Podcasts about lenu

A Tetralogia Napolitana de Elena Ferrante acompanha a vida de duas amigas de infância, Elena Greco e Raffaella Cerullo, conhecidas também como Lenu e Lila/Lina. Durante a leitura, acompanhamos as duas amigas desde a infância, em um bairro pobre de Nápoles, até a velhice, quando a Lila decide sumir do mundo sem deixar pistas. Juntas, elas crescem e amadurecem, descobrindo romances, desgostos, frustrações, alegrias, tristezas, sabores e dessabores da vida, enquanto aprendem quem são e como viver em uma Itália do pós guerra. Neste episódio, temos a estreia de Frango, nosso novo host, que recebe seus amigos Priscila Vanti e Kenny Mendes para analisar os quatro livros clássicos da escritora italiana cuja identidade vamos respeitar e mandar anônima. Lembrando que a tetralogia foi adaptada para a série "A Amiga Genial", disponível na MAX. Bom episódio!Esse episódio faz parte da campanha #OPodcastÉDelas2025.RecomendaçõesPnE 103 – Livro A Amiga Genial #OPodcastÉDelas2021PnE 104 – Série My Brilliant Friend #OPodcastÉDelasApresentação: Frango, Priscila Vanti e Kenny MendesPauta: FrangoProdução: Domenica MendesAssistente: Leonardo TremeschinEdição: Leonardo Tremeschin

"State of the Land" er. heitið á 6. solo-plátuni við Lenu Anderssen. Ellivu sangir eru á útgávuni, sum er tikin upp av Geoff Emerick sála í LAFX, í Norður Hollywood, USA, og í Studio 57 í Hoyvík, heima hjá Lenu og Niclas. Strúkararnir eru tiknir upp í FAME upptøkuhølunum í Makedónia.

Credits Banner: Suresh Productions Cast: Tarun, Arti Agrawal, Kiran Rathod, Laya, Sunil, Brahmanandam, Gundu Hanumantha Rao, Sararh Babu, Chandra Mohan, Sudha, Paruchuri Venkateswara Rao, K Viswanath, Ahuti Prasad Director of Photography: Sekhar V Joseph Choreographers: Suchitra Chandra Bose, Lawrence, Ashok Raj Art Director: Narayana Reddy  Editing: Marthand K Venkatesh, Madhav  Music: RP Patnaik Lyrics: Veturi, Kula Sekhar & Y Kasi Viswanath Story - Screenplay - Direction - Dialogues: Y Kasi Viswanath Production: D Suresh Babu Theatrical Release Date: 14th January 2002  Interesting Facts: too many - https://www.youtube.com/watch?v=mHZ_9JA5ylA&t=1065s&ab_channel=RajeshManne Writing/Direction: Writing is mish mash of 3 successful movies, yet somehow the movie works.  So basically the story is two childhood friends realizing they have feelings for her each other and how they unite and their love wins everyone over is a time tested story. This is literally the plot of Nuvve Kavali.  So two friends falling in love plot is Nuvve Kavali  Ahuthi Prasad hates Chandramohan family for not marrying his sister and marrying someone else - literally Srihari from Kalisundam Raa  Tarun sacrifices his love in climax for greater good of the two families as he didn't want to break the friendship - Nuvvu Naaku Nachav Venkatesh  It literally mixes all 3 movies and presents it to you as Nuvvu Lena Nneu Lenu. To make a difference, the finance/busuiness angle is there as well as the presence of K Viswananth.  Since this is a Suresh Productions banner and because the director worked for Kalisudnam Raa, the comparison and influence is inevitable.  Despite that, the leads have very good chemistry yet I felt the way that they like each other was a bit unconvincing. Only after their Panama says you two should marry, then they start taking it seriously but I guess they always liked each other.  Aarti Agarwal character is the best written character as the emotion in the film stems from her. Kasi Viswananth merged all the themes of friendship, love, and sacrifice seamlessly and then added his own comedy track to keep you entertained. Sunil is the biggest source of entertainment in the movie and his comedy keeps you laughing like anything  Two things I really liked were set up and pay off of the following:  Piggy bank: Sarat Babu gives the little girl money in the beginning for her bank and then when they are in financial troubles, the little girl comes back and says use this money. Heart touching moment  Necklaces: they have matching necklaces I think, so when Tarun jumps into the water to get  it back, it shows that he does really care about Radha and this is actually the moment she realizes she actually has feelings for him. The love starts here.  Another thing I really liked was hero's name is Radha and girls name is Krishna, so symbolically they are saying they are eternal lovers.  Direction by Kasi Viswanath is very good. I can't explain it, but its so well directed, emotions are so good, and most of all movie is so entertaining you never feel bored. Also since this is a musical hit, the elevation scenes are the songs much like Nuvvutonante Nenoddantana and many other films. His creative inputs and writing was excellent in his first film, and after 22 years we still remember the movie, that must mean he did an extraordinary job which he did.  Music and BGM by RP Patnaik is CLASSIC RAA AYYA, each and every song is a classic, the only song I dont like is Chi Chi Bulamma sounds funny and isn't as good as the others. My favorite songs are Ela Ela Ela and title song, childhood memories. Nindu Godari is also too good and then Edo Edo is also classic. BGM is too good. Elevates so many scenes and gives goosebumps. Classic that's it. 

Í sendingini práta Lena Anderssen og LEITISSTEIN um nýggju plátuna hjá Lenu, "State of the Land", ið er hennara sætta, og sum kemur út 26. januar. Vit spæla allar sangirnar á plátuni og lesa smsboð frá lurtarum.

Tanti Lenuța, bunicuța din Chinteni, este poate cel mai iubit personaj din mediul online, după cum afirmă și Mircea Bravo. De ce? E simplu: a câștigat simpatia fanilor prin transparența și sinceritatea cu care abordează viața. Mereu grijulie și pusă pe rezolvat problemele în stilu-i caracteristic, bunicuța din Chinteni a devenit un personaj care nu doar ne amuză, dar ne și umple de nostalgie. Indiferent de vârsta celor care o admiră, tanti Lenuța găsește pentru fiecare câte un sfat și o vorbă bună. Un astfel de personaj nu poate decât să fie iubit de toată lumea! Fragment din episodul 9 al sezonului 3Vezi episodul cu Mircea Bravo aici:

Ce a refuzat Mircea Bravo să facă la propria nuntă! Care ar trebui să fie vârsta la care să fii considerat bătrân? Cunoașteți oameni frustrați, plafonați ori resemnați - Indiferent de vârstă? Ce-i face pe unii să se simtă în forță la 80 de ani și pe alții terminați la 40? Care sunt secretele unei vieți împlinite și cum poți să rămâi tânăr mereu? Cum rămâne vie o relație de căsătorie și după un sfert de veac? Am invitat doi oameni iubiți și îndrăgiți de o țară întreagă să ne împărtășească din experiența lor de viață. Au milioane de vizualizări săptămânal, au haz, carismă și transpun situații de viață în umor autentic. Comedie curată făcută inteligent. Dar dincolo de clipurile savuroase, regăsim doi oameni care au o relație specială și în viața reală: Mircea Bravo și Bunica din Chinteni. Cum a trecut Bunica din Chinteni peste cea mai grea cumpănă a vieții sale și ce sfat le dă persoanelor în vârstă. Cum a reușit Mircea Bravo să își împlinească visul și ce le recomandă tinerilor pentru a-și găsi drumul în viață mai ușor. Mircea Bravo și Bunica din Chinteni sunt astăzi și stari de cinema. Lansează deja al doilea film împreună. Cum e noul film „Nuntă pe bani” și când îl putem vedea? Urmăriți Duminică, de la 17:00, la iTHINK cu IUSTI FUDULU la Antena3 CNN, un interviu de suflet cu Mircea Popa - Bravo și Elena Moldovan - tanti Lenuța - Bunica din Chinteni.

