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House, funk, soul, disco, reggae, hip hop, UKG, drum & bass and all manner of beats for open-minded listeners, fresh releases and classic gems, presented by DJ D'Francisco. New episode every Sunday night. Catch the pod live every Friday afternoon on www.musicboxradio.co.uk 3-5 UK time, as a podcast or at www.mixcloud.com/francisco Contact: fdisco@hotmail.com / @frankiedisco54 Tracklist: Flying Vipers - Astral Underground Mutubaruka - Johnny Drughead Bob Marley - Roots Rock Reggae Carre - Bodyshell Zed Bias feat Tyler Daley - Say It (Silkie Remix) Jazzsteppa - Taylor Rain Salin - So Chomphu Crystal Mansion - Somebody Turn Your Head Around Afrik Bawantu - Niko Hewon Black Soul - Mangous Ye Black Loops - Electrical ft Marlena Dae (Jimpster Dub) Books - Stoned Love Karizma - The Power Boddhi Satva - A Changing World Hyena - Usuthu ft. B'Utiza Instant House - Awade (Joe's Jungle Sounds Dub) Ed Solo - Acid Dub Swankout - Build Up DJ Monk ft Buju & Tico - Good Body Girl Oldboy & Ho Gosh - Get Ya Crew Bowser, FM3 - Bubbling Zed Bias - Spare Ribz Ragga Twins - Shine Eye Mason Collective - Party Jumpin' Joris Voorn - Sweep the Floor Roy Davis Jr - Rock Shock
The Brainy Business | Understanding the Psychology of Why People Buy | Behavioral Economics
In this episode of The Brainy Business podcast, Melina Palmer welcomes Dr. Nilanjana (Buju) Dasgupta, author of the thought-provoking book, Change the Wallpaper. Buju, a prominent social psychologist and founding director of the Institute of Diversity Sciences at the University of Massachusetts Amherst, shares her insights on implicit bias and the cultural patterns that influence our behaviors and decisions. Together, Melina and Buju explore the metaphor of "wallpaper" in our lives—the subtle, often unnoticed influences that shape our attitudes and beliefs. They discuss how these cultural patterns can create barriers for individuals, particularly those from marginalized backgrounds, and the importance of creating interventions that foster inclusivity and positive change. Buju emphasizes the need to recognize and disrupt these patterns to build more just communities. In this episode: Discover the concept of "wallpaper" and how it influences our perceptions and actions. Learn about implicit bias and its impact on personal and professional environments. Explore the four types of cultural wallpaper that affect our behaviors and opportunities. Gain insights into practical strategies for changing the wallpaper in your workplace and community. Understand the importance of storytelling in shaping perceptions and inspiring change. Get important links, top recommended books and episodes, and a full transcript at thebrainybusiness.com/493. Looking to explore applications of behavioral economics further? Learn With Us on our website. Subscribe to Melina's Newsletter Brainy Bites. Let's connect: Send Us a Message Follow Melina on LinkedIn The Brainy Business on Youtube The Brainy Business on Instagram
Mix Name: DJ Negrito – Classic Reggae Mix Website: https://www.iamlmp.com/ Instagram: https://www.instagram.com/iamlmp/ DJ Instagram: https://www.instagram.com/deejaynegrito/ Download our DJ Music App Daily Mixes: https://linktr.ee/iamlmp —– Immerse yourself in the roots of reggae with DJ Negrito's handpicked selection of classic tracks. Featuring iconic artists like Inner Circle, Barrington Levy, Wayne Wonder, and Buju Banton, this mix delivers smooth rhythms, soulful melodies, and the timeless vibes that define the genre. Whether you’re relaxing or reminiscing, this is your perfect reggae soundtrack! Don't forget to hit like, share, and subscribe for more timeless tunes! #reggae #iamlmp #dancehall
Join my monthly subscription for exclusive access to the hottest Afrobeats mixes, early releases, and special perks tailored just for you. https://darhkrane.com.ng/supporters/pricing Buy original JBL Live Beam Earpoods to stream my mixtapes in the best audio experience. Use my link below to purchase this product
NEW MIX ALERT! Bringing you the music of the world, here is another installment of #Pangaea. This mix contains all NEW #Afrobeat and #Amapiano tracks from Darkoo, Rema, Asake, Davido, Maleek Berry, Ayra Starr, Wizkid w/ Brent Faiyaz, Tyla, Victony, BNXN, CKay,Major League DJs and MANY MORE! OVER 1 HOUR OF NON-STOP MUSIC! 00:00:00 Darkoo feat. Rema - Favourite Girl Remix (Andrew Xavier x Da Phonk Club Edit) 00:01:27 Darkoo feat. Davido and Rvssian - Right Now (Da Phonk Club Edit) 00:02:01 PaBrymo feat. Davido - Bum Bum 00:02:34 Thisizlondon, Ayra Starr and 6LACK - Pina Colada (Da Phonk Club Edit - Version 2) 00:03:08 DJames feat. 1da Banton - Shako (Da Phonk Club Edit) 00:03:41 1da Banton - Digest 00:04:12 1da Banton feat. Fiokee - Baby Oku 00:05:05 DJ Neptune feat. Ruger - Bienvenue (Da Phonk Remix) 00:05:38 Bayanni and Ruger - Goddess 00:06:11 Maleek Berry feat. Ruger - Lately 00:07:18 Wizkid Feat. Brent Faiyaz - Piece of My Heart 00:08:42 Tyla - Push 2 Start 00:09:15 Victony - Bastard, Don't Be Silly (Da Phonk Club Edit) 00:09:49 Muyeez feat. Reekado Banks - Matter (Remix) 00:10:22 Jaz Karis and Reekado Banks - Tequila 00:10:45 Seyi Vibez, Muyeez, Tml Vibez, Billion Solar and Nerryckole - 247 00:11:29 Frenna - Pretty Girls (Da Phonk Edit) 00:12:02 Frenna - Nasa (Beatz Freq Commas Edit) 00:12:35 KJ Spio, Sarkodie, Loick Essien and Ambré - Jealous 00:13:09 Stonebwoy Feat. Wyclef Jean - Pray for Me 00:13:25 Asake - Worldwide 00:13:59 BNXN (fka Buju) - Phenomena 00:14:32 Crayon - Tete 00:15:06 Timaya - Free 00:15:33 Timaya - Treasure 00:16:05 Chike feat. Amaeya and Olamide - One Day 00:16:46 DJ Neptune and Qing Madi - Honest 00:17:03 Ayo Maff feat. Fireboy DML - Dealer 00:17:32 Boj - Pressure 00:17:53 L.A.X feat. Taves and Ayo Maff - Let Me KNow 00:18:26 CKay feat. Ty Dolla Sign - Dorime 00:18:59 CKay - In My Bed 00:19:33 Spinall, Omah Lay, Tyla - One Call 00:20:01 JayO feat. Popcaan - Hmm 00:20:40 Major AJ feat. Crayon - Kere 00:21:30 DJames feat. Qing Madi - Love Me 00:21:46 Kizz Daniel feat. Adekunle Gold - Pano Tona 00:22:16 Phyno - Pinterest 00:22:36 Ladipoe feat. Taves - Compose 00:23:18 Uncle Waffles, Joey Badass and Royal Musiq feat. OHP SAGE and Pcee - Wadibusa (Remix) 00:24:08 Omarion feat. Yo Maps - Superman 00:24:36 DJ Snake and Hamza - Diana 00:25:32 L.A.X feat. Ayra Starr - Options 00:25:48 Eric Bellinger feat. Oxlade - Shooting Star 00:26:30 KJ Spio feat. Konshens and Harmonize - Messi 00:27:00 Burna Boy - Bundle By Bundle (Da Phonk Club Edit) 00:27:33 Asake feat. Stormzy - Suru 00:28:10 Asake - I Swear 00:28:27 Asake - Skating 00:29:13 BNXN (fka Buju) and Rema - Fi Kan We Kan 00:29:51 BNXN (aka Buju) - No Spoil My Steez 00:30:17 Zlatan feat. Olamide - Gimme Your Love 00:30:58 Alpha P feat. Olamide and Thisizlondon - W 00:31:32 Niniola feat. Pheelz - Formula 00:31:48 CKay - Egwu Eji 00:32:22 Iyanya and Tekno - Shagara 00:32:49 Fireboy DML feat. Spinall - Wande's Bop 00:33:12 DJ Neptune feat. Olivetheboy - Emmanuella 00:33:41 Reehaa feat. Shallipopi - Crazy 00:34:15 Shallipopi - Free Service 00:34:52 Muyeez feat. Tml Vibez and Shallipopi - Trending (Remix) 00:35:27 Vibez Inc, Seyi Vibez, Odumodublvck and TML Vibez - On God 00:35:43 Smur Lee feat. Odumodublvck and Shallipopi - Juju 00:36:00 Juls feat. Victony - Saint Tropez 00:36:33 Ladipoe feat. Adekunle Gold and Kel-P - Ekwe 00:37:07 Lojay - Falling 00:37:40 Phyno feat. ArrDee - Time of My Life 00:38:14 DJ Tunez, Wande Coal and Libianca - Promiscuous (Nelly Furtado cover) 00:39:04 Skales feat. Ace Hood - In My Cup 00:39:37 Tyla Feat. Tony Duardo, Optimist and Maestro - Shake Ah 00:40:44 Major League Djz and Tion Wayne - One of Them 00:41:26 Afro Bros, ELEXSANDOM and Barbatuques - Baiana Piano 00:42:16 Tyler ICU feat. Ceeka RSA, DJ Exit, Cowboii and Khalil Harrison - Awuna Mali 00:43:23 Khalil Harrison, Tyler ICU, Xelimpilo, Ceeka RSA, Pcee, LeeMcKrazy, DJ Exit, Tyrone Dee, Dj Maphorisa - Khona Remake 00:43:57 Vigro Deep feat. DJ Maphorisa, Kabza De Small, Uncool MC, Focalistic, Scotts Maphuma, Ricky Lenyora and Woza Sjax - A-Z (Yashi Moto) 00:45:04 Via Seri and Malume Hypeman - Surf 00:45:43 The Therapist and Magicsticks - Informate (FYI) 00:46:16 Uncle Waffles Feat. Royal MusiQ, Mark Khoza, CowBoii and Uncool MC - Baphi 00:46:50 Omah Lay - Moving 00:47:07 The Lion King - Circle Of Life (Jay Psar Amapiano Remix) 00:48:05 The Dixie Cups - Iko Iko (Richastic Remix) 00:48:07 Cajmere - Brighter Days (Onderkoffer Remix) 00:49:37 Mary J. Blige - Family Affair (DJ Serg Sniper Remix) 00:50:11 Sabrina Carpenter - Espresso (Heavy and DJ Flipside Amapiano Remix) 00:51:17 Nerryckole feat. Seyi Vibez and Zlatan - Ariya 00:52:05 Asake - Uhh Yeahh (Da Phonk Remix)
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#konshens #afrobeatspodcast #Afrobeats Thank you for your Subscriptions Keep Subscribing to get this platform as big as a possible so we can support our own people without having to wait for others to support us or tell our stories. We appreciate it , Keep Commenting, Liking and Sharing. ________________________________________________________________________ ________________________________________________________________________ Every Week New Episode, Listen to @Afrobeats Podcast 24/7 ►INSTAGRAM : https://bit.ly/3N04TFE , @adesope.olajide - https://bit.ly/3LUFsUx ►SPOTIFY : https://spoti.fi/3x2rURI ►GOOGLE : https://g.co/kgs/V4ceGL ►APPLE PODCAST : https://apple.co/3PRpeP4 ►TWITTER : https://bit.ly/3LZqrAI ►AUDIOMACK : https://audiomack.com/afrobeats-podcast ►YOUTUBE : https://bit.ly/2LG5UbH ►DEEZER PODCAST : https://www.deezer.com/en/show/2367332 ►SOUNDCLOUD : https://bit.ly/3t4jZSy ►AMAZON MUSIC Managed by Lm media https://bit.ly/38sZ84c
For sponsorship, advertisement and promotions of your business or brand on our podcast, please send an email to bookdjkrane@gmail.com stating your kind of business and the type of promotion you need P.S. To be added to our mailing list to receive exclusive mixtapes and other related news, send us an email to the above email address. Stream Shakespopi (Album) by Shallipopi in Apple Music ⬇️ https://apple.co/4eL4fZC Stream One Day (Single) by Kooleanz & Dàrh Kràñé in Apple Music ⬇️ https://apple.co/3OqeEPE ⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DÀRH KRÀÑÉ (DJ DARH KRANE) OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS, RECORD LABELS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS AVAILABLE IN THIS EPISODE DESCRIPTION. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU). Stream the Top 100 songs in Apple Music Nigeria today via the link below! https://apple.co/3zL3l13 Follow on all social platforms Facebook ⏩ https://facebook.com/kranedarh Instagram ⏩ https://instagram.com/theycallmedarhkrane X fka Twitter ⏩ https://x.com/theycallmedj_k TikTok ⏩ https://tiktok.com/@theycallmedarhkrane YouTube ⏩ https://youtube.com/@theycallmedarhkrane One Link
For sponsorship, advertisement and promotions of your business or brand on our podcast, please send an email to bookdjkrane@gmail.com stating your kind of business and the type of promotion you need P.S. To be added to our mailing list to receive exclusive mixtapes and other related news, send us an email to the above email address. Stream Nyash na Nyash (Single) (Remix) by Chella (ft. Young John) in Apple Music ⬇️ https://apple.co/40JyBsm Stream Goodness (Single) by Kooleanz in Apple Music ⬇️ https://apple.co/3UOKfy2 ⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DÀRH KRÀÑÉ (DJ DARH KRANE) OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS, RECORD LABELS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS AVAILABLE IN THIS EPISODE DESCRIPTION. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU). Stream the Top 100 songs in Apple Music Nigeria today via the link below! https://apple.co/3zL3l13 Follow on all social platforms Facebook ⏩ https://facebook.com/kranedarh Instagram ⏩ https://instagram.com/theycallmedarhkrane X fka Twitter ⏩ https://x.com/theycallmedj_k TikTok ⏩ https://tiktok.com/@theycallmedarhkrane YouTube ⏩ https://youtube.com/@theycallmedarhkrane One Link
For sponsorship, advertisement and promotions of your business or brand on our podcast, please send an email to bookdjkrane@gmail.com stating your kind of business and the type of promotion you need P.S. To be added to our mailing list to receive exclusive mixtapes and other related news, send us an email to the above email address. Stream Rave & Roses (Album) by Rema in Apple Music ⬇️ https://apple.co/3C1LMun Stream Ravage (EP) by Rema in Apple Music ⬇️ https://apple.co/48r7uDX ⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DÀRH KRÀÑÉ (DJ DARH KRANE) OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS, RECORD LABELS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS AVAILABLE IN THIS EPISODE DESCRIPTION. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU). Stream the Top 100 songs in Apple Music Nigeria today via the link below! https://apple.co/3zL3l13 Follow on all social platforms Facebook ⏩ https://facebook.com/kranedarh Instagram ⏩ https://instagram.com/theycallmedarhkrane X fka Twitter ⏩ https://x.com/theycallmedj_k TikTok ⏩ https://tiktok.com/@theycallmedarhkrane YouTube ⏩ https://youtube.com/@theycallmedarhkrane One Link
In this week's episode of Afrobeats Weekly, Tunde and his co-host, Showontstop review Ckay's ‘Emotions' album. They also touch on news making the rounds in Afrobeats this week, and all the major songs that dropped this week.OUTLINE00:00 - Introduction02:50 - Catch up04:48 - Asake's song makes NBA 2K25 soundtrack album08:28 - New musicPiece Of My Heart by Wizkid and Brent FiyazFi Kan We Kan by Buju and RemaForgiveness by Tiwa SavageFalling/Unleash by LojayRefund PT2 by Reeplay, Odumodu and Ajebo HustlersEmeka Dance by BlaqbonezOrobo by KhaidOla by Yimeeka and Black CultureWon't Turn Back by Tesswess27:53 - New Albums Emotions By Ckay31:38 - The Charts32:50 - Eliminate44:41 - Sign outFollow the podcast on Twitter and Instagram for more information. You can also send fan mail to fanmail@afrobeatspod.com
