Podcasts about No Fun

In this Write Big session of the #amwriting podcast, host Jennie Nash welcomes Pulitzer Prize–winning journalist Jennifer Senior for a powerful conversation about finding, knowing, and claiming your voice.Jennifer shares how a medication once stripped away her ability to think in metaphor—the very heart of her writing—and what it was like to get that voice back. She and Jennie talk about how voice strengthens over time, why confidence and ruthless editing matter, and what it feels like when you're truly writing in flow.It's an inspiring reminder that your voice is your greatest strength—and worth honoring every time you sit down to write.TRANSCRIPT BELOW!THINGS MENTIONED IN THIS PODCAST:* Jennifer's Fresh Air interview with Terry Gross: Can't Sleep? You're Not Alone* Atlantic feature story: What Bobby McIlvaine Left Behind* Atlantic feature story: The Ones We Sent Away* Atlantic feature story: It's Your Friends Who Break Your Heart* The New York Times article: Happiness Won't Save You* Heavyweight the podcastSPONSORSHIP MESSAGEHey, it's Jennie Nash. And at Author Accelerator, we believe that the skills required to become a great book coach and build a successful book coaching business can be taught to people who come from all kinds of backgrounds and who bring all kinds of experiences to the work. But we also know that there are certain core characteristics that our most successful book coaches share. If you've been curious about becoming a book coach, and 2026 might be the year for you, come take our quiz to see how many of those core characteristics you have. You can find it at bookcoaches.com/characteristics-quiz.EPISODE TRANSCRIPTJennie NashHi, I'm Jennie Nash, and you're listening to the Hashtag AmWriting Podcast. This is a Write Big Session, where I'm bringing you short episodes about the mindset shifts that help you stop playing small and write like it matters. This one might not actually be that short, because today I'm talking to journalist Jennifer Senior about the idea of finding and knowing and claiming your voice—a rather big part of writing big. Jennifer Senior is a staff writer at The Atlantic. She won the Pulitzer Prize for feature writing in 2022 and was a finalist again in 2024. Before that, she spent five years at The New York Times as both a daily book critic and a columnist for the opinion page, and nearly two decades at New York Magazine. She's also the author of a bestselling parenting book, and frequently appears on NPR and other news shows. Welcome, Jennifer. Thanks for joining us.Jennifer SeniorThank you for having me. Hey, I got to clarify just one thing.Jennie NashOh, no.Jennifer SeniorAll Joy and No Fun is by no means a parenting book. I can't tell you the first thing about how to raise your kids. It is all about how kids change their parents. It's all like a sociological look at who we become and why we are—so our lives become so vexed. I like, I would do these book talks, and at the end, everybody would raise their hand and be like, “How do I get my kid into Harvard?” You know, like, the equivalent obviously—they wouldn't say it that way. I'd be like; I don't really have any idea, or how to get your kid to eat vegetables, or how to get your kid to, like, stop talking back. But anyway, I just have to clarify that, because every time...Jennie NashPlease, please—Jennifer SeniorSomeone says that, I'm like, “Noooo.” Anyway, it's a sociology book. Ah, it's an ethnography, you know. But anyway, it doesn't matter.Jennie NashAll right, like she said, you guys—not what I said.Jennifer SeniorI'm not correcting you. It came out 11 years ago. There were no iPads then, or social media. I mean, forget it. It's so dated anyway. But like, I just...Jennie NashThat's so funny. So the reason that we're speaking is that I heard you recently on Fresh Air with Terry Gross, where you were talking about an Atlantic feature story that you wrote called “Why Can't Americans Sleep?” And this was obviously a reported piece, but also a really personal piece and you're talking about your futile attempts to fall asleep and the latest research into insomnia and medication and therapy that you used to treat it, and we'll link to that article and interview in the show notes. But the reason that we're talking, and that in the middle of this conversation, which—which I'm listening to and I'm riveted by—you made this comment, and it was a little bit of a throwaway comment in the conversation, and, you know, then the conversation moved on. But you talked about how you were taking a particular antidepressant you'd been prescribed, and this was the quote you said: “It blew out all the circuitry that was responsible for generating metaphors, which is what I do as a writer. So it made my writing really flat.” And I was just like, hold up. What was that like? What happened? What—everything? So that's why we're talking. So… can we go back to the very beginning? If you can remember—Jess Lahey actually told me that when she was teaching fifth and sixth grade, that's around the time that kids begin to grasp this idea of figurative language and metaphor and such. Do you remember learning how to write like that, like write in metaphor and simile and all such things?Jennifer SeniorOh, that's funny. Do I remember it? I remember them starting to sort of come unbidden in my—like they would come unbidden in my head starting maybe in my—the minute I entered college, or maybe in my teens. Actually, I had that thing where some people have this—people who become writers have, like, a narrator's voice in their head where they're actually looking at things and describing them in the third person. They're writing them as they witness the world. That went away, that narrator's voice, which I also find sort of fascinating. But, like, I would say that it sort of emerged concurrently. I guess I was scribbling a little bit of, like, short story stuff, or I tried at least one when I was a senior in high school. So that was the first time maybe that, like, I started realizing that I had a flair for it. I also—once I noticed that, I know in college I would make, you know, when I started writing for the alternative weekly and I was reviewing things, particularly theater, I would make a conscientious effort to come up with good metaphors, and, like, 50% of them worked and 50% of them didn't, because if you ever labor over a metaphor, there's a much lower chance of it working. I mean, if you come—if you revisit it and go, oh, that's not—you know, that you can tell if it's too precious. But now if I labor over a metaphor, I don't bother. I stop. You know, it has to come instantaneously or...Jennie NashOr that reminds me of people who write with the thesaurus open, like that's going to be good, right? That's not going to work. So I want to stick with this, you know, so that they come into your head, you recognize that, and just this idea of knowing, back in the day, that you could write like that—you… this was a thing you had, like you used the word “flair,” like had a flair for this. Were there other signs or things that led you to the work, like knowing you were good, or knowing when something was on the page that it was right, like, what—what is that?Jennifer SeniorIt's that feeling of exhilaration, but it's also that feeling of total bewilderment, like you've been struck by something—something just blew through you and you had nothing to do with it. I mean, it's the cliché: here I am saying the metaphors are my superpower, which my editors were telling me, and I'm about to use a cliché, which is that you feel like you're a conduit for something and you have absolutely nothing to do with it. So I would have that sense that it had almost come without conscious thought. That was sort of when I knew it was working. It's also part of being in a flow state. It's when you're losing track of time and you're just in it. And the metaphors are—yeah, they're effortless. By the way, my brain is not entirely fogged in from long COVID, but I have noticed—and at first I didn't really notice any decrements in cognition—but recently, I have. So I'm wondering now if I'm having problems with spontaneous metaphor generation. It's a little bit disconcerting. And I do feel like all SSRIs—and I'm taking one now, just because, not just because long COVID is depressing, but because I have POTS, which is like a—it's Postural Orthostatic Tachycardia Syndrome, and that's a very common sequela from long COVID, and it wipes out your plasma serotonin. So we have to take one anyway, we POTS patients. So I found that nicotine often helped with my long COVID, which is a thing—like a nicotine patch—and that made up for it. It almost felt like I was doping [laughing]. It made my writing so much better. But it's been...Jennie NashWait, wait, wait, this is so interesting.Jennifer SeniorI know…it's really weird. I would never have guessed that so much of my writing would be dampened by Big Pharma. I mean—but now with the nicotine patches, I was like, oh, now I get why writers are smoking until into the night, writing. Like, I mean, and I always wished that I did, just because it looked cool, you know? I could have just been one of those people with their Gitanes, or however you pronounce it, but, yeah.Jennie NashWow. So I want to come—I want to circle back to this in a minute, but let's get to the first time—well, it sounds like the first time that happened where you were prescribed an antidepressant and—and you recognized that you lost the ability to write in metaphor. Can you talk about—well, first of all, can you tell us what the medication was?Jennifer SeniorYeah, it was Paxil, which is actually notorious for that. And at the top—which I only subsequently discovered—those were in the days where there were no such things as Reddit threads or anything like that. It was 1999… I guess, no, eight, but so really early. That was the bespoke antidepressant at the time, thought to be more nuanced. I think it's now fallen out of favor, because it's also a b***h to wean off of. But it was kind of awful, just—I would think, and nothing would come. It was the strangest thing. For—there's all this static electricity usually when you write, right? And there's a lot of free associating that goes on that, again, feels a little involuntary. You know, you start thinking—it's like you've pulled back the spring in the pinball machine, and suddenly the thing is just bouncing around everywhere, and the ball wasn't bouncing around. Nothing was lighting up. It was like a dis… it just was strange, to be able to summon nothing.Jennie NashWow. So you—you just used this killer metaphor to describe that.Jennifer SeniorYeah, that was spontaneous.Jennie NashRight? So—so you said first, you said static, static energy, which—which is interesting.Jennifer SeniorYeah, it's... [buzzing sound]Jennie NashYeah. Yeah. Because it's noisy. You're talking about...Jennie SeniorOh, but it's not disruptive noise. Sorry, that might seem like it's like unwanted crackling, like on your television. I didn't really—yeah, maybe that's the wrong metaphor, actually, maybe the pinball is sort of better, that all you need is to, you know, psych yourself up, sit down, have your caffeine, and then bam, you know? But I didn't mean static in that way.Jennie NashI understood what you meant. There's like a buzzy energy.Jennifer SeniorYeah, right. It's fizz.Jennie NashFizz... that's so good. So you—you recognized that this was gone.Jennifer SeniorSo gone! Like the TV was off, you know?Jennie NashAnd did you...?Jennifer SeniorOr the machine, you know, was unplugged? I mean, it's—Jennie NashYeah, and did you? I'm just so curious about the part of your brain that was watching another part of your brain.Jennifer Senior[Laughing] You know what? I think... oh, that's really interesting. But are you watching, or are you just despairing because there's nothing—I mean, I'm trying to think if that's the right...Jennie NashBut there's a part of your brain that's like, this part of my brain isn't working.Jennifer SeniorRight. I'm just thinking how much metacognition is involved in— I mean, if you forget a word, are you really, like, staring at that very hard, or are you just like, s**t, what's the word? If you're staring at Jack Nicholson on TV, and you're like, why can't I remember that dude's name?Multiple speakers[Both laughing]Jennifer SeniorWhich happens to me far more regularly now, [unintelligible]… than it used to, you know? I mean, I don't know. There is a part of you that's completely alarmed, but, like, I guess you're right. There did come a point where I—you're right, where