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10CC var et af de mest originale engelske bands mellem 72 og 78. De skubbede grænserne for, hvad en almindelig popsang kunne være, de havde nok i sig selv og var på ingen måde interesseret i, at blive berømte eller rockstjerne, faktisk ville de helst bare være i deres studie. De fire, Eric Stewart, Graham … Læs videre "10CC"
“If we did something that was too drab, too normal, too obvious, we'd say, ‘Nah, let's give it a kick in the ass.'” That's how Kevin Godley describes the approach of his former band, 10cc, and his drive for creativity and art has not abated. Godley was 10cc's angelic-voiced drummer who would go on to make inventive music and groundbreaking videos with Godley & Creme. In Pt. 1 of this illuminating conversation, Godley explains how Lol Creme, Graham Gouldman, Eric Stewart and he—all strong songwriters and singers—formed 10cc near Manchester, England, and figured out who would do what. They stretched out on such Godley-Creme songs as “Somewhere in Hollywood” and "Une Nuit a Paris" (which perhaps inspired Queen's “Bohemian Rhapsody”), but the popularity of “I'm Not in Love” had unintended consequences. What was it about the new song that Stewart and Gouldman played for Godley and Creme that blew apart the songwriting teams for good?
Onnur einstaklingaútgávan hjá Agnethu á enskum hevur løg um 'One Way Love' og 'I Won't Let You Go', ið javnan hava verið spæld í føroyskum útvarpi. Ljóðið er eyðkent fýrsáraljóð við nógvum synthi, men vanlig ljóðføri sum gittar, bassur og trummur verða eisini nýtt. Abba-bassgittaristurin, Rutger Gunnarsson, lat el-bassspæl til hesa plátuna, umframt at synthbassur varð nýttur aftrat. Framleiðarin, Eric Stewart, skrivaði fleiri løg til útgávuna og 'I Won't Let You Go' saman við Agnethu sjálvari. Haraftrat vóru har fleiri aðrir kendir tónlekarar, ið lótu løg til útgávuna; fyrst og fremst eingilsmenn. Elvis Costella sigst vera ein Abba-fjeppari, ið fegin vildi, at Agnetha nýtti sín sang, 'Shatter Proof', men eftir øllum at døma hevði Fältskog ikki hug at hava hann við á Eyes of a woman. Hvat Costello segði til tað, vita vit ikki. Men annar kendur komponistur á útgávuni er Justin Hayward frá Moody Blues. Hansara íkast var tað sorgblíða 'The Angels Cry'. Endalagið, 'We Move As One, skrivaðu Asia-tónleikararnir, John Wetton og Geoff Downes. Og 'One Way Love' var ein bílegging frá Jeff Lynne í E.L.O. Plátubarrin 22. mars 2025
Eric Stewart works behind the register at a gas station store in Gallatin, Tennessee, and has an eagle eye for knowing when customers might be falling for a scam. STORY: https://www.wdjx.com/store-clerk-saves-a-woman-from-a-text-scam/
In Episode 35, Nick and Shane have a conversation with Eric Stewart. Eric is the Pastor of Liberty Baptist Church in Lula, Georgia and is the founder of Men of Valor Ministries. Eric has a passion to see men fully embrace their true identity. IN THIS EPISODE:Men of Valor Ministries: https://www.movministries.org/MOV "Authentic" Conference Registration: https://www.movministries.org/authenticregistrationMOV Podcast: https://www.movministries.org/podcastMOV Man Up Monday: https://www.movministries.org/manupmondayMOV 45 Discipleship Training: https://www.movministries.org/45SoulCon Challenge: https://soulconchallenge.com/CONTACT US: For feedback, questions, or interview requests, email us: contact@malecartel.com Thank you for listening and for being a part of the Male Cartel! If you have benefited from this episode, or the podcast as a whole, please be sure to follow/subscribe to the podcast, share the episodes, and leave a rating and/or review. The Male Cartel is available on multiple platforms:Spotify: https://podcasters.spotify.com/pod/show/male-cartelApple: https://podcasts.apple.com/us/podcast/male-cartel/id1699875966Overcast: https://overcast.fm/itunes1699875966/male-cartelYouTube: https://www.youtube.com/@MaleCartel/podcastsFind the Male Cartel Online:Malecartel.comFacebook.com/malecartelInstagram.com/malecartelTwitter.com/malecartelThreads.net/malecartel Find Nick Online:Facebook.com/nickcarnesInstagram.com/ncarnesTwitter.com/nickcarnesThreads.net/ncarnes Find Shane Online:Facebook.com/shane.padgettInstagram.com/shanepadgett Twitter.com/shanepadgett
WMAL GUEST: 8:05 AM - INTERVIEW - ERIC STEWART - top real estate expert and host of WMAL's Getting Older with Eric Stewart Show WEBSITE: https://welcome.ericstewartgroup.com/radio-show-archive DC housing market remains stable — no crash in sight, experts say Where to find more about WMAL's morning show: Follow the Show Podcasts on Apple podcasts, Audible and Spotify. Follow WMAL's "O'Connor and Company" on X: @WMALDC, @LarryOConnor, @Jgunlock, @patricepinkfile, and @heatherhunterdc. Facebook: WMALDC and Larry O'Connor Instagram: WMALDC Show Website: https://www.wmal.com/oconnor-company/ How to listen live weekdays from 5 to 9 AM: https://www.wmal.com/listenlive/ Episode: Wednesday, February 19, 2025 / 8 AM Hour See omnystudio.com/listener for privacy information.
In the 8 AM Hour: Larry O’Connor and Julie Gunlock discussed: WMAL GUEST: 8:05 AM - INTERVIEW - ERIC STEWART - top real estate expert and host of WMAL's Getting Older with Eric Stewart Show WEBSITE: https://welcome.ericstewartgroup.com/radio-show-archive DC housing market remains stable — no crash in sight, experts say ‘Wicked’ Star Cynthia Erivo to Play Jesus in ‘Jesus Christ Superstar’ at Hollywood Bowl President Trump on the DOGE dress code: "Elon Musk has some very brilliant young people working for DOGE. That dress much worse than him actually. They dress in just T-shirts. You wouldn't know they have 180 IQ." Where to find more about WMAL's morning show: Follow the Show Podcasts on Apple podcasts, Audible and Spotify. Follow WMAL's "O'Connor and Company" on X: @WMALDC, @LarryOConnor, @Jgunlock, @patricepinkfile, and @heatherhunterdc. Facebook: WMALDC and Larry O'Connor Instagram: WMALDC Show Website: https://www.wmal.com/oconnor-company/ How to listen live weekdays from 5 to 9 AM: https://www.wmal.com/listenlive/ Episode: Wednesday, February 19, 2025 / 8 AM Hour See omnystudio.com/listener for privacy information.
Det er blevet Paul McCartney albummet Press To Play´s tur til at komme igennem Toppermost-maskinen. Først med denne forhistorie om albummet fra 1986, og i næste episode om de enkelte sange på pladen der i den grad deler vandende. Pladens persongalleri er spændende: Superproduceren Hugh Padgham og 10CC sanger, guitarist og komponist, Eric Stewart, var ved McCartneys side som det team der skulle rehabiltere Paul efter "Give My Regards To Broadstreet". Det gik ikke stille af. Der var uklarhed om HVEM der egentlig producerede, og hvilken rolle de enkelte aktører egentlig havde. Lad os bare sige det: Ikke alle kom over målstregen med albummet der havde det svært hos det pladekøbende publikum Og så var der jo voldsomme dramaer omkring produktionen: Hvem turde eksempelvis placere en laks i Linda McCartneys køleskab, og kunne man gemme skinke under osten i en "Cheese and Pickle" sandwich? Medvært i episoderne er Andreas Smedegaard, som guider dig igennem tiden omkring og sangene på et af Paul McCartneys mindre kendte albums. Men stadig et album som igen blev til på et helt afgørende tidspunkt i McCartneys karriere, og hvor en ny retning og frisk kunstnerisk identitet var bydende nødvendig. Om det projekt lykkedes, bliver du klogere på i den kommende tid. Andreas har gravet dybt i Beatles-arven siden sine helt unge år og har medvirket i en god håndfuld Elsker The Beatles-episoder.
Sunday Morning, 6th October 2024 Speaker: Eric Stewart Title: The Giant Killing Shepherd Boy www.lifeboatfellowship.com This audio was recorded at the Lifeboat Fellowship, Grange Corner, Moy. For further copies or information please visit our website at www.lifeboatfellowship.com or write to.... Lifeboat Fellowship, Old Moy Road, Dungannon, Co. Tyrone, Northern Ireland, BT71 6PX
Graham is an English singer, musician and songwriter, best known as the co-lead singer and bassist of the art rock band 10cc. He has been the band's only constant member since its formation. In 1972, along with Eric Stewart, Kevin Godley and Lol Creme, he formed 10cc and enjoyed a string of Top 10 hits, including three No 1s - Rubber Bullets, I'm Not In Love and Dreadlock Holiday – along with Donna (No 2), Art For Art's Sake and Good Morning Judge (both reaching No 5), The Things We Do For Love and I'm Mandy Fly Me, and The Wall Street Shuffle.
If you're a multifamily investor, should you be nervous with the current market? Eric Stewart from Atlantic Investment Capital and Think Realty Resident Expert, sat down with Eddie Wilson to discuss the ins and outs of multifamily investments in the market today. They discuss what the market feels like to real estate investors and if Eric has a good feeling on where we are at and where we're headed. They chat about what the treasury would look like and how the dominos could fall and should an investor look at owner finance deals versus looking at positioning a purchase in line with potentially a drop soon. Plus, Eric gives his opinion on if people investing in multifamily weighed out that drop or should they get involved now, and what the benefits are of buying now versus later.
If you're a multifamily investor, should you be nervous with the current market? Eric Stewart from Atlantic Investment Capital and Think Realty Resident Expert, sat down with Eddie Wilson to discuss the ins and outs of multifamily investments in the market today. They discuss what the market feels like to real estate investors and if Eric has a good feeling on where we are at and where we're headed. They chat about what the treasury would look like and how the dominos could fall and should an investor look at owner finance deals versus looking at positioning a purchase in line with potentially a drop soon. Plus, Eric gives his opinion on if people investing in multifamily weighed out that drop or should they get involved now, and what the benefits are of buying now versus later.