For sponsorship, advertisement and promotions of your business or brand on our podcast, please send an email to bookdjkrane@gmail.com stating your kind of business and the type of promotion you need P.S. To be added to our mailing list to receive exclusive mixtapes and other related news, send us an email to the above email address. Stream HEIS (Album) by Rema in Apple Music ⬇️ https://apple.co/3SevH9K Stream Jiggy Forever (Album) by Young John in Apple Music ⬇️ https://apple.co/3ZKvcJc ⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DÀRH KRÀÑÉ (DJ KRANE) OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS, RECORD LABELS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS AVAILABLE IN THIS EPISODE DESCRIPTION. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU). Stream the Top 100 songs in Apple Music Nigeria today via the link below! https://apple.co/3kTNqWk Follow on all social platforms Facebook ⏩ https://facebook.com/kranedarh Instagram ⏩ https://instagram.com/theycallmedarhkrane X fka Twitter ⏩ https://x.com/theycallmedj_k TikTok ⏩ https://tiktok.com/@theycallmedarhkrane YouTube ⏩ https://youtube.com/@theycallmedarhkrane One Link
For sponsorship, advertisement and promotions of your business or brand on our podcast, please send an email to kranerecordsw@gmail.com stating your kind of business and the type of promotion you need P.S. To be added to our mailing list to receive exclusive mixtapes and other related news, send us an email to the above email address. Join our WhatsApp Community and never miss an update ⬇️ https://whatsapp.com/channel/0029VajlLxf17EmlxJIBXj20 Stream Grit & Lust (Album) by Zinoleesky in Apple Music ⬇️ https://apple.co/4gFocTK Stream Sincerely Benson Bnxn(Album) by Bnxn fka Buju in Apple Music ⬇️ https://apple.co/3Biymd3 ⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DJ SELEX AKA SELEX OYA NA OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS, RECORD LABELS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS AVAILABLE IN THIS EPISODE DESCRIPTION. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU). Stream the Top 100 songs in Apple Music Nigeria today via the link below! https://apple.co/3kTNqWk Follow DJ Selex on all social platforms Facebook ⏩ https://www.facebook.com/djselexoyana Instagram ⏩ https://www.instagram.com/deejayselex X fka Twitter ⏩ https://x.com/deejay_selex TikTok ⏩ https://www.tiktok.com/@deejayselex YouTube ⏩ https://youtube.com/@deejay_selex Tracklist: OMIZZY - OSIMEHN Niphkeys & Zinoleesky ft. BNXN - Close To Me Hotkid - My Way Seyi Vibez - Doha OMIZZY - OSIMEHN Ayo Maff - Are you there? Bnxn - Phenomena JAIVAH JFS Music ft King Tone SA - Kautaka Chris Brown ft. Davido - Hmmm Olamide ft Omah Lay - Infinity uLazi & Infinity MusiQ - yey OMIZZY - OSIMEHN Shakes & Les, LeeMcKrazy - Funk 99 Diamond Platnumz ft Khalil Harisson & Chley - Komasava Fireboy DML - iseoluwa Fireboy DML ft. SPINALL - wande's bop Asake ft. Stormzy - Suru Zerrydl – Back To Back GTAmapiano - (GTA Amapiano) Asake & Central Cee - Wave Ruger, Bnxn - POE Asake - Skating Fola ft Bhadboi oml - alone Caltonic sa - H12 Smur Lee ft Odumodublvck ft shallipopi - JUJU Twoo Kayy & Sabs da Deejay - VICK 5 OMIZZY - OSIMEHN Asake - Mood Olamide, Fireboy DML, Asake - Uptown Disco Burna Boy - Higher Portable - Oriade Tspykes & Shoday - Something Something Remix TXC & Davido - Yebo Asake ft Travis Scott - Active Portable - Azaman Rema - Azaman Asake - Uhh Yeahh Fireboy DML - change your life Fido - Awolowo Asake - Worldwide OMIZZY - OSIMEHN ⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DJ SELEX AKA SELEX OYA NA OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS, RECORD LABELS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS AVAILABLE IN THIS EPISODE DESCRIPTION. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU). Stream the Top 100 songs in Apple Music Nigeria today via the link below! https://apple.co/3kTNqWk -- Hosting provided by SoundOn
ENDLICH sitzen wir wieder im Situationroom. Und uns beschäftigt erstmal die Lage der Nation. Nach den Wahlen in Thüringen und Sachsen fragen wir uns „Wie gehen wir mit populistischer Kommunikation um?“ und wir versuchen erste Ideen zu diskutieren. Hast du Ideen dazu? Dann schreib doch mal in die Kommis! Außerdem gibt es ein ausgiebiges BUJU-Recap und viele Hinweise auf kommende Events in unserer Kirche. #immersommer #sitroom #seasonsix #podcast
In this thought-provoking episode, Lira Ndifon shares insight on a powerful podcast that featured Buju , a visionary artist and activist who offers a scathing critique of the state of African music and politics. Boudhu challenges the commercialization of music and the lack of authentic representation in the industry, urging artists to use their platforms to address the pressing issues facing African communities.Through insightful commentary and personal anecdotes, Buju exposes the detrimental influence of Western culture on African music, highlighting the need for a return to traditional roots and a celebration of African heritage. He emphasizes the power of music as a tool for social change, inspiring listeners to use their voices to advocate for justice and equality.The episode delves into the broader political and social issues facing Africa, including the exploitation of natural resources, political instability, and the marginalization of indigenous communities. Buju calls for unity, empowerment, and a return to traditional African values as a means to overcome these challenges. He encourages listeners to question the narratives they have been conditioned to believe and to seek out authentic African voices.By fostering a deeper understanding of the complexities of the African experience, this episode empowers listeners to engage in meaningful action and support the ongoing struggle for liberation and self-determination. Boudhu's message is a powerful reminder of the transformative power of music and the importance of preserving African heritage.#AfricanMusic #AfricanCulture #SocialChange #Activism #Music #Politics #Africa #BlackLivesMatter #HumanRights #SocialJustice #Equality #Empowerment #Unity #Diversity #CulturalHeritage #TraditionalMusic #MusicIndustry #MusicBusiness #MusicMarketing #MusicPromotion #Podcast #Podcasts #NewPodcast #PodcastLove #PodcastAddict #PodcastLife #PodcastersOfInstagram #Podcasting #PodcastGramhttps://prolonfast.com/products/gofast?rfsn=7553594.01507e9&utm_source=refersion&utm_medium=affiliate&utm_campaign=7553594.01507e9 Support the Show.
For sponsorship, advertisement and promotions of your business or brand on our podcast, please send an email to kranerecordsw@gmail.com stating your kind of business and the type of promotion you need P.S. To be added to our mailing list to receive exclusive mixtapes and other related news, send us an email to the above email address. Stream One Day by Kooleanz & Dàrh Kràñé in all streaming platforms ⬇️ https://sndo.ffm.to/dz5ly40 Stream RnB (Album) by Ruger & BNXN in Apple Music ⬇️ https://apple.co/3YxOUay Stream Lungu Boy (Album) by Asake in Apple Music ⬇️ https://apple.co/46xFKMZ ⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DÀRH KRÀÑÉ (DJ KRANE) OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS, RECORD LABELS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS AVAILABLE IN THIS EPISODE DESCRIPTION. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU). Stream the Top 100 songs in Apple Music Nigeria today via the link below! https://apple.co/3kTNqWk Follow on all social platforms Facebook ⏩ https://facebook.com/kranedarh Instagram ⏩ https://instagram.com/theycallmedarhkrane X fka Twitter ⏩ https://x.com/theycallmedj_k TikTok ⏩ https://tiktok.com/@theycallmedarhkrane YouTube ⏩ https://youtube.com/@theycallmedarhkrane One Link
On this week's episode, Simi and Feyikemi sit with artist Taves to discuss his journey as an artist, discovering he wanted to make music, getting signed by Buju and his brand new EP 'Are You Listening|?' They also put you on to their favourite shows & songs right now.Make sure you watch the episode on YouTube & listen to the playlist - F&S Rotations on Apple Music and Spotify, updated weekly.Send fan mail & enquiries to: contactfands@gmail.comFollow us on X & InstagramShow Recommendations; Ayra Starr: Dare To Dream Master Of The House Big Brother House of Gaa
On this week's episode, Simi and Feyikemi sit with artist Taves to discuss his journey as an artist, discovering he wanted to make music, getting signed by Buju and his brand new EP 'Are You Listening|?' They also put you on to their favourite shows & songs right now.Make sure you watch the episode on YouTube & listen to the playlist - F&S Rotations on Apple Music and Spotify, updated weekly.Send fan mail & enquiries to: contactfands@gmail.comFollow us on X & InstagramShow Recommendations; Ayra Starr: Dare To Dream Master Of The House Big Brother House of Gaa
For sponsorship, advertisement and promotions of your business or brand on our podcast, please send an email to kranerecordsw@gmail.com stating your kind of business and the type of promotion you need P.S. To be added to our mailing list to receive exclusive mixtapes and other related news, send us an email to the above email address. Join our WhatsApp Community and never miss an update ⬇️ https://whatsapp.com/channel/0029VajlLxf17EmlxJIBXj20 Pre-save One Day by Kooleanz & Dàrh Kràñé ⬇️ https://sndo.ffm.to/dz5ly40 Use Sound in TikTok ⬇️ https://shorturl.at/GcLrQ Stream Nyash Na Nyash (Single) by Chella in Apple Music ⬇️ https://apple.co/3LDpMYf Stream Ikigai / 生き甲斐 Vol. 1 (Album) by Olamide in Apple Music ⬇️ https://apple.co/3RTJjau ⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DÀRH KRÀÑÉ (DJ KRANE) OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS BELOW. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU). Stream the Top 100 songs in Apple Music Nigeria today via the link below! https://apple.co/3kTNqWk Follow on all social platforms Facebook ⏩ https://facebook.com/kranedarh Instagram ⏩ https://instagram.com/theycallmedarhkrane X fka Twitter ⏩ https://x.com/theycallmedj_k TikTok ⏩ https://tiktok.com/@theycallmedarhkrane YouTube ⏩ https://youtube.com/@theycallmedarhkrane One Link
For sponsorship, advertisement and promotions of your business or brand on our podcast, please send an email to kranerecordsw@gmail.com stating your kind of business and the type of promotion you need Ps: To be added to our mailing list to receive exclusive mixtapes and other related news, send us an email to the above email address. ⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DÀRH KRÀÑÉ (DJ KRANE) OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS BELOW. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU). Stream the Top 100 songs in Apple Music Nigeria today via the link below! https://apple.co/3kTNqWk Stream BENIN BOYS by Rema & Shallipopi in Apple Music ⬇️ https://apple.co/4cFhBpR Stream Puff & Pass by Zerrrydl in Apple Music ⬇️ https://apple.co/3xBj5Cy Stream Saba Julukisa by DJ Karri & Deep Saints (ft. Mfana Kah Gogo & Spux) in Apple Music ⬇️ https://apple.co/4bn0GXM Follow on all social platforms Facebook ⏩ https://www.facebook.com/kranedarh Instagram ⏩ https://www.instagram.com/theycallmedarhkrane X fka Twitter ⏩ https://www.x.com/theycallmedj_k TikTok ⏩ https://www.tiktok.com/@theycallmedarhkrane YouTube ⏩ https://www.youtube.com/@theycallmedarhkrane One Link
For sponsorship, advertisement and promotions of your business or brand on our podcast, please send an email to kranerecordsw@gmail.com stating your kind of business and the type of promotion you needPs: To be added to our mailing list to receive exclusive mixtapes and other related news, send us an email to the above email address.Dm DJ KRANE on WhatsApp @ +2348145222274 for a custom mixtape for your event⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DÀRH KRÀÑÉ (DJ KRANE) OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS BELOW. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU).Stream the Top 100 songs in Apple Music Nigeria today via the link below!https://apple.co/3kTNqWkStream BENIN BOYS by Rema & Shallipopi in Apple Music ⬇️https://apple.co/4cFhBpRStream Puff & Pass by Zerrrydl in Apple Music ⬇️https://apple.co/3xBj5CyStream Saba Julukisa by DJ Karri & Deep Saints (ft. Mfana Kah Gogo & Spux) in Apple Music ⬇️https://apple.co/4bn0GXMFollow on all social platformsFacebook ⏩ https://www.facebook.com/kranedarhInstagram ⏩ https://www.instagram.com/theycallmedarhkraneX fka Twitter ⏩ https://www.x.com/theycallmedj_kTikTok ⏩ https://www.tiktok.com/@theycallmedarhkraneYouTube ⏩ https://www.youtube.com/@theycallmedarhkraneOne Link
For sponsorship, advertisement and promotions of your business or brand on our podcast, please send an email to kranerecordsw@gmail.com stating your kind of business and the type of promotion you need Ps: To be added to our mailing list to receive exclusive mixtapes and other related news, send us an email to the above email address. ⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DÀRH KRÀÑÉ (DJ KRANE) OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS BELOW. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU). Stream the Top 100 songs in Apple Music Nigeria today via the link below! https://apple.co/3kTNqWk Follow on all social platforms Facebook ⏩ https://facebook.com/kranedarh Instagram ⏩ https://instagram.com/theycallmedarhkrane X fka Twitter ⏩ https://x.com/theycallmedj_k TikTok ⏩ https://tiktok.com/@theycallmedarhkrane YouTube ⏩ https://youtube.com/@theycallmedarhkrane One Link
For sponsorship, advertisement and promotions of your business or brand on our podcast, please send an email to kranerecordsw@gmail.com stating your kind of business and the type of promotion you needPs: To be added to our mailing list to receive exclusive mixtapes and other related news, send us an email to the above email address.⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DÀRH KRÀÑÉ (DJ KRANE) OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS BELOW. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU).Stream the Top 100 songs in Apple Music Nigeria today via the link below!https://apple.co/3kTNqWkFollow on all social platformsFacebook ⏩ https://facebook.com/kranedarhInstagram ⏩ https://instagram.com/theycallmedarhkraneX fka Twitter ⏩ https://x.com/theycallmedj_kTikTok ⏩ https://tiktok.com/@theycallmedarhkraneYouTube ⏩ https://youtube.com/@theycallmedarhkraneOne Link
