Podcasts about marga gomez

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   The 11th Annual Bay Area Book Festival J.K. Fowler, Executive Director of the Bay Area Book Festival in conversation with host Richard Wolinsky, discussing this year's festival, Saturday May 31st and Sunday June 1st throughout the City of Berkeley. The focus of this year's Festival is Changing the Narrative, with looks at activism, resistance, responding to backlash, writing for social change and more. Guests include Mia Birdsong, Prentiss Hemphill. Viet Thanh Nguyen, Greg Sarris and over a hundred other writers, publishers and editors. The venues include the Berkeley Library, Freight & Salvage, The Marsh, the Brower Center, the Hotel Shattuck, and three outdoor stages, including one at Berkeley's BART Plaza. J.K. Fowler founded Nomadic Press, sat on Oakland's Cultural Affairs Commission, and works on several community projects.   Joan Baez Joan Baez, legendary singer, songwriter and activist, in conversation with host Richard Wolinsky, recorded while on remote tour for her book of poetry, “When You See My Mother, Ask Her to Dance.” Recorded April 26, 2024 via zencastr. Joan Baez is an internationally renowned singer, songwriter and activist who burst on the folk music scene as a teenager in the late 1950s. She has two autobiographies, Daybreak, along with And A Voice to Sing With. There are over thirty albums, including her now classic “Diamonds and Rust”from 1975, she has appeared in numerous documentaries about music and activism, won the 2007 Lifetime Achievement Award at the Grammys, and is the subject of a recent documentary, Joan Baez, I Am A Noise, which is on Hulu and can be rented on several apps. Photos courtesy Joan Baez. Complete Interview.   Review of “The Curious Incident of the Dog in the Night-Time” at San Francisco Playhouse through June 21, 2025. Review of “Yellow Face” at Shotgun Players Ashby Stage through June 14, 2025.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  Summers at John Hinkel Park: Cymbeline opens July 4; The Taming of the Shrew opens August 16. See website for readings and events. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company.See website for calendar. American Conservatory Theatre Co-Founders. a world premiere hip-hop musical May 29 – July 6, Strand. Kim's Convenience by Ins Choi, Sept 18 – Oct 19, Toni Rembe Theatre. Aurora Theatre  The Search for Signs of Intelligent Life in the Universe by Jane Wagner, with Marga Gomez, July 12 – August 10.  Awesome Theatre Company. See website for information. Berkeley Rep. The Aves by Jihae Park, through June 8, 2025, Peets Theatre. The Big Reveal Live Show written and performed by Sasha Velour, June 4 – 15, Roda Theatre. Who's With Me. written and performed by W. Kamau Bell, June 17-22, Roda Theatre. Berkeley Shakespeare Company Julius Caesar, June 13-21, Live Oak Theater, Berkeley. y. See website for upcoming events and productions. Boxcar Theatre. The Illusionist with Kevin Blake, live at the Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Parade,  May 20 – June 8, Orpheum. A Beautiful Noise: The Neil Diamond Musical, June 3-22, Golden Gate. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Moulin Rouge!, The Musical. July 8-13. See website for other events. Center Rep: Happy Pleasant Valley, June 1- 29. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  The Last Goat by Gary Graves, June 28 – July 27. Cinnabar Theatre. Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. Golden Thread  Oriental, or 1001 Ways to Tie Yourself In Knots by Evren Odcikin June 7-8, Potrero Stage. See website for other events. Hillbarn Theatre: Murder for Two, a musical comedy, October 9 – November 2, 2025. Lorraine Hansberry Theatre. See website for specific workshops and events. Los Altos Stage Company. Twelfth Night by William Shakespeare, May 29 – June 22. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Aztlan by Luis Alfaro, World Premiere, June 25 – July 13. See website for additional events. Marin Shakespeare Company: A Midsummer Night's Dream by William Shakespeare, June 13 – July 13, Forest Meadows Amphitheatre. See website for other events. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) To My Girls by JC Lee, through June 8. Pride Cabaret, June 6-21.  Ride the Cyclone, the musical, July 11 – August 15. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Les Blancs (The Whites) by Lorraine Hansberry, July 11 – 27. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Pear Slices, May 23 – June 8. Constellations by Nick Payne, June 27 – July 20.See website for staged readings and other events. Playful People Productions. See web page for information on summer camps. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. May 30 – June 21. Ross Valley Players: The Book of Will  by Lauren Gunderson, May 9 – June 8. See website for New Works Sunday night readings and other events. San Francisco Playhouse. The Curious Incident of the Dog in the Night-Time based on the novel by Mark Haddon, adapted by Simon Stephens. May 1-June 21. SFBATCO.  See website for upcoming streaming and in- theater shows.  The Day The Sky Turned Orange by Julius Ernesto, Sept 5 – Oct. 5, Z Space. San Jose Stage Company: Sweet Charity,  June 4 – 29.. Shotgun Players.  Yellowface by David Henry Hwang, May 10 – June 14. South Bay Musical Theatre:  Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico See website for upcoming events and producctions. Theatre Rhino  Doodler by John Fisher, May 31 – July 6, The Marsh, San Francisco. The Laramie Project, June 19-29.. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Come Back to the 5 & Dime, Jimmy Dean  Jimmy Dean, A New Musical, June  18 – July 13. Mountain View Center for the Performing Arts. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   .   . The post May 29, 2025: J.K. Fowler/The Bay Area Book Festival – Joan Baez appeared first on KPFA.

