Podcasts about jane h

Die Viola da Gamba berührt mit ihrem sonoren, melodischen Tonfall. Inspiriert von diesem wundersamen Klang gründen im Jahr 2000 vier Frauen aus Karlsruhe das Quartett „Les Escapades.“ Seither überraschen sie mit immer neuen „Saitenwegen“, die auch über die Alte Musik hinausführen und andere Musiker, Sprecher und Tänzer mit einbeziehen. Am Sonntag feiern „Les Escapades“ Jubiläum mit einem Konzert im Stephanienbad in Karlsruhe. Jane Höck über eine Liebe, die schon ein Vierteljahrhundert hält.

The Isles of Scilly were part of one of the longest wars in human history, but the main reason for the length of the very mild conflict was lagging paperwork. Research: “335-year-old War Ends for Scilly Isles.” Star Tribune. April 18, 1986. https://www.newspapers.com/image/188704902/?match=1 “The breakdown of 1641-2.” UK Parliament. https://www.parliament.uk/about/living-heritage/evolutionofparliament/parliamentaryauthority/civilwar/overview/the-breakdown/ Britannica, The Editors of Encyclopaedia. "Isles of Scilly". Encyclopedia Britannica, 7 Dec. 2024, https://www.britannica.com/place/Isles-of-Scilly-islands-England-United-Kingdom Britannica, The Editors of Encyclopaedia. "Bishops’ Wars". Encyclopedia Britannica, 23 Jun. 2019, https://www.britannica.com/event/Bishops-Wars Britannica, The Editors of Encyclopaedia. "Long Parliament". Encyclopedia Britannica, 23 Jun. 2019, https://www.britannica.com/topic/Long-Parliament Daniel Lysons, Samuel Lysons, 'The Scilly Islands', in Magna Britannia: Volume 3, Cornwall( London, 1814), British History Online https://www.british-history.ac.uk/magna-britannia/vol3/pp330-337 Davids, R.L. and A.D.K. Hawkyard. “SEYMOUR, Sir Thomas II.” The History of Parliament: the House of Commons 1509-155. 1982. Accessed online: https://www.historyofparliamentonline.org/volume/1509-1558/member/seymour-sir-thomas-ii-1509-49 “Dutch Proclaim End of War Against Britain's Scilly Isles.” New York Times. April 18, 1986. https://www.nytimes.com/1986/04/18/world/dutch-proclaim-end-of-war-against-britain-s-scilly-isles.html “The Execution of Charles I.” Historic Royal Places. https://www.hrp.org.uk/banqueting-house/history-and-stories/the-execution-of-charles-i/ “History of the Duchy.” Duchy of Cornwall. https://duchyofcornwall.org/history-of-the-duchy.html “The History of the Islands.” The Islands’ Partnership. https://www.visitislesofscilly.com/experience/things-to-do/history-and-heritage/the-history-of-the-islands “Holidays in the Isles of Scilly.” Manchester Evening News. Jan. 24, 1984. https://www.newspapers.com/image/927198725/?match=1&terms=isles%20of%20scilly “Isles of Scilly.” Duchy of Cornwall. https://duchyofcornwall.org/newton-park-estate.html#:~:text=A%20group%20of%20over%20200,residential%20buildings%20on%20the%20islands. Johnson, Ben. “The 335 Year War – The Isles of Scilly vs the Netherlands.” Historic UK. March 11, 2015. https://www.historic-uk.com/HistoryUK/HistoryofEngland/The-335-Year-War-the-Longest-War-in-History/ Ohlmeyer, Jane H.. "English Civil Wars". Encyclopedia Britannica, 6 Dec. 2024, https://www.britannica.com/event/English-Civil-Wars “Roy Duncan 1948 – 2014.” Council of the Isles of Scilly. Aug. 25, 2014. “Prehistoric communities off the coast of Britain embraced rising seas- what this means for today's island nations.” Bangor University. November 5, 2020. https://www.bangor.ac.uk/news/archive/prehistoric-communities-off-the-coast-of-britain-embraced-rising-seas-what-this-means-for-today-s-island-nations-44529#:~:text=By%2012%2C000%20years%20ago%2C%20the,smaller%2C%20engulfed%20by%20rising%20seas. Lysons, Daniel and Samuel Lysons, 'The Scilly Islands', in Magna Britannia: Volume 3, Cornwall( London, 1814), British History Online https://www.british-history.ac.uk/magna-britannia/vol3/pp330-337 Penhallurick, R.D. “Ancient and Early Medieval Coins from Cornwall & Scilly.” ROYAL NUMISMATIC SOCIETY SPECIAL PUBLICATION NO. 45. London. 2010. https://www.academia.edu/355282/Ancient_and_Early_Medieval_Coins_from_Cornwall_and_Scilly Sawyer, Katherine, PhD. “Scilly’s Hidden History.” Isles of Scilly. https://www.visitislesofscilly.com/home/blog/scillys-hidden-history#:~:text=Scilly%20was%20first%20visited%20by,as%20a%20lack%20of%20predators. Young-Brown, Fiona. “The World’s Longest War Only Ended in 1986.” Atlas Obscura. Jan. 19, 2016. https://www.atlasobscura.com/articles/the-worlds-longest-war-only-ended-in-1985 See omnystudio.com/listener for privacy information.

