Podcasts about Remix culture

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Die Idee des Westerns wurde in Italien neu geboren. Christian und Sebastian starten in die Dollar Trilogie und reden über Sergio Leone, Ennio Morricone und Remix Culture in the wild wild West. Filmezumdessert.de --- Send in a voice message: https://podcasters.spotify.com/pod/show/reclaimedMarshland/message

Klang Magazine Audio Transcript 006. As part of our collection of sample and stem packs available to subscribers in The Zone, we are asking contributing artists to provide a written statement on the sounds their contributing in relation to their recent record releases. To start this series, we have Purple Tape Pedigree mastermind and New York experimental hip-hop staple Geng aka King Vision Ultra here to discuss his latest album SHOOK WORLD, which in and of itself is an album of Algiers' Shook samples with original recordings layered on top, and to reflect on remix culture as a whole. Read the full transcription at https://www.klang.mag.co/king-vision-ultra-on Join The Zone today to get access to the exclusive King Vision Ultra stem pack and much more. A production of Klang Magazine.

Wie setzt man eine Stadt auf die Rap-Landkarte, die eigentlich niemand mit HipHop verbindet? Wie geht man damit um, wenn sich die Held*innen der Jugend mit untragbarem Verhalten ins Cancel-Abseits katapultieren? Wo hört Remix-Culture auf und wo fängt kulturelle Aneignung an? Gastgeberin Dora Osinde geht in dieser Folge gemeinsam mit DJ Ron, der wie sie aus Chemnitz kommt, diesen Fragen nach und schwelgt mit ihm in alten Erinnerungen. Außerdem verrät der einstige "Phlatline"-Labelgründer und Produzent, welche Erinnerungen er mit Viva Interaktiv, dem Splash Festival und Dora im Teenageralter verbindet.

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A timely spring hymn to the daffodils - and their pickers - with Dutch "conceptual choreographer" Edd Schouten.

Katherine Maher, advocate for free and open societies, is the former CEO and Executive Director of the Wikimedia Foundation. Her background is in the field of information and communications technology, and she works at non-profits in the international sector, focusing on the use of technology enabling human rights and international developments. She reflects on the ‘monkey selfie' and its role to help educate people on the public domain, as well as on the complexity to push issues such as freedom of panorama. Katherine looks at how the EU copyright Directive played out, her early encounter with remix culture, and the difficulty of unlocking contemporary art and the 20th century black hole. She closes off by emphasising the need to make the legalistic copyright debate less daunting for citizens to grasp. Key Takeaways: 00:00 Intro 01:42 Katherine talks about Wikimedia's stance on the ‘monkey selfie' controversy from a copyright perspective and questions if there wasn't more behind the photographer's initial story 04:08 Katherine explains how Wikimedia approach the case from a US perspective, being a US based entity that hosts its content under US jurisdiction 07:08 Katherine reflects on how the ‘monkey selfie' became an avenue to educate people on the public domain and to move away from the dominant perspective of copyright and IP rights 11:30 Katherine explains the issue of freedom of panorama, with the Eiffel Tower's light show and the Brussels Atomium as examples, and observes that the EU copyright Directive didn't turn out as hoped  16:58 Katherine talks about remix culture and shares a particular moment when she felt she hit the copyright wall and realised that something needed to change 21:52 Katherine notes that the opportunities to shape the copyright framework are rare, such as the EU copyright Directive debate, and have a long lasting impact. She is however hopeful to see the free knowledge movement thrive in the decade ahead 26:46 Katherine explains how creators can put their work in the public domain through the use of Creative Commons licences 28:30 Katherine emphasises the important values of sharing and crediting that shape the Creative Commons model 30:51 Katherine highlights how copyright can feel daunting for people due to the overly legalistic nature of the discourse that surrounds it Shows Mentioned: https://wikimediafoundation.org/news/2017/12/22/monkey-selfie/ https://www.copyright.gov/title17/ https://wikimediafoundation.org/news/2019/02/11/a-bunch-of-media-just-entered-the-public-domain-heres-why-that-matters/ https://whc.unesco.org/ http://www.nasa.gov/ https://commons.wikimedia.org/wiki/Commons:Freedom_of_panorama https://en.wikipedia.org/wiki/The_Grey_Album http://www.livrustkammaren.se/ Guests Social Media Links: Website: https://wikimediafoundation.org/ LinkedIn: https://www.linkedin.com/in/krmaher/ Facebook: https://www.facebook.com/katherine.maher3 Twitter: https://twitter.com/krmaher Picture of Katherine Maher by VGrigas (WMF) – Own work, CC BY-SA 3.0, Link