Marga Gomez the Beloved returns to KATG to help discuss lesbians, bullies, guns, mental health, and the jaw-dropping Madame Web.

On this week's episode of "Sights & Sounds," actress Marga Gomez gives her arts and culture suggestions happening in the Bay Area.

This week, Brenda and Ana Sheila guest co-host an episode of RISK!, a live show and weekly podcast where people tell true stories they never thought they'd dare to share in public, created and hosted by Kevin Allison (MTV, Comedy Central, HBO, Netflix). You'll hear RISK's fourth episode of their Hispanic Lives series, with stories by Marga Gomez, David Arroyo, and Lily Be. Tamarindo is a lighthearted show where hosts Brenda Gonzalez and Ana Sheila Victorino discuss politics, culture, and self-development. Join us as we delve into discussions on race, gender, politics, representation, and life! You can get in touch with us at www.tamarindopodcast.com Brenda and Ana Sheila are executive producers of Tamarindo podcast with production support by Karina Riveroll of Sonoro Media. Jeff Ricards produced our theme song. If you want to support our work, please rate and review our show here.  SUPPORT OUR SHOW Contribute to the show: https://www.paypal.com/paypalme/tamarindopodcast1 Follow Tamarindo on instagram @tamarindopodcast and on twitter at @tamarindocast  Follow Ana Sheila on instagram @la_anasheila and twitter @Shelli1228   Follow Brenda on twitter at @BrendaRicards Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate Hispanic American heritage, this is the fourth in our Hispanic Lives series, guest hosted by Ana Sheila Victorino & Brenda González of Tamarindo podcast, with stories by Marga Gomez, David Arroyo, and Lily Be. • Pitch us your story! risk-show.com/submissions • Support RISK! through Patreon at patreon.com/risk or make a one-time donation: paypal.me/riskshow • Get tickets to RISK! live shows: risk-show.com/live • Get the RISK! Book and shop for merch: risk-show.com/shop • Take our storytelling classes: thestorystudio.org • Hire Kevin Allison as a coach or get personalized videos: kevinallison.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

A Classic RISK! Singles episode! A story that Marga Gomez first shared on the podcast in July of 2016 about sexual exploration.Support RISK! on Patreon at Patreon.com/RISKMake a one-time donation to RISK! at PayPal.me/RISKshowGet tickets to RISK! live shows at RISK-show.com/tourGet the RISK! book at TheRISKBook.comTake our storytelling classes at TheStoryStudio.orgHire Kevin Allison to make a personalized video at Cameo.com/TheKevinAllisonHire Kevin Allison as a coach at KevinAllison.com