In ihrem Bekanntenkreis wimmelt es von Promis: Alban Berg, Arnold Schönberg, Alma Mahler, Alexander von Zemlinsky, Josef Labor. Sie selbst war in Wien eine berühmte Persönlichkeit ihrer Zeit. Am 15. Januar jährt sich zum 157. Mal ihr Geburtstag: Johanna Müller-Hermann, Pianistin, Komponistin und Professorin am Wiener Konservatorium. Warum es sich lohnt, sie und ihre Musik neu zu entdecken, berichtet Jane Höck.

Springen und Hüpfen machen Spaß und halten fit. In der Kindheit gehören Singen und Springen fest zusammen: Beim Hüpfekästchen, Biba Butzemann und Seilchenspringen etwa. Auch der Tanz kennt Sprünge. So imitiert die Polka den Galopp. Dabei rutschen die Paare gern übers Parkett, stolpern und fallen. Auch die Musik selbst kann wild hin und her hüpfen. Herz und Hirn machen mit. Was Springen und Musik sonst noch verbindet, darüber berichtet Jane Höck.

Musik und Mathematik haben zwar eine gewisse Schnittmenge – doch es gibt auch fundamentale Unterschiede. Jane Höck hat sich mit Musikfans, Mathebegeisterten, Hirnforschenden, Schüler:innen und Lehrkräften sowie Doppelt-Begabten auf Spurensuche begeben. Von Jane Hoeck.

Jane H. Adams is currently the Executive Director of the American Academy for Park & Recreation Administration. She speaks to influencing, managing, and the importance of getting involved in associations and it's impact on a career. Shane Mize is the Director of Parks and Recreation in the city of Pflugerville, Texas, where he resides with his wife and children. Tom Venniro is the 10-year Director of Parks and Recreation in Hilton-Parma, New York, where he resides with his wife Melissa, son Jack, and daughter Amelia. Jay Tryon is a 17-year park and recreation professional who loves to improve communities and their quality of life. He currently resides in Charlotte, North Carolina, with his wife and children.

Musik und Mathematik werden oft in einem Atemzug genannt. Denn, so die Begründung, im Kern sei Musik nichts anderes als Mathematik. Ist das nicht ein bisschen zu kurz gegriffen? Zwar haben Mathematik und Musik eine gemeinsame Schnittmenge, aber es gibt fern aller Theorie auch fundamentale Unterschiede. Jane Höck hat sich auf Spurensuche begeben.

Inclusive Communities is a nonprofit that uses human relations work to promote diversity and inclusion among individuals, workplaces and communities. The organization also holds public events to encourage cross-cultural dialogue, including the Jane H. & Rabbi Sidney H. Brooks Conversations for Change series. The series brings in prominent entertainment industry figures for conversation to build connections across identities. Conversations for Change launched last year with actor Kal Penn as the featured guest. This year's event features performer Bob the Drag Queen, who won the eighth season of “RuPaul's Drag Race.” Today, Bennet and Wright are in conversation with Maria Corpuz about their decision to invite Bob the Drag Queen to Omaha in the wake of Nebraska's ban on gender-affirming care for minors and attempt to ban minors from attending drag shows. Conversations for Change is Tuesday, March 26 at the Holland Center. --- Support this podcast: https://podcasters.spotify.com/pod/show/riversidechats/support

Weihnachten steht vor der Tür. Das ist die Zeit der himmlischen Klänge. Überall sind sie zu hören, in der Kirche, auf dem Weihnachtsmarkt, im Kaufhaus, ja sogar im Aufzug und im Supermarkt. Zuckersüße Engelschöre, die Gott loben und die Geburt des Jesuskindes verkünden. Von Glöckchen begleitet, verkleben sie uns auch gern mal die Ohren. Wieso singen und spielen Engel eigentlich so oft die immergleichen Melodien? War das immer schon so? Jane Höck berichtet über unerhört neue und auch altbewährte Klänge aus dem Reich der Engel.

Geräusche können ängstigen, nervös machen und nerven. Es gibt auch Klänge, die Gänsehaut erzeugen und zu Tränen rühren. Jane Höck berichtet von Content-Creator:innen, die daraus mit ASMR eine virtuelle Kunstform machen. Von Jane Hoeck.

Grau hat ein mieses Image, gilt als öde, unbunte Nichtfarbe, die vor allem eins bedeutet: Tristesse. Dabei kann das diffuse Grau kreativ sein, bunt, anregend, philosophisch und heilsam, wie Jane Höck herausgefunden hat. Von WDR5.

Am 22. Oktober 2023 war der 50 Todestag des Katalanen Pau Casals. Der wohl größte Cellist des 20. Jahrhunderts war aber weit mehr als nur Musiker. Er war Komponist und Dirigent und ein Kämpfer für Freiheit und Frieden. Aus diesem Anlass widmete der 22-jährige Cellist Philipp Schupelius ihm sein Debütalbum „Pau! A Tribute to Casals.“ Jane Höck hat mit Schupelius über den Künstler und Friedensaktivisten Pablo „Pau“ Casals gesprochen.

Heavy Metal ist hart, weiß und männlich? Das Gegenteil beweisen längst viele Frauen, die selbstbewusst ihren Platz im Metal erobern. Lautstark lassen sie die Sau raus - mit starker, weiblich gefärbter Musik. Jane Höck und Tamara Jungmann berichten. Von Jane Hoeck.