Here's another brief episode covering the errors we've made in our last few episodes, from the very minor to the somewhat more serious.We're grateful to listeners who pointed these out - please keep doing so! If you've noticed an error on The Studies Show, let us know and we'll correct it on a future episode like this. Contact details are on the About page.Show notes* UNSCEAR numbers on birth defects caused by Chernobyl* Adjusting for publication bias makes the effect of cash transfers on mental health disappear* Explanation of the paradoxical effect of healthier, longer-living people having a higher risk of dementia if you control for age* Retraction note to one of criminologist Eric Stewart's papers notes that the study was retracted due to “a mistake in the way the original data were merged… [which,] in conjunction with the discovery of other coding and transcription errors, collectively exceeded what the authors believed to be acceptable for a published paper”. That is, not retracted for “fraudulent data”, as we stated* Analysis by one of Stewart's co-authors concluding that the studies were “likely fraudulent”, even if they weren't technically retracted for that reason* The location of Cornwall. It's in the south-west.CreditsThe Studies Show is produced by Julian Mayers at Yada Yada Productions. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.thestudiesshowpod.com/subscribe
With major (alleged!) misconduct cases happening at some of the biggest US universities, scientific fraud has been in the news a lot recently. If you're a scientist you're supposed to be discovering the truth - so why do some scientists (allegedly - please don't sue us!) just make all their results up?In this episode of The Studies Show, Tom and Stuart discuss some outrageous instances of scientific fraud, and how they were discovered. They look at all the reasons a scientist might decide to break the rules and falsify or fabricate their data - and talk about ways we might try and prevent these scientific crimes in future.*EDIT 22 October 2023: In the podcast we say that Eric Stewart's papers were retracted for “fraudulent data”. Whereas he has been accused of fraud by at least one of his co-authors (and others), and whereas he claims to have lost all the original data files so they can't be checked, it's not correct to say this is why his studies were retracted, as per the publishers' retraction notes. They were retracted for gross errors and incompetence rather than fraud.The Studies Show is sponsored by the i, the UK's smartest daily newspaper. You can get a money-off deal on digital subscriptions—which include full access to all Stuart's science writing—by following this special podcast link.The Studies Show is also sponsored by Works in Progress, an online magazine about science, technology, and human progress. Did you know that, in addition to the main magazine, Works in Progress has a Substack called Notes on Progress, with shorter pieces on the same themes? You can find Notes on Progress right here.Show notes* Big New Yorker article about Dan Ariely and Francesca Gino* Data Colada article on Dan Ariely's study; and the first of several articles on Francesca Gino's research* New York Times article on the fallout from the Gino case* GoFundMe page for Data Colada's legal defence* 2009 review of surveys asking scientists whether they've committed fraud, and how much fraud they think there is* Example studies asking questions on fraud as well as sub-fraud “questionable research practices”: psychologists, economists, biomedical statisticians* The Retraction Watch Leaderboard of the most-retracted scientists* Story of anaesthesiologist Joachim Boldt, current leader in number of papers retracted from the literature* Book on the fraudulent semiconductor physicist Jan-Hendrik Schön* News of recent retractions by a superconductor physicist at the University of Rochester* Article on John Carlisle, fake RCT-spotter extraordinaire* Article on Elisabeth Bik, expert on spotting fake scientific images; Bik's paper on the prevalence of problematic images* Description of the GRIM test by Nick Brown and James Heathers* BBC Radio 4 programme by Michael Blastland about scientific fraud-spotters, featuring Bik, Brown, and Heathers (and also Stuart)* Recent article on using Benford's Law to discover fraud* Story of Hwang Woo-Suk, the audacious cloning fraudster at Seoul National University* Story of Eric Stewart, researcher of systematic racism at Florida State University* Story of Paolo Macchiarini, windpipe surgery fraudster and convicted criminal* Stuart's article on why we need to actually punish fraudstersCreditsThe Studies Show is produced by Julian Mayers at Yada Yada Productions. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.thestudiesshowpod.com/subscribe
Two significant academic scandals from the past year underscore why the new book Critical Dilemma, written by Drs. Neil Shenvi and Pat Sawyer, is so timely and important. In my view, this book offers the definitive critique of critical theory from a Christian worldview. You can receive a copy for a gift to the Colson Center this month. (Just go to colsoncenter.org/October). Eric Stewart, a former professor in the highly rated criminology department at Florida State University, is the principal author of a paper that concluded that, as Black and Latino populations increased, so did the public's demand for more discriminatory sentencing. After the paper was published, his co-author Justin Pickett, a professor at the University of Albany, noticed problems with the data: "Pickett found that their sample size somehow had increased from 500 to over 1,000 respondents, the counties polled had decreased from 326 to 91, and the data was altered to the point of mathematical impossibility." When Pickett approached Stewart with his concerns, he replied with evasive answers and would not share the complete data set. In Pickett's analysis of the data from the first set of 500, the results did not support the conclusion that an increasing Black or Latino population is linked to more severe sentencing. If anything, the initial results pointed to the opposite conclusion. Also in the original survey, unanswered questions left blank had been filled in with “imputed values,” presumably by Stewart. Both the journal that originally published the paper and Florida State University were reluctant to retract the paper or to take action against Stewart. However, the university's hand was forced by the discovery of five other papers by Stewart that were also based on falsified data. Once that came to light, Stewart abruptly left his $190,000 position at the university. Perhaps Professor Stewart faked data for grants or due to the pressure to publish. Perhaps he was convinced his theories were correct and too important to be proven wrong. Whatever the case, the data was falsified in support of ideas central to Critical Race Theory, and the consequences were more than merely academic. It's hard not to believe that his studies have been used to shape policy when he's garnered over $3.5 million in grant funding from taxpayer-funded organizations. The more recent scandal involves Ibram X. Kendi's Center for Antiracist Research at Boston University. Kendi authored How to Be an Antiracist, a book that shot to the top of The New York Times bestseller list and remained there for nearly a year. Boston University launched a center dedicated to Kendi's ideas and hired him to head it. By the end of 2021, the center had collected over $45 million in funding. Despite that funding, the center recently laid off about half its staff due to significant budgetary problems. A few initiatives had been launched, but the center produced minimal research. Staffers accused the center of a dysfunctional work environment and mismanagement. Unlike the leaders of the Black Lives Matter organization, Kendi has not been accused of misappropriating donations, though he commands extraordinarily high speaking fees. This seems to be a case of an academic superstar put in charge of a center, who lays out ambitious goals, but is not competent to run it. Clearly, Kendi wasn't properly vetted by the university or by donors. The corporations that donated clearly ignored an argument central to Kendi's antiracism, that capitalism is oppressive and should be dismantled. Each incident underscores both the pervasive influence of Critical Theory on academic culture and its flaws as a theory. Like all ideas, Critical Theory and its offshoots (Critical Race Theory, intersectionality, Queer Theory, and others) have consequences. Like all bad ideas, it has victims. For the sake of truth and out of love for our neighbors, Christians must be prepared to push back against these bad ideas. This requires understanding these ideas and responding to them with competence and grace for the people who hold them. Critical Dilemma: The Rise of Critical Theories and Social Justice Ideology is such a crucial resource right now. Authors Shenvi and Sawyer take seriously the worldview behind various versions of Critical Theory, identify each version's central ideas, and define key terms such as “intersectionality,” “antiracism,” “privilege,” “wokeness,” “heteronormativity,” and others. They trace the history of these ideas and offer a thorough response from a Christian worldview. As our way of saying thank you for a gift to the Colson Center this month, you can receive a copy of Critical Dilemma by Drs. Neil Shenvi and Pat Sawyer. To request a copy, go to colsoncenter.org/October. This Breakpoint was co-authored by Dr. Glenn Sunshine. For more resources to live like a Christian in this cultural moment, go to breakpoint.org.
Wes, Eneasz, and David keep the rationalist community informed about what's going on outside of the rationalist communitySupport us on Substack!News discussed:Intuitive Machines, the company behind the private moon lander, released a video of a test-fire of its landing enginesFifth Circuit injunction preventing government from censoring social mediaFifth Circuit also reversed lower court and upheld Texas law forbidding viewpoint discrimination by social media companiesSpaceX is ready for another test launch of Starship, but the FAA is dragging their feet on approval.Proud Boys leader sentenced to 22 years in prisonPutin and Erdogan met to try to revive grain dealBritish company FruitCast uses AI to count, weigh, and evaluate ripeness of millions of berries per dayFlorida State University professor Eric Stewart, a celebrated criminologist, is kicked out of FSU under allegations of fraud. Six major studies often cited as proof of systemic racism have been retracted. A collaborator blew a whistle a few years ago when a study with 500 participants was published as having over 1100 participantsHappy News!NY and LA school districts considering teaching kids to use ChatGPT to enhance learning rather than banning itUniversity of Tokyo researching a muon-based GPS replacement, which would work deep underground and underwater.Chinese air pollution down over 40% in a decade, life expectancy is up 2-6 years in cities.Ozempic can maybe completely remove the need for insulin in type 1 diabetics!? Research ongoingHuman-sized Legos make real buildings!!! German company Polaris has successfully test flown a scaled-down unmanned model of Aurora, a hypersonic/suborbital jet capable of delivering payloads to orbitThe Mars Society announced the creation of the Mars Technology Institute, whose purpose is to develop the technologies required to settle MarsA proof-of-concept device on Perseverance has generated enough oxygen to keep a small dog alive for 10 hoursUN Diplomat crowd-funds $144M to drain an abandoned oil tanker of over 1M barrels of crude and scupper the ship (Yemen couldn't do it cuz they're doing a civil war), prevented an eventual massive catastropheTroop DeploymentsScott Alexander 4 prezRIP Van Aaron HughesFootball now with AI-powered commentaryGot something to say? Come chat with us on the Bayesian Conspiracy Discord or email us at themindkillerpodcast@gmail.com. Say something smart and we'll mention you on the next show!Follow us!RSS: http://feeds.feedburner.com/themindkillerGoogle: https://play.google.com/music/listen#/ps/Iqs7r7t6cdxw465zdulvwikhekmPocket Casts: https://pca.st/vvcmifu6 Stitcher: https://www.stitcher.com/podcast/the-mind-killer Apple: Intro/outro music: On Sale by Golden Duck Orchestra This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit mindkiller.substack.com/subscribe
Bob, Zaq and Janet discuss what we learned from Search and Seizure Expert, Eric Stewart in this week's episode. After that discussion, each of the trio share a Missing Persons Case of the Week. Below are the contacts for information on any of these cases. If you have any information regarding the disappearances of Gus Red Eagle, Layla Santanello or Mariamae Touré Sylla please share that information with the following agencies: Gus Red Eagle: Contact the Red Lake Police Department at 218-679-3313 Layla Santanello: Contact the Kingsport Police Department at 423-229-9429 or the Tennessee Bureau of Investigation at 800-TBI-FIND Mariamae Touré Sylla: Contact the Greenbelt Police Department at 301-474-7200 To listen to this and all episodes AD FREE, you can join our Patreon at the $5/month level. At that level you will also get an hour of exclusive bonus video content, and access to Bonus Episodes. Right now, Bob is doing a Patreon exclusive series where he is responding to The Prosecutors podcast's analysis of the Adnan Syed case. You can get access to all of that and more by clicking THIS LINK, and becoming a Patron.
This week Bob is joined by 4th Amendment expert, Eric Stewart. Eric is the father of listener Joshua Stewart, and takes the time this week to educate the Truth & Justice Army on Search & Seizure laws and practices. He brings some amazing insights and answers several questions submitted directly from listeners. To hear this episode and all others AD FREE, please consider joining our Patreon. You'll not only get ad free episodes, but you'll also get an hour of Patreon exclusive video bonus content each week, AND exclusive access to bonus series like the current series where Bob is breaking down The Prosecutors' series on the Adnan Syed case. You get all this for just $5/month. Click HERE to join!
Sunday Morning, 20th August 2023 Speaker: Eric Stewart Title: Precious Things www.lifeboatfellowship.com This audio was recorded at the Lifeboat Fellowship, Grange Corner, Moy. For further copies or information please visit our website at www.lifeboatfellowship.com or write to.... Lifeboat Fellowship, Old Moy Road, Dungannon, Co. Tyrone, Northern Ireland, BT71 6PX
In this week's edition of the Inside the Lines High School Sport Podcast, we start our fall sports previews as Jim Powers talks with Lutheran North head football coach Kyle Wagner and Rockwood Summit head football coach Eric Stewart about the summer workouts and how their teams will look this fall.
We talk to the head coach of the Rockwood Summit Falcons, Eric Stewart. He discusses his roots, interest in football, and coaching history. Among his roles for Summit is overseeing their JFL program and talks about his philosophy on how they opperate as well as for the varisty program. Additional topics include the upcoming season with the players they have and the story of how the Falcons dealt with the Covid-19 pandemic in 2020.
The Traveling Wilburys were all right, even if they say you're wrong (#JulianLennon). But sometimes you gotta be strong and make the claim that they were only the 2nd best solo Beatle supergroup of the 80's. #1? Obviously, it's Paul, Linda, and Eric Stewart! Ringo and his first All Starr Band! Ok maybe that's a stretch. But as the 1990 tour LP & video show, they were a damn fine band, with a strangely cohesive line up of rock legends that Ringo would never again replicate. This week, the UBP gets really serious (angry fan: "DAT'S VOLUME TOO!") about this great record and also ask: Did Keef get beef in his teef doing Improv Warmup Wednesdays at Kenny Rogers Roasters? Is Tony the UBP's Joel Whitburn, which is a sick reference for those of you who are familiar with longtime Billboard chart historian Joel Whitburn? Was the All Starr Band promoter experienced at novelty concerts, or more of a Fishof out of water? EPISODE LINKS: Like and subscribe! Please support our scrappy show. Score some sweet merch or find us on Patreon Come hang with us on Facebook/Twitter/Instagram! Drop us a review on Apple Podcasts!
It's the spring of 1985 and Paul McCartney is hard at work recording a new album at his Hog Hill Mill studio. In a shift away from his prior work in the decade, Paul sought to recreate a "band" environment with co-writing partner Eric Stewart, drummer Jerry Marotta and guitarist Carlos Alomar - along with himself and Linda - likely as a reaction to the crumbling critical reaction to his recent projects. George Harrison, meanwhile, was tip-toeing back toward the music business himself, offering up his take on Bob Dylan's I Don't Want to Do It for the Porky's Revenge movie soundtrack. But the undeniable success of this first half of 1985 was John's son Julian, embarking on a mega-successful tour to promote his album Valotte and garnering awestruck reviews in the process... Hosted on Acast. See acast.com/privacy for more information.
We've officially entered Paul McCartney's attractive gray dad era and he's telling us to press, right now, that's it, yes. Press to Play sees Macca reuniting with Eric Stewart and getting even more 80s than you may think possible. Whether you like it or not, there's no doubt it's just two ends of the same hotdog. Stick around to hear our (self admittedly) incredible version of Pretty Little Head. If you enjoy the show, please leave us a review in-app, or consider becoming a patron on Patreon for as little as £2 a month: https://www.patreon.com/wedontbelieveinbeatles Want to keep up with our favourite songs on each album? Check the Spotify playlist here: https://open.spotify.com/playlist/3zmBrObBFl8FnwxUn77QAp?si=b0b2f29e20c14c62 Follow us on Instagram @wedontbelieveinbeatles and Twitter @postbeatlespod --- Send in a voice message: https://podcasters.spotify.com/pod/show/postbeatlespod/message
It's 1985, and after a whirlwind prior year the three remaining former Beatles are laying relatively low in their respective corners of the globe. Unable to accept the shortfall of his first solo cinematic debut, Paul McCartney is back in the studio - specifically his newly-minted Hog Hill Mill Studio - doing the one thing that always helps him in times of trouble: making new music. Sessions for his as-yet-untitled new LP feature co-written songs with rocker Eric Stewart and production from mid-80s producer dujour Hugh Padgham. Striking out for a contemporary sound, Macca sought to lose himself in a band environment once more - blending into a group of musicians who can generate excitement in a room...AND understand who's the boss. While Paul plonked away, Ringo Starr was himself BACK on the screen co-starring in Willie and the Poor Boys - a collection of artifacts which featured Bill Wyman's super-group project of the same name. All in all a fairly relaxed start to what would become yet another monumental year in music history... Hosted on Acast. See acast.com/privacy for more information.
