Podcast appearances and mentions of Stuart Rosenberg

Mike White is joined by Mike Sullivan and Emily Intravia to take a long-overdue look at Move (1970), the surreal, seldom-seen New York comedy directed by Stuart Rosenberg. Fresh off his success in MASH Elliott Gould stars as Hiram Jaffe, a would-be playwright stuck writing porn and walking dogs while waiting for the movers who never arrive. As his mundane reality refuses to budge, Hiram plunges into a chaotic interior world filled with absurd fantasies, sexual misadventures, and psychological spirals.Adapted from Joel Lieber's novel (and screenplay), Move attempts to blend urban anxiety, dream logic, and dark comedy—resulting in a disjointed but oddly fascinating time capsule of early '70s male neurosis. Paula Prentiss co-stars as Hiram's patient wife, while Geneviève Waïte plays a mysterious blonde who may or may not exist. The film mixes scenes of everyday tedium with dreamlike sequences involving rogue movers, hallucinated frogs, and even a fantasy duel, never quite committing to whether it's satirizing New York life or the fragile male ego.Our hosts dive into the film's tonal shifts, its place in Gould's post-MASH career arc, and why it remains overlooked despite its stacked cast and studio pedigree. The episode also features brand-new interviews with stars Elliott Gould and Paula Prentiss, who reflect on the film's production, reception, and what it means to them in hindsight.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Mike White is joined by Mike Sullivan and Emily Intravia to take a long-overdue look at Move (1970), the surreal, seldom-seen New York comedy directed by Stuart Rosenberg. Fresh off his success in MASH Elliott Gould stars as Hiram Jaffe, a would-be playwright stuck writing porn and walking dogs while waiting for the movers who never arrive. As his mundane reality refuses to budge, Hiram plunges into a chaotic interior world filled with absurd fantasies, sexual misadventures, and psychological spirals.Adapted from Joel Lieber's novel (and screenplay), Move attempts to blend urban anxiety, dream logic, and dark comedy—resulting in a disjointed but oddly fascinating time capsule of early '70s male neurosis. Paula Prentiss co-stars as Hiram's patient wife, while Geneviève Waïte plays a mysterious blonde who may or may not exist. The film mixes scenes of everyday tedium with dreamlike sequences involving rogue movers, hallucinated frogs, and even a fantasy duel, never quite committing to whether it's satirizing New York life or the fragile male ego.Our hosts dive into the film's tonal shifts, its place in Gould's post-MASH career arc, and why it remains overlooked despite its stacked cast and studio pedigree. The episode also features brand-new interviews with stars Elliott Gould and Paula Prentiss, who reflect on the film's production, reception, and what it means to them in hindsight.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Send us a textA sweltering Florida chain gang. Mirrored sunglasses reflecting only your own desperate face. Fifty hard-boiled eggs and one man determined to defy expectations. "What we've got here is failure to communicate" isn't just the most famous line from Cool Hand Luke – it's the perfect distillation of this landmark film's exploration of rebellion against authority.Our deep dive into this 1967 masterpiece reveals why Paul Newman's portrayal of Luke Jackson remains one of cinema's most enduring symbols of resistance. Sentenced to two years for the minor offense of decapitating parking meters, Luke transforms from troublemaker to legend through his refusal to bow to the system. From the brutal boxing match where he won't stay down to his daring escapes that inspire his fellow inmates, Luke's journey resonates with anyone who's ever felt crushed by institutional power.The religious symbolism throughout the film surprised us – Luke as a Christ-like figure sacrificing himself for others, the crucifixion pose after eating fifty eggs, his final confrontation in a church. We explore how director Stuart Rosenberg created authentic performances by keeping actors in prison-like conditions during filming, even having them pave actual roads under the Florida sun. Paul Newman's determination to personally learn "Plastic Jesus" on the banjo resulted in one of the film's most moving scenes.Whether you're revisiting this classic or discovering it for the first time, Cool Hand Luke's examination of freedom, identity, and resistance against conformity remains as powerful today as when it first shocked audiences. Sometimes nothing can be a real cool hand – and sometimes a film from 1967 can still shake your world.Check out entertainthispodcast.com or follow us on social media @entertainthis_ to join our ongoing exploration of films that shaped cinema history.Support the show

Louis Cameron Gossett Jr. (May 27, 1936 – March 29, 2024) was an American actor. He made his stage debut at the age of 17. Shortly thereafter, he successfully auditioned for the Broadway play Take a Giant Step. Gossett continued acting onstage in critically acclaimed plays including A Raisin in the Sun (1959), The Blacks (1961), Tambourines to Glory (1963), and The Zulu and the Zayda (1965). In 1977, Gossett appeared in the popular miniseries Roots, for which he won Outstanding Lead Actor for a Single Appearance in a Drama or Comedy Series at the Emmy Awards.Gossett continued acting in high-profile films, television, plays, and video games. In 1982, for his role as Gunnery Sergeant Emil Foley in An Officer and a Gentleman, he won the Academy Award for Best Supporting Actor and became the first African-American actor to win in this category. At the Emmy Awards, Gossett continued to receive recognition, with nominations for The Sentry Collection Presents Ben Vereen: His Roots (1978), Backstairs at the White House (1979), Palmerstown, U.S.A. (1981), Sadat (1983), A Gathering of Old Men (1987), Touched by an Angel (1997), and Watchmen (2019). He won and was nominated at other ceremonies including the Golden Globe Awards, Black Reel Awards, and NAACP Image Awards. Gossett was also well known for his role as Colonel Chappy Sinclair in the Iron Eagle film series (1986–1995).Gossett's other film appearances include Hal Ashby's The Landlord (1970), Paul Bogart's Skin Game (1971), George Cukor's Travels with My Aunt (1972), Stuart Rosenberg's The Laughing Policeman (1974), Philip Kaufman's The White Dawn (1974), Peter Yates's The Deep (1977), Wolfgang Petersen's Enemy Mine (1985), Christopher Cain's The Principal (1987), Mark Goldblatt's The Punisher (1989), Daniel Petrie's Toy Soldiers (1991), and Blitz Bazawule's The Color Purple (2023), his television appearances include Bonanza (1971), The Jeffersons (1975), American Playhouse (1990), Stargate SG-1 (2005), Boardwalk Empire (2013), The Book of Negroes (2015).PICTURE: By Los Angeles Times - https://digital.library.ucla.edu/catalog/ark:/13030/hb40000626, CC BY 4.0, https://commons.wikimedia.org/w/index.php?curid=146890888

Halloween Week = extra episodes! Ryan talks by himself here about the 1979 Amityville Horror...and a little about the other Amityville flicks too...all of which are based on a horrific real-life tragedy that led to a (possibly made-up) haunting in that same house. James Brolin and Margot Kidder play newlyweds who move into a place on Long Island with her 3 kids, then it starts messing with all of them...especially Brolin's mind. Chairs rock on their own, furious flies fill a room, fathers get mad and walls bleed...but will the Lutzes listen to what Rod Steiger heard early on and "GET OUT"? In any case, for God's sake, download the 620th edition of Have You Ever Seen as Stuart Rosenberg's fairly-effective horror show is discussed in fairly humorous detail. If you can't sleep in your new house, you might as well start pounding coffee and get some wood-splittin' done. We are sponsored by Sparkplug Coffee and they offer fractured families (and everyone else) a 20% discount just by putting our "HYES" promo code into the right place. Go to "sparkplug.coffee/hyes". Share your own thoughts about the Amityville franchise. We will see what you say on Twi-X (@moviefiend51 and @bevellisellis) and Bev can be reached on Threads under that same @. Or email us at "haveyoueverseenpodcast@gmail.com". Also, look for our episodes on YouTube (@hyesellis in your browser). Comment in the space provided, hit the "like" button and subscribe, so you'll see all that we post on the 'Tube. Also, write up a pleasant review and give us a rating on your podcast app.

"Horror Films or Scary Movies" is the category for October and Michelle picks first! The Amityville Horror (1979) Directed by Stuart Rosenberg 

Welcome to the Horror Project Podcast. Join hosts Laura and Phil as they review The Amityville Horror (1979).This week on the podcast we talk about a young couple who just got married and relocate to a spacious mansion by the Long Island shoreline only to find out that it's haunted. To their dismay, those who attempt to interfere face peril. We discuss potential doppelgängers, purchasing a murder house at a steal, fabulous 70s hairstyles, and alluring leg warmers. It's hard not to draw parallels between this movie and some of our beloved Horror classics.We hope you enjoy the show, thanks for listening!Email - Horrorprojectpodcast@hotmail.com  X (Formerly Twitter) - @TheHorrorProje1Instagram - horrorprojectpodcastTikTok - @horrorprojectpodcastSay Hi - Send The Horror Project a Message!

Andrew Nette, El Goro, and Mike have no failure in communicating about  Stuart Rosenberg's 1967 film Cool Hand Luke.  The film stars Paul Newman as the titular Luke.  He's a former war hero who cuts the heads off of some parking meters and gets tossed onto a chain gang for his crimes.  We discuss the film and the book as well as highlighting some of Rosenberg's other directorial efforts. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Andrew Nette, El Goro, and Mike have no failure in communicating about  Stuart Rosenberg's 1967 film Cool Hand Luke.  The film stars Paul Newman as the titular Luke.  He's a former war hero who cuts the heads off of some parking meters and gets tossed onto a chain gang for his crimes.  We discuss the film and the book as well as highlighting some of Rosenberg's other directorial efforts. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Hey y'all! In this week's spectacular episode, Wickham and Colleen talk about the Hollywood legend, the one and only, Paul Newman, in the context of his films "Cool Hand Luke" (1967, dir. Stuart Rosenberg) and "Butch Cassidy and the Sundance Kid" (1969, dir. George Roy Hill).