I suddenly realized, oh, there's just been a total breakdown here. It's never happening. Like, what is going on? Also, you know what would happen? Every sentence was a grind, like...Jennie NashOkay, so—okay, so...Jennifer Senior[Unintelligible]... Why is this so effortful? When you can't hold the previous sentence in your head, suddenly there's been this lapse in voice, right? Because, like, if every sentence is an effort and you're starting from nothing again, there's no continuity in how you sound. So, I mean, it was really dreadful. And by the way, if I can just say one thing, sorry now that—Jennie NashNo, I love it!Jennifer SeniorYeah. Sorry. I'm just—now you really got me going. I'm just like, yeah, I know. I'm sort of on a tear and a partial rant, which is Prozac—there came a point where, like, every single SSRI was too activating for me to sleep. But it was, of course, a problem, because being sleepless makes you depressed, so you need something to get at your depression. And SNRIs, like the Effexor's and the Cymbalta's, are out of the question, because those are known to be activating. So I kept vainly searching for SSRIs, and Prozac was the only one that didn't—that wound up not being terribly activating, besides Paxil, but it, too, was somewhat deadening, and I wrote my whole book on it.Jennie NashWow!Jennifer SeniorIt's not all metaphor.Multiple Speakers[both laughing]Jennifer SeniorIt's not all me and no—nothing memorable, you know? I mean, it's—it's kind of a problem. It was—I can't really bear to go back and look at it.Jennie NashWow.Jennie NashSo—so the feeling...Jennifer SeniorI'm really giving my book the hard sell, like it's really a B plus in terms of its pro…—I mean, you know, it wasn't.Jennie NashSo you—you—you recognize its happening, and what you recognize is a lack of fizzy, buzzy energy and a lack of flow. So I just have to ask now, presumably—well, there's long COVID now, but when you don't have—when you're writing in your full powers, do you—is it always in a state of flow? Like, if you're not in a state of flow, do you get up and go do something else? Like, what—how does that function in the life of a writer on a deadline?Jennifer SeniorOK. Well, am I always in a state of flow? No! I mean, flow is not—I don't know anyone who's good at something who just immediately can be in flow every time.Jennie NashYeah.Jennifer SeniorIt's still magic when it happens. You know, when I was in flow almost out of the gate every day—the McIlvaine stories—like, I knew when I hit send, this thing is damn good. I knew when I hit send on a piece that was not as well read, but is like my second or third favorite story. I wrote something for The New York Times called “Happiness Wont Save You,” about a pioneer in—he wrote one of the foundational studies in positive psychology about lottery winners and paraplegics, and how lottery winners are pretty much no happier than random controls found in a phone book, and paraplegics are much less unhappy than you might think, compared to controls. It was really poorly designed. It would never withstand the scrutiny of peer review today. But anyway, this guy was, like, a very innovative thinker. His name was Philip Brickman, and in 1982 at 38 years old, he climbed—he got—went—he found his way to the roof of the tallest building in Ann Arbor and jumped, and took his own life. And I was in flow pretty much throughout writing that one too.Jennie NashWow. So the piece you're referring to, that you referred to previous to that, is What Bobby McIlvaine Left Behind, which was a feature story in The Atlantic. It's the one you won the—Pul…Pulitzer for? It's now made into a book. It has, like...Jennifer SeniorAlthough all it is like, you know, the story between...Jennie NashCovers, right?Jennifer SeniorYeah. Yeah. Because—yeah, yeah.Jennie NashBut—Jennifer SeniorWhich is great, because then people can have it, rather than look at it online, which—and it goes on forever—so yeah.Jennie NashSo this is a piece—the subtitle is Grief, Conspiracy Theories, and One Family's Search for Meaning in the Two Decades Since 9/11—and I actually pulled a couple of metaphors from that piece, because I re-read it knowing I was going to speak to you… and I mean, it was just so beautifully written. It's—it's so beautifully structured, everything, everything. But here's a couple of examples for our listeners. You're describing Bobby, who was a 26-year-old who died in 9/11, who was your brother's college roommate.Jennifer SeniorAnd at that young adult—they—you can't afford New York. They were living together for eight years. It was four in college, and four—Jennie NashWow.Jennifer SeniorIn New York City. They had a two-bedroom... yeah, in a cheaper part... well, to the extent that there are cheaper parts in...Jennie NashYeah.Jennifer SeniorThe way over near York Avenue, east side, yeah.Jennie NashSo you write, “When he smiled, it looked for all the world like he'd swallowed the moon.” And you wrote, “But for all Bobby's hunger and swagger, what he mainly exuded, even during his college years, was warmth, decency, a corkscrew quirkiness.” So just that kind of language—a corkscrew quirkiness, like he'd swallowed the moon—that, it's that the piece is full of that. So that's interesting, that you felt in flow with this other piece you described and this one. So how would you describe—so you describe metaphors as things that just come—it just—it just happens. You're not forcing it—you can't force it. Do you think that's true of whatever this ineffable thing of voice—voices—as well?Jennifer SeniorOh, that's a good question. My voice got more distinct as I got older—it gets better. I think a lot of people's—writers'—powers wax. Philip Roth is a great example of that. Colette? I mean, there are people whose powers really get better and better, and I've gotten better with more experience. But do you start with the voice? I think you do. I don't know if you can teach someone a voice.Jennie NashSo when you say you've gotten better, what does that mean to you?Jennifer SeniorYeah. Um, I'm trying to think, like, do I write with more swing? Do I—just with more confidence because I'm older? Being a columnist…which is the least creative medium…Jennie NashYeah.Jennifer SeniorSeven hundred and fifty words to fit onto—I had a dedicated space in print. When David Leonhardt left, I took over the Monday spot, during COVID. So it's really, really—but what it forces you to do is to be very—your writing becomes lean, and it becomes—and structure is everything. So this does not relate to voice, but my—I was always pretty good at structure anyway. I think if you—I think movies and radio, podcasts, are, like, great for structure. Storytelling podcasts are the best thing to—I think I unconsciously emulate them. The McIlvaine story has a three-act structure. There's also—I think the podcast Heavyweight is sublime in that way.Jennie NashIs that Roxane Gay?Jennifer SeniorNo, no, no, no.Jennie NashOh, it's, um—Jennifer SeniorIt's Jonathan Goldstein.Jennie NashYes, got it. I'm going to write that down and link to that in our show notes.Jennifer SeniorIt's... I'm trying to think of—because, you know, his is, like, narratives, and it's—it's got a very unusual premise. But voice, voice, voice—well, I, you know, I worked on making my metaphors better in the beginning. I worked on noticing things, you know, and I worked on—I have the—I'm the least visual person alive. I mean, this is what's so interesting. Like, I failed to notice once that I had sat for an hour and a half with a woman who was missing an arm. I mean, I came back to the office and was talking—this is Barbara Epstein, who was a storied editor of The New York Review of Books, the story editor, along with Bob Silver. And I was talking to Mike Tomasky, who was our, like, city politic editor at the time. And I said to him, I just had this one—I knew she knew her. And he said, was it awkward? Was—you know, with her having one arm and everything? And I just stared at him and went one arm? I—I am really oblivious to stuff. And yet visual metaphors are no problem with me. Riddle me that, Batman. I don't know why that is. But I can, like, summon them in my head, and so I worked at it for a while, when my editors were responsive to it. Now they come more easily, so that seems to maybe just be a facility. I started noticing them in other people's writing. So Michael Ondaatje —in, I think it was In the Skin of a Lion, but maybe it was The English Patient. I've read, like, every book of his, like I've, you know— Running… was it Running in the Family? Running with the Family? I think it was Running in the—his memoir. And, I mean, doesn't—everything. Anil's Ghost—he— you know, that was it The Ballad of Billy the Kid? [The Collected Works of Billy the Kid] Anyway, I can go on and on. He had one metaphor talking about the evening being as serene as ink. And it was then that I realized that metaphors without effort often—and—or is that a simile? That's a simile.Jennie NashLike—or if it's “like” or “as,” it's a simile.Jennifer SeniorYeah. So I'm pretty good with similes, maybe more than metaphors. But... serene as ink. I realized that what made that work is that ink is one syllable. There is something about landing on a word with one syllable that sounds like you did not work particularly hard at it. You just look at it and keep going. And I know that I made a real effort to make my metaphors do that for a while, and I still do sometimes. Anything more than that can seem labored.Jennie NashOh, but that's so interesting. So you—you noticed in other people what worked and what you liked, and then tried to fold that into your own work.Jennifer SeniorYeah.Jennie NashSo does that mean you might noodle on—like, you have the structure of the metaphor or simile, but you might noodle on the word—Jennifer SeniorThe final word?Jennie NashThe final word.Jennifer SeniorYeah. Yeah, the actual simile, or whatever—yeah, I guess it's a simile—yeah, sometimes. Sometimes they—like I said, they come unbidden. I think I have enough experience now—which may make my voice better—to know what's crap. And I also, by the way, I'll tell you what makes your voice better: just being very willing to hit Select Alt, Delete. You know, there's more where that came from. I am a monster of self-editing. I just—I have no problem doing it. I like to do it. I like to be told when things are s**t. I think that improves your voice, because you can see it on the page.Jennie NashYeah.Jennifer SeniorAnd also, I think paying attention to other people's writing, you know, I did more and more of that, you know, reverse engineering stuff, looking at how they did stuff as I got older, so...Jennie NashSo I was going to ask a question, which now maybe you already answered, but the question was going to be… you said that you're—you feel like you're getting better as a writer as you got older. And you—you said that was due to experience. And I was going to ask, is it, or is it due to getting older? You know, is there something about literally living more years that makes you better, or, you know, like, is wisdom something that you just get, or is it something you work for? But I think what I'm hearing is you're saying you have worked to become the kind of writer who knows, you know, what you just said—you delete stuff, it comes again. But tell me if—you know, you welcome the kind of tough feedback, because you know that makes you better. You know, this sort of real effort to become better, it sounds like that's a practice you have. Is that—is that right?Jennifer SeniorOh yeah. I mean, well, let's do two things on that, please. I so easily lose my juju these days that, like, you've got to—if you can put a, you know, oh God, I'm going to use a cliché again—if you can put a pin in or bookmark that, the observation about, you know, harsh feedback. I want to come back to that. But yes, one of the things that I was going to keep—when I said that I have the confidence now, I also was going to say that I have the wisdom, but I had too many kind of competing—Jennie NashYeah. Yeah.Jennifer SeniorYou know, were running at once, and I, you know, many trains on many tracks—Jennie NashYeah, yeah.Jennifer Senior…about to leave, so…, Like, I had to sort of hop on one. But, like, the—the confidence and wisdom, yes, and also, like, I'll tell you something: in the McIlvaine piece, it may have been the first time I did, like, a narrative nonfiction. I told a story. There was a time when I would have hid behind research on that one.Jennie NashOoh, and did you tell a story. It was the—I remember reading