Podcast appearances and mentions of Danny Simmons

This week, Donna and Orlando held the final book club meeting of 2024 with celebrated poet, author, and cultural arts curator, jessica Care moore to discuss her impactful work, “We Want Our Bodies Back.” An award-winning poet, recording artist, book publisher, activist, cultural arts curator, and filmmaker, jessica is executive producer and founder of Black WOMEN Rock! - Daughters of Betty, a 20-year-old rock & roll institution, concert and empowerment weekend, and she is the founder of the literacy driven 501c3, The Moore Art House. Her nonprofit organization in Detroit dedicated to elevating literacy through the arts in neighborhoods and schools.Jessica's publishing house, Moore Black Press, has published poets including Saul Williams, Newark Mayor Ras Baraka, asha bandele, and Danny Simmons, and in 2024 is preparing to publish their first poetry and spoken word audiobooks through an imprint deal with HarperCollins.To learn more about jessica Care moore, click here!Support the showFollow us on Instagram, Facebook and Twitter.

Greetings Glocal Citizens! This week the podcast is coming to you from my recent trip to the Dakar Biennale where I met my guest, Bara Diokhané, thanks to Muhammida El Muhajir from EP27 (https://glocalcitizens.fireside.fm/27). Bara was born and raised in Dakar, Senegal. In 2018 he returned after an interesting career journey in New York. A lawyer by training, Bara Diokhané, started creating works of art at the start of the the 21st century, while living in Harlem, New York as an immigrant. In 2002 he was a participating artist to the MagnetDiaspora exhibit hosted during the 2002 Dakar Biennale by Yassine Arts Gallery. His first exhibition in New York City was hosted in 2003 by Steve Cannon's Tribes Gallery in Manhattan's Lower East Side. In 2004 he designed the backdrop for the scene of the Afropop music festival at Virginia University. In 2005 he was selected at the Diversity Project, curated by Danny Simmons and Rush Arts, which was an event showcasing the works of 200 New York artists in 16 different galleries. In 2006, I showed 10 paintings at the Dakar Off Biennale where most of the show was sold out. He has also showed at the State Black Archives Museum, in Huntsville, Alabama; Kiaca Gallery, in Columbus, Ohio; Columbia University; and the Schomburg Center for research in black culture. In 2007, he was selected for the Black Madonna Millenium exhibit hosted at the Museum for Contemporary African and Diaspora Art (MOCADA) in Brooklyn. That year, he also showed at Princeton University's Rockefeller Art Gallery. In 2010 Bara was invited to select one artwork from the collection of the Brooklyn Academy of Music (BAM) and couple it with one of his own works to make a pair during the "African Rythms, American Echoes" exhibit. Bara is presently writing a script about an African human experience of 50 years of arts, politics and academics. Where to find Bara? On LinkedIn (https://www.linkedin.com/in/bara-diokhane-667b6b6/?originalSubdomain=sn) On Instagram (https://www.instagram.com/diokhaneb/?hl=en) On Twitter (https://twitter.com/kemtila) On Facebook (https://www.facebook.com/bara.diokhane.121) What's Bara reading? The African Origin of Civilization (https://read.amazon.co.uk/kp/embed?asin=B009N30PVO&preview=newtab&linkCode=kpe&ref_=cm_sw_r_kb_dp_9G08BRTH6GEHV6P421W3&tag=glocalcitiz09-20) by Cheikh Anta Diop Other topics of interest: Mor Faye (https://www.artforum.com/print/199106/saint-mor-faye-33781) KoToa Coffee (https://www.facebook.com/kotaocoffee/) in Dakar Doudou N'Diaye Rose (https://en.wikipedia.org/wiki/Doudou_N%27Diaye_Rose) On Senegal's BDS party (https://en.wikipedia.org/wiki/Senegalese_Democratic_Bloc) First World Festival of Negro Arts (http://www.williamgreaves.com/first-world-festival-negro-arts/) Spike Lee's 40 Acres and a Mule Filmworks (https://40acres.com/about-us/) Special Guest: Bara Diokhané .

"If anyone speaks, let him speak as the oracles of God." 1 Peter 4:11 Danny Simmons and Kurt Norbut address three words that are commonly misused in the church today. They will give these three words, the meaning of these words, and the common misuses that are heard in the religious world today.

In part one. host Will Rasmussen talks with John Logan and Denise Braswell about a fundraiser for their choir.   I part two, Cross Country Track runners Chrissy Freitas, Danny Simmons and their coach Sora McCurty are raising money for the Cross Country track teams.

Suffer For Good” is an inspiring documentary by filmmaker #DannySimmons about shattered dreams and never giving up. It's the story of Ethiopian boxer #SebZewdie, whose aspirations were put on hold after the boycott of the 1984 LA Olympics and a vicious stabbing that nearly took his life. Seb survived, became a political refugee in the U.S., and 33 years later, director Simmons follows his journey back into the boxing ring and joins us to talk about it. Seb's life has had many unexpected moments in his life, yet his story is about never giving up, even when something awful tries to take you down. Hear our full interview on Facebook, IGTV, YouTube, and all audio podcast platforms. And please enjoy “Suffer For Good” on VOD, DVD, and digital. #DeborahKobyltLIVE

