Podcast appearances and mentions of Lena Olin

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture We recently reviewed Christopher Nolan's "The Dark Knight," a film that many feel should've been part of the Best Picture lineup in 2008. So, it only makes sense that, as Nolan is once again getting his revenge with another new film in theaters, we revisit the film that was widely seen as the one that took his masterpiece out of the lineup, and that's "The Reader," starring Kate Winslet, Ralph Fiennes, David Kross, Lena Olin & Bruno Ganz. Directed by Stephen Daldry and written by David Hare based on the novel "Der Vorleser" by Bernhard Schlink, this Holocaust drama has become the poster child for the term "Oscar bait" in the years since its release (and was widely seen as such then) as it saw Winslet in another awards magnet performance that the Academy finally decided to give her an Oscar for, produced and pushed by Harvey Weinstein at the height of his powers, the film has not aged well to say the least, certainly compared to the other films it beat out that Oscar season for major nominations including Best Picture, Best Director, Best Cinematography and Best Adapted Screenplay. What did we think of it? Please tune in as Nadia Dalimonte, Dan Bayer, Amy Kim, Will Mavity, and I talk about the film's screenplay, Winslet's performance, Daldry's direction, the score, the cinematography, its awards season run, and more in our SPOILER-FILLED review. Please check out our past reviews for "Frost/Nixon," "Doubt," "Changeling," "Revolutionary Road," "WALL-E, "Milk," and "The Dark Knight." We appreciate your support and hope you enjoy our review! https://youtu.be/mZmWKG8JSFg Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

John Dahl's The Last Seduction Continuing with an idea that we started a few episodes back focusing on Lena Olin in Romeo is Bleeding, this week Mr. Chavez & I take a look at an overlooked neo-noir, erotic thriller from 1994 featuring a stand-out performance from Linda Fiorentino. Our basic idea is the difficulty of casting "dangerous and strong" female characters with intimidating and daring actresses. So, why was Linda Fiorentino - an intelligentl and overpowering actor - not given the opportunities to break big? In John Dahl's cult classic, The Last Seduction, audiences were never given the chance to watch a performance that defied the narrative conventions of redemption, nurturing, or karmic comeuppance that is standard in Hollywood films. Fiorentino gives a performance that ranks with the great femme fatales of cinema including: Barbara Stanwyck (Double Indemnity), Johan Bennet (The Woman in the Window), Marie Windsor (The Killing) and Ann Savage (Detour). As Bridget Gregory/Wendy Kroy, Fiorentino is a sexual force without any apologies or sense of regret. It's a performance Fiorentino fully dives into with equal parts sex appeal, intelligence, and danger. Featuring Peter Berg, Bill Pullman, and classic character villain, J.T. Walsh, Fiorentino is a lesson in femme fatale  manipulation. Take a listen and let us know if you agree. As always we can be reached at gondoramos@yahoo.com - Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.  

Peter Medak's Romeo is Bleeding  In the 1990s low-budget studio films on the periphery (in this case Polygram Filmed Entertainment) were being made with casts that - in some cases - would become mainstream stars throughtout the decade and the upcoming milennium.  1993s Peter Medak directed Romeo is Bleeding, is an under-watched, hidden gem with a cast that almost defines the 1990s - Gary Oldman, Annabella Sciorra, Roy Schreider, Juliette Lewis, Michael Wincott, and the brilliant, Lena Olin. A New York set Neo-Noir that explodes beyond the Hayes Code limits of the genre, Medak's film is a platform for a darkness of material that is rarely seen in mainstream Hollwyood. Building on a violent and highly sexualized narrative that reminds today's viewer and expands on the memories of late 80s/early 90s Cinemax Erotic Thrillers (as well as Sharon Stone and Basic Instinct), Romeo is Bleeding is a showcase for Oldman's burnt-out, self-destructive cop, Jack Grimaldi, and Lena Olin's daring, highly sexualized, and dangerous, femme fatale, Mona Demarkov. This week Mr. Chavez and I discuss the brilliance of these two performances and the film that underserves their talents. We dive into what the film gets right and how a better director (in our opinions, Paul Schrader) may have produced a masterpiece. Take a listen and let us know what you think. As always we can be reached at gondoramos@yahoo.com - Our Continued Love & Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Snowed in, chili on the stove, and toxic romance on the screen. This week on the Binge-Watchers Podcast, Johnny Spoiler dives headfirst into Romeo Is Bleeding (1993), the sleazy neo-noir crime thriller starring Gary Oldman, Lena Olin, and Roy Scheider—a movie where everyone betrays everyone and nobody gets out clean.Before the blood hits the subway tiles, Johnny rants about hating snow, surviving real-life blizzards, bikini porch dives, and why small victories matter when winter tries to kill you. Then it's Home Video Headlines, including Dragon Ball Super news, DCU Batman rumors, a possible Darkman sequel, and three essential dead-of-winter thrillers: Wind Chill, The Last Winter, and Dead of Winter.The main event breaks down Romeo Is Bleeding—a corrupt NYC cop seduced by a ruthless Moscow crime boss—with behind-the-scenes facts, Tom Waits trivia, brutal mob moments, courtroom chaos, and why Lena Olin's Mona feels like a loaded gun aimed at the audience for the entire runtime. We talk broken ribs, real stunts, moral emptiness, and why this movie insists that redemption is a lie life doesn't care about.Johnny wraps it up with favorite bits, a Binge Later rating, unfiltered He-Man discourse, staff picks (Code 3, not The Smashing Machine), and a closing that legally has to reference Closing Time.If you love neo-noir thrillers, Gary Oldman performances, toxic romance movies, mob betrayals, and dark 90s crime films that feel like they hate you personally—this episode is for you.Get Meatzy https://tr.ee/GetMeatzyJohnnyDrink Olipop use code BWPOD https://tr.ee/PopJohnny

In this heartfelt episode of The Neil Haley Show, host Neil Haley sits down with legendary actor Robert Wagner to discuss his latest book, "I Loved Her in the Movies: Memories of Hollywood's Legendary Actresses." Robert Wagner, best known for his long-running television series Hart to Hart alongside Stephanie Powers, reflects on his remarkable career spanning decades and the extraordinary women who shaped his journey in Hollywood. Wagner shares intimate insights into what made these leading ladies so special and why he felt compelled to honor their contributions to cinema and his life.Robert Wagner opens up about the collaborative process behind his book, working closely with co-author Scott Eyman to capture the essence of Hollywood's most iconic actresses. He discusses the incredible range of talent he worked with throughout his career, from Audrey Hepburn and Bette Davis to Faye Dunaway, Ethan Hawke, and Lena Olin. Wagner emphasizes that these women weren't just talented performers—they were consummate professionals who brought unparalleled energy and dedication to every set. He candidly acknowledges the unique challenges actresses faced, balancing the demands of their craft with personal lives, relationships, and families, often sacrificing more than their male counterparts to achieve excellence in their profession.Throughout the conversation, Robert Wagner reveals his approach to acting and working with leading ladies: remaining completely open, listening intently, and staying present in the moment rather than arriving with preconceived notions. He describes how these actresses became invaluable collaborators who supported him through long shooting days and multiple takes, creating an atmosphere of mutual respect and artistic excellence. Wagner's philosophy of being vulnerable and empathetic with his co-stars allowed him to build genuine connections that translated into compelling on-screen chemistry and performances that have stood the test of time.

"A wild, unhinged romp": Annie Murphy and Murray Bartlett talk 'Nine Perfect Strangers' Kiwis will be able to experience the drama as ‘Nine Perfect Strangers' returns for a second season. Nicole Kidman's Masha Dmitrichenko has invited a new cast of characters to join a transformational wellness retreat in the Austrian Alps, pushing them to the brink over the course of a week. Annie Murphy and Murray Bartlett are among the cast, playing alongside Henry Golding, Lena Olin, Christine Baranski, Lucas Englander, King Princess, Dolly de Leon, Maisie Richardson-Sellers, Mark Strong, Aras Aydin, and of course, Nicole Kidman. For Murphy, the ensemble nature was a huge draw, telling Mike Hosking she was thrilled by the prospect. “We were there for six months Munich, with a whole bunch of really talented, really theatre, dorky actors... I was thrilled.” Bartlett was also excited to be a part of the show, having watched and “devoured” the first season. Season 2 will be releasing on May 22nd worldwide on Amazon Prime. LISTEN ABOVE See omnystudio.com/listener for privacy information.

RMR 0336: Special Guest, Rebecca Davis, joins your hosts, Bryan Frye, Russell Guest for the Retro Movie Roundtable as they revisit Queen of the Damned (2002) [R] Genre: Horror, Mystery, Fantasy   Starring: Stuart Townsend, Marguerite Moreau, Aaliyah, Vincent Perez, Paul McGann, Lena Olin, Christian Manon, Claudia Black, Bruce Spence, Matthew Newton, Tiriel Mora Megan Cooper, Johnathan Devoy, Robert Farnham, Conrad Standish, Young Jesse   Directed by: Michael Rymer Recorded on 2025-09-24

Hollywoodstjärnan Lena Olin är tillbaka på scen i en ny föreställning med sin son Auguste Campbell som regissör. I P4 Extra Gästen berättar Olin om hur samarbetet har fungerat, sin stora kärlek till sina hundar och varför hon är klar med USA. Lyssna på alla avsnitt i Sveriges Radio Play.

Welcome to Sweden was a sitcom that aired from 2014-2015. The series was produced in collaboration between Sweden's TV4 and NBC in the U.S., making it one of the rare cross-Atlantic sitcoms of the 2010s. The show follows Bruce Evans, an American accountant who leaves his career behind in New York to move to Sweden with his Swedish girlfriend, Emma Wiik. Much of the comedy stemmed from Bruce's struggle to adapt to Swedish culture. Welcome to Sweden earned an International Emmy nomination and developed a small cult following, especially among expats and viewers interested in cross-cultural stories. However, ratings in the U.S. struggled, leading NBC to cancel the series during its second season in 2015. Did NBC do the right thing or did they fail to help the show find it's audience? Listen as the S1E1 boys deep dive the show's pilot episode, "Välkommen". Starring: Greg Poehler, Josephine Bornebusch, Lena Olin, Claes Månsson, Christopher Wagelin, Per Svensson, & Amy Poehler www.S1E1POD.com Instagram & X (Twitter): @S1E1POD

In remembrance of the legendary Robert Redford, we're resharing this conversation from 2024 on his extraordinary career and most overlooked performances. Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about the movie star. The person who if you looked up “movie star” in the dictionary there would be a picture of him. Robert Redford!  Today we talk the esteemed career of the quintessential movie star. Our B-Sides include: The Hot Rock, The Great Waldo Pepper, Havana, and The Last Castle. Our guest today is Blake Howard, podcast producer, host, and really good guy. Check out One Heat Minute Productions for everything new and relevant in Blake's world.  We discuss a million things, from why The Hot Rock is so hard to find, to the airplane stunts in The Great Waldo Pepper, to why Havana doesn't work. There's an investigation into the politics of The Last Castle, a brief celebration of Lena Olin, and a quick rave for Jordan Harper's searing short story “My Savage Year.” Additional topics include that upcoming City of Hope release, why Peter Yates is “slow vibes central,” why great screenwriter William Goldman knew why The Great Waldo Pepper underwhelmed at the box office (from his book Adventures in the Screen Trade), and how exactly the A-Side The Natural literally looks like nostalgia. Finally, we mention why Raul Julia didn't take a credit on Havana, we reference that superb Scott Frank New Yorker profile, proclaim ourselves defenders of Hollywood Homicide, and discuss the end of Redford's career.