Burna Boy will be the first African artist to headline a UK stadium show when he performs at the 60,000-capacity London Stadium this summer. It's the latest sign of Burna's starpower and Afrobeats exploding popularity.The Nigeria-born artist is one of the genre's biggest stars. Burna has reached this level because of consistency (six albums in nine years), savvy performing strategies, and a headliner mentality. To break down Burna's rise, I talked to Denisha Kuhlor, founder of Stan, which helps artists identify and grow their fanbase. Stan has used Burna show giveaways to develop insight into his wide-spreading fanbase. Here's what we discussed:[3:05] What sets Burna Boy apart from other African artists[6:26] Burna's show at London Stadium[7:26] The Burna fanbase[7:52] Streaming era impact on African music[11:56] Returning to Coachella after 2019 drama[17:05] How Ye incidentally helped Burna break out[19:16] How fame is perceived in Africa vs US[20:45] Fans of Africa's “Big Three” artists battling each other[21:50] Burna's “contested” Madison Square Garden sellout[24:11] Possible missteps in Burna's career[27:54] Projecting Burna's future shows[32:20] His best career move[38:03] Building record label infrastructure in Africa[44:06] Five-year prediction for Burna's careerListen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Denisha Kuhlor, @denishakuhlorThis episode was brought to you by trac. Learn more about how artists can bring web2 and web3 together for their fans at trac.coEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.TRANSCRIPT[00:00:00] Denisha Kuhlor: I think it was interesting, him being so vocal in the approach he took, I think a lot of, Ayra Starr did a documentary for Spotify and she's quite big, especially within West Africa. And she talked about touring in the United States for the first time, and she basically said that she viewed it as an opportunity to make someone her fan, right?[00:00:19] Like, just by someone attending her show, her goal was to convert them into a fan. Whereas, Burna definitely takes the approach of, "you should either already be one or recognize my fan base for what they are." I think in his case he's lucky cuz he's been able to back it up. especially when you look at Coachella to now.[00:00:40] but definitely a, an approach that's consistent with his brand. [00:01:11] Dan Runcie Guest Intro: Today's episode is a case study style breakdown on the one and only Burna Boy. I was joined by someone who is a near expert when it comes to the world of Burna Boy, and that is Denisha Kuhlor, who has been on the pod several times, and she is the founder of Stan, where not only does she focus on how artists can engage their fan bases, she's actually been involved with ticket giveaways for Burna Boy's upcoming stadium show in London. So she has insights into what these fans are like, what are some of their preferences? And we talked about all that and more. We broke down, Burna Boy's rise. What are some of the key things to his success? What are some of the challenges? Talked about some of the other moments that he's had that we wanted to talk about.[00:01:57] Where does that stand with him? What is his standout moment and where things could really go for him from here on out? Really great conversation. If you enjoyed the one we did on Cash Money a couple weeks ago. This is something similar, but about an artist who is really having this moment right now, and we broke it all down.[00:02:12] Here's our breakdown on Burna Boy.[00:02:14] Dan Runcie: All right, today we have our case study style breakdown on the one and only Burna Boy, and who else is gonna join me then? Someone that understands him and the work that he's done in and out over the past few years. Denisha Kuhlor Welcome back to the pod.[00:02:29] Denisha Kuhlor: Thanks so much for having me. [00:02:30] Dan Runcie: Yeah, and I wanted to talk to you because you wrote that piece in Trapital several months ago, talking about how artists who have relied on music festivals, maybe there's something that they may regret down the road in terms of actually getting in there and building the true fanboy fan base. And you used Burna Boy as an example of someone that went through this and obviously he's blowing up. He's had a huge year and we've now seen so much growth, especially in the past few years of just how so many African artists have been able to rise and grow platform.[00:03:05] But Burna Boy has clearly been able to hit levels that many others haven't. What do you think it is that has set him apart?[00:03:13] Denisha Kuhlor: Yeah, I think one, just Bruno boy is very compelling, as an artist. I've seen him perform, last year twice. his Madison Square Garden show. Then I got to see him at, Afrochella now, Afro Future, in Ghana. And one, he is a live band, as crazy as that sounds, I feel like that's rare and rarer these days. as consumers, it kind of feels like we've gotten used to maybe a DJ or kind of that accompany accompaniment. So the live band aspect is a huge one for me, and I think he's very compelling on stage and has great, charisma. and then lastly, I kind of feel like he was everywhere this year.[00:03:53] You couldn't really. Escape him, whether it was last, last, as a hit or, him touring so much of the United States. I feel like if you didn't know about Burna boy, maybe a year or two ago, last year was definitely just a true breakout year for him on the global stage. [00:04:09] Dan Runcie: Yeah, I think that makes sense. I think there was a couple other things that stuck out to me too. So he has been able to position himself as a leading man. I am the person that's headlining. I'm not just gonna be the person opening for the artist. gonna be the person that is doing the guest first.[00:04:27] And I do think that's some of the other artists who rose up from Africa, they have done a bit more of the, "okay, let me jump on the Drake verse. And then that becomes Drake's or things like that." although I know that Burna has done several guest appearances and feature shares, it hasn't been in that same way.[00:04:45] And I think he's still just been so focused on himself in that way. And of course it could take a little bit longer to develop, but it's almost like how in Hollywood you may see someone that is always positioning themselves as supporting acting roles. If that's where you're taken to blow up, it could be hard for the industry to see you.[00:05:04] The lead actor, but if you're willing to do the lead actor roles for the smaller things and you get the right thing, then you become seen as the lead actor on the big I feel like that's [00:05:14] been his experience. [00:05:15] Denisha Kuhlor: I'm totally aligned with you when, just based off you talking about that makes me think about some of his features on the continent. And he's largely broken those artists, right? You look at Bnxn,formerly known as Buju, right? [00:05:27] And the Lenu remix who was signed a Burna. I first heard about Amapiano,because Burna Boy got on the Spoon, No No remix, and one of the biggest breakout stars of the continent, Asake, the Zumba remix, this year. So I agree, I think he's positioned his features as more as like, let me lend a helping hand and let me get your distribution and your visibility. But if I was. In African artists or emerging artists from the continent vying for a feature in some ways, I'd probably wanna Burna feature over potentially a big artist from the west. [00:06:04] Dan Runcie: Yeah. And I think a lot of that is with his. And his persona, and we can get into that in a minute, but I that played into a lot of this. And as you said, he's been every run the past year and we're setting stage for an even bigger 2023 where he will do his stadium tour at London Stadium, the first African artist, a headline and do that.[00:06:26] What does that mean for his career?[00:06:28] Denisha Kuhlor: Yeah. One, I think it's just huge and a testament to how far music from the continent has grown. I think, you know, you look at the story or how people paint the narrative of how music from the continent has grown. And so often it's kind of like, oh, there's a population of people here or there's little, you know, subsets of people that are interested in the music.[00:06:51] Whereas now, it's makes it very clear that this is world music, right? This is pop music in a lot of ways in that people have embraced this music in the same way you look at, Latin music, right? And people are singing whether they know Spanish or not. I think it's really a testament to the ability to do that. So it's very exciting. [00:07:13] Dan Runcie: Yeah. I think you've also had a front row seat to this as well, because with your work at Stan, you've been doing ticket giveaways and things like that to really tap into who the Burna Boy super fans are.[00:07:26] Denisha Kuhlor: Yeah, so we've found two things working with Burna Boy fans or Burna Boy fan pages. Is that, or maybe even three. I find that one you have the fan that maybe, it reminds them of home. So typically a fan with roots or ties back to West Africa or Africa more broadly, who's now living abroad or first generation, but there's a sense of nostalgia or home as a result.[00:07:52] I think you also have fans that are like learning or being introduced to, Africa. Through his music, which has been really fascinating and really cool to see us talking to a fan, based in France, right? That like taught herself pidgin and like wants to visit Nigeria because she's such a big Burna boy fan.[00:08:11] and that's also really, really cool to see. And then third, I think you just have like hometown pride, right? Like you look at people in Lagos or even other African cities and people are just really, really proud of what he's been able to do. So it's interesting seeing all the subsets of fans together.[00:08:29] Denisha Kuhlor: But as someone who's attended his shows, I think it's exhilarating when you watch it all come together. [00:08:36] Dan Runcie: And just for some context for the listeners, what does your giveaway entail and what does that process look like?[00:08:43] Denisha Kuhlor: Yeah. So, we run live interactive trivia games that allow us to test a fan's knowledge and how much they actually know about the artists. So everything from lyrics to questions that fans would only know if they watch music videos to general information about Burna boy that you probably would only get if you read his interviews [00:09:04] or you just deeply know about him. Every time we're crafting these games, I actually learn so much more about, these artists that we work with. And so I say that to say, I'm continuously surprised not only by his fans' knowledge of his music and his lyrics, but also how intentional they've been about truly learning about him and what they feel he represents. And so I feel like he's done a really good job of being consistent in that narrative.[00:09:32] Dan Runcie: I think too, one of the other things that really works in his favor is that in the rise of the streaming era, we're seeing the rise of local repertoire and local language artists being able to rise and not just have to rely on Western cultures. And I think that the music industry has shifted a bit, or at least from a mentality perspective, and you could see this on the Spotify daily charts.[00:09:56] You can see there's so many places where there were so many artists who were used to being able to have that global footprint of essentially exporting their music elsewhere than making so much money they're now seeing less and they're seeing less because a lot of these artists are being able to do it themselves, and it's not just.[00:10:16] Burna Boy's being able to do this in West Africa, but he's being able to do this in France, which has, you know, a large West African population and some of these other corners of the world that do, and I'm curious to see how that will continue to develop, because you know how the diaspora and certain regions that.[00:10:34] You see more fans of West African artists than just West Africans in general, and how that will align with where someone like Burna Boy continues to tour and where some of the bigger concentrations of his fandom end up being.[00:10:49] Denisha Kuhlor: Yeah. I think, you know, interestingly enough, like he also probably benefited from the rise of like macro things that maybe couldn't plan, but like one black panther, right? Black Panther, like reignited people's curiosity about Africa and maybe in a way in which, they hadn't thought of before you look at things like the year of return in Ghana in 2019 and this bridge or this desire to have a bridge between black Americans in the United States and you know, people in Ghana.[00:11:18] And I think all those like, factors made people, got people excited and got excited in a way that his music just set the stage. If you came to Ghana in 2019, you were gonna hear br boy and people were gonna take it back, right? [00:11:33] Denisha Kuhlor: Davido said it best. He said, you know, Afrobeats will succeed because in America, everybody has one African friendand whether you realize it or not, like, you are exposed in some way, and I think as people's proximity changed and curiosity about each other and where people are from grew, especially as it relates to Africa, he really benefited from that. [00:11:56] Dan Runcie: That makes sense. That makes sense. And I think the other thing too, that I think about for him this year, he of course has the huge stadium show in London, but he's also coming back to Coachella and very famously back to Coachella after being quite upset in 2019 about the size of his name on that Coachella poster. And this day, this year, this time around, his name is much bigger. Still not a but I'd be curious know what you think, like how he must have felt about that process. Was there some level of buy-in? Because I could see at his level him thinking that, okay, I'm a superstar. I should be a headliner. But if they're now putting him on that second line right under the headliner, then how that may affect him. Obviously it's still great placement, but. Yeah.[00:12:45] Denisha Kuhlor: Yeah. You know, it's interesting and I remember when that happened and in some ways I think it probably helped his brand and really showed like it was a testament to the type of artist that he desired to be. I do, you know, think it's interesting because you do see within Africa stars that are huge, right?[00:13:04] And maybe they're numbers, quantitatively don't show up on the Spotify charts, they're on YouTube or they're on other platforms. there's still quite of downloading, that exists within just Africa as a whole. So sometimes we don't necessarily see an artist as set the way we would, maybe with an artist in the States or with a huge listenership in the States, from a charts perspective or immediately.[00:13:27] But I will say is I think it was interesting, him being so vocal in the approach he took, I think a lot of, Ayra Starr did a documentary for Spotify and she's quite big, especially within West Africa. And she talked about touring in the United States for the first time, and she basically said that she viewed it as an opportunity to make someone her fan, right?[00:13:48] Like, just by someone attending her show, her goal was to convert them into a fan. Whereas, Burna definitely takes the approach of, "you should either already be one or recognize my fan base for what they are." I think in his case he's lucky cuz he's been able to back it up. especially when you look at Coachella to now.[00:14:09] but definitely a, an approach that's consistent with his brand. [00:14:14] Dan Runcie: Right? Because I think that part of it too is there's clearly a western skew for a festival like Coachella. I know that when Burna had complained back in 2019 about where he was, people had shown where Kendrick Lamar was, I think it was 2012, and how small his name was compared to him being a headliner several years later.[00:14:35] Denisha Kuhlor: The difference there though is that Kendrick Lamar is from Compton, which is which is driving distance to Indio, California where Coachella is, versus Burna boy may have numbers, may have the base, it's is that base, if they're not a strong contention of them in the in Southern California, are they going to be able to get there?