Podcasts about Screamadelica

Today we're talking about a band who managed to change their sound every single album while still staying absolutely, totally, and utterly themselves: Primal Scream. Bobby Gillespie and co started in the 80s but they most meaningfully bookended the 90s with their two most notable albums – from the hopeful optimism and upbeat acid house that started the decade in Screamadelica to the dark, caustic grit and gunmetal sounds that embodied the end of the dream on XTRMNTR. Join Yasi and guest Chris Ryan as they chart the history and discography of one the most unique bands of our time, Primal Scream.   EPISODE PLAYLIST: Listen to the songs we talk about HERE CREDITS: Host: Yasi Salek @yasisalek Guest: Chris Ryan IG: @crashactivated Twitter: @ChrisRyan77  // Listen to the The Watch Producer: Liz Sánchez  Audio Editor: Adrian Bridges Additional Production Supervision: Justin Sayles Theme Song: Bethany Cosentino Learn more about your ad choices. Visit podcastchoices.com/adchoices

“We wanna be free! We wanna be free to do what we wanna do!” In this episode, we cover “Screamadelica,” the 1991 album by Primal Scream that pushed the boundaries of rock and electronic music. Celebrated for its fusion of acid house, psychedelia, and indie rock, “Screamadelica” became a cultural touchstone of the early '90s. We explore the album's iconic tracks, such as “Loaded” and “Come Together,” its production by Andrew Weatherall, and its lasting influence on the music scene. Join us as we unravel how Primal Scream created a timeless soundtrack to the rave revolution. ********************* SUBSCRIBE ON PATREON FOR ADS-FREE LISTENING AND SPECIAL BONUS CONTENT! If you like what we do at Accelerated Culture Podcast, please consider supporting us on Patreon for only $5 a month: https://www.patreon.com/AcceleratedCulturePodcast

Episode 53: Screamadelica (Primal Scream). McCartney In Goal is the podcast that debates the great albums of pop music, using a competitive knock-out format. Today we're discussing, Screamadelica which was the third studio album by Scottish rock/indie band Primal Scream. It was first released on 23 September 1991 in the United Kingdom. The album includes "Loaded", "Movin' On Up", "Come Together" and "Higher Than The Sun".How did a remix transform a rock band into dance music pioneers? In our latest episode, we embark on a spirited journey through Primal Scream's iconic album "Screamadelica." Set against the backdrop of September 1991—a month that birthed Nirvana's "Nevermind" and the Red Hot Chili Peppers' "Blood Sugar Sex Magik"—we reminisce about our teenage years and debate which album truly defined the era. With a playful quiz on the band's roots, we explore their ties with figures like Bobby Gillespie and Alan McGee, and the influence of the UK indie and Acid House scenes, all peppered with tales of our adolescent awkwardness.Our discussion takes a lively turn as we dissect the album's eclectic nature, bouncing between gospel-infused anthems and psychedelic dance tracks. We engage in a humorous yet passionate debate over whether "Screamadelica" should be considered a concept album, reminiscent of a journey through a weekend's highs and lows. We even engage in a cheeky saxophone solo showdown, diving into differing tastes in jazz and musical complexity, while reflecting on the transformative power of tracks like "Moving On Up" and "Slip Inside This House."No conversation about "Screamadelica" would be complete without celebrating the profound impact of Andy Weatherall. We dive into his pivotal role in reshaping the band's sound with remixes like "Loaded," and ponder how his collaboration with Bobby Gillespie and Andrew Innes forged a legacy that won the 1992 Mercury Prize. Whether you're a longtime fan or a curious newcomer, our exploration promises not just entertainment but a deep appreciation for an album that remains a defining piece of '90s musical history.Support the showTwitter - https://twitter.com/mccartneyinWebsite - https://mccartneyingoal.com/

705 Primal Scream - Screamadelica

En este episodio conversamos sobre “Screamadelica”, el tercer álbum de Primal Scream, lanzado el año 1991.

Hawkwind The Psychedelic Warlords (Disappear In Smoke) 6:47 Hall Of The Mountain Grill 1974 Astral Magic Meeting with the Spacemen 7:40 Cruising the Celestial Highways 2024 Deep Space Destructors Indigo Blue 8:02 Voyage to Innerspace 2023 Primal Scream Inner Flight 4:41 Screamadelica 1991 Cheddar Hawkweed Red Quar 6:16 CH1: Cyclops Appraisal 2023 Funkadelic Cosmic Slop […]

Rolling Stone ha actualizado esta Navidad su icónica lista con los mejores discos de la historia. Entre los álbumes que entran, 'Sour' de Olivia Rodrigo', 'folklore' de Taylor Swift, 'Un verano sin ti' de Bad Bunny y 'Renaissance' de Beyoncé. Entre los álbumes que salen, de manera muy polémica están 'Screamadelica' de Primal Scream y 'Disraeli Gears' de Cream. Debatimos estos cambios, pero sobre todo cada cuánto deberían cambiar este tipo de listas, por qué lo hacen, y si van a conseguir interesar a la gente joven.

A principios de década la música de baile dominaba gran parte de la escena y pronto su influencia se notó en muchos artistas procedentes del Pop, del indie e incluso del Rock. En este podcast podréis escuchar algunos ejemplos. 01 - Beats International - Dub Be Good To Me: el ex bajista de The Housemartins (Norman Cook) creó en el 89 este colectivo, formado por una vocalista, un rapero y un teclista. Este fue su gran éxito, un cover de una canción de SOS Band y el cual contaba con un sampler de la línea de bajo de la canción de Los Clash “Guns of Brixton”. Llego al número 1 en el Reino Unido en 1990. 02 - Ace of Base - The Sign (Long Version): Luego del gran suceso mundial que fue “All That She Wants”, en 1993 publican esta canción como single, logrando el número uno en US y Europa. 03 - Soho - Hippychick: El dúo de las hermanas Cuff lograron un solo éxito mundial, y fue este Hippychick en 1990, el cual contenía un sampler de la guitarra de Johnny Marr en la canción de The smiths “How Soon is Now” 04 - Stereo MC's – Connected: Procedentes de la escena del Hip-Hop británico, en 1992 lanzaron todo un revienta pistas como es “Connected”. Hasta mediados de los 2000 siguieron publicando material pero nunca repitieron el éxito, 05 - Lil Louis & The World - Nyce & Slo (Tony Humphries wildlife mix): DJ y productor de Chicago. Famoso por publicar en 1989 “French Kiss”, clásico del House. En 1990 lanza como single “Nyce & Slo” del cual se realizaron decenas de remezclas, la que aquí podéis escuchar fúe publicada originalmente en 12 pulgadas. 06 - Soul II Soul - Get a Life: Luego del gran suceso que fue el disco debut. El combo de Jazzie B lanza su segundo álbum “Volume II (1990 a new decade)”. Del cual se extrae este single. 07 - Saint Etienne - Only Love Can Break Your Heart: El trio británico debutan en mayo de 1990 con el cover de Neil Young “Only Love Can Break Your Heart” convirtiéndose en su single más exitoso hasta la actualidad. Como dato curioso, su vocalista Sarah Cracknell se incorpora al grupo un año más tarde. Por lo que esta canción es interpretada por Moira Lambert. 08 - Banderas - This Is Your Life (Remix by Massimino & Fabio B): Procedentes de The Communards, donde ejercían de coristas, publican su único álbum hasta la fecha “Rape” en 1991. Esta canción fue su primer single y el único que sonó en las radios. 09 - Mantronix feat. Wondress - Got to Have Your Love: Grupo de Hip Hop formado a mediados de los 80s, lograron con esta canción gran éxito en todas las pistas de baile del mundo entre 1989 y 1990. 10 - King Bee - Back By Dope Demand (Funky Bass Mix): Grupo de Hip Hop holandés, tuvieron varios singles de éxito a principios de década. 11 - Adventures of Stevie V - Dirty Cash (Money Talks) (Sold Out Mix 7' Edit): Proyecto británico de Hip-House, famosos por esta canción que sono entre 1989 y 1990. 12 - Primal Scream - Don't Fight It, Feel It (7' edit): Procedentes del Indie Britanico, en 1990 publican su opera prima “Screamadelica”, una fusión de Rock, Psicodelia, House y Balearic Beat. Este fúe su cuarto single. 13 - Stereo MC's - Step It Up: Segundo single de éxito, luego de Connected. Publicado en 1992. 14 - Beats International - For Spacious Lies (12' Version): Originalmente fue piublicado en 1989 por Norman Cook como solista, en 1990 se vuelve a lanzar bajo el nombre de Beats International. 15 - Happy Mondays - Step On (Twisting My Melon mix): Procedentes de la escena de Madchester, en 1990 publican su exitoso álbum “Pills 'N' Thrills And Bellyaches” del que se extrae esta canción como single. 16 - EMF - Unbelievable (Single Version): grupo británico formado en 1989, publican su mega éxito mundial en 1990. Nunca más volvieron a lograr tal asaña.

A principios de década la música de baile dominaba gran parte de la escena y pronto su influencia se notó en muchos artistas procedentes del Pop, del indie e incluso del Rock. En este podcast podréis escuchar algunos ejemplos. 01 - Beats International - Dub Be Good To Me: el ex bajista de The Housemartins (Norman Cook) creó en el 89 este colectivo, formado por una vocalista, un rapero y un teclista. Este fue su gran éxito, un cover de una canción de SOS Band y el cual contaba con un sampler de la línea de bajo de la canción de Los Clash “Guns of Brixton”. Llego al número 1 en el Reino Unido en 1990. 02 - Ace of Base - The Sign (Long Version): Luego del gran suceso mundial que fue “All That She Wants”, en 1993 publican esta canción como single, logrando el número uno en US y Europa. 03 - Soho - Hippychick: El dúo de las hermanas Cuff lograron un solo éxito mundial, y fue este Hippychick en 1990, el cual contenía un sampler de la guitarra de Johnny Marr en la canción de The smiths “How Soon is Now” 04 - Stereo MC's – Connected: Procedentes de la escena del Hip-Hop británico, en 1992 lanzaron todo un revienta pistas como es “Connected”. Hasta mediados de los 2000 siguieron publicando material pero nunca repitieron el éxito, 05 - Lil Louis & The World - Nyce & Slo (Tony Humphries wildlife mix): DJ y productor de Chicago. Famoso por publicar en 1989 “French Kiss”, clásico del House. En 1990 lanza como single “Nyce & Slo” del cual se realizaron decenas de remezclas, la que aquí podéis escuchar fúe publicada originalmente en 12 pulgadas. 06 - Soul II Soul - Get a Life: Luego del gran suceso que fue el disco debut. El combo de Jazzie B lanza su segundo álbum “Volume II (1990 a new decade)”. Del cual se extrae este single. 07 - Saint Etienne - Only Love Can Break Your Heart: El trio británico debutan en mayo de 1990 con el cover de Neil Young “Only Love Can Break Your Heart” convirtiéndose en su single más exitoso hasta la actualidad. Como dato curioso, su vocalista Sarah Cracknell se incorpora al grupo un año más tarde. Por lo que esta canción es interpretada por Moira Lambert. 08 - Banderas - This Is Your Life (Remix by Massimino & Fabio B): Procedentes de The Communards, donde ejercían de coristas, publican su único álbum hasta la fecha “Rape” en 1991. Esta canción fue su primer single y el único que sonó en las radios. 09 - Mantronix feat. Wondress - Got to Have Your Love: Grupo de Hip Hop formado a mediados de los 80s, lograron con esta canción gran éxito en todas las pistas de baile del mundo entre 1989 y 1990. 10 - King Bee - Back By Dope Demand (Funky Bass Mix): Grupo de Hip Hop holandés, tuvieron varios singles de éxito a principios de década. 11 - Adventures of Stevie V - Dirty Cash (Money Talks) (Sold Out Mix 7' Edit): Proyecto británico de Hip-House, famosos por esta canción que sono entre 1989 y 1990. 12 - Primal Scream - Don't Fight It, Feel It (7' edit): Procedentes del Indie Britanico, en 1990 publican su opera prima “Screamadelica”, una fusión de Rock, Psicodelia, House y Balearic Beat. Este fúe su cuarto single. 13 - Stereo MC's - Step It Up: Segundo single de éxito, luego de Connected. Publicado en 1992. 14 - Beats International - For Spacious Lies (12' Version): Originalmente fue piublicado en 1989 por Norman Cook como solista, en 1990 se vuelve a lanzar bajo el nombre de Beats International. 15 - Happy Mondays - Step On (Twisting My Melon mix): Procedentes de la escena de Madchester, en 1990 publican su exitoso álbum “Pills 'N' Thrills And Bellyaches” del que se extrae esta canción como single. 16 - EMF - Unbelievable (Single Version): grupo británico formado en 1989, publican su mega éxito mundial en 1990. Nunca más volvieron a lograr tal asaña.

