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Welcome back, to The Dark Paranormal.Where to begin...well, today's experience comes to us from our listener Sarah, who shares a lifelong haunting that begins with a disturbing childhood encounter in Manchester and follows her across years, homes, and continents. From an unsettling warning about being “born under the black star” to terrifying nocturnal phenomena, unexplained cold spots, shadow-like presences, and an encounter in her Toronto home that leaves physical evidence behind, this episode explores the frightening possibility that some hauntings are not attached to places, but to people.And when I say Sarah "Shared", I may be more on the nose than I'd like.Stay safe,Kevin.We're giving a full weeks trial of our Patreon away! Just head over on the link below and away you go!www.patreon.com/thedarkparanormalIf it's not for you? Simply cancel before your trial expires, meanwhile enjoy FULL access to our highest tier, and thank you for being the best listeners by miles.By making the choice of joining our Patreon team now, not only gives you early Ad-Free access to all our episodes, including video releases of Dark Realms, it can also give you access to the Patreon only podcast, Dark Bites. Dark Bites releases each and every week, even on the down time between seasons. There are already well over 200+ hours of unheard true paranormal experiences for you to binge at your leisure, and joining that weekly Patreon only show is our new video & Audio show, "After Dark", where you get a glimpse in to my genuine unfiltered thought process in a very informal non-edited 30 minute continuous recording.Simply head over to:www.patreon.com/thedarkparanormalTo send us YOUR experience, please either click on the below link:The Dark Paranormal - We Need Your True Ghost StoryOr head to our website: www.thedarkparanormal.comYou can also follow us on the below Social Media links:www.twitter.com/darkparanormalxwww.facebook.com/thedarkparanormalwww.youtube.com/thedarkparanormalwww.instagram.com/thedarkparanormalOur Sponsors:* Check out Acorns and use my code acorns.com/darkparanormal for a great deal: https://www.acorns.com* Check out BetterHelp and use my code betterhelp.com for a great deal: https://www.betterhelp.com* Check out Progressive: https://www.progressive.com* Check out Quince and use my code quince.com/darkparanormal for a great deal: https://www.quince.com* Check out Shopify and use my code shopify.com/darkparanormal for a great deal: https://www.shopify.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
The directions were right. The timing was right. Now the only question is whether trusting a dead man's phone was the right call. This is Episode Nineteen of our Delta Green campaign, Operation Blackstar. Subscribe for weekly episodes and join the conversation on Discord: https://discord.gg/q9acCZAqsk--Follow APE:Website - https://www.actualplayentertainment.com/Facebook - https://www.facebook.com/ActualPlayEntertainmentInstagram - https://www.instagram.com/actual_play_entertainment/X - https://twitter.com/thenerdyapeTiktok - https://www.tiktok.com/@actualplayentertainmentApple Podcasts - https://podcasts.apple.com/us/podcast/actual-play-entertainment/id1735601411Spotify - https://open.spotify.com/show/3YCVfKEGIoJyr6EKqmPGz9Amazon Music - https://music.amazon.com/podcasts/ef373be0-ef98-4451-b6d1-498608052b26/actual-play-entertainmentYoutube - https://www.youtube.com/channel/UCEOhP5jBIk6CZuM4y1noXLA
Today, The Tonearm's needle lands on composer and avid birdwatcher Maria Schneider.Few composers working today have Maria Schneider's range. She holds seven Grammy Awards, was named an NEA Jazz Master, and this year took home the Rolf Schock Prize in Musical Arts, one of the most prestigious honors in the field.Maria Schneider joins the podcast to talk about American Crow, her recent EP that uses jazz to make a case for something we've mostly lost, the ability to actually listen to each other. The music moves from distressed Americana into something quiet and more human, a sound Schneider connects to her Midwestern childhood, when disagreement didn't have to mean war.Maria's here to talk about the record, what jazz improvisation has to teach a fractured society, and more.(The musical excerpts heard in the interview are from Maria Schneider's American Crow)—Dig DeeperArtist and EPVisit Maria Schneider at mariaschneider.com and follow her on Instagram, Facebook, and YouTubePurchase Maria Schneider's American Crow EP from ArtistShareWatch American Crow: A Narrative in Notes and Frames — the full longform music video, free on YouTubeSelected DiscographyData Lords (ArtistShare, 2020) — Pulitzer Prize Finalist; two Grammy Awards; the double album that precedes and informs American CrowSky Blue (ArtistShare, 2007) — includes "Sky Blue," discussed at length in this episodeEvanescence (Enja, 1994) — Schneider's debut; features "Wyrgly" and "Dance You Monster to My Soft Song," both favored by David BowieEnsemble Members and CollaboratorsDonny McCaslin — tenor saxophonist; featured throughout the conversation; also Bowie's Blackstar bandleaderDonny McCaslin on The TonearmBen Monder — guitarist; featured soloist on Data LordsMike Rodriguez — trumpeter; featured soloist on American CrowJeff Miles — guitarist; featured on "A World Lost" on the American Crow EPGary Versace — pianist; longtime Schneider Orchestra member; on faculty at Eastman School of MusicBob Brookmeyer (1929–2011) — valve trombonist and arranger; Schneider's mentor; his critique of "Green Piece" is discussed in this episodeFrank Kimbrough (1956–2021) — pianist; longtime Schneider Orchestra member; referenced in the discussion of "Thompson Fields"Books ReferencedThe Art Spirit by Robert Henri — the key artistic text Schneider returns to when discussing how music transmits lived experience to an audienceFootprints: The Life and Work of Wayne Shorter by Michelle Mercer — Mercer reviewed a live performance of "American Crow" in Call and Response, quoted in this episode and in the press releaseBirdingMerlin Bird ID app — the free sound- and photo-identification app from the Cornell Lab of Ornithology, enthusiastically endorsed by both Schneider and LawrenceCornell Lab of Ornithology — the institution behind Merlin and one of the world's leading centers for ornithological research and citizen scienceThe David Bowie ConnectionBlackstar (Columbia, 2016) — Bowie's final studio album, featuring McCaslin's band and Schneider's arrangement of "Sue (Or in a Season of Crime)," which won a GrammyDonny McCaslin on the Blackstar collaboration — background on McCaslin's role in Bowie's final project—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
