Podcast appearances and mentions of Gibson SG

158 - Willy Vlautin (the Delines) In episode 158 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist, songwriter and novelist Willy Vlautin of the Delines. In their conversation Willy talks about living north of Portland, Oregon and growing up in Reno, Nevada and playing in Cowpunk bands and how his older brother turned him on to the guitar. Willy talks about writing songs at an early age to help him escape the edge of Reno before he became entranced by it. Willy tells the story of stealing his mom's VW to drive to San Francisco to see the bands he loved and then driving back after the show to have his mom's car back by 6:am. Willy talks about his gear, starting with a Gibson Sonex when he was a kid and then Gibson SG's and his father's nylon string Martin all which were hard to find because Willy is left handed. Willy also tells us about his amps, a Milkman. Willy describes his bands, Richmond Fontaine and his current band the Delines both that Willy is the primary songwriter. Finally Willy describes his career as a novelist. To find out more about the Delines you can go to their website: thedelines.com And to find out more about Willy's novels you can go to: willyvlautin.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #WillyVlautin #Rockabilly #CowPunk #theDelines #MilkmanAmps #GibsonGuitar #MartinGuitars #Novelist #RichmondFontaine #CountrySoul #theDeadlies #haveguitarwilltravelpodcast #hgwt #HGWT . . Please like, comment, and share this podcast! Download Link

143 - Phil X In episode 143 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host, James Patrick Regan speaks with guitarist extraordinaire Phil X. In their conversation Phil tells us about living in LA, his childhood in Toronto and his early musical experiences being encouraged to play guitar by his father who played Bouzouki. Phil tells about the bands he's played in: Aldo Nova, Triumph, Powder and of course Bon Jovi as well as his own band Phil X and the Drills. Phil talks gear throughout the years including his signature pickups from Arcane and his signature guitars including his new Gibson SG a body style he loves. He also tells us about how worked in his father's restaurant to pay for his gear growing up. Phil also tells us his love of the P90 pickup. Phil discusses his studio work playing on a lot of the American Idol stars work (Kelly Clarkson, Daughtry) as well as Tommy Lee's solo work, Rob Zombie and Alice Cooper. You can find a comprehensive list of his session work on Phil's fan site: philxfanclub.com Phil tells us how he became a vocalist and how he developed his range… he sings the high part of “Living On A Prayer” with Bon Jovi live. Phil talks about “Fretted Americana” a YouTube channel showcasing guitars. We talk a little about NAMM and the places he'll be during the convention as well as gigs coming up. Phil is active on the socials, his website is down right now, but he suggested his fan site is the place to find info: philxfanclub.com . . Please subscribe, like, comment, share and review this podcast! . #VintageGuitarMagazine #PhilX #AldoNova #GibsonGuitar #GibsonCustomShop #BonJovi #ArcanePickups #Triumph #GuitarHero #Shredder #theDeadlies #Powder #PhilXandtheDrills #haveguitarwilltravelpodcast #hgwt #HGWT . . . Please like, comment, and share this podcast! Download Link

135 - Elgin Park (Michael Andrews) the Greyboy Allstars In episode 135 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with Elgin Park (aka Michael Andrews) guitarist with the Greyboy Allstars, he's also a producer, television and film score composer. In their conversation Elgin covers what the Greyboy Allstars music is and describes a couple new releases in the works. Elgin tells us about the formation of the Greyboy Allstars as a band behind DJ Greyboy and his beginnings as a guitarist. Elgin describes his first guitars a Harmony Rocket and his local music store Freedom Music in downtown San Diego where he bought a ‘58 sunburst Fender Music Master and then a Gibson SG jr and describes his amp a Fender Harvard tweed that his sister's boyfriend left at the family's home. Elgin also describes his current guitars that he uses with the Greyboy Allstars, a mid 60's Gibson ES 175 that he got from a show guitarist in Las Vegas and an early 50's Guild T 100. Elgin takes us through the rest of his guitars in his studio and some special amps including Carol Kaye's bass amp he bought from her and an amp he got from Ry Cooder. Elgin (Michael Andrews) then tells us about his scoring work which began in earnest with the TV show Freaks and Geeks, and his work with Judd Apatow including “Bridesmaids” and quite a few documentaries including “20 Feet from Stardom”. Elgin also highlights a guitar he bought from the want ads of Vintage Guitar Magazine in the 1990's sight unseen from Florida. . You can find all you want about Elgin at the Greyboy Allstars website: greyboyallstars.com . Please subscribe, like, comment, share and review this podcast! . #VintageGuitarMagazine #ElginPark #theGreyboyAllstars #JuddApatow #ExoticGuitars #FreeksandGeeks #guitar #Guitar #Bridesmaids #20feetfromstardom #GuitarHero #theDeadlies #haveguitarwilltravelpodcast #HGWT . . Please like, comment, and share this podcast! Download Link

Rising Brooklyn heavy rock band DAS MOÖSE who will release their debut album, Moösehenge, on October 16th. Current Singles: “Jingleheim” Das Moöse has harnessed the sound of heavy metal/punk fused with jam band stylings to craft a sound all their own. Hailing from the savage stoops of brownstone Brooklyn, Das Moöse has become a neighborhood favorite with their powerful live performances and funny, hard-hitting songs. Singer/guitarist Adam Dubin brings his ample experience playing in The Stoned and filming multiple music legends (Metallica, Beastie Boys) to the fore with Das Moöse. His style is a blend of Ramones and Led Zeppelin with a dash of comic timing thrown in for good measure. The album track “Traction Park Massacre (Don't Cry For Me)" will be featured in the upcoming horror movie “Traction Park Massacre.” Their new debut album Moösehenge is powerful witches brew of heavy metal and punk rock with a healthy dose of southern twang soulful melody. In our new music video “Traction Park Massacre (Don't Cry For Me)  coming out next week, Alex Skolnick of Testment introduces the song as his alter ego “Count Von Skolitor.” Alex played keyboards on the song. It's going to be a lot of fun. Besides playing the song, Joel (the other guitar player) and myself put on Luchidor wrestling masks and get in a fight that mimics the onstage ending of Jane's Addiction. The band attended the last full show of JA and they broke up in Boston the next show. And I don a gorilla suit and play the same beat up Gibson SG guitar that I played in the music video for “No Sleep Till Brooklyn.” Adam C. Dubin is an American filmmaker who co-directed the Beastie Boys music videos " Fight for Your Right" and "No Sleep till Brooklyn" with Ric Menello. "Fight for Your Right" is number three on MTV's all time funniest music videosSinger/guitarist Joel Bloom leans into his jam band influences to bring a loose good time vibe to the hard-hitting repertoire. Drummer Drew Haase, a veteran of the 90's Austin bar band scene, is the cool hand behind the drum kit giving the songs a powerful and driving pace. Rounding out the rhythm section on bass is Rob Kassabian with his fluid and melodic attack. Follow @pipemanradio on all social media outlets  Visit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.com. Download The Pipeman Radio APP  The Adventures of Pipeman is broadcast live Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).  The Adventures of Pipeman Podcast is also available on www.theadventuresofpipeman.com and www.pipemanradio.com, Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support.

