Podcasts about This Must Be the Place

In this episode, Shawna interviews Lorrie Rand, a certified passive house designer, Co-Founder and Director of Sustainability at Habitat Studio, and Co-Founder and Design Director at ReCover Initiative in Halifax, Nova Scotia. Lorrie shares her extensive experience with sustainable retrofits and updates on the Habit Studio's passive house retrofit project.They discuss the founding of the ReCover Initiative, which studies deep retrofits and has launched the multimillion-dollar Atlantic Canada Deep Retrofit Accelerator to address social, financial, and technical barriers. The conversation also touches on workforce development, challenges in implementing retrofits at scale, and initiatives for local economic development.Are you interested in having a conversation with Shawna on This Must Be the Place? Reach out by email to Jessica,  jessica@bluehouseenergy.com.(C) 2025 This Must Be The Place. Creative ownership rights Blue House Energy.

In this episode, Shawna welcomes Peter Amerongen, the President of Retrofit Canada. They delve into Peter's extensive experience in retrofitting homes and his journey from building new, high-end houses to focusing on deep retrofits. The discussion spans various topics including the importance of retrofitting existing buildings to achieve net-zero emissions, the complexities of retrofitting compared to new construction, and case studies such as the Sundance co-op project.Peter also shares insights on Retrofit Canada's mission, which includes collecting and sharing case studies to inform future retrofit projects, developing a comprehensive roadmap for retrofitting buildings, and the goal of making these practices mainstream in the industry. They also discuss upcoming projects, challenges in residential versus commercial retrofits, and the significance of properly planned and executed retrofits in improving building comfort and reducing emissions.Are you interested in having a conversation with Shawna on This Must Be the Place? Reach out by email to Jessica,  jessica@bluehouseenergy.com.(C) 2025 This Must Be The Place. Creative ownership rights Blue House Energy.

In this episode, Shawna welcomes Trevor Trainor, President of Bawating Building Science, focusing on his work in Indigenous housing conditions in Northern Ontario and Arctic regions.They discuss the importance of adapting building practices to suit harsh climates, particularly emphasizing unvented roofs in Northern housing.Trevor shares insights from his hygrothermic modeling studies and research, highlighting the necessity of proper ventilation, moisture control, and the use of exterior insulation in these environments. They also cover the challenges in the industry like the need for greater data sharing and the benefits of site-specific building solutions.Are you interested in having a conversation with Shawna on This Must Be the Place? Reach out by email to Jessica,  jessica@bluehouseenergy.com.(C) 2025 This Must Be The Place. Creative ownership rights Blue House Energy.

Welcome to season four - woohoo!After a long hiatus, we start off with a new-too-us format: a panel discussion. Episode one is a discussion about the role of Energy Advisors in Canada, co-hosted by Blue House Energy Program Coordinator, Carla Harder.My guests include Cindy Gareau, Executive Director of the Canadian Association of Consulting Energy Advisors, two master energy advisors, Toby Smith with Building Knowledge Canada and Amelie Caron with EcoSynergy.Highlights:Overcoming the challenges of Probationary Files as a new Energy AdvisorWhat is the difference between a Service Organization and an Energy Advisor Group? How do they work with EA - pay models, scope of work in the field, etc.?Finding a quality Service Organization (SO) and employer that align with your career goals.Details on CACEA new Field Tech designation for new construction currently in developmentLet's dive in!Are you interested in having a conversation with Shawna on This Must Be the Place? Reach out by email to Jessica,  jessica@bluehouseenergy.com.(C) 2025 This Must Be The Place. Creative ownership rights Blue House Energy.

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 23ú lá de mí Eanair, liomsa Lauren Ní Loingsigh. I 2003 bhuaigh Andy Roddick an Australian Open. Bhí sé an chluiche is faide riamh. D'imir siad nach mór 5 uair a chloig. An cluiche is faide riamh I Melbourne. I 2012 shiúil Eve Hewson ar an chairpéad dhearg do chéad uair ag An Fhéile Scannán Sundance. Bhí sí ann chun a scannán This Must Be The Place a chuir I láthair. I 2002 bhí cheiliúradh sa chontae leis an Ghrúpa Timpeallachta Silvermines de bharr bua. Bhuaigh siad de bharr go bhfuair siad an aistarraingt den suíomh dramhaíl don áit. I 2014 chuaigh Shane Long ón chontae chuig Hull. Dúradh go bhfuair Shane Long níos mó ná 6 milliún punt chun an aistrigh a dhéanamh. Sin Jessie J le Domino an t-amhrán is mó ar an lá seo I 2012. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1971 bhí George Harrison an chéad amhránaí ó The Beatles chun amhrán a bheith aige chun dul chuig uimhir a haon. Chuaigh an t-amhrán My Sweet Lord chuig uimhir a haon sa Bhreatain. I 2014 gabhadh Justin Bieber nuair a bhí sé ag tiomáint a Lamborghini I gcoinne charr eile I Miami. Dúirt na póilíní ní raibh sé ag éisteacht leo nuair a stop siad é. Chomh maith leis sin ní raibh a cheadúnas I ndáta. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh Ray Elliot I mBéal Feirste I 1939 agus rugadh aisteoir Ewen Bremner san Albain I 1972 agus seo chuid de na rudaí a rinne sé. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo.

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 23ú lá de mí Eanair, liomsa Lauren Ní Loingsigh. I 2003 bhuaigh Andy Roddick an Australian Open. Bhí sé an chluiche is faide riamh. D'imir siad nach mór 5 uair a chloig. An cluiche is faide riamh I Melbourne. I 2012 shiúil Eve Hewson ar an chairpéad dhearg do chéad uair ag An Fhéile Scannán Sundance. Bhí sí ann chun a scannán This Must Be The Place a chuir I láthair. I 2003 bhí an chontae ag iarradh onóir a thabhairt chuig Brian Boru. Bhí an Brian Boru Spire ag dul chuig Baile Átha Cliath agus chosain sé níos mó ná 4 milliún euro. Mhol Hugh King an ghluaiseacht den spire I mBaile Átha Cliath agus ceangail a dhéanamh dá fréamhacha sa chontae seo. I 2012 léigh na mílte daoine ó Mheiriceá faoin chontae agus iarthar an tír sa Huffington Post. Tháinig Richard Bangs chuig an chontae agus rinne sé aird a tharraingt chuig an chontae leis an chultúr, bia agus áiteanna le dul. Sin Jessie J le Domino an t-amhrán is mó ar an lá seo I 2012. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1971 bhí George Harrison an chéad amhránaí ó The Beatles chun amhrán a bheith aige chun dul chuig uimhir a haon. Chuaigh an t-amhrán My Sweet Lord chuig uimhir a haon sa Bhreatain. I 2014 gabhadh Justin Bieber nuair a bhí sé ag tiomáint a Lamborghini I gcoinne charr eile I Miami. Dúirt na póilíní ní raibh sé ag éisteacht leo nuair a stop siad é. Chomh maith leis sin ní raibh a cheadúnas I ndáta. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh Ray Elliot I mBéal Feirste I 1939 agus rugadh aisteoir Ewen Bremner san Albain I 1972 agus seo chuid de na rudaí a rinne sé. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo.

Maureen's casting work includes the films: Once, This Must Be The Place, Extra Ordinary, Apocalypse Clown, The Miracle Club, The Martini Shot, That They May Face The Rising Sun, and more recently Small Things Like These and the upcoming, Frewaka. Maureen's television work includes the projects: Raw, Love/Hate, Rebellion, Taken Down, and Louise Lives Large.