When it comes to investing in the multifamily marketplace, can you expect a home run every time? Eddie sat down with our Think Realty Resident Expert, Eric Stewart from Atlantic Investment Capital, to discuss the current trends in the marketplace, why multifamily should still be considered an asset class to invest in, and how rate volatility could affect the future. Plus, they discuss Eric's investment strategy and how should you be underwriting a deal with the expected new rate considerations. For more information, visit atlanticic.com.
When it comes to investing in the multifamily marketplace, can you expect a home run every time? Eddie sat down with our Think Realty Resident Expert, Eric Stewart from Atlantic Investment Capital, to discuss the current trends in the marketplace, why multifamily should still be considered an asset class to invest in, and how rate volatility could affect the future. Plus, they discuss Eric's investment strategy and how should you be underwriting a deal with the expected new rate considerations. For more information, visit atlanticic.com.
When interest rates go through what they have over the last 18 months, the biggest concern for investors is how that will impact their ability to borrow money and raise capital.If you look at loan amounts, it might appear as if borrowers don't want to lend, but the truth is funds are still available, we just have to have clarity around what we want to achieve.What are some of the changes that interest rates have brought to the marketplace? How do we make sure we still reach our goals?In this episode, commercial mortgage broker, founder of Atlantic Investment Capital, and the author of “Borrow Smart!” Eric Stewart talks about the state of loans in the way of interest rates.Three Things You'll Learn In This Episode-Buffer your borrowingWith interests changing frequently, how do we build flexibility into the loans we take? -How navigate multiple lendersIs it better to deal with a mortgage broker, or should we just go directly to the lender?-Non-recourse vs. recourse loansWhat are the options we have for loan structure? Guest BioEric is a commercial mortgage broker, founder of Atlantic Investment Capital, and the author of “Borrow Smart!: Learn The "Not So Secret" Weapons Of Successful Commercial Real Estate Investors”. Buy the book here, to reach out to him send an email to erics@atlanticic.com or call/text 800-916-9005.
Born on 10 May 1946 in Manchester, Graham was given his first guitar at the age of 11 and started playing with local bands at 15. He received early encouragement to develop his musical talent from his mother Betty and father Hymie, who also contributed with suggested lyrics and song titles. Graham played with various Manchester bands before forming The Mockingbirds in 1965 (with Kevin Godley on drums), and when the record label Columbia rejected Graham's first single composition for the band, it turned out to be a blessing in disguise. The song, For Your Love, became a huge hit for The Yardbirds. Working by day in a men's outfitters shop and playing by night with his semi-professional band, Graham went on to write a string of hits, such as Pamela, Pamela for Wayne Fontana, For Your Love, Evil Hearted You and Heart Full of Soul (The Yardbirds), Bus Stop and Look Through Any Window (The Hollies), No Milk Today and Listen People (Herman's Hermits), and Tallyman for Jeff Beck. In 1972, along with Eric Stewart, Kevin Godley and Lol Creme, he formed 10cc and enjoyed a string of Top 10 hits, including three No 1s – Rubber Bullets, I'm Not In Love and Dreadlock Holiday – along with Donna (No 2), Art For Art's Sake and Good Morning Judge (both reaching No 5), The Things We Do For Love and I'm Mandy Fly Me (6), and The Wall Street Shuffle (10). It's the enduring popularity of these tracks, along with others such as Bridge To Your Heart from Graham's time in Wax with the late Andrew Gold and songs from film soundtracks including Animalympics, that led to the formation of Heart Full of Songs. Needless to say, the band also features tracks from Graham's acclaimed solo albums, And Another Thing, Love And Work, Play Nicely And Share and 2020's Modesty Forbids.
CSM Preview Show Notes Today's Guests: Morgan Lopker; Rodelyn Berdin, Sharon Gorman; Katie Brito, Alisa Curry, Jamie Dyson, Archana Vatwani, Kate Kugler, Leesa Henderson, Eric Stewart, Adele Myszenski, Barb Smith, Kerry Lammers, Sowmya Kumble, Enjeen Woolford, Efosa Erhunmwunse, and DPT Students from the University of Colorado and Maryville University. Links: https://www.apta.org/csm Connect with our hosts and the podcast! Leo Arguelles (LEE-O R-GWELL-IS) Twitter @LeoArguellesPT Ashley Poole Twitter @AshleyPooleDPT Interested in being a future guest? APTA Acute Care: Website Journal Access Twitter @AcuteCareAPTA Facebook APTA Acute Care Instagram @AcademyAcutePT YouTube APTA Acute Care Podcast APTA Acute Care Resources APTA Adult Vital Signs APTA Lab Values Document Webinar Recordings 2023 Long Covid Webinar Series
Wednesday 8th February 2023 Speaker: Eric Stewart Title: Job: The Perfect Man & His Relationships Series: Studies On Job (Part 4) www.lifeboatfellowship.com This audio was recorded at the Lifeboat Fellowship, Grange Corner, Moy. For further copies or information please visit our website at www.lifeboatfellowship.com or write to.... Lifeboat Fellowship, Old Moy Road, Dungannon, Co. Tyrone, Northern Ireland, BT71 6PX
Wednesday 1st February 2023 Speaker: Eric Stewart Title: Job: The Perfect Man & Satan Series: Studies On Job (Part 3) www.lifeboatfellowship.com This audio was recorded at the Lifeboat Fellowship, Grange Corner, Moy. For further copies or information please visit our website at www.lifeboatfellowship.com or write to.... Lifeboat Fellowship, Old Moy Road, Dungannon, Co. Tyrone, Northern Ireland, BT71 6PX
Wednesday 25th January 2023 Speaker: Eric Stewart Title: Job The Perfect Man & God Series: Studies On Job (Part 2) www.lifeboatfellowship.com This audio was recorded at the Lifeboat Fellowship, Grange Corner, Moy. For further copies or information please visit our website at www.lifeboatfellowship.com or write to.... Lifeboat Fellowship, Old Moy Road, Dungannon, Co. Tyrone, Northern Ireland, BT71 6PX
Wednesday 18th January 2023 Speaker: Eric Stewart Title: Job: The Perfect Man In His Background Series: Studies On Job (Part 1) www.lifeboatfellowship.com This audio was recorded at the Lifeboat Fellowship, Grange Corner, Moy. For further copies or information please visit our website at www.lifeboatfellowship.com or write to.... Lifeboat Fellowship, Old Moy Road, Dungannon, Co. Tyrone, Northern Ireland, BT71 6PX
We are thrilled to have Rich Terfry join us for this episode. Rich has been the host of CBC Radio 2's "Drive" since 2008. Besides his work for CBC Music, Rich is a published author who is also known as Buck 65 - a Juno-winning alternative hip hop artist. Today we examine Rod Stewart's glorious cover of Tom Waits' "Downtown Train." Links: Our Mixtape Tom Waits Original Rod Stewart Version Patty Smythe Version Bob Seeger Version Boy Meets Girl Version Buck 65 Bandcamp Page You can find us on Instagram, Facebook, Twitter, Masadon, and our website. You can email us at BandFGuiltFree@gmail.com, too. Here is our Spotify playlist featuring every song we've featured. Our theme music is by the incredibly talented Ian McGlynn. Transcript (best read on our website) Intro Music Frank: [0:22] So today on Bill and Frank's Guilt-Free Pleasures, we have a Chicken or the Egg song. Was it Downtown Train that inspired Rod Stewart's love of model trains? Or was it his love of model trains that inspired him to cover this song? That's what we're kind of looking at a little bit. Well, not at all, but that's a it's a philosophical question that that I believe needs to be asked. And also today we're really excited to have a guest with us today, Rich Terfry who some of you may know from CBC Radio 1. Rich Terfry: [0:59] Radio 2, CBC Music as we refer to it now. Frank: [1:07] Radio 2. Yes, sorry. Yeah. So Rich Terfry has been good enough to join us today and talk about this song. And I know that you're on the radio and everything, but I can tell you're a little bit intimidated with our $25 mic stands and our towels for soundproofing, but we encourage you just to be yourself here today. Rich Terfry: [1:23] Sorry, yeah. [1:23] I'll do my best. This is much nicer than my setup at work here, so. Frank: [1:27] I'm not saying a whole lot for CBC are we? So yeah today we're looking at Downtown Train by Rod Stewart but before we talk about Downtown Train by Rod Stewart, we need to talk about Downtown Train by Tom Waits, because he was the guy that wrote the song and originally recorded it back in 1985. Bill: [1:49] Right, and that was on his Rain Dogs album, which is his most popular album, at least until... It's hard to tell... Frank: [1:57] And at least until Scarlett Johansson did her cover album, right? Bill: [2:00] Right, right, right. Rich Terfry: [2:01] Certainly a classic. Yeah. And often when people talk, Tom Waits, one of if not the first album that tends to come up in conversation. Frank: [2:12] I think it's probably maybe the most accessible. Maybe so. Yeah. Rich Terfry: [2:15] Maybe so. Bill: [2:16] Our friend Eric Stewart, no relation to Rod, sent, I asked him, I sent him a text far too Bill: [2:24] late last night asking why he's a big Tom Waits fan and asked him to tell me why Downtown Train works so well on Rain Dogs and he said I think because in the first three quarters of the album he makes the listener work so hard to find the melody that when you finally get to something that's even close to a radio song it comes as a relief. Consonance is only pleasing in the presence of dissonance. Frank: [2:49] I understood 70% of those words. Rich Terfry: [2:52] Yeah, I think the simple way to put it is that Rain Dogs is kind of a weird record. And then in a strange way, Downtown Train is a sore thumb. Because all of a sudden, here's like a pretty straight up standard, you know, good old structured pop song in the midst of all this weirdness. Bill: [3:39] There's talk that this was sort of like rock star bait, that there's rumors that Tom Waits had finally got his publishing to himself, and that they said that this song was put out there to sort of um... Lure. Yes. Rich Terfry: [3:51] Lure a bigger artist to, you know, specifically for the purpose of covering it. Bill: [3:59] Yeah. And allowing him to take some time off. Apparently the cover, one version I read was that allowed Tom Waits to take a couple years off to raise his kids. Yeah. Rod Stewart's version is it put in a pool. That's about to be quite a pool if it's 1989 royalties, I would think. Frank: [4:10] Yeah, I just thought it was, yeah. Rich Terfry: [4:38] So I've read a few Tom Waits biographies, none of which he kind of participated in the writing of, because I don't think that's really what he does. But some people very close to him believe that, that he was really doing that, that he was specifically trying to create cover bait, basically, with this song, and maybe a few others that he's written. Just, you know, throw in the potential hits out there, just waiting for someone to take the bait and make them some money. Bill: [5:10] If Rod Stewart wants to cover one of our podcasts... Frank: [5:12] Hey, put on American songbook like 47 or whatever he's on right now. Rich Terfry: [5:19] But don't forget, you know, Tom Waits, so the first chapter, if you will, of his career was very different from where he ended up in the 80s with this trilogy of records. Really, right? People talk about rain dogs, Swordfish Trombones and Frank's Wild Years is sort of a trilogy where he really started to experiment, started to become the guy that ultimately he became and sort of is now. But before that in the 70s, although it was still a little different from you know kind of what might have been on the pop charts, he was more of a songsmith less the experimenter back then. So he had this in He knew how to write a song. Always did, I would say. Bill: [6:05] And so you have Bob Seeger hearing this and saying, this is my ticket. Frank: [6:11] Before that, Patty Smythe did a cover of it too. She covered and recorded and released it in 87. Bill: [6:14] Oh yeah, yeah you're right. Frank: [6:19] It made it on the charts, I think it charted at 93. Of all the covers that I've heard, I'm gonna say that hers is my favorite. Bill: [6:28] That's tough for you, because I know Rod Stewart means so much. Frank: [6:33] He has a big spot in my heart. [6:59] Then that brings up the whole Bob Seeger controversy, right? So the story that I read anyways was that Bob Seeger recorded the song and he was gonna record an entire album surrounding the song and that was his idea and he played it for Rod Stewart and then like a month after that Rod Stewart just recorded Downtown Train just as a one off to add on to a greatest hits compilation. Rich Terfry: [7:30] And managed to release it before Bob Seeger was able to. Frank: [7:34] Yeah, so Bob's like laboring on this entire album, which is built around Downtown Train. And Rod's just like, Here's a one off and I'm going to release it on my on my greatest hits here. So I don't know, like, so it caused a rift between the two them because they were friends and now they're foes. Rich Terfry: [7:54] Yeah, they say Bob Seeger was genuinely ticked, and kind of felt like Rod Stewart's move kind of ruined it for him. Frank: [8:02] Yeah, yeah. Bill: [8:03] And it was the end of Seeger's had this big run until around 87, 88, I think. He actually scored a number one, the song called Shakedown on the Beverly Hills Cop 2 soundtrack. Frank: [8:14] Oh, yeah, that's right. Bill: [8:15] And it looked like, how is that number one? I remember hearing, I thought it was one of those awful throw offs they put on movie soundtracks. Or like, okay, there's one song like Shakedown, who's that? You know, as a kid, but I guess it went to number one. I should probably re-listen to it. But he was seeing Downtown Train, I think, either as a transition or like as, a big move for him as an artist. The story I heard is he told Rod Stewart about the song but hadn't played it for him and get this he told to him on a train. Rich Terfry: [8:44] The plot thickens. Thanks for watching! Bill: [8:47] And then yeah now Rod Stewart's version and I I kind of believe him he's like oh I don't remember. Frank: [8:47] Layers upon layers. Bill: [8:53] That and it's