Shishir is as ahead of the technology curve as it gets, some of his ideas have revolutionized the way that tech giants like Microsoft, Google, and YouTube operate.  Now, he's innovating again as the founder and CEO of Coda-an amazing integrated system that centers around creating Docs that are as powerful and actionable as Apps. He's also one of the most down to Earth human beings we've ever had the pleasure of sitting down with! References in this episode: Unfrozen Caveman Lawyer SNL Skit Steven Sinofsky's book-Hardcore Software: Inside the Rise and Fall of the PC Revolution Coda Doc-No Code, Just a Coda Doc: How Squared Away Saves a Thousand Hours and $100K a Year Coda Doc-Rituals for Hypergrowth: An Inside Look at How Youtube Scaled   Episode Timeline: 2:20 - Shishir's data path intersects with Rob's and the stories abound, Shishir passes on working for Google before it was Google 15:25 - Shishir has a random idea about advertising that eventually forms into some common advertising practices, Google woos Shishir back, and he ends up running YouTube! 27:25 - The value of a Computer Science degree is....debatable, an interesting definition and example of AI, and Nouns VS Verbs in naming products and features 41:00 - How Coda was formed and the amazing innovation that Coda is-it makes a doc as powerful as an app, and the importance of integration Episode Transcript: Rob Collie (00:00:00): Hello, friends. Today's guest is Shishir Mehrotra, and let me tell you, Shishir is a ringer of a guest. We met back at Microsoft in the 2000s where he was already entrusted with some pretty amazing responsibilities and was doing very, very well in those roles. About the same time that I left Microsoft to start P3, Shishir left Microsoft to go ... Oh, that's right ... Run YouTube. And he was at the helm of YouTube during what he calls the hyper-growth years where YouTube really exploded and became the thing that we know it is today. During this conversation, I discovered that it certainly sounds like he invented something about YouTube that we absolutely take for granted today and has been seen by billions, used probably billions of times per day. That wasn't enough for him, so he left YouTube after a number of years and started a new company called Coda. Rob Collie (00:00:55): And Coda is an incredibly ambitious product. You could say that in some sense, it's aimed at being a Microsoft Office replacement, but even that isn't quite right. It's in a little bit different niche than that. And, of course, we explored that in our conversation. We talk about his billion dollar mistake, quite possibly, literally, billion dollar mistake, not many people can make those. I was thrilled to discover that he and I have basically exactly the same philosophy about nouns and verbs in software. We talk about the antiquated notion that a computer science degree is somehow super important in product management roles, even at software companies. And just, in general, I couldn't get enough of it. He was super gracious to give us his time for this show, and I hope you enjoy it as much as we did. So, let's get into it. Announcer (00:01:42): Ladies and gentlemen, may I have your attention please. Announcer (00:01:48): This is the Raw Data by P3 Adaptive podcast with your host Rob Collie and your cohost Thomas Larock. Find out what the experts at P3 Adaptive can do for your business. Just go to p3adaptive.com. Raw Data by P3 Adaptive is data with the human element. Rob Collie (00:02:11): Welcome to the show. Shishir Mehrotra, how are you today? Shishir Mehrotra (00:02:15): Oh, I'm great. Rob Collie (00:02:16): Are you coming to us from Silicon Valley? Shishir Mehrotra (00:02:17): I am. Well, south of California. Been in my house and in this spot for about the last year. Rob Collie (00:02:23): When did we meet? Shishir Mehrotra (00:02:24): You were working on Excel and I think at the time I was working on WinFS, the early days of Microsoft. Rob Collie (00:02:31): Oh, WinFS. Just completely unexpected sidelight. It was like 1998 or maybe 1999, we're in a review with Jim [Allchin 00:02:42] and all of his lieutenants. And the whole point of this meeting is to assassinate the technology I was working on. This was an arranged hit on MSI ... Shishir Mehrotra (00:02:54): [crosstalk 00:02:54]. On MSI. Rob Collie (00:02:55): ... On the Windows Installer, right? Shishir Mehrotra (00:02:56): Okay. Yeah. Yeah. Rob Collie (00:02:57): And there are factions in this room that have had their knives, they've been sharpening them and they've arranged this moment so they can kill us. And, at one point, one of the complaints about us was our heavy use of the registry. Just poisoning the registry. Do you remember a guy named Rob [Short 00:03:15]? Shishir Mehrotra (00:03:15): Yeah, of course. Rob Collie (00:03:16): I really liked Rob Short. I thought he was awesome. He was a tough guy, but also really fair and funny and friendly at the same time. And he's been sitting in this meeting for hours because he has to, and he's just totally tuned out. Of course he would be, right? It's not about him. And then, this mention of the registry as an attack on us comes up and Jim Allchin immediately whirls around to Rob and goes, "Now you see, this is what I'm talking about. Our storage system is such a piece of shit." And he starts ripping it to Rob and Rob's having to wake up from his trance. It's like suddenly the guns can swing so fast in those meetings. Shishir Mehrotra (00:03:55): I mean, that was a use case that Bill and Jim and so on all tried to push on WinFS, but it was one we actively resisted. It's a hard one. Rob Collie (00:04:02): It is. The worst thing in the world is to have state stored in multiple places that have to go together with each other. Right? That just turns out to be one of the hardest problems. Shishir Mehrotra (00:04:11): It's such a critical element of the operating system. And you end up with all sorts of other issues of what can run on what and ... Rob Collie (00:04:17): And it's funny. The registry was basically my introduction to the entire Win32 platform. When I was running the installer, that's all I knew about. I knew about the type library registrations and the registry. I knew it in class IDs. And I could follow those things. I could follow that rabbit's trail from one place to another without ever really understanding what a class ID was. Right? It was just the registration of an object, right? Shishir Mehrotra (00:04:40): Right. Rob Collie (00:04:40): I didn't learn that until years later. So funny. But then we crossed paths again. Right? Shishir Mehrotra (00:04:45): SQL. Rob Collie (00:04:46): I remember how it happened. Ariel [Nets 00:04:49] came into my office and said, "Hey, there's someone important who's going to need some information from you." And I go, "Okay." And he said something like, "He's a real rising star here, so make sure you give him everything he needs." And I'm like, "Okay." Shishir Mehrotra (00:05:05): I don't think I know this half of the story. Okay. Rob Collie (00:05:09): And I think you were somehow involved with the potential acquisition that was going on at the time. Is that true? Shishir Mehrotra (00:05:14): You talking about in-memory BI? Rob Collie (00:05:16): Yeah. Shishir Mehrotra (00:05:16): Yeah. I was at the time ... Maybe for your listeners. So, my history, after WinFS folded and collapsed, and you can talk about that if you'd like, I ended up being unexpectedly merged into the SQL Server division. I ended up running what Microsoft called the program management team or SQL Server. And it was super interesting for me because I was never really a database guy. Everything I had worked on to that point was fairly end user-centered, infrastructure in the background. And I was surrounded by these people that really love databases. Actually, as a side note, I fell in love with databases because of Paul Flessner. Paul was on his way out. He was retiring that year and he had one last ... At the time we used to call them strategy days so that Bill and Steve and so on would post this annual review. Shishir Mehrotra (00:06:01): And Paul Flessner, he decided this was going to be his last hurrah strategy, "I'm going to tell these people exactly what I think." He's in the middle of preparing for this and WinFS is folding up and he says, "While you're figuring out what you're going to do next, why don't you come help me write the strategy days presentation?" And he was really drawn to the idea of someone that actually wasn't in his organization doing it because I could speak my mind about whatever and I had no bias walking into it. And probably from his perspective, I would write whatever the hell he wanted and make it sound good. This guy, he's a database legend. He drove the Sybase acquisition that turned into SQL Server. And so, he had a list of ideas for how to think about the database market that many of which were pretty ascetical. Shishir Mehrotra (00:06:44): And he spoke in very plain language when he's ... Actually, interestingly, he's retired. [inaudible 00:06:48] his woodworking. That's his thing. He builds chairs and tables are amazing. You can go buy them. As opposed to many techie database guys, he speaks in very plain language. Rob Collie (00:06:55): I love that. Shishir Mehrotra (00:06:56): And you just walk through like, "Here's how to think about the different workloads and here's what's happening in the industry and here's what's happening in data warehousing." Which wasn't really a term at the time and data warehousing was just emerging. And then, at the end of that process, we had a pretty successful strategy days and he said, "Why don't you run the PM team and help my new guy?" Ted Kummert came in to go and run SQL Server after Paul. And that's how I ended up in that spot. And as part of that, I ended up covering a lot of ... One of Paul's last statement was, "Data warehousing is not the same thing. Go do something different." And that's where people like Ariel and Amir and so on, that whole division, Tom ... And there was a bunch of people running that at that time ... Came into play. Shishir Mehrotra (00:07:34): And then they had this idea that ... There's a lot of different things to know about SQL Server. SQL Server is not actually well-built for data warehouse and so most databases are not. And at the time, the raining wisdom was you needed a completely different architecture for business intelligence, which I guess we called OLAP back then. I don't know if that term is still used. Rob Collie (00:07:54): Yeah. Oh, we still do. We just hide it. It's a dirty word. Shishir Mehrotra (00:07:57): Yeah. For the geeky folks out there, and the key difference being that instead of storing things row by row, you store things column by column and you also precalculate aggregate. So, you have some sense of what, I guess, nowadays called the cube. These things are likely to be great for, "We're going to precalculate the sum of orders for customers by region or whatever it might be." And then, Ariel and his brother Amir had this idea and they said, "Hey, we've got this strategic advantage at Microsoft, which is we own the front end and the backend of this architecture. On the backend, we need to be able to scale better and we need to move to column storage and do all this fancy stuff with cubes. But if you ask anybody where all of their analysis actually gets done, what do they say? Shishir Mehrotra (00:08:38): There's 1,000 reporting tools out there but everybody lives in Excel. And so, they said, "What if we were to find a creative way to pull these together? And I think at the time you were running this part of the Excel platform. And so, I was sent in to go figure out how to make this pitch. I mean, these guys really wanted to do an acquisition space and so on. And I was sent in to try to make the pitch. And, actually, the insight there was interesting. Amir came up with this chart, which I'm not really sure where it came from but he basically went and looked at the size of cubes of OLAP instances across a wide set of customers, including all of Microsoft. He pulled all of these different ones and he figured out that the biggest cube at Microsoft was this thing called MS Sales. Shishir Mehrotra (00:09:20): It was all the customer data from Microsoft if you remember well. And he said, "If you compress this down with column storage, I'm going to get the numbers wrong." But it fit inside tens of megabytes of storage, which was previously much, much larger if you did as row storage. And he said, "This is so small that it can fit in memory on a client, which was unheard of. Usually, the whole idea behind these systems was you have to query a server. The server is really big. At that time, a lot of systems go up and scaled out. There's often very big hardware back there as well. And he said, "Hey, I bet we could move to a model where the primary way that people do this analysis actually happens in that place where they actually want to do their work in Excel. So, I think that's where the other half of that conversation from my side was coming from. Rob Collie (00:10:06): Yeah. So, like you said, with Paul Flessner bringing you into right part of the strategy days stuff, Amir was, at that point in time, still using me in the same way. I had come over from the Excel world and so he was trotting me out every time he wanted someone to talk about Excel in a way that he couldn't be criticized. I was just almost the unfrozen caveman lawyer from Saturday Night Live, this Forrest Gump figure, "Listen, I don't know much, but I do know Excel and I know the people." You know? Shishir Mehrotra (00:10:32): Yeah. Yeah. Rob Collie (00:10:33): Usually, because on the SQL side of the house, you couldn't argue with me about Excel. If I go back to the Excel world, they'd all argue with me but on the sequel side, I was unquestioned. So, Ariel was right, he said, "This guy is a mover and shaker. He's going places." And then, an eye blink later, you're at YouTube. When did you end up at YouTube? Shishir Mehrotra (00:10:53): So, there's a personal story arc that goes along with this. I started a company out of school called [Sintrata 00:10:58]. It was an early version of what became AWS, Azure, so on, to utility computing. There's a whole generation company that started back in that '99, 2000 period. All of us were seven to 10 years too early. There was no virtualization, no containers and none of the underlying technology that actually made the cloud take off existed yet. As that was wrapping up is how I got to Microsoft but in that period, Sintrata was funded by this famous venture firm called Kleiner Perkins. Shishir Mehrotra (00:11:23): My primary investor was a [inaudible 00:11:24]. [inaudible 00:11:25] as Sintrata was wrapping up, he had suggested, "Why don't you go join another client or company?" And I said, "Which one?" And he said, "Well, you can look at all of them but the one that's really hot right now is these two Stanford guys are creating this new search engines called Google. Might want to check it out." And so this is back in 2002. And so, went over and spent some time with Larry and Sergey. And at the time, they hadn't hired a single outside product manager. And so, they wanted me to come in and start the product management team there. And, interestingly, I turned them down. My wife likes to call my billion dollar mistake. And instead I got drawn to Microsoft. Shishir Mehrotra (00:12:01): As I got drawn to Microsoft, it's related to this story because I had an old boss of mine, I was an intern at Microsoft when I was in college, and he was starting this new thing called Gideon that was in the Office team actually. And the project would turn Office into a front end for business applications. So, it's had a lot of relevance to what ended up happening in that space. Rob Collie (00:12:18): Who was running Gideon? Who was that? Shishir Mehrotra (00:12:20): Satya was our skip-level boss and this was much, much earlier in his career. And the guy actually running the project was a guy named John [Lacada 00:12:27]. I think he's gone now. I don't know where he is. Yeah. Rob Collie (00:12:29): I worked with John quite a bit over the years [crosstalk 00:12:32]. And this is how you know Danny Simmons. Right? Shishir Mehrotra (00:12:34): That's right. Danny was part of that team. Rob Collie (00:12:36): Oh my gosh! Yeah. Shishir Mehrotra (00:12:36): Yeah. Danny was on that team. I ended up working with Danny multiple times. Mike Hewitt was the one who was my intern manager who pulled me over to the project. Actually, as a fun version of fate or whatever, Mike now works at Coda. [crosstalk 00:12:48]- Rob Collie (00:12:48): Does he really? Shishir Mehrotra (00:12:49): Yeah, he's an engineer here. He's great. He lives in Idaho. Once we really started hiring distributed, I finally managed to pull him into Coda. So, I turned on Google in that period and they didn't let up. Basically, every year they would call and say, "Hey, we got something down here for you." Gideon actually didn't have a very positive outcome. I showed up to work on this thing and nine months later, Sinofsky killed it. Given the priorities Office had at the time, it made reasonable sense, but it was my first education of big company politics and that's how I ended up working at WinFS. Rob Collie (00:13:20): Sinofsky has delivered many such educations of big company politics. Shishir Mehrotra (00:13:24): Yes. Yes. For sure. For sure. Rob Collie (00:13:26): One of his primary contributions. Yes. Shishir Mehrotra (00:13:27): So, are you reading his history of Microsoft [inaudible 00:13:30]? Rob Collie (00:13:30): I haven't been but now I will be. Shishir Mehrotra (00:13:32): Oh, you should. It's good. Steve and I didn't always see eye to eye on everything, but his sense of history is really good. I don't know how the hell he remembered so much stuff, but he's basically publishing a new thing every few days, I think, maybe every week, and it's really good. Rob Collie (00:13:44): I both loved Stephen and was terrified of him at the same time. Shishir Mehrotra (00:13:48): It's common. Rob Collie (00:13:49): Yeah. Shishir Mehrotra (00:13:50): So, I'm working on SQL Server, but the reason all that matters is I was committed to Seattle. I had convinced my, at the time, fiance now wife, to move up to Seattle. She's a physician. So, she was doing her residency at Children's Seattle. And I convinced her to stay and do her fellowship and that all ran out. So, my clock ran out on Seattle. Said, "All right, now we're ready to move." And we had presumed we were going to move to the Bay area. So, it was just implied at the time, if you're going to be a techie, you got to move down to the Bay Area at some point. And I thought I was going to start another company. I was ready to do it again but Jonathan Rosenberg, the guy at Google who ended up running product there, he called me, he said, "Oh, if you're thinking about coming back, why don't you just come meet a few people?" Shishir Mehrotra (00:14:28): And I said, "No, I've been doing the big company thing for a while. I don't think I want to do that anymore." And he said, "No, no, no, no. Google is not that big a company." This is 2007, 2008. And he said, "Google is not that big of a company. Come just meet a few people and nothing else and have some good conversations." And so, I went down, met a bunch of people and this was Larry and Sergey but also Vic Gundotra was there then and Andy Rubin had just joined. And there was a bunch of ... That era of Google was being formed. And I end up, at the end of the day, in Jonathan's office and I tell him, "That was really entertaining, but it feels like a big company. I don't think this is for me." Jonathan's a pretty crass person. I won't use the same language he used but he said, "Oh, that's really effing stupid." Shishir Mehrotra (00:15:06): And I said, "Why?" And he said, "Well, look, and I'll just give you a really simple reason. All those people, they probably talk to you about Android and Chrome and all this other stuff but what they forget is that, at the heart, Google sells advertising and all the money in advertising goes to television. And nobody even watches those stupid ads." This may sound dumb, but maybe not to this group. I didn't know that. For me, I'd never bought or sold an ad in my life. And the idea that all of the money and advertising goes to television was news to me. And I got on a plane after work back to Seattle. I do a lot of my thinking on planes for weird reasons. You may be the same. I don't know. Shishir Mehrotra (00:15:40): But I get on the plane, I take out this little sheet of paper and this was a week after the Super Bowl, February of 2008, the Giants had just beaten the Pats in this epic Super Bowl. And I take out the sheet of paper, I write at the top, how come advertising doesn't feel like a Super Bowl every day? And the basic thing I was thinking about was we had our friends over for Super Bowl and while we're watching the game, the ad would come on, if somebody missed it, I would have to rewind for people to watch the ad again. It's like, "Oh, people actually like the ads in this one day of the year. What's different?" And so, I take out this sheet of paper, I end up writing this little position paper on what I think is wrong with advertising, without knowing really anything about advertising. Get home, it's pretty late. My wife's not up to tell me it was all stupid. Shishir Mehrotra (00:16:19): And then I wake up the next morning and I write to Jonathan. I say, "Hey, look, I really enjoyed the time. I don't think Google's for me, but I had some thoughts on something