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2 episodes with frederick ii
2 episodes with frederick ii
Episode: 1348 Castel del Monte: in which Frederick II plays with geometry. Today, we wonder why a castle was built.
Full Text of ReadingsEighth Sunday in Ordinary Time Lectionary: 84The Saint of the day is Saint Agnes of BohemiaSaint Agnes of Bohemia's Story Agnes had no children of her own but was certainly life-giving for all who knew her. Agnes was the daughter of Queen Constance and King Ottokar I of Bohemia. She was betrothed to the Duke of Silesia, who died three years later. As she grew up, she decided she wanted to enter the religious life. After declining marriages to King Henry VII of Germany and King Henry III of England, Agnes was faced with a proposal from Frederick II, the Holy Roman Emperor. She appealed to Pope Gregory IX for help. The pope was persuasive; Frederick magnanimously said that he could not be offended if Agnes preferred the King of Heaven to him. After Agnes built a hospital for the poor and a residence for the friars, she financed the construction of a Poor Clare monastery in Prague. In 1236, she and seven other noblewomen entered this monastery. Saint Clare sent five sisters from San Damiano to join them, and wrote Agnes four letters advising her on the beauty of her vocation and her duties as abbess. Agnes became known for prayer, obedience and mortification. Papal pressure forced her to accept her election as abbess, nevertheless, the title she preferred was “senior sister.” Her position did not prevent her from cooking for the other sisters and mending the clothes of lepers. The sisters found her kind but very strict regarding the observance of poverty; she declined her royal brother's offer to set up an endowment for the monastery. Devotion to Agnes arose soon after her death on March 6, 1282. Canonized in 1989, her liturgical feast is celebrated on March 6. Reflection Agnes spent at least 45 years in a Poor Clare monastery. Such a life requires a great deal of patience and charity. The temptation to selfishness certainly didn't vanish when Agnes walked into the monastery. It is perhaps easy for us to think that cloistered nuns “have it made” regarding holiness. Their route is the same as ours: gradual exchange of our standards—inclinations to selfishness—for God's standard of generosity. Click here for more on Saint Agnes of Bohemia! Saint of the Day, Copyright Franciscan Media
The Rhine River flows through the heartland of western Germany, through a gorge passing an average of one castle per mile. Reisling vineyards, charming villages, and castle after castle after castle surround you as you drift along the river. But almost 400 years ago, this idyllic valley was caught up in the most devestating war in pre-20th century European history. In this episode, we'll cover the first two stages of the Thirty Years War, focusing not on the battles, but on the people who made the decisions that caused this calamity to unfold. In particular, we'll focus on Frederick II, Elector of the Palatinate, and his questionable, if heartfelt, choice to take the crown of Bohemia. We'll also visit with Ferdinand II of Austria and Christian IV of Denmark, and many others! And of course, we'll enjoy sauerbraten, while I tell the sad tale of my 1998 trip to Germany. Das was nicht sehr gut!
fWotD Episode 2649: Alice of Champagne Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Monday, 5 August 2024 is Alice of Champagne.Alice of Champagne (French: Alix; c. 1193 – 1246) was the queen consort of Cyprus from 1210 to 1218, regent of Cyprus from 1218 to 1232, and regent of Jerusalem from 1243 to 1246. She was the eldest daughter of Queen Isabella I of Jerusalem and Count Henry II of Champagne. In 1210, Alice married her stepbrother King Hugh I of Cyprus, receiving the County of Jaffa as her dowry. After her husband's death in 1218, she assumed the regency for their infant son, King Henry I, but her maternal uncle Philip of Ibelin became the actual head of state administration as bailli (governor). Alice began seeking contacts within her father's counties in France to bolster her claim to Champagne and Brie against her cousin, Theobald IV, but the kings of France never acknowledged her claim. After a dispute with Philip of Ibelin, she left the island in 1223. She married Bohemond, heir apparent to the Principality of Antioch and the County of Tripoli, but their marriage was annulled on grounds of consanguinity—they were too closely related according to canon law. In 1229, she laid claim to the Kingdom of Jerusalem against the infant Conrad (the son of her niece Queen Isabella II of Jerusalem and the Holy Roman Emperor, Frederick II) who was absent from the kingdom, but the High Court of Jerusalem rejected her claim. When her son reached the age of majority in 1232, Alice abdicated her regency and departed for France to claim Champagne and Brie. She subsequently renounced her claim and returned to the Holy Land.In 1240, she married Raoul of Nesle who was about half of her age at the time. The High Court of Jerusalem proclaimed Alice and her husband regents for Conrad in 1243, but their power was only nominal. Raoul of Nesle left the kingdom, and Alice, before the end of the year. Alice retained the regency until her death in 1246.This recording reflects the Wikipedia text as of 01:18 UTC on Monday, 5 August 2024.For the full current version of the article, see Alice of Champagne on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Ruth.
The year is 1346 and we have, yes, another succession crisis. Without checking through my 1500 pages of transcripts, I have counted a total f 14 contested imperial elections in the 427 years we have covered so far. Henry the Fowler, Herny II, Henry IV, Henry V, Lothar III, Konrad III, Philip of Swabia, Otto IV, Frederick II, Konrad IV, Richard of Cornwall, Adolf of Nassau, Albrecht of Habsburg and Ludwig the Bavarians all had to contend with anti-kings or severe opposition to their ascension to the throne. I guess you are bored with these and so were the citizens of the empire. But here is the good news. From Karl IV's reign onwards these succession crises will become fewer and fewer. Why? One reason is of course the Golden Bull we will discuss in a few episodes time. But there is another one, which had to do with the way Karl IV overcome the opposition. He claimed it was divine providence, but modern historians point to a much more temporal force that tied the imperial title to the heirs of the house of Luxemburg… The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356
One of the most important of Holy Roman Emperors, Frederick II was revered and reviled in equal measures. He was a scholar, an architect, a poet, a scientist and a composer. Yet rumours swirled that he was a pagan, a sensualist who kept a harem, even secretly a Muslim, who was excommunicated by the Roman Catholic Church numerous times.In this explainer episode of Gone Medieval, Dr. Eleanor Janega tells the compelling story of one of her favourite historical figures; a ruler who fought for recognition, both on the battlefield and in the court of public perception.Gone Medieval is presented by Dr. Eleanor Jane and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.Gone Medieval is a History Hit podcast.Enjoy unlimited access to award-winning original TV documentaries that are released weekly and AD-FREE podcasts. Sign up HERE for 50% off your first 3 months using code ‘MEDIEVAL' You can take part in our listener survey here
The second terrace of PURGATORIO proves a wild ride into interiority, into the complicated sin of envy, and back into INFERNO.Join me, Mark Scarbrough, as we explore the first moments in which Dante sees the penitents ahead . . . and delays until the last moment revealing their fate: eyelids stitched shut with wires.Thank you for supporting this podcast through your donations. If you'd like to help our (or continue to help out) with all the fees associated with websites, hosting, streaming, editing, and sound effects, please visit this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[00:55] My English translation of the passage: PURGATORIO, Canto XIII, lines 46 - 72. If you'd like to read along or continue the discussion with me, please go to my website: markscarbrough.com.[03:28] Dante the pilgrim, the livid shades of the envious, and fragmentary prayers in the vernacular.[05:52] Compassion: apparently a virtue of enforced scarcity.[07:51] Envy, interiority, and externality.[09:42] The tried-and-true answers to envy: love, yes; but also uniformity.[13:25] The long wind-up to the revelation of the penitents' pain.[17:30] Dante's (false) etymology of envy and a folkloric explanation of the sin.[21:51] Two callbacks: 1) Provenzan Salvani and 2) the allegorical and/or naturalistic sun.[23:51] The biggest callback of all: to Pier della Vigna and Frederick II in INFERNO XIII.[25:21] Rereading the passage: PURGATORIO, Canto XIII, lines 46 - 72.
THIS WEEK! We take a look at The Popes, And The Hoenstaufen. We take a look at how the relationship between Barbarossa, and Alexander III, The Anti Pope, and the third crusade. We also take a look at Frederick II, and Pope Gregory IX. Why did the popes dislike the Hoenstaufen? AND A New Mic! Find out this week on "Well That Aged Well", With "Erlend HedegartSupport this show http://supporter.acast.com/well-that-aged-well. Hosted on Acast. See acast.com/privacy for more information.
Quotation Themes: Primary themes: Truth, risk, liberty and justice, morality, personal responsibility, conscience. Secondary themes: Fragility of democracy, reputation/legacy, service, demanding rights, tyranny, duty and patriotism, societal and common welfare, fundamental rights, legality, reform, individual and collective agency or action, and constitutional liberties.In this 11-minute podcast, I highlight informative and insightful quotes by Enlightenment men as well as from Great men who inherit the spirit of Enlightenment values. Some of the men of which I highlight either 1-2 quotes include the Buddha who was born in India, Cyrus the Great of Persia, Frederick II of Prussia, Baruch Spinoza of the Netherlands, Immanuel Kant of Germany, Benjamin Franklin of the United States of America, Samuel Adams of the United States of America, Edmund Burke of Ireland, Thomas Jefferson of the United States of America, Benjamin Rush of the United States of America, and Georges Bernanos of France. Additionally, I highlight multiple quotes by three icons of human rights and constitutional liberty of whom are the 2nd president of the United States of America John Adams, the first law minister of India and creator of its constitution Dr. Babasaheb Ambedkar, and the 44th president of the United States who established universal health care reform for the first time in American history, ended the War in Iraq, and killed the mastermind behind the 9/11 attacks Osama Bin Laden, President Barack Obama. The figures of President John Adams, Dr. Babasaheb Ambedkar, and President Barack Obama are not only a few of my most admired advocates of liberty, justice, and human rights, but they are also all constitutional experts and proponents of constitutional principles: President John Adams wrote the first constitution for a representative republic in modern history for the Massachusetts government in 1780 setting the precedent for all constitutions in the modern era; Dr. Babasaheb Ambedkar was the first law minister of India and thus was the primary drafter of India's first constitution allowing for the establishment of parliamentary democracy and India's code of ethics for all Indians especially through the institutions of quotas and reservations for the underclass; President Barack Obama not only shaped political democracy, but also American mores, values, and ethics, channeling his experience as a young community organizer in Chicago, Illinois and his expertise as a constitutional law professor at the University of Chicago for 10 years into the American presidency where he fostered a new dialogue on race relations by establishing the Brother Keeper's foundation to provide mentorship to young men across the United States of America while also setting the precedent for equality through the implementation of the Fair Pay Act for women and proliferating liberty and justice around the world by fostering future leaders through his Obama foundation. As illustrated by the men who I have chosen to quote, there is a thread in history that binds us all together and a tradition of freedom that we all share. More importantly, as these men have demonstrated, it is only through an understanding of history, political precedents, and cultural norms, that we can even begin to reform the social fabric of society which is predicated on social democracy.
Full Text of ReadingsSaturday of the Second Week of Lent Lectionary: 235The Saint of the day is Saint Agnes of BohemiaSaint Agnes of Bohemia's Story Agnes had no children of her own but was certainly life-giving for all who knew her. Agnes was the daughter of Queen Constance and King Ottokar I of Bohemia. She was betrothed to the Duke of Silesia, who died three years later. As she grew up, she decided she wanted to enter the religious life. After declining marriages to King Henry VII of Germany and King Henry III of England, Agnes was faced with a proposal from Frederick II, the Holy Roman Emperor. She appealed to Pope Gregory IX for help. The pope was persuasive; Frederick magnanimously said that he could not be offended if Agnes preferred the King of Heaven to him. After Agnes built a hospital for the poor and a residence for the friars, she financed the construction of a Poor Clare monastery in Prague. In 1236, she and seven other noblewomen entered this monastery. Saint Clare sent five sisters from San Damiano to join them, and wrote Agnes four letters advising her on the beauty of her vocation and her duties as abbess. Agnes became known for prayer, obedience and mortification. Papal pressure forced her to accept her election as abbess, nevertheless, the title she preferred was “senior sister.” Her position did not prevent her from cooking for the other sisters and mending the clothes of lepers. The sisters found her kind but very strict regarding the observance of poverty; she declined her royal brother's offer to set up an endowment for the monastery. Devotion to Agnes arose soon after her death on March 6, 1282. Canonized in 1989, her liturgical feast is celebrated on March 6. Reflection Agnes spent at least 45 years in a Poor Clare monastery. Such a life requires a great deal of patience and charity. The temptation to selfishness certainly didn't vanish when Agnes walked into the monastery. It is perhaps easy for us to think that cloistered nuns “have it made” regarding holiness. Their route is the same as ours: gradual exchange of our standards—inclinations to selfishness—for God's standard of generosity. Click here for more on Saint Agnes of Bohemia! Saint of the Day, Copyright Franciscan Media
We discuss the language and history of the ecological sciences, all the way back to the ancient Greeks, and the development of the food chain and food web models of ecological systems. And apologies for the unscheduled hiatus! Golden Chain CocktailFood Web videoCuckold video and podcast Frank N. Egerton. “A History of the Ecological Sciences: Early Greek Origins”, Bulletin of the Ecological Society of America 82.1 (2001): 93-97 ———, “A History of the Ecological Sciences, Part 2: Aristotle and Theophrastos”, BESA 82.2 (2001): 149-152 ———, “A History of the Ecological Sciences, Part 3: Hellenistic Natural History”, BESA 82.3 (2001): 201-205 ———, “A History of the Ecological Sciences, Part 4: Roman Natural History”, BESA 82.4 (2001): 243-246 ———, “A History of the Ecological Sciences, Part 5: Byzantine Natural History”, BESA 83.1 (2002): 89-94 ———, “A History of the Ecological Sciences, Part 6: Arabic Language Science—Origins and Zoological Writings”, BESA 83.2 (2002): 142-146 ———, “A History of the Ecological Sciences, Part 7: Arabic Language Science—Botany, Geography, and Decline”, BESA 83.4 (2002): 261-266 ———, “A History of the Ecological Sciences, Part 8: Frederick II of Hohenstaufen: Amateur Avian Ecologist and Behaviorist”, BESA 84.1 (2003): 40-44 ———, “A History of the Ecological Sciences, Part 9: Albertus Magnus: a Scholastic Naturalist”, BESA 84.2 (2003): 87-91Transcript of this episodeThis episode on YouTubeOur Patreon pageRedbubble storeThis podcast is licensed under a Creative Commons Attribution-ShareAlike 4.0 International LicenseThe Endless Knot RSS
If you don't want to hear us rant and rave about the Hofenstaufen dynasty, Frederick II, and how Prince Andrew of Hungary was the Hunter Biden of the middle ages, then fast forward to about minute 17. This week our old pal Kate Wagner (@mcmansionhell) joins us to discuss the pope, AI-generated content, conspiracy theory-fueled wildfires, the ecstasy we apparently felt at electing Joe Biden, and the latest designs at Neom. You can support Kate at the Duchy of Patreon: www.patreon.com/mcmansionhell And us too: www.patreon.com/trillbillyworkersparty
SynopsisOn today's date in 1755, Montezuma, an opera by German Baroque composer Carl Heinrich Graun, had its premiere performance at the Berlin Court Opera of Frederick II, King of Prussia. Frederick supervised the rehearsals, which isn't all that surprising, since he had drafted the opera's libretto.Despite his well-deserved reputation as a military leader, Frederick the Great also was a talented musician and composer. As a young prince, he had tried to run away from home to pursue a musical career. His royal father was not amused. Heads rolled — one of them belonging to Frederick's favorite music teacher — and thereafter Frederick focused on his military studies until he could ascend the throne. As king, Frederick built an opera house in Berlin and called some of Europe's finest composers to his court — but also transformed Prussia into the military superpower of Europe.Some speculate that Frederick's choice of Montezuma as an opera subject might be psychologically revealing. Perhaps Frederick saw the artistic, peace-loving, passive side of his nature in the tragic Mexican king and his aggressive, military side in Spanish invader Cortez.As Freud might have said a century or so later: “Very interesting.”Music Played in Today's ProgramCarl Heinrich Graun (1703-1759) Montezuma Overture; German Chamber Academy; Johannes Gortizki, cond. Capriccio 60032
We come back to you after our only second break in almost 3 years, something of which we sincerely apologise. Unfortunately, this time, we had a pretty good excuse as my little corner of the world was ravaged by some serious floods. While we are all well, we had a lot of cleaning up and helping to do, which made it impossible to publish our weekly window on this incredible land. In order to forget about the sorrow and destruction around us, this time I decided to talk about a little town not too far from where I live that has a particular claim to fame. As it happens quite frequently around here, in the Middle Ages it was an important stronghold and was a mandatory stop on the famous Via Francigena, the road that brought pilgrims to Rome from Northern Europe. What sets it apart from the other hill towns is the fact that, several centuries apart, two famous emperors were instrumental in its fortunes, leaving an indelible mark on the town. The place is both spectacular and full of little oddities, which explains why this week What's Up Tuscany will bring you to San Miniato, the town of the two emperors, to tell you what makes it so special.If you listen to the full episode you will learn how it was Frederick II to make sure that the pilgrim road passed here and how he commissioned the imposing tower that, to this day, is the symbol of this town. I will then tell you how Napoleon Buonaparte came here at least twice to meet some relatives and how his elderly relative was fundamental in his spectacular rise to power. In the middle chapters we will explore the imposing palace that follows the ancient walls and delve into the many inscriptions on its facade. Then we will take a look at the mysterious cathedral, whose ceramic basins replicate the shape of the two constellations that were supposed to bring good luck to the town and the marble rectangle that was a sign of the presence of the powerful Templar Knights. We will continue our tour of this town by looking at the ancient crucifix that, according to legend, was able to protect people from floods and the clever roads behind the walls, which were built in order to unleash a veritable firestorm on any assailant.In the final chapter I will walk you through a little museum dedicated to the suffering endured by Tuscans in the Second World War, give you some pointers on the famous festival dedicated to white truffles to top it off with our mandatory travel tips on the best places where you can taste great food without breaking the bank. This time they're rather weird, as we go from a farmer's market to the backroom of a butcher shop to a small shop that hides an amazing wealth of taste. Word to the wise: don't leave San Miniato without trying their truffles crisps, they're absolutely addictive. This might not be a town as famous as Florence or Siena but if you come here you will discover that it has so many incredible things to see and do. Next time you plan a trip to Tuscany, think about coming to San Miniato. You definitely won't regret it.Email: podcast@larno.itFacebook: https://www.facebook.com/larno.itTwitter: @arno_it / @WhatsupTuscanyLINKS TO SOURCES (ITALIAN ONLY)https://www.discoversanminiato.it/storia/la-torre-di-federico-ii-a-san-miniato/https://www.discoversanminiato.it/cosa-vedere/https://limes.cfs.unipi.it/sanminiatopalazzoseminario/https://bonespirit.provincia.lucca.it/it/divulgativa/563/i-buonaparte-a-san-miniato.htmlhttps://viaggichemangi.com/food-and-wine/dove-mangiare/dove-mangiare-san-miniato/BACKGROUND MUSICPipe Choir - Bom Bom Breakthrough (Instrumental)Romos - HeliosProfound Beats - Lo-fiCatmosphere - Candy-Coloured SkyWUFO - Hyde ParkWayne John Bradley - WaitingPipe Choir - Ignite to Light (Instrumental)Wayne John Bradley - Blues Rock Original InstrumentalAll released under Creative Commons Attribution 4.0 International Licensehttps://soundcloud.com/pipe-choir-2/pipe-choir-bom-bom-breakthrough-creative-commons-instrumentalhttps://soundcloud.com/argofox/romos-helioshttps://soundcloud.com/profoundbeats/profound-beats-lo-fi-free-downloadhttps://soundcloud.com/argofox/catmosphere-candy-coloured-skyhttps://soundcloud.com/argofox/wufo-hyde-parkhttps://soundcloud.com/ayneohnradley/waiting-original-uplifting-indie-pop-style-instrumentalcreative-commonshttps://soundcloud.com/pipe-choir-2/pipe-choir-ignite-to-light-creative-commons-instrumentalhttps://soundcloud.com/ayneohnradley/blues-rock-original-instrumentalcreative-commonshttp://www.pipechoir.com/
In this episode we look at the unique form of absolutism that develops in Prussia under Frederick William I and Frederick II, also known as Frederick the Great... And yes... that's Prussia with a P. Lyndeurozone.com Patreon If you use this podcast regularly would you please consider supporting us on Patreon for as little as a dollar a month? The Euro Simplified Podcast has no advertising revenue and is produced by a public school teacher. We love and appreciate our supporters on Patreon as our supporters help us meet the costs associated with the production of this free resource for students. Episodes will be released on the following schedule: Unit 1 and Unit 2 - August/September Unit 3: October Unit 4: November Unit 5: November and December Unit 6: January Unit 7: Late January & February Unit 8 : March Unit 9: April If you have any questions you can contact Robert Lynde at Lyndeurozone.com. Instagram: @Lyndeurozone
Frederick II of Prussia, like the Era of the Enlightenment in which he lived, was torn about warfare: was it to be humanised, or was it to be perfected? As king he favoured the latter, earning the respect of contemporaries as the greatest strategist of his age. Frederick in his youth thought Machiavelli's instructions for princes morally reprehensible, and as a king surrounded himself with great moral philosophers, including, famously, Voltaire. But Frederick saw it as his duty, as that of any monarch, to increase the territorial possessions of his dynasty, even by war, irrespective of just causes. One of the last monarchs who was his own commander-in-chief on his military campaigns, he was also a crafty political strategist, wresting Silesia away from Empress Maria Theresia yet persuading her to colluding with him (and Catherine II of Russia) in the partition of Poland. Dr Adam Storring helps us understand this complicated man, who like Xerxes and Alexander III before him, was obsessed with outdoing and outshining his father. A Cambridge man, Dr Storring was awarded the André Corvisier Prize for the worldwide Best Dissertation on Military History in 2019. His publications include works on Frederick the Great, including in the forthcoming Cambridge History of Strategy (2024). He teaches at the Department of War Studies, King's College London.