For sponsorship, advertisement and promotions of your business or brand on our podcast, please send an email to kranerecordsw@gmail.com stating your kind of business and the type of promotion you need Ps: To be added to our mailing list to receive exclusive mixtapes and other related news, send us an email to the above email address. ⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DÀRH KRÀÑÉ (DJ KRANE) OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS PROVIDED BELOW. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU). Stream the Top 100 songs in Apple Music Nigeria today via the link below! https://apple.co/3kTNqWk TRACKLIST: 1.} Ayra Starr (ft. Seyi Vibez): Bad Vibes 2.) Davido (ft. Fave): KANTE 3.) Fireboy: Everyday 4.) Qinq Madi: American Love 5.) Mr Tee (ft. Tenorboy & Prod. Chacha): Digi III 6.) Boy Spyce (ft. Khaid): I Don't Care 7.) Chris Brown (ft. Davido): Hmmm 8.) Asake: Basquiat 9.) Young John: Pot of Gold 10.) Olamide: Gaza 11.) Asake: Awodi 12.) Shallipopi: Hightension 13.) Joeboy (ft. Qinq Madi): Adenuga 14.) Tiwa Savage (ft. Ayra Starr): Gara 15.) TitoM & Yuppe (ft. Burna Boy, S.N.E & EeQue): Tshwala Bam (Remix) 16.) Majeeed (ft. Tiwa Savage): Gbese 17.) Ckay (ft. Blaqbonez): HALLELUJAH 18.) Ckay: Kiss Me Like You Miss Me 19.) Goya Menor (ft. Nas Tee): Brotherman 20.) Boy Spyce: Pepe 21.) Asake: Organise 22.) Magixx: 4 Days 23.) Majeeed (ft. Lojay): Cry (Shayo) 24.) Nasboi: Small Money 25.) Ruger & BNXN fka Buju: POE 26.) Flavour: Big Baller ⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DÀRH KRÀÑÉ (DJ KRANE) OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS PROVIDED BELOW. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU). Stream the Top 100 songs in Apple Music Nigeria today via the link below! https://apple.co/3kTNqWk -- Hosting provided by SoundOn
For sponsorship, advertisement and promotions of your business or brand on our podcast, please send an email to kranerecordsw@gmail.com stating your kind of business and the type of promotion you needPs: To be added to our mailing list to receive exclusive mixtapes and other related news, send us an email to the above email address.⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DÀRH KRÀÑÉ (DJ KRANE) OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS BELOW. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU).Stream the Top 100 songs in Apple Music Nigeria today via the link below!https://apple.co/3kTNqWkTRACKLIST:1.) Kizz Daniel: Showa2.) Kizz Daniel (ft. Blaqbonez): One Dollar3.) Kizz Daniel (ft. Davido): One Ticket4.) Kizz Daniel (ft. Chike): Easy To Love5.) Kizz Daniel (ft. Jahmiel, Nomcebo Zikode & Not3s): Complicated6.) Kizz Daniel: Blood Is Thicker7.) Kizz Daniel: My G8.) BNXN fka Buju (ft. Kizz Daniel & Seyi Vibez): GWAGWALADA9.) Young John (ft. Kizz Daniel & Seyi Vibez): Big Big Things10.) Kizz Daniel (ft. Pryme): Show You Off11.) Kizz Daniel: Sooner12.) Kizz Daniel (ft. Tekno): Buga (Lo Lo Lo)13.) Poco Lee (ft. Kizz Daniel): Unleash14.) Kizz Daniel: Twe Twe15.) Kizz Daniel: Shu Peru16.) Kizz Daniel (ft. Pryme): Show You Off17.) Kizz Daniel: Anchovy18.) Kizz Daniel: E'better19.) Kizz Daniel (ft. DJ Big N, Yemi Alade & Young Jonn): Side Chick20.) Kizz Daniel: Never21.) Kizz Daniel: Too Busy To Bae⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DÀRH KRÀÑÉ (DJ KRANE) OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS BELOW. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU).Stream the Top 100 songs in Apple Music Nigeria today via the link below!https://apple.co/3kTNqWk
For sponsorship, advertisement and promotions of your business or brand on our podcast, please send an email to kranerecordsw@gmail.com stating your kind of business and the type of promotion you need Ps: To be added to our mailing list to receive exclusive mixtapes and other related news, send us an email to the above email address. ⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DÀRH KRÀÑÉ (DJ KRANE) OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS BELOW. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU). Stream the Top 100 songs in Apple Music Nigeria today via the link below! https://apple.co/3kTNqWk TRACKLIST: 1.) Kizz Daniel: Showa 2.) Kizz Daniel (ft. Blaqbonez): One Dollar 3.) Kizz Daniel (ft. Davido): One Ticket 4.) Kizz Daniel (ft. Chike): Easy To Love 5.) Kizz Daniel (ft. Jahmiel, Nomcebo Zikode & Not3s): Complicated 6.) Kizz Daniel: Blood Is Thicker 7.) Kizz Daniel: My G 8.) BNXN fka Buju (ft. Kizz Daniel & Seyi Vibez): GWAGWALADA 9.) Young John (ft. Kizz Daniel & Seyi Vibez): Big Big Things 10.) Kizz Daniel (ft. Pryme): Show You Off 11.) Kizz Daniel: Sooner 12.) Kizz Daniel (ft. Tekno): Buga (Lo Lo Lo) 13.) Poco Lee (ft. Kizz Daniel): Unleash 14.) Kizz Daniel: Twe Twe 15.) Kizz Daniel: Shu Peru 16.) Kizz Daniel (ft. Pryme): Show You Off 17.) Kizz Daniel: Anchovy 18.) Kizz Daniel: E'better 19.) Kizz Daniel (ft. DJ Big N, Yemi Alade & Young Jonn): Side Chick 20.) Kizz Daniel: Never 21.) Kizz Daniel: Too Busy To Bae ⚠️DISCLAIMER: SOME OF THE TRACKS CONTAINED IN THIS MIX DOES NOT BELONG TO DÀRH KRÀÑÉ (DJ KRANE) OR KRW AND AS SUCH ALL CREDITS ARE GIVEN TO THE ARTISTS AND THEIR RESPECTIVE COPYRIGHT HOLDERS! YOU CAN OFFICIALLY STREAM AND DOWNLOAD THEIR SONGS FROM APPLE MUSIC USING THE LINKS BELOW. WE ARE AFFILIATES WITH APPLE INC. SO WE EARN A COMMISSION WHEN YOU CLICK AND PURCHASE APPLE PRODUCTS AND/OR SERVICES THROUGH OUR LINKS (AT NO EXTRA COST TO YOU). Stream the Top 100 songs in Apple Music Nigeria today via the link below! https://apple.co/3kTNqWk -- Hosting provided by SoundOn
1.Tshwala Bam [Feat. S.N.E & EeQue] - TitoM & Yuppe 2. Mnike feat. DJ Maphorisa,Nandipha808, Ceeka RSA & Tyron Dee - Tyler ICU & Tumela_za 3. FEEL - Davido 4. GWAGWALADA - BNXN fka Buju, Kizz Daniel & Seyi Vibez 5. Amazing Grace - Yemi Alade 6. Holy Ghost - Omah Lay 7. Who Is Your Guy (Remix) - Spyro Ft. Tiwa Savage 8. Stamina - Tiwa Savage, Ayra Starr & Young Jonn 9. Holiday - Rema 10. Sungba (feat. Burna Boy) [Remix] - Asake and Burna Boy 11. Killin Dem (Amapiano Remix) - Burna 12. Joha - Asake 13. No.1 - Tyla Ft. Tems
Welcome Aboard FLIGHT OSO! Buckle up! and get ready for take off as we take you on a musical journey! Get your passports ready cause today OSOCITY is taking you on a Musical Journey all throughout the Amazing Continent of Africa! This is My 1st ever Afrobeats Mix of 2024! and its filled with so much amazing energy and vibes! Make sure to pack warm because this Afrobeats musical journey is about to be FIRE! Buckle up! Sit back! Relax! and enjoy Flight OSO! Send Me Videos of you listening to my mix on Instagram @OSOCITY So I can Post Them
Jaji Holland x Mnike x Buju x Tyler ICU - Amapiano Remix
On the 4th of October, 2023, BNXN formerly known as Buju released his debut album titled Sincerely Benson by BNXN. The 15-track album features 2Baba, Seyi Vibez, Kizz Daniel, Headie One, Taves, and Popcaan. And the Producers are; Jae5, Sarz, ATG, Guiltybeatz, Leriq, Davinchiii, Denzl, Blaisebeatz, Tempoe, Magicsticks, Dro, Jofis, Malik Bawa, Sakpase, LJay Currie and Stone On today's episode of Cha Cha Album Review Series on Cha Cha Music Review Podcast, Winifred and Hafeestonova did a breakdown analysis of the album Press the play button to listen You can stream the album here Sincerely Benson --- Support this podcast: https://podcasters.spotify.com/pod/show/hafeestonova1/support
On the 4th of October, 2023, BNXN formerly known as Buju released his debut album titled Sincerely Benson by BNXN. The 15-track album features 2Baba, Seyi Vibez, Kizz Daniel, Headie One, Taves, and Popcaan. And the Producers are; Jae5, Sarz, ATG, Guiltybeatz, Leriq, Davinchiii, Denzl, Blaisebeatz, Tempoe, Magicsticks, Dro, Jofis, Malik Bawa, Sakpase, LJay Currie and Stone On today's episode of Cha Cha Album Review Series on Cha Cha Music Review Podcast, Winifred and Hafeestonova did a breakdown analysis of the album Press the play button to listen You can stream the album here Sincerely Benson --- Send in a voice message: https://podcasters.spotify.com/pod/show/hafeestonova1/message Support this podcast: https://podcasters.spotify.com/pod/show/hafeestonova1/support
Get ready to burst into laughter on this episode of Submarine and A Roach! Tmt and Koj are back, and they're serving up a piping hot dish of hilarious commentary on some of Nigeria's hottest topics. First up, brace yourself for a dose of conspiracy hilarity as they dive into the wild world of Rema and Illuminati accusations. The laughs are just getting started! Teni takes the spotlight next, and the duo discusses her album and her bold coming out as queer. Get ready for some witty takes and cheeky banter as they explore Teni's journey. Hold onto your seats as Tmt and Koj tackle a serious issue with their trademark humor—the Lagos State Government Budget and alleged misappropriation of funds. Their take on this scandal will leave you in stitches. But the hilarity doesn't stop there. They dig up Buju aka BNXN's old tweets and give them the comedic treatment they deserve. You won't believe what they find! Finally, get ready for an incredible improv session as they make sentences using Nigerian newspapers and magazines. It's a rollercoaster ride of wordplay and wit that will keep you entertained until the very end. Don't miss out on this uproarious episode of Submarine and A Roach! With unfiltered humor and sharp wit, Tmt and Koj take you on a comedic journey through the hottest topics in Nigeria. Tune in for a laughter-filled experience you won't forget! --- Send in a voice message: https://podcasters.spotify.com/pod/show/submarine-and-a-roach0/message
Dj Shinski - Naija Overdose Mix Vol 15
Dj Shinski - Naija Overdose Mix Vol 15
BNXN F.K.A BUJU LIVE IN CHICAGO | OCT. 15 Sincerely Bnxn aka Buju Live in Chicago
0 Cette année est vraiment celle des albums, tout le monde à décidé de sortir son projet en 2023 ! En plus de Buju et Beenie Man qui étaient annoncés en grande pompe, on a encore Richie Spice, Marcia Griffiths, Blackout JA… Et encore une fois je n’ai pas été pioché partout. Je ne vais […]
On this week's episode, Simi and Feyikemi discuss the marketing of the Barbie movie and the movie premier in Lagos, Brymo's disturbing offer to Simi as well as Victory, Buju and Ayra Starr on the cover to Teen Vogue and the growth of Afrobeats. They also put you on to their favourite shows & songs.Make sure you watch the episode on YouTube & listen to the playlist - F&S Rotations on Apple Music and Spotify, updated weekly.Use our Go Money referral code - https://gomoney.onelink.me/GvIj/FnSSend fan mail & enquiries to: contactfands@gmail.comFollow us on Twitter & Instagram
On this week's episode, Simi and Feyikemi discuss the marketing of the Barbie movie and the movie premier in Lagos, Brymo's disturbing offer to Simi as well as Victory, Buju and Ayra Starr on the cover to Teen Vogue and the growth of Afrobeats. They also put you on to their favourite shows & songs.Make sure you watch the episode on YouTube & listen to the playlist - F&S Rotations on Apple Music and Spotify, updated weekly.Use our Go Money referral code - https://gomoney.onelink.me/GvIj/FnSSend fan mail & enquiries to: contactfands@gmail.comFollow us on Twitter & Instagram
Welcome Aboard FLIGHT OSO! Buckle up! and get ready for take off as we take you on a musical journey! The first ever OSOCITY Afro House
All the jams in one dope mix! PLAYLIST Oseikrom Sikanii Twatis (feat. Kweku Smoke) THE BAND FRA X KWAMZ ORIGINAL You Dey Feel The Vibe? (66 & Seihor Edit) EMPIRE & Kizz Daniel Cough (Odo) JZyNO Butta My Bread (feat. Lasmid) DaVido AWAY Rema Holiday Pheelz & Davido Electricity Dope Nation Clap King Promise Terminator Shallipopi Elon Musk Blaqnick & MasterBlaq La Mezcla (Remix) Voltage Of Hype & Dj Dabila Amapiano Breakfast Asake & Olamide Amapiano Stonebwoy & DJ Maphorisa Apotheke Uncle Waffles, Tony Duardo & Justin99 ft. Pcee, EeQue & Chley Yahyuppiyah Lady Amar, JL SA, Cici & Murumba Pitch Hamba Juba Teraphonique & DNZL444 Mob Ties Ice Beats Slide, Sbuda Maleather & 2woBunnies Jagermeister Tyler ICU & Tumelo.za Mnike (feat. DJ Maphorisa, Nandipha808, Ceeka RSA & Tyron Dee) Pcee, Justin99 & EeQue ZoTata (feat. Mr JazziQ) DopeNation Gboza Pheelz Yolo Davido FT. Musa Keys Unavailable BNXN fka Buju, Kizz Daniel & Seyi Vibez Gwagwalada DaVido & Focalistic Champion Sound Davido FEEL Asake Organise KCee Ojapiano Rexxie, Naira Marley & Skiibii Abracadabra (feat. Wizkid) [Remix] Spyro & Tiwa Savage Who Is Your Guy (Remix) J Hus FT. Drake Who Told You GROUND UP CHALE, ALBABWOY & KIMATI FAR GONE Kuami Eugene I Feel Nice ft. Group Chat, EMPIRE Kojo Manuel Vibration ft St Lennon & DJay Tiwa Savage, Ayra Starr & Young Jonn Stamina Asake 230 Asake Basquait Adekunle Gold FT. Zinoleesky Party No Dey Stop Asake Terminator Asake & R2Bees Terminator Agyei (Dj Loft Mash Up) Asake & Kwabena Kwabena Terminator Aso (Dj Loft Mash Up) Ayra Starr Sability Davido OVER DEM Burna Boy Common Person KiDi I Lied Rema Charm Burna Boy Sittin' On Top Of The World Libianca People Ruger Asiwaju Stonebwoy Into The Future Stonebwoy Forget DarkoVibes ft. King Promise Inna Song (Gin & Lime) (Prod. by Streetbeatz) Johnny Drille How Are You (My Friend) Davido KANTE FT FAVE Davido No Competition Ft Asake Burna Boy Rollercoaster (feat. J Balvin) Johnny Drille Believe Me JOEBOY BODY & SOUL Asake Lonely At The Top Bayanni Ta Ta Ta Omah Lay Reason
Dj Shinski - Afrobeats vs Amapiano Mix Vol 2
Dj Shinski - Afrobeats vs Amapiano Mix Vol 2
I LOVE SOCA WITH ENERGY!!! WITH REGGAEBOYZ & DLIFE... FEATURING NEW SEAN PAUL & BERES, NEW VALIANT, TOMMY LEE, BUJU, MOYANN, RENIGAD, SKENG, ALEX TOK, 1997 RIDDIM, MARZVILLE, ETC...
