Podcasts about movie night

Tony and Chris catch up on Jeep Talk Show with no interview this week after Gatekeeper Off-Road had to reschedule. They talk Ford Fest mud and rain, a listener since episode one, Anastasia and her husband's Ineos Grenadier, Gatekeeper knuckle lights on Tony's 2021 Gladiator, G-Tops versus one-piece glass roofs, Chris MCing BG4x4 Fest in Bowling Green, Ohio, and real-world use of the Thar inflatable truck camper. Plus new JTS extras: Movie Night watch-along and JTS Flix. Timestamps 00:00 – Off‑road lighting, Fourfest recap, and G‑Tops 21:14 – Bowling Green 4x4 Fest MC duties and event preview 26:22 – Thair Camper overview: inflatable vehicle camper 28:54 – Inflating the Thair Camper: pumps and pressure tips 34:53 – Thair Camper issues and Jeep Talk Show updates 52:39 – JTS Flix platform, show distribution, and disclaimer Key Highlights Gatekeeper Off-Road interview is postponed; knuckle lights on Tony's Gladiator sit low and turn with the wheels for fog, dust, and night driving Ford Fest was muddy and wet, but Chris met longtime listener Ram Mike and Anastasia plus her husband in an Ineos Grenadier on 38s G-Tops stay removable like Freedom Panels; Tony and Chris prefer them over 360/365 one-piece glass for open-air days and heat control BG4x4 Fest is Oct 2–3 at Wood County Fairgrounds: mud pit, sled pull by weight class, kids events, concert, drone show — bg4x4fest.com Thar Camper uses drop-stitch paddleboard material at about 5 PSI, drives inflated, sleeps like a tent with more insulation, and patches if it leaks Like the episode if this update hit home. Comment if you would run an inflatable camper on a Gladiator or pull a sled in an XJ. Subscribe so you do not miss the Gatekeeper interview. More at jeeptalkshow.com, jeeptalkshow.com/watchalong, and jeeptalkshow.com/watch. Support the Show & Shop Jeep Gear Thank you for watching and listening! If you enjoyed the conversation with Tony and Chris, consider checking out some of the great products and upgrades we discussed. Gatekeeper Off-Road JL/JT Steerable Knuckle Pod Light Mounts View on Amazon JeeTops / G-Tops clear Freedom Panels https://jeetops.com/ Thar Camper inflatable truck camper https://tharcamper.com/ Head to jeeptalkshow.com/amazon for the gear we actually use. Purchases through those links help keep Jeep Talk Show rolling at no extra cost to you.

We have responsibilities when it comes to following Jesus and He wants to trust us, but we need to prove that we can be trusted by obeying Him. Alexa Jo continues our Movie Night series with a superhero who knows all about great responsibilities.

Nick Styles (Oscar-winner Denzel Washington) is a hot shot LAPD cop-turned-Assistant DA who took off after publicly nabbing a murderous criminal named Earl Talbot Blake (Oscar-nominee John Lithgow) who ends up in prison afterwards.  Only Earl has other ideas.....not just escape, but REVENGE.:o So after a brutal prison scape, Earl plots to ruin Nick's life and terrorize every one involved with him.....and violent, sleazy chao ensues!  This was one of Denzel's first major starring vehicles and his first true action role not longer after his first Oscar win in 1990 - it was a minor hit upon release but has since become a cult classic not ony resulting Denzel's stardom but a genuinely over-the-top villain performance from Lithgow. (Is there any kind? :P)) Directed by Russell Mulcahy (Highlander, The Shadow), this hard-core '90's actioner also co-stars Ice T, Kevin Pollak, and Victoria Dillard. Host & Editor: Geoff GershonProducer: Marlene Gershon  Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comMax Spiers returns to the Bases Project with this first installment recorded at the MJM studio in Wiltshire. On this occasion, he meets with Miles Johnston, founder of the Bases Project, to discuss the topic entitled “The Attack on the Human Heart”. This content now becomes part of the scope of British Post Disclosure, especially after the official recognition by the British authorities of the existence of unidentified flying objects (UFOs), as well as the influence of non-human entities — or those originating from outside our world — on systems of power.According to Spiers, one of the main aspects of this control involves the suppression of human creativity and the deliberate destabilization of traditionally respected innovations. In this context, even the British monarchy is portrayed as a possible scapegoat, becoming, like many other structures, protected from hidden interests. As John Urwin has observed, such figures should be considered to belong to the “Second Degree” of relevance within this position of control.

Point Break 1991 Review is here, and Born to Watch is heading into the surf with Johnny Utah, Bodhi and the Ex-Presidents. Whitey, Dan, Gow and Damo revisit Kathryn Bigelow's action film to find out whether its mix of bank robberies, beach culture and skydiving still delivers. This is the movie review podcast where we don't take the movies or ourselves too seriously, and a film this gloriously committed to its own intensity gives us plenty to work with.For Whitey, Point Break was a video shop favourite and an easy Sunday afternoon watch. Dan and Gow have returned to it plenty of times over the years. Damo, despite being the crew's actual surfer, has barely revisited it since seeing it at the cinema. That makes for an interesting question: does knowing your way around a wave make this film more exciting, or make its surfing scenes impossible to ignore?Keanu Reeves plays Johnny Utah, a former college quarterback turned FBI agent who goes undercover among Los Angeles surfers. Patrick Swayze is Bodhi, the magnetic thrill-seeker at the centre of a crew that seems to live for the next wave. Gary Busey joins the ride as Utah's partner, Angelo Pappas. The boys get into the cast, the chemistry and the peculiar power Bodhi has to make everyone around him listen when he starts talking about freedom.They also take a close look at Kathryn Bigelow's direction. The action has a physical energy that helped make Point Break a favourite for a generation of viewers. But how much of the film holds together once the adrenaline wears off? The crew picks through the undercover investigation, the shifting pace of the story, and an ending that gives them plenty to discuss.Then Damo and Dan bring some surfing knowledge to the table. Watch closely, and a rider can appear to change stance, while separate waves seem to become one continuous ride. The night surfing draws particular attention. Whitey remembers being swept up in the film when he was younger, but Damo sees details that took him straight out of it. It turns into a lively argument about whether a film needs to get the sport right when the rest of the experience is this entertaining.Naturally, the conversation takes a few detours. There are memories of seeing the film at the cinema, stories from Whitey's video shop days, plenty of Patrick Swayze appreciation and a debate over Keanu's performance. The boys find time for Gary Busey, Australian accents and the question of which cast member really deserves to be called the star of the show. Damo also brings a Point Break inspired credit song that takes the episode somewhere even Johnny Utah might not have expected.The crew agrees on some moments and splits sharply on others. Nostalgia plays a part, especially for those who grew up with the film close at hand, but nobody lets a favourite movie escape a proper examination. From the beach fights to the airborne thrills, they revisit what makes Point Break so memorable and where it asks the audience to go along for the ride.There's also Film School for F-Wits and, of course, the Rank Bank. The boys have plenty to say about where this one belongs, but you'll have to listen to hear how the debate plays out. Bring your best Bodhi impression, keep an eye on those waves and join Born to Watch for a return to one of the most talked-about action films of the 1990s.Listen now and tell us: does Point Break still make you want to chase the next wave, or has Damo spotted something you can never unsee?#PointBreak #PointBreak1991 #PointBreakReview #BornToWatch #MovieReviewPodcast #PatrickSwayze #KeanuReeves #KathrynBigelow #90sMovies #ActionMovies

Based upon the long-popular video game, acclaimed directed Zach Cregger (Weapons, Barbarian) has brough his own vision of this beloved property to the big screen.  The focus this time is on a lowly courier named Brian (Austin Abrams) who is tasked with delivering an urgent medical specimen one snowy night outside of Raccoon City.  On an icy country road, he gets into an accident and hits some one .....once he stops to try to help this person, he gets a LOT more than he bargained for resulting in one crazy, scary night!  New, scary threats emerge from every corner and we follow Brian on his treacherous mission to deliver this item but more importantly, to SURVIVE the night.  Host & Editor: Geoff GershonProducer: Marlene Gershon  Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