Rising Brooklyn heavy rock band DAS MOÖSE who will release their debut album, Moösehenge, on October 16th. Current Singles: “Jingleheim” Das Moöse has harnessed the sound of heavy metal/punk fused with jam band stylings to craft a sound all their own. Hailing from the savage stoops of brownstone Brooklyn, Das Moöse has become a neighborhood favorite with their powerful live performances and funny, hard-hitting songs. Singer/guitarist Adam Dubin brings his ample experience playing in The Stoned and filming multiple music legends (Metallica, Beastie Boys) to the fore with Das Moöse. His style is a blend of Ramones and Led Zeppelin with a dash of comic timing thrown in for good measure. The album track “Traction Park Massacre (Don't Cry For Me)" will be featured in the upcoming horror movie “Traction Park Massacre.” Their new debut album Moösehenge is powerful witches brew of heavy metal and punk rock with a healthy dose of southern twang soulful melody. In our new music video “Traction Park Massacre (Don't Cry For Me)  coming out next week, Alex Skolnick of Testment introduces the song as his alter ego “Count Von Skolitor.” Alex played keyboards on the song. It's going to be a lot of fun. Besides playing the song, Joel (the other guitar player) and myself put on Luchidor wrestling masks and get in a fight that mimics the onstage ending of Jane's Addiction. The band attended the last full show of JA and they broke up in Boston the next show. And I don a gorilla suit and play the same beat up Gibson SG guitar that I played in the music video for “No Sleep Till Brooklyn.” Adam C. Dubin is an American filmmaker who co-directed the Beastie Boys music videos " Fight for Your Right" and "No Sleep till Brooklyn" with Ric Menello. "Fight for Your Right" is number three on MTV's all time funniest music videosSinger/guitarist Joel Bloom leans into his jam band influences to bring a loose good time vibe to the hard-hitting repertoire. Drummer Drew Haase, a veteran of the 90's Austin bar band scene, is the cool hand behind the drum kit giving the songs a powerful and driving pace. Rounding out the rhythm section on bass is Rob Kassabian with his fluid and melodic attack. Follow @pipemanradio on all social media outlets  Visit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.com. Download The Pipeman Radio APP  The Adventures of Pipeman is broadcast live Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).  The Adventures of Pipeman Podcast is also available on www.theadventuresofpipeman.com and www.pipemanradio.com, Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.Become a supporter of this podcast: https://www.spreaker.com/podcast/pipeman-in-the-pit--2287932/support.

Send us a textVelkommen til Let there be pod! Podkasten som hyller AC/DC, verdens beste rock and roll band igjennom de siste 50 åra. Vi hadde aldri sett for oss at vi skulle få selveste Lars Lundevall som gjest i Let There Be Pod. Vi er begge store DeLillos-fans, men vi hadde vel ikke helt forventet å finne en så stor AC/DC-fan fra akkurat dette bandet. I denne episoden dykker vi ned i hvordan det hele startet for Lars, og hvordan AC/DC har inspirert ham – fra hans første møte med bandet, til hvorfor han valgte nettopp Gibson SG som sin gitar. Vi får også høre om hva hans favorittalbum er, og hvilken AC/DC-låt han aller helst skulle ønske han hadde skrevet selv. Og så har Lars vært på dypet å hentet en perle av en AC/DC-låt.Og som alltid får du de ferskeste nyhetene om AC/DC, og vi fortsetter vår reise gjennom historien til bandet, der vi blir bedre kjent med alle som har vært medlemmer siden oppstarten i 1973. I dag handler det om bass og vi har kommet helt frem til Mark Evans. Let there be pod har rettigheter til å spille musikk igjennom avtaler med Tono og Music NestVignetten er laget av Simen Hansen og voice er ved Kim Nygård.Følg Let there be på sosiale medier og vil du ha kontakt med oss kan du sende en mail til lettherebepod@gmail.com

29-year-old Guitarist/frontman MATTHEW CURRY plugs in a cherry Gibson SG, and within the first few notes of this episode, you'll hear why his star is on the rise: He's got fire in his fingers, and soul in his voice. I first saw Matthew on the Rock Legends cruise, where, in just the opening song of his commanding set on the big outdoor stage, I knew I had to have the up-and-coming rock/blues/Americana guitar hero on the podcast. BONUS: Matthew's rhythm guitarist/keyboardist MIKE NELLAS joins Matthew for a tune. Enjoy! —JUDE GOLD, host and creator, No Guitar Is Safe podcast. Presented by GUITAR PLAYER magazine.

Episode 536 is is brought to you by... ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chase Bliss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Use code: HUM to save 10% ⁠⁠⁠⁠⁠⁠⁠⁠Support this channel on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Want to send us mail? 60 Cycle Hum #615 9450 Mira Mesa Blvd. San Diego, CA 92126 ⁠⁠LINK HERE FOR PHOTOS⁠ ⁠ 00:00 Global Village ESP 13:48 Thanks Patreon! 19:18 Gibson SG-100 (Informative video from CarolineGuitarCo ) 27:45 I bought a guitar, but I didn't bring it to show Ryan 34:30 Let's compile a list of guitarists 41:32 Infinity Benton (Video Here) 51:25 This week's music was sent by D-Tension and is called "The No Name Song" **************************** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠60CH on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Something with our affiliate links: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy a Shirt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠zZounds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thomann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Perfect Circuit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ebay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tour Gear Designs Patch Cables⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ +++++++++++++++++++++ Social Media Stuff: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram and Twitter @60cyclehum ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hire us for Demos and other marketing opportunities ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #60cyclehum #guitar #guitars #shameflute

Send us a Text Message.Her på Let There Be Pod fortsetter vi jakten på "Tidenes AC/DC-låt," og vi hadde den store gleden av å ha Petter Baarli fra Backstreet Girls og Tor Ivar  "Angus" Johansen fra Dirty Deeds som gjester. Etter at vi var ferdig med å spille inn episoden, uttalte Petter Baarli: "Har aldri hatt det så moro i ett radiostudio NOEN gang!!"

Con su guitarra Gibson SG en mano, fue capaz de fusionar el gospel tradicional con algunos solos de guitarra para crear un sonido pionero: el del rock and roll. Sister Rosetta Tharpe fue un auténtico prodigio desde muy pequeña, destacando en el coro de las iglesias. No tardó en convertirse en una auténtica estrella, lo que le llevó a actuar en algunos clubes nocturnos y ganarse el apodo de “madre del rock and roll”.  Y descubre más historias curiosas en el canal National Geographic y en Disney +.

Send us a Text Message.Etter en heftig og intens avstemning om "Tidenes AC/DC-låt" har vi nå kommet frem til de fem råeste finale-låtene fra Bon Scott-æraen. Dere, våre fantastiske Let there be pod-lyttere, har stemt frem disse episke låtene:It's a Long Way to the Top (If You Wanna Rock 'n' Roll)Dirty Deeds Done Dirt CheapLet There Be RockRiff RaffIf You Want Blood (You've Got It)For å dissekere disse rockeperlene har vi fått med oss en skikkelig rockelegende: Thomas Felberg! Mannen som fikk sin musikalske åpenbaring da han hørte Bon Scott for første gang. Sammen med ham har vi Eivind Staxrud, gitarhelten fra Big Balls, Raga Rockers og Staxrud Allstars. Han er ikke bare en riff-mester, men også en AC/DC-superfan!Vi lover dere et dypdykk i AC/DCs univers som vil få selv de mest hardbarka rockere til å juble. Staxrud har tatt med seg sin Gibson SG, Angus Youngs signatur-gitar, og vil gi oss en nerdete, men helt rå gjennomgang av riffene som har formet AC/DC.Gjør dere klare for en podcast med mer rock, moro og musikkinnsikt enn dere noen gang har opplevd! Vi skal ta dere med på en tur gjennom noen av de største AC/DC-klassikerne, fortalt med humor, lidenskap og tonnevis av rock 'n' roll. Strap in, folkens – dette blir legendarisk!