Iron & Wine reprend "This Must Be The Place" des Talking Heads

Les classiques du jour : - Blink-182 "what's my age again ?" - The Kinks "All Day and All of the Night" Les nouveautés du jour : - Aliocha Schneider "Les Anges" - Marcus King "Sucker" - The Amazons "Pitch Black" Le journal de la musique : - Linkin Park va repasser en France l'année prochaine - Lady Gaga au casting d'une célèbre série Netflix - The Last Dinner Party va supprimer son compte X - Une guitare ayant appartenu à Prince est mise aux enchères La cover : Iron & Wine reprend "This Must Be The Place" des Talking Heads Le live du jour : U2 "Vertigo" (Live at Live 8, Hyde Park, London)

Here's a bit of a cheat update of the This Must Be The Place podcast: 4 episodes of student work from a course I recently coordinated for Monash Masters of Urban Planning and Design and Masters of Architecture students. A new course Called Urban Positions and Practices, this was essentially urban history and theory, focused on critically interpreting the role of professionals like architects and planners. I structured it around a series of 12 ‘things': fence, pipe, pig, garden, house, plan, pub, tower, street, person, car park and pylon. One assessment task was group story telling– AKA critical audio, or basically, podcasting. In groups of 3-4, students researched, recorded, and edited a roughly 15-minute audio story on the theme of “the past is present” – connecting planning history to a contemporary urban feature. Students picked their own topics and the podcasts had to have 3 parts –scripted part, conversational, and something else. This was a research task but also about learning an unfamiliar medium. I'm sharing a few partly to draw attention to our students and the Monash UPD course. Also, to illustrate podcasting as a learning tool. And hopefully they're just interesting. I've picked 4 student podcasts to share – the topics are ‘dogs', ‘park benches', ‘playgrounds' and ‘billboards'. This third one is ‘Playgrounds' with Zara, Elicia, Julian and Nick. Join them in exploring the historical links between the arrival of cars and the emergence of the playground movement. Small proviso here – as a parent who takes a young child to playgrounds that are very well-used, I don't share the students' assessment as playgrounds as increasingly obsolete. I do agree children's independent mobility has fundamentally changed over the century or so since playgrounds first appeared.

Here's a bit of a cheat update of the This Must Be The Place podcast: 4 episodes of student work from a course I recently coordinated for Monash Masters of Urban Planning and Design and Masters of Architecture students. A new course Called Urban Positions and Practices, this was essentially urban history and theory, focused on critically interpreting the role of professionals like architects and planners. I structured it around a series of 12 ‘things': fence, pipe, pig, garden, house, plan, pub, tower, street, person, car park and pylon. One assessment task was group story telling– AKA critical audio, or basically, podcasting. In groups of 3-4, students researched, recorded, and edited a roughly 15-minute audio story on the theme of “the past is present” – connecting planning history to a contemporary urban feature. Students picked their own topics and the podcasts had to have 3 parts –scripted part, conversational, and something else. This was a research task but also about learning an unfamiliar medium. I'm sharing a few partly to draw attention to our students and the Monash UPD course. Also, to illustrate podcasting as a learning tool. And hopefully they're just interesting. I've picked 4 student podcasts to share – the topics are ‘dogs', ‘park benches', ‘playgrounds' and ‘billboards'. This second one is ‘Benches' – or street furniture, with Eliza, Audrey and Daniel. Join them explaining the historical links between benches and public transport, and the recent emergence of ‘smart benches'.

Here's a bit of a cheat update of the This Must Be The Place podcast: 4 episodes of student work from a course I recently coordinated for Monash Masters of Urban Planning and Design and Masters of Architecture students. A new course Called Urban Positions and Practices, this was essentially urban history and theory, focused on critically interpreting the role of professionals like architects and planners. I structured it around a series of 12 ‘things': fence, pipe, pig, garden, house, plan, pub, tower, street, person, car park and pylon. One assessment task was group story telling– AKA critical audio, or basically, podcasting. In groups of 3-4, students researched, recorded, and edited a roughly 15-minute audio story on the theme of “the past is present” – connecting planning history to a contemporary urban feature. Students picked their own topics and the podcasts had to have 3 parts –scripted part, conversational, and something else. This was a research task but also about learning an unfamiliar medium. I'm sharing a few partly to draw attention to our students and the Monash UPD course. Also, to illustrate podcasting as a learning tool. And hopefully they're just interesting. I've picked 4 student podcasts to share – the topics are ‘dogs', ‘park benches', ‘playgrounds' and ‘billboards'. This first one is ‘Dogs' – or ‘Dogs in Cities', with Benjamin, Bethany, Nick and Saeed. Join them in unpacking colonial dog nuisance laws; different cultural norms around relationships between humans and non-human animals; and visiting the soon to be lost ‘Lost Dogs Home' in North Melbourne.

Does music have the power to make a cities economy, tourism, and quality of life better? Shain Shapiro is a leading music and cultural policy thinker. In his book This Must Be The Place he examines the impact music can have on how cities are developed, built, managed and governed.

Prendendo spunto dalla presentazione alla Berlinale 2024 di Another End di Piero Messina, parliamo della luce del cinema “desolante e puramente cinematografico” del suo maestro, Paolo Sorrentino. Nella sezione delle notizie parliamo del ritorno al cinema di Lupin III - Il Castello di Cagliostro, di un post su Instagram del direttore della Mostra del Cinema e della pubblicazione del libro Godard 70.Qui l'indice della puntata: 00:25. News. Aggiornamenti sulla seconda stagione di questo podcast01:41. News. Torna la cinema (per pochi giorni, anzi pochissimi) il primo film di animazione di Hayao Miyazaki, Lupin III - Il Castello di Cagliostro. 03:01. News. Parliamo di un post apparso su Instagram del direttore della Mostra del Cinema, Albero Barbera, a seguito della fine del suo giro presso gli studios delle major hollywoodiane per capire quali film potrebbero arrivare al Lido a settembre. Qualcosa, però, nelle parole del direttore non ci convince e gli rivolgiamo alcune domande.06:03. News. È uscito in libreria il libro Godard 70 di Fabio Alcantara edito da Cinemaotgrafo.it. Un libro sugli anni video del regista francese: vi spieghiamo qualcosa in più.08:33 La Luce del Cinema di Paolo Sorrentino. Film analizzati: L'uomo in più; Le conseguenze dell'amore; L'amico di famiglia; Il Divo; This Must Be The Place; La grande bellezza; Youth - La giovinezza; Loro; È stata la mano di Dio più le serie tv The Young Pope e The New Pope. 37:10. Il prossimo film diretto da Christopher Nolan sarà un horror?

In this preaching, Chris charges us to look at our spiritual and emotional ‘place' with eyes of faith and self-realization. Through the story of Abram and Lot's division of land, he examines issues such as brokenness, intimacy and identity, offering the revelation that perhaps the blessings that we have been seeking are already accessible to us. Prepare to be encouraged and for your eyes to be opened to the understanding that THIS MUST BE THE PLACE. These are the scriptures he referenced: Genesis 13:8-10 Genesis 13:14-18 Stay Connected https://linktr.ee/hopeandanchorchurch?utm_source=linktree_profile_share<sid=2f52e94b-6813-4e5b-8475-5cf1cf2f3fa5 To support this ministry and help us continue to reach people all around the world click here: https://www.hopeandanchor.org/donate#londonchurches #HopeandAnchor #HopeandAnchorCommunityChurch

This week we launched a new series for Advent titled, This Must Be the Place. Is our home a place? Is it fulfilled once we reach a certain goal or have certain things? Pastor Marcus shares a message What is Home?