[00:14:58] And I do think that the fact that he is, you know, second because this year you're headliners, unless someone pulls out, you never know what happens. But, right now your headliners are Frank Ocean, Bad Bunny, and Black Pink. So he's, you know, just under there. So you never know what could happen. Things shift all the time, but I assume if based on his placement, it must be a pretty decent size bag as well.[00:15:21] At least I know for the headliners, the last I checked a few years ago, they were getting paid 4 million per weekend, which totaled 8 million total. so that's what I would assume the payday would be for, Bunny, Black Pink and Frank Ocean, but then that next row down probably isn't too far below that.[00:15:40] I mean, I'm sure it is less money, but I don't know how much less.[00:15:43] Sure. Yeah. Yeah. And when you look at like negotiating from just a hard tickets perspective, in terms of what he's been able to drive from last year alone, he definitely had some strong leverage from a negotiating standpoint.[00:15:57] Dan Runcie: definitely. And with someone like him too. I know that we've talked a lot about artists and how they're able to develop true fandom, and I think true fandom is the people that are showing up at your. Concerts and they know the words of everything and not just singing the TikTok part that goes viral that we've seen from whether it's many artists that have experienced that, that have had TikTok hits that have blown up.[00:16:24] How do you think that impacts someone like Burna boy, I don't necessarily feel like he is making music, quote unquote for TikTok. I know a lot of the stuff that blows up their artists don't have any control over, but how do you think that skews, like how do you think that soc or short form video has played a factor, if at all, in his career and his rise?[00:16:44] Denisha Kuhlor: Yeah, I think a few ways, one, touring, right? I think people want to go to a Bea boy show even if they haven't seen him before or only know a few songs. So I think it's definitely been really, really helpful there. I don't know how many, people know, like the story behind Ye, one of his breakout hits, but like SEO just like really helped him.[00:17:05] So he had the song, Ye. It was already uploaded to streaming platforms, and then Kanye came out with his album. . And so a lot of folks search for Kanye's album, but his, was still like ranking pretty high on Spotify. They actually released a video that that day or around that time thinking, thinking Kanye, for, for the album name.[00:17:25] So I do think in, this is what's so interesting. He's very true to himself in the sense that he's definitely not an artist that like hopped on those trends, right? Like TikTok is not really potentially his thing. he's not gonna be doing any TikTok dances, so he's still been authentic to himself. While I think galvanizing his fans or letting his fans know, he appreciates their effort and I believe his fans look at it more so it as like, let's spread this message, regardless of his participation.[00:17:58] That's something I always get from his fans specifically, it seems like you have different artists, with fan bases. Like the Barbz need Nicki to participate, they want Nicki to participate, right? [00:18:09] Whereas Burna fans, I feel like they do their own thing. They know the temperament of the artists and what he likes to do, and so they don't, they're not really like rushing for him to, adopt maybe some of those technique. [00:18:23] Dan Runcie: And that's an interesting breakdown. Do you think that any of that is compared to where the artist is from or just the nature of their fans? Thinking specifically about the Barbz versus Burna Boy's fans.[00:18:37] Denisha Kuhlor: Mm. that is interesting. You know, I can't say with certainty, but what I will say and as I've spent more time in Ghana is that there's a level of familiarity. I find, past, maybe, I don't know what it is, but past like, experiences that maybe invoke a certain socioeconomic status. There's a level of familiarity, that you'll find these artists like I've definitely maybe seen, or you can be in spaces with so many of these artists just casually like going to a restaurant or, you know, like you living your.[00:19:16] And, I do think that invokes a certain sense of familiarity in which fame is perceived differently here. like in Ghana specifically, you see a lot of, a lot of artists here with very little to know security. just like really doing regular things. it's very different, whereas the fame is more sensationalized it feels, in the states, like you can be in the club with Burna, he's walking up and there's not gonna be the, oh my god, Burna, like that kind of thing. It's very different in that way. So maybe that wouldn't really add much, at least to his core or his home base fans, because that familiarity is there. [00:19:56] Dan Runcie: Yeah, it feels a bit the closest thing that I would. You have in the US is Atlanta, where you would have the artists that are at the mall or you see them walking around and stuff. And it isn't necessarily the same level of frenzy, although that may be a little bit different now, but in like, you know, the nineties, two thousands, you would see them a bit more.[00:20:17] And I think there was a bit more of that vibe that felt a bit more natural like, you know, you go to Magic City or something like that and you would see someone. I think the other thing that is distinctive too with the US fans versus maybe some of the fans, others, is that online, I think you do see a bit more of that hive behavior, specifically from a group like the Barbz, where I think there's almost a falsification to them.[00:20:45] Denisha Kuhlor: And in that, I mean the reactiveness to the other side and what they're saying, and there's almost the galvanization of that and how the barbs can galvanize in Cardi B take down, or a snide comment of someone trying to come at Nicki in a way, but they that bit of catalyst to feel galvanized.You know what's interesting? I do find it that I do think that Burna fans and maybe the big three, so for folks listening, within Africa, the big threes typically referred to as DeVito, Burna boy and Whiz Kids. So they all have their, various fan bases. And the only time I really feel like that's activated.[00:21:27] Seeing how their artists are doing in the West and comparing. Right. So, you know, obviously with Burna winning the Grammy, but and I talked to you about this, like his, Madison Square garden numbers were quite contested. Like if you actually look at the Twitter account that shares,ticketing information. That one was like retweeted so many times because it was the fan bases going back and forth.[00:21:50] Like he actually did sell out MSG versus didn't he? So it's very interesting because while, you know, in some ways like his hyper localized approach in terms of the themes of his music is what's propelling him on the world stage. I do think these fan bases are very curious to see just how well they're doing and they use that as the point of comparison, as it relates to other African artist. [00:22:13] Dan Runcie: Wait, what was the contention that the fans had about the MSG sellout?[00:22:18] Denisha Kuhlor: Yeah, so there were a few things. One, they felt like there weren't enough seats available. [00:22:23] Dan Runcie: Oh, you did tell me about this. [00:22:25] Denisha Kuhlor: True . Yeah. Like it was a true sellout. And, at first folks didn't believe that he had sold it out. So, it's also interesting with fan bases because you're now seeing like novice or people, fans knew to wanting to understand how the industry works and also wanting to dig into what that means. But that, I think gave the confirmation that he did sell it out,and led to other fan base battles over the discrepancies. [00:22:56] Dan Runcie: Right? Yeah. Cuz you and I talked about this. It isn't like if someone just books like a music hall or a House of blues, purpose of that is for music venue. So the capacity's listed as the capacity, but for some of these sports venues, it could be very different because artists have such different set pieces and stage and production and you don't wanna perform with your back to people like yyou're gonna be different places. So [00:23:18] Denisha Kuhlor: Exactly. [00:23:18] Dan Runcie: You can't compare the sellout for a Knick's playoff game capacity and be like, oh, well that had more people than Burna Boy's selling out MSG. It's like, it [00:23:27] Denisha Kuhlor: Exactly. And that was a lot of, the conversation, which I thought was so interesting. But I also think it it came about because of how he branded it, right? One Night in Space was the name of that. It wasn't part of a tour, anything, it was just one night in space. And so there were gonna be a lot of eyes on that event, regardless.[00:23:48] Dan Runcie: Yeah, and you know, people always try to poke holes when they see something that surprises them that they probably wouldn't have, you know, seen otherwise.[00:23:57] So we've talked a lot about the things that Burna Boy's done well, how he's got to this point. Do you think there's any missed opportunities so far at this point in his career or anything that you've looked back on and be like, huh, I wonder if he did that differently, or even things that he may be doing after?[00:24:11] Denisha Kuhlor: Yeah, so, I obviously have a company around fan engagement, so some of the fan engagement has been interesting. I will say, one thing that's been, very pleasant for me has been some of his intentionality around connecting deeper with his fans this last album he did host quite a few meet and greets, and had people bring their albums or you know, even bring their kids and like that kind of thing.[00:24:37] I felt like he was really like seeing and touching people, which is something that in the past it didn't really seem like maybe he was open to or necessarily had the appetite for. So that was nice to see. It sounds like, or at least for me, the professionalism when it came to One Night in Space was also great. [00:24:56] the show started on time, ended on time. Can't necessarily say the same for some of his shows within Africa. And that can be due to a host of reasons, but it definitely does lead to, maybe folks will get different experiences. And that's what's so tricky in some ways about artists, in supporting artists.[00:25:16] He's also headlined Afro Nation, Afro Nation, Puerto Rico. They've pulled out the day before and he was replaced with Rick Ross, which upset a lot of fans. So, I say all that to say, I think. It's a Burna Boy production or Burna Boy affair. it seems like everything is phenomenal. and just A- plus end to end when there are other stakeholders.[00:25:41] The process doesn't always seem as smooth, at least for the end user experience, for the fan. so I, I think it sometimes becomes a question of like are we going to continue to pursue some of these opportunities with other stakeholders, whether that's festivals or, just some of these other events, right?[00:26:00] Denisha Kuhlor: Or are we going to take the bulk of our production or the bulk of our events or how a fan can interact with me from a live performance standpoint in-house, and control the end-to-end experience that way.[00:26:13] Dan Runcie: Yeah. And I do think that this strength weakness here lines up with the things that we're saying before, right? If he's someone that wants to be the lead, you wanna be the focus. You're gonna put more energy into the Burna Boy Productions and you may take a slight at things that are not that right. And I think it's unfortunate if some of that distribution skews between the things you do outside of Africa are the things you do in the Western world that do buttoned up, but then when you're back home it has less energy, less focus because yeah, your day one fans of your stans are gonna feel like, okay, well now that he's stadium status, what do we get?[00:26:52] Denisha Kuhlor: Yeah. and in fairness, you know, some of that is probably, you know, thanks to the regulation, like there is no coming on at 2:00 AM at MSG. Like they will set everyone home. You'll not be allowed to perform. they will charge you a fine. so there's also I think just some of the like, again, the standards upheld within these ecosystems.[00:27:12] But it breeds a dynamic that it's unfortunate and I think is happening just overall where consumers are privy to this at this experience. As a fan that goes to see a show, I don't really wanna hear the promoter and technical issues and like production. I paid my money, I took my money to see this artist.[00:27:35] So, now the fact that fans are being so exposed in a lot of ways to all the elements behind these things, not only are making them more sophisticated consumers, in deciding whether to patronize you again, but it's taking away some of the magic that was entertainment and like show business. [00:27:54] Dan Runcie: Yeah. I do think that for someone like him specifically, it is important to work on how could this product be the best that it can be? Whether you are doing it at home, whether you're doing it elsewhere, and obviously knowing where you're doing it elsewhere, you're involved with other productions, there's things that are gonna be outta your control.[00:28:13] And I know it's asking someone that is naturally more focused on putting more into the things they have more control into to still bring that same energy elsewhere. But hopefully, I'm sure that he wants to be eventually a headliner at a Coachella or a Glastonbury. I'm to do other stadium shows as well. That'll actually go to the next thing that I'll ask you, I think that if that's the goal, then some of that energy has to con continue there. So, two questions here, this is a two-parter. So the first one, obviously London is the first. Well, I don't wanna say the first, but at least it's the one of the biggest stages that he has had himself.[00:28:51] I think, you know, we'll see how many tickets end up being sold. I assume it'll probably be at least like 60,000 or so, just given the size of that place. But where do you think, if you could project where the next stadium shows would be based on his fan base, based on what you know, where do you think those would I would say Texas , somewhere in, Texas. I mean, Dallas and Houston have some of the biggest African populations, within the United States. And so when I think about that, not only do they have African, you know, or they're first gen or immigrant populations, but a lot of people have also been exposed just by proximity.[00:29:31] So I think, yeah, I think it would be either Houston or Dallas. Definitely somewhere in the States, I do think he could do somewhere else in Europe, but if looking at the data really does concentrate, at least in London and with the disposable income, I think that would allow for a show like that, for a show like that to be successful. Another thing about Burna that's interesting is, he's been touring. So a lot of these fans, you hadn't seen him two years ago. You definitely have had your opportunity to see him now. even when I think about, by the time I saw him at Madison Square Garden, I could have seen him at Afropunk right in New York as well.[00:30:14] He did summer or he was supposed to do Summer Jam. So there were like multiple opportunities, even just within New York to see him. So I wonder though, before he does that. There will be a bit of a, break, or at least new music so that the consumer feels like they're seeing something. [00:30:31] Dan Runcie: What about Paris?[00:30:32] Denisha Kuhlor: Yeah. So Paris is a really interesting market. He has a ton of fans in Paris and I talk to them quite often. I don't know though. I, I don't know if a stadium show can work there just yet. And part of the reason is because I do think that the market rewards in some ways, , those who try.[00:30:53] And while he's done a ton of podcasts, a ton of interviews, a ton of things, I can't say how much he's actually interacted with, you know, some of the French press andsome of the opportunities there. He did do something really cool, recently or, yeah, not too recently. where he did a like deep cuts performance for 300 fans and he just announced it on Twitter and folks got to go.[00:31:19] So I think he can work up to it just quantitatively. It might take longer than other markets.[00:31:27] Dan Runcie: Yeah, Paris was one that had in mind I think, those things you mentioned make sense. New York was another one too. Just given that MSG show and you have the MetLife stadium, I feel like like that could eventually happen.