Twitter / IG / FB : @BeeVinylPodcast Julián Vanegas: @JulianMVF www.discodevinyl.com/beevinylpodcast ¡Escríbenos y recomiéndanos qué álbum deberíamos escuchar o qué temas para conversar! Correo electrónico: info@discodevinyl.com canal de YouTube: www.youtube.com/channel/UCE421Bbl-BGL_eAVaMW89aA Recuerda darnos review en la plataforma de la que nos estés escuchando, ¡nos ayudarías muchísimo! Ya tenemos Patreon! www.patreon.com/BeeVinylPodcast cualquier apoyo cuenta :)

The Isms Cometh! Budgie and The iconic Slits - Holly Johnson as a bad-ass-bass-player! 8th notes on the floortom - how LOW can you GO?)Don't lose it - let your individuality flow. Simone cites Motown's James Lee Emerson, Blockheads' Norman Watt RoyAnd our old pal Simon Gallup as bass mentors.Plays like Poetry!Lol says Budgie is drums, Budgie says Lol is Drums, Lol says Bidgie is drims, Badgie sees Lil is Drams!Poetry like Pottery!Budgie in London's China Town for Choco glasses and salad bowls.You don't have to be, crazy but it helps if you are.Lol had the loudest Chinese cymbal ever, from Ray Man's of LondonBudgie had the 2nd loudest and Singing Bowls, also from Ray Man's of London!Jimmy Page told Pearl you're too loud (He should know!) Potty like Putty!Lol hears Simon perfectly for the first time on Reflections!Gary Numan and subtitles on TV?Tommy Lee and Lol friends from yesteryear.Bro rate for LXB and a Shit load of drums Simone sat Monsieur le Birdie? Tommy Lee's Gong! What is it about Tommy's gong? - (We still love Mike Oldfield's Tubular Bell) Budgie drums and has all the accents too - (They're Regional accents - Voice over Vocation calling)Baby Jane's in Acapulco - Simone's going down to Rio! - (well Mexico… not far)Simone says, if not for music it would be art – (Loves sound as healer and sign language) Lol digs Therapy in the Integratron. Budgie digs The Neon Graveyard in Vegas!Trippy and Psychedelic Newcastle and it's neon bridge! The Fog on the Tyne is all mine all mine – (so good we said it twice)Didn't we have a lovely time in the white hills - white hills, what white hills?What about Daevid Allen's Gong?With Respect: James Lee Emerson - Motown's Bass Master. (29 January 1936 – 2 August 1983)CONNECT WITH US:Curious Creatures:Website: https://curiouscreaturespodcast.comFacebook: @CuriousCreaturesOfficialTwitter: @curecreaturesInstagram: @CuriousCreaturesOfficialLol Tolhurst: Website: https://loltolhurst.comFacebook: @officialloltolhurst Twitter: @LolTolhurst Instagram: @lol.tolhurst Budgie: Facebook: @budgieofficial Twitter: @TuWhit2whooInstagram: @budgie646Simone Butler:Facebook: @simonemariebutlerTwitter: @Simonemarie4Instagram: @simonembutler Curious Creatures is a partner of the Double Elvis podcast network. For more of the best music storytelling follow @DoubleElvis on Instagram or search Double Elvis in your podcast app.

The Sand. Out there, post-lockdown Screamadelica tour Tokyo, Japan and everywhere more Traditional politeness for the visiting BritsFirst gigs post-pandemic, please play all the hits!  Lol liked the silence and the gifts from JapanBut he drank all the bath salts, which wasn't the planSimone received sweetness to comb through her hair Budgie got Pocari Sweat at the Manga Street fair Cherry blossom season caused a big sake thirst,Who threw the phone through the window first?Robert and Siouxsie were almost deported No return for ten years - though ‘twas never reported.The Oyster.Budgie and Simone at the breakfast bar calling Lol from Europe – to say, “Hello La!”On the bus with the crew, what's the golden rule?Traveller's ‘Toilette', does not accept ‘Le Stool!' Simone auditioned for Primal Scream She learnt all the songs and realised a dream No more living on chips and travelin' in a van Bobby treats the band well, he's a GentlemanSiouxsie's manager Nils asked Budgie to auditionEx-Slits Budgie did a good Palmolive impression. Success celebrated with a ‘Roll-up' and a beer, Lol and Simone had young Ant, Adam's ear! The Pearl. Simone in a film about the homeless that sears. Their lonely lives lightened by the unconditional love,of a dog they can talk to when no-one else hearsIt's a story that moves with a powerful shove.Scary ghost stories and thunder and lightning,  A bus shows Budgie that his mother's around.Simone's grandpa's goodbye is a story quite frightening,Lol says Budgie knows things about Lol that astound! For Lol the first 4 Cure albums are significantly spiritual Though that's not to say others misunderstood It's the sand in the oyster that makes the pearl beautifulIt's not Hunky Dory - but the friction is good! ‘I don't want a cure for this.' ‘Love Hangover' - Diana Ross (1976) CONNECT WITH US:Curious Creatures:Website: https://curiouscreaturespodcast.comFacebook: @CuriousCreaturesOfficialTwitter: @curecreaturesInstagram: @CuriousCreaturesOfficialLol Tolhurst: Website: https://loltolhurst.comFacebook: @officialloltolhurst Twitter: @LolTolhurst Instagram: @lol.tolhurst Budgie: Facebook: @budgieofficial Twitter: @TuWhit2whooInstagram: @budgie646Simone Butler:Facebook: @simonemariebutlerTwitter: @Simonemarie4Instagram: @simonembutler Curious Creatures is a partner of the Double Elvis podcast network. For more of the best music storytelling follow @DoubleElvis on Instagram or search Double Elvis in your podcast app.

There's no overestimating the importance of Screamadelica, the record that brought acid house, techno, and rave culture crashing into the British mainstream. Newsly app https://newsly.me promo code: RBRMUS

In episode 48 I talk to Boom Bip about Andrew Weatherall, an English musician, DJ, songwriter, producer and remixer. His career took him from being one of the key DJs in the acid house movement of the late 1980s to being a remixer of tracks by the likes of Happy Mondays, New Order, Björk, The Orb, The Future Sound of London and My Bloody Valentine. His production work on Primal Scream's album Screamadelica, adding samples, loops and creating an influential mix of hard rock, house and rave, helped the record win the first ever Mercury Music Prize in 1992 and become one of the most celebrated albums of the 1990s.

RIOT CASTはフォトグラファー中野RIOT敬久とコンポーザー／ドラマーOKDによる音楽放談ポッドキャスト番組。毎回あるアーティストの一枚のアルバムに絞って様々な角度からとりとめのないハナシを配信してます。今回は、まもなくSUMMER SONICなどの来日公演を控えるプライマルスクリームが、1991年9月23日にUKのクリエイションレコードよりリリースした3枚目のアルバム「スクリーマデリカ」！世界中で300万枚以上を売り上げ、今もなお影響を与え続けているミクスチャーロックの名盤です！

Bobby Gillespie's Primal Scream were a bog standard indie-rock band until they were introduced to MDMA and collaborated with acid house DJ Andrew Weatherall on a track called “Loaded” which took a rubbish ballad from their previous album and remixed it into an eccied rave-up. “Screamadelica” followed - a diverse concept record of gospel, post-punk, soul and blues that charts the ecstasy and the agony of the ultimate night out with joyous highs and terrifying comedowns. Melody Maker said it was the best album of 1991, and it won the inaugural Mercury Prize too. “Screamadelica is also #427 on the Rolling Stone magazine list of the 500 Greatest Albums of All Time, so Christopher Macarthur-Boyd and Liam Withnail listened to it, and now they're going to do a deep dive on everything from the wee freaky LSD sun on the album cover to the incredible backing vocals of Denise Johnson. All that plus Secret Posho, and YouTube Comment of the Week. Enjoy An Album! Enjoy.

https://youtu.be/qpLlp8tV7No

Tras una década intensa en el underground británico, Primal Scream creó en 1991 uno de los trabajos más icónicos de la década de los noventa, un Screamadelica que era un reflejo de la época. Un disco hedonista, que mezclaba estilos, que se podía bailar y que iba a reflejar el espíritu de aquellos años.En aquel curso vieron la luz discos míticos de los noventa, obras maestras a cargo de Guns and Roses, Metallica, Nirvana, Pearl Jam, Smashing Pumpkins o Pixies, Screamadelica figura en los puestos nobles de aquella cosecha tan recordada.Esta semana dedicamos el Sofá Sonoro a recordar esta joya del rock de la mano del periodista musical Toni Castarnado y con los reportajes de Lucía Taboada.Programas relacionados:La semana que cambió la música de los 90 | Apple | Spotify

Esta semana nos llama al contestador de Sofá Sonoro Toni Castarnado con una propuesta que no podíamos rechazar, recuperar el álbum más mítico de Primal Scream.