Buju founder, Maxine Petry, started making natural skin care products. with her mother, who immigrated to the US from Hong Kong. Through the practice of creating their own products, Maxine learned the benefits of using simple, natural ingredients for healthy and ageless skin. Buju follows eastern philosophies, relying on the natural world for one's health and beauty. website social media co-host Alessandra Levy Please consider SUPPORTING my SHOW, SUBSCRIBE to the NEWSLETTER, ENTER in the GIVEAWAYS Disclaimer: None of the information in the podcast should be considered as a financial advice. Always do your own research. Twitter Instagram LinkedIN Voiceover Reel Industry Coaching with me web3 coaching Merch A Lover's Fairytale Poetry Book buy here
The artist-entrepreneur-investor Mr Eazi has no on-off switch. Who he is in the recording studio, on stage, and on the boardroom are the same. With business and music, Mr Eazi has found parallel industries that allow him to be the same person.He's founded both emPawa Africa and Zagadat Capital to feed his business appetite. The former invests into African artists and helps them scale. Meanwhile, Zagadat Capital invests into tech startups, most of which are inside the continent. Then there's Mr Eazi, the Afrobeats artist. He's collaborated with the likes of Beyonce and J Balvin, and also taken center stage at Coachella. After taking time away from music amid the pandemic, Mr Eazi is back in album mode now. Holed up in Cape Town currently, Mr Eazi has plans for two new albums this year.I caught up with Mr Eazi to cover his never-ending pursuits in music and business. Here's everything we chatted about:[0:22] How Mr Eazi is balancing artistry and entrepreneurship[1:40] Similarities between music and startups[6:19] Taking equity stakes in artists and what an “exit” looks like[10:50] How Eazi measures success for Empawa artists [13:00] Eazi's investment thesis for startups[18:10] Startup success trends in Africa [21:30] Lack of capital is biggest challenge to Africa's startup scene [29:45] Raising awareness within the continent[32:20] Biggest obstacle that African artists face [36:52] Uncleared sample on a Bad Bunny song[40:45] Impact of Western companies investing into Africa[47:35] Mr Eazi is in album modeListen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Mr Eazi, @mreaziThis episode's sponsor is Symphony. Put your fanbase growth on autopilot with the first AI-powered platform that brings all your artist marketing workflows in one place. Learn more at symphony.to/trapitalEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.TRANSCRIPT[00:00:00] Mr. Eazi: part of me deciding to be an artist was reading the book, the Jay-Z book, Empire State of Mind. And that was when I saw it clearly and I was like, oh, wait a minute like this music is a business and the music gives you access, it gives you access to capital, access to the network it puts you, gives you a seat at the table[00:00:20] Dan Runcie Intro: Hey, welcome to the Trapital Podcast. I'm your host and the founder of Trapital Dan Runcie, this podcast is your place to gain insights from the executives in music, media, entertainment, and more. Who are taking hip hop culture to the next level.[00:00:48] Dan Runcie: All right. Today we have the one and only Mr. Eazi, the artist, entrepreneur. How you doing man? Welcome to the pod.[00:00:56] Mr. Eazi: I'm good. I'm good. I'm chilling. What's, going on[00:00:59] Dan Runcie: Me. I'm good, man. Trying to keep up with you. Trying to keep up with you, man.[00:01:03] Mr. Eazi: I'm trying to keep up with me, bro.[00:01:06] Dan Runcie: Well, let's talk about that because you are someone who sits at this intersection of artist, investor, entrepreneur, and you are doing all of those three jobs and more. And it's also happening at this moment where the entire continent of Africa is booming from an entrepreneurship perspective, booming from a music perspective.[00:01:29] How does it feel right now? How are you operating being at the center of that?[00:01:34] Mr. Eazi: To be honest, I just feel like it's a blessing to be born or to be existing in this time. where like you said, everything is just like taking shape and, you know, yeah, it's exciting and it is for me. It's like every day I'm seeing opportunity left and right and just figuring out what is fun and what is doable and just, you know, going from thinking, oh, I'm an entrepreneur, to oh, I make music. And, it's similar cause it's products at the end of the day, on the bottom line, it's like you're selling music or you're selling some other product. And I thought they were two different things, but you know, I'm seeing how it's one and the same.[00:02:17] It's just exciting to realize that I don't need to be two different people like I still be the same me and operating both walls.[00:02:27] Dan Runcie: So how are they similar for you approaching both music and startups?[00:02:32] Mr. Eazi: So I feel like every artist is like a. because the artist has a brand, has a feel, it's like a service product, it's an emotional product, right? And every artist, you know, that IP, there's an IP with every artist, and the artist usually needs investment to scale. And like coming from, like when I went outta school straight into an incubator program called 440NG and I kind of, there I learned how, you know your idea and your business, you know, you have the idea, you put it together, you iterate as the business keeps on going. So what you thought was the business at the beginning, you know, your customers could give you feedback and then you realize it evolves, it accelerate and you are trying to be as lean as possible and grow to the point where you have that critical volume to sort of like ask, what's the word as, proof that this is a valid idea either via customers or via revenue. And then you try and get to, you know, you try and scale, and you figure out what's your, unique value proposition is, and that's like where the startup, what's your unique value proposition?[00:03:46] Who are your customers? What's the idea? You take it to market, you test it, you go get investment. And it's the same thing with every artist so at the time where I decided to do music full-time, I was in an incubator program, and so I just started to see the similarities with the music. I'm like, okay, let me test it, put it out, people listen to it, you know, gimme the feedback, you know, and the point where I decided I was gonna take the music as a business was when like I got the first person reach out to me and say, Hey, I want to pay you for a verse. So that was the first signifier to let me know that, okay, maybe I'm onto something.[00:04:22] Then I started to have my early fans then Lauryn Hill reached out and said she wanted me to come play at her show. And I thought it was a fluke until I found myself in America performing in Lauryn Hill, coming out to say, I love you, thank you so much for coming. And like all of that is like with a business, with a traditional startup, it could be different things, but for me, the revenue, the number of users, aka the fans, all of that were signifiers.[00:04:51] And then I just needed, you know, the capital to take it to the next level, right? So I think those are the similarities, and I've tried it when I started emPawa it was at the beginning, it was to test if they were one and the same. So I was like, okay, Y Combinator send, you know, picks a few, start a couple of startups, you know, does incubator program put funding and whatnot to them?[00:05:18] And then maybe 20% of them you know, end up working on, and I did that with 100 artists across 11 African countries, over 30,000 entries then picked 100, then gave them the same amount of money, created the emPawa YouTube channel to host their videos, service it the same way, and in the end, start to see the ones that organically started picking up.[00:05:41] And we had success with that. So for me it was like, oh, wait a minute it's one and the same. I've proved this. And that's when emPawa then turn from, you know, the, program I was doing to actually full service music company, because I had proved that it was the same and in the same way you invest in a song.[00:06:01] I remember the first Joeboy song, the visualizer cost me $500, and then the song ended up having like 30 million views in like a year. And you know, Joeboy just went boom, boom, boom, boom, boom. So, I start to say, okay, there is a process here and perhaps we could do it with other artists, you know? So to answer your question, that's how I see both as, you know, one and the same in a way.[00:06:28] Dan Runcie: That makes sense. And I wanna talk about emPawa specifically because this is you bringing so many of those startup concepts to music like you said, you saw Y Combinator is doing. How could you apply that here? The difference though is that with Y Combinator, the promises of course, an exit, so they're hoping this companies get acquired.[00:06:47] They're hoping that they go public in music though. What does that look like for you as someone that is taking equity stakes in the artist? What does your return look like? What does your exit look like?[00:06:59] Mr. Eazi: So, I mean, first off, the return is like when you invest, you know, you invest to create the content, you put it out, put some marketing, and you start to see, you know, the streams coming, the revenue coming, the artist is now doing live shows, getting endorsement deals, you know, you could get four, 5x, 10x multiples, you know, and time.[00:07:24] so that's, one. But secondly, like on a developmental standpoint, you could develop the artist and then a big label comes and says, oh, we wanna upstream. So upstreaming is like a sale. It's like an exit, and you could still have passive rights to get passive income, on the artist. So those are like the kind of like returns and the kind of like exits.[00:07:48] Plus you could just invest in the IP, buy it up, and next thing somebody wants to sample it and then they have to write you a big check. And it could happen now, it could happen in like 10 years, in 15 years time, you know, you could have a record just lined. I'll give you an example, recently the Joeboy record that didn't make it to the Joeboy is one of my artists.[00:08:09] The song didn't make it to his album, and so we then licensed the song to a guy called Lakizon, you know, he puts out the record, you know, there's not so much thought to that. I wake up one day, Bad Bunny has put out, an album and I'm just listening to the album cause I'm a fan and I hear a record there and I'm like, basically what I was trying to say is, so you have that record that didn't make it to the album, Right? And it's just there and we license it to this guy and the next thing the record appears on a Bad Bunny album.[00:08:43] And that's like the biggest artist in the world last year by a lot of metrics. And so that's like an example, you know, an exit because you make this record and then boom, and the upsides are like, you know, so high. And right now on the market, even if you wanted, you are seeing, you know, my mentor, one of my mentors, Merck Mekadalas, you see how many multiples from 10 to 23, 24xlast year's revenue on, you know, buying rights for music. So I think there's multiple exits and even just the music and music IP as an asset class has been proven to be a valid asset class by Merck and the likes. For instance, I was, I was part of the deal, the KKR deal that bought, I don't know if you saw that some time ago, that bought a law of the rights, including the Weeknd et cetera.[00:09:36] I was part of that deal, via one of the companies, and you could see how you could see what an exit looks like. So there's multiple exits for music, whether it's an upstreaming deal from the label or it's a straight up acquisition of the catalog, or it's just multiples of revenue, the artist is now beginning to earn or if your label, you could get your entire label could become upstreams or you could go into a JV type situation.[00:10:06] Dan Runcie: So that speaks more to the flexibility that's offered with being able to invest in music. It isn't just this one time event that you're hoping for as a startup investor.[00:10:17] Mr. Eazi: Yeah. 100 percent.[00:10:19] Dan Runcie: Yeah. Yeah And with that too, you mentioned that you have a hundred artists that at least came through the first cohort, over 30,000 had applied and when you are measuring your success for them, I'm sure that each of the things you mentioned are the things that you hope for, but along the way, what are some of those key performance indicators or what are some of those things that you're looking for to hope that traction can be gained to hopefully get to the point where you do have, positive financial event that comes.[00:10:51] Mr. Eazi: I mean, it starts with like hyper local recognition. So, you know, I give example, there was this like I think she was 18 or 17 at the time, Nik, her name is Nikita and she's from Kenya. She had joined the program, she didn't make it to the top 10, but we put out the video and you know, that song started to gain local traction in Kenya even though she didn't make it to the Final 10.[00:11:17] And by local traction, I mean like number of downloads, it made it to radio, you know, it made it to press picking it up. And even though she wasn't part of the software and I didn't give her full on funding, she got signed to Universal. So for me that's a testament of like the success and those are like KPIs like, okay, does it get to radio in your local country?[00:11:40] Does it get, you know, that local, you know, appreciation from the fans in your country? And then when does it start to transcend, and there's nothing wrong with you having a popular song in Kenya or in Tanzania, but by the time it starts to go from Tanzania, you know, to rest of East Africa and then comes to the west, you know, those are the things you look out for and, you know, next level is by the time you start getting booked for shows based on the 1, 2, 3 singles you put out,[00:12:11] Dan Runcie: That makes sense. That makes sense. Let's shift gears a bit to startups, because I know that's the other space that you're actively in. What is your thesis for investing in startups?[00:12:22] Mr. Eazi: Right now, what I do is like, you know, I can bring some form of value to. So when I look at like the idea, or like when my team, you know, sends me some deal flow and we kind of walk through it, it's like, okay, aside the money, what else can we bring to this business? You know? And if I'm able to spot some extra form of value I can bring to help the business kill.[00:12:53] Then I want to invest, you know, it could be marketing. Can I add some marketing? Can I add some of my experience here? Can I leverage on my network in this other side? Aside the money, and most of the investments I've been making haven't been personal. They've been via my collectives, Zagadat Capital, and Zagadat Capital is basically, for now, it's 12 people like myself, young, successful African boys or girls who usually, you know, find it boring to speak to the financial guys and you know, have some form of liquidity. And so when we get the deal flow, and I just look at who's in the collective and who can add value, then we bring it to, the collective and then we invest.[00:13:45] So it's majorly been, it's like 90% being Africa focused because I feel like there's so much opportunity, on the continent and also on the sentimental level. The amount of impact the investment does when it's, on the continent makes, is something that's bigger than just the money.[00:14:07] And the money is great like, you know, we've seen a lot of African companies hit and cross a billion dollar evaluations to become unicorns. so you know that, can happen. But at the same time, the impact, and it's always fun when I go to an office that I'm an investor in of the like employees, they're excited that Mr. Eazi is in our office and Mr. Eazi is a shareholder like, you can't buy that. And I think that's what I always wanted because like part of me deciding to be an artist was reading the book, the Jay-Z book, Empire State of Mind. And that was when I saw it clearly and I was like, oh, wait a minute like this music is a business and the music gives you access, it gives you access to capital, access to the network it puts you, gives you a seat at the table and you know your merch, merchandising could be like the three cap that chance the rapper does, or it could be Uber or it could be, you know, Power Pay, which I've invested in that, you know, is the number one mobile money focused payments aggregate on Africa doing over 1 million transactions a day, you know, and so it's, different things and I know how I can bring value beyond my, cash it and just watch it grow. And it's exciting[00:15:28] Dan Runcie: That makes sense. So that collective, that operates a lot like a syndicate. You all are sharing deal soon where you can add value. What stage do you normally invest in and how much money are you normally putting into startups?[00:15:41] Mr. Eazi: You know, it's different like we've done like some seed stage. we did a company that was looking at listing last year on the LSE. We've done growth stage as well, so it really depends, it depends on where it comes to us, and it could be as low as, you know, 25K check, which just gets maybe if it's a 25 K check, I might just take 50% of it and just say, Hey guys, do the rest, and I just put it on the platform we use and boom, boom, boom, everybody just clicks and it's, done. Once it's done, it's done like I just invested in a platform called Ruka Hair, and it is a startup that, you know, provides hair for, people of African descent based out of London.[00:16:30] And that was a small check for, and it is growth stage, you know, so it really varies. and there's no rule. Yeah.[00:16:41] Dan Runcie: That makes sense. Yeah, keeping it flexible and gives you the opportunity to see everything that's coming through. What are some common trends that you're seeing? What are some things that you're seeing from the founders or from the startups that are coming through, especially the ones that are getting markups and getting closer to exits?[00:16:59] Mr. Eazi: I'm seeing like, you know, companies that solve fundamental, problems. You know, and I know there's so much bars on FinTech, it's like everybody just gets a hardon for African FinTech. But like, for instance is, if this products are solving specific, like there's a company called Eden Life, which I invested in.[00:17:26] And what this company does is like, you know, there are a lot of people like myself who, we don't in town enough, like enough for us to like have a chef and all of that. And we have very busy schedules, so we want like meal preps delivered to us and we want like our laundry picked up, you know, that's a very middle class, sort of like early into the job market, like pre family kind of types. And so that kind of product is a product that's like valid because like you're solving a particular need, you know, or PISA for instance, that are invested in. So PISA gives remittance based lending.[00:18:13] to, people in Mexico. So you know, the love Mexicans in the US sending money back to, Mexico to their family and their loved ones. And PISA uses that data of how much you get your current every month like my mom and dad, I put them on allowance. Like I pay them an allowance every month, Right? So we use like, by the way, for clarity they don't need it like they're good, but it's just something I do. And the other people in cultures like African culture, like in Africa, it's a pride for you, even if your dad is a billionaire, like being able to do something for your dad is like, it's like a pride.[00:18:53] It's like you've achieved, right? So you have people sending money back home, you know, either to Mexico or to different parts of Africa to either family that need it or to do stuff with it, like build a house back home or to help the family school fees or whatever, or just out of sentiment, like, it's like paying your tithes.[00:19:15] I don't know if you're Christian, it's like when you pay 10% of your income to the church. It's something like that. and then there's all that data, all that data because it's like salary, right? it comes every month, usually on a certain day. So PISA uses that information to provide loans to people.[00:19:34] And that's like a need, that's a specific need. So that's what we are seeing, Yeah.[00:19:40] Dan Runcie: What are some of the bigger challenges right now for startups in Africa?[00:19:45] Mr. Eazi: I think one of the biggest challenges is, you know, getting funding and you see a lot of, like African startups, YC has been doing a great job, but there are, you know, and like, future Africa, which I'm part of and I'm an advisor, you know, investing in these projects. But raising fund is like so hard.[00:20:07] There's still a hesitance when it comes to African startup raising funds, especially at seed stage. And usually this is not a lot of money. It's like from 20K checks to like even hundred is a lot of money, you know, but that 50 k to, get you into flight mode. So I think that's the biggest issue is not lack of ideas, it's, you know, getting funding, especially local funding that's not a lot of local funding sources. There's few options like the YC's and it's hard to get in generating that local funding is still a problem as a lot of the, you know, organizations and a lot of investors are still trying to understand this whole tech investment and valuation.[00:20:55] I have my uncles ask me, you said this company is, is what, $20 million? Do they have 20 million cash in their account or do they have, buildings? Where's the building? Where's the physical asset, you know, it's that culture going from brick and mortar to technology and understanding evaluation and all of that.[00:21:15] And, then you have sectors that are now like so hot that valuations are going crazy you know, And you have, like, depending on what sector you are, a lot of the countries are just catching up to technology. And in some places there are no laws written for the kind of products you are creating.[00:21:38] So if you're not in sync with the regulators, the regulators might pass a law that is detrimental to your business and all of a sudden you wake up one morning and your successful business is now killed just like the motorbike railing company. I forgotten the name in Lagos. That was really growing and then with one day regulations like no motorbike, transportation in Lagos, boom, dead.