Skådespelaren Tora Hallström gjorde sin huvudrollsdebut i Hilma af Klint. I P4 Extra berättar hon om hur jobbet i USA nästan förstörde relationen med föräldrarna, Lasse Hallström och Lena Olin, och om att vara vittne till ett terrordåd. Lyssna på alla avsnitt i Sveriges Radio Play.

Kiwis will be able to experience the drama as ‘Nine Perfect Strangers' returns for a second season. Nicole Kidman's Masha Dmitrichenko has invited a new cast of characters to join a transformational wellness retreat in the Austrian Alps, pushing them to the brink over the course of a week. Annie Murphy and Murray Bartlett are among the cast, playing alongside Henry Golding, Lena Olin, Christine Baranski, Lucas Englander, King Princess, Dolly de Leon, Maisie Richardson-Sellers, Mark Strong, Aras Aydin, and of course, Nicole Kidman. For Murphy, the ensemble nature was a huge draw, telling Mike Hosking she was thrilled by the prospect. “We were there for six months Munich, with a whole bunch of really talented, really theatre, dorky actors... I was thrilled.” Bartlett was also excited to be a part of the show, having watched and “devoured” the first season. Season 2 will be releasing on May 22nd worldwide on Amazon Prime. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Soju from the Straight Chilling podcast joins Caitlin to cover 1999's The Ninth Gate. We talk about esoteric occult knowledge, sexy satanism, and the high stakes, dangerous world of rare book dealing. Tangents include: collections, smoking, acknowledgements, book clubs, ice cream, ouija boards, and Disney. 

This week, Roy Scheider appears as a mob boss alongside Gary Oldman, Juliette Lewis, Lena Olin, Annabella Sciorra, and more in a movie that was so despised that Jon Bon Jovi wrote a song for it and then refused to let the producers use it - it's time for ROMEO IS BLEEDING!

Movie recommendations or comments for us? Text us here!We're watching Upgraded this week on Amazon Prime. After a fortuitous upgrade to first class on a transatlantic flight, art auction house intern Ana finds herself seated next to a handsome and interesting young man on the plane. Certain she's never going to see him again after the flight, Ana doesn't correct the man when he assumes she's the director of the auction house. What could possibly go wrong?Upgraded stars Camila Mendes, Archie Renaux, Marisa Tomei, Lena Olin and Anthony Head.Email us at MadeMePodcast@gmail.comFind us on:Facebook: www.facebook.com/MadeMePodcastInstagram: https://www.instagram.com/myhusbandmademedoit/ Podcast artwork by Anna Eggleton of Treehouse Lettering & Design: https://www.treehouseletteringanddesign.com/

It's a bird! It's a plane! It's three guys getting their butts kicked throughout Champion City! Mike and Tristin talk about the 1999 superhero parody Mystery MenDirectorKinka UsherProducerLawrence Gordon, Lloyd Levin, Mike RichardsonScreenwriterBob Burden, Neil CuthbertDistributorUniversal PicturesProduction CoLawrence Gordon Productions, Dark Horse EntertainmentRatingPG-13GenreFantasy, Comedy, ActionOriginal LanguageEnglishRelease Date (Theaters)Aug 6, 1999Budget$68,000,000 (estimated)Gross US & Canada$29,762,011Opening weekend US & Canada$10,017,865Aug 8, 1999Gross worldwide$33,461,746Starring Ben Stiller,Hank Azaria, Claire Forlani, Janeane Garofalo, Suzy Eddie Izzard, Greg Kinnear, William H. Macy, Kel Mitchell, Lena Olin, Paul Reubens, Geoffrey Rush, Wes Studi, Tom Waits

LEGENDARY TV ACTRESS STEFANI POWERS STEFANI POWERS BIO Biography Stefanie Powers began her career as a teenager dancing for the Michele Paniaff Ballet Company and Jerome Robbins. At 16 she was put under contract to Columbia Pictures in the twilight of the Hollywood Studio System where she made 15 motion pictures and was loaned to United Artists for the John Wayne production of [error]. MGM Television bought her contract from Columbia to present her as The Girl from U.N.C.L.E. (1966). Her television credits include over 200 guest appearances, 18 mini-series and 2 more weekly series, The Feather and Father Gang (1976) and the long-running Hart to Hart (1979). Her long career has included appearances on the stage beginning in 1964 with "Under the Yum Yum Tree" in San Francisco which ran for 12 years after its initial opening. She has appeared on and off Broadway in musical shows and tributes; in the West End in the musical, "Matador" and "Love Letters". Appearances on the British stage included "The King and I", "The Adjustment" and "84 Charing Cross Road." Her stage appearances in the United States include "Annie Get Your Gun", "Oliver", "Applause" (the revival), "Sunset Boulevard" and "Gotta Dance" directed by Jerry Mitchell. In 2018 she appeared in the film The Artist's Wife (2019) with Lena Olin and Bruce Dern and a revival in London of "84 Charing Cross Road." She has an active life in wildlife conservation and is the creator of the William Holden Wildlife Foundation, formed after the death of her long-time life partner William Holden. In that vein she has received numerous fellowships and awards for her tireless field work in conservation and is a faculty member of the Oxford Literary Festival at Christ Church College at Oxford where she heads forums with authors of outstanding books dealing with the crucial environmental issues of our day. She's been on the boards of four zoos in North America and is an independent board member of a cluster of 3 mutual funds which are a part of the American Funds, one of the largest mutual funds families in the world. She presented the PBS 13 part series, "Funding Your Dreams" as a road map for women contemplating investment options. As a member of the Writers' Guild of America she was nominated for her script of "Family Secrets", received five Emmy nominations for acting roles and a People's Choice Award. She resides in Los Angeles, London and Kenya. - IMDb Mini Biography By: Stefanie Powers  

Amy Frost is back to talk about another of her favorite movies, 2000's Chocolat. Starring Juliette Binoche, Judi Dench, Alfred Molina, and Lena Olin. Nominated for 5 Academy Awards (Including Best Picture) it's the story of Vianne and her daughter Anouk, and how they ignite passion and life in a small French village with chocolate. But it's much more than that? What else you might ask? Let's find out...Amy has a podcast called Achewillow, and her and JF Dubeau (who writes the story) are turning season 1 of that show in to a physical print book! Help them make it a reality by going to www.achewillow.com/book and preorder a copy today! They need 750 pre orders by October 31st!Thanks go out to Audie Norman (@TheAudieNorman) for the album art. Outro music In Pursuit provided by Purple-Planet.comSupport the show by going to patreon.com/wyhsVisit tvstravis.com for more shows and projects from TVsTravis Hosted on Acast. See acast.com/privacy for more information.

What a doozy this week. We can't really be funny here. The story of Sir Nicholas Winton is simply a story that needs to be told. Hopefully this film and (in our own little way) our podcast covering it will bring more eyes to this part of history. Don't worry, we're as dumb as usual in the episode proper! Next week: back to the list with... a documentary! Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com   Full List: https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) One Life stars Anthony Hopkins, Johnny Flynn, Lena Olin, Helena Bonham Carter, Romola Garai, Alex Sharp, Samantha Spiro and Jonathan Pryce; directed by James Hawes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chae Tate, Dorian Price and Mark Radulich review movies currently on streaming services and in theaters: Tank Girl/Mystery Men/Rocketeer Movie Review! First up is Tank Girl (1995). Then we move on to Mystery Men (1999). Finally we review The Rocketeer (1991).Tank Girl is a 1995 American post-apocalyptic science fiction film directed by Rachel Talalay and written by Tedi Sarafian. Based on the British comics series created by Jamie Hewlett and Alan Martin, the film stars Lori Petty, Naomi Watts, Ice-T, and Malcolm McDowell. Set in a drought ravaged Australia years after a catastrophic impact event, it follows the antihero Tank Girl (Petty) as she, Jet Girl (Watts), and genetically modified supersoldiers called the Rippers fight Water & Power, an oppressive corporation led by Kesslee (McDowell).Mystery Men is a 1999 American superhero comedy film directed by Kinka Usher (in his feature-length directorial debut), written by Neil Cuthbert, loosely based on Bob Burden's Flaming Carrot Comics, starring Ben Stiller, Hank Azaria, William H. Macy, Greg Kinnear, Claire Forlani, Kel Mitchell, Paul Reubens, Janeane Garofalo, Wes Studi, Geoffrey Rush, Lena Olin, Eddie Izzard, and Tom Waits. The film details the story of a team of lesser superheroes with unimpressive powers who are required to save the day from a criminal genius when Champion City's resident superhero gets captured.The Rocketeer (released internationally as The Adventures of the Rocketeer) is a 1991 American superhero film from Walt Disney Pictures and Touchstone Pictures. It was produced by Charles Gordon, Lawrence Gordon, and Lloyd Levin, directed by Joe Johnston, and stars Billy Campbell, Jennifer Connelly, Alan Arkin, Timothy Dalton, Paul Sorvino, and Tiny Ron Taylor. It is based on the character of the same name created by comic book artist and writer Dave Stevens.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

WELCOME BACK TO PURGATORY!!!! This week the boys talk about a little underrated horror/satanic film The Ninth Gate from 1999 adapted from the novel The Club Dumas(1993) By Arturo Perez Reverte.  The film stars Johnny Depp, Frank Langella, Lena Olin, Emmanuelle Seigner, Barbara Jefford, Jack Taylor, Jose Lopez Rodero, Tony Amoni and James Russo.   Thanks for checkin us out, if you'd like to find our back catalog go to Podbean.com   Intro & Outro music from The Ninth Gate soundtrack conducted and composed by the great Wojciech Kilar Intro "The opening titles"  https://youtu.be/-TsWxZ_i0Nk?si=e3YvCrfyCAAM0R8g Outro "Stalking Corso"  https://youtu.be/H9q4PjVi088?si=HCV5I5nnaxBmYpbc  

Jack Grimaldi, flic corrompu, tombe dans les filets de Mona DeMarkov, un des pontes de la mafia, qui l'entraine dans une course sordide et infernale ou se melent sexe, violence et perversion.Dans cet épisode de STEROIDS - LE PODCAST, Stéphane Moïssakis invite Rafik Djoumi à discuter du cinéma néo-noir des années 90, et notamment de cet excellent ROMEO IS BLEEDING réalisé par Peter Medak et quelque peu oublié aujourd'hui. Il y a pourtant de beaux restes dans ce film policier porté par les performances de Gary Oldman, Annabella Sciorra et la vénéneuse Lena Olin. À redécouvrir !Pour nous soutenir, il y a deux adresses.KISS KISS BANK BANK : https://www.kisskissbankbank.com/fr/projects/capturemagTIPEEE : https://www.tipeee.com/capture-magNotre prochain magazine consacré au regretté William Friedkin est en précommande jusqu'au 7 mars :https://www.kisskissbankbank.com/fr/projects/capturemag-01-williamfriedkinPour acheter notre livre CAPTURE MAG 2012-2022 : NOTRE DÉCENNIE DE CINÉMA, rendez-vous chez votre libraire ou site marchand.Akileos : https://bit.ly/CapMookLibrairies indépendantes : https://bit.ly/AchTMookRetrouvez toutes nos émissions sur http://www.capturemag.frEn MP3 sur Acast : https://bit.ly/3v6ee7sSur SPOTIFY : https://spoti.fi/3PJYnF3Sur DEEZER : https://bit.ly/2wtDauUSur APPLE podcasts : https://apple.co/2UW3AyOSur Google Podcasts : https://bit.ly/39W69oR#garyoldman #juliettelewis #royscheider Podcasts exclusifs et anticipés Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

