Washington Bach Consort, Bang on a Can Summer Music Festival, Tanglewood Festival Chorus and the Baltimore Symphony. She is a seasoned ensemble singer and founder of hexaCollective, an ad hoc vocal ensemble based in Maryland. Media experience includes blind direction of cameras throughout live performances at Elliott Carter’s Centenary Celebrations at Tanglewood, producer for recordings of Carter’s Boston and Cello Concertos, music assistant on recordings of works by August Read Thomas, Oliver Knussen and Hans Werner Henze, score-reader for LWT/Channel 4’s series on 20th-century orchestral music with Simon Rattle entitled Leaving Home and researcher for Sounds from the Big White House for BBC 4.Elizabeth Milligan is a musician and arts administrator in the Baltimore/D.C. metro area. A versatile flutist and piccolo player, they enjoy a wide variety of traditional and contemporary collaborations, from Stravinsky dance raves to J.S. Bach marathons. Their research has explored and documented the progression of flute techniques and performance standards from late 19th century to present day. They currently serve as the Admissions and Recruitment Coordinator for the University of Maryland School of Music. A graduate of The Peabody Institute and UMBC, they have earned a Bachelor of Arts, a Post Baccalaureate Certificate in Contemporary American Music, and a Master of Music. Their primary teachers have included Laurie Sokoloff, Lisa Cella, Lori Kesner, and Gina Eichman.Rudolf Kämper has performed as a trumpet player with symphonies in Mexico, Omaha, Baltimore, as well as in Germany. He studied trumpet with Jim Darling, Ed Hoffman, Mauro Maur, and Jack Sutte. As a composer, Kämper’s works have been performed both in the U.S. and in Germany. He studied composition with Loris Chobanian and attended workshops by Karlheinz Stockhausen, Lucas Foss, and John Corigliano. He has also been a director for complete performances of Stockhausen’s works, including Klang at the Metropolitan Museum of Art and in Montreal at the SAT. Kämper is the founding director of ANALOG arts ensemble, a musicians’ and artists’ collective dedicated to a fresh perspective of the arts. Dolf Kämper also runs North Coast Imports, Sternreiter, and Suburban Clock, a family of companies devoted to the design and restoration of complicated timepieces and mechanical musical curiosities.More information at pauseandlisten.com. Pause and Listen was created by host John T.K. Scherch and co-creator/marketing manager Michele Mengel Scherch.

Pour le tout dernier épisode de la saison 2019-2020, une vaticination particulière vous est proposée… Tout en approfondissant, amplifiant et fortifiant notre fervente passion pour le culte du Black, nous allons entreprendre un ahurissant détour vers un tout autre genre musical, pareillement noir de méphistophélique potentiel, mais davantage élitiste, ésotérique et vilainement outrageuse pour les non-initiés et les pauvres d'esprit. Bouillonnant de haines misanthropiques, de sombres méditations existentielles, de désespoirs nauséabonds, de ferveurs ancestrales et d'anxiétés apocalyptiques, voici douze compositions de l'éternel génie des Noirceurs au cœur de la musique savante. ☩ LISTE LITURGIQUE ☩ 1. Carlo Maria Giulini avec la Berliner Philharmoniker et la Ernst Senff Chor (Allemagne) - Messa da requiem : 2, Dies irae « Tuba mirum » (de Guiseppe VERDI) 2. Charles Dutoit avec l'Orchestre symphonique de Montréal (Québec) - Carmina Burana : 1, « O Fortuna » (de Carl ORFF) 3. Anna Meredith et la Scottish Ensemble (Écosse) - Concerto no. 4 en fa mineur, op. 8, RV 297, « L'inverno » (de Antonio VIVALDI) 4. Nemanja Radulovic et Les Trilles du Diable (France) - Toccata et fugue en D mineur, BmV 565 (de Johann Sebastian BACH) 5. Georg Solti avec la Wiener Philharmoniker (Autriche) - Götterdämmerdung, WWV 86D, acte 3 : « Trauermarsch » (de Richard WAGNER) 6. Peter Oundjian avec la Toronto Symphony Orchestra (Ontario) - The Planets : 1. « Mars, the Bringer of War » (de Gustav HOLST) 7. Thomas Dausgaard avec Hetna Regitse Bruun, Peter Lodahl, la Dansk Nationalt Kor, la Dansk Nationalt Vokalensemble et la danske nationale symfoniorkester (Danemark) - Endens tid, BVN 243 : IV, « La Catastrophe » (de Rued LANGGAARD) 8. Olivier MESSIAEN avec Lise Arseguest (France) - Poèmes pour mi, no.4, « Épouvante » (de Olivier MESSIAEN) 9. Juan Pablo Izquierdo avec la Cuarteto Latinoamericano et la Carnegie Mellon Philharmonic Orchestra (International) - Black Angels (13 Images from the Dark Land), partie 1 « Return » : no. 13, Threnody III, « Night of the Electric Insects » (de George CRUMB) 10. Sir Simon Rattle avec la City of Birmingham Symphony Orchestra (Royaume-Uni) - Three Screaming Popes (after the paintings by Francis Bacon), for Large Orchestra (de Mark-Anthony TURNAGE) 11. Philip Glass Ensemble (États-Unis) - « Prophecies », dernier mouvement du documentaire Koyaanisqatsi (de Philip GLASS) 12. Valery Gergiev avec la Mariinsky Orchestra (Russie) - Suite scythe, op. 20 « Ala et Lolly » : II. « Tchoujbog et la danse des esprits » (de Sergei PROKOFIEV) (en fond)