We are starting a brand new series called "Movie Night" where we use our favorite movies and teach biblical principles from them. Pastor Joe kicks us off with teaching that we need good friends that will help us grow, and there's no better example than "Godzilla Vs Kong"

On the sixty-eighth episode of All the Film Things, I had the pleasure of interviewing Dave Karger! Dave Karger is an award-winning TCM host/ film expert/ author who's been an integral and beloved figure in the film industry for over 30 years now. Helmed by The Wrap as “this generation's mass media ambassador”, Dave has built an impressive career seamlessly moving from print to television. In his 17 years writing for Entertainment Weekly, Dave wrote over 50 cover stories whilst covering the Oscars, which earned him the clever title of “Oscarologist”. During this time he became the resident Oscars expert on the TODAY Show and has now appeared on the morning show more than 200 times. Dave was awarded the Publicist Guild Award in 2015 for his stellar work as an entertainment journalist. In 2018, Dave became a full time host on Turner Classic Movies (TCM) where he can regularly be found introducing classic films, especially every Saturday at 12 pm EST when he hosts “Musical Matinees”. His excellent first book, 50 Oscar Nights: Iconic Stars & Filmmakers on their Career- Defining Wins was published in 2024 and he's now releasing his second!Dave's second book, 50 Movie Nights: Contemporary Stars on Their Favorite Classic Films, was published by Running Press last week on September 15. The book features new interviews from 50 beloved stars and public figures from Scarlett Johansson to Paul Rudd to Bob Mackie sharing a classic film that has great personal resonance. It's a fantastic and enjoyable read so you absolutely should buy your copy now wherever books are sold, including Barnes & Noble and Amazon.  This is Dave's first appearance on ATFT! I am a longtime regular viewer of TCM, the best channel on television if you ask me, so I often watch and learn from Dave's introductions and conclusions of classic films on. When the news broke about Dave's new book, I was instantly looking forward to reading it because the concept was intriguing and one that I have taken to heart through this podcast for over four years now. No matter the format, each episode is connected through a shared passion of cinema and it's fascinating to learn about the films loved by the stars we admire. I greatly appreciate Dave for taking the time for this interview and Seta Zink for setting this interview up and allowing me this opportunity that I have long been striving for. This episode was recorded on September 2, 2026. In this episode, Dave shares how his admiration for one of his longtime favorite films Children of a Lesser God (1986) has grown through rewatches, how a few paparazzi photos led to him briefly being Angelina Jolie's “mystery man”, and what makes his new book 50 Movie Nights stand out from other TCM books. Dave also fondly reminisces about his nearly two decades writing for Entertainment Weekly and teases his third book. All this and much more on the latest episode of All the Film Things!Dave's photo credit: John NowakMusic credit: Background music created and used with permission by the Copyright Free Music - Background Music for Videos channel on YouTube.

09/23/26: Rocky Schneider is Executive Director of the Downtown Community Partnership. He joins Joel Heitkamp on "News and Views" to discuss upcoming events in Downtown Fargo. (Joel Heitkamp is a talk show host on the Mighty 790 KFGO in Fargo-Moorhead. His award-winning program, “News & Views,” can be heard weekdays from 8 – 11 a.m. Follow Joel on X/Twitter @JoelKFGO.)See omnystudio.com/listener for privacy information.

Four young women who are also long-time friends (Jada Pinkett-Smith, Queen Latifah, Vivica A. Fox, Kimberly Elise) living in Los Angeles find themselves increasingly desperate to the point where they decide to become bankrobbers.  Initially they're successful but then then things start to get increasingly complicated when one of them strikes up a romance with a local bank executive (Blair Underwood) and the local police (lead by John C. McGinley) begin to close in on them.  Directred by F. Gary Gray (Straight Outta Compton, Law Abiding Citizen, The Italian Job, Friday), this tense action thriller was a surprise hit when it was released thirty years ago this fall, also with a hit soundtrack which features some great music from En Vogue, Seal, and several other notable pop artists from this era. Host & Editor: Geoff GershonProducer: Marlene Gershon  Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Meg and Jessica put on their L'eggs pantyhose and “only at the office” slingbacks to enjoy the seminal feminist film 9 to 5. There was so much more going on than our ten-year-old selves knew! ❤️DollyPlease check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comRecorded at the 2nd International Bases Conference (2015), this raw, unusually long session features Max Spiers and Sarah Adams in a rare public double feature: part visionary talk, part film decoding, part unfiltered Q&A. What starts with mysterious paintings on stage quickly opens into out-of-body travel, high-vibrational beings, bloodlines, energy harvesting, and a blunt challenge to take your power back before the cycle repeats.Sarah describes a protective presence that followed her into the venue — then appeared painted everywhere she looked. She speaks of highly evolved, featureless energetic beings (not the Grays), starseed guidance, off-planet memory, and a warning she says she's carried for years: civilizations fall when they advance technology in 3D and abandon the inner world. One painting becomes a map: go inward. Another becomes a symbol of humanity in ruin — with one small, sparkling flower of consciousness still able to grow.Then they use cinema as code. A clip from The Island is treated as a near-perfect allegory: clones in a dome, farmed and lied to with lotteries and “vacations,” never told there's an outside world. From there the talk moves into vibrational layers, frequency “domes,” encoded fairy tales, Saturn and time-loop imagery, hybrid DNA, planetary wars, Earth as the heart of this corner of the universe, and the moon as a subconscious drain. Max frames the conflict as a war for the human heart. Sarah frames the way out as becoming the pilot of your own body, emotions, and will.The audience doesn't stay quiet. Questions hit chemtrails, remote viewing and out-of-body “espionage,” physical portals, black goo, Rh-negative blood, inner Earth, clone centers, bloodline definitions, a child's recurring dream of gray robot-like beings, and the then-breaking James Casbolt / MK-Ultra controversy. The answers are uneven, personal, and often confrontational — including disagreements with other public figures and a closing argument that some of what gets called “truth community” is itself programmed conflict.This is not a polished TED talk. It's 2015 disclosure culture in the room: paintings as portals, movies as manuals, emotion as language, and a repeated claim that humanity is at a window — evolve, reclaim sovereignty, or recycle the same war.