Esch-Alzette + the surrounding areas are about to become European Capital of Culture, along with Kaunas in Lithuania and Novi Sad in Serbia. Want some home-grown culture? Esch-sur-Alzette, 10 ‘Pro-Sud towns' and 8 French towns that constitute the “Communauté de Communes Pays Haut Val d'Alzette” (CCPHVA) become the European Capital of Culture on February 26th. That means a full programme of major cultural events and exhibitions, across the whole region, open to everyone! My guests are Nancy Braun, the General Director of the Esch2022 project, and Jessika Maria Rauch, lead PR and Public Affairs for Esch2022. https://esch2022.lu/en/ The work has been a cross-border collaboration with the French communes. Plus, pan-European as the team worked closely with Kaunas and Novi Sad - the other two European Capitals of Culture for 2022. This title normally regenerates an area. Nancy and her team have been conscious to think about sustainable development, that can hopefully increase local and international tourism to a, currently, under-visited region of Luxembourg and France. The theme is REMIX Culture to support the REMIX Future of Esch 2022. From February 26th there will be a host of concerts, exhibitions, performances, virtual events and workshops, but you must register! The Minett region, formerly very industrial, has transformed into a fascinating area of nature reserves and so much more. The 'Land of the Red Earth' can be explored by bike or hiking trails. More Information: You can become a volunteer! Don't forget to register for your free tickets to whatever events you choose to attend! Dear Listeners, I'd be delighted if you could subscribe to my series and leave a review - it really helps for the podcast to be found. You can get in touch with me at www.lisatoniburke.com Subscribe to all my podcasts on whatever player you choose to use: RTL Play, iTunes, Spotify or XML. https://podcasts.apple.com/lu/podcast/rtl-today-in-conversation-with-lisa-burke/id1503348120 https://play.rtl.lu/shows/en/in-conversation-with-lisa-burke/episodes/r/1661239 https://open.spotify.com/show/4mrOtFFEXKa1DyxzfyUX1o

Professor Lessig is the Roy L. Furman Professor of Law and Leadership at Harvard Law School and notably a founding board member of Creative Commons. The New Yorker has called him the most important thinker on intellectual property in the Internet era. In this podcast episode, he shares his reflections on the interplay between copyright and Internet's architecture, remix culture, the Creative Commons movement, the rise and benefits of NFTs, the work of Aaron Swartz and the attack on the Internet Archive. Key Takeaways: 0:00 Intro 2:10 Lawrence talks about where his passion for copyright issues and their impacts came from and talks about architecture of the Internet with regards to intellectual properties  4:57 Lawrence also talks about some of the ways in which copyright walls in culture and shares an example  9:08 Lawrence talks about remixes, what they are and how they are impacting people, especially young people who have their whole lives online  12:21 Lawrence talks about the Creative Commons license, what it is and what pushed him to its creation  16:42 Lawrence talks about how the ecosystem is doing now that things are evolving and what could be improved about Creative Commons  21:26 Lawrence talks about the NFTs within Creative Commons, what they are and his view on them 25:17 Lawrence talks about his book called Code, why he revised it to Code v2.0 in 2006, if he is going to revise it again and what he would change  29:13 Lawrence also talks about his other books, Remix and Free Culture and why he decided to move on 33:13 Lawrence explains if he would argue differently the case he did 20 years ago with regards to changing the copyright laws  36:22 Lawrence also shares his journey of running for presidency in the year 2015 and what he was pushing for  40:58 Lawrence also talks about Aaron Swartz and the work that he was doing before committing suicide and if there are other people trying to push on with his work  43:34 Lawrence also talks about where we are today in the state of copyright today, if things have improved  46:57 Lawrence talks about what he would recommend others do to improve the copyright situation and access to knowledge  Books Mentioned:  Code v2.0: https://lessig.org/product/codev2  Remix: https://lessig.org/product/remix  Free Culture: https://lessig.org/product/free-culture  Guerilla Open Access Manifesto: https://www.goodreads.com/en/book/show/22890903  Shows Mentioned: Equal Citizens: https://equalcitizens.us/  Creative Commons: http://www.creativecommons.org/  AXA Research Fund: https://www.axa-research.org/  Eyes on the prize: https://www.imdb.com/title/tt0092999/  CBS News: https://www.cbsnews.com/  Wall Street Journal: https://www.wsj.com/  Guests Social Media Links: Website: https://lessig.org/  LinkedIn: https://www.linkedin.com/in/lessig/  Twitter: https://twitter.com/lessig  Facebook: https://www.facebook.com/lessig.org/  Instagram: https://www.instagram.com/lawlessig/?hl=en  Email: lessig_from_web@pobox.com 