Eine Sopranistin tritt gewöhnlich im Konzertsaal auf, in der Kirche oder in der Oper. Mit einer Stimme, die verzaubern und zu Tränen rühren kann. Doch was für den Konzertsaal und die Oper gilt, das kann auch im Heavy Metal funktionieren. Anlässlich des am 2. August beginnenden Musikfestivals Wacken Open Air hat sich Jane Höck gefragt: Was passiert, wenn klassisch ausgebildete Stimmen auf krachenden Metal treffen? Und sie hat mit Protagonistinnen der Szene gesprochen.

Épisode 430 avec Francine Gauthier, directrice régionale de talent & culture pour la chaine d'hôtels Fairmont et présidente du conseil d'administration de la fondation Jane H Dunn.  

Book:  Whatever Happened to Baby Jane             By Henry Farrell   Film:  Whatever Happened to Baby Jane   (1962)   This American horror gothic suspense novel was published in 1960.  The novel has since received cult status as would the film from 1962.   The film, starring Bette Davis and Joan Crawford and directed by Robert Aldrich would become a cult classic and the filming would become Hollywood legend with a book and miniseries about the making of the film proving to be a top best seller and highly rated television miniseries.  The film follows a former child star terrorising her paraplegic sister in an old Hollywood Mansion.   The film would be nominated five Oscars and receiving one for Best Costume Design.  It would also be the tenth and last time Bette Davis would be nominated for an Oscar.  The film would receive an “X” rating in the UK in 1962 and it would be start of hag horror films which would become a stable for the next ten years.  The film in 2021 was selected for preservation in the United States National Registry by the Library of Congress. Opening Credits; Introduction (2.33); Background History (24.46); Plot Synopsis (25.31); Book Thoughts(31.32); Let's Rate (1:10.23); Introducing a Film (1:13.12); Film Trailer (1:15.21); Lights, Camera, Action (1:17.14); How Many Stars (2:15.44); End Credits (2:28.20); Closing Credits (2:30.48)   Opening Credits– Epidemic Sound – copyright 2022. All rights reserved   Closing Credits:  Whatever Happened to Baby Jane by Debbie Burton and Bette Davis.  Taken from the album Whatever Happened to Baby Jane soundtrack.  Copyright 1962 – Warner Music ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    All rights reserved.  Used with Kind Permission.   All songs available through Amazon Music.

Are you obsessed with food? Are you unable to control your eating? After beginning to eat are you at times unable to stop, even if you really want to? You are not alone. This audio talk by a member of GreySheeters Anonymous, a 12-Step program for food addicts, explains the process by which thousands have recovered from their obsession, one day at a time.This talk was given by Jane H. of London. She has been abstinent since May 28, 2009. She spoke on the Tradition Five Zoom meeting on Aug. 9, 2022.This podcast is sponsored by the Southern States Intergroup of GreySheeters Anonymous. Learn more at http://www.GreySheet.org.

Schaukeln bis in den Himmel bringt Nervenkitzel und Glücksgefühle, Wiegen tröstet und beruhigt – das fängt schon im Babyalter an und begleitet uns bis ins hohe Alter. Sanftes Schwingen kann sogar therapeutisch eingesetzt werden, berichtet Jane Höck. Von Jane Höck.