Today, The Tonearm's needle lands on composer and avid birdwatcher Maria Schneider.Few composers working today have Maria Schneider's range. She holds seven Grammy Awards, was named an NEA Jazz Master, and this year took home the Rolf Schock Prize in Musical Arts, one of the most prestigious honors in the field.Maria Schneider joins the podcast to talk about American Crow, her recent EP that uses jazz to make a case for something we've mostly lost, the ability to actually listen to each other. The music moves from distressed Americana into something quiet and more human, a sound Schneider connects to her Midwestern childhood, when disagreement didn't have to mean war.Maria's here to talk about the record, what jazz improvisation has to teach a fractured society, and more.(The musical excerpts heard in the interview are from Maria Schneider's American Crow)—Dig DeeperArtist and EPVisit Maria Schneider at mariaschneider.com and follow her on Instagram, Facebook, and YouTubePurchase Maria Schneider's American Crow EP from ArtistShareWatch American Crow: A Narrative in Notes and Frames — the full longform music video, free on YouTubeSelected DiscographyData Lords (ArtistShare, 2020) — Pulitzer Prize Finalist; two Grammy Awards; the double album that precedes and informs American CrowSky Blue (ArtistShare, 2007) — includes "Sky Blue," discussed at length in this episodeEvanescence (Enja, 1994) — Schneider's debut; features "Wyrgly" and "Dance You Monster to My Soft Song," both favored by David BowieEnsemble Members and CollaboratorsDonny McCaslin — tenor saxophonist; featured throughout the conversation; also Bowie's Blackstar bandleaderDonny McCaslin on The TonearmBen Monder — guitarist; featured soloist on Data LordsMike Rodriguez — trumpeter; featured soloist on American CrowJeff Miles — guitarist; featured on "A World Lost" on the American Crow EPGary Versace — pianist; longtime Schneider Orchestra member; on faculty at Eastman School of MusicBob Brookmeyer (1929–2011) — valve trombonist and arranger; Schneider's mentor; his critique of "Green Piece" is discussed in this episodeFrank Kimbrough (1956–2021) — pianist; longtime Schneider Orchestra member; referenced in the discussion of "Thompson Fields"Books ReferencedThe Art Spirit by Robert Henri — the key artistic text Schneider returns to when discussing how music transmits lived experience to an audienceFootprints: The Life and Work of Wayne Shorter by Michelle Mercer — Mercer reviewed a live performance of "American Crow" in Call and Response, quoted in this episode and in the press releaseBirdingMerlin Bird ID app — the free sound- and photo-identification app from the Cornell Lab of Ornithology, enthusiastically endorsed by both Schneider and LawrenceCornell Lab of Ornithology — the institution behind Merlin and one of the world's leading centers for ornithological research and citizen scienceThe David Bowie ConnectionBlackstar (Columbia, 2016) — Bowie's final studio album, featuring McCaslin's band and Schneider's arrangement of "Sue (Or in a Season of Crime)," which won a GrammyDonny McCaslin on the Blackstar collaboration — background on McCaslin's role in Bowie's final project—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
Bass Archaeology – Episode 14 - Sunshine Daze! Episode 14 of Bass Archaeology travels through deep soul, jazz-funk, conscious hip-hop, electro, house and jungle to uncover how bass music evolved from warm analogue musicianship into rave futurism. This journey starts in the sun-drenched atmosphere of Everybody Loves the Sunshine by Roy Ayers, where hypnotic basslines, drifting Rhodes chords and loose groove philosophy laid foundations that producers would sample and reinterpret for decades to come. From there, the emotional storytelling of Midnight Train to Georgia by Gladys Knight & the Pips showcases bass as narrative support rather than technical showmanship. The warm melodic playing underneath Gladys Knight's timeless vocal performance reveals how soul music used restraint, pocket and feel to create emotional depth. The show then drifts into the jazz-rap haze of Pacifics by Digable Planets, where sampled jazz textures and dusty low-end grooves transformed old records into entirely new worlds. That atmosphere deepens further with Thieves in the Night by Black Star, a philosophical and socially conscious masterpiece that uses sparse boom-bap bass weight and haunting samples to create one of the defining underground hip-hop statements of the late 90s. Electro and reggae collide next with Reckless by Afrika Bambaataa featuring UB40, capturing a period where programmed basslines and drum machines began reshaping global dance music culture. That evolution accelerates into the club foundations of modern electronic music with Ooh, I Love It (Love Break) by The Salsoul Orchestra, one of the most sampled dance records ever made and a crucial bridge between disco orchestration, electro-funk and hip-hop break culture... The second half of the episode explores how these foundations evolved into house and rave futurism. Can You Feel It by Mr. Fingers channels deep house minimalism into spiritual club music, while Lindo Momento by Monsieur Van Pratt reinterprets disco warmth through modern nu-disco production and analogue-inspired groove. Underground pressure arrives through modern house gem called 'Games' and Jungle originiations like 'Untouchable' , before the journey descends fully into the shadowy low-end futurism of Valley of the Shadows by Origin Unknown one of jungle and drum & bass culture's most iconic atmospheric records. Finally, Out of Space by The Prodigy detonates the rave energy completely, fusing reggae samples, breakbeats and hardcore intensity into a defining anthem of UK electronic music culture, before the Bass Archaeology band closes the episode with a liquid drum & bass outro that brings the entire low-end journey full circle. Episode 14 traces the DNA of bass music across decades and genres — from live soul musicianship and jazz-funk atmosphere to sample culture, deep house hypnosis, jungle futurism and rave energy — revealing how groove, space and bass pressure continue to connect every era of underground music history.
Video interview met Barry Hay (frontman Golden Earring) en JB Meijers (gitarist, zanger, producer) over hun samenwerkingsproject dat heeft geleid tot het album For You Baby. FaceCulture sprak Barry en JB over hun eerste ontmoeting, Ilse's Veranda, muziek humor en drank, een soepele samenwerking, de keer dat Barry fluit leerde spelen, For You Baby, I Hope I Never van Split Enz, het zanggeluid van Barry, Black Star van Elvis, covers van overleden artiesten, toevalligheden, Phil Lynott en Bruce Springsteen, Jan Mulder in de studio, en nog veel meer! (07/11/2019) Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
Don't miss a once-in-a-lifetime opportunity to engage with Kemetologist Tony Browder, who will energize our classroom this Thursday morning! Brother Tony highlights the acclaimed documentary, John Henrik Clarke: A Great and Mighty Walk, a film that not only captivates but also challenges viewers to see history through a lens of empowerment. With narration and direction by Wesley Snipes, this documentary celebrates the groundbreaking work of Dr. John Henrik Clarke—a true visionary and one of the first to champion Afrocentricity and Pan-Africanism. Join Tony tomorrow at the 11th annual Pan-African Festival in San Antonio, where he will host an exclusive screening and share insights from his latest book, A Browder Perspective. This is your chance to hear firsthand from a renowned scholar and cultural ambassador, igniting critical conversations about our past, present, and future. But that's not all! Before Tony takes the mic, you'll hear from Garveyite Senghor Baye and Chief Foday in Sierra Leone, who will reveal the inspiring work of the Black Star Action Network.See omnystudio.com/listener for privacy information.
