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4 episodes with big ted
4 episodes with big ted
2 episodes with big ted
2 episodes with big ted
2 episodes with big ted
This week on The Friend Request, I’m joined by the hilarious Carlo Ritchie — comedian, improv performer, Thank God You’re Here cast member, and writer for the iconic kids show Play School. We dive into the story behind his 15-year comedy partnership, the power of friendship that survives improv chaos, and yes... a truly unhinged game of F**k, Marry, Kill featuring Big Ted, Jemima, and Humpty.
Hungry? How bout a salad…trust me, after todays convo, you're going to want to eat salad for breakfast, lunch & dinner. Not just the limp lettuce & store bought dressing kind of salad but one that tickles all your gastronomic senses. Once you've been satiated the convo settle into really chewing on the realities of this high energy lass' day to day existence: her rituals, her challenge to find the gaps to do the quiet things, learning to really be in the moment & finding her path to enoughness.Alice Zaslavski has chatted with us on the pod before but since then her OTT love for food, food education & food appreciation has exploded into the stratosphere with another 3 cookbooks, her own radio segment on Saturday mornings & now her own cooking show on the ABC, you'll still find her exuberance filling the pages of papers & magazines nationwide & for today you'll her convincing you to serve salad for your every meal. The pace of this human is dizzy-ing so its a strap in & hang tight kind of episode.Links You'll LoveA bite to eat with Alice - ABCSalad Days - Alice ZaslavskiPhenomenom - Free Lessons via the lense of food Loved this? Try these:Alice on Futuresteading previouslySupport the ShowCasual Support - Buy Me A CoffeeRegular Support - PatreonBuy the Book - Futuresteading - Live Like tomorrow mattersWe talked about:Being a talker on paper Her latest adventures in gastronomic pleasures Listening to your body to understand what you need at the time.Food as medicine deserves to be understood by allHer ‘vegetable-forward' food, centric Georgian heritage Sharing a common vision but not always sharing the same timing ambitionsMovement has power - just start & collectively the energies come togetherBreaking our daily fast with vegetablesBe ready & willing to adapt the recipes to suit yourselfThe real life day to day juggle of such a busy busy life Having a ‘wife' in her ‘husband'Learning to say a hard NOPrioritising her health as the most important part of her jobBeing lit up by all that you do so it doesn't feel like working a day of your lifeTime to update the vision boardThe soma response to birthing a new projectBuilding an enabling network to get into flowEnabling others to be their most magic version of themselvesBeing an extroverted extrovert - learning how to absorb human energy via a screenLearning to speak English with Big Ted on PlayschoolWishing for more time with communityMaking time for readingSaying yes to the opportunities that ground you.Support the show
After a week of protests, we calm things down with nine tracks from Pizzatramp, 999, Angelic Upstarts, The Zipheads, Ivan And The Parazol, No Wayne, The Exploited, Discharge and Boris The Sprinkler.Voice of Jeff, Comedy Suburbs, Tony has your Facebook comments, the other Paul B, Duolingo, last week, Apocalypse Babys gigs, Rebellion, recording, The Great, Big Ted, Nutty Nottingham tour, From the Vaults, Sir Dancealot, Tony's International Gig Guide, new bed, this week, parking permits, no Izzatwat and a reminder of the ways you can listen.Song 1: Pizzatramp – Flag ShaggersSong 2: 999 – Out Of ReachSong 3: Angelic Upstarts – The Man Who Came In From The BeanoSong 4: The Zipheads – How Do You Like Me NowSong 5: Ivan And The Parazol – Mast VartamSong 6: No Wayne – Doin' FineSong 7: The Exploited – Computers Don't BlunderSong 8: Discharge – Free Speech For The DumbSong 9: Boris The Sprinkler – No-One Loves Mr. Green
Join Amanda Keller, Scrap, and Big Ted for Play School's Story Time - Max's Dinosaur Feet!See omnystudio.com/listener for privacy information.
FROM STATEHOUSE TO AMERICA, MC TO AMBASSADOR
FROM STATEHOUSE TO AMERICA, MC TO AMBASSADOR
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Draft week is here and Holy Slate has you covered with a first round mock draft. Follow along with Mike & Chris as they discuss potential trades, prospects, and storylines that can cause some drama on Thursday evening.
This week we check-in about long-distance relationships. They're difficult, complicated, and delightful. Sorta. In a real turn of topics, we also discuss the recent NCAA Women's Basketball Championship (Congrats LSU!). Don't worry, true to form, we also managed to tie in identity to that discussion. Later in the episode, we chat about Ted Lasso S2E11 - Midnight Train to Royston. This episode hinges on what it means to dream big and go for it. Also, Nate is being a real dick. Mentioned in this ep: Gottman Institute NCAA Women's Basketball AND, for those of you who are single & dating - join us in our self-paced online course - How the Eff Do I Date?! here. We love having a Q&A segment at the end of our episodes when you write in & ask us questions! Send us your questions about all things dating, relationships, and love by clicking HERE. We also love to hear from you on Instagram - @ps.welovelove - DM us there with questions, or comment on a post! Let us know what you're loving or what you want to know more about. Do you have a future podcast topic you'd love to hear us discuss? Let us know! You can email us, or DM us through social media, too. ... Sending the Ukrainian people our love and support. To donate, we've included a couple options below: Red Cross CARE NPR has compiled a longer list of donation options. ... You can find out more about our online courses & dating & relationship coaching at our website: https://www.pscurators.com/ You can connect with us on social media, too: Instagram: @ps.welovelove TikTok: @psconsulting Email us at: psrelationshipcurators@gmail.com Special Thanks to Medium Build for our show music.
On April 21, 1964, a program aired on television with themes that would be very recognisable to about 80% of Australian adults today. This breakout children's edutainment hit was aimed at pre-school children, and included a cast of characters, mostly stuffed toys, including Jemima, Humpty, Big Ted and Little Ted. This is not an episode about that show.
A mystery lady, an erotic dream, a sarcastic architect, ‘Big Ted', naked Roy, and some correspondence. (Rec: 12/8/21) Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine See acast.com/privacy for privacy and opt-out information.