Welcome back to ArtBeat Radio! You're listening to episode 21 of Quarantunes, where quarantine can't stop our creativity! In this episode, we'll hear musical expression from the artists at CECA.  (0:18) Hard Rock Remix- CECA's Remix Culture Class Students from CECA's Remix Culture class used samples from 70s hard rock and country in order to put together a Hard Rock song with a modern feel.  Students made choices about the melodic elements of the guitars as well as how each sample would be manipulated.   (2:15) From Folk to Dance- CECA's Remix Culture Class CECA's Remix culture class put this EDM influenced dance track by sampling folk songs from the 2010s and Dance music from the 90s.  Each song sampled was chosen by students in the class, and students also made choices regarding the rhythmic elements of the drums and melodic instruments.   (6:16) Turkish Rock and Roll- CECA's World Music Class CECA's World Music class completed this project as they finished learning about the diverse musical pallet from the country of Turkey.  The song is in Hungarian Minor, and uses the Turkish instrument the Oud, along with more conventional rock instruments, such as the guitar, bass, drums and keyboard.  Students chose the tempo and all rhythmic and melodic elements of the song.   (3:16) Como La Single Ladies- CECA's Melody Maker Class CECA's Melody Maker class could not decide between writing a song or conducting an interview for their next project, so-- they decided to do both! Clients interviewed two of their peers, used their favorite songs, and rewrote the lyrics to cover their interview questions. Clients chose questions, wrote lyrics, chose instruments, and directed the project. They hope you enjoy listening!  Interview (Como La Flor/Single Ladies) We wanted to know about each other To learn favorite music and colors Satchel likes Aladdin, oh yeah Lion King for Drea and Beauty & Beast for Maria Welcome to the show Let's see what there is to know about you and all that makes you A-a-y Maria and Drea A-a-y Maria and Drea  BOO boo boo! There goes a ghost! BOO boo boo! There goes a ghost!  Asking questions! Getting answers   Asking questions! Getting answers  Asking questions! Here's our interview!    PJ wondered  What do you prefer? Music or art?     Maria likes art  Drea likes art  Charlie and Paul like art     Question for you  Woof woof woof  Maria and Drea like dogs     Drea likes  Beyonce, yeah Charlie and Paul like breakfast     Here's our interview with Drea and Maria  Here's our interview with Drea and Maria  Learning all about our pals at CECA  Here's our interview with Drea and Maria    Wha-oh-oh-oh-oh-ooh-oh-oh-oh-oh-oh-oh   Wha-oh-oh-oh-oh-ooh-oh-oh-oh-oh-oh-oh    Here's our interview with Drea and Maria  Here's our interview with Drea and Maria  Learning all about our pals at CECA  Here's our interview with Drea and Maria    Wha-oh-oh   (5:36) Sing- CECA's Musical Storytelling Class CECA's Musical Storytelling class presents a song from their original musical. The clients wrote the entire story and script, composed each song, and designed sock puppet characters and sets. This song depicts when the main characters, Branston and Evan, stumble across a band of ghosts.  Sing for the friends we have   Oh, sing   Because we can   Oh, sing   Here's a place we can   Sing with the ones you love   Here we have a home, free of the outside world--   Yeeehaw     Oh, plenty of food to eat, part of a family   Hey hey   Villa Fantasma es mi familia Villa Fantasma es mi familia  Thank you to Nanako Mizorogi for this album artwork!   Thanks for listening and tune in next time! For more information about our organization, please visit our website www.ableartswork.org  