[00:31:39] Denisha Kuhlor: Yeah. Yeah. I think New York makes a lot of sense. It's pretty close to, obviously, you know, DC and Virginia, which also have big African populations. New Yorkers have seen him and know, someone who attended the MSG show. I really felt like there was like a sense of pride, like folks were really excited to be there, and to see this. And it definitely makes you feel like in events. And one that you could partake in multiple times for sure.[00:32:07] Dan Runcie: Right. And two, with this, we talked about his missed opportunities, but what do you think about the best opportunity or the best move that he has made so far in his career?[00:32:20] Denisha Kuhlor: Yeah, I think one consistency. He's been pretty consistent about releasing new music, whether it came to the album that he released during COVID, as well as his latest album now. There's definitely a strategy, I think, of always being focused or always looking ahead or being able to see what's next.[00:32:40] And so he's been able to use consistency through his own music, but also relevancy by jumping onto trends that are new, whether it's or not new. I feel like the Ima piano folks are gonna come at me for that. But,whether it's Amapiano, right? or Asake who really brought a new sound for folks.[00:32:59] So I think he's been able to do that really well. I think it was really intentional of his team. We've gotten to see, and not to compare Burna Boy to Ice Spice, but as consumers, I think so often, we see folks, do really well as a result of a breakout hit and have these expectations of them that don't necessarily correlate.[00:33:23] And it's actually been really great to watch an artist like Ice Spice or even a Little Nas X kind of come into their own when it comes to their performance and stage play overall. Whereas with him, I think he really got to build that methodically and, and over time, get comfortable on stage, see what works, what doesn't work, figure out the kinks of working with the band.[00:33:44] And so he's really, really been able to perfect and invest in his live show, which we're seeing dividends on now, while also maintaining just the consistency of new music and relevancy, which is quite d [00:33:57] Dan Runcie: Yeah, I think the Ice Spice is interesting because I was talking to someone about this a couple days ago and she had just put out her project, and I think it may be sold around like 15,000 units. And that of course sparked some discussion. And the thing is, it's hard to even frame something like that as a negative because six months ago, most of you didn't even know who this was, if we're [00:34:23] So we have the nature of the internet being able to help someone skyrocket into a different level. Almost overnight, and then just realizing that her team, everyone else has to catch up. It's a very different situation, like where Burna Boy is showing you that, yeah, it takes time to get to this point.[00:34:42] I mean, if he starts really releasing music, you know, early 2010s. By 2017, still doing small venues in New York. And then it really until, you know, a couple years later where you're being able to hit that. If you even get to that point, it's so hard. And I do think that live performances in the honest you command is one of the few things that can't quote unquote blow up overnight and it's, if anything is the more humbling thing that we see. I think streams can be somewhat humbling to some extent, as you've seen, but even that can be misleading. So it does at least ring true, and I think for me, I'd spoke about this earlier, but the thing about his career that I think is the best move for him was just continuing to position himself as the lead and not necessarily, you know, following the latest trend just to hop on it. Although I think he was smart about things, but not just trying to attach himself. I think he still had the brand there and it took longer than some may have, you know, wanted, or maybe even he saw himself, especially, I can only imagine, you know, it's 2015, you're doing this for a few years, things still bubbling.[00:35:53] So I do think that worked to his advantage cuz now it's really only a handful of artists globally that can say they're in that position. And then really his whole continent, you know, of the big three is at least the one that has the most exposure and platform in base right now.[00:36:09] Denisha Kuhlor: What did you think of? I feel his choice to embrace Artis from the west like his last two or three really, his last maybe three albums, you see like a really conscientious approach, whether he's had everyone from YG to Keilani, had Diddy executive produce an album, and that felt really intentional to reach, listenership or an audience from the westlike you said, it's probably tricky like if that went wrong, it could have really went wrong but in his case it seemed to go right, but I'm curious what you thought that. [00:36:43] Dan Runcie: Yeah. I think part of the reason why it worked is like, I feel like he picked artists that felt somewhat aligned with like what he was doing too like I, at least from what I read, I think the YG track may have potentially would've involved Nipsey, but you know, Nipsey had passed, so like that didn't work.[00:36:58] It's not as if he was just hopping on, you know, who is the hot single that like needs someone or like, you know, the Drake or whoever else. And not that I think with Drake is an issue, but because obviously is done and then Bad Bunny's continue to grow. But I feel like because he's like picking certain artists and maybe not every pick I necessarily, you know, thought was like his best music, but there seemed to be a ality with people that like lined up with him where it's like, okay, I've listened to enough why G'S music over the years?[00:37:28] I could see why someone like Burna Boy would want to do music with him, right? So I feel like for me, that piece of it did line up and I know that if you're trying to grow there, there's some inevitable push of who can I align myself with that isn't just trying to do the generic pop thing. Like I don't think I would ever hear him beyond a Maroon Five song, which I do feel kind of becomes like a bit of a rite of passage for a lot of, Western hop artists.[00:37:57] But I'd be very surprised if I ever saw Burna Boy.[00:38:01] Denisha Kuhlor: Yeah. No, that makes sense. That makes sense. [00:38:03] Dan Runcie: Yeah. the other thing that I think this conversation taps into is just the broader growth and the broader expansion of record labels and infrastructure in Africa from what the music industry to do and how Burna Boy's been able to help. In many ways, not just, I don't wanna say necessarily lead that because I think he's did a lot of this without the infrastructure.[00:38:26] If anything, the infrastructure has kind of started to come as a result of what he's done. But I've also heard a few rumblings from different folks that some of the investments of certain record labels, some of the majors having offices there, there's been questions about how they're seeing what's viable, what makes sense now because some of the artists that blew up, they don't have those artists on those labels, so now they're trying to find the next person and they're realizing that really hard to do that.[00:38:55] Denisha Kuhlor: Yeah. You know what's interesting, and I thought a lot about this is I feel like most artists on the continent don't necessarily need help on the continent. So much to our point of thinking about like Coachella, that was so surprising to Burna Boy because he was a huge star within Africa.[00:39:11] and when you look at the labels, he's engaged, for like a more global expansion. The thing I think he's been very clear of and his mother and the rest of his team is that like they've got Africa covered. And so I do think that could be part of the reason why maybe some of these labels are struggling because in a way it probably makes sense or the hunches to put more money or investment into what's already working, which is within Africa. When in reality I think it, it forces you to start to iterate and experiment on what's gonna resonate in terms of an artist, fans, an artist who has fans abroad, or them starting to build their broad audience.[00:39:53] And while an African audience it probably validates a lot of things, right? Maybe stage, presence, charisma, ability to connect, that the music is global or can reach people like it, that change or that shift. now being in the states or being in Europe is also quite different as well.[00:40:11] Denisha Kuhlor: And I think it forces labels to take a true A and R approach, whether it comes to everything from media training, Interacting, there's cultural differences. And so, I think it's going to lead way to maybe a new type of executive. it's something I thought a lot about music programs like the Music Business Academy,in Africa.[00:40:33] That's done really, really amazing work. I continue to be really, really impressed with the folks at Maven. And what their talent is doing, I think, for the African music ecosystem. But, with that being said, I think that the ecosystem is still getting to the point. where it's maturing, but also maturing in a way where folks can capitalize not only on the talent from the ecosystem, within Africa, but there being true connections, going both ways, because that's ultimately where the label will be able to recognize their power.[00:41:05] But for an artist that is already successful in some ways already getting Booked for shows. You look at, you know, where Tua Savage was by the time she got signed, or a DeVito by the time, he got signed abroad, they're already huge stars, which in some ways is different than what labels are used to signing in the States.[00:41:27] They, you know, would either find an artist and before invest the development in them or find an artist who's had maybe success digitally, but are working with them, on some of their more physical initiatives. So, I think it's interesting, but I also think it's a bit of a, different framework or thinking that some of these labels need to do in terms of the true maturity of the talent at the time they're being signed in some cases.[00:41:52] Dan Runcie: Yeah. When I heard rumblings that some of these record label offices that had recently started in Nigeria or elsewhere in Africa, that they were starting to question some of the future and the growth and things, I honestly wasn't that surprised because if you look at the way the record labels work in the US and at least currently they're working cause.[00:42:16] you have the Drake's and you have the Taylor's and the Adele's and Beyonces, and you've given them more favorable deals. But knowing that even if they more favorable deal, whatever share you get of that is still gonna make up for more than everything else. And that's gonna help your strategy in so many other ways.[00:42:33] Versus you're starting from scratch in a landscape where it's already harder to like develop someone from the ground up. And you're starting that without the Burna Boy without DeVito or without them, and now you're trying to find that person and you're trying to, you know, still do the investment. It's tough to get there because it took these folks so many years to get to that point.[00:42:55] So if you didn't start like a 10 year time horizon and you're have a bit of that, you know, more of a standard, okay, what has this person done for me lately? Do we keep this artist? Do we drop them? It isn't going to work in the same way. And we saw some of those same challenges, not even to this level happen.[00:43:12] 20 years ago when there were so many artists from Jamaica that were starting to blow up when reggae and reggae Fusion was really starting to be the wave when Sean Paul was doing his thing, and we didn't even get to that point where they were even trying to start the record label. There were issues with visas Yeah. Yes, and all. [00:43:31] Denisha Kuhlor: It doesn't just transfer. That's, you know, that's such a great point. Like I think in some ways people expect the success in the continent to like transfer almost smoothly when in reality a new type of work is just beginning. And that's the type of work that, you know, when you think about the office, the big office is looking for, right?[00:43:51] Because that's gonna produce quantitatively what they wanna see. and so in a way it can feel discouraging because you're like, wow, I have this artist, they've done this, this, and this. They're getting booked for shows here. Now we're going to Europe and we can't do a 500 person venue, but we just did a 5,001.[00:44:06] Dan Runcie: Yeah, it's gonna be fascinating to see how this develops, but before we close things out though, let's say five years from now, 2028, where's Burna Boy in his career, right? At that point, what is he doing?[00:44:18] Denisha Kuhlor: Yeah, I really, you know, I call it like a bit of the Jay-Z effect, but in some ways I see that for him, one clearly has an ear, not only for like developing talent, but also emerging talent, from, you know, a feature to Bnxn who assigned onto his label, but ended up not staying ended to, ask to leave the label, which I think is very interesting.[00:44:40] So I kind of wanna see if he focuses or hones more on also like developing talent innately his sister's also the creative director for his brand. I think too, we'll also will also see him play a role where he does a lot of fun things around fan engagements. he talked about in an interview that he's performed at so many venues and gotten to travel the world. And so he wants to take a really exciting approach in like performing on a train or kind of doing all these other like, cool fan experiences. So hopefully will he'll start to experiment with that as well.[00:45:20] Denisha Kuhlor: And it'd be interesting, but I think he might have the potential to be a really high touring artist for a long time. We see some artists that are just like, they can go on tour. It feels whenever they want, regardless of whether they have new music or not. And to some extent, I think that he just might be an artist that can command that.[00:45:42] and this has, you know, everybody's talking about, everybody's talking about catalogs nowadays, but as you think about how digitally Native Africa is, how young the population is. I'll be curious to see if he gets an offer he can't refuse. on the catalog side, there's more and more, places invest in content within Africa.[00:46:02] Denisha Kuhlor: It's only gonna increase, syncs the power of nostalgia as well. . Well, my hunch would be that he wouldn't sell, it wouldn't surprise me if we also saw him really structuring his business or his brand in, a way, that commands a high catalog price as well. [00:46:19] Dan Runcie: Yeah, when you're one of the biggest ones in this like wave and you're really reaching the height that others haven't reached before, you do have a bit of that advantage, right? Are able to this rise in a number of ways. So it's gonna be fascinating. I'm excited feel like at a minimum, what headline in Glastonbury feels like an inevitable thing, just given with things.[00:46:39] So yeah, I am eager to see how this all plays out. And who knows, maybe he'll be at Coachella again, and maybe he'll have the headline spot and at that point there's nowhere else to, you know, complain. Maybe we'll just have Burna Boy hyphen the African Giant and that'll be what's on the poster,[00:46:56] Denisha Kuhlor: Yes, I can literally see like just the African giants. I think that would be just such a moment, in the funniest way, like very reminiscent of Jay-Z, Jay-Z at Glastonbury, no. Yeah, it would be cool to see that all come full circle.[00:47:10] Dan Runcie: Definitely. Well, Denisha, this was awesome. Thanks again for making the time and making this happen[00:47:16] Denisha Kuhlor: Thanks so much for having me.[00:47:17] Dan Runcie: If you enjoyed this podcast, go ahead and share it with a friend. Copy the link, text it to a friend, post it in your group chat. Post it in your Slack groups. Wherever you and your people talk, spread the word. That's how capital continues to grow and continues to reach the right people. And while you're at it, if you use Apple Podcast, go ahead.[00:47:38] Rate the podcast, give it a high rating, and leave a review. Tell people why you like the podcast. That helps more people. Discover the show. Thank you in advance. Talk to you next week.