Dark Ages: Mage received only two formal books but Right of Princes tells how to run a Chantry and Darkening Sky provides an adventure. Adam and Terry talk domains, pooled backgrounds, eclipses, the Holy Land, and Frederick II. Right of Princes - Dark Ages book on ruling and relating to mortals with some information on building a Chantry Darkening Sky - A set of adventures for Dark Ages lines Blood-Dimmed Tides - NEXT BOOOOK --- Send in a voice message: https://podcasters.spotify.com/pod/show/mage-the-podcast/message
Full Text of ReadingsThursday of the First Week in Lent Lectionary: 227The Saint of the day is Saint Agnes of BohemiaSaint Agnes of Bohemia's Story Agnes had no children of her own but was certainly life-giving for all who knew her. Agnes was the daughter of Queen Constance and King Ottokar I of Bohemia. She was betrothed to the Duke of Silesia, who died three years later. As she grew up, she decided she wanted to enter the religious life. After declining marriages to King Henry VII of Germany and King Henry III of England, Agnes was faced with a proposal from Frederick II, the Holy Roman Emperor. She appealed to Pope Gregory IX for help. The pope was persuasive; Frederick magnanimously said that he could not be offended if Agnes preferred the King of Heaven to him. After Agnes built a hospital for the poor and a residence for the friars, she financed the construction of a Poor Clare monastery in Prague. In 1236, she and seven other noblewomen entered this monastery. Saint Clare sent five sisters from San Damiano to join them, and wrote Agnes four letters advising her on the beauty of her vocation and her duties as abbess. Agnes became known for prayer, obedience and mortification. Papal pressure forced her to accept her election as abbess, nevertheless, the title she preferred was “senior sister.” Her position did not prevent her from cooking for the other sisters and mending the clothes of lepers. The sisters found her kind but very strict regarding the observance of poverty; she declined her royal brother's offer to set up an endowment for the monastery. Devotion to Agnes arose soon after her death on March 6, 1282. Canonized in 1989, her liturgical feast is celebrated on March 6. Reflection Agnes spent at least 45 years in a Poor Clare monastery. Such a life requires a great deal of patience and charity. The temptation to selfishness certainly didn't vanish when Agnes walked into the monastery. It is perhaps easy for us to think that cloistered nuns “have it made” regarding holiness. Their route is the same as ours: gradual exchange of our standards—inclinations to selfishness—for God's standard of generosity. Click here for more on Saint Agnes of Bohemia! Saint of the Day, Copyright Franciscan Media
Here we are. 2 years of the History of the Germans Podcast. 93 main episodes and 102 when we count bonus episodes, interviews and the like. That makes 3,223 minutes or 2d, 5h and 43minutes of recorded history. At the last count you have downloaded 914,413 episodes which means if you had all listened to all of the episodes, you would have spent a cumulative 20,000 days listening to me! Wow! It is only fair that I listen to you for once! And that is what this episode is all about. Thank you all for all your questions and comments. It was great to see how much you care about the story we have gone through. I really enjoyed reading them and I think I will attempt to answer all of them. I did organise them by topic going from general to specific, so the podcast in general, the Sources, German history in general, the Hohenstaufen and then Frederick II and his sons.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans
On July 7th, 1285, a sunny day in the city of Wetzlar, a day's ride north of Frankfurt acrid smoke rises from a mighty pyre built up just outside its walls. The pyre was for an emperor, or at least a man who claimed to be the emperor Fredrick II. This man had shown up in the Rhineland, gathered followers, set up a court and sent letters to prince and cities across the realm. Envoys had come from Italy to find out whether the Stupor Mundi had indeed returned. King Rudolf of Habsburg had to turn up in person at the head of an army to sort things out. Just before the fires were lit the (fake) emperor called on to his followers to proceed to Frankfurt as planned where he would re-appear in three days' time.He did not reappear in Frankfurt but in Utrecht, where the imposter was hanged. The next sighting was in Lübeck in 1286, where he was killed again. In 1295 he was again captured and burned at the stake. The myth of the emperor who lives and does not live persisted over the centuries. Sometime in the 15th or 16the century the myth transfers from Frederick II to Barbarossa who now dwelt in the Khyffhaueser mountain waiting to be called. Frederick II was relegated to a secondary role amongst the great medieval emperors until in 1927 a hitherto unknown writer, Ernst Kantorowics published his biography of Frederick II. This book became the most intensely discussed and most controversial biographies of a medieval ruler – full stop. Its view of the emperor was suffused with the right-wing ideology of the George Kreis. Hitler allegedly read it twice, it was on Goebbels' bedside table, but at the same time Claus von Stauffenberg, the leader of the July plot to assassinate Hitler was a friend of Kantorowics and Admiral Canaris, another key conspirator asked for the book to read before his execution. Its Jewish author disliked the Nazis despite his extreme right-wing views. He fled Germany in 1938 and distanced himself from his most famous work. In the US he got caught in the nets of McCarthyism when he refused to swear an oath to fight communists. A rare case where the biographers biography is almost as fascinating as his subject, well worth exploring. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans3a5cc4e46cef307bf2afc25b3675c63504ed8061
This week things will indeed be falling apart. The never-ending war is exactly what it is, a never ending, unwinnable war against an enemy that hides on the other side of the Alps and cannot be attacked. Money is running seriously low, and Frederick II is getting concerned about the loyalty of his closest associates. And those he will lose, one due to the vagaries of war, the other through a bout of paranoia. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans
This week our story kicks off with the death of pope Gregory IX, nonagenarian impeccable foe of emperor Frederick II. Peace is in the air. Of the 11 cardinals getting together in the dilapidated Septizonium once built by emperor Septimus Severus, half wanted a more conciliatory vicar of Christ, but the other half did not. The very first papal conclave followed as the senator Matteo Orsini locks the cardinals up in horrible conditions. When finally one of them is chosen, he died just 17 days later from the exertions.By now all the cardinals have fled and the church remains without a head for almost 2 years. At the same time the descendants of Genghis Khan descend upon Europe. Jerusalem falls to the Turks, the Latin empire of Constantinople is on its last leg.. Is it time for the emperor and the pope to bury the hatchet and face the real enemies of Christendom…..?Episode webpage with transcript and images can be found here: Episode 88 - A Road to Peace • History of the Germans PodcastThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans
This week we are back to action stations. We resume our narrative in 1235 when Frederick II gathered his vassals in Mainz to implement his grand plan to regain the imperial rights in Northern Italy. He picks up where his grandfather Barbarossa and his father Henry VI had to leave things, trying again, but this time with the resources of Southern Italy behind him….and it's déjà vu all over again.An episode webpage with transcripts and maps is available at Episode 85 - Cortenuova • History of the Germans PodcastThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans
Near the town of Andria in Puglia rising from a rock that makes it visible for miles stands entirely on its own a stone structure we call the Castel del Monte. Its ground plan is unique, and like many other of the Emperor's buildings it was probably sketched by Frederick himself: a regular octagon of yellowish limestone; its smooth perfectly-fitting blocks showing no joins and producing the effect of a monolith : at each of the eight corners a squat octagonal tower the height of the wall; two storeys identical in height, each containing eight large equal rooms, in the shape of a trapeze; an octagonal central courtyard adorned with antique sculptures and imitations of the antique, in the centre of which a large octagonal basin served as bath. Every fraction of the structure displays the mental make-up of the Hohenstaufen court: oriental massiveness of the whole, a portal foreshadowing the Renaissance, Gothic windows and rooms with groined and vaulted roofs. The defiant gloom of the tiny-windowed rooms was mitigated by the furnishings; the floors were of mosaic, the walls covered with sheets of reddish breccia or white marble, the groined vaults supported on pilasters with Corinthian capitals, or by delicate clustered columns of white marble. Majesty and grace were fused in one.Of all that remains of Frederick II nothing epitomises the personality of the great emperor more than this building, which may have been a fortification or a hunting lodge or an enormous marble crown celebrating the concept of universal imperial power. In this and the following episode we will look not at the emperor's deeds but how he lived and what he did away from the world of power politics that made the English Chronicler Matthew Paris call him Stupor Mundi, the Wonder of the World.There is an episode webpage available on my website Episode 83 - The Court of Frederick II • History of the Germans PodcastThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans
What do you do once you have condemned your eldest son and heir to life imprisonment? Exactly, you have a party, or more precisely you have two parties. But as always with Frederick II, these are not just knees-up for entertainment, but elaborately staged political events. The first is a wedding, the second a grand get-together of the whole realm and then there is a third, a funeral of a kind you would not have expected from our rational, seemingly agnostic hero. Lots to unpack as always…A website with transcripts and additional images and charts will be available on my website History of the Germans Podcast • Listen HereThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans
This week we look in a bit more detail how Frederick II regained his beloved kingdom of Sicily. For 30 years after the death of the last Hauteville king in 1190 the institutions of that kingdom had been eroded, the crown estate squandered, and powerful local forces had been riding roughshod over the royal administration. Fredrick will bring this land back under his firm control. That is however not your usual return of the king story, because the way he does it is no longer typically medieval….. As always, this episode has a dedicated website with the transcript and maps, pictures and additional comments to read along. It is to be found here: https://historyofthegermans.com/79-2/ (Episode 79 - Return to Sicily • History of the Germans Podcast) The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by https://www.windrep.org/Michel_Rondeau (Michel Rondeau) under https://imslp.org/wiki/Flute_Sonata_in_E-flat_major%2C_H.545_%28Bach%2C_Carl_Philipp_Emanuel%29 (Common Creative Licence 3.0). As always: Homepage with maps, photos, transcripts and blog: http://www.historyofthegermans.com/ (www.historyofthegermans.com) Facebook: @HOTGPod Twitter: @germanshistory Instagram: history_of_the_germans Reddit: u/historyofthegermans Patreon: https://www.patreon.com/Historyofthegermans (https://www.patreon.com/Historyofthegermans)
This is a story I was looking forward to telling for quite some time. It has everything – crossed wires, stubbornness and vitriol as well as diplomacy, cultural awareness and stunning success. It is the story of the crusade of Frederick II, that has no parallel, for one because Frederick did undertake it whilst banned by the pope and further, because he brought Jerusalem back under Christian control for one last time, without a shot being fired. The latter had not been achieved since the Frist Crusade and will not be repeated in the Middle Ages happen again before the British for Palestine in 1918.As always, this episode has a dedicated website with the transcript and maps, pictures and additional comments to read along. It is to be found at https://historyofthegermans.com/75-2/ (https://historyofthegermans.com/78-2/) The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by https://www.windrep.org/Michel_Rondeau (Michel Rondeau) under https://imslp.org/wiki/Flute_Sonata_in_E-flat_major%2C_H.545_%28Bach%2C_Carl_Philipp_Emanuel%29 (Common Creative Licence 3.0). As always: Homepage with maps, photos, transcripts and blog: http://www.historyofthegermans.com/ (www.historyofthegermans.com) Facebook: @HOTGPod Twitter: @germanshistory Instagram: history_of_the_germans Reddit: u/historyofthegermans Patreon: https://www.patreon.com/Historyofthegermans (https://www.patreon.com/Historyofthegermans)
In this episode we look at the unique form of absolutism that develops in Prussia under Frederick William I and Frederick II, also known as Frederick the Great... And yes... that's Prussia with a P. Do you want to get that 5? Enter code “GO4FIVE” at checkout for 25% OFF the Lyndeurozone Online Resources! Online access expires June 15th, 2023. Lyndeurozone.com Patreon If you use this podcast regularly would you please consider supporting us on Patreon for as little as a dollar a month? The Euro Simplified Podcast has no advertising revenue and is produced by a public school teacher. We love and appreciate our supporters on Patreon as our supporters help us meet the costs associated with the production of this free resource for students. Episodes will be released on the following schedule: Unit 1 and Unit 2 - August/September Unit 3: October Unit 4: November Unit 5: November and December Unit 6: January Unit 7: Late January & February Unit 8 : March Unit 9: April If you have any questions you can contact Robert Lynde at Lyndeurozone.com. Instagram: @Lyndeurozone
This week we take a look at the reign of Frederick II in Germany from 1212 to 1220. Most of what he did was putting a nail in an actual coffin whilst also putting the metaphorical nail into the carcass of imperial rule in Germany. And was that such a bad thing? What happens when the emperor just hands out what is left of the royal demesne? Cathedrals go up, princes hold splendid courts and none of them think about disturbing the peace in Italy. If you are the king of Sicily, that is a near perfect result. And if you are the pope, even more so, in particular when Frederick II throws in a brand-new crusade and swears on all that is holy that he would never pursue a link-up between Sicily and the empire. Everybody happy? Let's see.. As always, this episode has a dedicated website with the transcript and maps, pictures and additional comments to read along. It is to be found at https://historyofthegermans.com/75-2/ (https://historyofthegermans.com/77-2/) The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by https://www.windrep.org/Michel_Rondeau (Michel Rondeau) under https://imslp.org/wiki/Flute_Sonata_in_E-flat_major%2C_H.545_%28Bach%2C_Carl_Philipp_Emanuel%29 (Common Creative Licence 3.0). As always: Homepage with maps, photos, transcripts and blog: http://www.historyofthegermans.com/ (www.historyofthegermans.com) Facebook: @HOTGPod Twitter: @germanshistory Instagram: history_of_the_germans Reddit: u/historyofthegermans Patreon: https://www.patreon.com/Historyofthegermans (https://www.patreon.com/Historyofthegermans)
This week we will go back 20 years and pick up the other strain of our history of the Hohenstaufen. The last three episodes we focused on events in Germany and the struggle between Philipp of Swabia and Otto IV. Today we take a closer look at the early years of Frederick II, before he cameup to Germany and took over. Little is known but much has been written about the youth of emperor Frederick II, not only because it was exceedingly turbulent, but also because it forged a man who burst on the European stage aged 14 already displaying many of those personality traits that would make him known as the Stupor Mundi, the Astonishment of the World. How did he become who he became? As always, this episode has a dedicated website with the transcript and maps, pictures and additional comments to read along. It is to be found at https://historyofthegermans.com/75-2/ (https://historyofthegermans.com/76-2/) The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by https://www.windrep.org/Michel_Rondeau (Michel Rondeau) under https://imslp.org/wiki/Flute_Sonata_in_E-flat_major%2C_H.545_%28Bach%2C_Carl_Philipp_Emanuel%29 (Common Creative Licence 3.0). As always: Homepage with maps, photos, transcripts and blog: http://www.historyofthegermans.com/ (www.historyofthegermans.com) Facebook: @HOTGPod Twitter: @germanshistory Instagram: history_of_the_germans Reddit: u/historyofthegermans Patreon: https://www.patreon.com/Historyofthegermans (https://www.patreon.com/Historyofthegermans)
Galatians 5:16-26THE WAY OF LOVE VS. THE WAY OF SELFISHNESSLOVE VS. SELFISHNESS, JOY VS. DESPAIR, PEACE VS. ANXIETY, PATIENCE VS. HURRY, KINDNESS VS. HARSHNESS, GOODNESS VS. BROKENNESS, FAITHFULNESS VS. COMPROMISE, GENTLENESS VS. ROUGHNESS, AND SELF-CONTROL VS. APPETITES.DANGER O1: THE FRUIT OF A GOOD PEOPLEDANGER 02: THE FRUIT OF GOOD PEOPLE AND THE FRUIT OF THE SPIRIT ARE THE SAMEFRUIT GROWS18 But if you are led by the Spirit, you are not under the law. 19 Now the works of the flesh are evident:GALATIANS 5:18-1922 But the fruit of the Spirit is…GALATIANS 5:22Fruit isn't achieved by working, but is birthed by abiding, and sustained through connection.David Guzik5 I am the vine; you are the branches. Whoever abides in me and I in him, he it is that bears much fruit, for apart from me you can do nothing.MATTHEW 15:5For those who live according to the flesh set their minds on the things of the flesh, but those who live according to the Spirit set their minds on the things of the Spirit.ROMANS 8:5FRUIT SHOWSFruit shows US what/who were are connected to and shows OTHERS what/who we are connected to.FRUIT FEEDSThis fruit is grown IN US, but it's grown FOR OTHERS.WORLD-SHAPED LOVEBut understand this, that in the last days there will come times of difficulty. 2 For people will be lovers of self,2 TIMOTHY 3:1-5THE FRUIT OF WORLD-SHAPED LOVE IS SELFISHNESS“We don't worship Satan, we worship ourselves using the metaphorical representation of the qualities of Satan. Satan is the name used by Christians for that force of individuality and pride within us.”ANTON LAVEY (Founder of the Church of Satan)THE ROOT OF A WORLD-SHAPED LOVE: “I NEED LOVE.”Back in the thirteenth century, the king of Sicily, Frederick II, conducted a diabolical experiment intended to discover what language children would naturally grow up to speak if never spoken to. He thought it would be either Hebrew, Greek, Latin or Arabic. Some things are just obvious, right? So King Frederick the Great took babies from their mothers at birth and placed them in the care of nurses who were forbidden to speak in their hearing. But a second rule was imposed, as well: the nurses were not allowed to touch the infants. To his great dismay, Frederick's experiment was cut short, but not before something tragically significant regarding human nature was revealed. As you may have guessed, the babies grew up to speak no language at all because they died. In the year 1248, an Italian historian named Salimbene di Adam recorded, with an air of scientific observation, “They could not live without petting.” The babies literally died for want of touch.Astounding! Modern medicine calls this phenomenon, “failure to thrive.” For some reason, we humans flourish under the influence of love and we gradually die without it.Modern science is now proving through controlled studies that human beings are literally engineered for love. We are made for love, as if our DNA contains the message, “You must love and be loved in order to survive.”THE FREDERICK EXPERIMENTCHRIST-SHAPED LOVETo love well in a time of selfishness, we have to be loved well.JON TYSONTHE ROOT OF CHRIST-SHAPED LOVE: “I AM LOVED.”8 Anyone who does not love does not know God, because God is love. 9 In this the love of God was made manifest among us, that God sent his only Son into the world, so that we might live through him. 10 In this is love, not that we have loved God but that he loved us and sent his Son to be the propitiation for our sins. 1 JOHN 4:8-10Then Christ will make his home in your hearts as you trust in him. Your roots will grow down into God's love and keep you strong. 18 And may you have the power to understand, as all God's people should, how wide, how long, how high, and how deep his love is. 19 May you experience the love of Christ, though it is too great to understand fully.EPHESIANS 3:17-19 8 but God shows his love for us in that while we were still sinners, Christ died for us.ROMANS 5:8THE FRUIT OF A CHRIST-SHAPED LOVE IS SELFLESSNESSTherefore be imitators of God, as beloved children. 2 And walk in love, as Christ loved us and gave himself up for us, a fragrant offering and sacrifice to God.EPHESIANS 5:1-2“The Biblical concept of agape love involves giving of yourself for the benefit of another, even at your own expense. Biblical love is defined by passionately and righteously seeking the well-being of another. Biblical love is an act of the will and not just a fuzzy feeling in the stomach. That's why God can command us to love one another. Love really has nothing to do with whether you feel loving at a particular moment. It has to do with the need of the person being loved, not the feelings of the one doing the loving.” TONY EVANS
Otto IV, scion of one of the oldest and most aristocratic families in the world had achieved what so many of his ancestors have craved, ruling the empire. This week we will follow him to his coronation and the sequence of errors that will leave him back home in Brunswick, alone and forgotten. At the same time his nemesis, the child of Pulle, the impoverished 15-year-old king of Sicily and son of emperor Henry VI, young Frederick II rises to the imperial crown on a wing and some very potent prayer. As always, this episode has a dedicated website with the transcript and maps, pictures and additional comments to read along. It is to be found at https://historyofthegermans.com/75-2/ The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by https://www.windrep.org/Michel_Rondeau (Michel Rondeau) under https://imslp.org/wiki/Flute_Sonata_in_E-flat_major%2C_H.545_%28Bach%2C_Carl_Philipp_Emanuel%29 (Common Creative Licence 3.0). As always: Homepage with maps, photos, transcripts and blog: http://www.historyofthegermans.com/ (www.historyofthegermans.com) Facebook: @HOTGPod Twitter: @germanshistory Instagram: history_of_the_germans Reddit: u/historyofthegermans Patreon: https://www.patreon.com/Historyofthegermans (https://www.patreon.com/Historyofthegermans)
This is just a quick announcement about this year's Intelligent Speech Conference. Intelligent Speech brings together your favourite educational podcasters and their fans in a 3 ring circus of edutainment. The conference takes place online from 10 am Eastern and 3pm London time on June 25th. There will 3 keynote speeches, 8 round tables and 24 individual sessions. Each sessions is about 40 minutes each with a lot of time given to Q&A. Early bird tickets are $20 US and you get 10% off when you use the code ”Germans” at checkout. To book your ticket go to intelligentspechconference.com, there is also Facebook page @intelligentspeechconf and you can email the organisers at intelligentspeech@gmail.com. The theme of this year‘s conference is, “Crossing Lines.” Where lines cross are junctures and our era certainly feels like a major juncture in time; at Intelligent Speech 2022, we will be exploring other times when lines have been crossed in one way or another. There will be some amazing speakers. I am particularly excited about Roberto Toro of the History of Saqartvelo Georgia talking about Georgian influence on the Holy Land and Eric Halsey of the History of Bulgaria putting a spotlight on the forgotten story of the Circassians exodus from their homeland in the 19th century. David Montgomery from The Siecle will be there and the Pontifact girls. The list of fabulous podcasters and broad topics goes on. Jennifer Dasal from the Art Curious podcast will do a keynote speech, Alycia from Civics and Coffee and the Ancient History Fangirls will do sessions. The closing keynote will be by none other than Jamie Jeffers from the British History Podcast who needs no introduction. Yours truly will talk about Crossing the Alps, the ambivalent relationship between Germany and Italy. As you guys know too well, German and Italian history has been inextricably linked ever since Otto the Great wooed Adelheid, queen of Italy in 951. We also talked about how historians of the 19th century saw the involvement in the south as a sink of resources that led to the collapse of central authority and the delayed nationhood of Germany. But there is another side as well, that of a deep attachment to Italy and its people. It wasn't just the medieval emperors and Frederick II most prominently who fell for the charms of the south. The beacons of the Enlightenment were seeking the “Land where the Citrons bloom”. Goethe, Winkelmann, Jacob Burckhardt to name a few embedded love and admiration for our neighbour to the south. This ambivalent relationship between fear of wasting resources and emotional attachment may go back a 1000 years but still shines through, most recently in the question whether and how Germany should support Italy during the Sovereign Debt Crisis of 2012. So, it is hopefully worth it. Early bird tickets are $20 US and you get 10% off when you use the code ”Germans” at checkout. To book your ticket go to intelligentspechconference.com, there is also Facebook page @intelligentspeechconf and you can email the organisers at intelligentspeech@gmail.com. I hope you will join us.