Welcome back to ArtBeat Radio! You're listening to episode 18 of Quarantunes, where quarantine can't stop our creativity! In this episode, we hear not only musical expression from the artists at CECA, but get a small taste of Halloween with some costume recommendations!  (3:57) “ Chinese World Music - CECA's world music class The group completed their untitled traditional Chinese piece by using samples of traditional Chinese instruments.  This composition included the stringed instruments the pipa, and the ehru, the percussion instruments the tanggu and several gongs, as well as the wind instrument the hulusi.  Students chose the tempo, the key and the arrangement for all of the instruments collaboratively.   (7:31))“60s and 80s Hair”- CECA's Remix culture class  CECA created this song by sampling music from the era of 1960s British invasion bands and 1980s hair metal, to create an Alternative rock song.  Each sample was manipulated with student input, and students also chose the pitch, Rhythm and melody of the other instruments in the piece.   (10:16) "Pop Song" - CECA's Remix Culture class Students chose to sample early electronic music from the 1950s and jazz from the 1990s in order to create a song with pop sensibilities.  The tempo and placement of each sample was chosen by the students in the class.   (12:31) "Funk Song" -CECA's Remix Culture class  Students in the class chose to sample the Childish Gambino song "Redbone" and "Take On Me" By A-Ha to create this song.  Students made choices as to how the samples and instruments would be arranged in the song.   (15:11) “Musical Disco” - CECA's Musical Storytelling Class The group wrote the attached disco piece to accompany a clip from the musical that they are creating.  Thank you to Jesus Quiroz and his peers at CECA for this album artwork!   Thanks for listening and tune in next time! For more information about our organization, please visit our website www.ableartswork.org  

ep54: Appropriation, collage, deconstruction, remix culture Chris and Randall discuss appropriation, collage, deconstruction, remix culture. “Good artists borrow, great artists steal.” —Picasso Topics discussed include: The Bear Went Over the Mountain vs. For He's A Jolly Good Fellow https://en.wikipedia.org/wiki/Appropriation_(art) https://en.wikipedia.org/wiki/Remix_culture Generation Remix copyright vs. copyleft Milton Berle's Private Joke File: Over 10,000 of His Best Gags, Anecdotes, and One-Liners https://www.hisour.com/appropriation-12787/ Marcel Duchamp Cubism Guerrilla Girls René Magritte Cindy Sherman Yasumasa Morimura Pageant of the Masters — Laguna Beach Erased de Kooning Drawing (1953) https://en.wikipedia.org/wiki/Copyright_Act_of_1976 doctrine of fair use Andy Warhol Andy Warhol vs. Patricia Caulfield https://nazmiyalantiquerugs.com/blog/andy-warhol-flowers-patricia-caulfield-hibiscus-blossoms/ Andy Warhol vs. Campbell's Soup "My Sweet Lord" vs. "He's So Fine" "Mary Jane's Last Dance" vs. "Dani California" "I Won't Back Down" vs. "Stay With Me" "A Whiter Shade of Pale" vs. Bach "Bad Romance" vs. Bach Pachelbel's Canon "Russians" vs. Prokofiev Jean-Michel Basquiat The Grey Album Robert Crumb Rosencrantz and Guildenstern Are Dead (play) Travesties (play) What's Up, Tiger Lily (1966) Play It Again, Sam (1972) Son of Rambow (2007) WALL·E (2008) Marriage Story (2019) Company (2011) 2001: A Space Odyssey (1968) Breaking Away (1979) The Four Seasons (1981) recorded Feb 3, 2021 Visit us at https://chrisandrandall.com/

This week in a fun interview with Christoph Sachsenhausen, Managing Director at hypercasual gaming publisher Sunday, we discuss the ideation process of coming up with the next hit mobile game. Christoph wants you to know that even though everyone has a lot of ideas for a mobile game, it's actually really hard to make a game that is loved by million of people. Make sure you have some thick skin and come listen to what happens to games when they don't work out.