Now that they have escaped Platte AFB , where do our agents go? There are many questions still unanswered as they look for help from anywhere. This is Episode eighteen of our Delta Green campaign, Operation Blackstar. Subscribe for weekly episodes and join the conversation on Discord: https://discord.gg/q9acCZAqsk--Follow APE:Website - https://www.actualplayentertainment.com/Facebook - https://www.facebook.com/ActualPlayEntertainmentInstagram - https://www.instagram.com/actual_play_entertainment/X - https://twitter.com/thenerdyapeTiktok - https://www.tiktok.com/@actualplayentertainmentApple Podcasts - https://podcasts.apple.com/us/podcast/actual-play-entertainment/id1735601411Spotify - https://open.spotify.com/show/3YCVfKEGIoJyr6EKqmPGz9Amazon Music - https://music.amazon.com/podcasts/ef373be0-ef98-4451-b6d1-498608052b26/actual-play-entertainmentYoutube - https://www.youtube.com/channel/UCEOhP5jBIk6CZuM4y1noXLA
From understanding that savings alone is not enough to learning how to buy shares that can turn 10,000 cedis into 100,000 cedis in one year, and why the brutal truth about building wealth is that young people don't know the difference between shares and treasury bills when treasury bills are regulated by the government giving you fixed returns like water in a cup that's always there when you drink but shares are buying a part of a company like MTN or Gold or Ben's oil palm plantation where if the company does well your shares do well but you cannot determine when it's going to rise or fall, the financial literacy educator who breaks down Maslow's hierarchy explaining that self actualization is where people invest big time into shares that work for them and they do not necessarily have to do something else proving that even when Dr. McDonald says he's not where he wants to be we see him as self actualized but to him he is not showing the difference between social status and perception, the young woman teaching people through 30 Seats that in the typical Ghanaian environment if you die it is what is said about you after the death that matters because if you only had money to take care of yourself and your family and extended family but die right now they would say you didn't leave any property proving it is money it is money not just words, the reality that people comment in DMs asking why will I save my next of kin will come and chop the money when actually you need to work hard to change that perception and leave something behind, the process of buying shares starting with saving then taking a portion of that saving to investment using IC wealth app or Black Star app where you register get a CSD account buy the shares and move forward, the top three shares young people can invest in today being MTN shares which she personally invests in, Gold shares that went from 1,250 cedis last year to now being scarce, and Ben's oil palm plantation which is doing very well, the shocking revelation that one company appreciated by 1,000% meaning if you had saved 10,000 cedis last year now you're making 100,000 cedis from buying the shares proving the power of patient investment, the wisdom that nobody gets huge money in one minute and you can't just wake up and be the MP for Kasoa or expect that buying Tom Tom for somebody will make you successful because it's a process you need to go through, the discipline that shares teach you because if you're not disciplined you cannot grow money and you cannot keep money which is why young people need to cut down expenses like the NSS personnel who sees their boss buying 100 cedis jollof and wants to do the same when the boss has worked hard to be where he is, the confession from the host about working at 17 years old in London teaching a lady's son piano for 18 pounds an hour on Wednesdays doing three or four hours but never saving any money proving that the level of discipline required for a teenager to save money is something we don't speak about enough, the temptation of spending money on Mx90s trainers at 17 instead of saving showing how hard it is for young people to resist immediate gratification, the government money of 30 pounds a week just for going to school that was never saved or invested but probably sent back home for siblings proving that even when money comes easy without work it's hard to save unless you have a clear purpose and discipline. Host: Derrick Abaitey
Fully & Completely: Redux Man Machine PoemThe last record. "Man Machine Poem" arrived in June 2016 wrapped in the worst news imaginable - and somehow it was still everything. Episode Summary: jD and Greg LeGros sit under a pear tree - bees and all - for the final entry in Fully & Completely's full Tragically Hip discography run. The album in question is "Man Machine Poem", the Hip's fourteenth and last studio record, released June 17th, 2016. Produced by Kevin Drew and Dave Hamelin, it arrived weeks after the band announced Gord Downie's glioblastoma diagnosis - though almost everything on it was written before that news broke. What jD and Greg dig into here is not just a final album. It's a listen to a band that sounds revitalized. That sounds, somehow, free. Track by track they work through all ten songs - 'Man', 'In a World Possessed by the Human Mind', 'What Blue', 'In Sarnia', 'Here, in the Dark', 'Great Soul', 'Tired as Fuck', 'Hot Mic', 'Ocean Next', and 'Machine' - unpacking the lyrical weight, the production choices, the thematic through lines, and the heartbreak of knowing this was the last one. There's also conversation about the musical landscape of 2016 - "Blackstar", "Blonde", "A Moon Shaped Pool", "We Got It from Here" - and the news, announced in the episode, that a new Gord Downie solo double album was coming. A heavy, funny, essential listen. “This is the most complete and well-written and natural sounding that they've sounded since ‘Phantom Power'. You could not ask for more.” - Greg LeGros What They Covered Track 1 - 'Man' • Psychedelic opener. Gord's vocal sounds ageless. jD hears the melody of 'Machine' hiding in the first 30 seconds - a bookend hiding in plain sight. Track 2 - 'In a World Possessed by the Human Mind' • Written about Laura Downie's illness. Greg reads it three ways simultaneously - personal, political, about the post-truth media cycle. 'Exciting over fair.' It lands every time. Track 3 - 'What Blue' • Greg cracks the code mid-episode: those eyes in the grey of everything falling apart. A marriage ending, quietly, inside a great song. Track 4 - 'In Sarnia' Fully & Completely: Redux Man Machine Poem tthpods.com 2 • Originally titled 'Insomnia'. Greg's go-to on the album. jD calls the guitar intro and vocal entry 'spectacular.' A love song to sleeplessness, or to a city, or to both. Track 5 - 'Here, in the Dark' • Seasonal affective disorder as a rock song. The last lyric - 'Me, I'm as happy as my least-happy kid' - hits like a gut punch. Both of them feel it. Track 6 - 'Great Soul' • Jammy and psychedelic and soaring. Greg reads the lyric run - 'I want to enchant you, I want you to enchant my days' - like a poem, and it sounds stunning that way. Track 7 - 'Tired as Fuck' • The campfire song that isn't. Tragic and hopeful at the same time. Greg's favourite line on the whole record: 'Tired as fuck, I want to stop so much, I almost don't want to stop.' Track 8 - 'Hot Mic' • Big, ballsy, stompy. Possible commentary on celebrity, patriotism, or Canada overhearing the wreck next door. Probably all three. Track 9 - 'Ocean Next' • Sounds recorded underwater. Feels like moving. Transition and mournfulness, wrapped in something that sounds straight off 'Day for Night'. Track 10 - 'Machine' • The album closes funky and light. The groove catches you off guard after everything that came before. 'I'm a real machine. It follows.' A stadium-sized song that most people only heard in arenas. Stadium-sized, Greg says. He's right. Also In This Episode The context of 2016: jD and Greg run through the musical landscape - David Bowie's "Blackstar", Frank Ocean's "Blonde", Beyoncé's "Lemonade", Radiohead's "A Moon Shaped Pool", A Tribe Called Quest's "We Got It from Here". A year of established artists making career-best work. The Hip fit right in. Greg's daughter was born in January 2016. He heard the news about Gord standing in a coffee shop with her in a stroller. He heard 'Tired as Fuck' that same afternoon. "A mixture of emotions" doesn't cover it. Album lore: the record was almost called "Dougie Stardust". When David Bowie passed away, they changed the title. The original cover would have stayed the same. jD notes he cannot imagine this collection of songs under that name. Gord Downie solo news: announced during the recording of this episode - a new double album, "Away Is Mine", ten songs in electric and acoustic versions. Josh Finlayson asked for the acoustic takes as a memento. Gord was recording this in July 2017 - three months before he passed. "Getting the shit done for us. Colossal output." Fully & Completely: Redux Man Machine Poem tthpods.com 3 Sports: 2016 Stanley Cup (Penguins over Sharks, Metallica sang the anthem), Grey Cup upset (Ottawa over Calgary in OT), Kyle Lowry at Momofuku, salt-and-vinegar chips, a bootleg DVD incident that nearly ended a marriage before it started. SEO Keywords (Platform Use) Primary: The Tragically Hip, Gord Downie, Man Machine Poem album, Tragically Hip Podcast, The Tragically Hip Podcast Series, Canadian rock podcast Secondary: Fully & Completely Redux, Man Machine Poem review, Tragically Hip discography, Gord Downie legacy, Tragically Hip 2016 album, Kevin Drew, Dave Hamelin Long-tail: Man Machine Poem track by track, Tired as Fuck Tragically Hip, In Sarnia Tragically Hip, what is Man Machine Poem about, Gord Downie final album Away Is Mine (Platform Format) Fully & Completely: Redux - Man Machine Poem Meta description (150–160 characters): jD and Greg LeGros go track by track through 'Man Machine Poem' - the Tragically Hip's final album, released June 2016, produced by Kevin Drew and Dave Hamelin. • Listen to the full episode at home.tthpods.com • Subscribe to Yer Letter - the monthly newsletter from jD - at subscribe.tthpods.com • Join the community at community.tthpods.com Closing "Man Machine Poem" arrived in the worst possible context and still managed to be exactly what it needed to be. jD and Greg land there, eventually, after all the bees and all the detours and all the gut-punch lyrics. The final Hip album deserved a final Fully & Completely episode that matched its weight. This one does. Fully & Completely is part of The Tragically Hip Podcast Series. Subscribe, share, rate, and review at home.tthpods.com. Email: jd@tthpods.