The Martian (2015) review lands on Born to Watch this week as Whitey, Gow and Will blast off to Mars for Ridley Scott's hugely entertaining tale of survival, science, potatoes and one very unlucky astronaut. The Movie Review Podcast, where we do not take the movies or ourselves too seriously, is tackling one of the most rewatchable science-fiction films of the last decade, starring Matt Damon as Mark Watney, a man forced to do what none of us could possibly manage: stay alive on Mars using his brains, determination and an alarming amount of human fertiliser.Directed by Ridley Scott and adapted from Andy Weir's novel, The Martian starts with a simple but brutal premise. During a mission to Mars, astronaut Mark Watney is struck during a violent storm, presumed dead and left behind as the rest of his crew evacuates the planet. One problem: Watney isn't dead.Now stranded millions of kilometres from Earth, he has limited food, no immediate way to communicate with NASA and years to wait before another mission could possibly reach him.Easy.The boys dive into why The Martian works so well despite essentially being Cast Away on Mars. Matt Damon has to carry huge sections of the film alone, yet Watney never becomes boring. He is smart, vulnerable, funny and constantly solving problems, usually just before another problem arrives and threatens to kill him.That's one of the things Whitey loves most about the movie. Watney doesn't magically get everything right. Things go wrong. Calculations fail. Equipment breaks. Plans collapse. Every solution seems to create another problem, giving the film an authenticity that keeps the tension alive.Will has recently read Andy Weir's novel, so we also get into the differences between page and screen. The book dives much deeper into the science behind Watney's survival and adds context for how qualified he is to handle the mechanical and botanical challenges thrown his way.Then there is that cast.Jessica Chastain, Chiwetel Ejiofor, Jeff Daniels, Kristen Wiig, Sean Bean, Michael Peña, Kate Mara, Sebastian Stan, Benedict Wong and Donald Glover help turn what could have been a one-man survival story into something much bigger.The boys have different picks when it comes to the standout performances, with Damon naturally getting plenty of love, while Jeff Daniels and Chiwetel Ejiofor also come in for some serious praise. Donald Glover might arrive late, but he certainly makes an impression.The episode also asks whether The Martian might represent the last truly great Ridley Scott movie. That opens the door to a run-through of Scott's extraordinary career, from Alien and Blade Runner through Gladiator, Black Hawk Down and American Gangster, before looking at some of his more recent efforts.Then there is the music.For a bloke trapped on another planet, Watney has access to plenty of tunes; unfortunately for him, Commander Lewis appears to have left him with a collection heavily weighted towards disco. It becomes one of the movie's best running jokes and naturally gives Born to Watch plenty to work with.The Good, the Bad and the Ugly gets into everything from Damon's performance and Watney's relentless problem-solving to the genuinely stressful HAB sequence, NASA's decision-making and a couple of moments where the science-fiction starts leaning a little more heavily on the fiction.The film also sparks plenty of discussion for its surprisingly positive outlook. Rather than turning Watney's rescue into a simple American hero story, The Martian becomes a global effort. Scientists, astronauts, and space agencies work together toward one objective: bringing one man home.Of course, this is Born to Watch, so somewhere between the intelligent discussion of orbital mechanics, survival psychology and Ridley Scott's filmmaking, things inevitably deteriorate.Potatoes are discussed.Human waste is discussed.Duct tape gets the respect it deserves.And Will's ongoing journey from Worky to potentially fully qualified podcast contributor continues under intense performance-review conditions.Strap yourself into the Hermes, pack enough potatoes and make sure someone remembered the duct tape.This is The Martian (2015) Review, Born to Watch style.#TheMartian #TheMartianReview #BornToWatch #MovieReviewPodcast #MattDamon #RidleyScott #ScienceFiction #SciFiMovies #AndyWeir #MoviePodcast

Co-directed by Stanley Tucci (The Devil Wears Prada, Spotlight) and Campbell Scott (Singles, Roger Dodger), this acclaimed culinary dramedy also co-stars both of them alongside a stellar cast of Oscar and Emmy nominees/winners including Tony Shalhoub, Minnie Driver, Marc Anthony, Allison Janney, and the late, great Sir Ian Holm.  This is the simple of story of two recently emigrated brothers (Tucci, Shalhoub) from Italy who start their own Italian restaurant on the New Jersey shore in the 1950's.  The food is great but business is slow, especially compared to a rival restaurant run down the street run by a much more business-savvy Italian owner played by Holm.  Then one night, a unique opportunity presents itself: popular jazz singer/musician Louis Prima is coming to town and he will be going to THEIR restaurant! :) So the brothers pull out all of the stops to prepare some great food and invite every one they know to have dinner there, resulting in one potentially.....BIG NIGHT. ;) Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Front Row Classics is pleased to welcome back Turner Classic Movies Host, Dave Karger. Dave has recently penned, "50 Movie Nights: Contemporary Stars on Their Favorite Classics Films". The book features insightful and warm conversations with 50 notable entertainment figures discussing their favorite classic films. Brandon and Dave chats about his experiences speaking with stars like Paul Rudd, Carol Burnett, Sarah Jessica Park, Anderson Cooper and Molly Shannon. The movies picked range from the entire history of film with titles like The Wizard of Oz, The Way We Were, Almost Famous and High Noon. "50 Movie Nights: Contemporary Stars on Their Favorite Classics Films" is available from TCM and Running Press wherever books are sold. 

50 Movie Nights Front Row Classics is pleased to welcome back Turner Classic Movies Host, Dave Karger. Dave has recently penned, “50 Movie Nights: Contemporary Stars on Their Favorite Classics Films”. The book features insightful and warm conversations with 50 notable entertainment figures discussing their favorite classic films. Brandon and Dave chats about his experiences … Continue reading Ep. 503- 50 Movie Nights with Dave Karger → Front Row Classics: A Hollywood Golden Age Podcast is made with Jetpack Podcast. Full show notes and every episode at https://classics136634685.wordpress.com/

Danny (Emmy-nominee Rob Lowe) and Debbie (Oscar-nominee Demi Moore) are two young Chicagoans who meet at their favorite bar, start to date, move in together....and eventually fall in love.  And they each have two best friends (Elizabeth Perkins, Jim Belushi) who have conflicting feelings about each of their new partners which sometimes complicates things.  That's pretty much the entire story but what made this romantic comedy so special forty years ago when it was first released was the writing, the performances, the '80's Chicago setting, and even the songs.  Co-written and directed by Edward Zwick (Glory, Love and Other Drugs, Blood Diamond, The Last Samurai), let's review what would end being one of THE prototypical rom-com's of its era. Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

 An alien lands in New York City…and decides Italians are delicious. Not Italian FOOD. Italians.Johnny Spoiler is back to audit somebody else's life for a change, and this week we're digging up one of the strangest forgotten movies of the '80s: EAT AND RUN, the 1986 sci-fi horror-comedy about a 400-pound alien named Murray who develops an appetite for the residents of Little Italy.Yes. This movie actually exists.Detective Mickey McSorely is trying to convince everyone that a giant alien is literally eating New Yorkers while Murray gets arrested, wins a court case, gets released on bail, dates a judge, and continues his culinary tour of Little Italy. Somehow, Mickey eventually winds up in more legal trouble than the extraterrestrial cannibal.We get into the movie's bizarre history, its New World Pictures connection, Ron Silver playing the whole thing surprisingly straight, Pat “R. L.” Ryan's connection to Street Trash, the off-screen kills, the Pavarotti gag, and why an 85-minute movie this insane still managed to lose Johnny before the final act. HOME VIDEO HEADLINES: Nick Nolte and Milo Gibson head into full-moon horror territory with Vested, Mikayla Matthews explains her exit from Hulu's The Secret Lives of Mormon Wives, and Johnny takes a detour through Utah involving Yellowstone locations, questionable steak sides, and the Blue Sapphire. We also preview The Musical, the dark comedy starring Will Brill, Gillian Jacobs and Rob Lowe that sounds suspiciously like somebody stole a movie idea directly out of Johnny Spoiler's brain. STAFF PICK: Music and Lyrics — Hugh Grant, Drew Barrymore, fake '80s pop music, and songs catchy enough to make you wonder why more fake movie bands don't release real albums. WATCH MORE MOVIES WITH USJohnny is digging through Prime Video for the good stuff, the weird stuff, the horror movies, and the movies somebody probably should have stopped from being made.Not an Amazon Prime member? Sign up through the Binge-Watchers link and help support the show: https://amzn.to/3UYKvNYBINGE NOW. BINGE LATER. NEVER BINGE ALONE. Binge-Watchers Podcast with Johnny SpoilerMovies. Horror. Streaming. Cult classics. Bad decisions.#EatAndRun #CultMovies #BingeWatchersPodcast