you said that stuck with me about why advertising sucks. And I'm sure you guys are already thinking about it, but I'm happy to send it to you if you'd like." And he's pretty early morning guy and so he read it and said, "Actually, nobody's thinking about this. Maybe you should come and I'll give you a small team and you can start running this." There were three ideas in the paper but the most simple one was how come ads don't have a skip button on them? And then, if you skip the ad, why don't you make it so that if you skip the ad, the advertiser doesn't pay? Shishir Mehrotra (00:16:50): You change all the incentives of advertising so that if the ads aren't good, then nobody gets paid if the ads are going to get better. And we're going to reset the balance and that's why it's going to feel like Super Bowl every day. He was like, "There's a lot of reward and be creative on the Super Bowl." So, J.R. convinced me. He's like, "Come down. Run this project." When I tell the story, it sounds eerily similar to how I ended up at Microsoft, like, "Oh, come run this small project." And it was this group of people, again, that misunderstood what ... This project was at the time called Mosaic. Shishir Mehrotra (00:17:19): It became a product called Google TV. Chromecast, Google TV, Google Home, all comes out of that same group now. So, I showed up to work on that and very quickly in that process realized that this had actually very poor corporate sponsorship as well. In this case, Larry and Sergey thought this product was really, really dumb. I should have known as I was going through the interview process. And so, I told J.R. and I was excited about the project and I said, "Hey, maybe I should talk to Larry and Sergey about that, a bunch of ideas and other stuff if I met them." He's like, "Oh yeah, they're traveling this week." I was like, "Really? Okay." And every time I asked, he was avoiding me talking to them about the project. But, anyway, so I show up to work on that and it's very long story out, but this paper leads to me working on this project. Shishir Mehrotra (00:17:57): And then, just, basically, we decided to merge the project into YouTube. And back in 2008, to a very side door, end up initially running the monetization team and eventually running the rest of the team for YouTube and then spending six years there and growing that business, which was ... At the time, when I joined YouTube, it was the weird stepchild of Google. It was generally thought of as the first bad acquisition that Google made. Until then we had this string of amazing acquisitions led to Maps and Android and all this stuff. YouTube was a weird one, right? It was the, we lost hundreds of millions of dollars a year. It was dogs on skateboards. We had a billion dollar lawsuit from Viacom. Rob Collie (00:18:35): Mark Cuban famously said it's never going to go anywhere. Shishir Mehrotra (00:18:38): I have very fun stories with Mark Cuban. It was two years after I left YouTube where he finally wrote me and said, "Actually, I think you might've been right." He was quite convinced we were wrong about it. But, anyway, so I ended up working on YouTube. I'd never bought or sold an ad in my life, knew nothing about video and an infrastructure guy in the previous career, and ended up working on YouTube for six years. Rob Collie (00:19:02): It's a really interesting thing, right? Sometimes not knowing a lot about an industry or a topic is actually fantastic because you don't bring all the baggage and all the preconceptions. Of course, you can't just go all in on that. If you never know anything about anything, you're just someone wandering around the world with a loud voice. And so, getting the right balance between knowing what you should know and not knowing the things that will throw you off, if we could get that mix right at all times in our lives, we'd be in great shape, but it's tricky, isn't it? Shishir Mehrotra (00:19:32): You've roughly described my career. Almost every job I took was in a space I knew nothing about. And it's a very positive interpretation of this person who has to learn every piece of this. But yeah, I think a beginner's eye allows you to look at a space a little bit differently and it certainly worked out at YouTube. And we were walking the trends of the video industry in every way, how we thought about content, how we thought about monetization, and what is good content? What is not good content? Our views on these things were diametrically opposite of every assumption that had been made by every experienced person in that industry. I think we turned out to be more right than wrong. Rob Collie (00:20:07): Oh my gosh! Yeah. Now, a few things jumped out at me from that story. First of all, if we think about it with the perfection of hindsight, the clarity of hindsight, basically, Google ran this really sick reverse auction for your services where they like, "If you come here now we'll pay you a billion dollars." And you're like, "Hmm, no." Right? And then- Shishir Mehrotra (00:20:30): It wasn't obvious that it was going to be a billion dollars. Rob Collie (00:20:30): I know. Then they call you back a year later and they say, "Okay. Fine. How about 100 million?" And you're like, "Hmm, no." And they finally got it down low enough for you to take the job. I've never met anybody who has a story where you can even joke about a billion dollar mistake. So, I'll never have the opportunity to recruit you, but if I did, now I know how. Shishir Mehrotra (00:20:56): [crosstalk 00:20:56] blowing your offer. That's right. That's right. Rob Collie (00:20:59): And it's got to include the words, just come run this small, little team. Shishir Mehrotra (00:21:03): Yeah. Yeah. I get drawn to projects. I don't get drawn to the rest of it. So far it's worked out okay. But yeah, I get drawn to ideas. I mean, this is really only the fourth company I've ever worked for yet every transition was drawn by some idea that I couldn't stop thinking about. Rob Collie (00:21:17): That idea or position statement, is that in some way, at the beginning, the origin story of the skip button for ads? Shishir Mehrotra (00:21:27): Oh yeah. I mean, the skip button for ads it's now called TrueView. Back to your point on beginner's mind. So, I show up, I've got this idea around the skip button and actually it makes more sense for YouTube than it does for this Google TV thing that we were working on. So, there's totally reasonable outcome. I show up and my first meeting with the sales team, I'm maybe six weeks in, the head of sales, Susie, she says, "Can you come give a talk to sales team and just tell a little bit about your vision for YouTube." And we had a nice ... And I said, "Look, I don't think this is a good idea. I don't know anything about this part of the industry. So, I'm going to make a fool of myself." And she's, "No, no, no. You have got all these great ideas and they're fresh and different and why don't you come talk to them?" Shishir Mehrotra (00:22:04): And I go talk about a bunch of different ideas, and I talk about this one about skip buttons on ads. And one of the salespeople, who I've since become very good friends with, she raises her hand and she says, "Wait, I don't understand. Do you want none of us to make any money?" They thought this was the dumbest idea on the planet. You put a skip button on ads, people are going to hit the skip button. It's like that's what obviously is going to happen. And, basically, the entire sales force rejected this idea. And it took me three years to ship that feature because every person in the sales force thought it was such a dumb idea. I would get told, "You can come talk at the sales conference, but you're not allowed to talk about your stupid skip button idea. You have to talk about everything else." Shishir Mehrotra (00:22:43): And what turned out was ... This is actually another fun story in great product managers. I don't know if you still think of yourself as a PM, but I consider you to be a really strong product manager as well. But this is a story about a guy, Lane Shackleton, who actually now runs product at Coda. So, Lane was a sales guy. He was actually our primary sales guy at YouTube. And he really wanted to be a PM. And at the time, we had this really stupid policy where you weren't allowed to be a product manager at Google unless you had a CS degree. It was just part of the early, early viewpoint the founders had. Rob Collie (00:23:17): So relevant. Shishir Mehrotra (00:23:21): Right. So, you commiserate with this a lot. So, Lane comes to me and says, "I want to be a PM. How do I do it?" And I said, "Hey, look, I mean, I love you and I think you could do a great job but I've got this policy. And I got to make a really strong case if I'm going to get over the policy." And he said, "How about I just do it on the side? Do it as a trial run." He gave me an idea. I said, "Okay, I'll make a deal with you. I'll let you try to be a PM, but you have to do it in your 20% time. And not in your 80-20% time, but you got to do a great job of your sales job and then you do this part. And the second criteria is you take whatever project I give you." Shishir Mehrotra (00:23:52): And he said, "All right, deal. What's the project?" I said, "Okay, I want you to work on this thing called skippable ads." And I said, "Look, the sales team thinks it's really dumb because the way that the division work, the engineering leader was like, "I'm not allocating stuff that the sales team thinks is dumb. And so, I can give you one engineer who is a new grad and that's it." But I have a playbook for you. I think you need to go and you just go talk to the AdWords team and get this thing out of the buying experience and then work on this with the analytics and figure just these couple pieces out. And we'll be able to ship this thing and we'll slowly build up the business. It'll be fine." Shishir Mehrotra (00:24:23): And so, he goes away and he comes back a couple of weeks later for his update. And I said, "Oh, how's it going? Did you talk to the AdWords team?" And he said, "No, actually, I decided that's not the problem here." And I said, "What do you mean? That was your job. Go talk to those different people." And he says, "Well, I've been thinking about it and I think the real problem here is the name is wrong." I was like, "The name? What are you talking about? We'll name this thing later. This is not that important." And he says, "No, no, I think the problem is that skippable ad is a value proposition to an end user but who buys advertising? The advertiser buys advertising. Skippable is actually a really poor value proposition to the advertiser. Why would I want my ad to be skipped? Right? And so, the reason you're hearing so much negative reaction if people don't understand why it's helpful to the advertiser." Shishir Mehrotra (00:25:06): And so then he came up with this idea and said, "Why don't we name it TrueView?" And I'm skipping a whole bunch of parts in the story, but we call it TrueView. That's what the ad for one is actually called. You have no idea what ads are called, right? Oh, there's ads on Google. Nobody knows [crosstalk 00:25:18] from AdWord. Rob Collie (00:25:18): Yeah. It's not a feature. Yeah. Shishir Mehrotra (00:25:19): But what's a sponsored story? And you don't know any of that stuff. You just know it's an ad. And he said, "So, let's focus on the advertising." Came up with this name TrueView. And the idea is very simple is you only pay per true views. You don't pay for the junk, you only pay for the real ones. Right? And all of a sudden this thing went from being, I'm not allowed to talk about it at sales conferences to the number one thing on the entire sales force [inaudible 00:25:42] all of Google. Beyond anything the average team was working on. Shishir Mehrotra (00:25:45): And it was such a simple idea. And, by the way, the way the math works is very simple, it's most people do skip the ad. It's about 80% skip rates on those ads. So, four out of five times you see an ad, you probably have a skip button, but it turns out that the 20% of the time you don't is such high signal and so effective an ad that you can often charge something like 20 times as much for that view. And so, what you end up with is you end up with you just take that math and say, [inaudible 00:26:09] four times better monetization with a skippable ad than without a skippable ad. Shishir Mehrotra (00:26:13): It was not obvious that advertisers would be willing to pay that much more if they know you actually watched the ad but when you start ... But this is a good example, again, a beginner's mind and, Lane, I mean, this is one of his ... So, I've managed to convince the calibration committees and so on and turned to a product manager and turned into a great product manager. He joined me early on at Coda and now runs the product and design team here. Great example of coming fresh to a new problem. Rob Collie (00:26:36): Yeah. Well, if only he'd had a computer science degree, that idea would have been so much smarter. You know? Shishir Mehrotra (00:26:43): Yeah. The crazy part, this is one of the most technical guys I know and he's like, "I don't understand. I write this stuff on the side. Why do I need a stupid degree for that?" Right? Rob Collie (00:26:53): I know. There was one time in my first three years at Microsoft where I used one piece of my computer science education, one time. I used O notation to prove that we shouldn't do it a certain way. And when I got my way after using O notation, it's like, "This is an O of N squared algorithm." I got to run around the hallways chanting, like, "Whoa, look, my education, it worked. It worked. It worked." And that was the only time I ever used any of that. So, no, that's a silly policy. Shishir Mehrotra (00:27:25): Yeah. It was funny, when I was going to college, my parents were both computer scientists and I was one of those kids who grew up with a ... I never knew what I wanted to be. One week I was going to be a lawyer, then I was going to be a doctor, then I was going to be a scary period for my mom where I really wanted to be a taxi driver. I went through all the different periods. And then, I'm filling out my college applications and it says like, "What do you want to major in?" And I said, "Oh, I think I'll write down CS." I was into computers at the time and so I write down CS. And my dad says, "If you major in CS, I'm not paying for college." What are you talking about? I thought you'd be really excited. Shishir Mehrotra (00:27:57): That's what you guys do. My dad now runs supercomputing for NASA. I thought this would be pretty exciting for you. And he says, "No, no, no. This is a practitioner's degree. I'm not paying for college unless you major in something where the books are at least 50 years old." And that was the policy. And so, I ended up majoring in math and computer science. And from his perspective, he paid for a math degree and I happened to get the CS degree for free. But his view was that ... Which is true ... Computer science changes so fundamentally every 10 years. Shishir Mehrotra (00:28:22): And my classes the professors often taught out of the book that they're about to publish. The book wasn't even published yet and they're like, "Oh, here's the new way to think about operating systems." And it was totally different than what it was five years ago. I think there's a lot of knowledge in CS degrees but I actually think ... O notation is an example. I used to teach that class at school. That's math. That's not CS. Rob Collie (00:28:42): I know. Yeah. Yeah. Shishir Mehrotra (00:28:44): It's a very good way to think about isotonic functions but the actual CS knowledge is all but relevant by the time you graduate. Rob Collie (00:28:51): One thing that you said to me about your time at YouTube that stuck with me years, years, years, years later is that here we are at the tip of the spear, the head of this giant organization and YouTube eventually became giant, and with all this amazing machine learning and just so much algorithmic, not even complexity, but also just we don't even know what it's doing anymore. It's so sophisticated that we can't even explain why it's making these decisions but they're doing well, and yet every day we get together, we're looking at simple pivot tables and there's these knobs on the sides of these giant algorithmic machines that some human being has to set to, like, "Should we set it to six or seven?" And it's just this judgment call. And I just love that. That was, in a weird way, so reassuring to me that even at the absolute top of the pyramid of the algorithmic world, there's still a need for this other stuff. Shishir Mehrotra (00:29:43): The most fun example of this, backing for a moment, my dad, back to the story of me going into CS. At one point I had asked him, what is artificial intelligence? And he said, "Well, artificial intelligence is this really hard to describe field." I asked, "Why is that?" And he said, "Well, because it's got this characteristic that the moment something works, it's no longer AI." And so, AI is what's left is all the stuff that doesn't work. And so, you can use all these examples of when you have all regressions, it's like, "That's just math. That's not AI. We understand how it works." My favorite example with the kids is when you drive up to the traffic light, how does it know when to turn red and green and so on? Shishir Mehrotra (00:30:19): Oh, there's a sensor there. It just senses the cars there and so then it decides to turn red or green. That's not AI. I know how that works. I can describe it. It's a sensor. And so, we went through, I think, decades of time where the moment something worked, it stopped getting called AI. And then, some point, 10, 15 years ago, I'd say 10, we flipped it. And now, all of a sudden, anything that does math is AI. And it's amazing to me that we would look at some of these systems and it was literally a simple regression and we say, "Oh, that's machine learning." And it became very invoked. I think about it that way. Shishir Mehrotra (00:30:53): I mean, there are some really complicated machine learning techniques and the way our neural network works, which is the heart of how most of these machine learning techniques work is very complicated, but at the heart of what it's doing, it's approximation function for a multi-variable phenomenon. So, the most fun example I can tell you about your observation there is this project called DALS. DALS was an acronym for Dynamic Ad Load System where at the time, on YouTube, the rate at which we showed ads was contractually set. We would go negotiate with the creator and say, "Oh, ESPN, we want your content on YouTube." And we would say, "Look, our policy is we show ads every seven minutes." And they say, "No, our content is so good. We want it every two minutes." Shishir Mehrotra (00:31:32): And then, the Disney folks would have their own number. And so, there is this long line of contractual stuff baked into our ad serving logic that's like, "Oh, it's been two minutes. You have to show an ad." Because they all just thought they knew better of how good their content was. And so, one of the engineers had this idea and said, "This is dumb." We know our intentions are well aligned. Almost all our deals were rev share deals. We made money when the creator made money. And we know whether or not this is a good time to show an ad or not, why don't we turn this into a machine learning system and guess whether or not we should show an ad? So, it's called Dynamic Ad Load System. DALS was its acronym. So, the team goes off and this engineer goes off and builds this thing. Shishir Mehrotra (00:32:08): Lexi was his name. So, Lexi builds this thing and he brings it to one of our staff reviews. Every Friday, we had this meeting of IT staff. That's where we went through all the major stats for the business and including any major experiments that are running. If he brings something in and he says, "All right, before we launch this thing, I'd like to know what our trade-off function." The trade-off function in this case is, how much watch time are you willing to trade off for revenue? These are two primary metrics. At every moment we're going to decide, should we show an ad or not? And we have to make a guess at, "We think if we don't show an ad you'll watch for this much longer, if we do show an ad, there's a chance you'll leave but we'll make this much money. So, what's the number? How much should we trade off?" Shishir Mehrotra (00:32:45): This is a very typical question I would get in this forum. It's impossible to answer, how much would you trade off? Watch time, revenue. And so, I came up with a number and I put a slope on this chart and we decided two for one. I can't remember whether it was two points of watch time for one point of revenue. But whichever way it was, I do a slope and we got a lot of reaction. They're like, "Okay. Great." And they ran away from the room. "Okay. We have a number. We can go do our thing." And so, they come back a few weeks later and say that we're ready to launch. And I said, "Okay, so did you hit the number?" And they said, "Well, actually, we have some interesting news for you. Turns out in our first tuning of the system, we actually have a tuning that is positive on both watch time and revenue. And somehow by redeploying the system, we make more money and people watch longer." Shishir Mehrotra (00:33:25): And I said, "Really? How does that happen?" And they said, "Well, we don't really know yet, but can we ship because clearly better than your ratio?" And I said, "Well, okay, you can ship but next week I want you