This seemingly run-of-the-mill episode of Popcorn for Breakfast chock full of movie and tv news brings the unexpected answers to many important questions including: Would Cam marry Idris Elba on the spot? Where does Bluey rank all-time among TV Series? Will season 2 of Only Murders in the Building have a Martin Short ghost (not a spoiler btw)? And many, many more. So, check below to bounce around to the most intriguing bits or listen all the way through for all of the fun nuggets I mentioned earlier. Remembering Norm Macdonald [10:04] Christopher Nolan Leaves Warner Bros [15:12] ‘The Batman' Spinoff Series About Penguin [20:24] ‘Twins' Sequel in the Works [24:29] ‘Only Murders in the Building' Renewed for Season 2 [27:06] Jason Sudeikis' Big Pay Day [28:27] ‘Haunted Mansion' Casting News [33:28] Keegan-Michael Key Joins ‘Wonka' Cast [35:16] ‘Luther' Movie in the Works at Netflix [39:24] Succession Season 3 Release Date [42:51] Trailer Reactions: ‘Don't Look Up', ‘Hawkeye', ‘The Matrix Resurrections', ‘West Side Story' [45:52] Thanks for listening! Please rate, review, and subscribe if you liked this episode! Chat with us on Discord: https://discord.gg/7wGQ4AARWn Follow us on Twitch: https://www.twitch.tv/popcornforbreakfast Subscribe to us on YouTube: https://www.youtube.com/channel/UCeVJZwPMrr3_2p171MCP1RQ Follow us on Spotify: https://open.spotify.com/show/4HhMxftbuf1oPn10DxPLib?si=2l8dmt0nTcyE7eOwtHrjlw&nd=1 Like us on Facebook: https://www.facebook.com/popcorn4breakfast Follow us on Twitter: @pfb_podcast Follow us on Instagram: @pfb_podcast Follow us on TikTok: https://www.tiktok.com/@popcornforbreakfast? popcorn4breakfast.com Email us: contact@popcorn4breakfast.com Our original music is by Rhetoric, check them out on Spotify: https://open.spotify.com/artist/44JvjuUomvPdSqZRxxz2Tk?si=hcYoSMLUQ0iPctllftAg2g&nd=1 Additional sounds from https://www.zapsplat.com
Swimmin' in the deep end. Big Ted.
Hello hello, wonderful listeners! In the spirit of the Olympics, for our Headline News of our 30th series, we have three interesting, under-the-radar themed stories for you today: Rapinoe's endorsement of CBD and Richardson's ban from the Olympics causes confusion (NPR, Essentially Sports), The Judo world shakes as France's longtime famous “Big Ted” takes a loss at bronze (France 24, AP News), Tokyo Games are thriving, and so are Tokyo COVID cases (NPR). As always, we hope you learned something from this episode, and have a good rest of your Sunday!
"Starring Sally J. Freedman as Herself," chapter 12. Comedy writer and podcaster Molly Sanchez joins us to discuss one of the most iconic chapters we've ever read! Doey Bird comes to visit for Thanksgiving, Mom gets wasted (hashtag WILLYA), Sally seduces/kills Hitler, and the fam has steak with Fruit Cup Supreme with Big Ted, Vicki, and some very clean diamonds. Jody, Alison, and Molly chat about Daddy's Treatment, parents having house parties, White Shoulders, and Holly Madison. In a moment that is sure to go down in Blume Saloon history, Molly shares some patriotic 5th grade fan fic that you'll never forget. We dissect everything about this gorgeous novel and re-create memorable scenes with dramatic readings. It's a Judy Blume book club. Join us every week!Check out Molly's podcasts The Hold Up and Red All Over on Apple Podcasts, Spotify, and wherever you get your podcasts. Follow her on Twitter @seriousmolly, IG @mollyfuckingsanchez, and TikTok @molly-sanchez.
This week it's a DOUBLE whammy, two for one, ‘ski instructor special' episode. In Part 1 Emma asks Bella some questions about her career as a ski instructor before we speak to Jas Bruce and James Duffield in Part 2. Jas is a BASI trainer, former British athlete, top ski instructor and now head of product and relations for BASI. He is currently based in Edinburgh. James is also a BASI trainer and top British ski instructor (and Emma's brother) who is based permanently in the Alps in Sainte-Foy. At the end of the half-term week and what would have been one of the busiest weeks of the season for them (and us) we discuss what they've been doing during the pandemic, positive changes happening in the industry to adapt, challenges and achievements in their careers so far, ski racing, nordic skiing, family ski hols and why some of the best skiers ski with teddy bears. * Please excuse any squeaking in the background half-way through which is Bella's dog trying to put her point across. LINKS:Kamchatka https://en.wikipedia.org/wiki/Kamchatka_PeninsulaSkiing in North Korea https://www.youtube.com/watch?v=csoP8Didoi0https://www.telegraph.co.uk/travel/ski/news/kim-jong-un-opens-new-ski-resort-in-north-korea/Heli-skiing in Alaska - Contact ALS Ski for further info:https://www.als-ski.com/contact-usBASIhttps://www.basi.org.uk/Interski https://www.instagram.com/p/BvtzzlCF6zF/?igshid=1tx1ki51koazahttps://www.facebook.com/watch/?v=270230893910273Nordic Skiing - BASIhttps://www.facebook.com/groups/BASIMembers/permalink/10157572099085826/Lift served skiing may be out this year in France unless you are a club skier but Nordic activities are going strong including this CPD day run by BASI and Tania Noakes in Praz de Lys. You can even take the Nordic L1 course as a CPD for another string in your bow.Snoworks Courses https://www.snoworks.co.uk/New Generation Ski School https://www.skinewgen.com/Powder Extremehttps://www.powder-extreme.com/Guilia Monego https://www.instagram.com/giuliamonego/?hl=enFreeride World Tour https://www.freerideworldtour.com/Restaurants mentioned in The 3 Valleys:La BouitteTravel with ALS Ski, your luxury ski specialists. ALS Ski is your go to destination for booking your ski holiday. Check us out at www.als-ski.com
Random Freestyles Couch Postings end of 2020. Peace. Fuck Covid!!!
How did a cute, unassuming cartoon frog end up a symbol of racism and favourite mascot of the alt-right? Pepe started off as a funny little meme, created by an artist who just wanted to spread joy and laughter in the world. NEXT MINUTE - his creation was popping up on banners at Trump rallies and being used by white supremacists to spread the worst kinds of bigotry and racism. So why did the racist and sexist trolls on awful websites like 4chan pick Pepe? And what's to stop them making any other much-loved character a symbol of hate? Is Sesame Street safe? The Wiggles? BIG TED? We give you Just The Gist, but if you want more, there's this:Watch the documentary Feels Good Man: https://www.feelsgoodmanfilm.com/ Some light reading: https://www.forbes.com/sites/danidiplacido/2017/05/09/how-pepe-the-frog-became-a-symbol-of-hatred/?sh=58b59507426b https://www.latimes.com/politics/la-na-pol-pepe-the-frog-hate-symbol-20161011-snap-htmlstory.html Read more on the protestors in Hong Kong who have reappropriated Pepe: https://www.nytimes.com/2019/08/19/world/asia/hong-kong-protest-pepe-frog.html Check out some Rare Pepes: https://rare-pepe.com/ And brush up on your hate symbols by visiting the Anti Defamation League's Hate Symbol Database - there are some surprising ones there: https://www.adl.org/hate-symbols Email us your suGISTions! justthegistpodcast@gmail.com See omnystudio.com/listener for privacy information.