Today, we are in Nashville, and we speak with Shain Shapiro - a globally recognised thought leader at the convergence of music, culture and urban policy.  Shain is the CEO of Sound Diplomacy - a global research and strategy consultancy, and he also leads the non-profit Center for Music Ecosystems, which commissions research to help solve local, national and international challenges using music as a tool. Shain has authored reports on the role of music in cities, tourism, the nighttime economy, real estate and recovery, including the most extensive guide to music and the Sustainable Development Goals (SDGs) in partnership with the United Nations.  We are talking about his brand-new book, This Must Be The Place: How Music Can Make Your City Better, which was published in September 2023.  Note: Unfortunately, there was a very poor Wifi, so please excuse the quality. Show Notes Connect with Shain on LinkedIn: https://www.linkedin.com/in/shainhouse/ Sound Diplomacy: www.sounddiplomacy.com  Music Cities Events: www.musiccitiesevents.com His book: This Must Be The Place: https://www.shainshapiro.com/book Show support Please choose one or more of the ‘three ways to support the show'! Subscribe to the podcast. Leave us a review — even one sentence helps! I appreciate your support; it helps the show! Tell your friends about the podcast and musicthinking.com Buy the book The Power of Music Thinking and/or the Jam Cards. The Power of Music Thinking is brought to you by CREATIVE COMPANION specialised in facilitating leaders, teams and organisations in customer experience, change and innovation.  

“Things fall apart- it's scientific” is a line from the Talking Heads song “Wild Life”. Like most Talking Heads songs, including the one from which the This Must Be The Place podcast takes its name, the lyrics are a bit bookish. “Wild Life” seems to be a reference – one I haven't actually fact checked – to popular scientific accounts from the mid 20th century, theorising the trajectory of the universe and of life in it. Entropy, or the second rule of thermodynamics, refers to the “general trend of the universe toward death and disorder”. And in 1944's “What is Life”, Schrodinger put forward the idea that life itself is a kind of negative entropy machine, defined by a temporary state of order-from-disorder. Aside from sometimes passing on copies of our DNA, however, the ends of our lives are as apparently inevitable as that of the universe. Meanwhile and despite this cheerful thought, our lives are temporarily put together from bits and pieces, material and digital. People attempt at various times to curate, purge, hoard, systematise or selectively narrate piles of memories and things and files. Friends and relatives might do the same for us after we pass away. Music, and the changing technologies through which music is created and duplicated, forms one part of this. In “This is your Brain on Music”, Daniel Levitin writes about how music can connect people to times and places long after their more practical memories have faded. Side note – the music we remember the most vividly tends to be from when we are 14 years old. I was not 14 years old, but I remember the first time I heard the Talking Heads song “This Must Be The Place” because it was on the soundtrack to the film “Wall Street”, which I watched on a rented VHS tape in 2001 before I first travelled to the US. David Byrne of Talking Heads later discussed the effects of a century of music technology in “How Music Works”. The study of technology and media as part of the social and historical record is not new – in coining the term “the medium is the message” Marshall McLuhan in 1964 proposed “communication medium itself, not the messages it carries, should be primary focus of study”. Radio and records are central to Ken Burns' History of Country Music – previously, songs were reproduced and adapted through live performance. The Carter Family's early recorded songs were said to have been “captured, rather than written”. But what of the music so many people now record themselves, and which does not form part of the broader popular or cultural memory? How do people give order to their own songs and recorded music over the course of decades, during which mediums for recording and sharing music have come and gone, and changed fundamentally? The topic has been more in my mind and conversations of late in light of the recent death, from Motor Neurone Disease, of an old friend of my husband. Two decades ago, they and others spent years writing and recording music together in garages and warehouses. But you can't always find, let alone access old recordings. Listening to a song is one way of putting yourself into a place and time. Music is geography and is also technology. In the shift to digital, each new technology promises less physical stuff, less clutter, perhaps even a kind of longevity. It's an illusion – the archiving and curation of our own music is contingent on constantly changing technologies and media which are as fallible as the material world. There are extremes to navigate – you might have only one copy of a song, or you might have hundreds of copies of lurking old CDs. I've put together a rough chronology of different technologies for recording and sharing music that I've used, over the 1980s to 2020s. I've included example songs where I could find them – its own saga. Radio, cassette, VHS, studio and home recorded CDs, social media, digital releases, vinyl, the cloud, and back to a missing hard drive – and a song about the ephemeral artificial Lake Mokoan.

As part of Amplify: Story, Resistance, Radio, David Nichols of This Must Be The Place podcast interviews Sabina Andron - a cities scholar specializing in creative and transgressive public cultures, with a specific interest in the semiotics of urban walls and surfaces. Sabina is the author of “Urban Surfaces, Graffiti and the Right to the City”, to be published in 2024. Although graffiti (or “stuff on walls”) is shorthand to describe Sabina's research, it's not really a fair description – Sabina's interest is in documenting and understanding how urban culture articulates itself onto the visible surfaces of cities. In trying to understand cities by reading walls and surfaces, Sabina spends a lot of time walking around noticing the urban forms of relatively humble streets and walls, but more broadly studies both endorsed and illegal forms of markings as well as how surfaces are managed, regulated, maintained and cleaned. Sabina started in photographic documentary methods, but is also trying to pay attention in different ways of seeing urban surfaces, such as written note taking. She has recently filled a notebook with all the names mentioned in the Brunswick stretch of Sydney Road. Many of these are ubiquitous but unnoticed corporate and security signs – text that is permitted or sometimes required in urban space. People notice tags, but “there is so much of everything as well, we just don't question them – we should challenge that because it is about who has a right to be visible”. As well as international examples and context, Sabina offers observations on Melbourne – for example, its rich outdoor poster culture, it's laneways both touristed and otherwise, its pride in certain forms of street art but also its policies focused on order – Melbourne's Mayor, for example, holding a pressure cleaning to reassure people “how important it is to keep the city clean”. The discussion covers graffiti as cultural and artistic discourse, the relatively recent criminalisation of graffiti, David's short career in train vandalism at age 15, the material ecologies of things like posters (side notes – small birds seem to eat the paste, right? Or is it just Liz that thinks that?), murals versus graffiti, City Square's “graffiti wall” which was basically a whiteboard, photographic books of graffiti (including the popular 1970s Australian volumes of ‘witty' examples), the visual and cultural language of graffiti and how train tags came to be seen as an unsettling signal of decay, graffiti removal companies, coatings, designs that actively prevent damage from spray paints, and how Melbourne discourse, as in many places, tends to hate graffiti but love street art. Music venue The Tote in Collingwood has sound restrictions based on vibrations that might damage the paint on the Keith Haring mural next to it – a 1984 mural preserved at substantial cost, as a community symbol. Although Serena asks - why are some things symbols and for whom? “We should perhaps start valuing the collective meaning and force of our capacity to write on walls”. Also discussed is a recent Fitzroy residents' meeting about graffiti – how the vehement dislike of tagging uses the language of viral invasion, and of threat and disorder. David wonders whether Fitzroy residents still fear the sanctioned “white anting” of the Housing Commission and Freeway construction days of the mid 20th century. Sabina argues graffiti often is read as an invasive threat, as the sign of a disordered environment, but that there are other kinds of threats – to civic rights and access to space - from a clean and ordered environment. The discussion is about specific places and surfaces – but “I think we are a bit naïve if we think that the form is the most important aspect of this conversation. It's more about our right to occupy space”.