Author Dan Charnas discusses his latest book, Dilla Time, about the legacy of the late hip-hop producer J Dilla. Our books columnist Jael Richardson fills us in on her latest pick: Getting His Game Back by Gia de Cadenet. The Harder They Fall director Jeymes Samuel explains why it was important for him to correct the story of the Old West by putting Black characters at the forefront. Primal Scream frontperson Bobby Gillespie talks about his new memoir, Tenement Kid, which tells the story of his life up until the band's hugely influential, genre-defying 1991 album Screamadelica.

Screamadelica, el tercer álbum de estudio del grupo de rock alternativo escocés Primal Scream, y su primer éxito comercial. Lanzado en 1991, fue número 8 en la lista de álbumes británicos y alcanzó renombre internacional, reconocido como uno de los mejores álbumes de la década de los 90.

Neste episódio, dois discos lançados no excepcional ano de 1991. Ambos são de bandas da Escócia. Ambos os álbuns eram o terceiro trabalho dessas bandas. Estamos falando de SCREAMADELICA, do Primal Scream, e BANDWAGONESQUE, do Teenage Fanclub. Os dois foram lançados pelo selo CREATION e foram, cada um à sua maneira, uma referência pra aquela época.

Inspirado pelo crescente movimento das raves que ocupavam os clubes noturnos por toda a Europa, o consumo excessivo de LSD e MDMA, e o resgate da música psicodélica, Bobby Gillespie e seus parceiros de banda deram vida a um dos trabalhos mais delirantes e inventivos de todos os tempos: "Screamadelica" (1991). Terceiro álbum de estúdio e primeiro sucesso comercial do Primal Scream, o registro que contou com a produção do DJ Andrew Weatherall, cultuado por seus remixes, revelou algumas das composições mais conhecidas da banda, como "Loaded", "Come Together" e "Movin' On Up". Em uma viagem lisérgica em direção ao passado, Cleber Facchi (@cleberfacchi) e Isadora Almeida (@AlmeidaDora) relembram o processo de produção e as histórias por trás desse que é um dos discos mais influentes da história da música. Gostou do programa e quer ter acesso a outros episódios com muita antecedência? Apoie a gente em https://www.padrim.com.br/podcastvfsm.

Recordamos un disco histórico, "Screamadelica" de PRIMAL SCREAM. El grupo de Bobby Gillespie, que en 1991 editaron un disco que hizo que el rock no se entendiese nunca más sin poder entrar en la pista de baile. Repasamos sus comienzos, el contexto y el influjo de las drogas en el disco. Llamamos a nuestro embajador en EEUU, y hablamos sobre la situación de su nueva ciudad de residencia: San Francisco. NOTAS DEL PODCAST Theo Lawrence: https://theolawrencemusic.bandcamp.com/ Este es artículo sobre San Francisco que hablamos con Pablo Huidobro: https://www.elconfidencial.com/mundo/2021-10-29/entrevista-michael-shellenberger-san-francisco-drogas-personas-sin-hogar-izquierda_3314540/

DJ St. Paul neemt de muzikale week door met muziek van o.a. Hovvdy, Karen Dalton & Bicep. Deze keer in de albumrubriek een uitgebreid gesprek met Journalist Gijsbert Kamer over Screamadelica van Primal Scream. Benieuwd naar de tracklist en/of shownotes? Check ze via: tivolivredenburg.nl/studio/podcast/st-pauls-boutique/

DJ St. Paul neemt de muzikale week door met muziek van o.a. Hovvdy, Karen Dalton & Bicep. Deze keer in de albumrubriek een uitgebreid gesprek met Journalist Gijsbert Kamer over Screamadelica van Primal Scream. Benieuwd naar de tracklist en/of shownotes? Check ze via: tivolivredenburg.nl/studio/podcast/st-pauls-boutique/

Primal Scream's Bobby Gillespie invites us into his musical brain to discover the sounds that make him tick at his dreamlike festival in the Scottish Highlands. Expect funk, reggae, folk, and some classic rock'n'roll as we sup on a traditional smoked fish soup. Bobby delves into his ‘pills and powders' past to recall festivals gone by and shares how much music means to him, as does walking his dogs and listening to some quality vinyl. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Rockonteurs, Gary and Guy are joined by legendary label boss Alan McGee. The founder of Creation Records and the man who brought us The Jesus And May Chain, Primal Scream, My Bloody Valentine…oh and Oasis. In a fascinating conversation, Alan discusses the influence of 70s rock and glam, making of the game-changing "Screamadelica" album, and the life-changing night in Glasgow where he saw Oasis completely by chance. He's also refreshingly candid about the part pure luck and chancing it can play in success, and why you should never sign a band during a big weekend out.Rockonteurs is produced by Ian Callaghan for Gimme Sugar Productions. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Rockonteurs, Gary and Guy are joined by legendary label boss Alan McGee. The founder of Creation Records and the man who brought us The Jesus And May Chain, Primal Scream, My Bloody Valentine…oh and Oasis. In a fascinating conversation, Alan discusses the influence of 70s rock and glam, making of the game-changing "Screamadelica" album, and the life-changing night in Glasgow where he saw Oasis completely by chance. He's also refreshingly candid about the part pure luck and chancing it can play in success, and why you should never sign a band during a big weekend out.Rockonteurs is produced by Ian Callaghan for Gimme Sugar Productions. See acast.com/privacy for privacy and opt-out information.

Liderados por Bobby Gillespie, ex miembro de The Jesus and Mary Chain, la banda trabajó con DJ's y productores para entregar un disco que los convirtió en estrellas.

Reedicions: de Primal Scream a Black Sabbath. Punxarem alguns dels discos que es reediten aquests dies. Primal Scream continua celebrant el 30

Iain and Andrew return with another episode of their steaming hot new music show! Singles from Alt J, Gabriels and Vanishing Twin are reviewed today!Our hosts also look back on Nirvana's Nevermind and Primal Scream's Screamadelica!Listen, rate, subscribe and interact with us on Instagram!Support the show (https://www.buymeacoffee.com/weheardwonders)

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Hoy volvemos a viajar en el tiempo hasta el año 1991. Y lo hacemos con una serie de discos que marcaron una semana gloriosa dentro de la Historia del rock. Y es que en solo dos días, lunes 23 y martes 24 de septiembre de 1991, llegaban a las tiendas discos como Trompe le Monde de los Pixies, el debut de Kyuss, Screamadelica, Badmotorfinger, Blood Sugar Sex Magic y Nevermind. Hoy nos centramos en los tres últimos por su enorme impacto y relevancia que tuvieron en apenas unos meses. Y recuerda también que si te gusta el programa, puedes echarnos una mano y colaborar con nosotros desde el precio de una cerveza al mes, y así acceder a más de 500 podcast en exclusiva del archivo histórico. Simplemente en el botón azul de colaborar podéis hacerlo. Muchas gracias!!Escucha este episodio completo y accede a todo el contenido exclusivo de La Gran Travesía. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/489260

Setmana de festivals. El setembre

What does America's 44th President have in common with former Hearts, Rangers and Scotland defender David Weir? More than you'd think, if a memorable article from one of Adam's guests is anything to go by.  Neil Cameron has spent 30 years in Scottish sports journalism, and he discusses the lighter side to Jim McLean that he discovered when ghostwriting the Dundee United icon's newspaper column, his belief that Dick Campbell is the best manager in Scotland, the angry man who fixed Hugh Keevins' washing machine, writing about the anniversary of Screamadelica, being the subject of a complaint to UEFA and his Obama/Weir crossover. Author, columnist and documentary presenter Chris McQueer returns to the show in order to set the record straight on those 'anti-English' allegations, unearth some bizarre Celtic mottos, give his verdict on Angeball, recall watching Jim Leishman flirt, explain how he took himself out of his comfort zone as a writer, tell Adam what to expect from his new BBC documentary on Scotland's attitude to England and confirm that, despite what a newspaper front page might have suggested, he's still very much alive. Adam debunks a myth involving Chris Sutton and Neil Lennon, puts questions from Twitter to his guests and counts down a hate-filled, McQueer-themed top 5 featuring a Tory MP and a panda who just loves Fridays. Beer52 x Old Firm Facts: https://www.beer52.com/oldfirmfacts For more information about Old Firm Facts, go to: www.thebiglight.com/oldfirmfacts

A brief history and review of Primal Scream's Screamadelica. --- Support this podcast: https://anchor.fm/therollingreview/support

Você já conhece Loaded por causa da Lorde. Se você gostou, é provável que goste do resto deste disco aqui, que saiu no mesmo ano que Nevermind do Nirvana e também uniu tribos.Siga @discdomeupai no instagram e twitter.