Today's HEADLINES: NBCU TV layoffs looming in Nov + Dec Mindy Kaling + GOOD IN BED movie + HBOMax Nicole Kidman + new AMAZON Prime TV series APPLE TV gives Ted Lasso 2 more seasons COMCAST cord cutter update New PEACOCK account #s SPOTIFY hits pay subscriber high PINTEREST growth still booming Ton of TV Series renewals + Casting news, plus moves in the Executive Suite TRAILER HOUSE: NETFLIX “The White Tiger” movie trailer LISTEN TO/READ: H.E.R. “Damage” on Spotify Kim Masters THR read on Jeffrey Katzenberg/QUIBI BUY COFFEE! Fresh from Colombia and delicious. Order DEVOCION COFFEE here - use code WAKEUP for 20% off CONTACT + FOLLOW The Wakeup: On Instagram Here for an early AM podcast preview. Follow on LinkedIn here. Email at Wakeupodcast@gmail.com
Our next guest is WITHOUT a doubt my favourite Playschool presenter growing up. It is of course Noni Hazlehurst. I'll wait while you argue Benita or John were better… Nope, didn't think so... Well, she's packed Big Ted and Jemima away (quite a while ago) and she's now the host of the SBS Observational doco Every Family Has A Secret. Noni opens up about her own family secrets, life as a solo mum and how her son thought she did Play School just for him! See omnystudio.com/listener for privacy information.
Mel from Bli Bli got in touch with the guys with a special request. Her son's 37-year-old teddy got lost on a bus and she needs their help to track him down! Elly and Becks put their investigative skills to work and reach out to the one person they think can help!
In this episode I have a candid chat with my good friend Thomas Edwin Kwaka aka BIG TED . Big Ted shares what he’s learnt from working in government, the value of real friendship and we catch up and ponder on this one question "Who really are your boys?". Listen, share and give us feedback --- Send in a voice message: https://anchor.fm/amani-maranga/message
Big Ted has beenListen to Nada Rogic on Feed Play Love: teaching toddlers for over fifty years, and things have changed a lot for kids in that time. Where once Big Ted may have been explaining how a landline telephone worked, these days most toddlers have never even seen one. And so, in collaboration with the Office of the eSafety Commissioner, Big Ted has stepped into the digital age. Nada Rogic is the lead of the Early Years program at the office, which is all about educating the under fives about how to interact with technology. She explains how Big Ted is laying the groundwork for children to have a safe digital future.
My guest this week is the incredible film maker, speaker & activist Kelli Jean Drinkwater, and she has a huge fire in her belly about how fat people are represented onstage! Fat people have been virtually invisible in the creative arts, but Kelli Jean’s mission is to bring them into the limelight! In order to combat weight stigma and create a world in which all bodies belong, it is VITAL that fat people are represented in the creative arts. And not just as a boring STEREOTYPE, but as fully rounded, amazing, positive and UNAPOLOGETIC humans! Join me for a fantastic conversation as Kelli Jean & I unpack how things are changing in the industry & what still needs to be challenged. And hear all about Kelli Jeans’ simply INCREDIBLE projects! This is a fabulous & inspiring episode from an artist who professionally BLOWS PEOPLE’S MINDS! Shownotes My guest is Sydney based film maker, speaker and activist Kelli Jean Drinkwater, who is totally fired up about fat representation in the media. Louise talks about how she & Kelli Jean first met several years ago on the set of Insight, a tv program in which there was an ‘ambush’ of fat activists and Kelli Jean was in the front line of host Jenny Brockie’s fatphobia. Her anger acts as fuel to change how fat people are being represented. We can get fired up in 2 ways, because although on one hand representation and casting of fat characters are getting better, there’s still a long way to go! There’s been a recent spate of films and tv shows especially in the USA which feature fat narratives, but they are still centred around cis gendered, white, heterosexual perspectives, and also the smaller side of fat people being cast. We have stories like Shrill, where the character is fat and staying fat, and Dietland, adapted from the amazing novel by Sarai Walker, where it’s still very good & fat positive but still some decisions made in that process which reflect weight bias. Like in both Shrill & in Dietland the main fat characters had love interests or sexual partners that were just awful men! In Shrill, her love interest feels ashamed of her and makes her leave out of the back door. She’s meant to be this onto it fat woman and wh???? So eventually he comes around and says ok meet my friends, and she doesn’t dump him. And in Dietland the main character is a virgin, and rather than having a good experience she has this awful experience with a fetishist and a feeder who then rapes her. And it’s like - “ok, so that’s the kind of sex we’re going to see?” It could be done differently, and that’s frustrating. And then there’s the movie “Dumplin”, which Louise liked, she never saw anything like that when she was growing up. And it’s lovely to see the thin character (the mum, Jennifer Aniston), as the one always dieting, miserable and insecure. There’s some great characters in this - the fat auntie, who is always supportive of her. But then the aunt dies, and we’re not told why but it’s implied it’s because she was fat!? The love interest in Dumplin was great, he’s the hot guy and he is also lovely, he has no qualms about being attracted to her, and they just get together and it’s all ok. This is a narrative we need to see. Love is possible no matter what you look like. The hot guy can want to be with the fat girl. Kelli Jean related to her love of Dolly Parton, and the camp friends! Also the swimsuit scene at the end - they were in swing dresses and not bikinis??? There are things like that that we’re still not seeing, and Kelli Jean is keen as a film maker to push things further, to include more inclusivity and positivity to fat characters. Having a fat character in a story is not good enough, we need to see it handled properly. Kelli Jean’s first documentary was Aquaporko, all about the fat women’s synchronised swimming team that she started. The women are all extremely smiley, and they’re all in fantastic swim hats - which she got online from Esther Williams. Kelli Jean loved the beach and has always loved swimming and being in the water. But for years she did not go to the beach or swimming because of how she felt about her body. It’s such a basic thing, to swim and be in water, but for fat people this can be fraught. Aquaporko is a beautiful, fun, unapologetic and confronting story of fat people being in their bodies and loving it. And also of being in public, and taking up space. It was an important and transformative film for the people who were involved. That’s why she did Aquaporko, she did not want other people to not do things they love for years and years. The film came about after Kelli Jean got some friends together and at a Sydney public pool they taught themselves synchronised swimming, just for laughs. There was no agenda, but people would clap us when we got out of the pool. It got some traction and media attention, a chapter started in Brisbane & in Melbourne. The Melbourne team practised & became quite good. It got to the point where they were going to do a performance at the pool, Kelli Jean thought - well, I am a film maker, and so the film was born! It premiered at the Mardi Gras film festival in Sydney, and everyone loved it. It won the audience award. It’s colourful, it’s different, it’s a bit camp, it’s just very joyful. It’s shown in 47 countries now as part of different film festivals. It still gets requests to screen. Now Kelli Jean has made a feature film, Nothing