believable to me that Bob Seeger might have been pouring out his heart and Rod Stewart at this stage of his life might not have been paying close attention, but he's got a lot of women coming in and out of different rooms and his autobiography sound like he was quite a wild man even at his age then. Frank: [9:12] Well, yeah. Bill: [9:13] Here's the tough part. Rod Stewart was 44 years old when he recorded this. Frank: [9:20] Okay. Bill: [9:20] We are 45. Frank: [9:23] I've missed my downtown train year. Bill: [9:26] You did, and Rod Stewart, by the time he was doing Downton Train, had a whole entire career. Frank: [9:31] Yeah, I've had a career. I've had a number of careers. and just keep losing them because of gross incompetence. Bill: [9:32] Are we familiar with the story of how Rod Stewart claims that he heard the song for the first time? Rich Terfry: [9:38] I don't know if I am either. Bill: [9:49] Well, I got it from his autobiography and some mean-spirited writer online said "his autobiography" or "whoever wrote his autobiography." He was just saying he didn't write his autobiography. Frank: [10:04] Well Rod Stewart doesn't write his own songs either so why would he write his autobiography? Bill: [10:09] Well, he did. He can write a song. Frank: [10:10] He can write his own songs. No, he can. Bill: [10:11] This is the great. I guess this this sort of marked a moment where he changed directions a bit. At least they talk about this. I'll just retell it. I was gonna read it, then I realized it's too long. So his manager came in, I think it was his manager, came in with a tape player. So this is 1989. Plays Tom Waits, Downtown Train for him. And he says to Rod Stewart, holds his hand up and says, don't speak. Plays it. Rod Stewart is listening. Plays the whole entire Downtown Train. Tom Waits stops it. And then he says, don't speak. And he plays it again. Third time. Don't speak. plays it again now Rod Stewart is singing along with it he's like I want this the song has become mine or I want to sing this song and I want to put it on the album but he's saying that's the first time he heard of the song so of, course Bob Seeger's like we talked about this on the train but Rod Stewart. Frank: [11:01] The train. That all makes sense now. Models, model trains, trains. There's a Venn diagram for Rod Stewart's life. Bill: [11:03] Might have been thinking model trains or models in general and so was yeah yeah. [11:11] Well this is the perfect song for him. Rod Stewart said his eight-year-old son Rich Terfry: [11:15] Yeah. Bill: [11:17] came into the room and says, what was that awful sound? Who is that guy singing? And Rod Stewart would say, well, Tom Wait's voice, although he loves Tom Wait's voice, this is an acquired taste. Frank: [11:28] Yeah. It's kind of, it's a pop voice. Bill: [11:28] Whereas Rod Stewart's is like a mild coffee. Rich Terfry: [11:35] Both got a bit of whether you'd call it gravel or gruff or scratchiness though, there is a quality to a degree, you know, Tom Waits is kind of cranked up to 11 but. Frank: [11:49] Yeah, yeah. Tom Waits is like a coal fire. Rich Terfry: [11:51] You're right. And you could argue that at least, you know, at times in his catalog that Bob Seeger dabbled in a little bit of that as well. and so I've wondered if I don't know the question popped into my to my head when you know Tom Waits is lay in this trap was he thinking specifically like you know I'll set this one out there for the gravelly voiced bros wait till they hear. Frank: [12:20] Yeah, because because at that, because at the time, like that would be 85. Right? So like Bruce Springsteen is a huge popularity. And then just follow the road down there was. Rich Terfry: [12:22] This. Frank: [12:31] Springsteen, Brian Adams, Rod Stewart, like they all have that, sort of gruffness in their voice. Rich Terfry: [12:38] They hear Tom Waits and think I can shine this up just enough. Frank: [12:41] Yeah, Tom Waits, the godfather of gravel. Rich Terfry: [12:44] Yeah. Yeah. Bill: [12:45] And the Destroyer of Friendships, I guess too. Because if he hadn't put that out, maybe Bob Seeger would still be buddies with Rod. Frank: [12:48] Oh, yeah. [12:52] They recorded an album Rod and Bob. Rich Terfry: [12:54] That was good. Yeah. Bill: [12:58] All right, so we got this. This is released on his Storytellers album, The Greatest Hits. So I thought I kept looking for it on an album. They released a demo of it, or an early version of this on his Vagabond album from 91, the Deluxe edition. It's actually surprisingly different in a way that it sounded a little closer to Tom, Waits. Yeah, Rodster's, yeah, his voice was like, he had a bit more rasp, but it was like phlegmy. Rich Terfry: [13:22] There's no way I can do that. Bill: [13:29] Rasp which really disgusted me. As I listened to it, I realized I do have issues. Clear that comes up. Yeah, yeah, I turn the taps on if someone's using a bathroom too close to me. So it's a. [14:12] So his early version actually sounded closer to Waits or at least it seemed like something that he would been used to the Tom Waits version And then maybe was still in that zone, but then I don't not sure how much Trevor Horn had to I mean, he's the producer, But he takes it and brings it into full rod or at least full late 80s rod. Yeah. Frank: [14:32] Yeah, okay. Yeah. Yeah, what's a Oh, that's right. Yeah, he was on we talked about what the do they know it's Christmas. Bill: [14:34] We've talked Trevor Horn before He's the guy in the bugles with the thick glasses? Frank: [14:44] Right? Yeah. So, and researching the song. Yeah, you're looking you're looking Rod Stewart does his version and the, guy playing the slide guitar is Jeff Beck on this version and I diving like back deeper as far as Wikipedia was gonna take me I didn't know that Rod Stewart played with Jeff Beck like post yard birds no is before faces let me find it here oh yeah Stewart he he joined the Jeff. Bill: [15:07] Was it in Faces? Were they in Faces? No. Frank: [15:17] Beck group which is a super original name as a vocalist and sometimes songwriter So yeah, I guess he did write songs. Bill: [15:25] ... You heard Every Picture Tells a Story? [15:27] It's off on the side here, but Every Picture Tells a Story by Rod Stewart is phenomenal. Like, as an album. Frank: [15:34] Okay, when was that album? That was... 71. Okay. Bill: [15:35] Like 1971. It's so good that it makes it tough to listen to his later stuff just, because of Rod Stewart's capability as a singer and what direction he could have gone in that he he picked a path that was easy money and an easy easy living, but he had he had a lot of grit and. Rich Terfry: [15:57] Chutzpah. Bill: [16:00] Yes, he had a lot of chutzpah. Rich Terfry: [16:02] You know, I don't know if this is the right moment to interject this, but I find that in the story of both of the versions of this song that we're looking at today, the guest, guitarist really comes up as a big part of the story on both. Because famously, Keith Richards contributed to the Rain Dogs album, but it was GE Smith, who was the Saturday Night Live band leader who played the guitar on Tom, Waits' Downtown Train, who as far as you know guitar slingers mid-80s you know kind of would have been one of the the top top guns out there and so I you know you got to think Rod Stewart's probably thinking we're gonna have to bring in a real hot guitar player on this one who you know when you're talking legendary, guitarists you don't you don't get too far down the list before before Jeff Beck's name pops up. Frank: [16:57] Okay, cool. I did not know that GE Smith because GE Smith I was always introduced like my only knowledge of him was honestly from the Saturday Night Live band And that was it. And I was just like, who's this long haired skeleton? Like, why is he in charge of the band? Rich Terfry: [17:10] Yeah yeah he was you know kind of a studio guy I think you know I'm sure he probably made some records as well but he was a kind of a studio guitarist played on a lot of records I wouldn't be able to rhyme off you know kind of the, discography here and now but I know he played on some records but yeah interesting that you know they both brought in some you know some big guns to play the solos on these songs. Bill: [17:37] When I think about those two songs, like the Downtown Train, Tom Waits version, I think about that guitar. Because that guitar really, it's kind of crying and it makes you feel that sort of longing. [17:59] And when I think of Rod Stewart's Downtown Train, I don't think anything about the guitar. I'd have to re-listen to think about that guitar again. I can just think of Rod Stewart, saying oh baby and and making sounds and I'd never think about the guitar but interesting, I wonder how Jeff Beck felt about it. Frank: [18:16] Oh, they're buds. I think he enjoyed it. Bill: [18:18] Yeah, that's true. Okay. Frank: [18:37] I know that growing up that I had heard Rod Stewart because my dad probably had an eight track back in the day or or like you know 81 in the back seat of the Oldsmobile or whatever and we're he's playing something by Rod Stewart but I remember my sister got Gasoline Alley which was, his second album she got the tape for Christmas and it was like 1990 1991 so it would have been in around the same time that Downtown Train comes out and I'm wondering if that kind of inspired her, to like look back at his catalog and start picking up some of his music and stuff like that. But, I remember her specifically getting the tape for Christmas and like my dad and my aunt is just like Rod Stewart's like who's listening to him still because he's been around since the mid-60s. Like he's been around for a good chunk of time. Rich Terfry: [19:31] Yeah, and I would think a little bit before my time, I suppose, but the peak of his solo pop stardom, I mean, I think, you know, the average person might think, you know, kind of "do you think I'm sexy" is maybe peak, you know, Rod Stewart, which at that point would have been the better part of 10 years in the rear view mirror sort of thing. Frank: [19:45] Yeah, that Maggie Mae and all that. Yeah. Rich Terfry: [19:53] Yeah. Yeah. All that, yeah. Bill: [19:54] Now you have right before it, so 89 for me, because I'm grade six then, and I grew up listening to a lot of Elvis and Amy Grant. That was kind of, those were our two big ones. So I wasn't, yeah it was. Frank: [20:08] Oh, I'm just, I'm just picturing the duet in my mind right now. Bill: [20:11] I know if only Elvis had lived long enough he'd be, he'd definitely be doing Christian rock. So. Rich Terfry: [20:17] Alright. Bill: [20:18] I know Rod Stewart through music videos and so Forever Young came out before this. Yes. And then this little heart of mine was like released before this and this was on the greatest hits. Frank: [20:23] Yes. Yeah. Oh, yeah. Bill: [20:28] And it was the second time he did this little heart of mine. I loved it. Frank: [20:32] Yeah. Yeah. Bill: [20:33] Yeah, and then this came out and it was like wow, this is amazing So I mean Canada loved it because it went to number one. I'm pretty sure in Canada. Frank: [20:40] Yeah, downtown train went to number one in Canada and three in the states. Bill: [20:44] And it also like I started looking at his previous songs and so in Canada They often went to number one up to downtown trains. So This Old Heart of Mine went to number one I think Forever Young did really well too. So we loved Rod Stewart even in the 80s periods. Rich Terfry: [20:59] I wish I could recall this specifically, but sometime around this time, as I recall, my mom went to see him live. Okay. Yeah, so she really, and I don't have memories of her being a big time, Rod Stewart fan earlier on. Funny enough, she was actually a big Elvis fan. And I can kind of, of remember some other stuff that she would have been into late 70s, early 80s. But I think, funny enough, this 80s era Rod is where it really grabbed her. She went to see him live. I remember her, coming home from the concert that night and telling the stories of him kicking soccer balls into the, into the crowd and, you know, loving that. So that would have been in Halifax. I wish I could remember specifically what year that would have been, but I'm thinking it was right around this time. Frank: [21:52] Yeah, because I think Out of Order and then The Vagabond Heart. I think there is a bit of a maybe a bit of a resurgence. Like maybe there's a little dip and then a little bounce back at the end of the 80s, right? Bill: [22:04] In his autobiography, he talked as though he had to prove himself with Downtown Train, but I don't get it at all because he already had Forever Young and a couple other songs in the, tank. So if it's proving yourself a year after a hit, it seems weird now in our era of 2023 where, I don't know, you could go years without doing something, you're still kind of an it. But yeah, he claimed it sort of gave new life to his career. In a lot of ways, this period pads his, his live performance career. As he goes through this, now he's becoming this touring thing that can make tons of money, I think. Frank: [22:42] What's crazy to me right now is like from the beginning of his career to like when he released this album, Storytellers, that's a smaller period of time than it is from the release of that album to now and he's still releasing music. Because it's been 30 years, well 33 years now. Bill: [23:01] Holy cow. Frank: [23:02] Since that album came out, since that first greatest hits package. Bill: [23:05] Right. And he was younger than us then, than we are now. You got that math right? I'm working through this, I got issues, it's okay. Frank: [23:12] Yes. I think so. You're the math teacher. Yeah. So listening to like Rod's version versus Tom's version and I'm gonna speak about them using just their first names. Bill: [23:17] And he changed it. Frank: [23:27] Because I feel like they're familiar to me right now and and even the the covers that like Patti Smythe did and then because eventually Bob Seeger did release a cover version I think in 2011. Bill: [23:40] He didn't like his version. So all the complaining, he's listened to it and said, I don't like it and then changed it and did a new vocal and put in backup singers. Frank: [24:18] So I found the Patty Smythe and the Bob Seeger version a little more faithful to the original in terms of the music that starts off with the guitar, warble, whale, whatever it is you want to call that. But