A return ticket to Saturn and environs in the company of late great jazz pioneer, Sun Ra, with DJ Gilles Peterson at the wheel

After Hours PR3-SHOW: Hosted By Prodigy, CYPHR, & Mats

Dass Smash Mouth mit "All Star" einen Hit für die Ewigkeit landen würden, hätte die Band 1999 wohl selbst nicht gedacht. Trotzdem hat das Internet sich entschieden, den Pop-Rock-Hit aus dem Soundtrack von Shrek zur Grundlage zahlloser Remixe zu machen.

Oscar Allain is Vice President of Cross-Cultural Strategy and Research at UM Worldwide. He focuses on reaching the rapidly changing multicultural audiences in the US. Oscar talks with Brian Ardinger, Inside Outside Innovation founder, about brands being part of the cultural conversation and doing it the right way.  Key Points - WAVE is UM’s annual study to gain a better understanding of the digital world. This year they decided to quantify the Remix cultures.  - Remix Culture studies the movements within cultures that are being influenced by ethic or minorities such as Hispanics, Asians and LGBT communities. They want to understand what the implications are for certain businesses.   - ReMix’s four cultural pillars - Resist, Retrograde, Re-globallize, Recreate - Latinos have changed over past 20 years from need to assimilate to amping up on sense of identity.  - Ethnic Cultures are part of movement/generations that speak up against things that don’t align with values, ability to retro-culturate, have a cultural mindset that impacts mainstream culture, and maintains an entrepreneurial spirit.  - Quantify Remix mindset - Not generational. In Nigeria it’s 16-24 year olds, in China it’s 25-34 year olds, and in US it’s 16-44 year olds. These are groups leading the conversation and are the agents of change.  - How do brands play in conversation? - eg - Nike (Resist), Netflix (Retrograde), Uniqlo (Reglo), Starbucks (Recreate) - Brands are encouraged to be a part of the cultural conversation and doing it the right way.  - Best Brands are true and authentic to the brand and consumer. Need to recognize new movements like LantinX and keep focused on changing cultures.  For More Information For more information on Oscar, Remix Culture, and UM Worldwide check out umww.com For similar podcasts, check out: Ep. 134 – Paramount Pictures’ Futurist Ted Schilowitz on VR, AR & Mixed Reality Ep. 130 – Canopy Insight’s Victoria Gerstman on Culture’s Influence on Brands & Semiotics Ep. 122 – Jeff Rohrs, Yext CEO and Author of Audience: Marketing in the age of subscribers, fans and followers Find this episode of Inside Outside Innovation at insideoutside.io. You can also listen on Acast, iTunes, Sticher, Spotify, and Google Play.   FREE INNOVATION NEWSLETTER Get the latest episodes of the Inside Outside Innovation podcast, in addition to thought leadership in the form of blogs, innovation resources, videos, and invitations to exclusive events. SUBSCRIBE HERE For information regarding your data privacy, visit acast.com/privacy