to Lose, this also gets attention, but Aquaporko is just loved. Nothing to lose is Kelli Jean’s first feature film. She co-directed it, without funding. It’s the story - in 2013 she was approached by Kate Champion, a very well known choreographer and theatre director for Force Majeur. She wanted to a dance theatre production exploring the fat dancing body, body politics and explore why this is such a taboo subject. In clubs, Kate’s eye was always drawn to bigger people dancing. Realising that she is a very slim, trained dancer, Kate realised she needed to collaborate with a fat artist who understands not just the performance but also the politics. Kelli Jean was the perfect choice! Kelli Jean offered artistic direction on the production, and decided to make a film about it on the way. It took 3 years off and on to make the show, and the film goes from the auditions to opening night. The show and the film explore not just the choreography and what fat bodies can do, but also about the people involved and their relationship to their bodies. It was amazing to have this show, commissioned by the Sydney Festival, choreographed by an accomplished person like Kate Champion. This really is ‘mainstream’ art in Sydney! At the time, nothing like it had been done. Dance theatre isn’t just dance, it’s theatre as well. It was very well received, and there was lots of media attention on it from all over the world. Just the concept of fat people dancing blew people’s minds. In the film they talked about the level of interest - is that just ‘the freak show’ or are people genuinely interested? But it got really positive reviews, almost all positive. Which was a bit disappointing as no piece of art is perfect. On Kate’s advice Kelli Jean and the cast decided during the performance time not to read comments or reviews. To allow themselves to just do the shows without worrying about how it was being received. Which is a good idea - there is an underground, Reddit based group of people who almost professionally hate fat people for no apparent reason. The show toured to Melbourne but not internationally. It’s almost like the people putting on these shows are ok with it because it is very ‘of the moment’ - it is controversial, which gets attention and therefore money. But they are still very cautious about it. Which is why it was good to work with Kate because she is not cautious! So it’s the same thing: yes, you can do a fat story - BUT, it has to be a white woman, and fat but not massively fat - and not TOO happy. And of course that is part of the story - you don’t just go I’m fat & I’m happy about that, we carry all of this baggage around with us all of the time. And so it makes sense that the characters who are written also carry this around - it would be weird if they didn’t. But there is ways we can push. And to not tour internationally is a shame, because it would have gone off! But this is why it’s great that Kelli Jean made the film. Everyone who worked on the film did it for free, for years. Because they believed this story needed to get out, and because the show did not tour. The film premiered at a queer film festival in San Francisco in 2018 and a massive premiere at Quuer screen at Mardi Gras in 2018. It has gone on to have a number of international screenings too, so it is getting seen! Also SBS on Demand bought it, so Australians can view it for free (link in resources). The film is the legacy of the show, and they’re all so glad it’s having success. Louise was in the audience (again) for Kelli Jean’s TED Talk which she gave at the Opera House. That came about from a funny story: Kelli Jean was in the audience at the Festival of Dangerous Ideas at the Opera House in Sydney, listening to Sarai Walker, author of Dietland, who was talking about radical fat acceptance. Her talk was all about the need to stop distracting from ideas of pure, radical acceptance by talking about ‘health’. At the end of her talk all of the questions were about health! Kelli Jean got up and caused a scene! She got up and said - I don’t have a question, but I just want to say I am embarrassed that here we are at the Festival of Dangerous Ideas, and here we are again talking about health! It was very triggering for Kelli Jean, because of the Insight experience and how she was hijacked there. Kelli Jean was like, “oh my god it’s happening again”. Afterwards, Edwina Throsby who was the head of TEDx Sydney, came up and said I want you to do a TED talk. Kelli Jean got a standing ovation for her comment at Sarai’s talk (Louise was not brave enough to get up!). For Kelli Jean, it’s not a choice. “I can’t not say something.” Kelli Jean felt bad for getting a standing ovation and taking the focus off Sarai, but she thanked her later for saving her. Here we are, Festival of Dangerous Ideas, with an accomplished novelist with some amazing ideas. And people still could not let go of their bullshit around health.? The entitlement of that - the idea that they can say “no you’re wrong, this is a wrong idea” - rather than “I’m really challenged by what you’re saying”. It’s just “No, you’re wrong, and you’re going to die because you’re fat”. People cannot let that go, because letting that go challenges and threatens their whole way of being in their own bodies, and their own relationships with their bodies. If we go “Hey, we’re fat, we’re going to live in our bodies and wear bikinis and show our bodies and love them and have sexy time and eat whatever the fuck we want”, people can’t deal. A lot of people invest so much time into trying to maintain a thin body, that to suggest that time could be better spent is too much. Small people don’t have it easy either: they may feel they have to invest a lot into maintaining it, because of a belief that it maintains happiness or acceptance or health. Engaging in diet culture is tiring for all of us. If you challenge that, they freak out. People get defensive and don’t want to listen. Kelli Jean gets it - it’s a massive capitalist machine. There’s a lot of money to be made by making sure women hate their bodies. The sexist, [atriarchal structure of capitalism is a lot to challenge. But come on - if you’re paying for a talk which is specifically to challenge you, be challenged! Kelli Jean is sure that if TED talks had a question time, the exact same thing would have happened. The TED talk was one of the scariest things Kelli Jean has ever done. But if someone says to you hey, do you want to talk to potentially millions of people on the main stage of the Opera House about something that you love - you’re not going to say no! There were 2500 people at the Opera House, but there were also 20 000 people watching live around the world! And no auto cue - Kelli Jean had to remember the whole thing off by heart. She did have notes stuffed down her bra. This was also one of the first TED talks to ever address the topic of fat positivity. So it got picked up by TED.com - they call it “Big Ted” in the USA & put on their platform. So now nearly 2 million people have watched it! Of course, when the talk went up there was a huge number of hateful comments. Kelli Jean spoke to the TED people to say that this is really damaging for fat people who might read these comments, so they actually disabled the comments both here and in the USA. Kelli Jean never read them, but heard how awful and violent they were, and she didn’t want people exposed to that. Kelli Jean knows how awful it can be, and knows it’s coming if she puts something out there. But she feels for the people who may not know and be impacted by the vitriol and outright hatred. It’s awful to think there are people out there who have nothing better to do than hate on people, especially women, who are ok with themselves. That threatens the patriarchy, the status quo, and it freaks people out. Some people (??Dylan Meryn?) meet people who troll them & find