to come back and tell me why." And so, next week they come back and I said, "Do you know why?" And they said, "Well, we don't know why, but we have another tuning and it's even better on both watch time and revenue. I was thinking we ship this one." Shishir Mehrotra (00:33:47): I was like, "Okay, but please come back next week." This went on for four weeks. Right? So every week they would come back and they'd say, "Okay, we got this thing. It's even better on both. And we still have no idea why." And, finally, they figured out why. And it turns out that basically what was happening was the system was learning to push ads later in people's sessions. If you watch YouTube for a while, early on, you'll see very little advertising. But if you sit there and watch for hours and hours and hours, the ad frequency will gradually increase with a viewpoint of, this person's not going anywhere. They're committed, which makes intuitive sense, but it wasn't an input that we handed the system. Shishir Mehrotra (00:34:18): And how did we figure that out? The pivot table. I notice that the ... What did we do? We went and charted everything we could out of the experiment group and in our experiment group and we just guessed at what is the way to figure out why is this happening? Because it's not a signal that we were intentionally giving the system, it's just the system got every other signal it could. And we looked at everything. I mean, is it geography? Is it tied to content? Is it age? Is it ... How is it possible that we're showing more ads and people are watching for longer? That story is a lesson in a number of different things. I mean, I think it was a great lesson in how when people think about machine learning systems, they miss this element of ... Any machine learning system is just a function. Shishir Mehrotra (00:34:54): All the ML system does is take a very large set of inputs, apply a function to it and generate an output. Generally, that output is a decision, show an ad, don't show an ad. Self-driving car turn right or turn left. It's some decisions of, is this image a person or an animal? And that system is trained and is trained on a bunch of data. And at some point, somebody, usually fairly low in an organization, makes the tuning decision and says, "I'm willing to accept this much being wrong for this much being right." Generally called precision recall. More layman's term for it is you figured out your false positive rate versus your false negative rate for whatever system you're trying to figure out. But somebody has to make a decision. Shishir Mehrotra (00:35:30): It's usually three tunings, very deep in the system. And then, after that point, the system is unexplainable. You have no idea how this thing works. And so, what do you do then? You go look at a bunch of empirical data of what's happening and try to figure out, "What did I just do? I've got this thing and what's actually happening here?" And you try to figure out, is it doing what you actually want it to do? And all of that is done in fancy pivot tables. Rob Collie (00:35:53): Yeah. It's so funny, the AI, and you've said before, your dad, as soon as it reaches a equilibrium, it's not AI anymore. Shishir Mehrotra (00:36:00): Right. Not anymore. Rob Collie (00:36:02): Now though, it seems like it's a funny thing that you built these systems that then figure things out and they seem to be working great but then they can't turn around and explain to you what they're doing. It's not built to explain. It's just built to do. Shishir Mehrotra (00:36:15): It makes some sense how the human brain works. Why did you do that? I don't know. I just did it. And when you're running a business, that's not an acceptable answer. I need to know why did it go that way instead of ... Why did it turn right? I need to know why. So, you end up with this interesting tuning and then you're constantly looking at charts of output, what is going on here? To try to figure out whether it's working the way you want it. Rob Collie (00:36:34): So, while we're on pivot tables for a moment, go back to your story about skippable ads. This is TrueView. Imagine how much better off we would be as a society if pivot tables had originally been named summary tables. Shishir Mehrotra (00:36:50): Oh man. Rob Collie (00:36:51): You know? That one was blown. Shishir Mehrotra (00:36:53): Yeah. Rob Collie (00:36:54): I actually tried to rename it stupidly. I mean, it was too late. It was way too late. And I fought that battle for way too long. It was a fool's errand to try to rename something that had been in the world for that long but what does it mean to pivot data? No one knows. Shishir Mehrotra (00:37:08): It's now the insider's club handshake. Rob Collie (00:37:12): I know. I know. I think we probably lost half of the people who would have used them just in the name. Shishir Mehrotra (00:37:17): It's interesting you say that because the way we do the equivalence in Coda, we don't use the term pivot at all. We call it grouping. We don't even call it a thing. Right? We don't give it a noun name. We give it a verb name. And it just turns out that grouping a table is a very understandable phenomenon. In Coda, our model of grouping doesn't require aggregates also turns out ... And the reason I don't love the word summary is I actually think most commonly what you want to do is you take a set of records and you say, "I've got a bunch of tasks. Let me sort them by in progress and done." And I still want to be able to see the tasks. And one of the things pivot table, I think screwed up, is that you can't see the tasks anymore. The moment you're in that world ... Rob Collie (00:37:55): Yeah. I agree. But given what was built, the pivot table implementation, right? Summary would have been the killer name, right? Shishir Mehrotra (00:38:02): Would have been a much better name. What would you have named VLOOKUP to? Rob Collie (00:38:05): Oh, I don't know. Pivots is still relevant to me, VLOOKUP not as much. No. But like Bill Gates always pressing for the unification of grouping in Excel with pivots. And we were always like, "Hmm, no." And it became a running joke after a while, he'd be like, "To the extent that you guys on Excel ever do anything that I ask you." That would be his preamble to some of the things he would say to us. Shishir Mehrotra (00:38:33): I mean, I would say, nowadays, people use pivot for lots of things, but for our first year for the customer journey, our grouping feature was definitely the top of the list. And, honestly, there's a bunch of people who, like you said, never really understood pivot tables and could never compare the two, like, "Oh, that makes total sense to me. I drew up a table. That makes total sense." Then two, to show aggregates. Rob Collie (00:38:50): The way you zeroed in on noun versus verb, that actually has come up multiple, multiple times on this show. It's one of my things. My new hires, when they'd come to work for me on the Excel team, I would sit them down and say, "Listen, you are not allowed to introduce nouns into this product. If you want a new noun, you've got to come to me. You got to fight me for it. You can verb all you want." That was hard one knowledge. I was a noun guy coming out of computer science school. Computer science people love them some nouns. Entities. Just say the word entity and you get all gooey inside, but no, it's a verb world. Shishir Mehrotra (00:39:26): I make that specific statement, you can ask my team, all the time. You're going to add a new noun, you got to come through me. I mean, on YouTube, it was interesting because YouTube has three primary nouns, video, channel and playlist. And we spent forever ... For a long time video was the only noun that mattered. And it was a big debate over which one matters more, channel or playlist. And I made the team pick. You got to pick one. We picked channel, which is probably obvious. Playlists are these long forgotten feature of YouTube and channels are now a big deal. But that wasn't always true. Channels actually used to be a very small deal on YouTube. If you go back to what I do in 2008, yeah, you would publish a video, it's like, "A channel, whatever." Totally bit my fingers on this channel, but it has nothing else on it. Shishir Mehrotra (00:40:05): And, nowadays, all people care about on YouTube is like, "This is my channel. How many subscribers I have." And the same way with Coda, we've put a lot of energy into as few nouns as possible. We'd use common language for nouns, only brand the ones that you really, really, really want to brand. Because there are very few branded nouns in Coda. There's lots of incentives in product development that lead to it. In a lot of companies, you get promoted on it. Like, "I invented this thing. It's now Power BI. And it's now this pivot thing." And you get a lot of feedback loop because nouns are distinguishable but it doesn't help your customers. Rob Collie (00:40:37): Even the technology under the hood is screaming at you, "Noun me. Noun me." It's like, I've got this really cool data structure here. It's dying to be surfaced in the ... No, no, don't do that. That's not what we do. We do not surface the technology. That's not what we're here for, but it's a powerful instinct. Really powerful. Okay. So, Coda, that's the next chapter. And that's the next place where we crossed paths. So, I actually realized that it was six years ago. I visited you in the Valley six years ago. And the reason I know it was six years ago is because one of the people who was there in the early days with you, the very beginning. Shishir Mehrotra (00:41:18): They're all still here, but yeah. Rob Collie (00:41:19): Okay. Good. So, got the feel that they will be long-timers. Yeah. It was a tight bunch. It was a tight crew. The two of you were joking to them, "Maybe we should go to Burning Man this year." And I was sitting there thinking to myself, I had been invited that year to a friend's bachelor party. He was going to Burning Man. And I didn't even speak up because I was so terrified of going. I wasn't even sure if I was going to go. Shishir Mehrotra (00:41:42): Did you go? Rob Collie (00:41:42): I did. And that was 2015. So, that's how I know. It was also, I think, the first year that the Warriors had blown up down the NBA scene. So, we were sitting and watching the Warriors annihilate people after we talked. So, six years ago, you were pretty deep into this thing that's now called Coda. It was codename something else at the time that I kept getting wrong. Was it Krypton? Shishir Mehrotra (00:42:03): Krypton. That's right. Rob Collie (00:42:05): But I kept calling it Vulcan. Shishir Mehrotra (00:42:08): The team had such a laugh out of that. Rob Collie (00:42:12): I kept forgetting it was Krypton and calling it Vulcan. So, why don't you explain both to me and to our listeners what the original vision was and how and if that's evolved over time. Shishir Mehrotra (00:42:25): By the way that meeting was, hey, super entertaining. Rob came in and described this as Vulcan as been repeated many times in the story. But it also was super informative because you came and gave a bunch of perspective. I think probably one of the most relevant to our last discussion, one of your most interesting observations that stuck with the team was you described this person and you said, "Hey, I can walk into a room and if I ask them just a couple of questions I can split the room into two groups of people very quickly." You used to call it the data gene. And your questions were, do you know what a VLOOKUP is or do you know what a VLOOKUP is? What a pivot table is? Bad for many of the reasons we just talked about, but for the perspective of understanding how humans are evolving and so on, it was actually quite insightful that these people you just can't keep them away. They will eventually figure these things out. Shishir Mehrotra (00:43:11): And if you have that data gene, you will some point in your life intersect with these things and figure out what they are. The Coda founding story, so I was at YouTube and an old friend of mine, [inaudible 00:43:21] Alex DeNeui, now my co-founder at Coda, he and I have known each other for 20 plus years. We went to college together. And he's part of the founding team at Sintrata as well. Interestingly, we've worked every other job together, which is a fun pattern. So, he had started this company that got acquired by Google and he had just quit. And he was starting a new company and he'd come to me and he said, "Hey, my company's not doing that well. I'm thinking about pivoting to do something different. Can you help me brainstorm a new set of ideas?" So, we started brainstorming mostly about what he should do. Shishir Mehrotra (00:43:49): I was still relatively happy at Google, but I had told him, "If you pick something interesting, I'd be happy to invest or advise or help out in some way." Said this long list of ideas and we started brainstorming and at one point, one of us writes this sentence on the whiteboard, what if anyone can build a doc as powerful as an app? And that sentence ended up becoming the rallying cry for what became Krypton and then Coda. It's a very simple statement but it comes out of two primary observations. One is, I think the world runs on docs not apps. That if you go ask any team how they operate, any business, company person, so on, if you ask them how they operate, they'll immediately rattle off all the different packet software they use. "Oh, we use this thing for CRM and this thing for inventory. And we use this thing for pass tracking and so on." Shishir Mehrotra (00:44:32): And then, if you just sit behind them and watch them work for a day, what do they do all day? They're in documents, spreadsheets, presentations, and some communication tool. That's what they live in. And this first observation was one that was very deeply embedded in us because that's how we ran YouTube. I mean, YouTube, amongst other things was born right in the start of the Google Docs generation. I got the YouTube 2008, Google Docs is just coming out and, as I mentioned, we were the forgotten stepchild of Google, so we were allowed to do whatever we wanted but we could get no help in doing it. And so, we decided, for example, we would run our task management goal-setting process. We didn't like how OKRs worked. Shishir Mehrotra (00:45:09): I actually just published a whole paper on this last week. You can take a look. But we didn't like how OKRs worked. We wanted to do a different way. And so, how do we do it? We do in a big spreadsheet? I ran compensation differently at YouTube. I had this philosophy I call level independent compensation and the Google HR team allowed us to do it, but said, "We're building zero software for it." So, we did it in a network of documents and spreadsheets. One of the most fun example is if you hit flag on a YouTube video, for years, a flag on a YouTube video would show up as a row in a spreadsheet [inaudible 00:45:37] the person's desk. That's how we ran all these systems. We used to get made fun of. People are like, "Oh, look at these people. They're duct taping together documents and spreadsheets to run what became a multi-billion dollar division." I used to say like, "I actually think this is our strategic strength." Shishir Mehrotra (00:45:49): I mean, the reason we can plan so nimbly, the reason I can hire whoever I want, the reason we can adjust our flagging and approval system so quickly is because we didn't purchase some big bulky software to do it, we design it ourselves and turned it into something that then actually met our, at the time, current value system. So, this is observation number one, it's the world runs on docs not app, which is, by the way, not obvious to people but I feel fairly strongly about it. The second observation is that those documents surfaces haven't fundamentally changed in almost 50 years. The running joke at the company is that if Austin Powers popped out of his freezing chamber, he wouldn't know what clothes to wear or what music to listen to, but he could work a document, a spreadsheet, and a presentation just as well as anybody else could. Because everything we're looking at is metaphors that were created by the same people who created WordStar, Harvard Graphics and VisiCalc. Shishir Mehrotra (00:46:39): And we still have almost the exact same metaphor, which just seems crazy to me. In that same period of time, every other piece of software stack is totally different. An operating system from the '70s versus Android and iOS is unrecognizable. Databases, which we thought were pretty fundamental are completely different than they used to be. Things like search engine, social networks, none of these things even existed and yet the way that slide decks are put together, the way you navigate the spreadsheet grid and the way you think about pages and document is exactly the same as it was in the 1970s. Shishir Mehrotra (00:47:10): So, you take the two observations, you stick them together and you say, "Hey, we [inaudible 00:47:13] runs on these docs, not applications." And those surfaces haven't changed in almost 50 years. Something's broken. What if we started from scratch and built an entirely new type of doc based on this observation that what we are actually doing with our docs is a lot closer to what we're doing with applications than not? That was the thesis we started with. I got personally obsessed with it. I couldn't stop thinking about it. And this went from, hey, let me invest, let me help, to I quit Google and went and started but at the time with Krypton and then eventually became Coda. Rob Collie (00:47:44): I'm sure he recruited you at some point by saying, "How about you just come run this small team over here?" Shishir Mehrotra (00:47:48): Yeah. Exactly. Exactly. That's right. Rob Collie (00:47:51): Those are the magic words. Shishir Mehrotra (00:47:52): We won't pay you at all. That's the ... Rob Collie (00:47:54): Something silly that occurred to me is that your Austin Powers metaphor might even be more accurate than you realize. We are now farther away, in terms of time, from the premiere of that '70s show, than that '70s show was from the time it represented. Shishir Mehrotra (00:48:09): I like that. Yeah. Rob Collie (00:48:11): It's crazy. We passed that point six months ago. So, when did Austin Powers the first one come out? Sometime in the '90s? Shishir Mehrotra (00:48:17): Yeah. Rob Collie (00:48:18): Right? And it represented a time probably 35 years before it? Probably 1964, maybe 1999. Right? Shishir Mehrotra (00:48:25): Yeah. Rob Collie (00:48:25): So, we're almost reaching the point where we're close to the Austin Powers movie as Austin Powers was to the time. So, clearly, if we rewind 35 years, we are what? We're in the '80s, right? Shishir Mehrotra (00:48:35): Yeah. Rob Collie (00:48:36): You're right our documents basically look like that. Shishir Mehrotra (00:48:39): Yeah. You and I can probably geek out on this. And I get asked a lot about why did that happen? Lots of industries saw a change. And the database industry is a great example, you wouldn't expect the database industry to change that much. Codd wrote his book in the 1970s that's still the book that every database engineer you can find will have the book up on the shelf for Codd's relational databases, and yet things like OLAP came out and cubes and it turned into a Power BI. I think what happened in the document industry ... Well, two things. Shishir Mehrotra (00:49:05): One, every company that wanted to innovate in that space was a platform company whose primary interest was evangelizing a platform. Microsoft didn't really want to displace Lotus and so on with a new thing, they just wanted people to use Windows. It was very important that it actually be backwards compatible with everything at Soft. The other thing that happened is we live through what I think of as a period where we're beholden to file format. And so, one of my favorite examples is Steve Jobs and Apple. I've met a bunch of people that worked on the early iWork suite. And the iWork suite, Jobs came in with a bunch of new ideas. He's like, "This is dumb. We shouldn't have a spreadsheet that's one big universal grid. We should have a bunch of separate grids that are actually a little closer to tables." Shishir Mehrotra (00:49:45): And so, that's how numbers worked, actually, it's not actually one universal grid, it's a bunch of separate ones. And the way he did it with pages was a little bit different. And then, Keynote, which is probably the most popular of the three is actually different from PowerPoint in those really critical ways and none of the three took off. And why didn't they take off? I mean, Jobs was pretty smart and [inaudible 00:50:02] were pretty good. I think it was really simple reason. If I build something in numbers and then I want to send it to you, I have to assume that you have a copy of numbers and that you run on a Mac and that's not a safe assumption. It hasn't really been a safe assumption for a long time. And then, Google Docs came out. Rob Collie (00:50:16): Which, by the way, is fundamentally what YouTube did for video. Right? Shishir Mehrotra (00:50:19): That's right. Rob Collie (00:50:19): I had all these delivery ... Shishir Mehrotra (00:50:21): Plugin. Rob Collie (00:50:21): ... And Coda and pl ... I couldn't send you a video, trust that you'd be able to watch it. Shishir Mehrotra (00:50:27): And assume you could play. That's right. That's right. I mean, in that case, it was hard to send the videos because- Rob Collie (00:50:32): Yeah. There was a file size problem and there was also a software c