What's that, by the side of the road? Is that a... vomiting nun, played by star of stage and screen Irene Dailey? And what's that, up in the sewing room? Is that a... priest covered in flies, played by Oscar-winner Rod Steiger? However you feel about it, there's no question that Stuart Rosenberg's O.G. THE AMITYVILLE HORROR (1979) is an iconic launch of a never-ending franchise, one that's produced more clunkers than most—but which seems to have legs like no other. With '70s icons Margot Kidder and James Brolin along for the ride, plus plenty of ferrofluid and a requisite microfiche scene, we don't need to be told twice to GET OUT. Joining us for the first of two episodes is our pal, YA horror author extraordinaire Gretchen McNeil. Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-26:42Honor Roll and Detention (spoiler-heavy): 26:43-1:04:42Superlatives (spoiler-heavier): 1:04:43-1:21:32 Director Stuart RosenbergScreenplay Sandor Stern, based on the book by Jay AnsonFeaturing James Brolin, Irene Dailey, Murray Hamilton, K.C. Martel, Margot Kidder, Meeno Peluce, Natasha Ryan, Michael Sacks, Helen Shaver, Rod Steiger, Don Stroud, Amy Wright Gretchen McNeil is the author of several young adult novels including Dig Two Graves, Possess, 3:59, Relic, Get Even, Get Dirty, and Ten, as well as the horror/comedy novels #murdertrending, #murderfunding, and #noescape. Her most recent novel is Four Letter Word, pitched as an homage to Hitchcock's Shadow of a Doubt. "Ten: Murder Island," the film adaptation of Ten, premiered on Lifetime, and Get Even and Get Dirty have been adapted as the series “Get Even” and “Rebel Cheer Squad: a Get Even series” for the BBC and Netflix. Our theme music is by Edward Elgar, and, this week, by Duck Sauce.  Music from The Amityville Horror (1979) by Lalo Schifrin. For more information on this film, writing by your hosts (on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠our blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook group⁠⁠⁠⁠⁠⁠. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

pWotD Episode 2523: Louis Gossett Jr. Welcome to popular Wiki of the Day where we read the summary of a popular Wikipedia page every day.With 441,029 views on Friday, 29 March 2024 our article of the day is Louis Gossett Jr..Louis Cameron Gossett Jr. (May 27, 1936 – March 29, 2024) was an American actor. Born in Coney Island, Brooklyn, New York City, he made his stage debut at the age of 17. Shortly thereafter, he successfully auditioned for the Broadway play Take a Giant Step. Gossett continued acting onstage in critically acclaimed plays including A Raisin in the Sun (1959), The Blacks (1961), Tambourines to Glory (1963), and The Zulu and the Zayda (1965). In 1977, Gossett appeared in the popular miniseries Roots, for which he won Outstanding Lead Actor for a Single Appearance in a Drama or Comedy Series at the Emmy Awards.Gossett continued acting in high-profile films, television, plays, and video games. In 1982, for his role as Gunnery Sergeant Emil Foley in An Officer and a Gentleman, he won the Academy Award for Best Supporting Actor and became the first black actor to win in this category. At the Emmy Awards, Gossett continued to receive recognition, with nominations for The Sentry Collection Presents Ben Vereen: His Roots (1978), Palmerstown, U. S. A. (1981), Sadat (1983). Gossett appeared in 1985's Enemy Mine with Dennis Quaid, A Gathering of Old Men (1987), Touched by an Angel (1997), and Watchmen (2019). He won and was nominated at other ceremonies including the Golden Globe Awards, Black Reel Awards, and NAACP Image Awards. Gossett was also well-known for his role as Colonel Chappy Sinclair in the Iron Eagle film series (1986-1995).Gossett's other film appearances include Hal Ashby's The Landlord (1970), Paul Bogart's Skin Game (1971), George Cukor's Travels with My Aunt (1972), Stuart Rosenberg's The Laughing Policeman (1974), Philip Kaufman's The White Dawn (1974), Peter Yates's The Deep (1977), Wolfgang Petersen's Enemy Mine (1985), Christopher Cain's The Principal (1987), Mark Goldblatt's The Punisher (1989), Daniel Petrie's Toy Soldiers (1991), and Jasper, Texas (2003), and his television appearances include Bonanza (1971), The Jeffersons (1975), American Playhouse (1990), Stargate SG-1 (2005), Left Behind: World at War (2005), Boardwalk Empire (2013), and The Book of Negroes (2015).This recording reflects the Wikipedia text as of 01:19 UTC on Saturday, 30 March 2024.For the full current version of the article, see Louis Gossett Jr. on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Matthew Neural.

“I was never so tightly wound as the night we transmitted the show directly from ABC in Los Angeles to New York. We basically went live.”– Sheryl Main, post-production supervisor, MoonlightingSusan and Sharon take you “behind the scenes” with Moonlighting post-production supervisor – and legendary publicity strategist Sheryl Main. As a Unit Publicist, she's worked on such films as Creed 3, Judas and the Black Messiah, The Expendables, Terminator 3, The Perks of Being A Wallflower and collaborated with hundreds of celebrities including Arnold Schwarzenegger, Sylvester Stallone, Clint Eastwood, Emma Watson – and everyone in between! But she "cut her teeth" with Moonlighting. Sheryl talks about the “insanely creative” atmosphere created by Glenn Gordon Caron, the long hours and crazy good times – and the lifelong friends she “met on the way.”THE CONVERSATIONExperiencing sexism and harassment in the movie industry: The Pope of Greenwich Village director “Stuart Rosenberg sent me home for wearing pink jeans. So Mickey Rourke said: “$*@! him. Work with me. Be my assistant.”When she interviewed to be Bruce Willis's assistant, she recognized him – as “Bruno Radolini” – his musical alter ego from New York!Moonlighting on Moonlighting: “The editors pulled all-nighters. They slept there. But we had fun.”On Glen Gordon Caron: “He changed TV when you think about it. Everything we did from ‘Atomic Shakespeare' to the black and white episode to… well, we thought we killed Orson Wells.”ARNOLD AND SLY AND BRUCE AND ME: “They all impacted my career and my life in different ways."On Arnold the Governor: “We went up there thinking ‘Woo-Hoo! We're gonna change the world! But the mechanism in place doesn't want you to change the world.”On Bruce Willis: “He was a craftsman with words. He could memorize a scene in a minute. What's happening with him… it's heartbreaking. I wouldn't have a career without him.”So, join Susan and Sharon – and Sheryl – as they talk crisis-managing Rust, partying in Cybil's trailer, Dennis Dugan, The Expendables, Jed the Fish on KROQ -- and the “Curtis Armstrong Day” parade!AUDIOGRAPHYCheck out Moonlighting: The Podcast: https://moonlightingthepodcast.com/ Watch Moonlighting on Hulu.Stream it on Apple TV or at Amazon Prime Video.Follow Glenn Gordon Caron on Twitter.com/GlennGCaron.80s TV LADIES NEWSSusan's new play Confidence (and the Speech) has been published!Now available for purchase and licensing at DPS via Broadway Licensing.CONNECTRead transcripts and more at 80sTVLadies.com.Tell us your fav Moonlighting episodes at 8TL Facebook or via 80sTVLadies.com.Sign up for the 80s TV Ladies mailing list.Get ad-free episodes and exclusive videos on PATREON.Find more cool podcasts at our host sight, Weirding Way Media.

Journey into the 5th Dimension as Trivial Theater, Jacob Anders Reviews and Movie Emporium as we discuss the iconic television show created by Rod Serling. This Week The 5th Dimension talk about Season 4 Episode 5 titled. Mute. The Episode is Directed by: Stuart Rosenberg and Stars: Ann Jillian, Caludia Bryar, Robert Boon, Frank Overton, Barbara Baxley, Irene Dailey, Oscar Beregi Jr., Percy Helton, Éva Szörényi and William Challee. If you'd like to support our podcast and like the show you can always donate to the link here: https://podcasters.spotify.com/pod/show/5thdimension/support You can Find Raymond Smith at: YouTube: https://www.youtube.com/@rayhs1984 Twitter: @RaymondhSmith You Can Find Jacob Anders Reviews at: YouTube: www.youtube.com/JacobAnders YouTube: www.youtube.com/@retrojakexy Twitter @Redneval2 You can find Trivial Theaters content at: YouTube Channel: www.youtube.com/TrivialTheater Twitter: @trivia_chic Merch Store: https://www.etsy.com/shop/TrivsPlace You can find Movie Emporium's content at: YouTube Channel: www.youtube.com/MovieEmporium Twitter: @Movie Emporium Intro Created by Trivial Theater Music Created by Dan Jensen #TheTwilightZone #MovieEmporium #TrivialTheater #JacobAndersReviews --- Support this podcast: https://podcasters.spotify.com/pod/show/5thdimension/support

Journey into the 5th Dimension as Trivial Theater, Jacob Anders Reviews and Movie Emporium as we discuss the iconic television show created by Rod Serling. This Week The 5th Dimension talk about Season 4 Episode 4 titled. He's Alive. The Episode is Directed by: Stuart Rosenberg and Stars: Dennis Hopper, Ludwig Donath, Curt Conway, Paul Mazursky, Howard Caine, Barnaby Hale and Jay Adler. If you'd like to support our podcast and like the show you can always donate to the link here: https://podcasters.spotify.com/pod/show/5thdimension/support You Can Find Jacob Anders Reviews at: YouTube: www.youtube.com/JacobAnders YouTube: www.youtube.com/@retrojakexy Twitter @Redneval2 Ebay: https://www.ebay.com/usr/retrojakexy?_trksid=p2047675.m145687.l151929 You can find Trivial Theaters content at: YouTube Channel: www.youtube.com/TrivialTheater Twitter: @trivia_chic Merch Store: https://www.etsy.com/shop/TrivsPlace You can find Movie Emporium's content at: YouTube Channel: www.youtube.com/MovieEmporium Twitter: @Movie Emporium Intro Created by Trivial Theater Music Created by Dan Jensen #TheTwilightZone #MovieEmporium #TrivialTheater #JacobAndersReviews --- Support this podcast: https://podcasters.spotify.com/pod/show/5thdimension/support

Cool Hand Luke is a 1967 American prison drama film directed by Stuart Rosenberg, starring Paul Newman and featuring George Kennedy in an Oscar-winning performance. Newman stars in the title role as Luke, a prisoner in a Florida prison camp who refuses to submit to the system. Set in the early 1950s, it is based on Donn Pearce's 1965 novel Cool Hand Luke.

Welcome to the 3rd Season kickoff of Fabulous Film and Friends where this week we're going to pit a pair of beloved personal  favorites from the 80's against each other in an epic duel of characterization, star power and cinematic moxie. We're talking about 1984's The Pope of Greenwich Village directed by Stuart Rosenberg and starring Eric Roberts, Mickey Rourke, Burt Young, Daryl Hannah, Kenneth McMillan, Tony Musante, Jack Kehoe, and Geraldine Paige up against 1988's Midnight Run directed by Martin Brest and starring Robert DeNiro, Charles Grodin, Yaphett Koto, John Ashton, Joe Pantoliano, Jack Kehoe again,  and Dennis Farina. My guests this week are the usual wise guys: Author George Young, Snotty lit major and lil' Sis Roseanne Caputi and Actor Funnyman, Alex Robertson.  Before we dive in with the fishes, the synopses. The Pope of Greenwich Village tells the story of Charlie Moran and Paulie Giboni two cousins from the neighborhood who get in over their heads when ne're do well Paulie convinces Charlie to rob a safe belonging to notorious mobster Bedbug Eddie Grant with a $150,000 payout to dirty cops.  Midnight Run catalogues the misadventures of bounty hunter Jack Walsh who has what is seemingly an easy job or Midnight Run of getting mob accountant Johnathan The Duke Mardukis back to LA before his sleazy Bail Bondsman employer loses his shorts in a $450,000 bai bondl if the Duke fails to show at trial. The problem: The mob, the FBI and Jack's rival Marvin are hot on Mardukis tail and want him either dead or for their own purposes. Which personal favorite is the winner?Find out!