Somehow, I had never been to Las Vegas. Then along came the opportunity to talk to Carlos Santana, September 3, 2010,when I got to the Hard Rock Hotel with guitar in hand—a black Gibson SG, knowing that the SG was the model of guitar Carlos had long ago played, and it's truly one of the classic models (also associated with Angus Young of AC/DC and Tony Iommi of Black Sabbath). Carlos happily autographed it for use in an auction event I would later stage to benefit music therapy services in Canada. I thanked Carlos for coming and congratulated him on the imminent release of Guitar Heaven: The Greatest Guitar Classics of All Time, featuring guest performances by everyone from Joe Cocker to Chris Cornell, Scott Weiland and more. This is that.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In 1969, Kirchen took Commander Cody and the Lost Planet Airmen to California and they developed a reputation as musical "outlaws" that were praised by other outlaw musicians and bands like Willie Nelson, Waylon Jennings, The Grateful Dead and the Allman Brothers Band.Kirchen's band "played a collection of rock 'n' roll, hard-core country, boogie and rockabilly sounds produced in a "high-octane mix" that made them a "happening" group in the San Francisco Bay area. Kirchen began to develop as guitarist, vocalist, songwriter and performer. He became known for his vocal and guitar work on such songs as "Mama Hated Diesels", "Down to Seeds and Stems Again Blues" from the band's albums, Hot Licks, Cold Steel & Truckers' Favorites and Lost in the Ozone. His live performance work was captured on the 1973 album Live From Deep in the Heart of Texas, recorded at the Armadillo World Headquarters in 1973.Kirchen's Commander Cody band broke apart in 1976 and he formed a "swing orchestra" called the Moonlighters and began a decades-long collaboration with British musician Nick Lowe. Lowe produced the Moonlighters' second album Rush Hour, and Kirchen toured with Lowe and joined him in the studio from time to time. During this period Kirchen also worked on albums with Elvis Costello, Gene Vincent, and Link Wray. Kirchen was one of the musicians that pioneered the Americana movement in the 1980s, and also with being a founding father of "twangcore," along with Dave Alvin, Wilco and Big Sandy & His Fly-Rite Boys. Kirchen's signature sound has been dubbed "dieselbilly" and incorporates elements of country, blues, rockabilly, Western swing and boogie-woogie, laced with themes of American truck driving music. Kirchen's work in the early 1970s with Commander Cody and the Lost Planet Airmen helped set the stage for the singers like Waylon Jennings and Willie Nelson and other outlaw country bands with his recordings of songs like "Seeds And Stems."Kirchen is said to have "one of the most distinctive, pure-Fender Telecaster tone guitar sounds in modern music". Kirchen was named "The Titan of The Telecaster" by Guitar Player magazinefor his musical prowess on the Fender Telecaster guitar. He played a 1959 model with a maple fretboard and sunburst finish that he calls the "coal burner" and acquired in 1967 when he exchanged his Gibson SG with a stranger on a bus.He retired that guitar in the early 2010s in favor of a Telecaster with a wider neck.

Avec Supertramp, Beatles, Delbert McClinton et Black Sabbath. Supertramp, c'est le saxophone de John Helliwell, les claviers de Roger Hodgson, et l'harmonica de Rick Davies dans "Take The Long Way Home" en 1979. Aux débuts de l'histoire des Beatles, l'harmonica jouait un grand rôle comme dans "Love Me Do", John Lennon en joue (instrument volé dans un magasin de musique d'Arnhem, aux Pays-Bas ?). Un des grands bluesmans texans, spécialiste d'americana joueur d'harmonica : Delbert McClinton "Hey Baby". Black Sabbath, la Gibson SG, guitare démoniaque de Tony Iommi, la voix d'Ozzy, la basse de Geezer Buttler, le jeu puissant de Bill Ward et en 1970, l'harmonica d'Ozzy Osbourne s'impose dans "The Wizard". --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent l'univers rock, au travers de thèmes comme ceux de l'éducation, des rockers en prison, les objets de la culture rock, les groupes familiaux et leurs déboires, et bien d'autres, chaque matin dans Coffee on the Rocks à 6h30 et rediffusion à 13h30 dans Lunch Around The Clock. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Recalling the first time I strummed a chord on my beat-up guitar, I never imagined where music would take me. Fast forward to today, and I'm here with Tony Smith, reminiscing about his journey from the small-town charm of Bowling Green to the adrenaline rush of music production. Tony generously shares the impact of his father's guitar melodies on his own musical aspirations, and the poignant tale of his first Gibson SG, bringing to light the emotional connections artists have with their instruments. Our conversation is a heartfelt nod to the nostalgia and growth that come hand in hand in a musician's life.Navigate the twists and turns of the creative process with Tony and me as we discuss the thrilling yet vulnerable path from songwriting to that final album cut. Hear how old flip cameras and GarageBand sessions evolved into professional music production, and witness the delicate dance between preserving an artist's signature sound and venturing into new sonic territories. Through Tony's stories of DIY video projects and the special collaboration with his wife, you'll see the magic that unfolds when personal vision meets innovative execution.Step into a world where music spins the thread of our social fabric, tracing influences across generations and genres. As Tony and I exchange tales of our treasured vinyl collections and the bands that shaped our sound, it becomes clear that music is more than just melody—it's a gateway to understanding the past while inspiring the future. Join us for a conversation that spans the spectrum of creative experience, from the rush of performing as an alter ego to the importance of supporting fellow artists in the ever-evolving landscape of digital content creation.Support the show

Emission en direct Chaque mercredi à 19:00 sur YouTube :Les nouvelles de du monde de la six cordes et la réponses à vos questions en direct ! Replay FAQ du 10/01/24 Sujets abordés Podcast de La Chaîne Guitare La version audio de la vidéo est disponible dans le podcast de La Chaîne Guitare (sur iTunes, Spotify ou Deezer) et ci-dessous :   L'article FAQ – Gibson SG Yamano, préparation NAMM est apparu en premier sur La Chaîne Guitare.

Here it is, our first episode. Patty Pershayla and Lucas Powell of Patty Pershayla & The Mayhaps hang out awhile and discuss their first bands, their move to Nashville, what it's like writing new songs, recording and touring, and of course... guitars and gear. The outro song is "Spill" off their newest album Perpetual Motion Machine.https://open.spotify.com/album/1jW3IXDyCsvJsRJ4N2i45Q?si=wTRBWVINQSKgS7VVNXi4FwCheck out their upcoming show dates at... https://www.pattypershayla.com/tourhttps://www.instagram.com/pattypershayla?utm_source=ig_web_button_share_sheet&igsh=OGQ5ZDc2ODk2ZA==Buy us a cup of coffee to keep us going. https://www.buymeacoffee.com/thegrooveb7

Il semblerait qu'une tournée européenne d'AC/DC (la première depuis 2016) se profile pour 2024, suite aux déclarations inattendues du bourgmestre de Munich, Dieter Reiter. Les Rolling Stones font rêver leurs fans avec une éventuelle nouvelle tournée en 2024 en affichant leur logo dans le monde entier. Les trois albums studio que U2 a sortis au cours des dix dernières années – ''Songs Of Innocence'' (2014), ''Songs Of Experience'' (2017) et ''Songs Of Surrender'' (2023) - devraient être suivis par un disque intitulé '' Songs For Fighting''. Une des guitares emblématiques d'Eric Clapton, la Gibson SG psychédélique de 1964 baptisée "The Fool", est devenue l'une des guitares les plus chères jamais vendues aux enchères. Nick Cave a répondu à un chanteur adolescent, 17 ans, originaire de Rome, en Italie, plein d'espoir qui lui demandait des conseils sur la confiance en soi. Green Day a dévoilé la tracklist de ‘'Saviors'', 14e album à paraître le 19 janvier prochain, qui fera suite à ‘'Father Of All Motherfuckers'', sorti en 2020. Mots-Clés : Bassiste, Adam Clayton, Bono, The Edge, guitares, dollars, Cream, psychédélique, symbole, Summer of Love, 1967, Brian Johnson, Angus Young, Olympiastadion, Allemagne, Denver, Cleveland, Formule 1, Aston Martin, Grand Prix, Las Vegas, NFL, Browns, --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30.