Thirteen, unlucky for some? Not at Three In A Bar because their guest this week is award winning composer and saxophonist Charlotte Harding.Charlotte chats to Seb and Verity about her collaborations with BalletBoyz, Paraorchestra and Onyx Brass. The term ‘Orchestral Synthesizer’ gets bandied about by Verity - don’t worry, Charlotte clarifies what she’s wanging on about!There is misinformation about clubbing, discussions on dance music, leg warmers and some shocking discoveries about mutes.Yet again, Seb and Verity commit to a cause they will struggle to see through (see presents for guests). This time it’s starting a campaign for Charlotte to play ‘The Local Hero’ as Newcastle United run on to the pitch at St. James’ Park. When will they learn?/ / /Show notesTwitter: @_ceharding_CHARLOTTE HARDING’S WEBSITEMARK-ANTHONY TURNAGE’S WEBSITECONVO 2019THEM/US BALLETBOYZ PREVIEWTHE LOVE UNLIMITED SYNTH ORCHESTRA, GLASTONBURY 2019KRAFTWERK RE:WERK Click here to join the Members' Club on Patreon! See acast.com/privacy for privacy and opt-out information.

As composer Mark-Anthony Turnage turns 60, Kate Molleson talks to him about the influences he received from Oliver Knussen, Gunther Schuller and Hans-Werner Henze. He speaks candidly about continuing to want to compose pieces that challenge, and shares his thoughts about how Covid-19 might change the music scene over the coming years. In light of the recent death of George Floyd at the hands of the police in the USA, Kate reflects on the discourses of solidarity we’ve heard from within the music world and the wider issue of racism in classical music with composer Eleanor Alberga. Kate also asks Heather Wiebe from King's College London to review a new book, 'Aaron Copland's Hollywood Film Scores', by the musicologist Paula Musegades who argues that the composer used movies to try out his new 'American sound'. And we talk to Maggie Rodford, managing director of one of UK's busiest recording studios, about the impact of Covid-19 on the film and TV music recording industry.

Composer Mark-Anthony Turnage talks with writer and presenter Katy Hamilton about his new work for horn, Towards Alba, premiered by Richard Watkins (horn) and the Philharmonia Orchestra on 16 Jan 2020 at the Royal Festival Hall. Part of the Philharmonia Orchestra's 75th birthday celebrations - click for more information: www.philharmonia.co.uk/POat75

Philharmonia No. 2 Horn, Kira Doherty, meets up with Richard Watkins, Principal Horn of the Philharmonia Orchestra from 1985-1996, at the Museum of the Royal Academy of Music in London to dive into the legacy of the first Principal Horn of the Philharmonia, Dennis Brain. This is a rare opportunity to hear the instrument Brain played in the 1950s before his early death. The Philharmonia Orchestra celebrates 75 years in 2020. On 16 January 2020, Richard Watkins performs the Serenade for Horn, Tenor and Strings by Benjamin Britten and a new piece for horn, 'Towards Alba', by composer Mark-Anthony Turnage. Esa-Pekka Salonen conducts. https://www.philharmonia.co.uk/concerts/2508/horn_calls Full chat between Kira Doherty and Richard Watkins: https://youtu.be/fmo7Dk4uR1E Watch a chat between Richard Watkins and Mark-Anthony Turnage here: https://youtu.be/mNL7L916078