Aujourd'hui fait pause sur Primal Scream et leur album: Screamadelica (1991). On part ensemble en Écosse, en tout bien tout honneur. Rendez-vous tous les dimanches à 18h pour de nouvelles anecdotes, bonne interlude !Interludons Nous à retrouver sur :Apple PodcastSpotifyDeezerGoogle PodcastAcastRSSRéseaux sociaux :InstagramFacebookPodcast créé par :Benoît Petitjean Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is  Kelly Molson, MD of Rubber Cheese.Download our free ebook The Ultimate Guide to Doubling Your Visitor NumbersIf you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcastIf you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this episode.Competition ends March 31st 2021. The winner will be contacted via Twitter. Show references:Podcast: www.conversationsworthmillions.comAgency: www.syntheticagency.coLinkedin https://www.linkedin.com/in/roymurphy/Twitter: www.twitter.com/agencysynthetichttps://www.syntheticagency.co/10-simple-tips-on-bot-strategy-and-design/https://www.syntheticagency.co/oracle-chatbots/ ‘Songs for themeparks’ - 100 tunes for those who love + those who are terrifiedhttps://open.spotify.com/playlist/6SQ77ZYMDbdHBYPKkQKJ4V?si=XqTPtiTZSICe7Daeb4Mn4w Transcription:Kelly Molson: Welcome to Skip The Queue, a podcast for people working in or working with visitor attractions. I'm your host, Kelly Molson. Each episode I speak with industry experts from the attractions world. In today's episode, I speak with Roy Murphy from Synthetic, the chatbot and voice agency. We discuss the opportunity for exciting voice strategies for attractions, and also how attractions can derive maximum value from chatbots. If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip The Queue. Kelly Molson: Roy, welcome to the Skip The Queue podcast, it's good to have you on today.Roy Murphy: Hello Kelly, looking forward to talking to you on the legendary Skip The Queue podcast. This will be a great conversation.Kelly Molson: You are very kind indeed. Now as you know, you've listened to a few of these episodes and you know that I start off with a few icebreaker questions, which you don't get to prep. Are you ready?Roy Murphy: As ready as I'll ever be. Kelly Molson: Okay. All right, what is the worst job that you've ever had?Roy Murphy: The worst job I've ever had is probably when I was very young on a Pitch and Putt golf course, not because the Pitch and Putt wasn't bad as a summer job, it was pretty cool, I quite enjoyed my job, but it was in a small hut in Wellington Island in Braze in South Dublin in Ireland many years ago, and the problem with the job was that it was in a small hut on the seafront outside a pub, and after the pub, everyone would come into the hut and kick it in and not only take the golf equipment out onto the kind of fairway in front of the promenade, then also do some not very nice things and use it as a toilet.Kelly Molson: Oh no, oh that's horrible.Roy Murphy: So for that reason, that is ... I've got a few other ones, but that's probably my top of the list I think.Kelly Molson: Oh God.Roy Murphy: Let's move on.Kelly Molson: So yeah let's ... shall we? Roy Murphy: Let's move on.Kelly Molson: Sorry.Roy Murphy: Anyway, I told you that, it's awful, isn't it?Kelly Molson: Sounds dreadful. Sorry, I'm just really having a chuckle, I feel bad that I'm laughing at your unfortunate job. Roy Murphy: It's all right.Kelly Molson: Okay.Roy Murphy: My hands are clean now though. My hands are clean now, it's fine. Kelly Molson: Good that, hygiene is very important.Roy Murphy: Yeah.Kelly Molson: Which cartoon character do you wish was real?Roy Murphy: Oh, Tasmanian Devil.Kelly Molson: Yeah.Roy Murphy: Just for the mayhem, I think. I just love ... I loved it as a kid, I'm not sure if it's appropriate now in terms of the name and so on, but just that whole kind of whirling dervish, and let it loose on various politicians.Kelly Molson: Yeah. If you had your own late-night talk show, who would be the first person that you'd invite on as a guest?Roy Murphy: Andrew Ridgeley. Kelly Molson: For what reason?Roy Murphy: I read his biography last year and I found it absolutely fascinating. I love those stories behind the fame, and actually, it came across that he was actually quite talented. You wouldn't have thought that from his public persona, but actually as a songwriter and a musician he gets kind of a bad rep, you know, George Michael, God bless, was so talented and popular, and I actually ... I think the stories behind the stories are sometimes more interesting, so I'd like to have him on and tell his side of the story face-to-face.Kelly Molson: That would be a great guest. I have to say that I was a massive Wham! fan so I would be watching that.Roy Murphy: Shows your age a bit.Kelly Molson: I know, I can't help it. Tell me something that is true that almost nobody agrees with you on, so your unpopular opinion.Roy Murphy: Oh, I've got lots of those. Kelly Molson: Oh, I'm intrigued.Roy Murphy: I like being contrary. So I pose it that winter doesn't exist. I have a theory.Kelly Molson: You need to explain this theory because it feels very wintery at the moment.Roy Murphy: Well, I'm not a flat-earther, but I have a theory. Let me run it past you. Typically there's four seasons in a year, I get that, and my own way of thinking is ... and I'm an optimist and I hate winter, by the way, just to set the groundwork. So summer doesn't end until September in my book, right? Because ultimately you always want an Indian summer, and September's still summer in my book. Autumn is October, November, and part of December because October, November are kind of autumn-ish, and December is a month of Fridays, right? So December isn't winter either. Roy Murphy: On the 21st of December, it's the winter equinox, and it gets lighter one minute per day, so therefore by the time you're into the 21st of December, forget about Christmas, that's always fun, by the time you get to first of January, the days are getting lighter every day by a minute, therefore winter doesn't exist. Discussed.Kelly Molson: I'm going to disagree, but I'm going to do it based ... I know where you're going, I understand where you're going with the equinox, but the winter ... the weather in January is horrendous and you could not associate that with any other month, other than winter. Roy Murphy: Disagree. Kelly Molson: Like it's always miserable, it's always really super cold, it normally snows.Roy Murphy: I see your point, but I'm an absolute optimist and I'm not having it. Winter is a construct, doesn't exist, and we're already into spring, so I'm skipping winter.Kelly Molson: I feel like we all need to do that this year.Roy Murphy: Every year.Kelly Molson: So maybe we should just all agree with you.Roy Murphy: Every year. This year in particular.Kelly Molson: January is my birthday month, which is really tough, nobody ever has any money, everyone's a bit miserable, the weather's rubbish, so maybe we should all just skip January and then I'll have a birthday later on in the summer.Roy Murphy: You'll thank me for it, Kelly, believe me.Kelly Molson: I'm with you. Thank you, Roy, for answering my questions. Roy, I want you to tell us about your agency that you run. So your agency is Synthetic, tell me what you do. Roy Murphy: So I run Synthetic, we are an emerging technology agency with a specialism in conversational AI, so what that means is we create conversations worth millions for our clients using chat, voice, messaging, all those AI-based concepts. I've been running it for about four years, got in quite early into the space, previously we were a mobile agency, but niched down into conversational AI because it's a really growing space, very interesting things happening across all those kind of areas from chat, voice, and messaging and so on.Roy Murphy: The platform is getting bigger, social's getting bigger, and customers and clients both are using these platforms every day, and therefore there's a massive opportunity for niche agencies in that space to help strategy, help to develop, and help to maintain those kinds of platforms and those kinds of activities.Kelly Molson: And what kind of ... like give me an example of something that you've worked on that we can reference. Roy Murphy: Sure, there's a couple of interesting ones, one on the kind of more entertainment side and maybe some more business-related ones. So one of the first ones and a very successful one we did a little while ago was a Robbie Williams virtual personality bot. So that was a fascinating project actually, so we actually got some time with the man himself and went through it with his record company and so on, and that was to promote ... I think about two albums ago, it was about 2016 we started that, that's still going actually, it's one of the longest-running ... certainly messenger chatbots, or successful ones, that's been around.Roy Murphy: So the idea being that you know, it's a virtual personality, he is not obviously there, but when we started it, it was quite early in the kind of chat space and area, there were so many messages coming through saying, "Is this you? Tell me where you are, I'm going to show you something," and it got quite personal actually-Kelly Molson: I can imagine.Roy Murphy: Not [crosstalk 00:07:09] yeah it did, but at one point we had ... I think we broke Facebook inbox it was so popular, and this was, you know, one of those kinds of small budget and small kind of time-spent projects that had a massive footprint.Kelly Molson: So it was a bit like ... as if you were messaging Robbie and you would get responses back from him?Roy Murphy: Yeah, exactly right, yeah. Since then obviously like lots has happened in that space around a kind of virtual assistants, a lot more sort or reality around augmented reality and kind of replicas of people and digital twins and so on, but that was kind of where it started, that was very successful and very popular, and still going actually. So a bit more up-to-date, we work with a number of large technology companies, one in particular, so we are doing a bunch of stuff with them around gamification and chat, so that's using the conversational piece to ... in the SaaS space actually along sort of [inaudible 00:08:01] and CX in that space, where we're doing things like virtual events on chat and we're doing some voice applications as well. Roy Murphy: Customers will come onto the website and using things like web chat to find out more about some of their products and then upselling from there, so chat and conversational AI with an ROI behind it.Kelly Molson: And that's kind of what I want to talk about today. So Roy and I are both members of an agency networking group, so we're both members of Agencynomics, and this is how we met, and I think Roy saw something that I posted about chatbots on LinkedIn, which spurred us to have a conversation about a few things. So some of you listening will have seen me speak at the Visitor Attractions Conference last year, and as part of our talk we were talking about things that could improve the guest's user journey and guest experience online, and one of the things that we suggested was using a chatbot.Kelly Molson: I mean chatbots are great, they can often give people information that they can't find that easily, or you know, if you have a chatbot you're freeing up someone else's time from having to kind of be on that and populating it themselves, and that's how we got talking, and I have to admit, after the talk in the Q&A session, I got a lot of questions about chatbots, and I thought, "Why don't I get Roy on to answer those questions? Because he is an expert in it and I am not." Hence why you're on Roy.Roy Murphy: That's useful.Kelly Molson: So I kind of want to talk about that kind of side of voice activation and voice kind of conversation around attractions, and I know that you have worked a little bit in that sector, and I wondered if you could give us your kind of ... well, your thoughts on them, and then maybe can we talk about how ... like how can attractions derive that kind of maximum value from using chatbots?Roy Murphy: Just to set the scene a little bit, quite important to mention I think, that you know, around the chat and conversational AI space we're still very early into it. I mean from our side it feels like it's been going on forever, we're almost five years into this kind of space, so the questions that we still get are often quite fundamental questions, you know, "Can I give my website, my product, over to an AI? What's going to happen? What if they start making ridiculous claims and comments? Will people be able to use them? Are we lying to people because they're not talking to people? Is there any kind of brand damage that might happen?Roy Murphy: You know we get a lot of these questions still quite a lot from the educational side, and that's, of course, every sector, not just visitor attractions, that's everything from finance to healthcare, wellness, education and so on. So the fundamentals still apply. So the first thing to say is, of course, we're still quite early into it, although we've been doing it for quite a while, so these questions do still apply, and then the second thing we often get as well is, you know, how do you get started? Is it very difficult and complicated and therefore expensive?Roy Murphy: And it really isn't. You know, of course, anything ... as a piece of string, can be ... you can be using very basic bots or very, very complex and integrated with the CRM systems, so in essence, we are early into it, there are lots of use-cases coming in that are ROI focused and kind of based in reality, which is great, but in terms of visitor attractions, you know, the very basics of a museum or an attraction using an FAQ bot is a great place or a great example to start with.Kelly Molson: Yeah.Roy Murphy: So in essence ... and that's very simple to do, so really these are not large projects, and most attractions and most businesses will have most of the information to hand anyway, which is often in their call centre scripts or on the FAQs or the questions being asked on their website, and indeed what's coming in on email, you know, whether it's the kind of ... you know, a more analogue process they have. So in the very basic version, it's not difficult for a site to spin up something on their current site based around their FAQs and then use that kind of data that comes back in to understand what people are asking for, because the beauty of those simple chatbot systems, of course, is that people are asking you actual questions, they're not ... you know you don't have to use eye-tracking software, you don't have to use Hotjar or something like that, you can actually get ... you know, people are actually asking you what they want, you know, what time you're open, will my discount vouchers still apply because of COVID? Roy Murphy: You know, are you COVID safe? You know, things that have really been kind of popular last year.Kelly Molson: In its simplistic form, you are gathering data about what people need to find out about your organization?Roy Murphy: It is ... in essence, it is really like having a conversation with a customer, and that can be automated, of course, so you don't have to have your call-centre staff on board, you don't have to have you, social team, if you're a small business as well with a single site attraction, this can all be automated very simply and very quickly, and that's a great place to start with this whole kind of AI space if you like because then you're going to get a load of data back which will inform you as you what you might do next.Roy Murphy: The classic what we call think like a startup, kill or continue, so if you're getting a whole bunch of questions back and you've already answered, okay, maybe that is what you need to spend your time on, but if people are often ... if your bot or if your site's failing on the certain questions of ... you know, maybe someone's asking a particular question all the time, are you open? How do I get to you? How much is it? How much are ticket costs? You can use that and you'll find that we've got loads of data around how people use conversation versus how they use a website, and they'll spend more time basically on chatbots, and they'll ask more questions, side-by-side apples with apples than they will on the website, we've seen that time and time again. Kelly Molson: So the time that they'll spend talking to a bot will be longer than a browse time?Roy Murphy: Yeah, often. Often there's caveats around that of course, but yeah, in essence, we see that a lot because if you've ... and again, you don't have to brand it particularly excitingly, although keep away from female named assistants, I've got a massive bugbear about that, let's get onto that later, but you know, if you're not ... you know, you don't have to spend huge amounts of time with developing new characters or new kind of personas for your bot, if you've got a friendly open museum visitor attraction park, whatever, just use that. Answer the basic questions, and use those questions to inform what you do next.Roy Murphy: And the other point of that is ... so the other important point is that of course if someone gets stuck or if they've got a major problem, or it's a high priority customer service question you can always hand over to a live agent anyway, so there's loads of nuances around how you would do that and when you would do it, but these things are all very possible and very easy to integrate with whatever you're currently using in terms of your live chat.Kelly Molson: Sounds really cool, doesn't it? Like it sounds like something that everybody should be using.Roy Murphy: I think people are often quite flummoxed by where to start and how easy it can be, because it seems like it's a great thing to do and everyone, of course, jumps in and goes, "Right, can we have a Robbie plus replica ... can we have someone in our ... can they be AR? Can they be this? And can they connect to all our systems?" And absolutely it can, but you don't necessarily have to start there. So you know ... and again, because the prevalence of chat and voice and all these technologies that are happening and your customers are using them, it's not a big jump for them, so really it's something you should be doing, you should be talking to your customers on the channels they're already using.Kelly Molson: And what would you say is the starting point? Because you talked a little bit about things to think about before you get started with this, like what should an organization be thinking about before they commit to something or before they come and speak to you for example?Roy Murphy: It's very simple really. I mean you've got to pick a use-case, so there's a bunch of things you could do, and a bunch of things you should do, but what you absolutely must do is, you know, set your KPI, what are you trying to do? Are you trying to, number one, reduce the amount of hours spent with your social team on answering questions that could be very simply answered by a bot? Are you number two, needing to increase sales by X percent and will this help us to do that? What do we do about? How do we get involved in that? Roy Murphy: So first thing you need to do, understand what it is you're trying to do in terms of the business KPIs, and then the second thing, of course, is that ... you know, leading on from that is describing it which is just a pre-post or after-sales type of scenario, or is it an engagement tool? So are we looking at conversational AI in this instance? Should we be ... are we using it for your website? So that's pre-buy, someone's looking at your information, it's top of the funnel, it's awareness, and that's one thing and that can be driven all the way through to the final ... to kind of booking.Roy Murphy: Or is it on the other side of the coin when someone gets to your park, your attraction, or your museum, whatever it might be, are you interacting more there with a character? Is it more things like treasure hunts? Is