NBC's Chief Business Correspondent Christine Romans shares the best ways to disaster-proof your home. Also, actress Chelsea Frei stops by to discuss the latest season of her show Peacock's “The Paper”. Plus, “Turner Classic Movies” host Dave Karger showcases how he compiled interviews from Hollywood's biggest stars to learn about what films helped to inspire their extraordinary careers to create his book “50 Movie Nights: Contemporary Stars on Their Favorite Classic Films”. And, some beauty and fashion hacks that will help to make your busy mornings just a little bit easier. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comFilmed in Broadstairs, Kent — Charles Dickens' old stomping ground — this episode continues the raw 2014 conversation between Miles Johnston and Max Spiers at the home linked to Max's family. Picking up from earlier discussion of Max's difficult life and triggers, the talk goes deeper into origins and the bigger picture he describes. Max recounts being born to a “high vibrational” mother and “low vibrational” father and arriving perfectly balanced — then immediately imbalanced. He describes a brief, intense birth phenomenon (half red, half yellow down the center line, photographed and reported as a “Harley Quinn child”) that vanished after three minutes. He frames his life's work as finding the center point between those polarities.He identifies as a fallen male fire dragon from Draco, one of four elemental dragon types corresponding to air, earth, water and fire. The conversation weaves DNA spirals, reptilian/R-complex strands, the need to climb out of the 3D loop, longer cycles beyond the usual precession talk, and why polarity, war and extreme sensation keep this dense reality intact. Peace and true balance, he says, would collapse the 3D construct that certain beings want to preserve for the pleasures of the flesh — and for power extracted from suffering.The discussion also covers the fleur-de-lis, Sirius A/B/C, Merovingian and Dagobert connections, and English royal charts as galactic origin markers (Sirius, Orion, Aldebaran) displayed in plain sight; the Grail as consciousness, DNA and state of mind rather than a physical cup; the end of a fourth cycle with “only two left fighting” and echoes of the Hunger Games, Mortal Kombat and MK; the void, Goetian entities, Crowley, Boleskine, an unclosed gate at Loch Ness, energy vampires, fear and deals; an older council, end times, the ouroboros/Möbius loop, double binds and why confusion keeps souls looping; the 39 Steps in Broadstairs, reversals and black sun symbolism; and personal lineage ties including the Black Prince, a Percy ancestor at Shrewsbury, Stewart and Diana bloodline connections, plus Canterbury as a soul-level birthplace.This is unscripted, wide-ranging and characteristic of the Bases series: bloodlines, interdimensional conflict, 3D as a maintained polarity game, and Max's claim of both participating in and trying to step off that game.

This Is Spinal Tap Review takes Born to Watch somewhere few podcasts dare to go: backstage with Britain's loudest band, where amplifiers go to eleven, drummers have an alarming mortality rate, Stonehenge has serious measurement issues, and a beautiful piano composition can somehow be called “Lick My Love Pump”.Whitey, Damo and Dan are back to revisit Rob Reiner's 1984 mockumentary masterpiece, This Is Spinal Tap, a movie that barely made a ripple when it first arrived but went on to become one of the most influential comedies ever made. More than four decades later, the question is simple: is Spinal Tap still funny, or has the volume finally been turned down?For Whitey, the film has grown with every viewing. Watching it as a teenager meant missing half the jokes, but coming back to it years later reveals just how clever the movie really is. Damo is firmly aboard the Tap train, while Dan comes into this one having seen plenty of famous scenes over the years without previously sitting through the whole film from start to finish.That gives us the perfect mix for a Born to Watch review.The boys dive into what made This Is Spinal Tap so revolutionary. Rob Reiner, Christopher Guest, Michael McKean and Harry Shearer created something that looks and sounds so much like a genuine rock documentary that audiences could be forgiven for wondering whether Spinal Tap was actually real.And that is where the genius lives.There are no desperate punchlines or actors screaming at the audience to tell them where the joke is. The characters play everything completely straight. The stupidity is delivered with total sincerity, whether Nigel Tufnel is protecting a guitar that cannot even be looked at, Derek Smalls is calmly navigating another band catastrophe, or David St. Hubbins is watching his musical empire slowly fall apart.Then there are the moments that have become comedy folklore.Stonehenge.The amps that go to eleven.“Lick My Love Pump”.Smell the Glove.The constantly changing drummers.Getting hopelessly lost backstage.And some very questionable objects stuffed inside some extremely tight trousers.The boys pick apart their favourite scenes, with Dan loving the absurd brilliance of "Lick My Love Pump", Damo championing Nigel's priceless guitar collection scene, and Whitey finding himself laughing harder at the film than he ever has before.But this episode goes well beyond simply quoting the classics.The crew ask whether This Is Spinal Tap became the blueprint for the mockumentary format that followed. Would shows such as The Office and countless other mockumentary films and television series have existed in quite the same way without Reiner and the Tap boys showing everyone how it could be done?There is also plenty of love for the supporting cast and cameos. Billy Crystal, Dana Carvey, Fran Drescher, Fred Willard, Bruno Kirby, Paul Shaffer and Anjelica Huston all enter the conversation as the boys realise just how much talent is scattered throughout the film.Naturally, the episode also explores Spinal Tap's extraordinary musical history. The band's fictional back catalogue might contain some of the greatest album titles never released by a real band, from Intravenous DeMilo and Shark Sandwich to Smell the Glove, Silent but Deadly and the magnificent Bent for the Rent.Then it is time for all the regular Born to Watch madness.The Good, the Bad and the Ugly digs into what still works, what might require multiple watches to truly appreciate, and whether there is actually much "ugly" to complain about. The boys agree this movie is packed with jokes that are incredibly easy to miss the first time around, making repeat viewings almost essential.There is also Question Time, Quick Fire, Film School for F-Wits, plenty of musical detours and, naturally, another Kick Arse Credit Song from Dan.More than 40 years after its release, This Is Spinal Tap remains one of those rare comedies whose influence has become almost bigger than the movie itself. Its jokes have entered everyday language, its characters feel strangely believable, and its commitment to playing absolute stupidity completely straight remains almost impossible to replicate.So grab your guitar, prepare the miniature Stonehenge, sniff the feedbag and make sure your amplifier has that all-important extra number.Because Born to Watch is turning this episode up to eleven.Join the Born to Watch crew If you love movies but don't believe they need to be treated like sacred works of art, you've found your people. Follow the podcast, share the episode with a mate, jump onto the socials and tell us which movie deserves the Born to Watch treatment next.#ThisIsSpinalTap #ThisIsSpinalTapReview #BornToWatch #MovieReviewPodcast #SpinalTap #RobReiner #ChristopherGuest #80sMovies #ComedyMovies #Mockumentary

After watching Mia'Kate Russell's latest movie Penny Lane is Dead, I was fully prepared to write a review. It's totally clear she's a massive horror junkie who has a serious passion for the genre and knows exactly how to make a story work. But then I figured... why write a review when I can just talk to her directly?So, I brought Mia'Kate onto the pod to chat about all things filmmaking, makeup effects, and how she crafted this spooky season gem! This was an excellent convo. I felt like I was talking to an old friend and we couldn't stop talking horror. Do yourself a favor: go over to Shudder, use their free trial offer and start streaming Penny Lane is Dead right now.After watching Penny Lane go to her website and check out her short films: www.miakaterussell.com Enjoyed this episode? Stay connected!If you're not doing so already, make sure to follow Classic American Movies on Instagram for mini movie reviews, trivia, and behind-the-scenes updates!Also, head over to www.ClassicAmericanMovies.com to check out my  full-length, in-depth movie reviews and blog posts.