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Kontynuujemy i jednocześnie kończymy naszą opowieść o Davidzie Bowiem. Po odcinku o latach 90. przyglądamy się jego 4 ostatnim płytom - dwóm, które wydał w latach 00. i dwóm, które, po długiej przerwie, ukazały się w latach 10. Od "Heathen" po "Blackstar" - Bowie nigdy nie przestał być wybitnym artystą, nawet na mniej znanych dziś płytach.UWAGA: podcast można teraz wspierać w serwisie Patronite! Można też POSTAWIĆ NAM KAWĘMuzyka: Michał Mierzwa
Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler Learn more about your ad choices. Visit megaphone.fm/adchoices
Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Tony Visconti left Brooklyn for London in 1967, began working with the Move and Marc Bolan and formed a life-long friendship with the teenage David Bowie, playing on his first two albums and producing 10 of ones that followed. And in 2014 he formed Holy Holy with Woody Woodmansey, a live celebration of Bowie's music from 1970 to Blackstar. They're touring again in September with Glenn Gregory as lead singer – “you can't mourn forever.” He talks to us here about … … the gig they played the night Bowie died … life at Bowie's commune at Haddon Hall – “I kept my door firmly locked!” … Marc Bolan at Middle Earth, “a hundred spellbound kids sitting cross-legged on the floor” … hearing Flowers In The Rain (which he arranged) as the first record on Radio One … “A little chinwag?” How Bowie broke the news about his illness … his dislike of Space Oddity, “I told him it was novelty, a sell-out” … producing The Man Who Sold The World and the emotional Blackstar … the night he met the teenage Bowie and they wound up in a Chelsea cinema … “Why are you doing this?” Bowie's reaction to the first Holy Holy tour in 2014 … his time as the red-caped Hypeman and Ronson and Woody's resistance to make-up, “macho boys from Hull” … walking round New York with a cassette of secret The Next Day album in his pocket … and the big emotional moments in the Holy Holy set list Order Holy Holy tickets here: https://www.ticketmaster.co.uk/holy-holy-tickets/artist/2096354Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Tony Visconti left Brooklyn for London in 1967, began working with the Move and Marc Bolan and formed a life-long friendship with the teenage David Bowie, playing on his first two albums and producing 10 of ones that followed. And in 2014 he formed Holy Holy with Woody Woodmansey, a live celebration of Bowie's music from 1970 to Blackstar. They're touring again in September with Glenn Gregory as lead singer – “you can't mourn forever.” He talks to us here about … … the gig they played the night Bowie died … life at Bowie's commune at Haddon Hall – “I kept my door firmly locked!” … Marc Bolan at Middle Earth, “a hundred spellbound kids sitting cross-legged on the floor” … hearing Flowers In The Rain (which he arranged) as the first record on Radio One … “A little chinwag?” How Bowie broke the news about his illness … his dislike of Space Oddity, “I told him it was novelty, a sell-out” … producing The Man Who Sold The World and the emotional Blackstar … the night he met the teenage Bowie and they wound up in a Chelsea cinema … “Why are you doing this?” Bowie's reaction to the first Holy Holy tour in 2014 … his time as the red-caped Hypeman and Ronson and Woody's resistance to make-up, “macho boys from Hull” … walking round New York with a cassette of secret The Next Day album in his pocket … and the big emotional moments in the Holy Holy set list Order Holy Holy tickets here: https://www.ticketmaster.co.uk/holy-holy-tickets/artist/2096354Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Tony Visconti left Brooklyn for London in 1967, began working with the Move and Marc Bolan and formed a life-long friendship with the teenage David Bowie, playing on his first two albums and producing 10 of ones that followed. And in 2014 he formed Holy Holy with Woody Woodmansey, a live celebration of Bowie's music from 1970 to Blackstar. They're touring again in September with Glenn Gregory as lead singer – “you can't mourn forever.” He talks to us here about … … the gig they played the night Bowie died … life at Bowie's commune at Haddon Hall – “I kept my door firmly locked!” … Marc Bolan at Middle Earth, “a hundred spellbound kids sitting cross-legged on the floor” … hearing Flowers In The Rain (which he arranged) as the first record on Radio One … “A little chinwag?” How Bowie broke the news about his illness … his dislike of Space Oddity, “I told him it was novelty, a sell-out” … producing The Man Who Sold The World and the emotional Blackstar … the night he met the teenage Bowie and they wound up in a Chelsea cinema … “Why are you doing this?” Bowie's reaction to the first Holy Holy tour in 2014 … his time as the red-caped Hypeman and Ronson and Woody's resistance to make-up, “macho boys from Hull” … walking round New York with a cassette of secret The Next Day album in his pocket … and the big emotional moments in the Holy Holy set list Order Holy Holy tickets here: https://www.ticketmaster.co.uk/holy-holy-tickets/artist/2096354Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Markus and Ray dove into this new book about the life and music of David Bowie, emerging with tons of new knowledge of the man in final phase of his life. That includes the release of his final album, Blackstar, and his unexpected passing. The book also gave the Boys increased insight into the humanity of the people involved, as well as many things previously unknown about the artist, especially towards the end of his life. Lazarus: The Second Coming Of David Bowie is a MUST READ for all Bowie fans!!! Enjoy our chat with Alexander, who has a real, deep passion for the man! Learn more about your ad choices. Visit megaphone.fm/adchoices
Markus and Ray dove into this new book about the life and music of David Bowie, emerging with tons of new knowledge of the man in final phase of his life. That includes the release of his final album, Blackstar, and his unexpected passing. The book also gave the Boys increased insight into the humanity of the people involved, as well as many things previously unknown about the artist, especially towards the end of his life. Lazarus: The Second Coming Of David Bowie is a MUST READ for all Bowie fans!!! Enjoy our chat with Alexander, who has a real, deep passion for the man! Learn more about your ad choices. Visit megaphone.fm/adchoices
On January 8th, 2016, David Bowie celebrated his 69th birthday with the release of his 26th and final studio album, Blackstar. Two days later, Bowie was gone after succumbing to liver cancer. Now, a decade after its haunting release, host Ted Asregadoo revisits Bowie's final masterpiece. Was it a "pretentious" swan song or a stroke of avant-garde genius? From its "dark jazz" undertones to the incredible musicianship of the Donny McCaslin Quartet, we break down why this record remains a monumental final statement in a career defined by constant reinvention. Joining the conversation is long-time friend of the pod and veteran radio broadcaster Michael McGauley (KCBS/KNX). Michael shares why Blackstar has climbed the ranks to become his favorite Bowie record and recounts his first experiences with the Thin White Duke's legendary catalog. In This Episode, We Discuss: Track-by-Track Breakdown: We dive into the "guts" of the record, from the experimental merging of parts in the title track to the "Cure-esque" tones of Lazarus. The Power of the Band: A look at how drummer Mark Guiliana and the Donny McCaslin Quartet blew away even seasoned producers like Tony Visconti. The Death of Rock? We pivot to Billy Corgan's recent "paranoid" claims about the decline of rock music. Is it a conspiracy, or has the genre run its course -- which is why Bowie kept pushing into new music territory. The Emotional Weight of Musical Icons: Ted reflects on a 2016 blog post written after the deaths of Bowie and Prince. He explores why we grieve for artists we never met—not just for the loss of the person, but for the loss of the "touchstones" to our own youth and the era of "immortality" we felt in our teens. Read the full post here. Special Thanks to our Sponsor: This episode is brought to you by Steve Fox's Old School. It's a "party in a box" featuring the best of Classic Soul, Disco, Hip-Hop, and 90s R&B. Listen now at SteveFoxOldSchool.com.