it something that's engaging in terms of dwell time? Are you upselling from there? So they're kind of separate things. Either can be started off very simply, but I think you need to ask yourself those simple kind of one-page answers and questions which are, what's the bot trying to do? What's the key audience? And what the success looked like, you know, very simple, basic questions you need to start with first.Kelly Molson: Yeah, one of the questions that came up ... well there was a couple, there was quite a few questions actually at the Visitor Attractions Conference, but one that sticks in my mind was around ... it was around social media, you know, was there a platform of some sort or something that would interact with people's social media, as well as people, being able to ask questions on the website as well? I guess if you're building something bespoke for an organization, you can make it do pretty much whatever you want it to.Roy Murphy: Yeah pretty much. I mean anything with API is integrable, basically. So, in essence, yeah, so whether you want to ingest your Twitter feeds ... or indeed a lot of the chats are actually social themselves, so they don't have to be ... and there's kind of ... there's open and closed systems of course, but you know, for instance, Facebook obviously everyone's aware of, and it would appear from all the things that we see that ... and not forgetting that Facebook own three of the biggest social platforms in the world, you know, not just Facebook, of course, they own Instagram, of course, they own WhatsApp, and who knows what else, and they are moving into a ... it feels like or it seems like an integrated system where you can now message, you can now use chatbots, to an extent, on Instagram. Roy Murphy: Messenger obviously is the platform for bots for Facebook, but again, WhatsApp being more private has had business beta on it, and it hasn't really broken in the Western countries as yet. It's massive in India mind you, WhatsApp. So all these things are all possible and all ... and you can build one system and one platform to interact on those as a single point of view, so yeah, it's all very possible from a social perspective, yeah.Kelly Molson: How about engaging with different demographics? So is there ... you know, in your experience, is there a certain age bracket that will interact more with a chatbot on a site? I guess ... again one of the questions was around kind of our grandparents that are booking a trip with their grandkids, are they going to use this chatbot? Is it going to be helpful for them?Roy Murphy: That is a very, very common question. That's a great question. Before I started in this whole space I had the same question, isn't this just for kids though? But actually, kids aren't using Facebook as you've probably noticed. I've got a 14-and-a-half year old going on 20 daughter, she hasn't touched Facebook in four years, or for that matter, Instagram and WhatsApp. If you're not on TikTok or some of the newer ones you're kind of toast really. So yeah, we've seen ... we've got a ream of data around this and you'll probably be quite surprised from the grandparent question that they're actually very capable and use Facebook, in particular, a lot, because that's how they communicate with their kids and grandkids. Roy Murphy: So we see a huge spread. We thought the same thing actually a couple of years ago, is this route for kids? And would anyone use it? And is it all ... opposite, if it's easy to use, that's a truism across any platform, if it's simple, you use and you're being upfront about what it is and how you use it, it really does cross ... there isn't a demographic we've seen that doesn't use it. So yeah, it's not skewed young in essence, no.Kelly Molson: Is it a case of if it's easy, anybody will use it? Or would an attraction have to put in any kind of work to get people to engage with it? Because I think that was something that people were a bit worried about, is committing to this and then it not being used, and would it need to be ... like would they need to put this huge kind of drive behind encouraging people to use it?Roy Murphy: So again, depending on what the use-case is. So in very simple terms for the kind of top-of-funnel awareness, and there is other ways of doing this, but your classic chatbot scenario is the bottom right circle, you know, on your website, which you select, and I think we're all pretty used to ... there's loads of different ones out there from some of the big names like Drift and Intercom and so on, and some of the other platforms. So that is really a tap of a button to ask questions into a kind of FAQ.Roy Murphy: So that is people are coming to your site anyway, or they're coming to your Facebook page, and that how you interact anyway, or they're Instagram now and possibly WhatsApp and so on, so that's all kind of intrinsically baked in. In terms of on-park or on-site, slightly different scenario. So yeah, I think it's fair to say that you need to surface it. So if you're in the aquarium or whatever it might be, or you know, a London Bridge experience or whatever, front-of-house, there's something there they haven't seen already, I think definitely. Roy Murphy: Parts of your marketing in terms of if you're using an app already and there's a nice part of it which might be chat-related or kind of something you would engage with through the experience, I think yeah, so it really depends. I think the key though is ultimately ... it's telling people about it, yes, but then making it really simple to use, and there's two things you want to do really, you know, you don't want to take away from the experience itself, right? The reason they're there is to see fantastic ocean animals or go on roller coaster rides.Roy Murphy: Yeah, I think it's fair to say that, you know, some train or some ... or at least an awareness from front-of-house staff would be important, if you know ... just to check in with people, "Have you seen X or Y? Have you seen we've got a new dipper," you know, for museum, you know, our new Dippy chat bot, interact with it, you can see ... find treasures, if you do the treasures you get a discount or an offer or something, you know, that kind of stuff is important I think, but again, not taking away from the experience is really important, because you know, let's face it, we, and our kids as well, spend enough time on screens, so it's got to add to the experience, and we're going through the experience of the attraction, and of course not all attractions are end-to-end and kind of, you know, linear, but understanding whether it's just using a QR code or something simple or being tripped by another kind of interactivity, is important, and making those things short and sweet I think is important as well, those interactions.Kelly Molson: This was going to be like my kind of final round-up question to you because what we've focused on quite a bit is what I think is that kind of pre-attraction journey using chatbots, so people are asking questions about you know, are you open? How much is the ticket price? I can't find this thing to be able to book, but actually, there's a lot that can be done in terms of voice strategies for attractions once you're at the attraction as well. Kelly Molson: Like what kind of things could potentially attractions be looking at for that? I guess this is endless, endless opportunities?Roy Murphy: Yeah absolutely. I mean you know, depending on the attraction, like I say, I mentioned the kind of Dippy scenario where ... you know, are we looking through the museum at bones or artifacts or using a voice to give hints around where to find things, more like an interactive treasure hunt scenario, I think is definitely useful. Making it engaging as well, because you know, obviously moving into a post ... hopefully a post-COVID world soon where things are back open again, hopefully sooner rather than later, you're able to touch things, but maybe people don't want to, so I think it's going to be quite important that that kind of touchless experience is probably more part of the experience going forward than it has been.Kelly Molson: Really good point.Roy Murphy: So then that's going to be important. There's tons of things you can do, like you say, create new characters, use some new technology like AR to kind enhance, I've seen some great stuff around museum attractions around selfies, you know, putting yourself into pictures and really engaging and immersing yourself in whatever you're looking around. I mean my own personal favourite which doesn't exist, I'm so disappointed that they stopped doing it, was in Audley End, you know, the national heritage-Kelly Molson: I live right near Audley End-Roy Murphy: Oh okay. Kelly Molson: Yeah, we live in Saffron Walden.Roy Murphy: I love it.Kelly Molson: It's a great place.Roy Murphy: I love Audley End, they used to have a Victorian sing-along at Christmas, I don't know if you ever went to it-Kelly Molson: No, we moved here a couple of years ago so-Roy Murphy: Right, I think they stopped it about three or four years ago, every time I go there I'm so disappointed they don't do it, because you got a chance to go into the house and there were some people dressed up in Victorian ... I thought, "Wow that's what I want, I want a Victorian granddad bot, that's what they're missing," right?Kelly Molson: Yes.Roy Murphy: I honestly do, I might just go and do it anyway because it's a fantastic idea, but that kind of interactive and engagement, these things, these character-driven kind of experiences around AI are again ... they can be quite complex. It's not that difficult to start, but again, it just adds to the kind of fun, doesn't it? And again, the important point I think is, is not just to have that on the park, so there's any kind of brand and merchandise extensions that are possible in terms of licensing et cetera, so if you're ... I know Dippy's a good example, or maybe Audley End's a bad example, but there's certainly plenty of character-driven attractions where you could extend that more and you could have more engagement from people outside of visiting the attraction.Roy Murphy: And again, it could just be that you have a conversation starter and you are able to talk to people and engage, and that might be, "Did you know we're open? Why don't you come along and have a two-for-one offer?" And these are you know, digitally printed tickets, they can go into an existing app they've got, they can go onto social, go onto the bot itself, so lots of opportunities I think, commercially speaking, that aren't really being utilized that well because ... because we're quite early into it, and again, I'm going to put a stake in the ground and say I think that in the visitor attraction kind of space there's huge opportunities because ... for people to steal a march on the competitors to be honest.Roy Murphy: Because not many people are doing it and doing it well, so there's a massive opportunity. The audience is definitely there, we know that, we're going to reopen again soon, and even before reopening it's a brilliant way to engage people and not particularly ... I wouldn't say cost-neutral, but it's not particularly expensive to get these things started if you go in with an MVP think like the startup mindset.Kelly Molson: Yeah, totally agree with that. There is endless possibilities and huge opportunities at the moment. I love what you talked about ... the Audley End example is a really great example actually because it is about ... you know, it's about putting you into that experience, isn't it? It's about ... it's complementary to it, it enhances the experience, it doesn't take away from it or distract you from what's actually happening there at the same time. Roy Murphy: Yeah, I think that's really important. I was also just thinking about audio as well, and again, this is just simple things, and this isn't necessarily around conversational, but you know, just ahead of us having a chat, just thinking about things like some of the more ride-based attractions, and whether this has been done or not, I'm using ... audio is massive obviously, podcasts are massive, audio content's massive, Alexa and Google and so on are massive, and you know, just simple things like those additional engagements of those ... for instance Spotify or Alexa playlists of ... you know, you're going to Alton Towers in a month's time, you're really excited about it, here's the Terror List list with ride on time and songs from TerrorVision and Screamadelica, why aren't we doing that? This is not difficult to do. Roy Murphy: You know, and you can do corporate audio and AI and conversation to all these things, and there's so many good opportunities I think for this, and I think there's a ... you know, I think the brands that jump on this and attractions that jump on this will ... they'll put themselves in a good spot I think.Kelly Molson: That's such a great idea, what is your attraction's playlist? That's what I want everyone to tweet me, what would be on your attraction's playlist? Roy Murphy: You can't use Screamadelica, I've used that. Try and get an example that's under 30 years old, I tried to think of one earlier, I couldn't. Kelly Molson: Well this one's not under 30 years ... well ... yeah no, it is, but I always think about ... there's the Rock 'n' Roller Coaster at Disney and it plays Aerosmith, and it's such a great song, Dude (Looks like a lady), and I just have got such great memories, and every time I hear that song I instantly get transported back to that attraction. It would be really cool wouldn't it, to have like your playlist from your favourite attractions?Roy Murphy: It'd be great, just on a personal note, I'm a heavy ... well my family, we are heavy attraction users, I was talking to my wife earlier and I think we count ... even though we're on COVID, I think we counted up about 30 attractions last year we did.Kelly Molson: Nice.Roy Murphy: And we generally do around 40 plus, and that's everything from you know, the obvious big ones, you know, the Alton Towers and so on, to ... we went to Portsmouth into the Mary Rose and the dockyards we did [inaudible 00:27:53] Tower, we did Woburn Safari, Stratford-upon-Avon, the Shakespeare Museums, and I did one interestingly, like just before Christmas, the Silverstone Experience, don't know if you've done it, which is-Kelly Molson: Oh no, I haven't yet. I should because it's not that far from where we are.Roy Murphy: It was actually really good. You know, I'm not a huge Formula 1 fan, but I know lots of people are, but I took the kids out there and my wife came as well, and you get to drive on the track, and now it's very slow, but they've got little lights on, it's fantastic actually.Kelly Molson: That's cool.Roy Murphy: And there was a Silverstone radio station which you could turn on and they play some tunes, but I thought they were missing a huge trick around interactivity, they should have had a very simple point and click where they are, which you can do very easily now. You're all going very slowly up the grid, why they didn't have sounds popping and people revving their engines like Lewis Hamilton on the grid is beyond me.Kelly Molson: Yeah, really build that atmosphere a bit, yeah.Roy Murphy: Exactly. Roll your phone over the ... traffic lights are, you know, they're red, amber, green, and then show it off and then you could have James [inaudible 00:28:46] it just missed the big trick there, and none of this is difficult, whether you could just point your thing at the stands and you can have the voice of Murray Walker or whatever it is for the F1 fans. These interactivity things, again, are not difficult.Kelly Molson: Well I mean they might be listening Roy, so-Roy Murphy: They should. Call us.Kelly Molson: You could get a call. Call Roy. Roy Murphy: Call us. Call Kelly.Kelly Molson: On that note, if you do want to know a bit more about Roy and what he does at Synthetic, then there's loads of places you can look. So you've got loads of really great articles on your website, syntehticagency.co, now there's a couple of really specific articles that are really useful to this conversation, so you've got 10 simple tips on bot strategy and design, and you've got a case study around Oracle chatbots as well, and there's just some really, really useful information if you want to carry this conversation on, that's the best place to go. Kelly Molson: And actually Roy you've got a podcast as well, haven't you?Roy Murphy: It is called Conversations Worth Millions.Kelly Molson: Love it.Roy Murphy: So in essence, conversationsworthmillions.com is the URL, but if you ... because I'm amazing at SEO as well, if you type in conversations worth millions into Google, every result on the home pace will be my podcast, if it isn't, my OCD's going to go mental.Kelly Molson: Okay, well let's test this, so yeah, if you want to listen to a bit more about this topic, then Conversations Worth Millions is what you type into Google and as Roy said, you should find everything that you need. One last question for you, I always ask all of our guests to recommend a book, and it can be a book that you love, just you love it personally, or it could be a book that's kind of helped shape your career on some way, so have you got a recommendation for us today?Roy Murphy: Can I just make one small comment before I tell you what book it is? My second unpopular opinion is that you can't read too much.Kelly Molson: Okay, yeah.Roy Murphy: I'm a doer, don't ... my final parting shot on that is don't just consume, create. I'll leave it there, however-Kelly Molson: Yeah, no do you know what? I agree, and don't just read self-help books, I think there's a lot of people who consume self-help business book one after the other, go read some fiction as well, and mix it up.Roy Murphy: Speaking of self-help, I've got one for you. Kelly Molson: Good.Roy Murphy: You'll like this. Okay so this one has got ... it's a bit of a mouthful for a name, it's brand new, don't know if you've seen it, so this is the Almanack of Naval Ravikant, have you seen it?Kelly Molson: No, I haven't.Roy Murphy: Okay, so I'll give you a quick pre-see of what it says on the back cover. So it says getting rich is not just about luck, happiness is not just a trait we are born with. So in essence what this is, is Naval is very famous on Twitter, he's a VC and a bit of a lifestyle guru and so on, and a tech guru too, he wrote quite a ... again, famous tweet about a year-and-a-half ago on why getting rich isn't just about money, it was a massive Twitter thread of maybe, I don't know, 15 tweets. Someone took those tweets and turned them into a book, which I thought for a couple of reasons was fantastic.Roy Murphy: First of all, to be able to spin a book out of 15 tweets is really interesting, and actually the lessons in it I think are actually quite powerful, so that's my recommendation. The Almanack of Naval Ravikant. Kelly Molson: Great. Good. That is a good choice. As ever, if you would like to win a copy of this book, we offer it as a prize, so all you need to do is head over to our Twitter account which is Skip The Queue if you just search for that on Twitter, and then if you retweet this episode announcement with the words, "I want Roy's books," then you will be put into a prize draw to potentially win it. Kelly Molson: Roy thank you, I've really enjoyed this chat. Thanks for coming on and for sharing your knowledge about this topic. Please, everyone, go and subscribe to Roy's podcast the Conversations Worth Millions. If you are interested in what we've been talking about today, it's a wealth of knowledge there, and I would definitely check out Roy's website too. Thanks for coming on.Roy Murphy: Thanks a lot, Kelly, it's been a pleasure. Kelly Molson: Thanks for listening to Skip The Queue. If you've enjoyed this podcast, please leave us a five-star review, it really helps others find us, and remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, rubbercheese.com/podcast.