Meet Richard Watkins, Principal Horn of the Philharmonia Orchestra from 1985-1996, as he chats with composer and friend, Mark-Anthony Turnage at the Philharmonia offices in London. Turnage has composed a new piece for horn and orchestra called 'Towards Alba', which he wrote for Richard Watkins. The piece was commissioned by the Philharmonia Orchestra with support from John and Carol Wates as part of the Orchestra's 75th birthday celebrations in 2020. Find out all about this new piece and how these artists have worked together in our film, and then join us in London for the world premiere on 16 January 2020, conducted by Esa-Pekka Salonen: https://www.philharmonia.co.uk/concerts/2508/horn_calls

The tenor Nicky Spence, with Julius Drake at the piano, has just released a new recording of Janáček's 'The diary of one who disappeared' on Hyperion - Gramophone's Recording of the Month in its August issue. Almost simultaneously, Resonus has released on CD for the first time, Mark Anthony Turnage's cycle 'A Constant Obsession'. The Scottish singer talks to James Jolly about these fascinating projects.

Aasmah and Richard are joined by: Patrick Grant - he bought and revived a failing tailors in Savile Row in 2005, since then he’s been awarded Menswear designer at the British Fashion Awards, become a judge on The Great British Sewing Bee and promotes sustainable fashion. Adam Kay used to be a junior doctor, and left to become a writer and comedian. His book This is Going to Hurt was based on diaries written as a junior doctor, exposed the highs and lows of the job and became a bestseller. Nichola McAvoy lost her hair age 11 and will tell us how finding a friend who also had alopecia was invaluable to her. Jess Herbert left her job as a trilingual assistant and retrained as an aborist - she's since won tree climbing competitions. We'll have your thank you and the Inheritance tracks of composer Mark Anthony Turnage who chooses Stravinsky's ‘The Fairy’s kiss’ conducted by Oliver Knussen with the Cleveland orchestra, and Miles Davis' ‘Blue in Green’. Producer: Corinna Jones Editor: Eleanor Garland

The Fairy's Kiss by Stravinsky and Blue in Green by Miles Davis

Als neuer Intendant des Nürnberger Staatstheaters will Jens-Daniel Herzog für Gesprächsstoff sorgen und hat eine zeitgenössische Oper über das Leben eines berühmten Busenwunders auf den Spielplan gesetzt: "Anna Nicole", komponiert von Mark-Anthony Turnage. Herzog, der in Nürnberg auch Regie führt, hat das Stück schon einmal inszeniert - 2013 als deutsche Erstaufführung an seiner vorigen Wirkungsstätte in Dortmund.