The 1979 film "The Amityville Horror" is a horror movie directed by Stuart Rosenberg and based on a 1977 novel of the same name by Jay Anson. The film is loosely inspired by the alleged supernatural events that occurred in a house located at 112 Ocean Avenue in Amityville, New York, in 1974. These events were reported by the Lutz family, who claimed to have experienced a series of disturbing and paranormal occurrences shortly after moving into the house. The film stars James Brolin as George Lutz and Margot Kidder as Kathy Lutz, a newlywed couple who move into the infamous house with Kathy's three children from a previous marriage. As they settle into their new home, they begin to experience a range of eerie and terrifying phenomena, including strange noises, unexplained odors, and disturbing visions. As the paranormal activity intensifies, George becomes increasingly aggressive and distant, and the family's well-being is put at risk. The movie builds tension through a combination of supernatural occurrences and psychological horror, as the Lutz family's sanity is tested by the malevolent forces they believe are haunting their home. It explores themes of family, possession, and the thin line between reality and the supernatural. "The Amityville Horror" was a commercial success upon its release, capitalizing on the popularity of supernatural horror films during that era. However, it received mixed reviews from critics, with some praising its atmosphere and scares while others criticized its pacing and reliance on familiar horror tropes. The film's success led to a series of sequels, spin-offs, and remakes, but the original 1979 adaptation remains one of the most well-known renditions of the Amityville haunting story. It's worth noting that while the film is loosely based on real events, much of the story has been embellished and sensationalized for dramatic effect, and the actual veracity of the claims made by the Lutz family has been widely disputed. --- Send in a voice message: https://podcasters.spotify.com/pod/show/100horrors/message

During a busy time in everybody's life - Sage preparing to move to New York, Tate galavanting across Montana, and Jacob running around Cheyenne Frontier Days - the boys take a break to review a Hollywood classic, Cool Hand Luke, starring Paul Newman and George Kennedy. Two-thirds of the podcast think it deserves that classic label, one cohost does not. This movie was directed by Stuart Rosenberg. GD4AM: 78/100 IMDb: 8.1/10 Metacritic: 92/100 RT: 100% A laid-back Southern man is sentenced to two years in a rural prison but refuses to conform. This movie is currently streaming on Amazon Prime. NEXT MOVIE REVIEW 3:10 to Yuma (2007), which is currently streaming on Max, Amazon Prime, Hulu, and Paramount+.

Please join us in wishing a happy house-warming to our host Nick Leamy! Nick detailed some of the home-buying headaches he and his family were dealing with back in our SPOOKIES episode, but that's all been settled and everyone's settling into a lovely new home. To celebrate this, we asked Nick to pick a movie to celebrate and he chose the original THE AMITYVILLE HORROR (1979), from director Stuart Rosenberg and starring Margot Kidder, James Brolin and Rod Steiger. Our opinions run a pretty wide spectrum on this one, which made for a fun discussion and we really hope everyone enjoys listening! Also, as mentioned in the episode's intro, with the current WGA and SAG-AFTRA strikes ongoing we highly encourage everyone to consider donating to the Entertainment Community Fund to help those affected by work stoppages: https://entertainmentcommunity.org/how-get-help-and-give-help-during-work-stoppage If you'd like to follow us on social media, we just updated our Linktree page (linked below) but we've also listed some of our social media handles below: Linktree: https://linktr.ee/scarystuff Official site: scarystuffpodcast.com Twitter: @scarystuffpod Instagram: @scarystuffpodcast Letterboxd: @scarystuffpod Incredibly Niche Merch: teepublic.com/user/scary-stuff-podcast You can find a list of all the previous movies we've reviewed and their corresponding episodes (via the "Read Notes" option) here: https://letterboxd.com/scarystuffpod/list/all-reviews-scary-stuff-podcast/ And as always, thanks so much for listening!

Yes, May 4th is Star Wars day. No, we didn't talk about Star Wars.But Earth's Mightiest Critics did talk about a rebellious country boy (with a very familiar name) who must navigate a treacherous hive of scum and villainy!In this round table review of Cool Hand Luke, we look at Stuart Rosenberg's sweltering chain gang drama, which stars Paul Newman in the iconic, titular role. From changing depictions of masculinity on film; to connections with Christ imagery and Rebel Without A Cause, and the disappearance of culture-shaking big studio pictures from the modern movie landscape--this spirited episode is 50 eggs worth o' podcast!Cool Hand Luke is now available on 4K UHD Blu-ray from Warner Bros. Home Entertainment.Show LinksWatch the Cool Hand Luke trailer.Order Cool Hand Luke on 4K UHD Blu-ray from Warner Bros.Watch Ian, Mark, and Don review Rebel Without A Cause.Support all of Earth's Mightiest Critics at their various outlets:Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast.Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...and Film Obsessive...and the Cinephile Hissy Fit Podcast.Make Nice with Mike Crowley of You'll Probably Agree.Keep up with Annie Banks at Chuck Load of Comics....and MoviewebKeep up with Jeff York's criticism and caricatures at The Establishing Shot.And stir things up with Will Johnson of the Cinephile Hissy Fit Podcast.Subscribe to, like, and comment on the Kicking the Seat YouTube channel!

This week, I sat down with one of the most legendary and successful screenwriters/producers in Hollywood, Oscar® Winner Eric Roth. Over a 50+ years career, he's well-known for writing or producing films like Forrest Gump, A Star is Born, Mank, The Curious Case of Benjamin Button, Munich, Ali, and the list goes on. The critically and commercially acclaimed American drama, Forrest Gump is an adaptation of Winston Groom's 1986 novel of the same title, adapted by Eric Roth in 1994. The story depicts several decades in the life of Forrest Gump, played by the incomparable, Tom Hanks, a slow-witted but kind-hearted man from Alabama who witnesses and unwittingly influences several defining historical events in the 20th century the United States. The $55 million budget film grossed $683.1 million at the Box Office and won the Oscars for Best Picture, Best Actor in a Leading Role, and three Golden Globes awards. With a dream to pursue writing, he got his start working crew on a bunch of independent movies being made by some experimental filmmakers at a local studio (the Millennium will film workshop) while studying at Columbia University and later transferred to UCLA Film School. While on the climb up, Roth got the opportunity through his good friend Stuart Rosenberg, to rewrite the script for the Paul Newman movie, The Drowning Pool, at the tender age of 20 years old.Last year, Roth co-produced the multi-award nomination biographical drama, Mank. mank earned ten Oscar® nominations and six Golden Globe Awards nominations.1940. Film studio RKO hires 24-year-old wunderkind Orson Welles under a contract that gives him full creative control of his movies. For his first film, he calls in washed-up alcoholic Herman J Mankiewicz to write the screenplay. That film is "Citizen Kane," and this is the story of how it was written.A Star is Born, co-written by Roth became a 2018 phenomenon. Director, co-writer and lead actor, Bradley Cooper and Lady Gaga brought steaming chemistry to our screens in a way that had been lacking. The film grossed twelve times its $36 million budget which is more than any of the other three versions of the musical romantic drama film.Seasoned musician Jackson Maine (Bradley Cooper) discovers, and falls in love with struggling artist Ally (Gaga). She has just about given up on her dream to make it big as a singer - until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.A must mention amongst Roth's screenplays is the 2008 screenplay adaptation of The Curious Case of Benjamin Button, starring Brad Pitt, Cate Blanchett, Academy winner Mahershala Ali and Taraji P. Henson. The film tells the story of Benjamin Button, a man who starts aging backward with consequences. I could go on and on, through the extensive list of incredible writing Eric Roth has given the world, but you can listen to our conversation to hear all about them. Even his Television writing and producing on shows like House of Cards, The Alienist, and the upcoming remake of the science fiction classic Dune, directed by Denis Villeneuve.I've been a fan of Eric's work since my days working at a video store. It was truly an honor to sit down and talk shop with a master of the craft. Enjoy my conversation with Eric Roth.

What you're about to hear is the story of one Stuart Rosenberg. His most famous movie, Cool Hand Luke, is a sweat-drenched, christ parable. Beyond his hard-boiled egg odyssey, Mr. Rosenberg's journey begins the connecting theme of this season - in The Twilight Zone. If you'd like to support our nonsense, join our Patreon at https://patreon.com/themidnightboys

I sat down with one of the most legendary and successful screenwriters/producers in Hollywood, Oscar® Winner Eric Roth. Over a 50+ years career, he's well-known for writing or producing films like Forrest Gump, A Star is Born, Mank, The Curious Case of Benjamin Button, Munich, Ali, and the list goes on.The critically and commercially acclaimed American drama, Forrest Gump is an adaptation of Winston Groom's 1986 novel of the same title, adapted by Eric Roth in 1994.The story depicts several decades in the life of Forrest Gump, played by the incomparable, Tom Hanks, a slow-witted but kind-hearted man from Alabama who witnesses and unwittingly influences several defining historical events in the 20th century the United States.The $55 million budget film grossed $683.1 million at the Box Office and won the Oscars for Best Picture, Best Actor in a Leading Role, and three Golden Globes awards.With a dream to pursue writing, he got his start working crew on a bunch of independent movies being made by some experimental filmmakers at a local studio (the Millennium will film workshop) while studying at Columbia University and later transferred to UCLA Film School.While on the climb up, Roth got the opportunity through his good friend Stuart Rosenberg, to rewrite the script for the Paul Newman movie, The Drowning Pool, at the tender age of 20 years old.Last year, Roth co-produced the multi-award nomination biographical drama, Mank. mank earned ten Oscar® nominations and six Golden Globe Awards nominations.1940. Film studio RKO hires 24-year-old wunderkind Orson Welles under a contract that gives him full creative control of his movies. For his first film, he calls in washed-up alcoholic Herman J Mankiewicz to write the screenplay. That film is "Citizen Kane," and this is the story of how it was written.A Star is Born, co-written by Roth became a 2018 phenomenon. Director, co-writer and lead actor, Bradley Cooperand Lady Gagabrought steaming chemistry to our screens in a way that had been lacking. The film grossed twelve times its $36 million budget which is more than any of the other three versions of the musical romantic drama film.Seasoned musician Jackson Maine (Bradley Cooper) discovers, and falls in love with struggling artist Ally (Gaga). She has just about given up on her dream to make it big as a singer - until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.A must mention amongst Roth's screenplays is the 2008 screenplay adaptation of The Curious Case of Benjamin Button, starring Brad Pitt, Cate Blanchett, Academy winner Mahershala Aliand Taraji P. Henson.The film tells the story of Benjamin Button, a man who starts aging backward with consequences. I could go on and on, through the extensive list of incredible writing Eric Roth has given the world, but you can listen to our conversation to hear all about them. Even his Television writing and producing on shows like House of Cards, The Alienist, and the upcoming remake of the science fiction classic Dune, directed by Denis Villeneuve.I've been a fan of Eric's work since my days working at a video store. It was truly an honor to sit down and talk shop with a master of the craft.Enjoy my conversation with Eric Roth.

Hosted by Andrew Quinn and Darren Mooney, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT. This week, Stuart Rosenberg's Cool Hand Luke. Lucas Jackson is a petty criminal assigned a two year sentence to a chain gang in Florida. All he needs to do is to keep his head down and his nose clean, and he'll be back out in society in no time. However, Luke is unable and unwilling to do that. Luke bristles against the camp's authority, and finds himself locked in a battle of wills against those in charge. At time of recording, it was ranked 234th on the list of the best movies of all time on the Internet Movie Database.