This week on Royally Screwed, it's another episode of "Were They Great": a look at rulers who gained the title "The Great" and deciding whether or not they really deserved it. This time: Frederick II of PrussiaSubscribe for more episodes as they come.Twitter: @Denim_CreekInstagram: denimcreekproMusic:Intro/Outro: “Life O' the Lavish” - Jules Gaia, “Neroli” - Ennio Máno, “Underwater Junkyard” - T. Morri, “Dayfreak” - White Bones, “Edsvikens Vals” - Jerry McHoy, “Waiting For Dessert” - Step Two!, “Coffeeshop Stories” - Almost HereCopyright 2021, Denim Creek Productions
Full Text of ReadingsAsh Wednesday Lectionary: 219All podcast readings are produced by the USCCB and are from the Catholic Lectionary, based on the New American Bible and approved for use in the United States _______________________________________The Saint of the day is Saint Agnes of BohemiaAgnes had no children of her own but was certainly life-giving for all who knew her. Agnes was the daughter of Queen Constance and King Ottokar I of Bohemia. She was betrothed to the Duke of Silesia, who died three years later. As she grew up, she decided she wanted to enter the religious life. After declining marriages to King Henry VII of Germany and King Henry III of England, Agnes was faced with a proposal from Frederick II, the Holy Roman Emperor. She appealed to Pope Gregory IX for help. The pope was persuasive; Frederick magnanimously said that he could not be offended if Agnes preferred the King of Heaven to him. After Agnes built a hospital for the poor and a residence for the friars, she financed the construction of a Poor Clare monastery in Prague. In 1236, she and seven other noblewomen entered this monastery. Saint Clare sent five sisters from San Damiano to join them, and wrote Agnes four letters advising her on the beauty of her vocation and her duties as abbess. Agnes became known for prayer, obedience and mortification. Papal pressure forced her to accept her election as abbess, nevertheless, the title she preferred was “senior sister.” Her position did not prevent her from cooking for the other sisters and mending the clothes of lepers. The sisters found her kind but very strict regarding the observance of poverty; she declined her royal brother's offer to set up an endowment for the monastery. Devotion to Agnes arose soon after her death on March 6, 1282. Canonized in 1989, her liturgical feast is celebrated on March 6. Reflection Agnes spent at least 45 years in a Poor Clare monastery. Such a life requires a great deal of patience and charity. The temptation to selfishness certainly didn't vanish when Agnes walked into the monastery. It is perhaps easy for us to think that cloistered nuns “have it made” regarding holiness. Their route is the same as ours: gradual exchange of our standards—inclinations to selfishness—for God's standard of generosity. Click here for more on Saint Agnes of Bohemia! Saint of the Day, Copyright Franciscan Media
Dante the pilgrim and his guide, Virgil, have come down to the bottom of the sixth evil pouch to escape the demons from the fifth. Here, they find a group of guys in cowls or capes that look sort of like the ones from the abbey at Cluny but that are in fact made out of gilded lead. Join me, Mark Scarbrough, as we settle into the bottom of the sixth of the malebolge of fraud in the eighth circle of hell. Dante and Virgil are about to find out that fraud is about more than just tricking people. It's about killing them, too. Here are the segments of this episode of the podcast WALKING WITH DANTE: [01:18] My English translation of the passage: Inferno, Canto XXIII, lines 58 -81. If you'd like to read along, you can find this translation on my website, markscarbrough.com. [03:56] The first descriptions of the hypocrites: the quiet, the procession, the cloaks, Cluny, and Frederick II, all bound up in a few lines. It's quintessential Dante! [13:18] COMEDY is as much a work of assembly as it is of coherence. It's important to keep that fact in mind. [15:48] How does the punishment of hypocrisy fit the crime? [20:14] The end of this passage: a possible slam at Virgil, then one of the hypocrites finally speaks. [24:15] The on-going question of the thematics of circularity in the sins of fraud.
In this episode, we talk about the importance of the Sicilian School, and read from the sonnets of Giacomo (Jacopo) da Lentini (alas, only in Tuscan and English -- the original Sicilian is lost to us). We also touch on the life of Frederick II of Sicily. Enjoy!
Hello and welcome to Season 3 of the History of the Germans Podcast - The Hohenstaufen 1125-1268. Between March and June of 1977 675,000 people visited the Alte Schloß in Stuttgart to see an exhibition entitled “Die Zeit der Staufer” (the Time of the Hohenstaufen in English). Over 1,000 items from 17 countries were on display, with the Cappenberger Kopf, the image of emperor Frederick Barbarossa, this episode's artwork as its star exhibit. Nobody expected these numbers of visitors for what was just 3,000 square meters of exhibition space. At peak times there was barely a square meter per person. People fainted in the low and badly ventilated rooms. They sold 150,000 copies of the enormous four volume exhibition catalogue, one of which to my father who proudly displayed it in his office for 40 years and is now in a box en route over to mine. Whilst most other medieval German rulers are all but forgotten, interest in the Hohenstaufen never completely disappeared. Why is that? They were by no means the most successful emperors, that crown has to go the Ottonians nor was their reign the most fateful, that was the reign of the later Salians. Frederick Barbarossa and his grandson Frederick II have been such fascinating personalities that almost any age could project their own perceptions and expectations onto them, from champion of national unity to modern man before his time. Time to find out what really happened, who they really were. As always a great many things keep happening, some good, some bad. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by https://www.windrep.org/Michel_Rondeau (Michel Rondeau) under https://imslp.org/wiki/Flute_Sonata_in_E-flat_major%2C_H.545_%28Bach%2C_Carl_Philipp_Emanuel%29 (Common Creative Licence 3.0). As always: Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com Facebook: @HOTGPod Twitter: @germanshistory Instagram: history_of_the_germans Reddit: u/historyofthegermans Patreon: https://www.patreon.com/Historyofthegermans Support this podcast
The 13th Ecumenical Council, Lyon I and continued fights with Frederick II.
The 13th Ecumenical Council, Lyon I and continued fights with Frederick II.
Associated with a specific region in France, champagne is a wine not quite like any other. While the world's elite has appreciated it since the Middle Ages, the technique of making sparkling champagne was not mastered until the end of the 17th century. But first, let's take a look back. Between the 1st and 4th centuries, the Champagne vineyards began to form. Like in other wine-producing regions, vinification was mainly the job of abbeys and monasteries. Wine is indeed a central element of the Christian liturgy. The mixing was practiced by monks, who pressed together grapes of different varieties delivered by the winegrowers as their form of tithe, a regular giving to the church. Some cellarer monks, such as the famous Dom Pierre Pérignon from the abbey of Hautvillers, transformed the process of mixing into a precise craft. He carefully and intentionally selected grapes from different regions to obtain better-balanced wines. Some wines, such as the wine of Aÿ or Sillery, already had an excellent reputation. These wines were noted and praised for their effervescence, despite a lack of understanding in how the bubbles were produced. Only at the end of the 17th century did this collection of bubbly wines begin to be dubbed as the “wines of Champagne,” later shortened to “champagne.” From it's conception, champagne was a luxury for the elites, definitely not for more common folk. Since the baptism of King Clovis the First in the 5th century, the coronation of French kings has taken place in Reims, in Champagne, where the wine of the region could be served with prominence. Centuries after Clovis, champagne was the favorite wine of Louis XIV, and then Louis XV and the court of Versailles. This royal favor contributed to the drink's fame, leading it to quickly becoming the wine for celebrations and important events across Europe. In 1717, Tsar Peter the Great, visiting Fontainebleau, liked it so much that he asked for four extra bottles to be brought to his suite after dinner. Philip V of Spain said he drank only this wine. Frederick II of Prussia was passionate about its production, and Casanova used it to seduce his Venetian conquests. Thanks to figures like these, champagne became the most famous wine among the upper class. For a long time, the wine of Champagne was reserved for a thin fringe of society. The delicate conditions of production and the relative smallness of the vineyards explain the exclusivity of its consumption. Little by little, however, it is becoming less elitist and more common a drink, allowing people to celebrate a variety of events alongside the bubbles. If christenings, weddings, and graduations can be celebrated with champagne, then the drink can give a special touch to those other more mundane but equally special moments - a get-together, a romantic meal, a tasting, or even some “personal time.” Whether with family, friends, or lovers, champagne is today the number one wine symbolizing the festive spirit and elegance of France throughout the world. Please drink responsibly. See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit megaphone.fm/adchoices
After some technical difficulties, we are back! Frederick II’s tutor becomes Pope, and really really tries to get him to lead the crusade.
After some technical difficulties, we are back! Frederick II’s tutor becomes Pope, and really really tries to get him to lead the crusade.
In this episode we look at the unique form of absolutism that develops in Prussia under Frederick William I and Frederick II, also known as Frederick the Great... And yes... that's Prussia with a P. Lyndeurozone.com Would you please consider giving the show a rating on Apple Podcasts and leaving a comment on Apple Podcasts/iTunes? It takes less than 60 seconds and it really makes a difference helping to get the word out about the podcast. We could use your help! Our goal is to keep the Lyndeurozone Euro Simplified Podcast a free resource for the students that use it, but our costs are substantial. If you use this podcast regularly would you please consider supporting us on Patreon for as little as a dollar a month? We also have subscription tiers at our Patreon that allow you to access the Lyndeurozone study files, slides that correspond to the podcasts, and tutorials to help you prepare for your exams. Head on over to our Patreon and check out what we have to offer our subscribers. Remember, Robert Lynde offers tutoring services to help you master the skills required to succeed in AP Euro and tutoring sessions can be offered online and in person. You can get more information at Lyndeurozone.com. Episodes will be released on the following schedule: Unit 1 and Unit 2 - August/September Unit 3: October Unit 4: November Unit 5: December Unit 6: January Unit 7: February Unit 8 : March Unit 9: April If you have any questions you can contact Robert Lynde at Lyndeurozone.com. Instagram, Twitter, and Facebook: @Lyndeurozone
“Many long-term friendships change over time with the seasons of life. This was certainly true in the case of Frederick II, King of Prussia, known as Frederick the Great…”So begins today's story from Dr. Sky Michael Johnston.For further reading:Frederick the Great: King of Prussia by Tim Blanning (Random House, 2016)
Join us for another episode of the Konza Catholic Podcast as the Fathers answer questions all about the Catholic faith. This is a very fun and informative episode, as topics cover everything from Frederick II of the Holy Roman Empire, to the Cardinal Virtues. Book mentioned: https://www.ignatius.com/The-Quiet-Light-P2036.aspx Vaughn's thirsty Thursday on Forgiveness: https://konzacatholic.com/blogs/podcast/greatness-is-the-power-to-forgive-kcp-097
There was no real problem with a woman inheriting the Austrian throne. But it could be a useful pretext for war by nations keen on advancing their own interests militarily. Frederick II of Prussia was quick to go to war - the Philosopher Prince became a Military King when he had the power to - and he seized the rich Austrian province of Silesia (which is actually Polish, but neither the Austrians nor the Prussians cared about that). Britain kept fighting the War of Jenkins' Ear against the Spanish, but then it got subsumed into the War of Austrian Succession, which it joined on the Austrian side as it had in the War of Spanish Succession. It did badly in the land war, under George II who, at Dettingen, became the last British sovereign to appear on a battlefield, and his younger son, the Duke of Cumberland, who proved pretty hopeless. They fought the French in America, chiefly through the Massachusetts colonists, and in India, through the East India Company. Most gains were handed back at the end of the fighting, except that Prussia hung on to Silesia. With British backing. Which annoyed Austria a lot, and that had consequences for the next war. A war that was bound to come, since this one had sorted out very little, apart from allowing Maria Theresa to mount the Austrian throne after all. Illustration: Empress Maria Theresa, portrait by Martin van Meytens, 1759. Public domain (published anywhere (or registered with the U.S. Copyright Office) before 1926 and public domain in the U.S.) Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License
Frederick II, Holy Roman Emperor - Wikipedia Giving great detail about poetry kings man ship and also kingdom come thy will be done! BOOM!!!!! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Confabulating with Prof. David ABULAFIA *Prof. Abulafia new book available at: https://www.amazon.co.uk/Boundless-Sea-Human-History-Oceans/dp/1846145082* Professor David Abulafia FBA College positions: Life Fellow Papathomas Professorial Fellow Former Fellow Librarian University positions: Professor of Mediterranean History Subject: History Degrees MA in History (Cambridge), PhD in History (Cambridge), LittD (Cambridge) Awards and prizes British Academy Medal (2013) Commendatore dell'Ordine della Stella della Solidarietà Italiana (Italian Republic, 2004) Elected to Academia Europaea (2002) Research interests The Mediterranean at all periods but especially in the Middle Ages and Renaissance, and above all Italy and Spain; attitudes to non-Christians in medieval Europe and the early Atlantic world. Books include Frederick II (1988), The Mediterranean in History (2003), Italy in the central Middle Ages (2004), The Discovery of Mankind: Atlantic encounters in the age of Columbus (2008) and The Great Sea: a human history of the Mediterranean (2011). Teaching interests Part II paper on The Jewish Presence in Medieval Society; Special Subject on King René of Anjou: chivalry, patronage and power in fifteenth-century Europe (starting in 2011) Other interests Travel
Episode: 2552 Frederick the Great, Patron of the Arts. Today, what made Frederick great?
On today’s date in 1755, “Montezuma,” an opera by the German Baroque composer Carl Heinrich Graun, had its premiere performance at the Berlin Court Opera of Frederick II, King of Prussia. Frederick himself supervised the rehearsals, which isn’t all that surprising, since he had drafted the opera’s libretto. Despite his well-deserved reputation as a military leader, Frederick the Great was also a talented musician and composer. As a young prince he had tried to run away from home to pursue a musical career. His royal father was not amused. Heads rolled – one of them belonging to Frederick’s favorite music teacher – and thereafter Frederick focused on his military studies until he could ascend the throne. As King, Frederick built an opera house in Berlin and called some of Europe’s finest composers to his court – but also transformed Prussia into the military superpower of Europe. Some speculate that Frederick’s choice of Montezuma as an opera subject might be psychologically revealing. Perhaps Frederick saw the artistic, peace-loving, passive side of his nature in the tragic Mexican King Montezuma, and his aggressive, military side in the Spanish invader, Cortez. As Freud might have said a century or so later: “Very interesting…”
On today’s date in 1755, “Montezuma,” an opera by the German Baroque composer Carl Heinrich Graun, had its premiere performance at the Berlin Court Opera of Frederick II, King of Prussia. Frederick himself supervised the rehearsals, which isn’t all that surprising, since he had drafted the opera’s libretto. Despite his well-deserved reputation as a military leader, Frederick the Great was also a talented musician and composer. As a young prince he had tried to run away from home to pursue a musical career. His royal father was not amused. Heads rolled – one of them belonging to Frederick’s favorite music teacher – and thereafter Frederick focused on his military studies until he could ascend the throne. As King, Frederick built an opera house in Berlin and called some of Europe’s finest composers to his court – but also transformed Prussia into the military superpower of Europe. Some speculate that Frederick’s choice of Montezuma as an opera subject might be psychologically revealing. Perhaps Frederick saw the artistic, peace-loving, passive side of his nature in the tragic Mexican King Montezuma, and his aggressive, military side in the Spanish invader, Cortez. As Freud might have said a century or so later: “Very interesting…”
Who was Toutatis? What language did people speak in the Garden of Eden? Where has Lizzie attached her lips? Jake Yapp & Natt Tapley & Lizzie Roper find out in today's Date Fight!
The Danish-Norwegian occupation of India is not as significant in comparison with many of the other colonial empires because they did not pose any military or trading threats. They were never able to capitalise and monopolise on their trade routes like the British, the French or the Portuguese. First Danish East India Company Danish India was the name given to Danish-Norwegian colonies in India. The Danish used to trade with India before the Portuguese drove them off. Their empire survived for over 200 years in India. They established bases in Tharangambadi in Tamil Nadu, Serampore in West Bengal, and the Nicobar Islands. They were able to hold on to their posts in India because they created their own niche in the trade so there was no conflict between the other empires. But as always, the British finally took the Danish occupied regions in the 19th century (1839, 1845, 1868 to be exact). Christian IV on 17 March 1616, ordered the creation of the Danish East India Company for managing trade with Asia for the next 12 years. But the project took another 2 years to launch as they were not able to secure finances right away. (Dutch assistance to trade with Sri Lanka) The first expedition to Asia took place in 1618 under the leadership of Admiral Ove Gjedde. The crew took two years (May 1620) to reach Ceylon (present-day Sri Lanka) and lost more than half its crew. They had to occupy Koneswaram Temple as the Emperor no longer wanted to trade with anyone other than the Portuguese due to the peace treaty they signed in between. Their trade director, Robert Crappe had already set sail to Asia a month before the main voyage started. Their ship was sunk near Karaikal with most of the crew killed and two were placed on the beach on spikes by the Portuguese as a warning to the Danish. Crappe and 13 other crew members who escaped were captured by native Indian and taken to the leader of Thanjavur. The leader was interested in trading opportunities and let the Danish set up their base in Tharangambadi, building Fort Dansborg on 20 November 1620. 1621-1650 The colony faced a lot of issues due to this time. From administration to investment and loss of two-thirds of trading vessels, things looked bleak. The geographical location of the colony resulted in high tides resulting in the destruction of everything they built. The dire financial situation forced them to directly conduct business. 1625 a factory established in Masulipatnam (major hub) Mini hubs in Pipli and Balasore They still were under poor financial conditions and had only three ships left Tensions began building up as they could not pay the local leader The British and the Dutch also wanted them out but did not do anything as it would complicate their relationships in mainland Europe. They try to sell Fort Dansborg to the Dutch in 1640 Go to war against the Mughals in 1642, capture one of their ships in the Bay of Bengal and make it theirs naming it Bengali Prize. In 1643, the Dutch and Sweden declared war on Denmark. The Danish holdings profit decreases drastically under the Dutch and the leader sends his band to raid Tranquebar. Christian IV, the King, dies and the company goes bankrupt. Two years after Christian IV's death Frederick II, his son, abolished the company. Though abolished, the colony remained a royal property of the Danes and it was held by a garrison unaware of the developments back home. But over the years, the number of Danes decreased and it was hired by the Portuguese. It was later taken back by Eskild Anderson Kongsbakke (the only remaining Dane in Tranquebar) in 1665 and he defended it from everyone. He kept on seizing ships in the Bay of Bengal and built a wall and finally negotiated with the local leaders. This news prompted the King to send another vessel captained by Captain Sivardt Adelaer, to confirm the coming back of the colony in India again after 19 years of isolation. Second Danish East India Company (1672-1732) With
“I, Khan, the emissary of the heavenly king, to whom he gave power over the earth to lift up those who subject themselves to me and lay low those who resist, am amazed at you, king of Hungary – that when I will have sent you envoys thirty times, you do not send any of them back to me, and send me neither your messengers nor letters. I know that you are a wealthy and powerful king, that you have many soldiers under you, and alone you rule a great kingdom. And, therefore, it is difficult for you to submit yourself to me voluntarily. However, it would be better and more beneficial if you were to voluntarily submit to me! I have understood, in addition, that you are keeping the Cumans, my slaves, under your protection, for which reason I command you not to keep them with you any longer, and do not have me as your enemy because of them! It is easier for them to escape than you because they, lacking houses and migrating about with tents, might perhaps get away. But you, living in houses, having castles and cities – how will you escape my hands?” So reads the famous ultimatum sent by Batu, grandson of Chinggis Khan, to Bela IV, King of Hungary. Our previous two episodes have covered the rapid Mongol campaign across the western steppe from 1236-1240, conquering the Volga Bulghars, the Alans, the Cuman-Qipchaqs and the Rus’ principalities. Having just taken Kiev in December 1240, Batu and mighty Subutai cast their eyes to Eastern Europe: Poland, the Hungarian Kingdom and beyond. I’m your host David, and this is Kings and Generals: Ages of Conquests. The man standing between Europe and the Mongols was Bela IV, King of Hungary, a great power of Europe. The Magyars, as the Hungarians call themselves, came to Europe as nomadic horse archers like the Mongols, conquering the Pannonian Basin -Hungary- in the 8th century and raiding western Europe. At Lechfeld in 955 they were defeated by the Holy Roman Emperor Otto I and some fifty odd years later these pagans officially adopted Christianity with the baptism of Stephen I, first King of Hungary, on Christmas Day 1,000. In the following centuries they abandoned the old ways, but with a still formidable military the Hungarian Kingdom emerged as the lead power between the Holy Roman Empire in Germany and the Rus’ principalities to the east. Controlling not just modern Hungary but large swathes of Romania, Slovakia, Slovenia, Croatia and Bosnia, the Hungarian monarch controlled a diverse realm, the crossroads between Catholic and Orthodox Christendom. Bela IV made few friends after his coronation in 1235. Born in 1206, the same year Chinggis Khan declared his Empire in distant Mongolia, Bela had a rocky relationship with his father King Andrew, whose decentralization of the kingdom through rich land rewards to the nobility frustrated Bela. Their tension progressed, Bela essentially making himself an autonomous monarch in Hungary’s Croatian territory. With Bela’s marriage to a Byzantine princess, Andrew urged the Pope to annul the union and forced Bela from the Kingdom. Ultimately he let his son return, making him ruler of Transylvania in the 1220s, where Bela came into regular contact with the Cumans. Cuman presence increased with the eastern upheavals from Mongol expansion, Cuman Khans fleeing to Hungary for asylum and baptism. Bela was drawn to the Cumans as a pillar of support against his father, while also boosting his reputation as a good Christian ruler by encouraging missionary work among them, styling himself King of the Cumans. Bela’s first years as King after 1235 saw the reclamation of crown lands and reduction in privileges of the nobility while expanding the Kingdom. Border territories were taken from Bulgaria and in 1238 Bela’s brother Coloman extended their rule in Bosnia by force. Bela’s efforts made him unpopular among the aristocracy of the kingdom, who felt their rights trampled upon.When a large body of Cumans under Khan Kotjen sought refuge in Hungary in 1239, Bela was only too happy to welcome them. 40,000 skilled mounted archers loyal directly to Bela provided him a massive bodyguard against a possible uprising from the barons of the kingdom, and Bela heaped rewards and rights to them. Bela was not unaware of the Mongols’ western expansion. One contemporary author, Thomas of Spalato, records that the Hungarians had heard so many rumours of impending Mongol invasions that when news came of their arrival in the 1240s, it was treated as a joke. Bela certainly had up to date information from refugees like Kotjen Khan and Mikhail Vsevolodovich (Vsye-vo-lod-o-vich), Prince of Chernigov, and the Domincian Friar Julian returned with letters from Batu demanding Bela’s submission, preceding a number of Mongol envoys. Contrary to popular depictions and contemporary accusations, Bela was not a monarch sitting idly on his hands; he had foreknowledge and some measures were enacted. Passes through the Carpathian mountains, the shield dividing the Hungarian plain from the Eurasian steppe, were blocked with wooden barriers and fallen trees, and some fortresses in Transylvania were refortified. The crux of his defense relied on the Cumans; their horse archery and experience in steppe tactics were a mighty aid to the already formidable Hungarian army. Bela was the only monarch in Europe preparing for their arrival. Of course, nothing went to plan. Tensions flared between the Cumans and the kingdom’s sedentary population. The sources speak of anger at Cumans herds allowed to roam through peasants’ fields, distrust at the close proximity of pagans, all encouraged by Hungarian lords eager to undermine Bela’s powerbase, to dire consequence. On the fall of Kiev on the 6th of December, 1241, Batu and Subutai moved their army west and broke off into columns. The total force for the invasion of Europe is difficult to gauge, estimates of around 50-60,000 troops being common. Intelligence was carefully collected, strengths assessed. Batu was fearful of being outflanked by the enemy, and it was deemed necessary to send a portion of the army into Poland, at that time divided into five duchies- Bela IV’s sister was married to a lead Polish Duke. Despite some modern comments, the whole campaign was no mere raid. Structurally it differed little from the previous years of campaigning and the Mongol belief in world hegemony was well established. At the borders of Hungary and Poland at the start of 1241, Batu anticipated a conquest of both, and likely expected to push into Germany as well. The army split into two main theaters. One group under Orda and Baidar was to strike Poland, preventing the Polish duchies from aiding the Hungarians. The main army was to conquer Hungary, certainly intending to use its grassland as a forward base for further operations. Batu and Subutai lead the main army, sending three smaller detachments to penetrate various passes along Hungary’s Carparthian frontier, allowing them to surround the enemy. We’ll deal first with the Polish invasion. In January 1241 the first Mongol scouts entered Polish territory, followed by Orda’s main force in February, generally estimated around 10-20,000 men. Orda, Batu’s older brother, moved quickly in two main divisions under himself and Chagatai’s son Baidar. The attack on Poland was swift and ferocious: by the 13th of February, Sandomierz, capital of a Polish duchy, was taken. An engagement at Tursko saw the Polish knights get the better in the initial clash, only to be destroyed when the Mongols regrouped and surprised them. From Sandomierz they followed the Vistula River, sending contingents north to harass, pillage and burn, causing confusion as to their movements and hampering the already slow Polish response. On the 18th of March, the army of Boleslaw V, ‘the Chaste,’ Duke of Sandomierz, was destroyed at Chmielnik (Hhe-myel-nik); shortly afterwards, the Mongols