[00:22:04] So, I think it's not just in Africa-peculiar problem. It's like, for instance, with crypto and, you know, a lot of, you know, countries trying to understand what is going on. So you're having innovation outpacing regulation and you know, if there's no proper interaction you are having like regulations could just like be the end of use.[00:22:28] So I think access to capital, and in some sectors, depending on your sector, regulation as well could be a major setback.[00:22:38] Dan Runcie: The access to capital piece, I could see that, especially since the friends and family round is such a key piece, or having the angels outta there, such a key piece to help make that happen. But if the people that have the financial means are fewer and far between, you know, whether it's folks like you or others that are in your syndicate or maybe some of the other co-investors you have, that means that the deal flow that you all get is heightened even more so because there's just so fewer other places, which makes you all needing to be even more selective, I can imagine, than you maybe otherwise prefer to be. I mean, how do you feel in that perspective as someone that wants to see the space grow, but you know that you can't back everybody even though you know, I'm sure inherently you wish you would, but you still have your own rubrics. You still have your way that you evaluate things, and that likely has to be even heightened given the number of deals that you're seeing.[00:23:32] Mr. Eazi: Yeah, I mean like, well one of the things I pray, I have some days, fuck you money. Do you understand? To just like, because like 1.2 billion people in Africa on the continent. And it's like, if you think of the amount of money that comes back to Africa from the African Diaspora, it's like, I think it's like over a trillion dollars a year.[00:23:54] So there's so much opportunity. And, but like you said, what this does is it makes things a little bit harder for people, you know, entrepreneurs who need the money and the proof is in the pudding. Like I always say, like although it takes time and things are changing, don't get me wrong, things are changing.[00:24:15] They are more local, VCs, funding, but like I probably know like five people with networks over a hundred million, right? But now, for me to get to the point where, and these are people who've, amass all this wealth with brick and mortar businesses. So now you know, there's a job to do to sort of like show proof, show validity that, hey, I invested at this point, it's not for Gen Z it's not a pyramid scheme.[00:24:50] And like show people and then you get more people, coming in. And I have seen like some of my friends who are like billionaires now start to set up separate funds to say, okay, you know what? I don't really know what this tech thing is about for, but you know, put the money in future Africa or put it in some other fund and try to learn.[00:25:11] So it's more sort of like publicity and sometimes the drop, the setbacks are when there's a big startup out of the continent that then runs into all sorts of scandals and then, you know, it causes five steps backward. And that's not peculiar to Africa like, I mean, you seen what happened to ftx, right? So that happens everywhere.[00:25:35] The only differences, you know, because it's still kind of new. It causes more negative effects, you know, so I think there needs to be more education, more pr to the successes of these companies. Every success is a success and should be, you know, communicated and things would get better because there is capital on the continent.[00:26:00] There is like lose capital on, the continent looking for where to invest, you know? So I mean, things are changing like Future Africa. I always keep mentioning Future Africa, like they've been able to show that, you know, they know what they're doing. There is a method to the madness. They could deliver results in terms of like revenue, you know, they invested in Move, which is a company that provides, you know, the cars for Uber drivers and it's, you know, I think it's now a unicorn and that's like a very particular need because, you know, drivers need cars, but they don't have the capital to purchase the cars, right? And going through the banking routes, you are gonna have to bring collateral, your mom's name, your grandmother's house, plus the high interest, you know, so they've identified, and this has been a problem, it's still a problem to today that they've been able to solve.[00:26:54] So I think the more people know about this, the more education, the more things will open up.[00:27:01] Dan Runcie: The PR piece you mentioned is interesting because from my side, living in the states, I'll see the articles about a company like Carry1st, which I do think has had a fair amount of PR, I feel like one of their announcements got an got an article in the Hollywood Reporter, so I remember seeing things like that, but I feel like it does become fewer and farther between, at least from what you are seeing, from the awareness of some of these[00:27:27] Mr. Eazi: Yeah, you're correct and it's not so much I understand why like there's a lot of PR outside looking PR like you said, you know, New York Times, you know, LA blah, blah, blah, because that's where the money's coming from, right? But like, I'm talking more intra-Africa PR like for the money on the continent, you know, because that's like easily, like it's right there in your face, you know, there's enough money in Lagos for them not to be any need to raise capital from outside . You get what I'm saying? There's so much capital in Lagos, like from Lagos, you feel me? Or from Rwanda, you know, and, Rwanda is trying to position itself as startup, you know, pro-startup investing, you know, so there's money on the continent and it's like[00:28:22] that's what I mean by PR and publicity and awareness. if I wasn't friends with, like, I met in, was co-founder of, Flutterwave with and then Andela, you know, and then Move. So three unicorns, right? And, you know, we've been friends and we've been investing together. if there was not that proximity to him or to Shola the founder of Paystack that got bought by Stripe, I wouldn't know that this was going on.[00:28:50] You feel me? Maybe, you know, I wouldn't have known. So that's what I mean, you know, because like every A-list, Afro-B artist can be you know, can be invested, you know, so that's exactly what I mean.[00:29:08] Dan Runcie: It is interesting you bring up the music piece because I'd be curious to hear how you feel some of these challenges that African startups may face. How do the African artists themselves fare in that regard? Do you think that they have similar challenges with funding or with regulations in that way?[00:29:26] Mr. Eazi: There's regulation issues, like for instance, collecting, publishing revenue on the continent. It's a joke, right?[00:29:34] Dan Runcie: Why is that?[00:29:34] Mr. Eazi: Or collecting streaming revenue because like for you to be able to collect publishing revenue, you need the government to enforce the laws for the radio stations to pay you, you know, publishing royalties on the music they place for the bars to be able to pay for what they play, like for the use of your music. So you need strong in a lot of African countries, these laws are there, but there's no enforcement because I would say it's worse for creatives because people still look at the creative sector as a joke.[00:30:08] The orange economy is like, ah, that's not really business like that's just young people with dreadlocks, just singing and dancing and jumping across the world. Yes, they hear the music everywhere. Yes, now things are getting better because they're seeing teams at the Grammys, they're seeing Burna Boy, you know, and whiskey doing Madison Square Garden, but there's not a lot of education for them to really understand the business of music or creativity.[00:30:36] So even, I remember like two years ago I spoke to almost all the bank MDs, or three years ago, almost all the bank MDs in Nigeria trying to convince them on why music is a business is a valid business, but I couldn't get funding. And that's me being a successful African artist showing the revenue, showing all of that, like I once got on a panel with, you know, a financial institution that was meant that. they have a fund, they have like a 500 million dollar fund for investing in creatives. And I was on a panel with somebody there and the person said, oh, it is impossible to protect music IP, it is difficult to protect music IP, and I was like, whoa, whoa, whoa, whoa, whoa, What? And like, are you kidding me? Like, there's Shazam technology, there's like, every song has an ISRC code and like if you upload the song in Kenya or in in Afghanistan, like on YouTube, like it will pick it up instantly. So when you have a situation where you have an institution that has up to a billion to invest in creatives. But you are having the key stakeholders who decide who gets what telling you or speaking out confidently and saying is hard to protect the IP, you know, then that just shows you where it sucks. So there's still a lot, but I feel like that's why there needs to be more education, you know, just like for startups to music, to let people realize that this is a business, like there's revenue to be earned. Not just live revenue, like streaming revenue, publishing revenue, especially now that the world is looking to Africa. Like you're seeing early starters jumping on Afro Beats records, like, what's that song?[00:32:31] Essence, Essence was a hit song before Justin Bieber jumped on it. It was already a global smash. Peru was a, global smash before, Ed Sheeran jumped on it. So you are having like pure Afro Beats records in our local language produced locally in some hotel room in Lagos, you know, going on to be big songs globally without any major support from without necessarily, you know, I know A and R like support, like his producers locally. And you're seeing this, so you do know that this is the time, or you know, like the example I gave, you know, Bad Bunny, you know, sampling a Joeboy record and putting it on his album, putting an Afro Beats record on his album, you know, that's an ex example.[00:33:18] Dan Runcie: And by the way, that was declared properly and like I'm about to go, you know, go crazy with the lawyers to make sure I get my bread. And more importantly, the writers and the producers get, their due credit and revenue and, you know, Did Bad Bunny's team reach out before this?[00:33:39] Mr. Eazi: No, no, no, I literally just listened to Bad Bunny's album and I just heard Joe Boy's voice at the end of the record, and I was like, I've heard this record before. And then I realized is a record, I didn't make it to his album. And I'm like, wait a minute. And then my team start speaking to them since May of, last year.[00:33:55] And it's just back and forth to the point where I'm like, okay, you know what, you guys have had fun with this. Like, I'm just going brazen on this, let's get lawyers. Let's make it like a proper lawsuit. But what I'm trying to, or you have, you know, Beyonce, you know, doing the Lion King, the gift and having created from all of Africa put it so like, you know, you are having Drake, you know, with Whiskey on one dance you're having Ed Sheeran, Justin Bieber jump on multiple Afro Beats records that are Afro Beats records. You're having people more and more people sampling Afro Beats records, you know, and maybe not giving proper credit or do, or you are having, like I once produce. and was on co-produced and wrote and featured on a record involving Bad Bunny on the Joint album and Afro Beats record.[00:34:45] So you're seeing is becoming more global and global. So we need to be able to tell these stories to the funding sources back home to establish that this is indeed a business. So it's education the same way education for the startups, but even more for music because music was never, and creatives, you know, was never looked at as a valid business.[00:35:09] It was looked at as things, people who don't graduate from school or people who just wanna be jokers do. But right now people are sitting, wait a minute, wow, that artist bought car that artist's bought a house. that artist did this, did that or Grammys or this, that, that. So, but there still needs to be more information back home to the business side of the music to know that behind that sold out.[00:35:36] MSG is a check, and behind that billboard is a check, you know, and even the TikTokers, like I was speaking to someone at the bank and explaining to my bank MD friend that, you know, I showed him a lot of payments, like TikTokers in Nigeria are getting paid as much as $10,000 to put up a post on their TikTok.[00:35:59] 17 year old, 18 year old, you know, and I had to show this and he was like, what? Are you serious? And then he went back to ask his kids. And find out that, oh wow, this is a thing, you know? So it's that education, I mean, because there is the capital on the continent, it's just like, how do you get it?[00:36:17] And it is a lot of work to do to basically explain and explain and explain. And one needs to have the patience. And it's hard to do that while still running my label, doing everything I'm doing, putting out music for myself, you know, so, you know, but thankfully I'm not the only one doing it, Don Jazzy is doing it.[00:36:39] Olamide is doing it. They're more examples. So one way or the other people are saying it.[00:36:44] Dan Runcie: How do you feel about the investment in African music that has come from the West? So thinking about Universal Music group opening up record label in Africa and some of the other majors having different concentration in Nigeria or elsewhere, how has that been and what type of impact has that had, if any, on your end?[00:37:07] Mr. Eazi: I mean, I think it's good. It's a good signifier because all these labels were in Africa from the years before Fella, right? You had all these labels in Nigeria before, you know, the nationalization where, you know, the government had passed that all the companies should be nationalized and the labels got sold to local owners.[00:37:26] So you are just having, you have Majek Fashek that was on the late, late show, the late night show in 1991, bro. So when people say, oh, African music is then becoming popular. It's been popular. And it's coming back again with technology and everything. So I think it's good. I think the more, you know, major labels coming to Africa, but not just as, or let's test to see what happens.[00:37:52] But the more investment that comes, the more structure there will be for the business and the more signifiers, you know, to show people who wanna invest, you know, so yeah, I welcome it. And I think there should be more funding and there should be more, like the local companies should be autonomous, you know, I think that's been the only drawback with the majors, pardon of me, I might be wrong. Don't quote me where you are seeing the local, you know, Universal Nigeria or Sony or whatever, you know, that lookout team not having a lot of, autonomy in the checks they're writing to the artists or taking those risks they have to get approval from maybe South Africa or, you know, London or LA.[00:38:43] Meanwhile, everything is happening on the ground in Lagos, so you are having distributors. So I think a lot of the most recent successes have been by more distributors than record label in breaking artists. So more like Empire or ONErpm or the Orchid or emPawa or, you know, Believe, because these distributors are more flexible and have been able to give a lot more autonomy to the local guys who are running, these local companies to write those checks because like, what is somebody in London like with all due respect, like I always say this as a joke. There's no songwriter in the world that would've written, I don't care how many Grammys you've, gotten, you cannot write Soco, Soco, Soco, Soco, Soco, baby.[00:39:42] You. That's the Wizkid song, you can't write that song or, one of my favorite artists Wande Coal, there's a part of his song where he just spits jibberish, like he don't mean anything, like it's a vibe. So like without due respect to your A and R ears, you don't know the music like even me, I'm from Nigeria, but I always have to be updated.[00:40:09] So there needs to be more investment and more autonomy. But I love it like the more labels come in and the more distribution companies come in and there's this competition, the more money is invest invested. And when you invest money, then you start to structure it then you start to say, Hey, why are we not making as much money locally?[00:40:29] Okay, let's invest in touring, you know, in Nigeria, in on the continent. let's go lobby for enforcement of collection of royalties. So, yeah.[00:40:40] Dan Runcie: Have you seen any success stories from the major record label side in Africa yet?[00:40:48] Mr. Eazi: There's none that comes to mind in terms of breaking an artist. So you have Wizkid signed, you have Diplo signed, you have Burna Boy signed. you know, and this is like A-list, A-list, right? But if you look at all the artists that have broken Buju for instance, initially signed to Burna Boy and then Empire, broke him, you know, that's Buju, Fire Boy via Empire and Olamide's YBNteams, you know, independently broke with, her record. I think she's been upstreamed now. So in terms of sort of like carrying that conversation, you know, outside to the rest of the world, yes, I'm sure there's been a lot of success like the Wizkid record, you know, Burna Boy, entire Renaissance.[00:41:44] And you could go on and on, but in terms of actually finding an artist and breaking the artist, there's not a lot of successes. And I think that's down to autonomy because, you know, you have some executives moves from the label to the distributors and do well, you know, we just understanding you know, how to a and r and how to put our music, on the continent, and you can't just bring like somebody who's of Nigerian descent and just expect that they don't understand. Like, I am Nigerian, but every time I go back to Lagos, I'm like, whoa, the sound has changed, you know? So that underground on the ground, you know, and there's a lot of work.[00:42:31] Dan Runcie: Definitely, and yeah, I know that there's so much interest, but like you said, if they don't have the control or the ability to really make decisions on their own, I can easily see why an Empire or some of the other distributors have been able to have success there. But Mr. Eazi, man, this was great. I feel like you gave us a snapshot of where everything is right now on music and investing side.[00:42:53] But before we let you go, for you, what's big on the road for you still beginning of the year? What's big on the deck for you? What do you got coming up?[00:43:02] Mr. Eazi: I mean, I kind of like needed a break from putting out music and touring and when COVID happened I was like, oh, thank God, like because I was battling with, oh, if I should, I pause, like it was just routine doing the same thing and it was like too much for me. So I was able to have that pause, and put some of the attention towards like growing emPawa with my co-founder.[00:43:27] And then leaving it to him to sort of like, you know, and come back to iterate, iterate change the model, blah, blah, blah, build the team. And I just went off and started doing like investment and putting more time in the startups I was investing in. And now, I'm in Cape Town recording. I'm putting out two albums this year, one in September and one in, I think April or May.[00:43:55] So I'm just recording that now and I feel like, and now I want to go back on the road, but not first as my usual live band touring, but first as sort of like a curator, where I bring like, you know, the way Major Lazer tour where they have the sound system with Walshy and Diplo and Ape Drums. But instead of Diplo and Ape Drums, I select like the DJs, maybe one playing Afro Pop, one playing Ama one playing something else.[00:44:27] And I am the Walshy Fire, sort of like putting it together, hype man MC. So that's what I want to tour. The first part of the year once I put out the Chop Life album, so that's called Chop Life. To chop life means to enjoy life. So I'm making an sort of Afro dance album that I'll put out first and then I will talk as Chop Life sound system with doing these parties.[00:44:53] you know, of majorly Afro Beat parties, sound system across the world. And then I dropped the album, the second album, and I taught as, okay, this is my album tour. So that's the plan. Hopefully I'm able to complete the first album. The second album is done, it is just in mixing a mastering, that's the September one.[00:45:13] It's done just in mix. And my string phase and then this first one, I'm recording. That's what I'm recording right now. Recording downstairs.[00:45:21] Dan Runcie: Nice. Nice. Well, looking forward to all of that, man, and thank you. No, this has been a pleasure. And yeah, so people that wanna follow along and keep up with all that, where should they go to follow you?[00:45:30] Mr. Eazi: Follow me everywhere on social media @mreazi, M R E A Z I, Mr. Eazi. Yeah, everywhere, everywhere on social media.[00:45:44] And I wanna see you at one of my shows. You have to come maybe when I do the parties, where are you right now?[00:45:49] Dan Runcie: Me, I'm in San Francisco[00:45:51] Mr. Eazi: Cool. I'm, sure I'll be coming around LA, San Fran, at some point[00:45:55] Dan Runcie: Yeah, come through.[00:45:57] Mr. Eazi: I'd send you an invite,[00:45:58] Dan Runcie: Definitely, definitely. All right, man. We'll talk soon.[00:46:01] Mr. Eazi: All right. Have a good one. Thank you.[00:46:03] Dan Runcie Outro: If you enjoyed this podcast, go ahead and share it with a friend. Copy the link, text it to a friend, post it in your group chat. Post it in your Slack groups. Wherever you and your people talk, spread the word. That's how capital continues to grow and continues to reach the right people. And while you're at it, if you use Apple Podcast, go ahead.[00:46:24] Rate the podcast, give it a high rating, and leave a review. Tell people why you like the podcast. That helps more people. Discover the show. Thank you in advance. Talk to you next week.