On today's show, we talk to 2-time GRAMMY Award winner, Drummer, Bandleader, Producer and Educator, Peter Erskine! He has appeared on 700 albums and film scores, and has won two Grammy Awards, plus an Honorary Doctorate from the Berklee College of Music (1992). 50 albums have been released under his own name or as co-leader. He has played with the Stan Kenton and Maynard Ferguson Big Bands, Weather Report, Steps Ahead, Joni Mitchell, Steely Dan, Diana Krall, Kenny Wheeler, Mary Chapin Carpenter, The Brecker Brothers, The Yellowjackets, Pat Metheny and Gary Burton, John Scofield, and has appeared as a soloist with the London, Los Angeles, Chicago, Frankfurt Radio, Scottish Chamber, Royal Opera House, BBC Symphony, Oslo and Berlin Philharmonic Orchestras. Peter premièred the double percussion concerto Fractured Lines, composed by Mark-Anthony Turnage, at the BBC Proms with Andrew Davis conducting, and has collaborated frequently with Sir Simon Rattle. He also premiered the Turnage opera “Anna Nicole” at the Royal Opera House in London. Turnage has composed a solo concerto for Peter titled “Erskine,” which received its world premiere in Bonn, Germany in 2013, with a US premiere at the Hollywood Bowl with the LA Philharmonic. Peter has been voted 'Best Jazz Drummer of the Year' ten times by the readers of Modern Drummer magazine and was elected into the magazine's Hall of Fame in 2017. Peter has recorded five albums with the band Weather. He won his first Grammy Award with their album '8.30'. He won his second Grammy Award as the drummer of the WDR big band in Köln along with Michael Brecker, Randy Brecker, Vince Mendoza and others for the “Some Skunk Funk” album Peter produces jazz recordings for his record label, Fuzzy Music, with 4 Grammy nominations to its credit. Peter is also an active author with several books to his credit; titles include “No Beethoven (Autobiography & Chronicle of Weather Report),” “Time Awareness for All Musicians,” “Essential Drum Fills,” and his latest book (co-authored with Dave Black for Alfred Publishing), “The Drummers' Lifeline.” He has also authored a series of iOS Play-Along apps suitable for all instruments. Peter is Professor of Practice and Director of Drumset Studies at the Thornton School of Music, University of Southern California. Christopher Dzengelewski and I talk about his incredible career with the Stan Kenton Orchestra, Maynard Ferguson, Weather Report, Steely Dan, Joni Mitchell, talks about his drumming method, names his favorite musicians and much, much more!

Panelen rekommenderar Debussy som gåbort-present, gillar Albert Schnelzers förortssagor, blir oense om Vaughn Williams krigssymfonier och så möter vi den brittiske tonsättaren Mark-Anthony Turnage. Veckans skivor: VAUGHAN WILLIAMS Symfoni nr 5 och 6 Kungliga filharmoniska orkestern i Liverpool Andrew Manze, dirigent Onyx ONYX4155 Betyg: 4 DEBUSSY RAVEL STRING QUARTETS Stråkkvartetter av Claude Debussy och Maurice Ravel Jerusalemkvartetten Harmonia Mundi HMM902304  Betyg: 5 Veckans toppnotering och en totalfemma! BUXTEHUDE ABENDMUSIKEN Vokal- och instrumentalmusik av Dietrich Buxtehude Ensemble Masques, barockensemble Olivier Fortin, ensembleledare Vox Luminis, kör Lionel Meunier, kördirigent ALPHA 287 Betyg: 4 ALBERT SCHNELZER TALES FROM SUBURBIA Tales from Suburbia, Crazy Diamond, cellokonsert och Brain Damage, konsert för orkester Göteborgs symfoniorkester Benjamin Shwartz, dirigent Claes Gunnarsson, cello BIS-2313 SACD  Betyg: 4 Referensen: Hur lät Debussys stråkkvartett för 50 år sedan? Vi jämför Jerusalemkvartettens aktuella inspelning med Via Nova-kvartettens inspelning från 1969, utgiven på Erato. Musikrevyn möter: Mark-Anthony Turnage. "Jag var rädd" När Mark-Anthony Turnages skolkamrater rankade fotbollsspelare poängsatte han tonsättare. Ohotad etta var Bach. I dag är brittiske Turnage en av vår tids mest eftersökta kompositörer och aktuell med cellokonserten "Maya" - ett partnerverk till Bachs första Brandenburgkonsert. Turnage har även gjort sig känd för sina operor "Anna Nicole" om skandalmodellen Anna Nicole Smith och "Coraline", baserad på Neil Gaimans bok. Efter mottagandet av den senare hamnade han dock i ett Twittergräl med en recensent och svor att aldrig mer skriva opera. Ett reportage av Sofia Nyblom. Andra i programmet nämnda eller rekommenderade inspelningar: Ebènekvartettens inspelning av Debussys stråkkvartett från 2008, utgiven av Virgin.