out they are just sad or have difficult lives or whatever. Kelli Jean does not want to do that! But she does want people to understand that people who troll like that are sad & have their own issues. So the resistance to fat representation centres on 2 main ‘arguments’: 1) “but what about health”, and 2) hatred. Without doubt the most vitriol comes from straight men. But as a queer woman, Kelli Jean could not care less if they find her attractive or if she offends them visually. Which is possibly why they find people like her threatening! This trolling and hatred fuels Kelli Jean’s fat activist fire. And it doesn’t feel like a choice for Kelli Jean. and it’s wonderful to see how far activism has come. There are some really popular and mainstream artists, like Lizzo, and this is very different from when she grew up. Kelli Jean loves the fact that so many fat younger people are owning it, wearing crop tops etc and just unapologetic about their size. As a teenager she never ever saw stuff like that! She bought into it for ages - and then, just got jack of it! Although she’s been in this thinking and activism space for a long time, it is still a process. There are still hard times. Kelli Jean is now directing a short film called “The Rainbow Passage”, it’s about Cadence Autumn-Bell. It’s her story about her transition, and her girlfriend is also transitioning, and they’re in Bathurst (small NSW country town). While fat positivity is important, Kelli jean also wants to focus on body positivity overall, and all of the intersections and layers of this, affirming gender diversity, differently abled bodies, being intergenerational, holding space for people of colour and their stories. Because it’s all interconnected. Intersectional feminism is the only way really! The other project is top secret, and we’re super excited about it! All of these ideas of loving who you are and pushing back against the dominant narrative are interconnected. We talk about the Insight show & how people questioned whether or not Kelli Jean was a swimmer. She just is! At the end of the Insight taping, kelli Jean told them that they could not show any of the scenes from Aquaporko on the show, because they’d treated her so awfully. Kelli Jean is often asked to take part in shows like this and she usually says no, because she will not set herself up for another ambush. It’s understandable that many fat activists are wary about appearing in the media, because they are so often ambushed with the interviewer’s own internalised weight stigma. The host of Insight, Jenny Brockie, obviously has her own issues with weight, because we’d never seen her so un-objective and accusatory towards a guest on the show. Jenny Brockie really went for Kelli Jean, but as usual she handled it like a champ! Resources: A link to the SBS Insight show which they called “Fat Fighters” (we did not know this was going to be the title, another aspect of the ambush) The transcript from the SBS show Insight Sarai Walker’s (author of Dietland) talk at the Festival of Dangerous ideas on radical Fat Acceptance Shrill by Lindy West - the book. Shrill the tv series. Dietland the book and the tv series Dumplin Aquaporko Aussie people can watch Nothing to Lose on SBS on Demand Watch Kelli Jean’s Ted Talk Find out more about Kelli Jean here
My guest this week is the incredible film maker, speaker & activist Kelli Jean Drinkwater, and she has a huge fire in her belly about how fat people are represented onstage! Fat people have been virtually invisible in the creative arts, but Kelli Jean’s mission is to bring them into the limelight! In order to combat weight stigma and create a world in which all bodies belong, it is VITAL that fat people are represented in the creative arts. And not just as a boring STEREOTYPE, but as fully rounded, amazing, positive and UNAPOLOGETIC humans! Join me for a fantastic conversation as Kelli Jean & I unpack how things are changing in the industry & what still needs to be challenged. And hear all about Kelli Jeans’ simply INCREDIBLE projects! This is a fabulous & inspiring episode from an artist who professionally BLOWS PEOPLE’S MINDS! Shownotes My guest is Sydney based film maker, speaker and activist Kelli Jean Drinkwater, who is totally fired up about fat representation in the media. Louise talks about how she & Kelli Jean first met several years ago on the set of Insight, a tv program in which there was an ‘ambush’ of fat activists and Kelli Jean was in the front line of host Jenny Brockie’s fatphobia. Her anger acts as fuel to change how fat people are being represented. We can get fired up in 2 ways, because although on one hand representation and casting of fat characters are getting better, there’s still a long way to go! There’s been a recent spate of films and tv shows especially in the USA which feature fat narratives, but they are still centred around cis gendered, white, heterosexual perspectives, and also the smaller side of fat people being cast. We have stories like Shrill, where the character is fat and staying fat, and Dietland, adapted from the amazing novel by Sarai Walker, where it’s still very good & fat positive but still some decisions made in that process which reflect weight bias. Like in both Shrill & in Dietland the main fat characters had love interests or sexual partners that were just awful men! In Shrill, her love interest feels ashamed of her and makes her leave out of the back door. She’s meant to be this onto it fat woman and wh???? So eventually he comes around and says ok meet my friends, and she doesn’t dump him. And in Dietland the main character is a virgin, and rather than having a good experience she has this awful experience with a fetishist and a feeder who then rapes her. And it’s like - “ok, so that’s the kind of sex we’re going to see?” It could be done differently, and that’s frustrating. And then there’s the movie “Dumplin”, which Louise liked, she never saw anything like that when she was growing up. And it’s lovely to see the thin character (the mum, Jennifer Aniston), as the one always dieting, miserable and insecure. There’s some great characters in this - the fat auntie, who is always supportive of her. But then the aunt dies, and we’re not told why but it’s implied it’s because she was fat!? The love interest in Dumplin was great, he’s the hot guy and he is also lovely, he has no qualms about being attracted to her, and they just get together and it’s all ok. This is a narrative we need to see. Love is possible no matter what you look like. The hot guy can want to be with the fat girl. Kelli Jean related to her love of Dolly Parton, and the camp friends! Also the swimsuit scene at the end - they were in swing dresses and not bikinis??? There are things like that that we’re still not seeing, and Kelli Jean is keen as a film maker to push things further, to include more inclusivity and positivity to fat characters. Having a fat character in a story is not good enough, we need to see it handled properly. Kelli Jean’s first documentary was Aquaporko, all about the fat women’s synchronised swimming team that she started. The women are all extremely smiley, and they’re all in fantastic swim hats - which she got online from Esther Williams. Kelli Jean loved the beach and has always loved swimming and being in the water. But for years she did not go to the beach or swimming because of how she felt about her body. It’s such a basic thing, to swim and be in water, but for fat people this can be fraught. Aquaporko is a beautiful, fun, unapologetic and confronting story of fat people being in their bodies and loving it. And also of being in public, and taking up space. It was an important and transformative film for the people who were involved. That’s why she did Aquaporko, she did not want other people to not do things they love for years and years. The film came about after Kelli Jean