Can you give someone a Blowjob and still be a Feminist?  Nationally recognized playwright, actor and comedian Marga Gomez is a Lesbian icon whose girlfriend wHortensia has moved away for grad school - but after 7 years of monogamous love, laughter, great sex and 2 expensive Uniqlo coats, Marga is unexpectedly ghosted. Preparing to go onstage in Boston on her birthday 6 months later, Marga gets a text from Hortensia that reads ‘hope you're doing something fun'. I'll show you FUN… feeling as though the world has stopped loving her, Marga experiences kindness from a stranger and wonders “after all those dreams, is it finally time for the blowjob experience?” & more importantly, do your skills translate to men if you're (notoriously) really good at oral? #Monogamous #Queer #Ethnic #Age #Geography #StillComing   About the storyteller:   Marga Gomez (she, her, they, hey) is the creator of the channel “Latina Stream Queens” on YouTube.  She is also a nationally recognized playwright, actor and comedian born in New York's Harlem, raised in Washington Heights and based in San Francisco. Her parents were entertainers in the Latino community, and Robin Williams once called her "Amazing ... A lesbian Lenny Bruce." She is the winner of a GLAAD Media Award and one of the first openly LGBT comedians in the USA. Her television credits include HBO, LOGO, PBS and Netflix' Sense8. She is also the writer/performer of thirteen solo plays which have been produced Off-Broadway and internationally. Her acting credits also include “The Vagina Monologues” with Rita Moreno and Vicki Lawrence. During the pandemic she pivoted to livestreaming comedy and adapting her solo theater virtually and became featured in many online theater festivals.   youtube.com/latinastreamqueens instagram.com/themargagomez twitter.com/margagomez www.margagomez.com   Song: ‘Put it in your Mouth' (Akinyele) Episode links:   Uberlube: Uberlube is a luxurious, high-grade silicone lubricant made from clean, body-friendly ingredients; it's just silicone with a little Vitamin E. Uberlube is Dixie's favorite lube, and they're offering Bawdy Storytelling listeners a special offer – 10% off and free shipping when you use my code “Dixie” at UberLube.com. That's 10% off and free shipping!  Just use code “Dixie” at https://www.uberlube.com/   Feeld: If you're looking to celebrate individualism and sexuality without shame, I invite you to checkd out Feeld - it's a fun, easy way to explore. Feeld is the alternative dating app for couples and singles. Feeld was originally designed for people seeking threesomes, and it's the biggest dating app for threesomes today. Join now - You can download the Feeld app for free & support our show by going to https://feeld.co//Bawdy   Love Personal Storytelling? I'd be thrilled to help you improve your own stories!   STORYTELLING WORKSHOP: 'How to Be Fascinating: Dixie's Secret System for Brilliant Storytelling' is back! The first 2 workshops sold out, and the next Workshop starts Sunday, March 27th - and I've added more comprehensive class time, weekly office hours for custom coaching and Q&A, and a final storytelling performance for YOU and your friends. Register at https://bit.ly/HowToBeFascinatingSunday   Wanna work with me one on one? I'm offering Storytelling for Self-Discovery to help you find, create and polish your favorite stories. I can help you communicate with clarity; are you writing a memoir, creating a podcast, working on brand storytelling for your business - or do you just wanna learn to tell a compelling, relatable personal true story?  Email me at dixie@BawdyStorytelling.com and let's chat!   LIVE SHOW: Bawdy's next live event is on Friday, March 25th, 2022. You can attend live in San Francisco, buy a Livestream ticket, plus you can order VIP Tables, Reserved Seating, and more at https://bit.ly/BawdyFingersCrossed   Patreon is how Bawdy is still here after 2 years away from our beloved live shows and community. Bawdy is a global movement, and you can make 2022 the year that you make your own wildly adventurous dreams come true. 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Bawdy Got Me Laid Merchandise means you can deliver your own great smelling Motorboats while supporting Dixie and Bawdy. Get yours today at https://bawdystorytelling.com/merchandise Cameo/Custom Dixie video: Need some Applause Tiddies?  I've been having so much fun making customized videos, and they make such a great Valentine's Day gift! Send your friends and lovers a custom ‘Cameo' video from Dixie (with or without applause tiddies), it's a great way to send love from far away to a Bawdy fan… For just $69, you and I can have a short zoom call, you can tell me all about the recipient, and I'll make a custom video from you for their special day. Find out more by emailing dixie@BawdyStorytelling.com #CustomVideo #Gift   Check out our Bawdy Storytelling Fiends and Fans group on Facebook - it's a place to discuss the podcast's stories with the storytellers, share thoughts with your fellow listeners, & help Dixie make the podcast even better. Just answer 3 simple questions and you're IN! https://www.facebook.com/groups/360169851578316/ Thank you to the Team that makes this podcast possible! Team Bawdy is:   Podcast Producer: Roman Den houdijker Sound Engineer: David Grosof Archivist / Video: Joe Moore Bawdy Livestream pre-show video by Donal Mooney Storytelling support by Mosa Maxwell-Smith & Bawdy Creator & Podcast Host Dixie De La Tour & Thank you to Pleasure Podcasts. 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Nina G is a comedian, professional speaker and author of “Stutterer Interrupted” and the new book “Bay Area Stand-Up Comedy: A Humorous History.” She has been featured in or on everything from NPR's 51%, BBC's Ouch, Psychology Today, Tedx, multiple day time talk shows, Howard 100 News and the Stuttering John Podcast. Nina shares her wit and wisdom with corporations, colleges, libraries, conferences and community events. Her no nonsense approach to disability awareness and acceptance helps to bring institutions, communities and individuals to deepen their understanding of the disability and bring practical approaches to making a more inclusive society. Learn more about Nina. Buy Stutterer Interrupted. Buy Bay Area Stand-Up Comedy. Learn more about The Passionistas Project. FULL TRANSCRIPT: Passionistas: Hi, and welcome to The Passionistas Project Podcast, where we talk with women who are following their passions to inspire you to do the same. We're Amy and Nancy Harrington, and today we're talking with Nina G, a comedian, professional speaker, and author of Stutter Interrupted and her new book Bay Area Standup Comedy: A Humorous History. She's been featured in and on everything from NPRs 51%, BBC's Ouch, Psychology Today, TEDx, multiple daytime talk shows, Howard 100 News, and even The Stuttering John Podcast. Nina shares her wit and wisdom with corporations, colleges, libraries, conferences, and community events. Her no-nonsense approach to disability awareness and acceptance helps institutions, communities, and individuals to deepen their understanding of disability and bring practical approaches to making a more inclusive society. So please welcome to the show, Nina G. Nina: Hi, th-th-thanks for having me. Passionistas: We're so glad to have Nina here on the podcast. She was part of our comedy event last year, Chronically Funny, and we've been trying to get her on the show ever since. Nina, what's the one thing you're most passionate about? Nina: There are two things. One is stand up comedy and the other is d-d-d-disability rights, d-d-d-disability in general. So it's kind of like a head-to-head race there. Passionistas: Tell us why those two things are such an important part of your life. Nina: I mean cause they are my life. Like I am as a standup comic, who's stutters and has dyslexia. And I've loved comedy my entire life, and that's why I have the book, book out now on Bay Area comedy, because I'm also from the Bay Area. I'm from Alameda and I've lived in Oakland now for 20 years. Just love, love, love comedy. I've been doing it now for 12 years. So that's one thing. Then also I'm fourth generation d-d-d-disabled on my dad's side. So my dad is hard of hearing. His dad was hard of hearing and his mom was hard of hearing. So since we've been in America from Italy, we've been d-d-d-disabled. And just knowing my own experiences, I went to Catholic school in the 1980s with dyslexia and stuttering. I could tell from your very Irish names that you may know some of that experience. And what I always say is that you should never pity me for having a disability, but you can pity me for going to Catholic school in the 1980s with those things, because that sucked. And so I just hope that we can make a world that less sucks for people. And that may be through access, it may be through laws, it may be through services, or it may be through re-representation in the media, in Hollywood, in whatever. And hopefully I bring a little bit of that representation when I go to colleges, when I go to corporations or when I am telling a Dick joke in a dive bar. Like the representation should be everywhere. Passionistas: Tell us when you first really became interested in standup and who were some of your early comedic influences? Nina: Yes. Okay. So, I mean, I think I kind of found comedy when I was around like four or five, like my family. It was the seventies and my family was super into Steve, Steve Martin. And then as I got a little bit older, when I was like 7, 8, 9, my parents never put any restrictions on us around TV me, me and my brother, and they also just brought us in to watch whatever was on. So I would stay up and watch, like the old sa-Saturday Night Lives, which then old was like five years prior. And so I was exposed to all of that, to first cast and I have like a stuffed animal that I named gi-Gilda after gi-Gilda Radner. So it was that kind of stuff. Very early influences. My first fan letter that I ever wrote was to Emo Phillips when I was 13. And he sent an autographed picture back and it hangs in my kitchen there. My kitchen is all of my comedy stuff. So just always loved it. Then when I was like 11, I was like, I think that I want to have this as my job. And I would write jokes and I planned to go to open mics, never went because at around 17, I was like, this is not very practical. It is 1990s now. And I've never seen a stuttering comic. You have to be fluent in order to be a comic. So dream dies. I picked it back up when I was 36 and I've been