Spesso la paternità del Rock'N'Roll viene attribuita ad Elvis Presley, Little Richard e Chuck Berry. E spesso le prime donne del Rock ad essere ricordate sono Janis Joplin, Joan Jett e Patty Smith. Ma prima di tutti questi grandi nomi c'era lei: Sister Rosetta, la donna che ha deciso di suonare il Gospel con la sua Gibson SG. Se siete curiosi di sapere come la musica può lottare contro la segregazione razziale, non vi resta che ascoltare questo episodio. Ascolta la playlist dedicata alla puntata: ⁠⁠⁠⁠⁠⁠- Sister Rosetta Tharphe Playlist

This week we present another installment of our ongoing series called “Grave Mistakes: They Shoulda Been Huge!!!”. This band is a true treasure from the Great White North that plays mean power chords and punch-you-in-the-mouth rock n' roll! The lead singer and guitarist is a swaggering rock n' roll force to be reckoned with… Twenty-Seven years into their career at this point, but most Americans don't know him or his amazing band. That is a travesty. Guess who's back??? Say his name and say it loud like it's a hit song… DANKO JONES!!!This episode is rooted in our Should Have Been category. We are starting with Part 2 of a 2-part episode because Kevin just wanted to do so… It's his show and he's an idiot, so let him have it. Hopefully, we can turn you on to this “other” amazing Canadian power trio. What is it with Canada and power trios anyway? Have a listen and find out for yourself! Rawwwwk!Songs this week include:Danko Jones – “Get Up” from Rock And Roll Is Black And Blue (2012)Danko Jones – “Gonna Be A Fight Tonight” from Fire Music (2015)Danko Jones – “Forget My Name” from Live At Wacken (2016)Danko Jones – “My Little RnR” from Wild Cat (2017)Danko Jones - “Dance Dance Dance” from A Rock Supreme (2019)Danko Jones – “Blue Jean Denim Jumpsuit” from Power Trio (2021)Danko Jones – “Guess Who's Back” from Electric Sounds (2023)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

The second part of maybe three? Maybe four?  Besides me talking through the mid-phase of the DLR era with my friend Eve, and my real time reactions to Cameron Crowe and Art Linson's "The Wild Life", there's alla this action right hyeah:   A “death of hard rock” review from 1978 The band hosts Wet T-shirt night at Mitty's Stories about the making of some legendary VH songs Another review of “The Wild Life” (not great!) VH Vying for Gene Simmons' stewardship on the same night as not-quite-Dokken David Lee Roth on his suspicions that Gene was secretly just after Eddie Eddie's Ibanez Destroyer and the Chris Holmes connection Van Halen plays with Journey, Sabbath, and The Rolling Stones The time Eddie chopped a piece off of his Gibson SG during a recording session Some nice thoughts from Steve Lukather    New monthly bonus feed here! https://www.patreon.com/rockfilmrock Choose your preferred method of supporting the show for no money or maybe some money: PayPal tips: https://www.paypal.com/paypalme/whatsamatta Shirt designs with defeatist messaging delivered via bright colors and childish graphics: https://www.bonfire.com/store/justtheworstshirtsever/ Subscribe to me on YouTube: https://www.youtube.com/channel/UCV4Up7xGgjioEC07bjwu4mQ Follow on Instagram: https://www.instagram.com/justtheworstever/ Send me an email with show suggestions: Justtheworstever@gmail.com Suicide Prevention, Text/Call: 988 https://afsp.org/ National Sexual Assault Hotline 1-800-656-4673 https://www.rainn.org/resources  

In “Lies and Distortion,” the opening essay of his book Unstrung: Rants And Stories Of a Noise Guitarist, Marc Ribot writes: “We seem to love broken voices in general: vocal cords eroded by whiskey and screaming, the junked-out weakness of certain horn players, distortion which signifies surpassing the capabilities of a tube or a speaker—voices that damage, but (at least in performance) don't actually die…Was this always true? I don't know.” In a way, that speaks to Ribot's own playing, on his own and with many luminary collaborators. Though he can certainly play delicately, a frayed, beyond-the-limit quality informs Ribot's sensibility. Since 2008, he's released records with Ceramic Dog—a band featuring Ribott on vocals and guitar, previous Transmissions guest Shazhad Ismaily on bass and vocals, and Ches Smith on drums and vocals. On July 14th, the band releases another scalded and electrifying record with Connection.  Ribot is our guest this week on the show, and we're pleased to present this rollicking, and at times charmingly contentious talk this on Transmissions. From his complicated relationship with his former Lounge Lizards collaborator John Lurie, to his views on how labor and capitalism inform his relationship with music, his history as a collaborator, Hal Willner's Night Music, his recent embrace of the Gibson SG, and much more, this is a charged chat with a jazz-punk creative icon.  Transmissions is part of the Talkhouse Podcast network, check out Talkhouse for more great reading and listening. Next week on the show, Gia Margaret on her Romantic Piano.

Welcome to episode 63! In this episode Laurel dives into the life of American musician Sister Rosetta Tharpe, often called the Godmother of Rock n' Roll. She was a direct musical inspiration for many iconic male performers of 1950s rock. Names like Chuck Berry, Johnny Cash, Elvis and Jerry Lee Lewis all were in awe of Rosetta's powerhouse voice and talent on her Gibson SG guitar. She performed with the Who's Who of Black jazz musicians like Duke Ellington and Cab Calloway at Harlem's Cotton Club and went on to have a four decade-long career! Why, then, have so few people heard of her? Next, Kt takes us south to learn about the history and the peoples of the many islands that make up what is known as the Caribbean. Learn what happened before Columbus and other European powers came along and celebrate the perseverance, independence and culture of the people there today. As of June 2023, the United States officially recognizes National Caribbean American Heritage Month in the month of June. *~*~*~*~ Mentioned in the Stories: Cab Calloway and the Nicolas Brothers in "Stormy Weather" (this is amazing!) Sister Rosetta Tharpe singing "Strange Things Happening Every Day" Rosetta at the Blues and Gospel Caravan show in Manchester, England Map of the Caribbean *~*~*~*~* The Socials! Instagram⁠ - @HightailingHistory ⁠TikTok⁠- @HightailingHistoryPod ⁠Facebook⁠ -Hightailing Through History or @HightailingHistory ⁠Twitter⁠ - @HightailingPod *~*~*~*~* Source Materials Sister Rosetta Tharpe-- https://www.forbes.com/sites/edwardzimmerman/2016/01/10/the-legendary-sister-rosetta-tharpe-in-5-songs/?sh=cc77f132b14a https://www.pbs.org/wnet/americanmasters/timeline-the-years-of-sister-rosetta-tharpe/2487/ https://www.theguardian.com/music/2015/mar/18/sister-rosetta-tharpe-gospel-singer-100th-birthday-tribute https://www.britannica.com/biography/Sister-Rosetta-Tharpe https://www.npr.org/2017/08/24/544226085/forebears-sister-rosetta-tharpe-the-godmother-of-rock-n-roll https://aaep1600.osu.edu/book/06_Tharpe.php  https://en.wikipedia.org/wiki/V-Disc https://www.archives.gov/research/african-americans/migrations/great-migration#:~:text=The%20Great%20Migration%20was%20one,the%201910s%20until%20the%201970s. History of the Caribbean--  *~*~*~*~ Intro/outro music: "Loopster" by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/laurel-rockall/message