Oscar Allain is Vice President of Cross-Cultural Strategy and Research at UM Worldwide. He focuses on reaching the rapidly changing multicultural audiences in the US. Oscar talks with Brian Ardinger, Inside Outside Innovation founder, about brands being part of the cultural conversation and doing it the right way.  Key Points - WAVE is UM’s annual study to gain a better understanding of the digital world. This year they decided to quantify the Remix cultures.  - Remix Culture studies the movements within cultures that are being influenced by ethic or minorities such as Hispanics, Asians and LGBT communities. They want to understand what the implications are for certain businesses.   - ReMix’s four cultural pillars - Resist, Retrograde, Re-globallize, Recreate - Latinos have changed over past 20 years from need to assimilate to amping up on sense of identity.  - Ethnic Cultures are part of movement/generations that speak up against things that don’t align with values, ability to retro-culturate, have a cultural mindset that impacts mainstream culture, and maintains an entrepreneurial spirit.  - Quantify Remix mindset - Not generational. In Nigeria it’s 16-24 year olds, in China it’s 25-34 year olds, and in US it’s 16-44 year olds. These are groups leading the conversation and are the agents of change.  - How do brands play in conversation? - eg - Nike (Resist), Netflix (Retrograde), Uniqlo (Reglo), Starbucks (Recreate) - Brands are encouraged to be a part of the cultural conversation and doing it the right way.  - Best Brands are true and authentic to the brand and consumer. Need to recognize new movements like LantinX and keep focused on changing cultures.  For More Information For more information on Oscar, Remix Culture, and UM Worldwide check out umww.com For similar podcasts, check out: Ep. 134 – Paramount Pictures’ Futurist Ted Schilowitz on VR, AR & Mixed Reality Ep. 130 – Canopy Insight’s Victoria Gerstman on Culture’s Influence on Brands & Semiotics Ep. 122 – Jeff Rohrs, Yext CEO and Author of Audience: Marketing in the age of subscribers, fans and followers Find this episode of Inside Outside Innovation at insideoutside.io. You can also listen on Acast, iTunes, Sticher, Spotify, and Google Play.   FREE INNOVATION NEWSLETTER Get the latest episodes of the Inside Outside Innovation podcast, in addition to thought leadership in the form of blogs, innovation resources, videos, and invitations to exclusive events. SUBSCRIBE HERE For information regarding your data privacy, visit acast.com/privacy

Building apps and tools on the web shouldn't just be for the technically inclined. In the early days of the web, it was easy to make your MySpace account, for example, unique to your personal aesthetic. Glitch is doing that for the modern era. Glitch, formerly known as Fog Greek Software, is an online community where people can upload projects and enable others to remix them. Dash likens coding on Glitch to working together inside Google Docs.

Remix-Culture in Games: Wie sich Nintendo mit Cadence of Hyrule öffnet (Folge der Woche)

Remix culture copyright, strangers may be watching your Ring video, location data up for sale to bounty hunters, social media rules for politicians, Apple trolls CES, consumer advocacy groups want the FTC to look at kids' apps on Google Play, lessons to learn from COPPA, the "F Word" in the Supreme Court, Bob Ambrogi's 20 Most Legal Tech Developments for 2018, and more! Hosts: Denise Howell, Stefan Szpajda, and Matt Curtis Guest: Bob Ambrogi Download or subscribe to this show at https://twit.tv/shows/this-week-in-law.Public list of discussion pointsTWiL on FacebookAttorneys may submit a self-study form to their local CLE board seeking MCLE credit approval. Please check the rules and requirements for your specific jurisdiction before submitting any forms. Special thanks to Nigel Clutterbuck for the TWiL theme music.

Remix culture copyright, strangers may be watching your Ring video, location data up for sale to bounty hunters, social media rules for politicians, Apple trolls CES, consumer advocacy groups want the FTC to look at kids' apps on Google Play, lessons to learn from COPPA, the "F Word" in the Supreme Court, Bob Ambrogi's 20 Most Legal Tech Developments for 2018, and more! Hosts: Denise Howell, Stefan Szpajda, and Matt Curtis Guest: Bob Ambrogi Download or subscribe to this show at https://twit.tv/shows/this-week-in-law.Public list of discussion pointsTWiL on FacebookAttorneys may submit a self-study form to their local CLE board seeking MCLE credit approval. Please check the rules and requirements for your specific jurisdiction before submitting any forms. Special thanks to Nigel Clutterbuck for the TWiL theme music.

Remix culture copyright, strangers may be watching your Ring video, location data up for sale to bounty hunters, social media rules for politicians, Apple trolls CES, consumer advocacy groups want the FTC to look at kids' apps on Google Play, lessons to learn from COPPA, the "F Word" in the Supreme Court, Bob Ambrogi's 20 Most Legal Tech Developments for 2018, and more! Hosts: Denise Howell, Stefan Szpajda, and Matt Curtis Guest: Bob Ambrogi Download or subscribe to this show at https://twit.tv/shows/this-week-in-law.Public list of discussion pointsTWiL on FacebookAttorneys may submit a self-study form to their local CLE board seeking MCLE credit approval. Please check the rules and requirements for your specific jurisdiction before submitting any forms. Special thanks to Nigel Clutterbuck for the TWiL theme music.