Burna Boy will be the first African artist to headline a UK stadium show when he performs at the 60,000-capacity London Stadium this summer. It's the latest sign of Burna's starpower and Afrobeats exploding popularity.The Nigeria-born artist is one of the genre's biggest stars. Burna has reached this level because of consistency (six albums in nine years), savvy performing strategies, and a headliner mentality. To break down Burna's rise, I talked to Denisha Kuhlor, founder of Stan, which helps artists identify and grow their fanbase. Stan has used Burna show giveaways to develop insight into his wide-spreading fanbase. Here's what we discussed:[3:05] What sets Burna Boy apart from other African artists[6:26] Burna's show at London Stadium[7:26] The Burna fanbase[7:52] Streaming era impact on African music[11:56] Returning to Coachella after 2019 drama[17:05] How Ye incidentally helped Burna break out[19:16] How fame is perceived in Africa vs US[20:45] Fans of Africa's “Big Three” artists battling each other[21:50] Burna's “contested” Madison Square Garden sellout[24:11] Possible missteps in Burna's career[27:54] Projecting Burna's future shows[32:20] His best career move[38:03] Building record label infrastructure in Africa[44:06] Five-year prediction for Burna's careerListen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Denisha Kuhlor, @denishakuhlorThis episode was brought to you by trac. Learn more about how artists can bring web2 and web3 together for their fans at trac.coEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.TRANSCRIPT[00:00:00] Denisha Kuhlor: I think it was interesting, him being so vocal in the approach he took, I think a lot of, Ayra Starr did a documentary for Spotify and she's quite big, especially within West Africa. And she talked about touring in the United States for the first time, and she basically said that she viewed it as an opportunity to make someone her fan, right?[00:00:19] Like, just by someone attending her show, her goal was to convert them into a fan. Whereas, Burna definitely takes the approach of, "you should either already be one or recognize my fan base for what they are." I think in his case he's lucky cuz he's been able to back it up. especially when you look at Coachella to now.[00:00:40] but definitely a, an approach that's consistent with his brand. [00:01:11] Dan Runcie Guest Intro: Today's episode is a case study style breakdown on the one and only Burna Boy. I was joined by someone who is a near expert when it comes to the world of Burna Boy, and that is Denisha Kuhlor, who has been on the pod several times, and she is the founder of Stan, where not only does she focus on how artists can engage their fan bases, she's actually been involved with ticket giveaways for Burna Boy's upcoming stadium show in London. So she has insights into what these fans are like, what are some of their preferences? And we talked about all that and more. We broke down, Burna Boy's rise. What are some of the key things to his success? What are some of the challenges? Talked about some of the other moments that he's had that we wanted to talk about.[00:01:57] Where does that stand with him? What is his standout moment and where things could really go for him from here on out? Really great conversation. If you enjoyed the one we did on Cash Money a couple weeks ago. This is something similar, but about an artist who is really having this moment right now, and we broke it all down.[00:02:12] Here's our breakdown on Burna Boy.[00:02:14] Dan Runcie: All right, today we have our case study style breakdown on the one and only Burna Boy, and who else is gonna join me then? Someone that understands him and the work that he's done in and out over the past few years. Denisha Kuhlor Welcome back to the pod.[00:02:29] Denisha Kuhlor: Thanks so much for having me. [00:02:30] Dan Runcie: Yeah, and I wanted to talk to you because you wrote that piece in Trapital several months ago, talking about how artists who have relied on music festivals, maybe there's something that they may regret down the road in terms of actually getting in there and building the true fanboy fan base. And you used Burna Boy as an example of someone that went through this and obviously he's blowing up. He's had a huge year and we've now seen so much growth, especially in the past few years of just how so many African artists have been able to rise and grow platform.[00:03:05] But Burna Boy has clearly been able to hit levels that many others haven't. What do you think it is that has set him apart?[00:03:13] Denisha Kuhlor: Yeah, I think one, just Bruno boy is very compelling, as an artist. I've seen him perform, last year twice. his Madison Square Garden show. Then I got to see him at, Afrochella now, Afro Future, in Ghana. And one, he is a live band, as crazy as that sounds, I feel like that's rare and rarer these days. as consumers, it kind of feels like we've gotten used to maybe a DJ or kind of that accompany accompaniment. So the live band aspect is a huge one for me, and I think he's very compelling on stage and has great, charisma. and then lastly, I kind of feel like he was everywhere this year.[00:03:53] You couldn't really. Escape him, whether it was last, last, as a hit or, him touring so much of the United States. I feel like if you didn't know about Burna boy, maybe a year or two ago, last year was definitely just a true breakout year for him on the global stage. [00:04:09] Dan Runcie: Yeah, I think that makes sense. I think there was a couple other things that stuck out to me too. So he has been able to position himself as a leading man. I am the person that's headlining. I'm not just gonna be the person opening for the artist. gonna be the person that is doing the guest first.[00:04:27] And I do think that's some of the other artists who rose up from Africa, they have done a bit more of the, "okay, let me jump on the Drake verse. And then that becomes Drake's or things like that." although I know that Burna has done several guest appearances and feature shares, it hasn't been in that same way.[00:04:45] And I think he's still just been so focused on himself in that way. And of course it could take a little bit longer to develop, but it's almost like how in Hollywood you may see someone that is always positioning themselves as supporting acting roles. If that's where you're taken to blow up, it could be hard for the industry to see you.[00:05:04] The lead actor, but if you're willing to do the lead actor roles for the smaller things and you get the right thing, then you become seen as the lead actor on the big I feel like that's [00:05:14] been his experience. [00:05:15] Denisha Kuhlor: I'm totally aligned with you when, just based off you talking about that makes me think about some of his features on the continent. And he's largely broken those artists, right? You look at Bnxn,formerly known as Buju, right? [00:05:27] And the Lenu remix who was signed a Burna. I first heard about Amapiano,because Burna Boy got on the Spoon, No No remix, and one of the biggest breakout stars of the continent, Asake, the Zumba remix, this year. So I agree, I think he's positioned his features as more as like, let me lend a helping hand and let me get your distribution and your visibility. But if I was. In African artists or emerging artists from the continent vying for a feature in some ways, I'd probably wanna Burna feature over potentially a big artist from the west. [00:06:04] Dan Runcie: Yeah. And I think a lot of that is with his. And his persona, and we can get into that in a minute, but I that played into a lot of this. And as you said, he's been every run the past year and we're setting stage for an even bigger 2023 where he will do his stadium tour at London Stadium, the first African artist, a headline and do that.[00:06:26] What does that mean for his career?[00:06:28] Denisha Kuhlor: Yeah. One, I think it's just huge and a testament to how far music from the continent has grown. I think, you know, you look at the story or how people paint the narrative of how music from the continent has grown. And so often it's kind of like, oh, there's a population of people here or there's little, you know, subsets of people that are interested in the music.[00:06:51] Whereas now, it's makes it very clear that this is world music, right? This is pop music in a lot of ways in that people have embraced this music in the same way you look at, Latin music, right? And people are singing whether they know Spanish or not. I think it's really a testament to the ability to do that. So it's very exciting. [00:07:13] Dan Runcie: Yeah. I think you've also had a front row seat to this as well, because with your work at Stan, you've been doing ticket giveaways and things like that to really tap into who the Burna Boy super fans are.[00:07:26] Denisha Kuhlor: Yeah, so we've found two things working with Burna Boy fans or Burna Boy fan pages. Is that, or maybe even three. I find that one you have the fan that maybe, it reminds them of home. So typically a fan with roots or ties back to West Africa or Africa more broadly, who's now living abroad or first generation, but there's a sense of nostalgia or home as a result.[00:07:52] I think you also have fans that are like learning or being introduced to, Africa. Through his music, which has been really fascinating and really cool to see us talking to a fan, based in France, right? That like taught herself pidgin and like wants to visit Nigeria because she's such a big Burna boy fan.[00:08:11] and that's also really, really cool to see. And then third, I think you just have like hometown pride, right? Like you look at people in Lagos or even other African cities and people are just really, really proud of what he's been able to do. So it's interesting seeing all the subsets of fans together.[00:08:29] Denisha Kuhlor: But as someone who's attended his shows, I think it's exhilarating when you watch it all come together. [00:08:36] Dan Runcie: And just for some context for the listeners, what does your giveaway entail and what does that process look like?[00:08:43] Denisha Kuhlor: Yeah. So, we run live interactive trivia games that allow us to test a fan's knowledge and how much they actually know about the artists. So everything from lyrics to questions that fans would only know if they watch music videos to general information about Burna boy that you probably would only get if you read his interviews [00:09:04] or you just deeply know about him. Every time we're crafting these games, I actually learn so much more about, these artists that we work with. And so I say that to say, I'm continuously surprised not only by his fans' knowledge of his music and his lyrics, but also how intentional they've been about truly learning about him and what they feel he represents. And so I feel like he's done a really good job of being consistent in that narrative.[00:09:32] Dan Runcie: I think too, one of the other things that really works in his favor is that in the rise of the streaming era, we're seeing the rise of local repertoire and local language artists being able to rise and not just have to rely on Western cultures. And I think that the music industry has shifted a bit, or at least from a mentality perspective, and you could see this on the Spotify daily charts.[00:09:56] You can see there's so many places where there were so many artists who were used to being able to have that global footprint of essentially exporting their music elsewhere than making so much money they're now seeing less and they're seeing less because a lot of these artists are being able to do it themselves, and it's not just.[00:10:16] Burna Boy's being able to do this in West Africa, but he's being able to do this in France, which has, you know, a large West African population and some of these other corners of the world that do, and I'm curious to see how that will continue to develop, because you know how the diaspora and certain regions that.[00:10:34] You see more fans of West African artists than just West Africans in general, and how that will align with where someone like Burna Boy continues to tour and where some of the bigger concentrations of his fandom end up being.[00:10:49] Denisha Kuhlor: Yeah. I think, you know, interestingly enough, like he also probably benefited from the rise of like macro things that maybe couldn't plan, but like one black panther, right? Black Panther, like reignited people's curiosity about Africa and maybe in a way in which, they hadn't thought of before you look at things like the year of return in Ghana in 2019 and this bridge or this desire to have a bridge between black Americans in the United States and you know, people in Ghana.[00:11:18] And I think all those like, factors made people, got people excited and got excited in a way that his music just set the stage. If you came to Ghana in 2019, you were gonna hear br boy and people were gonna take it back, right? [00:11:33] Denisha Kuhlor: Davido said it best. He said, you know, Afrobeats will succeed because in America, everybody has one African friendand whether you realize it or not, like, you are exposed in some way, and I think as people's proximity changed and curiosity about each other and where people are from grew, especially as it relates to Africa, he really benefited from that. [00:11:56] Dan Runcie: That makes sense. That makes sense. And I think the other thing too, that I think about for him this year, he of course has the huge stadium show in London, but he's also coming back to Coachella and very famously back to Coachella after being quite upset in 2019 about the size of his name on that Coachella poster. And this day, this year, this time around, his name is much bigger. Still not a but I'd be curious know what you think, like how he must have felt about that process. Was there some level of buy-in? Because I could see at his level him thinking that, okay, I'm a superstar. I should be a headliner. But if they're now putting him on that second line right under the headliner, then how that may affect him. Obviously it's still great placement, but. Yeah.[00:12:45] Denisha Kuhlor: Yeah. You know, it's interesting and I remember when that happened and in some ways I think it probably helped his brand and really showed like it was a testament to the type of artist that he desired to be. I do, you know, think it's interesting because you do see within Africa stars that are huge, right?[00:13:04] And maybe they're numbers, quantitatively don't show up on the Spotify charts, they're on YouTube or they're on other platforms. there's still quite of downloading, that exists within just Africa as a whole. So sometimes we don't necessarily see an artist as set the way we would, maybe with an artist in the States or with a huge listenership in the States, from a charts perspective or immediately.[00:13:27] But I will say is I think it was interesting, him being so vocal in the approach he took, I think a lot of, Ayra Starr did a documentary for Spotify and she's quite big, especially within West Africa. And she talked about touring in the United States for the first time, and she basically said that she viewed it as an opportunity to make someone her fan, right?[00:13:48] Like, just by someone attending her show, her goal was to convert them into a fan. Whereas, Burna definitely takes the approach of, "you should either already be one or recognize my fan base for what they are." I think in his case he's lucky cuz he's been able to back it up. especially when you look at Coachella to now.[00:14:09] but definitely a, an approach that's consistent with his brand. [00:14:14] Dan Runcie: Right? Because I think that part of it too is there's clearly a western skew for a festival like Coachella. I know that when Burna had complained back in 2019 about where he was, people had shown where Kendrick Lamar was, I think it was 2012, and how small his name was compared to him being a headliner several years later.[00:14:35] Denisha Kuhlor: The difference there though is that Kendrick Lamar is from Compton, which is which is driving distance to Indio, California where Coachella is, versus Burna boy may have numbers, may have the base, it's is that base, if they're not a strong contention of them in the in Southern California, are they going to be able to get there?[00:14:58] And I do think that the fact that he is, you know, second because this year you're headliners, unless someone pulls out, you never know what happens. But, right now your headliners are Frank Ocean, Bad Bunny, and Black Pink. So he's, you know, just under there. So you never know what could happen. Things shift all the time, but I assume if based on his placement, it must be a pretty decent size bag as well.[00:15:21] At least I know for the headliners, the last I checked a few years ago, they were getting paid 4 million per weekend, which totaled 8 million total. so that's what I would assume the payday would be for, Bunny, Black Pink and Frank Ocean, but then that next row down probably isn't too far below that.[00:15:40] I mean, I'm sure it is less money, but I don't know how much less.[00:15:43] Sure. Yeah. Yeah. And when you look at like negotiating from just a hard tickets perspective, in terms of what he's been able to drive from last year alone, he definitely had some strong leverage from a negotiating standpoint.[00:15:57] Dan Runcie: definitely. And with someone like him too. I know that we've talked a lot about artists and how they're able to develop true fandom, and I think true fandom is the people that are showing up at your. Concerts and they know the words of everything and not just singing the TikTok part that goes viral that we've seen from whether it's many artists that have experienced that, that have had TikTok hits that have blown up.[00:16:24] How do you think that impacts someone like Burna boy, I don't necessarily feel like he is making music, quote unquote for TikTok. I know a lot of the stuff that blows up their artists don't have any control over, but how do you think that skews, like how do you think that soc or short form video has played a factor, if at all, in his career and his rise?[00:16:44] Denisha Kuhlor: Yeah, I think a few ways, one, touring, right? I think people want to go to a Bea boy show even if they haven't seen him before or only know a few songs. So I think it's definitely been really, really helpful there. I don't know how many, people know, like the story behind Ye, one of his breakout hits, but like SEO just like really helped him.[00:17:05] So he had the song, Ye. It was already uploaded to streaming platforms, and then Kanye came out with his album. . And so a lot of folks search for Kanye's album, but his, was still like ranking pretty high on Spotify. They actually released a video that that day or around that time thinking, thinking Kanye, for, for the album name.