that piece when it first came out, and there you're introducing, you know, this—the situation. And then there's a moment, and it comes very quickly at the top of the piece, where you explain your relationship to the protagonist of the story. And there's a—there's just a moment of like, oh, we're—we're really in something different here. There's really—is that feel of, this is not a reported story, this is a lived story, and that there's so many layers of power, I mean, to the story itself, but obviously the way that you—you present it, so I know exactly what you're talking about.Jennifer SeniorYeah, and by the way, I think writing in the first person, which I've been doing a lot of lately, is not something I would have done until now. Probably because I am older and I feel like I've earned it. I have more to say. I've been through more stuff. It's not, like, with the same kind of narcissism or adolescent—like, I want to get this out, you know. It's more searching, I think, and because I've seen more, and also because I've had these pent up stories that I've wanted to tell for a long time. And also I just don't think I would have had the balls, you know.Jennie NashRight.Jennifer SeniorSo some of it is—and I think that that's part of—you can write better in your own voice. If it's you writing about you, you're—there's no better authority, you know? So your voice comes out.Jennie NashRight.Jennifer SeniorBut I'm trying to think of also—I would have hid behind research and talked about theories of grief. And when I wrote, “It's the damnedest thing, the dead abandon you, and then you abandon the dead,” I had blurted that out loud when I was talking to, actually, not Bobby's brother, which is the context in which I wrote it, but to Bobby's—I said that, it's, like, right there on the tape—to his former almost fiancée. And I was thinking about that line, that I let it stand. I didn't actually then rush off and see if there was a body of literature that talked about the guilt that the living feel about letting go of their memories. But I would have done that at one point. I would have turned it into this... because I was too afraid to just let my own observations stand. But you get older and you're like, you know what? I'm smart enough to just let that be mine. Like, assume...Jennie NashRight.Jennifer SeniorIt's got to be right. But can we go back, also, before I forget?Jennie NashYeah, we're going to go back to harsh, but—but I would just want to use your cliché, put a pin in what you said, because you've said so many important things— that there's actual practice of getting better, and then there's also wisdom of—of just owning, growing into, embracing, which are two different things, both so important. So I just wanted to highlight that you've gone through those two things. So yes, let's go back to—I said harsh, and maybe I miss—can...misrepresenting what you meant.Jennifer SeniorYou may not have said that. I don't know what you said.Jennie NashNo, I did, I did.Jennifer SeniorYou did, okay, yeah, because I just know that it was processed as a harsh—oh no, totally. Like, I was going to say to you that—so there was a part of my book, my book, eventually, I just gave one chapter to each person in my life whom I thought could, like, assess it best, and one of them, so this friend—I did it on paper. He circled three paragraphs, and he wrote, and I quote, “Is this just a shitty way of saying...?” And then I was like, thank God someone caught it, if it was shitty. Oh my God. And then—and I was totally old enough to handle it, you know, I was like 44, whatever, 43. And then, who was it? Someone else—oh, I think I gave my husband the intro, and he wrote—he circled a paragraph and just wrote, “Ugh.” Okay, Select Alt, Delete, redo. You know, like, what are you going to do with that? That's so unambiguous. It's like, you know—and also, I mean, when you're younger, you argue. When you're older, you never quarrel with Ugh. Or Is this...Jennie NashRight, you're just like, okay, yep.Jennifer SeniorYeah. And again, you—you've done it enough that, you know, there's so much more where that came from.Jennie NashYeah.Jennifer SeniorWhy cling to anything that someone just, I don't know, had this totally allergic reaction to? Like, you know, if my husband broke out in a hive.Jennie NashYeah. So, circling back to the—the storyline of—you took this medication, you lost your ability to write in this way, you changed medications, presumably, you got it back. What did it feel like to get it back? Did you—do you remember that?Jennifer SeniorOh God, yes, it was glorious.Jennie NashReally?!Jennifer SeniorOh, you don't feel like yourself. I think that—I mean, I think there are many professions that are intertwined with identity. They may be the more professional—I'm sorry, the more creative professions. But not always, you know. And so if your writing voice is gone, and it's—I mean, so much of writing is an expression of your interior, if not life, then, I don't know some kind of thought process and something that you're working out. To have that drained out of you, for someone to just decant all the life out of your—or something to decant all the life out of your writing, it's—it's, I wouldn't say it's traumatic, that's totally overstating it, but it's—it's a huge bummer. It's, you know, it's depressing.Jennie NashWell, the word glorious, that's so cool. So to feel that you got back your—the you-ness of your voice was—was glorious. I mean, that's—that's amazing.Jennifer SeniorWhat—if I can just say, I wrote a feature, right, that then, like, I remember coming off of it, and then I wrote a feature that won the News Women's Club of New York story for best feature that year. Like, I didn't realize that those are kind of hard to win, and not like I won... I think I've won one since. But, like, that was in, like, 99 or something. I mean, like, you know, I don't write a whole lot of things that win stuff, until recently, you know. There was, like, a real kind of blackout period where, you know, I mean, but like—which I think, it probably didn't have to do with the quality of my writing. I mean, there was—but, I mean, you know, I wasn't writing any of the stuff that floated to the tippy top, and, like, I think that there was some kind of explosion thereof, like, all the, again, stuff that was just desperate to come out. I think there was just this volcanic outpouring.Jennie NashSo you're saying now you are winning things, which is indeed true. I mean, Pulitzer Prizes among them. Do you think that that has to do with this getting better? The wisdom, the practice, the glorious having of your abilities? Or, I guess what I'm asking is, like, is luck a part of—a part of all that? Is it just, it just happens? Or do you think there's some reason that it's happening? You feel that your writing is that powerful now?Jennifer SeniorWell, luck is definitely a part of it, because The Atlantic is the greatest place to showcase your feature writing. It gets so much attention, even though I think fewer people probably read that piece about Bobby McIlvaine than would have read any of my columns on any given day. The kind of attention was just so different. And it makes sense in a funny way, because it was 13,600 words or something. I mean, it was so long, and columns are 750 words. But, like, I think that I just lucked out in terms of the showcase. So that's definitely a part of it. And The Atlantic has the machinery to, you know, and all these dedicated, wonderful publicity people who will make it possible for people to read it, blah, blah, blah. So there's that. If you're older, you know everyone in the business, so you have people amplifying your work, they're suddenly reading it and saying, hey, everybody read it. It was before Twitter turned to garbage. Media was still a way to amplify it. It's much harder now, so passing things along through social media has become a real problem. But at that moment, it was not—Jennie NashYeah.Jennifer SeniorSo that was totally luck. Also, I wonder if it was because I was suddenly writing something from in the first person, and my voice was just better that way. And I wouldn't have had, like, the courage, you know?Jennie NashYeah.Jennifer SeniorAnd also, you're a book critic, which is what I was at The Times. And you certainly are not writing from the first person. And as a columnist, you're not either.Jennie NashYeah.Jennifer SeniorSo, you know, those are very kind of constricted forms, and they're also not—there are certainly critics who win Pulitzers. I don't think I was good enough at it. I was good, but it was not good enough. I could name off the top of my head, like, so many critics who were—who are—who haven't even won anything yet. Like Dwight Garner really deserves one. Why has he not won a Pulitzer? He's, I think, the best writer—him and Sophie Gilbert, who keeps coming close. I don't get it, like, what the hell?Jennie NashDo you—as a—as a reader of other people's work, I know you—you mentioned Michael Ondaatje that you'd studied—study him. But do you just recognize when somebody else is on their game? Like, do you recognize the voice or the gloriousness of somebody else's work? Can you just be like, yeah, that...?Jennifer SeniorWell, Philip Roth, sentence for sentence. Martin Amis, even more so—I cannot get over the originality of each of his sentences and the wide vocabulary from which he recruits his words, and, like, maybe some of that is just being English. I think they just get better, kind of more comprehensive. They read more comprehensively. And I always tell people, if they want to improve their voice, they should read the Victorians, like that [unintelligible]. His also facility with metaphor, I don't think, is without equal. The thing is, I can't stand his fiction. I just find it repellent. But his criticism is bangers and his memoirs are great, so I love them.Jennie NashYeah.Jennifer SeniorSo I really—I read him very attentively, trying to think of, like, other people whose kind of...Jennie NashI guess I was—I was getting at more... like, genius recognizes genius, that con... that concept, like, when you know you can do this and write in this way from time to time anyway, you can pull it off.Jennifer SeniorYeah, genius as in—I wouldn't—we can't go there.Jennie NashWell, that's the—that's the cliché, right? But, like...Jennifer SeniorOh no, I know, I know. Game—game, game recognizes game.Jennie NashGame recognizes game is a better way of saying it. Like, do you see—that's actually what the phrase is. I don't know where I came up with genius, but...Jennifer SeniorNo, it's fine. You can stick anything in that template, you know—evil recognizes evil, I mean, you know, it's like a...Jennie NashYeah. Do you see it? Do you see it? Like, you can see it in other people?Jennifer SeniorSure. Oh yeah, I see it.Jennie NashYeah.Jennifer SeniorI mean, you're just talking about among my contemporaries, or just as it...Jennie NashJust like anything, like when you pick up a book or you read an article or even listen to a storytelling pack podcast, that sense of being in the hands of somebody who's on it.Jennifer SeniorYeah, I think that Jonathan Goldstein—I mean, I think that the—the Heavyweight Podcast, for sure, is something—and more than that, it's—it's storytelling structure, it's just that—I think that anybody who's a master at structure would just look at that show and be like, yeah, that show nails it each and every time.Jennie NashI've not listened, but I feel like I should end our time together. I would talk to you forever about this, but I always like to leave our listeners with something specific to reflect or practice or do. And is there anything related to metaphor or practicing, finding your voice, owning your voice, that you would suggest for—for folks? You've already suggested a lot.Jennifer SeniorRead the Victorians.Jennie NashAwesome. Any particular one that you would say start with?Jennifer SeniorYeah, you know what? I find Dickens rough sledding. I like his, you know, dear friend Wilkie Collins. I think No Name is one of the greatest books ever. I would read No Name.Jennie NashAmazing. And I will add, go read Jennifer's work. We'll link to a bunch of it in the show notes. Study her and—and watch what she does and learn what she does—that there it is, a master at work, and that's what I would suggest. So thank you for joining us and having this amazing discussion.Jennifer SeniorThis has been super fun.Jennie NashAnd for our listeners, until next time, stop playing small and write like it matters.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