This week's Nose poured gasoline on the tapes and lit them on fire. Armageddon and Deep Impact and Antz and A Bug's Life in 1998. The Illusionist and The Prestige in 2006. Olympus Has Fallen and White House Down in 2013. Doctor Strange in the Multiverse of Madnessand Everything Everywhere All at Once this year. What is the deal with Hollywood sometimes putting out multiple movies about the same thing at the same time? And: How do you organize your bookshelves? By subject? Author? Title? Color? Size? …Not at all? And finally: The Last Movie Stars is a six-part HBO docuseries directed by Ethan Hawke. It “chronicles Paul Newman and Joanne Woodward's iconic careers and decades-long partnership” and features the voices of Laura Linney as Joanne Woodward, George Clooney as Paul Newman, Karen Allen as Frances Woodward, Brooks Ashmanskas as Gore Vidal, Bobby Cannavale as Elia Kazan, Vincent D'Onofrio as John Huston and Karl Malden, Oscar Isaac as Sydney Pollack, Tom McCarthy as Sidney Lumet, Sam Rockwell as Stuart Rosenberg, Mark Ruffalo as Meade Roberts, and many more. Some other stuff that happened this week, give or take: ‘Goodfellas,' ‘Law & Order' actor Paul Sorvino dies at 83 David Warner, British Actor Known for ‘The Omen' and ‘Tron,' Dies at 80 Bob Rafelson, Director of ‘Five Easy Pieces' and Co-Creator of ‘The Monkees,' Dies at 89 The maverick filmmaker worked with Jack Nicholson on seven features, and his company produced ‘The Last Picture Show.' Tony Dow, Big Brother Wally on ‘Leave It to Beaver,' Dies at 77 He went on to a varied career as an actor, director, producer and sculptor, but he could never shake his association with the sitcom that brought him stardom. His death came a day after it was announced erroneously. Claes Oldenburg Dies at 93; Pop Artist Made the Everyday Monumental Taking ordinary objects like hamburgers and household items, he sculpted them in unfamiliar, often imposing dimensions — what he called his “Colossal Monuments.” Shonka Dukureh, Who Played Big Mama Thornton in ‘Elvis,' Dies at 44 Janeane Garofalo Never Sold Out. What a Relief. That concept might be the reason her trailblazing stand-up career has been overshadowed; it may also be the reason she's still so sharp, our critic argues. How fake accounts and a powder-keg fandom helped Zack Snyder restore his Justice League It might be hard to believe, but the #ReleaseTheSnyderCut movement was even weirder than we thought Jennifer Lopez Becomes Jennifer Affleck, Now Please Sign Up for Her Newsletter And other reflections on her recent wedding. Raving for Shrek, the Swamp Comes to Brooklyn A party in East Williamsburg invited fans of the 2001 film to translate into reality their online obsessions with the titular ogre. Can't Talk, I'm Busy Being Hot A social media movement inspired by the rapper Megan Thee Stallion strikes back at the gatekeepers of beauty. The 50 Greatest Fictional Deaths of All Time The most tearjerking, hilarious, satisfying, and shocking death scenes in 2,500 years of culture. Amazon Is Giving Prime Video Its Biggest Redesign In Years New navigation, a top 10 list, and a very familiar look and feel How Did Yellowstone, America's Most Popular Show, Get Totally Ignored by the Emmys? Taylor Sheridan's universe of shows is a juggernaut, but awards still go to “stuff that appeals to the coastal elite.” Quidditch rebrands as quadball and further distances itself from Harry Potter author ‘The Bear' Is Why We Must End The Reign Of TV's Vibes Cartel Celebrities Continue to Be Richer Than You TVs Are Too Good Now Why does Home Alone look better than the latest Marvel fare on the most advanced displays? America's Most Misunderstood Marsupial The opossum might be snarly and a little bit scraggly, but she deserves our admiration. Velveeta Releases Cheese-Infused Martini That's Garnished with Pasta Shells The brand teamed up with BLT Restaurant Group for the unconventional creation Five-time world chess champion Magnus Carlsen says he will not defend his title This goat is all ears. REALLY! They may be the longest in goat history Tom Cruise Really Could Finally Win an Oscar for Top Gun: Maverick It's a long shot, sure. But with the legacy sequel the undeniable success story of the summer, it's likely the best opportunity the Academy will ever have to give Cruise the gold. YouTube hit Channel 5 News is “reporting for people who don't watch the news” “People who don't watch the news watch me. People who watch the news don't watch me.” A Minneapolis venue canceled a Dave Chappelle set hours before showtime Dave Chappelle Opens for Kevin Hart and Chris Rock at Madison Square Garden People Are Saying The TikTok Pink Sauce Is "Disgusting,” But The Way People Are Treating Its Creator Is Also Leaving A Bad Taste In My Mouth “I feel like Madonna or Beyoncé just tripped onstage and I woke up with their phone in my hand.” Ken Jennings Makes Circumcision Joke On ‘Jeopardy!' And Fans Say It's A Cut Above The host put some skin in the game in his return. The Choco Taco is gone for good ‘Full Frontal with Samantha Bee' is canceled by TBS after 7 seasons The series was one of the few late-night shows hosted by a woman The Case of the $5,000 Springsteen Tickets Triumphant fans showed up in Ticketmaster's queue with special codes, only to encounter its “dynamic pricing” system. Was the Boss OK with that? What's the Deal With Water Bottles? GUESTS: Rebecca Castellani: Co-founder of Quiet Corner Communications and a freelance writer Illeana Douglas: Movie and television star Taneisha Duggan: Director, producer, and arts consultant The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show.  Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Frame Fatale es un podcast de películas ¿no canónicas? conducido por Sebastián De Caro, Santiago Calori y Axel Kuschevatzky. En el cuadragésimo séptimo episodio nos ocupamos de Aquí vive el horror (The Amityville Horror, 1979) de Stuart Rosenberg. Podés comentar este episodio o agregar una pregunta que nada que ver usando el hashtag #FrameFatale en Twitter. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia de cosas que van a aparecer en este feed de manera caprichosa algo que, de todas maneras, y ya explicamos varias veces, es lo menos importante.

Una rubrica in cui esprimo la mia personalissima opinione su film che, pur non essendo necessariamente capolavori o film iconici, hanno lasciato qualcosa al pubblico. Ecco un vero e proprio classico del cinema americano diretto da Stuart Rosenberg e con protagonista il grandissimo Paul Newman: "Nick Mano Fredda". La storia di un ribelle disposto a combattere qualsiasi forma di autorità e deciso ad avere l'ultima parola. Fino alla fine.

  Angélica e Marcos conversam sobre o episódio "Mute" (Mudo) dirigido pelo excelente Stuart Rosenberg, baseado em conto e também roteirizado por Richard Matheson. Conheceremos a história da criança Ilse Nielsen, uma criança que só se comunica por telepatia e que, depois de perder os pais, será confrontada com um mundo hostil e que quer fazer com que ela se assimile à sociedade. mesmo a contragosto. Mencionados: Filme Mathilda (Danny DeVito,1996) / Scanners, Sua Mente Pode Destruir ( David Cronenberg, 1981) /  Fuga do Século 23 ( Logan's Run, Michael Anderson, 1976) escute o podcast sobre aqui. Escute o programa no Anchor ou no Spotify! Se quiser receber nossos podcasts sem falta procure-nos como Além da Imaginação Podcast. Assista o episódio no nosso canal no Ok.Ru ou no nosso canal no Telegram (clique para acessar)   Instagram: @masmorracine Facebook: MasmorraCine Twitter: @Masmorra_Cast Curta e siga a nossa página com fotos de bastidores da série! The Twilight Zone Behind The Scenes (@tzbehindthescenes) Clique aqui e acesse o melhor grupo dos Fãs de Além da Imaginação no Facebook! Gosta do nosso trabalho e quer que ele continue? Doe via PIX! Nossa chave é pixmasmorracine@gmail.com ou seja nosso padrinho ou madrinha nos apoiando no Padrim ou no Colabora aí.

  Angélica e Marcos conversam sobre o episódio "Mute" (Mudo) dirigido pelo excelente Stuart Rosenberg, baseado em conto e também roteirizado por Richard Matheson. Conheceremos a história da criança Ilse Nielsen, uma criança que só se comunica por telepatia e que, depois de perder os pais, será confrontada com um mundo hostil e que quer fazer com que ela se assimile à sociedade. mesmo a contragosto. Mencionados: Filme Mathilda (Danny DeVito,1996) / Scanners, Sua Mente Pode Destruir ( David Cronenberg, 1981) /  Fuga do Século 23 ( Logan's Run, Michael Anderson, 1976) escute o podcast sobre aqui. Escute o programa no Anchor ou no Spotify! Se quiser receber nossos podcasts sem falta procure-nos como Além da Imaginação Podcast. Assista o episódio no nosso canal no Ok.Ru ou no nosso canal no Telegram (clique para acessar)   Instagram: @masmorracine Facebook: MasmorraCine Twitter: @Masmorra_Cast Curta e siga a nossa página com fotos de bastidores da série! The Twilight Zone Behind The Scenes (@tzbehindthescenes) Clique aqui e acesse o melhor grupo dos Fãs de Além da Imaginação no Facebook! Gosta do nosso trabalho e quer que ele continue? Doe via PIX! Nossa chave é pixmasmorracine@gmail.com ou seja nosso padrinho ou madrinha nos apoiando no Padrim ou no Colabora aí.

Angélica e Marcos conversam sobre o episódio "Mute" (Mudo) dirigido pelo excelente Stuart Rosenberg, baseado em conto e também roteirizado por Richard Matheson. Conheceremos a história da criança Ilse Nielsen, uma criança que só se comunica por telepatia e que, depois de perder os pais, será confrontada com um mundo hostil e que quer fazer com que ela se assimile à sociedade. mesmo a contragosto. Mencionados: Filme Mathilda (Danny DeVito,1996) / Scanners, Sua Mente Pode Destruir ( David Cronenberg, 1981) / Fuga do Século 23 ( Logan's Run, Michael Anderson, 1976) escute o podcast sobre aqui. Escute o programa no Anchor ou no Spotify! Se quiser receber nossos podcasts sem falta procure-nos como Além da Imaginação Podcast. Assista o episódio no nosso canal no Ok.Ru ou no nosso canal no Telegram (clique para acessar) Instagram: @masmorracine Facebook: MasmorraCine Twitter: @Masmorra_Cast Curta e siga a nossa página com fotos de bastidores da série! The Twilight Zone Behind The Scenes (@tzbehindthescenes) Clique aqui e acesse o melhor grupo dos Fãs de Além da Imaginação no Facebook! Gosta do nosso trabalho e quer que ele continue? Doe via PIX! Nossa chave é pixmasmorracine@gmail.com ou seja nosso padrinho ou madrinha nos apoiando no Padrim ou no Colabora aí.