doing, and I've been doing it now for 12 years. Passionistas: How did you decide, "no, this is something I can do? Nina: It's a, it was a whole fricking process. So when I was 35, I had attended a conference for people who stutter. It's the na-National Stuttering Association. And at that, I realized how much space I relinquished up to other people. I think as a woman, we are socialized to give that space up to others. And I realized at that, it got kind of doubled and tripled up because I'm a woman who's st-stutters. And so I realized, like, I would feel guilt to make people sit through my speech, to make people sit through my stutter. And when I was at that conference, I was around all these women. And women in stuttering are way outnumbered by the men. And the ratio is for every four stutterers, three are going to be men, one's going to be a woman. So it was really important for me to be around women who stutter. Because I realized I was like, well, I wouldn't want them to relinquish space up to others. So why am I? And that just made me really question that. And in my book, my memoir is titled Stutter Interrupted because we're interrupted all the time in our speech, but like I was self interrupting. Like I wasn't even talking, I was interrupting myself. And with that comes your wishes and your dreams and your desires and just everything. And so when I came back home from that conference, I started to make changes in my life. And within six months I got up on stage at an open mic and did my first one. Passionistas: What was that experience like to finally be on stage? Nina: You know? It was to like three people, four people, five people. I don't know. It's a very small audience. I did it in the context of a class. So I took classes at this San Francisco co-comedy college, and then they had like an open mic that they would kind of like trick trick to tourists into coming into. And I, I'm not sure if it was that night or a night soon after people laughed at my jokes. And I was like, "oh, I did this joke about st-stuttering, do you st-stutter?" And she's like, "no, it's just funny." I was like, oh, you don't. Oh, okay, I get it. It's like that. So it was really great to make a connection with someone else and kind of share my own experience having a disability in a way that I kind of had control of the narrative. And also so many times when you talk about a disability experience people like, "oh, oh." And they give you like a pity face. And like, everyone tries to be super empathetic. And like, I just want people to just talk about it in a normal way. Like they would everything else. So humor kind of helps to D D diffuse some of that. And it just kind of puts things on a more equal level. Passionistas: Let's take a step back. So between the ages of 17 and 35, before you pursued your passion, you got involved with disability activism. So tell us a little bit about what you were doing and what that period meant to you. Nina: You know, I went to grad school, I went to college, I did all of that stuff. And I found myself doing advocacy within the co-college and looking at access issues there. There are so many ways that we could penetrate issues around access, and issues around D D disability rights. And for me doing like the individual piece and working with an individual to get access, I think that is really important. And I would work with students around accessibility. But, that's just one piece of it, but we need to get to a bigger change in our culture, a bigger change in corporations and bigger change in colleges and like just more of a cultural shift. And that cultural shift is both in America and the world, but also in your lo-lo-local area. And so, it would get kind of frustrating, because I didn't have that reach, especially this was pre so-social media and all of that stuff. Also for me, I was in academia and academia is not always kind to people who learn in a different way. And for me, it's really hard because my dyslexia is, is more than my stuttering. Like it impacts me more. And also I was in sp-special ed when I was a kid, when I was in high school, cause I eventually went to a public school for high school. Thank God. And, so, I did not come from the same place that most people in academia did. But I still had a lot to say, but I really felt like I didn't have that freedom to express what I wanted to. And also, my mom brought me to see Richard Pryor Live that the Sunset Strip when I was nine. Like I want to say fuck, and like, I just need to, and that helps me to express what I want. And I can say the same things that I might say in an academic sense, but I can say them on stage, and I can say the words that I want to use that I think, you know. Like someone can read a journal article and that's going to be read by like 10 people. But you can do comedy or you can find some other avenue that people will be able to access, and access meaning that people will actually see it. And, and I think it's just a better way to get, a, a, a message out. So it's that frustration that I had in academia, I was able to, I was able to work out. And that's why I like my book, both of the books. It was great that I learned how to do research and it was great that I went through all of that, but I also didn't want to hide behind big words. And luckily I haven't had to. Passionistas: So you did that first appearance. How did you start to build your career and extend your reach as a comedian? Nina: Well, I like kind of kept it hidden from most people I knew for about six months. And then even then it was like slowly, slowly, slowly. The first year in comedy, you're developing your voice. And I wasn't sure which way I would go. And I don't quite know when it was, but I think it was like my second year in, I was like, I'm a disability activist and I'm a comic. That disability activist thing is through my entire life. Like that's... when I walk down the street and I see a sandwich sign and it's blocking the way I was like, "what the hell is this? You got to move this!" And I move it or I tell them, or I do something. So like ingrained into my head and a big part of that is because of my family and being born into it. So I realized that, like, that was the thing that kind of led me first. And comedy was a second piece. I think that I've kind of balanced that out a little bit more, but that activism piece is always, always, always there. And so I think my development as a comic really helped me because I was able, like I'm able to do two things in comedy and now three. So I'm able to go to colleges, and I'm able to talk to them and also corporations to do disability awareness. So there's that. And that is like a half hour of comedy and story telling, and then like Q&A afterwards and the Q&A is always like the, the funnest part. And then I have the other thing, which is like the pure art form of standup, where I can do dick jokes. Last night, I told jokes on the sidewalk of a San Francisco cafe. And it was totally fun and it was great, and I got to develop that more and just work on that. And then, you know, I have a bunch of shows coming up and so there's that piece where like, I feel I can be an artist there and I don't really have to like... like, there's not a lot of 48 year old stuttering comics on TV.  I don't think like, like I doubt they're going to give me a sitcom. I doubt like Netflix is not knocking down my door. They're not like, because my opinion is, is that Hollywood thinks that if you have more than one intersectional identity that people's heads are going to explode. Which is why a lot of the disabled comics out there are white men. So like, you know, like, I, I, I know where I'm at. So I feel I don't have to kind of compromise my standup because it's like, I'm not going on TV. I'm good. The other piece now that I'm, that I'm transitioning into is as a comedy history consultant as an author. And that just kind of brings my love of comedy. And like when I was in school from like high school on, anytime that I had to write a paper, I would write a paper on comedy. So this is just the natural development of the thing I love. And, you know, you write a book, it kind of puts you as like, okay, this was, she's now an expert. Like I've been saying to everybody, I'm an expert for a long time. They don't believe me, but now I have a book that says that I have some in that. And also I wrote it with my friend, OJ Patterson. I kind of tap out on standup around 1993 and then he picks it up from there. So he loves the old comedy and he has followed it so we co-complemented one another well on that. Passionistas: We're Amy and Nancy Harrington, and you're listening to The Passionistas Project Podcast and our interview with Nina G To learn more about her performances, speaking engagements, and to get your copy of Bay Area Standup Comedy: A Humorous History, visit ninagcomedian.com. If you're enjoying this interview and would like to help us continue creating inspiring content, please consider becoming a patron by visiting thepassionistasproject.com/podcast, and clicking on the patron button. Even $1 a month can help us continue our mission of inspiring women to follow their passions. Now here's more of our interview with Nina G. Tell us a little bit about the Comedians with Disabilities Act. Nina: So that was started by my friend, who has passed away, but st-“Stutter Interrupted” is, it is dedicated to, to him. He so started it because there wasn't a grip, at least locally that featured only d-d-d-disabled comics. And so it was Michael O'Connell, Eric, and Steve d-Danners as the first core. And then I, I joined, and some of the guys are, have been kind of in and out of comedy and we lost m-Michael. So we have expanded the group to have more of a showcase. And the showcase has included my, my, one of my best friends, Mean Dave, who is in recovery. And that is covered under the ADA, but people don't always talk about that. But you can access your rights and access, you know, all kinds of things because of that. So he brings that as a really important message. Jade Theriault, who's out of Berkeley, she does the sh-show a lot, and she uses a wheelchair, a-along with other comics. But not all stages in comedy are... not all of them are ramped. So, like, to get even on the stage is an issue. And, also, to kind of bring that voice in, I think sometimes people, producers or comics or whatever, kind of think like, "oh, well that's disabled comedy." And like, like it's a different thing. No, it's just another kind of perspective, whether you're a man, whether