sacked the Polish capital, Krakow. Boleslaw V fled to the kingdom of his brother-in-law, Bela IV. The Polish High Duke at that time was not in Krakow, but in his home duchy of Silesia. Henry II the Pious was the lead member of the fragmented Piast dynasty, duke of Silesia and High Duke of Poland since 1238. His preparations were slow and by the time he readied his army, the Mongols were in Silesia, western Poland. Henry was supposed to wait for aid from his brother-in-law, King Vaclav I of Bohemia, but found the Mongols approaching too quickly, following the Oder River to the Silesian capital of Wroclaw [Breslau]. On the 9th of April, 1241, Henry’s army met the Mongols under Orda and Baidar at Legnica, better known as Liegnitz or Wahlstatt [German, ‘vahlstaht’], west of Wroclaw. The Liegnitz battle is not recorded as well as Mohi, and a considerable amount of details were added by later authors. Illustrative of this is the notion that a contingent of Teutonic Knights under their Grand Master Poppo von Osterna were present, and that Qadan or Qaidu led Mongol contingents there. In reality, Poppo von Osterna was not Hochmeister until 1253 and the Teutonic Order provided no troops for the battle- though the Templars provided 500 peasants from their landed estates. Qadan, a son of Ogedai, was not present, as he led an army into Transylvania, and Qaidu, the grandson of Ogedai famed for his conflict with Kublai Khan, was certainly absent, as he was only about 10 years old! Liegnitz is often presented as the Mongols easily overwhelming the Polish and German forces of Henry II, but the medieval chronicles demonstrate that the Europeans made a good show of themselves. A Polish Fransciscan reported that another Polish friar, Benedict, was told by the Mongols that they were on the point of retreat when Polish resistance collapsed. The 15th century Polish writer Jan Dlugosz describes the Poles holding their own against the Mongols in the first half of the battle. But the Mongols had a trick: a standard bearer waved his banner violently and sent forth a smokescreen, so foul the Poles lost order. Stephen Haw postulates that this poisonous smoke was gunpowder, or perhaps firelances. For the Poles who had never encountered such devices, it was overwhelming. Polish order collapsed and they were overrun. Nine sacks of ears were said to have been filled, and Duke Henry was decapitated, his severed head paraded on a lance before neighbouring cities. The suburbs of his capital at Wroclaw were destroyed, though the citadel held out. Mongol losses may have been high, as they were unwilling to meet King Vaclav of Bohemia’s army. Small parties were briefly sent into eastern Germany where the town of Meissen, just west of Dresden, suffered an attack, but Orda and Baidar moved south to link up with Batu, cutting through the Bohemian Kingdom, modern Czechia. Stiff local resistance in Bohemia proper convinced Orda to pass through Bohemian controlled Moravia. Fortified points were bypassed for speed, but villages in the countryside suffered. Through the Vlara Pass they entered the Hungarian Kingdom on its northwestern border in May 1241. As that takes us to Hungary, let skip back a few weeks. After the deparuture of Orda and Baidar in February 1241, Batu and Subutai took the rest of the army to Hungary, dividing their forces to overwhelm their foe at multiple points. On March 12th, Batu and Subutai crossed through the Verecke Pass, the northeastern route the Magyars themselves first took to enter Hungary. Ogedai’s son Qadan took his contingent through the Bargo Pass into northern Transylvania. One of Tolui’s sons, Bojek, took his force through the Oituz pass into central Transylvania, and the noyan Burundai diverted far south, coming up through the Tornu Rosu Pass into southern Transylvania, linking up with Bojek at Alba Iulia. At the beginning of March King Bela IV began gathering his forces at Pest, one half of the city which forms modern Budapest. His requests to foreign rulers for aid were largely ignored. Bela had in mind an orderly countermarch against the Mongol army. But things quickly slipped from his hands. Some of the nobles held their forces back, refusing to come in the first place. The Mongols broke through the Carpathians quicker than anticipated and news came in of nobles going ahead to face them without support. Denis, the Kingdom’s Palatine, fled to Pest, having failed to repel the Mongols on their exit from the Verecke. Bishop Ugrin of Kalocas (Kalots-ash) defied Bela’s order and likewise marched ahead to engage the Mongols, and only barely escaped with his life. The Duke of Austria, the quarrelsome Frederick II, came to Bela’s call for aid, defeated a small Mongol party in a skirmish near Pest and withdrew. The Bishop of Varad fought the Mongols near Eger, where he was defeated and Eger destroyed. Reports kept coming to Bela of his forces allowing themselves to be destroyed piecemeal by the Mongols, while yet more Mongol forces kept showing up from new directions and rumours swirled of destruction in Poland. On top of that the tensions between Cumans and Hungarians had not abated. News of Cumans among the Mongol forces led to cries that Bela’s Cuman allies were spies for Batu. Bela placed the Cuman Khan Kotjen and his family under guard in Buda, but in an assault led almost certainly by Hungarian and German nobles, Kotjen and his retinue were killed. In turn, this prompted a pogrom from Hungarians in the area against the Cumans. The remaining Cumans refused to risk their lives for ‘allies’ who treated them such, and abandoned the Hungarians, leaving a trail of destruction as they flew en masse to Bulgaria, some making their way to the Latin Empire of Constantinople. This was just a goddamn mess for Bela, but he was forced to action. At the start of April a Mongol army approached Pest and Bela marched out. The Mongols fled and for a week Bela pursued them, reaching the village of Mohi on the Sajo (shah-yo) River, finding a larger Mongol army arranged on the opposite bank, a single bridge across the only passage. It was the 10th of April, only one day after the Mongol victory at Liegnitz. Bela had just followed Shiban, Batu’s younger brother, into ground of Batu’s choosing. Batu and Subutai commanded a force estimated around 20-30,000 men, the rest of the army still ravaging Poland and Transylvania. The village of Mohi, where the Hungarians made camp, sat near the Sajo River in the northern edge of the great Hungarian plain, flat rolling grassland ideal for cavalry, while the thick trees along the river kept much of the Mongol army hidden. When Shiban’s messengers ran ahead with news of the size of the Hungarian army, Batu was unnerved, climbing a mountain to convey with Eternal Blue Heaven for a day and night to pray for victory, urging the Muslims in his army to likewise pray. As the Hungarian army settled into their camp at Mohi, Batu viewed them from a nearby burial mound. Seeing how the Hungarians had packed themselves tightly within a laagar, a wagon fort, Batu was not impressed, likening them to sheep trapping themselves within a pen. Batu had hoped King Bela would try to cross the bridge, but by digging in at Mohi, Bela was forcing Batu to act. Thomas of Spalato wrote that a Rus’ prisoner escaped the Mongols and warned the Hungarians, and Bela stationed a guard at the bridge. Frustrated, Batu had to force a crossing- neutralizing his army’s mobility and playing to strengths of the Hungarian’s heavier armour. But Subutai came up with a plan. While Batu took his men over the bridge, under the cover of night Subutai would take a force downstream and build a pontoon bridge to cross and outflank the Hungarians. It didn’t go well. The waters downstream were deep and in the darkness, progress on the pontoon bridge was slow. Too slow for Batu, who in his impatience or belief Subutai was on schedule, ordered an assault, sent a close comrade in a heavily armoured elite unit to push the Hungarians off the bridge. The Hungarians held firm, crossbowmen proving deadly. Bela’s brother Coloman, the Bishop Ugrin and the Master of the Knights Templar in Hungary led the counterattack and repulsed the Mongols. Coloman was said to have personally thrown the Mongol commander off the bridge. The Mongols were forced back, and the Hungarians returned to their camp jubilant. Both European and Chinese sources written from Mongol documents indicate Mongol losses were heavy- as an aside, Mohi is the first battle on European soil described in any detail in a Chinese source. This source, the Yuan Shih, indicates the princes among Batu’s forces were greatly perturbed by the losses, and desired to withdraw and replan. The Polish friar C. de Bridia wrote that the Mongol vanguard actually broke on the bridge and fled. Batu was furious at Subutai’s failure to cross the river, though Subutai was not to be swayed. In response to voices urging retreat, Subutai told them “If my lord wishes to retreat, then retreat by yourself. Until I reach the Magyar city on the Danube River, I will never return!” The Hungarians left a light guard on the bridge while the distant Hungarian camp slept soundly. Only a few hours after the initial clash, early on April 11th before dawn, the Hungarian bridge guard was rocked by the sudden crashing of stones descending on them from the darkness. The Mongols had set up their Chinese catapults and were ‘shelling’ the enemy position. Demoralized with losses mounting, when the Mongols charged they broke through the defenders. Survivors ran back to the camp, shouting alarm, but the Hungarians were slow to rise, not having anticipated an attack so soon. Subutai’s forces crossed his pontoon bridge, and by 6 A.M. the Hungarian camp was surrounded. Though Bela’s decision to circle the camp with a wall of wagons offered some protection, the space was too small for the large army. Panic set in as thousands of men woke to cries of anguish and Mongol arrows raining among them, while the Mongols tried to set the wagons on fire. In the densely packed camp men tripped over tents and tent ropes, crushing each other in the fray. Confusion now reigned, and Bela’s fortifications trapped his men. Prince Coloman, the Bishop Ugrin and the Templars rode out to force back the Mongols but were unable to rally more men to join them. Coloman and Ugrin were seriously wounded while the Templars, despite brave efforts, were killed to a man. A cry ran out. An opening! The Mongols had left a gap, and many ran to take it. This was a trap. Men surrounded with no escape will fight to the death; but provide an avenue for survival, and they’ll take it. In the disorganized rout no formation or protection was to be had. As if herding their sheep, the Mongols followed along both sides of the Hungarians, ensuring none veered off trail. Once the prey was exhausted, the Mongols fell upon them. Survivors were led directly into a marsh where many drowned, encumbered in their armour, weak from injuries and exhaustion. The Bishop Ugrin met his end in these waters, one among many of the nobles, bishops and archbishops of the kingdom who fell. Bela and his brother Coloman barely escaped, with Coloman seriously injured. So ended the battle of Mohi, the back of organized Hungarian resistance broken. Hungary, and the rest of Europe, now seemed open to the Mongols, but just under a year after the victory at Mohi, Mongol armies departed from Europe. Why was this? What did they do in that year in between? Since most popular accounts cut from the Mohi victory straight to the Mongol withdrawal, we will give you, our dear listeners, more detail on the what the Mongol presence in Europe actually looked like beyond these battles, and the consequences for Hungary. If it wasn’t Ogedai Khaan’s death in December 1241 which caused the Mongol withdrawal, then what was it? Theories have abounded from a lack of pasture, poor weather, to a gradual conquest having been the intention. While we will return to Hungary’s fate and later interactions with the Mongols in future episodes, we will also be interviewing Dr. Stephen Pow in a forthcoming episode to discuss the theories, and his own thesis, around the Mongol withdrawal in more detail, so be sure to subscribe to the Kings and Generals podcast and to continue helping us bring you more outstanding content, please visit our patreon at www.patreon.com/kingsandgenerals. Thank you for listening, I am your host David and we will catch you on the next one!
Like the rest of America, Doc and Nina have been bitten by something big, striped, and caged. That’s right, in this episode, they’re discussing the Netflix sensation, Tiger King! But what does a docu-series about backyard zoo wars have to do with anything medieval? Doc will talk about menageries of Henry I, Charlemagne, and Frederick II and the everlasting allure and power of tigers. Plus, Nina will attempt to design a coat of arms for each tiger “kingdom.” Finally, they’ll play a quick game of “thrones” – which kingdom would you chose? Show Notes Still under lockdown and haven’t seen Tiger King yet? Watch it on Netflix! Tiger King (https://www.netflix.com/title/81115994) Nina’s Recommendations A beginners guide to heraldry (https://www.english-heritage.org.uk/easter/preparing-for-easter-adventure-quests/our-guide-to-heraldry/) Meet The Designer Cats with Wild Blood (https://youtu.be/QHscMam4W7s) Doc’s Recommendations The Medieval Bestiary website (http://bestiary.ca/index.html) Have a recommendation for us? Send Doc and Nina an email at podcast at profawesome dot com!
In this week's episode of A Wastetime Odyssey, Dan and Mungo keep you entertained during the lockdown. We learn about the King of the World, Frederick II, with Mungo's Random Story. Danny tries to guess how celebrities got arrested in Take your Pick. We carry on with Country File with the first of the B's and Danny shows us how conspiracies can actually be true.
"Frekt" è l'identità poco segreta di Francesco Olivieri. Di giorno informatico e di notte si trasforma in scrittore, fumettista e podcaster. Il suo podcast "Consigli Non Richiesti" è una fonte inesorabile di cultura pop, dove Francesco mette a disposizione la sua memoria d'acciaio e ci consiglia serie TV e Film. Parlando come si fosse al bar. Da fumettista è noto per "Il Fiore e la Serpe" , un graphic novel che racconta gli ultimi giorni di Federico II ma sicuramente voi lo conoscete come "Il Terrone a Milano". Instagram https://www.instagram.com/iosonofrekt/ Spotify https://open.spotify.com/show/2vIUYpgmkzb40uMW5lZFkB?si=loEYfAiKTR6jPfhkFwRb9g Youtube https://www.youtube.com/channel/UCmMPwRK4PPJymNrv71n3IMw Il Terrone a Milano https://www.youtube.com/watch?v=1iH7oJqaU10&t=3s /////////////////////////////////////// Links Ascensori e Dintorni https://www.spreaker.com/show/ascensori-e-dintorni The End https://www.youtube.com/watch?v=-3mynPrYBg4 Federico II https://en.wikipedia.org/wiki/Frederick_II,_Holy_Roman_Emperor Planet Hulk https://www.marvel.com/comics/events/212/planet_hulk Rick Dufer Agorà https://www.youtube.com/watch?v=fx73-yDffuo Be Kind Rewind https://www.imdb.com/title/tt0799934/ Michel Gondry https://en.wikipedia.org/wiki/Michel_Gondry Spugna "The Rust Kingdom" https://www.fumettologica.it/2017/09/the-rust-kingdom-spugna-hollow-press/ La copertina di De Andrè https://www.discogs.com/it/Fabrizio-De-André-Canzoni/release/2578052 Francesco Imperato - This is Racism https://www.linkedin.com/in/francescoimperato/?originalSubdomain=it Cucine Boffi https://www.boffi.com/en-it/ Mcguyver https://www.youtube.com/watch?v=yOEe1uzurKo Terra! Stefano Benni https://www.amazon.com/Terra-Italian-Stefano-Benni/dp/880788223X Terre Spezzate https://www.grv.it I Frattali di Pollock https://www.discovermagazine.com/the-sciences/pollocks-fractals Maurizio Cattelan https://www.perrotin.com/artists/Maurizio_Cattelan/2 Mystery Science Theatre 3000 https://www.google.com/search?client=safari&rls=en&q=mystery+science+theater&ie=UTF-8&oe=UTF-8 /////////////////////////////////////// KIT Cameras: Shot on iPhone Mics: Neewer NW-800 Headphones: AKG K92 Amplifier: Ammoon HA400 /////////////////////////////////////// CONTACTS @arcadestudiomilano https://www.instagram.com/arcadestudiomi/ @andy_olive https://www.instagram.com/andy_olive/ @rinothechef https://www.instagram.com/rinothechef/ Arcade Studio https://www.arcadestudiomilano.com/
1250 - 1266 We take a look at what happened to the sons of Frederick II, Conrad, Henry and Manfredi. In the case of Manfredi we see his rise to influence over almost all of Italy before it all came crashing down with the invasion of Charles of Anjou.
1248 -1272 We start taking a look at how things progressed after the death of Holy Roman Emperor Frederick II, starting with his son Enzo, who fell prisoner to the Coomune of Bologna, giving rise to a whole series of legends
We stop for our usual recap to look back over episodes 051 to 076 going from the Concordat of Worms in 1122 to the death of Holy Roman Emperor Frederick II, with a look at the rise of the Commune city states and the maritime republics, Venice in particular.
1231 - 1237 We take a moment to look more into the provate life of Holy Roman Emperor Frederick II and see how his court, as well as seeing a little naughtiness going on, was a cradle of culture and science. We than deal with a rebellion by his first born son Henry before we see a rematch of Empire vs Lombard League.
1220 - 1231 After his coronation as Holy Roman Emperor in 1220, Frederick II has to first consolidate the south, facing the Muslim rebellion and then deal with the insistence of the popes for a new Crusade, an issue he will find a completely unprecedented solution for.
Frederick II (German: Friedrich II.; 24 January 1712 – 17 August 1786) ruled the Kingdom of Prussia from 1740 until 1786, the longest reign of any Hohenzollern king, at 46 years. His most significant accomplishments during his reign included his military victories, his reorganization of Prussian armies, his patronage of the arts and the Enlightenment and his final success against great odds in the Seven Years' War. Frederick was the last Hohenzollern monarch titled King in Prussia and declared himself King of Prussia after achieving sovereignty over most historically Prussian lands in 1772. Prussia had greatly increased its territories and became a leading military power in Europe under his rule. He became known as Frederick the Great (Friedrich der Große) and was nicknamed Der Alte Fritz ("The Old Fritz") by the Prussian people and eventually the rest of Germany. In his youth, Frederick was more interested in music and philosophy than the art of war. Nonetheless, upon ascending to the Prussian throne he attacked Austria and claimed Silesia during the Silesian Wars, winning military acclaim for himself and Prussia. Toward the end of his reign, Frederick physically connected most of his realm by acquiring Polish territories in the First Partition of Poland. He was an influential military theorist whose analysis emerged from his extensive personal battlefield experience and covered issues of strategy, tactics, mobility and logistics. Considering himself "the first servant of the state", Frederick was a proponent of enlightened absolutism. He modernized the Prussian bureaucracy and civil service and pursued religious policies throughout his realm that ranged from tolerance to segregation. He reformed the judicial system and made it possible for men not of noble status to become judges and senior bureaucrats. Frederick also encouraged immigrants of various nationalities and faiths to come to Prussia, although he enacted oppressive measures against Polish Catholic subjects in West Prussia. Frederick supported arts and philosophers he favored as well as allowing complete freedom of the press and literature. Most modern biographers agree that Frederick was primarily homosexual, and that his sexual orientation was central to his life. Frederick is buried at his favorite residence, Sanssouci in Potsdam. Because he died childless, Frederick was succeeded by his nephew, Frederick William II, son of his brother, Augustus William. Nearly all 19th-century German historians made Frederick into a romantic model of a glorified warrior, praising his leadership, administrative efficiency, devotion to duty and success in building up Prussia to a great power in Europe. Historian Leopold von Ranke was unstinting in his praise of Frederick's "heroic life, inspired by great ideas, filled with feats of arms ... immortalized by the raising of the Prussian state to the rank of a power". Johann Gustav Droysen was even more extolling. Frederick remained an admired historical figure through Germany's defeat in World War I. The Nazis glorified him as a great German leader pre-figuring Adolf Hitler, who personally idolized him. Associations with him became far less favorable after the fall of the Nazis, largely due to his status as one of their symbols. However, by the 21st century a re-evaluation of his legacy as a great general and enlightened monarch returned opinion of him to favour. --- Support this podcast: https://anchor.fm/thehistoryexpress/support
Henry III (1 October 1207 – 16 November 1272), also known as Henry of Winchester, was King of England, Lord of Ireland, and Duke of Aquitaine from 1216 until his death.[1] The son of King John and Isabella of Angoulême, Henry assumed the throne when he was only nine in the middle of the First Barons' War. Cardinal Guala declared the war against the rebel barons to be a religious crusade and Henry's forces, led by William Marshal, defeated the rebels at the battles of Lincoln and Sandwich in 1217. Henry promised to abide by the Great Charter of 1225, which limited royal power and protected the rights of the major barons. His early rule was dominated first by Hubert de Burgh and then Peter des Roches, who re-established royal authority after the war. In 1230, the King attempted to reconquer the provinces of France that had once belonged to his father, but the invasion was a debacle. A revolt led by William Marshal's son, Richard, broke out in 1232, ending in a peace settlement negotiated by the Church. Following the revolt, Henry ruled England personally, rather than governing through senior ministers. He travelled less than previous monarchs, investing heavily in a handful of his favourite palaces and castles. He married Eleanor of Provence, with whom he had five children. Henry was known for his piety, holding lavish religious ceremonies and giving generously to charities; the King was particularly devoted to the figure of Edward the Confessor, whom he adopted as his patron saint. He extracted huge sums of money from the Jews in England, ultimately crippling their ability to do business, and as attitudes towards the Jews hardened, he introduced the Statute of Jewry, attempting to segregate the community. In a fresh attempt to reclaim his family's lands in France, he invaded Poitou in 1242, leading to the disastrous Battle of Taillebourg. After this, Henry relied on diplomacy, cultivating an alliance with Frederick II, Holy Roman Emperor. Henry supported his brother Richard in his bid to become King of the Romans in 1256, but was unable to place his own son Edmund on the throne of Sicily, despite investing large amounts of money. He planned to go on crusade to the Levant, but was prevented from doing so by rebellions in Gascony. By 1258, Henry's rule was increasingly unpopular, the result of the failure of his expensive foreign policies and the notoriety of his Poitevin half-brothers, the Lusignans, as well as the role of his local officials in collecting taxes and debts. A coalition of his barons, initially probably backed by Eleanor, seized power in a coup d'état and expelled the Poitevins from England, reforming the royal government through a process called the Provisions of Oxford. Henry and the baronial government enacted a peace with France in 1259, under which Henry gave up his rights to his other lands in France in return for King Louis IX recognising him as the rightful ruler of Gascony. The baronial regime collapsed but Henry was unable to reform a stable government and instability across England continued. In 1263, one of the more radical barons, Simon de Montfort, seized power, resulting in the Second Barons' War. Henry persuaded Louis to support his cause and mobilised an army. The Battle of Lewes occurred in 1264, where Henry was defeated and taken prisoner. Henry's eldest son, Edward, escaped from captivity to defeat de Montfort at the Battle of Evesham the following year and freed his father. Henry initially enacted a harsh revenge on the remaining rebels, but was persuaded by the Church to mollify his policies through the Dictum of Kenilworth. Reconstruction was slow and Henry had to acquiesce to various measures, including further suppression of the Jews, to maintain baronial and popular support. Henry died in 1272, leaving Edward as his successor. He was buried in Westminster Abbey, which he had rebuilt in the second half of his reign, and was moved to his current tomb in 1290. Some miracles were declared --- Support this podcast: https://anchor.fm/allthingsplantagenet/support
Henry III (1 October 1207 – 16 November 1272), also known as Henry of Winchester, was King of England, Lord of Ireland, and Duke of Aquitaine from 1216 until his death.[1] The son of King John and Isabella of Angoulême, Henry assumed the throne when he was only nine in the middle of the First Barons' War. Cardinal Guala declared the war against the rebel barons to be a religious crusade and Henry's forces, led by William Marshal, defeated the rebels at the battles of Lincoln and Sandwich in 1217. Henry promised to abide by the Great Charter of 1225, which limited royal power and protected the rights of the major barons. His early rule was dominated first by Hubert de Burgh and then Peter des Roches, who re-established royal authority after the war. In 1230, the King attempted to reconquer the provinces of France that had once belonged to his father, but the invasion was a debacle. A revolt led by William Marshal's son, Richard, broke out in 1232, ending in a peace settlement negotiated by the Church. Following the revolt, Henry ruled England personally, rather than governing through senior ministers. He travelled less than previous monarchs, investing heavily in a handful of his favourite palaces and castles. He married Eleanor of Provence, with whom he had five children. Henry was known for his piety, holding lavish religious ceremonies and giving generously to charities; the King was particularly devoted to the figure of Edward the Confessor, whom he adopted as his patron saint. He extracted huge sums of money from the Jews in England, ultimately crippling their ability to do business, and as attitudes towards the Jews hardened, he introduced the Statute of Jewry, attempting to segregate the community. In a fresh attempt to reclaim his family's lands in France, he invaded Poitou in 1242, leading to the disastrous Battle of Taillebourg. After this, Henry relied on diplomacy, cultivating an alliance with Frederick II, Holy Roman Emperor. Henry supported his brother Richard in his bid to become King of the Romans in 1256, but was unable to place his own son Edmund on the throne of Sicily, despite investing large amounts of money. He planned to go on crusade to the Levant, but was prevented from doing so by rebellions in Gascony. By 1258, Henry's rule was increasingly unpopular, the result of the failure of his expensive foreign policies and the notoriety of his Poitevin half-brothers, the Lusignans, as well as the role of his local officials in collecting taxes and debts. A coalition of his barons, initially probably backed by Eleanor, seized power in a coup d'état and expelled the Poitevins from England, reforming the royal government through a process called the Provisions of Oxford. Henry and the baronial government enacted a peace with France in 1259, under which Henry gave up his rights to his other lands in France in return for King Louis IX recognising him as the rightful ruler of Gascony. The baronial regime collapsed but Henry was unable to reform a stable government and instability across England continued. In 1263, one of the more radical barons, Simon de Montfort, seized power, resulting in the Second Barons' War. Henry persuaded Louis to support his cause and mobilised an army. The Battle of Lewes occurred in 1264, where Henry was defeated and taken prisoner. Henry's eldest son, Edward, escaped from captivity to defeat de Montfort at the Battle of Evesham the following year and freed his father. Henry initially enacted a harsh revenge on the remaining rebels, but was persuaded by the Church to mollify his policies through the Dictum of Kenilworth. Reconstruction was slow and Henry had to acquiesce to various measures, including further suppression of the Jews, to maintain baronial and popular support. Henry died in 1272, leaving Edward as his successor. He was buried in Westminster Abbey, which he had rebuilt in the second half of his reign, and was moved to his current tomb in 1290. Some miracles were declared --- Support this podcast: https://anchor.fm/allthingsplantagenet/support
In the fifth episode and season finale of Podding Through Time, Jacob and Evan journey through some incredulous shenanigans from the past and present:-What happened to Amelia Earhart, and why are there so many conspiracies regarding her disappearance?-How many varying ways did European powers try to partition New Guinea, and what was the secret that it held for centuries from the larger world?-Who was the pope that hated cats, and who else did he hate for seemingly no good reason?-What is the significance of the fires in the Amazon, and how do they shine a light on our modern news system?-Who was Viola Desmond, and why is she now the face of the Canadian ten-dollar bill?