[00:17:25] So I do think in, this is what's so interesting. He's very true to himself in the sense that he's definitely not an artist that like hopped on those trends, right? Like TikTok is not really potentially his thing. he's not gonna be doing any TikTok dances, so he's still been authentic to himself. While I think galvanizing his fans or letting his fans know, he appreciates their effort and I believe his fans look at it more so it as like, let's spread this message, regardless of his participation.[00:17:58] That's something I always get from his fans specifically, it seems like you have different artists, with fan bases. Like the Barbz need Nicki to participate, they want Nicki to participate, right? [00:18:09] Whereas Burna fans, I feel like they do their own thing. They know the temperament of the artists and what he likes to do, and so they don't, they're not really like rushing for him to, adopt maybe some of those technique. [00:18:23] Dan Runcie: And that's an interesting breakdown. Do you think that any of that is compared to where the artist is from or just the nature of their fans? Thinking specifically about the Barbz versus Burna Boy's fans.[00:18:37] Denisha Kuhlor: Mm. that is interesting. You know, I can't say with certainty, but what I will say and as I've spent more time in Ghana is that there's a level of familiarity. I find, past, maybe, I don't know what it is, but past like, experiences that maybe invoke a certain socioeconomic status. There's a level of familiarity, that you'll find these artists like I've definitely maybe seen, or you can be in spaces with so many of these artists just casually like going to a restaurant or, you know, like you living your.[00:19:16] And, I do think that invokes a certain sense of familiarity in which fame is perceived differently here. like in Ghana specifically, you see a lot of, a lot of artists here with very little to know security. just like really doing regular things. it's very different, whereas the fame is more sensationalized it feels, in the states, like you can be in the club with Burna, he's walking up and there's not gonna be the, oh my god, Burna, like that kind of thing. It's very different in that way. So maybe that wouldn't really add much, at least to his core or his home base fans, because that familiarity is there. [00:19:56] Dan Runcie: Yeah, it feels a bit the closest thing that I would. You have in the US is Atlanta, where you would have the artists that are at the mall or you see them walking around and stuff. And it isn't necessarily the same level of frenzy, although that may be a little bit different now, but in like, you know, the nineties, two thousands, you would see them a bit more.[00:20:17] And I think there was a bit more of that vibe that felt a bit more natural like, you know, you go to Magic City or something like that and you would see someone. I think the other thing that is distinctive too with the US fans versus maybe some of the fans, others, is that online, I think you do see a bit more of that hive behavior, specifically from a group like the Barbz, where I think there's almost a falsification to them.[00:20:45] Denisha Kuhlor: And in that, I mean the reactiveness to the other side and what they're saying, and there's almost the galvanization of that and how the barbs can galvanize in Cardi B take down, or a snide comment of someone trying to come at Nicki in a way, but they that bit of catalyst to feel galvanized.You know what's interesting? I do find it that I do think that Burna fans and maybe the big three, so for folks listening, within Africa, the big threes typically referred to as DeVito, Burna boy and Whiz Kids. So they all have their, various fan bases. And the only time I really feel like that's activated.[00:21:27] Seeing how their artists are doing in the West and comparing. Right. So, you know, obviously with Burna winning the Grammy, but and I talked to you about this, like his, Madison Square garden numbers were quite contested. Like if you actually look at the Twitter account that shares,ticketing information. That one was like retweeted so many times because it was the fan bases going back and forth.[00:21:50] Like he actually did sell out MSG versus didn't he? So it's very interesting because while, you know, in some ways like his hyper localized approach in terms of the themes of his music is what's propelling him on the world stage. I do think these fan bases are very curious to see just how well they're doing and they use that as the point of comparison, as it relates to other African artist. [00:22:13] Dan Runcie: Wait, what was the contention that the fans had about the MSG sellout?[00:22:18] Denisha Kuhlor: Yeah, so there were a few things. One, they felt like there weren't enough seats available. [00:22:23] Dan Runcie: Oh, you did tell me about this. [00:22:25] Denisha Kuhlor: True . Yeah. Like it was a true sellout. And, at first folks didn't believe that he had sold it out. So, it's also interesting with fan bases because you're now seeing like novice or people, fans knew to wanting to understand how the industry works and also wanting to dig into what that means. But that, I think gave the confirmation that he did sell it out,and led to other fan base battles over the discrepancies. [00:22:56] Dan Runcie: Right? Yeah. Cuz you and I talked about this. It isn't like if someone just books like a music hall or a House of blues, purpose of that is for music venue. So the capacity's listed as the capacity, but for some of these sports venues, it could be very different because artists have such different set pieces and stage and production and you don't wanna perform with your back to people like yyou're gonna be different places. So [00:23:18] Denisha Kuhlor: Exactly. [00:23:18] Dan Runcie: You can't compare the sellout for a Knick's playoff game capacity and be like, oh, well that had more people than Burna Boy's selling out MSG. It's like, it [00:23:27] Denisha Kuhlor: Exactly. And that was a lot of, the conversation, which I thought was so interesting. But I also think it it came about because of how he branded it, right? One Night in Space was the name of that. It wasn't part of a tour, anything, it was just one night in space. And so there were gonna be a lot of eyes on that event, regardless.[00:23:48] Dan Runcie: Yeah, and you know, people always try to poke holes when they see something that surprises them that they probably wouldn't have, you know, seen otherwise.[00:23:57] So we've talked a lot about the things that Burna Boy's done well, how he's got to this point. Do you think there's any missed opportunities so far at this point in his career or anything that you've looked back on and be like, huh, I wonder if he did that differently, or even things that he may be doing after?[00:24:11] Denisha Kuhlor: Yeah, so, I obviously have a company around fan engagement, so some of the fan engagement has been interesting. I will say, one thing that's been, very pleasant for me has been some of his intentionality around connecting deeper with his fans this last album he did host quite a few meet and greets, and had people bring their albums or you know, even bring their kids and like that kind of thing.[00:24:37] I felt like he was really like seeing and touching people, which is something that in the past it didn't really seem like maybe he was open to or necessarily had the appetite for. So that was nice to see. It sounds like, or at least for me, the professionalism when it came to One Night in Space was also great. [00:24:56] the show started on time, ended on time. Can't necessarily say the same for some of his shows within Africa. And that can be due to a host of reasons, but it definitely does lead to, maybe folks will get different experiences. And that's what's so tricky in some ways about artists, in supporting artists.[00:25:16] He's also headlined Afro Nation, Afro Nation, Puerto Rico. They've pulled out the day before and he was replaced with Rick Ross, which upset a lot of fans. So, I say all that to say, I think. It's a Burna Boy production or Burna Boy affair. it seems like everything is phenomenal. and just A- plus end to end when there are other stakeholders.[00:25:41] The process doesn't always seem as smooth, at least for the end user experience, for the fan. so I, I think it sometimes becomes a question of like are we going to continue to pursue some of these opportunities with other stakeholders, whether that's festivals or, just some of these other events, right?[00:26:00] Denisha Kuhlor: Or are we going to take the bulk of our production or the bulk of our events or how a fan can interact with me from a live performance standpoint in-house, and control the end-to-end experience that way.[00:26:13] Dan Runcie: Yeah. And I do think that this strength weakness here lines up with the things that we're saying before, right? If he's someone that wants to be the lead, you wanna be the focus. You're gonna put more energy into the Burna Boy Productions and you may take a slight at things that are not that right. And I think it's unfortunate if some of that distribution skews between the things you do outside of Africa are the things you do in the Western world that do buttoned up, but then when you're back home it has less energy, less focus because yeah, your day one fans of your stans are gonna feel like, okay, well now that he's stadium status, what do we get?[00:26:52] Denisha Kuhlor: Yeah. and in fairness, you know, some of that is probably, you know, thanks to the regulation, like there is no coming on at 2:00 AM at MSG. Like they will set everyone home. You'll not be allowed to perform. they will charge you a fine. so there's also I think just some of the like, again, the standards upheld within these ecosystems.[00:27:12] But it breeds a dynamic that it's unfortunate and I think is happening just overall where consumers are privy to this at this experience. As a fan that goes to see a show, I don't really wanna hear the promoter and technical issues and like production. I paid my money, I took my money to see this artist.[00:27:35] So, now the fact that fans are being so exposed in a lot of ways to all the elements behind these things, not only are making them more sophisticated consumers, in deciding whether to patronize you again, but it's taking away some of the magic that was entertainment and like show business. [00:27:54] Dan Runcie: Yeah. I do think that for someone like him specifically, it is important to work on how could this product be the best that it can be? Whether you are doing it at home, whether you're doing it elsewhere, and obviously knowing where you're doing it elsewhere, you're involved with other productions, there's things that are gonna be outta your control.[00:28:13] And I know it's asking someone that is naturally more focused on putting more into the things they have more control into to still bring that same energy elsewhere. But hopefully, I'm sure that he wants to be eventually a headliner at a Coachella or a Glastonbury. I'm to do other stadium shows as well. That'll actually go to the next thing that I'll ask you, I think that if that's the goal, then some of that energy has to con continue there. So, two questions here, this is a two-parter. So the first one, obviously London is the first. Well, I don't wanna say the first, but at least it's the one of the biggest stages that he has had himself.[00:28:51] I think, you know, we'll see how many tickets end up being sold. I assume it'll probably be at least like 60,000 or so, just given the size of that place. But where do you think, if you could project where the next stadium shows would be based on his fan base, based on what you know, where do you think those would I would say Texas , somewhere in, Texas. I mean, Dallas and Houston have some of the biggest African populations, within the United States. And so when I think about that, not only do they have African, you know, or they're first gen or immigrant populations, but a lot of people have also been exposed just by proximity.[00:29:31] So I think, yeah, I think it would be either Houston or Dallas. Definitely somewhere in the States, I do think he could do somewhere else in Europe, but if looking at the data really does concentrate, at least in London and with the disposable income, I think that would allow for a show like that, for a show like that to be successful. Another thing about Burna that's interesting is, he's been touring. So a lot of these fans, you hadn't seen him two years ago. You definitely have had your opportunity to see him now. even when I think about, by the time I saw him at Madison Square Garden, I could have seen him at Afropunk right in New York as well.[00:30:14] He did summer or he was supposed to do Summer Jam. So there were like multiple opportunities, even just within New York to see him. So I wonder though, before he does that. There will be a bit of a, break, or at least new music so that the consumer feels like they're seeing something. [00:30:31] Dan Runcie: What about Paris?[00:30:32] Denisha Kuhlor: Yeah. So Paris is a really interesting market. He has a ton of fans in Paris and I talk to them quite often. I don't know though. I, I don't know if a stadium show can work there just yet. And part of the reason is because I do think that the market rewards in some ways, , those who try.[00:30:53] And while he's done a ton of podcasts, a ton of interviews, a ton of things, I can't say how much he's actually interacted with, you know, some of the French press andsome of the opportunities there. He did do something really cool, recently or, yeah, not too recently. where he did a like deep cuts performance for 300 fans and he just announced it on Twitter and folks got to go.[00:31:19] So I think he can work up to it just quantitatively. It might take longer than other markets.[00:31:27] Dan Runcie: Yeah, Paris was one that had in mind I think, those things you mentioned make sense. New York was another one too. Just given that MSG show and you have the MetLife stadium, I feel like like that could eventually happen.[00:31:39] Denisha Kuhlor: Yeah. Yeah. I think New York makes a lot of sense. It's pretty close to, obviously, you know, DC and Virginia, which also have big African populations. New Yorkers have seen him and know, someone who attended the MSG show. I really felt like there was like a sense of pride, like folks were really excited to be there, and to see this. And it definitely makes you feel like in events. And one that you could partake in multiple times for sure.[00:32:07] Dan Runcie: Right. And two, with this, we talked about his missed opportunities, but what do you think about the best opportunity or the best move that he has made so far in his career?[00:32:20] Denisha Kuhlor: Yeah, I think one consistency. He's been pretty consistent about releasing new music, whether it came to the album that he released during COVID, as well as his latest album now. There's definitely a strategy, I think, of always being focused or always looking ahead or being able to see what's next.[00:32:40] And so he's been able to use consistency through his own music, but also relevancy by jumping onto trends that are new, whether it's or not new. I feel like the Ima piano folks are gonna come at me for that. But,whether it's Amapiano, right? or Asake who really brought a new sound for folks.[00:32:59] So I think he's been able to do that really well. I think it was really intentional of his team. We've gotten to see, and not to compare Burna Boy to Ice Spice, but as consumers, I think so often, we see folks, do really well as a result of a breakout hit and have these expectations of them that don't necessarily correlate.[00:33:23] And it's actually been really great to watch an artist like Ice Spice or even a Little Nas X kind of come into their own when it comes to their performance and stage play overall. Whereas with him, I think he really got to build that methodically and, and over time, get comfortable on stage, see what works, what doesn't work, figure out the kinks of working with the band.[00:33:44] And so he's really, really been able to perfect and invest in his live show, which we're seeing dividends on now, while also maintaining just the consistency of new music and relevancy, which is quite d [00:33:57] Dan Runcie: Yeah, I think the Ice Spice is interesting because I was talking to someone about this a couple days ago and she had just put out her project, and I think it may be sold around like 15,000 units. And that of course sparked some discussion. And the thing is, it's hard to even frame something like that as a negative because six months ago, most of you didn't even know who this was, if we're [00:34:23] So we have the nature of the internet being able to help someone skyrocket into a different level. Almost overnight, and then just realizing that her team, everyone else has to catch up. It's a very different situation, like where Burna Boy is showing you that, yeah, it takes time to get to this point.[00:34:42] I mean, if he starts really releasing music, you know, early 2010s. By 2017, still doing small venues in New York. And then it really until, you know, a couple years later where you're being able to hit that. If you even get to that point, it's so hard. And I do think that live performances in the honest you command is one of the few things that can't quote unquote blow up overnight and it's, if anything is the more humbling thing that we see. I think streams can be somewhat humbling to some extent, as you've seen, but even that can be misleading. So it does at least ring true, and I think for me, I'd spoke about this earlier, but the thing about his career that I think is the best move for him was just continuing to position himself as the lead and not necessarily, you know, following the latest trend just to hop on it. Although I think he was smart about things, but not just trying to attach himself. I think he still had the brand there and it took longer than some may have, you know, wanted, or maybe even he saw himself, especially, I can only imagine, you know, it's 2015, you're doing this for a few years, things still bubbling.[00:35:53] So I do think that worked to his advantage cuz now it's really only a handful of artists globally that can say they're in that position. And then really his whole continent, you know, of the big three is at least the one that has the most exposure and platform in base right now.