Composer Mark-Anthony Turnage, Kim Wilde's inheritance tracks, Bryony Gordon on staying sober and running, the Urban birder David Lindo and Thames plastic picking cyclist Dhruv Boruah join Rev Richard Coles and Suzy Klein. Mark-Anthony Turnage is one of the most admired and widely-performed composers of his generation whose operas include Anna Nicole and Coraline. He'll be talking about why he likes to mix pop culture into classical and provoke a response from his audiences. Former corporate guy Dhruv Boruah likes a challenge, the more he can learn the better - he learnt to drive so he could drive an ambulance to Mongolia, learnt to swim so he could join an ocean race and he made a bike on which he cycled the Thames from source to sea to pick up rubbish and started The Thames Project. He joins us to discuss his motivations. David Lindo aka The Urban Birder, is a naturalist, writer, broadcaster and photographer. His obsession with birds began from a young age, when he first started noticing the birds from his window growing up in Wembley, North London. Since then he's been birding round urban environments from Newcastle to New York. Bryony Gordon has been a Telegraph writer and columnist since her teens, often writing about her own life. More recently she has become a mental health campaigner, given up alcohol and run two marathons. Listener Wendy Chalk gives her thank you and we'll hear from Nicky White from the Kettlewell Scarecrow Festival (11th - 19th August). Kim Wilde tells us her inheritance tracks - she chooses Anyone who had a heart performed by Cilla Black and Everything put together falls apart by Paul Simon. Producer: Corinna Jones Editor: Eleanor Garland.

The acclaimed composer and conductor, Oliver Knussen, has died aged 66. He began composing at just six years-old and as well as continuing to write music, went on to conduct around the world and in 1994 he was made a CBE. He was perhaps best known for the operatic adaptation of the children's classic Where the Wild Things Are. Mark Anthony Turnage and Roger Wright pay tribute.A reimagining of the iconic Australian novel, Picnic at Hanging Rock, begins on BBC2 this week. The six episodes explore the mysterious disappearances of three schoolgirls and their governess on Valentine's Day in 1900. Natalie Dormer speaks to John about her starring role in the drama, and about her other roles portraying strong women in The Tudors and Game of Thrones. What's it like being a life model and what makes drawing from life a unique and important discipline for artists? We speak to professional life model Rachel Welch, artist Jonathan Yeo and tutor Charlotte Mann, as Quentin Crisp's autobiography The Naked Civil Servant which depicts his own experiences as a life model turns 50.Presenter: John Wilson Producer: Ben Mitchell.

Sue Black spends much of her time with dead bodies. As one of the world's leading forensic anthropologists she has encountered death in many forms, leading British expeditions to Kosovo and to Thailand following the Boxing Day Tsunami. She tells Andrew Marr what ancient cadavers and recent corpses can teach us about mortality. Medieval depictions of death and injury don't shy away from the grotesque, says art historian Jack Hartnell. The mutilated bodies of saints and martyrs were often on display in medieval buildings, but these blood-spattered images were meant to inspire hope and faith. A devastating loss divides a couple in award-winning novelist Kit de Waal's new book, The Trick to Time. As an expert in fostering and adoption, she has also helped both adults and children cope with the lifelong impact of tragedy. A courageous child sits at the heart of composer Mark-Anthony Turnage's latest opera, Coraline, a dark fantasy based on Neil Gaiman's tale. The heroic Coraline finds a magical world in her attic and steps inside. But this world's Other Mother is not to be trusted and Coraline must fight to restore her real family. Producer: Hannah Sander.

The Emerson String Quartet, celebrating its 40th anniversary, performs music by Mozart, Beethoven, and a newly commissioned work by Mark-Anthony Turnage.

On Saturday 6 December 2014, Mark-Anthony Turnage’s work for string quartet, Contusion, was premièred by the Belcea Quartet. Contusion was the compulsory piece for the 2015 Wigmore Hall International String Quartet Competition, and was played by each competing quartet during the Preliminary Round. Mark-Anthony Turnage was interviewed before the première about his new work by Christopher Cook, leading music broadcaster, lecturer and critic.