The London-based artist, master potter, and author Edmund de Waal has an astoundingly astute sense for the inner lives of objects. Each of his works, whether in clay or stone, is imbued with a certain alchemy, embodying traces of far-away or long-ago ancestors, ideas, and histories. This fall, two exhibitions featuring his artworks are on view at Gagosian in New York (through October 28): “to light, and then return,” which pairs his pieces with tintypes and platinum prints by Sally Mann, and “this must be the place,” a solo presentation displaying his porcelain vessels poetically arranged in vitrines, as well as stone benches carved from marble. As respected for his writing as he is for his pots, de Waal is the author of 20th Century Ceramics (2003), The Pot Book (2011), The White Road (2015), Letters to Camondo (2021), and, perhaps most notably, the New York Times bestseller The Hare with Amber Eyes (2010). All that de Waal does is part of one long continuum: He views his pots and texts as a single, rigorously sculpted body of work and ongoing conversation across time.On this episode, de Waal talks about his infatuation with Japan, his affinity for the life and work of the Japanese-American artist Isamu Noguchi (1904-1988), and the roles of rhythm and breath in his work.Special thanks to our Season 8 sponsor, Van Cleef & Arpels.Show notes: [00:28] Edmund de Waal[03:43] Paul Celan[08:12] 2023 Isamu Noguchi Award[08:17] Gagosian[08:20] “this must be the place” [08:22] “to light, and then return”[09:09] Twentieth-Century Ceramics[09:20] The Pot Book[18:23] “Letters to Camondo” Exhibition[20:32] Sally Mann[20:48] The Hare with Amber Eyes[28:00] “The Hare with Amber Eyes” Exhibition[30:56] “Playing with Fire: Edmund de Waal and Axel Salto” Exhibition[40:24] Dr. Sen no Sōshitsu[52:48] The White Road[52:49] Letters to Camondo[01:06:33] In Memory Of: Designing Contemporary Memorials

Ikoi and Liam talk with author of 'This Must Be the Place', Shain Shapiro. We discuss re-conceptualizing music through a systemic lens, how it effects quality of life, building codes, work opportunities, mental health and its near total absence in public policy. "This Must Be the Place introduces and examines music's relationship to cities. Not the influence cities have on music, but the powerful impact music can have on how cities are developed, built, managed and governed. Arguing for the transformative role of artists and musicians in a post-pandemic world, 'This Must Be The Place' serves as a how-to guide and toolkit for music-lovers, artists and  activists everywhere to begin the process of reinventing the communities they live in." References: This Must Be the Place: How Music Can Make Your City Better: https://repeaterbooks.com/product/this-must-be-the-place/ -- Support us on Patreon: https://www.patreon.com/itsnotjustinyourhead Email us with feedback, questions, suggestions at itsnotjustinyourhead@gmail.com. -- Harriet's other shows: WBAI Interpersonal Update (Wednesdays): https://wbai.org/program.php?program=431 Capitalism Hits Home: https://www.youtube.com/playlist?list=PLPJpiw1WYdTNYvke-gNRdml1Z2lwz0iEH -- ATTENTION! This is a Boring Dystopia/Obligatory 'don't sue us' message: This podcast provides numerous different perspectives and criticisms of the mental health space, however, it should not be considered medical advice. Please consult your medical professional with regards to any health decisions or management. --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsnotjustinyourhead/message

Andrew attempts to school Luke in what saisons should taste like via six lovely samples, via  how tall Moby is, why classic saisons can get in the sea and doing weird things to cowsBeers include: Petite Cerise from Burning Sky, paired with “Best Friend” by Belle and SebastianSaison Dupont from Brasserie Dupont paired with “This Must Be The Place” by Iron and Wine, with Ben BridwellCascading Petals from Little Earth Project, paired with “Heavy Heart” by Bartees StrangeLord Nelson (2023) from Elusive Brewing (+ Weird Beard), paired with “Water Boatman” by Au-TurnOther beers drank on the episode:The House I Grew Up In from Wilderness BrewerySaison Anniversaire 2023 from Burning SkyBeers for this episode were purchased from Beer Shop HitchinNotesBeer Judge Certification Program (BJCP) – style notes for Saison  CreditsTheme tune is “I Can Hew” by Mawkin, from their album The Ties That Bind.

Fechadas no trânsito, espaguetes de piscina, corpo sendo tratado como instrumento, rock gaúcho, criança ser tratada como gente e processos de composição foram apenas alguns dos assuntos deste episódio, onde recebemos Wem (Tiquequê) e juntos ouvimos a maravilhosa banda de rock sulista Video Hits, a mistura de mariachi e metal do Metalachi, a emocionantes cantora portuguesa MARO e a psicodelia do power trio Lâmpada Mágica! BG:  Apollo Brown - "This Must Be The Place" (2023) Abertura por Aletrix Apoio: Porto Produções Musicais

The Writers Guild of America recently met with the Alliance of Motion Picture and Television Producers to discuss contract negotiations. With little progress made, however, the strike will continue indefinitely. The Hollywood Reporter's Alex Weprin joins us. And, as fears of recession cool, some economists think it's time for the Federal Reserve to halt interest rate hikes. Jill Schlesinger, host of the podcast "Jill On Money," is one of them. She joins us to talk about why. Then, Ingela Travers-Hayward and William Perry spent the summer traveling to different music festivals handing out opioid-overdose reversal medications and teaching attendees how to use them to save someone's life. They talk about their non-profit This Must Be The Place and the work they're doing.

EPISODE 1586: In this KEEN ON show, Andrew talks to Maggie O'Farrell, author of THE MARRIAGE PORTRAIT, about childhood, art, money and marriage in 16th Century Florence Maggie O'Farrell, FRSOL, is the author of HAMNET, Winner of the Women's Prize for Fiction 2020, and the memoir I AM, I AM, I AM, both Sunday Times no. 1 bestsellers. Her novels include AFTER YOU'D GONE, MY LOVER'S LOVER, THE DISTANCE BETWEEN US, which won a Somerset Maugham Award, THE VANISHING ACT OF ESME LENNOX, THE HAND THAT FIRST HELD MINE, which won the 2010 Costa Novel Award, INSTRUCTIONS FOR A HEATWAVE and THIS MUST BE THE PLACE., and THE MARRIAGE PORTRAIT. She is also the author of two books for children, WHERE SNOW ANGELS GO and THE BOY WHO LOST HIS SPARK. She lives in Edinburgh. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 113: we're joined by Shain Shapiro, PhD  – a music and cultural policy thinker whose work focuses on the idea of music cities. Shain's upcoming new book This Must Be The Place introduces and examines music's relationship to cities. Not the influence cities have on music, but the powerful impact music can have on how cities are developed, built, managed and governed. It's a fascinating concept: the way that music can be used to shape culture around us and the relationship with the people and places that we live in. We ask him what music cities are, and how music intersects with a city's cultural and political policy. https://www.shainshapiro.com/book Remain in Light: https://www.youtube.com/playlist?list=OLAK5uy_ldZpfPljmwhO4m7Eu8HUTylyh1uHT4wyY Hammer flipping: https://www.guinnessworldrecords.com/world-records/593507-most-hammer-flips-in-one-minute ------