Rod Stewart comes in, it's a little softer, a little more orchestral. And in, my mind, what he's trying to do is he he started it slow. And he's just he's going for that build because he knows how to write a pop song he knows how to do well maybe this is Trevor Horn right. Bill: [24:47] Right, but this is what his voice needs to climb that mountain. Frank: [24:52] But uh yeah yeah so it's it starts off slow and it's really soft and everything and then by the end it like he's full rod. Rich Terfry: [25:00] But yeah, the arrangement on Rod Stewart's version is the most, for lack of a better term, radio-friendly. Cut down on the intro, kind of get to it, get into it a little quicker, kind of sand off some of the edges a little bit. Although strangely, the long sort of coda at the end, which is unusual for a hit song. I'm guessing maybe when it was played on the radio, there might have been some fading going on, for that whole thing. Frank: [25:30] The DJ is talking over the end of the song. Yeah, it's almost uncomfortable. Rich Terfry: [25:32] Yeah, because that is a little unusual, I must say. That's the part of the song that surprises me. That's where this version gets almost a little bit experimental, because it goes on so long. We were listening earlier, it's like, this is almost weird how long this is going on for. Bill: [25:47] It was an awkward moment for all three of us. Rich Terfry: [25:50] But otherwise, it is a very, you know, polished and cleaned up arrangement of this song, as we discussed earlier. The spotlight is somewhat taken off the guitar. And Rod Stewart's very much the star of the show on this version of it. And it really does build in a way that Tom Waits version doesn't quite have that steady upward trajectory. Frank: [26:19] It doesn't have it doesn't seem like it has a peak. It just sort of it's that it's a slow burn. Yeah Rod Stewart's version like when you hit that musical bridge and I'm assuming it's a bridge right like you're a musician you can explain do you do you know what a bridge is can you explain what a bridge is to us. Rich Terfry: [26:24] Right. [26:32] Let's call it a bridge. [26:36] I usually just simply think of it as like, sort of an instrumental passage in a song that is kind of in the middle of the song rather than at the beginning or the end. And so it's usually bridging between, say, a verse and a chorus or a chorus and a next verse or something to that effect. But yeah, usually just like an instrumental passage in the middle of the song. Frank: [26:59] OK, so I think we were right. And every every time we were asking what a bridge was. we have an answer. Yeah, yeah. Or we just end the podcast. I think that was the whole idea. The podcast was determined what a bridge was. Bill: [27:04] We finally have a succinct answer that we will now be just hitting when you ask this question next time. We'll just hit play. Rich Terfry: [27:16] . . Frank: [27:20] Well, thank you, Rich, for being on the last episode of Bill of Frank's guilt free pleasures. But but that bridge because it's climbing, climbing, climbing the entire song. But that bridge. Rich Terfry: [27:24] . Frank: [27:31] Like it takes it up like a steep ramp at that point. And then it comes to that end where he goes full Stewart. Bill: [27:53] I've written down here about my misheard lyrics. I was reading the lyrics. I'm like, that's not what I heard when I would listen to the Rod Stewart version. And I think the reason is, the Tom Waits version, there's this loneliness, longing. I don't think it's creepy, but it's certainly about someone watching somebody else and waiting to see someone he's in love with, but is never going to talk to on a train. And he's a loner who sits on a train waiting for the same person to come on that train and he's there kind of following her and whatever life she leads. At, least that's what I had in my head and all the other people, the Brooklyn girls who are there, going off to go out to clubs or whatever was going on then. That's what I hear when I hear the Tom Waits version. Now the Rod Stewart version, I have no sense that this guy's a loner, or that there's any chance that she's not going to get together with him. So when I read the lyrics, I just hear it differently like there's a line so the beginning was outside another yellow moon, Has punched a hole in the nighttime mist I climbed through the window and down to the street. I'm shining like a new dime, That's Tom Waits, but when I was a kid, I don't know if you thought this but I'm like, oh Rod Stewart, He's shining like a new diamond because yeah, because Rod Stewart's a diamond. Frank: [29:11] That's what I heard too, yeah. Bill: [29:13] I keep listening back and I only hear diamond because it's Rod Stewart and he's worth a ton of money, But the dime is super depressing. So this is the Tom Waits who makes rings out of spoons, right, for somebody to get married, whereas Rod Stewart has big diamonds. Rich Terfry: [30:05] You know, and interestingly, although you could say that in the context of the Rain Dogs album that Tom Waits sort of, you know, cleans things up a little bit on Downtown Train, we talked about it being a bit of a sore thumb. And it's true, you see it in the lyrics as well as, you know, the instrumentation that's happening, the arrangement and everything else. But there, you know, just a few little, Tom Wait-isms in there, even the mere mention of a carnival in the lyrics and you know maybe this comes from you know knowing too much about these these two individuals. I can imagine Tom Waits hanging out at a carnival. I don't picture Rod Stewart kind. [30:47] Of roaming around a fairgrounds you know just soaking up the vibes and then although Tom Waits is a California guy he spent some years in New York you know recording these albums and exploring some new musical ideas. And so knowing that he was living in New York at the time, him mentioning the Brooklyn Girls and so on, like yeah, checks out. Somehow, I don't know, Rod Stewart in Brooklyn, kind of scrappy Rod Stewart, the performances is great and he delivers and so it's believable in that sense. But when you really kind of get in there and you take a close look at the lyrics, I don't I don't know if I'm buying. First of all, Rod Stewart, I'm always imagining a subway train rather than a commuter interstate train or whatever. Rod Stewart riding the F train or whatever in New York. I don't see it, let alone in Brooklyn. Frank: [31:51] Unless he like rent it out for himself and that's about it, right? Rich Terfry: [31:54] Yeah, right. Maybe. And then like I said, hanging out at the carnival grounds. Frank: [32:01] Yeah, right. Maybe. Rich Terfry: [32:01] You know, not so sure. But it is interesting. And to me, that's the one real Tom Waits tell in the lyrics, you know, because he had a thing for all things carnival. Frank: [32:09] Yeah. [32:13] Yeah. Well, and it comes through on that rain dogs album, too, because there's a lot of like carnival sounds on it right? Rich Terfry: [32:16] Yeah. [32:16] Oh, sure does. Yeah, absolutely. Bill: [32:19] And it's like the dark corners of a carnival, even though I imagine everything's circular in a carnival, but there's always darkness somewhere in a corner and there's Tom. Rich Terfry: [32:26] Oh, the sideshow is where that's where Tom's hanging out. Frank: [32:30] Yeah yeah yeah that's where the freak shows are yeah yeah yeah yeah. [32:40] The opening line is something that I really love. Outside of another yellow moon has punched a hole than a nighttime mist. And I like that. It's very similar to me to Bruce Coburn's Lovers in a Dangerous Time, where he says you got to kick at the darkness till it bleeds daylight. Like, it's very visceral, the lyric, and you can imagine it, you can see it happening, you can see an action actually happening, you can like see the moon punching through the miss or it's almost a violent act but there's beauty in that violence. Rich Terfry: [33:12] It's a beautiful line. I mean, there's real poetry in these lyrics, and I would say more so than your average pop song, even by 80s standards. And so I must say, for me, for as much as I admire Tom Waits as a pop song, to see a few times in his career, his songs being covered and being turned into hits, surprises me in a real pleasant way because you know often you don't get this level of poetry in a number one hit pop song. Maybe from a Bruce Coburn the odd person who's that kind of writer but and so maybe this really says something about you know Rod Stewart's talent that he's able to make something that you know might otherwise be utterly inaccessible for most people in Tom Wade's hands turns into as big a hit as it could possibly be in Rod Stewart's hands where everyone loves it. Yeah. Basically. Bill: [34:08] This is why I have no animosity to this song. Like I might make fun of Rod Stewart once in a while, but I will listen to this song the whole way through. And even those last 40 seconds. But there is something about him bringing Tom Waits to the masses. So for me as a kid, I didn't know Tom Waits. He was terrifying. There's a video with him on a tricycle and he had devil horns. Rich Terfry: [34:28] "I Don't Want To Grow Up." Bill: [34:30] It was on Much. Yeah, I did. I couldn't, I just turned the station. I couldn't watch that, but this I could. And then years later, when I grew up, sometime in my mid 30s, I finally was ready to listen to Rain Dogs. Like, oh wow, this is fantastic. But it really, if it wasn't for this, I wouldn't have got there. Rich Terfry: [34:48] Yeah. Maybe it's worth mentioning, I don't know about you, Frank, but I only, like you, I only became a Tom Waits fan later. I heard the Rod Stewart version first. I became familiar anyway with the Rod Stewart version before I did the Tom Waits version. Is that the same for you? Frank: [35:03] Oh, same here. Yeah, yeah. 100% I kind of knew who Tom weights was a little bit but really didn't get into understanding him. I don't still don't think I understand him. But but like, yeah, gaining an appreciation until our friend, Eric Stewart. Like, because he's such a big fan and like he plays stuff and he's just like, Oh, geez, this is good. And you listen to his like, Oh, geez, this is really good. So you start digging into it a little bit more. You were talking about that misheard lyric and there's another one. Rich Terfry: [35:17] But gaining some appreciation. Frank: [35:37] That in the Rod Stewart version, I always heard it as when I see you tonight on a downtown train. And that was a certainty. It's like when I see you because you're going to be there and I'm going to be there. But the line will I see you tonight? It just. Bill: [35:43] Yes. Frank: [35:52] Odd. It turns it right around on its head, right? And it just makes it even more sad I guess it's it's but it's so beautiful. Rich Terfry: [35:58] Right, more longing and... Bill: [36:10] Christmas night while I was listening to this song. I'm like, oh I kept hearing it seeing Will I'm like, no, it's gotta be when like you said I wrote down Rod Stewart's going to win the girl So when he sees her he's going to see her and they and they're going to be together if they're not already. Frank: [36:25] Yeah, it's a certainty. Rich Terfry: [36:26] Whereas with the Tom Waits version I absolutely assume he won't. Frank: [36:29] Yeah, well exactly. Bill: [36:31] Oh yeah, he's never talked to her. Rich Terfry: [36:32] Yeah, this is, there's much more distance. Bill: [36:45] So second verse, maybe second verse is short. The downtown trains are full, full of all them Brooklyn girls, trying so hard to break out of their little worlds. And then this line here kind of confuses me. You wave your hand and they scatter like crows. They have nothing that'll ever capture your heart. They're just thorns without the rose. Be careful of them in the dark. [37:39] Rod Stewart's pronunciation of dark really throws me off whenever I'm saying like he I kind of wish Trevor Horn's like no Could you say dark again? It's kind of a weird our thing going on, So who's scouring my crows? Are they the Brooklyn girls? Frank: [37:53] Yeah, I think so. Because they don't have anything to offer. That this is my take on it. Like, sorry, not that they don't have anything to offer. But there's nothing of interest to, him at that point, because he's, you know, looking for that girl that he's looking for on that downtown train. That's my take. I don't know, you guys? Rich Terfry: [38:15] I've always just loved the image and like you were saying with the first line of the song it just really conjures a strong image in my mind I've never really been able to get past that to even think about it too much I just love that image. Bill: [38:28] Rod Stewart said that Tom Waits can do imagery so well as a songwriter and then Rod Stewart's like, I have to work on that, which is classic Rod Stewart sort of like, I gotta work on that. Frank: [38:40] It's like I try. Bill: [38:40] And then he said, I just write from the heart. That's what I do. I'm like, you're such a... Frank: [38:44] This is why I love Rod Stewart so much because he's all feeling. That's all I am. Bill: [38:48] He's all feeling. But the thorns without the rose, it's such a great image. And I like what you say, that Rich is like, just the image being there is enough. Like I can't really pierce through it. There's a little bit of thorn imagery there, but I don't totally know, but that what he paints there, is something that's true. Frank: [39:09] Yeah. [39:09] Yeah. Yeah, yeah. Bill: [39:11] If that makes sense. And there's a little line before, if I was the one you chose to be your only one. [39:19] Oh baby, can you hear me now? Can you hear me now? Frank: [39:22] Oh yeah, yeah, yeah. Bill: [39:23] So with Ron Rod Stewart saying, Oh baby, it's not like Tom White saying, Oh baby, where it's just, let's sort of the walk away from it, but his old baby is like, okay so you're getting you're getting you're getting with it. Frank: [39:34] You're getting the girl. [39:48] Well then then you jump into the the the course, which is, you, know, will I see you tonight on a downtown train? Every night every night is just the same on a downtown train. I like I like it. It's it's a good little course. It does its job and everything and that question of will will I see you tonight? I really like that reading through the lyrics as opposed to listening to the lyrics and understanding what the actual lyric was it like you said it