[00:36:09] Denisha Kuhlor: What did you think of? I feel his choice to embrace Artis from the west like his last two or three really, his last maybe three albums, you see like a really conscientious approach, whether he's had everyone from YG to Keilani, had Diddy executive produce an album, and that felt really intentional to reach, listenership or an audience from the westlike you said, it's probably tricky like if that went wrong, it could have really went wrong but in his case it seemed to go right, but I'm curious what you thought that. [00:36:43] Dan Runcie: Yeah. I think part of the reason why it worked is like, I feel like he picked artists that felt somewhat aligned with like what he was doing too like I, at least from what I read, I think the YG track may have potentially would've involved Nipsey, but you know, Nipsey had passed, so like that didn't work.[00:36:58] It's not as if he was just hopping on, you know, who is the hot single that like needs someone or like, you know, the Drake or whoever else. And not that I think with Drake is an issue, but because obviously is done and then Bad Bunny's continue to grow. But I feel like because he's like picking certain artists and maybe not every pick I necessarily, you know, thought was like his best music, but there seemed to be a ality with people that like lined up with him where it's like, okay, I've listened to enough why G'S music over the years?[00:37:28] I could see why someone like Burna Boy would want to do music with him, right? So I feel like for me, that piece of it did line up and I know that if you're trying to grow there, there's some inevitable push of who can I align myself with that isn't just trying to do the generic pop thing. Like I don't think I would ever hear him beyond a Maroon Five song, which I do feel kind of becomes like a bit of a rite of passage for a lot of, Western hop artists.[00:37:57] But I'd be very surprised if I ever saw Burna Boy.[00:38:01] Denisha Kuhlor: Yeah. No, that makes sense. That makes sense. [00:38:03] Dan Runcie: Yeah. the other thing that I think this conversation taps into is just the broader growth and the broader expansion of record labels and infrastructure in Africa from what the music industry to do and how Burna Boy's been able to help. In many ways, not just, I don't wanna say necessarily lead that because I think he's did a lot of this without the infrastructure.[00:38:26] If anything, the infrastructure has kind of started to come as a result of what he's done. But I've also heard a few rumblings from different folks that some of the investments of certain record labels, some of the majors having offices there, there's been questions about how they're seeing what's viable, what makes sense now because some of the artists that blew up, they don't have those artists on those labels, so now they're trying to find the next person and they're realizing that really hard to do that.[00:38:55] Denisha Kuhlor: Yeah. You know what's interesting, and I thought a lot about this is I feel like most artists on the continent don't necessarily need help on the continent. So much to our point of thinking about like Coachella, that was so surprising to Burna Boy because he was a huge star within Africa.[00:39:11] and when you look at the labels, he's engaged, for like a more global expansion. The thing I think he's been very clear of and his mother and the rest of his team is that like they've got Africa covered. And so I do think that could be part of the reason why maybe some of these labels are struggling because in a way it probably makes sense or the hunches to put more money or investment into what's already working, which is within Africa. When in reality I think it, it forces you to start to iterate and experiment on what's gonna resonate in terms of an artist, fans, an artist who has fans abroad, or them starting to build their broad audience.[00:39:53] And while an African audience it probably validates a lot of things, right? Maybe stage, presence, charisma, ability to connect, that the music is global or can reach people like it, that change or that shift. now being in the states or being in Europe is also quite different as well.[00:40:11] Denisha Kuhlor: And I think it forces labels to take a true A and R approach, whether it comes to everything from media training, Interacting, there's cultural differences. And so, I think it's going to lead way to maybe a new type of executive. it's something I thought a lot about music programs like the Music Business Academy,in Africa.[00:40:33] That's done really, really amazing work. I continue to be really, really impressed with the folks at Maven. And what their talent is doing, I think, for the African music ecosystem. But, with that being said, I think that the ecosystem is still getting to the point. where it's maturing, but also maturing in a way where folks can capitalize not only on the talent from the ecosystem, within Africa, but there being true connections, going both ways, because that's ultimately where the label will be able to recognize their power.[00:41:05] But for an artist that is already successful in some ways already getting Booked for shows. You look at, you know, where Tua Savage was by the time she got signed, or a DeVito by the time, he got signed abroad, they're already huge stars, which in some ways is different than what labels are used to signing in the States.[00:41:27] They, you know, would either find an artist and before invest the development in them or find an artist who's had maybe success digitally, but are working with them, on some of their more physical initiatives. So, I think it's interesting, but I also think it's a bit of a, different framework or thinking that some of these labels need to do in terms of the true maturity of the talent at the time they're being signed in some cases.[00:41:52] Dan Runcie: Yeah. When I heard rumblings that some of these record label offices that had recently started in Nigeria or elsewhere in Africa, that they were starting to question some of the future and the growth and things, I honestly wasn't that surprised because if you look at the way the record labels work in the US and at least currently they're working cause.[00:42:16] you have the Drake's and you have the Taylor's and the Adele's and Beyonces, and you've given them more favorable deals. But knowing that even if they more favorable deal, whatever share you get of that is still gonna make up for more than everything else. And that's gonna help your strategy in so many other ways.[00:42:33] Versus you're starting from scratch in a landscape where it's already harder to like develop someone from the ground up. And you're starting that without the Burna Boy without DeVito or without them, and now you're trying to find that person and you're trying to, you know, still do the investment. It's tough to get there because it took these folks so many years to get to that point.[00:42:55] So if you didn't start like a 10 year time horizon and you're have a bit of that, you know, more of a standard, okay, what has this person done for me lately? Do we keep this artist? Do we drop them? It isn't going to work in the same way. And we saw some of those same challenges, not even to this level happen.[00:43:12] 20 years ago when there were so many artists from Jamaica that were starting to blow up when reggae and reggae Fusion was really starting to be the wave when Sean Paul was doing his thing, and we didn't even get to that point where they were even trying to start the record label. There were issues with visas Yeah. Yes, and all. [00:43:31] Denisha Kuhlor: It doesn't just transfer. That's, you know, that's such a great point. Like I think in some ways people expect the success in the continent to like transfer almost smoothly when in reality a new type of work is just beginning. And that's the type of work that, you know, when you think about the office, the big office is looking for, right?[00:43:51] Because that's gonna produce quantitatively what they wanna see. and so in a way it can feel discouraging because you're like, wow, I have this artist, they've done this, this, and this. They're getting booked for shows here. Now we're going to Europe and we can't do a 500 person venue, but we just did a 5,001.[00:44:06] Dan Runcie: Yeah, it's gonna be fascinating to see how this develops, but before we close things out though, let's say five years from now, 2028, where's Burna Boy in his career, right? At that point, what is he doing?[00:44:18] Denisha Kuhlor: Yeah, I really, you know, I call it like a bit of the Jay-Z effect, but in some ways I see that for him, one clearly has an ear, not only for like developing talent, but also emerging talent, from, you know, a feature to Bnxn who assigned onto his label, but ended up not staying ended to, ask to leave the label, which I think is very interesting.[00:44:40] So I kind of wanna see if he focuses or hones more on also like developing talent innately his sister's also the creative director for his brand. I think too, we'll also will also see him play a role where he does a lot of fun things around fan engagements. he talked about in an interview that he's performed at so many venues and gotten to travel the world. And so he wants to take a really exciting approach in like performing on a train or kind of doing all these other like, cool fan experiences. So hopefully will he'll start to experiment with that as well.[00:45:20] Denisha Kuhlor: And it'd be interesting, but I think he might have the potential to be a really high touring artist for a long time. We see some artists that are just like, they can go on tour. It feels whenever they want, regardless of whether they have new music or not. And to some extent, I think that he just might be an artist that can command that.[00:45:42] and this has, you know, everybody's talking about, everybody's talking about catalogs nowadays, but as you think about how digitally Native Africa is, how young the population is. I'll be curious to see if he gets an offer he can't refuse. on the catalog side, there's more and more, places invest in content within Africa.[00:46:02] Denisha Kuhlor: It's only gonna increase, syncs the power of nostalgia as well. . Well, my hunch would be that he wouldn't sell, it wouldn't surprise me if we also saw him really structuring his business or his brand in, a way, that commands a high catalog price as well. [00:46:19] Dan Runcie: Yeah, when you're one of the biggest ones in this like wave and you're really reaching the height that others haven't reached before, you do have a bit of that advantage, right? Are able to this rise in a number of ways. So it's gonna be fascinating. I'm excited feel like at a minimum, what headline in Glastonbury feels like an inevitable thing, just given with things.[00:46:39] So yeah, I am eager to see how this all plays out. And who knows, maybe he'll be at Coachella again, and maybe he'll have the headline spot and at that point there's nowhere else to, you know, complain. Maybe we'll just have Burna Boy hyphen the African Giant and that'll be what's on the poster,[00:46:56] Denisha Kuhlor: Yes, I can literally see like just the African giants. I think that would be just such a moment, in the funniest way, like very reminiscent of Jay-Z, Jay-Z at Glastonbury, no. Yeah, it would be cool to see that all come full circle.[00:47:10] Dan Runcie: Definitely. Well, Denisha, this was awesome. Thanks again for making the time and making this happen[00:47:16] Denisha Kuhlor: Thanks so much for having me.[00:47:17] Dan Runcie: If you enjoyed this podcast, go ahead and share it with a friend. Copy the link, text it to a friend, post it in your group chat. Post it in your Slack groups. Wherever you and your people talk, spread the word. That's how capital continues to grow and continues to reach the right people. And while you're at it, if you use Apple Podcast, go ahead.[00:47:38] Rate the podcast, give it a high rating, and leave a review. Tell people why you like the podcast. That helps more people. Discover the show. Thank you in advance. Talk to you next week.
artist name 1. Ayra Starr Sability 2. Pheelz Emi Laye Mi 3. Young Jonn Xtra Cool 4. Asake Joha 5. Kizz Daniel Rich Till I Die (RTID) 6. Voltage of Hype, DJ Dabila Amapiano Breakfast 7. Eltee Skhillz Eltee Skhillz Breakfast 8. Zlatan, Seyi Vibez Let There Be Light 9. Rexxie, Naira Marley & Skiibii ft. Wizkid Abracadabra Remix 10. Naira Marley ft. BackRoad Gee Vawulence (Dirty) 11. Poco Lee, Hotkid Otilo (Izz Gone) 12. Spyro Who is your Guy 13. Skiibii Back To Sender 14. DJ Kush & Asake Yoga ( Amapiano Remix) 15. BNXN fka Buju Traboski 16. DJ KUSH & Omah Lay Soso ( Amapiano Remix) 17. SPINALL ft. Kemuel & Olamide Bunda ******* 18. Asake Dupe 19. Seyi Vibez Para Boi 20. Kizz Daniel ft EMPIRE Cough (Odo) 21. Pheelz Ewele 22. Pheelz & Davido Electricity (DJ Dee Money Extend) 23. Timi Dre, Mannywellz Oju Mi 24. Libianca People (Amapiano Remix) 25. Pablozy Balance 26. Wizkid, Skepta, Naira Marley Wow 27. Burna Boy Alone Amapiano Remix) 28. Burna Boy It's Plenty 29. Wande Coal Kpe Paso (feat. Olamide) 30. Victony ft. Tempoe Soweto (DJcity Intro - Dirty) 31. Bayanni Ta Ta Ta 32. D'banj Chop Life 33. DJ Neptune & Ruger Bienvenue (Intro & Outro Version) 34. DJ Tunez ft. Wizkid, Alpha P & Tay Iwar Majo (DJcity Intro) 35. Demola ONE IN A MILLION 36. Omo Elewa T.Y.E & BNXN fka Buju 37. Pheelz Pheelz Like Summer 38. KHAID Jolie 39. Joeboy Body & Soul 40. King Perryy ft. Victony Tight Condition 41. Ayra Starr Rush 42. Ruger Red Flags 43. Ruger Asiwaju 44. Minz ft. BNXN fka Buju & Blaqbonez WO WO Remix 45. Boy Spyce Folake 46. Burna Boy Common Person 47. Timaya Sweet Us 48. Wizkid Frames (Who's Gonna Know) 49. King Perryy and 1da Banton Denge 50. Lojay Moto 51. Kel-P One More Night 52. Oxlade Ku Lo Sa | LIKE & SHARE| THANK YOU ******** Follow me for more Updates www.djdeemoney.com ******** Thank you for the support and the tips: Paypal: www.paypal.me/djdeemoney Cashapp: www.cash.app/$djdeemoney ******
Top Hill is the Network for the Culture Business | Culture | Music Reactions | Travel Every week we dive into what's going on in the Culture, We invite guest to come and promote their businesses! We react to new music and special request And we are now introducing gaming. Interested in being a guest ? Email TopHillPod@gmail.com The Schedule: Live Every Monday at 8pm EST (Youtube, Facebook & Twitch) New Individual Reactions & Videos on the culture are released every day Listen To The Pod Apple - https://podcasts.apple.com/us/podcast... Spotify - https://open.spotify.com/show/6KaqWux... Anchor - https://anchor.fm/tophill Listen To Top Hills Music Playlist Top Hill Hit Radio - https://music.apple.com/us/playlist/top-hill-hit-radio/pl.u-Ymb0DAmfAoGd7 Top Hill Discover Radio - https://music.apple.com/us/playlist/top-hill-discover-radio/pl.u-6mo4ZevTy0jg2 Follow The Pod @tophillpod - https://instagram.com/tophillpod?igsh... Follow The Host Imani Dickson @EmoneyBoss - https://instagram.com/emoneyboss?igsh... Jamila Idris @Jamila_Idris_ - https://instagram.com/jamila_idris_?i... This is our musical reaction, breakdown and commentary analysis of the song and video. This is for educational purposes only. I intend no copyright infringement, and this is not a replacement for listening to the song. As covered under fair use copyright laws listed below, we simply reacted to the video by giving constructive feedback, criticism and comments. --- Support this podcast: https://anchor.fm/tophill/support
Glass Onion Sucks: Jim has tales from seeing the latest Rian Johnson Knives Out sequel, GLASS ONION! He must proclaim that the emperor has no clothes.Kanye West: No matter how hard you try, YE will not go away, he announces his presidential bid which just so happens to coincide with his new fashion YE 24 line. Also Julia Fox claims she only dated Kanye to protect Kim Kardashian.Colorado Shooter's Father & CIA Birds: Colorado shooter's father is relieved that his son isn't gay and also a guy kills a supposed "bird" that has no blood.HEADED FOR EXTINCTION!, TOP GUN MAVERICK!, HIGHWAY TO THE DANGER ZONE!, TOM CRUISE!, HOMO!, BUJU!, CHRISTMAS PRESENTS!, T-SHIRTS!, POE DAMERON!, MONSTER HOLIDAY!, THE EMPEROR HAS NO CLOTHES JIM!, TRUTHTELLER!, KNIVES OUT!, RIAN JOHNSON!, GLASS ONION!, TERRIBLE!, NETFLIX!, THEATRICAL!, FUCKING SUCKS!, MURDER MYSTERY!, THE LAST JEDI!, BRICK!, THE BROTHERS BLOOM!, HEIST!, WHODUNIT!, BAUTISTA!, EDWARD NORTON!, KATE HUDSON!, INCEL!, SOCIAL MEDIA!, TWITTER!, ELON MUSK!, BETTER BE REALLY GOOD!, STALE!, COVID!, MASKS!, OBSERVATIONS!, 2020!, BILLIONAIRE!, INFLUENCERS!, STREAMER!, TWITCH!, FOGHORN LEGHORN!, CARTOON CHARACTERS!, GROUNDED!, CURE!, KANYE WEST!, DONALD TRUMP!, MILO!, VICE PRESIDENT!, RUNNING MATE!, FASHION!, LIE!, UGLY!, EXPENSIVE!, GENIUS!, ISRAEL!, RED PILLED!, HOMELAND!, BLACK ISRAELITES!, JULIA FOX!, UNCUT GEMS!, MODEL!, BROOKLYN!, FASHIONISTA!, ATTENTION!, CRAZY!, COKE!, RANTINGS!, POWERLINE!, GOOFY MOVIE!, MUSIC!, DANGER ZONE!, BLACK ADAM!, JURASSIC PARK!, BLACK ADAM RULES!, VOODOO!, FRIDAY NIGHT LIGHTS!, HAWKMAN!, JUSTICE SOCIETY!, DUDES ROCK!, Q CLUB SHOOTER!, FATHER!, INTERVENTION!, CONSERVATIVE REPUBLICAN!, AARON BRINK!, ILLUMINATI!, LYNCHPIN!, MACHETE!, BIRDS!, CIA!, CAMERAS!, DRONES!, NO BLOOD!, CUTTING IT UP!, NO INSIDES!, FAKE BIRDS!, GHETTO BIRD!, PAPER!, TENT!You can find the videos from this episode at our Discord RIGHT HERE!
BUJU: Long time listener, race car hot shot and midwest salt of the Earth, Brandon Buju is in studio for this fine Black Friday.TOTS TURNT: It's that time of year already! TheLife Day Carols: The push and pull of enjoying theme parks and the level of cringe comes to a head with the Life Day Celebration 2022 at Galaxy's Edge at Disneyland.CAPTAIN, WHY IS THAT?, TOP GUN MAVERICK!, BLACK FRIDAY!, REAL ONES!, SUBTEMBER!, PATREON!, CONTENT CREATORS!, RISE OF AN INDUSTRY!, SIDEWALK!, SUPERHIGHWAY!, HAZARD LIGHTS!, BARTER SYSTEM!, MAGIC MIKE STEELE!, JUMPIN JEFF MURPHY!, JAZZY JIM!, HOMOS!, JEOPARDY!, YOUTUBE!, HIT THAT BELL!, JUICE WORLD!, TAKEOFF!, QUAVO!, BUJU!, SPECIAL GUEST!, THANKSGIVING!, LAS VEGAS!, OCEAN ONE!, DINER!, BUFFET!, THE WYNN!, THE ORLEANS BUFFET!, VAN WILDER!, HOOVER DAMN!, SLAVES!, CROSS!, INDIANA!, SOUTH BEND!, CITY LIFE!, FARMS!, UNIVERSITY OF NOTRE DAME!, HAWAII TOM!, RACING!, FEATURE WINS!, SPONSOR!, TIRES!, FINAL DESTINATION!, FLIP!, SLURS!, PERCENTAGE!, RACING GROUPIES!, HELMET HOPPERS!, NEW YORK COMIC!, FLIPPED!, GINGER!, MAZE!, RAMSAY BURGER!, CRYPTO!, SIMON INVESTIGATIONS!, TOTS TURNT!, SHAKE UP THE HAPPINESS!, TRAIN!, LITTLE HUMMER BOY!, TICKLESACK!, MATTHEW O'DRISCOLL!, PAYPAL!, TARGET E-GIFT CARD!, POKEFLU!, THE COMPASSION INITIATIVE!, COPAGANDA!, HOLIDAY SEASON!, GIVE BACK!, HELP KIDS!, THEME PARKS!, LIFE DAY!, STAR WARS HOLIDAY SPECIAL!, COMMUNITY!, ORDINARY ADVENTURES!, CHEWBACCA!, LIGHTSABERS!, RED ROBE!, BABU FRICK!, REY SKYWALKER!, FIRST ORDER!, LIFE DAY CAROLS!, TOO FAR!, CROSS THE LINE!, THEME PARK SHILL!, SOLO!, SMUGGLER!, RUDOLPH!, TAUNTAUN!, DROIDL DROIDL!, WORLD CUP!, FOOTBALL IS COMING HOME!, HAND EGG!, SOCCER!, STREET HOCKEY!You can find the videos from this episode at our Discord RIGHT HERE!
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