Urban Policy and Research – 40th anniversary journal party This episode of This Must Be The Place is a live recording from the party held for the 40th anniversary of the journal Urban Policy and Research, which took place at Melbourne University in early 2023. The episode begins with Liz briefly introducing the journal and its history – including one of the co-founders, Jeremy Reynolds - via an anecdote about Margo Huxley and her paper on chicken by-laws and the TV show “The Good Life”: (“In search of ‘the good life': Being a political economy of certain local government by-laws within the metropolitan area of Melbourne, Victoria” published back in 1985. - https://www.tandfonline.com/doi/abs/10.1080/08111148508522607). After that it's a largely unedited live recording of the anniversary proceedings – we hear from Crystal Legacy, Paul Maginn, MC Peter Phibbs, and co-founders Brian Haratsis and Marcus Spiller. There's two game shows including a “you can't ask that” panel of Emma Baker, Alexa Gower, Nicole Gurran, and Mike Berry. Plus a quiz where you have to guess the date of articles over the decades. Part of the theme of the proceedings is looking back at change and at non-change: at the sometimes frustratingly circular nature of debate, with some ideas coming around repeatedly without necessarily effecting good outcomes. It can be hard to pick which decade an editorial about ridiculous housing problems comes from. Having said that, “Housing policy in the 1980s” has a particularly dated ring to it. UPR was founded by a group of Melbournians in 1982 – and, as Marcus Spiller recalls, was actually launched by Gough Whitlam. Then as now, “the journal aims to disseminate information which is useful to Australian policy makers”. The recording has a few rueful laughs about trying to make that true, but also valuing the community of authors, reviewers and other contributors to the knowledge and influence of Urban Policy and Research. Most of the recording is a live recording, but with some light edits. There's a fair bit of room noise, clapping and familiar voices. Finishing with a cover of “Little Boxes”, by the Taylor Project, and part of the requested song “Ballarat”. Alas the recording cut out such that the very end of the night cut off from the recording. ANYWAY you should also check out the UPR back catalogue and consider contributing an article or debate piece!

Today's conversation with Jami Nato was such a joy and an adventure! Her book, This Must Be The Place, comes out today and it is definitely on my list of top faves! Much like her book, we manage to talk about so many different topics from growing up in purity culture to the process of deconstructing from religion to faith after facing the most difficult challenge she thought she would ever face. She loves making people laugh and feel less alone on her instagram page and is not afraid to say what someone else is thinking! Enjoy today's episode and then click the link below to get her book today! Bio: Jami Nato is a writer, serial entrepreneur, and apparently an Instagram influencer (insert jazz hands). She mentors thousands of leaders by running an essential oils business and a local coffee shop. She has four non-Catholic kids who attend Catholic school, one irritatingly athletic husband, a dog with one eye, and several plants she brings to the edge of death regularly. She juggles this circus in the best-kept secret of the Midwest where people genuinely do care about your aunt's hip surgery: Kansas City. Anchor Verses: Ephesians 4:32 Romans 5:8 Connect with Jami: Website: https://jaminato.com/ IG: https://www.instagram.com/jaminato/ Order Her New Book Today: https://www.amazon.com/This-Must-Place-Following-Breadcrumbs/dp/0764241265/ ***This podcast is a proud member of the Spark Network! It is a network of Christian podcasts that cover so many different topics!  Head over to: https://www.sparkmedia.ventures/spark-network#/ to find more amazing podcasts!!***

  Lisa invites new author, blogger, Instagram influencer, and first-time guest, Jami Nato to talk about her book, This Must Be The Place. With humor and truth, Lisa and Jami dive into a variety of hard-hitting topics, including women and money, identifying your gifts vs. non-gifts, and learning the value of not being the best at everything. Links: Order God Knows   Connect with Lisa: Website Lisa Whittle - Instagram Lisa Whittle - Facebook Jesus Over Everything - Instagram   Connect with Jami Website Jami Nato - Instagram Order This Must Be The Place  

Welcome to another soul-stirring episode of The Happy Mama Movement Podcast, where we embark on a journey of self-discovery and profound exploration. Today, we have a truly captivating artist gracing our virtual stage. Join me as we delve into the mesmerizing world of Claire Tonti and her transformative musical masterpiece, 'Matrescence.'In this episode, we have the privilege of peering behind the curtains of Claire's creative process, unearthing the raw emotions and profound narratives that birthed this extraordinary album. 'Matrescence' is an ode to the multifaceted journey of womanhood, capturing the essence of growth, resilience, and the beauty that arises from embracing the transformative power of motherhood.With her enchanting melodies and heartfelt lyrics, Claire Tonti takes us on a sonic voyage through the highs and lows of the human experience. Through each carefully crafted note and every word that dances from her lips, we witness the intricate tapestry of emotions that shape her artistic expression.Join us as we explore the depths of 'Matrescence,' delving into the stories that inspired its creation and unraveling the layers of vulnerability and strength that make Claire Tonti's music a true testament to the power of art. Get ready to immerse yourself in a symphony of emotions, as we embark on this unforgettable sonic odyssey.Grab your headphones, find your cozy corner, and prepare to be moved by the enchanting melodies and thought-provoking lyrics of Claire Tonti's 'Matrescence.' Are you ready to embark on this extraordinary musical pilgrimage? Let's dive in, together[Time Stamps][00:00] - Acknowledgements[00:45] - The Music of Matrescence[01:53] - The Birth of the Music[04:45] - It Feels the Most ME[06:05] - A Path of Healing[07:22] - 'This Mother Thing' (Music)[08:57] - You're a Songwriter![09:36] - 'Lullaby' (Music)[11:43] - Another New Song[12:29] - 'Fear to Feel' (Music)[14:52] - Belief in Yourself[16:44] - Rest + Space[18:39] - The Story of Motherhood[20:15 - 'All Kinds of Lovely' (Music)[22:00] -'Cold' (Music)[24:00] - 'Self' (Music)[25:37] - It's the System...[26:48] - The Shame Isn't Yours[27:35] - This Must Be The Place[29:26] - A Bright Horizon[31:02] - Little Fingers, like Rays of Sunshine[32:48] - The Matrescence Train[35:20] - No, Thank YOU[35:53] - 'Free' (Music)We sincerely hope you feel this episode as profoundly as we did.Take care Mamas,~Sat Nam~Amy-------------------------------------------------------------------------------------Find Claire Tonti and her beautiful heart-stirring music on ALL MAJOR STREAMING SERVICES!See what she's up to, on Instagram: https://www.instagram.com/clairetonti/Check out her website, right HERE: https://www.clairetonti.com/See her LIVE THIS JULY in London July 2nd - https://space.org.uk/event/claire-tonti-matrescence/In Dublin, July 6th - https://www.eventbrite.com.au/e/claire-tonti-matrescence-live-in-dublin-tickets-637866514917And Sydney, July 30th. Tickets are available

On this week's show, we... kick off 2023 by celebrating our 100th podcast!  tell one of my favorite stories  look forward to the next hundred episodes All this & much, much less! Welcome to our first ever Debts Storytime! I've actually told this story once or twice when we were a mere mortal radio show. It's a true story I've told countless times IRL over the years. A few years back, I told the story during a presentation at work. You can still watch the video on YouTube, but the sound quality is not great. Preparing to tell that story in front of a crowd inspired me to rethink how I tell it. I like to think the added context makes the story breathe, and that it could easily fit in amongst the many stories I've enjoyed over the years on The Moth or This American Life. I hope you enjoy listening to it as much as I enjoyed telling it. Here's to the next hundred episodes! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