We have winners for the Stash Busting Blanket Along! Plus project updates, camping in the Club Car and some clothing memories. Full notes with photos, links, and transcript can be found in the podcast section of our shop website: TwoEwesFiberAdventures.com Subscribe on Apple Podcasts or Subscribe on Android or Subscribe on Google Podcasts Jul Designs coupon code: 15% off with code TWOEWES. Laura Bellows Blog post series on wearing a Balinese sarong. Thank you to our patrons. To become a patron visit Patreon Page. Marsha's Projects:  Unpattern Top Down Raglan Pullover by Karen Alfke. Ben tried on the sweater and it is too big. Designers instructions were misleading so I ended up with too many stitches for the body. Need to rip back to correct number of stitches because the sweater is too big and I don't think I will have enough yarn to finish. Very frustrating. This project need to be set aside for awhile Troyggja við Mynstur (Sweater with Round Pattern) by Tora Joensen (translated by Kate Gagnon Osborne: I have finished the body and the first sleeve. Washed and blocked the sleeve to be sure the size is correct because it felt tight unwashed.  I'm spinning a 2lb bag of Manx Loaghton in my stash. This is a protected breed from the Isle of Man. I am using a woolen spun technique and have spun 5 skeins or approximately 400 yards. Spun three more bobbins that are ready to be plied. Happiness by Kyle Kunnecke using Yarn Snob Power Ball. The skein is massive, weighing 500 grams and 2,187 yards. I wound into three cakes and labeled yarn ends 1-6 so I can keep color order. In order to pull from the outside of cake, which I prefer, I am starting with #6 and working backwards. Kelly's Projects: I'm a little more than halfway done with the shortie socks out of Tomato and Mink Falkland handspun yarn. It's a 3-ply chain plied yarn. I can really see the variations in thickness since chain ply has a tendency to exaggerate the differences. I also have an overplied and unbalanced yarn. This is good for durability in socks, but is also something that can happen in a chain ply. While your fingers are doing the chaining, sometimes your feet don't slow down.  I also have a new spinning project with the remainder of the Columbia fleece. I blended this with tussah silk top that I had in my stash. It is spinning up thin so I think I'll make a 3-ply with this.  Stash-Busting Blanket Along Listen to the episode to hear the winners. Summer Spin-In  Started June 1 and goes until September 5. (US Labor Day) If you are on Instagram use #summerspinin2022. Black Sheep Gathering June 24-26 Albany, Oregon Saturday June 25 meet-up starting about 4-4:30. We will supply snacks and beverages. We can't wait to meet you! We Want to Hear You! Give us a call and tell us about your favorite LYS!  Go to speakpipe.com/twoewes and leave a message. It will take 90 seconds or less. Or you can use the voice memo app on your phone and email us the audio file. We'll put your voice feedback on the show!   Show Transcript Marsha  0:03   Hi, this is Marsha  Kelly  0:04   and this is Kelly.  Marsha  0:05   We are the Two Ewes of Two Ewes Fiber Adventures. Thanks for stopping by. Kelly  0:10   You'll hear about knitting, spinning, dyeing, crocheting, and just about anything else we can think of as a way to play with string. Marsha  0:17   We blog and post show notes at Two Ewes Fiber Adventures dot com. Kelly  0:22   And we invite you to join our Two Ewes Fiber Adventures group on Ravelry. I'm 1hundredprojects, and I am betterinmotion. We are both on Instagram and Ravelry. And we look forward to meeting you there. Both  0:36   Enjoy the Episode  Marsha  0:43   Good morning, Kelly. Kelly  0:44   Hi, Marsha. How are you? Marsha  0:46   I'm doing well. Kelly  0:47   Good. Marsha  0:48   Well, not really, though. Not really.  Kelly  0:50   Oh, really?  Marsha  0:51   Well, I'll talk about it when I get... oh, that's my teaser. But anyway, I want to hear how you're doing. Because I know you went on a camping trip. The first real camping trip in the trailer, not the show but a real camping trip. And I want to hear about it. Kelly  1:10   Oh, okay. Well, we got home yesterday. It was a short trip. Because by the time I made the reservations there weren't a lot of sites. You know, the sites that we liked, that we know we liked, that we were familiar with, because we wanted to make sure that it was an easy trip. The sites that we were familiar with were only available until Friday. So we left Tuesday, spent Tuesday night and Wednesday night and then came back yesterday. So it was a fun, quick trip. The weather was gorgeous, gorgeous weather. The campground that we like to go to is called Mount Madonna. And it's on what I think is called Hecker pass, it's a mountain pass through the Santa Cruz Mountains. The the far southern end, I would say, of the Santa Cruz Mountains between Watsonville and Gilroy.  Marsha  2:08   Okay.  Kelly  2:09   And, and I... the reason I'm making the point about where it is is because I have an idea to to float that we'll probably talk about later on in the podcast. But anyway, the trip was great. The, you know, getting in and out of our driveway part of it was successful, then we stopped at his work to let people take a look at it. And the guys that he works with were really, you know, I mean, it's it's kind of like the .... I don't, I kind of don't get it the same way. Because to me, it's about the camping experience. I mean, I think the trailer is beautiful. But I don't have like, you know how when, when men, and probably some women too... But a lot of times you'll see a classic car. And then there's all these men gathered around the classic car looking at things that I've no idea what they're looking at. Like, that's kind of the way people are when they look at the trailer. And so, you know, going to his work when he got a chance to show it off to the people that he used to work with. And they were super impressed. They'd heard a lot about it, you know, because it's been being worked on... it had been being worked on since well... We got it in December 2020. So you know, it's been a long time coming.  