just adds that longing. Rich Terfry: [40:38] It's, in my experience, rare touching on what you just mentioned, Frank, where reading the lyrics of a pop song gives you a whole other rewarding experience often. Otherwise, with a lot of pop songs, it really does nothing to heighten your experience of it. If anything, it might even drag it down. It's like, oh, these lyrics are terrible. Frank: [41:00] Yeah. Rich Terfry: [41:00] It's all just, a lot of songs are just carried by the melody. And the melody of this song is very, very strong as well. and I think that's what makes, I think you could argue anyhow, the chorus of this song memorable is the melody of it is so great. But it's true that there's a lot of people out there don't even really pay a lot of attention to lyrics, but if you're one such person and you do decide one day to look them up and, you read them, you're going to be floored. Whereas a lot of pop songs, they're not really going to give you a lot to sink your teeth but there's a lot going on here. Frank: [41:31] Well, I mean, you would have been similar to us like today, like with everything streaming and all of that. You just listen to songs. But when I was really getting into music in the 90s, you had CDs and you had CD cases. And that was my favorite thing to do was open up, check out the artwork and follow along with the lyrics, with the songs and then try and experience them that way. And you're absolutely right. you gain a better appreciation of the song. Rich Terfry: [41:58] And I think that, you know, I lament that a little bit for, you know, sort of younger generations today. Although it's easy enough, you know, everything's on online, it's easy enough to Google lyrics, but it's not always necessarily a part of the experience when you're streaming. It's not right there like it is if you're, you know, kind of, you know, playing a CD and you have the case in your hands or for that matter, you know, on an LP or something like that. There's that function if you're using Apple Music where if you, you know, tap a couple things and you can bring up the lyrics, but it's sort of a little bit of effort to do. But I sometimes wonder if young people are really, you know, spending time with lyrics of songs the way we used to automatically because the experience you described I think was a fairly universal one. I think everyone loved doing that. Frank: [42:46] Yeah, yeah, yeah. And there was always the because there are different types of CD cases to like there's the there's the book, then there's the ones that would just fold out lengthwise. Rich Terfry: [42:55] Fold. [42:55] Poster, sure. Never get it right. Frank: [42:56] And then there was the ones that folded out almost into a poster and then trying to fold those back where it was just terrible. Bill: [43:02] "Fully Completely." I remember looking like what? Oh, come on. That's not how you put lyrics on a sheet Don't be crazy and then REM would come out with like a booklet and then you just realize they're Michael Stipe pictures and that. Frank: [43:08] Yeah. Bill: [43:14] Made me so angry. We're like you could have put the lyrics on I still don't know what you're saying. Rich Terfry: [43:19] I don't think he wanted you to know what he was saying, But that's a whole other discussion right there. Bill: [43:22] Yeah, yeah. Frank: [43:24] Well, I bet the there's the third verse we can we can go we talked about it a little bit but it's like the I know your window and I know it's late. Bill: [43:26] Alright Frank, we hitting every single lyric on this song? Frank: [43:38] I know your stairs and your doorway, which I think could be taken as creepy. But again, there's, there's from Tom Waits, like from his perspective, it's like, I don't find it creepy. find it sad. [44:23] Yeah, he's because he's going there and he's. Bill: [44:25] It makes me think a little bit of Taxi Driver, a little bit, which is a little more creepy. But when Rod Stewart says it, I'm like, well, of course, because he's going there. to date her, yeah. Rich Terfry: [45:07] Now, in my mind, I see those lines, that verse. And it adds a little intrigue to the song, because I start to wonder, oh, is there actually a bit of an established relationship here? He's been to her house. Maybe there's more going on in this relationship than first meets the eye. Maybe. It's just, in my mind, raised as a question. Could go either way. Maybe there's more familiarity there there than we've been led to believe to this point or yeah there it is a little creepier than we first thought where he's you know the creepin' is going beyond the train and it's you know. Frank: [45:49] So we kind of talked about this a little bit before when we were listening to the song, but but what's your favorite part in the song? the Rod Stewart version. Rich Terfry: [46:00] Well I'll say something controversial okay and let me give you a little context before I say this, I'm dropping a bomb here. I know you know this, but I'm a Tom Waits fan. And I like a lot of his recent work. Although I would probably say my three favorite, Tom Waits albums is this trilogy that is sort of before us here today, Rain Dogs, Swordfishtrombones, and Frank's Wild Years. Frank: [46:32] Which I don't think he really captured all of my wild years in that album, but you know. Rich Terfry: [46:37] Who could? No, really. In one album. But I'm the type of guy, the weirder Tom Waits gets, the more I like him. And if I was listening to, I hate to say this, but if I'm listening to Rain Dogs in the car, there might be days where a downtown train comes on. I might skip it. Bill: [47:01] This is shocking. Rich Terfry: [47:03] So, where I'm going with this, my point is, me being the kind of music listener that I am, for as strange as it is, the unusual coda at the end of Rod Stewart's version is where it starts to get interesting for me. It's like, oh, what's going on here? He's got a little trick up his sleeve here. He's not the one trick pony that maybe you might, paint him as. It's like, oh, now wait a minute. And was he inspired by Tom Waits to, you know, kind of explore some more interesting terrain at the end of the song. And maybe it's safer to kind of put it at the end. But I get excited when something makes me raise an eyebrow a little bit. I like when someone's willing to go there a little bit or experiment a bit. So although I can appreciate what, he did with the song, where he took it, that he turned it into a hit, it's interesting to compare in contrast his voice, his vocal chops to Tom Waits. But I'm actually intrigued. If Rod Stewart walked in the door right now, and I could ask him one question about the song, I'd be like, what's the deal with the outro on the song? To me, that's super interesting. Frank: [48:11] Yeah, okay, cool. Bill: [48:39] Most controversial moment in our podcast history. I think there no one has ever picked the the final coda Yeah, my favorite part of the rod stewart song is the party's not singing. Rich Terfry: [48:50] Well, how do you like them apples? Bill: [48:51] Let's do that. Yeah. Frank: [48:53] Well, that's my favorite part, too, except it's that musical bridge. Bill: [48:56] Oh, wow. [48:56] Okay, oh, is it after the carnival and heart attacks? is that rhythm? Okay. Frank: [49:01] Yeah, yeah, yeah, because there's a like a 30 second bridge there and the guitars coming in and it's a little orchestral and cinematic. And like it was always climbing, climbing, climbing. but that's when it gets steep. Rich Terfry: [49:09] Yeah, sure, absolutely. [49:14] And I should also mention, I'm a big time Jeff Beck Yardbirds fan. In terms of pure riffage, I'd probably pick him over a lot of guys, if not everybody. And so his inclusion on the song, that's pretty cool to me as well. Yeah. Frank: [49:58] Bill, favorite part? Bill: [49:59] I gotta say, when he says, oh baby, can you hear me now? Can you hear me now? I think that really is it. I just assumed he said it over and over throughout the song. He must have. Yeah, I like the Rod Stewart-isms. Yeah. Frank: [50:12] Yeah, yeah, yeah. Well, it makes it his own. Rich Terfry: [50:13] And that's exactly what I was about to say. Yeah, that's that right there is where he... It's interesting the story you were telling when he was first listening to it and there a moment came where he felt that he was taking ownership of the the song and right there is where he sort of delivered on that promise. Frank: [50:33] So we usually jump into categories towards the towards the last third of the podcast. So I've prepared rich. Should we do our mixtapes? You have a mixtape? I'm gonna let you guys go first and then I'll finish things off I have about 12 songs that I potentially. Bill: [50:42] Oh, good. Yeah. [50:50] Oh, wow. Okay, I got a low list, but I like a guest going first. And we didn't mention this at the beginning, but Richard Fry's, AKA Buck65 for listeners, especially our Canadian listeners who will know. And so when I hear the word mixtape, I know, you know, not like I'm intimidated in a good way. Rich Terfry: [51:10] Well, and although I had a little known fact, I too covered a Tom Waits song once. I should say maybe more than once, but in 99 I released an album called Man Overboard and the original, it might be most fair to say demo version of that album, included a, cover of Singapore by Tom Waits, which didn't make the final cut of the album. And then live, I used to do a very deep cut Tom Wait song, called Tabletop Joe. But anyhow, yes, this is my whole thing, putting these mixed tapes together. And so I gave it some thought. Should we jump into it here? I find it, I bet you guys have found the same thing, is that this song, Rod Stewart's version of this song, routinely pops up on these lists, a bunch of them, on the internet of songs you didn't know were covers. Now to me, that's an interesting enough category. God knows I've talked about that sort of thing on my radio show plenty. But with this particular case, there's more to it than just that. I think it fits into an even smaller category. And I wish there was more of this, where you have here. [52:32] Big-time bonafide mainstream pop star bringing into you know the spotlight and the mainstream consciousness what at best we might call sort of a cult figure. [52:50] Right? Tom Waits I mean you know he's not nobody but in in particular when we're looking at an album like Rain Dogs you know you ask the next person that walks down the street hey ever heard Rain Dogs? I'll put 50 bucks on them saying no. So know he's he's not I don't know if you could call Tom Waits a household name. I think of him in, particular the parts of his catalog that I love the most. To me I almost think of him as an underground type character, certainly a cult figure, and if not in the strictest definition of it, if you look at his body of work and maybe what inspired him and what he was interested in he's He's certainly coming from the deeps, you know what I mean? So maybe at best you could argue that he was an experimenter and whatever else who had more success with it than a lot of others. But nevertheless, I think that here we have a case where sort of, I'm trying to think of the most fair word I can use, but maybe a slightly more fringy musician is being brought into the mainstream. because a lot of the other songs that you would find on those lists of songs you didn't know were covers aren't necessarily that. I'm trying to think of a good example, but if you look at. [54:12] I Love Rock and Roll by Joan Jett, the Arrows, who wrote and recorded the original version, were a fairly successful band in their own right. And you see a lot of that on those sorts of lists. So this situation got me thinking of other cases where this was the case. case and I really wish that there were more examples of it because to me it's super interesting and exciting and more often you see it the other way around where and hopefully this isn't too, flippant a way to put it but where like an indie band will do kind of an ironic cover of some big, pop it that happens all the time sometimes it makes me roll my eyes but this is much more interesting and and the stakes are a little higher where a big time pop star will take a more obscure fringy, culty, whatever, however you want to describe it, person and cover them. So I came up with a couple examples and I don't know if they're quite as strong as today's example but I'll throw out there and this one is very similar parallel I would say Eric Clapton's version of Cocaine by JJ Kale. [55:23] JJ Cale, if you're going to compare anyone to Tom Waits, you know, if you're going to put anyone else in a category, maybe it's a guy like JJ Cale and Rod Stewart and Eric Clapton. I mean, not that, far off, right? So it's a very, very close, you know, kind of thing. Now, I don't know if you, know that The Tide is High by Blondie is a cover, but the original version of that song was by a, relatively small, certainly on an international level. [55:58] It was a Jamaican band called the Paragons, and I don't think they really had any success outside of Jamaica at all. Bill: [56:03] Wow, okay, I didn't know this either. Rich Terfry: [56:05] Really super interesting to me that the guys in Blondie even knew this song. Someone would really have to know their stuff, to know the Paragons and maybe this song in particular. To my knowledge, and I could be wrong about this, have to look it up but I don't even know I have the out the Paragon's album I don't know if their version was even ever released as a single so to me it extra super interesting maybe a real classic and one that does turn up on these lists fairly often the birds version of turn turn turn or whatever by, Pete Seeger right so you're taking something from a you know I guess a slightly more fringy genre, you know, kind of deep folk music and turning it into a big pop hit. I got a couple other good ones. This one is another fairly well-known case, but Roberta Flax, Killing Me Softly, is a cover of an extremely little-known song. What's her name? Lori Lieberman, I think, who originally, you know, singer, LA singer-songwriter, kind of played at the Troubadour, it never really became famous. The story goes that Roberta Flack just heard it, kind of on a total fluke and loved it. And then of course there's the whole other wave, the Fugees, Yeah. covering it again decades later and making it a hit all over again. Frank: [57:29] Because I remember we did, I forget which song it was, but