Podcast appearances and mentions of Abby Quinn

Matt & Ashley review the new movie, Hell of a Summer, an homage to '80s slasher films. 

Freddy sits down with the cast and directors of Hell of a Summer, a fantastic horror film packed with great moments, suspense, and a fresh take on the genre. He spoke with Abby Quinn, Sardis Saremi, D'Pharaoh Woon-A-Tai, Billy Bryk, and Finn Wolfhard about the making of the movie, diving into behind-the-scenes stories, the creative process, and their inspirations in filmmaking. They explore what drew them to horror, how they crafted the film's eerie yet thrilling atmosphere, and the fun (and chaos) of bringing a summer camp slasher to life. Beyond the scares, we also had some laughs, reminiscing about summer camp activities and discussing what makes horror such a timeless and exciting genre. With an amazing cast and a deep passion for storytelling, Hell of a Summer is a must-watch for horror fans. Only in theaters on April 4th! ————————————————————— We officially have merch! Shop your little demonic heart! Want to keep the horror chats alive? Do you want to join a super awesome community that loves the genre and Knight Light? Want to have access to exclusive content? You should join our Discord!  For as little as $2 a month, you can access Knight Light's full-month release schedule and participate in polls to choose the film that we cover to conclude the month! —————————————————————  Sign up on our Patreon to access our Patreon-exclusive shows. Sign up for a 7-day trial, and if you like what we offer, stick around! Want to be a part of the growth of Knight Light? Please support us at these links! PATREON | MERCH | X | DISCORD | INSTAGRAM | PRINCE | FREDDY | SIDNEY Learn more about your ad choices. Visit megaphone.fm/adchoices

Abby is the Director of Sport Performance Quality Control & Internship Director at Yale University. She is also the Head Strength & Conditioning Coach for the Men's Basketball, Women's Soccer, Volleyball, and Gymnastics teams as well as assisting with the Football team. On this episode of the podcast Abby talks to us about her memories from her time at Villa Maria Academy, she shares her journey in the sports performance field, and also some of the challenges she has faced and how she has overcome them.

Knock at the Cabin is a 2023 American apocalyptic psychological horror film written, directed and produced by M. Night Shyamalan, who wrote the screenplay from an initial draft by Steve Desmond and Michael Sherman. It is based on the 2018 novel The Cabin at the End of the World by Paul G. Tremblay, the first adaptation of one of his works. The film stars Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn, and Rupert Grint. In the film, a family vacationing at a remote cabin is suddenly held hostage by four strangers, who ask something unimaginable. Knock at the Cabin premiered in New York City at the Rose Hall on January 30, 2023, and was theatrically released in the United States on February 3, 2023, by Universal Pictures. The film received generally positive reviews from critics and has grossed over $54 million worldwide. Seven-year-old Wen is vacationing with her fathers, Eric and Andrew, at a remote cabin in rural Pennsylvania. She is approached by a stranger named Leonard, who explains that he needs Wen and her parents' help to save the world. Three other individuals break in with makeshift weapons and tie them up. Struggling to fight them off, Eric sustains a concussion. Leonard and his companions—Sabrina, Adriane, and Redmond—claim that they have no intention of harming the family. However, in the past week, they have been driven by visions to find the family. They foresee an impending apocalypse in which oceans will rise, a pandemic will spread, and the sky will fall. The only way to prevent this is for the family to sacrifice one of their own. If they do not make a choice, they will be the last people standing. When the family refuses, the intruders sacrifice Redmond by fatally striking him with their weapons. Eric sees a figure of light as Redmond dies. On television, news reports show devastating megatsunamis. Andrew believes Redmond is Rory O'Bannon, a man who had been arrested after assaulting Andrew in a bar years prior. He thinks Rory tracked him down for revenge. Leonard, Sabrina, and Adriane grapple with guilt, but reveal that Redmond's death has unleashed the first judgment of humanity. The next day, the intruders sacrifice Adriane. Meanwhile, a deadly variation of the flu virus spreads across the world. Andrew escapes and shoots at Sabrina with his gun until she flees. As Leonard is being held at gunpoint, Sabrina breaks in and is fatally shot by Andrew. Leonard decapitates Sabrina, and afterwards Andrew finds Redmond's wallet and proves to Leonard that he was Rory. Andrew confronts Leonard in the bathroom, but Leonard overtakes him and grabs Andrew's gun. A TV broadcast reveals that hundreds of spontaneous plane crashes have occurred around the world. Realizing their time is nearly over, Leonard informs the family that after his death, they will only have a few minutes to make a decision. He then slits his throat. Upon his death, lightning causes fires and more planes to crash. Eric now believes the events are real, and that the intruders represent the Four Horsemen of the Apocalypse. Not wanting Wen to grow up in a destroyed world, he offers himself as the sacrifice and envisions an older Andrew and an adult Wen thriving in the future. He feels that their family was chosen to make the sacrifice because their love is so pure. Andrew reluctantly shoots and kills Eric. Andrew and Wen find the visitors' truck with belongings that corroborate their stories. They drive to a crowded diner, where they watch news reports confirming that the disasters have subsided. The radio plays "Boogie Shoes" by KC and the Sunshine Band, coincidentally the song that Eric had played for them before. The duo drives off. As the closing credits fade out, seven distinct loud knocks are heard at the very end of the film. --- Send in a voice message: https://podcasters.spotify.com/pod/show/100horrors/message

Join us for another week of laughter, TV shows, streaming, movies and all things entertainment. THIS WEEK WE'RE TALKING TV Shows Shrinking (S1) Vera (S1-S2) Movies Goon (2011) Teenage Mutant Ninja Turtles: Mutant Mayhem (2023) Knock at the Cabin (2023) MOVIE OF THE WEEK & PEAK PERFORMANCE Knock at the Cabin. Staring: Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka Bird, Rupert Grint, Abby Quinn & Kristen Cui. Directed by M. Night Shyamalan. And finally our Peak Performance nominations are in for Jamie Lee Curtis. EPISODE TITLE This weeks episode title is dedicated to the cast and crew of: TMNT: Mutant Mayhem. Great advice from Master Splinter, always be aware of people trying to milk you. RUNNING ORDER 05m57s | What we've been watching 35.14m13s | Movie of the week: Knock at the Cabin 48m42s | News & Mailbag 59m02s | Peak Performance: Jamie Lee Curtis GET IN TOUCH Support us at ⁠Patreon⁠ Follow us on ⁠Instagram⁠ Post (Tweet) us ⁠@HalfMeasuresPod⁠ Talk to us on ⁠Discord⁠ Follow us on ⁠Facebook⁠ Visit our website ⁠halfmeasurespodcast.com⁠ This episode of the Half Measures Podcast is brought to you by our ⁠Patreon⁠ Producers: Samara Whiting-King, Diana Knauer, Tricia Brady & Michael Chalmers.

We review Knock at the Cabin (2023) on horror movie podcast Screams After Midnight. Knock at the Cabin is directed by C M. Night Shyamalan and stars Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn, Rupert Grint patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight email: mftvquestions@gmail.com THE CRYPT: https://sites.google.com/view/mildfuzztvpatreonlists/crypt?authuser=0 Audio version: https://screams-after-midnight.pinecast.co/

Hello and welcome back to another episode of B Bin Horror! On this week's episode we talk about the 2023 apocalyptic horror film, Knock at the Cabin. Knock at the Cabin was written and directed by M. Night Shyamalan and was based on the 2018 novel, The Cabin at the End of the World. The film stars, Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn, and Rupert Grint. On this week's episode we compare the four people who enter the cabin to the four horsemen of the apocalypse, we find out who Dylan would sacrifice if put in the situation of the main characters and we discuss at what point in the film would we believe the intruders. If you like what you hear please follow us on Instagram and Facebook @bbinhorror. You can also send us emails at bbinhorro@gmail.com.

We are coming at you with another 'Double Header' edition of @EchoChamberFP https://www.instagram.com/echochamberfp/ this week!!! 'Part ONE' has a horror from Universal Pictures & FilmNation Entertainment and another from Warner Bros. Pictures, New Line Cinema & Wild Atlantic Pictures. There's a rom-com from ACE Entertainment & Netflix, a crime capper from Darius Films & Signature Entertainment. AND Lionsgate UK bring the guns and explosives out for a fourth outing!!! In 'Part One' we have: Knock at the Cabin Watch Review: Here. https://youtu.be/rOtvSgQRyMY Rose Hall, New York City: 30th January 2023 Theatrical Release Date: 3rd February 2023 Digital Release Date: 15th September 2023 Director: M. Night Shyamalan Cast: Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn, Rupert Grint Running Time: 100 min Cert: 15 Trailer: Here. https://youtu.be/gv_QhoUy-xc?si=rqGQ8w5tDycdWU_Y Website: Here. https://www.uphe.com/movies/knock-at-the-cabin ------------ Love at First Sight Watch Review: Here. https://youtu.be/9A929kLtCp8 Digital Release Date: 15th September 2023 Director: Vanessa Caswill Cast: Haley Lu Richardson, Ben Hardy, Rob Delaney, Katrina Nare, Jameela Jamil, Luke Whoriskey, Tom Taylor, Dexter Fletcher, Sally Phillips Running Time: 91 min Cert: 12a Trailer: Here. https://youtu.be/j0kro6SuwxM?si=F_85wS-67-SvJ5c4 Website: Here. https://www.netflix.com/tudum/articles/love-at-first-sight-release-date-news ------------ Evil Dead Rise Watch Review: Here. https://youtu.be/vXCJnfhHDBs South by Southwest: 15th March 2023 Theatrical Release Date: 21st April 2023 Digital Release Date: 21st September 2023 Director: Lee Cronin Cast: Lily Sullivan, Alyssa Sutherland, Morgan Davies, Gabrielle Echols, Nell Fisher, Noah Paul, Richard Crouchley, Mirabai Pease, Anna-Maree Thomas, Jayden Daniels, Billy Reynolds-McCarthy, Tai Wano, Mark Mitchinson, Bruce Campbell Running Time: 96 min Cert: 18 Trailer: Here. https://youtu.be/rFxVoeXtOD8?si=5B0bDLYHOYy5fl_s Website: Here. https://www.evildeadrisemovie.net/ ------------ The Retirement Plan Watch Review: Here. https://youtu.be/_D1EjADhx1M Digital Release Date: 29th September 2023 Director: Tim Brown Cast: Nicolas Cage, Ashley Greene, Thalia Campbell, Ron Perlman, Jackie Earle Haley, Joel David Moore, Ernie Hudson, Grace Byers, Rick Fox, Lynn Whitfield Running Time: 103 min Cert: 15 Trailer: Here. https://youtu.be/GQSrWR_MSwA Website: Here. https://www.theretirementplanmovie.com/ ------------ Expend4bles Watch Review: Here. https://youtu.be/d-TeWL-UtGE Beijing Premiere: 8th September 2023 Theatrical Release Date: 22nd September 2023 Director: Scott Waugh Cast: Jason Statham, Sylvester Stallone, Curtis Jackson, Megan Fox, Dolph Lundgren, Tony Jaa, Iko Uwais, Randy Couture, Jacob Scipio, Levy Tran, Andy García Running Time: 104 min Cert: 18 Trailer: Here. https://youtu.be/jiGd7ntXxG8?si=7XLsRRhu0upFihLY Website: Here. https://www.lionsgatefilms.co.uk/releases/expend4bles ------------ *(Music) 'Not Tight' by Domi and JD Beck - 2022 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

Baron City: An Abby Quinn Mystery Series 1: Part 5 of 6Written by Randy HudsonDirected  and Produced by Jerry CrystalStarring: | Gina Marie Davies| Clarke Atkinson| Jerry Crystal| James Miron| Jason Kulas| Dominic Westry| Jeffry Strum| Willie Mann| Brock Putnam| Kurt Boucher| Jeffry Strum| Tom Nunes| Kayla Soule| Michael Bafundo| Dominic Westry| Susie Hackell| AJ Lin  | 

Colleen and Maddie join Caitlin to cover 2022's Torn Hearts. Torn Hearts is a great look at the complexities in women's friendships, especially the competition therein. We get a wonderful monstrous femme villain (some would say "psychobiddy") in Katy Sagal, but we remember that, ultimately, the real villain is patriarchy. Also, what a unique setting for a horror movie! We don't get a lot of Nashville/country music horror. Tangents include: bangs, nightmares, drinks, weapons we have stored around our homes, music, PDFs, bachelorette parties, weddings, colors, D&D, movie settings, and how my camera roll proves that I am obsessed with both Maddie and Colleen.

Baron City: An Abby Quinn Mystery Series 1: Part 4 of 6Written by Randy HudsonDirected  and Produced by Jerry CrystalStarring:  | Gina Marie Davies| Clarke Atkinson| Jerry Crystal| James Miron| Jason Kulas| Dominic Westry| Jeffry Strum| Willie Mann| Brock Putnam| Kurt Boucher| Jeffry Strum| Tom Nunes| Kayla Soule| Michael Bafundo| Dominic Westry| Susie Hackell| AJ Lin  | 

Baron City: An Abby Quinn Mystery Series 1: Part 3 of 6Written by Randy HudsonDirected  and Produced by Jerry CrystalStarring:  | Gina Marie Davies| Clarke Atkinson| Jerry Crystal| James Miron| Jason Kulas| Dominic Westry| Jeffry Strum| Willie Mann| Brock Putnam| Kurt Boucher| Jeffry Strum| Tom Nunes| Kayla Soule| Michael Bafundo| Dominic Westry| Susie Hackell| AJ Lin  | 

Eternal midnight is coming! Or is it? This week we're taking a closer look the latest film from M. Night Shyamalan that presents a dangerous question and an impossible choice. Sit down and hear us out as we share our thoughts on Knock at the Cabin! Listen on YouTube: https://youtu.be/pFdbUcR0ABM --- TIME CODES: 00:00 - INTRO 02:18 - BASIC FACTS 05:20 - THE MEAT 46:55 - WHAT WE WATCHED --- FILM INFORMATION: Knock at the Cabin (2023) “While vacationing at a remote cabin, a young girl and her parents are taken hostage by four armed strangers who demand that the family make an unthinkable choice to avert the apocalypse. With limited access to the outside world, the family must decide what they believe before all is lost.” Directed by M. Night Shyamalan, Screenplay by M. Night Shyamalan and Steve Desmond & Michael Sherman, based on the book The Cabin at the End of the World by Paul Tremblay. Cast: Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn and Rupert Grint. Produced by M. Night Shyamalan, Marc Bienstock, Ashwin Rajan. Executive Producers Steven Schneider, Christos V. Konstantakopoulos, Ashley Fox. Read more on Knock at the Cabin's website: https://www.knockatthecabin.com/ Find where to stream Knock at the Cabin on JustWatch: https://www.justwatch.com/us/movie/knock-at-the-cabin --- OUR LINKS: Main Webpage: https://anchor.fm/recentlylogged Letterboxd HQ: https://boxd.it/30uy1 YouTube: https://youtube.com/@recentlylogged Micah's Stuff YouTube: https://youtube.com/channel/UCqan1ouaFGl1XMt_6VrIzFg Letterboxd: https://boxd.it/AkCn Twitter: https://twitter.com/micah_grawey Instagram: https://www.instagram.com/m_grawey_films/ Robbie's Stuff Website: https://robbiegrawey.com --- EPISODE CREDITS: Recently Logged Podcast creators - Micah and Robert “Robbie” Grawey Hosts - Micah and Robert “Robbie” Grawey Songs used in this episode - Faultlines, Glimpsing Infinity, and Introspective Spacewalk by Asher Fulero and Dock Rock by John Deley and the 41 Players Editor - Robert “Robbie” Grawey Episode art designer - Robert “Robbie” Grawey Episode Description - Micah and Robert “Robbie” Grawey --- Support this podcast: https://podcasters.spotify.com/pod/show/recentlylogged/support

Baron City: An Abby Quinn Mystery Series 1: Part 2 of 6Written by Randy HudsonDirected  and Produced by Jerry CrystalStarring:  | Gina Marie Davies| Clarke Atkinson| Jerry Crystal| James Miron| Jason Kulas| Dominic Westry| Jeffry Strum| Willie Mann| Brock Putnam| Kurt Boucher| Jeffry Strum| Tom Nunes| Kayla Soule| Michael Bafundo| Dominic Westry| Susie Hackell| AJ Lin  | 

Baron City: An Abby Quinn Mystery Series 1: Part 1 of 6Written by Randy HudsonDirected  and Produced by Jerry CrystalStarring:   | Gina Marie Davies | Clarke Atkinson | Jerry Crystal | James Miron | Jason Kulas | Dominic Westry | Jeffry Strum | Willie Mann | Brock Putnam | Kurt Boucher | Jeffry Strum | Tom Nunes | Kayla Soule | Michael Bafundo | Dominic Westry | Susie Hackell | AJ Lin  | 

This week we review Knock at the Cabin! Starring Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Abby Quinn, Kristen Cui, and Rupert Grint.