In this summer instalment of erstwhile podcast This Must Be The Place, Liz Taylor (no, not the actor – who is dead by the way) talks with Brendan Gleeson (no, also not that other actor). Brendan Gleeson is Professor of Urban Policy at the University of Melbourne and has had a decades-long career in publishing urban research. But since 2021 Brendan has for health reasons “stepped off the plate” from heading the Melbourne Sustainable Society Institute – he hasn't read an academic theory text in over a year, and has instead been rescaling his focus to the local and the everyday of life in the Hotham Hill area of North Melbourne. Brendan's recent projects include setting up an independent press, Shiel Street Press (named for the North Melbourne street – also home of the Public Records Office), publishing a book of poems based on Gardiner Reserve in North Melbourne (“Records of the Loss Property Department of Gardiner Reserve”), and researching the life and times of a long-lived cockatoo (Cocky Duggan) who lived in a hotel in North Melbourne in the mid 20th century and was known for his “more than passable impersonation of men vomiting”. Gardiner Reserve is a place Brendan suddenly spent a lot of time in, living and observing at a walking pace, and the “Records of the Loss Property Department of Gardiner Reserve” book is a faux-corporate drama made up of pictures and poems, in large part inspired by items left behind in the park that Brendan's flat faces onto – beginning with the triggering sight of a set of sparkly children's shoes discarded (but neatly arranged) in a playground. From these lost and found items – shoes, toys, milk crates, crochet rugs, single crutches, the routine sadness of lost cat signs - the discussion gets on to themes of loss, grief, time, decay, children gone and grown, and the broader cultural fascination of discarded objects. Liz ties it into Walter Benjamin's Arcades Project and his theories of modernity and decay, and to “Found Magazine” including Speckles the proto-viral “Loss Cat”. Also covered are municipal micro-regulations, public trees, Blue Lake, urban noises (lots of them are in the background), the anxiety of public toilet announcements (“door locked – your maximum use time is…”), North Melbourne Swimming Pool, and of course concluding with the tale of Cocky Duggan of the Court House Hotel. It was a long conversation and most of the background on Shiel Street Press has been cut but you find more information here - https://www.shielstreetpress.com.

Veering far away from anything festive this week on The Sweet and Sour. You're welcome. Here's the file Dettinger, Blond Aldous Harding, The Barrel Shakey Graves/Sierra Ferrell, Ready or Not Metronomy, Right on Time Dom Flemons, Georgia Drumbeat Saib, Tales of Africa Coubo, Good Morning Nilufer Yanya, Midnight Sun The Smile, The Smoke Mt. Joy, Lemon Tree Fruit Bats, The Bottom of It The Greeting Committee, Is This It? Pokey LaFarge, Bluebird Sudan Archives, Selfish Soul alt-J, Hard Drive Gold Scott Bradlee's Postmodern Jukebox, This Must Be The Place

There's an inherent tension in making art. The best art comes from a deeply personal place, but also speaks in a universal register. That's not to say all art is for every person, but when the artist can successfully weave specific, individual moments into the grand themes of life, the results can be sensational. In his column for Good Beer Hunting called “This Must Be The Place,” writer Oliver Gray shares glimpses of his life through the lens of beer: sometimes directly, other times more esoterically. His lyrical observations about finding his place as a beer lover, father, partner, and friend remind me of songwriting, in that there may or may not be an obvious answer at the end, but it sure has a beautiful flow.  Today, Oliver and I discuss how he evolved from a nonfiction writer to a blogger to a columnist, as well as why he shifted from his own outlet to Good Beer Hunting. You'll hear which writers and artists inspire him, as well as why he thinks certain things simply matter in the way that they do. We'll also dive into what struck me specifically in his latest entry called “Boxed Up,” which pinpointed the freeing, but chaotic, experience of moving.  Oliver describes his short, poetic entries as comfort food, a descriptor with which I agree wholeheartedly.

Kevin welcomes Minneapolis-based writer Cody Raisch to the show for the fourth episode of season eight, or the 47th episode overall. Cody writes the blog The Roller Codester (get it?) and the two talk about her love of BTS, living through the pandemic with Taylor Swift being the thing to hold you down, and the problematic nostalgia of Gwen Stefani. As you are able, take a look at Cody's blog, The Roller Codester, or follow her on Instagram and Twitter. For additional information about Anhedonic Headphones, please click here.    Episode Musical Credits Intro Music: "Brooklyn Zoo (instrumental)," written by Russell Jones, Dennis Coles, and Robert Diggs; originally performed by Ol' Dirty Bastard. Taken from the Get On Down reissue of Return to The 36 Chambers: The Dirty Version, 2011.  Outro Music: "What Does Your Soul Looks Like (Part 4)," performed by DJ Shadow. Endtroducing..., Mo Wax, 1996.   “The 1,” written by Taylor Swift and Aaron Dessner; performed by Taylor Swift. Folklore, Republic, 2020. “Northern Downpour,” written by Ryan Ross and Jon Walker; performed by Panic at The Disco. Pretty. Odd, Fueled By Ramen, 2008. “Cool,” written by Dallas Austin and Gwen Stefani; performed by Gwen Stefani. Love. Angel. Music. Baby., Interscope, 2004. “Dimple,” written by Matthew Tishler, Allison Kaplan, and Kim Nam-joon; performed by BTS. Love Yourself, Big Hit, 2017. “Home,” written by Kim Nam-moon, Lauren Dyson, Tushar Apte, Krysta Youngs, Julia Ross, Bobby Chung, Song Jae-kyung, Kang Hyo-won, and Park Soo-hyun; performed by BTS. Map of The Soul, Big Hit, 2019. “Sanctuary,” written by George Miller, Daniel Wilson, Justin Raisin, and Luke Niccoli; performed by Joji. Nectar, 88 Rising, 2020. “Ivy,” written by James Ryan Ho and Christopher Beaux; performed by Frank Ocean. Blonde, XL, 2016. “Sometimes,” written by Ilya Salmanzadeh, Max Martin, Peter Svensson, and Savan Kotecha; performed by Ariana Grande. Dangerous Woman, Republic, 2016. “Fantasy,” written by Mariah Carey, Dave Hall, Adrian Belew, Chris Frantz, Steven Stanley, Tina Weymouth; performed by Mariah Carey. Daydream, Columbia, 1995. “This Must Be The Place,” written by David Byrne, Chris Frantz, Tina Weymouth, and Jerry Harrison; performed by Talking Heads. Speaking in Tongues, Sire, 1983. 

WE'RE BACK! It's SEASON 5 of the Grove Podcast and we are so thrilled for another season of releasing truth. In the first episode we are kicking it off with a favorite Grove Girl, DawnCheré Wilkerson. She was last with us for our local gathering Spring 2022. Take some time to go back and listen to that truth in Season 4 Episode 13 :: This Must Be The Place. DawnCheré and her husband, Rich live in Miami with their three amazing kids where they faithfully pastor Vous Church and where DawnCheré leads a beautiful sisterhood called Vous Girl.In this conversation, DawnCheré Wilkerson, sits down with Shelley Giglio, to share the necessary ingredients that help create a heart posture which emulates being intentional in all relationship. Being able to slow down in our lives to grasp a picture of the gospel - and in turn allowing that to navigate how we love and see those right in front of us. This episode was so rich with eye opening revelation for each of us to allow Jesus to use wherever we go and whoever we come across. Praying it blesses you as it did for us! The Grove is a part of the Passion City Church family here in Atlanta, Georgia. Follow @pcc_thegrove on Instagram and visit thegroveonline.com for more information around The Grove heartbeat, our seasonal gatherings and our FLOURISH mentoring journey. And to join us for the first ever Grove Conference on MARCH 24 + 25, 2023, visit us today at thegroveconference.com to register.