Welcome to episode 63! In this episode Laurel dives into the life of American musician Sister Rosetta Tharpe, often called the Godmother of Rock n' Roll. She was a direct musical inspiration for many iconic male performers of 1950s rock. Names like Chuck Berry, Johnny Cash, Elvis and Jerry Lee Lewis all were in awe of Rosetta's powerhouse voice and talent on her Gibson SG guitar. She performed with the Who's Who of Black jazz musicians like Duke Ellington and Cab Calloway at Harlem's Cotton Club and went on to have a four decade-long career! Why, then, have so few people heard of her? Next, Kt takes us south to learn about the history and the peoples of the many islands that make up what is known as the Caribbean. Learn what happened before Columbus and other European powers came along and celebrate the perseverance, independence and culture of the people there today. As of June 2023, the United States officially recognizes National Caribbean American Heritage Month in the month of June. *~*~*~*~ Mentioned in the Stories: Cab Calloway and the Nicolas Brothers in "Stormy Weather" (this is amazing!) Sister Rosetta Tharpe singing "Strange Things Happening Every Day" Rosetta at the Blues and Gospel Caravan show in Manchester, England Map of the Caribbean *~*~*~*~* The Socials! Instagram⁠ - @HightailingHistory ⁠TikTok⁠- @HightailingHistoryPod ⁠Facebook⁠ -Hightailing Through History or @HightailingHistory ⁠Twitter⁠ - @HightailingPod *~*~*~*~* Source Materials Sister Rosetta Tharpe-- https://www.forbes.com/sites/edwardzimmerman/2016/01/10/the-legendary-sister-rosetta-tharpe-in-5-songs/?sh=cc77f132b14a https://www.pbs.org/wnet/americanmasters/timeline-the-years-of-sister-rosetta-tharpe/2487/ https://www.theguardian.com/music/2015/mar/18/sister-rosetta-tharpe-gospel-singer-100th-birthday-tribute https://www.britannica.com/biography/Sister-Rosetta-Tharpe https://www.npr.org/2017/08/24/544226085/forebears-sister-rosetta-tharpe-the-godmother-of-rock-n-roll https://aaep1600.osu.edu/book/06_Tharpe.php  https://en.wikipedia.org/wiki/V-Disc https://www.archives.gov/research/african-americans/migrations/great-migration#:~:text=The%20Great%20Migration%20was%20one,the%201910s%20until%20the%201970s. History of the Caribbean--  *~*~*~*~ Intro/outro music: "Loopster" by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/laurel-rockall/message

Песента е описана като съвместно дело на цялата група, но истината е по-различна. В началото на 1966 година почти никой не познава „The Doors“ („Дъ Дорс“). Бандата е на няколко месеца и има малко фенове в Лос Анджелис. „Light My Fire“ (в превод „Запали ми огъня“) е песента, дала известност на групата. През тези първи месеци основен автор на песните е вокалистът Jim Morrison (Джим Морисън). Един ден групата открива, че вече няма мелодии и Морисън приканва и останалите да напишат по нещо, за да не свирят кавъри пред публиката. Китаристът Robby Krieger (Роби Крийгър) го пита за какво да пише, а той му отговаря: Пиши за нещо универсално. Нещо, което няма да изчезне след две години. Нещо, което хората могат сами да интерпретират.“ Едва двадесетгодишният тогава Крийгър се прибира в дома на родителите си в Пасифик Палисейдс, Лос Анджелис, и решава да пише за някой от четирите елемента - огън, вода, земя, въздух. Избира огъня, вдъхновен от „Play With Fire“ (Игра с огъня) на „The Rolling Stones“. Огънят стопля, но и изгаря. Това е метафора как градивната любов може да се превърне в унищожителна страст. След куплет в стил фолкрок, песента се развива стихийно. Същата вечер Крийгър е готов с идеята си. За музиката е вдъхновен от хита на Jimi Hendrix (Джими Хендрикс) „Hey Joe“. На следващата им репетиция Крийгър представя новата композиция. Барабанистът John Densmore (Джон Денсмор) предлага куплетите да са с латино ритъм, а Морисън дописва текста, добавяйки и елемент за погребална клада (funeral pyre). Крийгър е против такава препратка към смъртта, но това е любима тема на Морисън и той държи на нея. Така вторият куплет става еталон за поетичния талант на Морисън. Крийгър предлага последната реплика да е „Come on baby light my fire.“ („Хайде, скъпа, запали ми огъня.“). Но Морисън настоява за по-поетичното и провокативно „Try to set the night on fire.“ (Да опитаме да запалим нощта.). По-късно Крийгър открива, че цитатът е от стихотворение на Морисън от тетрадка, писана в ученическите му години. Четвъртият в групата Ray Manzarek (Рей Манзарек), свирещ на клавишни, предлага началото, повлияно от фугите на Йохан Себастиан Бах, което усъвършенства в месеците след това. Органът му „Вокс Континентал“ е същият вид, какъвто ползва Alan Price (Алън Прайс) в „The House Of The Rising Sun“ на „The Animals“, за която вече сме говорили. Продуцентът Paul A. Rothchild (Пол А. Родшийлд) предлага началото да стане и финал. Солото по средата е чиста импровизация, каквито много са обичали да правят, докато свирят в популярния холивудски клуб „Whisky a Go Go“. По-късно Крийгър се дразни от това колко малко се знае, че той е основен автор на песента. Дотогава всяка от песните на групата е била конструирана върху три акорда, а на него му се е искало да направи нещо по-разчупено. През април „The Doors“ вече изпълняват „Light My Fire“ в концерти, разширявайки я постепенно с импровизации. В това им помага и познаването от Крийгър на фламенко стила и лекото му приплъзване по струните на китарата „Gibson SG“. Използват модерната за жанра полиритмия. При нея ударните и солото са в два различни ритъма, застъпващи се на определени интервали. А Манзарек свири в концертите с лява ръка на „Fender Rhodes“, а с дясната солира на органа. При студийната версия продуцентът Пол. А. Родшийлд) привиква басиста Larry Knechtel (Лари Кнехтел) да дублира бас линията върху тази на клавишните. Има предположения, че баскитарата е изсвирена от Carol Kaye (Каръл Кей), основани на нейни думи, но те не са потвърдени. Песента е записана през август 1966 година в „Sunset Sound Studios“ в Холивуд, Лос Анджелис, Калифорния. Тя е над седем минути, а средищната част от над четири минути е от сола на Манзарек - на органа и Крийгър - на китарата. Концертните версии понякога са по 14 минути. Това е смятаната за първа рок песен с инструментална част от електрическа китара и клавишни. Жанрът на „Light My Fire“ е психеделичен рок, но това не изчерпва стила на „The Doors“.

First Act is a brand that almost nobody associates with a high quality instrument. We are used to seeing them in the Walmart toy section, not in the hands of professional touring musicians. But at some point in the mid-2000s First Act created their own Custom Shop. These instruments went into the hands of some very popular musicians of the era, and are experiencing a serious resurgence all these years later. Kelly Butler was a builder at the Gibson Custom Shop and was instrumental in creating the First Act Custom Shop instruments, and now owns his own brand K. Butler Guitars. I brought him on the podcast to tell the story, and it is an extremely interesting tale! We've got John Mayer, Slash, and even Nigel Tufnel (of Spinal Tap fame) waved into this one. I hope you enjoy it as much as I did! And don't forget, we are giving a Gibson SG away and there are just a few days left to enter. Head over to Stringjoy.com to check that out. Save yourself 10% on any guitar maintenance tools or other musical products from StewMac by visiting https://stewmac.com/tonemob You can also help out with your gear buying habits by purchasing stuff from Tonemob.com/reverb Tonemob.com/sweetwater or grabbing your guitar/bass strings from Tonemob.com/stringjoy Release your music via DistroKid and save 30% by going to Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is definitely something different! On this one you are getting something a little different. Today Sean Arbow of Gunstreet and Scott Marquart of Stringjoy are on the podcast to announce that Stringjoy and Gunstreet are officially teaming up! This is something that we've all been working on behind the scenes on this merger for a very long time, so it is very exciting to finally have this out in the world. All three of us take you through our perspectives on how this story unfolded, how we plan on resurrecting some SUPER RAD & unique pickups, and a whole lot more. Check out the new Gunstreet look at Gunstreet.co And don't forget, we are giving a Gibson SG away and there are just a few days left to enter. Head over to Stringjoy.com to check that out. Save yourself 10% on any guitar maintenance tools or other musical products from StewMac by visiting https://stewmac.com/tonemob You can also help out with your gear buying habits by purchasing stuff from Tonemob.com/reverb Tonemob.com/sweetwater or grabbing your guitar/bass strings from Tonemob.com/stringjoy Release your music via DistroKid and save 30% by going to Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