Knock at the Cabin: Movie Review from the Ray Taylor ShowShow topic: Knock at the Cabin is a 2023 American apocalyptic psychological horror film directed and written by M. Night Shyamalan. Starring Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn, and Rupert Grint, it is based on the 2018 novel The Cabin at the End of the World by Paul G. Tremblay. The story follows a family vacationing in a remote cabin in rural Pennsylvania, who are held hostage by four strangers with a sinister demand.JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Ray Taylor Show - Full Week Ad Free (Audio+Video)Live Painting ArchiveEarly Access to The Many FacesMember Only Discounts and DealsPodcast Back Catalogue (14 Shows - 618 Episodes)Ray Taylor's Personal BlogCreative WritingAsk Me AnythingDaily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/links Genres: Horror - Mystery - Thriller

Knock at the Cabin: Movie Review from the Ray Taylor ShowShow topic: Knock at the Cabin is a 2023 American apocalyptic psychological horror film directed and written by M. Night Shyamalan. Starring Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn, and Rupert Grint, it is based on the 2018 novel The Cabin at the End of the World by Paul G. Tremblay. The story follows a family vacationing in a remote cabin in rural Pennsylvania, who are held hostage by four strangers with a sinister demand.JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Ray Taylor Show - Full Week Ad Free (Audio+Video)Live Painting ArchiveEarly Access to The Many FacesMember Only Discounts and DealsPodcast Back Catalogue (14 Shows - 618 Episodes)Ray Taylor's Personal BlogCreative WritingAsk Me AnythingDaily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/links Genres: Horror - Mystery - Thriller

eviews on:Dragged Across Concrete is a 2018 American neo-noir[2] crime thriller film written and directed by S. Craig Zahler. It stars an ensemble cast that includes Mel Gibson, Vince Vaughn, Tory Kittles, Michael Jai White, Jennifer Carpenter, Laurie Holden, Fred Melamed, Udo Kier, Thomas Kretschmann, and Don Johnson. The story follows two childhood friends and two police detectives that are suspended for police brutality who in a desperate need for money, are embroiled in a robbery done by a professional thief.Kajaki: The True Story, released in North America as Kilo Two Bravo,[5][6] is a 2014 British war docu-drama film directed by Paul Katis in his feature debut, written by Tom Williams, and produced by Katis and Andrew de Lotbiniere.The plot is based on the Kajaki Dam incident, involving Mark Wright and a small unit of British soldiers positioned near the Kajaki Dam, in Helmand province, Afghanistan.Knock at the Cabin is a 2023 American apocalyptic psychological horror film written and directed by M. Night Shyamalan, who wrote the screenplay from an initial draft by Steve Desmond and Michael Sherman. It is based on the 2018 novel The Cabin at the End of the World by Paul G. Tremblay, the first adaptation of one of his works. The film stars Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn, and Rupert Grint. In the film, a family vacationing at a remote cabin are suddenly held hostage by four strangers, who demand something unimaginable.www.wyrdrealities.netlinktr.ee/wyrdrealities#moviereview #moviereviews #moviereviewer #horrormoviereviews #horrormoviereview #moviereviewsblog #moviereviewpodcast #moviereviewers #netflixmoviereview #moviereview #melgibson #authors #wyrdrealities #watchingwyrd See lessLikeCommentShareComments --- Send in a voice message: https://podcasters.spotify.com/pod/show/wyrd-realities/message Support this podcast: https://podcasters.spotify.com/pod/show/wyrd-realities/support

Knock at the Cabin: Movie Review from the Ray Taylor ShowShow topic: Knock at the Cabin is a 2023 American apocalyptic psychological horror film directed and written by M. Night Shyamalan. Starring Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn, and Rupert Grint, it is based on the 2018 novel The Cabin at the End of the World by Paul G. Tremblay. The story follows a family vacationing in a remote cabin in rural Pennsylvania, who are held hostage by four strangers with a sinister demand.JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Ray Taylor Show - Full Week Ad Free (Audio+Video)Live Painting ArchiveEarly Access to The Many FacesMember Only Discounts and DealsPodcast Back Catalogue (14 Shows - 618 Episodes)Ray Taylor's Personal BlogCreative WritingAsk Me AnythingDaily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/links Genres: Horror - Mystery - Thriller

This week, Scotty and Andrew get tied up in front row seats to the end of the world as they discuss "Knock at the Cabin". Andrew also talks about some movies he watched during some sick days. And stay tuned until the end to hear what Scotty has chosen for their next movie!"Knock at the Cabin" is the latest film by M. Night Shyamalan, based on the novel "The Cabin at the End of the World", written by Paul Tremblay. It stars Dave Bautista as one of four people who show up at a remote cabin to give its inhabitants an impossible choice. Follow us on social media:Facebook - https://www.facebook.com/groups/396586601815924Twitter - https://twitter.com/funwhorrorInstagram - https://www.instagram.com/fun_with_horror_podcast/FWH + Fangoria collab:For 20% off at the Fango Shop, just enter FUN_WITH_HORROR_PODCAST at checkout!