It's Steve's Birthday Month and we are talking 90s Nostalgia! Embark on a journey into the eccentric realm of "Mystery Men" with Noel K. in this episode of Hey, Did You See This One? Uncover the superhero spoof's unique humor and unconventional heroes with insightful commentary and witty banter! Please remember to like, comment, subscribe and click that notification bell for all our updates! It really helps us out! Starring: Hank Azaria, Claire Forlani, Janeane Garofalo, Eddie Izzard, Greg Kinnear, William H. Macy, Kel Mitchell, Lena Olin, Paul Reubens, Geoffrey Rush, Ben Stiller, Wes Studi & Tom Waits Directed By: Kinka Usher Synopsis: Champion City already has a superhero, the appropriately named Captain Amazing (Greg Kinnear), but that doesn't deter the city's seven quirky amateur crime-fighters, who use the Captain's capture at the hands of villain Casanova Frankenstein (Geoffrey Rush) as motivation to prove themselves. The only problem is that their strange powers -- silverware hurling, bowling, shovel skills, incompetent invisibility and deadly flatulence -- aren't doing them any favors. Watch LIVE at: https://www.twitch.tv/heydidyouseethisone every Thursday at 8 PM EST Audio version of the show: Spotify - https://podcasters.spotify.com/pod/show/heydidyouseethisone Apple Podcasts - https://podcasts.apple.com/us/podcast/hey-did-you-see-this-one/id1712934175 YouTube Audio Podcast: https://youtube.com/playlist?list=PLD6BOSx2RcKuP4TogMPKXRMCxqfh5k9IU&si=umIaVrghJdJEu2AR #MysteryMen #SuperheroSpoof #ComedyMovies #1990sCinema #FilmDiscussion #MovieReview #NoelK #HeyDidYouSeeThisOne #CultClassic #FilmAnalysis --- Send in a voice message: https://podcasters.spotify.com/pod/show/heydidyouseethisone/message

Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about the movie star. The person who if you looked up “movie star” in the dictionary there would be a picture of him. Robert Redford!  Today we talk the esteemed career of the quintessential movie star. Our B-Sides include: The Hot Rock, The Great Waldo Pepper, Havana, and The Last Castle. Our guest today is Blake Howard, podcast producer, host, and really good guy. Check out One Heat Minute Productions for everything new and relevant in Blake's world.  We discuss a million things, from why The Hot Rock is so hard to find, to the airplane stunts in The Great Waldo Pepper, to why Havana doesn't work. There's an investigation into the politics of The Last Castle, a brief celebration of Lena Olin, and a quick rave for Jordan Harper's searing short story “My Savage Year.” Additional topics include that upcoming City of Hope release, why Peter Yates is “slow vibes central,” why great screenwriter William Goldman knew why The Great Waldo Pepper underwhelmed at the box office (from his book Adventures in the Screen Trade), and how exactly the A-Side The Natural literally looks like nostalgia. Finally, we mention why Raul Julia didn't take a credit on Havana, we reference that superb Scott Frank New Yorker profile, proclaim ourselves defenders of Hollywood Homicide, and discuss the end of Redford's career. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. 

Welcome Back! Sean and Claude took a little Spring Break and we hope you were able to do the same. For our 70th episode, we take a peek at two films that involve couples dealing with life on the other side of the Iron Curtain. Part One features The Unbearable Lightness of Being, directed by Philip Kaufman and starring Daniel Day-Lewis, Juliette Binoche and Lena Olin. In this film we have a couple who find themselves going from the Prague Spring to the Soviet invasion of Czechoslovakia and the events afterward. How they deal with life, love and the things that are thrown their way, you'll find quite touching. In Part Two, we'll look at a rather star-crossed couple that finds itself on opposite sides of many different lines, in 2018's Cold War. --- Support this podcast: https://podcasters.spotify.com/pod/show/wordsandmovies/support

For this "Quick Screen" episode, Michael checked out the brand new theatrical film "One Life". What are some of his thoughts on this dramatic film based on a true story of the life of Sir Nicholas Winton starring Anthony Hopkins, Johnny Flynn, Lena Olin, Romola Garai, Alex Sharp, Jonathan Pryce, and Helena Bonham Carter? Check it out and see! Be a part of the conversation! E-mail the show at screennerdspodcast@gmail.com Follow the show on Twitter @screennerdspod Like the show on Facebook (Search for Screen Nerds Podcast and find the page there) Follow the show on Instagram and Threads just search screennerdspodcast Check out the show on Bluesky just search screennerdspodcast Be sure to check out the podcast on Apple Podcasts, Spotify, Goodpods, Overcast, Amazon Music or your podcast catcher of choice! (and please share rate and review!) Want to be a guest or share your thoughts on the podcast? Send me an e-mail! Thanks to Frankie Creel for the artwork --- Send in a voice message: https://podcasters.spotify.com/pod/show/screennerdspodcast/message

We're coming at you with another 'TWO Part, @EchoChamberFP https://www.instagram.com/echochamberfp/ this week, so a LOT to get into!!! In 'Part ONE' we go down the Nile for an adventure/drama with Princ Films & Entertainment Squad, then Vision Films has a documentary with Swipe Films. We take a look at Apple Films, Scott Free Productions & Sony Pictures historical epic. An existential exploration from Free Association, Tango Entertainment, Stillking Films, & Netflix, AND a new anthology from Luchagore Productions, Dread which is dropping on Shudder. In 'Part One' we have: Napoleon Watch Review: Here. https://youtu.be/_ZBuTLKbepE Salle Pleyel, Paris, World Premiere: 14th November 2023 Theatrical Release Date: 22nd November 2023 Digital Release Date: 9th January 2024 Digital Release Date: 1st March 2024 Director: Ridley Scott Cast: Joaquin Phoenix, Vanessa Kirby, Tahar Rahim, Rupert Everett, Ben Miles, Ludivine Sagnier, Matthew Needham, John Hollingworth, Youssef Kerkour, Sinéad Cusack as Letizia Bonaparte, Phil Cornwell, Édouard Philipponnat, Jannis Niewöhner, Miles Jupp, Edward Bennett, Ian McNeice, Paul Rhys, Catherine Walker, Gavin Spokes, Mark Bonnar, Anna Mawn, Davide Tucci, Sam Crane, Scott Handy, Tim Faulkner, Abubakar Salim, Kevin Eldon Running Time: 157 min Cert: 15 Trailer: Here. https://youtu.be/LIsfMO5Jd_w?si=t4K_wJguv8iApiDS Website: Here. https://www.napoleon.movie/home/ ------------ An Egypt Affair Watch Review: Here. https://youtu.be/wH9ZKawsZz8 Boston, Massachusetts, premiere: 27th April 2023 Digital Release Date: 5th February 2024 Director: Marlin Darrah Cast: Jarred Harper, Stacey Marie Williams, Nick Dreselly Thomas, Lesley Grant, Yolanthe Cabau, Massi Furlan, Alfonso DiLuca, Deena Gabr, Alaa Saleh, Fitrah Umarella, Marlin Darrah, Eslam Mourad, Ahmed Osman Running Time: 88 min Cert: 15 Trailer: Here. https://youtu.be/7a66fUIli24?si=cvRWG30w6KBKNw3I Website: Here. https://mayamcdarragh.wixsite.com/egyptianaffair ------------ Spaceman Watch Review: Here. https://youtu.be/iYgv-B_bXl0 74th Berlin International Film Festival: 20th February 2024 Theatrical Release Date: 23rd February 2024 Digital Release Date: 1st March 2024 Director: Johan Renck Cast: Adam Sandler, Paul Dano, Carey Mulligan, Kunal Nayyar, Lena Olin, Isabella Rossellini, Elke Luyten, Petr Papánek, Marian Roden, Sinead Phelps, Zuzana Stivínová, Sunny Sandler, John Flanders, Bash Doran, Kimberly Han, Young Lee, Jessica Bechynová Running Time: 107 min Cert: 15 Trailer: Here. https://youtu.be/rNZ0xKaCdus?si=mn2s1iBx2kItnz2K Watch via Netflix: Here. https://www.netflix.com/title/81301595 Website: Here. https://www.netflix.com/tudum/articles/spaceman-adam-sandler-release-date-photos -------------- Satanic Hispanics Watch Review: Here. https://youtu.be/81VbaELcUas Fantastic Fest: 25th September 2022 Theatrical Release Date: 14th September 2023 Digital Release Date: 8th March 2024 Director: Mike Mendez, Alejandro Brugués, Gigi Saul Guerrero, Demian Rugna, Eduardo Sanchez Cast: Greg Grunberg Patricia Velásquez, Efren Ramirez, Hemky Madera, Morgana Ignis, Michael C. Williams, Lombardo Boyar, Jessica Cameron, Missy Merry, Victoria Maurette, Demián Salomón, Running Time: 112 min Cert: 18 Trailer: Here. https://youtu.be/KboGZTFilik Website: Here. https://www.satanichispanicsfilm.com/synopsis/ ------------ Quintessentially Irish Watch Review: Here. https://youtu.be/xCzkjx2cXho Dances With Film: NY, World Premiere: 2nd December 1964 Theatrical Release Date: 12th February 2024 US Digital Release Date: 12th March 2024 UK Digital Release Date: 8th April 2024 Director: Frank Mannion Cast: Pierce Brosnan, Jeremy Irons, Prince Albert II of Monaco, Randal Plunkett, President Michael D. Higgins, Usain Bolt, Ricky Simms, Emma Dabiri Running Time: 125 min Cert: PG Trailer: Here. https://youtu.be/Rl4sZ-gxJVw ---------------- *(Music) 'Da Joint' (Instrumental) by EPMD - 2020 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

PopaHALLics #119 "Highly Recommended"Instead of dissing pop culture offerings, dad and daughter rave about them on this episode. Steve's a fan of "American Fiction," "The Last Repair Shop" and "Colin from Accounts." Kate really likes "All of Us Strangers," "Bottoms," and "The New Look." Streaming:"American Fiction," in theaters and for purchase. In this Best Picture nominee, a black novelist (Jeffrey Wright) writes a satire of the stereotype-heavy books he despises—and it becomes a hit."All of Us Strangers," Hulu and rental. In this acclaimed film, a screenwriter (Andrew Scott) develops a relationship with his neighbor while also finding an unusual way to reconcile his grief over the loss of his parents at an early age."Bottoms," Prime. Kate found this 2023 satirical teen comedy a little shocking, violent, and foul-mouthed—but very funny. The plot: Two unpopular queer female high school students start a fight club to have sex before graduation."Colin from Accounts," Paramount +, Prime, other streaming services. This Australian rom-com developed by its stars, Harriet Dyer and Patrick Brammell, follows two flawed people caring for a special needs dog and falling in love."The Last Repair Shop," YouTube, Hulu, Disney+.  This Oscar-nominated documentary short explores how music has changed the lives of a few dedicated craftsmen who repair some 80,000 instruments in the Los Angeles school system."The New Look," Apple TV+. This limited series is the true story of how Christian Dior (Ben Mendelsohn) and his contemporaries, including Coco Chanel (Juliette Binoche), navigate the horrors of World War II and launch modern fashion."Upgraded," Prime.  Cinderella, anyone? In this rom-com, Camilla Mendes plays a lowly intern who fibs about her role at an art auction house to a handsome stranger and is drawn into the world of his wealthy, glamorous  mother (Lena Olin).  Marisa Tomei plays Mendes' ridiculously demanding boss.Books:"Anna O," by Matthew Blake. In this dark and twisty thriller, a young woman commits a double murder while sleepwalking, and then never opens her eyes again. "John Prine: In Spite of Himself," by Eddie Huffman.  A music journalist traces the the career and life of a songwriter's songwriter, from Prine's childhood to the stories behind many of his songs. There's a wealth of great ones to choose from, including "Angel from Montgomery," "Sam Stone," Hello In There" and "Paradise."