it was a cover song. And then I said, you know, famous cover songs, where the the cover is more popular than the original. And I said, Fuji is covering Roberta Flack. And then afterwards, finding out that it was Laura Lieberman or just, I was wrong on the podcast. And that never happens. I've never said anything that was infactual on the podcast. Rich Terfry: [57:53] Yeah, yeah, yeah, sure. Bill: [57:55] Yeah, we can insert it. Don't worry. No one will know. Rich Terfry: [57:59] I'll throw out one more for you and then I'll and then I'll pass the mic as you. [58:05] Will. No, no, no. But and this one is a little more obscure, but a great example of what I'm talking about, I suppose. But What a Man by Salt and Pepper is, basically a cover. You might argue that it's like an interpretation, but it's, pretty darn close to a cover of a sort of a soul song by a woman named Linda Lindell. Let me double check that. I did write it down because I want to be sure, but I'm pretty sure it's Linda Lindell. Yes, Linda Lindell. It was just released as a 45, just sort of a one-off single. I don't even know if Linda Lindell ever recorded a full-length album. So not well-known, pretty obscure figure, of course. and Salt and Pepper had a bunch of hits. That might have been their biggest one. That was a big old hit. So, and you know, certainly another case where songs you didn't know were covers. And super interesting that, you know, this one sort of turns the tables a little bit in that, you know, we're talking about what was like, you know, kind of a soul song. Fairly sort of, you know, mainstream in its presentation, but then here's a hip hop group doing it. That in itself is a bit of a rarity, a hip hop group kind of taking on a cover. [59:26] But nevertheless, at this point in their career, Sal and Pepper, they were big pop stars, very well established, and like I said, they turned that into a big hit. So that was the first thing that popped into mind for me was, again, I don't know if it's the exact right word, but fringier artists being brought into the mainstream with a cover, because that doesn't happen a lot. In fact, those were really the only examples of that that I could find. I'm sure there are more, and if anyone can think of more, I'd love to hear them, because this is the sort of thing that really excites me. Frank: [1:00:01] Right into the right please someone write us please someone tell us something yeah but it's really cool because there's all sorts of like musical gems out there that no one knows about. Rich Terfry: [1:00:04] Yes. Drop us a line. Frank: [1:00:16] Like or sorry I shouldn't say no one but there it's not as well known and then these pop stars are are bringing them out to the forefront. And sometimes these artists can gain a second life because of it. Rich Terfry: [1:00:29] Now in the early days of rock and roll, this happened all the time, of course, right? So you think like Elvis doing, well practically every song Elvis did the early days of his career was a cover of a song recorded by some lesser known, usually a blues artist or R&B artist or something like that. But I digress. Bill: [1:00:49] I gotta say this is a big moment for me just as a radio listener because Rich Terfry does the (is it called the drive?) from about (is it three to seven?) okay so three to seven on CBC Radio Two. Rich Terfry: [1:00:57] Yeah. Bill: [1:01:03] And i would listen to it around i think is it around six o'clock that you would do the deep dive like on a friday or is it okay last hour of the show and there'd be this deep dive and. Rich Terfry: [1:01:09] Yeah, right. last hour of the show. Bill: [1:01:14] And it was my favorite part. And so- Well, the stories. Oh, it is great. Frank: [1:01:15] Oh yeah. Well the stories. Bill: [1:01:18] And so even if it was having a bad day at work and I knew I had to be leaving at six to go home, but I knew I could get this. And that was like my favorite part of the show. So I always wanted to find these deep dives. Like, so the one day you did a deep dive, on a tragically hip album, because you did every album. That's right. And so it was on Phantom Power and I was, didn't want to come out of the car, because I knew I wouldn't be able to find it because I'm like, there's gotta be, so I go online, rich to fry deep dives, like they're not available, I want like, you know, maybe a box set, it would be great for me personally or for the world, but we just got our own personal deep dive. Frank: [1:01:54] Yeah, which is fantastic. Rich Terfry: [1:01:55] Yeah, man. Bill: [1:01:56] Yeah, so that leads to my couple songs. I may be jumping on Frank's toes here, maybe, but because we think similarly, and this was the easiest way to do this, was originally I was thinking of train songs, But then I thought of songs that were like the vibe in Tom Waits, but then were covered so that they were kind of cheesier, but I couldn't, it wasn't coming up for me. So I ended up thinking of a couple train songs that were so similar. Because we were 12, I only have like three. So the most obvious one for me is Downbound Train by Bruce Springsteen, because it sounds so similar, downbound and downtown. And there's that longing and depression within the song that is kind of in the Tom Waits song. Well, there's something more joyous, even in the Tom Waits version, compared to the Bruce Springsteen. [1:02:55] But thinking of Rod Stewart's cover as very Rod Stewart, this is almost like Bruce Springsteen going, more Bruce Springsteen than usual to me in the song. Like sometimes he mutters his lines in a way that Ben Stiller would imitate Bruce Springsteen. So I liked the song. And so that was one. There was another one called Downbound Train by Chuck Berry, which was about the devil taking a guy to hell. Okay. And then there was another one called Night Train. There's a Bruce Cockburn one, which I love, but I went with the James Brown version because it was a bit more upbeat. Frank: [1:03:28] So I went straight planes trains and automobiles. That's the theme of my of my uh, well, it's modes of transportation. Bicycle Race by Queen. This has nothing to do with any sort of feel. It's just this is the theme. Modes of transportation. Fast Car by Tracy Chapman. Oh, I know right. Rich Terfry: [1:03:47] Modes of transport. Bill: [1:03:48] So, I'm going to go ahead and do a little bit of a, That's okay. Frank: [1:03:54] Midnight train to Georgia, Gladys Knight in the Pips, Pink Cadillac, Bruce Springsteen. Bill: [1:04:00] Very good. Frank: [1:04:02] Runaway Train, Soul Asylum, Aeroplane by Bjork, Get Out of My Dreams Get Into My Car by Billy Ocean, and then we are going to finish it off with Hands by Jewel. Bill: [1:04:16] Oh, no, no. You don't, that's not funny. And no, you don't walk in your hands somewhere. No, not funny. No. Frank: [1:04:17] Okay, okay, we won't put jewel on we'll put Train In Vain by The Clash. Rich Terfry: [1:04:26] You. Bill: [1:04:33] That's a good call. We haven't talked about another iconic performer we bring up most episodes. Frank: [1:04:40] The patron saint of Bill and Frank's Guilt-Free Pleasures. Yeah. Rich, your opinion. Could Michael Bolton sing this song? Rich Terfry: [1:04:48] Hmm oh downtown train yes I think so. Frank: [1:04:53] I think so, too. Rich Terfry: [1:04:54] I feel like I didn't even need to think about it long I can hear it in his voice almost immediately. Frank: [1:04:59] Especially at the end, like after that bridge that when when he's just repeating the chorus at the end, and he just sort of brings it up. That's when Michael Bolton destroys the world though, though, where he goes full Bolton and just ends the world. Bill: [1:05:11] Oh, yeah, and that Michael Bolton in 1989 is is a then is that when we got? Frank: [1:05:17] Oh, this is right in the that's right in the meat of the Michael Bolton sandwich. So I have in front of me here the the Grammys, for best male pop vocal performance, because Downtown Train was nominated in 1991. Lost to Roy Orbison's Pretty, woman. But Michael Bolton was on that list, Georgia on my mind. The year before Michael Bolton won for How Am I Supposed to Live Without You. The subsequent year, Michael Bolton wins 1992 for, When a Man Loves a Woman. But I'm looking at the list of the. Rich Terfry: [1:05:52] Right. How could he not? Frank: [1:05:56] Songs that were nominated in 91. Oh my goodness, how do you pick? So Roy Orbison wins for Pretty Woman. Another Day in Paradise, Phil Collins, Georgia on my mind, Michael Bolton. I Don't Have the heart James Ingram who's critically under appreciated in my mind Stormfront by Billy Joel and then Downtown Train by Rod Stewart 1991 I think was I think. Bill: [1:06:18] 1991? I thought this song came out in 89. Frank: [1:06:22] Was released in 90. Bill: [1:06:24] Oh right, because they would release it for so long. I got this all wrong. Rich Terfry: [1:06:27] Grammys are often, you know, a little behind. Bill: [1:06:29] Oh yeah, yeah sure. Yeah, that's right. So this comes out in 1990. Oh wow, I gotta to re- rethink about how I heard the song for the first time. I'm 14 then. That's a whole other world. Frank: [1:06:38] Yeah, that's a that's a different world. [1:06:40] Anyways, yeah, 100%. This could have been a Michael Bolton song. Could this be a Hallmark movie? Could easily become a creepy Hallmark movie. Bill: [1:06:51] Hallmark after dark. Rich Terfry: [1:06:52] Does Hallmark do creepy movies? Frank: [1:06:56] Yeah, I don't like them. Rich Terfry: [1:06:59] I mean, you know, there's some sort of romance, obviously, at the heart of this thing. So from that standpoint, like I said, if you went with the interpretation I've had where the third verse comes along, you think, oh, wait a minute, maybe these people, maybe these two know each other. Maybe it's the early days of a relationship or something, you know, in which case, maybe. But I'm with you in that, you know, it's more Scorsese, even, but Taxi Driver vibes, that hallmark. And if a hallmark movie set in New York, you know, it's like. Bill: [1:07:28] Yeah, I don't think that downtown train is taking them out to the country to like find themselves. Frank: [1:07:33] No, exactly. Rich Terfry: [1:07:38] Upper West Side, not Brooklyn. Frank: [1:07:40] Yeah, yeah. What other categories do we have? Bill: [1:07:44] You know. [1:07:44] I just thought out the top of my head when I was listening to the ending that you could do a pretty good floor routine To this song with that final moments. Yeah. Oh no with the with the thing with the. Rich Terfry: [1:07:54] Rhythmic gymnastics. [1:07:55] Yeah. Bill: [1:07:55] With the yeah yeah rhythmic gymnastics would work especially at the final moments where everyone's watching them the final sway. Rich Terfry: [1:08:01] And you're thinking just based on the gestures I'm seeing here, the ribbon. Bill: [1:08:04] Yeah it's all ribbon yeah yeah maybe some leaping it could be yeah I don't. Rich Terfry: [1:08:06] Yeah. It's all ribbon. Okay. [1:08:10] Maybe something like that. Thank you. Bill: [1:08:12] Know why I do this on a podcast but I'm I sometimes will talk with my hands yeah. Frank: [1:08:15] Can see if you can see Bill right now he's he's rhythmically flailing his arms about. Bill: [1:08:19] Yeah, yeah, yeah. Frank: [1:08:38] So we're bringing the the episode to a close and rich we just yeah thanks so much for bringing yourself and your knowledge and the insight not just to the song but musically in general and most especially telling us what a bridge is so that ended, over a year long debate in our minds. Rich Terfry: [1:08:58] I almost hate to ruin it for you, but this is fun. Have me by again sometime. I'd love to. Frank: [1:09:04] This would be fantastic. Yeah. And we want to thank the listeners for sticking it out right to the end. And, you know, we know you have it on your phones and on your computers and all that other sort of stuff. And you listen to it to the podcast wherever you are. And just wondering, will we see you tonight on a downtown train? Bill: [1:09:29] Thank you for listening to Bill and Frank's Guilt-Free Pleasures.
Introduction to Eric:Eric Stewart is the Interim Chief Commercial Officer of IsoPlexis. He started his career in product and process development and later transitioned to private equity. He's managed worldwide remits and has done some work in marketing and sales. Eric has also been serving as a board member of the Georgia Tech Business Network. What You Will Learn:Driving ROI for PE-Backed CompaniesSetting Goals with PE-Backed FirmsHow Low-Medium Markets can Utilize PE FirmsPoints to Consider to Drive Effective ProcessesAbout CDMO Breakdown:[00:28]: Introduction of Eric [03:10]: Mistakes of PE Firms[04:43]: Advice for PE-Backed Companies for Revenue Growth[06:45]: Low to Medium Markets' Essentials[11:26]: Big Takeaways from Private Equity [15:15]: Lookouts in Order to Drive Effective Processes[20:23]: Perspectives in the CDMO Market[24:20]: Three Attributes that Make a Top Performer[27:12]: Likes and Dislikes of Private Equity[33:08] Recommended Reading Materials[37:06]: How to Reach Eric Setting Goals When companies are backed by private equity firms, it's highly recommended that they establish their goals early on, especially for those in the low to medium market. It's essential to always make sure that the ROI that a company seeks are covered by elements such as marketing, sales, and reviews. Utilizing Internal KnowledgeFor companies to gauge effective activity growth, utilizing internal knowledge can serve as the base of foundation to unlock the next levels of productivity. When you have a plateau amount of knowledge, executives should take the opportunity to identify the key areas on where or how they can advance their growth, by doing so, they can tap into the process stage where they can utilize the resources they have, which ranges from office, people, and marketing tools. This enables companies to map out their respective priorities, which will serve them long-term in the growing market. Reading Materials:Adam Coffin - Private Equity PlaybookCan't Hurt Me by David Goggins The Reason for God by Timothy Keller Podcast:McKinsey Raw Selection Interviews Other Influences:Richard Branson How to Reach Eric: Eric's Linkedin Thank you for tuning in!To get the newest Private Equity episodes, you can subscribe on iTunes or Spotify here.Lastly, if you have any feedback on the podcast or want to reach out to Alex with any questions, send an email to alex.rawlings@raw-selection.com.