Watch the free first hour of today's show on YouTube: here Become a member for the 2 hour extended cut & 15 years of archived content: Subscribe via the THC website: http://thehighersidechats.com/plus-membership Full Plus archive. Dedicated RSS feed. All THC, live shows, and bonus content. Subscribe via Patreon: http://patreon.com/thehighersidechats?fan_landing=true Full Plus archive. Dedicated RSS feed. […] The post Wayne McRoy Jr. | 2026 Synchromystic Metadata, The Enoch Polarity, & The Black Star appeared first on The Higherside Chats.
Host Nate Wilcox returns with cohorts Eugene S. Robinson, lead singer of the art-punk band Oxbow and veteran entertainment attorney Alexei Auld to continue their discussion of Netflix' Hip Hop Evolution. This week they look at “Pass the Mic” which features Mos Def & Black Star, Eminem and an in-depth look at cyphers and open mics and their role in 90's undergroun hip-hop. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email letitrollpodcast@gmail.com Follow us on Twitter. Let It Roll is proud to be part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices
A final album isn't supposed to feel this alive. Blackstar greets us with ominous symbols and then, almost mischievously, turns the lens toward warmth, groove, and human detail. We trace Bowie's late-era reinvention through a razor-sharp Manhattan jazz band, hip‑hop inflections, and lyrics that carry the weight of myth—eyes as portals, solitary candles, bluebirds hovering between a wink and a benediction. The journey moves from the ritual gravity of the title track to the aching candor of Lazarus, where heaven's distance meets the drop of a phone and the thrum of a bass that sounds like memory learning to breathe.We talk about why Bowie's personas were tools, not disguises: ways to make new space without asking permission. That same spirit shapes Blackstar's sonic palette—horns that cut, drums that keep time like clocks, and harmonies that hint at older Bowies without getting stuck in nostalgia. Sue (Or in a Season of Crime) sharpens the debate with lyrics that disturb and arrangements that stun, proof that beauty can interrogate darkness instead of decorating it. Girl Loves Me plays with slang and glossolalia, bending time until “Where the f— did Monday go?” feels less like a question and more like a diagnosis of our attention economy.Then there's Dollar Days, a soft reckoning with exile, roots, and the stories fame can't finish. It leads to I Can't Give Everything Away, a line that reads as boundary and blessing. After decades of giving more than we had a right to expect, Bowie keeps a private room intact—and the band carries that choice with understated grace. Across the episode, we unpack the music, the symbols, and the choices that turned a goodbye into a practice: collaborate deeply, compress what matters, and let the unsayable remain luminous.If this conversation resonates, follow the show, share it with a friend who loves Bowie, and drop your top three Blackstar tracks in a review—we'll read our favorites on a future episode.Send a textSupport the show
Episode 226: In this episode, Mark talks with Hip Hop artist Wordsworth. We discuss his new project with Stu Bangas entitled "Chemisty". We also talk about his early days working on songs with "Black Star" and "A Tribe Called Quest", as well doing freestyle sessions, linking up with Stu Bangas, finding ways to branch out as an artist into new ventures, appearing on "Mr. Peabody and Sherman" show with Prince Paul, being self relaint on recording music videos, his podcast- "What Words Are Worth", working on books and his memories of the recently passed Mr. Complex. Find Wordsworth and Stu Bangas album "Chemistry" at- https://brutalmusicstore.ecwid.com/STU-BANGAS-AND-WORDSWORTH-CHEMISTRY-c193928536Check out Wordsworth's book "Socks" - https://www.amazon.com/Socks-Mr-Vinson-Jamel-Johnson/dp/B0BHCFJ7L9Mark also talks about The Super Bowl and the halftime show, as well as his silly thoughts on going to CostcoExclusive deal for listeners of The Infinite Banter Podcast, get a discount for Circle House Coffee. A great deal on your entire order when you use the link- http://circlehousecoffeeonline.com/discount/mark10Watch "Things and Stuff” where Mark reviews collectibles on The Infinite Banter Youtube channel. Direct link for current video- https://youtu.be/TvQro7ftL7Y?si=ZNyFYV7n_UHj78kOCheck out our sponsor Super 7, for the latest in action figures and merch featuring pop culture icons. Click the link for the latest figures and more- https://super7.com/INFINITEBANTERPODCAST
The Lookout is officially back for the Winter anime watch, which is the classic-yet-infamous Dragon Ball GT for the series' 30th anniversary. The discussion (begins at 22:08) discusses our initial thoughts on the series, Dragon Ball GT's premise, why it doesn't hold up as well with new spinoffs emerging, the first few episodes, and why the Black Star Dragon Ball Saga goes down as one of the worst arcs in Dragon Ball history.
Alexander Larman in conversation with David Eastaugh https://www.simonandschuster.co.uk/books/Lazarus-The-Second-Coming-of-David-Bowie/Alexander-Larman/9781917923446 Lazarus: The Second Coming of David Bowie is the first biography of Bowie that tells the full and candid story of what happened in between those two apparently unbridgeable points. With new and exclusive interviews with the musicians, filmmakers and cultural figures who worked with and befriended Bowie throughout this period, Lazarus is the definitive account of the previously overlooked and fascinating latter half of a great and distinguished career. A career that climaxed with his final masterpiece, Blackstar, and the unprecedented theatrical flourish of his departure from the stage as he passed into legend.
Chameleon: That's long been the word used to describe David Bowie, pop music's shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.Less remarked was Bowie's savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.
Chameleon: That's long been the word used to describe David Bowie, pop music's shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.Less remarked was Bowie's savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.
Chameleon: That's long been the word used to describe David Bowie, pop music's shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.Less remarked was Bowie's savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.