This week Andrew and Ted watched Prime TV's original "Upgraded", which stars Camila Mendes, Archie Renaux, and Marisa Tomei. They are joined by Lena Olin, Anthony Head, Fola Evans-Akingbola, Rachel Matthews, Amiee Carrero, and Andrew Schulz in this Comedy with a side of Romance. As Ted put it ... if you liked "The Devil Wears Prada" ... it's basically the same story. The real question is what did Andrew and Ted think about the movie? Is it a watch? Or is it a skip? Tune into find out what they thought as well as which "B List" celebrity just moved to the area from L.A.?

Writer/Producer Christine Lenig worked hard and took notes for twelve years before her rom-com Upgraded was finally produced with Camila Mendes, Marisa Tomei and Lena Olin. Now it's #1 on Amazon! 

We are back with another adventure in our Capes 'N Cowards season! Last week we brought you the adventures of The Venture Bros. but this week we return fully to the worlds of superheroes. On today's episode, we are covering one of the weirder superhero films, we are talking about Mystery Men. Mystery Men is a film loosely based on Bob Burden's Flaming Carrot Comics. It follows a group of misfits, weirdos, and outcasts from the superhero world of Champion City. The team is "lead" by Mr. Furious and features the Shoveler and the Blue Raja. As the world turns quickly turmoil, this group of weirdos has to find more like them to make a team to save the world. These aren't the cream of the crop but more like the heroes you call when everyone else is busy but they've got the heart to save the world. The film has one of the most impressive cast lists including Ben Stiller, Hank Azaria, William H. Macy, Greg Kinnear, Claire Forlani, Kel Mitchell, Paul Reubens, Janeane Garofalo, Wes Studi, Geoffrey Rush, Lena Olin, Suzy Izzard, and Tom Waits. The cast is stacked with absolutely incredible talent and features a handful of cameos that still blow me away. Who decided Michael Bay would play a frat boy supervillain? I just want to shake their hands. Cid and Dan talk about the film at length. Cid gives their thoughts on what the film is trying to capture. They also get into how the film has aged but more so how it was ahead of it's time. As the superhero film craze gets closer and closer to bursting, it's the best time to take a look back at Mystery Men which satirized these films before they even existed. If there was any film that was released before its time, it is Mystery Men. It sits in a place before the superhero craze changed film forever. Make sure to check out our past episodes including the first episode of the season which covers The Boys which you can see a lot of inspiration from this film in.

So, @EchoChamberFP https://www.instagram.com/echochamberfp/ is still riding off last week's landmark, BUT, we still have a 'TWO Parter' for you this week!!! In 'Part ONE' there's a couple of MGM rom-coms for you. One is about mistaken identity, the other from BuzzFeed Studios, Lionsgate, Amazon Freevee features canine love. Searchlight Pictures brings a semi-autobiographical story to Hulu & Disney+. While Campfire, I Can & I Will Productions bring dating games to Netflix, AND Lionsgate & Point Grey Pictures come with a chilling type of love! Today we have: Upgraded Watch Review: Here. https://youtu.be/2adOV5UQl80 Digital Release Date: 9th February 2024 Director: Carlson Young Cast: Camila Mendes, Archie Renaux, Marisa Tomei, Lena Olin, Anthony Head, Thomas Kretschmann, Grégory Montel, Rachel Matthews, Fola Evans-Akingbola, Aimee Carrero, Andrew Schulz, Saoirse-Monica Jackson Running Time: 105 min Cert: 15 Trailer: Here. https://youtu.be/P3_dj7BnHp8?si=rrB2YOrSEVmipuQB Website: Here. https://press.amazonstudios.com/us/en/original-movies/upgraded -------------- Suncoast Watch Review: Here. https://youtu.be/J5dK-hkyE1o Sundance Film Festival: 21st January 2024 Theatrical Release Date: 2nd February 2024 Digital Release Date: 9th February 2024 Director: Laura Chinn Cast: Laura Linney, Nico Parker, Ella Anderson, Daniella Taylor, Amarr, Ariel Martin, Woody Harrelson, Cree Kawa, Pam Dougherty, Matt Walsh, Keyla Monterroso Mejia, Scott MacArthur, Danielle Henchcliffe Running Time: 109 min Cert: 18 Trailer: Here. https://youtu.be/wGPvdj3H_0o?si=eBBK-CG19LLYkSrV Website: Here. https://www.searchlightpictures.com/suncoast ------------ Players Watch Review: Here. https://youtu.be/o8LWStItscM Digital Release Date: 14th February 2024 Director: Trish Sie Cast: Gina Rodriguez, Damon Wayans Jr, Tom Ellis, Joel Courtney, Augustus Prew, Liza Koshy, Ego Nwodim, Marin Hinkle Running Time: 105 min Cert: 15 Trailer: Here. https://youtu.be/8gH6AEBwEAw?si=UR2SBsyZWERUGFo- Watch via Netflix: Here. https://www.netflix.com/browse?jbv=81034895 ------------ Puppy Love Watch Review: Here. https://youtu.be/Eea_6IS0wI8 Digital Release Date: 18th August 2023 Digital Release Date: 14th February 2024 Director: Nick Fabiano, Richard Alan Reid Cast: Lucy Hale, Grant Gustin, Nore Davis, Christine Lee, Al Miro, Rachel Risen, Jane Seymour, Corey Woods, Michael Hitchcock, Nimet Kanji, Henrietta Johnson, Sarah Peguero, Ali Karr, Dolores Drake, Tom Kliner Running Time: 106 min Cert: 15 Trailer: Here. https://youtu.be/07mSY5KNmGs?si=KybBe4gCIFkbdh37 Website: Here. https://press.amazonstudios.com/us/en/amazon-freevee-series/puppy-love/1 ------------ Miller's Girl Watch Review: Here. https://youtu.be/OT1LRyqMisM Palm Springs Film Festival: 11th January 2024 Theatrical Release Date: 26th January 2024 US Digital Release Date: 16th February 2024 UK Digital Release Date: 19th February 2024 Director: Jade Halley Bartlett Cast: Martin Freeman, Jenna Ortega, Bashir Salahuddin, Gideon Adlon, Dagmara Dominczyk, Christine Adams, Augustine Hargrave, Elyssa Samsel Running Time: 93 min Cert: 15 Trailer: Here. https://youtu.be/EenWbBfey94 Digital Platforms: iTunes, Amazon, Sky, Google, Rakuten, EE TV, Microsoft (Xbox), Virgin Watch via Apple TV+: Here. https://tv.apple.com/us/movie/millers-girl/umc.cmc.t5h854ld5jd68gek2lzehnvu Website: Here. https://www.lionsgate.com/movies/millers-girl ---------------- Which of today's films are you most interested in seeing? *(Music) 'Da Joint' (Instrumental) by EPMD - 2020 ---------------- *(Music) 'Da Joint' (Instrumental) by EPMD - 2020 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

A rare book dealer, while seeking out the last two copies of a satanic text, gets drawn into a supernatural conspiracy.  Directed by Roman Polanski. Screenplay by Polanski, John Brownjohn and Enrique Urbizu. Based on the 1993 novel El Club Dumas by Arturo Pérez-Reverte. Starring Johnny Depp, Frank Langella, Lena Olin and Emmanuelle Seigner.  Listener Request courtesy of Aaron. Thank you so much for listening! E-mail address: greatestpod@gmail.com Please follow the show on Twitter: @GreatestPod Subscribe on Apple Podcasts / Podbean This week's recommendations: On Cinema

Erin and Paul review two films about free-spirited chocolate makers: Mel Stuart's 1971 Roald Dahl adaptation WILLY WONKA & THE CHOCOLATE FACTORY, and Lasse Hallstrom's peak-Miramax 2000 romance CHOCOLAT.