Marsha  3:27   Yeah. Kelly  3:27   They'd heard a lot about it and seen pictures and stuff. So they wanted to see the finished trailer. So we stopped there on our way up to to mount Madonna. And the second day, the you know, the only full day that we were there, my mom and Dennis arrived with snacks to christen the trailer and, you know, visit with us because they like camping up there too. But they weren't able to camp that particular weekend because their trailer needs to go in for some work. But they did come up and visit. And I took the dogs on lots of trails and sat and spun. I basically brought my spinning project that I'll talk about and sat in the sun and did some spinning and we ate cheese and crackers when we arrived so we ended up not having dinner that night. And then my mom and Dennis they came with snacks the second day. So we had snacks and didn't have dinner the second day. There was very little cooking we didn't have to do any. Oh, I made tuna sandwiches because I had made some tuna you know some tuna salad was already prepared for the first night and we didn't eat it. So the second night when we were supposed to have barbecued hamburgers. After my mom and Dennis left a little while later we were kind of hungry. So we had tuna sandwiches and so it was easy in terms of, you know, we didn't do the eggs and potatoes or pancakes for breakfast we didn't do barbeque for dinner. There was not a whole lot of cleanup because it was mostly cheese and crackers and chips and salsa and yogurt for breakfast. And so there was lots of time to just sit around and spin and take the dogs for walks. And they did really well. It was Beary's first real camping trip. And he did great. So yeah, it was really fun. Marsha  5:32   So and then where you camp at Mount Madonna. Is it...Do you plug into services or? Kelly  5:39   Yeah Marsha  5:40   Did you have to bring your own water? Okay, so you have water and electricity.  Kelly  5:43   Right.  Marsha  5:43   Well,okay.  Kelly  5:43   Yeah, they have hookups. They call them partial hookups, it doesn't have sewer hookup. You dump the sewer, and gray water, black water and gray water tanks. When you leave, there's a dump station where you do that. So we got to do that for the first time. Because we didn't have that in our old trailer. You know, our gray water just went into a five gallon you know, a five gallon... It wasn't a bucket, it was like a jug. You know, grey water went into a five gallon jug and we didn't have a bathroom. So there was no black water tank. So but yeah, we had electrical hookup. And we had water hookup. City water, they call it. So yeah, we had all the all the hook up stuff that we needed. Today I'm sitting in the trailer to record. I don't, I probably won't do this a lot, because we did get a cover for it. So he's going to keep it covered. But I thought oh, I'll record in the trailer today. It's beautiful outside. It's actually a little warm in the trailer because Robert had some of the windows closed but it's going to be in the 80s today, maybe it already is.  So anyway, I'm sitting at the trailer table and and I'm testing out the inverter because I've got my phone plugged in and I've got my computer. It's the first time I've plugged in something more than a phone, which you can charge off of the 12 volt system battery. So right now I'm running my computer, it's it's plugged in and it's being you know, being powered by the solar.  Marsha  7:31   Okay, pretty cool.  Kelly  7:33   Robert's got a small solar power panel that he uses for what he calls trickle charging when it's just sitting in our driveway. So the batteries don't get overused but they also don't go dead. And then we have the larger solar panel that we haven't used in a camping trip yet. We didn't need them because we had power hookup at Mount Madonna. But Mount Madonna also has tent campsites and we went around and scoped out the sites with no services. I mean they have they have bathrooms, obviously, and they have water but you have to go to the place where the faucet is and fill up and bring it back. And we went and scoped out those areas to find some of the sites. We marked down some of the sites that are long enough for, you know, for our trailer and the truck to both be off the road, off the main road. So those campsites there were a few that we're going to probably try out if, you know, the main area is full or if we just want to get into a more quiet area or just to try it because we haven't  Marsha  8:49   yeah you can go off grid you're self contained so to speak. Kelly  8:55   Yeah we don't need the electricity or the water so yeah, yeah, it should be really fun. Marsha  9:04   Well I thought it was really cool, too, that, you know, the one thing that you have not finished for the trailer is the curtains that are gonna go at the windows.  That's down the line but the... your sort of... your stop gap measure is you put up all your vintage linens like tablecloths and stuff as sort of temporary curtains. I thought they were so cute. Kelly  9:27   Yeah, in fact  I have the one sitting here. I'm gonna have to prevail on my more experienced weaver friends and some of the people who do more technical work because (and I'll put a picture in the show notes, in fact I'll text it to you while we're talking maybe). So this one tablecloth and I think this is one that came from the batch that you gave me when you were going through all of your all of your stuff.  Marsha  9:56   Oh, right.  Kelly  9:57   It's so... it's it's linen. It's a small tablecloth, a small table tablecloth, but every corner has this really interesting detail. And some of it is actual like cut out and and then bound. Or I guess it's possible that it's not cut out. That just the warp and weft threads are just bound to make pretty good sized, like quarter inch square, holes. And then some of it is just in the hemstitch, which I haven't ever done. But I'd like to try. I think that it's not that difficult. And I know I can find instructions for it. And then there's also this other mesh detail that is... I've done some woven lace, but this is actually with thread you come back after the fact. And you use threads to wrap the warp threads and the weft threads so that you've got these holes. Like it pinches in.  Marsha  11:07   Yeah. Kelly  11:08   It pinches in the warp threads and it pinches in weft threads and then you get these little holes. So anyways, very interesting construction. And I'd really... there's not enough. I used this one tablecloth in one of the windows, like folded over. But there's not enough even for that one window. Well, I guess... I guess there would be for that one window. But I would like for the two windows that are across from each other in the bedroom to be at least similar.  Marsha  11:43   Yeah, yeah.  