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An interview with Dave Karger, TCM host and author of "50 Movie Nights"

A group of troublemaking teenage boys decide to take a stand when terrorists seize control of their boarding school.That's the official IMDB description and pretty much all you need to know. ;) Released thirty-five years ago, this was one of several '90's action films inspired by Die Hard - this "Die Hard with Teenagers" was directed by Daniel Petrie Jr. (In The Army Now) and it stars Sean Astin, Will Wheaton, Andrew Divoff, Keith Coogan, Mason Adams, Oscar-nominee Denholm Elliott, George Perez, TE Russell, and Oscar-winner Louis Gossett.  Let's go back to school! Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

We are excited to announce the first batch of confirmed presenters, authors, and entertainers who will be appearing at RetroMagic California — February 6-7, 2027, at the Embassy Suites Anaheim South. IMAGINEERS: Barry Braverman, Tony Baxter, John DeCuir Jr., Tim Delaney, Peggie Fariss, Bob Gurr, Joe Lanzisero, Tom Morris, Chris Runco, & Frank Stanek AUTHORS AND HISTORIANS: Bethanee Bemis, Bill Cotter, Fox Nolte, & Todd Tuckey ENTERTAINER & PODCASTER: Tammy Tuckey And of course, your hosts, from the RetroWDW podcast: Todd, Brian, JT & How! General admission tickets are $175 each and include two days of presentations, a catered lunch on Saturday, and our popular “Movie Night” on Saturday evening. Premium Seating tickets are $230 each and include everything mentioned above PLUS classroom-style seats with tables (closest to the stage) and early ballroom entry. A limited number of tickets are available at retromagic.net.

This is the story of a divorced, burnt out ex-army sniper-now- superintendent (Adria Arjona) of a remote trailer park in the deserts of New Mexico who has her young daughter (Blake Kennedy) for one weekend....and is soon tasked with trying to protect her once a new brutal threat emerges. This threat is a trio of murderous super-soldiers who have broken out from a nearby military experimentation facility....and they are brutally wiping out everyone in their path!

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comMax Spiers recounts personal experiences regarding clandestine surveillance, encounters with unidentified entities, and the complexities of human consciousness. Through a detailed exploration of historical symbolism and multidimensional concepts, this conversation examines the struggle for autonomy against systemic programming and the pursuit of reclaiming one's true identity.

This week on Born to Watch, we head into Prohibition-era Chicago for The Untouchables 1987 Review, revisiting Brian De Palma's stylish gangster classic starring Kevin Costner, Sean Connery, Robert De Niro and Andy Garcia. It's cops, Capone, Tommy guns, questionable accents, immaculate suits and enough testosterone to make this one of the great 1980s sausage fests. More importantly, this special episode is dedicated to our great mate Chupperz, who requested the film. Chupperz, this one is for you.Released in 1987, The Untouchables takes us into the battle between federal agent Eliot Ness and Chicago crime boss Al Capone. Kevin Costner plays Ness as the ultimate straight-laced good guy, determined to bring Capone down legally, at least until Chicago starts teaching him that playing by the rules might not be enough.Enter Sean Connery as Jimmy Malone.Connery won the Academy Award for Best Supporting Actor for the role, and the boys spend plenty of time discussing whether he is also the real star of the movie. Malone brings the experience, attitude, and gravitas Ness needs, along with one of the best approaches to law enforcement ever put on screen. If they pull a knife, you might want to start thinking about bringing something slightly more substantial.Then there's Andy Garcia as George Stone, young, ridiculously cool, deadly accurate and sporting enough back hair to qualify as an additional cast member. Garcia doesn't need many lines to make an impression. He simply turns up, looks cool and shoots people with an accuracy that would make most action heroes jealous.And then we get Bobby De Niro.Robert De Niro goes full method as Al Capone, putting on the weight and delivering a wonderfully smug, intimidating performance. The problem? Whitey wants more of him. A lot more. The discussion turns to whether The Untouchables missed an opportunity by keeping Capone relatively limited, instead of giving De Niro more screen time and letting the film explore both sides of the battle.There's also plenty of love for Brian De Palma's direction. This movie is packed with memorable filmmaking, from brutal moments of violence to beautifully constructed suspense. The famous Union Station sequence remains the standout, slowly tightening the tension before everything explodes. Even if the boys have a few questions about that pram, the woman carrying it, the strangely busy midnight railway station and why nobody thought to give her a hand.The episode also digs into Ennio Morricone's brilliant score, one of the elements that immediately gives The Untouchables its identity. The music is bold, instantly recognisable and a massive part of why the movie still feels so cinematic decades later.Of course, this is Born to Watch, so respectful film analysis only lasts so long.The boys question continuity problems, Sean Connery's Scottish take on an Irish accent, Frank Nitti's questionable escape plan, Capone's all-in-one grooming experience, Costner's white-knight energy, and whether a piece of paper listing bribed jurors would really be enough to send a courtroom completely sideways.There's also the usual trip through The Good, The Bad and The Ugly, Snorbs Report, Film School for F-Wits, quotables, trivia and the random tangents that somehow turn a discussion about a Brian De Palma gangster movie into conversations that have absolutely no right being there.But beneath all the piss-taking is genuine appreciation for a movie that still looks fantastic. The costumes, locations, production design and old-school filmmaking give The Untouchables a scale and atmosphere that remains impressive nearly four decades later.Is Costner charismatic enough to carry it? Is Connery actually the MVP? Should De Niro have been given far more screen time? Is the Union Station shootout still one of the great action sequences of the 1980s?And most importantly, where does The Untouchables eventually land in the sacred halls of the Born to Watch Rank Bank?You'll have to listen to find out.JOIN THE CONVERSATIONThink The Untouchables is an untouchable 1980s classic? Let us know your favourite scene, character and quote. And if you've got a movie you think deserves the full Born to Watch treatment, send it our way. Just remember, as Chupperz discovered, getting your movie selected also means giving the boys permission to absolutely tear it apart.Born to Watch, the Movie Review Podcast where we don't take the movies, or ourselves, too seriously.#TheUntouchables #TheUntouchables1987 #BornToWatch #MovieReviewPodcast #KevinCostner #SeanConnery #RobertDeNiro #AndyGarcia #BrianDePalma #80sMovies

Ben and Hank watched a bunch of Video Game Movies. The movies: Sweet Home (1989)Super Mario Bros.(1993)Animal Crossing: The Movie (2006)Like a Dragon (2007)Ace Attorney (2012)Email: SaltCirclePodcast@gmail.comBluesky: saltcirclepod.bsky.socialHank's Bluesky: @comicpanels.bsky.socialThe Burning Barrel Discord: discord.gg/jBDGW5jTheme Song: topianmusic.bandcamp.com/Youtube: youtube.com/@saltcircleHank's Youtube: youtube.com/@Iam3DHomerBen's Youtube: youtube.com/@Dratheus

Multimillionaire newspaper tycoon Charles Foster Kane (Oscar-winner Orson Welles) dies alone in his extravagant mansion named Xanadu, speaking a single word: "Rosebud."  In an attempt to figure out the meaning of this word, a reporter tracks down the people who worked and lived with Kane.  They tell their stories in a series of flashbacks which reveal much about Kane's life but not enough to unlock the riddle of his dying breath.  This was the film directorial debut of Orson Welles who was also an actor and playwright at the time of release, bringing over much of the cast from his renowned Mercury Theatre troupe to play key roles including Joseph Cotton, Dorothy Comingore, Everett Sloane, Ray Collins, George Coulouris, and Agnes Moorehead.  As the story was loosely based on the life of then media magnate William Randolph Hearst, it never achieved the necessary level of release in theaters to eneable it become commercially successful though the film was nominated for nine Academy Awards including Best Picture, along with both Best Actor and Best Director for Welles.  The only Oscar it would win would be Best Original Screenplay for Welles and co-writer Herman J. Mackiewicz.  Over time, its reputation has only grown and it is now considered by many critics and cinephiles to be one of the greatest if not THE best American film of all time. Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comBritish survivor Max Spiers and his colleague Monika Duval conducted a final couch interview in Warsaw, Poland, shortly before Spiers's untimely death. During the interview, Spiers discussed secret military programs, the effects of sound frequencies, and claimed he was targeted by physical and psychic attacks.