Let's talk about M. Night Shyamalan's newest, and gayest, movie - were Rowan and Jazza held captive by its story, or just left wishing for the end of the world? Support us on Patreon at patreon.com/thequeermoviepodcast for as little as $5 per month to gain access to perks like queer movie recommendations, Discord access, and watch-a-longs. Thank you for supporting us! We're a serious podcast and have a serious sponsor, Squarespace support us! Help make the podcast profitable by going to squarespace.com/queermovie, and by using the code 'queermovie' at checkout. Head over to queermoviepodcast.gay and get a FREE .gay domain name of your choice for your own website or brand courtesy of their registrar partner Porkbun—for 1-year! This is a queer movie watch party for your ears, hosted by Rowan Ellis and Jazza John. Join us as we take a look at the queer film canon, one genre at a time. From rom-coms to slashers, contemporary arthouse cinema to comedy classics - Queer Movie Podcast is a celebration of all things queer on the silver screen! New episodes every other Thursday. Find Us on the Internet Super Highway - Twitter: https://twitter.com/QueerMoviePod  - Patreon: https://www.patreon.com/thequeermoviepodcast - Website: http://www.queermoviepodcast.co.uk/  - Multitude: @MultitudeShows Production - Hosts: Rowan Ellis and Jazza John - Editor: Julia Schifini - Executive Producer: Multitude - Artwork: Jessica E. Boyd   TRANSCRIPT JAZZA:  Hello, everyone. Just before we jump into the main episode today, I wanted to thank our two top-level patrons, Jennifer, and Toby, who are supporting us on the rainbow parent tier, which is absolutely bloody amazing. Do you want to join them, head over to Patreon and you don't have to donate as much as they do, but we'd really appreciate anything that you can give to us. More about Patreon coming a little bit later. On with the episode, my darlings. [theme] JAZZA:  Welcome to the Queer Movie Podcast, celebrating the best— ROWAN:   —and worst— JAZZA:   —in LGBTQ plus cinema one glorious genre at a time. ROWAN:  I'm Rowan Ellis. JAZZA:  And I am Jazza John. ROWAN:  Each episode we discuss a movie from a different genre of cinema. JAZZA:  This episode's genre is— JAZZA AND ROWAN: Queer Chiller. JAZZA:  It's so cold in here. ROWAN:  I—Yeah, fully, I would say everyone I do not understand what this genre is. It's like a thriller, but more chill. I don't—but yeah, you're right, Jazza is right. This is like what everyone has been describing it as. Like, if you go on the Wikipedia article for this movie, literally the quotes from critics call it a chiller. And I'm like, we're behind, baby. We—we need to—we run a podcast about genres and we're like, what the hell does this even mean? JAZZA:  You know what, it's handy for us because we've already done queer thriller. I think. ROWAN:  That's true. So this technically is a different genre. JAZZA:  It is technically different genre, sure. Today, we're gonna be talking about the M. Night Shyamalan adaptation of the Paul Tremblay book, Cabin at the End of the World,  Knock at the Cabin. Not to be confused with the 2011 film, Cabin in the Woods, which is much better. ROWAN:  I mean, yeah, that doesn't [1:45] I feel like it needs any kind of argument from me. That's very obviously true. But before we get started, sexing some grasshoppers, Jazza, every single—Jazza—listen everyone. I think it's become clear by now that Jazza writes the scripts for this beginning bit and often they write it literally like [2:02] together, and I don't look at it beforehand because I'm an idiot who trust them. So I guess that's a reference to them catching grasshoppers and discussing whether their boy grasshoppers or girl grasshoppers or whatever. Okay. JAZZA:  Yeah, she say going around. sexing grasshoppers. ROWAN:  [2:19] JAZZA:  [2:19] is called when you—when you put down like the sex of the animal, it's called sexing. Thank you [2:25] for giving me that information. ROWAN:  Okay, sure. So I'm so sorry, let me start that extremely normal sentence again. But before we start sexing some grasshoppers Jazza, what's the gayest thing you've done since the last episode? JAZZA:  So I've got a pretty cool one. I'm— I—I haven't been legitimately intimate famous, arguably ever. And so me getting noticed off of the internet doesn't happen very often. So when it does, it's a lovely little special occasion. I have been recognized on Grindr in New York, this week by the lovely Jaime. Hello, Jamie, thank you for listening. ROWAN:  Hi, Jamie. JAZZA:   Hi, Jamie. I will say we—we exchanged a couple of pleasantries. No dick pics were exchanged. ROWAN:  Okay. Good to know. JAZZA:  I just want to make that very clear.  But thank you very much. If you see me on Grindr say hello. [3:16] ROWAN:  Sorry, I just wanna—just— just one quick follow-up question, Jazza. How far away was Jamie? JAZZA:  Jamie was—uh what was it?  ROWAN:  Because I know exactly how far away because you sent me the screencap of this conversation. JAZZA:  I did. Yeah. ROWAN:  And it was extremely [3:32] JAZZA:  Oh, it was a 100—no, it's 45 meters away. ROWAN:  Literally your roommate. JAZZA:  I have been— I have been staying in Hell's Kitchen Bay. And I think the grid stops at like someone is 200 meters away. So that's not extraordinary for this part of New York. Did I mention I live in New York? ROWAN:  No, I don't think you have.  JAZZA:  No, no. Okay. Cool. Rowan, how about you, what's the gayest thing you've done? ROWAN:  Honestly, I think it was watching episode three of The Last Of Us. That truly made me feel so gay. And we— I immediately after watching that episode, message Jazza to be like please can we do a little special episode, bonus episode of the podcast about episode three of The Last Of Us, so that is in the works hypothetically. JAZZA:  It is in the works. ROWAN:  Unless you never see it from us, in which case it was never—it was never in the works. JAZZA:  Allegations only. We're too late for kind of like the hype around the episode, but it is such a great episode. I think we are going to make at some point when we have some time. ROWAN:  Yeah. I mean, please don't tell me that because I'm genuinely thinking of doing my March video about quiz zombie media. So let's just say it's like always relevant. Like— JAZZA:  Yeah. ROWAN:  —zombie constantly alive, never dead. JAZZA:  Brilliant. [theme] JAZZA:  First, we're going to be talking about the background of M. Night Shyamalan and asking why? Well then be splitting the movie into three acts and discussing the plot with our usual sassiness. ROWAN:  Jazza then has some extra discussion for the end of the movie, which has me very excited with anticipation, because they haven't told me what the hell their bit of context is that they're going to talk about which— I don't think we've ever done that before. Normally, we tell each other too much. And we have to keep being like, save it for the podcast, stop telling me your opinion, stop talking to me like we're friends. We are already allowed to talk on the podcast. So we will be spoiling this movie as we do with every one of these episodes. So if you care about going into these things fresh, we would encourage you to watch it before listening to the rest of the episode. JAZZA:  So if you've come back, welcome back. For those of you who stayed, thanks for staying. Without further ado, let's sell the shit out of this air fryer and review Knock at the Cabin. [theme] ROWAN:  So really, with this movie, I was—we always talk about the context that we can do these movies in, and a lot of the time it's very obvious. And there's very obvious like the history of the genre, like with a horror episode, or the—the history of the movie was really interesting, or with the moonlight, things like that. With this one, I was like, I guess, the M. Night Shyamalan is like the interesting aspect of this movie, essentially. Other than you know, they let gays be main characters. And so— JAZZA:  How generous by the way. ROWAN:  How generous of them.  JAZZA:  Thank you so much for your allyship, Night. ROWAN:  So it has come to my attention that I feel like I was kind of growing up in the heyday of this man. Because I have spoken to some people who are younger, like not—not wildly young, but they are just like, not familiar with him. Because they just weren't old enough to watch his movies. Even though his movies were like 12 rated, they were sort of like, oooh, their horror movies— JAZZA:  Sure. ROWAN:  Kind of thing. So like 12 rated in that way. JAZZA:  The fans of M. Night Shyamalan that I am aware of tend to be our age,  a little bit older, like movie geeks.  ROWAN:  Yeah.  JAZZA:  And I think it's because he had some of the— some of the most iconic movies of like the late 90s and 2000s. ROWAN:  Yeah. And then he fell off a—fell off a [7:04] But the funny thing is, if so the way that people remember him, I think because of the Sixth Sense, which was like definitely this absolute breakout movie, which he—which he also wrote this— it came out as the same year as another film that he wrote, Stuart Little.  JAZZA:  Oh my god, really, I have— ROWAN:  1999 and— JAZZA:  No, shut up! ROWAN:  —did rewrite, She's all that.  JAZZA:  Wow.  ROWAN:  All 1999, an absolute stellar year. We don't talk enough about his incredible Stuart Little, where the twist was the very first moment of the movie where the child was a mouse.  JAZZA:  Yeah.  ROWAN:  So notoriously, he like has— JAZZA:  No one saw it coming.  ROWAN:  He has these big twists in his movies, that's what he's known for. However, a lot of people talk about the idea that he essentially like went downhill with The Village. I feel very strongly that The Village is not a bad movie, and that at the time that it came out, it was a well-received movie. And because of Lady in the Water, which came afterward two years later, in 2006, that people absolutely slated. Everyone wanted to be really cool, and sound like they had always known he was trashed hack. And so—and so they start hating on The Village to be like, oh, I knew before anyone else. I've always not liked him, which I think is very, very rude of them. JAZZA:  I agree. I think— I think The Village is well, it was his last movie that I enjoyed. Like I— ROWAN:  [8:25] Yeah, yeah. And people—people did enjoy it. And I—like genuinely, it's one of those movies where like, when you don't know the twist going into it, like that was so brilliantly done. And it made complete sense logically within the movie, and it all came together, and it was really interesting. And I think it's just when you know the twist, and then you come back to it with the attitude of like, this guy's a hack like the—he never might writes good stuff. Loads of people just retrospectively decided they hate that. But when you look at what he's done, he doesn't have some like, massive, like 10 feature film discography before that, where he was writing all these twists, right? He has like the Sixth Sense is his big one, Unbreakable, and then Signs. And then The Village.  JAZZA:  Yeah. ROWAN:  So it's not—and also obviously Stuart Little. But so it's really interesting to me that he—he managed to get such a huge name for himself, where it was seen as like this big fool of this iconic director after what is essentially like three features that have this element to them that he was known for. And so yeah, he essentially is known as the twist director. So he also essentially after The Village comes out has Lady in the Water that was the beginning of the end for him. He does the Last Airbender, which was [9:45] JAZZA:  Oh my God, [9:46]  ROWAN:  After Earth was him as well, which I forget because it—because the [9:51] JAZZA:  With Will Smith and— ROWAN:  Put onto Jaden Smith and Will Smith. Split which has a lot of like, question mark, question mark around it, and Glass, old which is the everyone ages on the beach one from two years ago now— JAZZA:  Yeah. ROWAN:  Because it was 2021. And now we've got Knock at the Cabin. But I will say there's like this to me this movie I mean— I feel like we've already sort of hinted at it. It's not necessarily pulling him back up to a Sixth Sense levels for either of us? JAZZA:  No. That's it.  ROWAN:  Yeah, that's—that's the review. JAZZA:  This is the thing, so he doesn't really do big studio pieces anymore. And I don't— I think it's the last [10:31] it's the last time that he worked with a big studio. And so most of his stuff now is it leans more indie. But the thing is, it all still does really, really well, because the M. Night Shyamalan brand is so strong. ROWAN:  Which is wild, because he has like three times as many flops as he does successful movies— JAZZA:  100% ROWAN:  —in terms of so—in terms of the way that people view the movies, and how critically they—they've been kind of responded to. JAZZA:  But he has been so influential I think, especially on people who, like I said, were around our age, maybe a little bit older, who were first being introduced to movies at the time? Like his early movies especially was such experiences. And I think in the— in the— in a similar way where stuff like the Lord of the Rings, and the way that that was such an influential series of movies for people who then went into work in the industry, I think that M. Night Shyamalan is that for a lot of media critics, for a lot of people who now work in this. And so there is that really firm fan base that he has, and it really is like a fanboy fan base. ROWAN:  Yeah. And I will I—so I think as well completely agree with you. And I think that it ties in even further because when you think about movies that have big twists in them, or big like shocking moments, they often come with a higher age rating. So the really classic twists throughout the time, you're looking at like the usual suspects, you're looking at seven things like that, where it's like there's either a big twist or a shocking moment. And so you're right, this idea of an introduction to cinema. I remember watching like The Sixth Sense, watching The Village, like when I was 12. And I was like 11,10, 11,12 years old, and like they were going to be the first movies I ever really got to see which had a massive twist in them. And that showed me what it could be because before that I'm really consuming children's media that ultimately doesn't really work, like twists aren't really a children's media thing so much, and it was this idea of like yeah, trusting your audience to be able to like piece things together by the end, they're being a puzzle to solve, they're being like some more other levels to it, other layers other than just being a good movie because like Sixth Sense I think, the reason why it works so well as a movie with a twist, will not spoil it even though I'm sure literally everyone knows the twist of that movie even if they haven't seen it. JAZZA:  I— can I tell you something? I've never seen the Six Sense all the way through. ROWAN:  Oh, it would destroy— it would fully destroy you. That is a film that I watched as like a 10-year-old, but you are a little bit baby and you absolutely be psychologically destroyed by it. JAZZA:  Oh, is it actually scary? [12:59] ROWAN:  Well, okay. So I hasten to add that I watched this when I was like 10 years old.  JAZZA:  Uh-huh. ROWAN:  So it was— it was not like terrifying. It was— I really liked horror movies as a kid. So it was like enjoyably frightening for me through the first watch. And it's one of those movies with a twist where you can watch it again after you know the twist and it becomes almost like a different movie to you.  JAZZA:  Yeah. ROWAN:  And you get you— every time you watch it, there is something you can get from it. There's clues you can spot, there's things that like are exciting, which I think is like the best kind of twist movie. It's one where the twist feels— JAZZA:  It changes. ROWAN:  —unpredictable, but inevitable at the same time. And so what this does though? Being known as someone who makes these twist movies, means that inevitably when people go and see his films, even though a lot of the films he's put out since don't have big twists, people expect that. And I definitely feel like that had a big effect on my experience watching this movie. Because I was really finding myself searching, it is a very simple movie and that it has a very like high concept premise of these four people believe that they will be saving the world by making this—essentially making this family choose to kill one of the three members of the family. They believe they will be able to save the world. That's a very high-concept premise, you can explain it in one sentence, and it's all basically in one location. So for me, I'm like, oh, this is primed for a twist. There is something going on here. So everything—I was looking at everything with meaning. I was trying to figure it out. I was like, I wrote so many notes of like things that I was predicting were going to happen. And then there just wasn't a twist at— but the movie also wasn't good enough for me to feel like it was better off not having one. JAZZA:  I think that is a twist. ROWAN:  Okay, controversial. Did I just— did I just misunderstand this extremely complex movie, Jazza?  JAZZA:  Well, I like I think— ROWAN:  It's a twist that gay? Because that is—that is a twist. JAZZA:  More or less? No, bae. I think the twist is the fact that the [15:00] meant to be the fact that the apocalypse is real. ROWAN:  Okay, but here's the thing Jazza, that's in the trailer.  JAZZA:  Yeah. I saw. I didn't watch the trailer.  ROWAN:  Oh, okay. JAZZA:  And I— from reading— from it and having now watched the trailer, I'm like oh, that is literally the whole movie.  ROWAN:  Yeah.  JAZZA:  And it would— if you had seen the trailer, it literally ruins the whole thing.  ROWAN:  Yeah.  JAZZA:  And I think although I will say, I think it marginally probably makes the viewing experience better. It doesn't make it significantly better. But I think that we're set up, we're meant to believe that this is for like fundamentalist, religious—religious bananas, bananas people, who have come here and like performing and doing a homophobia. And I think it's meant to be oh, this is actually real, and that's like the big twist. Oh, they— they kill one of their dads and now everything's fine. And that's meant to be a, wow, I can't believe you did that. But obviously, it doesn't really have that gravitas to it. ROWAN:  But to me, that's not a twist, that's just one of the options that are laid out at the beginning of the movie already.  JAZZA:  Yeah. And that is from the first like—after the first 20 minutes when they've tied the gay couple up. That is—that becomes what the movie is. The movie is oh, either this thing happens or this thing happens.  ROWAN:  Yeah. JAZZA:  And one of the things happens.  ROWAN:  And so I was always searching for that third thing or the twist. And I had a bunch of idea. I was like listen, buddy, M, my friend. I got some options for you that I can point out as I go through. I also made my notes in the cinema. I watched this in the cinema, and so they are so incoherent in terms of the—oh, Jazza also did. I'm looking at some of these notes and I'm like, I really hope I can remember what plot point this goes with. Because one is just in all caps, baby got a gun. So I'm hoping that I can figure— I'm assuming that's the child got the gun at some point. JAZZA:  If the child, I don't think he gets the gun at any point [16:56] ROWAN:  Oh, I think baby might have been one of the guys then.  JAZZA:  Yeah, yeah, yeah it is. ROWAN:  I think maybe Eric is baby. I also have— JAZZA:  Andrew. I can't believe you're mixing up the gays.  ROWAN:  I'm so sorry. Leonard what? I also wrote down,  I writt— I read this out to myself just now, and I was like why did I put rip on, on there? And I was like, oh, it's because the note is meant to be RIP Ron. So yeah, some clearly, some very intellectual notes, which you will know if you've listened to the podcast before. It's entirely what this podcast is about, intellect all the way. I will say I might save it for the end, but do you know anything about the book it was based on?  JAZZA:  Yeah, and the book is better, apparently. I've never read the book.  ROWAN:  So do you know the big—the—the difference? The ending?  JAZZA:  Well, there's two big differences.  ROWAN:  Okay. Should we talk about the ending difference at the end, wHen we talk about the end?  JAZZA:  I think let's just do it now. ROWAN:  Spoilers, guys. JAZZA:  I mean, we've given them the spoiler warning [17:49] So the first difference is the fact that when it's shot and killed. ROWAN:  Yes.  JAZZA:  So then, because it was an accident, she doesn't count as a willing sacrifice in like the weird fucked up law of this universe. And so then you have the gay couple who have now got a dead child. Now have to kill one of the other ones, and only— the only one of them is left and has to like, be alone for the rest of their life. Fucking depressing. Highest stakes, I wanted that. But I think M. Night Shyamalan is too much of a pussy to kill the child. ROWAN:  I like how in the movie if you know the—the story how it originally went that they were adopting, that's very funny, because they essentially are like, hey, kid, go all the way over there to the tree house, so that we can't accidentally shoot you in a scuffle like in the book. JAZZA:  Yeah. Exactly. ROWAN:  She's great. JAZZA:  And then the difference at the end from what I understand is that there's ambiguity that we actually never as a reader know, whether or not the apocalypse is real or not.  ROWAN:  Hmm, interesting. JAZZA:  They just kind of like drive off and that's left hanging. And I would have also preferred that to the very on-the-nose kind of weird magical realism that the end of this movie has. ROWAN:  Oh boy. Well, I guess we'll get into that in this next section where we actually tell you from beginning to end, what was going on and what we were thinking about it while we were watching. That I was about to be like The Cabin in the Woods, The Knock at the—The Knock at the Door—no.  JAZZA:  The Cabin in the— ROWAN:  The Cabin door. Knock at the Cabin door? Knock at the Cabin. Knock on the cabin? JAZZA:  Wait, isn't it not at the cabin? ROWAN:  It can be on the—you wouldn't knock on the—knock on the door, but you would knock at the cabin.  JAZZA:  It's not. It's not. ROWAN:  Knock on—knock at— JAZZA:  At the cabin. You Knock at the Cabin. ROWAN:  As we discuss Knock at the Cabin. [theme] ROWAN:  Okay, so, Jazza do you have segments for this? Do you have acts? JAZZA:  Yes I do. ROWAN:  I find it really hard to place acts because of my ADHD, my sense of time is really fucked. So I can do acts when I have something in front of me and I can—I can check in with a timer to see like, is it around a third of the way? So I don't have the acts, so I'm very willing to bow to your knowledge and your expertise on this. JAZZA:  Sure. I will be honest I have very much forced a round peg into a square hole here with the party this afternoon, but I— ROWAN:  I was gonna say. JAZZA:  But I— I have forced it in, it is there— ROWAN:  Okay I love that. JAZZA:  —which kind of liberal, a really liberal idea of what a party is.  ROWAN:  Yeah. JAZZA:  In this case, it's murder. ROWAN:  Love that. For those who don't know, I feel like I do this every time I'm like for new— for new listeners. JAZZA:  Firstly, welcome. ROWAN:  Welcome. Also, when we split it the movie into those, we always have different names for the thirds. And for some reason, every single gay movie has a party and its aftermath is one of—at least one of the third. Sometimes two, sometimes even three. So I love that you were committed to that bit. And you have managed to theorize that murder is a party. Ah sorry, can—please continue, Jazza. JAZZA:  So my opening act is boyfriend twins, try S&M for the first time. ROWAN:  Oh, I love that. That's very—that's very clever, Jazza. JAZZA:  Thank you so much [21:10]  ROWAN:  Very witty. [21:12] JAZZA:  So we opened up with this movie with the breakout star of this film, uh Kristen Cui, the seven-year-old child—adopted child of the boyfriend twins. ROWAN:  Tell me why I thought you were about to say the breakout star, Dave Batista. Also fair, you know what, he's great. JAZZA:  Yeah. I actually don't think he was very good in this movie. ROWAN:  Wow. JAZZA:  Which I—apparently is controversial, but oh, well. So this young girl when is out in the garden, collecting grasshoppers. And as we said before, is sexing them, giving them names is doing like a school project, incredibly— incredibly cute. I don't know how you felt about the cinematography and stuff there. I thought it was beautiful, and I actually think this whole movie is really beautifully shot the way that they pan— ROWAN:  Yeah [22:06] JAZZA:  —through windows to the outside. The way that light is refracted, and the different [22:14] of light showing kind of like different stages of each day, I think it's really, really pretty, and the setting is stunning as well. Shyamalan decides to completely ruin that with um— ROWAN:  The movie. JAZZA:  Dutch angles of— with the movie, but also with Dutch angles throughout the whole of this opening thing. If anybody doesn't know, a Dutch angle is basically when you tilt the angle of the camera, so that everything is like a skew. And it's kind of like a bit of a mallet. It's not a very nuanced way of being able to show like huh, something here is off. So Wen is there collecting some grasshoppers and then Batista comes along and starts to make friends with her. But everything is at an angle. And I—I feel like I'm tilting my head throughout the whole dialogue that he has with the seven-year-old. They end up making friends, he's pretty charming. And then he goes well I'm—I'm really sad because I'm going to have to do something really terrible Wen. You should go in and get your Daddy's. And then we see three other people walking up the path towards the cabin where Wen is staying with her two daddies,  Daddy Eric, and Daddy Andrew. ROWAN:  So cute. I would like to point out that the cinematography—the cinematography, being good is really no surprise because the gu—the guy did the cinematography or coders to cinematographers who were listed, but the one who's like the really well-known one did the lighthouse, the Witch, the Northmen.  JAZZA:  Oh amazing. ROWAN:  Like, he—Yeah. This is not a surprise, and I also agree like I was watching this beginning and I had very high hopes. I really, really enjoyed this like really tense, there's like no music for this entire sequence like it's very unsettling. They keep doing like extreme close up. So just keep getting more and more extreme on their— JAZZA:  Yes. ROWAN:  —faces and very straight-on talking to each other. There is this real tension of a guy with Dave Batista's physique, with his the strength that he has, with his tattoos and with this very like still gentle calmness that you are so aware any second could just turn, and like that kid is dead. And so there's—you really do not know anything about this man, you don't know what his intentions are. And I think that also this idea of like there's a child who is on their own, who's being talked to by a stranger is like inherently a troubling tension-filled moment. I really thought it was interesting that they had this moment at the beginning where Wen basically tells him about having two dads and then it's like, all the Disney channel kids have one dad [24:43] JAZZA:  My teacher keeps on saying that it's so great that she— that I have two dad's, almost as if she doesn't actually think that and it's like oh, yeah. ROWAN:  Yeah. I was like Wen, you smart little cookie. But I like that little bit of commentary. JAZZA:  I love the little detail. They start showing things and I totally believe that Wen's favorite movie is Kiki's Delivery Service. I just loved that little detail. This opening scene had so much promise. I— It's—unfortunately the best bit of the movie. It was downhill from here for me. ROWAN:  Yes, agreed. And so they all as Jazza said, these three people come up this path and the entire mo—the entire like way through the scene, Leonard is like looking over as if he's like, waiting for something or someone. So like, again, this tension is building. And so she, very smart is like something is going on. These people do not seem nice. And so she runs to the cabin [25:35] start screaming, her dad's having a nice little bit of like wine and cheese on the back porch— JAZZA:  Yeah. ROWAN:  —to get inside because they were like— JAZZA: There's a half-eaten bowl of chocolate there as well. Like, this is [25:45] ROWAN:  Not a great time.  JAZZA:  Yeah. ROWAN:  And then like she's like, come inside, come inside. And they're obviously like, okay, kiddo, I'll come inside. And then at that point they're probably like, the Jehovah's Witnesses [25:55]  JAZZA:  Like [25:56]  really enjoy that line— ROWAN:  From the road. Like, what a—what a dedicated lot of people. And then you kind of have this scene through the door where we don't really see what's going on. We see what's happening in the cabin with Daddy Andrew and Daddy Eric, but we don't see what's going on outside, we just hear them. And it becomes apparent that although the four of them kind of working together, they've all approach together, they all have very different attitudes and ways of that they think that this is going to work like it's like good cop, bad cop, confused cop, scared cop, angry cop, so many cops out the door. And when it becomes apparent that these people are there to potentially hurt them, they can see through the window that they have weapons. They kind of go through, which I always do appreciate in these like anything that's like horror thriller type things, like useful or smart things that you would do in this scenario.  JAZZA:  Yeah. So they try, there's no signal on their cell phones for example. So cell phones are out of the thing. The landline has been cut, so they can't call 911. ROWAN:  They are like, okay, what if I try and escape, no, because they're surrounding the house. So there's no exits, we can go to. What if we—we just need to get to the truck to get the guns, or just one of us has to be— there's lots of like things that they're trying to figure out. But also obviously, they have like a child they're trying to protect. So like, even as they're getting the pokers for the fire, did use as makeshift weapons. You're so aware that one of them is like holding a child, and so— JAZZA:  Yeah, yeah, yeah. ROWAN:  —like his swing is always going to be inhibited by wanting to protect her first. Like, it's very much, they're doing all that they can but very quickly are essentially overpowered. And we get into the bit that again is spoiled by literally the tru— like you know that these people if you watch the trailer, we're gonna get into this house and tie them up. So in terms of the tension here, was that any not necessary? But during this altercation, where the rest of them storm into this house break in.  what [27:52] Eric and or Andrew gets a concussion. Which one is it, which one's [27:55] JAZZA:  Eric. ROWAN:  [27:56] Eric. JAZZA:  The boring one. The boring one who they should have just killed at the beginning because he was fucking useless. Really dramatically, like a typical gay, falls over, gets a concussion, and then can't look in bright lights and then starts having visions. They should have just— as soon as they asked which one of you dies, Andrew should have gone Eric. I'll kill Eric, that's fine. End of movie. ROWAN:  That was the short—that was a short film version, but they— JAZZA:  Yeah. ROWAN:  —decided to make a feature so this continued. So we also get the first of what I've labeled the sad gay flashbacks. Where we just have a series of flashbacks to various sad moments in the gay's lives. Some of them are happy moments, but um, so this first one is basically Daddy Andrews's parents are mean and homophobic. And Daddy Eric is too damn hopeful. He thought that they could learn the error of their ways and be nice and not homophobic. But Daddy Eric was wrong people are trash. Back to the present. JAZZA:  By the way, these flashbacks apart from one, which I will talk about later. I feel like they do zero for this. ROWAN:  Absolutely nothing. JAZZA:  Absolutely nothing like I think that there is something to say for not trying to make sure that there is a robust backstory for empathy building with these characters. But I think that that actually is already kind of happening and especially the guy whose plays Andrew— ROWAN:  He's great. JAZZA:  —Ben Aldridge carries— ROWAN:  He carries the movie. JAZZA:  Like I think he really does he—he and young Wen, Kristen Cui. They carry this whole movie. Otherwise, it would have been like stilted, awkward, purely utilitarian, kind of like dialogue.  