This week I'm joined by comedian/podcaster/director Scott Aukerman (Comedy Bang Bang, Between Two Ferns, R U Talkin' R.E.M. RE: ME? w/ Adam Scott) as we delve into the recent David Bowie documentary, Moonage Daydream.We also discuss Scott's parents searching his teenage room for dangerous music, Frankie Goes To Hollywood and Prince, Scott's divisive (but beloved) U2 and R.E.M. podcasts with Adam Scott (Parks And Recreation; Severance), when we've felt like an artist has spat in our face, Dick Cavett, R.E.M.'s Dead Letter Office, The Dead Milkmen, meeting Bono, how we both first got obsessed with Bowie, getting scammed by compilations and bootlegs, the interview style of David Bowie, chaos in Scott's work, watching Bowie on endless escalators, The Sparks Brothers doc, the jaw-dropping performance of "Cracked Actor" in this film, seeing Bowie live, Nine Inch Nails, Bowie's feelings on the Let's Dance era of his life, The Glass Spider tour, Bowie's final album Blackstar, the occasional difficulties in continuing to follow an artist when they want to change artistically and more!So let's watch in awe as David drinks milk in the back of a Rolls-Royce on this week's episode of Revolutions Per MovieSCOTT AUKERMAN:comedybangbangworld.comBETWEEN TWO FERNS:youtube.com/watch?v=UnW3xkHxIEQREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Chameleon: That's long been the word used to describe David Bowie, pop music's shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.Less remarked was Bowie's savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.
Chameleon: That's long been the word used to describe David Bowie, pop music's shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.Less remarked was Bowie's savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.
Chameleon: That's long been the word used to describe David Bowie, pop music's shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.Less remarked was Bowie's savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.
Notes and Links to Timothy Welbeck's Work Timothy Welbeck, Esq., is an affiliated faculty member in the Department of Africology and African American Studies, where he previously served as an Assistant Professor of Instruction. There he teaches an array of popular courses, including a course he developed entitled Kendrick Lamar and the Morale of the m.A.A.d city. More broadly, Timothy's scholarly work focuses on contemporary issues of racial identity in America, the intersection of racial classifications and the law in the American context, contemporary African American culture, and hip-hop as a microcosm of the Black experience. Timothy has also written several peer-reviewed journal articles including “We Have Come Into This House: The Black Church, Florida's Stop W.O.K.E., and the Fight to Teach Black History.” He also authored “Specter of Reform: The late Sen. Arlen Specter's Criminal Justice Reform, the Violent Crime Control and Law Enforcement Act of 1994, and its Role in Expanding the Modern Prison Industrial Complex,” explores the impact of the infamous 1994 Crime Bill in providing the infrastructure for mass incarceration within the United States. The research, funded by the Arlen Specter Center fellowship, examines how the federalization of criminal law, pursuant to the Commerce Clause, has led to expansive growth in federal law enforcement, imprisonment, and thus setting the foundation for the modern carceral state. Timothy's article “People's Instinctive Travels and the Paths to Rhythms: Hip-Hop's Continuation of the Enduring Tradition of African and African American Rhetorical Forms and Tropes,” examines hip-hop's continuation of centuries-old African cultural norms and aesthetic values. As an attorney, Timothy has long been an advocate for justice, using his legal expertise to defend society's most vulnerable individuals, including survivors of human trafficking, survivors of police brutality, and the indigent. He has also provided crisis management, guidance, and legal counsel to churches and nonprofit organizations across the globe. In that capacity, Timothy is the Chair of the Board of Directors for The Witness Foundation, and an Advisory Board member of For the Future Organization. Timothy has also served as the Civil Rights Attorney for the Philadelphia Chapter of Council on American-Islamic Relations (CAIR), where he defended the constitutionally protected civil rights and liberties of those who experience discrimination and harassment based on their faith, race, ethnicity, and/or national origin, particularly members of the Muslim community within Pennsylvania. As a hip-hop artist, he has released four full length recordings, shared the stage with national and international acts (Janelle Monáe, Jidenna, EPMD, Dead Prez, and Immortal Technique), won songwriting contests (Session 1 Grand Prize in 2010 John Lennon Songwriting Contest), garnered high compliments from hip-hop legends, industry taste-makers (Sway) and record executives (VP of A&R at Def Jam, Lenny S). His latest work, entitled ‘Trane of Thought, is a live recorded hip-hop album that melds songs from his first two albums the musical style of John Coltrane. Timothy presently serves as the Pastor of Formation and a Teaching Elder at Epiphany Church of Wilmington, bringing over twenty years of ministry experience. He fosters spiritual growth through expositional and topical preaching, community engagement, trainings, workshops and spiritual counseling. In his role, he equips Epiphany members to live out their faith practically in their communities and prepare others to do the same. Timothy's work as an attorney and scholar has allowed him to contribute to various media outlets, such as: Axios, BBC Radio 4, CBS, CNN, The Huffington Post, NBC, The New York Times, NPR, The Philadelphia Inquirer, REVOLT TV, The Washington Post, VOX, and 900 WURD AM. He has lectured nationally and internationally at esteemed institutions like: Magdalen College of Oxford University, Georgetown University, Swarthmore College, and provided invited keynote addresses at major corporations like 1Hotels, Campbell Soup, and Merrill Lynch. As a contributing writer, Timothy has bylines in The Huffington Post, The Philadelphia Inquirer, WHYY, and RESPECT Magazine. He earned his J.D. from Villanova University Charles Widger School of Law and his B.A. from Morehouse College, where he graduated cum laude and was awarded the Corella and Bertrand Bonner Scholarship. Timothy finds his greatest joy and fulfillment at home with his wife and three children. Timothy Welbeck's Website Video: “Kendrick Lamar and the Morale of m.A.A.d City Hiphop Course | Prof. Timothy Welbeck Explains” Video Conversation with Georgette from XXL: “Inside the Kendrick Lamar College Course Created to Study His Lyrics and Life” At about 2:50, Timothy highlights some “surreal moments” in his hip hop career and advocacy At about 4:20, Timothy responds to Pete's question about declining or rising advocacy in contemporary hip-hop At about 6:30, Timothy reflects on the balance between a democratization of hip hop and old models of record company control At about 9:05, Timothy talks about his reading background, including a Tim Follett read (!) and other formative works At about 12:10, Timothy talks about being a “late bloomer” in his hip hop exposure At about 13:25, Timothy cites Nas, Lauryn Hill, Blackstar, Outkast, The Roots as some of his favorite rappers and groups At about 14:45, Timothy talks about friends The Remnant and how they helped him to “understand the power of [his] own voice” At about 15:30, Timothy responds to Pete's question about how he listen to music now that he has written about and taught classes so extensively about hip hop At about 17:00, Timothy breaks down his process for listening to music that he will be writing/teaching about At about 17:50, Timothy explains the different ways of ordering Kendrick Lamar's albums/mixtapes, and expands on the class' contours At about 20:30, Timothy talks about the class on Kendrick Lamar's seeds, calling it "serendipitous" At about 23:10, Timothy talks about the class structure, including the foundation established at the beginning of the class At about 26:30, Timothy talks about how he goes about establishing Compton as an entity in itself, while at the same time showing its similarities to other casualties of government neglect and racism At about 28:25, Timothy talks about the "compelling" way in which Kendrick Lamar is both popularly respected and critically-acclaimed At about 31:55, Pete and Tim discuss an early Kendrick Lamar concert At about 32:25, Pete and Tim reflect on Kendrick Lamar's love of Black culture and for important music legends, particularly the way in which he featured titans on To Pimp a Butterfly At about 34:30, Tim describes the great insights At about 36:05, Marcus J. Moore's The Butterfly Effect and Cole Cuchna and his Dissect Podcast are shouted out by Timothy as experts on Kendrick and his work, and DJ Head as well and Curtis King are highlighted as close colleagues of Kendrick's At about 38:00, Timothy shares some of his favorite bars from Kendrick Lamar At about 41:15, Pete and Timothy fanboy over Kendrick's verse on “Nosetalgia” and Timothy gives kudos to Cole Cuchna's breakdown of the numerology of the verse At about 42:10, Timothy talks about a few songs that might be best representative of Kendrick Lamar's music You can now subscribe to the podcast on Apple Podcasts, and leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode. Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, will be up at Chicago Review in the next week or so. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of children's literature on standout writers from the show, including Robert Jones, Jr. and Javier Zamora, as well as Pete's cherished relationship with Levar Burton, Reading Rainbow, and libraries. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 319 with Farah Ali, writer of the novel The River, The Town, and the short story collection People Want to Live. Her fiction has been anthologized in Best Small Fictions and the Pushcart Prize where it has also received special mention. She is the cofounder of Lakeer, a digital space for writing from Pakistan, and reviews editor at Wasafiri. Her novel Telegraphy is out on January 16, from CB editions, and the episode airs on Pub Day. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.