Romantic friendships, flashlit faces, and perpetual comings-of-age… Oh lawd, it's about to get pretty dark! Join these ‘90s kids as they round all the bases on this beloved staple. Together, they'll do s'more reflecting on the “mature themes” and childlike wonder that combined forces to make this film such a classic, take a closer look at the scenes that made multiple generations cheer, shudder, and smile, and get just a lil emotional about the finite nature of life (and baseball). If this Existential Summer is reminding us of one thing, it's that life goes by way too fast – and we should take chances when they spit on our shoes. Email us at thatsprettydarkpodcast@gmail.com Give to our Patreon for extra content: patreon.com/tpdpodcast Follow us on Instagram and Facebook @thatsprettydarkpodcast Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on Born to Watch, we sink our teeth into a Fright Night 1985 Review, revisiting one of the most recognisable vampire movies of the VHS era. For Whitey, this one comes loaded with childhood nostalgia, a movie discovered through an unforgettable video shop cover and watched countless times growing up. For Gow and Damo, however, this is essentially fresh blood. So, after more than 40 years, does Fright Night still deliver the perfect combination of horror, comedy and '80s vampire cool, or should some childhood favourites remain safely buried in the past?Directed by Tom Holland, Fright Night stars William Ragsdale as Charlie Brewster, a teenager who discovers that his charming new neighbour, Jerry Dandrige, is actually a vampire. Naturally, nobody believes him. Not his mum, not his girlfriend Amy, not the police, and certainly not washed-up television horror host Peter Vincent. Unfortunately for Charlie, Jerry knows that Charlie knows, and things are about to get considerably more complicated.The boys start with the nostalgia factor, and this might be one of the biggest tests yet of whether childhood memories can survive a modern rewatch. Whitey remembers Fright Night as the ideal gateway horror movie, scary enough for a young teenager but funny and accessible enough to keep bringing him back. Gow and Damo don't have that emotional safety net, so they judge the film in the cold, unforgiving light of 2026.That difference produces exactly the sort of Born to Watch discussion you'd expect.Chris Sarandon's Jerry Dandrige gets plenty of attention. Smooth, ridiculously confident and rocking some magnificent '80s wardrobe choices, Jerry might be the strongest thing the movie has going for it. The nightclub sequence gets examined, the seductive vampire powers are discussed, and Whitey can't help noticing some serious Michael Douglas vibes years before Basic Instinct arrived.Then there's Roddy McDowall as Peter Vincent, the former movie vampire killer who discovers that dealing with the real thing is considerably different from acting in front of a camera. The boys look back at McDowall's incredible career, from Planet of the Apes to his decades of film and television work, while deciding just how much Peter Vincent adds to Fright Night.But we need to talk about Evil Ed.Oh dear.Stephen Geoffreys' performance becomes one of the episode's biggest talking points, and not necessarily for the reasons the filmmakers hoped. Is Evil Ed deliberately annoying? Is he supposed to be funny? Is he operating in a completely different movie from everybody else? And most importantly, just how high can the Born to Watch annoyance scale actually go?The boys also dive into Amanda Bearse as Amy, William Ragsdale's Charlie, Charlie's questionable decision-making, Jerry's supernatural seduction abilities and the wonderfully bizarre logic that comes with trying to convince the police that the bloke next door is a vampire.There is plenty to admire visually. The practical effects still provide some of Fright Night's strongest moments, particularly as the film heads towards its creature-heavy finale. Melting faces, transformations, wolves, vampires, mist-covered houses, and gloriously physical '80s effects all remind us why this era of horror still has such a passionate following.Naturally, being Born to Watch, the conversation doesn't remain focused on vampires for very long.The boys wander through the movies of 1985, revisit the glory days of video shops, discuss horror films as a childhood rite of passage, remember a time when Australian television had only a handful of channels, somehow find their way into Married... with Children, debate vampire rules and take several conversational detours that absolutely nobody planned.There's also the usual critical analysis, questionable observations, movie trivia, overs and unders, the trailer breakdown, the Good, the Bad and the Ugly, and enough inappropriate vampire discussion to ensure Bram Stoker is spinning violently in his grave.The biggest question, though, remains simple.Can nostalgia save Fright Night?For one member of the Born to Watch crew, this was once a genuine childhood favourite. Decades later, surrounded by two first-time viewers and forced to examine every strange performance, plot decision and ageing effect, those memories are about to face their toughest test yet.Grab the garlic, check the mirrors, lock the bedroom window and whatever you do, don't invite the new neighbour inside.It's time for Fright Night on Born to Watch.Born to Watch, the movie review podcast where we don't take the movies, or ourselves, too seriously.#FrightNight #FrightNight1985 #FrightNightReview #BornToWatch #MovieReviewPodcast #80sMovies #80sHorror #VampireMovies #HorrorMovies #CultMovies

Rest In Peace to the legendary Dolly Parton. (1946 to 1986)In honor of he recent tragic passing, what better way to remember her than to review this '80's comedy classic, which was also her big screen debut.  Directed by Collin Higgins (Foul Play, The Best Little Whorehouse in Texas), this is a frenetic tale of sexism, office politics, suspected murder, and REVENGE.  It focuses on three beleaguered co-workers at a fictional conglomerate named Judy (Oscar-winner Jane Fonda), Violet (Emmy-winner Lily Tomlin), and Doralee (Grammy-winner Dolly Parton)....and their despicable boss Frank played by late, great Emmy-winner Dabney Coleman (Tootsie, Wargames).  Frank has taken things way too far with his behavior as he has mistreated them all terribly, then an accident occurs, and then hilarity ensues!  Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comIn this 2014 segment from the Bases 37 interviews (conducted by Miles Johnston in Broadstairs, Kent), Max Spiers discusses alleged occult and programming elements within the music industry.  He connects pop music and celebrity culture to bloodline rituals, referencing Aleister Crowley's unfinished work at Boleskine House, the 72 demons associated with King Solomon, energy grids, and portals. Spiers claims the industry harvests individuals from specific bloodlines for ritual purposes, citing examples involving Bob Geldof, the death of Peaches Geldof, and Michael Hutchence. He references James Casbolt's list of “endangered” people and links these themes to broader claims of satanic networks, Live Aid symbolism, NHS tracking, and Project Oak Tree.  The conversation also covers reptilian/inner-earth influences (including the Rothschild family as intermediaries), the Black Sun, Montauk-related time travel, crystal skulls, reincarnation cycles tied to the precession of the equinoxes, and Spiers' own reported super-soldier experiences (implants, DNA aspects, and early trauma). The interviewer interjects frequently. The segment ends with comments on shifting planetary forces and a possible reset.  This is one extracted portion of the larger multi-part Bases 37 series.