00:00-18:00:Suffer for Good's Seb Zewdie and Danny Simmons chat with Mike Lindsley about the ongoing documentary, 1980 into 1984 Summer Olympic boycotts and decisions made, Seb reliving that awful time, the documentary's impact and more.19:00-35:00:ML goes around college basketball, chats Final Four contenders, the big trio of Gonzaga-Michigan-Baylor and more, plus says most teams could have played more games this season despite the ongoing COVID situation.

Warning: This episode discusses adult themes. Disclaimer: The views expressed do not reflect the policy of Baobulb.org. Wesley Pepper talks to visual artist Iyaba Ibo Mandigo. Hailing from Saint Johns, Antigua Iyaba is a prolific artist and activist. Deeply rooted in the continent, the pan-africanist describes himself as a Storyteller/Painter/Poet/Writer/Artist/Playwright/Fashion Designer/Teacher. Taken from Facebook Social Media Links:Facebook Twitter Insta Ayaba Art What do you think of this episode? Importantly, Wesley set up this podcast as a platform. To talk art, processes and the politics of art and activism. For more podcasts, head over to our website. Or view this episode in your favourite app. Special thanks to Chris Morrow 4 for the theme music.

In this episode, George and Christina welcome special guest Danny Simmons who is a filmmaker and producer and shares with us how he made his recently released, award winning documentary film "Suffer for Good". Dan tells us about how he spent 5 years writing, filming, producing and ultimately releasing this passion project. George and Dan also take a short trip down memory lane reminiscing about some of the projects they have done in the past. Suffer for Good tells the story of Seb Zewdie, an Ethopian boxer whose journey to the 1984 Olympics was derailed by international politics, and follows his journey back to the ring for one more boxing match. It is available at this time on Apple TV, with more distribution in the works. --- Send in a voice message: https://anchor.fm/rightbsideyou/message Support this podcast: https://anchor.fm/rightbsideyou/support