This episode covers the second half of Frederick II's reign as Holy Roman Emperor, King of Southern Italy, and King of Sicily. I try to answer the question: why is Frederick II considered to be one of Europe's greatest Medieval Monarchs?
The story of the littoral nations of the Baltic Sea is like a saga, that genre perfected by those tenacious inhabitants of the rocky shores of this ancient trading corridor. In it, we meet pirates, princes, and prelates; and while much divides the Slavs, Balts, Saxons, Poles, and Scandinavian peoples, much also unites them: rugged individualism and a desire to expand the boundaries of their known world. Caroline Boggis-Rolfe's new book, The Baltic Story: A Thousand Year History of Its Lands, Sea, and Peoples(Amberley, 2019) is a deep dive into this engrossing history. It which opens with the prosperity of the Hanseatic League, that commercial confederation, which ruled the Baltic between the fourteenth and sixteenth centuries and closes with the end of World War I and the Russian Revolution. Unlike other studies of the region which focus on subsets of the Baltic region: Scandinavia, Northern Germany, the Baltic States, Russia, and Poland, Boggis-Rolfe has undertaken the somewhat daunting task of examining 1000 years of the region's history as one unified history. Boggis-Rolfe's approach makes The Baltic Story eminently readable: rather than placing her material in strict silos, she weaves the stories of separate nations into a cogent chronological narrative, examining each nation at the zenith of its power, but through the lens of its relationship to its neighbors. That being said, each chapter is an excellent stand-alone study, and in them we get the privilege of spending time with the bold Swedish monarchs who forged empires, the erudite Kings of Poland, the patrons of Copernicus; Peter the Great who hewed for Russia a “window on the West,” and the visionary Frederick II of Prussia, and a host of other equally fascinating personalities. The Baltic Story was born of Boggis-Rolfe's two passions: her academic work on Voltaire and the Enlightenment and her many years of visiting Eastern Europe and the Baltic region. She has a natural gift for story-telling, which makes the history of this region leap off the page. Her tenacity and commitment to creating what did not previously exist — a complete study of the Baltic — is a boon for both amateur and seasoned historians, and anyone embarking on a voyage of discovery around the Baltic Sea. Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England. Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor's, The Moscow Times, and Russian Life. She is the in-house travel blogger for Alexander & Roberts, and the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow. Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices
The story of the littoral nations of the Baltic Sea is like a saga, that genre perfected by those tenacious inhabitants of the rocky shores of this ancient trading corridor. In it, we meet pirates, princes, and prelates; and while much divides the Slavs, Balts, Saxons, Poles, and Scandinavian peoples, much also unites them: rugged individualism and a desire to expand the boundaries of their known world. Caroline Boggis-Rolfe's new book, The Baltic Story: A Thousand Year History of Its Lands, Sea, and Peoples(Amberley, 2019) is a deep dive into this engrossing history. It which opens with the prosperity of the Hanseatic League, that commercial confederation, which ruled the Baltic between the fourteenth and sixteenth centuries and closes with the end of World War I and the Russian Revolution. Unlike other studies of the region which focus on subsets of the Baltic region: Scandinavia, Northern Germany, the Baltic States, Russia, and Poland, Boggis-Rolfe has undertaken the somewhat daunting task of examining 1000 years of the region's history as one unified history. Boggis-Rolfe's approach makes The Baltic Story eminently readable: rather than placing her material in strict silos, she weaves the stories of separate nations into a cogent chronological narrative, examining each nation at the zenith of its power, but through the lens of its relationship to its neighbors. That being said, each chapter is an excellent stand-alone study, and in them we get the privilege of spending time with the bold Swedish monarchs who forged empires, the erudite Kings of Poland, the patrons of Copernicus; Peter the Great who hewed for Russia a “window on the West,” and the visionary Frederick II of Prussia, and a host of other equally fascinating personalities. The Baltic Story was born of Boggis-Rolfe's two passions: her academic work on Voltaire and the Enlightenment and her many years of visiting Eastern Europe and the Baltic region. She has a natural gift for story-telling, which makes the history of this region leap off the page. Her tenacity and commitment to creating what did not previously exist — a complete study of the Baltic — is a boon for both amateur and seasoned historians, and anyone embarking on a voyage of discovery around the Baltic Sea. Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England. Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor's, The Moscow Times, and Russian Life. She is the in-house travel blogger for Alexander & Roberts, and the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow. Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices
The story of the littoral nations of the Baltic Sea is like a saga, that genre perfected by those tenacious inhabitants of the rocky shores of this ancient trading corridor. In it, we meet pirates, princes, and prelates; and while much divides the Slavs, Balts, Saxons, Poles, and Scandinavian peoples, much also unites them: rugged individualism and a desire to expand the boundaries of their known world. Caroline Boggis-Rolfe's new book, The Baltic Story: A Thousand Year History of Its Lands, Sea, and Peoples(Amberley, 2019) is a deep dive into this engrossing history. It which opens with the prosperity of the Hanseatic League, that commercial confederation, which ruled the Baltic between the fourteenth and sixteenth centuries and closes with the end of World War I and the Russian Revolution. Unlike other studies of the region which focus on subsets of the Baltic region: Scandinavia, Northern Germany, the Baltic States, Russia, and Poland, Boggis-Rolfe has undertaken the somewhat daunting task of examining 1000 years of the region's history as one unified history. Boggis-Rolfe's approach makes The Baltic Story eminently readable: rather than placing her material in strict silos, she weaves the stories of separate nations into a cogent chronological narrative, examining each nation at the zenith of its power, but through the lens of its relationship to its neighbors. That being said, each chapter is an excellent stand-alone study, and in them we get the privilege of spending time with the bold Swedish monarchs who forged empires, the erudite Kings of Poland, the patrons of Copernicus; Peter the Great who hewed for Russia a “window on the West,” and the visionary Frederick II of Prussia, and a host of other equally fascinating personalities. The Baltic Story was born of Boggis-Rolfe's two passions: her academic work on Voltaire and the Enlightenment and her many years of visiting Eastern Europe and the Baltic region. She has a natural gift for story-telling, which makes the history of this region leap off the page. Her tenacity and commitment to creating what did not previously exist — a complete study of the Baltic — is a boon for both amateur and seasoned historians, and anyone embarking on a voyage of discovery around the Baltic Sea. Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England. Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor's, The Moscow Times, and Russian Life. She is the in-house travel blogger for Alexander & Roberts, and the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow. Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices
The story of the littoral nations of the Baltic Sea is like a saga, that genre perfected by those tenacious inhabitants of the rocky shores of this ancient trading corridor. In it, we meet pirates, princes, and prelates; and while much divides the Slavs, Balts, Saxons, Poles, and Scandinavian peoples, much also unites them: rugged individualism and a desire to expand the boundaries of their known world. Caroline Boggis-Rolfe’s new book, The Baltic Story: A Thousand Year History of Its Lands, Sea, and Peoples(Amberley, 2019) is a deep dive into this engrossing history. It which opens with the prosperity of the Hanseatic League, that commercial confederation, which ruled the Baltic between the fourteenth and sixteenth centuries and closes with the end of World War I and the Russian Revolution. Unlike other studies of the region which focus on subsets of the Baltic region: Scandinavia, Northern Germany, the Baltic States, Russia, and Poland, Boggis-Rolfe has undertaken the somewhat daunting task of examining 1000 years of the region’s history as one unified history. Boggis-Rolfe’s approach makes The Baltic Story eminently readable: rather than placing her material in strict silos, she weaves the stories of separate nations into a cogent chronological narrative, examining each nation at the zenith of its power, but through the lens of its relationship to its neighbors. That being said, each chapter is an excellent stand-alone study, and in them we get the privilege of spending time with the bold Swedish monarchs who forged empires, the erudite Kings of Poland, the patrons of Copernicus; Peter the Great who hewed for Russia a “window on the West,” and the visionary Frederick II of Prussia, and a host of other equally fascinating personalities. The Baltic Story was born of Boggis-Rolfe’s two passions: her academic work on Voltaire and the Enlightenment and her many years of visiting Eastern Europe and the Baltic region. She has a natural gift for story-telling, which makes the history of this region leap off the page. Her tenacity and commitment to creating what did not previously exist — a complete study of the Baltic — is a boon for both amateur and seasoned historians, and anyone embarking on a voyage of discovery around the Baltic Sea. Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England. Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor’s, The Moscow Times, and Russian Life. She is the in-house travel blogger for Alexander & Roberts, and the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow. Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices
The story of the littoral nations of the Baltic Sea is like a saga, that genre perfected by those tenacious inhabitants of the rocky shores of this ancient trading corridor. In it, we meet pirates, princes, and prelates; and while much divides the Slavs, Balts, Saxons, Poles, and Scandinavian peoples, much also unites them: rugged individualism and a desire to expand the boundaries of their known world. Caroline Boggis-Rolfe’s new book, The Baltic Story: A Thousand Year History of Its Lands, Sea, and Peoples(Amberley, 2019) is a deep dive into this engrossing history. It which opens with the prosperity of the Hanseatic League, that commercial confederation, which ruled the Baltic between the fourteenth and sixteenth centuries and closes with the end of World War I and the Russian Revolution. Unlike other studies of the region which focus on subsets of the Baltic region: Scandinavia, Northern Germany, the Baltic States, Russia, and Poland, Boggis-Rolfe has undertaken the somewhat daunting task of examining 1000 years of the region’s history as one unified history. Boggis-Rolfe’s approach makes The Baltic Story eminently readable: rather than placing her material in strict silos, she weaves the stories of separate nations into a cogent chronological narrative, examining each nation at the zenith of its power, but through the lens of its relationship to its neighbors. That being said, each chapter is an excellent stand-alone study, and in them we get the privilege of spending time with the bold Swedish monarchs who forged empires, the erudite Kings of Poland, the patrons of Copernicus; Peter the Great who hewed for Russia a “window on the West,” and the visionary Frederick II of Prussia, and a host of other equally fascinating personalities. The Baltic Story was born of Boggis-Rolfe’s two passions: her academic work on Voltaire and the Enlightenment and her many years of visiting Eastern Europe and the Baltic region. She has a natural gift for story-telling, which makes the history of this region leap off the page. Her tenacity and commitment to creating what did not previously exist — a complete study of the Baltic — is a boon for both amateur and seasoned historians, and anyone embarking on a voyage of discovery around the Baltic Sea. Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England. Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor’s, The Moscow Times, and Russian Life. She is the in-house travel blogger for Alexander & Roberts, and the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow. Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices
The story of the littoral nations of the Baltic Sea is like a saga, that genre perfected by those tenacious inhabitants of the rocky shores of this ancient trading corridor. In it, we meet pirates, princes, and prelates; and while much divides the Slavs, Balts, Saxons, Poles, and Scandinavian peoples, much also unites them: rugged individualism and a desire to expand the boundaries of their known world. Caroline Boggis-Rolfe’s new book, The Baltic Story: A Thousand Year History of Its Lands, Sea, and Peoples(Amberley, 2019) is a deep dive into this engrossing history. It which opens with the prosperity of the Hanseatic League, that commercial confederation, which ruled the Baltic between the fourteenth and sixteenth centuries and closes with the end of World War I and the Russian Revolution. Unlike other studies of the region which focus on subsets of the Baltic region: Scandinavia, Northern Germany, the Baltic States, Russia, and Poland, Boggis-Rolfe has undertaken the somewhat daunting task of examining 1000 years of the region’s history as one unified history. Boggis-Rolfe’s approach makes The Baltic Story eminently readable: rather than placing her material in strict silos, she weaves the stories of separate nations into a cogent chronological narrative, examining each nation at the zenith of its power, but through the lens of its relationship to its neighbors. That being said, each chapter is an excellent stand-alone study, and in them we get the privilege of spending time with the bold Swedish monarchs who forged empires, the erudite Kings of Poland, the patrons of Copernicus; Peter the Great who hewed for Russia a “window on the West,” and the visionary Frederick II of Prussia, and a host of other equally fascinating personalities. The Baltic Story was born of Boggis-Rolfe’s two passions: her academic work on Voltaire and the Enlightenment and her many years of visiting Eastern Europe and the Baltic region. She has a natural gift for story-telling, which makes the history of this region leap off the page. Her tenacity and commitment to creating what did not previously exist — a complete study of the Baltic — is a boon for both amateur and seasoned historians, and anyone embarking on a voyage of discovery around the Baltic Sea. Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England. Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor’s, The Moscow Times, and Russian Life. She is the in-house travel blogger for Alexander & Roberts, and the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow. Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices
The story of the littoral nations of the Baltic Sea is like a saga, that genre perfected by those tenacious inhabitants of the rocky shores of this ancient trading corridor. In it, we meet pirates, princes, and prelates; and while much divides the Slavs, Balts, Saxons, Poles, and Scandinavian peoples, much also unites them: rugged individualism and a desire to expand the boundaries of their known world. Caroline Boggis-Rolfe’s new book, The Baltic Story: A Thousand Year History of Its Lands, Sea, and Peoples(Amberley, 2019) is a deep dive into this engrossing history. It which opens with the prosperity of the Hanseatic League, that commercial confederation, which ruled the Baltic between the fourteenth and sixteenth centuries and closes with the end of World War I and the Russian Revolution. Unlike other studies of the region which focus on subsets of the Baltic region: Scandinavia, Northern Germany, the Baltic States, Russia, and Poland, Boggis-Rolfe has undertaken the somewhat daunting task of examining 1000 years of the region’s history as one unified history. Boggis-Rolfe’s approach makes The Baltic Story eminently readable: rather than placing her material in strict silos, she weaves the stories of separate nations into a cogent chronological narrative, examining each nation at the zenith of its power, but through the lens of its relationship to its neighbors. That being said, each chapter is an excellent stand-alone study, and in them we get the privilege of spending time with the bold Swedish monarchs who forged empires, the erudite Kings of Poland, the patrons of Copernicus; Peter the Great who hewed for Russia a “window on the West,” and the visionary Frederick II of Prussia, and a host of other equally fascinating personalities. The Baltic Story was born of Boggis-Rolfe’s two passions: her academic work on Voltaire and the Enlightenment and her many years of visiting Eastern Europe and the Baltic region. She has a natural gift for story-telling, which makes the history of this region leap off the page. Her tenacity and commitment to creating what did not previously exist — a complete study of the Baltic — is a boon for both amateur and seasoned historians, and anyone embarking on a voyage of discovery around the Baltic Sea. Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England. Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor’s, The Moscow Times, and Russian Life. She is the in-house travel blogger for Alexander & Roberts, and the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow. Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices
The story of the littoral nations of the Baltic Sea is like a saga, that genre perfected by those tenacious inhabitants of the rocky shores of this ancient trading corridor. In it, we meet pirates, princes, and prelates; and while much divides the Slavs, Balts, Saxons, Poles, and Scandinavian peoples, much also unites them: rugged individualism and a desire to expand the boundaries of their known world. Caroline Boggis-Rolfe’s new book, The Baltic Story: A Thousand Year History of Its Lands, Sea, and Peoples(Amberley, 2019) is a deep dive into this engrossing history. It which opens with the prosperity of the Hanseatic League, that commercial confederation, which ruled the Baltic between the fourteenth and sixteenth centuries and closes with the end of World War I and the Russian Revolution. Unlike other studies of the region which focus on subsets of the Baltic region: Scandinavia, Northern Germany, the Baltic States, Russia, and Poland, Boggis-Rolfe has undertaken the somewhat daunting task of examining 1000 years of the region’s history as one unified history. Boggis-Rolfe’s approach makes The Baltic Story eminently readable: rather than placing her material in strict silos, she weaves the stories of separate nations into a cogent chronological narrative, examining each nation at the zenith of its power, but through the lens of its relationship to its neighbors. That being said, each chapter is an excellent stand-alone study, and in them we get the privilege of spending time with the bold Swedish monarchs who forged empires, the erudite Kings of Poland, the patrons of Copernicus; Peter the Great who hewed for Russia a “window on the West,” and the visionary Frederick II of Prussia, and a host of other equally fascinating personalities. The Baltic Story was born of Boggis-Rolfe’s two passions: her academic work on Voltaire and the Enlightenment and her many years of visiting Eastern Europe and the Baltic region. She has a natural gift for story-telling, which makes the history of this region leap off the page. Her tenacity and commitment to creating what did not previously exist — a complete study of the Baltic — is a boon for both amateur and seasoned historians, and anyone embarking on a voyage of discovery around the Baltic Sea. Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England. Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor’s, The Moscow Times, and Russian Life. She is the in-house travel blogger for Alexander & Roberts, and the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow. Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices
The story of the littoral nations of the Baltic Sea is like a saga, that genre perfected by those tenacious inhabitants of the rocky shores of this ancient trading corridor. In it, we meet pirates, princes, and prelates; and while much divides the Slavs, Balts, Saxons, Poles, and Scandinavian peoples, much also unites them: rugged individualism and a desire to expand the boundaries of their known world. Caroline Boggis-Rolfe’s new book, The Baltic Story: A Thousand Year History of Its Lands, Sea, and Peoples(Amberley, 2019) is a deep dive into this engrossing history. It which opens with the prosperity of the Hanseatic League, that commercial confederation, which ruled the Baltic between the fourteenth and sixteenth centuries and closes with the end of World War I and the Russian Revolution. Unlike other studies of the region which focus on subsets of the Baltic region: Scandinavia, Northern Germany, the Baltic States, Russia, and Poland, Boggis-Rolfe has undertaken the somewhat daunting task of examining 1000 years of the region’s history as one unified history. Boggis-Rolfe’s approach makes The Baltic Story eminently readable: rather than placing her material in strict silos, she weaves the stories of separate nations into a cogent chronological narrative, examining each nation at the zenith of its power, but through the lens of its relationship to its neighbors. That being said, each chapter is an excellent stand-alone study, and in them we get the privilege of spending time with the bold Swedish monarchs who forged empires, the erudite Kings of Poland, the patrons of Copernicus; Peter the Great who hewed for Russia a “window on the West,” and the visionary Frederick II of Prussia, and a host of other equally fascinating personalities. The Baltic Story was born of Boggis-Rolfe’s two passions: her academic work on Voltaire and the Enlightenment and her many years of visiting Eastern Europe and the Baltic region. She has a natural gift for story-telling, which makes the history of this region leap off the page. Her tenacity and commitment to creating what did not previously exist — a complete study of the Baltic — is a boon for both amateur and seasoned historians, and anyone embarking on a voyage of discovery around the Baltic Sea. Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England. Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor’s, The Moscow Times, and Russian Life. She is the in-house travel blogger for Alexander & Roberts, and the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow. Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices
This episode covers roughly the first half of Frederick II's reign from his regency through his crusade to recover Jerusalem. We will also discuss Cardinal Pelagius and his pathetic efforts to invade Egypt.
In which, your hosts take aim at Frederick II (the other Frederick II), and discuss Prudence as truth and the distinction between false and true Prudence. Along the way they also touch on: Prudence as the Queen of the virtues; why Arnold Schoenberg (!) was a good artist; legalistic American bureaucrats in post-war Germany; and why … Continue reading "The Josias Podcast Episode XII: Prudence as Truth"
In this episode we look at the unique form of absolutism that develops in Prussia under Frederick William I and Frederick II, also known as Frederick the Great... And yes... that's Prussia with a P.