Concert Chamber ensemble Loop38 Described as a “masterpiece” and “monumental work” by the New York Times and The Guardian, respectively, Austrian composer Georg Friedrich Haas’ hour-long work for twenty-four musicians, in vain (2000), creates an unforgettable listening experience. Just as “the natural light that illuminates the murals...accurately show the nuances and subtleties of [Rothko’s] color palette” in Rothko Chapel, the absence of light is used in Haas’ in vain to create an experience of “waves of opulently strange, beautiful sounds”. With most of the music performed in complete darkness as the performers play from memory, the sounds are liberated, and “the focus lies on what is trapped under listening habits”. While many works of Haas have been performed to great acclaim in New York, Los Angeles, Berlin, and London, he has yet to be discovered in Houston. With an emphasis on achieving artistic excellence and a passion to create unique aural experiences for the community, Loop38 is excited to include the Texas premiere of this demanding work in their first season. Co-founded by conductor Jerry Hou and pianist Yvonne Chen at the Shepherd School of Music in 2016, chamber ensemble Loop38 is comprised entirely of Houston transplants, bringing their unique musical experiences from all over the world to share with the Houston community. Its members hold degrees from The Juilliard School, Peabody Institute, Cleveland Institute of Music, Eastman School of Music, Yale University, University of Michigan, University for the Arts in Bremen, Germany, and Oberlin Conservatory. Members of the group have worked with composers such as Steve Reich, Pierre Boulez, Gyorgy Kurtag, Helmut Lachenmann, Bernard Rands, Unsuk Chin, and Mark-Anthony Turnage. www.loop38.org

The BBC's new Sunday night drama Apple Tree Yard is a thriller featuring a middle-aged scientist who embarks on an unlikely and increasingly dangerous affair. Staring Emily Watson as the eminent Dr Yvonne Carmichael it was adapted for screen by Amanda Coe from the novel by Louise Doughty. Director Jessica Hobbs, whose past projects include Broadchurch, River and The Slap, talks about how this female-led production impacts what we see on screen.Mark-Anthony Turnage discusses his new composition, Remembering, which is being premiered at the Barbican tomorrow night by Sir Simon Rattle and the LSO. Written in memory of a family friend who died from cancer at the age of 26, Turnage talks about how he approached the composition, and his collaboration with Rattle who requested there be no violins involved.Is the sculptor Elisabeth Frink due a renaissance? A new exhibition, Elisabeth Frink: Transformation, at Hauser and Wirth Somerset offers a chance to reassess the artist following her death in 1993. Richard Cork reviews.Presenter John Wilson Producer Angie Nehring.

Highlights from the week on In Tune including opera star Renée Fleming on her new CD which includes her take on Björk, composer Mark-Anthony Turnage on his latest piece for Simon Rattle. Film music expert and all round musical genius Neil Brand gives us his take on the musicals ahead of his new BBC 4 series. Harvey and the Wallbangers bring some close harmony magic to the proceedings as they return with a new line up after 30 years out of the limelight. Jonathan Cohen, conductor of Arcangelo, talks baroque and about his new CD with counter tenor Iestyn Davies. Classical Opera round off with a snippet from their epic Mozart series with performance from soprano Gemma Summerfield, bass-baritone Ashley Riches and Ian Page on piano.

Percussionist Colin Currie chats about working with Steve Reich and Mark-Anthony Turnage.

The Survivalist is a dark imagining of a post-apocalyptic world where society has collapsed and each must fend for himself. Larushka Ivan-Zadeh reviews this BAFTA nominated film staring Martin McCann.Composer Mark-Anthony Turnage and Kevin O'Hare, the Director of The Royal Ballet, discuss Strapless, a new ballet inspired by John Singer Sargent's scandalous Portrait of Madame X, choreographed by Christopher Wheeldon.The Royal Librarian, Oliver Urquhart Irvine, reveals the exhibition, Shakespeare in the Royal Library, at Windsor Castle which traces the royal family's connection with Shakespeare and includes the second folio collected works that Charles I took with him to prison.The Massive Tragedy of Madame Bovary! is a stage adaptation of Gustave Flaubert's novel at the Liverpool Everyman. Except that this version is a comedy. Vicky Armstrong reviews.Waldemar Januszczak assesses the Louvre's restoration of Leonardo da Vinci's St John the Baptist, which one expert argues is putting this masterpiece at risk.Presenter: Kirsty Lang Producer: Angie Nehring.

Rob's final composer-guest this week is Mark-Anthony Turnage.

Mark-Anthony Turnage and jazz drummer Peter Erskine talk about a collaboration whose seeds were sown when an admiring teenage composer heard Erskine on Weather Report records in the late 1970s. Finally meeting in the 90s, they talk about their first major collaboration, ‘Blood on the Floor’ and the close musical, professional and personal friendship which grew from it.