Lenu attempts to fight the hostile spaceship before it destroys her, Anton, the new arrival, and the townsfolk. And, no, she is not wearing underwear. And, no, things do not go well.

Lenu and Anton are about to become parents and so there are things that need to be done before then, such as going through with their grand plan of destroying humanity. Because who has time for that once the baby arrives.

 Lenu and Anton make their way out of the defunct, Antarctic Russian military base to Small Town USA. Then, blah, blah, blah, stuff happens and Lenu finds a surprise in her uterus.

After easily destroying the government a-holes and the aliens who killed her mom, Lenu realizes that she has ass-kicking superpowers. Her rage at her enemies for killing everyone that she's loved and their continuing efforts to kill her, results in her believing that humanity in general sucks ass. Her solution? Use her superpowers to destroy the world, though she will spare her boyfriend-alien because he's a good kisser.

Lenu, Natasha, and their new friend, the hot alien, Anton, escape the bad-guy aliens and find their way to an abandoned base in Antarctica. Now that they are able to relax somewhat, Lenu and Anton start getting cozy with each other and they [censored] and [censored] and do some more [censored]. But their horniness is only a temporary respite from the danger that is about to pounce on them!

Lenu and Natasha evade the cops chasing them by hopping into their spaceship, Verochka, and flying off into the wild blue yonder. But wait! There's another spaceship that's now hot on their tail, who Lenu and Natasha believe is hostile. But wait, again! The passenger of the ship teleports onto Verochka and he happens to be a very hot alien, which is great, but is he friend or foe?!

UN BRAVO PENTRU MIRCEA ȘI TANTI LENUȚA | ACASĂ LA MĂRUȚĂ | PODCAST #70

Lenu and Natasha are on the run from the local cops, as well as the feds, and if they get captured, they will never see the light of day again. Natasha believes that these events are a sign of Lenu's emergence as “The One” who will save the world or humanity or something along those lines. Lenu scoffs at the notion and just wants to make it out of the current situation alive. Their only hope for escape is their secret weapon…that is if they can wake her in time.

It is the year 2040 and Lenu is 18 years old and has been hiding in plain sight with her adoptive mother. But the powers-that-be have finally tracked her down with the sole intent of terminating her because she poses a great threat as an alien-human hybrid. If Lenu's killers think they can easily eliminate her, they are in for a surprise, as the title implies.

Zuzana a Ivana tentokrát ve studiu, které znamená svět, přivítaly Lenu a Matyáše, někdejší studenty čínštiny, kteří svého času felili na Tchaj-wanu.Všechny díly podcastu Buchty můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Zuzana a Ivana tentokrát ve studiu, které znamená svět, přivítaly Lenu a Matyáše, někdejší studenty čínštiny, kteří svého času felili na Tchaj-wanu.

Krustpunktā - brīvais mikrofons ar fotogrāfu Ediju Pālenu.

Mircea Bravo vine la o poveste, alături de mine. Povestim despre filmul pe care urmează să îl lanseze în luna octombrie, la ce proiecte mai lucrează și unde vrea să ajungă cu proiectul MIRCEA BRAVO, care este relația sa cu tanti Lenuța (bunica) și ce părere are despre subiectele de actualitate, cum ar fi războiul din Ucraina.

durée : 00:28:37 - Le Feuilleton - Lila et Lenu passent leur journée sur la plage à Ischia en compagnie de Nino. Très vite les deux jeunes filles, séduites, sont en concurrence.

durée : 00:28:50 - Le Feuilleton - Lila passe l'été sur l'île d'Ischia en compagnie de sa mère, Nunzia, de sa belle-sœur, Pinuccia et de Lenu qui est là pour lui tenir compagnie.

durée : 00:28:58 - Le Feuilleton - Lenu et Lila se sont disputées après une soirée chez des amis de Lenu. Lila s'est senti jalouse et exclue. Elle dont la vie se limite à leur quartier.

durée : 00:28:50 - Le Feuilleton - Lila passe l'été sur l'île d'Ischia en compagnie de sa mère, Nunzia, de sa belle-sœur, Pinuccia et de Lenu qui est là pour lui tenir compagnie.

durée : 00:28:37 - Le Feuilleton - Lila et Lenu passent leur journée sur la plage à Ischia en compagnie de Nino. Très vite les deux jeunes filles, séduites, sont en concurrence.

durée : 00:28:58 - Le Feuilleton - Lenu et Lila se sont disputées après une soirée chez des amis de Lenu. Lila s'est senti jalouse et exclue. Elle dont la vie se limite à leur quartier.

durée : 00:24:50 - Le Feuilleton - Lila et Lenu prennent conscience du passé de leur quartier et des haines et rancunes qui animent chacun.

durée : 00:25:14 - Le Feuilleton - Lila et Lenu grandissent et deviennent des jeunes filles. Lenu a passé son brevet brillamment et poursuit ses études. Son corps change, celui de Lila aussi.

durée : 00:24:59 - Le Feuilleton - Les parents de Lila ont refusé de l'envoyer au collège. Pour eux, c'est du temps perdu. Ceux de Lenu, sous la pression de la maîtresse, ont accepté

durée : 00:25:00 - Le Feuilleton - Alors que Lila et Lenu terminent leur cinquième année de primaire, la maîtresse appelle leurs parents respectifs pour leur conseiller de les envoyer au collège.

durée : 00:25:03 - Le Feuilleton - Lila et Lenu deviennent amies dès l'école primaire. Lila apparaît vite comme la meneuse et Lenu la suit, à la fois terrorisée et fascinée.

durée : 00:24:46 - Le Feuilleton - Lila a disparu. Cela fait bien trente ans qu'elle menace son amie Lenu de disparaître sans laisser de traces.

durée : 00:25:03 - Le Feuilleton - Lila et Lenu deviennent amies dès l'école primaire. Lila apparaît vite comme la meneuse et Lenu la suit, à la fois terrorisée et fascinée.

durée : 00:25:00 - Le Feuilleton - Alors que Lila et Lenu terminent leur cinquième année de primaire, la maîtresse appelle leurs parents respectifs pour leur conseiller de les envoyer au collège.

durée : 00:24:59 - Le Feuilleton - Les parents de Lila ont refusé de l'envoyer au collège. Pour eux, c'est du temps perdu. Ceux de Lenu, sous la pression de la maîtresse, ont accepté

durée : 00:25:14 - Le Feuilleton - Lila et Lenu grandissent et deviennent des jeunes filles. Lenu a passé son brevet brillamment et poursuit ses études. Son corps change, celui de Lila aussi.

durée : 00:24:50 - Le Feuilleton - Lila et Lenu prennent conscience du passé de leur quartier et des haines et rancunes qui animent chacun.

durée : 00:24:46 - Le Feuilleton - Lila a disparu. Cela fait bien trente ans qu'elle menace son amie Lenu de disparaître sans laisser de traces.

Awiwiye yin po ju. Ilu la ni e tun se. Eric Lasan, Sunday Adenuga, Dele Adeyemo. Olowo layemo... --- Support this podcast: https://anchor.fm/ayodele-ayetigbo/support

Ben Okurum'un bu bölümünde aslında bir değil dört roman birden var. Deniz Yüce Başarır, müstear isimle yazdığı bilinen İtalyan yazar Elena Ferrante'nin tüm dünyada çok ilgi gören dörtlemesi Napoli Romanları'nın birinci kitabı Benim Olağanüstü Akıllı Arkadaşım'dan yola çıkan programda, Ferrante'nin çevirmeni Eren Yücesan Cendey'i ağırlıyor. Romanların merkezinde yer alan Lenu ve Lila adlı kadın karakterler kadar, Napoli'nin tekinsiz sokaklarının şiddeti, annelik ve kadınlık kavramlarının hassas dengesi, arkadaşlık, toplumsal çürüme gibi konuları da kapsayan sohbet, Başarır'ın her zamanki gibi romandan okuduğu alıntılarla renkleniyor.