JS Bach's - Goldberg Variations #5Our version of JS Bach's - Goldberg Variations #5blessings,Shiloh Worship MusicThe Goldberg Variations, BWV 988, is a work for harpsichord by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, the work is considered to be one of the most important examples of variation form. The Variationsare named after Johann Gottlieb Goldberg, who may have been the first performer.Johann Sebastian Bach from WikipediaJohann Sebastian Bach[1] (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer, organist, harpsichordist, violist, and violinist of the Baroque Period. He enriched many established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach wrote much music that was revered for its intellectual depth, technical command, and artistic beauty. Many of his works are still known today, such as the Brandenburg Concertos, the Mass in B minor, the Well-Tempered Clavier, and his cantatas, chorales, partitas, passions, and organ works.Bach was born in Eisenach, Saxe-Eisenach into a very musical family; his father, Johann Ambrosius Bach was the director of the town's musicians, and all of his uncles were professional musicians. His father taught him to play violin and harpsichord, and his brother, Johann Christoph Bach taught him the clavichord and exposed him to much contemporary music.[2][3] Bach also sang, and he went to the St Michael's School in Lüneburg because of his skill in voice. After graduating, he held several musical posts across Germany: he served as Kapellmeister (director of music) to Leopold, Prince of Anhalt-Köthen, Cantor of Thomasschule in Leipzig, and Royal Court Composer to August III.[4][5] Bach's health and vision declined in 1749, and he died on 28 July 1750. Modern historians believe that his death was caused by a combination of stroke and pneumonia.[6][7][8]Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque period, and as one of the greatest composers of all time.[9]LifeChildhood (1685–1703)Johann Sebastian Bach was born in Eisenach, Saxe-Eisenach, on 21 March 1685 O.S. (31 March 1685 N.S.). He was the son of Johann Ambrosius Bach, the director of the town musicians, and Maria Elisabeth Lämmerhirt.[10] He was the eighth child of Johann Ambrosius; the eldest son in the family was 14 at the time of Bach's birth.[11] His father taught him violin and harpsichord.[12] His uncles were all professional musicians, whose posts included church organists, court chamber musicians, and composers. One uncle, Johann Christoph Bach (1645–93), introduced him to the organ, and an older second cousin, Johann Ludwig Bach (1677–1731), was a well-known composer and violinist. Bach drafted a genealogy around 1735, titled "Origin of the musical Bach family".[13]Bach's mother died in 1694, and his father died eight months later.[5] Bach, 10, moved in with his oldest brother, Johann Christoph Bach (1671–1721), the organist at the Michaeliskirche in Ohrdruf, Saxe-Gotha-Altenburg.[14] There he studied, performed, and copied music, including his own brother's, despite being forbidden to do so because scores were so valuable and private and blank ledger paper of that type was costly.[15][16] He received valuable teaching from his brother, who instructed him on the clavichord. J.C. Bach exposed him to the works of great composers of the day, including South German composers such as Johann Pachelbel (under whom Johann Christoph had studied)[2] and Johann Jakob Froberger; North German composers;[3] Frenchmen, such as Jean-Baptiste Lully, Louis Marchand, Marin Marais; and the Italian clavierist Girolamo Frescobaldi. Also during this time, he was taught theology, Latin, Greek, French, and Italian at the local gymnasium.[17]At the age of 14, Bach, along with his older school friend George Erdmann, was awarded a choral scholarship to study at the prestigious St. Michael's School in Lüneburg in the Principality of Lüneburg.[18] Although it is not known for certain, the trip was likely taken mostly on foot.[17] His two years there were critical in exposing him to a wider facet of European culture. In addition to singing in the choir he played the School's three-manual organ and harpsichords.[17] He came into contact with sons of noblemen from northern Germany sent to the highly selective school to prepare for careers in other disciplines.Although little supporting historical evidence exists at this time, it is almost certain that while in Lüneburg, Bach visited the Johanniskirche (Church of St. John) and heard (and possibly played) the church's famous organ (built in 1549 by Jasper Johannsen, and played by Georg Böhm). Given his musical talent, Bach had significant contact with prominent organists of the day in Lüneburg, most notably Böhm, but also including organists in nearby Hamburg, such as Johann Adam Reincken.[19]Weimar, Arnstadt, and Mühlhausen (1703–08)In January 1703, shortly after graduating from St. Michael's and being turned down for the post of organist at Sangerhausen,[20] Bach was appointed court musician in the chapel of Duke Johann Ernst in Weimar. His role there is unclear, but likely included menial, non-musical duties. During his seven-month tenure at Weimar, his reputation as a keyboardist spread so much that he was invited to inspect the new organ, and give the inaugural recital, at St. Boniface's Church in Arnstadt, located about 40 km southwest of Weimar.[21] In August 1703, he became the organist at St Boniface's, with light duties, a relatively generous salary, and a fine new organ tuned in the modern tempered system that allowed a wide range of keys to be used.Despite strong family connections and a musically enthusiastic employer, tension built up between Bach and the authorities after several years in the post. Bach was dissatisfied with the standard of singers in the choir, while his employer was upset by his unauthorised absence from Arnstadt; Bach was gone for several months in 1705–06, to visit the great organist and composer Dieterich Buxtehude and his Abendmusiken at the Marienkirche in the northern city of Lübeck. The visit to Buxtehude involved a 400 kilometre (250 mi) journey on foot each way. The trip reinforced Buxtehude's style as a foundation for Bach's earlier works. Bach wanted to become amanuensis (assistant and successor) to Buxtehude, but did not want to marry his daughter, which was a condition for his appointment.[22]In 1706, Bach was offered a post as organist at St. Blasius's in Mühlhausen, which he took up the following year. It included significantly higher remuneration, improved conditions, and a better choir. Four months after arriving at Mühlhausen, Bach married Maria Barbara Bach, his second cousin. They had seven children, four of whom survived to adulthood, including Wilhelm Friedemann Bach and Carl Philipp Emanuel Bach who both became important composers as well. Bach was able to convince the church and city government at Mühlhausen to fund an expensive renovation of the organ at St. Blasius's. Bach, in turn, wrote an elaborate, festive cantata—Gott ist mein König, BWV 71—for the inauguration of the new council in 1708. The council paid handsomely for its publication, and it was a major success.[17]Return to Weimar (1708–17)In 1708, Bach left Mühlhausen, returning to Weimar this time as organist and concertmaster at the ducal court, where he had an opportunity to work with a large, well-funded contingent of professional musicians.[17] Bach moved with his family into an apartment very close to the ducal palace. In the following year, their first child was born and Maria Barbara's elder, unmarried sister joined them. She remained to help run the household until her death in 1729.Bach's time in Weimar was the start of a sustained period of composing keyboard and orchestral works. He attained the proficiency and confidence to extend the prevailing structures and to include influences from abroad. He learned to write dramatic openings and employ the dynamic motor-rhythms and harmonic schemes found in the music of Italians such as Vivaldi, Corelli, and Torelli. Bach absorbed these stylistic aspects in part by transcribing Vivaldi's string and wind concertos for harpsichord and organ; many of these transcribed works are still played in concert often. Bach was particularly attracted to the Italian style in which one or more solo instruments alternate section-by-section with the full orchestra throughout a movement.[24]In Weimar, Bach continued to play and compose for the organ, and to perform concert music with the duke's ensemble.[17] He also began to write the preludes and fugues which were later assembled into his monumental work Das Wohltemperierte Clavier ("The Well-Tempered Clavier"—Clavier meaning clavichord or harpsichord),[25] consisting of two books, compiled in 1722 and 1744,[26] each containing a prelude and fugue in every major and minor key.Also in Weimar Bach started work on the Little Organ Book for his eldest son, Wilhelm Friedemann, containing traditional Lutheran chorales (hymn tunes) set in complex textures to train organists. In 1713 Bach was offered a post in Halle when he advised the authorities during a renovation by Christoph Cuntzius of the main organ in the west gallery of the Marktkirche Unser Lieben Frauen. Johann Kuhnau and Bach played again when it was inaugurated in 1716.[27][28] Musicologists debate whether his first Christmas cantata Christen, ätzet diesen Tag, BWV 63, was premiered here in 1713[29], or if it was performed for the bicentennial of the Reformation in 1717.[30] Bach eventually fell out of favour in Weimar and was, according to a translation of the court secretary's report, jailed for almost a month before being unfavourably dismissed:“On November 6, [1717], the quondam concertmaster and organist Bach was confined to the County Judge's place of detention for too stubbornly forcing the issue of his dismissal and finally on December 2 was freed from arrest with notice of his unfavourable discharge.[31]”Köthen (1717–23)Leopold, Prince of Anhalt-Köthen hired Bach to serve as his Kapellmeister (director of music) in 1717. Prince Leopold, himself a musician, appreciated Bach's talents, paid him well, and gave him considerable latitude in composing and performing. The prince was Calvinist and did not use elaborate music in his worship; accordingly, most of Bach's work from this period was secular,[32] including the Orchestral Suites, the Six Suites for Unaccompanied Cello, the Sonatas and Partitas for Solo Violin, and the Brandenburg Concertos.[33] Bach also composed secular cantatas for the court such as the Die Zeit, die Tag und Jahre macht, BWV 134a.Despite being born in the same year and only about 80 miles apart, Bach and Handel never met. In 1719 Bach made the 20 mile journey from Köthen to Halle with the intention of meeting Handel, however Handel had recently departed the city.[34] In 1730, Bach's son Friedmann travelled to Halle to invite Handel to visit the Bach family in Leipzig, however the visit did not eventuate.[35]On 7 July 1720, while Bach was abroad with Prince Leopold, Bach's first wife suddenly died. The following year, he met Anna Magdalena Wilcke, a young, highly gifted soprano 17 years younger than he was who performed at the court in Köthen; they married on 3 December 1721.[36] Together they had 13 more children, six of whom survived into adulthood: Gottfried Heinrich, Johann Christoph Friedrich, and Johann Christian, all of whom became significant musicians; Elisabeth Juliane Friederica (1726–81), who married Bach's pupil Johann Christoph Altnikol; Johanna Carolina (1737–81); and Regina Susanna (1742–1809).[37]Leipzig (1723–50)In 1723, Bach was appointed Cantor of the Thomasschule at Thomaskirche in Leipzig, and Director of Music in the principal churches in the town, namely the Nikolaikirche and the Paulinerkirche, the church of the University of Leipzig.[38] This was a prestigious post in the mercantile city in the Electorate of Saxony, which he held for 27 years until his death. It brought him into contact with the political machinations of his employer, Leipzig's city council.Bach was required to instruct the students of the Thomasschule in singing and to provide church music for the main churches in Leipzig. Bach was required to teach Latin, but he was allowed to employ a deputy to do this instead. A cantata was required for the church service on Sundays and additional church holidays during the liturgical year. He usually performed his own cantatas, most of which were composed during his first three years in Leipzig. The first of these was Die Elenden sollen essen, BWV 75, first performed in the Nikolaikirche on 30 May 1723, the first Sunday after Trinity. Bach collected his cantatas in annual cycles. Five are mentioned in obituaries, three are extant.[39] Most of these concerted works expound on the Gospel readings prescribed for every Sunday and feast day in the Lutheran year. Bach started a second annual cycle the first Sunday after Trinity of 1724, and composed only Chorale cantatas, each based on a single church hymn. These include O Ewigkeit, du Donnerwort, BWV 20, Wachet auf, ruft uns die Stimme, BWV 140, Nun komm, der Heiden Heiland, BWV 61, and Wie schön leuchtet der Morgenstern, BWV 1.Bach drew the soprano and alto choristers from the School, and the tenors and basses from the School and elsewhere in Leipzig. Performing at weddings and funerals provided extra income for these groups; it was probably for this purpose, and for in-school training, that he wrote at least six motets, at least five of which are for double choir.[40] As part of his regular church work, he performed other composers' motets, which served as formal models for his own.[17]Bach broadened his composing and performing beyond the liturgy by taking over, in March 1729, the directorship of the Collegium Musicum, a secular performance ensemble started by the composer Georg Philipp Telemann. This was one of the dozens of private societies in the major German-speaking cities that was established by musically active university students; these societies had become increasingly important in public musical life and were typically led by the most prominent professionals in a city. In the words of Christoph Wolff, assuming the directorship was a shrewd move that "consolidated Bach's firm grip on Leipzig's principal musical institutions".[41] Year round, the Leipzig's Collegium Musicum performed regularly in venues such as the Zimmermannsches Caffeehaus, a Coffeehouse on Catherine Street off the main market square. Many of Bach's works during the 1730s and 1740s were written for and performed by the Collegium Musicum; among these were parts of his Clavier-Übung (Keyboard Practice) and many of his violin and harpsichord concertos.[17]In 1733, Bach composed the Kyrie and Gloria of the Mass in B minor. He presented the manuscript to the King of Poland, Grand Duke of Lithuania and Elector of Saxony, August III in an eventually successful bid to persuade the monarch to appoint him as Royal Court Composer.[4] He later extended this work into a full Mass, by adding a Credo, Sanctus and Agnus Dei, the music for which was almost wholly taken from his own cantatas. Bach's appointment as court composer was part of his long-term struggle to achieve greater bargaining power with the Leipzig Council. Although the complete mass was probably never performed during the composer's lifetime,[42] it is considered to be among the greatest choral works of all time. Between 1737 and 1739, Bach's former pupil Carl Gotthelf Gerlach took over the directorship of the Collegium Musicum.In 1747, Bach visited the court of the King of Prussia in Potsdam. There the king played a theme for Bach and challenged him to improvise a fugue based on his theme. Bach improvised a three-part fugue on Frederick's pianoforte, then a novelty, and later presented the king with a Musical Offering which consists of fugues, canons and a trio based on this theme. Its six-part fugue includes a slightly altered subject more suitable for extensive elaboration. Bach wrote another fugue, The Art of Fugue, shortly before his death, but never completed the final fugue. It consists of 18 complex fugues and canons based on a simple theme.[43] It was only published posthumously in 1751.[44]The final work Bach completed was a chorale prelude for organ, entitled Vor deinen Thron tret ich hiermit (Before thy throne I now appear, BWV 668a) which he dictated to his son-in-law, Johann Altnikol, from his deathbed. When the notes on the three staves of the final cadence are counted and mapped onto the Roman alphabet, the initials "JSB" are found.[45]Death (1750)Bach's health declined in 1749; on 2 June, Heinrich von Brühl wrote to one of the Leipzig burgomasters to request that his music director, Gottlob Harrer, fill the Thomascantor and Director musices posts "upon the eventual ... decease of Mr. Bach."[29] Bach became increasingly blind, so the British eye surgeon John Taylor operated on Bach while visiting Leipzig in March or April of 1750.[46]On 28 July 1750 Bach died at the age of 65. A contemporary newspaper reported "the unhappy consequences of the very unsuccessful eye operation" as the cause of death.[47] Modern historians speculate that the cause of death was a stroke complicated by pneumonia.[6][7][8] His son Emanuel and his pupil Johann Friedrich Agricola wrote an obituary of Bach.[48]Bach's estate included five Clavecins, two lute-harpsichords, three violins, three violas, two cellos, a viola da gamba, a lute and a spinet, and 52 "sacred books", including books by Martin Luther and Josephus.[49] He was originally buried at Old St. John's Cemetery in Leipzig. His grave went unmarked for nearly 150 years. In 1894 his coffin was finally found and moved to a vault in St. John's Church. This building was destroyed by Allied bombing during World War II, so in 1950 Bach's remains were taken to their present grave at Leipzig's Church of St. Thomas.[17]LegacyA detailed obituary of Bach was published (without attribution) four years later in 1754 by Lorenz Christoph Mizler (a former student) in Musikalische Bibliothek, a music periodical. The obituary remains probably "the richest and most trustworthy"[50] early source document about Bach. After his death, Bach's reputation as a composer at first declined; his work was regarded as old-fashioned compared to the emerging classical style.[51] Initially he was remembered more as a player and teacher.During the late eighteenth and early nineteenth century, Bach was widely recognised for his keyboard work. Mozart, Beethoven, Chopin, Robert Schumann, and Felix Mendelssohn were among his most prominent admirers; they began writing in a more contrapuntal style after being exposed to Bach's music.[52] Beethoven described him as the "Urvater der Harmonie", "original father of harmony".[53]Bach's reputation among the wider public was enhanced in part by Johann Nikolaus Forkel's 1802 biography of Bach.[54] Felix Mendelssohn significantly contributed to the revival of Bach's reputation with his 1829 Berlin performance of the St Matthew Passion.[55] In 1850, the Bach Gesellschaft (Bach Society) was founded to promote the works; in 1899 the Society published a comprehensive edition of the composer's works with little editorial intervention.During the 20th century, the process of recognising the musical as well as the pedagogic value of some of the works continued, perhaps most notably in the promotion of the Cello Suites by Pablo Casals, the first major performer to record these suites.[56] Another development has been the growth of the "authentic" or "period performance" movement, which attempts to present music as the composer intended it. Examples include the playing of keyboard works on harpsichord rather than modern grand piano and the use of small choirs or single voices instead of the larger forces favoured by 19th- and early 20th-century performers.[57]Bach's music is frequently bracketed with the literature of William Shakespeare and the teachings of Isaac Newton.[58] In Germany, during the twentieth century, many streets were named and statues were erected in honour of Bach. His music features three times - more than any other composer - on the Voyager Golden Record, a phonograph record containing a broad sample of the images, common sounds, languages, and music of Earth, sent into outer space with the two Voyager probes.[59]WorksIn 1950, a thematic catalogue called Bach Werke Verzeichnis (Bach Works Catalogue) was compiled by Wolfgang Schmieder.[60] Schmieder largely followed the Bach Gesellschaft Ausgabe, a comprehensive edition of the composer's works that was produced between 1850 and 1905: BWV 1–224 are cantatas; BWV 225–249, large-scale choral works including his Passions; BWV 250–524, chorales and sacred songs; BWV 525–748, organ works; BWV 772–994, other keyboard works; BWV 995–1000, lute music; BWV 1001–40, chamber music; BWV 1041–71, orchestral music; and BWV 1072–1126, canons and fugues.[61]Organ worksBach was best known during his lifetime as an organist, organ consultant, and composer of organ works in both the traditional German free genres—such as preludes, fantasias, and toccatas—and stricter forms, such as chorale preludes and fugues.[17] At a young age, he established a reputation for his great creativity and ability to integrate foreign styles into his organ works. A decidedly North German influence was exerted by Georg Böhm, with whom Bach came into contact in Lüneburg, and Dieterich Buxtehude, whom the young organist visited in Lübeck in 1704 on an extended leave of absence from his job in Arnstadt. Around this time, Bach copied the works of numerous French and Italian composers to gain insights into their compositional languages, and later arranged violin concertos by Vivaldi and others for organ and harpsichord. During his most productive period (1708–14) he composed several pairs of preludes and fugues and toccatas and fugues, and the Orgelbüchlein ("Little organ book"), an unfinished collection of 46 short chorale preludes that demonstrates compositional techniques in the setting of chorale tunes. After leaving Weimar, Bach wrote less for organ, although his best-known works (the six trio sonatas, the "German Organ Mass" in Clavier-Übung III from 1739, and the "Great Eighteen" chorales, revised late in his life) were all composed after his leaving Weimar. Bach was extensively engaged later in his life in consulting on organ projects, testing newly built organs, and dedicating organs in afternoon recitals.[62][63]Other keyboard worksBach wrote many works for harpsichord, some of which may have been played on the clavichord. Many of his keyboard works are anthologies that encompass whole theoretical systems in an encyclopaedic fashion. • The Well-Tempered Clavier, Books 1 and 2 (BWV 846–893). Each book consists of a prelude and fugue in each of the 24 major and minor keys in chromatic order from C major to B minor (thus, the whole collection is often referred to as 'the 48'). "Well-tempered" in the title refers to the temperament (system of tuning); many temperaments before Bach's time were not flexible enough to allow compositions to utilise more than just a few keys.[64] • The 15 Inventions and 15 Sinfonias (BWV 772–801). These short two- and three-part contrapuntal works are arranged in the same chromatic order as the Well-Tempered Clavier, omitting some of the rarer keys. These pieces were intended by Bach for instructional purposes.[65] • Three collections of dance suites: the English Suites (BWV 806–811), the French Suites (BWV 812–817), and the Partitas for keyboard (BWV 825–830). Each collection contains six suites built on the standard model (Allemande–Courante–Sarabande–(optional movement)–Gigue). The English Suites closely follow the traditional model, adding a prelude before the allemande and including a single movement between the sarabande and the gigue.[66] The French Suites omit preludes, but have multiple movements between the sarabande and the gigue.[67] The partitas expand the model further with elaborate introductory movements and miscellaneous movements between the basic elements of the model.[68] • The Goldberg Variations (BWV 988), an aria with thirty variations. The collection has a complex and unconventional structure: the variations build on the bass line of the aria, rather than its melody, and musical canons are interpolated according to a grand plan. There are nine canons within the 30 variations, one every three variations between variations 3 and 27.[69] These variations move in order from canon at the unison to canon at the ninth. The first eight are in pairs (unison and octave, second and seventh, third and sixth, fourth and fifth). The ninth canon stands on its own due to compositional dissimilarities. • Miscellaneous pieces such as the Overture in the French Style (French Overture, BWV 831), Chromatic Fantasia and Fugue (BWV 903), and the Italian Concerto (BWV 971).Among Bach's lesser known keyboard works are seven toccatas (BWV 910–916), four duets (BWV 802–805), sonatas for keyboard (BWV 963–967), the Six Little Preludes (BWV 933–938), and the Aria variata alla maniera italiana (BWV 989).Orchestral and chamber musicBach wrote for single instruments, duets, and small ensembles. Many of his solo works, such as his six sonatas and partitas for violin (BWV 1001–1006), six cello suites (BWV 1007–1012) and Partita for solo flute (BWV 1013), are among the most profound works in the repertoire.[70] Bach composed a suite and several other works for solo lute. He wrote trio sonatas; solo sonatas (accompanied by continuo) for the flute and for the viola da gamba; and a large number of canons and ricercare, mostly with unspecified instrumentation. The most significant examples of the latter are contained in The Art of Fugue and The Musical Offering.Bach's best-known orchestral works are the Brandenburg Concertos, so named because he submitted them in the hope of gaining employment from Margrave Christian Ludwig of Brandenburg-Schwedt in 1721; his application was unsuccessful.[17] These works are examples of the concerto grosso genre. Other surviving works in the concerto form include two violin concertos (BWV 1041 and BWV 1042); a Concerto for Two Violins in D Minor (BWV 1043), often referred to as Bach's "double" concerto; and concertos for one to four harpsichords. It is widely accepted that many of the harpsichord concertos were not original works, but arrangements of his concertos for other instruments now lost.[71] A number of violin, oboe and flute concertos have been reconstructed from these. In addition to concertos, Bach wrote four orchestral suites, and a series of stylised dances for orchestra, each preceded by a French overture.