Sara Mohr-Pietsch visits Mark-Anthony Turnage in his 1930s Art Deco apartment in North London. Mark talks to Sara about the creature comforts which aid his compositional process, from his sofa to a bust of Beethoven, and about the inspiration of Francis Bacon paintings on his walls.

Con este título Vaso Roto Ediciones ha comenzado a publicar la obra completa del poeta argentino HUGO MUJICA, que visita las páginas centrales de nuestra revista.Láminas musicales: 'LOS PLANETAS', de GUSTAV HOLST y MARK-ANTHONY TURNAGE, Filarmónica de Berlín, dirigida por Simon Rattle.

When times are tough, a lot of arts groups go for the sure thing. For orchestras, that means a Beethoven symphony cycle over Schoenberg or Cage. For an opera house, it's Carmen and La Boheme over a risky modern opera. But some companies think differently. In the face of all its hardships, New York City Opera planned a season that includes J.C. Bach's Endimione, Bartok’s Bluebeard’s Castle, and the U.S. premiere of Mark-Anthony Turnage’s Anna Nicole – hardly proven audience bate. So what’s the proper balance? Does safe programming equal more "butts in seats?" Or do you need to take risks, even in tough times? Philip Kennicott, the Pulitzer Prize-winning art and architecture critic of the Washington Post, tells host Naomi Lewin that arts organizations often get into trouble by neglecting more serious-minded audiences in an effort to chase niche listeners. "Orchestras very often think that their audience falls into two categories: there's a conservative, old audience that only wants Beethoven and Mozart and Haydn, and then there is this ideal audience that’s interested in everything," he said. "I argue that there is another audience out there." Kennicott recently wrote an article for The New Republic, in which he chastised orchestras for an over-reliance on star soloists, a handful of over-familiar concertos, and a cookie-cutter mix of "special events" – video game music, crossover tenors, Broadway crooners and movie screenings. Lost in this mix, Kennicott tells Lewin, is the listener who is "open to new pieces, open to obscure pieces, interested still in the traditional repertoire. The panic response of reflexively programming familiar works that you see in orchestras actually doesn’t serve the serious listener very well." Krishna Thiagarajan, the executive director of Orpheus Chamber Orchestra, notes that many orchestras don't want to take risks with unfamiliar programming because "the funding isn’t there to back it up," he said. "When you’re being very creative and breaking the mold, you have to know that’s an area where you have to invest.” By investment, Thiagarajan means that an orchestra must take the long view and condition audiences to leave their comfort zone. As an example, he points to Esa-Pekka Salonen's tenure as music director of the Los Angeles Philharmonic from 1992 to 2009, where he premiered 120 works, including 54 commissions. "If you initially get a poor reaction from your audience, if you pull back you won’t know what the full effect was," he said. Marc Scorca, president of Opera America, a national service organization, says there are no surefire hits anymore. "There are fewer and fewer safe pieces," he said. "Operas that used to be reliable box office producers are no longer pulling the way they used to." Scorca adds that he's seen an audience fatigue with La Traviatas and Carmens, whereas new works can energize an organization and create excitement. To some observers, the performing arts are mirroring the homogenization of mass media and popular culture as a whole. "There is something going on in this country at large, and what we’re seeing in the arts scene is a symptom," Thiagarajan cautioned. But Kennicott is more optimistic. "I think there are audiences out there," he said. “I call them countercultural audiences that are really eager for stuff that doesn’t fit that homogenized cultural model. That’s the great hope of any organization that’s producing live art.” Listen to the full discussion in the audio link above and take our poll below: .chart_div { width: 600px; height: 300px; } loadSurvey( "classical-music-programming", "survey_classical-music-programming");

LSO Principal Flute Gareth Davies interviews composer Mark-Anthony Turnage live on stage at the Barbican Centre as part of LSO Discovery's Artist Conversation series.

As part of British music season on Radio 3, poets from across the country talk about their musical passions with Michael Berkeley. Paul Muldoon, born and raised in Northern Ireland, is one of our most distinguished poets, having won the Pulitzer, TS Eliot and Irish Times Prizes. In this programme he celebrates his Northern Irish roots in music and poetry, and discusses his fascination with the place where popular and serious music meet. For five years he was professor of poetry at Oxford, and he now teaches at Princeton University in the USA, where he is writing libretti and goes to as many rock gigs as possible. Paul's choices include Lou Reed singing Kurt Weill, music from Stravinsky, Mark-Anthony Turnage and Irish composer Donnacha Dennehy, and a Metallica song played on four cellos.