jessica Care moore is the CEO of Moore Black Press, Executive Producer of Black WOMEN Rock!, and founder of the literacy-driven, Jess Care Moore Foundation. An internationally renowned poet, playwright, performance artist and producer, she is the 2013 Alain Locke Award Recipient from the Detroit Institute of Arts. moore is the author of The Words Don’t Fit in My Mouth, The Alphabet Verses The Ghetto, God is Not an American, Sunlight Through Bullet Holes, and a memoir, Love is Not The Enemy. Her poetry has been heard on stages like Carnegie Hall, Lincoln Center and the London Institute of Contemporary Arts. She has performed on every continent. jessica Care moore believes poems belong everywhere and to everyone.Born in Detroit, jessica Care moore first came to national prominence when she won on the legendary “It’s Showtime at the Apollo” competition a record breaking five times in a row. Her searing performance of the poem “Black Statue of Liberty” earned moore several meetings with high profile publishing companies, but in 1997, she paved her own path and launched a publishing company of her own, Moore Black Press. She released her first book, The Words Don’t Fit In My Mouth, and sold more than 20,000 copies. Along with her own work, she proudly published famed poets such Saul Williams, Shariff Simmons, Def Poetry Jam’s co-founder Danny Simmons, NBA player Etan Thomas, Ras Baraka and former Essence Magazine editor Asha Bandele.jessica Care moore’s work is not limited to her own publications. She has been published in several literary collections, including, 44 on 44, (Third World Press, 2011), A Different Image, (U of D Mercy Press, 2004), Abandon Automobile, (WSU Press, 2001), Listen Up! (Random House, 1999), Step Into A World, (Wiley Publishing, 2001), Role Call (Third World Press, 2002), Bum Rush The Page: A Def Poetry Jam (Crown Publishing, 2001). She is the youngest poet published in the Prentice Hall Anthology of African American Women’s Literature, by Valerie Lee, alongside literary greats such as Zora Neale Hurston, Alice Walker, Octavia Butler, Maya Angelou and many others.