Bobby Gillespie, co-founded Primal Scream in 1982. Screamadelica, the band's third studio album, won the first Mercury Music Prize in 1992. He was previously the drummer for The Jesus and Mary Chain. Bobby was born and raised in the Mount Florida district of Glasgow. His father is Bob Gillespie, is a former union official and Labour Party candidate. From his father he says he learned a lot about progressive politics and fighting for justice. Bobby is married to stylist Katy England. They have two sons together, Wolf and Lux.

En un nuevo capítulo de Los Imprescindibles, Pablo Aranzaes y Álvaro Paci analizaron el disco "Screamadelica", de Primal Scream. Este álbum fue publicado en 1991, año en que también aparecieron influyentes discos como “Out of time”, de REM y “Nevermind”, de Nirvana. A pesar de que, en un comienzo, estos trabajos musicales fueron más conocidos que "Screamadelica", este último tuvo la particularidad de ser admirado tanto por DJs como bandas de rock. “No hizo tanto ruido, pero con el tiempo fue ganando reconocimiento y fue muy influyente para el desarrollo del britpop", destacó Pablo Aranzaes. No te pierdas los detalles de este álbum de Primal Scream en un imperdible capítulo de Los Imprescindibles.

En un nuevo capítulo de Los Imprescindibles, Pablo Aranzaes y Álvaro Paci analizaron el disco "Screamadelica", de Primal Scream. Este álbum fue publicado en 1991, año en que también aparecieron influyentes discos como “Out of time”, de REM y “Nevermind”, de Nirvana. A pesar de que, en un comienzo, estos trabajos musicales fueron más conocidos que "Screamadelica", este último tuvo la particularidad de ser admirado tanto por DJs como bandas de rock. “No hizo tanto ruido, pero con el tiempo fue ganando reconocimiento y fue muy influyente para el desarrollo del britpop", destacó Pablo Aranzaes. No te pierdas los detalles de este álbum de Primal Scream en un imperdible capítulo de Los Imprescindibles.

The boys are back in town! Judd and Pedro celebrate their 6 month anniversary of the show with a huge pair of albums. It's Nirvana's "Nevermind" and Primal Scream's "Screamadelica", which came out one day apart in September 1991.Check out the podcast and get in touch on Instagram and Facebook @whenalbumscollide

La banda trabajó con DJ’s y productores para entregar un sonido que revolucionó la música y los convirtió en estrellas.