Die neununddreißigste Folge deines Lieblings-Guitarcast! Die erste Folge im Jahr 2023 startet kurz und knackig! Heute ist Joshi von ZSK am Start! Die Standleitung zwischen Essen und Berlin wurde wieder aktiviert. Nachdem ich vor einigen Folgen schon einen guten Talk mit Ace von (mittlerweile ehemals) ZSK hatte, reiht sich Joshi nahtlos mit ein. Zugegeben, wir haben den Equipment Nerdtalk sehr kurz gehalten: Epiphone und Gibson SG, Kemper, that‘s it. Reicht aber auch voll und ganz aus. Wie ihr sicherlich gemerkt habt, ist Kemper mittlerweile wirklich überall dabei. Anyhow! Wir haben viel über Punk und Punkrock gesprochen und wie Joshi überhaupt zur Musik gekommen ist. Das Wort der Stunde war passend zum kommenden ZSK Album: Hassliebe. Darüber haben wir nämlich natürlich auch gesprochen. Die Vor- und Nachteile von Social Media sind bei uns auch ein großes Thema. Stichwort: Fluch und Segen! Kennt ihr noch spezifische Fachforen? Nein? Wir schon! Das war unser Ding vor Social Media! Falls einer hier aus dem damaligen und großartigen essen.rockt Forum zuhört, dann lasst es uns gerne wissen! Ey! ZSK sind bald wieder auf Tour! Checkt die Termine und geht dahin! Am 10.02. erscheint auch das neue Album „Hassliebe“. Vormerken! Super Typ, richtig gute Folge! https://instagram.com/zskberlin?igshid=YmMyMTA2M2Y=

Thursday is an absolutely incredible and influential band so you can imagine how excited I was to sit down and talk with guitarist Steve Pedulla for this very special episode of the podcast. On this episode we dive into Steve's gear journey in a very extensive way. Starting with his Gibson SG, and landing in Telecaster land. We really went down the rabbit hole of his guitar pedal choices, his digital/tube based hybrid rig of today, and a whole lot more. This episode is a must for any Thursday fan, and if you aren't familiar, you can check out the band on their website https://www.thursday.net/ Save yourself 10% on any guitar maintenance tools or other musical products from StewMac by visiting https://stewmac.com/tonemob You can also help out with your gear buying habits by purchasing stuff from Tonemob.com/reverb Tonemob.com/sweetwater or grabbing your guitar/bass strings from Tonemob.com/stringjoy Release your music via DistroKid and save 7% by going to Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

Do you mod your instruments?This week your favorite Gearbuds complete the decade-plus tone transformation of Hank's Gibson SG with the final piece of the puzzle, a Graphtech bridge. Spoiler: even seasoned Gearboomers make extremely stupid (and easily fixable) mistakes.Also discussed: a rare vintage Gibson EB-6, controversy with Blackstar and BluGuitar, the Boaz Guitar Kickstarter saga, Rock Camp, vintage Jazz Bass (Jazz Bazz) updates, Way Huge Attack Vector pedal, and the Audio Sprockets Tone Dexter II.Heavy and Loud.

Johnny Stachela is the firey slide guitar player from the Duane Betts Band, The Allman Betts Band, The Allman Family Revival, and many other renowned projects, all the while sporting his SG into his Fender Super Reverb and causing mayhem. Today they talk about the Allman Brothers, Dickie Betts, gear, and gristle!2:17 - Playing with Duane Betts, and how Johnny fell in to playing with the Allman Family Revival, and early influences8:08 - Growing up a young bluesman in high school14:07 - When the SG takes hold of Johnny, and how to avoid guitar hoarding20:50 - The early days of the Fender Super Reverb (the amp world's best-kept secret), and the pains of inflation28:41 - Playing in different tunings, hanging with the old guard of the Allman Brothers band, and vintage guitars36:16 - Dickie's signature sound, how he achieved it, and the intricacies of different Allman Brothers parts47:33 - The Allman Family Revival set list, Johnny's 2023 calendar, and the complexities of record deals52:12 - Johnny's thoughts on the “music game” in 2022Total Length: 57:37Fishman Dedicated to helping musicians achieve the truest sound possible whenever they plug-in. Wildwood Guitars One of the world's premier retailers of exceptional electric and acoustic guitars.

Bienvenidos a un nuevo programa de Los Vinilos de Barbarella, en esta ocasión queríamos sorprenderos con un disco y un grupo vulgar, poco conocido y pero evolucionando. Bromas aparte, hoy tenemos a uno de los más grandes de este estilo musical. 28 de febrero del año 2000, llega Stiff Upper Lip, el decimocuarto álbum de estudio realizado en dicho año por la banda australiana de hard rock AC/DC. 'Give It Up' y 'Can't Stop Rock n' Roll'. Fue esa su vuelta a los estudios de grabación, después de años de ausencia. Hablemos de la banda, aunque creo que no es muy necesario: AC/DC es una banda de hard rock británico-australiana, formada en 1973 en Australia por los hermanos escoceses Malcolm Young y Angus Young. Sus actuaciones en vivo, vibrantes y exultantes espectáculos de primer orden se debe al extravagante estilo de su guitarrista principal y símbolo visual, Angus Young, y sus despliegues escénicos uniformado de colegial callejero. En 1974, la llegada del cantante Bon Scott se convertiría en una pieza clave del éxito del grupo. Su presencia en escena, lo convirtió en uno de los personajes más carismáticos de la historia del hard rock. La formación se estabilizaría con Cliff Williams (bajo) y Phil Rudd (baterista). Con cuatro décadas de trayectoria, la banda ha superado los cambios en la alineación, la pérdida de históricos miembros, la controversia sobre su imagen y letras, y el constante cambio de las tendencias musicales, para convertirse en la actualidad en una de las bandas más importantes e influyentes de la historia. La idea por parte de DRO Eastwest era convocar ese día a todos los fans en el Madrid Rock de Gran Vía (ya desaparecido) con la golosina de que, por cada CD que se comprase, te entregaban un formulario donde, poniendo tus datos, podías entrar en el sorteo de una Gibson SG firmada y... ¡¡atención!!, esto es lo importante: una estatuilla en dos dimensiones muy, muy rara (existen muy pocas), de donde, a partir de ella y una litografía en una dimensión, los diseñadores sacaban la portada del álbum como producto final.

This week Jeremy interviews Cody Votolato of The Blood Brothers, JR Slayer, Head Wound City, Waxwing, and more! On this episode Cody and Jeremy discuss growing up in a rural part of Texas and moving to Washington, discovering Drive Like Jehu and Jawbreaker, meeting the other members of The Blood Brothers, Gibson SG's, forming the Blood Brothers sound, the first show he ever played, recording with Jake Snyder from Minus the Bear, joining Waxwing, working with Matt Bayles, when Justin Pearson saved his band, being approached by Ross Robinson, signing to Artist Direct, the first Blood Brothers tour, the release of March on Electric Children and Burn Piano Island in the same year, getting to work with Guy Picciotto from Fugazi, Matador Records, the genesis of Head Wound City, what inspired JR Slayer and how it formed, working with Will Yip, and so much more!  SUBSCRIBE TO THE PATREON to hear a bonus episode where Cody answered questions that were submitted by subscribers! Follow the show on INSTAGRAM and TWITTER Want some First Ever Podcast merch? Click here!