got some friends together and at a Sydney public pool they taught themselves synchronised swimming, just for laughs. There was no agenda, but people would clap us when we got out of the pool. It got some traction and media attention, a chapter started in Brisbane & in Melbourne. The Melbourne team practised & became quite good. It got to the point where they were going to do a performance at the pool, Kelli Jean thought - well, I am a film maker, and so the film was born! It premiered at the Mardi Gras film festival in Sydney, and everyone loved it. It won the audience award. It’s colourful, it’s different, it’s a bit camp, it’s just very joyful. It’s shown in 47 countries now as part of different film festivals. It still gets requests to screen. Now Kelli Jean has made a feature film, Nothing to Lose, this also gets attention, but Aquaporko is just loved. Nothing to lose is Kelli Jean’s first feature film. She co-directed it, without funding. It’s the story - in 2013 she was approached by Kate Champion, a very well known choreographer and theatre director for Force Majeur. She wanted to a dance theatre production exploring the fat dancing body, body politics and explore why this is such a taboo subject. In clubs, Kate’s eye was always drawn to bigger people dancing. Realising that she is a very slim, trained dancer, Kate realised she needed to collaborate with a fat artist who understands not just the performance but also the politics. Kelli Jean was the perfect choice! Kelli Jean offered artistic direction on the production, and decided to make a film about it on the way. It took 3 years off and on to make the show, and the film goes from the auditions to opening night. The show and the film explore not just the choreography and what fat bodies can do, but also about the people involved and their relationship to their bodies. It was amazing to have this show, commissioned by the Sydney Festival, choreographed by an accomplished person like Kate Champion. This really is ‘mainstream’ art in Sydney! At the time, nothing like it had been done. Dance theatre isn’t just dance, it’s theatre as well. It was very well received, and there was lots of media attention on it from all over the world. Just the concept of fat people dancing blew people’s minds. In the film they talked about the level of interest - is that just ‘the freak show’ or are people genuinely interested? But it got really positive reviews, almost all positive. Which was a bit disappointing as no piece of art is perfect. On Kate’s advice Kelli Jean and the cast decided during the performance time not to read comments or reviews. To allow themselves to just do the shows without worrying about how it was being received. Which is a good idea - there is an underground, Reddit based group of people who almost professionally hate fat people for no apparent reason. The show toured to Melbourne but not internationally. It’s almost like the people putting on these shows are ok with it because it is very ‘of the moment’ - it is controversial, which gets attention and therefore money. But they are still very cautious about it. Which is why it was good to work with Kate because she is not cautious! So it’s the same thing: yes, you can do a fat story - BUT, it has to be a white woman, and fat but not massively fat - and not TOO happy. And of course that is part of the story - you don’t just go I’m fat & I’m happy about that, we carry all of this baggage around with us all of the time. And so it makes sense that the characters who are written also carry this around - it would be weird if they didn’t. But there is ways we can push. And to not tour internationally is a shame, because it would have gone off! But this is why it’s great that Kelli Jean made the film. Everyone who worked on the film did it for free, for years. Because they believed this story needed to get out, and because the show did not tour. The film premiered at a queer film festival in San Francisco in 2018 and a massive premiere at Quuer screen at Mardi Gras in 2018. It has gone on to have a number of international screenings too, so it is getting seen! Also SBS on Demand bought it, so Australians can view it for free (link in resources). The film is the legacy of the show, and they’re all so glad it’s having success. Louise was in the audience (again) for Kelli Jean’s TED Talk which she gave at the Opera House. That came about from a funny story: Kelli Jean was in the audience at the Festival of Dangerous Ideas at the Opera House in Sydney, listening to Sarai Walker, author of Dietland, who was talking about radical fat acceptance. Her talk was all about the need to stop distracting from ideas of pure, radical acceptance by talking about ‘health’. At the end of her talk all of the questions were about health! Kelli Jean got up and caused a scene! She got up and said - I don’t have a question, but I just want to say I am embarrassed that here we are at the Festival of Dangerous Ideas, and here we are again talking about health! It was very triggering for Kelli Jean, because of the Insight experience and how she was hijacked there. Kelli Jean was like, “oh my god it’s happening again”. Afterwards, Edwina Throsby who was the head of TEDx Sydney, came up and said I want you to do a TED talk. Kelli Jean got a standing ovation for her comment at Sarai’s talk (Louise was not brave enough to get up!). For Kelli Jean, it’s not a choice. “I can’t not say something.” Kelli Jean felt bad for getting a standing ovation and taking the focus off Sarai, but she thanked her later for saving her. Here we are, Festival of Dangerous Ideas, with an accomplished novelist with some amazing ideas. And people still could not let go of their bullshit around health.? The entitlement of that - the idea that they can say “no you’re wrong, this is a wrong idea” - rather than “I’m really challenged by what you’re saying”. It’s just “No, you’re wrong, and you’re going to die because you’re fat”. People cannot let that go, because letting that go challenges and threatens their whole way of being in their own bodies, and their own relationships with their bodies. If we go “Hey, we’re fat, we’re going to live in our bodies and wear bikinis and show our bodies and love them and have sexy time and eat whatever the fuck we want”, people can’t deal. A lot of people invest so much time into trying to maintain a thin body, that to suggest that time could be better spent is too much. Small people don’t have it easy either: they may feel they have to invest a lot into maintaining it, because of a belief that it maintains happiness or acceptance or health. Engaging in diet culture is tiring for all of us. If you challenge that, they freak out. People get defensive and don’t want to listen. Kelli Jean gets it - it’s a massive capitalist machine. There’s a lot of money to be made by making sure women hate their bodies. The sexist, [atriarchal structure of capitalism is a lot to challenge. But come on - if you’re paying for a talk which is specifically to challenge you, be challenged! Kelli Jean is sure that if TED talks had a question time, the exact same thing would have happened. The TED talk was one of the scariest things Kelli Jean has ever done. But if someone says to you hey, do you want to talk to potentially millions of people on the main stage of the Opera House about something that you love - you’re not going to say no! There were 2500 people at the Opera House, but there were also 20 000 people watching live around the world! And no auto cue - Kelli Jean had to remember the whole thing off by heart. She did have notes stuffed down her bra. This was also one of the first TED talks to ever address the topic of fat positivity. So it got picked up by TED.com - they call it “Big Ted” in the USA & put on their platform. So now nearly 2 million people have watched it! Of course, when the talk went up there was