British musician and prolific songwriter GRAHAM GOULDMAN has been at the forefront of the music industry for more than 50 years. Best known as the founder, lead singer and bassist for art rock band 10cc, Graham has written countless hit records for bands including The Yardbirds, Herman's Hermits and The Hollies for whom he penned the song"Bus Stop” in 1966. That song became their first American hit. In 1972 Graham founded 10cc with Eric Stewart, Kevin Godley, and Lol Creme. The band went on to become one of the most fascinating and popular groups of the 70's, scoring several huge (and eclectic) hits. In this week's episode, we meet Graham Gouldman to discover some his early influences, his unique song writing process and what lies behind some of his greatest works. I hope you enjoy my chat with Graham Gouldman. A man who genuinely surprised me with his down to earth nature and incredible humility. For more information about Graham check my website https://abreathoffreshair.com.au/episodes/november-28-2022/ Or Graham's website https://grahamgouldman.info/ Connect with me: Instagram: sandysbreathoffreshair Facebook: https://www.facebook.com/SandyKayePresents YouTube: https://www.youtube.com/channel/UCa_p5zKTRrIfpAtwXVKBQVw Twitter: @sandykpresents LinkedIn: https://www.linkedin.com/company/2653174/admin/ Website: www.abreathoffreshair.com.au
In autumn 2022, residents of Hornet Heaven reveal what made them fall in love with Watford FC. The songs used in this episode are: Can't Help Falling In Love - written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc. The instrumental performances are by Welder Dias (piano), Daniel Jang (violin), Brooklyn Duo (piano and cello), Chris Ulrey (electric guitar), James Bartholomew (fingerstyle guitar), Anton Van Oosbree (accordion), and Sylvain Lemaire (epic orchestra). I'm Not In Love - written by Eric Stewart and Graham Gouldman, with an instrumental performance by Mick Beaulieu.
Sunday Evening, 30th October 2022 Speaker: Eric Stewart Title: The Gospel Feast www.lifeboatfellowship.com This audio was recorded at the Lifeboat Fellowship, Grange Corner, Moy. For further copies or information please visit our website at www.lifeboatfellowship.com or write to.... Lifeboat Fellowship, Old Moy Road, Dungannon, Co. Tyrone, Northern Ireland, BT71 6PX
In this week's edition of the Inside the Lines High School Sports Podcast with Jim Powers, we head to the football field and the diamond. First, Summit head football coach Eric Stewart joins Jim to chat about the Falcons 5-1 season and some of the players that are leading the way. Then, we talk softball with Howell head coach Jenn Beckmann-Brown about the Vikings and about how softball in the metro area has exploded over the past 10 years.
Today's guest is the incredible KEVIN GODLEY!! Kevin's career spans such a wide course, as part of Hotlegs he had a number 2 hit in the UK and then along with Lol Creme, Graham Gouldman and Eric Stewart formed 10CC who went on to score 5 top 10 albums in the UK, 3 number 1 singles and 8 other top 10 hits too! He and Lol then left to form Godley and Creme and scored a couple more top 10 singles before switching their attention to making music videos. As video producers they worked with U2, Paul McCartney, George Harrison, INXS, Duran Duran, Elton John, The Police, ASIA and so many others!This is a fascinating chat with a very talented man!
Men are called to lead and love their families. Unfortunately, many men are neglecting their duties to be the spiritual leaders of their homes. In this episode, JC and Brian interview Eric Stewart and Travis Watson about their stories and the Men of Valor Conference. Men are called to walk in integrity and this will not happen without accountability and transparency. This is a wake up call to men to step out of the shadows and embrace who they are called to be before God, their families, and soceity.
Today's guest is the incredible KEVIN GODLEY!!Kevin's career spans such a wide course, as part of Hotlegs he had a number 2 hit in the UK and then along with Lol Creme, Graham Gouldman and Eric Stewart formed 10CC who went on to score 5 top 10 albums in the UK, 3 number 1 singles and 8 other top 10 hits too! He and Lol Creme then left to form Godley and Creme and scored a couple more top 10 singles before switching their attention permanently to making music videos. As video producers they worked with U2, Paul McCartney, INXS, Status Quo, Elton John, The Police, ASIA and so many others!This is a fascinating chat with a very talented man!
Thank you to everyone who's still listening despite the episodes coming out infrequently... we love you all! This week Paul starts blowing his Pipes of Peace, with the help of some new and old collaborators (George Martin, Ringo, Michael Jackson, Linda, Denny and Eric Stewart amongst others) and for the first time, Jack and Jess firmly disagree on the results, how exciting! Which one of us is acting like a complete dustbin lid? Listen on to find out... We also discuss Paul's iconic set at Glastonbury 2022 and The Mars Volta's reforming (because we like them, sorry if you don't care... but you should! And to finish off, we go back in time to record an old-timey interpretation of Average Person. If you enjoy the show, please leave us a review in-app, or consider becoming a patron on Patreon for as little as £2 a month: https://www.patreon.com/wedontbelieveinbeatles Want to keep up with our favourite songs on each album? Check the Spotify playlist here: https://open.spotify.com/playlist/3zmBrObBFl8FnwxUn77QAp?si=b0b2f29e20c14c62 Follow us on Instagram @wedontbelieveinbeatles and Twitter @postbeatlespod --- Send in a voice message: https://anchor.fm/postbeatlespod/message
We continue to talk football on this week's edition of The Inside the Lines High School Sports Podcast with Jim Powers. Jim starts off talking with Rockwood Summit head coach Eric Stewart about the historic 2021 season and how the team is looking as they head into the 2022 campaign. We then chat with veteran head coach Chad Masters, who is taking over the Bishop DuBourg/Hancock program this year. Masters talks about how he is building the program and the excitement level for the program in South City.
In the third hour of the morning show, Cam Edwards and Bethany Mandel talked to local businessman Eric Stewart about a slate of pro-business candidates in the Maryland primary (WEBSITE IS https://mcbroundtable.com/), Fairfax mom Stephanie Lundquist Arora on her Shadow Board show (WEBSITE: https://usanow.tv) and Wegmans expert Maria Leaf on the new DC store. They also discussed President Biden hitting rock bottom in polls. For more coverage on the issues that matter to you, visit www.WMAL.com, download the WMAL app or tune in live on WMAL-FM 105.9 FM from 5-9 AM ET. To join the conversation, check us out on Twitter: @WMALDC, @LarryOConnor, @Jgunlock,and @patrickpinkfile. See omnystudio.com/listener for privacy information.
Eric Stewart, a long time veteran of the real estate world in DC for over 34 years and a WMAL host of "The Eric Stewart Show" on Saturdays, joined WMAL's "O'Connor and Company" radio program to discuss a pro-business slate of candidates in Maryland ahead of the Maryland primary. WEBSITE IS https://mcbroundtable.com/ For more coverage on the issues that matter to you, visit www.WMAL.com, download the WMAL app or tune in live on WMAL-FM 105.9 FM from 5-9 AM ET. To join the conversation, check us out on Twitter: @WMALDC, @LarryOConnor, @Jgunlock,and @patrickpinkfile. See omnystudio.com/listener for privacy information.
You may not be familiar with this Sky Sports TV presenter, but you're almost certainly aware of some of Charlie Thomas's brilliant music documentaries. Paul and Sean focus on two of these today: ‘I'm Not in Love: The Story of 10cc' and the brilliantly quirky ‘XTC: This is Pop'. Both truly hit the nail on the head with their subject matter: respectful, sensitive and full of wonderful insights. Charlie's accounts of his time sitting opposite Lol, Graham, Kevin, Eric, Andy and Colin are captivating. None more so than Eric: this truly is the most revealing account we've ever heard about the complex person that is Eric Stewart. And while we're here, why don't we indulge Charlie with his fascinating ideas for re-sequencing three classic 10cc albums? Great fun! We're massively in debt to the films' production company Special Treats for access to this wonderful material. Thank you. And sorry about the slightly weird and variable audio quality today, with some music clips coming in all over the place: schoolboy errors on Sean's part this week! :- ) Next week is something very special indeed: Charlie's been very generous in sharing (and allowing us to share) some wonderful outtakes from his long and delightful conversation with Lol Creme. We can't wait!
Episode 73 - The Lonely Island/SNL Digital Shorts Rob and Eric have a blast discussing The Lonely Island's greatest 12 songs with the most censor beeps in any episode so far! Find out: How Jimmy Fallon hosting The MTV Movie Awards helped launch the Lonely Island…. Why YouTube should be forever thankful to the boys? How quickly did they create songs for SNL? What happened behind the scenes involving Micheal Bolton and Justin Timberlake on their songs. In our studio: Eric secretly watches TLI in Church and digs into his sub Reddit.... Rob learns to count and teaches the steps to the perfect present GET INVOLVED WITH OUR COMMUNITY! On our Facebook Page: https://www.facebook.com/DirtyDozenPodcast LISTEN TO THIS EPISODES MUSIC PLAYLISTS Spotify - Current Playlist , The Lonely Island YouTube - Video Playlist Other Episodes with Eric Stewart Weezer Other Episodes you may like Leo Moracchioli (Frog Leap Studios) Videos of note: The Lonely Island Live with Alanis Morrisette We are drinking New Belgium Trippel and Firestone Walker 805 You can also listen to us on —> Apple Podcasts | Stitcher | ListenNotes | XML Feed
John Paul Joans - Got To Get Together Now (1970) John Davidge was a politically motivated and confrontational stand-up comedian In 1970, he made a record for the UK Christmas market. His manager arranged for Eric Stewart, Lol Creme, and Kevin Godley (later of 10CC) to write the song with him. It was "Man From Nazareth" with the flip side "Got To Get Together Now". Both were recorded at Strawberry Studios and released on Mickie Most's RAK label. The song was tipped as a 1970 Xmas #1 but lost its momentum because the other John Paul Jones objected, necessitating that all the records be recalled, destroyed, and reprinted! The song peaked at No. 25 in January 1971 after a belated post-Xmas Top of The Pops performance. A selection from Andrea True's Europe-only third album War Machine (1980) Open Up Baby/Hootchie Kootchie Floozies/War Machine Babatunde Olatunji - Soul Makossa (1973) Originally recorded by Manu Dibango, and borrowed for Michael Jackson's "Don't Stop 'Til You Get Enough." Earth and Fire - Memories (1972) Earth and Fire - 21st Century Show (1970) Earth and Fire - Circus (1975) Serge Gainsbourg - Joanna (1965) OST from the film "ComeTogether" - ComeTogether/Get Together (1971) Something Weird: Come Together is one of those great, unique, hard-to-categorize European films that would best be described as a slice of life from the "free love" hippie generation. TONY ANTHONY plays Tony, a free-wheeling American stuntman working in Italian films, who tries to pick up two swinging American tourists, Lisa (LUCIANA PALUZZI) and Ann (ROSEMARY DEXTER). His persistence pays off and he gives them a tour of Rome in his new sports car. As the trio develop a friendship, we find that Ann is still suffering stress from an abortion, and Lisa was recently involved in a messy affair with an older married man. Tony has his own mental baggage: he was the only survivor when his unit was massacred in Vietnam. All three are searching for an intimate relationship. Tony is hired to play a Mexican bandit in a spaghetti western in Spain -- fans of the genre won't want to miss these scenes -- and finds himself missing the two girls. When he returns, the three take a trip to Pompeii, get turned on by the ancient erotic paintings (not an easy thing to do) and plunge into a ménage à trois. However, Tony is pretty freaked out by this and drives off to sort things out. It doesn't take him long to return and accept the relationship for what it is. It all comes to a head with a jaw-dropping out-of-left-field ending that would never fly with today's test audiences... Mr. Anthony, "best known" [quotes mine] for his spaghetti western Stranger character (Stranger in Town), is hilarious (sometimes unintentionally) and his '60s voice-over philosophy is a hoot. He's also a real fashion casualty of the times in his floppy hippie hat and Mickey Mouse denim jacket. A standout scene shows him as a gigolo in bed with a whacked-out client, lots of poodles, and a vibrator. Gorgeous Luciana Paluzzi is best known as James Bond's love interest in Thunderball. Hardcore Beatles fanatics should be alerted that the soundtrack for Come Together was released on Apple Records. Co-director SAUL SWIMMER was also involved with Let It Be, and Ringo Starr and Tony Anthony starred together in Blindman. Justin Hayward and John Lodge - Blue Guitar (1975) With 10CC. John Lodge - Street Cafe (1980) Robert Lamm - Song for Richard and His Friends (2006?) Robert Lamm - Temporary Jones (1974) The Four Seasons - Silver Star (live) (1980) Laura Brannigan - Deep In The Dark (1983) Dave Clark 5 - Children (197?) The Osmond Brothers - Flower Music (1967) Firyuza - Native land (1979) The Searchers - Love Potion #9 (1975) A pointless reinvention. The Residents - Bach Is Dead (first version) (197?) Robert Lamm - A Lifetime We (1974)
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