(0:00-12:39) Text messages evaluating Hurts & the Lions-Cowboys game Thursday is one of the biggest games of the season for the Eagles(12:39-20:03) Fangio says it's hard to know what an offense is doing under center, so why don't the Eagles put Hurts under center more?(20:03-30:50) The no fun team started in August according to Andrew (30:50-39:15) The Eagles have not embraced any fun this seasonPlease note: Timecodes may shift by a few minutes due to inserted ads. Because of copyright restrictions, portions—or entire segments—may not be included in the podcast.For the latest updates, visit the show page Kincade & Salciunas on 975thefanatic.com. Follow 97.5 The Fanatic on Twitter, Facebook, and Instagram. Watch our shows on YouTube, and subscribe to stay up-to-date with all the best moments from Philly's home for sports!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ben Maller (produced by Danny G.) has a great Saturday podcast for you! He talks: Panic at the Disco... Hulkamania... "Aint' No Fun, if the Homies Can't Have None," & more! ...Follow, rate & review "The Fifth Hour!" https://podcasts.apple.com/us/podcast/the-fifth-hour-with-ben-maller/id1478163837 Engage with the podcast by emailing us at RealFifthHour@gmail.com ... Follow Ben on Twitter @BenMaller and on Instagram @BenMallerOnFOX ... Danny is on Twitter @DannyGRadio and on Instagram @DannyGRadio #BenMaller #FSRWeekends See omnystudio.com/listener for privacy information.