a huge number of hateful comments. Kelli Jean spoke to the TED people to say that this is really damaging for fat people who might read these comments, so they actually disabled the comments both here and in the USA. Kelli Jean never read them, but heard how awful and violent they were, and she didn’t want people exposed to that. Kelli Jean knows how awful it can be, and knows it’s coming if she puts something out there. But she feels for the people who may not know and be impacted by the vitriol and outright hatred. It’s awful to think there are people out there who have nothing better to do than hate on people, especially women, who are ok with themselves. That threatens the patriarchy, the status quo, and it freaks people out. Some people (??Dylan Meryn?) meet people who troll them & find out they are just sad or have difficult lives or whatever. Kelli Jean does not want to do that! But she does want people to understand that people who troll like that are sad & have their own issues. So the resistance to fat representation centres on 2 main ‘arguments’: 1) “but what about health”, and 2) hatred. Without doubt the most vitriol comes from straight men. But as a queer woman, Kelli Jean could not care less if they find her attractive or if she offends them visually. Which is possibly why they find people like her threatening! This trolling and hatred fuels Kelli Jean’s fat activist fire. And it doesn’t feel like a choice for Kelli Jean. and it’s wonderful to see how far activism has come. There are some really popular and mainstream artists, like Lizzo, and this is very different from when she grew up. Kelli Jean loves the fact that so many fat younger people are owning it, wearing crop tops etc and just unapologetic about their size. As a teenager she never ever saw stuff like that! She bought into it for ages - and then, just got jack of it! Although she’s been in this thinking and activism space for a long time, it is still a process. There are still hard times. Kelli Jean is now directing a short film called “The Rainbow Passage”, it’s about Cadence Autumn-Bell. It’s her story about her transition, and her girlfriend is also transitioning, and they’re in Bathurst (small NSW country town). While fat positivity is important, Kelli jean also wants to focus on body positivity overall, and all of the intersections and layers of this, affirming gender diversity, differently abled bodies, being intergenerational, holding space for people of colour and their stories. Because it’s all interconnected. Intersectional feminism is the only way really! The other project is top secret, and we’re super excited about it! All of these ideas of loving who you are and pushing back against the dominant narrative are interconnected. We talk about the Insight show & how people questioned whether or not Kelli Jean was a swimmer. She just is! At the end of the Insight taping, kelli Jean told them that they could not show any of the scenes from Aquaporko on the show, because they’d treated her so awfully. Kelli Jean is often asked to take part in shows like this and she usually says no, because she will not set herself up for another ambush. It’s understandable that many fat activists are wary about appearing in the media, because they are so often ambushed with the interviewer’s own internalised weight stigma. The host of Insight, Jenny Brockie, obviously has her own issues with weight, because we’d never seen her so un-objective and accusatory towards a guest on the show. Jenny Brockie really went for Kelli Jean, but as usual she handled it like a champ! Resources: A link to the SBS Insight show which they called “Fat Fighters” (we did not know this was going to be the title, another aspect of the ambush) The transcript from the SBS show Insight Sarai Walker’s (author of Dietland) talk at the Festival of Dangerous ideas on radical Fat Acceptance Shrill by Lindy West - the book. Shrill the tv series. Dietland the book and the tv series Dumplin Aquaporko Aussie people can watch Nothing to Lose on SBS on Demand Watch Kelli Jean’s Ted Talk Find out more about Kelli Jean here
Fjallað um skosku þjóðlagasveitina The Incredible String Band. Lögin sem hljóma í þættinum eru: The October Song, The Tree, Empty Pocket Blues, Painting Box, First Girl I Loved, The Hedgehog's Song, Minotaur's Song, The Circle Unbroken, Big Ted og No Sleep Blues.
Fjallað um skosku þjóðlagasveitina The Incredible String Band. Lögin sem hljóma í þættinum eru: The October Song, The Tree, Empty Pocket Blues, Painting Box, First Girl I Loved, The Hedgehog's Song, Minotaur's Song, The Circle Unbroken, Big Ted og No Sleep Blues.
Fjallað um skosku þjóðlagasveitina The Incredible String Band. Lögin sem hljóma í þættinum eru: The October Song, The Tree, Empty Pocket Blues, Painting Box, First Girl I Loved, The Hedgehog's Song, Minotaur's Song, The Circle Unbroken, Big Ted og No Sleep Blues.
Fjallað um skosku þjóðlagasveitina The Incredible String Band. Lögin sem hljóma í þættinum eru: The October Song, The Tree, Empty Pocket Blues, Painting Box, First Girl I Loved, The Hedgehog's Song, Minotaur's Song, The Circle Unbroken, Big Ted og No Sleep Blues.
Thank you for clicking on Number One Rerun. This week we look back at who was number one on 7th October 1982 as well as chatting about other bits & pieces from on that day. Send us a date to cover in a future episode via twitter, instagram, faceboook or email us numberonererun@hotmail.com We are the creators www.britpodscene.com Carla can also be found with her other middle class friend at https://themeparkfilms.podbean.com Our artwork was provided by https://roughgiraffe.podbean.com
Featuring new music from Om Unit, Mister Shifter, Leo Zen, Uji, Strategy and more HYC 067 welcomes a guest mix from Queenstown based DJ Rasty. Rasty used to run the Nightbirds parties in Osaka alongside Big Ted for a number of years before moving back to his native home of Queenstown to focus on some other ventures. A talented and technically gifted DJ he made a solid name for himself in the Japan Drum & Bass scene and would regularly play shows around the country. Rasty will be joining Jonny Dub, Dub Phizix & Chunky at the Outlook festival Christchurch lunch party on the 20/04 so if you are in the area be sure to come along and support. More info on the event here - https://www.facebook.com/events/2023598107928608/ Thanks again to Pomona Illustration for the artwork for the show. You can check his work out here - http://www.pomonadesign.co.uk/ As always drop a comment if you are feeling the vibes Safe
Yeah, G’Day! There’s a bear in there, and a chair as well! (There may even be people with games and stories to tell…) It’s time to talk about Play School! This educational tv show for kids has shaped Australia to be the country it is today. Tim and Leon would not be who they are without Play School… The good bits of them at least! We have all the latest gossip on Big Ted, Little Ted, Normal Noni, the Rocket Clock, and the Ning Nang Nong. It’s a real rollercoaster ride of emotions! Stay tuned for a little bit of Dad-vice! We now have a Patreon page with a bunch of excellent rewards starting at just $1! Head to www.patreon.com/yeahgday and start receiving the Patron benefits today! Don’t forget to join our Facebook group: Yeah, G’Day! Fans. Thanks to Curtis Fernance for our music, and Teylor Smirl for our cover art. Find everything Yeah, G'Day! related at www.yeahgday.com, and follow us on Instagram, Twitter, and Facebook @yeahgdaypodcast Proudly part of the Auscast Network! #yeahgdaypodcast #yeahgday #australia #australian #playschool #kid #children #tv #tvshow #abc #education #childrenstv #kidstv #australiantv #television #educational #bigted #ningnangnong #playschoolaustralia #comedy #culture #history #podcast #podcasting #laugh #auscast #auscastnetwork #audioboom #new See omnystudio.com/listener for privacy information.