ROWAN:  Yeah. JAZZA:  That I thought it just wasn't delivered particularly—particularly well. ROWAN:  This is also the point of the second flashback where Andrew first decides to accuse them. Because as far as he's aware, some people have come into the house. They are talking about the apocalypse, all of this shit. They maybe want to hurt him and his family. They tied him up and he's like, you are a bunch of homophobe.  I mean, it's just a very—a very great, very like, get out, I would have voted for Obama [30:05] if I could energy. Has been like, I don't have a homophobic bone in my body. I would never— how dare you accuse us of being queer bashes, as I— JAZZA:  Yes. ROWAN:  —literally gave your husband concussion, but not for the gay reason. JAZZA:  It's just because you've been chosen by God. ROWAN:  Just because you're chosen special family. Chosen by God to be killed, which is very gay of you. But that's not [30:30]— JAZZA:  Very on brand. ROWAN:  —what we think, which I loved. And so I—I wrote this point, oh, maybe the twist because I didn't—we never— the only thing we didn't really get in the trailers was like, what the big choice was, what the decision was. You just got you and your family have to make a decision. So at this point, in my mind, I'm going oh, do the family have to kill these four? Because the four of them were looking really scared and freaked out. And like, so I was like, okay, this is where my mind is going at this point. And I guess that acting was good because they're scared [31:00] because they will have to die. But it turns out that wasn't a twist at all. They just killed themselves. So that was point—that was guest one from Rowan in her notes. JAZZA:  I will— I will say. So I—usually our roles, the two of us are, Rowan knows what the twist is and how the murder gets solved or whatever, 10 minutes into the movie. I don't understand what's happened until somebody explains it to me afterward. In this film, as soon as they tie them up, I was like, oh, they're gonna make them—they're gonna make them kill one another. Like, I— immediately got it. And I hadn't seen the trailer.  ROWAN:  No, no. This is immediately what I thought. But then I was like, stupidly, but the twist [31:45], there has to be a twist. JAZZA:  I get it. Okay. ROWAN:  So I was like, here are my twist guesses? So essentially, yeah they—they say, hey, buddies, your cute little family of three, that just happens to be a same-sex couple, nothing to do with our prejudices. Or—you got to pick one of you guys to kill, you have to do it willingly, and you have to kill each other. We can't kill you, and we can't choose. How's this gonna go, is that the four of us, we're going to ask you four times, who would you pick? And every time you say, I don't want to pick, something bad is gonna happen. And the bad thing is that we'll basically kill ourselves in front of you. And or like, the others will kill whoever is going to die at this point. And we will basically wipe out like a quarter of the population of the entire planet from that.  JAZZA:  Kinda. ROWAN:  Which really—I was like confused because I was like, well, is your death causing the destruction of the planet? Like, do you—could you just like not die and then the planet doesn't get destroyed? Like how does the functioning of this work? And then I very quickly was like, Rowan, listen, this movie is not about actually thinking about it. Don't think about it.  JAZZA:  Yeah.  So there's four of them. There's Leonard, who is played by Dave Batista. Redmond is played by Ron Weasley. And then there's Adrian and Sabrina played by Abby Quinn and Nikki Amuka Bird, respectively. They kind of like present themselves saying like a little bit about themselves really awkwardly. I don't know, what are they? Because I'm— I'm sure I've seen Rupert Grint acts before. And this wasn't good. And I don't understand what it was. And maybe it was like a character decision because it was a real problem for the Four Horsemen because they're— they're representative for four horsemen of the apocalypse. The four horsemen and the way that they kind of like engaged with one another and with their captors, it just felt so off. And like it didn't have any kind of like emotion behind it. It was very strange. ROWAN:  I think that in part that was because we were never getting anything from their point of view, it was always from I mean, maybe it was from Andrew's point of view. And so we were always being shown them where they were trying to present a—would there— they were trying to be persuasive. As for people who were not like naturally persuasive, so it doesn't necessarily have that authenticity of like when they're alone. So like we kind of hear them talking alone, but it's always like in the background of what's going on with Andrew and Eric, it's like just whispering that like over here. So I feel like yeah, we didn't really get a sense of them as like actual people beyond this, because we never got to see them talking in like a natural way.  JAZZA:  Yeah. [theme] JAZZA:  Hello, friends Jazza here for the ad read, as returning listeners will know we are part of Multitude, a collective of creators who make stuff for your ears. And this week we have something very exciting to announce. Merchandise, you asked and we listened. Multitude merch it's—it's finally here my loves. You can grab a Multitude logo tee or a crewneck sweatshirt now in our DFTBA store. And there's actually more merch in there now, and it's always being updated. I'm gay, I suppose. So I'm bloody obsessed with the fact that our friends at the Spirits podcast now have their own tarot card deck, which is exactly what I need to make all of my life decisions. As a reminder, all multi-crew members at the $10 tier and up get 10% off all Multitude logo merch, always. So are you Team tee, team crewneck? Or are you something else? Tag Multitude on your socials once you have your merch so that we can settle the debate once and for all. We would like to thank the Dot Gay Domain. Yeah, It's real, for sponsoring this episode. As the first top-level domain dedicated to the LGBTQ-plus communities, Dot Gay [35:53]  [35:54] you stay.com Sashay away. Since launching in 2020, over 18,000 individuals, organizations, and businesses like even Target, Tarjay, have registered a Dot Gay domain name, and they're just getting started. Dot Gay is a community-focused domain that serves LGBTQ-plus communities by providing visibility and donating 20% which is a lot of each domain registration to grassroots organizations. The Dot Gay Domain is committed to providing a safer internet for LGBTQ-plus communities by banning and taking down hateful content. So if you're sick of using a domain that doesn't represent you, switch to Dot Gay today. Head over to queermoviepodcast.gay. Yeah, we've got one too now, to get a free Dot Gay domain name of your choice for your own website or brand for one year. Make Dot gay your online identity because.com, it really isn't gay enough. Speaking about domain names, you've heard us talk about Squarespace before and they continue to be supporters of this podcast. And we're very, very grateful. We use Squarespace for all of our own website needs. It gives us access to analytics and create email campaigns because you can't trust the bloody algorithm anymore. And it also is a really handy place for us to be able to get all of our social media in one place, especially since I was banned from Twitter by Elon. It's really important for me to have kind of like a hub. And Squarespace domains allow me to do that. We know that you hear many of your favorite digital people, friends, that stuff you listen to, all of them have their own Squarespace advertising code thing. Please use ours, it really hugely makes a difference for us to be able to continue to go back to Squarespace and be like, hey, are—all of the queers, they love this stuff. So really appreciate you continuing to use our code. All you need to do is go to squarespace.com/queermovie in order to register for a domain or buy a website. And then all you have to do is use Queer Movie at checkout and you save 10 percentage points off of your first purchase. Just go to squarespace.com/queermovie, that's squarespace.com/queermovie. Okay, we can get back to the show now.  [theme] JAZZA:  So this is where my— this is my party and its aftermath and the party is the death of Ron Weasley. ROWAN:  I mean, yeah, sure. JAZZA:  Because this is the first place for me where I laughed, where I shouldn't have laugh.  ROWAN:  The first place love that energy. JAZZA:  Like Ron Weasley has to be murdered because the gays said they're not going to kill one another. And the bit that I laugh at is where the producer finishes off. Ron Weasley, and then picks up his legs. And then the camera tracks as he drags him out onto the patio, past two windows and then just drops his legs. And I just the—the visual of it absolutely sent me. I was inappropriately cackling through the whole dragging scene in the cinema, everybody hated me. ROWAN:  I love that. So yeah, sorry, Ron, you're dead. You die pretty early. You had a good run, being angry man in the corner because Ron's character was just angry that— that was his character at that point, was just angry, grumpy man, that was it. JAZZA:  He's meant to be wrath or something like that. They then turn on the telly and they see that oh, look, there's been earthquakes and there is tsunamis. Despite the fact that the first of those earthquakes, this is one of the plot holes. And the plot holes that really annoyed me. Were the first two like plagues that they released onto humanity, by not sacrificing one another? The first one is two earthquakes that cause two tsunamis that happen— the first of which happens four hours before they turn on the telly. Which means what it can't have been triggered by the gays. And then the second one is a type of like flu, is like an— it's a bird flu or something like that. That for some reason has an epicenter in Suffolk.  ROWAN:  Classic Suffolk. JAZZA:  Classic Suffolk. But that has also been happening for several months already. And so also isn't caused by the gays. There is like a wider conversation around like the religious zealot nests of gay marriage causes natural disasters. ROWAN:  I love that. JAZZA:  I think there is like an opportunity for a meta-commentary about that here, but I'm not going to make it. ROWAN:  I also— my favorite bit of this whole section was that the newscaster got— well first of all the [40:53] add to that place before— JAZZA:  [40:55] ROWAN:  [40:55] and then that— which is it's the directors are coming out right?  JAZZA:  Yeah. ROWAN:  Yeah, yeah, yeah. JAZZA:  Yeah it's nice in there, yeah. ROWAN:  I was like I—that looks like the director. So I just really liked that it was like that was a choice that they made, where they're like waiting for the breaking news to happen. But during the newscast, the woman goes just short moments ago, we have footage and I'm like, that's not short moments ago, because that person who took that footage is fully dead. Like they— JAZZA:  Yeah. ROWAN:  —they get consumed by the tsunami. They weren't then like in the tsunami being like Better Texas, it's ABC News. And it wasn't even like [41:29] JAZZA:  I guess they could do live streaming. Yeah.  ROWAN:  Well, the thing is, normally when that happens, you have like live stream, but I was like, this is just so ridiculous. But I was like, you know what, the film was ridiculous, I'm getting into it. Also, like a lot of the tone of the— for kind of people who have come to this cabin. These—with these weird moments of comedy, of awkwardness, that I was never quite sure whether I was meant to be laughing out. So I was like, la— sometimes laughing in my head, I don't think I ever laughed out loud. But like, it was such a strange tone that I really wasn't sure what was going on, or what I was meant to be thinking. But yeah, just that really sent me. We also at this point, essentially, they're like, we're on a clock, we're on a timer. But actually, you know what, we're gonna have to break overnight like we actually end of our shift. So you guys have a little chat? JAZZA:  Yeah, yeah, yeah. actually, [42:14] see you in the morning. ROWAN:  See you in the morning gang. And we find out that Eric is definitely—we know from a flashback that his religious. And so I think at this point we're starting—they're like slowly creeping in the potential that Eric could be— JAZZA:  He's the weakest link, kill the fucker, kill Eric. ROWAN:  —persuaded he's the weakest link. I then put my second prediction, which was Eric is one of these religious bitches. So I thought because he kept asking— JAZZA:  That would have been good. ROWAN:  I kept— he kept asking questions about the— so at first, I predicted that right at the beginning when they have that moment of being like, oh, you can pray if you want to. And they tell him about the visions they've been having, which is like them predicting, prophesizing, what's going to happen, and how it all matches up. And he says something like, dreams can mean lots of things. And I was like, oh, I think he's been having these dreams., and he's persuade—like his—like Andrew has persuaded him, like this is because you're stressed like, these don't mean anything. And he's trying to persuade himself, and I fully thought that he also had been having these dreams. That was prediction fun twist number two, that didn't happen. So then we get a flashback to them in the car. And the—it's just them being cute and singing, and coming to the cabin and that child actor who plays he—who plays Wen looks directly into the camera almost for that entire sequence, and I loved it so much. They're singing karaoke and she keeps clearly being directed to look at either of the dads, but between them is the camera and she just spends most of the time looking directly at the audience. JAZZA:  I didn't notice that at all [43:45] ROWAN:  It was stunning, I love her. They also—at this point are talking about being a rat in the flashback, talking about being in the cabin, and I got what I thought was going to be a really fun Chekhov's gun situation, where they are joking about whether there are like bears in the area. And one of the dads is like we know we'll be safe we won't need the garbage out. And I was like Ron, Ron's gonna get eaten by a bear. There's gonna be some bear situation that's going to happen like we won't need the garbage out. But there's literally a dead body waiting to be eaten by a bear. Like something is happening. That never came back again, that was wrong as well. JAZZA:  Ohh, an army of bears, um like— ROWAN:  I really was like waiting for [44:19] JAZZA:  [44:19] of [44:20] could have turned up. Or I was thinking like some level that bear daddies could have trotted up and saved them [44:28] ROWAN:  That would have been even better, but no. We also at this point, like the whole movie is just them being in this cabin. One by one, these people are killing themselves. They have various escape attempts. So at first, Wen tries to like climb into the basement and run but ends up getting captured. We also find out that Andrew has had an experience of gay bashing in the past, and that he is convinced— he suddenly realizes that he recognizes Ron Weasley because he looks a little bit different— JAZZA:  From the Harry Potter movies. ROWAN:  From the Harry Potter movies, but he's like— but also he was the guy who beat me up. JAZZA:  Yeah.  ROWAN:  And put me in hospital and put me through like this horrible like PTSD experience I have to have therapy for. And we also get a flashback where we can't quite see his face. So again, it's like oh, is it really him? Is he miss remembering because of his trauma? What's going on? And then—then we start questioning like are these people actually, you know, it's this all a coincidence, because did Ron tell them that he'd been having a dream about the cabin when they were chatting on the little [45:29]  where they all met. And then they suddenly started having the dream because he planted the idea in their heads. And very quickly that's all squashed and it's like no, no, it's— it's that's not what was happening at all, that the apocalypse is really going on. That switch and bait was kind of pointless for a second, don't worry about it— JAZZA:  Yeah. ROWAN:  —we're back on track. The apocalypse is definitely happening. Let's kill some more of these people. JAZZA:  Yeah, and the next one to die is Adrian. And as she dies, this flu that has existed for several months up until this point is then reported on the TV. Andrew end up, they're like really angry saying that these are obviously coincidences, this saying suggesting that these are pre-recorded broadcasts, that they are just turning on. And they're timing everything specifically for—for specific newscasts. And Sabrina, one of the two remaining, I'm going to underscore the horsemen. ROWAN:  Yeah, yeah, yeah. JAZZA:  Is bandaging up Eric and describing the vision that she's had, and how they ended up kind of like finding each other online, making them sound. This is the thing, if they had been hammered this idea more that they were people who were radicalized and made it feel more obvious to the viewer that oh, these are some people who have been radicalized online, like Q anon style vibes. That would have made the conclusion of the movie more—more, not necessarily surprising, but more interesting. And you kind of have it seated, but I don't think it comes across strongly you know? ROWAN:  Yeah. JAZZA:  Eventually, Andrew ends up escaping after Wen starts screaming for cartoons and distracts the rest of them. And Andrew somehow, like sneaks past them despite the fact that they're literally feet away from one another. He gets the car, gets his gun that was in the back that he carries around since he was gay bashed for his own protection, shoots. But [47:15], she stabs him. They end up going back into the cabin and then he actually does shoot and kill Sabrina. Sabrina's now dead. ROWAN:  Here are my notes for this section.  JAZZA:  Right. ROWAN:  Ron, Andrew, Sabrina, you hit him.  JAZZA:  Okay. ROWAN:  Get the gun. Hurry with that gun. Get the fucking gun. Stop stabbing him. Baby got the gun. She ran away. Oh, no flat tire. That's—that's what I wrote down, some very important intellectual notes about that whole section. And then I put, why are you threatening Leonard, just kill him. JAZZA:  Yeah, right. Just shoot the fucker. ROWAN:  Just shoot the fucker. JAZZA:  He—he does say—he does say we don't want to be a murderer like you all are. ROWAN:  But then okay, this is the thing that's really weird as well, is that they have this whole thing where they're trying to persuade us like Andrew doesn't give a shit about humanity. Like he's this jaded motherfucker. He doesn't give a shit. He'll let humanity burn if it will save his family. And he can't shoot one dude. That doesn't seem— that doesn't seem in line with his character, Bishop. JAZZA:  So Sabrina got— got sho, she's now dead. For some reason, they always have to kind of like, finish them off, even though they're clearly already dead. But Leonard— ROWAN:  That'd be thorough. JAZZA:  Yeah, yeah, yeah. Make sure that the job is done. He wraps it up in a blanket and sticks you into the—into the other room. But then Eric and Andrew, lock Leonard in the bathroom because they're going to run and try and go to the truck that the four horsemen must have arrived here with. ROWAN:  And when they put them him in the bathroom, there is just a very visible human-sized hole of a window. JAZZA:  Sure, sure. But—it so—so Leonard smashes this window, making it seem like he's managed to escape. He's huge. He wouldn't fit through that window. And so it's just obvious. ROWAN:  It's a normal human-sized window, not a Dave-sized window. JAZZA:  Not a Dave sized— sized window. And so they end up like wrestling to the ground. ROWAN:  Classic gay movie stuff, wrestling to be fair. JAZZA:  Yeah.  ROWAN:  [49:30] JAZZA:  They don't—they don't kiss. ROWAN:  They don't kiss though, which is normally— normally the boys wrestle and then they kiss in this situations. But no kisses, only gun grabbing happening here. JAZZA:  And then after Sabrina dies, this is the second time that I unintentionally cackled to myself in the movie. When we have the footage of all of the planes falling from the sky— ROWAN:  Weeee. JAZZA:  I did. It just looked—the CGI looked so bad— ROWAN:  It looks very bad.  JAZZA:  It just looked so silly to me. And there's people looking up in like horror, obviously, because like 700 planes are falling from the sky. But I just think the whole thing—the tone was just so off. So that's like the third and now we just have Leonard and this is where my act three, begins. [theme] JAZZA:  And my act three is, just kill Eric already. ROWAN:  Yeah, fair.  So at this point, it's like, okay, the planes are falling from the sky. Literally, there's like lightning and thunder everywhere. The darkness is descending, everything is going [50:37] So it's like, okay, the apocalypse is definitely happening. We have a choice to make. Leonard at this point is just like chilling out in the rocking chair. I guess I assume if he—if he wants a nice final moments, helping himself to that wine, cheese, and chocolate that they left help her at the beginning of the movie. JAZZA:  Yeah, what a weird guy. ROWAN:  And essentially is like, hey, guys. So hopefully you're persuaded by now. I still have to die, I guess. RIP, [51:03] for me. But please, also, you'll have a little bit after I die. Please kill each oth— like kill at least one of you guys. And there's a line again that in my head, I was like, oh, this is interesting. Which is Eric says to Wen, go to the tree house until one of us comes to get you. JAZZA:  Yeah, he's [51:21] ROWAN:  And was like it's like my baby about to die. And I was right for once. And then at this point, I put RIP Leonard. Every time someone died, I just put RIP, you know res— you gotta respect the horsemen.  JAZZA:  Yeah, exactly. ROWAN:  And then I said, but it finishes this time with RIP Leonard, hello darkness, my old friend. Because as soon as he dies, quite literally, the sky turns black. Just because of you know, we lost—we lost a bad boy, and the earth couldn't cope. So essentially, this then becomes this weirdly like heavy-handed, strange, extended, not even a metaphor, like sym—symbolism or a lesson to be learned. I don't know what it was. About, like the one gay who hates humanity because he was gay bashed and blames other people. The other gay who's a religious boy, who sees the best in other people— JAZZA:  Sacrifice himself.  ROWAN:  And he also— he's Jesus, I guess. JAZZA:  Jesus was gay.  ROWAN:  [52:15] JAZZA:  [52:16] being single in that economy. ROWAN:  Right? And it's just like, they're not— like they hate us, they're monsters. Like all of these homophobes, the whole world is homophobic and hates me particularly. Like,I love humanity, I hate humanity conversation. JAZZA:  So this actually—this was the— this was the thing I wanted to talk about.  ROWAN:  Ooh, you want to do it now? JAZZA:  Because like— Yeah. So I think that there was something potentially really interesting that could have played with the idea of the paranoia that you have from be— having grown up in a homophobic community, in a homophobic culture. Where your guard is always up, you don't trust others. And you like, for example, when Andrew automatically goes to, oh, you're hurt, because you're homophobic, and you think that we should die and that they're religious zealots. And that bad faith assessment that they have, because of the terrible experiences that Andrew specifically in this case, but queer people in general have gone through, he automatically then sees the worst in any confrontation that he ends up having. It made me think when we saw the Ron Weasley attacking him scene. And then the next scene is him purchasing a gun, it made me think of—so I made a documentary after [53:36] shootings in Florida. And then the increase in gun use amongst the elderly, or registration of guns among the LGBTQ-plus community. And that desire for you to take that power and agency back from this culture that has taken away safety from you. And therefore you need to be able to make yourself hard and make yourself battle ready. We see him training to be a boxer as well, so that he's able to defend himself, and therefore his family. And I think that there was a real potential here with this character, with Andrews's character to be like, oh, I have to— like, what is the thing that I am defending? Is it me, or is it this thing that I have built? And I think that the movie falls flat on that, but there was such potential for that theme of like, the tragedy of being a queer person growing up in a homophobic culture. And what that does to you in not being able to really kind of like experience life in a joyful way. So that was my little extra bit, but it doesn't do that. ROWAN:  No. And I also think that that has been slightly— like that very legitimate, like element and experience, kind of almost has been, like co-opted by this. Like, I feel like I've seen multiple sketch shows, where you have the gay character who preemptively assumes homophobia or the black character who preemptively assumes, like racism, where it's like, oh, is it because I'm black? Is because I'm gay? Oh, this is I'm a woman, isn't it? And so that is become such a like, catch-all, gotcha where you can legitimately point it out without it being like, you're paranoid. You're crazy. Like— JAZZA:  Yeah, it's not because you're gay, it's because God's chose you. ROWAN:  Yeah, it's like, really— I feel like it would be a really tricky one to do, without either legitimizing the idea that like, literally the entire world is out to get you and everyone is homophobic, but also legitimizing the very real dangers and fear that can be present, and like the psychological experience of like, extreme chronic stress that you can have from this constitution, which I think is something that like a lot of marginalized people go through. But yeah, you're right, it didn't happen. So you know what— JAZZA:  Oh, well.  ROWAN:  Oh, well. JAZZA:  And then finally, let's wrap this shit up. ROWAN:  Wrap it up. Finally, finally, thank God, Eric's dead.  JAZZA:  Eric's dead. ROWAN:  Andrew killed him just in case you [56:04] it wasn't—Wen didn't kill him, Wen is in the tree house. JAZZA:  [56:08] There'll be a cool twist out of it. ROWAN:  She would have been like, I can't let you choose between—she's like still this little eight-year-old being like, fathers, daddies, I would never let you choose for that would be the most awful torture of all, I will decide which Daddy dies today. JAZZA:  I— I read, I actually kind of part of me really, really wanted that. Especially because she was really affected by the fact that all of the kids were dying from the bird flu. And I would have liked it if she just taken the gun and shot Eric in the head. but anyway. ROWAN:  Oh my god, that would been great. JAZZA:  So we have like this weird post—post-apocalyptic scenes where they go to a— they take the truck to a diner, and we are told literally by one of the NPCs.  ROWAN:  Yep.  JAZZA:  Oh, everything's gonna be okay now ROWAN:  That accent, I can only assume will be improving as you continue to live in New York. JAZZA:  I fucking hope not. And then when they return to the truck, they play—they turn on the radio and this song called Boogie Shoes comes on [57:13] which was shown in a flashback beforehand. ROWAN:  Where she looked at the camera all the time. Yeah.  JAZZA:  Yeah. Where she looks at the camera, and then they drive off. ROWAN:  The end. There was one last moment where I thought, huh, interesting. Because as far as I could tell, that's raining during that entire end sequence.  JAZZA:  Oh yeah, oh yeah. ROWAN:  And her dress and his shirt is just bone dry the entire time. Until I think they get into the cafe, and then suddenly, I think they're like, slightly damp. But I think it was just a continuity error, you know what I mean? Same with like, there's a moment where their hands get tied in front of them, but then suddenly, their hands are tied behind them stuff like that. But no, it was just continuity. It wasn't some like secret thing about reality, or what was real or a twist. It's just simply the end of the movie now. Also, I wrote down. So one of the funny things is with the burial gays trope. I did a video a while ago that essentially analyzed like these, the separate instances of like, what counts as burial gays, and what the different like most common uses for it are. And one of the really big ones in the start of like, queer representation that was being more sympathetic in sort of like the 90s and onwards, was this idea of like, the gay character dies in order to, like, teach everyone else a lesson about like, the value of life and love. And I was like, oh, no, this is like the ultimate version of don't worry, the gay one will die, but the rest of us can go on and learn to appreciate life on this planet even more. JAZZA:  [58:37]  ROWAN:  Oh, my God imagine. Truly [58:41] Four Weddings and a Funeral. Just—there's so many insane examples. My absolute favorite one is in supernatural, there are these characters called a thing they called the ghost faces. And one of them dies, and there's literally a line that's like, gay love, like save to the world. Just because like the power of gay love, like prevented the apocalypse or whatever, because he just dies. So yeah, that was the movie, that was the end. JAZZA:  Thank God.  ROWAN:  Yeah.  JAZZA:  Shall we go into ratings? ROWAN:  Let's do it. [theme] JAZZA:  When we rate each of the movies that we talk about and review on this podcast, we use the six bars of the rainbow flag and we give a certain number of bars and certain colors. Does that make sense? It will in a minute. So we can give any combination of red which means life, orange, which means healing, yellow, which means sun, green, which means nature, blue, that means harmony, and purple, that means spirit. ROWAN:  How many bars are you going to give it, Jazza? JAZZA:  I'm gonna give it yellow, and that's it. Um because— ROWAN:  [59:49] JAZZA:  The sunlight— ROWAN:  I'm also going to give it yellow and I think we have the exact same reasoning. JAZZA:  So the late—the golden hour, kind of like lighting that comes through the window. ROWAN:  Yeah, [1:00:01] JAZZA:  Shines, yesss. ROWAN:  It was tasty.  JAZZA:  It was so good. It was the only good thing about the movie and the Grasshopper scene actually. So maybe if quite liked this movie more, I did given it green as well for nature, but no, it's just getting yellow. ROWAN:  Yeah, I fully agree, and sunlight for that exact reason. It was some beautiful shots in the bathroom. That again, I was looking at and I was like, I want to find some meaning behind this. One of you is in light, one of you is in shadow. Like what's happening here? There's some interesting colors. There was a whole moment where Eric talks about seeing a figure in the light that I guess was Jesus and— JAZZA:

This week we talk about The M. Night movie of biblical proportion... Knock at the Cabin! Twist or not, lets talk about it. Join us and get in on the convo. Also follow us on Twitter @bonsai_crew. And please Like, Share, and Subscribe to the YouTube channel https://www.youtube.com/@thebonsaimoviecrew1850 !  And check us out on Facebook and Tik Tok and creep on us there! And don't forget our Podcast can be found on Spotify, Amazon music, Apple Podcast, and Google Podcast. Thank you so much for your support! WE LOVE ALL OF YOU!

Analisamos "Batem à Porta", thriller de M. Night Shyamalan que pergunta: você sacrificaria alguém que você ama para salvar a humanidade? - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Nesta edição, o podcast cinematório café analisa o filme "Batem à Porta" (Knock at the Cabin), thriller dirigido por M. Night Shyamalan que propõe uma parábola bíblica moderna a partir do seguinte questionamento: você sacrificaria alguém que você ama para salvar a humanidade? Baseado no livro "Uma Cabine no Fim do Mundo", de Paul G. Tremblay, "Batem à Porta" é um filme de horror que mistura elementos do cinema de horror e dos filmes-catástrofe ao contar a história de uma família que é surpreendida pela chegada de quatro estranhos enquanto descansa em uma casa no meio da floresta. Armado, o grupo ameaça os dois pais e a filha pequena com uma "missão divina": salvar a humanidade a partir do sacrifício de um dos três. Estrelado por Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Abby Quinn, Rupert Grint e a estreante Kristen Cui, o longa tem o próprio Shyamalan como roteirista ao lado da dupla Steve Desmond e Michael Sherman. "Batem à Porta" é o segundo filme seguido do diretor baseado em um material que não é de sua autoria, após "Tempo". Quem se senta à mesa conosco para discutir "Batem à Porta" é Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG. O cinematório café é produzido e apresentado por Renato Silveira e Kel Gomes. A cada episódio, nós propomos um debate em torno de filmes recém-lançados e temas relacionados ao cinema, sempre em um clima de descontração e buscando refletir sobre imagens presentes no nosso dia a dia. Quer mandar um e-mail? Escreva para contato@cinematorio.com.br. A sua mensagem pode ser lida no podcast!