Kelly  11:44   So and I don't think I want to cut this one up, because it's just pretty. But anyway, I'd like to reconstruct this fabric or do some kind of facsimile of this, of this sort of fussy, fussy work. Weave something and then try that. I think it would be really kind of a fun challenge for those two bedroom windows. And then the kitchen window--and I'm not sure where it came from, it might have been a piece that I bought somewhere else. It's like a table runner, but it only has lace on one lengthwise edge. And so I don't know maybe like a buffet? You know, something that was against the wall, you would put it on that and it would hang with the lace part hanging over the front. And I just sewed a little sleeve for the for the curtain rod and used it as a kitchen curtain. The kitchen window has two crocheted lace panels that are sewn between linen fabric. And it's really cute, it's a bit too long. And I think when I'm going to do... I didn't... All I did was put a sleeve in the top of it for the rod. So it's just one panel, one piece going across the whole window. And I think... I can't decide whether I want to do it as a valance and just have one piece going across the top of the window as a valance or if I want to cut it down the center and be able to split them for the kitchen window. But I think that one will stay. I think that one in some form. Not the form is in now, but in some form that one is going to stay Marsha  13:26    okay  Kelly  13:27   in that kitchen window because it is really cute. And  it's the perfect size whether I make it into a valance or split it down the middle. It's it's really the perfect size. So that one will stay and then the other one that I thought was really funny is there's a dresser scarf and I think the dresser scarf also came from the stuff that you gave me.  Marsha  13:51   Okay. Kelly  13:52   And one edge of it has crocheted lace that says Mother and so I hung it up in the window with  the side that said Mother facing into the  bedroom and my mom was laughing. She's like, I'm not sure you want your mother in the bedroom. [laughing] Marsha  14:14   Yeah, really. But you can't get into too much trouble on that bed, Kelly! [laughing] Kelly  14:23   With the word mother right over your head. [laughing]  Marsha  14:26   Yeah, really.  Kelly  14:29   It was really... it was... it's a really cute piece and it has plain lace on the other side. So the outside of the window had the plain lace showing. The inside of the window had the lace that had the word mother on it. So very fun. And then I used one of my I... wanted to cover the front window. Well really I wanted to keep the curtain rod from falling out. And so I put another vintage tablecloth in. I had one with flowers on it in the front window hanging up, and you know, a floral one, and then we just used that one on the table while we were, you know, while we were there. So yeah, yeah, we had a really a really good time. So the thing...Oh, Bailey's barking in the background because the mailman just came.  The thing that I was thinking as we were there, because they do have the tent sites. And they also have yurts for people who didn't typically do camping, but I was thinking it would be fun to have a little camping meet up.  Marsha  15:39   Oh, yeah. Kelly  15:40    And, and we could provide, again, for people who didn't necessarily do camping or have camping equipment. You know, we could do you know, here at the, at the trailer, we do coffee in the morning. And so people have their coffee, and then we could do dinners. You know, barbecue dinners, and some people would, who didn't camp typically could, you know, still eat. [laughing] We wouldn't need to worry about you know, about bringing a camp stove or, or that kind of stuff. You could get by with minimal equipment. You know. Marsha  16:16   Yeah, yeah. Kelly  16:16   That's what I was thinking. If you wanted to you could rent one of the yurts, or get one of the tent sites, or if you have an RV, bring an RV. So, you know, I don't know how many people that would actually turn out to be. Probably not very many. But I thought that might be kind of a fun thing to look into. Marsha  16:33   So, yeah, we'll think about that.  Kelly  16:35   Yeah, yeah. I really enjoy that campground, because it's very close to our house. And, you know, it's in the woods. But it's not like the wilderness. And then on our way...I won't get off the camping thing! But on our way to Black Sheep gathering we're going to stay at a couple of Harvest Host sites. Kelli, that we met at Stitches, had recommended Harvest Host and I looked into it and decided to get a membership. So we're going to be staying at two places. One is a rice farm on the way up, and the other one is a winery. So I'll have to report back on how that  goes. But that should be fun. It'll be at first. I've never done that kind of camping, where you just pull up at somebody's business and park in their parking lot. So yeah,  Marsha  16:45   It'll be interesting.  Kelly  16:57   Yeah, yeah,  Marsha  17:07   How fun. Kelly  17:37    I'll definitely report back. Marsha  17:39   So yeah, well, I remember Kelli talking about it. She was really excited about it. She said it was just really, really fun. So Kelly  17:47   It's perfect for a trip where, you know, where you're on the go, because it's a one night experience. You don't stay there multiple nights. And that's not something that we've done a lot of either. You know, the trip up to Black sheep is probably the one of the those... that's one of the only types of trips where we've done the camp one night, then pack up and go kind of camping. We usually, wherever we're staying, we stay a little longer than that, even if we're moving on, you know?  Marsha  18:18   Yeah. Well, I'm excited because I will see it at the end of this month, just  two weeks, I think, or so I'll see it. Kelly  18:26    Yeah, yeah.  Marsha  18:27   Anyway. Okay, should we move on? I don't want to cut this off, because it's super interesting and fun, but I don't. Should we move on?  Move on to our next topic?  