Join No Spoiler Reviews’ Mark Esper as as he interviews both director Danny Simmons and star of boxing documentary Suffer For Good, Seb Zewdie.https://nospoilerreviews.com/podcast/For even more online spoiler-free movie reviews and filmmaker interviews also check out the No Spoiler Reviews website.Music credit: 'Time Off' by Spuntic= = = = = = = = = = = = = = = = = = = = = =Support the show (https://www.buymeacoffee.com/nospoilreviews)

In this episode we finish our interview with Meg & Danny Simmons on their journey with foster care. SHOW NOTES: Family Feeding Coaching: If you have a picky eater or struggle with feeding your child, join our 6-week program to help take your family from frustrated to feeding with freedom and grace. To book a free discovery call to learn more, visit https://www.thedoctorandthedietitian.com/nutrition-coaching Healthy Height: Is your child underweight? Has your child's pediatrician recommended using a high-calorie drink to help with their growth? We love Healthy Height's Children's Nutritional Shakes, which have less sugar and a more robust nutritional profile than the competitors. Visit https://www.healthy-height.com/?rfsn=4670708.d30662&utm_source=refersion&utm_medium=affiliate&utm_campaign=4670708.d30662 to shop their products. Use coupon code HH15 at checkout for 15% of your purchase! Ready Set Food: Are you nervous to introduce the common “allergen foods” to your infant? Visit https://shareasale.com/r.cfm?b=1540883&u=2579565&m=81021&urllink=&afftrack= to shop Ready Set Food's amazing program designed by an allergist mom, so you can slowly and safely introduce these foods in a controlled manner.

Please join us Right Now, December 28, 2020 at 11:00AM PST as Director, Producer Danny Simmons, Boxer Seb Zewdie and Actor, Writer Carlos Alfredo, Jr. joins host Ron Brewington on "The Actor's Choice."

The Dialogue with Danny Simmons, Director of the Documentary, Suffer for Good and Ethiopian Boxer & Olympic Boxing Coach, Seb Zewdie was truly amazing. The documentary Suffer For Good is a moving story. The Olympic dreams of Seb Zewdie were crushed after Russia boycotted the 1984 games in LA. This devastated Seb who after took to drinking. Which then led to a vicious near-death stabbing. But thanks to Dr. Rick Hodes, Seb was able to get better and then stay in the United States as a political refugee. In the feature documentary, they follow his journey back in the ring for one more fight. The film finds Seb Zewdie in Los Angeles as a pro boxing and UFC striking coach still haunted by what could have, should have been. This documentary will be legendary in my opinion. Subscribe to our YouTube Channel- The Luis Otero Podcast: Link: https://www.youtube.com/theluisoteropodcast Sponsors/Auspiciadores: Dripsbrew Coffee- Shipping Worldwide Link: https://dripsbrew.com/ Thoughtcloud- CBD Oils/CBD Pre-Roll Joints/CBD Cigarrettes & Capsules Link: https://thoughtcloud.net/ref/luis.otero/ CODE: OTERO Obtain 15% off on your purchase Crowd Cow- Wagyu Beef, Grass Fed Steaks, Pasture Raised Beef, Pastured Chicken, Heritage Pork and more meat you can't find anywhere else delivered right to your door. Link: https://www.crowdcow.com/ CODE: OTERO15 Obtain 15% of on your 1st purchase Brytn Smile- Premium Teeth Whitening Kit Link: https://brytnsmile370.grsm.io/otero CODE: OTERO Obtain 25% off on your purchase of any Brytn Smile- Premium Teeth Whitening Kit Beef Octane- Beef Jerky/Chicken Jerky & Turkey Jerky: Link: https://beefoctane.refersion.com/c/e29169 CODE: OTERO Obtain 10% off on your purchase Follow Suffer For Good Documentary in Social Media: Instagram for Suffer for Good: https://www.instagram.com/sufferforgoodfilm/ Redes Sociales de Luis Otero & Dialogo con Luis Otero: Website: https://www.dialogoconotero.com/ Instagram: http://instagram.com/TheLuisOtero Amazon Podcast: https://music.amazon.com/podcasts/bf532a48-c9a1-4c23-8c3e-a41dd1d0391f/Luis-Otero-Podcast Stitcher: https://www.stitcher.com/podcast/dialogo-con-luis-otero Spotify: https://open.spotify.com/show/6zvf7cAgqDENIaoqHZvqFt iTunes Podcast: https://podcasts.apple.com/us/podcast/dialogo-con-luis-otero/id1475406334 Email: dialogoluisotero@gmail.com --- Send in a voice message: https://anchor.fm/luisoteropodcast/message

Interview w/ "Suffer For Good" director Danny Simmons & MMA/Boxer Seb Zewdie.

Host and KYW Newsradio Community Affairs reporter Cherri Gregg asks the burning questions about the Mayor's proposed budget for Philadelphia. Sharon Pinkenson, executive director for the Greater Philadelphia Film Office, joins Controller Rebecca Rhynhart and Danny Simmons of Rush Philanthropic Arts Foundation. The newsmaker of the week is a Pennsylvania primary. Philadelphia City Commissioner Omar Sabir is guest. The Patriot Homecare Changemaker of the week is the Lupus Foundation, Philadelphia Tri-State Chapter. Chief Executive Officer, Cindy Messerle, discusses their advocacy in covid19 crisis.

What if Visual Studio could help you write better code? Carl and Richard talk to Danny Simmons and Gustavo Soares about Program Synthesis Using Examples - aka, PROSE. PROSE uses machine learning to understand how you are changing your code and finds ways to help with those changes. Originally a part of Microsoft Research, PROSE has moved to the developer division at Microsoft and is part of the Intellicode extensions in Visual Studio. There are also examples and code on GitHub - check it out!Support this podcast at — https://redcircle.com/net-rocks/donations

What if Visual Studio could help you write better code? Carl and Richard talk to Danny Simmons and Gustavo Soares about Program Synthesis Using Examples - aka, PROSE. PROSE uses machine learning to understand how you are changing your code and finds ways to help with those changes. Originally a part of Microsoft Research, PROSE has moved to the developer division at Microsoft and is part of the Intellicode extensions in Visual Studio. There are also examples and code on GitHub - check it out!

Keyboardist and multi-instrumentalist, Jamie Saft is exactly the type of musician we love to talk about here on the Major Scale. He's prolific, and leaves no musical territory unexplored–from rock to punk, and the experimental to all that Jazz. His work with Bernard Purdie, John Zorn, Bad Brains, the Beastie Boys, and Bill Laswell, to name a few, have put Saft into the Musician's Musician club–a very good place to be. His latest efforts have found him in good company with fellow heavyweights Steve Swallow and Bobby Previte, not to mention the incomparable punk icon Iggy Pop on the mic, all of which you'll hear.   Ron Carter you've heard countless times and if you haven't we don't know where you've been. He's a legend–his bass playing provides the pulse and groove of countless classics and infinite samples for hip hop and electronica. He's been name checked and enlisted by everyone from A Tribe Called Quest to Gil Scott-Heron and Miles Davis. He's a leader and an artist with over 2000 sessions under his belt and he continues to this day. He joined us to talk abut one of his recent recordings, The Brown Beatnik Tomes with Def Poetry's Danny Simmons. Curious eardrums will be delighted. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

In this episode, we we bring in the arts and hip hop community, Danny Simmons talks about RUSH ARTS PHILLY and how beginning Def Poetry Jam put many artists including his brother's, Joseph"Rev Run" and Russell Simmons on the map. --- Send in a voice message: https://anchor.fm/everydaywermelaninpodcast/message

I am so excited to introduce you to Noah Smalls! He's a force as an independent curator and we had a very important and special talk regarding how artists can actually enter the art world on their own terms. His mission is to contribute to the ongoing transition of the museum field into one offering broader educational opportunities and expanding social impact.  You can see Noah's work through collaborations with Danny Simmons (another AWDJ guest) and museums all throughout Philadelphia. Hope you enjoy this episode! Connect with us on Insta @jwilliamsesq or sign up for updates and private invites to our free workshops at: jo-na.com     

Danny Simmons is a visual artist and poet. He is Co Founder of Rush Philanthropic Arts Foundation and Co Founder of the award winning series Def Poetry. He currently heads Rush Arts Philadelphia and has a forth coming poetry CD on Blue Note records with Jazz Icon Ron Carter. He lives in Philadelphia.   Kuba Kingdom Philadelphia mural..2018 Kuba Kingdom 60x72 Oil fabric on canvas 2017 Eclipse 30 x40 Oil on paper 2018