Shawna is joined by Lorrie Rand in this episode of This Must Be The Place. Lorrie is the Sustainability Director at Habit Studio, a company she co-founded that specializes in sustainable renovations. Habit Studio is the leading authority on sustainable home design in Nova Scotia. Her company is also currently 8 women strong! Tune in to find out: • Why Lorrie decided to only work in Passive House. • The huge retrofit project that she is documenting for a Youtube series! habitstudio.ca Host/Producer - Shawna Henderson shawna@bluehouseenergy.com Producer - Tanya Chedrawy tanya@tanyamedia.com Technical Producer - Michael Boyd michaelboyd@podcastatlantic.com Social Media – Anita Kirkbride www.twirp.ca A Production of: Blue House Energy bluehouseenergy.com/ Tanya Media tanyamedia.com Podcast Atlantic podcastatlantic.com/ Blue House Energy's Website by R & G - The Sustainability Agency https://www.rgstrategic.com/ Music from Arches Audio - https://archesaudio.com/ Title of Song - "Road Trip"

We had the pleasure of interviewing Brandon Stansell over Zoom video.Seven years after the release of his debut single, singer/songwriter Brandon Stansell has come to occupy a unique niche within country music.He has been an ardent advocate for the queer community and the advancement of LGBTQ artists in the still widley conservative genre. In 2018, Brandon's music video for his single “Hometown” was the first LGBTQ-themed video to ever premiere on CMT. It was also named one of Rolling Stone's 10 Best Country Videos of the Year. In 2020, he released Hurt People (the title track featuring Cam) - a heartbreaking EP about his own family's response to his coming out.The EP also served as the soundtrack to his documentary, Three Chords And A Lie, where the Tennessee-born artist lays bare his struggles with his Southern Baptist family as he prepares for his first hometown show. The documentary was produced by OutTV and Leslie Jordan and premiered at OutFest in Los Angeles in August 2020.Brandon's newest project, This Must Be The Place, released September 2021 via PEG Records and Warner Music Group/ADA is an amalgam of the tear-inducing country music of his previous efforts and a compelling pop vibrancy of hope. This Must Be The Place, the LP, which includes the original six tracks plus four additional tracks was released June, 24 2022.We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #BrandonStansell #ThreeChordsandaLie #ThisMustBeThePlace #NewMusic #zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

My guest this week is Detroit producer Apollo Brown. We spoke about Euphoria, Atlanta, Mr. In-Between, Flatliners, The Land Before Time, Steven Spielberg's debut movie Duel, his personal top 5 movies, discovering hip-hop through DJ Jazzy Jeff & The Fresh Prince, Main Source, and The D.O.C., his production aesthetic, the importance of consistency in hip-hop, a handful of his projects, and the creative process behind his latest album This Must Be The Place. This Must Be The Place is available wherever music is sold, streamed, or stolen. Consider copping directly from Apollo's Bandcamp page here.Read my review of Apollo and Stalley's collab album Blacklight at Pitchfork here. Follow Apollo on Instagram  and Twitter: @ApolloBrown Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai) , and Letterboxd (@CineMasai)   Support the show

Guest Tex McLeod returns to kick off Season 3 of This Must Be The Place! We're back with an exciting new format that continues to deliver industry insight, decades of collective knowledge, a little humour peppered throughout, and informed direction on where building science is heading. Season 3 is comprised of three themes. Each theme begins with an essay by Shawna. The first is about history and context; the second is about getting out of our own way, and the final theme will be about inspiration and disruption. Tex McLeod is one of North America's leading presenters and trainers on energy, housing, and indoor air quality. Shawna and Tex dive into the first theme of “How Did We Get Here? The historical context of cold climate building science and how we lean on this to create high performance housing in Canada.” AUDIO ISSUES WITH TEX Host/Producer - Shawna Henderson shawna@bluehouseenergy.com Producer - Tanya Chedrawy tanya@tanyamedia.com Technical Producer - Michael Boyd michaelboyd@podcastatlantic.com Social Media – Anita Kirkbride www.twirp.ca A Production of: Blue House Energy bluehouseenergy.com/ Tanya Media tanyamedia.com Podcast Atlantic podcastatlantic.com/ Blue House Energy's Website by R & G - The Sustainability Agency https://www.rgstrategic.com/ Music from Arches Audio - https://archesaudio.com/ Title of Song - "Road Trip"

Episode 053 with New Jersey Born and Philadelphia, Pennsylvania bred, New Orleans Louisiana based Beatmaker/Emcee, 1/4 of Bag Season Records, Grilchy Party collaborator...Wino Willy and daughter Calliope.We talk about his signature moniker, musical upbringings/inspirations, his new instrumental albums and collaborations, exposure to 1 of 4 Pillars of Hip-Hop (Turntableism, Emceeing/Beatmaker), his Beatmaker/Music Producer Superheros (Timbaland, The Neptunes, Q-Tip, J Dilla, DJ Premier, El-P, Anra, The Field, Rex Mason, Friend Kerrek, Q3, Nicholas Kraven, STLNDRMS, Leem Lizzy, Nelac The Beat Ninja, Tatzumakiii and more), electronic music production equipment, Anime, creating content similar to AND1 Mixtapes, Bag Season Records, the New Orleans Beat Scene and more.Wino Willy's Recommendations:1. Check The Technique by Brian Coleman2. Autobiography of Malcolm X : As Told to Alex Hailey & Attallah Shabazz3. The Souls of Black Folk by W.E.B Du Bois4. The Water Dancer by TA-NEHISI COATES5. Another Country by James Baldwin6. This is the Life by Ava DuVernayIntro Music by: It Just Is off "This Must Be The Place" by @apollobrownFeatured Music: Curated Beats from Wino Willy's Bandcamp DiscographySocial Media: @winowillyWebsite: https://www.winowilly.com/Consider Becoming Subscriber Member at www.gldnmndofficial.com to support the podcast.Support the show

Artist Jay Handy, originally from Bay City, Michigan, is presenting a one-person exhibit at Studio 23 in Bay City starting March 25, 2022. The exhibit titled: This Must Be The Place, will include one-of-a-kind pulled prints depicting imagery found in vintage photographs of Bay City. Jay Handy imagined a community project that actually crowd-sourced the residents of this riverfront city in Michigan, to submit their family photos to be used as inspiration and collage elements in his artwork. Val and Armin are so happy that they had a chance to get to know Jay and look forward to attending his reception and workshop. Jay Handy is a printmaker specializing in etching and chine collé to create the signature dreamlike quality that permeates his work. From the Harvard Business School to Lesley University College of Art and Design, the winding road he traveled to arrive at his current position as a passionate and prolific artist imbues his art with the characteristic sense of tension and nostalgia his work is known for. Jay resides in Madison, Wisconsin, where he continues to weave memories into preserved moments in time. Nostalgia is a primary presence in Jay's work, which contrasts beautifully with underlying elements of artistic tension. Like most artists, Jay finds himself reaching back into his history for inspiration. His work seamlessly conjures up memorable moments in life that trigger a feeling and capture that special moment for the viewer. Artist Statement from Jay Handy: My art is an exploration of memory, both in its function and its feeling. When we think back on a memory, it's never quite the same as the initial experience that it was born of—a unique and complicated aura now surrounds it. Depending on the moment in time, it may be tinged with a hint of tenderness or a sense of forlornness. I find myself caught on a memory, turning it over and over in my mind to uncover every unique thread of nostalgia, of joy, of tension. The memory becomes a distinct moment in time, with so clear a life and story all its own that I'm compelled to transform it from a vision to a tangible image. My use of etching and chine collé recreate the memory and transmute the unique qualities that frame it into a language that can speak to viewers and stir within them that shared experience of nostalgia and memory. Regardless of who we are, where we're from, or what time period we've lived through, we each have our own experience of memory and the often bittersweet qualities that those memories are preserved in. My art is the translation of memory from floating fragments to captured moments. Thank you to Jay Handy for this wonderful conversation for Art Ladders. Exhibition at Studio 23 in Bay City starts March 25, 2022. Studio 23 is at 901 N. Water Street, Bay City, MI with telephone number: 989-894-2323. There will be a gallery walk and talk that day starting at 4:15pm and a reception starting at 5pm. Link to Jay Handy's "This Must Be The Place" exhibit reception at Studio 23 in Bay City. Link to Jay Handy's Gallery Walk and Talk at Studio 23. Link to Jay Handy's website. Link to Jay Handy's Instagram Link to Jay Handy's Facebook Page. Please contact Shelley Stevens at snstevens@goldenapplestudio.com for info on September 2-3 workshops. Collage to Print: Exploratory Calligraphy with Valerie and Drawing the Abstraction in Nature with Armin Mersmann. Lodging can be arranged.