In this episode, we are going to look at Nehemiah 1:3-4 and ‘How we are all called as a church to rebuild the broken walls.' [Nehemiah 1:3-4 “They said to me, Those who survived the exile and are back in the province are in great trouble and disgrace. The wall of Jerusalem is broken down, and its gates have been burned with fire.” When I heard these things, I sat down and wept. For some days I mourned and fasted and prayed before the God of heaven.”] Join us as we Rediscover Scriptures! *** We are grateful for each and every one of you helping us transform communities, one person at a time! More info on partnering: https://www.patreon.com/robinandlenu For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we are going to look at Isaiah 36:4 and ‘How we can be confident in God by magnifying and declaring the truth of God.' [Isaiah 36:4 The field commander said to them, “Tell Hezekiah: “‘This is what the great king, the king of Assyria, says: On what are you basing this confidence of yours?] Join us as we Rediscover Scriptures! *** We are grateful for each and every one of you helping us transform communities, one person at a time! More info on partnering: https://www.patreon.com/robinandlenu For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

We're joined by acclaimed actor Niamh Cusack (Curious Incident) & ringmaster David Williamson (The Illusionists) for a bonus episode of The West End Frame Show! Niamh Cusack is currently starring in the world premiere of Colin Teevan's The Seven Pomegranate Seeds directed by Melly Still at the Rose Theatre in Kingston.  Niamh previously starred at the Rose as Lenu in My Brilliant Friend: Parts 1 & 2 when it transferred to the National Theatre.  Her other work at the National Theatre includes The Curious Incident of the Dog in the Night-Time (also West End), The Enchantment and His Dark Materials.  Just a few of her further credits include: Macbeth and As You Like It for the RSC; Playboy of the Western World and Dancing at Lughnasa at the Old Vic; The Winter's Tale at the Sam Wanamaker Playhouse; The Rehearsal and The Merchant of Venice at Chichester Festival Theatre and Breathing Corpses at the Royal Court.  She is an Associate Artist at the Rose.  The Seven Pomegranate Seeds runs at the Rose Theatre until 20th November 2021.  David Williamson is currently preparing to return to London as Ringmaster Willy Whipsnade in Circus 1903 which runs at the Southbank Centre this Christmas. This year a range of astounding new acts will accompany old favourites in Circus 1903, transporting audiences back to the wonders of the Golden Age of Circus.  The show also features puppeteers who bring two elephants to life, Queenie and Peanut! David is a renowned magician; in addition to touring the world with Circus 1903, he has appeared onstage in The IllusionistsCircus 1903 runs at the Southbank Centre 16th December 2021 – 2 January 2022. Hosted by Andrew Tomlins @Andrew_Tomlins  Thanks for listening! Email: andrew@westendframe.co.uk Visit www.westendframe.co.uk to stay up-to-date with our podcasting adventures.   

In this episode, we are going to look at Hebrews 12:2 and ‘How we're called to keep our eyes set on Jesus and how it will lead our hearts to say 'YES' to his voice.' [Hebrews 12:2 Keep your eyes on Jesus, who both began and finished this race we're in. Study how he did it. Because he never lost sight of where he was headed—that exhilarating finish in and with God—he could put up with anything along the way: Cross, shame, whatever. And now he's there, in the place of honor, right alongside God.] Join us as we Rediscover Scriptures! *** We are grateful for each and every one of you helping us transform communities, one person at a time! More info on partnering: https://www.patreon.com/robinandlenu For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we are going to look at Ephesians 1:18 and ‘How we're not only called to be prisoners of hope but also called to tap into the glorious inheritance that God has placed in each believer.' [Ephesians 1:18 I pray that the eyes of your heart may be enlightened in order that you may know the hope to which he has called you, the riches of his glorious inheritance in the saints, and the incomparable great power for us who believe.] Join us as we Rediscover Scriptures! *** We are grateful for each and every one of you helping us transform communities, one person at a time! More info on partnering: https://www.patreon.com/robinandlenu For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

JIn this episode, we are going to look at Psalm 40:1-3 and ‘How waiting not only forms our personal character but how it also leads people (around us) to put their trust in God.' [Psalm 40:1-3 I waited patiently for the Lord; he turned to me and heard my cry. He lifted me out of the slimy pit, out of the mud and mire; he set my feet on a rock and gave me a firm place to stand. He put a new song in my mouth, a hymn of praise to our God. Many will see and fear the Lord and put their trust in him.] Join us as we Rediscover Scriptures! *** We are grateful for each and every one of you helping us transform communities, one person at a time! More info on partnering: https://www.patreon.com/robinandlenu For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we are going to look at Isaiah 55:1-3a and ‘How only God can satisfy the void in each of us that seeks for something greater.' [Isaiah 55:1-3a Come, all you who are thirsty, come to the waters; and you who have no money, come, buy and eat! Come, buy wine and milk without money and without cost. Why spend money on what is not bread, and your labor on what does not satisfy? Listen, listen to me, and eat what is good, and you will delight in the richest of fare. Give ear and come to me; listen, that you may live.] Join us as we Rediscover Scriptures! *** We are grateful for each and every one of you helping us transform communities, one person at a time! More info on partnering: https://www.patreon.com/robinandlenu For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we are going to look at Judges 5:7 and ‘How each of us are unique and Why we need to stop comparing ourselves to others.' [Judges 5:7 Village life ceased, it ceased in Israel, Until I, Deborah, arose, Arose a mother in Israel.] Join us as we Rediscover Scriptures! *** We are grateful for each and every one of you helping us transform communities, one person at a time! More info on partnering: https://www.patreon.com/robinandlenu For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we are going to look at Matthew 5:14 and ‘How God has not called us just to be the light for ourselves but also to set a godly standard for the nations to mirror.' [Matthew 5:14 You are the light of the world. A town built on a hill cannot be hidden.] How are we to live as The Light? 1. Don't compromise with the world. 2. Don't be ashamed of The Word. 3. Don't gratify the works of the flesh. 4. Use every opportunity to be Bold. Join us as we Rediscover Scriptures! *** We are grateful for each and every one of you helping us transform communities, one person at a time! More info on partnering: https://www.patreon.com/robinandlenu For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we are going to look at Isaiah 25:1 and ‘How God's promises are not only unique for you but His faithfulness also has a perfect record.' [Isaiah 25:1 Lord, you are my God; I will exalt you and praise your name, for in perfect faithfulness you have done wonderful things, things planned long ago.] Join us as we Rediscover Scriptures! We are grateful for each and every one of you helping us transform communities, one person at a time! More info on partnering: https://www.patreon.com/robinandlenu Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we are going to look at Psalm 23:5 and ‘How God not only reserves a seat but also honors you at the banqueting table.' [Psalm 23:5: You prepare a table before me in the presence of my enemies. You anoint my head with oil; my cup overflows.] Join us as we Rediscover Scriptures! We are grateful for each and every one of you helping us transform communities, one person at a time! More info on partnering: https://www.patreon.com/robinandlenu Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we will look at the big question ‘What does it really mean to exercise Faith over fear?' This is an episode you don't want to miss if you are struggling with questions like: - How should we practically grow in our faith? - What is the measure of faith we each carry? - How do I pray for more faith? Join us as we explore the topic of ‘Born to Overcome'! Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

Patreon! Skoðanabræður. Komið í áskrift. Já... hér segir titillinn allt sem segja þarf. Skoðanir Ísabellu Lenu. Er MeToo gengið of langt? Nei, grín. Hér er rætt um mál málanna, ofskynjunarlyf, sem mig grunar svo sem að verði kallað eitthvað allt annað að liðnum fáeinum árum eftir því sem þekkingu vindur fram á fyrirbærinu. Það á sem sagt að nota þetta í lækningum, og Ísabella ætlar að vinna við það. Við ræðum einnig hið pólitíska landslag, sem sagt um allt þetta ógeðslega fólk sem er alls staðar í andlitinu á manni alltaf.

In this episode, we will look at the big question ‘What is The Peace that surpasses all understanding in the midst of the Chaos?' This is an episode you don't want to miss if you are struggling with questions like: - How do you find peace in the middle of chaos? - How do we practice peace as a lifestyle? - How do we trust and cast all our cares on God? Join us as we explore the topic of ‘Born to Overcome'! Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we look at the big question ‘How to Overcome the Conflict in our Heart?' This is an episode you don't want to miss if you are struggling with questions like: - How do we overcome self-condemnation? - How do we practice righteous-living consistently? - Is righteousness a gift or something that we need to work for? Join us as we explore the topic of ‘Born to Overcome'! Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

Jill Richards is an Assistant Professor of English at Yale University. In this episode, she will talk us through her work “The Ferrante Letters”, written in 2020 alongside Sarah Chihaya, Merve Emre, and Katherine Hill. We will also understand how four women academics have forged their creative personas in an adventurous project born in the wake of the Ferrante Fever.In this episode, we will cover the following topics:(00:17) Intro by Costanza Barchiesi(01.45) Presentation of Costaza Barchiesi by Jane (04:00) Presentation of Jill Richard by Costanza Barchiesi(07:08) "Your book can be defined as the collection of a collaborative effort of four women who move in and out of a more strictly academic form of criticism. How would you define it in terms of genre and what does this do to the figure of the critic in general?"(12:50) "Has the reception of Ferrante changed over time? And how can we frame it in an Italian versus international way?"(17:23) "How did the book come about? In the introduction, you say that it started with “The Slow Burn” in journal Post45. https://post45.org/2015/06/the-slow-burn-an-introduction/ Why the title? Did you want to perhaps make Lenu’s (and Lila’s) anger your own in order to dig deeper into the books’ meaning?"(21:15) "What is the issue with judging a book by its cover with Ferrante?"(22:55) The Queer Counterfactual. "How did you get the main idea for the essay? Which critics inspired your idea? Do the chains of absent notebooks, absent dialect and absent Lila all add up to the translational quality of the novel itself? Does this translational quality, in turn, lend specificity to the queerness that you so well describe in your essay? Finally, do you think that the “queer counterfactual” could potentially be applied to any piece of literature or would you need a set of pre-requisites in order to apply this concept satisfactorily to a text?"(31:59) Role-playing: reading the titular scene. (37:56) Questions from the audience: how was it to write in a collaborative way?(41:54) The humanities and collaborative work.(43:55) Creative writing and research interests. Does creativity play a large part in research?(49:03) Silvia Federici and reproductive labour for valuing academic work in alternative ways.(53:32) Reading the book in translation and working on Ferrante as English scholars.Follow us on:Instagram: https://www.instagram.com/italian.minds/LinkedIn: https://www.linkedin.com/company/italian-minds/Facebook: https://www.facebook.com/italianminds.podcast

In this episode, we will look at the big question on ‘How to Overcome the Battle in our Mind?' This is an episode you don't want to miss if you are struggling with questions like: - How do we overcome the constant battle in our mind? - How do we dismantle the lies of the enemy? - How can I gain victory over negative thoughts? Join us as we explore the topic of ‘Born to Overcome'! Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we are going to look at the big question ‘What is The Truth that sets us free into a Victorious living?' This is an episode you don't want to miss if you are struggling with questions like: - Why does the enemy's voice seem to be louder than God's? - How do I believe in God's promises over the voice of the enemy? - How to discern the real truth? Join us as we explore the topic of ‘Born to Overcome'! Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we are going to look at the big question ‘How do we live in our true Authority in Christ?' This is an episode you don't want to miss if you are struggling with questions like: - How do we live victoriously in life? - Do we have an advantage over the enemy? - How do we exercise Authority already given to us? Join us as we explore the topic of ‘Born to Overcome'! Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

No bate-papo de hoje, as amigas Marina Monteiro e Sandra Acosta falam sobre Sororidade e como, por meio da amizade, criaram o Projeto "As Amigas Geniais". Além disso, elas falam sobre o romance "A amiga genial" de Elena Ferrante e avaliam se havia Sororidade na amizade entre Lenu e Lila, personagens do livro do mês no Clube de Leitura "As Amigas Geniais". Venha conosco nesta conversa que ficou genial! --- Send in a voice message: https://anchor.fm/as-amigas-geniais/message