Written and directed by M. Night Shyamalan, Knock at the Cabin is the apocalyptic psychological horror film based on the 2018 novel The Cabin at the End of the World by Paul G. Tremblay. While vacationing at a remote cabin, a young girl and her parents (Jonathan Groff, Ben Aldridge) are taken hostage by four armed strangers (Dave Bautista, Nikki Amuka-Bird, Abby Quinn, Rupert Grint) who demand that the family make an unthinkable choice to avert the apocalypse. With limited access to the outside world, the family must decide what they believe before all is lost.

Greetings programs!  This week on the show Matthew and Simon take a look at the new M. Night Shyamalan movie Knock at the Cabin and the new Netflix release We Have a Ghost.  There are many opinions in this one, so listen and let us know what you think!LINKS:            Matthew was recently a guest on The LAMBCast, the podcast of the Large Association of Movie Blogs, discussing a personal favourite film, The Man Who Would Be King.  Listen to that on Apple Podcasts or Spotify or Podomatic!You can find streaming links and all of our other content on this episodes homepage at AwesomeFriday.caSUPPORT:           If you like what you hear please consider supporting us on Patreon or Ko-Fi!  Patreon    Ko-Fi CONNECT WITH US:      Matthew on Twitter: @SmatthewAF Simon on Twitter: @TemporaryPen Home:   AwesomeFriday.ca Awesome Friday on Twitter: @AwesomeFridayCa    Awesome Friday on Facebook: Awesome Friday Awesome Friday on Instagram: @AwesomeFridayCa AwesomeFriday on YouTube: Awesome Friday Email Awesome Friday: Contact Us SHOW LINKS: Awesome Friday on Apple Podcasts Awesome Friday on Amazon Music Awesome Friday on Deezer Awesome Friday on Goodpods Awesome Friday on Google Podcasts Awesome Friday on iHeartRadio Awesome Friday on JioSaavn Awesome Friday on Overcast Awesome Friday on Spotify Awesome Friday on Stitcher Awesome Friday on TuneIn Meanwhile, relax and enjoy your flight. 

#079. KNOCK AT THE CABIN (2023) REVIEWAirdate: February 22, 2023Knock at the Cabin asks one couple to make a sacrifice to save all of humanity. M. Night Shyamalan returns with his latest feature film starring Dave Bautista. The question he posed is simple: would you put others before yourself? Could you? Forever Fangirls discusses the film and their answers to that very thought.**Spoiler Warning**If you'd like the show notes, see the trailer or links mentioned in this episode, head to:https://www.foreverfangirls.com/episode079/  Leave a 90s Message: https://www.speakpipe.com/ForeverFangirlsPodcastFollow Forever Fangirls: https://linktr.ee/ForeverFanPod

Chris and Taylor review the 2023 apocalyptic psychological horror film, Knock at the Cabin, that was written and directed by M. Night Shyamalan. A family of three vacationing at a remote cabin are suddenly held hostage by four strangers, who demand they sacrifice one of their own to avert the apocalypse. The film stars Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn, and Rupert Grint.Follow us on:Instagram: https://www.instagram.com/thepotentialpodcast/Facebook: https://www.facebook.com/thepotentialpodcast/?ref=pages_you_manageTwitter: https://twitter.com/thepotentialpodKeen: get your first 10 minutes with any psychic advisor for only 1.99 with our link - that's $99 In savings: https://trykeen.com/potential

Knock at the Cabin is a 2023 American apocalyptic psychological horror film written and directed by M. Night Shyamalan, who wrote the screenplay from an initial draft by Steve Desmond and Michael Sherman. It is based on the 2018 novel The Cabin at the End of the World by Paul G. Tremblay, the first adaptation of one of his works. The film stars Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn, and Rupert Grint. In the film, a family of three vacationing at a remote cabin are suddenly held hostage by four strangers, who demand they sacrifice one of their own to avert the apocalypse. Knock at the Cabin premiered in New York City at the Rose Hall on January 30, 2023, and was theatrically released in the United States on February 3, 2023, by Universal Pictures. The film received generally positive reviews from critics, with praise for Shyamalan's direction, the cinematography and Bautista's performance, though the screenplay and self-serious tone divided critics, and has grossed over $37 million worldwide. --- Send in a voice message: https://podcasters.spotify.com/pod/show/popcorn-junkies/message

This week Will, Ian & Jenny welcome back JAY PICHARDO to discuss, in as straightforward a manner as possible, with no twists, none, not 1, it's just exactly what you expect, all the the way to the end. Did you listen to the last episode Jay was on? ( Season 2, ep. 48- SMILE) It's Just like that, different movie, but just like that, no twists. You heard it then, you'll hear it now. Seriously, you'd think there'd be at least, like 1 twist. For shits and giggles, you know? But no, no twists when discussing- KNOCK AT THE CABIN Directed by: M. Knight Shyamalan. Starring: Dave Bautista, Jonathan Groff, Rupert Grint, Ben Aldridge, Nikki Amuka-Bird, Abby Quinn, Kristen Cui and Many Other Talented People! 00:00:50- First Thoughts 00:04:10- How Ya Been? 00:09:15- Whatcha Been Watchin'? (Jenny- The Pale Blue Eye, XX, Everybody Loves Raymond, RuPaul's Drag Race... American Carnage -Jay. Will- Vengence, Babylon, Ticket to Paradise. Ian- Peninsula. All- The Last of Us) 00:17:10- Trailers 00:26:20- KNOCK AT THE CABIN 00:27:40- Jay handles the 30 Second Summary! 01:14:40- Ray Review 01:15:00- Thank You!?Next Week/Bye! Wait! Will doesn't do the 30 Second Summary!?! Only one way to find out... Enjoy! Instagram: @TheLastActionCritics Twitter: @THE_Lastcritics email: Thelastactioncritics@ gmail.com Next Week: MAGIC MIKE'S LAST DANCE

We tried not to knock KNOCK AT THE CABIN. We really tried.Shop the Store: http://tee.pub/lic/bvHvK3HNFhkTheme Music "A Movie I'd Like to See" by Al Harley. Show Art: Cecily Brown Follow the Show @freshmoviepod YouTube Channel abreathoffreshmovie@gmail.com

The newest film from M. Night Shyamalan is, Knock at the Cabin starring Dave Bautista, Jonathan Groff, Rupert Grint, Ben Aldridge, Abby Quinn, Nikki Amuka-Brid, and Kristen Cui. To stop the apocalypse a hard choice must be made. Will this movie save itself from disaster or let the world burn? Let us see what Leo and Louis think in the newest episode of the Horror Herald (and yes read this as an old 1920s radio host, thank you). Sponsor: https://seesawreviews.weebly.com/ Spotify: https://open.spotify.com/show/6pOqLVr... Soundcloud: https://soundcloud.com/user-206363816... Apple Podcast: https://podcasts.apple.com/au/podcast... Tiktok https://www.tiktok.com/@horrorherald?... Twitter https://twitter.com/thehorrorherald Instagram https://www.instagram.com/horror_herald/ Music: Climb Together https://www.youtube.com/watch?v=fOjLAA_dbK0 #mnightshyamalan #knockatthecabin #horrorstories

Tony & Jeremy review the in-theatre movie Knock at the Cabin (2023), starring Dave Bautista, Rupert Grint, Abby Quinn and Nikki Amuka-Bird.  In the second half we'll discuss one of Tony's favorite movies 2017's Good Time (2017) starring Robert Pattinson, Benny Safdie & Taliah Webster.Chapters:Current Talk: The Last of Us, Futurama, M3gan (2023), Black Mirror: (00:29)Knock at the Cabin (2023) Review: (16:24)Good Time (2017) Discussion: (33:28)The clips featured in this podcast were for critical review and parody, which are protected under the Fair Use laws of the United States Copyright Act of 1976. All rights are reserved and acknowledged.Knock at the Cabin (2023) - Rotten TomatoesGood Time (2017) - Rotten Tomatoes

Manish (@vertigay314) is back with another episode of M. Night Frights, the podcast miniseries celebrating the genre films of M. Night Shyamalan! The Philadelphia genre king is back with Knock at the Cabin starring Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Abby Quinn, Kristen Cui, and Rupert Grint. Manish welcomes back Shuarya Chawla (@Shaurya_Chawla) first for a spoiler free discussion, then a full spoiler chat about the themes, filmmaking, and ending! Answer the knock and listen in.

Join us as we catch some grasshoppers at a quiet cabin, and oh yeah - watch the world end, all while discussing the brand new Shyamalan joint - ‘Knock at the Cabin'. Knock at the Cabin is a 2023 American apocalyptic psychological horror film written and directed by M. Night Shyamalan, who wrote the screenplay from an initial draft by Steve Desmond and Michael Sherman. It is based on the 2018 novel The Cabin at the End of the World by Paul G. Tremblay, the first adaptation of one of his works. The film stars Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn and Rupert Grint. In the film, a family of three are vacationing at a remote cabin, but they are suddenly held hostage by four strangers, who demand they sacrifice one of their own to avert the apocalypse. We Watched A Thing is supported by Dendy Cinemas Canberra. The best Australian cinema chain showing everything from blockbusters to arthouse and indie films. Find them at https://www.dendy.com.au/ If you like this podcast, or hate it and us and want to tell us so - You can reach us at wewatchedathing@gmail.com Or, Twitter - @WeWatchedAThing Facebook - @WeWatchedAThing Instagram - @WeWatchedAThing and on iTunes and Youtube If you really like us and think we're worth at least a dollar, why not check out our patreon at http://patreon.com/wewatchedathing. Every little bit helps, and you can get access to bonus episodes, early releases, and even tell us what movies to watch.  

Robert Winfree, Jason Teasley and Mark Radulich present their Knock at the Cabin 2023 Review! Knock at the Cabin is a 2023 American apocalyptic psychological horror film written and directed by M. Night Shyamalan, who wrote the screenplay from an initial draft by Steve Desmond and Michael Sherman. It is based on the 2018 novel The Cabin at the End of the World by Paul G. Tremblay, the first adaptation of one of his works. The film stars Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn and Rupert Grint. In the film, a family of three are vacationing at a remote cabin, but they are suddenly held hostage by four strangers, who demand they sacrifice one of their own to avert the apocalypse. Knock at the Cabin premiered in New York City at the Rose Hall on January 30, 2023, and was theatrically released in the United States on February 3, 2023, by Universal Pictures. The film received generally positive reviews from critics and has grossed $21 million worldwide. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also snapchat: markkind76 FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich

Make the choice.Knock at the Cabin is a 2023 American apocalyptic psychological horror film written and directed by M. Night Shyamalan, who wrote the screenplay from an initial draft by Steve Desmond and Michael Sherman. It is based on the 2018 novel The Cabin at the End of the World by Paul G. Tremblay, the first adaptation of one of his works. The film stars Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn and Rupert Grint.A family of three are vacationing at a remote cabin, but they are suddenly held hostage by four strangers, who demand they sacrifice one of their own to avert the apocalypse.00:00 Intro04:20 Horror News19:22 What We've Been Watching37:05 Film Review1:59:00 Name Game2:06:17 Film Rating2:11:00 OutroPodcast - https://podlink.to/horrorhangout​​​Patreon - https://www.patreon.com/horrorhangoutFacebook - https://www.facebook.com/horrorhangoutTwitter - https://twitter.com/horror_hangout_Website - http://www.hawkandcleaver.com​​​Ben - https://twitter.com/ben_errington​​​Andy - https://twitter.com/AndyCTWritesAudio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

Actor Abby Quinn (Knock at the Cabin, “Mad About You”) sat down with Creative Coalition CEO Robin Bronk. In this episode, Quinn takes listeners behind-the-scenes of the newly released blockbuster film, M. Night Shyamalan's "Knock at the Cabin", her time on the "Mad About You" re-boot, and much more.