Were you were raised on a diet of classic Aussie kids shows like Play School and Blinky Bill? Your kids might not be so lucky. Children's TV could be in its dying days and Big Ted and co are on the chopping block. But you can save it, Jay Laga'aia explains how. Plus, should a 100 kg seven-year-old be allowed to play rugby with his peers? And the parents of kid geniuses need to put a sock in it, because there's no such thing as a gifted child. Show notes Your hosts are Holly Wainwright and Andrew Daddo With thanks to Jay Laga'aia. If you want to save children's TV, go to https://www.savechildrenscontent.org/takeaction and write a letter to you local member of parliament. To buy Wander or any other books mentioned on our podcasts, visit iBooks at apple.co/mamamia, where you can also subscribe to all our other shows in one place. If you're not a subscriber yet, why not? Do it now. We'll wait... While you're there, leave us a review and tell us what you think of the show. If you're a gloriously messy parent, leave us an audio message at 02 8999 9386 and say hello. Or email tgm@mamamia.com.au And let us know what you nailed or failed this week! This show was produced by Rachel Wagner. EP of Podcasts at Mamamia is Monique Bowley See omnystudio.com/listener for privacy information.
Get lost in reverie where sparkling beats and mesmerising vocals lead into an abyss of sultry bass lines Rasty [Osaka | Japan] Michael Leung aka Rasty was born in Christchurch, New Zealand. A city renowned for it’s deep drum ‘n bass culture. Now based in Osaka, Japan, together with fellow Kiwi Tim Fieldes aka Big Ted formed the Nightbirds crew with an aim to revive the Drum & Bass scene and breathe new life into the city. Since starting, Nightbirds has brought through acts such as: Commix, The Upbeats, State of Mind, Om Unit, Swindle, Jonny Dub and Chimpo, with many more plans in the pipeline. Rasty’s sound is deep and intellectual, drawing influences from the likes of Calibre, dBridge and Skeptical, but you can also hear influences of footwork, grime and hip hop through his close work with other DJs and crews within the city. When it comes to his musical philosophy Rasty believes that ‘to have a heavy sound, you don’t necessarily need to play heavy tunes.’ He has become an integral part of the bass music scene in Osaka, hosting and playing at a range of parties across the city, from creating platforms to showcase local DJs, to supporting international artists.
Get lost in reverie where sparkling beats and mesmerising vocals lead into an abyss of sultry bass lines Rasty [Osaka | Japan] Michael Leung aka Rasty was born in Christchurch, New Zealand. A city renowned for it’s deep drum ‘n bass culture. Now based in Osaka, Japan, together with fellow Kiwi Tim Fieldes aka Big Ted formed the Nightbirds crew with an aim to revive the Drum & Bass scene and breathe new life into the city. Since starting, Nightbirds has brought through acts such as: Commix, The Upbeats, State of Mind, Om Unit, Swindle, Jonny Dub and Chimpo, with many more plans in the pipeline. Rasty’s sound is deep and intellectual, drawing influences from the likes of Calibre, dBridge and Skeptical, but you can also hear influences of footwork, grime and hip hop through his close work with other DJs and crews within the city. When it comes to his musical philosophy Rasty believes that ‘to have a heavy sound, you don’t necessarily need to play heavy tunes.’ He has become an integral part of the bass music scene in Osaka, hosting and playing at a range of parties across the city, from creating platforms to showcase local DJs, to supporting international artists.
Big Ted of @4urspeculation joins us for discussion of the 1996 Best Supporting Actress in a Drama Emmys category because Barbara Babcock was nominated and submitted this as her tape
The headlines read, that TRUMP has got into a battle with BIG TED on their wives, after an organization posted a picture of TRUMP'S WIFE in the nude asking, and this is not word for word, but DO YOU WANT THIS AS THE FIRST LADY OF AMERICA? CRUZ says, this isn't him, but outside of his jurisdiction, however TRUMP isn't buying it. This may or may not be the discussion for today, but the POLLS, recently - and this is where I get beside myself - It says THESE ARE THE POLLS THAT MATTER (not all the polls before) TRUMP has tanked, due to the violence and other things, and he will lose against HILARY (HILLARY?) 347-205-9366 And you know that the bombings and chaos in FRANCE, BRUSSELS, and more has dominated the news, while PRESIDENT OBAMA was doing the TANGO in ARGENTINA. That may be talk worthy - check in and see - THE COOL CRITICS, if you please - 347-205-9366.
Everyone's got BFF probs, except for us, because we have Big Ted (or the For Your Speculation podcast series) on board
Peter Dasent – Musician Peter Dasent may not be a name bantered around the dinner table much but guaranteed his music has caused many a conversation. As piano player on Play School, Peter was introduced to Justine Clarke… and the rest is current history. It's a small club that holds gold and platinum records in the children's market, but Peter, through the voice of Justine, has given our children some of their greatest music ever.
Peter Dasent – Musician Peter Dasent may not be a name bantered around the dinner table much but guaranteed his music has caused many a conversation. As piano player on Play School, Peter was introduced to Justine Clarke… and the rest is current history. It’s a small club that holds gold and platinum records in the children’s market, but Peter, through the voice of Justine, has given our children some of their greatest music ever.
Scotty talks with Chris Hardy from Xamarin and Nic Wise from Big Ted about MonoTouch an iOS layer on top of the open source .NET clone Mono.
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