Kelly  18:39   Yes. Let's move on to our next topic. There was some fiber content in there though. I have to say because I did talk about lace curtains and possible weaving. [laughing] Marsha  18:47   Yeah, Yeah, it is. Well, I think the trailer is just, it's just fun. It is just super fun. So. Okay, so before we get to projects, we just want to mention that Jul Designs coupon code for 15% off any of their products is still available. It's still going on. And just go to Jul Designs website, there's a link in the show notes and just use the coupon code TWOEWES and that's all caps. And so check that out. Did you buy your... Kelly  19:24   No I have not yet. I keep thinking I need to go in there and do it and I haven't done it. But I was looking there today as I was putting my stuff in the show notes. And I found a couple of things that I like, so I'm going to do that before we-- before I put the computer away today. And then also I noticed that she has a blog post series. Laura Bellows who has Jul Designs. She's an anthropologist, I think, and anyway, she has this blog post series on wearing a Balinese sarong and I saw the title and I saw the pictures and I bookmarked it, because I want to go back in and read it. It looks like it's like three, three or four posts on the different aspects of of that and I thought, well that's very interesting. Because, again, fabric right?  Marsha  20:17   Fabric  Kelly  20:20   So, so yeah, take a look at her her blog posts and take a look at her-- all of her different shawl pins and shawl collars and different closures and, and such. And thank you to her for providing this coupon code for for our listeners. Well, and speaking of thanks, Marsha, we have another thank you to do.  Marsha  20:45   Yes  Kelly  20:45   Our patrons from Patreon. We just want to want to give them all a shout out because we're so appreciative. These patrons that provide the funding that supports the prizes, they support the podcast hosting, all of our community events, you know. The the Alongs that we do, we are able to have prizes, you know, in the abundance that we do because of the support of our patrons. So we wanted to thank them. And our most recent patrons are--so thank you to them--Christina Y, Kelly B, Laurie M, Francesca Q, and Shelly M. They've all joined Patreon and become patrons in 2022. And then we also have Pamela R, Connie L., Cheryl C., Jan H., Hetty C, Jane H,  Colleen G, and Mindy C. Thank you for your sponsorship of our podcast. Marsha  21:56   Okay, and we also have Eman, Amy L., Patti B. ,Joan B., Tammy S,  Kathy M., Natalie, Martha P.,  Melody W., Joanne Y., Greta. H. Kelly  22:17   Okay. And also thank you to Joylaine O., Barbara G., Rachel W., Joyce G, Angela D, Laurie L, Charlene, and Erica N. Marsha  22:34   And a thank you also to Debbie F., Erica J., Rachel S., Patricia E., Catherine K., Karen B., Jenn N., and Janet S. Thank you, everyone! Kelly  22:51   Yes, thank you! We really appreciate your support. And the other members of our community also appreciate your support. Because, again, it allows us to do the kind of the kind of events and alongs and prizes. Oh, and I see I just scrolled down to the next page. Ann Gi is also a patron. Thank you, Ann Gi!  She's been a patron for quite a while. And so sorry that she was missed! Marsha  23:20   Sorry. I didn't scroll down far enough. So sorry, Ann Gi. Kelly  23:24   All right. Well, with that said, What about your projects? Marsha? We'll go from up note to maybe a down note? Marsha  23:37   Oh, yes. So here's what I have to say about both my projects. The first one. So I'm going to talk first about the sweater I'm making for my son. And I'm using my hand spun. And have you ever heard Kelly of the law of attraction that you say, you tell, you say something out to the universe, and the universe gives it back to you. You have to be careful what you say because it can give you positive things, it can give you negative things. So I'm sort of laughing about this because one of the things I kept saying is how much I enjoy knitting with my handspun. But well, the universe has given me the gift of knitting the sweater for the third time. So I will just back up and just say So, bottom line, I'm taking this sweater and I'm setting it aside for a while. And I just did a note, too, about my brother's sweater. I'm kind of setting that aside for a little bit too. So the sweater I'm making for my brother, or excuse me for Ben. This is the... Do you remember? Not to rehash this whole thing but first I started making the phrancko.com sweater that didn't work out because of my gauge. So I now started doing the unpattern by Karen Alfke. And this is the raglan pullover from the top down, where you actually just take your measurements. And basically, it's the same idea of what Frank Jernigan is doing, or Amy Herzog used to do, where you, it's like, you know, the computer does the math. In this case, I'm doing the math. But we talked about this in the last episode, about the pattern. When you get to the part where you're, you're increasing for the sleeves and the body. There's an error in the pattern. I'm calling it an error. Somebody else may not say it's an error. But when you're figuring out how many stitches to have on the arm and have for the body, it says, you do your math, and times the gauge, you know, whatever it equals and then it says front or back goal stitches: 176.  Kelly  25:48   Yeah.  Marsha  25:49   And I kept knitting beyond I kept knitting. Because it said front and back.  Kelly  25:56   No, it said, front or back. Marsha  25:58   Right, it said, front or back. I read that as I needed 176 stitches on both the front and the back. Kelly  26:05   Each, right? 176 stitches each.  Marsha  26:08   Yes. Each. For the front, 176 stitches and for the back. What it really should be, instead of saying front or back goal stitches, it should say front and back, right. So I need a total for the whole body, front and back combined of 176. I have, because we caught this when I was down there for when I was down in California at your house going to Kelly  26:37   stitches or NoCKRs? Marsha  26:41   I believe it was NoCKRs. And you said, we decided, we added up my stitches, and I have 224. Kelly  26:49   Right. And we caught it because you were so far down. It was like you had... you still weren't ready to split for the split the arms off of the body. But you were far enough down that it looked like you should be splitting the arms off the body.  Marsha  27:07   If I continued to the point where I should split the arm holes I would be at the waist. Right?  Kelly  27:13   Almost.  Marsha  27:13   That's an exaggeration. But that was right. That was the-- that was our clue. Kelly  27:18   And then you said, wait a minute, if I keep going, this is going to be way too long. Right? And then we started looking at the pattern. Marsha  27:26   And right and you caught the the mistake and the pattern. So but we had that conversation, you know that moment? And you have this conversation? We convinced each other? Yes. So they should just stop and keep going. Right? Kelly  27:42    Because how many stitches did you have on each? Marsha  27:45   I had 224 total  for the body combined. And if I had continued What's two times 176? It's 252?  