On this week's episode of MovieTime, Rene and Blake discuss Knock At The Cabin and give their full thoughts and review of the film. Deep diving into the messages and meaning behind the intruders and what made this very different from the book. They also look back at M. Night Shyamalan's library and give their own person top 5! MovieTime is the weekly film review podcast where two friends get together and BS about movies and their love of cinema! Knock at the Cabin (2023) Synopsis: While vacationing at a remote cabin in the woods, a young girl and her parents are taken hostage by four armed strangers who demand they make an unthinkable choice to avert the apocalypse. Confused, scared and with limited access to the outside world, the family must decide what they believe before all is lost. Directed by: M. Night Shyamalan Starring: Dave Bautista; Jonathan Groff; Rupert Grint; Ben Aldridge; Abby Quinn; Nikki Amuka-Bird; Kristen Cui Entertainment Earth Affiliate: Enjoy 10% off in-stock orders plus free shipping on orders over $40! https://ee.toys/LOWKEYG **Orders using this link will help support the channel by earning commissions on orders placed at no additional cost to you! Support the channel and get yourself some great coffee...Bulletproof Coffee! Get 15% off your order by using the discount code below at checkout. Discount Code=LOWKEYGEEK Link=https://shop.bulletproof.com/?utm_source=wooley&utm_medium=brand_ambassador&wly=LOWKEYGEEK

El director M. Night Shyamalan estrena nueva película, 'Llaman a la puerta' ('Knock at the Cabin'). Un film que nos narra una historia de una familia que mientras vacacionan en una cabaña remota, una pequeña niña y sus padres son tomados como rehenes por cuatro extraños armados, quienes exigen que la familia tome una decisión impensable para evitar el apocalipsis. Con acceso limitado al mundo exterior, la familia deberá decidir en qué creen antes de que todo se pierda. Reparto: Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn y Rupert Grint Hoy les presento mi crítica o review de ella!

This week the boys discuss M. Night Shyamalan's latest directorial feature, Knock at the Cabin (2023), which stars Dave Bautista, Jonathan Groff, and Rubert Grint. While Night had some source material to work with in Paul Tremblay's book "The Cabin at the End of the World", he changed the ending, so he was able to keep some surprise in how it's going to end. Not sure our co-host John liked that, he might have liked it more than his significant other, which is new for him. Jeff also made Dave edit some stuff out about the Chinese Spy Balloon because he ran his mouth about something he knew nothing about. However, since this movie has to do with the apocalypse, and we might have Russia and China both occupying land at the same time, maybe this movie will age well! Additional Cast/Crew: Steve Desmond, Michael Sherman, Nikki Amuka-Bird, Ben Aldridge, Abby Quinn, Kristen Cui, Intro/M. Night intro/Gripes: 0:00 Knock at the Cabin: 15:00 What've You Been Watching: 62:30 Find all of our Socials at: https://linktr.ee/theloveofcinema Hosts: Dave Green, Jeff Ostermueller, John Say. Edited and produced by Dave Green. Music: soundcloud.com/dasein-artist Beer: @cbarrozo.beer Tags: The Last of Us, Aftersun, Grammys 2023, Unbreakable, The Visit, Signs, The Village, letterkenny, Zendaya, Zendaya's sister, Timothee Chalamet, Meryl Streep, Star Wars, Into The Unknown, Scotland, Family Guy, Lucas Hedges, Turkey, Turkish Film, Queensland, Melbourne, Resorts, all-inclusive, The White Lotus, Death Becomes Her, The Lost Daughter, The Crown, NYU Film.    

Abby Quinn Stars In "Knock at the Cabin" Directed By M. Night Shyamalan https://www.youtube.com/watch?v=1QH7nMOr6eQ&t=1s Connect with us on our website for more amazing conversations!  www.brettallanshow.com  Got some feedback? Let us know! openmicguest@gmail.com  Follow us on social media! IG https://www.instagram.com/brettallanshow/ FB https://www.facebook.com/thebrettallanshow/ Twitter https://twitter.com/brettallanshow Consider giving us a kind rating and review on Apple Podcasts! https://podcasts.apple.com/us/podcast/id1486122533?mt=2&ls=1 Learn more about your ad choices. Visit megaphone.fm/adchoices

RYJ reviews Knock at the Cabin with Chioke I'anson... Ronald and Chioke discuss whether or not a film like this requires a red herring or a twist. Wait was that even a red herring?Chioke - 2 of 5 starsRYJ - 2.5 of 5 starsFollow Ronald Young Jr. on IG, Twitter, and TikTok - @ohitsbigronFor more information about Chioke I'anson check out the links below:https://icavcu.org/communitymedia/ https://www.npr.org/people/1006763492/chioke-iansonhttps://robertson.vcu.edu/directory/faculty/media-production/ianson.htmlUse the link below to get Leaving the Theater LIVE show tickets; https://www.unionstage.com/shows/leaving-the-theatre-live-love-onscreen-miracle-theatre/Available in TheatersStarring Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn, and Rupert GrintDirected by M Night ShyamalanWritten by M Night Shyamalan, Steve Desmond, and Michael ShermanFor more information about Knock at the Cabin check out the link below:https://www.imdb.com/title/tt15679400/Support Leaving the Theater on Patreon using the link below:https://www.patreon.com/LeavingTheTheater

For this week's main podcast review, I am joined by Ema Sasic, Josh Parham & Lauren Cohen. This week we're reviewing the latest film from M. Night Shyamalan, "Knock At The Cabin," starring Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn & Rupert Grint. Based on the 2019 book "The Cabin at the End of the World" by Paul G. Tremblay, Shyamalan crafts another faith-based, taut thriller that focuses on character and important moral questions surrounding belief. What did we think of its themes, performances, tension, and of course, the ever-talked-about M. Night Shyamalan ending? Tune in below as we discuss these points and more in our review. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

M. Night Shyamalan is back to his old tricks with his newest film Knock At The Cabin, at adaptation of Paul Tremblay's novel A Cabin At The End of The World. And this time, the twist is that.... there is no twist? Can that be right? Starring Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Rupert Grint, Abby Quinn, and Kristen Cui. Thanks for listening! Don't forget to like, subscribe, and rate! Instagram: @courtneywatchesmovies --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Knock at the Cabin is a 2023 American apocalyptic psychological horror film written and directed by M. Night Shyamalan, who wrote the screenplay from an initial draft by Steve Desmond and Michael Sherman. It is based on the 2018 novel The Cabin at the End of the World by Paul G. Tremblay, the first adaptation of one of his works. The film stars Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn and Rupert Grint. In the film, a family of three are vacationing at a remote cabin, but they are suddenly held hostage by four strangers, who demand they sacrifice one of their own to avert the apocalypse. Host(s) Thomas Cowley, Michael Flores

M Night Shyamalan's latest Knock At The Cabin is here and is it worth a watch? Keep watching to hear my thoughts and SPOILER FREE review of the film. Entertainment Earth Affiliate: Enjoy 10% off in-stock orders plus free shipping on orders over $40! https://ee.toys/LOWKEYG **Orders using this link will help support the channel by earning commissions on orders placed at no additional cost to you! Support the channel and get yourself some great coffee...Bulletproof Coffee! Get 15% off your order by using the discount code below at checkout. Discount Code=LOWKEYGEEK Link=https://shop.bulletproof.com/?utm_source=wooley&utm_medium=brand_ambassador&wly=LOWKEYGEEK Knock At The Cabin (2023) Synopsis: While vacationing at a remote cabin in the woods, a young girl and her parents are taken hostage by four armed strangers who demand they make an unthinkable choice to avert the apocalypse. Confused, scared and with limited access to the outside world, the family must decide what they believe before all is lost. Directed by: M. Night Shyamalan Starring: Dave Bautista; Jonathan Groff; Rupert Grint; Ben Aldridge; Abby Quinn; Nikki Amuka-Bird; Kristen Cui

Daniel, Shahbaz, & Anthony review M. Night Shyamalan's KNOCK AT THE CABIN. While vacationing at a remote cabin, a young girl and her parents are taken hostage by four armed strangers who demand that the family make an unthinkable choice to avert the apocalypse. With limited access to the outside world, the family must decide what they believe before all is lost. The film stars Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn and Rupert Grint. Knock At The Cabin releases exclusively in theatres February 3, 2023 by Universal Pictures.Get 20% OFF MANSCAPED + Free Shipping with promo code MOVIEPOD at MANSCAPED.comWatch and listen to The Movie Podcast review now on all podcast feeds, YouTube, and TheMoviePodcast.caContact: hello@themoviepodcast.caTHE MOVIE PODCAST ON ET CANADA!THE MOVIE PODCAST MERCHANDISE NOW AVAILABLE!FOLLOW USDaniel on Twitter, Instagram, and LetterboxdShahbaz on Twitter, Instagram, and LetterboxdAnthony on Twitter, Instagram, and LetterboxdThe Movie Podcast on Twitter, Instagram, TikTok, Discord, and YouTube

Despite having a mixed track record, filmgoers have been keen to watch M. Night Shyamalan's latest film: Knock at The Cabin. Join Ashley and Dylan as they share their thoughts on the film, talk about the performances of Dave Bautista, Jonathan Groff and Ben Aldridge and consider where it fits amongst Shyamalan's filmography.KNOCK AT THE CABIN (2023)Directed by: M. Night ShyamalanScreenplay by: M. Night Shyamalan, Steve Desmond, Michael ShermanBased on The Cabin at the End of the World by: Paul G. TremblayStarring: Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn, Rupert GrintHosts:Ashley Hobley: https://twitter.com/ashleyhobleyDylan Blight: https://twitter.com/vivaladilFollow our Trakt:Ashley - https://trakt.tv/users/ashleyhobleyDylan - https://trakt.tv/users/vivaladilAll Episodes:https://explosionnetwork.com/what-do-you-wanna-watchSupport Us:https://explosionnetwork.com/supportus

The 2023 film "Knock at the Cabin" is directed by M Night Shyamalan and based on a book by Paul G Tremblay. It follows a family on vacation in a cabin in the woods who are approached by four strangers with a proposal to save the world or face the end of it. The film stars Dave Bautista, Jonathan Groff, Ben Aldridge, and Kristen Cui, with supporting roles from Nikki Amuka-Bird, Abby Quinn, and Rupert Grint. The ending is a bit different from the book and it is recommended to go into the movie without knowing anything for a better time.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5939723/advertisement

The 2023 film "Knock at the Cabin" is directed by M Night Shyamalan and based on a book by Paul G Tremblay. It follows a family on vacation in a cabin in the woods who are approached by four strangers with a proposal to save the world or face the end of it. The film stars Dave Bautista, Jonathan Groff, Ben Aldridge, and Kristen Cui, with supporting roles from Nikki Amuka-Bird, Abby Quinn, and Rupert Grint. The ending is a bit different from the book and it is recommended to go into the movie without knowing anything for a better time.

País Estados Unidos Dirección Travis Knight Guion Christina Hodson Música Dario Marianelli Fotografía Enrique Chediak Reparto Hailee Steinfeld, John Cena, Pamela Adlon, Stephen Schneider, Jorge Lendeborg Jr., Jason Drucker, Kenneth Choi, Ricardo Hoyos, Abby Quinn, Rachel Crow Sinopsis Tratando de escapar, en el año 1987, Bumblebee encuentra refugio en un depósito de chatarra en una pequeña ciudad en la costa Californiana. Charlie (Hailee Steinfeld), a punto de cumplir 18 años y tratando de encontrar su lugar en el mundo, descubre a Bumblebee, dañado durante una batalla y descompuesto. Cuando Charlie lo revive, aprende rápidamente que éste no es un VolksWagen amarillo normal.

Screenwriter Stuart Wright talks to BREA GRANT, director of Blumhouse's horrifying Nashville Noir TORN HEARTS. A film that proves the old adage that you should never meet your heroes. TORN HEARTS is out now in the UK on HD Digital. It stars Katey Sagal, Abby Quinn & Alexxis LemirePlease consider leaving a five-star review wherever you get your podcasts if you enjoyed this. It really helps the Britflicks Podcast grow and others to discover it.CreditsIntro/Outro music is Rocking The Stew by Tokyo Dragons (www.instagram.com/slomaxster/)Podcast for www.britflicks.com. Written, produced and hosted by Stuart WrightSupport this podcast at — https://redcircle.com/britflicks-com-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tonight, on Gruesome Magazine episode 318, the Grue-Crew review TORN HEARTS (2022). Doc Rotten from Horror News Radio, Jeff Mohr from Decades of Horror: The Classic Era, Crystal Cleveland, the Livin6Dead6irl from Decades of Horror: 1980s, Lead News Writer at Gruesome Magazine Dave Dreher, and award-winning filmmaker Christopher G. Moore share their thoughts about this week's frightening collection of streaming horror films. Warning: possible spoilers after the initial impressions! TORN HEARTS (2022) Two friends, rising artists on the brink of a big break, will do just about anything to realize their dream – including a pilgrimage to the legendary and reclusive Harper Dutch's mansion in the hopes she'll record a song with them. While their life-long idol seems intent to help, the visit devolves into a twisted series of mental and physical torment as the pair discover Harper - and each other - may have other motives. With no other choice and desperate to record a song, the duo must go to dangerous lengths to prove their dedication to their dream of becoming Nashville's next country music stars. Available In On Demand and EPIX beginning May 20, 2022 Director: Brea Grant Writer: Rachel Koller Croft Cast: Katey Sagal, Abby Quinn, Alexxis Lemire with Joshua Leonard and Shiloh Fernandez FOLLOW: Gruesome Magazine Website http://gruesomemagazine.com YouTube Channel (Subscribe Today!) https://youtube.com/c/gruesomemagazine Instagram https://www.instagram.com/gruesomemagazine/ Facebook Group: https://www.facebook.com/groups/HorrorNewsRadioOfficial/ Doc, Facebook: https://www.facebook.com/DocRottenHNR Crystal, Facebook: https://www.facebook.com/living6dead6irl Crystal, Instagram: https://www.instagram.com/livin6dead6irl/ Jeff, Facebook: https://www.facebook.com/jeffmohr9 Dave, Facebook: https://www.facebook.com/drehershouseofhorrors  

Eric and his brother Steven Holmes initially called it "The IMDB Game" but. for now let's call "The Find Your Film Game." Eric and Steven go down the rabbit hole of director Joel Schumacher's movies and figure out which is the last film standing!I also review Torn Hearts, Brea Grant's latest directing effort which stars Katey Sagal, Abby Quinn, and Alexxis Lemire. Bruce reviews the Donald Cammell directed Demon Seed.Support our podcast by renting/purchasing Torn Hearts on Amazon (we receive a commission).Timestamp:(3:23) - Greg Srisavasdi's review of Torn Hearts(14:00) - The Find Your Film Game with Eric and Steven Holmes. Topic is the films of Joel Schumacher!(49:58) - Bruce's segment "Going in Blind" covers Cordelia(55:27) - Bruce reviews the Julie Christie feature Demon SeedFor more movie news and reviews, check out our Find Your Film website: https://findyourfilms.com/Check out our Find Your Film merch: https://www.findyourfilmpodcast.com/For an archive of actors and directors' favorite films as well as extra podcast content, subscribe to our Deepest Dream YouTube ChannelJoin our CinemAddicts Facebook Group, where we give Blu-rays and DVDs out weekly to our members!Bruce Purkey's YouTube Channel is RustomireFollow Eric Holmes On Twitter.Find Your Film is on Facebook, Twitter, and Instagram!