If a movie was ever made for the Born to Watch treatment, this is it. In our Rambo III 1988 Review, Whitey is joined by two certified '80s action tragics, Bones and DJ Glazby, to revisit Sylvester Stallone at his biggest, most shredded and possibly most ridiculous. The Russians are back, Colonel Trautman needs rescuing, Afghanistan is the battlefield, and John J. Rambo is about to discover that retirement is apparently not an option.For Whitey, Rambo isn't simply another action franchise. John J. Rambo has basically been part of his movie-watching life forever, and Rambo III was the first instalment he saw on the big screen. Bones and Glaz have similar credentials, with all three admitting they've probably watched these movies more than 100 times. That level of unhealthy familiarity can only mean one thing: two hours of remembering lines, picking apart scenes and asking questions nobody involved in the production ever expected anyone to ask.Released in 1988, Rambo III takes everything from the previous film and turns the dial past eleven. Bigger budget. Bigger explosions. Bigger weapons. Bigger muscles. Bigger hair. Stallone is in absolutely outrageous condition, sporting a physique that sends the boys down several completely unnecessary conversational rabbit holes.The story begins with Rambo attempting to live a peaceful life in Thailand before Colonel Trautman arrives asking for help with a mission into Afghanistan. Rambo declines, Trautman heads off without him and promptly gets himself captured. Naturally, Rambo changes his mind and goes after his old mate.Simple.What follows is peak late-'80s action excess.The boys dive into Rambo's magnificent opening stick fight, that red headband, the suspiciously dangerous spectator arrangements and the logistical nightmare of figuring out who exactly everyone is betting on. There are questions about the ridiculous staircase Trautman climbs to find Rambo, Rambo's magnificent 1988 hair and whether Colonel Trautman might be one of the oldest soldiers ever voluntarily sent behind enemy lines.Then there's Stallone himself.Rambo talks considerably more this time around, although nobody is going to mistake him for Shakespeare, and the boys discuss whether Sly knew exactly what sort of movie he was making or genuinely believed there was something much more profound buried underneath all those explosions.One thing everyone can agree on is that the practical action still looks fantastic.Real explosions, squibs, stunt work, enormous military hardware and physical effects give Rambo III a weight that many modern CGI-heavy action movies struggle to recreate. The cave sequence in particular gets plenty of love, with Whitey arguing that Rambo hunting enemies through the darkness is exactly where the character is at his best. Even the sound of Rambo firing an arrow gets nominated as one of cinema's great instantly recognisable noises.There's also plenty of behind-the-scenes madness. The film carried an enormous budget for its time, went through a director change early in production and ultimately became one of the biggest action productions of its era. Somehow, the Razzies still came calling, something the boys have very strong opinions about.Because this is Born to Watch, Rambo III also leads us into the wider Rambo universe. The boys attempt to rank the entire franchise, debate First Blood versus the increasingly outrageous sequels, revisit Rambo II and discuss where Rambo III belongs among Stallone's greatest action achievements.And then comes the most important question.Does Rambo III still work?It's too long. It's incredibly stupid in places. Its politics have aged in fascinating ways. Colonel Trautman may be surprisingly useless. But when Stallone picks up the bow, the explosions start, and that glorious Jerry Goldsmith score kicks into gear, none of that seems to matter quite as much.This is Born to Watch, The Movie Review Podcast where we don't take the movies, or ourselves, too seriously.Strap yourself in, tighten the headband and prepare for peak Stallone.Rambo III is back.#RamboIII #Rambo #SylvesterStallone #80sMovies #80sAction #ActionMovies #MovieReview #BornToWatch #MoviePodcast #Stallone

It's time to discuss another K-movie, The Face Reader starring Parasite's Song Kang Ho, pod faves Jo Jeong Seok, Lee Jong Seok, Kim Hye Soo and Lee Jeong Jae. Also: snacks!(0:00) - Intro, Jal Meogisseubnida, KDrama ketchup(1:20:55) - The Face Reader discussion(1:40:20) - Snack corner(1:45:20) - Ask Lynn UnnithingIf you like this episode, please subscribe and leave us a rating and review!Follow us on Instagram @unnisonoppaspodUse of our theme music, “Pickled Pink” by Kevin MacLeod, is permitted under Creative Commons license CC0 1.0

A Weekend in Fun recap, a car ghost rode itself into our office complex and we can't make sense of it, Good Good and Callaway collaborated on a driver and they might want the promo clip back, and Dave talks about movie night at the Ruff house. Support us on Patreon and receive weekly episodes for as low $5 per month: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/circlingbackpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch all of our full episodes on Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/6GWLSnyJKGMDIWsYC0RBG2?si=f9e2bcc01d2a4573&nd=1&dlsi=dd35daf7973642a1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch all of our full episodes on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/washedmedia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shop Washed Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.washedmedia.shop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • (00:00) Fun & Easy Banter • (10:00) Recapping This Weekend in Fun • (37:05) A car crashed into our office complex • (46:40) Good Good/Callaway collab • (1:03:50) Movie Night at Ruff House Support This Episode's Sponsors: - Poncho: Go to https://ponchooutdoors.com/STEAM for $10 off your first order and free shipping. - Ridge Wallet: Go to https://ridge.com/ and use code STEAM for 10% Off and enter - Ridge Wallet: Go to https://ridge.com/ and use code STEAM for 10% Off AND a chance to win Ridge's biggest sweepstakes ever—a Lamborghini Huracan Sterrato, a Hennessey Velociraptor, A Ford Bronco or $100,000 in cash. - Rhoback: Go to ⁠⁠⁠⁠https://rhoback.com/⁠⁠⁠⁠ and get 20% off your first purchase with code LUTES20 Learn more about your ad choices. Visit megaphone.fm/adchoices

Liv, Brad, and Jake have a grand time dissecting Spielberg's latest non-human biologics picture. They discuss everything from poorly painted Alien artifacts to bizarre boomer film transition techniques. Jake discovers a promising Colin Firth impression. This is ground truth podcasting. Subscribe for $5 a month to get all the premium episodes: www.patreon.com/qaa Check out our new podcast series network Cursed Media! All episodes of Spectral Voyager Season 2 are out now! Binge the entirety of Truly Tradly Deeply by Annie Kelly and Megan Kelly as well as Science in Transition by Liv Agar and Spencer Barrows: cursedmedia.net Produced by Liv Agar & Corey Klotz. Theme by Nick Sena. Additional music by Pontus Berghe and Jake Rockatansky. Theme Vocals by THEY/LIVE (instagram.com/theyylivve / sptfy.com/QrDm). Cover Art by Pedro Correa: (pedrocorrea.com) qaapodcast.com QAA was known as the QAnon Anonymous podcast.

In honor of its recent 35th Anniversary, here is our newly remastered (with additional content) review of one of The Most Beloved Action Films of the '90's!This is the tale of an undercover FBI agent and a surfing bank robber thrust together through fate – Keanu Reeves (John Wick, Speed) plays the FBI agent and the late great Patrick Swayze (Dirty Dancing, Ghost) plays the bank robber.  Oscar-winner Kathryn Bigelow (Zero Dark Thirty, The Hurt Locker) directs them alongside Gary Busey, John C. McGinley, and Lori Petty in one of the more quotable action films in cinema history.  100% Pure Adrenaline!  Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

We're unapologetically full of Love Island UK Series 13 from the early Ellie and Samraj dumping twist to the sleepover, Casa Amor, Movie Night, Grafties and more all with a special guest co-host, Keagan.Check us out on Instagram, TikTok and YouTube @also_podcast. Join our patreon for exclusive content and early episode releases: patreon.com/alsopodcastBrowse our merch: also-podcast.myspreadshop.com/

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comIn this episode of Bases at the Barge Part Two, the host sets the scene amid nearby military bases before Max shares his personal story, beginning with his childhood in Brighton and Lewes, England, and a brief period living near alleged jump rooms in Los Angeles. He describes early occult family influences, recurring out-of-body experiences, and later realizations about trauma-based mind control techniques refined by Nazi doctors with input from non-human entities, creating dissociative alters programmed for specific purposes. Max recounts recovered memories of childhood rituals at a swimming pool complex, involvement in breeding programs, a severe 2008 crisis when multiple alters surfaced leading to assault, hospitalization, and what he believes was a reprogramming stay, as well as his ongoing deprogramming work. The session continues with audience questions exploring bloodlines, time manipulation, CERN, elite pedophilia as energy harvesting, DNA alterations, spirituality, and the potential activation of sleeper programs, offering a raw and detailed account of his experiences and broader interpretations of hidden agendas.