Se é drama que você quer, My Brilliant Friend é a escolha certa para uma avalanche de emoções. My Brilliant Friend é a adaptação italiana dos romances que compõem a Tetralogia Napolitana, de Elena Ferrante. A primeira temporada da série corresponde exatamente ao primeiro livro, A Amiga Genial, e narra as vivências de Lenu e Lila durante a infância e adolescência. Ambientada em uma Nápoles pós-guerra, My Brilliant Friend se destaca por um grande cuidado no figurino, na fotografia e no trabalho de direção, além das incríveis atuações. My Brilliant Friend estreiou em 2018, distribuído originalmente pela RAI e pela HBO e já conta com duas temporadas. No Brasil, é possível assistir à série através da HBO Go. Venha conhecer nossas ideias sobre o livro que originou a série! A gente já conversou sobre ele lá no PnE 103!   #OPodcastÉDelas2021 A #OPodcastÉDelas2021 é uma campanha feita na podosfera para inserir e promover a maior participação de mulheres na mídia podcast. Nosso objetivo é aumentar a participação de mulheres na mídia, garantindo um espaço seguro e agradável para quem faz e para quem ouve os programas. Esse episódio faz parte da campanha #OPodcastÉDelas2021 e apoia esse iniciativa. Fala com a gente! Ouviu o episódio? Conta pra gente o que você achou. Pode nos chamar nas redes sociais, comentar nessa postagem ou nos mandar um e-mail para contato@leitorcabuloso.com.br Ficha técnica Apresentação: Paulo Vinícius, Amanda Barreiro, Camila Cabete Pauta: Paulo Vinícius Assistente e Edição: Leonardo Tremeschin   Agradecimentos Especiais Agradecimentos especiais a quem nos apoia, especialmente a Rodrigo Leite, Airechu, Melisa de Sá, Cláudia Rodrigues, Priscila Rubia, Nilda, Lucas Domingos, Carolina Mendes, Abner De Souza, Marina Jardim, Thiago Augusto, Carol Vidal, Dayse Cristhina, Leandro Gomes, Francisco Faria, Thiago Ruediger, Marina Kondratovich, Allan Felipe, Lu Bento, Clecius Duran, Laine Lilica, Lara Prado, Alessandra Rocha, Igor Bajo e Ricardo Brunoro. gif de fundo branco com bonequinho desenhado com coração vermelho onde se lê "enviar abraço virtual carregando" seguido de uma barrinha de carregamento. Quando a barrinha enche, aparece "abraço entregue" Não nos perca de vista!

Cheio de emoções intensas, A Amiga Genial é aquele tipo de livro perfeito para os fãs de um bom drama, daqueles que te pegam até o final. A Amiga Genial é o primeiro livro da tetralogia napolitana, da misteriosa autora Elena Ferrante. Acompanhamos toda a trajetória das amigas Lenu e Lila, desde sua infância até […]

In this episode, we look at the big question ‘How to release Heaven (God's heart) on Earth?' and a few practical things that will help you on your prayer journey with God. This is an episode you don't want to miss if you are struggling with questions like: - Is it okay to ask God for anything in prayer? - How to invite God to move on earth? - How to shift culture through prayer? Join us as we explore the topic of Prayer, hearing the voice of God, and growing in our relationship with Him. For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we look at the big question ‘How to pray more effectively?' and a few practical things that will help you on your prayer journey with God. This is an episode you don't want to miss if you are struggling with questions like: - How to pray with expectation & authority? - How to boldly approach God? - How to pray what is in God's heart? Join us as we explore the topic of Prayer, hearing the voice of God, and growing in our relationship with Him. For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

In this episode, we look at the big question ‘How to unlock your purpose?' and a few practical things that will help you on your prayer journey with God. This is an episode you don't want to miss if you are struggling with questions like: - What is prayer & What is a prayer not? - Why is my prayer/life ineffective and powerless? - How to contend for unfulfilled purposes? Join us as we explore the topic of Prayer, hearing the voice of God, and growing in our relationship with Him. For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu

Se você ainda não leu, certamente já ouviu falar. A Tetralogia Napolitana, de Elena Ferrante, está arrebatando leitoras. E não é para menos. Nesse episódio a gente conta as reflexões que fizemos a partir da história das amigas Lila e Lenú. Esse episódio poderia ter durado várias horas! Mas pra não dar muito spoilers, nos atentamos a pontos que chamaram mais a nossa atenção: a fluidez das relações humanas, o contexto social e as características dos homens que aparecem na história. Vem concordar, discordar, trazer seus pontos e trocar com a gente.

Ni Jukumu lenu Nyote kuhakikisha furaha inatawala katika mahusiano yenu #Divathebawse

Walter is 68 and Mary is 64. He is full of madcap ideas, she resists change. The only thing they have in common is they both hate Christmas. A story with a twist on the Christmas theme and it's classic Rachel Joyce territory – relationships, loss and ordinary people doing extraordinary things. Mary ….. Niamh Cusack Walter ….. Robert Lindsay Helen ….. Cecilia Appiah Directed by Tracey Neale It is in the park that Mary first spots Walter. He's drowning in the Lake and she calls for help. When she returns a few days later, Walter is there and berates her for interfering - all he was trying to do was learn to swim. It's a bad beginning but then their conversation begins ... Mary is played by Niamh Cusack. Her television work includes Heartbeat, Father Brown and The Virtues. Her film credits include In Love with Alma Cogan. Niamh played Lady Macbeth for the RSC and most recently Lenu in the National Theatre's production of My Brilliant Friend. Walter is played by award winning actor, Robert Lindsay. His theatre work covers many roles for the RSC and musical theatre too. This includes Me and My Girl in which he played the lead role on both the West End and Broadway stage. His television work includes My Family, Citizen Smith and G.B.H. His most recent film role was playing King John in Maleficent 2. The award winning novelist Rachel Joyce had her sixth novel published earlier this year - Miss Benson's Beetle. Her first novel - The Unlikely Pilgrimage of Harold Fry - began its life as a radio drama and was called To Be A Pilgrim. It won the Peter Tinniswood Award for Best Radio Drama. Her other novels include Perfect and The Music Shop. The Unlikely Pilgrimage of Harold Fry and The Music Shop are now in development with Netflix.

In todays conversation, we have Pastor Priji conversing with Pastor Robin & Lenu. Here, they show us practical ways on how we can honor God and our family culture. Hoping this will be resourceful for your marriage and relationships. Read Transcript: Purposeful & Intentional Marriage on PastorPriji.com Become a monthly partner towards revival in Africa: Donate Here

In todays conversation, we have Pastor Priji conversing with Pastor Robin & Lenu. Here, they show us practical ways on how we can honor God and our family culture. Hoping this will be resourceful for your marriage and relationships. Read Transcript: Purposeful & Intentional Marriage on PastorPriji.com Become a monthly partner towards revival in Africa: Donate Here

Are you ready for some real and unfiltered talk on Relationships? In this episode, we look at ‘What is Marriage' and the design and greater mission behind every Godly ordained marriage/relationship. We also cover on God's perspective of Singleness and what it takes to go from single to being ready for marriage. Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu #RobinandLenu #SingleAndReady #Dating #RelationshipSermons

Are you ready for some real and unfiltered talk on Relationships? In this episode, we look at how Healthy Boundaries & Purity is what God uses to prosper relationships. We also cover on God's perspective of Singleness and what it takes to go from single to being ready for marriage. Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu #RobinandLenu #SingleAndReady #Dating #RelationshipSermons

Are you ready for some real and unfiltered talk on Relationships? In this episode, we look at how to Find the Right person and also address some of the red flags when you go down the path of choosing the wrong person for you. We also cover on God's perspective of Singleness and what it takes to go from single to being ready for marriage. Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu #RobinandLenu #SingleAndReady #Dating #RelationshipSermons

Are you ready for some real and unfiltered talk on Relationships? In this episode, we look at Dating & Courtship from a biblical perspective and the age-old question ‘Am I ready for Marriage?'. We also cover on God's perspective of Singleness and what it takes to go from single to being ready for marriage. Join us as we explore what it looks like to journey from ‘Singleness' to being ‘Single & Ready' Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu #RobinandLenu #SingleAndReady #Dating #RelationshipSermons

Are you ready for some real and unfiltered talk on Relationships? In this episode, we look at how self-comparison & shame puts a toll on relationships and how healing from the past or the lack thereof affects relationships. We also cover on God's perspective of Singleness and what it takes to go from single to being ready for marriage. Join us as we explore what it looks like to journey from ‘Singleness' to being ‘Single & Ready' Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu #RobinandLenu #SingleAndReady #Dating #RelationshipSermons

Are you ready for some real and unfiltered talk on Relationships? In this episode, we look at how self Insecurity & Orphan Spirit mentality puts a toll on relationships and how healing from the past or the lack thereof affects relationships. We also cover on God's perspective of Singleness and what it takes to go from single to being ready for marriage. Join us as we explore what it looks like to journey from ‘Singleness' to being ‘Single & Ready' Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu #RobinandLenu #SingleAndReady #Dating #RelationshipSermons

Are you ready for some real and unfiltered talk on Relationships? In this episode, we look at how does "God, Love & Relationships" fit together and what is the basic foundation of every successful relationship. We also cover on God's perspective of Singleness and what it takes to go from single to being ready for marriage. Join us as we explore what it looks like to journey from ‘Singleness' to being ‘Single & Ready' Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu #RobinandLenu #SingleAndReady #Dating #RelationshipSermons

Are you ready for some real and unfiltered talk on Relationships? In this episode, we look at how does "God, Love & Relationships" fit together and what is the basic foundation of every successful relationship. We also cover on God's perspective of Singleness and what it takes to go from single to being ready for marriage. Join us as we explore what it looks like to journey from ‘Singleness' to being ‘Single & Ready' Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu #RobinandLenu #SingleAndReady #Dating #RelationshipSermons

Fans von "Meine geniale Freundin" haben lange darauf gewartet: Der neue Roman der Bestseller-Autorin Elena Ferrante erscheint nun auf Deutsch. Nicht nur der Schauplatz Neapel verbindet "Das lügenhafte Leben der Erwachsenen" mit der Saga um Lila und Lenu. Von Anne Kohlick www.deutschlandfunkkultur.de, Buchkritik Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

Episode 008 — DNA: Rest In His Finished Work with Lenu William If we take the time to get to know our Creator, we will get to understand creation better. This series seeks to revive lost identities and encourage people to find their true identity in God. This is a timely message you won't want to miss! Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu #RobinandLenu #DNA #Identity

Episode 005 — DNA: The Way God Sees with Lenu William If we take the time to get to know our Creator, we will get to understand creation better. This series seeks to revive lost identities and encourage people to find their true identity in God. This is a timely message you won't want to miss! Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu #RobinandLenu #DNA #Identity

Episode 004 — DNA: God's Identity Over Our Words If we take the time to get to know our Creator, we will get to understand creation better. This series seeks to revive lost identities and encourage people to find their true identity in God. This is a timely message you won't want to miss! Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu #RobinandLenu #DNA #Identity