Welcome to The Horror Hour. The place where we discuss, debate, and disagree on all thing's horror. Today we have newcomer, Steve, joining Yutaka in a review of the Epix Original Torn Hearts. Directed by Brea Grant and written by Rachel Koller Croft. Katey Sagal, Shiloh Fernandez, Joshua Leonard, Abby Quinn, Alexxis Lemire. Produced by Blumhouse and dropping on May 20th on Epic or VOD. A country music duo seek out the private mansion of their idol and end up in a twisted series of horrors that force them to confront the limits they'd go for their dreams. Then join Yousef as he reviews the A24's film, Men. Written and directed by Alex Garland. Starring Jessie Buckley. Hits theaters May 20th. A young woman goes on a solo vacation to the English countryside following the death of her ex-husband. If you would like to support the podcast, you can follow us over on twitter and instagram: @TheHorrorHourTV You can also get your official 'The Horror Merch': https://www.redbubble.com/people/thehorrorhour/shop Our Links: https://linktr.ee/TheHorrorHour --- Support this podcast: https://anchor.fm/the-horror-hour/support

JJ and Steve travel back to 1995. That time when landlines were ubiquitous and had yet surrendered to the internet, cell phones and texting. Although Landline is from 2017, it feels like a close relative to the mid-90s indie film scene that was bursting onto the festival circuit at the time. Landline has an amazing cast: Jenny Slate, Jay Duplass, John Turturro, Edie Falco, and a true standout performance from Abby Quinn. Unfortunately they are given a script that fails to commit to fully being a comedy or a tragedy. Instead it straddles the fence and never fully commits to either side and exists in that painful and awkward space between. JJ and Steve discuss the awkwardness of not knowing whether to grin or cringe, because laughing or crying would be too strong a reaction. Is this film for you? Within the first 15 minutes of this episode you will know whether you will push play, or keep scrolling. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast! Watch this film: JustWatch Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

JJ and Steve travel back to 1995. That time when landlines were ubiquitous and had yet surrendered to the internet, cell phones and texting. Although Landline is from 2017, it feels like a close relative to the mid-90s indie film scene that was bursting onto the festival circuit at the time. Landline has an amazing cast: Jenny Slate, Jay Duplass, John Turturro, Edie Falco, and a true standout performance from Abby Quinn. Unfortunately they are given a script that fails to commit to fully being a comedy or a tragedy. Instead it straddles the fence and never fully commits to either side and exists in that painful and awkward space between. JJ and Steve discuss the awkwardness of not knowing whether to grin or cringe, because laughing or crying would be too strong a reaction. Is this film for you? Within the first 15 minutes of this episode you will know whether you will push play, or keep scrolling. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast! Watch this film: JustWatch Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

JJ and Steve travel back to 1995. That time when landlines were ubiquitous and had yet surrendered to the internet, cell phones and texting. Although Landline is from 2017, it feels like a close relative to the mid-90s indie film scene that was bursting onto the festival circuit at the time. Landline has an amazing cast: Jenny Slate, Jay Duplass, John Turturro, Edie Falco, and a true standout performance from Abby Quinn. Unfortunately they are given a script that fails to commit to fully being a comedy or a tragedy. Instead it straddles the fence and never fully commits to either side and exists in that painful and awkward space between. JJ and Steve discuss the awkwardness of not knowing whether to grin or cringe, because laughing or crying would be too strong a reaction. Is this film for you? Within the first 15 minutes of this episode you will know whether you will push play, or keep scrolling. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast! Watch this film: JustWatch Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

JJ and Steve travel back to 1995. That time when landlines were ubiquitous and had yet surrendered to the internet, cell phones and texting. Although Landline is from 2017, it feels like a close relative to the mid-90s indie film scene that was bursting onto the festival circuit at the time. Landline has an amazing cast: Jenny Slate, Jay Duplass, John Turturro, Edie Falco, and a true standout performance from Abby Quinn. Unfortunately they are given a script that fails to commit to fully being a comedy or a tragedy. Instead it straddles the fence and never fully commits to either side and exists in that painful and awkward space between. JJ and Steve discuss the awkwardness of not knowing whether to grin or cringe, because laughing or crying would be too strong a reaction. Is this film for you? Within the first 15 minutes of this episode you will know whether you will push play, or keep scrolling. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast! Watch this film: JustWatch Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

A show so chock full of fun thanks to our special guests that we expanded this week's episode of #BTLRadioShow to 90 minutes!! Filmmakers and brothers, CHARLEY and VLAS PARLAPANIDES, who join us talking about their new anime series on Netflix, BLOOD OF ZEUS. But in addition to Charley and Vlas, we've also got our pre-recorded exclusive interview with director LYDIA DEAN PILCHER and co-director/writer GINNY MOHLER talking about their new film, RADIUM GIRLS. I first met Charley and Vlas nine years ago for the blockbuster film Immortals which they co-wrote. Their love of mythology, which gave rise to some of the most ancient oral forms of storytelling, was at the heart of that film. And while they have had other projects since Immortals, nothing compares to what they now bring us as the Executive Producers, creators, and writers of BLOOD OF ZEUS. If you love Greek mythology, you'll love the series. If you love anime, you'll love this series. If you love mythology and anime together, you will go crazy for this series. Action, adventure, glorious visuals, characters that are larger than life (as all gods should be), yet a series with heart thanks to a hero. Involved in every level of the series development and production, listen as Charley and Vlas talk in-depth about anime vs cartoons, the genesis of the series, their love of mythology, developing storylines, picking the Olympian gods of which to include, writing for a defined episodic series vs a feature film, their writing process as co-writers and brothers, creating episodic arcs within the overall 8-episode series arc while tieing it all together with color, character, and visual composition, the animation itself, storyboarding, score, the importance of collaboration and the mantra of "no idea is a bad idea". But, before we get to Charley and Vlas, we kick off the show with our pre-recorded exclusive interview with LYDIA DEAN PILCHER and GINNY MOHLER talking about their new film, RADIUM GIRLS. Many of you may know of Lydia's work as a producer of films like Cutie & the Boxer, The Queen of Katwe, and The Immortal Life of Henrietta Lacks, or her latest directorial A Call to Spy starring Stana Katic which she actually filmed after RADIUM GIRLS, but now she joins forces with Ginny and co-writer Brittany Shaw to bring the true story of the "Radium Girls" to the silver screen. RADIUM GIRLS is the story of the lawsuit brought by five very brave girls against the US Radium Corporation in 1927 related to unsafe work conditions surrounding the use of radium to handpaint the dials of "glow in the dark" watches. Despite illnesses and death of numerous employees, US Radium maintained there was nothing wrong at the factory nor with the radium. As would be discovered, that was anything but the truth. They knew about the dangers of radium and the radiation poisoning of its employees, yet covered it up. Pilcher and Mohler now bring the story of the Radium Girls to life while interweaving the essence and feel of the "jazz baby" era into the legal battle. Captivating with the energy and effervescence of the 1920's thanks to archival footage, beautiful cinematography, exquisite score, the twinkling magic of radium itself, and diving in through the eyes of the victims, most notably the character of Bessie and her sister Jo played by Joey King and Abby Quinn, respectively, makes RADIUM GIRLS a "must see" film. http://eliasentertainmentnetwork.com

País Estados Unidos Dirección Greta Gerwig Guion Greta Gerwig (Novela: Louisa May Alcott) Música Alexandre Desplat Fotografía Yorick Le Saux Reparto Saoirse Ronan, Timothée Chalamet, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Meryl Streep, James Norton, Louis Garrel, Bob Odenkirk, Chris Cooper, Tracy Letts, Abby Quinn, Sasha Frolova, Jamie Ghazarian, Hadley Robinson, Ken Holmes, David Arthur Sousa, Jayne Houdyshell, Jen Nikolaisen, Domenic Arduino, Tom Kemp, Mikayla S. Campbell, Edward Fletcher, Lilly Englert, Rob Lévesque, Kayla Caulfield, Cassidy Neal, Adam Desautels, Bill Salvatore, Dash Barber, Brian Tobin, Jason Mulcahy, Tom Stratford, Erin Rose, Lonnie Farmer, Robert Marsella, Bill Mootos, Yefim Somin, Adam Teper, Alexander Davis, Thomas J Berry, Scott Sederquist, Michael Cassata, Dave Maguire, Yair Koas Sinopsis Amy, Jo, Beth y Meg son cuatro hermanas en plena adolescencia, que viven con su madre en una Norteamérica que sufre lejanamente su Guerra Civil. Con sus variadas vocaciones artísticas y anhelos juveniles, descubrirán el amor y la importancia de los lazos familiares.

Charlie Kaufmans neuer Film I'M THINKING OF ENDING THINGS folgt den Regeln moderner Sehgewohnheiten wie schon zuletzt jene von Martin Scorsese oder Noah Baumbach – und kommt direkt zu Netflix anstatt auf die große Leinwand. Ob das etwas über die Qualität aussagt, erfahrt ihr von Antje Wessels in ihrer Kritik.

A gerente de um orfanato em Calcutá, na Índia, luta para manter o estabelecimento funcionando. Desesperada por dinheiro, ela acredita ter encontrado a benfeitora perfeita (Julianne Moore), dona de empresa multimilionária. Porém, para receber o dinheiro, ela precisa viajar até Nova York e conhecer a mulher por trás da riqueza, em meio a uma pomposa celebração matrimonial. Edição: Miotti FICHA TÉCNICA COMPLETA NO FILMOW https://filmow.com/depois-do-casamento-t249929/

Raw, complicated, emotional, and difficult at times these are words that can describe life.  They also perfectly sum up the new movie, After The Wedding starring Julienne Moore, Michelle Williams,, Billy Crudup and our next guest.  Her star is on the rise and this movie is no small part of that.  Now that she has been on our show, I’m guessing Oscar is on the horizon.  Here to spend some time with the boys in the lounge, we are very excited to welcome actress, Abby Quinn. If you've actually read this description before listening to the podcast, please send us a DM on Instagram for a special shout out.  Special thanks to The Sportsmens Lodge for supporting the show and if you'd like to support the show, please go to patreon.com/jonathanandsergey

The one and only @abbyquinn88 joins me for a deep dive into her cosplay origin story. From a Halloween costume all the way to full body suits and face masks we learn a little bit about it all. Plus I get to learn about the most adorable Deadpool in the game Lil Pool lol. Thanks for listening and please like and share this content all over the web.

Television writer and producer Jason Katims and Pulitzer Prize and Tony Award winning composer Tom Kitt give us a peek at the first scene and first song of their gorgeous new musical, Williamsburg. Emmy and Golden Globe Award winning Television Writer/Producer/Director Cindy Chupack takes us inside her marriage and tells a story about receiving the gift of an indoor snow machine, to her horror, from her husband. Donna Missal graced us with her ginormous talent for song writing and soulful, passionate vocal acrobatics. Here, enjoy her amazing cover of 4 Non-Blondes, What’s Up. 

SMA News Today Community Editor Kevin Schaefer interviews Abby Quinn and Kristen Bathe -- childhood friends who run an inclusive fashion line for people with disabilities. Read all about them here: https://smanewstoday.com/forums/forums/topic/11323/

On this week's Geektown Radio, we delve into all the latest tv news, including the 'Orphan Black' finale, 'Atypical', and 'Rick & Morty', we take a look at the latest UK air date information, plus we have an exclusive interview with costume designer Elisabeth Vastola. Elisabeth is a New York based costume designer who has worked in film, opera, theatre, television, and print. She has also been a Guest Lecturer at School of Visual Arts in New York and the Carnegie Mellon School of Drama in Pittsburgh. Her recent work includes ‘The Purge: Election Year’, ‘Hap and Leonard’ starring James Purefoy & Michael Kenneth Williams, and the film ‘Landline’ from fellow New Yorkers Elisabeth Holm & Gillian Robespierre. ‘Landline’ tells the story of two sisters, played by Jenny Slate and Abby Quinn, who find themselves bonding while investigating whether their father (John Turturro) is cheating on their mother (Edie Falco) in ’90s New York City. We talk to Liz about designing for a ‘period drama’ (yes 90’s is classed as ‘historical drama’ now… I'm so old…), and how fashion has changed. We also chat a little about her current show - Season 2 of ‘Marvel’s Jessica Jones’. Also On This Week's Show: Bex is back as co-host, so we catch up with the tv shows, films and games we've been watching & playing, including 'Hell On Wheels', 'Game Of Thrones', 'Fallout 4 - Nuka World, and 'Blood Drive'. We take a look at all the latest tv & film news, including Fox's potential non-CTU based ’24’ reboot, CBS's nuclear submarine drama ‘Trident’, and NBC's reboot of ‘The Munsters’. We give you our recommendations for upcoming TV in the next 7 days. See acast.com/privacy for privacy and opt-out information.

In this episode, Producers Gigi Pritzker and Rachel Shane drop by the studio to talk about their latest film Landline, a movie about two sisters dealing with discovering their fathers infidelity. Directed by Gillian Robespierre and stars Jenny Slate, Abby Quinn, Edie Falco, Jay Duplass, and John Turturro. They also talk about their lives as producers, and Gigi shares what is possibly the best producing story ever told. In this episode: Gigi Pritzker Landline, Hell or High Water, Genius   Rachel ShaneLandline, Genius, Lawless    

Spencer Fornaciari interviews director Gillian Robespierre, and actresses Jenny Slate & Abby Quinn from the dramedy Landline at SIFF 2017.

Christopher Nolan discusses his new WWII epic, DUNKIRK. Also, the filmmakers and cast of LANDLINE discuss the comedic drama after a sneak preview screening. The guests include writer-director Gillian Robespierre, co-writer Elizabeth Holm, Jenny Slate, and Abby Quinn. Both films come out in theaters this weekend. This podcast is brought to you by the Film Society of Lincoln Center. Film Lives Here. www.filmlinc.org

Jeremy sits down with the filmmakers of Landline - director Gillian Robespierre and actors Jenny Slate and Abby Quinn - to talk about the making of this quirky 90s-set comedy. Hilarious anecdotes and hijinks ensue.

A perfect week on BEHIND THE LENS with the marvelous MARILU HENNER live at the midpoint of the show talking her latest film IMPERFECTIONS, as well as some of her books, working with her son, the joys of family and more! Plus, in the first half of the show, a guaranteed upbeat experience listening to our pre-recorded interview with one of the stars of LANDLINE, the effervescent and delightful ABBY QUINN! http://behindthelensonline.net http://eliasentertainmentnetwork.com