Welcome back to Analyze Scripts, where a psychiatrist and a therapist analyze what Hollywood gets right and wrong about mental health. Today, we are analyzing the 2007 film "Awake." This movie stars Hayden Christensen, Jessica Alba and Terrence Howard. There is a nefarious plot to kill Clay who finds out during surgery. According to our guest, Dr. Gonzalez from the Yale Anesthesia Department, Clay experiences intraoperative awareness AKA "awareness" during surgery. The movie is filled with plot holes and some pretty inaccurate medical information. We learn so much from Dr. Gonzalez about anesthesia and patient pain. PTSD, medical factiods and financial stressors are topics in this episode. We hope you enjoy! Dr. Gonzalez Podcast Episode on Interoperative Awareness Website TikTok Instagram Dr. Katrina Furey, MD: Hi, I'm Dr. Katrina Fieri, a psychiatrist. And I'm Portia Pendleton, a licensed clinical social worker. And this is Analyze Scripts, a podcast where two shrinks analyze the depiction of mental health in movies and TV shows. Our hope is that you learn some legit info about mental health while feeling. Portia Pendleton, LCSW: Like you're chatting with your girlfriends. Dr. Katrina Furey, MD: There is so much misinformation out there, and it drives us nuts. And if someday we pay off our. Portia Pendleton, LCSW: Student loans or land a sponsorship, like. Dr. Katrina Furey, MD: With a lay flat airline or a major beauty brand, even better. So sit back, relax, grab some popcorn and your DSM Five, and enjoy. Welcome back for another very exciting episode of Analyze Scripts. As part of our Halloween month today, we are covering the 2007 thriller mystery movie called Awake with our wonderful guest, Dr. Antonio Gonzalez. And I cannot think of anything scarier than being awake during a surgery, so this is perfect for our Halloween month. But just as a quick bio, dr. Gonzalez is an associate professor of anesthesiology and the director of the Obstetrics anesthesia Fellowship at Yale New Haven Hospital. He completed his residency program at Rutgers in New Jersey and decided to pursue a fellowship in obstetric anesthesia at Columbia University in New York. And I will actually be joining one of his podcasts in the near future to talk about eternal mental health and anesthesia, which I'm really excited about. But thank you so much, Dr. Gonzalez, for joining us. Dr. Antonio Gonzalez, MD: Thank you so much for the invitation. I'm really happy to be here with you today. Dr. Katrina Furey, MD: So, Portia, where do we even get started with this movie? Have you seen it before? Portia Pendleton, LCSW: I have not seen the movie ever. I think that something like this would probably have been a little scary to watch. Yeah, I think a lot of people who are not in medicine and maybe people who are in medicine, I think it's a common fear to wake up during surgery. I think a lot of people going in get really calmed down once talking to the anesthesiologist or telling them that this is their process or this is. Dr. Katrina Furey, MD: How it's going to be. Portia Pendleton, LCSW: And all of the machines and monitors that they now have, you were saying a little bit before we got started today. So I think this is just like a pretty common fear that people have going into surgery. Dr. Katrina Furey, MD: What do you think, Dr. Gonzalez? Dr. Antonio Gonzalez, MD: Yes, I think that definitely introvertive awareness. It's definitely a fear of our patients. And unfortunately, this movie actually may have hyped that fear. But fortunately, the reality is that introvertive awareness is relatively rare, particularly these days. We have way better medications, way better monitors that help us to prevent intraperative awareness. The incidence has been documented to be somewhere around 0.1% to 0.2% in the United States. Dr. Katrina Furey, MD: So what is that, like, one to two out of 1000 cases? Something like that? Dr. Antonio Gonzalez, MD: That is correct, yeah. Because there are so many surgeries in the united States, that's about 20,000 to 40,000 cases a year, which still a lot. Right. The consequences of interoperative awareness can go from just having fear of future surgeries, even withholding surgeries for some of their relatives, particularly their kids, because they are so scared of what happened to them, they may actually be very fearful of letting their relatives go through surgery. Yeah. So that is one of the consequences. But, again, it's relatively rare these days. Dr. Katrina Furey, MD: Okay. Dr. Gonzalez. Portia Pendleton, LCSW: Is there anything in common. Dr. Katrina Furey, MD: That the people who this happens to. Portia Pendleton, LCSW: With each other, or is it just kind of like yeah. Dr. Katrina Furey, MD: Is there, like, a way to predict it that it could? Dr. Antonio Gonzalez, MD: So we don't have particularly great ways of predicting who will have operative awareness. We do know that there is a certain patient population or certain surgeries. So there are surgeries like trauma, cardiac surgery, and Obstetric. Anesthesia. Obstetric cases seem to be and when I mean Obstetric cases, Caesarean deliveries, particularly. These are cases that are very well known to have an increased risk of intraperative awareness. The reason behind it is because trauma patient and cardiac patients have a very delicate hemodynamics, meaning their blood pressure, it's low, tends to be on the lower side. They have a high risk of coronary vascular disease. So having their blood pressure too high or too low, it's at extreme risk. So in order to maintain that balance between the anesthesia that it's provided and the hemodynamics, those patients tend to be at a higher risk. And that implies for both trauma patients and cardiac patients. Now, the Obstetric patient population is at increased risk because of the risk that the anesthesiologist may perceive from the drugs transferring to the baby. So all the medications we give to mom will go to baby, and that increase in medications has been thought to be pretty dangerous to the baby. So anesthesiologists at some point, we're very scared of giving extra medications to mom nowadays. Again, I think that because our monitoring and the drugs that we have available and the awareness that introvertive awareness in this particular patient population, it's higher, we have improved the techniques that we have for providing general anesthesia. Now, that being said, we do a lot of our anesthesia under regional, and having pain during a surgery, even with epidural or a spinal, can be equally as scary, if not even more scary than having introvertive awareness while asleep. Dr. Katrina Furey, MD: I was wondering that. So, before we get into this a little further, I just want to give a quick recap of the plot of this movie. So, in the movie Awake, we see Hayden Christensen playing the main character, Clay Bearsford Jr. Who is, like a fancy pants financial person, super uber rich. He does something with stocks, probably, that I don't understand. And you see this interesting relationship with his mom early on, who's played her name's Lilith, and she's played by Lena Olin. And then we see Jessica Alba. This is one of her big roles, playing Sam Lockwood, who's his fiance. They get married very quickly because he is waiting for a cardiac transplant due to history of cardiomyopathy, which is something that happens. That seemed pretty accurate. And then we see Terrence Howard playing his friend and surgeon, Dr. Jack Harper. And spoiler alert, turns out all of the medical professionals on the team, including his fiance, were in on this plot to murder him during the transplant in order to inherit all his money and pay off some malpractice debt. Luckily, I think it was the anesthesiologist. The original one backed out. So this other guy was there, and somehow he figured out the plot, and he alerted authorities. And eventually, I think Dr. Harper injected the heart with adriamycin. I believe the Clay did, I guess, technically die on the table. When they delivered that news to his family, the mother committed suicide. I can't remember what she overdosed on. I'm assuming maybe Digoxin, which was in his bag. And then they wheeled the mom in and gave him her heart. And so he survived, and all the people got arrested. The end. That's basically the plot. Really quick. So getting back to what you were saying, Dr. Gonzalez, about the intraoperative awareness. So when you were saying that with these certain cases, trauma, cardiac, and OB with regional anesthesia, I'm thinking like an epidural, like for a C section or something like that. Like, if they give the epidural and it fails either in a C section or a regular delivery, vaginal delivery, would that be considered interoperative awareness? Dr. Antonio Gonzalez, MD: Well, if the patient is experiencing pain, yes, that can be as traumatic as experiencing intraperative awareness, because the patient mentally is completely there, but the patient is completely feeling the experience of the pain. And the definition of pain, actually, it's not only physical, but there is an emotional component to pain. Right. So what you describe as pain, you can only be the person that knows what pain is for you. So what we've learned through the years is that we are not the best judge of what pain is. The patient is the best judge of what pain is because pain is what the patient tells you pain is. Portia Pendleton, LCSW: I'm so glad you said that. Dr. Katrina Furey, MD: I think that's really important and to keep in mind the emotional side of it. Portia Pendleton, LCSW: I like that also, just as I don't know a similarity right. In mental health, like pain mental pain, emotional pain is, like, what the patient is describing versus my definition in the DSM. But I really like that. Or just validating their experience. Well, this is what they experienced. Maybe someone else's was different. Dr. Katrina Furey, MD: Right. Portia Pendleton, LCSW: I really like that. Dr. Antonio Gonzalez, MD: Yeah. I think that it's a great opportunity, because, as you mentioned, sometimes if, as physicians, we try to give an explanation to pain, right. We may actually minimize the patients. And at the end of the day, what ends up happening is that the patients feels that their feelings, they're being gaslighted. So the patient is telling you, this is what I feel, and you say, well, it's not that big of a deal. Right. But it is to the patient, it is. So pain is, again, what the patient tells you pain is. Dr. Katrina Furey, MD: No, I think that's great. And in my line of work, in private practice, I do end up seeing well, I see primarily women around pregnancy and postpartum. So I've heard many cases where the epidural failed, or it only took on half the side, or someone had a history of back surgery, so they met with the anesthesiologist ahead of time to talk about pain management options. And it is a super important aspect of prenatal care, especially delivery, and I'm sure that extends to other surgeries as well. So, Dr. Gonzalez, what are your thoughts about the way anesthesia was depicted in this movie? What they get right, what they get wrong? Dr. Antonio Gonzalez, MD: Well, there are so many things that they well, the one thing that they got right was to select the patient that was having a cardiac surgery. As we mentioned, patients with cardiac surgery have an increased risk of having introvertive awareness. So they got that one part right. Then the other thing is that it seems like they have a substitute anesthesiologist that's coming from another institution. It doesn't quite happen that way. You need to have privileges at that place. It's a little credentialed. Yeah. Unless he's a traveler. Sometimes we have anesthesiologists that are considered what is the term? Locums. That's correct, yes. So locums might have been a locums that they call in to substitute, but it's actually quite hard to find locums for very specific cardiac surgery. So I think that the other thing that I think was very wrongfully depicted was how easy he may look. The induction. The induction was basically he took this three CC syringe or four CC syringe. He gave it to the patient. He said, count back to ten. Cardiac inductions are very complicated. It requires a balance of many medications. Again, because there is this hemodynamic balance that you want to maintain. You don't want the patient's blood pressure to go too high. Do you want the patient's blood pressure to go too low? So that also it seems like it was completely off. And there is a point where the surgeons are discussing, like, well, we won't need you for a little bit, so go get a drink. We never leave the operating room. Dr. Katrina Furey, MD: Right. Dr. Antonio Gonzalez, MD: I know there is always somebody from anesthesia in the room that be like the anesthesiologist or anesthetist, but we just don't leave the patient in the or. Just because the surgeon tells us that they're not going to need us for a bit. So that was totally wrong. Dr. Katrina Furey, MD: Right. In my experience in medical school, rotating through that's exactly right. Even these long cases like cardiothoracic surgery, the anesthesiologist, maybe a resident, maybe the nurse, anesthetist. These words are hard to say. Someone's always there watching the monitor. They might be doing something else at the same time. I remember one time there was a resident practicing his golf swing, and I was like, this seems pretty unprofessional. But they're always watching the monitors. And I would imagine like this, especially watching the blood pressure, the heart rate, things like that. And they're always checking. They kept checking, at least in the cases I would be in, they would do things to check. The patient was still under enough. Not too far under. Not coming out of it either. Dr. Antonio Gonzalez, MD: Yes. And as you mentioned, sometimes the anesthesiologist, a lot of what we do, we may not be actually looking at the monitors, but because we're actually trained for so it's a three year program. By the sound of the machines, you actually know what is wrong. Like the pulse oximeter has a very typical sound. When the saturation drops, the alarms on the monitors are set off to go at X levels. Right. So you can set up your alarms. So even if we're like, let's say, fixing our medication drips or we're working on something that it's not necessarily looking at the monitor, just hearing the monitor, we are aware of what actually the vital signs are, and of course, the alarms are ever present. So we're always very aware of these alarms and everything that surrounds. We use pretty much all our senses when caring for patients. Dr. Katrina Furey, MD: That makes a lot of sense. Portia Pendleton, LCSW: It's interesting. I think there was an episode on Grey's Anatomy years ago about the anesthesiologist at the hospital was like, has a substance use disorder. And he was, like, falling asleep next to the patient. And of course, it's a drama, so the young resident had to do something and didn't want to get in trouble by the attending or something. But I feel like I've seen not a lot of medical dramas. I mean, that's not like my jam. But the couple that I have there seems to always be the anesthesiologist is like sometimes a villain. I don't know. Dr. Katrina Furey, MD: Is that a stereotype? Yeah. Is that a stereotype? Portia Pendleton, LCSW: Or like, maybe just in TV, the. Dr. Katrina Furey, MD: Psychopath is often the villain too, so we can empathize. Portia Pendleton, LCSW: Yeah, it seems like it's a lot of risk with that job. Dr. Antonio Gonzalez, MD: I think that psychiatrists, dentists, and anesthesiologist seems to be the highest the physicians with the highest incidence of substance use. Dr. Katrina Furey, MD: Disorder, I believe that's right, yeah. Dr. Antonio Gonzalez, MD: And suicide as well, I think. Yeah. Maybe media has picked up on that. Maybe. Dr. Katrina Furey, MD: Interesting. I think in my training, I was taught that in those specialties, you have the easiest access to controlled substances in terms of the risk of substance use disorders. So that's one reason the rates are higher. And then suicide. I didn't know anesthesiologists also had a high rate of suicide. Dr. Antonio Gonzalez, MD: Yeah. I haven't reviewed the statistics on this, but I think that it used to be that way. I think actually, dentists might be number one. For some strange reason, anesthesiologists are high up in there. Dr. Katrina Furey, MD: One big issue I had with this movie was the plot, because I feel like they went to great lengths to pay off a prior malpractice lawsuit. And I feel like they'd all have malpractice insurance, right? Even if I know there's certain specialties. Like, I think OB, for example, has a really high rate of malpractice insurance. Wouldn't they have malpractice to cover any claims? Dr. Antonio Gonzalez, MD: Yes, they would. Dr. Katrina Furey, MD: Think. And Portia, I think you were reading some criticisms of the movie. I think the general public also caught on to that, like, wow, this is like a really intricate plot to go through to pay off prior lawsuits. Portia Pendleton, LCSW: I don't know. Murdering someone, you have to be so backed into the corner hopeless, like no other options. And it's like, I mean, A, yeah, like, you're right about the malpractice. You should have an insurance through the hospital. You're not even in private practice paying for your own, and that maybe you cut corners with that. It just seems OD that they taking going to these lengths of murdering a patient that Dr. Jack Harper was, like, friend. And it's like, at what point did the friendship turn into this? Was it fake? The whole, like, I think that's know, I watched the movie, you know, taking. Dr. Katrina Furey, MD: Notes because we're professionals. Portia Pendleton, LCSW: We're professionals at watching TV here, and I was just lost with a lot of the line, so I'm glad to hear it know, I guess just me, but pretty gaping holes in some of it. Dr. Katrina Furey, MD: Yeah. And what did you think about that relationship of the friendship between Dr. Harper and Know? Because at least in psychiatry, we are big and not just psychiatry, but mental health in general, we are big boundary people. We really talk about boundaries and how to maintain them, especially in professional settings. I think in some other fields of medicine, I'm thinking more like primary care pediatrics in the old school days when you'd have the family doctor who took care of everyone in the town, I think the boundaries would have been a little different. But I always thought, especially when it came to things like surgery, it was really important not to operate or doing a seizure on people you're close to. Is that still the case? Dr. Antonio Gonzalez, MD: Well, I think it's probably the right thing to do because your feelings for your significant other or friend may actually interfere with your judgment. But again, I think it's more of a judgment call than a set rule. I do think that there are certain surgeries and certain procedures that we probably shouldn't be doing for our family members or for close friends, because, again, our judgment may be cloud by our feelings for that person. You may not necessarily take the best decision when you're put in that place. Dr. Katrina Furey, MD: Yeah, I think suturing up a superficial wound like your child cuts their knee. Oh, I can suture that up real quick. Feels very different to me than doing cardiac anesthesia or surgery on your buddy that you go fishing with. Yeah, right. Yeah, I would agree. Portia Pendleton, LCSW: I could see I was thinking just, like, what would I be comfortable with a friend doing? But maybe I don't know. I mean, I'm thinking of specialties, like, ortho I could see a friend doing but not OB. It's, like, all private, and then definitely not psychiatry, but I don't know. Cardiac surgery? I don't think cardiac no, it's like your heart opening my chest. I don't want you I think it's. Dr. Katrina Furey, MD: Important you feel like you trust the surgeon and the anesthesiology team, but to have it be like your buddy, that's risky. And what an ultimate betrayal. Portia Pendleton, LCSW: I mean, he trusted this person. He chose to have this procedure done by, I guess, at least rating wise, like a doctor with a lower success rate than right. The mom brought in this specialist who was operating on presidents and had all. Dr. Katrina Furey, MD: This prestige play picked Dr. Harper. Portia Pendleton, LCSW: And then right. To have this nefarious plot going on was just I was really shocked. I was also really shocked that Sam was in on it, his fiance, because at first, I think the movie kind of sets you up to not, like the mom. Right. Like, Lilith seems, you know, like, she doesn't have his best interests at heart. Dr. Katrina Furey, MD: It's controlling. Maybe they're enshring and not letting him. Portia Pendleton, LCSW: Live or be independent. Right. But then know, I was like, wow, really weaseled her way in. So I don't but she was a nurse, I think, so she had some info about his medications, which the mom, Lilith, was first, really surprised and pleased. Like, wow, like, you really have been taking care of him. I see all the medications in your bag. But then that's also ultimately how she found out that Sam was in on it. Right. Dr. Katrina Furey, MD: She saw, like, I think Sam left her purse behind, and the medications fell out. And when she went to go put everything back in the purse, she saw some mail where the name didn't match up, and then somehow she put it. Portia Pendleton, LCSW: Together, but that wasn't clear. Dr. Katrina Furey, MD: But again, also like, okay, so the names don't match up. That wouldn't automatically make me think, like. Portia Pendleton, LCSW: Oh, no, you're in on it to. Dr. Katrina Furey, MD: Murder my son while he's in this heart transplant. The plot was a little far fetched, but I did think it was entertaining, and I did know with Clay on the table, often the anesthesiologist is, like, the first person you meet when you're coming in for surgery that day and. Portia Pendleton, LCSW: The first person you see when you wake up. Dr. Katrina Furey, MD: So I think that's