The twins discuss Chris' guitars and their inherent personalities throughout this episode. Chris is going to be a grandfather again and Roger is going to be a first-time grandfather. But there's more: A misplaced lecture from a nun, the choice to respond correctly, recent gigs, a song snippet from the archive and much more. SHOW NOTES: 0:00 - Song snippet: "Same Old Thing" by Chris Yale 2:40 - Greetings / Chris' guitars: Voices and tunings / Orangewood / Alvarez / Yamaha Pacifica / 1978 Telecaster / Freedom Guitar Hollywood 5:36 - About "Same Old Thing" 6:13 - Sister Kathleen got it wrong 8:00 - Holsum Bread 9:14 - Episode 65 with Fred Berney 9:55 - The Grandfather Club- Chris and Roger 12:19 - More about the Coffee House scene / Brill Building songwriters: Carole King, Cynthia Weil / Barry Mann / Andy Kim / Jeff Barry / Holdouts from the Folk scene 13:57 - The rocking chairs at Baptist Hospital, Miami 14:41 - Deciding to play music / Drums and piano / Boogie-woogie piano 17:35 - Sound settings at LuLu's North Myrtle Beach / Requests / North Myrtle Beach RV Resort and Dry Dock Marina / Old Bull and Bush Pub / Schlepping and sound / Cubase and DAW 22:47 - "The Season" in Myrtle Beach / Recharging and getaways / Weed 24:09 - It's never too late / Time will pass anyway 24:30 - More guitar talk / Ovation / Takamine / Alvarez / Oscar's Gibson SG 25:43 - No apologies / Let guilt transform you / Screw guilt? / Al Goldstein / Cigar shows / Mickey Rooney / Star-B-Que / Roy Moseley 27:40 - Commercial auditions / Agents / Ann Wright Agency / Margo Vann's photos 29:00 - Missy the cat looks like Babs 30:36 - Our attitudes and responses / Roger's BLOG POST about that / Viktor Frankl / Chris' mea culpa rant 34:08 - More about Chris' guitar voices / Morgan Spruce / Morgan Spurlock / JP Morgan / Morgan Fairchild 35:39 - Canal Street Stradivarius 36:44 - Status nonsense / Play what you like / Lugging heavy gear to bars / Guitar is passe / Music technology 39:00 - "Songwriter" movie / "Ishtar" 39:44 - Retail at the Brill 40:05 - Parting shots / Heaven / Hebrew National / Nathan's

The brief hiatus is over and it's back talking about our two host's favourite guitar; the Gibson SG! The boys had the chance thanks to a friend of the show (shoutout to Connor!) to borrow a 1963 SG Junior, so of course they were all over that! And of course that meant another excuse to break out Al & Kasper's personal SG's to humble brag about those too. Hey, if ya got it flaunt it, right? There's some catching up and some strange tales because of course there is, so listen in and enjoy!

Joe Reo returns to the show along with fellow Hidden In Plain View bandmate Rob Freeman to discuss the bands two new singles Wildfire and Temper. We also discuss:- what sparked the bands interest to write new music- how Joe and Rob learned to sing together- knowing when a song is gonna work for Hidden In Plain View- getting ready to play Furnace Fest this September- how Rob found his passion for recording and production- why all you really need in life is a JCM 900 and a Gibson SG- their plans for the future of Hidden In Plain View- the brain of a music producer (and how it differs from non-producer musicians)- being in high school ska bands & much more!Follow Hidden In Plain Viewhttps://beacons.ai/hiddeninplainviewhttps://www.instagram.com/hiddeninplainviewhttps://twitter.com/hipvnjhttps://www.facebook.com/HIPVnjCheck out the Power Chord Hour radio show every Friday night at 10 to midnight est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.powerchordhour@gmail.comInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg

Derek Trucks chats with morning host Matt Pelsor about the new Tedeschi Trucks Band quadruple album project I Am The Moon that comes out in stages throughout the summer. They talked about his unique style of playing, and when he realized he had a style all his own. Finally, Derek explained just what it is he loves so much about his preferred guitar, the Gibson SG. Tedeschi Trucks Band plays TCU Amphitheater at White River State Park on Tuesday, June 28th

Dust off the the turntable!  We're about to take you on a sonic journey back to the days of vinyl records and cassette tapes.  We will be analyzing our favorite songs that start an album!  We'll talk the “double tap” that introduced us to the Gods Of Rock, Timmy Ruxspin's unexpected love of a Portland Indie Alt-Rock staple, Marc's never-ending thirst for the Gibson SG, the unmistakeable “snap” of Keith Moon's drum fills, and how a legendary backup vocal track was recorded at 3am by a pregnant woman, in pajamas, with curlers in her hair. --- Support this podcast: https://anchor.fm/theitlistpodcast/support

This week the guys decided to sit down and go through their picks for the greatest guitar of all time, the Gibson SG. The boys are joined by their good friend and fellow SG fanatic Eric Merrow who took a break from making the awesome demos for his YouTube channel to join in on the SG loving. Enjoy! https://instagram.com/ericmerrow?utm_medium=copy_link https://linktr.ee/ericmerrow

Created in 2018, this Fun Box track is one of a particular collection of songs created in the Fun Box Podcast Studio Garage. This Song features Joe Messer on Lead Guitar with a Gibson SG and a Fender Blues Jr. amplifier miced with a Shure SM58 microphone. Live Drum track was performed and recorded by B.Bunn on Soundcloud. Track used Logic Pro on a Macbook with a Mackie FX12 usb mixer. all other instruments and vocals performed, produced and Written by Rob Webb. Oh yea and I played the tamborine. Word to your mother.

In this week's cast we talk about how much fun the past week was and how Brody's week was the LEAST fun. Brody throws us back into a Family Fued scenario, Ryan does a radical #becauseArt and Dave disseminiates the Queen of Rock and Roll and origins of the Gibson SG!

Jeremy Short sits down with Brad Goodall on this week's episode of the Whizzbang Podcast. Original recipe singer-songwriter and genre-bending guitar blazer, Kentucky native Jeremy Short, has quickly risen to the top shelf of must-hear players on the scene. GIven an Gibson SG, by his grandfather – a well known Methodist preacher, Short recalls with a laugh, “he handed it to me and said – let's not make this a full time thing”. First making a name for himself as the solo-ripping sideman of the red-hot Americana act, “Sasha Colette & The Magnolias”, then front man and lead guitarist of the horn-fueled R&B band “Downtown King”. Now he has found his home and what he calls “his own thing” in Short & Company. Leaving his soul on the floor, and yours in shreds, “Ain't That Workin”, “Bartender” and “Set in Her Ways” show why Short is a 2 Time Semi-finalist, and 2019 competitor at the International Blues Challenge, a competition featuring the best blues acts from around the globe. But blues aren't his only groove. One spin of Lost in A Spin, released March 2018, and Short will have you eating from the palm of his hand. With dance club ready R&B hits like “Shake It Off”, “You & Me”, and lead single “If The Spirit Moves You”, Short encourages you to forget the stresses of the 9-5 chaos, and get lost in his music. “Sometimes, you just gotta dance to get it out. So if you feel like dancing, dance. If you feel like singing along, do it. Do what feels right.” Gearing down and getting candid about life in coal country with “This Mountain”(written with former Sasha & The Mags members, Sasha Colette and Steve Barker), “Fast Eddie”- the story of a good guy who can't kick his habit and get his life together, “Barefoot Beauty”, a ballad about a “heart of gold that loves to sin”, and the gut-wrenching closer and only acoustic track, “Mountains of the Like”, Short manages to deliver an entire album of raw, untailored glimpses into life in small town Appalachia. Touching on the throes of addiction, his shameless love of a strong willed woman, and his need to escape and hit the road, Short is unafraid to share both where he's coming from and what exactly he is hoping to accomplish. Having already notched his belt with festivals like Bonnaroo, Mountain Music Festival, FestivALL, Kickin It On The Creek, & Whispering Beard, as well as direct support for the likes of Taj Mahal, Robert Cray, Marcus King Band, & Rev Peyton & The Big Damn Band, the future is looking bright for both Short — and his Company. Follow Jeremy Short Facebook: https://www.facebook.com/shortandcompany Instagram: https://www.instagram.com/shortandcompany/ Youtube: https://www.youtube.com/channel/UCGw9WY4CfQ5nmsnmuEVTDeg? Follow Brad Facebook: https://www.facebook.com/BradGoodallM... Instagram: https://www.instagram.com/brad_goodal... Follow WhizzbangBAM Website: https://whizzbangbam.com/​ Instagram: https://www.instagram.com/whizzbangbam​ Facebook: https://www.facebook.com/whizzbangbam​ Spotify: http://bit.ly/WhizzBangBAMSpotify

Dr Bill Lumsden is the Director of Distilling, Whisky Creation, and Whisky Stocks for the Glenmorangie and Ardbeg distilleries. He's been named Master Distiller of the Year by the International Whisky Competition five times in the past six years. He is also a passionate and astute music fan with eclectic tastes and a penchant for the unconventional. In other words, he's our kind of guy! In this episode, Dr Bill shares a wealth of insights into his creative process, his motivations as a distiller, and his diverse musical sensibilities, as well as his thoughts on whose hands in which he believes the Gibson SG achieves its tonal apex.