Ben Maller (produced by Danny G.) has a great Saturday podcast for you! He talks: Panic at the Disco... Hulkamania... "Aint' No Fun, if the Homies Can't Have None," & more! ...Follow, rate & review "The Fifth Hour!" https://podcasts.apple.com/us/podcast/the-fifth-hour-with-ben-maller/id1478163837 Engage with the podcast by emailing us at RealFifthHour@gmail.com ... Follow Ben on Twitter @BenMaller and on Instagram @BenMallerOnFOX ... Danny is on Twitter @DannyGRadio and on Instagram @DannyGRadio #BenMaller #FSRWeekends See omnystudio.com/listener for privacy information.

KIRCHE, NO HYPE, NO FUN | GUESTS OF C3 HOME by C3 Home mit Mattis Thielmann

Welcome to our new weekly shortened episodes - Sober Stories!After the overwhelming response to a recent writing competition during which we asked you to share your JOURNEYS to sobriety (the good, the bad and the ugly!), we felt compelled to take things a step further.We asked, you wrote, and now we're sharing the incredible, hilarious, and heartwarming stories you sent us. Get ready to be inspired by your fellow listeners, one story at a time!Happy Saturday, y'all.Sober Awkward Tools and LinksJoin Cuppa – our alcohol-free communityA kind, no-pressure space to connect with others navigating sobrietywww.cuppa.communityRead Vic's memoir – A Thousand Wasted SundaysA brutally honest and hilarious look at booze, motherhood, and self-discoveryhttps://amzn.asia/d/fanNMhaBook a one-on-one session with VicWriting mentorship, sobriety support, or just a good old chathttps://www.soberawkward.com/storeExplore the full podcast archiveCatch up on all the messy, funny, honest episodes of Sober Awkwardhttps://open.spotify.com/show/4qXlSc9lDGStYLeYIjrWPH?si=ece6e75ae4f041f9Follow us on InstagramBehind-the-scenes chaos, awkward moments, and sober inspo@soberawkwardThanks for listening. Your support means everything. Whether you've been here since day one or this is your first toe-dip into the awkward, we're so glad you found us. Hosted on Acast. See acast.com/privacy for more information.

Selena Gomez is still putting out new music and albums… so when's the tour coming? And one musician was a little offended that people are suggesting it's time for a bio-pic. Learn more about your ad choices. Visit megaphone.fm/adchoices

A big thank you and welcome to Aine for becoming a new Cider Shed Patreon member. Much appreciated.Matthew is bracing himself for the slings and arrows of his (not really) outrageous opinion of Susan.Elsewhere, we check in with the Borsetshire Bakery that's raising the dead, Waterley Cross gets into the travel industry and David goes all clerical.A few nice bargains on the forecourt :A Massage to you Phoebe : Kate rubs her daughter up the wrong way.That's yer Lot : George makes a deal with the dealership.Bummer Holiday : No music, no stripping, NO FUN.Produced by Matthew WeirBecome a beautiful patron of The Cider Shed and receive early ad-free episodes and our exclusive Patreon-only midweek specials. It really REALLY helps us out.https://www.patreon.com/thecidershedTo help us out with a lovely worded 5 star review hit the link below. Then scroll down to ‘Ratings and Reviews' and a little further below that is ‘Write a Review' (this is so much nicer than just tapping the stars

By the end of 1977, the Sex Pistols sat at the top of the UK charts… while simultaneously hitting rock bottom. Sid Vicious was imploding, his partner Nancy Spungen was fuelling the chaos and Johnny Rotten was growing disillusioned with Malcolm McLaren's toxic games.Still, the band pushed ahead with a final run of gigs, including an unexpectedly wholesome Christmas Day show for children of striking firefighters. No one knew it then, but it would be their final UK performance for two decades.Then came their first American tour. The Pistols were dropped into the heart of the conservative South. Sid carved into his own chest on stage and Rotten was nearly broken by paranoia. The tour descended into violence, vomit, and blood.And to the end, in San Francisco, with the band on its knees, Johnny Rotten stared down the crowd and asked: “Ever get the feeling you've been cheated?” With a literal mic drop, he walked off stage, signalling the end of the Sex Pistols.Featuring archive interviews from: Nancy Spungen, Johnny Rotten, Steve Jones, Paul Cook, Malcolm McLaren, Sid Vicious, Sex Pistols' roadie Stephen 'Roadent' Conolly.Presented by Gina Birch and Steve LamacqA BBC Audio Production

Well, howdy folks. Fred Talley here from Faith Pest Control, and I want to talk to you about a problem we're all too familiar with here in Jasper: mosquitoes. As we head into 2026, the buzzing, biting, and blood-sucking are The post Mosquitos No Fun In Jasper Georgia Ever! first appeared on Faith Pest Control.

Viel Spaß bei der Folge

Let's admit it.  Being the coach of a major college football team sounds like a fun job. Most big-time coaches… The post Nick Saban is right – “No Games, No Fun”! appeared first on SwampSwamiSports.com.

On Healthy Mind, Healthy Life, guest host Aanya talks with innovation coach and life-design expert Ibeth Ayala, author of No Risk, No Fun and From the Ground Up. This conversation cuts through buzzwords to show how real innovation begins with self-honesty, not strategy decks. Ibeth unpacks her Connect → Create → Try framework, how to spot rising stress before burnout, and why “permission to fail” accelerates progress in careers and companies—especially in legacy industries like insurance. If you're navigating exhaustion, change, or a high-stakes role, this episode offers a direct path to clarity, creativity, and sustainable action. About the Guest  : Ibeth Ayala is an innovation coach, life-design expert, and internationally best-selling author. After a personal reset in her 20s, she's spent years guiding leaders and teams to shift from burnout to bold creativity, building innovation capacity across sectors from insurance to aviation. Key Takeaways: Innovation is an inner game first. External tactics don't land without personal clarity on needs, priorities, and values. Burnout ≠ only about work. Life stress compounds; address the whole system—relationships, health, money, career—rather than a single silo. Use the 3-step loop:Connect (self-check: what do I need?), Create (options, reframes), Try (small experiments to validate). Catch stress early. Rate stress 1–10 and intervene sooner; prevention beats recovery. Drop inherited beliefs. Question norms like “marriage/work is supposed to be hard” and choose what actually serves your life design. Permission to fail—fast. In teams, name failure as expected learning. The sooner you see what doesn't work, the faster you progress. Risk drives momentum. No risk, no fun: calibrated risks unlock creativity and engagement, especially in traditional sectors. Context matters. Diets, routines, and advice are abstractions until personalized to age, health, history, and goals. Design your “ground.” Clear the old (assumptions, limits) before planting new habits—like prepping soil before a garden. Sustainable innovation = ongoing tuning. You don't need to hit rock bottom; build awareness and adjust before crisis. How to Connect with the Guest   LinkedIn: Search “Ibeth Ayala” (Innovation Coach, Author) Books:No Risk, No Fun and From the Ground Up — available via major booksellers Speaking/Workshops: Look up “Ibeth Ayala innovation coach” to find her site and booking info Website Want to be a guest on Healthy Mind, Healthy Life? DM on PM - Send me a message on PodMatch DM Me Here: https://www.podmatch.com/hostdetailpreview/avik   Disclaimer: This video is for educational and informational purposes only. The views expressed are the personal opinions of the guest and do not reflect the views of the host or Healthy Mind By Avik™️. We do not intend to harm, defame, or discredit any person, organization, brand, product, country, or profession mentioned. All third-party media used remain the property of their respective owners and are used under fair use for informational purposes. By watching, you acknowledge and accept this disclaimer.   Healthy Mind By Avik™️ is a global platform redefining mental health as a necessity, not a luxury. Born during the pandemic, it's become a sanctuary for healing, growth, and mindful living. Hosted by Avik Chakraborty—storyteller, survivor, wellness advocate—this channel shares powerful podcasts and soul-nurturing conversations on: • Mental Health & Emotional Well-being• Mindfulness & Spiritual Growth• Holistic Healing & Conscious Living• Trauma Recovery & Self-Empowerment With over 4,400+ episodes and 168.4K+ global listeners, join us as we unite voices, break stigma, and build a world where every story matters.