Angélica e Marcos conversam sobre o episódio "Mute" (Mudo) dirigido pelo excelente Stuart Rosenberg, baseado em conto e também roteirizado por Richard Matheson. Conheceremos a história da criança Ilse Nielsen, uma criança que só se comunica por telepatia e que, depois de perder os pais, será confrontada com um mundo hostil e que quer fazer com que ela se assimile à sociedade. mesmo a contragosto. Mencionados: Filme Mathilda (Danny DeVito,1996) / Scanners, Sua Mente Pode Destruir ( David Cronenberg, 1981) / Fuga do Século 23 ( Logan's Run, Michael Anderson, 1976) escute o podcast sobre aqui. Escute o programa no Anchor ou no Spotify! Se quiser receber nossos podcasts sem falta procure-nos como Além da Imaginação Podcast. Assista o episódio no nosso canal no Ok.Ru ou no nosso canal no Telegram (clique para acessar) Instagram: @masmorracine Facebook: MasmorraCine Twitter: @Masmorra_Cast Curta e siga a nossa página com fotos de bastidores da série! The Twilight Zone Behind The Scenes (@tzbehindthescenes) Clique aqui e acesse o melhor grupo dos Fãs de Além da Imaginação no Facebook! Gosta do nosso trabalho e quer que ele continue? Doe via PIX! Nossa chave é pixmasmorracine@gmail.com ou seja nosso padrinho ou madrinha nos apoiando no Padrim ou no Colabora aí.

Angélica Hellish e Marcos Noriega conversam sobre um dos episódios mais importantes de toda a série: "He Is Alive" (Ele Está Vivo) com roteiro de Rod Serling, direção de Stuart Rosenberg e colaborações primorosas dos atores Dennis Hopper (Peter Vollmer), Ludwig Donath (Ernest Ganz), Curt Conway (Hitler) e grande elenco. Neste episódio, conheceremos a história de Peter, um  líder de uma célula neonazista que vai receber ajuda de uma figura perigosa e influente (até hoje) que o fará ascender e reverberar ideias e conceitos desumanos e degradantes que, infelizmente, são propagados impunemente até hoje. Nazismo é Crime. Apologia ao Nazismo é Crime. Escute o programa no Anchor ou no Spotify! Se quiser receber nossos podcasts sem falta procure-nos como Além da Imaginação Podcast. Assista o episódio no nosso canal no Ok.Ru ou no nosso canal no Telegram (clique para acessar) Mencionados: George Lincoln Rockwell, o fundador do partido nazista americano, Filme: Ele Está De Volta (2015) / A Arquitetura da Destruição(1989, Peter Cohen) / Filme: Moloch (1999, Aleksandr Sókurov) Quadrinho: Maus (PDF)/ Noite e Neblina (Alan Resnais, 1955) / A Onda (Média Metragem, 1981) e filme A Onda (2009, Dennis Gansel)   Instagram: @masmorracine Facebook: MasmorraCine Twitter: @Masmorra_Cast Curta e siga a nossa página com fotos de bastidores da série! The Twilight Zone Behind The Scenes (@tzbehindthescenes) Clique aqui e acesse o melhor grupo dos Fãs de Além da Imaginação no Facebook! Gosta do nosso trabalho e quer que ele continue? Doe via PIX! Nossa chave é pixmasmorracine@gmail.com ou seja nosso padrinho ou madrinha nos apoiando no Padrim ou no Colabora aí.

Angélica Hellish e Marcos Noriega conversam sobre um dos episódios mais importantes de toda a série: "He Is Alive" (Ele Está Vivo) com roteiro de Rod Serling, direção de Stuart Rosenberg e colaborações primorosas dos atores Dennis Hopper (Peter Vollmer), Ludwig Donath (Ernest Ganz), Curt Conway (Hitler) e grande elenco. Neste episódio, conheceremos a história de Peter, um  líder de uma célula neonazista que vai receber ajuda de uma figura perigosa e influente (até hoje) que o fará ascender e reverberar ideias e conceitos desumanos e degradantes que, infelizmente, são propagados impunemente até hoje. Nazismo é Crime. Apologia ao Nazismo é Crime. Escute o programa no Anchor ou no Spotify! Se quiser receber nossos podcasts sem falta procure-nos como Além da Imaginação Podcast. Assista o episódio no nosso canal no Ok.Ru ou no nosso canal no Telegram (clique para acessar) Mencionados: George Lincoln Rockwell, o fundador do partido nazista americano, Filme: Ele Está De Volta (2015) / A Arquitetura da Destruição(1989, Peter Cohen) / Filme: Moloch (1999, Aleksandr Sókurov) Quadrinho: Maus (PDF)/ Noite e Neblina (Alan Resnais, 1955) / A Onda (Média Metragem, 1981) e filme A Onda (2009, Dennis Gansel)   Instagram: @masmorracine Facebook: MasmorraCine Twitter: @Masmorra_Cast Curta e siga a nossa página com fotos de bastidores da série! The Twilight Zone Behind The Scenes (@tzbehindthescenes) Clique aqui e acesse o melhor grupo dos Fãs de Além da Imaginação no Facebook! Gosta do nosso trabalho e quer que ele continue? Doe via PIX! Nossa chave é pixmasmorracine@gmail.com ou seja nosso padrinho ou madrinha nos apoiando no Padrim ou no Colabora aí.

Angélica Hellish e Marcos Noriega conversam sobre um dos episódios mais importantes de toda a série: "He Is Alive" (Ele Está Vivo) com roteiro de Rod Serling, direção de Stuart Rosenberg e colaborações primorosas dos atores Dennis Hopper (Peter Vollmer), Ludwig Donath (Ernest Ganz), Curt Conway (Hitler) e grande elenco. Neste episódio, conheceremos a história de Peter, um líder de uma célula neonazista que vai receber ajuda de uma figura perigosa e influente (até hoje) que o fará ascender e reverberar ideias e conceitos desumanos e degradantes que, infelizmente, são propagados impunemente até hoje. Nazismo é Crime. Apologia ao Nazismo é Crime. Gosta do nosso trabalho e quer que ele continue? Doe via PIX! Nossa chave é pixmasmorracine@gmail.com ou seja nosso padrinho ou madrinha nos apoiando no Padrim ou no Colabora aí. Mencionados: George Lincoln Rockwell, o fundador do partido nazista americano, Filme: Ele Está De Volta (2015) / A Atquitetura da Destruição(1989, Peter Cohen) / Quadrinho: Maus (PDF)/ Noite e Neblina (Alan Resnais, 1955) / A Onda (Média Metragem, 1981) e filme A Onda (2009, Dennis Gansel)

Angélica Hellish e Marcos Noriega conversam sobre um dos episódios mais importantes de toda a série: "He Is Alive" (Ele Está Vivo) com roteiro de Rod Serling, direção de Stuart Rosenberg e colaborações primorosas dos atores Dennis Hopper (Peter Vollmer), Ludwig Donath (Ernest Ganz), Curt Conway (Hitler) e grande elenco. Neste episódio, conheceremos a história de Peter, um líder de uma célula neonazista que vai receber ajuda de uma figura perigosa e influente (até hoje) que o fará ascender e reverberar ideias e conceitos desumanos e degradantes que, infelizmente, são propagados impunemente até hoje. Nazismo é Crime. Apologia ao Nazismo é Crime. Gosta do nosso trabalho e quer que ele continue? Doe via PIX! Nossa chave é pixmasmorracine@gmail.com ou seja nosso padrinho ou madrinha nos apoiando no Padrim ou no Colabora aí. Mencionados: George Lincoln Rockwell, o fundador do partido nazista americano, Filme: Ele Está De Volta (2015) / A Atquitetura da Destruição(1989, Peter Cohen) / Quadrinho: Maus (PDF)/ Noite e Neblina (Alan Resnais, 1955) / A Onda (Média Metragem, 1981) e filme A Onda (2009, Dennis Gansel)

For God's sake, get out!The Amityville Horror is a 1979 American supernatural horror film directed by Stuart Rosenberg and starring James Brolin and Margot Kidder as a young couple who purchase a home haunted by combative supernatural forces. The film is based on Jay Anson's 1977 book of the same name.Newlyweds and their three children move into a large house where a mass murder was committed. They start to experience strange, inexplicable manifestations which have strong effects on everyone living in or visiting the house.00:00 Intro08:20 Horror News 20:13 What We've Been Watching40:22 Film Review2:03:40 Name Game2:10:34 Film Rating2:17:09 OutroPodcast - https://podlink.to/horrorhangout​​​Patreon - https://www.patreon.com/horrorhangoutFacebook - https://www.facebook.com/hawkandcleaverTwitter - https://twitter.com/hawkandcleaver​​​Website - http://www.hawkandcleaver.com​​​Luke - https://twitter.com/lukeofkondorBen - https://twitter.com/ben_errington​​​Andy - https://twitter.com/AndyCTWritesSupport this show http://supporter.acast.com/thehorrorhangout. See acast.com/privacy for privacy and opt-out information.

Journey into the 5th Dimension as Trivial Theater, Jacob Anders Reviews and Movie Emporium discuss the iconic television created by Rod Serling. This Week The 5th Dimension talks Season 1 Episode 15 titled: I Shot an Arrow into the Air. The Episode is Directed by: Stuart Rosenberg and Stars: Dewey Martin, Edward Binns, Ted Otis, Harry Bartell and Leslie Barrett. If you like to help out Jaime Hitchcock, click either link below to help donate to the GoFundMe page or Buy a shirt from online store: * GoFundMe page: https://www.gofundme.com/f/surgeries-for-smitty * Online Store: https://smitshappens.threadless.com/ You Can Find Jacob Anders Reviews at: Youtube: www.youtube.com/JacobAnders Twitter @Redneval2 You can find Trivial Theaters content at: Youtube Channel: www.youtube.com/TrivialTheater Twitter: @trivia_chic You can find Movie Emporium's content at: Youtube Channel: www.youtube.com/MovieEmporium Twitter: @Movie Emporium Intro Created by Trivial Theater Music Created by Dan Jensen #TheTwilightZone #MovieEmporium #TrivialTheater #JacobAndersReviews --- Support this podcast: https://podcasters.spotify.com/pod/show/5thdimension/support

On the third episode hosts Archie and Xavier discuss the 1967 classic Cool Hand Luke directed by Stuart Rosenburg. When petty criminal Luke Jackson (Paul Newman) is sentenced to two years in a Florida prison farm, he doesn't play by the rules of either the sadistic warden (Strother Martin) or the yard's resident heavy, Dragline (George Kennedy), who ends up admiring the new guy's unbreakable will. Luke's bravado, even in the face of repeated stints in the prison's dreaded solitary confinement cell, "the box," make him a rebel hero to his fellow convicts and a thorn in the side of the prison officers. Email us ReelBeliefPod@gmail.com Follow us on Twitter @ReelBeliefPod --- Send in a voice message: https://anchor.fm/reelbeliefpod/message

Nibblemonth concludes with two horror classics. Well one is a tried and true classic and turns out the other is not as well liked or as good as we remembered. The Shining(1980) Directed by Stanley Kubrick. Starring Jack Nicholson, Shelley Duvall, Scatman Crothers and Danny Lloyd. Trailer: https://www.youtube.com/watch?v=S014oGZiSdI&ab_channel=StanleyKubrick The Amityville Horror(1979) Directed by Stuart Rosenberg. Starring James Brolin, Margot Kidder and Rod Steiger. Trailer: https://www.youtube.com/watch?v=6CC5IjKBtFY&ab_channel=MovieclipsClassicTrailers Twitter: @DoubledFeature Instagram: DoubledFeature Email: DoubledFeaturePodcast@Gmail.com Dan's Twitter: @DannyJenkem Dan's Letterboxd: @DannyJenkem Max's Twitter: @Mac_Dead Max's Letterboxd: @Mac_Dead Executive Producer: Koolaid --- Send in a voice message: https://anchor.fm/doubledfeature/message