Dice que ha sido una de sus canciones favoritas de todos los tiempos. Matt Bellamy Muse ha cambiado el piano del original de Simon & Garfunkel de ese álbum mítico por la guitarra acústica para hacer su particular versión. Otro tema más en solitario al lado de uno anterior, original, que no versión. En tanto, Fran healy, admirador y fan de cabecera de Paul McCartney muestra un tema, el baladón, del disco "10 songs" que vendrá el mes que viene de Travis. Más noticias del día que se suman a novedades internacionales. Una pieza más en clave folk-rock, guitarra acústica en mano, con vocación de cara B, de Stephen Malkmus; otro ejemplo más de que los neocelandeses The Bats siguen en forma 40 años y nueve discos después; el anuncio de que ya está próxima la edición del trabajo de la malograda Denisse Johnson, la voz del "Screamadelica" con temas propios y versiones (de The Smiths, entre ellos) o un nuevo ejemplo del proyecto instrumental de Made for Humans (Stefan Placebo y Miguel Digital 21). Y además el anuncio con una foto de un Ford vintage de que ya llega nueva música de Royal Blood. Novedades de aquí son el Ep que vendrá, tras dos álbumes de Rodrigo Ramos; el viernes salió lo nuevo de Grises y colabora Victor Rufus T. Firefly; más canciones de Mourn y su "Self worth"; Hidrogenesse que se acuerdan de que en su momento remezclaron el segundo disco de Javiera Mena y la propia Javiera junto a Dorian, remezclados a su vez por Ley DJ. La mirada atrás con el retrovisor fue con el supergrupo canadiense Lee Harvey Osmond. Escuchar audio

In this episode, Barney & Jasper welcome the legendary Alan McGee into RBP's virtual cupboard. The Creation Records founder talks us through his storied career, from his school days in Glasgow to the Creation 23 label of the 21st century. Reminiscing about the early '80s Living Room gigs he put on in London, Alan describes the signings of Oasis, the Jesus and Mary Chain another great Creation acts. He also explains how Primal Scream got from Sonic Flower Groove to Screamadelica; how he almost signed Teenage Fanclub's idol Alex Chilton; how My Bloody Valentine's Loveless did (or didn't) almost bankrupt his & Dick Green's baby; and how appalled Sony were by Kevin Rowland's My Beauty album after the company acquired 49% of Creation's shares in 1992.Slightly cheekily, RBP's co-hosts then force Alan to listen to clips from a 2007 audio interview with Alex James of Oasis's Britpop nemesis Blur — except it turns out he never really hated those soft southern Sassenachs in the first place: it was all the Gallaghers' fault. Quel surprise…After paying their respects to fallen pop heroes Wayne Fontana, Trini Lopez and Seeds guitarist Jan Savage, Barney & Jasper talk through their highlights of the week's new "library load ". These include Lillian Roxon's 1966 report on "Music City USA" (i.e. Nashville); Michael Goldberg's 1983 report on MTV's exclusion of Black music videos; Joni Mitchell bellyaching in 1981 about being "written out of rock history"; a breathless 2002 review of Scandi garage rockers the Hives live at London's Astoria, and a riveting Aphex Twin interview from 2003…Pieces discussed: Creation, Creationer, Creationest, Jesus & Mary Chain, Vile Evil from East Kilbride, Primal Scream, Blur's Alex James audio, Wayne Fontana, Trini Lopez, The Seeds' Jan Savage, Death Discs, Nashville, Wizzard, Patti Smith, MTV, Joni Mitchell, Cleveland punk, Jerry Ragovoy, The Hives, Aphex Twin and Beyoncé.This show is part of Pantheon Podcasts.

In this episode, Barney & Jasper welcome the legendary Alan McGee into RBP's virtual cupboard. The Creation Records founder talks us through his storied career, from his school days in Glasgow to the Creation 23 label of the 21st century.  Reminiscing about the early '80s Living Room gigs he put on in London, Alan describes the signings of Oasis, the Jesus and Mary Chain another great Creation acts. He also explains how Primal Scream got from Sonic Flower Groove to Screamadelica; how he almost signed Teenage Fanclub's idol Alex Chilton; how My Bloody Valentine's Loveless did (or didn't) almost bankrupt his & Dick Green's baby; and how appalled Sony were by Kevin Rowland's My Beauty album after the company acquired 49% of Creation's shares in 1992. Slightly cheekily, RBP's co-hosts then force Alan to listen to clips from a 2007 audio interview with Alex James of Oasis's Britpop nemesis Blur — except it turns out he never really hated those soft southern Sassenachs in the first place: it was all the Gallaghers' fault. Quel surprise… After paying their respects to fallen pop heroes Wayne Fontana, Trini Lopez and Seeds guitarist Jan Savage, Barney & Jasper talk through their highlights of the week's new "library load ". These include Lillian Roxon's 1966 report on "Music City USA" (i.e. Nashville); Michael Goldberg's 1983 report on MTV's exclusion of Black music videos; Joni Mitchell bellyaching in 1981 about being "written out of rock history"; a breathless 2002 review of Scandi garage rockers the Hives live at London's Astoria, and a riveting Aphex Twin interview from 2003… Pieces discussed: Creation, Creationer, Creationest, Jesus & Mary Chain, Vile Evil from East Kilbride, Primal Scream, Blur's Alex James audio, Wayne Fontana, Trini Lopez, The Seeds' Jan Savage, Death Discs, Nashville, Wizzard, Patti Smith, MTV, Joni Mitchell, Cleveland punk, Jerry Ragovoy, The Hives, Aphex Twin and Beyoncé. This show is part of Pantheon Podcasts.

In this episode, Barney & Jasper welcome the legendary Alan McGee into RBP's virtual cupboard. The Creation Records founder talks us through his storied career, from his school days in Glasgow to the Creation 23 label of the 21st century. Reminiscing about the early '80s Living Room gigs he put on in London, Alan describes the signings of Oasis, the Jesus and Mary Chain another great Creation acts. He also explains how Primal Scream got from Sonic Flower Groove to Screamadelica; how he almost signed Teenage Fanclub's idol Alex Chilton; how My Bloody Valentine's Loveless did (or didn't) almost bankrupt his & Dick Green's baby; and how appalled Sony were by Kevin Rowland's My Beauty album after the company acquired 49% of Creation's shares in 1992.Slightly cheekily, RBP's co-hosts then force Alan to listen to clips from a 2007 audio interview with Alex James of Oasis's Britpop nemesis Blur — except it turns out he never really hated those soft southern Sassenachs in the first place: it was all the Gallaghers' fault. Quel surprise…After paying their respects to fallen pop heroes Wayne Fontana, Trini Lopez and Seeds guitarist Jan Savage, Barney & Jasper talk through their highlights of the week's new "library load ". These include Lillian Roxon's 1966 report on "Music City USA" (i.e. Nashville); Michael Goldberg's 1983 report on MTV's exclusion of Black music videos; Joni Mitchell bellyaching in 1981 about being "written out of rock history"; a breathless 2002 review of Scandi garage rockers the Hives live at London's Astoria, and a riveting Aphex Twin interview from 2003…Pieces discussed: Creation, Creationer, Creationest, Jesus & Mary Chain, Vile Evil from East Kilbride, Primal Scream, Blur's Alex James audio, Wayne Fontana, Trini Lopez, The Seeds' Jan Savage, Death Discs, Nashville, Wizzard, Patti Smith, MTV, Joni Mitchell, Cleveland punk, Jerry Ragovoy, The Hives, Aphex Twin and Beyoncé.

Impecable el documento sonoro de Radio 3 presente en el FIB de 2011 cuando todos los focos apuntaron a la malograda Denise Johnson, 56 años, en el momento en que llevaba la voz cantante en uno de los temas troncales de ese disco definitivo en la carrera de Primal Scream llamado "Screamadelica". Sus compañeros de profesión y amigos están haciendo una colecta para que pueda haber un funeral a la altura de su labor fundamental como secundaria en trabajos y directos de Electronic, New Order, A Certain Ratio o Ian Brown. Iba a estrenarse con su primer disco en solitario en septiembre. Noticia del día como la que brindan Best Coast que van a celebrar los diez años de su debut "Crazy for you" con un streaming el 14 de agosto que contará con estrellas invitadas como Mark Blink 182, Hayley Paramore y Lauren Chvrches. También es noticia del día la sorpresa de Courtney Love al ver que su nombre estaba en el listín del financiero Jeffery Epstein, condenado por tráfico de menores, que se suicidó en la cárcel de Manhattan el año pasado. Entre lo anecdótico y, según sus palabras, de lo más surrealista que le haya ocurrido, que a Hook y Sumner les tuvieron que recordar los Red Hot Chili Peppers cómo era el tema "New down fades" de Joy Division para tocarlo con Moby durante la gira de 2001. Novedades internacionales son un adelanto del tercer disco de Sylvan Esso y el anticipo del estreno para Fiction de Another Sky. Novedades de aquí son el disco que viene de Xavi Moyano, un rompepistas de Mirémonos, los jovencísimos Platz desde Valencia y otra muestra arrebatada de Chef Creador. El calendario de festejos nos señala el festival "Love me two times" para septiembre en el Wurli de Madrid con Alison Darwin en el cartel y el DCode que tendrá que esperar hasta 2021 para celebrar su décimo aniversario confirma a Vetusta Morla como cabezas de cartel. El punto final fue con los proyectos de futuro de Franz Ferdinand, vía su líder Alex Kapranos. En la primera ahora continuamos con las g.a.t.o.´s para la posteridad noventeras y entramos en las de nombres de aquí. Sonaron: Los Planetas, Usura, Venas Plutón, Pribata Idaho, Tommy Crimes, Insanity Wave, Cornflakes, Ginko Biloba, Guedeon Della, Crank, Inoxidables, Vancouvers y Automatics. Escuchar audio

En Música de Contrabando, revista diaria de música en Onda Regional de Murcia (orm.es; 23,05h)Lollapalooza anuncia edición online con más de un centenar de bandas (The Cure). Denise Johnson, una de las voces más reconocibles en ‘Screamadelica’ de Primal Scream. Cecilia Krull, una de las voces más especiales que se pueden encontrar en España en la actualidad.La autora de la canción principal de la serie de Netflix "La Casa de Papel", de "Vis a Vis" y muchas más ha sido número 1 en Francia. Aumentan las cancelaciones (Nacha Pop, El Kanka). Las bandas cartageneras AYOHO y Arde Bogotá vuelven a colgar el cartel de ‘sold out’ en ls Xtraordinary Nights de El Batel. 'La Cuadrilla' es el nuevo single de PORRETAS PAGINA OFICIAL Porretas. "Un pequeño homenaje a toda esa peña que ha sido parte de nuestra vida, de nuestra historia y que, por circunstancias de la vida, ya no están". Los Marañones. Bantastic Fand. Raúl Bernal pone fin al proyecto de Jean Paul con un desgarrado disco-libro, El adiós considerado como una de las bellas artes. La segunda entrega de Mirémonos en lo que va de año muestra al cuarteto madrileño en su faceta más electrónica y visceral. Chuck Bass es el siguiente adelanto del nuevo trabajo de Chelsea Boots. En él recuperan la figura del sombrío galán de Gossip Girl, dandy arquetípico para todos aquellos que fueron adolescentes en la primera década de los dos mil. Rey Lobo en Los Miércoles + Jóvenes del Murcia Parque. Alicia Baltasar Hernandez nos cuenta los pormenores del Folk Fest de Murcia, que tendrá lugar en noviembre (Milladoiro, Manuel Luna).

Primal Scream with Martin St John in conversation with David Eastaugh Note from 'The Psychedelic Confessions Of A Primal Screamer' - out in paper back  Many bands claim to be era-defining. Few are. Primal Scream were. If you have ever wondered what it would be like to be at the birth of one of rock n roll's bastard offspring then this book is for you. Martin St John was Primal Scream's leather gloved flailing skeleton, bashing away on the tambourine in the 1960s obsessive, garage psyche , mid-eighties period. He was there, bang central , in the middle of the psychedelic maelstom-in the days before Screamadelica, in the days before Top Of The Pops, in the days before Glastonbury - and he has a story to tell. If you think you know Primal Scream, think again. The Psychedelic Confessions Of A Primal Screamer will introduce you to six Glaswegian garage heads hell bent on acid, hard kicks and psychedelia. And there's more again. . .