Remix culture copyright, strangers may be watching your Ring video, location data up for sale to bounty hunters, social media rules for politicians, Apple trolls CES, consumer advocacy groups want the FTC to look at kids' apps on Google Play, lessons to learn from COPPA, the "F Word" in the Supreme Court, Bob Ambrogi's 20 Most Legal Tech Developments for 2018, and more! Hosts: Denise Howell, Stefan Szpajda, and Matt Curtis Guest: Bob Ambrogi Download or subscribe to this show at https://twit.tv/shows/this-week-in-law.Public list of discussion pointsTWiL on FacebookAttorneys may submit a self-study form to their local CLE board seeking MCLE credit approval. Please check the rules and requirements for your specific jurisdiction before submitting any forms. Special thanks to Nigel Clutterbuck for the TWiL theme music.

Our society has been awash with re-edits and remixes for decades (in what is commonly known as a remix culture), but total media democratisation via platforms like YouTube has taken us to uncharted territory. Now, hand a 13-year-old boy with decent editing software and enough time on his hands any piece of footage, and there is no end to what they can conceivably do with it. Through examination of the 'YouTube Poop' (or YTP) phenomenon, as well as recent trends in the music industry, the Spectacles team dig deep on the purposes and potential threats of the remixes we see around us today. Links to content mentioned in the episode: https://www.youtube.com/watch?v=0axzt7krqt4 https://soundcloud.com/user-535691776/dialog http://youchew.net/

1-54 Forum New York 4 - 6 May 2018 Remix ←→ Culture Live video remix by Hatim Belyamani founder of Remix Culture. Remix ←→ Culture is a nonprofit artist collective committed to growing a conversation between traditional music(ians) and digital remix art(ists). www.remix-culture.org Credit: © Katrina Sorrentino www.1-54.com

1-54 Forum New York 4 - 6 May 2018 Remix ←→ Culture Live video remix by Hatim Belyamani founder of Remix Culture. Remix ←→ Culture is a nonprofit artist collective committed to growing a conversation between traditional music(ians) and digital remix art(ists). www.remix-culture.org Credit: © Katrina Sorrentino www.1-54.com

Magdalena Reiter coordinates in Austria hackathons for children

TNR 3 Remix Culture: Recorded moments before Jeff & James leave to meet up with Moze (not in this episode) to watch a special showing of Blade Runner.Download Episode 3 MP3 File They get a little bit of a pre-drink on and cover important topics such as: Transit Systems: Vancouver BC vs Portland OR. Indie Sound Designers & TrueNuff “Fans”- Reaper Audio Production Software.  Filmmaking style and retro references and “mashup culture” - they mentioned Everything is A Remix & Rip: A Remix Manifesto. That 70s Show with Mitch Hedberg. Crowdfunding Super Troopers 2.  Blade Runner: The Final Cut.  Questionable statements: Old Dutch Foods is Canadian. Oregon is a right-leaning state. There are only two flavours of gum. Mitch Hedberg sat on stage on HBO (it was Comedy Central). Thanks for listening - we have a website now at www.truenuffradio.com! Follow the show on twitter at @truenuffradio or individually at @jrai (Jeff) & @threeboy (James) - tweet your questions to them for the next episode. This episode was sponsored by “Farts” a special kind of wind - try one today!

Grant and Vince are joined all the way from Belfast, Ireland, by Chris Armstrong, seasoned designer and creator of the inspiration aggregation tool Niice. We talk about the lines between inspiration and iteration, and how creativity looks in today’s remix culture.

Can you remaster the mastery of Oasis? Plus, what Sydney trio Movement and Jaffa Cakes have in common, Pete Paphides revisits Smash Hits, circa 1983, and a track from Haim

Episode #3 (December 2012) Tracklist: 1) DJ Brandon Joseph – Remix Culture 4 (clip) 2) ISHE – Next Man Up 3) The Retar Crew – Trace of Trace 4) Tristian White – That Life 5) Isaac – One Night 6) The Intellects – All Gold...