En 1979 se estrena “TERROR EN AMITYVILLE” una película dirigida por Stuart Rosenberg basada en los supuestos hechos reales sucedidos a la familia Lutz, que decide habitar en una casa de la localidad de Amityville, donde vivió anteriormente y falleció traumaticamente la familia DeFeo. Su estancia no duró más de 28 días en aquella residencia, pero los hechos acontecidos durante ese tiempo fueron más que suficientes para rellenar las páginas de un libro escrito por Jay Anson donde se describen con todo tipo de detalles los hechos acaecidos en dicho sitio. Ello dió lugar en breve a un guión y su correspondiente película de la que en este episodio os hablamos. A día de hoy aquellos hechos siguen siendo aún inexplicables a la razón. En un intento de contaros con más detalle de la leyenda que hay detrás de este caso, e intentando encajar con sumo detalle misterio y cine, nos juntamos de nuevo con los compañeros Álvaro Martín e Israel Gordón del podcast de misterio “Ecos de lo Remoto”, con quien compartimos micrófonos en un Crossover interactivo en el que será necesario que escuches los audios por ambas partes y que para ello estés muy atento y sigas todas las indicaciones que él se explica. Aquí os dejamos el enlace al espacio de este programa en "Ecos de lo Remoto" para que continuéis la escucha: https://go.ivoox.com/rf/77559482 Feliz Halloween y esperamos todos vuestros comentarios

GET OUT! Join Reneé, John Paul, and Travis as they discuss Stuart Rosenberg's 1979 horror classic "The Amityville Horror."   Please consider supporting the show on Patreon: https://www.patreon.com/thepodmortem    Where to listen to the podcast and follow us on social media: https://allmylinks.com/thepodmortem   Follow us on Twitter: https://twitter.com/thepodmortem https://twitter.com/bloodandsmoke https://twitter.com/realstreeter84 https://twitter.com/travismwh   What would you rate The Amityville Horror and what should we watch next? Email us at thepodmortem@gmail.com    "Pod Mortem Theme" written and performed by Travis Hunter. https://youtube.com/travismwh

Allan and Austin muse over a film from the late 60s that shook the world of cinema! COOL HAND LUKE (1967) Directed by Stuart Rosenberg

The eighth episode of our season on the awesome movie year of 1967 features Jason's personal pick, Stuart Rosenberg's Cool Hand Luke. Directed by Stuart Rosenberg from a script by Donn Pearce and Frank R. Pierson (based on Pearce's novel) and starring Paul Newman, George Kennedy, Strother Martin, Morgan Woodward and Clifton James, Cool Hand Luke was nominated for four Oscars and won one. The post Cool Hand Luke (1967 Jason's Pick) appeared first on Awesome Movie Year.

Filmmakers are often inspired by true events, but THE AMITYVILLE HORROR (1979) and THE TOWN THAT DREADED SUNDOWN (1976) are advertised to be dreadfully close to the gruesome tales they're based on. What ethical obligation does the storyteller have when adapting real life horror? What justifies the art? And is any of this even moral?    We go deep into the paranormal conspiracy of the Lutz family with The Amityville Horror directed by Stuart Rosenberg and starring Margot Kidder and James Brolin. Then chat the sensationalized The Town That Dreaded Sundown, directed by Charles B. Pierce, which is based on the tragic Texarkana Moonlight Murders committed by a serial killer. We also touch on the Conjuring favorites Ed and Lorraine Warren in anticipation for the Conjuring 4 releasing this week.    CONTENT WARNING: Abuse.    Up Next: CAM (2018) / PULSE (2001)     “My Amityville Horror” directed by Eric Walter https://www.amazon.com/My-Amityville-Horror-Daniel-Lutz/dp/B00BUJ5YHO   Follow us at:  instagram.com/cadaverdogspod twitter.com/cadaverdogspod facebook.com/cadaverdogspod     Send us your film suggestions at: cadaverdogspodcast@gmail.com   Theme by Adaam James Levin Areddy. Cover art by Omri Kadim. Music featured in this episode: Voices in My Head by Quincas Moreira, Haunted by Russ Bugden, and Radiation Storm by White Bat Audio. Licensed under Creative Commons: By Attribution 3.0 License.

This week, I sat down with one of the most legendary and successful screenwriters/producers in Hollywood, Oscar® Winner Eric Roth. Over a 50+ years career, he's well-known for writing or producing films like Forrest Gump, A Star is Born, Mank, The Curious Case of Benjamin Button, Munich, Ali, and the list goes on. The critically and commercially acclaimed American drama, Forrest Gump is an adaptation of Winston Groom's 1986 novel of the same title, adapted by Eric Roth in 1994. The story depicts several decades in the life of Forrest Gump, played by the incomparable, Tom Hanks, a slow-witted but kind-hearted man from Alabama who witnesses and unwittingly influences several defining historical events in the 20th century the United States. The $55 million budget film grossed $683.1 million at the Box Office and won the Oscars for Best Picture, Best Actor in a Leading Role, and three Golden Globes awards. With a dream to pursue writing, he got his start working crew on a bunch of independent movies being made by some experimental filmmakers at a local studio (the Millennium will film workshop) while studying at Columbia University and later transferred to UCLA Film School. While on the climb up, Roth got the opportunity through his good friend Stuart Rosenberg, to rewrite the script for the Paul Newman movie, The Drowning Pool, at the tender age of 20 years old.Last year, Roth co-produced the multi-award nomination biographical drama, Mank. mank earned ten Oscar® nominations and six Golden Globe Awards nominations.1940. Film studio RKO hires 24-year-old wunderkind Orson Welles under a contract that gives him full creative control of his movies. For his first film, he calls in washed-up alcoholic Herman J Mankiewicz to write the screenplay. That film is "Citizen Kane," and this is the story of how it was written.A Star is Born, co-written by Roth became a 2018 phenomenon. Director, co-writer and lead actor, Bradley Cooper and Lady Gaga brought steaming chemistry to our screens in a way that had been lacking. The film grossed twelve times its $36 million budget which is more than any of the other three versions of the musical romantic drama film.Seasoned musician Jackson Maine (Bradley Cooper) discovers, and falls in love with struggling artist Ally (Gaga). She has just about given up on her dream to make it big as a singer - until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.A must mention amongst Roth’s screenplays is the 2008 screenplay adaptation of The Curious Case of Benjamin Button, starring Brad Pitt, Cate Blanchett, Academy winner Mahershala Ali and Taraji P. Henson. The film tells the story of Benjamin Button, a man who starts aging backward with consequences. I could go on and on, through the extensive list of incredible writing Eric Roth has given the world, but you can listen to our conversation to hear all about them. Even his Television writing and producing on shows like House of Cards, The Alienist, and the upcoming remake of the science fiction classic Dune, directed by Denis Villeneuve.I've been a fan of Eric's work since my days working at a video store. It was truly an honor to sit down and talk shop with a master of the craft. Enjoy my conversation with Eric Roth.

Frame Fatale es un podcast sobre películas no canónicas conducido por Sebastián De Caro y Santiago Calori. En este decimotercero episodio, nos ocupamos de Asfalto violento (Electra Glide in Blue, 1973) de James William Guercio y, como nos suele ocurrir, hablamos de esa, pero terminamos hablando de todas estas: Oxford Blues (1984) de Robert Boris, La leyenda del indomable (Cool Hand Luke, 1967) de Stuart Rosenberg, A sangre fría (In Cold Blood, 1967) de Richard Brooks, Butch Cassidy (Butch Cassidy and the Sundance Kid, 1969) de George Roy Hill, Maratón de la muerte (Marathon Man, 1976) de John Schlesinger, Belleza americana (American Beauty, 1999) de Sam Mendes, Carrera contra el destino (Vanishing Point, 1970) de Richard C Sarafian, Mi vida es mi vida (Five Easy Pieces, 1970) de Bob Rafelson, Cruising (1980) de William Friedkin, Arma Mortal (1987) de Richard Donner, 1941 (1979) de Steven Spielberg, El halcón maltés (The Maltese Falcon, 1941) de John Huston, Head (1968) de Bob Rafelson, El viaje (The Trip, 1967) de Roger Corman, Satan's Sadists (1969) de Al Adamson, Los ángeles salvajes (The Wild Angels, 1966) de Roger Corman, She-Devils on Wheels (1968) de Herschell Gordon Lewis, Busco mi destino (Easy Rider, 1969) de Dennis Hopper, Corazón salvaje (Wild at Heart, 1990) de David Lynch, El patrullero (Highway Patrolman, 1991) y Todo legal (Repo Man, 1984) de Alex Cox, Bunny Lake ha desaparecido (Bunny Lake is Missing, 1965) de Otto Preminger, Charly, días de sangre (1990) de Carlos Galettini, El especialista en peligro (The Stunt Man, 1980) de Richard Rush, Apocalypse Now (1979) de Francis Ford Coppola, Míralos Morir (Targets, 1968) de Peter Bogdanovich, Demencia 13 (Dementia 13, 1963) de Francis Ford Coppola, Pasajeros profesionales (Boxcar Bertha, 1972) de Martin Scorsese, Los siete salvajes (The Savage Seven, 1968) de Richard Rush, La tiendita del horror (The Little Shop of Horrors, 1960) y El terror (The Terror, 1963) de Roger Corman, Carrera sin fin (Two-Lane Blacktop, 1971) de Monte Hellman, A prueba de muerte (Death Proof, 2007) de Quentin Tarantino, Locademia de policía (Police Academy, 1984) de Hugh Wilson, The Last Movie (1971) de Dennis Hopper, El otro lado del viento (The Other Side of the Wind, 2018) de Orson Welles, Había una vez... en Hollywood (Once Upon a Time in Hollywood, 2019) de Quentin Tarantino, Noche de brujas (Halloween, 1978) de John Carpenter, The Toolbox Murders (1978) de Dennis Donnely, Asesinos S.A. (The Parallax View, 1974) de Alan J Pakula, Infierno en el Cosmos (Starcrash, 1978) de Luigi Cozzi, Eliminators (1986) de Paul Manoogian, Terminator 2 (Shocking Dark, 1989) de Bruno Mattei, Cut and Run (Inferno in diretta, 1985) de Ruggero Deodato, The Room (2003) de Tommy Wiseau, Ed Wood (1994) de Tim Burton, Glen o Glenda (Glen or Glenda, 1953), La novia del monstruo (Bride of the Monster, 1954) Jail Bait (1954) y Plan 9 del espacio sideral (Plan 9 from Outer Space, 1959) de Ed Wood, All Pretty Models are in a Row (1969) de Joseph F Robertson, You Don't Nomi (2019) de Jeffrey McHale y Showgirls (1995) de Paul Verhoeven... ... por si justo te dio paja anotar, y hasta nos dignamos a contestar preguntas de lxs oyentes. Podés comentar este episodio usando el hashtag #FrameFatale en Twitter. Frame Fatale volverá el lunes que viene. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia que de todas maneras, como ya explicamos varias veces, es lo menos importante.