[72]Vocal and choral worksCantatasAs the Thomaskantor, beginning mid of 1723, Bach performed a cantata each Sunday and feast day that corresponded to the lectionary readings of the week.[17] Although Bach performed cantatas by other composers, he composed at least three entire annual cycles of cantatas at Leipzig, in addition to those composed at Mühlhausen and Weimar.[17] In total he wrote more than 300 sacred cantatas, of which approximately 200 survive.[73]His cantatas vary greatly in form and instrumentation, including those for solo singers, single choruses, small instrumental groups, or grand orchestras. Many consist of a large opening chorus followed by one or more recitative-aria pairs for soloists (or duets) and a concluding chorale. The recitative is part of the corresponding Bible reading for the week and the aria is a contemporary reflection on it. The melody of the concluding chorale often appears as a cantus firmus in the opening movement. Among his best known cantatas are: • Christ lag in Todes Banden, BWV 4 • Ich hatte viel Bekümmernis, BWV 21 • Ein feste Burg ist unser Gott, BWV 80 • Gottes Zeit ist die allerbeste Zeit, BWV 106 (Actus Tragicus) • Wachet auf, ruft uns die Stimme, BWV 140 • Herz und Mund und Tat und Leben, BWV 147In addition, Bach wrote a number of secular cantatas, usually for civic events such as council inaugurations. These include wedding cantatas, the Wedding Quodlibet, the Peasant Cantata and the Coffee Cantata.[74]PassionsBach's large choral-orchestral works include the grand scale St Matthew Passion and St John Passion, both written for Good Friday vespers services at the Thomaskirche and the Nikolaikirche in alternate years, and the Christmas Oratorio (a set of six cantatas for use in the Liturgical season of Christmas).[75][76][77] The two versions of the Magnificat (one in E-flat major, with four interpolated Christmas-related movements, and the later and better-known version in D major), the Easter Oratorio, and the Ascension Oratorio are smaller and simpler than the Passions and the Christmas Oratorio.Mass in B minorMain article: Mass in B minorBach assembled his other large work, the Mass in B minor, near the end of his life, mostly from pieces composed earlier (such as the cantatas Gloria in excelsis Deo, BWV 191 and Weinen, Klagen, Sorgen, Zagen, BWV 12). The mass was never performed in full during Bach's lifetime.[78] All of these movements, unlike the six motets (Singet dem Herrn ein neues Lied; Der Geist hilft unser Schwachheit auf; Jesu, meine Freude; Fürchte dich nicht; Komm, Jesu, komm!; and Lobet den Herrn alle Heiden), have substantial solo parts as well as choruses.Musical styleBach's musical style arose from his skill in contrapuntal invention and motivic control, his flair for improvisation, his exposure to North and South German, Italian and French music, and his devotion to the Lutheran liturgy. His access to musicians, scores and instruments as a child and a young man and his emerging talent for writing tightly woven music of powerful sonority, allowed him to develop an eclectic, energetic musical style in which foreign influences were combined with an intensified version of the pre-existing German musical language. From the Period 1713-14 onward he learned much from the style of the Italians.[79]During the Baroque Period, many composers only wrote the framework, and performers embellished this framework with ornaments and other elaboration.[80] This practice varied considerably between the schools of European music; Bach notated most or all of the details of his melodic lines, leaving little for performers to interpolate. This accounted for his control over the dense contrapuntal textures that he favoured, and decreased leeway for spontaneous variation of musical lines. At the same time, Bach left the instrumentation of major works including The Art of Fugue open.[81]Bach's devout relationship with the Christian God in the Lutheran tradition[82] and the high demand for religious music of his times placed sacred music at the centre of his repertory. He taught Luther's Small Catechism as the Thomascantor in Leipzig,[83] and some of his pieces represent it;[84] the Lutheran chorale hymn tune was the basis of much of his work. He wrote more cogent, tightly integrated chorale preludes than most. The large-scale structure of some of Bach's sacred works is evidence of subtle, elaborate planning. For example, the St Matthew Passion illustrates the Passion with Bible text reflected in recitatives, arias, choruses, and chorales.[85] The structure of the Easter Oratorio, BWV 249, resembles The Crucifixion.[86]Bach's drive to display musical achievements was evident in his composition. He wrote much for the keyboard and led its elevation from continuo to solo instrument with harpsichord concertos and keyboard obbligato.[87] Virtuosity is a key element in other pieces, such as the Prelude and Fugue in E minor, BWV 548 for organ in which virtuosic passages are mapped onto alternating flute and reed solos within the fugal development.[88]Bach produced collections of movements that explored the range of artistic and technical possibilities inherent in various genres. The most famous example is the Well Tempered Clavier, in which each book presents a prelude and fugue in every major and minor key. Each fugue displays a variety of contrapuntal and fugal techniques.[89]PerformancesPresent-day Bach performers usually pursue one of two traditions: so-called "authentic performance practice", utilising historical techniques; or the use of modern instruments and playing techniques, often with larger ensembles. In Bach's time orchestras and choirs were usually smaller than those of later composers, and even Bach's most ambitious choral works, such as his Mass in B minor and Passions, were composed for relatively modest forces. Some of Bach's important chamber music does not indicate instrumentation, allows a greater variety of ensemble.Easy listening realisations of Bach's music and their use in advertising contributed greatly to Bach's popularisation in the second half of the twentieth century. Among these were the Swingle Singers' versions of Bach pieces that are now well-known (for instance, the Air on the G string, or the Wachet Auf chorale prelude) and Wendy Carlos's 1968 Switched-On Bach, which used the Moog electronic synthesiser. Jazz musicians have adopted Bach's music, with Jacques Loussier, Ian Anderson, Uri Caine and the Modern Jazz Quartet among those creating jazz versions of Bach works.[90]See also • List of fugal works by Johann Sebastian Bach • List of transcriptions of compositions by Johann Sebastian Bach • List of students of Johann Sebastian BachReferences 1. German pronunciation: [joˈhan] or [ˈjoːhan zeˈbastjan ˈbax] 1. ^ a b Christoph Wolff, Johann Sebastian Bach: The Learned Musician (New York: W.W. Norton and Company, Inc., 2000), 19. 2. ^ a b Wolff, Christoph (2000). Johann Sebastian Bach: The Learned Musician. W. W. Norton & Company. p. 46. ISBN 0-393-04825-X. 3. ^ a b "BACH Mass in B Minor BWV 232" . www.baroquemusic.org. Retrieved 21 February 2012. 4. ^ a b Russell H. Miles, Johann Sebastian Bach: An Introduction to His Life and Works (Englewood Cliffs, New Jersey: Prentice-Hall, Inc., 1962), 86–87. 5. ^ a b Breitenfeld, Tomislav; Solter, Vesna Vargek; Breitenfeld, Darko; Zavoreo, Iris; Demarin, Vida (3 Jan. 2006). "Johann Sebastian Bach's Strokes" (PDF). Acta Clinica Croatica (Sisters of Charity Hospital) 45 (1). Retrieved 20 May 2008. 6. ^ a b Baer, Ka. (1956). "Johann Sebastian Bach (1685–1750) in medical history". Bulletin of the Medical Library Association (Medical Library Association) 39 (206). 7. ^ a b Breitenfeld, D.; Thaller V, Breitenfeld T, Golik-Gruber V, Pogorevc T, Zoričić Z, Grubišić F (2000). "The pathography of Bach's family". Alcoholism 36: 161–64. 8. Blanning, T. C. W.The triumph of music: the rise of composers, musicians and their art , 272: "And of course the greatest master of harmony and counterpoint of all time was Johann Sebastian Bach, 'the Homer of music' 9. Jones, Richard (2007). The Creative Development of Johann Sebastian Bach. Oxford University Press. p. 3. ISBN 0-19-816440-8. 1. "Lesson Plans" . Bach to School. The Bach Choir of Bethlehem. Retrieved 8 March 2012. 1. Malcolm Boyd, Bach (New York: Oxford University Press, 2000), 6 2. Printed in translation in The Bach Reader (ISBN 0-393-00259-4) 3. Malcolm Boyd, Bach (New York: Oxford University Press, 2000), 7–8. 4. Mendel et al (1998), 299 5. Wolff, Christoph (2000). Johann Sebastian Bach: The Learned Musician. W. W. Norton & Company. p. 45. ISBN 0-393-04825-X. 1. ^ a b c d e f g h i j k l m "Johann Sebastian Bach: a detailed informative biography" . baroquemusic.org. Retrieved 19 February 2012. 1. Wolff, Christoph (2000). Johann Sebastian Bach: The Learned Musician. W. W. Norton & Company
Frederick II renewed the argument that had been going on since the time of Otto the Great - Emperor or Pope? This time there would be a solution one way or t'other. Meanwhile the unity of Christendom itself was under threat - ironically from one of it's greatest thinkers.
Norman Centuries | A Norman History Podcast by Lars Brownworth
Frederick II was the most polarizing figure to rule as king of Sicily. To some he was the antichrist - a heretical monster whose harem and open contempt of Christianity was the scandal of civilized Europe. To others, however, he was Stupor Mundi - the 'wonder of the world'. He was in many ways a walking contradiction. A German Emperor who was raised on the streets of Palermo, a cynical Teutonic politician in love with the pomp and legends of the south, and a Renaissance monarch in the High Middle Ages. Join Lars Brownworth as he looks at the life of Frederick II, the grandson of both Norman Sicily's greatest king and its deadliest enemy.
High on a rocky ledge in what was once the kingdom of Sicily, this cousin of the emperor Frederick II contemplated his future while a prisoner in his own family's castle. Who would have thought that he would come to be recognized as one of the greatest minds of the Catholic Church. . .The quiet demeanor of this humble giant of a man led others to believe he was a dunce. But Aquinas's theology and writings were anything but simple. Tune in to hear the life story of "the Angelic Doctor" of the Catholic Church, author of some of the Church's most beloved hymns, and perhaps the greatest theologian in the history of Christianity. Try your hand at this week's St. Jeopardy quiz, and win a T-shirt. Feedback and more. Catholic Under the Hood Podcast with Fr. Seraphim Beshoner Relic of St. Desiderius Magnatune.com Print your SaintCast flyers for posting here
This is Part 2 of The Rationalist Option on Communio Sanctorum, History of the Christian Church.In our last episode, we took a look at the genesis of the Enlightenment in England and France. We'll come back to France a bit later after taking a brief look at the Enlightenment in German and Russia.Germany took a bit longer to join the Enlightenment. That was due in part to the condition of the land following the Thirty Years War. It's estimated the population shrank from twenty million to just seven after it. There's also the issue of Germany not really being a country. It was at that time a collection of independent statelets, united by language and culture, but divided between Catholics and Lutherans.The low regard for contemporary culture at that time in Germany is illustrated by the fact that while Newton, Locke, and Voltaire were regarded as heroes in their realms, Germany's equivalent, Gottfried von Leibniz, was never popular during his lifetime. Yet he was one of the most brilliant men, not just of his day, but of all time. Born in 1646 in Leipzig, Leibniz was the son of a professor of philosophy. He studied law before taking up with a disreputable group of alchemists and worked for the Elector of Mainz.Leibniz came to the attention of the world in 1672, when he was sent on an unofficial ambassadorial mission to Paris. The purpose of this trip was to present Louis XIV with a plan he'd worked out for the invasion of Egypt, by which he hoped to distract the Sun King from ambitions he might have toward Germany. Nothing came of Leibniz's diplomacy, although Napoleon seems to have adopted his strategy a century later. In any case, while in Paris, Leibniz took the opportunity to meet with all the luminaries in the foremost city of culture in Europe. He studied mathematics, quickly becoming one of the foremost mathematicians in the world, and made a number of important discoveries, including differential calculus, for which tens of thousands of students have hated him ever since. He also proudly demonstrated an extraordinary mechanical calculator he had built.Leibniz's interests were so wide-ranging he could never keep his mind on what he was doing. In 1676, he became Court Chancellor of Hanover and was put in charge of the library. But he was more interested in the mines at Harz and spent several years devising increasingly ingenious devices to solve the problem of draining them. He eventually worked for several German states, as well as the cities of Berlin and Vienna, for which he designed a number of civic improvements. In his spare time, he traveled extensively around Europe, meeting other rationalist luminaries, and carrying out his work in mathematics, chemistry, physics, metaphysics, and theology. He produced hardly any books of importance, but his vast correspondence, much of which is still in the process of being edited and published, dwarfed the output of most of his contemporaries; and there cannot have been any subject, however obscure, with which he did not deal, and on which he was not an authority. Leibniz died in 1716, an increasingly marginalized figure, defiantly wearing his long brocade coat and huge wig which had gone out of style decades before.Despite Leibniz's virtual single-handed attempt to kick-start the German Enlightenment, it didn't get rolling until the 18th C. Prussia, the largest of the German states, took the lead, as its rulers sought to drag their country into the modern era. Frederick Wilhelm, who came to the throne in 1713, reformed the economy after staying with relatives in the Netherlands.Wilhelm, a careful Lutheran, had no love for Catholic France, but his son, Frederick II, known as Frederick the Great, was a quite different person than his father. Upon his accession to the throne in 1740, he set about building on his father's practical reforms with a program of cultural renovation. Among his first acts as ruler was to recall from exile Christian Wolff, the leading German philosopher, and Leibniz's heir. Frederick II's enthusiasm for French culture meant the usual coldness between the two realms saw a remarkable thaw. French was even spoken in his court, and it was at his invitation Voltaire moved to Prussia in 1749. Frederick was also keen to bolster the position of Prussia in Europe, which he did by engaging in a series of wars between the 1740s and 60s.During the late 17th C, the Russian Czar Peter the Great traveled all over Europe on a mission to learn all he could about the Enlightenment. He was eager to see what impact it had had on the realms of culture, economics, and engineering. His plan was to return to Mother Russia and drag it, if need be, into the modern world.Although Western Russia geographically is considered a part of Europe, it had for centuries been isolated. It was ruled by the Mongols for much of the late Middle Ages and was a bastion of Orthodox Christianity, a separate denomination from the Catholics and Protestants in the West. Westerners knew virtually nothing about Russian religion, and Russians cared virtually nothing for the West.It's hardly surprising that, when Peter returned home, he had to enforce his reforms with an iron hand if he was going to make headway. Beards, a revered symbol of Orthodoxy, were banned in an attempt to get people to look more Western. Young men were happy to comply, as many women preferred. But most older men kept their beards in boxes, fearing they were bereft of salvation without them. Traditional Russian dress, which reached the ankle, was banned. Everyone had to dress like the French, and anyone who refused had their clothes force-tailored. English hairstyles were mandatory for women. Schools were built, the calendar reformed, military conscription introduced, and church hierarchy was placed firmly under State control. Like Louis XIV's France, Peter's Russia was an avowedly Christian country. As a symbol of the new, Westward-leaning Russia, Peter transferred the capital to a new city, St Petersburg, on the Baltic coast.But Peter was hardly a model of Enlightenment tolerance. In 1718, he had his son tortured to death for treason. Still, his reforms were extended and completed by Catherine the Great, a Prussian who became Empress of Russia in 1762. She organizing a coup against her own husband. Unlike Peter, Catherine grew up in Western Europe and had thoroughly imbibed Enlightenment principles. She corresponded with Voltaire and other leading cultural figures; patronized the arts, and founded the famous Hermitage Museum in St Petersburg. Catherine was also a skilled diplomat, and as the most powerful monarch in Europe, extended Russian influence throughout the continent.Okay, so, you're wondering how this is church history. I thought it wise to spend a little time charting the broad outlines of the Enlightenment so we could see how the thinking it produced affected theology.That happens with the advent of Rationalism.Rationalism reached its apex in the 18th and 19th Cs. It's characterized by an interest in the physical world and its confidence in the powers of reason. In Western Europe, there'd been a growing interest in Nature since the 13th C. That was the era of Albert the Great and Thomas Aquinas, who reintroduced Aristotelian philosophy as a tool for doing theology. One of the points of contrast between Aristotelianism and the earlier Platonism that dominated theological thought was precisely that the new philosophy emphasized the importance of the senses and perception. The later Middle Ages, with its distrust of speculation, continued in the same vein. The art of the Renaissance, with its appreciation for the beauty of the human body and the world, was an expression of this interest. By the 17th C, many thought the goal of reason was understanding the world of nature.Parallel to that, there appeared growing confidence in the powers of reason. Often, these two trends were combined in an effort to show the degree to which the order of nature coincides with the order of reason. This can be seen, for instance, in the work of Galileo, who was convinced the entire natural world was a system of mathematical relations, and that the ideal of knowledge was the reduction of all phenomena to their quantitative expression. Every success of such efforts seemed to confirm the most optimistic expectations of the power of reason.This all led to the philosophy of René Descartes in the first half of the 17th C. His system was based on great confidence in mathematical reasoning, joined to a profound distrust of all that is not absolutely certain. He compared his philosophical method to geometry, a discipline that accepts only what is an undeniable axiom or has been rationally proven.In applying his method, Descartes felt he ought to begin with an attitude of universal doubt, making sure that, once he found something he could not doubt, he would be certain of its truth. He then found that undeniable first truth in his own existence. He could doubt everything, but not that the doubting subject existed. “I think, therefore I am,” became the starting point for his philosophy. But this I whose existence cannot be doubted is only the subject as a thinker. The existence of his body wasn't proven, so must be doubted.Before proving his existence as a body, Descartes felt he could, get this >> Prove the existence of God. He found in his mind the idea of a “more perfect being,” and since his mind could not produce such an idea, which was above itself, it must have been placed there by God. Therefore, Descartes's second conclusion was that God exists. It was only then, on the basis of the existence of God, and of trust in the divine perfection, that Descartes felt free to move on to prove the existence of the world and of his own body.Descartes was a profoundly religious man who hoped his philosophy would be found useful by theologians. But not all agreed with him. Many theologians feared the challenge of Cartesianism—as his philosophy was called. The universal doubt Descartes proposed as his starting point seemed to some a kind of crass skepticism. The faculties of several universities declared Aristotelianism was the philosophical system best suited to Christian theology, and there were those who declared Cartesianism lead to heresy. Dismayed, Descartes decided to leave his native France. He moved to Sweden, where he lived the rest of his life.But he was not without supporters. In France, those intellectual circles where Jansenism had been popular embraced Cartesianism. Eventually, others among the more orthodox also took it up, and debates continued for a long time.The main point at which Cartesianism led to further theological and philosophical developments was the question of the relationship between spirit and matter, between soul and body. It's at this point we could really get into a sticky wicket as we parse all the various ways theologians and philosophers offered ideas on the inter-relationship between the thinking self and the thing that occupies space in the form of a body. But we won't go into the theories of Occasionalism, Monism, and Preestablished Harmony.Let me just say this became a realm of contentious debate between a Dutch Jew named Baruch de Spinoza and our friend Leibniz.While these philosophical developments took place on the Continent, in Britain, philosophy took a different route in what's called Empiricism. It's drawn from a Greek word meaning experience. Its leading figure was Oxford professor John Locke, we considered in the previous episode. In 1690, Locke published his Essay on Human Understanding. He read Descartes and agreed the order of the world corresponded to the order of the mind. But he didn't believe there was such a thing as innate ideas to be discovered by looking inward. He contended that all knowledge is derived from experience; the experience of the senses, and the working of our minds. That meant the only genuine knowledge is based on three levels of experience: Experience of self, Experience of the world around us, and Experience of God, whose existence is manifest by the existence of ourselves and the world.To this Locke added another level of knowledge, that of probability. Probability works like this; You and I have repeatedly experienced someone's existence; let's call him George. We know George. He's a friend we see a couple of times a week. When George isn't standing in front of us, we still have reason to believe He exists, even though at that moment, we have no purely empirical basis to believe in his existence. Still, sound judgment gives us reason to discern the probability of George's existence. Locke said that this judgment of probability allows us to get on with the practical affairs in life.Faith, Locke said, is assent to knowledge derived from revelation rather than reason. Therefore, although highly probable, knowledge derived by faith can't be certain. Reason and judgment must be used in order to measure the degree of probability of what we believe by faith. For this reason, Locke opposed the “fanatical enthusiasm” of those who think that all they say is based on divine revelation. For the same reason, he defended religious toleration. Intolerance is born out of the muddled thinking that confuses the probable judgments of faith with the certainty of empirical reason. Besides, toleration is based on the very nature of society. The state does not have the authority to limit the freedom of its citizens in matters such as their personal religion.In 1695, Locke published a treatise, The Reasonableness of Christianity, in which he claimed Christianity is the most reasonable of religions. He said the core of Christianity is the existence of God and faith in Christ as Messiah. But Locke didn't believe the Christian Faith had added anything of importance to what could, in any case, have been known by the proper use of reason and judgment. In the final analysis, Christianity was little more than a very clear expression of truths and laws that others could have known by their natural faculties.Others would come along later and drive a wedge between faith and reason, divorcing them into different camps. And in the settlement, Faith would be left impoverished while Reason drove off with all the goodies.One of those who drove the wagon was David Hume in the mid-18th C. In my estimation, Hume can be blamed for the post-modern tendency of knee-jerk negativity toward absolutes. An illustration may best help to describe his philosophy, or better, his anti-philosophy. Hume was skeptical of reason, saying the only reason, reason seems to work is because of mental habits we've developed. In other words, In Hume's system, Descartes' doubt didn't go far enough; he ought to have doubted his own ability to reason.Hume maintained, for instance, that no one has ever experienced what we call cause and effect. We've seen, for instance, when a pool ball collides with another ball, there's a noise and the second ball moves off in some direction. If we repeat that several times, we see similar results. So we conclude by the power of reason that the movement of the first ball caused the movement of the other. But, Hume contended, we've not seen any such thing. All we've witnessed is a series of phenomena, and our mind has linked them by means of the notion of cause and effect. This last step, Hume claimed, taken by any who see a series of phenomena that are seemingly related, has no basis in empirical observation. It is rather the result of our mental habits. So, by an empiricists' definition, that's not rational knowledge.Hume's uber-skepticism places such strict rules on interpreting what our senses tell us, there's no room left for the working of logic and deduction. He cripples us and turns his followers into inveterate skeptics.It wasn't long until some Enlightenment thinkers washed their hands of faith altogether and began to envision a world without God or religion.We'll talk about later developments in Philosophy and their impact on theology in a later episode.