you're a woman that, that you can bring. And so it's, it's really nice to have the opportunity to do that in a group and also do it for people who want to hear it. Because I will do a show just with a stuttering audience, when I do stuff at a conference. And they get the premise and not the punchline. Like I don't even have to do the punchline because they're already with me at the premise. And so it's just a different experience doing comedy for people who come from that same cu-culture and that same experience. Passionistas: You touched on this a little bit, but as somebody who has such a deep knowledge of the history of comedy and your own experiences. You know, comedy is legendarily more difficult for women. And as you've been saying, there are a lot of challenges for comedians with disabilities. Do you feel like this is changing at all for women and for people in the disability community? Nina: I think so. I think there's still a thing of, "well, like we only have one woman on the show, so that's good. We, we have enough." It was like, oh, why don't you just book people who are funny and the rest will come. But also people tend to book their friends. And so if it's a male producer, they're going to have more gu-gu-guy friends. And so there's that. And that's not always the case. And I think at least in the Bay Area, I think there's more of a consciousness around that, because the women have been bitching about this for centuries now, since we're now in the 21st century. And so I think that they are getting that they need to have a more ba-balanced show in terms of the disability access. Like I have not seen Netflix have a compilation of disabled comics. I produced a CD, or not a CD, but an album called d-d-d-Disabled Comedy Only. And it featured the Comedians with d-d-d-Disability Act. And that was the first one ever done of a compilation of disabled comics. That should not have happened. And there hasn't been one since. You know, HBO and Netflix and all of that, you got to have disabled comics, both in your mainstream, but also having a show where why doesn't like, you know, a famous d-d-d-disabled, comic bring in other comics to have a big show. And I would love that. And it also, I think that Comedians with Disabilities Act was really conscious about the message that they send out. I also think it's equally as important for a disabled comic to get up and not talk about a disability whatsoever so that there is both, both of those things that should be happening. Passionistas: How did COVID impact your work, and do you feel like things are finally getting back to normal now? Nina: So it dried up my speaking gigs, because we were like, we don't know what to do now. And people have zoom fi-fatigue. So for me, when, when my first book, or when my memoir came out, it was great. I was booked. I did, like, an event at Coca Cola. I sold books afterwards, making money. Like it was great. And then 2020 happened and like, oh! Like I need to talk to my st-student loan people to see if they'll base my income on last year's instead of on the prior years, cause there's such a change. But I think people are seeing that there is a possibility to do events online. And so, yeah, I am traveling less, but I'm still doing, doing corporate and college shows. And some of those are picking up in, in person, too, so that's great. As a comic, I have performed into the void of Zoom and it's okay. Like it's really taught me to trust what I'm saying and to trust my comedy. Because there isn't the ha-ha's and they're, you know, not even the LOLs. And I always encourage people to do the LOLs in the tags so I get something out of it. So in, in, in, so that that's changed. I think lo-locally, comedy's opening up. I'm finding with doing book, book gigs, now that it's about half and half. So releasing a book, which my book came out on February 14th. And yeah, it's a heck of a time to release a book because you're not going on a big tour. And so it'll be interesting to see how that rolls out. Passionistas: You did have one unbelievably cool gig during the pandemic, which we're dying to hear about, right around the inauguration. Can you tell us about that? Nina: Yeah! It was the first night of the inauguration festivities. I got asked to do a performance, and so it was all online. Like I wish I was at the White House, but no, it was all online. And what I did was I pre-taped it at the Alameda  com-com-Comedy Club and we brought my pa-parents in, and, and I performed for them for the inauguration. So my parents were very happy to have the back of their heads in the screen as well. And so I did my five minute set there and sent it in and it got in with all of the other speakers, which included Whoopi Goldberg. Also, now I can say that I opened for the Vice President. A lot of my comedy credits are so weird and so, un-un-unbelievable that people don't even think they're true when they're said. And opening up for the vice-president is one of them. Passionistas: Speaking of home, let's talk about your new book, Bay Area Stand Up Comedy: A Humorous History. What inspired you to write it, and why is the history of Bay Area comedy so important? Nina: Well, the thing that inspired it was being bored in the pandemic. So that was the biggest piece. I was finding that I was going toward like old comedy and watching that on YouTube. And also I was doing a project where I was interviewing comics about the pandemic. So asking them what that experience was like, to transition into Zoom, or what did they think was going to, was going to happen. So I did that under The Comedy Time Capsule. And in doing that, I had interviewed ma-Marga Gomez, who is a staple in San Francisco comedy. She also comes out of the queer comedy scene and she was telling me about her past experiences and her own history. The first place that she felt she could really bring her whole self into, into her stand-up was at the, the, The va-Valencia Rose in San Francisco. And that was the first LGBT open mic. And they had LGBT shows and I was like, "oh, this is such an interesting history, and so is San Francisco!" I don't know this, and I'm a big nerd, so other people must not know anything about this. And I was like, okay, something needs to happen. So I contacted OJ who now lives in, in Southern California. And like me and him, when he was doing comedy, he is, he is retired now from, from it. But when he was doing it, we would just talk endlessly about stuff and like interesting things we heard and just the in, in just analyzing it. And so I was like, okay, you want to write this book? I'll do it to this point, you do it to this point. And he said yes. And we worked on it for a year. And the book has over a hundred pictures in it, so it almost feels like a yearbook of Bay Area comedy. And the reason why I think Bay Area comedy is so important is that it's been the place that people can develop their voice, and then kind of move on to the next stage. So we had a lot of comics here from Boston in the 1980s, like Paula Poundstone and Bob-Bobcat and d-Dana Gold. And, like, San Francisco audiences, at least back then, were just like patient and just like wanted people to kind of experiment. And they were just great around that, which I think lent itself to the improvisational style that had developed here. But before all of that, there was The Hungry Eye and The Purple Onion, and The Purple Onion is where Phyllis di-di-di-di-Diller ca-came out of, and her being especially important to with women comics. She developed her act in San Francisco. And right across the street at The Hungry Eye is where Mort Sahl developed a whole new way to do comedy. So Bay Area comedy, especially in the North Beach area changed comedy forever and, and had that really, really big impact. And the first stand-up comic was in the mid 18 hundreds. And I, and I, I know this because the work of Rich Schneider has put, a, has put, a-a-a spotlight on this. And the very first comic in the mid 18 hundreds came to San Francisco. And people would pay cover in gold because greenbacks were not totally, a thing yet. So the, so the history goes back to Mark Twain and then onto the pandemic. A-and of course, Robin Williams being kind of the pinnacle of the whole thing. And not only in his comedy, but also the heart, because he just gave so much to the world, but also so much to Bay, so much to, to, to the Bay and was just the most gracious and nicest guy that, that people still, uh, talk, talk about the things he did. Passionistas: What can people who aren't in the disability community do to advocate for people who are? Nina: I think everybody can kind of choose their own way in that. Because if you are a teacher or you are a speech therapist, I'm going to have very different expectations of that than somebody who works in more of a retail industry. I think they can kind of choose what they want to do and how to be an ally. I think a lot of times people think you have to go march or you have to go do some kind of activist role. No, you could just be cool. Like you can just listen and not be overly empathetic. And I think the main thing is to listen to disabled people and take their lead. They are in the lead. I think that word "empowerment" isn't always a great word because it kind of assumes that like you have the power, and your empowering the other person. That person already has that power. And it's you who should be fo-fo-following them. And also don't expect disabled people to teach you. I think that's the other thing, because sometimes people are like, "oh, so tell me about what it's like to have this." I was like, ugh! Unless you're paying me, no! Like go read my book and then we'll talk. So I think there's also putting people who have a disability into a position to hear their voices, but in a way that is respectful and not exploitive. Passionistas: Thanks for listening to The Passionistas Project Podcast and our interview with Nina G To learn more about her performances, speaking engagements, and get a copy of Bay Area Standup Comedy: A Humorous History visit ninagcomedian.com. Please visit thepassionistasproject.com to learn more about our podcast and our subscription box, filled with products made by women owned businesses and female artisans to inspire you to follow your passions. Get a free mystery box worth $45 with a one-year subscription using the code SPRINGMYSTERY, and be sure to subscribe to The Passionistas Project Podcast, so you don't miss any of our upcoming, inspiring guests. Until next time, stay well and stay passionate.