The Amityville Horror is based on a popular novel by Jay Anson with a little longer title, "The Amityville Horror - A True Story". The true story is, at this point, well known to be fictitious, but it did give the public quite a rise for a while. In the story, a young man ends up shooting his parents and sibling while they slept in the middle of the night for reasons even he couldn't begin to explain. The horrific events shocked the small town, but the house was still deemed worthy for sale. Enter the Lutz family, who buy the house because it is going for a relatively cheaper rate than if it didn't have the malevolent stigma, but they can't pass up the price. However, weird things start happening, starting with the fact that the preacher (Rod Steiger,) who comes to bless the house is scared out of his wits, soon after suffering from an unknown ailment he feels has been inflicted by the evil within the house. The Lutz family themselves start exhibiting weird behavior themselves, with the father, George (James Brolin), always feeling cold, and having little motivation to do anything more than chop wood for the fire. Doors and windows open and close, the daughter starts talking to an imaginary (?) friend, and the dog starts sniffing around the cellar trying to dig up something only he knows is there. Margot Kidder costars.

Erick & Vivi dive into Stuart Rosenberg's 1979 The Amityville Horror. Topics include demons stealing your money online, investing in real estate no matter how many murders happened there, and the winner of our first goodest boy award!Beer: Swarm by Penrose BrewingSuggest a cocktail! Suggest a movie!Follow us on Instagram & Facebook: @shakennotscaredpodSend us an email: shakennotscaredpod@gmail.comhttps://shakennotscaredpodcast.com/Support the show (https://www.buymeacoffee.com/shakennotscared)

Hi Friends! This week we watched Amityville Horror, released in 1979 directed by Stuart Rosenberg. A family moves into a home that has some serious baggage! They start to experience a strange presence that affects the family, the house, and anyone who visits it..... UH OH! Join us this week as we discuss this movie over a yummy Pinot Grigio. Cheers!.Season 2 - Classic Horror Movies.Website: http://www.tipsypod.comTeePublic Merch: https://www.teepublic.com/stores/tipsy-pod?ref_id=17818Buy us a glass of wine: https://www.buymeacoffee.com/tipsypodReviews: http://www.tipsypod.com/reviewsYoutube: https://www.youtube.com/channel/UCV75fSe0gGayzgcmmNRnJhgTikTok: https://www.tiktok.com/@tipsypod?lang=enInstagram: http://instagram.com/tipsypodFacebook: http://www.facebook.com/tipsypodTwitter: http://www.twitter.com/PodTipsy.Podcast Promo:.Microphones and Monsters (https://twitter.com/MicsAndMonsters)

Hi Friends! This week we watched Amityville Horror, released in 1979 directed by Stuart Rosenberg. A family moves into a home that has some serious baggage! They start to experience a strange presence that affects the family, the house, and anyone who visits it..... UH OH! Join us this week as we discuss this movie over a yummy Pinot Grigio. Cheers!.Season 2 - Classic Horror Movies.Website: http://www.tipsypod.comTeePublic Merch: https://www.teepublic.com/stores/tipsy-pod?ref_id=17818Buy us a glass of wine: https://www.buymeacoffee.com/tipsypodReviews: http://www.tipsypod.com/reviewsYoutube: https://www.youtube.com/channel/UCV75fSe0gGayzgcmmNRnJhgTikTok: https://www.tiktok.com/@tipsypod?lang=enInstagram: http://instagram.com/tipsypodFacebook: http://www.facebook.com/tipsypodTwitter: http://www.twitter.com/PodTipsy.Podcast Promo:.Microphones and Monsters (https://twitter.com/MicsAndMonsters)

Roll It tries to play it cool this week as Ryan and Ty discuss the Paul Newman classic, Cool Hand Luke. There is a lot to discuss with this film, included quite a bit on existentialism all by itself. So check it out and don't forget to come back next week for The Butterfly Effect! Contact us at rollitpodcast@gmail.com or follow us! Twitter - @RollItPodcast Instagram - @rollitpodcast Music by Ethan Rapp

Today they made me watch what some consider a cinema classic, while others consider it hot trash, you be the judge. 1967s COOL HAND LUKE directed by STUART ROSENBERG. Available on HBOMAX"...sometimes nothin' can be a real cool hand." - Luke@MMwM_podcast@MMwW_podcast@anthony_eslami@goldenroad85@_schwizzyy_

Support Classic Movie Musts on Patreon and get access to our weekly exclusive podcast, Classic Movie Musts: Double Feature, and our monthly exclusive podcast, Max's Movie Musts.  Join at www.patreon.com/classicmoviemusts   In this episode we're discussing Stuart Rosenberg's iconic film, Cool Hand Luke (1967), starring Paul Newman.

O odwiecznej wojnie miedzy grubymi i chudymi, łysymi i kudłatymi, wysokimi i niskimi.O tym jak ciężko mi przytyć i jak jest to problematyczne.******fragmenty użyte w odcinku*****Film "Kiler" 1997 reżyseria Juliusz Machulski scenariusz Piotr WereśniakKabaret Hrabi -PrzytyłamScena z Filmu Nieugięty Luke 1967 reżyseria Stuart Rosenberg scenariusz Donn Pearce / Frank Pierson -Jedzenie 50 Jajek na twardoMiło mi będzie jeśli dodasz ocenę tego odcinka i komentarz w Apple Podcasts, aby pomóc mi w dotarciu do jak największego grona odbiorców.Kontakt: whoperacja@gmail.comInstagram: https://www.instagram.com/whoperacjaTwitter: https://twitter.com/whoperacjaFacebook: https://www.facebook.com/whoperacja

In a career full of memorable roles, this is easily in Paul Newman's top 5, as a Florida prison inmate who never plays by the rules.  Co-starring George Kennedy, Strother Martin, and Harry Dean Stanton.  Directed by Stuart Rosenberg.

Join us for another battle episode where we selected movies from the IMDb list of top 250 movies. This week's battle is between the 1967 prison drama, Cool Hand Luke, directed by Stuart Rosenberg, starring Paul Newman and featuring George Kennedy; versus the 2014 physiological thriller, Gone Girl, directed by David Fincher and with a screenplay by Gillian Flynn based on her 2012 novel of the same name.

Au sommaire de cette spéciale histoire et cinéma : -Chroniques de deux films sortis chez ELEPHANT FILMS, LE VOYAGE DES DAMNES (1977) de Stuart Rosenberg, qui évoque un pan méconnu de l'histoire de la seconde guerre mondiale, et CES GARÇONS QUI VENAIENT DU BRESIL (1978) de Franklin J. Schaffner, variation troublante et fantaisiste autour de la traque de l'ignoble Dr Mengele ;-Evocation de KHARTOUM (1966) de Basil Dearden sorti chez RIMINI ;-Echanges autour de J'ACCUSE (2019), film de Roman Polanski sur l'affaire Dreyfus, en compagnie de Dominique Legrand, auteur de LA PASSION POLANSKI (MAREST EDITEUR). Bonne écoute à toutes et à tous.

Stuart Rosenberg, co-founder of Public Content, has the pulse on all the hottest places in one of America's hottest cities: Houston. Before he was promoting the latest hot-spots to eat, or the hippest place to stay in Space City, he cut his chops in in public relations in another iconic city: New York. Listen to his fascinating story in the latest Success With Style podcast hosted by Lance Avery Morgan and Rob Giardinelli here...

  PLANET VULCAN - EPISODE TWENTY-FOUR: IT: CHAPTER 2 Special Guest: Robert Motherwell (Clerk, Vulcan Video) Episode Breakdown: Intro New Releases: IT: CHAPTER 2 [d. Andy Muschietti, w. Gary Dauberman] Employee Picks:  Rockie: MOMMY [2014, d. & w. Xavier Dolan] Jacob: LET'S GET HARRY [1986, d. Stuart Rosenberg, w. Charles Robert Carner]  The Regulars:  Robert Motherwell (Clerk, Vulcan Video) Robert's Pick: WES CRAVEN'S NEW NIGHTMARE [1994, d. & w. Wes Craven]

The Surgeons team celebrate 40 years since The Amityville Horror first haunted screens. This one's a big one.

Ryan and Dave travel back in time to 1980's New York with Stuart Rosenberg's influential crime drama, which stars Mickey Rourke as he rode the wave of the hottest period of his career. While overshadowed by New York gangster films like "Goodfellas" since its release, it's a well-executed genre piece that boasts Julia Roberts's brother's most fun performance. Also, Ryan and Dave play a fun game of "straight person and fuck-up" buddy team-ups of multiple genders and generations, while Dave gets maximum enjoyment out of Mickey Rourke's authentically enraged tantrum scene where Rourke gives a fridge a little taste of the future boxer's power game; unfortunately for his fight career, he forgot that people, unlike fridges, punch back. Next week, Ryan's next pick explores the depths of man's greed in a Humphrey Bogart classic - "Treasure of the Sierra Madre"!

Pictured: Doris Day Julian Worricker on: One of Hollywood's top box-office stars of the 50s and 60s, actress and singer Doris Day. The Labour MP who became one of television's most exhaustive political interviewers, Brian Walden. Dorothy Rowe, one of the earliest figures in psychology to build a bridge between clinical practice and the general public. And the paranormal investigator, Lorraine Warren, whose best-known case focused on the house at the centre of the film, The Amityville Horror. Interviewed guest: David Benedict Interviewed guest: Matthew Parris Interviewed guest: Tim Lott Interviewed guest: Tony Spera Producer: Neil George Archive clips from: The Gloria Hunniford Show, Radio 2 10/02/1995; The Man Who Knew Too Much, directed by Alfred Hitchcock, Paramount Pictures/Filwite Productions 1956; A Point of View, Radio 4 18/03/2005; Weekend World, Radio 4 09/05/1982; Today, Radio 4 13/05/2019; The Walden Interview, BBC London Weekend Television 29/10/1989; Desert Island Discs, Radio 4 24/03/2002; The Successful Self by Dorothy Rowe read by Frances Jester, Radio 4 03/01/2007; The Amityville Horror, directed by Stuart Rosenberg, American International Pictures/Cinema 77/Professional Films 1979; The Conjuring, directed by James Wan, New Line Cinema/The Safran Company/Evergreen Media Group 2013.

Get a crash course in grass roots organizing when Helen speaks with partner at Superior Blue Strategies and lawyer Stuart Rosenberg. Stu is a former Field Director for the Human Rights Campaign and was instrumental in defeating hateful anti-LGBTQ legislation. He also served as campaign manager for openly gay Hoosier Senator J D Ford and Field Director for Senator Tammy Baldwin.