As part of The 1975's takeover of The Face, we've released a series of podcasts featuring frontman Matty Healy in conversation with his musical heroes. Bobby Gillespie is the frontman of Primal Scream and the former drummer with The Jesus and Mary Chain. After growing tired of being a straight-up indie band – and, frankly, with nothing left to lose – in 1989 the Scotsman enlisted the help of DJ/producer Andrew Weatherall. The result was the groundbreaking blend of psychedelia, dub, funk and acid house that is the Scream's classic 1991 album Screamadelica. In the years since, Gillespie's restless rock'n'roll spirit has continued to explore multiple genres – and, like Healy after him, he's pushed the boundaries of how a bunch of guys in a band can sound. In this podcast, Gillespie and Healy debate the current state of rock music, authenticity in music and art, and the legacy and legend of the mighty Weatherall. Want to hear more of these? We also have podcasts featuring Matty talking to Stevie Nicks, Conor Oberst, Steve Reich, Mike Kinsella, Kim Gordon and Brian Eno. Read the full transcripts on TheFace.com Follow us on Twitter/Instagram: @TheFaceMagazine

This episode remembers the finest records touched by the late great Andrew Weatherall who sadly left this world a week ago. From culture shifting production work on Screamadelica to some of electronic music's greatest remixes, Weatherall's work gets played out with love. Some of his favourite rockabilly records also get a good run. Throughout the episode we hear his witty takes on his values and the work that will leave a legacy for decades to come. RIP Andrew Weatherall.

Andrew Weatherall - The Cosmic Traveller Free DL Here: https://hypeddit.com/track/75aff9 ... Weatherall added vocal samples from the US soul group The Emotions, a drum loop from an Italian bootleg of Edie Brickell's song What I Am, alongside snatches of other Primal Scream songs, and frontman Bobby Gillespie singing a line from Robert Johnson's Terraplane Blues. Gillespie saw Loaded as being part of the Jamaican tradition of dub records, where songs are deconstructed at the mixing desk, adding new elements and desecrating existing ones. It propelled the rock band onto the dance floor, and kick-started their career. "I think it's time to stop saying 'this is a dance record' and 'this is a rock record,'" said Gillespie at the time. "If you can play music, you can do whatever you want. Just use your imagination." The success of Loaded led to Weatherall being recruited for the whole of Screamadelica, establishing him as one of the UK's most in-demand producers. While remixing acts like St Etienne, Beth Orton and My Bloody Valentine, he also held down a DJ slot on London's Kiss FM and ran two club nights in London. However, he never became a household name like his contemporaries Paul Oakenfold and Fatboy Slim - a career move that was entirely deliberate. "That sort of carry-on was never for me," he told the Independent in 2016. "It's a lot of work, once you go up that slippery showbiz pole, and it would keep me away from what I like, which is making things." Instead, he carved out a career on the cutting edge of techno, with projects including Sabres of Paradise and Two Lone Swordsmen. 'Titan of music' In 2017, he explained the lure of the dancefloor in an interview with Uncut magazine. "It's the enduring appeal of transcendent experience, which has been with us for 200,000 years. A room, coloured lights, smoke and music? Over to you, Roman Catholics. There are ancient Greek rituals involving herbal drugs to achieve transcendence. "People were having transcendent experiences in 1940s dancehalls, dancing to a big band; now we do it with drum machines and electronic technology - it's the same concept. Humanity hasn't changed for 100,000 years, but our technology has." Musicians paying tribute to Weatherall included Ride guitarist and former Oasis bassist Andy Bell, who described him as "absolute titan of music". BBC 6 Music DJ Gilles Peterson said it was "hard to put into words" the "influence and impact he has had has had on UK culture." Hacienda DJ and author Dave Haslam tweeted he was "one of the greatest, sweetest, funniest guys I've ever met". And Tim Burgess from The Charlatans wrote he was "shocked and saddened to hear that cosmic traveller Andrew Weatherall has left the building".

Cet épisode est un reup de la rétrospective dédiée à Foals publiée il y a quelques mois. Une playlist des morceaux cités et joués est disponible sur le site ou sur Spotify. Bonne écoute !

Luke and Andrew head down to Bethnal Green Working Men's Club to chat to Wilson and Rich from Three Sods Brewery about cask ales, how Morrissey is an egotistical wanker and whether Screamadelica or Loveless takes the prize.Beers include:Three Sods Brewery - Session IPAThree Sods Brewery - Dark Magus (Chocolate Stout)Three Sods Brewery - Mon Cherie (IPA)Three Sods Brewery - Maelstrom  (IPA)Thanks to Mawkin for the use of the theme tune I Can Hew

Joined by godfather of punk Danny Fields, Barney Hoskyns and Mark Pringle hear tales from his time with the Stooges and the MC5, as press agent for The Doors and as manager of the Ramones. Plus, he tells the story of how Jim Morrison, Jimi Hendrix and Janis Joplin ended up rolling around on the floor of a bar in a big ball of cartoon smoke and fists. Primal Scream is the week's free feature, and Mark, Barney and Danny chat about their frontman Bobby Gillespie and consider the influence of Screamadelica. The three of them then listen to excerpts from a 1978 audio interview with George Clinton, in which he talks about what 'funkadelic' really is and where 'One Nation Under a Groove' came from. To round out the episode, Mark presents his highlights from the articles added to the archive, including a 1966 interview with Kim Fowley, Shirley Bassey live at the Royal Albert Hall and the fact that in its early days, MTV only played white music.

It's the turn of nineties heavyweight 'Screamadelica' to be... dissected.

Please note: Based on the Britpop Communities feedback for Episode 1 - we made changes to selected bands from this episode onward. Changes are: Texas & Portishead removed while adding 13 new bands including Geneva, Rialto, Kenicke, Marion & more. Thanks for everyones feedback! Welcome to Britpop Banter – a weekly podcast deep diving into all things Britpop, Indie & Alternative. Join Kevin & Lesley in Season 1 as they countdown the top 50 Britpop/Indie/Alt' Albums between 1990 – 2000. Episode 2: No. 50 Primal Scream - Screamadelica. Changes to bands in our Top 50 - based on feedback Wrap up from Last week Album Details - Producer, Label, Release Date etc The UK Charts at release - Single & Album Background of the album Singles & Videos with Chart position Run through the album track by track Reviews on the album - positive & negative Our scores & Why Promote the band (Tours, Twitter & FB) Next weeks album Thanks for listening & we REALLY want to hear from you – feedback, questions, memories: Email: BritpopBanter@Gmail.com. Facebook & Twitter: @BritpopBanter

In this episode, we take a dive into the era defining Screamadelica, by Primal Scream. Bobby Gillespie takes us on a tour of the creative process behind the album, and how the album continues to resonate with audiences today. See acast.com/privacy for privacy and opt-out information.

‘DOCTOR WHO’ returns with its biggest series debut in a decade, but what are the pundits missing about this new incarnation of the sci-fi institution? Will JOHN GRANT’s arch, observational electropop – showcased on new album ‘Love Is Magic’ – hit the spot with our panel? And we load up on collard greens and grits to explore PRIMAL SCREAM’s post-‘Screamadelica’ journey into fatback gumbo chicken-scratch soul as their lost Memphis tapes reappear after 20 years.  Guests HANNAH VERDIER of The Guardian and MICHAEL HANN of the FT, The Spectator and er The Guardian join Andrew and Siân to pick through the chitlins of pop culture.  Support BIGMOUTH and get a little extra from the podcast every week – buy us a pint via the crowdfunding platform Patreon.  Produced and presented by Andrew Harrison and Siân Pattenden. Studio production by Sophie Black. Bigmouth is a Podmasters production.  See acast.com/privacy for privacy and opt-out information.

Bobby Gillespie and Stuart Maconie join Davie Scott to scream about Screamadelica.

In the next instalment of the BBC 6music series ‘Sounds Of A City’ Colleen delves into the rich history of Glasgow’s diverse music scene and makes a case for Primal Scream’s ‘Screamadelica’ as the album that best represents the city. The show includes an exclusive and wider ranging interview with Bobby Gillespie, alongside contributions from the likes of Stephen McRobbie of The Pastels, Stuart Braithwaite of Mogwai, Slam, Silicone Soul, RM Hubbert and The Van Ts. Read more: Album of the Month - Primal Scream “Screamadelica”: http://classicalbumsundays.com/primal-scream/

Durante la confusa, al menos para él, transición musical desde los 80 hacia la década siguiente, Richard Coleman protagoniza una etapa dedicada a salir a bailar, solo o con amigos, y regresar de madrugada, solo o preferentemente acompañado. Así descubre el House Music, género producido por DJs para boliches y nacido en Chicago, que gana poco a poco la noche porteña de aquel tiempo contemporáneo a cuando él escucha por primera vez Screamadelica, tercer álbum de la banda escocesa. Habían nacido los 90. Escuchamos Movin' on Up, Come Together, Don't Fight It, Feel It, por Primal Scream  

In our latest episode, Tim brings an oddball to the table - The Rolling Stones and Small Faces inspired fourth album from Primal Scream, 1994's Give Out But Don't Give Up. As fans of Vanishing Point, XTRMNTR and Screamadelica can tell you, Give Out... is a hard one to figure out, where honky tonk piano, blues guitar riffs and soul singers abound. Does Primal Scream make take successful detour, or get lost in the weeds? Tune in and find out. Songs in this Episode: Intro - Rocks2:53 - History of the Band10:11 - Jailbird17:16 - Give Out But Don't Give Up21:29 - Big Jet Plane24:18 - FreeOutro - (I'm Gonna) Cry Myself Blind Follow on Twitter / Facebook Request A Review

In our latest episode, Tim brings an oddball to the table - The Rolling Stones and Small Faces inspired fourth album from Primal Scream, 1994's Give Out But Don't Give Up. As fans of Vanishing Point, XTRMNTR and Screamadelica can tell you, Give Out... is a hard one to figure out, where honky tonk piano, blues guitar riffs and soul singers abound. Does Primal Scream make take successful detour, or get lost in the weeds? Tune in and find out.Songs in this Episode:Intro - Rocks2:53 - History of the Band10:11 - Jailbird17:16 - Give Out But Don't Give Up21:29 - Big Jet Plane24:18 - FreeOutro - (I'm Gonna) Cry Myself BlindFollow on Twitter / FacebookRequest A Review

Felipe y Diego hablan de Screamadelica, de Primal Scream: la banda de Bobby Gillespie rescataba la mejor herencia del rock stoniano y la unía al creciente fenómeno del "acid" y la cultura del sonido "madchester". Imprescindible en cualquier fonoteca noventera que se precie.