This 62nd episode of CS is the 5th and final in our look at monasticism in the Middle Ages.To a lesser extent for the Dominicans but a bit more for the Franciscans, monastic orders were an attempt to bring reform to the Western Church which during the Middle Ages had fallen far from the Apostolic ideal. The institutional Church had become little more than one more political body, with vast tracts of land, a massive hierarchy, a complex bureaucracy, and had accumulated powerful allies and enemies across Europe. The clergy and older orders had degenerated into an illiterate fraternity. Many priests and monks could neither read nor write, and engaged in gross immorality while hiding behind their vows.It wasn't this case everywhere. But it was in enough places that Francis was compelled to use poverty as a means of reform. The Franciscans who followed after Francis were quickly absorbed back into the Church's structure and the reforms Francis envisioned were still-born.Dominic wanted to return to the days when literacy and scholarship were part and parcel of clerical life. The Dominicans carried on his vision, but when they became prime agents of the Inquisition, they failed to balance truth with grace.Modern depictions of medieval monks often cast them in a stereo-typical role as either sinister agents of immorality, or bumbling fools with good hearts but soft heads. Sure there were some of each, but there were many thousands who were sincere followers of Jesus and did their best to represent Him.There's every reason to believe they lived quietly in monasteries and convents; prayed, read and engaged in humble manual labor throughout their lives. There were spiritual giants as well as thoroughly wicked and corrupt wretches.After Augustine of Canterbury brought the Faith to England it was as though the sun had come out.Another among God's champions was Malachi, whose story was recounted by Bernard of Clairvaux in the 12th C. Stories like his were one of the main attractions for medieval people who looked to the saints for reassurance some had managed to lead exemplary lives, and shown others how to.The requirement of sanctity was easy to stereotype. In the Life of St Erkenwald, we read that he was “perfect in wisdom, modest in conversation, vigilant in prayer, chaste in body, dedicated to holy reading, rooted in charity.” By the late 11th C, it was even possible to hire a hagiographer, a writer of saintly-stories, such as Osbern of Canterbury, who would, for a fee, write a Life of a dead abbot or priest, in the hope he'd be canonized, that is – declared by the Church to be a saint.There was strong motive to do this. Where there'd been a saint, a shrine sprang up, marking with a monument his/her monastery, house, bed, clothes and relics. All were much sought after as objects veneration. Pilgrimages were made to the saint's shrine. Money dropped in the ubiquitous moneybox. But it wasn't just a church or shrine that benefited. The entire town prospered. After all, pilgrims needed a place to stay, food to eat, souvenirs to take home proving they'd performed the pilgrimage and racked up spiritual points. Business boomed! So, hagiographers included a list of miracles the saint performed. These miracles were evidence of God's approval. There was competition between towns to see their abbot or priest canonized because it meant pilgrims flocking to their city.It was assumed that a holy man or woman left behind, in objects touched or places visited, a residual spiritual power, a ‘merit', which the less pious could acquire for assistance in their own troubles by going on pilgrimage and praying at the shrine. A similar power inhered in the body of the saint, or in parts of the body; fingernails or hair, which could conveniently be kept in ‘relic-holders' called reliquaries. People prayed near and touching them in the hope of a miracle, a healing, or help in some other urgent request of God.The balance between the active and the contemplative life was the core issue for those who aspired to be a genuine follower of Jesus and a good example to others. They struggled with the question of how much time should be given to God and how much to work in the world? From the Middle Ages, there comes no account of the enlightened idea the secular and religious could be merged into one overall passion for and service of God.In the medieval way of thinking, to be truly godly, a sequestered religious life was required. The idea that a blacksmith could worship God while working at his anvil was nowhere in sight. Francis came closest, but even he considered working for a wage and the call to glorify God mutually exclusive. Francis urged work as part of the monk's life, but depended on charity for support. It wouldn't be till the Reformation that the idea of vocation liberated the sanctity of work.Because the cloistered, or sequestered religious life, was regarded as the only way to please God, many of the greats from the 4th C on supported monasticism. I list now some names who held this view, trusting if you've listened to the podcast for a while you'll recognize them . . .St. Anthony of Egypt, Athanasius, Basil, Gregory of Nyssa, Ambrose, Augustine, Jerome, and Benedict of Nursia.In the Middle Ages the list is just as imposing. Anselm, Albertus Magnus, Bonaventura, Thomas Aquinas, and Duns Scotus, St. Bernard and Hugo de St. Victor, Eckart, Tauler, Hildegard, Joachim of Flore, Adam de St. Victor, Anthony of Padua, Bernardino of Siena, Berthold of Regensburg, Savonarola, and of course, Francis and Dominic.The Middle Ages were a favorable period for the development of monastic communities. The religious, political and economic forces at work across Europe conspired to make monastic life for both men and women a viable, even preferred, option. As is so often the case in movies and books depicting this period, sure there were some young men and women who balked at entering a monastery or convent when forced by parents, but there were far more who wanted to engage the sequestered life who were denied by parents. When war decimated the male population and women outnumbered men by large margins, becoming a nun was the only way to survive. Young men who knew they weren't cut out for the hard labor of farm life or military service could always find a place to pursue their passion for learning in a monastery.As in most institutions, the fate of the brothers and sisters depended on the quality of their leader, the abbot or abbess. If she was a godly and effective leader, the convent thrived. If he was a tyrannical brute, the monastery shriveled.In those monasteries where scholarship prevailed, ancient manuscripts were preserved by scribes who laboriously copied them, and by doing so, became well-versed in the classics. It was from these intellectual safe-houses the Renaissance would eventually emerge.By drawing to themselves the best minds of the time, from the 10th well into the 13th C, monasteries were the nursery of piety and the centers of missionary and civilizing energy. When there was virtually no preaching taking place in churches, the monastic community preached powerful sermons by calling men's thoughts away from war and bloodshed to brotherhood and religious devotion. The motto of some monks was, “by the plough and the cross.” In other words, they were determined to build the Kingdom of God on Earth by preaching the Gospel and transforming the world by honest and hard, humble work.Monks were pioneers in the cultivation of the ground, and after the most scientific fashion then known, taught agriculture, the tending of vines and fish, the breeding of cattle, and the manufacture of wool. They built roads and some of the best buildings. In intellectual and artistic concerns, the convent was the main school of the times. It trained architects, painters, and sculptors. There the deep problems of theology and philosophy were studied; and when the universities arose, the convent furnished them with their first and most renowned teachers.So popular was the monastic life that religion seemed to be in danger of running out into monkery and society of being little more than a collection of convents. The 4th Lateran Council tried to counter this tendency by forbidding the establishment of new orders. But no council was ever more ignorant of the immediate future. Innocent III was scarcely in his grave before the Dominicans and Franciscans received full papal sanction.During the 11th and 12th Cs an important change came. All monks were ordained as priests. Before that time it was the exception for a monk to be a priest, which meant they weren't allowed to offer the sacraments. Once they were priests, they could.The monastic life was praised as the highest form of earthly existence. The convent was compared to The Promised Land and treated as the shortest and surest road to heaven. The secular life, even the life of the secular priest, was compared to Egypt. The passage to the cloister was called conversion, and monks were converts. They reached the Christian ideal.The monastic life was likened to the life of the angels. Bernard said to his fellow monks, “Are you not already like the angels of God, having abstained from marriage.”Even kings and princes desired to take the monastic vow and be clad in the monk's habit. So even though Frederick II was a bitter foe of the Pope as he neared his death, he changed into the robes of a Cistercian monk. Rogers II and III of Sicily, along with William of Nevers all dressed up in monks robes as their end drew near. They thought doing so would mean a better chance at heaven. Spiritual camouflage to get past Peter.Accounts from the time make miracles part and parcel of the monk's daily life. He was surrounded by spirits. Visions and revelations occurred day and night. Devils roamed about at all hours in the cloistered halls. They were on evil errands to deceive the unwary and shake the faith of the careless. Elaborate accounts of these encounters are given by Peter the Venerable in his work on Miracles. He gives a detailed account of how these restless spiritual foes pulled the bedclothes off sleeping monks and, chuckling, left them across the cloister.While monasteries and convents were a major part of life in Middle Age Europe, many of them bastions of piety and scholarship, others didn't live up to that rep and became blockades to progress. As the years marched forward, the monastic ideal of holiness degenerated into a mere form that became superstitious and suspicious of anything new. So while some monasteries served as mid-wives to the Renaissance others were like Herod's soldiers trying to slay it in its infancy.As we end, I thought it good to do a brief review of what are called “the hours, the Divine Office or the breviary.” This was how monks and nuns divided their day.The time for these divisions varied from place to place but generally it went like this.In the early morning before dawn, a bell was rung that awakened the monks or nuns to a time of private reading and meditation. Then they all gathered for Nocturns, in which a psalm was read, there was chanting, then some lessons form Scripture or the Church Fathers.After that they went back to bed for a bit, then got up at dawn for another service called Lauds. Lauds was followed by another period of personal reading and prayer, which resolved in the cloister again gathering for Prime at 6 AM.Prime was followed by a period of work, which ended with Terce, a time for group prayer at about 9.Then there's more work from about 10 to just before Noon, when the nuns and brothers gather for Sext, a short service where a few psalms are read. That's followed by the mid-day meal, a nap, another short service at about 3 PM called None, named for the 9th hour since dawn.Then comes a few hours of work, dinner about 5:50, and Vespers at 6 PM.After Vespers the nuns and monks have a time of personal, private prayers; regather for the brief service Compline, then hit the sack.Protestants and Evangelicals might wonder where the idea for the canonical hours came from. There's some evidence they derived from the practice of the Apostles, who as Jews, observed set times during the day for prayer. In Acts 10 we read how Peter prayed at the 6th hour. The Roman Centurion Cornelius, who'd adopted the Jewish faith, prayed at the 9th hour. In Acts 16, Paul and Silas worshipped at Midnight; though that may have been because they were in stocks in the Philippian jail. As early as the 5th C, Christians were using references in the Psalms as cues to pray in the morning, at mid-day and at midnight.
This is part 4 of our series on the Crusades.The plan for this episode, the last in our look at the Crusades, is to give a brief review of the 5th thru 7th Crusades, then a bit of analysis of the Crusades as a whole.The date set for the start of the 5th Crusade was June 1st, 1217. It was Pope Innocent III's long dream to reconquer Jerusalem. He died before the Crusade set off, but his successor Honorius III was just as ardent a supporter. He continued the work begun by Innocent.The Armies sent out accomplished much of nothing, except to waste lives. Someone came up with the brilliant idea that the key to conquering Palestine was to secure a base in Egypt first. That had been the plan for the 4th Crusade. The Crusaders now made the major port of Damietta their goal. After a long battle, the Crusaders took the city, for which the Muslim leader Malik al Kameel offered to trade Jerusalem and all Christian prisoners he held. The Crusaders thought the Holy Roman Emperor Frederick II was on his way to bolster their numbers, so they rejected the offer. Problem is, Frederick wasn't on his way. So in 1221, Damietta reverted to Muslim control.Frederick II cared little about the Crusade. After several false starts that revealed his true attitude toward the whole thing, the Emperor decided he'd better make good on his many promises and set out with 40 galleys and only 600 knights. They arrived in Acre in early Sept. 1228. Because the Muslim leaders of the Middle East were once again at odds with each other, Frederick convinced the afore-mentioned al-Kameel to make a decade long treaty that turned Jerusalem over to the Crusaders, along with Bethlehem, Nazareth, and the pilgrim route from Acre to Jerusalem. On March 19, 1229, Frederick crowned himself by his own hand in the Church of the Holy Sepulcher.This bloodless assumption of Jerusalem infuriated Pope Gregory IX who considered control of the Holy Land and the destruction of the Muslims as one and the same thing. So the Church never officially acknowledged Frederick's accomplishments.He returned home to deal with internal challenges to his rule and over the next decade and a half, the condition of Palestine's Christians deteriorated. Everything gained by the treaty was turned back to Muslim hegemony in the Fall of 1244.The last 2 Crusades, the 6th and 7th, center on the career of the last great Crusader; the king of France, Louis IX.Known as SAINT Louis, he combined the piety of a monk with the chivalry of a knight, and stands in the front rank of all-time Christian rulers. His zeal revealed itself not only in his devotion to religious ritual, but in his refusal to deviate from his faith even under the threat of torture. His piety was genuine as evidenced by his concern for the poor and the just treatment of his subjects. He washed the feet of beggars and when a monk warned him against carrying his humility too far, he replied, “If I spent twice as much time in gambling and hunting as in such services, no one would find fault with me.”The sack of Jerusalem by the Muslims in 1244 was followed by the fall of the Crusader bases in Gaza and Ashkelon. In 1245 at the Council of Lyons the Pope called for a new expedition to once again liberate the Holy Land. Though King Louis lay in a sickbed with an illness so grave his attendants put a cloth over his face, thinking he was dead, he rallied and took up the Crusader cross.Three years later he and his French brother-princes set out with 32,000 troops. A Venetian and Genoese fleet carried them to Cyprus, where large-scale preparations had been made for their supply. They then sailed to Egypt. Damietta once again fell, but after this promising start, the campaign turned into a disaster.Louis' piety and benevolence was not backed up by what we might call solid skills as a leader. He was ready to share suffering with his troops but didn't possess the ability to organize them. Heeding the counsel of several of his commanders, he decided to attack Cairo instead of Alexandria, the far more strategic goal. The campaign was a disaster with the Nile being chocked with bodies of slain Crusaders. On their retreat, the King and Count of Poitiers were taken prisoners. The Count of Artois was killed. The humiliation of the Crusaders had rarely been so deep.Louis' fortitude shone brightly while suffering the misfortune of being held captive. Threatened with torture and death, he refused to renounce Christ or yield up any of the remaining Crusader outposts in Palestine. For the ransom of his troops, he agreed to pay 500,000 livres, and for his own freedom to give up Damietta and abandon the campaign in Egypt.Clad in garments given by the sultan, in a ship barely furnished, the king sailed for Acre where he stayed 3 yrs, spending large sums on fortifications at Jaffa and Sidon. When his mother, who acted as Queen-Regent in his absence, died—Louis was forced to return to France. He set sail from Acre in the spring of 1254. His queen, Margaret, and the 3 children born them in the East, returned with him.So complete a failure might have been expected to destroy all hope of ever recovering Palestine. But the hold of the crusading idea upon the mind of Europe was still strong. Popes Urban IV and Clement III made renewed appeals, and Louis once again set out. In 1267, with his hand on a crown of thorns, he announced to his assembled nobles his purpose to go a 2nd time on a holy crusade.In the meantime, news from the East had been of continuous disaster at the hand of the “Mohammaden” enemy (as they called Muslims) and of discord among the Christians. In 1258, 40 Venetian vessels engaged in battle with a Genoese fleet of 50 ships off Acre with a loss of 1,700 souls. A year later the Templars and Hospitallers held forth in a pitched battle, not with the Muslims, but each other. Then in 1268, Acre, greatest of the Crusader ports, fell to the Muslims Mamelukes.Louis set sail in 1270 w/60,000 into disaster. Their camp was scarcely pitched on the site of ancient Carthage when plague broke out. Among the victims was the king's son, John Tristan, born at Damietta, and King Louis himself. His body was returned to France and the French army disbanded.By 1291, what remained of the Crusader presence in the Holy Land was finally uprooted by Muslim control.Those more familiar with the history of the Crusades may wonder why I've neglected to mention the disastrous Children's Crusade of 1212, inserted between the 4th and 5th Crusades. The reason I've decided to mostly skip it is because historians have come to doubt the veracity of the reports about it. It seems now more apocryphal than real, conflated from several disparate reports of groups that wandered around Southern Europe looking to hop on to another campaign to capture Jerusalem. The story goes that a French or German child of 10 years had a vision in which he was told to go to the Middle East and convert the Muslims by peaceful means. As he shared this vision and began his trek to Marseilles, other children joined his cause, along with some adults of dubious reputation. As their ranks swelled, they arrived at the French coast, expecting the seas to part and make a way for them to cross over to the Middle East on dry land. Never mind that it was a trip of hundreds of miles. Anyway, the waters failed to part, and the children, most of them anyway, ended up dispersing. Those who didn't were rounded up by slavers who promised to transport them to the Holy Land, free of charge. Once they were aboard ship though, they were captives and were hauled to foreign ports all over the Mediterranean where they were sold off.As I said, while the Children's Crusade has been considered a real event for many years, it's recently come under scrutiny and doubt as ancient records were examined closely. It seems it's more a product of cutting and pasting various stories that took place during this time. The children were in fact bands of Europe's landless poor who had nothing better to do than wander around Southern France and Germany, waiting for the next Crusade to be called so they could go and hopefully participate in the plunder of the rich, Eastern lands.I want to offer some commentary now on the Crusades. So, warning, what follows is pure opinion.For 7 centuries Christians have tried to forget the Crusades, but critics and skeptics are determined to keep them a hot issue. While Jews and Muslims have (mostly rightly, I think) used the Crusades for generations as a point of complaint. In more recent time, New Atheists like Richard Dawkins and Sam Harris have raised them like a crowbar and beaten Christians over the head with them. Isn't it interesting that these God-deniers have to first assume Biblical morality to then deny it? If they were consistent with their own atheistic beliefs they'd have to find some other reason to declaim the Crusades than that it's wrong to indiscriminately kill people. Why, according to their Darwinist evolutionary, Survival of the Fittest motif, shouldn't they in fact applaud the Crusades? After all, they were advancing the cause of evolution by getting rid of the weaker elements of the race.But no! The New Atheists don't use this line of reasoning because it's abhorrent. Instead, they have to first don a belief in Christian morality to attack Christianity. Talk about being hypocritical.And let's get our facts straight. The 20th Century saw more people killed for political and ideological reasons than all previous centuries combined! Between the Communists, Nazis, and Fascists, well over 100 million were killed. Stalin, Hitler, and Mao Zedong were motivated by an atheistic agenda, one rooted in a social application of Darwinism.Karl Marx, the ideological father of Communistic socialism, applied Darwin's evolutionary ideas to society and turned human beings into mere parts of a vast machine called the State. Anyone deemed a cog instead of a gear was to be removed so the machine could run as the leaders wanted. In the name of Communism, Stalin killed at least 20 million; Mao, about 70 million!Adolf Hitler was inspired by the atheist Fredrick Neizsche's Darwinian concept of the ubermensche = the superman; humanity's next evolutionary step. He justified the killing of 10 million saying the Final Solution was simply removing those who would hinder humanity's evolution. He employed an entire army of science-minded killers who believed it was right and good to rid the world of “human weeds” as they called Jews, Slavs, homosexuals and the infirm.It takes a colossal ignorance of history to neglect this. Yet the New Atheists ignore the facts because they destroy their premise that atheism has the moral high ground.As calculated by historical evidence, the Crusades, Inquisition and witch trials killed about 200,000 in all over a period of 500 years. Adjusting for population growth, that would be about a million in today's terms. That's just 1% of the total killed by Stalin, Mao and Hitler; and they did it in a few decades!So, let's keep the Crusades, as brutal as they were, and as utterly contrary to the nature and teaching of Christ as they were, in the proper historical perspective. No! I'm not justifying them. They were totally wrong-headed! To turn the cross into a sword and slay people with it is blasphemous and deserves the loud declamation of the Church.But let's not forget that the Crusaders were human beings with motives not unlike our own. Those motives were mixed and often in conflict. The word crusade comes from “taking the cross,” after the example of Christ. That's why on the way to the Holy Land the crusader wore the cross on his breast. On his journey home, he wore it on his back.But the vast majority of those who went crusading were illiterate, even most of the nobles. They weren't taught the Bible as Evangelicals are today. People throughout Europe thought salvation rested IN THE CHURCH and was doled out by priests at the direction and discretion of the Pope. So if the Pope said Crusaders were doing God's work, they were believed. When priests broadcast that dying in the holy cause of a Crusade meant they'd bypass purgatory and gain immediate access to heaven, thousands grabbed the nearest weapon and set off.For Urban and the popes who followed him, the Crusades were a new type of war, a Holy War. Augustine had laid down the principles of a “just war” centuries before. Those principles were . . .A Holy War was conducted by the State;Its purpose was the vindication of justice, meaning the defense of life and property;And its code called for respect for noncombatants; civilians and prisoners. While these principles were originally adopted by the Crusaders when they set out on the 1st Campaign, they evaporated in the heat of the journey and reality of battle.The Crusades ignited horrible attacks on Jews. Even fellow Christians were not exempt from rape and plunder. Incredible atrocities befell the Muslim foe. Crusaders sawed open dead bodies in search of gold.As the Crusades progressed, the occasional voice was lifted calling into question the propriety of such movements and their ultimate value. At the end of the 12th C, the abbot Joachim complained that the popes were making the Crusades a pretext for their own advancement.Humbert de Romanis, general of the Dominicans, in making out a list of matters to be handled at the Council of Lyons in 1274, was obliged to refute no less than 7 well-known objections to the Crusades. They included these 4 . . .It was contrary to the precepts of the NT to advance religion by the sword;Christians may defend themselves, but have no right to invade the lands of another;It is wrong to shed the blood of unbelievers;And the disasters of the Crusades proved they were contrary to the will of God. Christians in Europe during the 14th and 15th Cs were to face far more pressing problems than a conquest of the Holy Land. So while there was still an occasional call for one, it fell on deaf ears.Erasmus, writing at the close of the Middle Ages, made an appeal for the preaching of the Gospel as a way to deal with Muslims. He said the proper way to defeat the Turks was by conversion, not annihilation. He said, “Truly, it is not meet to declare ourselves Christian men by killing very many but by saving very many, not if we send thousands of heathen people to hell, but if we make many infidels Christian; not if we cruelly curse and excommunicate, but if we with devout prayers and with our hearts desire their health, and pray unto God, to send them better minds.”The long-range results of 2 centuries of crusading were not impressive. If the main purpose of the Crusades was to win the Holy Land, to check the advance of Islam, and heal the schism between the Eastern and Western Churches, they failed spectacularly.For a time, the 4 Crusader kingdoms held a beach-head on the Mediterranean coast of the Holy Land. In them, three semi-monastic military orders formed: the Templars, whose first headquarters were on the site of the old Temple of Jerusalem; the Hospitallers, also known as the Knights of St. John of Jerusalem, originally founded to care for the sick and wounded; and the Germanic Teutonic Knights. These orders combined monasticism and militarism and had as their aims the protection of pilgrims and perpetual war against Muslims. They fielded 500 armed knights. Their great castles guarded the roads and passes against attack. For 2 centuries the Templars in their white robes decorated with a red cross, the Hospitallers in black robes emblazoned with the white Maltese cross, and the Teutonic Knights in white robes with a black cross were common sights in Crusader States and across Europe.While the Crusades seem to us today a terrible betrayal of Biblical Christianity, we must bring the historian's mindset to them and consider them against the times in which they occurred. This doesn't excuse them, but it does make them a bit more understandable.European society of the Middle Ages was ir-redeemably warlike. In feudal Europe, the whole economic and social system depended on the maintenance of a military; the knights, permanent professional soldiers; by necessity due to the cost involved, noblemen whose only profession was fighting. The city-states of Italy were frequently at war. In Spain, a line was drawn across the map for centuries by the presence of the Muslim Moors. So even if Christians had wanted to create a peaceful society, it would have been socially and practically difficult to do.One way of dealing with this was to idealize warfare. That is, casting war as a contest between good and evil. In the development of the idea of the Christian knight, there was an attempt to give the spiritual battle a corresponding literal application. The knight was a ‘soldier of Christ', a warrior for good. At a time when priests and monks were deemed the only ones able to make contact with God, the Crusades were a way for laypeople to enter the spiritual realm and rack up some serious points with God. Priests fought the good fight by prayer; now laymen could fight as well, with a sword, mace, or if that's all they could afford, a pitchfork, until they got to the battlefield where hopefully they'd find a more suitable weapon.So it was important for medieval Christians to convince themselves the war they were fighting was justified. A sophisticated system of identifying a ‘just' war developed. Augustine had said a good deal about this, explaining that someone whose property or land was stolen is entitled to get it back, but that this was different from warfare designed to enlarge one's territory. The underlying principle was that reasonable force could be used to maintain order.The late 11th C saw the arrival of a new thought; not Augustine's “Just War,” but the concept of “Holy War”, one God called His people to fight to restore Christian control to the Holy Land. This was war which could not only be regarded as ‘justified', and the sins committed in the course of it forgiven, but meritorious. God would reward those who fought it. Guibert of Nogent, in his book The Acts of God through the Franks, explained how to identify a Holy War. It wasn't motivated by the desire for fame, money or conquest. Its motive was the safeguarding of liberty, the defense of the State and the protection of the Church. He considered this kind of warfare a valid alternative to being a monk.This idea was so engaging to the Medieval mind that as the 12th C wound on it had to be discouraged as it seemed everyone began seeing knighthood and combat as spiritual warfare. Bullies have always been able to villainize those they want to victimize. They justified their brutality by calling it a divine mission. So priests and theologians emphasized not all fighting came under the same umbrella. Crusading was special.Of course, one of the major tenets of Muslim theology is jihad, Holy War to spread the faith. Despite loud protests by some today, the fact remains that the Islam Mohammad taught, which of course is true Islam, endorses jihad. How else did it spread from its desert base in Arabia across the Middle East, North Africa, and into Europe in such a short time if not by the power of the scimitar?I find it interesting that modern Muslims decry the Crusades when it was their own bloody campaigns that took the lands the Crusaders sought to what? RECLAIM! How could they RECLAIM something what wasn't CLAIMED and conquered by the Muslims previously? I say it again: This in no way justifies the Crusades. They're an indefensible period of Church history that stands as a dark stain. But let's be clear; if they're a stain on Church history, the conquests by the Muslims that predate the Crusades are just as dark.
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