We're doing a movie night, where the National Archives and the city of Philly stock footage are main characters. We also pitch our own Hallmark movie directed by Bruce LaBruce about mismanagement set at the Mütter Museum.  Transcript: https://pastecode.io/s/q6fbce2p  Join the Discord: https://discord.gg/qWPTurTnkT

Just a year after he received his first two Oscar nominations for both starring in and directing Henry V, Oscar-winner writer/director Kenneth Branagh (Belfast, Thor, Murder on the Orient Express) directed and starred in this dazzling modern reinvention of the sort of suspense thrillers which Alfred Hitchcock had specialized in several decades prior.  The story focuses on a mysterious woman (Oscar-winner Emma Thompson) who has lost her memory, the private detective (Branagh) who has been tasked with helping her find out her memory, and.....how this mystery connects to the tragic passings in the 1940's of Roman and Margaret Strauss (Branagh, Thompson), a composer and musician who fell in love.  What results is passion and danger for all involved!  Also co-starring Andy Garcia, Derek Jacobi, Wayne Knight, and Robin Williams, this twisty and time-bending tale of love and loss remains an almost forgotten gem from thirty-five years ago.Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comIn this rare 2015 Bases at the Barge event, held at Coronation Hall, Max Spiers and Sarah Adams share their personal experiences as alleged program participants connected to James Casbolt. The evening opens with the host explaining the venue change from the previous year, the sensitive nature of the material, and some background on crop circles, time-space anomalies, and reported underground activity. Miriam then leads a short grounding to create a safe space for the speakers.Sarah begins by describing her unusual childhood split between France and the United States, her family's noble bloodlines, time spent around military bases, and an extreme, isolated upbringing that she believes was designed to push certain abilities to the surface. Together with Max, she discusses targeted programs that place selected children under intense emotional stress, the existence of pocket dimensions and multiple frequency layers, and systems that allegedly harvest human energy. The conversation moves into her memories of Mars, nuclear conflicts that affected multiple dimensions, and how advanced beings supposedly came to depend on life-force energy taken from humans—particularly children. They also explore ideas around soul recycling involving the Moon and Saturn, the way movies often encode the same information, and the broader planetary shift that is bringing greater public awareness.Throughout the talk the pair field questions from the small audience on interdimensional beings, soul attachments, patterns of abuse, and practical ways people can respond in the present lifetime through creativity, subtle-energy awareness, and waking up rather than waiting for death. The atmosphere remains relaxed and conversational, offering a raw and wide-ranging look at topics that were still largely underground in 2015.

Tony keeps freezing mid-sentence, the cable guy left a wire in the neighbor's tomato plants, and somehow we end up talking doghouse drama, Kevin Hart's new movie where people float to shore on whale dicks, and Sophie Cunningham's common-sense take on women's sports. Happy Monday.Thanks for donating to the podcast https://www.paypal.com/ncp/payment/JANCGHFW7GJHA helps us keep going. Have a great day!

This time, we're poised for Gen Con 2026 and making plans. Where will we be? What games do we want? What games do others want? Who is good at thumbs? All will be answered along with a sprinkling of Roses, Thorns, and Hula Hoops. 00:48 - Busiest Time of the Year 02:01 - Where Can We Be Found? - Booth 249 04:09 - New at Cephalofair - Buttons and Bugs Expansion 06:07 - Getting Steps In 07:19 - Game Bag Giveaway 07:55 - The Dice Tower Awards 09:11 - The Dwarves of Aquilon 10:23 - Meet the Final Girls - Julie on Friday Morning 10:47 - Eric's Gen Con Releases: Gudnak Means War, Mountain Goats Legacy 11:50 - Julie's Releases: Tales of Myth and Legend, Coloring Book 13:02 - BGG Preview List and the Nature of Thumbs 13:58 - Entropy 14:53 - Jason and the Argonauts 16:01 - Container 16:33 - Enchanted Ivy 17:18 - Mountain Goats Legacy 18:30 - Hercules and the 12 Labors 18:43 - Jibber Jabble 19:25 - High Society and 3 Witches 19:56 - Gruntz 20:12 - Torchlit 20:29 - French Toast 21:37 - Piñatas 22:06 - Kokeshi 23:08 - Book Club 24:28 - Fiction: Banned Books 25:07 - Golden Goal 25:24 - Under the Leaves 26:06 - Movie Night 26:17 - Stonk Market 26:26 - Triangulation 27:04 - Phantom Ink and Wordsy 27:21 - Endangered Australia 27:37 - The Game Makers 28:58 - Night at the Zoo 29:54 - Lairs 30:17 - Drillers and Lost Ruins of Arnak: Surprise Shipment 31:47 - Holliday Hijinks Friday Fright and More 32:12 - Orloj: The Prague Astronomical Clock 32:32 - Cascadia Alpine Lakes 33:02 - Nippon 33:49 - Wingspan Pocket 34:30 - The Old King's Crown 34:37 - Railway Boom 36:00 - Glasgow Train Robbery 36:16 - Tag Team: Arthur's Legacy 37:25 - Three Sisters Harvest Edition 37:53 - Forage 39:12 - SETI: Space Agencies, Forest Shuffle: Smoky Mountains, and Rock Hard 1977: Ear Candy 39:42 - Kingdom Crossing 40:19 - Shackleton Base: Below. Within. Above. and Fliptoons Season 2 40:54 - Moytura 41:01 - Tenby 41:20 - Jisogi: Anime Studio Tycoon 42:02 - Faraway: Under Starry Skies and Castle Combo: Out of the Oubliette 42:10 - Gold Country 42:52 - Mythologies 43:11 - Scythe: Duel of Meloch 44:13 - Friendly Fishing 45:50 - Codenames: Critical Role Adventures 46:25 - Trick to the Future 46:45 - Chris Couch Games: Garden Clubs 47:23 - Crime Scene Tamperer 47:52 - Games Played in the Booth 49:31 - Container (Eric) 53:33 - Cthulhu: Death May Die (Julie) 57:55 - Falling (Tom and Julie) 1:02:17 - Stuff to Watch if You Can't Come to Gen Con Questions? Tales of Horror? tom@dicetower.com

Love Island USA Season 8 wasn't just the biggest season in franchise history—it may have permanently changed the future of reality dating television. PaceCase and BachelorClues break down their biggest takeaways from the season, from record-breaking viewership and explosive Movie Night to Casa Amor strategy, Megan Thee Stallion's growing role in the franchise, player performances, social media domination, production decisions, and what this historic season means for every dating show that follows. Plus, they hand out their end-of-season awards and look ahead to where reality TV goes next.Subscribe to Game of Roses on YouTube: https://www.youtube.com/gameofrosesPatreon: https://patreon.com/gameofrosesMerch: https://gameofroses.orgListen on Apple Podcasts: http://bit.ly/gameofrosesListen on Spotify: http://bit.ly/spotifygameofroses Hosted on Acast. See acast.com/privacy for more information.

Today Your Mom and Dad are covering Week 5 (aka episodes 26-31) of Love Island USA Season 8 which means there are only a few episodes left of this season and to be honest…can we send in most of these women new men?? Evan and Jess discuss all their opinions on where the current couples stand, the second half of Movie Night, the big eliminations, Karaoke Night, getting official, getting “exclusive”, their Family Night predictions and much more!***Tune in next week (7/16) for the Love Island USA Finale recap!THANKS TO OUR SPONSORS:***LOLA BLANKETS: Get 40% off select Lola Blankets products at https://www.Lolablankets.com by using code YOURMOMDAD at checkout. Experience the world's #1 blanket with Lola Blankets!***ARTICLE: Thanks to Article for sponsoring this podcast! Article is offering our listeners $50 off your first purchase of $100 or more. To claim, visit https://www.article.com/discount/momdad and the discount will be automatically applied at checkout***REMI: Go to https://www.shopremi.com/MOMDAD and use code MOMDAD at checkout for 50% off with Remi Club Subscribe & Save!***INDA CLOUD: If you're 21 or older, get 30% OFF your first order @ IndaCloud with code MOMDAD athttps://inda.shop/MOMDAD # indacloudpod***AMENTARA: Go to https://www/amentara.com/go/ymd and use code YMD11 for an additional 11% off the exclusive first-timer bundle!