Dear Dave, My husband and I are both 25. We've been married just over a year. I'm a stay-at-home mom, and we have one baby. Because I'm home with our son and my husband works outside the home, he believes he gets to make all the financial decisions. He eats out and buys whatever he feels like but tells me I can't do the same. He says getting to be at home all day and having things like television, electricity, and air conditioning are my luxuries. I try to be understanding because he works hard, but this is causing real...Article Link

This week we're joined once again by Westen from Big Nerd Gaming! Since the last time he was on he has debuted his own podcast, and you should check it out! We also had a lot of games to talk about, and a surprisingly large amount of movies, as well. But per Westen's request: NO FUN.00:00 Introduction, The Big Nerd Gaming Podcast18:36 Hollowknight: Silksong36:41 Shinobi: Art of Vengeance, Eriksholm: The Stolen Dream58:34 Quartet, Heading Out, closing thoughts on MGS Delta, Is This Seat Taken?01:27:50 Chrono Gear: Warden of Time01:42:45 Movie roundup (Ready or Not, Ghost Stories, Oddity, Late Night With the Devil, Prisoners, Weapons, The Crow 2024)02:05:08 CQC (Comments, Questions, Concerns)Be sure to listen to the first episode of the Big Nerd Gaming Podcast! https://www.youtube.com/watch?v=TXdPwHXoCLoThen go to the Big Nerd Gaming blog for more! https://bignerdgaming.com/ Theme song and interstitial music by Megan McDuffee: https://meganmcduffee.comLogo and artwork by John GholsonAnnouncer: John GholsonJoin our Discord, learn about how you can support the show, and more: https://linktr.ee/TheStageSelectEmail: thestageselectpod@gmail.comCopyright 2024 Space Monkey Mafia Productions

Bomani Jones reacts to a jam packed week 2 of NFL action. First, he discusses the Eagles beating Patrick Mahomes and the Kansas City Chiefs and why the Chiefs are "no fun" to watch anymore. Later, he reacts to the firings of UCLA coach DeShaun Foster and Virginia Tech coach Brent Pry and why it could spell bad news for Mike McDaniel and the Dolphins. He then break down Terence Crawford's huge win over Canelo Alvarez, Brian Kelly snapping at a reporter after LSU's win over Florida, Clipse playing a concert at the Vatican and much more! 00:00 - Introduction 00:35 - Eagles beat Chiefs 18:00 - Why College Football firings could be bad news for Mike McDaniel 33:13 - Terence Crawford beats Canelo Alvarez 41:00 - What was Clipse doing at the Vatican? Learn more about your ad choices. Visit megaphone.fm/adchoices

Tommy Crenshaw and Ricardo Lungus discuss Week 2 of the NCAA season.

Enjoying Video Games is no longer allowed on social media apps. You can't even find videos on youtube that show anything positive about gaming. It's horrible.

John and Josh are getting hosed.

The kids aren't drinking or having sex - are they okay? Cantrell proves that as usual, the coverup is worse than the crime; Why did Putin invade Ukraine when he did? Don't take his word for it; Illegal immigrant kills three in Florida, sparks orgy of finger-pointing; Why isn't anyone mad about Taylor Swift's sexy new pictures?

Kohberger's having no fun in prison, what the Cardinals need, and Gen Z probz!- h4 full 992 Thu, 14 Aug 2025 21:31:31 +0000 j2Xyl3hdMrhVmZ7jAUP4ukO1RQcv2YKr comedy,religion & spirituality,society & culture,news,government The Dave Glover Show comedy,religion & spirituality,society & culture,news,government Kohberger's having no fun in prison, what the Cardinals need, and Gen Z probz!- h4 The Dave Glover Show has been driving St. Louis home for over 20 years. Unafraid to discuss virtually any topic, you'll hear Dave and crew's unique perspective on current events, news and politics, and anything and everything in between. © 2025 Audacy, Inc. Comedy Religion & Spirituality Society & Culture News Government False https://pl

On The Other Side of Midnight, Lionel starts the show talking about the deterioration of trust of President Trump and his administration as they struggle to provide answers on Jeffrey Epstein and list. Lionel continues on to discuss the potential players in Epstein's case. The unnamed co-conspirators are being withheld, much to his chagrin. Lionel starts the third hour talking about the stupidity of soccer. He moves on to talk about addicting YouTube videos, the discovery of Chinese food, spice levels and more. Lionel wraps up the show talking with callers from different occupations. He talks to a dump trucker, pre-school teacher and an ecologist among many others. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cubs get blanked in embarrassing fashion. We break down this terrible start to the series and look forward to the next two games with Minnesota. Cubs On Tap is presented by ⁠⁠⁠⁠⁠OnTapSportsNet.com⁠⁠⁠⁠⁠, your go-to source for Cubs news⁠⁠⁠⁠⁠, analysis, and updates.Follow us on social media: ⁠⁠⁠⁠⁠@CubbiesOnTap⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠@OnTapSportsNet⁠⁠⁠⁠⁠

Graham and Steve take time out of dimensional (and generical!)-hopping, bring tales of Microsoft's most recent layoffs, the upcoming games of July, the implications of 'artificial intelligence', and plenty more! Show Segments: 00:00 - Intro & News 19:30 - Steve's Games 51:30 - Graham's Games 58:00 - Upcoming Games for July 2025 1:11:15 - Beginning of the End Games Mentioned: Split Fiction Sacre Bleu Tempest Rising Promise Mascot Agency Soulstone Survivors Skin Deep Creepy Redneck Dinosaur Mansion 3 Episode's YouTube Video: This episode on YouTube SIPTG YouTube Channel: https://www.youtube.com/c/shouldiplaythisgamequestionmark Music by Kevin MacLeod: https://incompetech.com/music

Today, on the Hudson Mohawk Magazine, First, we hear about the efforts to keep ICE out of Albany. Then, we get a first hand report about the recent peace protests at the NATO summit. Later on, Rosemary Armao reviews the threats by President Trump to cut off funding for public broadcasting. After that, Benno Greene talks with Kieran of the band Stoker about their upcoming performance at No Fun. Finally, Andrea Cunliffe reports on opportunities– such as swimming, sand, and hiking– at Grafton Lake State Park. Co-hosts: Mark Dunlea & Benno Greene Engineer: Benno Greene & Sina Basila Hickey

Prayer RequestsIf you would like prayer this week for any struggles you may be having or would like to share a way that God has touched your life through this message, feel free to send us a message on Facebook!http://m.me/landmarktyler or send us an email to: prayer@landmarktyler.comGive OnlineIf you would like to give online, you can do so securely through PayPal!http://giving.landmarktyler.comSermon VideosSometimes you need to rewind and hear a message again to discover new things The Lord is speaking to you! You can watch all of our previous sermon videos on our video page!https://video.landmarktyler.comSermon Audio PodcastWant to relisten to your favorite sermon? Did you miss a week and want to catch up on the go? You can subscribe to our sermon audio podcast! http://audio.landmarktyler.comThank you so much for tuning in this week! We pray this message blessed you, and we'll see you next week!#LandmarkBaptistChurch

No fun in the Browns having to make changes + Which NFL coaches do you trust? full 643 Tue, 03 Jun 2025 11:14:42 +0000 zcCB4pB3j6YcE0zRdEredqM7vfXqYfND nfl,cleveland browns,sports The Ken Carman Show with Anthony Lima nfl,cleveland browns,sports No fun in the Browns having to make changes + Which NFL coaches do you trust? The only place to talk about the Cleveland sports scene is with Ken Carman and Anthony Lima. The two guide listeners through the ups and downs of being a fan of the Browns, Cavaliers, Guardians and Ohio State Buckeyes in Northeast Ohio. They'll help you stay informed with breaking news, game coverage, and interviews with top personalities.Catch The Ken Carman Show with Anthony Lima live Monday through Friday (6 a.m. - 10 a.m ET) on 92.3 The Fan, the exclusive audio home of the Browns, or on the Audacy app. For more, follow the show on X @KenCarmanShow. 2024 © 2021 Audacy, Inc. Sports False https://player.