very important, as well, to your whole experience of surgery. And can you tell us a little bit, Dr. Gonzalez, about in your role, what that entails and how you sort of take care of the patient in broad strokes. And if this movie we've already talked about how the induction was totally off, but what the movie sort of got right and wrong. Dr. Antonio Gonzalez, MD: Yeah. So I think that the role of the anesthesiologist is very important. And I think that as anesthesiologist, we realize that, as you mentioned, unfortunately, the way our system is, we usually meet our patients just the day of surgery, right? So what that entails is that we actually need to create rapport with our patients very quickly. We know that the patients are coming in for a very stressful moment in their life. Sometimes it's very big surgery, sometimes it's very minor surgeries, right? But independently of what type of surgery the patients are coming for, we need to create that rapport and we need to bring the confidence to the patient. And as anesthesiologist, I think that we try to do that the moment we're talking to the patient. The first time we talk to the patients, it's all about creating rapport and creating a team experience in which you let me know what are your goals and we can try to meet those goals and expectations. What are your fears? Some patients tell you that their major fear is pain. Some patients tell you their major fear is throwing up because all the nausea, they've experienced so much nausea after. So then you can reassure the patient, okay, so this is our plan. This is going to be our plan to address the pain. This is going to be our plan to address the nausea. And again, we do this for all types of surgery. And I think that's very important as anesthesiologist to try to create that rapport and always be, when talking to the patient, basically addressing what are your major fears and how this is our plan to address those. Portia Pendleton, LCSW: That's such an important question. I think such an important part of the team. I think other people are just kind of part of the team, which makes sense. Like, okay, this is a surgery. They ask you a million questions like why are you here? What's your name? What's your birthday? Over and over again. So they're doing the right thing. But then for someone to ask, right, what are you scared of? Dr. Katrina Furey, MD: Right? Portia Pendleton, LCSW: What are you scared of today? How can we help you? Do you have any questions? Is really helpful. And I think just lets see the patient feel like they're a part of the team, like they're being validated, listened to, important, which of course they are. But I think in the system when you have maybe two to five, maybe surgeries that day, it's just like it becomes for everybody that's working, there just procedure. So I think those questions just stand out as really helpful and nice, good patient care. Dr. Katrina Furey, MD: And the anesthesiologist is the person who you really meet at the beginning, who asks you all these questions, checks on your allergies, looks in your mouth to see like, okay, how big are those tonsils? How are we going to sort of intubate? You most comfortably asks you what you're worried about, and then they walk with you in most of the time, and they're with you, getting you on the table, getting you positioned, making sure you're comfortable, saying, okay, it's going to be cold in here, let's put a blanket on. They do a lot of that caretaking right away. I think when people are really scared, even if it's a minor surgery, I don't know who's not scared when they're going into a surgery. And of course, the surgeon comes in and they're really focused on the surgery, and of course, they want to make the experience good, too. But you're usually, like with the anesthesiologist, I think, the longest as you're consciously awake and then coming out of the surgery, that's who's also waking you up and making sure you're okay. That's who's checking on you in post op and things like that. So it is interesting that such an important member of the team and you're right, you really meet them that day and then you don't see them again, right? Like at the follow up for the surgery and stuff, you never get to see them. Is that a part of the job? Do you mind that, or do you wish that you could check on these people again? Dr. Antonio Gonzalez, MD: Well, it's actually very interesting that you ask because one of the things that actually inspired me to become an obstetric anesthesiologist, particularly, was I sometimes felt that I was in these very long surgeries, and when I went to see the patients post op, they would not remember me. And there wasn't really a problem with the patient not remembering me. It wasn't really an ego thing. It was more like, I don't feel like he thinks I'm part of this team taking care of him. I didn't feel like I was part of the team again. But on the other hand, I just happened to see a patient in a hallway and he's like, oh, you did my epidural for labor. And I'm like, oh, I did. And that was like, oh, these patients do remember me. Do appreciate what we're doing. And although, again, it's not an ego thing, but it's just that feeling of being part of something more, like, you know, that you help somebody and they actually remember that you were part of that, alleviating the pain, and it just feels good. It makes you feel like you're really part of a team that addresses the patient's pain and all this. And that's what really brought me into obstetric anesthesia. Going back to what we were talking about, the patients, the pre op part. Again, because of my obstetric anesthesia background, most of the literature that I've reviewed is on that field. And there is a very interesting article that has changed the way I practice that basically addressed what we were just discussing, which was basically, you ask the patients would you rather have better analgesia or more side effects, depending on the dose? And the interesting thing it's a very interesting study, but the outcome of the study was that patients actually knew exactly what they wanted. The patients that were overly concerned about pain ended up consuming more pain medication. And the patients that were overly concerned with the side effects did not consume as many medications. So the patients always know. And that's why always asking your patients, what are your weigh the risk and benefits, or what are your main outcomes? What do you want to experience here? More pain, slightly less pain, slightly more side effects of the medications, or you're okay with pain knowing that your side effects are going to be less? Dr. Katrina Furey, MD: The patients know that's actually really interesting and really important to keep sort of their autonomy and their preferences. So, Dr. Gonzalez, I know you're not like a transplant surgeon, but I thought it was pretty unlikely that the mother would just be, like, wheeled in, especially after having overdosed on something and her heart would be given right to her son. Dr. Antonio Gonzalez, MD: Yeah, absolutely. Dr. Katrina Furey, MD: What do you think about that? Dr. Antonio Gonzalez, MD: Yeah, absolutely. I think you're absolutely right. And at some point, I was hoping to bring that up. First of all, as you mentioned, there is a battery of tests that the donor needs to go through before they can be a donor. Portia Pendleton, LCSW: That's number one blood type, right? Dr. Katrina Furey, MD: It's not just like, oh, it's a blood type match. There's like, so many more things they have to check. Dr. Antonio Gonzalez, MD: There's so many more tests. And it seems from the movie that the mom have actually taken the purse from Sam, right? So presumably she took medications that could have actually make her heart stop. Right, which means that the period of ischemia of the heart may not have make her a good donor for her heart. She might have been able to donate her cornea and other things that actually don't have a very specific ischemia time. But there are organs that have a very limited ischemia time, meaning that the time that the organ is without perfusion or without oxygenation, without blood flow. And that is very important. The heart is one of the organs that needs perfusion for very crucial timing. It's a very small window of ischemia for the heart yes. Dr. Katrina Furey, MD: That she'd take, again, cardiac medication that likely stopped her heart. It does seem like she called her surgeon of choice ahead of time and was like, get here now. We only have so much time. But still, it's just completely unlikely that that would have happened. It was kind of a beautiful, I guess, part of the story that they could both, in this other realm, connect with each other and she could talk to him and they got to say this goodbye. That was pretty beautiful. But in terms of accuracy, there's no way that would have happened. And so getting. Back to the title of the movie Awake, and the whole premise that he's awake in surgery and aware of everything that's going on. I think a fascinating question that comes to my mind is like, how do we define awake? Is it consciousness? Is it memory? Is it feeling? And then how do you assess it during and after something like a major surgery? Dr. Antonio Gonzalez, MD: Yeah, that's a very interesting question. And I was thinking myself the same thing throughout the movie. And at the end, I'm still not even clear that either he was awake. We probably will never know the answer, according to the movie. But interoperative awareness, it's basically the incidence of a failure to suppress arousal, experience and episodic memory. So for you to have recall, in order for you to have introoperative awareness, there has to be recall. There are some incidents of patients actually hearing things, but they may not have necessarily distress about it because hearing and depth of sedation, the depth of sedation goes anywhere from hearing to actually not even being able to have recall. So you're going to see the worst cases of interoperative awareness when there is recall, and the patient can actually tell you how stressed they were about the experience. So they've come up with some classification. It's called the Michigan Awareness Classification, and it goes from zero, class zero, which is basically no awareness, to class one, which is auditory perceptions, class two, which is tactile perception. So they feel the surgical manipulation, they feel the endotracheal tube. And then there is class three, which is they actually feel pain. Class four, they actually have paralysis. And this is what seems to actually be happening here. He's experiencing paralysis because he said, just move something, right? He's trying to move something. He can't move anything. So he probably is there at a class four. Later on, we know that he's definitely at class five, where he's probably experiencing pain and paralysis. And then you can actually assign a D if the patient tells you that it was very stressful. They have the fear, they had fear, they had anxiety, a sense of suffocation or doom. So basically all these classifications, you can actually add a D to them. And the higher they are, and especially if they have a D next to them, the more likely these patients will have sequela. As in your profession, you can probably talk about what happens to these patients that have interpreted awareness. Right? And you were talking about moms that have pain during surgery. So that could lead to post traumatic stress disorder. But I'm not the expert there. Dr. Katrina Furey, MD: I would imagine it would. Right. I would imagine when we think about post traumatic stress disorder, I like to think of that as a disorder of Stuckness. And I always tell my patients, like, it's normal after you've lived through something traumatic, to have the symptoms of PTSD, the hyperarousal, the hyper, vigilance, intrusive thoughts, altered avoidance, altered mood, altered line of thinking and things like that initially, because who wouldn't? We sort of call that an acute stress response. But then once it persists, usually after, like, a month or continues beyond that, then we start to think of it as something called PTSD or post traumatic stress disorder. And there's some really great treatments out there for that, including things like cognitive processing therapy or CPT, EMDR, different types of psychotherapies and medications, and patients can really get a lot better. I love treating PTSD for that reason. But I would imagine the first criterion to meet diagnostic criteria for PTSD is to have a life threatening situation happen to you or to be vicariously exposed to it, which I think is really important as a new addition to the DSM criteria. I think this will qualify. Portia Pendleton, LCSW: Yeah, I'm just even imagining a patient coming in and describing this. I would expect a person to develop PTSD from it, and then it's like. Dr. Katrina Furey, MD: Is that a disorder, or is that, like, a normal human response to being consciously awake but paralyzed during cardiac surgery? Right. Portia Pendleton, LCSW: That's where you're like, well, like, trouble sleeping following. I would imagine maybe some nightmares. Might be afraid to fall asleep 100%. Or obviously, like you were saying before, Dr. Gonzalez, afraid of returning for future medical care or surgeries or telling loved ones to not do it, or their experience. So it feels really serious. And obviously, many traumas can be, but also unique. I haven't worked with someone that this has occurred to, obviously, because it is rare, but I'm just imagining, like, poor Clay when he wakes up, and if he does recall at one of those levels that you described, then what? And also write the murder plot. I mean, that was like taking the cake, let alone feeling pain. Dr. Katrina Furey, MD: I know. Like, such intense pain, right. And being so paralyzed and helpless. I almost can't imagine anything worse. Portia Pendleton, LCSW: He's standing up. We talked a little bit about the dissociation. That being an interesting way to show it. So sometimes when somebody's experiencing a trauma, they might dissociate and kind of see. Dr. Katrina Furey, MD: Themselves from up above. And they did show that when he sort of zoomed out, then it took a turn where he's then solving the. Portia Pendleton, LCSW: Plot, like, walking around, figuring it out. Dr. Katrina Furey, MD: Like, I don't think yeah, that's not quite dissociation, but up until that point. Portia Pendleton, LCSW: It was a great depiction of. Dr. Antonio Gonzalez, MD: It. Portia Pendleton, LCSW: Just it was wild. Dr. Katrina Furey, MD: It was wild. What a wild movie. Dr. Gonzalez, as we wrap up, is there anything else you'd like to add or anything we haven't touched on that you think is important? Dr. Antonio Gonzalez, MD: What it's really important here is for the patients to really voice out their experience. Right. One of the things that we see as physicians, we're not necessarily, particularly not psychiatrists or psychologists, we are not necessarily very well versed in how to deal with the consequences of what happens interoperatively. And it's important for the patients to say, hey, this is what I felt. But equally as important is for physicians to actually avoid minimizing what the patient felt and actually acknowledge that something happened and say, hey, I'm really sorry that you went through this. Let's try to figure out what resources we have to help you to get better, to get through these. It's actually something that I've always wondered is when is the best time to reach out for the patients? When, for example, in our case, we do C sections, right? And the patients are telling us that they're feeling pain, so they actually quickly voice out their experience so we can quickly do something about it. And even then, it's hard to figure out if you should approach the patient, shouldn't approach the patient, because not every patient won't consider a short time of discomfort or pain as traumatic. So it's a thin line in which basically we rely on the patient telling us, this is what I felt, this is how I feel now, so that we can actually look for help again, because as anesthesiologist or, surgeons may not be the best person to deal with it, but we can look for the resources. Dr. Katrina Furey, MD: And I do think, actually, at least in my clinical experience, given what I do, it has been I can tell you without a shadow of a doubt, it has been so validating and healing for my patients who have experienced trauma within previous childbirth deliveries or IVF procedures or other things like that, who felt minimized by the team at the time when they go in for the next thing and their anesthesiologist is the one who asks them just the questions you're mentioning. Now, I'm wondering if it was you. Portia Pendleton, LCSW: Or if you've just trained, like, some. Dr. Katrina Furey, MD: Really good team members. But when they ask them about these things and they share their prior traumatic experience, which is very hard for them, right, like, to even share, period, but then, especially if they've felt minimized or invalidated in the past, when they share it this time, and it's met with compassion and validation, it goes so far in their healing. And so I think you're spot on, and I hope this can serve and your continuing education can serve to just keep reinforcing that to the anesthesiology team that that is really important and such a crucial time to give that validation to patients who might really need it. And I think that would go for any patient, but especially any patient with a history of PTSD prior to that. And that's a hard thing to ask about. Portia Pendleton, LCSW: Yeah, I could definitely see it in pregnancy traumas. I think it's a pretty common experience with just, like, whether or not it's their perspective of something happening. Everything moves fast sometimes, as both of you know, I'm sure if it's supposed to be a regular delivery and all of a sudden it's not like that can be scary. And sometimes you have to prioritize saving a patient so things aren't explained slowly. It's the after of, like, okay, I know. That was really scary. Dr. Katrina Furey, MD: Kind of debriefing. Portia Pendleton, LCSW: Yeah, the debrief I would imagine being really helpful. Dr. Katrina Furey, MD: And we always I think in mental health, we always assume our patients have a trauma history rather than assume they don't. And I don't think that's because there's like I mean, maybe there is a higher incidence given the patients we're seeing. But I think then if you can just sort of approach it in more of like a trauma informed framework and just assume, like, okay, let's just assume this person has had some experience in their life where they felt helpless or stuck or not heard. How do we approach them here so that they don't feel that you don't even have to ask, do you have a trauma history? You could just assume. And then I think that just goes a really far away. So I'm so glad, Dr. Gonzalez, to hear that you're just doing know that makes this psychiatrist very happy. Dr. Antonio Gonzalez, MD: Yeah, well, I think that a lot of it has to do with the fact that some time ago, we actually read this very nice article that came out that was titled Failure of Communication, and it was actually written by a patient who experienced interoperative pain. I actually had the pleasure to have a podcast with Susanna Stanford, who is a patient who experienced introvertive pain, and she shared with us through that paper that was a couple of years ago, her experience. And from the time I read that paper, I started realizing how important that communication part is and not minimizing their pain and actually trying to address the situation in the moment and offering alternatives. Right. The most important thing, as you mentioned, is the patient needs to feel that first of all, they're being heard and that their concerns will be addressed. The worst we can do is tell them that it's not that big of a deal. Baby is okay. That's usually what we hear. Oh, the baby's okay. So it's going to be fine. The means doesn't justify the end. Dr. Katrina Furey, MD: Well, that's wonderful. Thank you so much, Dr. Gonzalez, for joining us today. I think we will try to link to that paper in our show Notes. If anyone is interested in reading that. Portia Pendleton, LCSW: Further and maybe also your podcast, if you want to tell us, give us. Dr. Katrina Furey, MD: A little shout out yeah. Portia Pendleton, LCSW: Where they can find your podcast. Dr. Antonio Gonzalez, MD: Yes, the podcast is Yale Anesthesiology, and I will share the link as well. Dr. Katrina Furey, MD: Thank you. And we want to thank all of our listeners for joining us today. You can find us at Analyze Scripts podcast on Instagram and TikTok. We recently updated our Instagram handle, so now it's Analyze Scripts podcast across the board, and we hope that you will join us next week as we cover the Nightmare Before Christmas on our Halloween month. Portia Pendleton, LCSW: Yes. Dr. Katrina Furey, MD: So we'll see you next Monday. Portia Pendleton, LCSW: Thank you so much for joining us. Dr. Katrina Furey, MD: Bye. Dr. Antonio Gonzalez, MD: All right. Thank you so much for having me. This was great. Thank you. Dr. Katrina Furey, MD: This podcast and its contents are a copyright of analyzed scripts, all rights reserved. Any redistribution or reproduction of part or all of the contents in any form is prohibited. Unless you want to share it with your friends and rate review and subscribe, that's fine. All stories and characters discussed are fictional in nature. No identification with actual persons, living or deceased places, buildings, or products is intended or should be inferred. This podcast is for entertainment purposes only. The podcast and its contents do not constitute professional mental health or medical advice. Listeners might consider consulting a mental health provider if they need assistance with any mental health problems or concerns. As always, please call 911 or go directly to your nearest emergency room for any psychiatric emergencies. Thanks for listening and see you next time. Dr. Katrina Furey, MD: Our don't.