Host and KYW Newsradio community affairs reporter Cherri Gregg asks the burning questions about the Pennsylvania Department of Corrections recent policy changes that ban shipment of books to inmates and new processes for mail. Su Ming Yeh, managing attorney at the Pennsylvania Institutional Law Project, Dr. Brian O'Neill, criminal justice radio host and West Chester University associate professor, and Michael Wilson a former juvenile lifer who spent nearly 47 years behind bars discuss various aspects of the new policies. The Newsmaker of the week is Mihir Shah, CEO of UE Life Sciences, the licensee of the technology behind iBreastExam. Finally, the Changemaker of the week is Rush Arts Philadelphia, a non-profit founded by Danny Simmons. Flashpoint airs every Saturday at 9:30pm and Sunday at 8:30am on KYW Newsradio. Subscribe to the Flashpoint Podcast on the Apple Podcast, Radio.com or others apps where you get your podcast by searching "Flashpoint KYW."   See omnystudio.com/policies/listener for privacy information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today we're talking to one of my absolute favorite artists and good friend, Danny Simmons! He shares how he went from a being a social worker to owning a full-on art empire and how you can too. So many gems in this episode!  Daniel “Danny” Simmons, Jr. is an abstract-expressionist painter. Older brother of hip-hop impresario Russell Simmons and rapper Joseph Simmons (“Rev. Run” of Run DMC), he is the founder and Vice Chairman of the Rush Philanthropic Arts Foundation and Rush Arts Gallery. In addition, Simmons converted part of his loft in Brooklyn into the Corridor Gallery. Along with his brother Russell, Simmons established Def Poetry Jam, which has enjoyed long-running success on HBO. In 2004, Simmons published Three Days As The Crow Flies, a fictional account of the 1980’s New York art scene. He has also written a book of artwork and poetry called I Dreamed My People Were Calling But I Couldn’t Find My Way Home. Simmons is the son of Daniel Simmons, Sr., a truant officer and black history professor who also wrote poetry, and Evelyn Simmons, a teacher who painted as a hobby. He earned a degree in social work from New York University and a master’s in public finance from Long Island University. He began painting after he realized how much he hated his job with the Bureau of Child Support. Simmons, an abstract-expressionist painter, has had his work shown nationally. Chase Manhattan Bank, the United Nations, and the Schomburg Center for Black Culture all show his work as part of their collections. He is also an avid collector of African art and comic books. IF you want to connect with Danny check him out on Facebook.  If you want to connect with us check us out on Instagram: @jwilliamsesq & @artistswithoutdayjobs Website: jo-nawilliams.com Facebook: Facebook.com/jwilliamesq & facebook.com/artistswithoutdayjobs  Twitter: @jwilliamsesq  You also check email the show at artistswithoutdayjobs@gmail.com 

GFA221. This guest is our supplier in the e-commerce gladiator series - Para Living Inc, who will give us some insights about the differences in manufacturing in Vietnam vs China. Talking about Vietnam manufacturing is Danny Simmons who was also introduced to us by our last week's guest- Fredrik. The post Vietnam Insights in Product Design & Manufacturing with Danny Simmons appeared first on Global From Asia.

Alix Lambert is an artist, filmmaker, writer and a lot of other things based in Brooklyn, New York. Her feature length documentary The Mark of Cain was nominated for an Independent Spirit Award and aired on Nightline. She went on to produce additional segments of Nightline as well as 7 segments for the PBS series LIFE 360. She has directed and produced two other feature length documentaries; Bayou Blue (made in collaboration with David McMahon) and Mentor. She is currently directing the feature length documentary, Goodbye, Fat Larry. She has directed numerous shorts and music videos including You As You Were for the band Shearwater on Sub Pop Records and the animated short, Tiffany. Alix has written for a number of magazines including Stop Smiling, ArtForum, The LA Weekly, and Filmmaker Magazine, to name a few. She wrote Episode 6, season 3 of Deadwood: “A Rich Find” and was a staff writer and associate producer on John From Cinicinnati. She was also a writer on the video game Syndicate. Alix has exhibited her work in The Venice Biennale, The Museum of Modern Art, The Georges Pompidou Center, and the Kwangju Biennnale, to name a few. She is the author of four books: Mastering The Melon, The Silencing, Russian Prison Tattoos, and Crime. For theater, she has written and directed Crime, USA, which has been staged at Joe’s Pub in NYC, and the Cairns Festival in Australia and Crime, USA, Hartford, which was staged at Real Art Ways. Alix co-founded and is co-artistic director of The Brooklyn International Theater Company (with Nelson George and Danny Simmons). She has conceived of and directed two original series for MOCAtv; Crime: The Animated Series and Ambiance Man. She recently produced a segments for This American Life, and Theory of Everything. She received grants from the NEA, NYFA and The Roberts Foundation. Alix has received residencies and fellowships from: The MacDowell Colony, Headlands, The Studios of Key West, The McColl Center, The MIT Media Lab in Cambridge and was The Booth Tarkington Writer in Residence at Butler University for the 2014-15 school year. She is currently developing her original animated series Prison Zoo. She is also working on an upcoming graphic novel to be released on Hat & Beard Press based on her experiences in courtrooms and her sketches. Brian visited Alix at her Brooklyn home where she is working on her graphic novel and they spoke about crime, technology, the environment, indirock and a lot more.

How does a man go from dealing drugs and working with a motorcycle club to becoming a Chaplain who manages a sober living facility?  Only God can do this.  In this episode Dino and his guest Danny Simmons discuss: 1. The nature of man's evil 2. Drug manufacturing and dealing until age 59 3. Turning point: admitting to his family who he was 4. Being broken 5. Losing a child to a violent man 6. Surrendering to God 7. Learning to forgive 8. Fuelministries.org Danny's Recommended Book A Purpose Driven Life - Rick Warren Disciplines of A Godly Man - Kent Hughes "So if the Son sets you free, you will be free indeed" - James 8:36

As an accomplished artist, poet, philanthropist, and creator of the hit HBO show Def Poetry, Danny Simmons (WSC '78) is always working on a passionate project. We visited him at his home to talk about NYU and hear about some of the projects he is currently working on.

A deeper look at healthcare premiums with a a leading Obamacare critic; are we reigning in the NSA; ProPublica investigates New York's support for indigent addicts; and, Big Apple art for the year 2038 with Danny Simmons and Brian Tate.

Daniel “Danny” Simmons, Jr. is an abstract-expressionist painter. Older brother of hip-hop impressario Russell Simmons and rapper Joseph Simmons (“Reverend Run” of Run DMC), he is the founder and President of the Rush Arts Gallery. In addition, Simmons converted part of his loft in Brooklyn into the Corridor Gallery. Along with his brother Russell, Simmons established Def Poetry Jam, which has enjoyed long-running success on HBO. Simmons is also the founder and Vice-President of the Rush Philanthropic Arts Foundation, a non-profit organization. In 2004, Simmons published Three Days As The Crow Flies, a fictional account of the 1980′s New York art scene. He has also written a book of artwork and poetry called I Dreamed My People Were Calling But I Couldn’t Find My Way Home. Simmons is the son of Daniel Simmons, Sr., a truant officer and black history professor who also wrote poetry, and Evelyn Simmons, a teacher who painted as a hobby. He earned a degree in social work from New York University and a master’s in public finance from Long Island University. He began painting after he realized how much he hated his job with the Bureau of Child Support. Simmons, an abstract-expressionist painter, has had his work shown nationally. Chase Manhattan Bank, the United Nations, and the Schomburg Center for Black Culture all show his work as part of their collections. He is also an avid collector of African art and comic books.

Danny Simmons, a high profile Brooklyn-based artist, shares the essential elements of his creative practice—writing, painting, collecting and, most of all, philanthropy.  Sound Editor: Leonardo Madriz Photos: Mark Blackshear

Join Jaee Logan, Gail Davvis, Ian Isanberg with guests Danny Simmons and newlyweds Nathan Hartswick and Natalie Miller! We are recording live from Wix Lounge in New York City.  An online web design platform for the arts, music, fashion and createive industry, (Wix.Com).

CYHPHAAAA! Poets, Get here early. 10 sign up - 60 sec to flow! CALL IN (646) 716-7994 DANNY SIMMONS, an abstract expressionist painter. Older brother of hip-hop impressario Russell Simmons and rapper Joseph Simmons ("Reverend Run" of Run DMC), Danny is the co-founder and Chairman of Rush Philanthropic Arts Foundation which provides disadvantaged urban youth with arts access and education. Danny created and was the executive producer of HBO Def Poetry Jam! This is a special edition of INDUSTRY MONDAYS in its 3rd season and kicking off this fall with new co-host NASSUNI Not Your Ordinary Poet! We're talking where visual art and poetry meet, can it be good business? Spoken word is hot and definitely on an upturn. Let's explore, create, and collaborate. So what are the opportunities to do business with spoken word? Are the number of full-time poets growing? How do you monetize spoken word, create residual income and opportunities while still keeping integrity of the art form? What can we help create here on INDUSTRY MONDAYS: The Business of Spoken Word. CALL IN (646) 716-7994.

The African History Network Show welcomes back Poet, Jessica Care Moore.  She'll talk about her "Black Women Rock" performance at the upcoming African World Festival in Detroit this weekend and other projects she's working on.  Jessica is an internationally renowned poet/ publisher/ activist/ rock star/ playwright and actor.  She is a five-time Showtime at the Apollo winner; has been featured on hip-hop mega-star, Nas' "Nastradamus" album and was a returning star of Russell Simmon's HBO Series, Def Poetry Jam. After her legendary win on the Apollo stage, Jessica Care Moore was approached by several book publishing companies, but in 1997, she paved her own path and launched a publishing company of her own – Moore Black Press. Which has released her first book; "The Words Don't Fit In My Mouth," and several thousand copies. A few years later, she followed up with her second collection of poetry and essays, "The Alphabet Verses The Ghetto." Moore Black Press proudly published famed poets, Saul Williams and Shariff Simmons; Def Poetry Jam's co-founder, Danny Simmons, NBA basket-ball player, Etan Thomas, activist and poet, Ras Baraka and former Essence Magazine editor and author, Asha Bandele.   We'll also do an update on the North Carolina Eugenics case and Abayomi Azikiwe of The Pan African Newswire will talk about the famine going on in Somalia and more.   The African History Network Show can be heard on Mondays and Thursdays, 8pm - 11pm EST.  For more information please visit www.AfricanHistoryNetwork.com or Call In and listen at 914-338-1375.

Michael Maslansky on voters’ gut reactions to ads. Then, Karina Alexanyan and John Kelly of Morningside Analytics map the Russian blogosphere. Finally, Brian Tate and Danny Simmons on the emerging artist competition Curate NYC.

Entity Framework v1 has shipped! Carl and Richard talk to Danny Simmons about it.Support this podcast at — https://redcircle.com/net-rocks/donations