Hour 2: No fun in Browns making change + Are the Yankees a Guardians rival? + If Baker Mayfield had stayed in Cleveland full 2176 Tue, 03 Jun 2025 14:20:06 +0000 CAeN9MvuNvzwT1v7AoPZSrLDZHgqpFsv sports The Ken Carman Show with Anthony Lima sports Hour 2: No fun in Browns making change + Are the Yankees a Guardians rival? + If Baker Mayfield had stayed in Cleveland The only place to talk about the Cleveland sports scene is with Ken Carman and Anthony Lima. The two guide listeners through the ups and downs of being a fan of the Browns, Cavaliers, Guardians and Ohio State Buckeyes in Northeast Ohio. They'll help you stay informed with breaking news, game coverage, and interviews with top personalities.Catch The Ken Carman Show with Anthony Lima live Monday through Friday (6 a.m. - 10 a.m ET) on 92.3 The Fan, the exclusive audio home of the Browns, or on the Audacy app. For more, follow the show on X @KenCarmanShow. 2024 © 2021 Audacy, Inc. Sports False

It's time to address the age-old question: Do children make us happy? Backed by powerful research and personal stories, Kylie and Justin explore the paradox of parenting—how our kids can simultaneously be our greatest joy and our biggest challenge. Featuring insights from happiness researchers like Daniel Kahneman, Paul Bloom, and Roy Baumeister, the conversation moves from exhaustion and conflict to purpose, meaning, and unconditional love. KEY POINTS: Research shows that parenting often decreases happiness and marital satisfaction, especially in the early years. Daniel Kahneman's study revealed mothers find time with kids less enjoyable than activities like watching TV or shopping—particularly during stressful mornings and evenings. Despite the challenges, most parents say they don't regret having children—why? Cultural and policy differences influence parental happiness across countries. Parenting isn’t primarily about happiness—it's about purpose, meaning, and deep emotional connection. The hardest parts of parenting often give rise to the most profound moments of growth and joy. QUOTE OF THE EPISODE: "If the loss of a child would be total annihilation, then having a child—healthy, happy, and sound—must be annihilation’s opposite, which sounds pretty terrific." – Paul Bloom RESOURCES MENTIONED: The Parenting Revolution by Dr. Justin Coulson All Joy and No Fun by Jennifer Senior The Sweet Spot by Paul Bloom Meanings of Life by Roy Baumeister Daniel Kahneman’s research on parental enjoyment Columbia University studies by Sara McLanahan ACTION STEPS FOR PARENTS: Redefine Happiness: Shift your focus from momentary happiness to long-term meaning and connection. Embrace the Mess: Recognise that hard days are part of the growth—yours and your child’s. Prioritise Connection: In the chaos, seek small moments of intimacy and presence. Protect Your Partnership: Align as a couple around shared parenting values; the child isn’t the problem—misalignment often is. Find Support: Advocate for better policy and community support—or build your village where you can. See omnystudio.com/listener for privacy information.

Today's ShowFriday 5/30/25Dementiagate.What Did Jill Know? ( Excuse Me. Dr. Biden)Biggest Story Since Watergate. Graduation Speeches. Just Pure DOOM!!!!! No Fun.

Recaping Season 8 Epsiodes 5 & 6 Lots of catching up to do in this episode. First and foremost, after a deep dive on the arcade game BURGERTIME, Amanda has offered to fly to any city in North America for the first person to leave a review about their delicious burger options in their city! The girls debate on whether or not Secrets! Secrets! are/aren't fun. They talk about how far they can kick the can down the road on "life things". They both agree that while Indian food is absolutely delicious, they'll probably opt for Chinese food in a "late-night-food-at-work" situation. Amanda talks about almost getting kicked out of the Palace of Versaille and how un-lucky she was when a pigeon shat on her in Paris.  Thanks for listening and don't forget to like, subscribe, and leave a review! You might even get a burger lunch date with Amanda! For all things OSF, visit onlysuitsfans.com   

The baggage handlers look for food and Billy Ray gets the briefcase to Lewis in the bathroom and that's about it. Patreon: www.patreon.com/ditchdiggers Facebook: https://www.facebook.com/groups/ditchdiggerslistenershole Instagram: https://www.instagram.com/ditchdiggerspodcasts Find out more at http://tradingplacesminute.com

No, this isn't Provo, it's Cincinnatuh!

58 crypto wallets have made millions on Trumpcoin while 764,000 have lost moneyFEATURING:Ben Arc (https://twitter.com/Arcbtc)Victoria Jones (https://twitter.com/satoshis_page)Thomas Hunt (https://twitter.com/MadBitcoins)THIS WEEK:  Since when does bitcoin acquiesce to flash in the pan business models ?https://twitter.com/djbooth007/status/1919517956398252118?s=46Source: Twitter/XRemoving Bitcoin's Guardrailshttps://blog.bitmex.com/removing-bitcoins-guardrails/Source: Blog BitmexOP_RETURN shitcoinery intensifies. To do this, these folks need to both find AND pay miners willing to mine these shitcoin transactions. https://twitter.com/fractalencrypt/status/1920139895164613040?s=46Source: Twitter/XOP_RETURN debate is novel due to how factions are split.1) Ruthlessly rational technical folks who understand the dynamics of the network and don't want to play unending subjective games.2) Ideological folks upset by how others use the network who want to play those games.https://twitter.com/lopp/status/1920474177930195408?s=46A quiet change in Bitcoin Core just blew open a years-long battle.https://twitter.com/simpleminingio/status/1920172025072791814?s=46Source: Twitter/XIs Bitcoin about to go parabolic? BTC price targets include $160K nexthttps://cointelegraph.com/news/is-bitcoin-about-to-parabolic-btc-price-160k-nextSource: Cointelegraph$45 million stolen from Coinbase users in the last week — ZachXBThttps://cointelegraph.com/news/45-million-stolen-coinbase-users-last-week-zack-xbtSource: CointelegraphTrump crypto adviser David Bailey raises $300M for Bitcoin investment firmhttps://cointelegraph.com/news/trump-advisor-david-bailey-nakamoto-bitcoin-fundSource: CointelegraphPump.fun Hits Back at Report That Claimed 98% of Memecoins on the Platform Are Fraudulenthttps://www.coindesk.com/business/2025/05/07/98-of-tokens-on-pump-fun-have-been-rug-pulls-or-an-act-of-fraud-new-report-saysSource: CoindeskJUST IN:

Secret, Secrets are no fun unless you tell everyone!

Beth says that her friend, Aaron, "broke" their favorite board game by working too hard to "optimize gameplay." The way Aaron plays is just NO FUN, says Beth! But Aaron says that identifying systems IS fun! Who's right? Who's wrong? Plus! Swift Justice cases about plant propagation containers and the pronunciation of the word, "hammock."We are on TikTok and YouTube! Follow us on both @judgejohnhodgmanpod! Follow us on Instagram @judgejohnhodgman!Thanks to reddit user u/YouKnow4Kids for naming this week's case! To suggest a title for a future episode, keep an eye on the Maximum Fun subreddit at reddit.com/r/maximumfun! Judge John Hodgman is member-supported! Join at $5 a month at maximumfun.org/join!