Comedian Robin Williams was so impressed with Marga Gomez that he called her the lesbian Lenny Bruce. It wasn't long after that Hollywood cast her alongside Queen Latifah as a pair of scientists who dive deep - into the ocean to discover a buried alien spaceship in the film Sphere.The movie was released a year after comedian Ellen DeGeneres came out as gay and at the time it seemed Hollywood was ready to cast strong women in comfortable shoes into action film roles.Today comedian, performance artist, lesbian icon and sci fi action movie star Marga Gomez joins us to look at her Sphere co-star Queen Latifah finally coming out 23 years after.MARGA GOMEZ: http://www.margagomez.comListen as we take a look at how on stage performance and online media are morphing together into an unrecognizable blob, and how Marga Gomez is turning to her online streaming events to reconnect with the world and fight the Covid blues.____________________FEAST OF FUN IS MADE POSSIBLE BECAUSE OF FABULOUS PEOPLE LIKE YOU.LISTEN TO THOUSANDS LEGENDARY SHOWS 
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Nina Mozes, Adam Newman and Marga Gomez share stories about lost punchlines, lost virginity and lost passports.                     Support RISK! on Patreon at Patreon.com/RISK Make a one-time donation to RISK! at PayPal.me/RISKshow Get tickets to RISK! live shows at RISK-show.com/tour Get the RISK! book at TheRISKBook.com Get RISK! merch at RISK-show.com/shop Take storytelling classes at TheStoryStudio.org Hire Kevin Allison to make a personalized video at Cameo.com/TheKevinAllison Hire Kevin Allison as a coach at KevinAllison.com Watch the Big Lebowski with Kevin May 20th!: bit.ly/kevdude See omnystudio.com/listener for privacy information.