This week we're concluding There's a Musician in this month and having a soft into to Spooky adjacent with the 2002 film Queen of the Damned. Directed by Michael Rymer from a screenplay by Scott Abbott and Michael Petroni, based on the 1988 novel of the same name by Anne Rice, it is a loose sequel to Interview with the Vampire and follows the vampire Lestat who becomes a rock star whose music wakes up the equally beautiful and monstrous queen of all vampires. The film stars Stuart Townsend, Aaliyah (in her final film role), Marguerite Moreau, Vincent Pérez, and Lena Olin. Come join us!! Website : http://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod

After a two month hiatus, Overlapping Dialogue makes its triumphant return with our 71st edition, kicking off a 10 episode look at one of the most widely beloved periods in contemporary film history: the 1990s! But before we travel back in time to the era of Beanie Babies and horrific homegrown domestic terrorism, we sort through a Blue Plate Special gauntlet tacking a slew of new releases in Cocaine Bear, 65, Renfield, and the much anticipated Beau is Afraid. And don't worry, we even find some time to return to our semi-recurring segment on the Airport franchise of the 70s, this time with Airport '77. Upon sorting through wreckage literal and figurative, we finally arrive at this episode's subject features, both from 1990: Havana and Dick Tracy. Listen as we discuss the handsome yet unimaginative direction of Sydney Pollack, the cartoonish insanity that inherently comes along with adapting Chester Gould for the big screen, and the larger connection both films share of aging movie stars going about their fading relevance in decidedly different ways. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.

This movie is not good. It's HOLLYWOOD HOMICIDE I guess or something HOLLYWOOD HOMICIDE DIRECTED BY: Ron Shelton RELEASED: June 13, 2003 BUDGET: $75MBOX OFFICE: $51.1M ESTIMATED LOSS: $40M CAST: Harrison Ford, Josh Hartnett, Isaiah Washington, Lena Olin, Bruce Greenwood, Dwight Yoakam 0:00 Intro2:37 Show & tell7:18 This week's movieNEXT EPISODE: We're sticking with the buddy cop theme and revisiting Michael Mann's MIAMI VICE 

VEM: Lena Olin.YRKE: Skådespelerska.AVSNITT: 561.OM: Sekten som hon lever i, kvarsittning hos dialektcoachen, att vara dålig på livet (men ändå aldrig gå i terapi), vikten av att ha orealistiska drömmar, när Hasse Ekman friade till henne, att arbeta med teatereliten i Hollywood, hur kända spermier simmar motströms och givetvis en hel del om Lasse Hallströms rosa enhörningar. Här hittar du biljetter till Andra Akten.SAMTALSLEDARE: Kristoffer TriumfPRODUCENT: Ninni WestinDISTRIBUTION: AcastKONTAKT: MAIL och INSTAGRAM Hosted on Acast. See acast.com/privacy for more information.