Why have NBA ratings dropped by half over the last decade? How has the game changed in recent years and what does the proliferation of legalized sports betting have to do with it? Jeff takes a break this week from questions of history and politics and looks at a slice of our public life with […]

Why have NBA ratings dropped by half over the last decade? How has the game changed in recent years and what does the proliferation of legalized sports betting have to do with it? Jeff takes a break this week from questions of history and politics and looks at a slice of our public life with author and journalist Oliver Lee Bateman and addresses these weighty issues.Or is there more to it? Is the creep of the HR department mindset to standardize, systematize, and optimize everything having an impact on one of our beloved sports?Read Oliver's article on the topic, from RealClearBooks: https://tinyurl.com/4umhyujf#nba #sportsbettingHost: Jeff SikkengaExecutive Producer: Jeremy GyptonSubscribe: https://linktr.ee/theamericanidea

In this episode Mary talks about the lie that being food sober means life is no longer as fun. Grab your copy of my FREE 9 page Beginner's Guide to Food Sobriety https://www.foodfreedomwithmary.com/foodsobrietyguideDo you need private coaching and intensive daily contact with a coach? Fill out my application so we can chat about whether or not my program is for you and which option is best for you. Payment plans available. Don't see a payment option that works for your pay schedule? Let's chat about a custom pay plan.www.foodfreedomwithmary.com/chooseyourpath Application: https://docs.google.com/forms/d/1upnWHYK0RXfmyRTqlsF_R06z3NA8LZYHIMWFykq7-X4/viewformJoin my Food Freedom Tribe! An online community of support, eduction, inspiration, accountability….. Learn more here: https://www.foodfreedomwithmary.com/tribemembership Instagram: www.instagram.com/ketomary71 Facebook: www.Facebook.com/ketomary71 YouTube: https://youtube.com/@ketomary7114Website: www.foodfreedomwithmary.com Join the email list.Email: mary@foodfreedomwithmary.com Want to learn more about me and my coaching programs? Watch my program video: www.foodfreedomwithmary.com/programvideoOnline Course: https://www.foodfreedomwithmary.com/foodfreedomcourse

Welcome back! The podcast isn't dead! This week it is just Mark rambling. I talk about Sun N Fun and the kickoff of the airshow season as well as the contest season with the Borrego Duel in the Dessert happening this weekend. I also talk a lot about the Aura Integral R which officially debuted at Sun N Fun and has its first delivery. I share a little bit about the process of becoming a DPE, as well as getting into talking about CFI spin endorsements. Stay tuned for guests and normal recordings soon! Thanks to LIFT Aviation! Head over to www.liftaviationusa.com and use the promo code FLYCOOLSHIT at checkout for 25% off most items!Thanks to Fly Good Merch! Head over to www.flygoodmerch.com and use the promo code AKRO at checkout for 10% off the entire website!

Follow all of our content on https://jomboymedia.comUse code YANKS2025 for 10% off your next SeatGeek order*: https://seatgeek.onelink.me/RrnK/YANKS2025. Sponsored by SeatGeek. *Restrictions apply. Max $20 discountHead to https://waterbird.com and type in your zip code to find your nearest retailer!Presented by Your Local Ford Stores. See highlights of the Ford Bronco® lineup: https://ford.com/broncoDownload the DraftKings Sportsbook app and use promo code JMBASEBALLGAMBLING PROBLEM? CALL 1-800-GAMBLER, (800) 327-5050 or visit gamblinghelplinema.org (MA). Call 877-8-HOPENY/text HOPENY (467369) (NY). Please Gamble Responsibly. 888-789-7777/visit ccpg.org (CT) or visit www.mdgamblinghelp.org (MD). 21+ and present in most states. (18+ DC/KY/NH/WY). Void in ONT/OR/NH. Eligibility restrictions apply. On behalf of Boot Hill Casino & Resort (KS). 1 per new customer. $5+ first-time bet req. Max. $150 issued as non-withdrawable Bonus Bets that expire in 7 days (168 hours). Stake removed from payout. Terms: sportsbook.draftkings.com/promos. Ends 4/13/25 at 11:59 PM ET. Sponsored by DK. Pick6 not available everywhere, including, but not limited to NY and CA-ONT (for up-to-date list of jurisdictions please visit pick6.draftkings.com/where-is-pick6-available). Sponsored by DK.++++++++++++Timestamps:0:00 Not a Fun Series4:45 What We Do On This Show5:20 Groundscreeping7:40 Yankees LOSE Game 112:10 Yankees Carved Up in Game 2  20:00 Yanks BARELY Win Game 3  24:10 Devin Williams Soured This Win  26:25 Pride of the Yankees: Max Fried30:20 Pride of the Yankees: Ben Rice33:30 Yankee MFer46:05 Cody Bellinger Food Poisoning51:50 Goldy Went Off This Series58:45 Oswaldo Cabrera1:04:25 Jasson Dominguez LF DefenseVoicemail Line: ‪(908) 845-5792‬

On today's show, Don sits down with a gallery of fishing reporters, anglers, marina operators, experts and more on everything from Turkey hunting in Texas, the best bait to use in dirty, nasty water, if windy weather is truly the end-all-be-all of bad fishing conditions, what happens after windy weather that, all you need to know regarding Paddle Palooza coming up, a Bad Boy that really couldn't wait for Red Snapper season to start, and a whole lot more!

(00:00) NESN’s Billy Jaffe, who analyzes the Bruins, joins Toucher & Hardy to discuss how we got here. How are the Bruins last in the Eastern Conference? (19:32) It’s time for the segment everyone’s talking about—The Email Bit! Pat McAfee is spreading false rumors, but claims he just wants to have some fun. Fred makes it clear that there is NO FUN! (32:51) The Stack has Robert Kraft's succession plan! CONNECT WITH TOUCHER & HARDY: linktr.ee/ToucherandHardy For the latest updates, visit the show page on 985thesportshub.com. Follow 98.5 The Sports Hub on Twitter, Facebook and Instagram. Watch the show every morning on YouTube, and subscribe to stay up-to-date with all the best moments from Boston’s home for sports!

This week on Open Your Eyes, McKay talks about why it's no fun being poor. He opens up the episode by recounting the plot of the Oscar Award winning film, CODA, in which the protagonist's family rises above the poverty line and comes to live a much more fulfilled life as a result. Next McKay talks about his friend's work building wells in the Republic of Congo and educating the community about maintenance and education. McKay remarks that this education and access gave Congan people the opportunity to rise above their water scarcity and focus on growing other areas of wealth. These two stories lead to McKay listing his three markers for wealth: a complete lack of debt, having savings to provide for an emergency, and having 10% of your wealth to give away. He urges the audience to do so by cutting monthly spending in half, increasing monthly income, paying off your lowest debt balances, and eventually paying off your mortgage. A lack of debt fuels confidence and contentment in life, and McKay concludes the episode by reminding us all that it isn't fun to be poor, but it's extremely fun being debt free. The Finer Details of This Episode:The synopsis of Apple's CODABuilding wells in the Republic of Congo The three components of wealthThe importance of cutting monthly spendingIncreasing your monthly incomePaying off debtHow a lack of debt fuels confidenceQuotes: “The truth is, it's no fun to be poor. And another truth is: no one has to be.”“Bringing people from poverty has as much to do with their learning and understanding as it does about them actually having materials for wealth.”“You're wealthy if you're completely debt free, you have adequate savings to provide for you and your family if you stopped working, and you're able to give away 10% of what you earn.”“Don't buy it unless you can pay cash for it.”“By cutting monthly spending and adding monthly income, paying off the lowest debt balances first, and then applying that to your mortgage, you're soon out of debt. ““I've seen people with a lot of things who are emotionally and spiritually poor, because they believe what they have defines who they are.”“The peace and security of being out of debt is worth so much. As I mentioned, it teaches you to be content, to stop using debt to satisfy your wants; it sets the course for a life of frugality and humility.”Links:Open Your Eyes with McKay Christensen

The US military uses AI, and we put a brain in a jar. But Don't worry! We promise it will be alright. We think. Plus, the red LEDs ARE good for your skin!Starring Tom Merritt and Huyen Tue Dao.Show notes can be found here.

The Drunk Guys have a pair(able) of beers this week when they read The Parable of the Sower by Octavia Butler. They pair their sower with: No Fun by Finback and 10th Anniversary by Other Half. Join the Drunk Guys next Tuesday for Onyx Storm by Rebecca Yarros. The Drunk

The guy in today’s Second Date tried to come up with a cool date idea, and he did. But once they were there he had to CONSTANTLY say “NO” to his date. Can we help get a “yes” back from her?See omnystudio.com/listener for privacy information.

The guy in today’s Second Date tried to come up with a cool date idea, and he did. But once they were there he had to CONSTANTLY say “NO” to his date. Can we help get a “yes” back from her?See omnystudio.com/listener for privacy information.