Pursuing a comedy career comes with challenges all its own, but as an openly gay entertainer in the 1980s, Marga Gomez had an additional set of hurdles to overcome. “Latin Standards” is Gomez’s 12th solo show.

On today's show Jovelyn Richards interviews Lisa Geduldig, standup comedian and comedy show producer and Sabreen Ali, writer and children's book author. Jovelyn and Lisa discuss comedy, laughter, cultural diversity and how laughter fills the space between us. Don't miss Lisa's newest show this month, Pride Comedy Night featuring Marga Gomez and more. There will be two nights of comedy. On June 22nd at Kuumbwa Jazz Center in Santa Cruz and on June 23rd at the Freight and Salvage in Berkeley. For ticket information and more. Buy online at Amazon In the second part of the show Jovelyn welcomes writer Sabreen Ali to talk about raising children, writing, and fairy tales. Sabreen reads and sings the children's book/lullaby that she wrote for her daughter, Precious Girl, You're My World. Find Sabreen on Twitter, Instagram and Facebook. Contact Jovelyn with stories and ideas at sugars982@gmail.com   The post Womens Magazine – June 17, 2019 – Jovelyn Richards hosts The Space Between Us appeared first on KPFA.

Hitting on Chemda and Marga getting hit; 97-year-old Doris Day died; Game of Thrones ep. 72; new Dad email

• San Francisco's Prop C puts spending on homelessness in the spotlight

Headliners on the Headlines with Don Reed, Marga Gomez and Johnny Loquesta

Bebe speaks to Shocktoberfest producer Russell Blackwood. Also worldwide famous comedian Marga Gomez in the second half.

Faith Choyce is here and queer, and always sincere. She’s the perpetual class clown and smartass with no filter, all grown up.  Often described as smart and quirky, the Los Angeles-born comedian and writer was named one of “America’s Funniest Lesbians” by Curve Magazine and one of the “Funniest Comedians On Twitter” by Laugh Button Magazine.  Faith was invited to participate in the prestigious San Francisco International Comedy Competition, as well as the 2015 and 2016 Sketchfest San Francisco Comedy Festival.  She’s shared the stage with the likes of Maria Bamford and Kyle Kinane, and opened for Marga Gomez.  Catch her live and you’ll see that she’s as at home weaving confessional tales with one-liners as she is charming and disarming the audience with improv and poignant observational humor. Thanks for following the show on Twitter at @TracyFortShow. Call in with questions 215-383-3795.