VEM: Lena Olin.YRKE: Skådespelerska.AVSNITT: 561.OM: Sekten som hon lever i, kvarsittning hos dialektcoachen, att vara dålig på livet (men ändå aldrig gå i terapi), vikten av att ha orealistiska drömmar, när Hasse Ekman friade till henne, att arbeta med teatereliten i Hollywood, hur kända spermier simmar motströms och givetvis en hel del om Lasse Hallströms rosa enhörningar. Här hittar du biljetter till Andra Akten.SAMTALSLEDARE: Kristoffer TriumfPRODUCENT: Ninni WestinDISTRIBUTION: AcastKONTAKT: MAIL och INSTAGRAM Hosted on Acast. See acast.com/privacy for more information.

I hela 40år har skådespelaren Rolf Lassgård stått på Sveriges teater och filmscener, där många nog har sett honom göra rollprestationer i bland annat ”Jägarna”, ”En man som heter Ove” och ”Min pappa Marianne”. Just nu är han aktuell tillsammans med Lena Olin i filmen ”Andra Akten” som precis haft premiär.Under vårt samtal så pratar vi mycket om hans långa karriär, de filmer som betytt mycket för honom och vad som krävs för att bli en riktigt bra skådespelare. Vi pratar också om hur han som 30-åring fick veta att mannen han trodde var hans pappa faktiskt inte var det, och hur han strax därefter sökte upp sin riktiga far. Dessutom hinner vi prata om mötet med Tom Hanks, stulen mat, rutiner inför en inspelning och massor av annat. Tusen tack för att du lyssnar!Ta del av våra kurser på Framgångsakademin.Beställ "Mitt Framgångsår".Följ Alexander Pärleros på Instagram.Följ Alexander Pärleros på Tiktok.Bästa tipsen från avsnittet i Nyhetsbrevet.I samarbete med Convendum. Hosted on Acast. See acast.com/privacy for more information.

I hela 40år har skådespelaren Rolf Lassgård stått på Sveriges teater och filmscener, där många nog har sett honom göra rollprestationer i bland annat ”Jägarna”, ”En man som heter Ove” och ”Min pappa Marianne”. Just nu är han aktuell tillsammans med Lena Olin i filmen ”Andra Akten” som precis haft premiär.Under vårt samtal så pratar vi mycket om hans långa karriär, de filmer som betytt mycket för honom och vad som krävs för att bli en riktigt bra skådespelare. Vi pratar också om hur han som 30-åring fick veta att mannen han trodde var hans pappa faktiskt inte var det, och hur han strax därefter sökte upp sin riktiga far. Dessutom hinner vi prata om mötet med Tom Hanks, stulen mat, rutiner inför en inspelning och massor av annat. Tusen tack för att du lyssnar!Ta del av våra kurser på Framgångsakademin.Beställ "Mitt Framgångsår".Följ Alexander Pärleros på Instagram.Följ Alexander Pärleros på Tiktok.Bästa tipsen från avsnittet i Nyhetsbrevet.I samarbete med Convendum. Hosted on Acast. See acast.com/privacy for more information.

Skådespelaren Lena Olin är minst sagt en av Sveriges främsta genom tiderna. I ung ålder slog hon igenom i en Ingmar Bergman film, och karriären gick bara uppåt efter det. Idag har hon gjort över 50 filmer, varit med i stora Hollywood-produktioner och underhållit oss från teaterscenerna. Hon är nu aktuell i nya filmen ”Andra Akten” tillsammans med Rolf Lassgård.Vi pratar om hennes väg in i skådespeleriet, hur hon slog igenom i Sverige och hur hon tog sig till USA. Men vid sidan av all framgång får vi också höra om en destruktiv relation med en man som misshandlade henne både fysiskt och psykiskt, där hon under en period blev ensamstående i Frankrike. Dessutom hinner vi prata om livet i New York, relationen med Lasse Hallström, kärleken till hundar och massor av annat!Ta del av våra kurser på Framgångsakademin.Beställ "Mitt Framgångsår".Följ Alexander Pärleros på Instagram.Följ Alexander Pärleros på Tiktok.Bästa tipsen från avsnittet i Nyhetsbrevet.I samarbete med Convendum. Hosted on Acast. See acast.com/privacy for more information.

Skådespelaren Lena Olin är minst sagt en av Sveriges främsta genom tiderna. I ung ålder slog hon igenom i en Ingmar Bergman film, och karriären gick bara uppåt efter det. Idag har hon gjort över 50 filmer, varit med i stora Hollywood-produktioner och underhållit oss från teaterscenerna. Hon är nu aktuell i nya filmen ”Andra Akten” tillsammans med Rolf Lassgård.Vi pratar om hennes väg in i skådespeleriet, hur hon slog igenom i Sverige och hur hon tog sig till USA. Men vid sidan av all framgång får vi också höra om en destruktiv relation med en man som misshandlade henne både fysiskt och psykiskt, där hon under en period blev ensamstående i Frankrike. Dessutom hinner vi prata om livet i New York, relationen med Lasse Hallström, kärleken till hundar och massor av annat!Ta del av våra kurser på Framgångsakademin.Beställ "Mitt Framgångsår".Följ Alexander Pärleros på Instagram.Följ Alexander Pärleros på Tiktok.Bästa tipsen från avsnittet i Nyhetsbrevet.I samarbete med Convendum. Hosted on Acast. See acast.com/privacy for more information.

Var ska vi börja? Så mycket spännande den här veckan att det flimrar framför ögonen. Ann kommer ut som trendschizofren hårdrockare utan catwalk-komplex. Riannas kille är bäst på Superbowl, men vilka framträdande ger oss postum musikorgasm? Megan Fox har slutat sexposa och raderat sitt instagramkonto, Anitha har spanat in Hollywoods nya kvinnliga sexincels, ”No penis near my body” och vi börjar syna mannens känsla för porr och vad den gjort med oss. Filip Hammars mysiga??? mytomani, medelklassens sorti från

Welcome back to your favorite podcast about some of the most notorious cinema bombs of all time. On this week's episode, the gang not only welcomes back Josh from The VHS Files Podcast but podcaster extraordinaire., Nate Simmons. This super team assembles to discuss 1999's superhero/comedy - Mystery Men. What do you get when you mix a first-time movie director and some of the funniest comedians of the 90's? Well, if the box office is any indication, a huge flop! The boys are ready to breakdown this hidden gem and see if the absurdhist humor and comic book satire work better in 2022. Was Mystery Men ahead of it's time? Can an entire film of improvisation and leftover sets from Batman & Robin stand out against the Marvel Cinematic Universe? Download and find out!Timestamps: Intro - (0:57), Comic Book Discussion - (4:40), Box Office Results and Critical Response - (21:40), Behind the Camera - (28:02), In Front of the Camera - (37:19), Production and Development - (54:50), Commercial Break - (62:41), Mystery Men Discussion - (65:03), Is it a bomb? - (124:16), Breaking Brad News - (137:32), Listener Suggestion - (139:14), and Outro - (145:38)Mystery is directed by Kinka Usher and stars Ben Stiller, Hank Azaria, WIlliam H. Macy, Greg Kinnear, Janeane Garofalo, Paul Reubens, Kel Mitchell, Wes Studi, Geoffrey Rush, Lena Olin, Eddie Izzard, Claire Forlnai, and Tom Waits.Please sure to check out The VHS Files wherever you get you podcasts and subscribe to their YouTube channel - The VHS Files YouTube. Be sure you subscribe to Nate's numerous podcasts:AIPT Comics - AIPT Comics on Apple PodcastsOh! That's a Scary Movie - Oh! That's A Scary Movie on Apple PodcastsThe Silver Linings Playlist - The Silver Linings Playlist on Apple PodcastsIf you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com. Also, if you like what you hear, leave a review on Apple Podcast. Cast: Brad, Troy, Josh, Nate

Köpa cigg till sina föräldrar, åka ensam till Hultsfredsfestivalen!? Vi pratar om sjuka saker vi tilläts göra som barn! Linnea Wikblad har sett en onanerande valross! Lena Olin har en kappa för 700 000!? Kristofer Andersson från P3 Klubben trendspanar musikåret 2023 och Elsa Billgren siar om mode och inredning! Dessutom: Amie Bramme Sey gör en vibecheck! Babs Drougge på P3 nyheter rapporterar om det sågade förslaget om sekretess för elslukare och slutlimmat för Extinction Rebellion. Programledare: David Druid och Linnea Wikblad

Daniel & Harry welcome film critic, author, and podcaster Shawn Levy to discuss Paul Mazursky's 1989 film Enemies: A Love Story, starring Ron Silver, Anjelica Huston, Lena Olin, and Malgorzata Zajaczkowska.They discuss what differentiates the experience of the Jewish immigrant to America in the early 20th century, analyze the film's exploration of survival through children, what's so special about fruit compote, and track how Herman's 3 wives represent his connection to his past, present, and future.As always, they close out the episode by ranking the film's "Jewishness" in terms of its cast & crew, content, and themes.IMDb - https://www.imdb.com/title/tt0097276/Trailer - https://youtu.be/a2CExCFMSakShawn's LinksCheck out Shawn's books here - https://shawnlevy.com/books/Follow Shawn on Instagram - https://www.instagram.com/shawnanthonylevy/Follow Shawn on Twitter - https://twitter.com/shawnlevyConnect with Jews on Film online:Instagram - https://www.instagram.com/jewsonfilm/Twitter - https://twitter.com/jewsonfilmpodYouTube- https://www.youtube.com/@jewsonfilmTikTok - https://www.tiktok.com/@jewsonfilmpod

I veckans avsnitt får vi lyssna på när Benny Rosenqvist berättar om filmprojektet Hilma af Klint. Benny berättar om den fantastiska film som skapats av Lasse Hallström, Lena Olin och deras dotter Tora Hallström. Hilma af Klints verk fick tas fram först 20 år efter hennes död, då skulle mänskligheten vara mogen. I veckans avsnitt får du höra Benny berätta om kontakten med Hilma i andevärlden och det gemensamma mediala arbete som ligger bakom filmen. det är en vacker historia om hur Benny blev kontaktad av Lasse Hallström för lite mer än ett år sedan. Producerat av Silverdrake FörlagRedaktör: Marcus Tigerdraakemarcus@silverdrakeforlag.sewww.silverdrakeförlag.se Hosted on Acast. See acast.com/privacy for more information.

The live show started with Mötley Crüe and got Mötley crude!! Paulo and Dori start off with Johnny Depp's grumpy, take a left at Lena Olin's bush and end up in Satan's Ally, as we realise that everything you say is now a phrase in The Urban Dictionary. Part 1: Johnny Depp Trial update. Part 2: How the 80s changed music - https://www.cracked.com/article_34031_15-ways-the-80s-changed-music.html?newsletter-cat=music&utm_source=dlvr.it&utm_medium=twitter Part 3: Movie Recommendations. Part 4: Whatsonthetapes - https://www.twitch.tv/whatsonthetapes Everything we discuss in this show can be found on @That80sShowSA on Facebook. WE'RE NOW ON INSTAGRAM @That_80sshow This podcast originally plays as a radio show with music - here are the songs we spoke about and played: Kickstart My Heart - Mötley Crüe. Buona Sera Ciao Ciao - Mauro.