The Black Star group head out on their next mission. Check out our archive of episodes @ https://readysetroll1.podbean.comSupport us @ https://www.patreon.com/ReadySetRoll1 Like us on Facebook http://facebook.com/readysetroll1 X http://twitter.com/readysetroll20 We all like shirts get yours at http://rsrmerch.com Minnect with me at http://app.minnect.com/expert/CraigThomas Don't forget to rate, review, subscribe & share!
Happy New Year, Night People. January is a holy month for our community, marking the first anniversary of David Lynch's passing, his birthday, Bowie's birthday, and 10 years since the Black Star passed; and now, one year since the LA fires. Let us reflect. Come with me, wont you, on a journey into the unexamined shadows of the Black Lodge, and it's opposite, the White Lodge, a place where wisdom and peace reside in abundance. Are the notions of these lodges real, like a formica table? Or are we always dwelling on the thresholds of these states of being, passing through and doubling back, like threading a needle, again and again. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit sofiacaramella.substack.com/subscribe
Tien jaar na zijn overlijden is David Bowie nog altijd een inspiratiebron. Niet alleen als muzikant, maar ook als kunstenaar die generaties blijft beïnvloeden. Zijn muziek, zijn personages en zijn radicale vrijheid werken door — ook bij artiesten die hem nooit hebben meegemaakt. In deze podcast vertellen twee zangers uit verschillende generaties over hoe Bowie hen inspireert. Sven Ratzke (48) is theatermaker, zanger en internationaal bekend om zijn Bowie-vertolkingen. Voor hem is Bowie een kunstenaar die liet zien hoe muziek, theater en identiteit in elkaar kunnen grijpen. Lenny Monsoe (20) is zanger en songwriter. Bowie overleed toen hij nog een kind was, maar via zijn ouders, de muziek en verhalen over Bowie werd hij ook voor Monsou een voorbeeld. Aan de hand van muziekfragmenten spreken Ratzke en Monsou over inspiratie, over durven veranderen, over performance en over de vrijheid om jezelf steeds opnieuw uit te vinden. Ook komt Bowie's laatste album Blackstar voorbij — als artistiek afscheid en als blijvende bron van betekenis. Inspiratiebron David Bowie is een podcast over hoe grote kunstenaars blijven doorwerken in de generaties na hen. En over waarom David Bowie, tien jaar later, nog steeds relevant is. Reageren? Mail naar dedag@nos.nl Presentatie & montage: Jeroen de Jager Redactie: Lisa Konings
Sérgio Martins é jornalista e crítico musical. Ele apresenta a coluna Conversas Musicais às 3ªs, 8h, no Jornal Eldorado.See omnystudio.com/listener for privacy information.
In celebration of its 10th anniversary, Aaron takes a deep dive into David Bowie's 2016 swan song. Marked as explicit for sexual content, bd language and other mature content. Also, the theme of this episode & album is death.
Ten years after the death of David Bowie, Nick is joined by author Alexander Larman to discuss his new biography, Lazarus: David Bowie from the Tin Machine to Blackstar.While the 1970s "Ziggy Stardust" era has been endlessly dissected, Larman shines a light on the often-overlooked second half of Bowie's career. From the artistic wilderness of the late 80s and the critical mauling of Tin Machine to his renaissance in the 90s and the "masterpiece" of his final album Blackstar, we explore the man behind the myths.Was Bowie a chameleon, a charlatan, or a genius trying to rediscover his voice? We discuss his flirtation with fascism, his "performative" interviews, and why, despite decades of reinvention, the Thin White Duke remains one of the most unknowable figures in cultural history.Key Topics:The Wilderness Years: Why Bowie lost his way in the 80s and how he found it again.Performance as Identity: Was Bowie ever "himself," or was every interview just another character?Blackstar: Reassessing Bowie's final album as a meditation on mortality in a godless universe.The Bowie Archive: What the newly opened V&A East archive reveals about his creative process.Books Mentioned:Lazarus: David Bowie from the Tin Machine to Blackstar by Alexander LarmanExplaining History helps you understand the 20th Century through critical conversations and expert interviews. We connect the past to the present. If you enjoy the show, please subscribe and share.▸ Support the Show & Get Exclusive ContentBecome a Patron: patreon.com/explaininghistory▸ Join the Community & Continue the ConversationFacebook Group: facebook.com/groups/ExplainingHistoryPodcastSubstack: theexplaininghistorypodcast.substack.com▸ Read Articles & Go DeeperWebsite: explaininghistory.org Hosted on Acast. See acast.com/privacy for more information.