Marga Gomez, Dixie De La Tour, Jake Arky and Mark Davey tell stories at our summer 2016 show in San Francisco.

It's Everything With Bebe Sweetbriar: Bebe gives us a quick snapshot about POUND, a critically acclaimed Off-Off Broadway hit, by Marga Gomez; a couple of California legislation that were signed into law by Governor Jerry Brown; a survey that reveals 72% of gay and bisexual men did not use a condom the last time they had anal sex; and an interview with songwriter and singer, Derek Jameson. California legislation law signed by Governor Jerry Brown - Asissted Reproduction law that ensures all families are equally protected, specifically AB 960, recognizing un-married couples who use assisted reproduction the same way as married couples.

It's Everything With Bebe Sweetbriar Show: The Debate Segment followed by an interview with Marga Gomez, Community and LGBT News. Interviews with Marga Gomez the writer, performer, and comedian, voted “Best Comedian” by The Bay Area Reporter, San Francisco Bay Guardian and SF Weekly, on POUND, this summer's critically acclaimed Off-Off Broadway hit.

Steve Cooper talks with actor Jillian Armenante. Jillian is best known for playing the role of Donna Kozlowski on the TV show Judging Amy. Her feature-film credits include Contagion, Bad Teacher, A Mighty Heart, North Country and Girl, Interrupted. On television, she has made guest appearances on several shows including Shameless, Medium, Party Down, Castle, The Closer, Private Practice, Grey's Anatomy, Las Vegas, ER, Six Feet Under, The West Wing, and Northern Exposure. Also very active on stage, in Seattle, she was a member of Annex Theatre for eight years, where she appeared in The Fatty Arbuckle Spookhouse Review, Bessemer's Spectacles, Tattoo Girl, and Hamlet The Musical. At Annex, she directed Triplets In Uniform, Exquisite Torture, and Running From Boomerangs. She was the Associate Artistic Director for Alice B. Theatre where she produced Pretty, Witty and Gay and Memory Tricks by Marga Gomez at the Broadway Performance Hall and she played Melony in a stage version of The Cider House Rules which was performed at The Atlantic Theater in New York City, the Seattle Repertory Theatre, and at The Mark Taper Forum in Los Angeles. For this role she was nominated for a Drama Desk Award, received a Garland Award and a Theatre World Award for Debut on the New York Stage. The show also received a Theatre L.A. Ovation Award for Best Production in a Larger Theatre. She currently is a recurring character in ABC's Fresh Off the Boat and stars, produced, directed and co-wrote Kittens in a Cage. 

This week's episode of The Katie Halper Show on WBAI, looks at the latest Trump-cidents, playing you the audio of the Donald criticizing John McCain for getting captured, reading aloud the private cell phone number of Lindsey Graham. We discover that Trump and 50 Cent may be the same person and advise Republican candidates on which songs to use for their campaigns. Marga Gomez, who Robin Williams called a lesbian Lenny Bruce, joins us in studio to chat about her latest one-woman-show, Pound, and talk to Collier Meyerson of Fusion comes in and talks about her investigation into the Sandra Bland death. Then we give you the chance to support WBAI and our show by becoming BAI buddies or pledgers. In return you'll get a free spinal exam, not from me but from a real chiropractor. Or your very own figurine, inaction figure, finger puppet or... that's right... butt plug... of Donald Trump, Putin, Kim Jun Un, Chris Christie, Rick Scott, Ted Cruz, Marco Rubio or more.

A special edition of Crosscurrents featuring special guest, comic Marga Gomez! -- North Beach tenants find strength and friendship as they fight to keep their homes; The last free ride: A pirate community goes legit; and Pastor Megan Rohrer: A shepherd finds the perfect flock.

Nationally touring comedienne and actress Marga Gomez writes and performs solo shows based primarily on biographical material. Spark goes backstage with Gomez at The Marsh as she discusses her transitions between the worlds of stage comedy and Hollywood and workshops "Los Big Names," which is about her experience growing up in a show-business family.

Yana Walton of Women's Media Center discusses how media treatment of women candidates affects their ability to win and hold office, and how they might have contributed to the shooting of Congresswoman Gabrielle Giffords.   And Lisa Dettmer talks to emerging comic Karinda Dobbins about the challenges for women breaking into comedy.   Dobbins will perform tomorrow night at the Marsh with Marga Gomez.   The post Women's Magazine – When is a joke not just a joke? appeared first on KPFA.

there's some echo on the crank call, sorry 'bout that. if you've been gay for more than a minute, you probably know who marga gomez is. for someone like myself who is a bit of a funny person, it was an honor to have her grace the show. hope you enjoy it! (repost from 4-13-2007) Interview w/ Marga Gomez and My Anxiety

Comedy Vs. Tragedy

Nationally touring comedienne and actress Marga Gomez writes and performs solo shows based primarily on biographical material. Spark goes backstage with Gomez at The Marsh as she discusses her transitions between the worlds of stage comedy and Hollywood and workshops "Los Big Names," which is about her experience growing up in a show-business family. Original air date: April 2004.