fair use, online video, remix, mashup, YouTube, copyright

Rod B. & Alvaro Garfunk bring you the Miami Underground MovementTHE FADE STORY…FADE was formed in the summer of 1993 when Neil Kolo, a young studio engineer, introduced himself to Chris Fortier, a young resident DJ at the infamous "Marz" club in Cocoa Beach, FL, and passed on a tape of some of the material he had been working on. Chris, very enthused by what he had heard, expressed his interest in the idea of working together and learning about how to produce tracks of his own like the ones he had been playing up and down the East Coast of America.The two instantly clicked and a friendship was formed. Two years later, the pair released their first record titled "...For All The People". They Floated a few one-sided promos out to gauge reaction. Meanwhile, a second track was completed, "All I Got". The two tracks were then combined as a double A-sided release, which was the first release on FADE Records, the label that Chris owns and operates. "All I Got" caught the attention of UK duo Chris & James, who helped it get signed to Mushroom Records where James was working as an A & R representative.In August of 1995, Fade released two new singles, "So Good" and "Separation". The Two Tracks received massive support from some of the biggest DJs around including their biggest inspiration, SASHA. The records became underground hits and quickly sold out. Soon after, Glasgow’s Limbo Records signed the duo for a multi-album record deal in February 1996.This success opened the door for the boys to move into the realm of remixing. First, they did remixes for friends John Debo and DJ Icey. This gave them more exposure and experience and led to remixes for Stress records and Sony’s S3 label.The Summer of 1996 brought new challenges. Now they were going to get a chance to work on more vocal oriented songs. One such song was Sam Mollison’s "Cry". When finished, the "Cry" remix set a new standard for Fade and the quality of tracks they could produce. Dave Seaman heard "Cry" and quickly added it to his Essential Mix for England’s Radio 1 FM and his Renaissance Volume 4 mix compilation on Network Records.With this surge of notoriety, DMC’s Guy Ornadel contacted Chris & Neil to remix Future Force’s "What You Want" for DMC’s Remix Culture. Rising to another level, Fade delivered one of the progressive anthems of 1996 winning Remix and Remixer of the Year in Australia. This gave way to the chance to remix Marathon’s "Movin" and Viola Wills "It’s My Pleasure", two of the guys all time favorite tracks, as well as getting the chance to remix another big influence, BT, for his song "Quark".1997 saw the boys getting attention from major labels for remixes, as well as writing and producing their own more vocal based material under the guises of Fade and Nutribe. They released their first vocal track with singer Dauby Talles called "No Resolve". This was another pinnacle in their rising careers. "No Resolve" saw heavy play from John Digweed on the Northern Exposure 2 Tour, climbed as high as #12 in the Cool Cuts Chart and has become a Florida club anthem.1998 saw Chris and Neil further expanding their horizons by doing remix work for more Indie style bands and artists like Sarah McLachlan and Delerium. The Delerium which features Sarah McLachlan on vocals and has been tearing up clubland since the first time heard at Renaissance in Ibiza when John Digweed dropped it at the closing party. Sasha quickly rang up for a copy and the tune soon became an anthem for the pair at every gig including Twilo. It even had Sasha opening and closing his sets with it at Cream and Tyrant. With the rest of clubland searching for it, Delerium debuted and #5 in MixMag Update’s Buzz Chart and appeared on the Northern Exposure 3 CD. This was truly a high point for Chris and Neil in their ever rising careers. 1998 also saw the release of "Sanctuaries" The Fade Records Collection. a collection of work including a number of unreleased remixes and original productions. The CD was released in conjunction with Universal Music.Throughout ’99 and 2000, the duo worked on their debut artist album and saw the release of their "Silence" remix released in Australia. The record was an instant hit and went to #6 in the National chart and rose to Platinum status (70, 000 units sold) in Australia alone. It also went to #1 in Holland, Belgium and Ireland, with total sales over One Million Units. Also completed was another mixed CD, mixed as Fade, called "Anthems of Progressive House: Limbo Records" and was released in November 2000. Chris made the move to New York City where he now calls home.During 2001 the pair continued their prolific remix work for new artists Andy Hunter, Lunik (Delerium) and Balligomingo. They have also produced tracks and remixes for established artists like Tiesto and Sarah McLachlan again. For the past 6 years, both Neil and Chris have been concentrating on solo work. One day they may reunite, but only time will tell.www.FadeRecords.com