BEST OF 2025 featuring BAMBINODJ, BARKER, BIOSPHERE, BROKEN LIP, DAN CURTIN, DANIEL AVERY, DJ POLO, DJRUM, IMPÉRIEUX, KINOTEKI + DJ FLP, MARIE DAVISON, NICK LEÓN + JOHNNY FROM SPACE, PAUL ST. HILAIRE, PURELINK, TORTOISE, WEVAL + many more on this extended ABSTRACT SCIENCE year-in-review podcast. Co-hosts CHRIS WIDMAN, BILL BEARDEN aka WHOA-B, JOSHUA P FERGUSON + HENRY SELF mix 4 hours of future music favorites from 2025. [aired 04 + 11 December 2025 on WLUW-Chicago 88.7FM] >CHRIS WIDMAN Lapalux “Bias Angel” (On The Grid, LPLX, 2025) Coen “Headbanger” (Moshpit, Maloca, 2025) Verraco “Basic Maneuvers” (XL Records, 2025) Dan Curtin “Trust Blind” (The 4 Lights, De:tuned, 2025) Surgeon “Soul Fire” (Shell~Wave, Tresor, 2025) Fjaak +J.Manuel “Binder” (Tectonic Sound, Tectonic, 2025) Weval “Dopamine (DJ Edit)” (Ninja Tune, 2025) Dean Grenier “View Source” (Hand Works Music, 2025 Impérieux “Fena” (Hessle Music, 2025) Barker “Stochastic Drift (Stochastic Drift, Smalltown Supersound, 2025) jonathan d. valdez “Music Frozen Dancing” (Perception, 2025) Deft + Manni Dee “Busy Bee” (Swamp Season, Hooversound, 2025) Batu “Clump” (Question Mark, Lethal Press, 2025) Undulae “Temple Of Symmetry” (Temple Of Symmetry EP, Satellite Era, 2025) Slikback “Data” (Tempa, 2025) easygoingtech “909local” (easygoingtech, 2026) >BILL BEARDEN Kinoteki & DJ FLP “160 Proof” (Limiting Factor, 2025) AJ Tracey & Jorja Smith “Crush” (Casement Remix, Not On Label, 2025) Proc Fiskal “UK Torrent” (Shleekit Doss, 2025) Freedjom “13-8=0_0” (DJ Strawberry’s Düğün Fix, Beat Machine, 2025) Nectax “Soundboy Gambit” (Over/Shadow, 2025) Sully “The Wash” (Fabriclive, 2025) Broken Lip “Neighbourhood” (pt.1+2, Iberian Juke, 2025) Cesco “Flump” (Pineapple Records, 2025) JD Reid & Hagan “Leaf” (Baby Gravy, 2025) TMSV “Dimensional” (Perfect Records, 2025) Darama & Kush Arora “Rattle” (Not On Label, 2025) bambinodj “Carrier” (OST, 2025) DJ Polo “Currents” (Night Slugs, 2025) Anecho “Spiritual Blitz” (Dimeshift, 2025) Low End Activist “Wave 03” (Best Intentions, 2025) L-VIS 1990 “Low Pulse” (Club Djembe, 2025) >JOSHUA P FERGUSON Bitchin Bajas “Skylarking” (Inland See, Drag City, 2025) Damon Locks “Hold the Dawn in Place (Beyond pt 2)” (List of Demands, International Anthem, 2025) Stone “Feely” (Dream Curtain Eternally Gentle, 3XL, 2025) Headache “Most Undo Tomorrow” (Thank You for Almost Everything, PLZ Make It Ruins, 2025) Stereolab “Immortal Hands” (Instant Holograms on Metal Film, Warp) Space Dimension Controller “Reflect Itself” (Six Beginnings, Test Pressing, 2025) Coatshek “Triple Virgo” (Sound Bath, Dark Entries, 2025) Sam Prekop “Font” (Open Close, Thrill Jockey, 2025) Biosphere “Like the End of the World” (The Way of Time, AD 93, 2025) Paul St Hilaire “Mary Jane Greenfield” (w/ The Producers, Kynant, 2025) Tortoise “Works and Days” (Touch, International Anthem, 2025) Djrum “Waxcap” (Under Tangled Silence, Houndstooh, 2025) james K “Hypersoft Lovejinx Junkdream” (Friend, AD 93, 2025) Sven Wunder “Misty Shore” (Daybreak, Piano Piano, 2025) >HENRY SELF Dijon “my man” (Baby, R&R/Warner, 2025) Oklou “Blade Bird” (Choke Enough, True Panther, 2025) Oneohtrix Point Never “D.I.S.” (Tranquilizer, Warp, 2025) John Glacier “Emotions” (Like a Ribbon, Young, 2025) Daniel Avery “Tremor” (Tremor, Domino, 2025) caroline “Beautiful Ending” (caroline 2, Rough Trade, 2025) FKA Twigs feat. PinkPantheress “Wild and Alone” (EUSEXUA Afterglow, Young, 2025) Marie Davidson “Statistical Modelling” (City of Clowns, Deewee, 2025) Effy “2011” (The Syndicate, Fragrance, 2025) Destroyer feat. Fiver “Bologna” (Dan’s Boogie, Merge, 2025) Amaarae & Charlie Wilson “Dream Scenario” (Black Star, Interscope, 2025) Whatever the Weather “3°C” (Whatever the Weather II, Ghostly International, 2025) Maria Somerville “Violet” (Luster, 4AD, 2025) Nick León feat. Jonny From Space “Metromover” (A Tropical Entropy, TraTraTrax, 2025) Darkside “S.N.C.” (Nothing, Matador, 2025) Purelink feat. Loraine James “Rookie” (Faith, Peak Oil, 2025) The post best of 2025 – absci radio 1398-1399 appeared first on abstract science >> future music chicago.
Saxophonist and composer Donny McCaslin has been playing with jazz luminaries like Maria Schneider and Dave Douglas, and leading his own band, for a couple of decades. But he's best known for his work with David Bowie, who basically hired Donny's whole ensemble to be the band on his final album Blackstar. His latest, Lullaby for the Lost, is a guitar-driven, rock-influenced, groove-laden beast (in the best way). Donny McCaslin and his band play some of the tunes live, in-studio. Set List: 1. KID 2. Solace 3. Mercy
In this third and final chapter of our look at Why Bowie Still Matters, we explore the last two decades of his life and the innovations that cemented his legacy. From pioneering digital music distribution and launching BowieNet, to creating “Bowie Bonds”...something that changed the music business...Bowie was always ahead of the curve. We revisit his late-career albums, his secret comeback with "The Next Day", and the farewell gift of "Blackstar". Plus, the stories behind his art, his influence on countless genres, and why his impact continues to grow even ten years after his passing. Bowie didn't just make music...he reshaped culture...and this is Why Bowie Still Matters. Learn more about your ad choices. Visit megaphone.fm/adchoices
It's This Week in Bourbon for November 28th 2025. The Lodge at Trial and Error is open, Jim Gaffigan's Releases A Bourbon Set on YouTube, and Vintage Whiskey Counterfeiter Exposed in Maryland.Show Notes: Jim Gaffigan's new bourbon-themed stand-up special, "Live from Old Forester: The Bourbon Set," is now streaming on his YouTube channel Elijah Craig is debuting a new fragrance, Char No. 3 Cologne, inspired by the warm, smoky scent of their charred oak barrels A man in Maryland was exposed for producing and selling at least 50 bottles of counterfeit "vintage" whiskeys by refilling old bottles with modern spirits Black Button Distilling, recently acquired by Blackstar, terminated its entire staff, including the founder, as the company moves to liquidate assets Give 270's Whiskey Wednesdays raffle offers a chance to win a full Pappy Van Winkle vertical and an exclusive bourbon set signed by comedian Jim Gaffigan Chattanooga Whiskey's signature recipe, Chattanooga Whiskey 91, is now available in a new, larger 1.5 liter bottle size in Tennessee and Georgia Foley Family Wines & Spirits, featuring Master Distiller Chip Tate, announced Ampersand, a new collection of unexpected spirits blends including bourbon finished in Tokaji barrels Support this podcast on Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices
Amaarae is one of the biggest new voices in music with a sound that blends Afrobeats, pop, house and rap. In the past few years, she's gone viral on TikTok, she's performed at Coachella, and she's opened for Sabrina Carpenter and Childish Gambino. Amaarae joins Tom Power to talk about her new album, “Black Star,” how she got her start in music, and how a trip to Ghana led her to reconnect with her roots.
It's always a pleasure when Seán McMahon visits the Virtual Alexandria. On this heresy, he'll offer insights and revelations into the Gnostic gospels, drawing on the sublime research of the great Margaret Barker and David Bentley Hart. Get ready for high-octane Gnosis, including the theme of Sophiology. We'll also discuss the intersection of music and mysticism, including taking a deep dive into David Bowie's Blackstar. Get ready for some strange fascination. More on Sean: https://www.realseanmcmahon.com/ Get The Occult Elvis: https://amzn.to/4jnTjE4 Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/ Gnostic Tarot Readings: https://thegodabovegod.com/gnostic-tarot-reading/ The Gnostic Tarot: https://www.makeplayingcards.com/sell/synkrasis Homepage: https://thegodabovegod.com/ Patreon: https://www.patreon.com/aeonbyte AB Prime: https://thegodabovegod.com/members/subscription-levels/ Voice Over services: https://thegodabovegod.com/voice-talent/ Support with donation: https://buy.stripe.com/00g16Q8RK8D93mw288 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
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