In a special recording of Start the Week, Andrew Marr explores the power of the human voice. From the emotional intensity of the tenor Rolando Villazón, singing Rodolfo in La Boheme, to the art of writing for the voice with the composer Mark-Anthony Turnage. Mary King trains the voice, and the neuro-psychiatrist Michael Trimble examines our reactions to it.

Libby Purves is joined by Olympian Fatima Whitbread, composer Mark-Anthony Turnage, Dr Chris Bird of Medecins Sans Frontieres and former Wall Street trader turned academic, Frank Partnoy. Composer Mark-Anthony Turnage has teamed up with the charity 'Music in Prisons' to create a piece of music with inmates from HMP Lowdham Grange. The 12 minute composition 'Beyond This' will be featured as part of the Southbank Centre's New Music 20x12 programme - a weekend dedicated to music composition in the UK. Fatima Whitbread is a former British javelin thrower and multiple medal-winner. She won bronze in the 1984 Los Angeles Olympics and silver at Seoul in 1988. In her autobiography, 'Survivor', she tells how athletics became her saviour after being abandoned as a baby and a childhood spent in and out of children's homes. 'Survivor' is published by Virgin Books. Dr Chris Bird is a journalist turned paediatrician. He has just returned to the UK from a mission in the Democratic Republic of Congo with Medecins Sans Frontieres (Doctors Without Borders). Working as a foreign correspondent for the Guardian and Reuters, Chris reported on the fighting in Chechnya and the war in Kosovo. He then became a doctor to help alleviate the suffering he witnessed as a journalist. Frank Partnoy is a former Wall Street trader who is currently Professor of Law and Finance at the University of San Diego. A self-confessed procrastinator, he reveals in his new book 'Wait - The Useful Art of Procrastination' the science behind our decision-making disasters and successes at work and at home, in matters of love, and in government. Wait - The Useful Art of Procrastination' is published by Profile Books. Producer: Paula McGinley.

Discussions between Ellie Harrison & Oliver Braid around the theme of Initiations (featuring music by Mark-Anthony Turnage and Ramones)

Discussions between Ellie Harrison & Oliver Braid around the theme of Initiations (featuring music by Mark-Anthony Turnage and Ramones)

With Mark Lawson. Ricky Gervais discusses the response to his TV comedy series Life's Too Short, which stars Warwick Davies as a "showbiz dwarf", and his return as host of the Golden Globes, following this year's insult-packed ceremony. Choreographer Wayne McGregor and composer Mark-Anthony Turnage discuss their new collaboration, Undance, inspired by the 19th Century photographer Eadweard Muybridge. Wealth-creation gurus are the focus of a new three-part documentary series Money by the film-maker Vanessa Engle. Lucy Kellaway of the Financial Times reviews the series alongside Channel 4's documentary The Ultimate Guide to Penny Pinching, about the UK's thriftiest people. And in the first of a series of interviews with the four artists contending for this year's Turner Prize, John Wilson meets sculptor Karla Black. Producer Timothy Prosser.

Mahler's legacy, vision and philosophy, and his influence on subsequent composers.Concert: Mahler arr. Klaus Simon, Symphony No.4 - Bedächtig, nicht eilen and Ruhevoll; Mark Anthony Turnage, Grazioso! for Piccolo, Bass Clarinet, Piano, Viola and Cello; Henryk Górecki, Valentines Piece for Solo Flute and Bell; Dai Fujikura, Eternal Escape for Solo Cello.

In this last episode, Wayne McGregor talks about his future projects, including his first full-length piece for Paris Opera Ballet, his first virtual reality ballet, his collaboration with Mark-Anthony Turnage, and Big Dance Trafalgar Square for the 2012 London Olympics. Wayne describes his involvement in Harry Potter and the Goblet of Fire, opera, and with Dame Judi Dench and Andrew Lloyd Webber. We also learn about Akili, the retreat on an island along the coast of Kenya which he founded in 2006, and the significance of receiving a CBE (Commander of the Order of the British Empire).