Have you ever noticed how some SG's have Les Paul's name and other's don't? Ever wondered why? Me too. Let's talk about what happened.   - To learn more about and connect with all that Tom Doyle and the team are doing, check them out with the links below!  web: www.doylecoils.com  insta: @doylecoils  Facebook: @doylecoils  twitter: @doyle_coils_PAF  -  Gibsunday Merch store Come join my Facebook group Instagram Facebook Page Twitter Contact: rock@gibsunday.com --- Support this podcast: https://anchor.fm/gibsunday/support

This week Spenser and Britain dive deep into Pikes 37-39 (Hollowed Out, It Smells Like Frogs, and Twisterlend)  and also talk about MIDI controllers in the rain, the best buttrock band, Jon Schaffer of Iced Earth being wanted for domestic terrorism, who's playing guitar for Ozzy?, Hellyeah! doing cocaine at Golden Corral restaurants, Spenser's Gibson SG, the death of the Chinese buffet at the hands of COVID, tuning pedals vs. clip-on tuners, strippers who dance to Korn, where's the coolest place to be found dead?, The Expanse, Linkin Park, Nickleback's Google commercials, Gone in 60 Seconds (2000), Kanye's divorce, Johnny Mnemonic, a St. Anger Karate Gi, Angelina Jolie's neck, Saved By the Bell (2020), Aunty Donna, and becoming part of a grocery store community. Support the show (https://www.patreon.com/gettinhead)

17 Desde su primera guitarra, una Gibson SG, hasta su mítica PRS Multifoil, Juan Carlos y Javier se sumergen en el mundo sonoro de Gustavo Cerati, junto al músico y productor argentino, Luciano Basílico, con quien descubren los efectos, sonidos y la evolución como guitarrista en Soda Stereo hasta el disco “Languis” (1984-1989)

Another solo episode, I talk all about Derek Trucks' main guitar, the Gibson SG. Referencing videos and articles, I broadly cover the iconic instrument's history, famous players, and of course some of Derek's specs on it. The Gibson SG certainly has it's place in music history, and so does Derek Trucks, who believes used and road-worn SG's always seem to sound the best. https://www.youtube.com/watch?v=QYLxsXXnmj8  https://en.wikipedia.org/wiki/Gibson_SG https://guitar.com/guides/essential-guide/oral-history-gibson-sg/ https://www.groundguitar.com/derek-trucks-guitars-and-gear/ http://instagram.com/tedeschitruckspodcast http://instagram.com/adamchoit http://tedeschitrucksband.com

If Nat Freedberg's voice sounds familiar, it may be because you've heard him on this podcast way back on EP32, when I interviewed his band, The Upper Crust. Of course, back then, he wasn't speaking as Nat, he was speaking as his character, Lord Bendover, the snarling 18th century aristocrat in a powdered wig and finery that wielded his Gibson SG like a rocque n' roll weapon. That band got some national exposure on the late night talk show circuit, opened for Tenacious D, and, as Nat mentions here, nearly had their own reality show. Freedberg was somewhat relieved when that didn't work out, and he's very happy to talk as himself here, avoiding the pressure of having to improvise as a character that was a lot more fun to play onstage than off. Unfortunately, The Upper Crust is no longer a going concern, on a kind of permanent hiatus. The good news is, that means we get Freedberg's first solo album after almost forty years rocking in bands like the Satanics and the Titanics in the Boston scene. And it's worth the wait. The adjective that pops up most in reviews of Freedberg's Better Late Than Never is “tasty,” and that's well deserved. It's still a rock album, but one with a lighter touch. Guitar drenched in rich tremolo weaves around electric piano on the opening track, “Devil Rockin' Man.” There's a more earnest, occasionally optimistic tone that Lord Bendover would never cop to on songs like “Only Takes A Minute,” “If That's the Way You Want It,” and last week's featured track, “Something Good About Love.” The biggest thing that doesn't change is those sweet, sweet riffs. Freedberg is skilled at filling the spaces between phrases with melodies and lines that really connect all the pieces and keep you humming long after the music stops. The album almost didn't happen when Freedberg suffered nerve damage and wasn't sure he'd be able to play again. He recovered with a new dedication to get these songs out into the world, and he's already working on the follow-up album. You can find more about the new album on Rum Bar Records' BandCamp site, and find more of Freedberg's stuff on his BandCamp site, and find more about The Upper Crust at www.theuppercrust.org. This week's featured track is “Colonoscopy Pt. 1” from Jim Breuer's new album, Live From Portland. I caught Breuer at last year's Comics Come Home benefit in Boston where he did an inspiring riff on life and death. Things got complicated over the holidays, but I finally caught up to speak with Breuer for a minicast that will be out next week about love and mortality, two themes which figure heavily on the new album. You get the tiniest of hints of that in this track. Colonoscopies are necessary, yes, but not fun. Unfortunately, I speak from experience on that account, but we'll leave that topic be so you can enjoy this instead.

If you are a fan of music or comedy, you should already know Geoff Edgers. He was a longtime arts writer with The Boston Globe before moving to The Washington Post, where he has written some extraordinary pieces on Roseanne Barr, Chevy Chase, Norm Macdonald, and the article that his new book, Walk This Way, is based on. He makes it clear he is a reporter, not an analyst. So what you get from his writing is the facts about fascinating subjects. You hear from both Chase and his detractors. You see text exchanges between him and Macdonald. You see Roseanne speaking publicly in Israel. He doesn't have to dress up a story because he knows how to show you the most interesting and relevant parts. There are some who say the subtitle to Edgers's book, Walk This Way: Run-DMC, Aerosmith, and the Song That Changed American Music Forever, is hyperbole. I can attest that it is not. I was in seventh grade when the Run-DMC/Aerosmith version of “Walk This Way” came out, and I could see the impact firsthand, starting with myself. We discuss this in the conversation, but I can tell you I was a kid who didn't think rap was music because it didn't have guitars or “real instruments.” That made me a prime target producer Rick Rubin wanted to reach, and it worked. Not just on me, but others I knew as a kid who reacted to that song the way I did. It opened up my world a bit, and if that didn't happen knowingly for everyone, it did make them shake their ass, which is a damn fine start. The conversation picks up with Edgers in his home office talking about a Clash podcast narrated by Chuck D, and how the timeline for how music changed from the 60s to the 80s moves so briskly. You can find him on Facebook and Twitter, read his work in The Washington Post and The Boston Globe, and find Walk This Way at Barnes and Noble, Amazon, Powell's Books, and all the hippest booksellers. This week's featured track, “Something Good About Love” by Nat Freedberg. Some of you might know Nat better as Lord Bendover from The Upper Crust, guest on EP32 of the Department of Tangents Podcast and hard-hitting purveyors of rocque n' roll who performed for years in their powdered wigs and finery. Freedberg has taken off the golden coat, but he still wields his Gibson SG, and he has put out an incredibly tasty solo album called Better Late Than Never. I don't want to give too much away before next week's episode, when you can hear about the Crust and this, Freedberg's first solo album in nearly forty years of recording music. But your homework is to listen to it in full, with all of its wonderful surprises, so you can full enjoy the episode.