How can you be grateful in times of pain and loss? Rachael Ray, Emmy Award winning TV host, businesswoman, philanthropist, NYT bestselling author, and celebrity cook has always loved connecting people together through food, and when the pandemic hit she made it her mission to create unity when we needed each other most. She shares how we can make the most of every day, how a midnight bowl of spaghetti can bring you back home to yourself, and how to open the door to opportunity by being honest and finding gratitude for where you are. - Join Cathy's 10 week Ready For Millions experience! Cathyheller.com/ready - Get your copy of Rachael's book This Must Be The Place https://rachaelray.com/pages/this-must-be-the-place - Watch Rachael Ray's Italian Dream Home https://www.facebook.com/watch/AETV/571617227308400/ - Thanks Canva! Get a free 45-day extended trial at Canva.me/dreamjob - Thanks Shopify! Get a free 14 day trial at shopify.com/dreamjob - Thanks Skillshare! Skillshare.com/dreamjob for a one-month free trial of Premium Membership.

In week 3 of the series, This Must Be The Place, Pastor Dustin gives practical tools for us to use as we share our faith with those around us! We are commissioned to tell everyone in our world about the hope of Jesus Christ! God will use your story in a powerful way, if you are willing to share it. We've got to spread the word!

In week 2 of This Must Be The Place, Pastor Dustin brings us a message on the power of investing in the next generation. It is imperative that we give our best to the next generation. We do this by creating movement, creating moments, and creating memorials. It is time to believe in and empower the next generation to be who God has called them to be!

In this first week of our series “This Must Be The Place,” guest speaker Pastor Brent Caddell from Pearl Street Church in San Antonio, TX brings a word on being united and speaking the same language. Our global mission as the body of Christ is to make Jesus known. It's a truth we know as believers and need to encourage the world with. In this message Pastor Brent speaks on how united churches are thriving churches and that we all have a part to play in the body of Christ. What's your part to play? And how will you give so that others may come to know the transforming power of Jesus Christ?

Michael and Tommy recap episode 7 of What If...? Later, they discuss their favorite Marvel news stories of the week and leave you with some recommendations. Follow Stark Wars on Instagram, Twitter and TikTok @StarkWarsPod Follow Michael on Instagram and Twitter @TheMichaelORear Follow Tommy on Twitter @TommysTidbits Follow Greg on Twitter @jasons_stick Check out Greg's podcast "This Must Be The Place." https://t.co/xZkxOXpAT1?amp=1

In this episode of Let's Chat and Jam we have A Conversation With entrepreneur and R&B recording artist Beth.I had the opportunity to speak with entrepreneur and recording artist Beth. I must admit that Beth is one the most amazing and talented artists that I have ever met. She was a contestant on The Voice and has performed background vocals for artists such as Anita Baker and Kem.Now she's ready to take it solo and I will admit that I'm digging the vibes.You can tap in to Beth on these platforms YouTube:https://youtube.com/user/bethgriffithentInstagram:https://www.instagram.com/bethalwayssingsAbout Beth: BETH (Season 16 NBC “The Voice”) Equating singing to breathing is completely reasonable, when it's coming from Beth Griffith-Manley, singer, songwriter, actress and daughter of Johnny Griffith, the legendary and Multi-Grammy® Award-winning pianist/keyboardist. He was an original member of the Funk Brothers, Motown's in-house studio band that created the famous ‘Motown Sound.'She began touring with 3-time Grammy® Award-nominated, Motown Recording Artist, KEM in 2013, providing background vocals as well as performing duets and featured solos around the world. Beth is a background vocalist on KEM's Intimacy, What Christmas Means and Promise To Love albums, and continues to tour with him.Beth has also had the privilege of having performed at the Michigan Inaugural Balls held in Washington D.C. for President Barack Obama's 1st and 2nd terms, as well as for President Bill Clinton.In addition to her roles as a vocalist, Beth is a member of SAG-AFTRA and has held several stage and screen acting roles. Among them, Church Girl and Chosen (stage) and Five Year Engagement and This Must Be The Place (film), as well as performing for numerous television and radio commercials.Her most memorable moment on stage was being cast in the 2011 remake of the movie, “Sparkle” as the stand-in and body-double for Whitney Houston, during filming in Detroit in 2011.You can tap in to the music of Beth on all streaming platforms including Spotify and iHeartRadio.You can find Let's Chat and Jam here https://www.letschatandjam.comThe Let's Chat and Jam podcast is available on Spreaker, iHeartRadio, Google Podcasts, Podcast Addict, Podchaser, Deezer, Jiosavvn, Reason, Apple Podcasts and Spotify.Let's Chat and Jam with Special Guest Beth#interview #Beth #letschatandjam #podcast #indieartist Hosted on Acast. See acast.com/privacy for more information.

Menù del giorno: - Intro con Rockgonia di Gianluca Morozzi - ALTA FEDELTA' (con Marco Signorelli) 1' 59'' - SOUND OF METAL (con Alberto Brumana) 7' 52'' - SUONA TIPO BENE (con Silvia Poli) 13' 38'' - WILLY MELODIA (con Mr Wynil) 24' 24'' - CANTANTI E GRUPPI DI FANTASIA 29' 18'' - TRILOGIA DI JOHN CARNEY (con Francesco Parrilla) 35' 05'' - PHONOGRAM (con Francesca Arceri) 47' 40'' - MUSICA E ANIMAZIONE (con Simone Soranna) 59' 05'' - JOHN CARPENTER (dalla cantina del Dottor Freudstein) 1h 08' 20'' ATTENZIONE: contiene riferimenti a Whiplash, Super Mario Bros, Cristina d'Avena, Oasis, Robin Hood uomo in calzamaglia, il Batterista nudo, La sposa cadavere, Harry Potter, Empire Records, Music Graffiti, Almost Famous, Walt Disney, Fratello dove sei?, Scott Pilgrim vs the World, This Must Be The Place, I'm not Okay with This, Sing e pareri non convenzionali sul Giovane Holden.

This week, Phillip and Michael don their Chipmunks costumes 'cuz it's squeakquel time, baby: SCREAM 2. Topics discussed include:1. 90s Fashion and Music2. Zoom Suit Riot3. Phil's Dave Matthews Fandom4. This Must Be The Place (cover by the String Cheese Incident)5. FACTOIDS FROM BEYOND THE GRAAAAAVE!Submit a movie for us to cover at slasherpod@gmail.com  - if we pick it and cover it, YOU will get a special shoutout!Wanna start your own podcast? Already have one and looking for a better hosting site? Click on our BUZZSPROUT LINK and get started today! Rate & Review us on Apple Podcasts and you will get a free Slasher Movie Podcast Now t-shirt. Just take a screenshot of the review, email it to us with your shirt size and address and we'll send it right out!Visit our Tee-Public for show merch!Support the show (https://www.patreon.com/pmtm)