Welcome to Everything Trying to Kill You, the comedy podcast that analyzes horror movies! For episode 27, join Maegan, Mary Kay, and Mary as they discuss Stuart Rosenberg's film The Amityville Horror. On this episode, your hosts answer important questions such as these: What style of house would you haunt? What is Kathy Lutz's wardrobe the worst? How's her ballet form? What's the scariest element of this movie? Do movies based on a true story make the movies scarier? or no? How different are the various Amityville movies? How would you react if someone told you that you looked like a family annihilator? What are imaginary friends? Are there ghosts in the movie? Why is any of this happening in the church down the street? Why does the house need to be on a burial ground? Why is the house so personified? Why doesn't Maegan trust ASOS anymore? How does this film being independent affect its production? Does the soundtrack work? What's the deal with the truthiness of this story? the novel? the film? Why does the priest go blind? Why does that happen in the church? Who was willing to suspend their sense of disbelief when James Brolin had ED? What is the ghost story of your life that people might actually believe? Does pumpkin spice have pumpkin in it or just spice? The Amityville Horror (1979) -- directed by Stuart Rosenberg and written by Sandor Stern; adapted from the novel by Jay Anson. Starring James Brolin and Margot Kidder.Genre: Horror, Thriller, Supernatural, Suspense, OccultismWhere to watch: Hulu, AmazonSummary: The Amityville Horror is a 1979 American supernatural horror film based on Jay Anson's book of the same name (1977). Directed by Stuart Rosenberg, it features James Brolin and Margot Kidder as a young couple who purchase a home haunted by combative supernatural forces. The story is based on the alleged experiences of the Lutz family who bought a new home in Amityville, New York where a mass murder had been committed the year before. It is the first film based on the Amityville horror. Upon its release in the summer of 1979, The Amityville Horror was a major commercial success for American International Pictures, grossing over USD $80 million in the United States and going on to become one of the highest-grossing independent films of all time. It received mostly negative reviews from critics, though the film has been contemporarily noted by film scholars as a classic of the horror genre.The film was nominated for an Academy Award for Best Original Score by composer Lalo Schifrin and Kidder also earned a Saturn Award nomination for Best Actress. A remake was produced in 2005. --WikipediaLinks:

Paul Newman Month Continues!"Sometimes nothin' can be a real good hand." Cool Hand Luke (1967) directed by Stuart Rosenberg and starring Paul Newman, George Kennedy and Strother Martin. Next Time: Harper (1966)

This week, we watch the film that is basically a love letter to Paul Newman.  Ole' blue eyes is front and center for this classic film about a chain gang's daily life, and their antics of rubbing each other's bellies and eating piles of eggs. Cool Hand Luke (1967), directed by Stuart Rosenberg.

Edición 177 de La Gran Evasión, 10/4/2018, esta noche de tormenta veremos que la voluntad del hombre es inconquistable, asistiremos a la forja de una leyenda, de un mito, de Luke el indomable, un excelso Paul Newman en la obra cumbre de Stuart Rosenberg, La Leyenda del Indomable, 1967. Magnifica parábola este Cool Hand Luke, todo un análisis de esos soldados que regresaron de la segunda guerra mundial y se trajeron la guerra con ellos, una premonición de la desconexión con el sistema, que llegaría en los años sesenta, pero la película es mucho más, de fondo, deja profundas reflexiones: Preferir la muerte a vivir entre grilletes, el Sacrificio que conlleva una autentica amistad, el Precio a pagar por tus Principios, la Dignidad del ser humano, el Cruel y Brutal sistema penitenciario, la Religión, la Forja de los mitos, esos Mártires que todos necesitamos, para no rendirnos, para no olvidar lo que somos, hombres, ni bestias, ni esclavos, simplemente, Hombres. La película de Rosenberg se mueve por el gran guión de Donn Pearce y Frank Pierson, basado en la novela, con trazos autobiográficos, de éste último, con emoción y cine, transita por la voluntad de Luke a través de escenas míticas, que ya forman parte de la historia del cine, la de los huevos, el alquitranado de la carretera, la llegada de la madre, el símbolo fascista y represor de ese guardián con gafas de espejo, el sadismo del Capitán, el sometimiento de la voluntad a partir de la rutina, de las reglas… Luke es un canto rodado, un insurrecto por genética, su obstinación es admirada por los reclusos y también rechazada, lo convierten en un ídolo, al que adoran primero y repudian después, otra alegoría cristiana. Para ser una leyenda, un mártir, debe haber un sacrificio, una entrega, unos “milagros”, que son sus hazañas… Pocos confían en ese espíritu, incluso los espectadores nos creemos su rendición, cuando lo atrapan por segunda vez, su sometimiento, tras la escena de la zanja, terrible, literalmente cava su tumba y se sepulta, su cuerpo se rinde pero su alma…NO. Se convierte en un mártir y tiene sus apóstoles, su acólito, Dragline, George Kennedy, su misión será mantener vivo el recuerdo de Luke, de un tipo indomable que realizó prodigios increíbles, y que sobre todo, era su amigo. Paul Newman está pletórico, nos brinda una gran interpretación, el Oscar se lo arrebató Rod Steiger por En el Calor de la noche (Jewison), pero Luke merecía la estatuilla, ese laconismo con el que se expresa, sólo habla para sentenciar, brillante. Consigue transmitir esa terquedad con su presencia, con su actitud ante el poder y la autoridad, fue ascendido y condecorado en la guerra, pero también degradado a soldado raso, ante alguna injusticia que no permitió, es un rebelde que no sabe que hacer ni como actuar en el mundo civil, siempre fuera de lugar, incapaz de acatar las reglas, los corsés sociales. Romper unos parquímetros le acarrean dos años de trabajos forzados… Los secundarios, vistos hoy en día son tremendos, Hopper, Dean Stanton, Strother Martin, George Kennedy, a destacar el breve, pero inolvidable papel, de la madre de Luke, Arletta, la gran Jo Van Fleet, una actriz de teatro inmensa, que en apenas unos minutos deja marca. La película realiza una clara denuncia de la crueldad penitenciaria, de los abusos de poder, de la vileza de los poderosos, el despotismo, la arbitrariedad y el sadismo de los jefes, acrecentado con ese “Jefe, ¿puedo...?” Todos deben pedir permiso, para secarse el sudor, para quitarse la camisa, para beber agua, hasta para mear, una humillación constante. La fotografía de Conrad L. Hall es muy importante, la narración se nutre de esa estética realista, notamos el calor, el sofocante calor, los sudores, los mosquitos, la atmósfera opresiva del barracón, los atardeceres llenos de simbolismo y libertad, con las siluetas de hombres engrilletados, esos crepúsculos desde una carretera interminable, geniales, ademas utiliza muchos ángulos ingeniosos, ver la fuga a través del reflejo de las gafas del jefe, las tomas desde arriba de Luke en la escena de los huevos, prácticamente un Cristo crucificado… El ritmo es pausado, pero cuando la historia lo requiere, salimos de la rutina y respiramos con los prodigios de Luke, ahí el montaje y el ritmo se aceleran, como en la primera fuga y su astucia para despistar a los sabuesos, otro golpe más a la conciencia, pues se siente más la muerte de un animal que la de un preso. Todo el conjunto está apoyado en una genial banda sonora de Lalo Schifrin, mezclando esos temas de guitarra y banjo, llenos de sentimiento y dolor, canciones populares del sur, de esos desposeídos, y las mezcla, con la emoción del uso de instrumentos de viento. Schifrin era un auténtico maestro en melodías. Bonus Track: Os dejamos como bonus un par de maravillas, otro tema de la banda sonora de Schifrin, el del concurso de comer huevos duros y una versión del Cotton Field, a cargo de la Creedence Clearwater Revival, que aparece en su memorable disco "Willy And The Poor Boys" (1969). Disfrutad de la libertad. -Egg Eating Contest -Cotton Fields Huimos del campo de trabajos forzados de Radiopolis, despistando a los sabuesos…..José Miguel Moreno, Gervi Navío y moviendo astutamente las ramas del cine con un cordelito, nuestro crítico, César Bardés Gervasio Navío Flores.

Adam Schartoff (the host of Filmwax Radio) returns to discuss the ups and downs in the filmography of director Stuart Rosenberg. Follow Filmwax Radio: https://twitter.com/filmwaxradio Follow Adam Schartoff on Twitter: https://twitter.com/filmwaxradio Follow James Hancock on Twitter: https://twitter.com/colebrax

Cargado de actualidad llega este 23 programa de la 2ª temporada. Comenzaremos por los estrenos de cine ('Yo, Tonya', 'Lady Bird', 'Todo el dinero del mundo', 'Una familia feliz', 'En la sombra', 'La enfermedad del domingo'), hablaremos de los Premios Georges, de la Berlinale, analizaremos las 2 últimas categorías antes de los Oscar (película y actriz secundaria), analizaremos el Estreno Netflix de la semana ('Mudo') y en el clásico recuperaremos el clásico de Stuart Rosenberg de 1980 'Brubaker', con Robert Redford como estrella.

"He's a natural born world-shaker"  This week we’re watching Stuart Rosenberg’s classic prison drama ‘Cool Hand Luke’ and the team are all getting steamed up over how devastatingly attractive Paul Newman is. But while Paul is happy to ogle him online and try to emulate his lean, he is not totally convinced by a film that seems like a badly stitched together set of sketches. In an attempt to get to the bottom of exactly why he didn’t connect with ‘Cool Hand Luke’, Paul asks Andy and Rachael to explain why the film is considered a classic. While Rachael goes straight to her beloved music and sings the praises of composer Lalo Schifrin’s jazzy score, Andy pinpoints performance as the key to the film’s brilliance. While no-one’s that taken with the heavy-handed religious angle, Andy and Rachael struggle to convince Paul that a symbol of oppression is worth anything if they happen to be dead. Still, everyone enjoys the egg-eating scene and, despite once believing it was impossible, Andy unearths details of the current record-holder in boiled egg eating, who has bested Luke’s record by some considerable distance. Also, the team discuss whether the life story of ‘Cool Hand Luke’ screenwriter Donn Pearce would make a better movie in itself. Elsewhere, inspired by the numerous collaborations between Stuart Rosenberg and Paul Newman, Rachael looks at some other long-term actor-director partnerships. This week’s scale: Cool Hand Luke or Cool Hand Puke

When a home is so much more, we explore the theme of Haunted Houses in this Part 1 with Stuart Rosenberg's THE AMITYVILLE HORROR (1979) and the 2006 animated MONSTER HOUSE.

On behalf of Family Lawyer Magazine Sylvia Golden, the legal editor at Business Valuation Resources, interviews prominent attorney Sanford K. Ain and business valuator Stuart Rosenberg about the role of prenuptial agreements in cases involving business owners and professional practices

Sylvia Golden, the Legal Editor at Business Valuation Resources, interviews prominent attorney Sanford K. Ain and business valuator Stuart Rosenberg about divorce and valuation related issues – especially when representing a lawyer who is going through divorce.

Zach goes to prison and learns what it means when we have failure to communicate. COOL HAND LUKE (1967) Cool Hand Luke is a 1967 American prison drama film directed by Stuart Rosenberg, starring Paul Newman and featuring George Kennedy in an Oscar-winning performance. Newman stars in the title role as Luke, a prisoner in a Florida prison camp who refuses to submit to the system. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Zach on Film continues far into the future! A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.

Zach goes to prison and learns what it means when we have failure to communicate. COOL HAND LUKE (1967) Cool Hand Luke is a 1967 American prison drama film directed by Stuart Rosenberg, starring Paul Newman and featuring George Kennedy in an Oscar-winning performance. Newman stars in the title role as Luke, a prisoner in a Florida prison camp who refuses to submit to the system. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Zach on Film continues far into the future! A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.

COOL HAND LOOK de Stuart Rosenberg et scénarisé par Donn Pearce 1967. Menoum. Des œufs crus.

COOL HAND LOOK de Stuart Rosenberg et scénarisé par Donn Pearce 1967. Menoum. Des œufs crus.