003 — DNA: God's Identity over Creation with Lenu William If we take the time to get to know our Creator, we will get to understand creation better. This series seeks to revive lost identities and encourage people to find their true identity in God. This is a timely message you won't want to miss! Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu #WorshipCulture #RobinandLenu

This is episode 69 of our podcast where we will be giving all the flava from music, entertainment to fashion. Today we will be discussing ​Nike Commits To Donate $40 Million To Support The Black Community, ​The Jordan Brand And Michael Jordan Pledges $100 Million To The Black Community and Stussy Fight Against Racism With 'End Racism' T-Shirts. Subscribe to our page now! Follow us on Instagram and Twitter: @KoncreteFlava

Episode 006 — Break The Silence: The Bold Church with Lenu William What will it take for the present church to be bold during and after these times? Will the church grow deeper in this season or return back to the old lethargic state of relationship with God? In this episode, Lenu shares about the role of the church, during these unprecedented times. This is a timely message you won't want to miss! Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu #BreakTheSilence #TheBoldChurch #RobinAndLenu

Episode 003 — Break the Silence: The Exposed Church What will the world witness, when we as the church get exposed during these hard times? Which garment will the church choose to cover herself with, during these trying times? What will history document about the response of the church? In this episode, Lenu shares about the response of the church, during these unprecedented times. This is a timely message you won't want to miss! Thanks for tuning in! For more resources visit www.robinandlenu.com We're on social media Instagram: www.instagram.com/robinandlenu Facebook: www.fb.com/robinandlenu YouTube: www.youtube.com/robinandlenu Twitter: www.twitter.com/robinandlenu #BreakTheSilence #TheExposedChurch #RobinAndLenu

Analyzing the transactional nature of marriage and the cost of pursuing an education vs. marrying rich, in Elena Ferrante and Saverio Costanzo's coming-of-age drama, My Brilliant Friend.A Muckraker Media ProductionLinks:MindTheaterPod on Twitter and InstagramMusic: Blue Dot Sessions- Palladian- Elegant Weasel- Lonely StairwellLicensed under Creative Commons

Mamma, hvernig verða kynsjúkdómar til? Við viðskiptafræðideildir, bláeyga flón. Skoðanabræður – fæddir um og upp úr miðjum tíunda áratug tuttugustu aldar – þeir þekkja ekki reynsluheim kvenmanns fædds 1999, svo ekki sé talað um það ef kvenmaðurinn hefur framfæri sitt af því að selja blíðu sína, sem er einmitt ekki tilfelli stráks vikunnar, Ísabellu Lenu! Sálfræðinemi, barstarfsmaður, þekkingarmaður leiksins, hefur verið í honum í þónokkur ár og hvað gerist þá: Maður eldist, eldist og eldist og loks úreldist, sem nú er orðin yfirvofandi ógn. Hvað gerist þegar 02 módelum er farið að finnast maður gamall? Þau geta troðið því upp í rassgatið á sér og sest við fótskörina á sér vitrari mönnum, eins og goonhjörðin hefur einmitt þegar gert – þeir mynda Skoðanabræðralagið. Ísabella heiðrar bræðralagið að þessu sinni með nærveru sinni og miðlar af reynslunni. Hvað gerist á Tinder í Kaupmannahöfn? Er það þar sem einmana lúserskiptinemalúser getur nálgast nakið hjarta þjóðarinnar – eða gerir hann ekki annað en að hitta sjálfan sig fyrir, einmana útlending í ókunnu landi? Eða verra: rasískan drykkfelldan bældan andfeminískan Dana. Bældur Dani er svosem eftirlendustefnulega Skoðanabræðrum að skapi, ástand sem sver sig í ætt við þá stefnu sem þeir boða í kynferðismálum; skírlífi. Skírlífi rætt, auðvitað, og maður myndi halda slík tímaskekkja hefði í það minnsta lágmarkspresens í röðum yfirborðslega siðaðra CBS-manna, að það leyndist innan bláu skyrtnanna, en því síður! Hér liggur hundurinn grafinn – og kynsjúkdómarnir á klúbbnum,  þangað sem Húrra Reykjavík leitar þegar staffið bregður undir sig betri fætinum, fer til Köben og stígur  léttan dans. Er það dans hinna dauðu? Skoðanabræður birtast hér í sinni fullkomnustu mynd – hljóðbyltingin er orðin. Önnur bylting er á leiðinni, sem von er á að farið verði nánar út í áður en menn vita af. Hér má gefa þetta upp: Þáttunum mun fjölga sem þýðir að þú munir hlusta meira. Gasið mun flæða inn um eyrun – allt á vegum Útvarps 101 og í heilbrigðu og góðu samstarfi við AUR. Loks: „Alls staðar fólk, potandi í símann með tappa í eyrunum, músik!“ segir Bergþór ekki þegar hann hefur upp raust sína um miðbik þáttar og heldur einræðu um Spotify, enda er hann ekki Ólafur Grímur Björnsson að skrifa minningargrein um prentara á Þjóðviljanum. Hjá Bergþóri kveður við ögn fágætari, yfirvegaðri og heilbrigðari tón en vandinn er í hlaðvarpi þessu, nokkuð sem væri ef til vill æskilegt að leitast við að endurtaka þegar fram líða stundir, möguleiki sem verður tekið fyrir á stjórnarfundi Skoðanabræðra í vikunni sem hefst eftir ömurlega Valentínusarhelgina sem gnæfir yfir óöruggum brundspreyjurum þessa lands eins og hótun, eins og bros.

Í dag er alþjóðlegi útvarpsdagurinn. Evrópusamtök útvarpsstöðva taka höndum saman við Unesco einn dag á ári og skerpa á nokkrum atriðum sem efla útvarpsupplifunina fyrir alla sem að henni koma. Í ár er það fjölbreytileikinn sem verður hafður í hávegum. Mannlegi þátturinn ætlar ekki að láta sitt eftir liggja og ætla að skoða stöðu erlendra kvenna á Íslandi. Hvað er verið að gera í þeirra málum? Hvað þarf að gera? Hvað hefur áunnist sl ár, hvernig gengur að ná til þessa hóps og hversu stór er hann? Hvernig vinnu stunda þær, hvernig stuðning fá þær og hvað getum við gert betur sem samfelag? Joanna Marcinkowska, sérfæðingur í málefnum innflytjenda hjá mannréttinda- og lýðræðisskrifstofu Reykjavíkurborgar og Sabine Leskopf, borgarfulltrúi og formaður Fjölmenningarráðs komu í þáttinn og veittu okkur innsýn inn í þessi mál. Dagur íslenska táknmálsins var þriðjudaginn 11. febrúar. Þann dag voru fréttir í sjónvarpi táknmálstúlkaður, Krakkafréttir líka og svo Stundin okkar á sunnudag. Nokkrir útvarpsþættir voru túlkaðir á táknmál og settir á vef RÚV og Samskiptamiðstöðvar heyrnarlausra og heyrnarskertra. Við fengum Kristínu Lenu Þorvaldsdóttur forstöðumann Samskiptamiðstöðvar heyrnarlausra og heyrnarskerta og Margréti Gígju Þórðardóttur, sem hefur verið heyrnaskert frá fæðingu til þess að koma í þáttinn og fræða okkur um störf samskiptamiðstöðvarinnar og mikilvægi íslenska táknmálsins. Kristín Gunnarsdóttir sjónfræðingur vann í 33 ár á Þjónustu- og þekkingarmiðstöð fyrir blinda og sjónskerta sem hét áður Sjónstöð Íslands. Hún hefur um árabil átt sér gæluverkefni samfara vinnunni, að safna notuðum og nýjum gleraugum og gefa þeim nýtt líf í þróunarhjálp. Þetta hófst fyrir tilviljun, en nú er hún byrjuð starf í samvinnu við alþjóðleg samtök sem hafa hjálpað hundruðum þúsunda víða um heim að öðlast betri sjón. Kristín sagði frá þessu merkilega starfi í þættinum í dag. UMSJÓN GUNNAR HANSSON

Í dag er alþjóðlegi útvarpsdagurinn. Evrópusamtök útvarpsstöðva taka höndum saman við Unesco einn dag á ári og skerpa á nokkrum atriðum sem efla útvarpsupplifunina fyrir alla sem að henni koma. Í ár er það fjölbreytileikinn sem verður hafður í hávegum. Mannlegi þátturinn ætlar ekki að láta sitt eftir liggja og ætla að skoða stöðu erlendra kvenna á Íslandi. Hvað er verið að gera í þeirra málum? Hvað þarf að gera? Hvað hefur áunnist sl ár, hvernig gengur að ná til þessa hóps og hversu stór er hann? Hvernig vinnu stunda þær, hvernig stuðning fá þær og hvað getum við gert betur sem samfelag? Joanna Marcinkowska, sérfæðingur í málefnum innflytjenda hjá mannréttinda- og lýðræðisskrifstofu Reykjavíkurborgar og Sabine Leskopf, borgarfulltrúi og formaður Fjölmenningarráðs komu í þáttinn og veittu okkur innsýn inn í þessi mál. Dagur íslenska táknmálsins var þriðjudaginn 11. febrúar. Þann dag voru fréttir í sjónvarpi táknmálstúlkaður, Krakkafréttir líka og svo Stundin okkar á sunnudag. Nokkrir útvarpsþættir voru túlkaðir á táknmál og settir á vef RÚV og Samskiptamiðstöðvar heyrnarlausra og heyrnarskertra. Við fengum Kristínu Lenu Þorvaldsdóttur forstöðumann Samskiptamiðstöðvar heyrnarlausra og heyrnarskerta og Margréti Gígju Þórðardóttur, sem hefur verið heyrnaskert frá fæðingu til þess að koma í þáttinn og fræða okkur um störf samskiptamiðstöðvarinnar og mikilvægi íslenska táknmálsins. Kristín Gunnarsdóttir sjónfræðingur vann í 33 ár á Þjónustu- og þekkingarmiðstöð fyrir blinda og sjónskerta sem hét áður Sjónstöð Íslands. Hún hefur um árabil átt sér gæluverkefni samfara vinnunni, að safna notuðum og nýjum gleraugum og gefa þeim nýtt líf í þróunarhjálp. Þetta hófst fyrir tilviljun, en nú er hún byrjuð starf í samvinnu við alþjóðleg samtök sem hafa hjálpað hundruðum þúsunda víða um heim að öðlast betri sjón. Kristín sagði frá þessu merkilega starfi í þættinum í dag. UMSJÓN GUNNAR HANSSON

Elena Ferrante recrea el mundo de 60 años de amistad de dos mujeres que pasan constantemente del amor al odio. Son 4 libros: La amiga estupenda, Un mal nombre, Las deudas del cuerpo y La niña pérdida. Merecen ser leídos completos.

Ouça as principais notícias desta terça-feira (26/11/19) no jornal O Estado de S. PauloSee omnystudio.com/listener for privacy information.

Oddatal: Ljósbogi og spjall um djammið og Aron Can Viðtal (1) Eva Sigurðardóttir ein af skipuleggjendum Druslugöngunnar Viðtal (2) Rebecca Scott Lord les úr Erótískri smásögu Viðtal (3) Djammplaylistinn með Ísabellu Lenu