No, it's more than it's more than 300.  Yeah, that's right. And so, Kelly  28:07   So you said so you were supposed to have 176 all the way around, and you had 224 all the way. So you had essentially you had about 50 extra stitches. Yes. How did we can convince ourselves that was ok? Marsha  28:24   Well, and this is what I'm gonna... so this is what I'm gonna say. To finish it, we convinced... we have this conversation. You're like you said I think it's going to be okay, . Kelly  28:34   How far would you have to rip it back?,  Marsha  28:35   But it will be ok. Kelly  28:38    Oh, that's too far to rip back. That, you know, oh, that would be unpleasant number of rows to rip. So Marsha  28:46   So. Yes, I should have just ripped back then. Because I knit the entire body.  Kelly  28:52   Right.  Marsha  28:53   And half of the first sleeve by the time he came home. And I tried it on him.  Kelly  28:59   Yeah.  Marsha  28:59   And it's way too big. Kelly  29:03   Well, and to be fair to you, he gave you a sweater that he liked as a template. And holding the sweater you were knitting up to the sweater that he liked as a template, they looked about the same size.  Marsha  29:21   Yeah.  Kelly  29:21   But the sweater that he liked as a template is alpaca and drapey and thinner machine knit. And it's fine yarn--alpaca.  Marsha  29:31   And it's also that style where it's basically you know, the body is a square, and then the and then the arms just stick off and so here's my the moral of the story. When you have that feeling, and you know what you should do, you should just do it then. Kelly  29:49   Yes, when you have that feeling and you say, Oh, I Oh, gosh. ripping all of that out. I really don't want to do that. I think it'll be okay. That phrase, I think it'll be okay. Should be a trigger. It won't be okay. You need to rip it out.  Marsha  30:07   Yeah.  Kelly  30:08   I'm so sorry. Marsha  30:10   I know. So he tried it on. I don't know now, it was two weeks ago or so when he was here.  Kelly  30:17   Yeah, right after our last episode, I think. Marsha  30:19   Yeah, it was Memorial Day weekend, I think. You know what, I don't remember because I was so upset that I sort of had to go to bed. No, I'm kidding. But I did I have that feeling like-- that feeling like, I'm gonna cry. Yeah, I feel like I'm gonna cry. And I think I should go get in bed and cry. But no, I'm a I'm a, I'm a grown woman. And I'm going to now go out and take the dog for a walk or do something else. And I'm just gonna set it aside and not think about it for a while. And then I have to just, I was and I was very angry at Karen. And it's not her fault, because well, I don't know if it's... No, I can't blame her. But it's just the way the pattern is written. It's not-- it is not clear. It's a mistake in the pattern. And I didn't catch it. You know?  Yeah, you have to actually be thinking,  I mean, you have... Because I just couldn't figure out how you could have gone so wrong from the pattern. And then, so then I took the number of stitches that were supposed to be what I thought just the front and divided by your gauge to see how many inches that was supposed to be. And realized it was the 40 inch circumference that you needed. Yeah, like, Okay, well, if it's not an error, it's at least a place where things are unclear enough that it should be changed. Yeah, but So, Karen lives in the Pacific Northwest. And I know she's a friend of my friend Kim. And so if I ever see her, I promise I will be nice to her. [laughing] Kelly  31:55   Your mad won't last too long. Marsha  31:58   It won't last and honestly, the truth is, once I rip the sweater out, yeah. for the second time.  Kelly  32:05   Yeah.  Marsha  32:05   And reknit it for the third time... Kelly  32:07   Karen, if you're listening, Marsha will be okay. Marsha  32:10   I promise I'll be kind but... And as I say, once I rip it back and start over again I now it's really clear what my mistake is. Okay, I'm crossing my-- you can't see me but I'm crossing my fingers. Kelly. Hopefully I'll be okay. And I won't have to knit it again.  Kelly  32:28   Yeah. Knock on wood right now. So Marsha  32:32   yeah, knock on wood. Kelly  32:34   Everybody out there. Knock on wood for Marsha. Marsha  32:36   It's funny because I was reading the our posts in on Ravelry in the discussion thread, like when you posted the episode, and then people make comments, and I don't remember now who it was, I'm drawing a blank. Someone said, I'm so sorry that Marsha is having these problems that I talked about in the last episode with  my brother's sweater. And I was laughing. I thought, you don't know the half of it. I had been. Yeah. Anyway, I will have the joy of knitting with my handspun a third time. Kelly  33:08   It's a good thing you like that yarn. [laughing]  Marsha  33:10   Yeah, really? But I'm not going to say that anymore. Because it got me into big trouble. I think. So anyway. Okay, so now moving on to my other sweater that's a problem. And this is the sweater with round pattern. Or Kelly, how are you pronouncing it? Kelly  33:30   Well, we have a pronunciation audio from Cat. And it actually isn't sweater with round pattern. It's well, she'll, we'll play it. So we'll put the audio in right here.  Cat  33:42   Hi, Kelly. Hi, Marsha. I believe it's "Tro-cha vee min-stur" Trocha: sweater. Vee: with. Min-stur is pattern. And I looked it up in the Faroese dictionary and I'll send it to you. Mynstur means any pattern, not necessarily a round pattern. It could also mean a pattern for for weaving, for embroidery. Depending on the context. In this case, it would be a pattern for knitting. Marsha  34:12   Okay, so, Cat, thank you for that. Yes, that really helps us out. Okay. What's going on with that sweater? I have, as you know, now, this is the second time I've, I mean, I switched to this pattern. I've knit the body up. This is a bottom up. So I've knit up the body up to the armholes. I've set that aside and started the sleeves. Kelly  34:34   and you've blocked it. Washed it and blocked it and checked it out that it fits. Marsha  34:37   Yes. Yes. And so I did it halfway through so that's why the pictures of it in Ravelry there's this weird line. Okay, body set aside. I started the first sleeve. Didn't like it because I was... oh, let me back up. The sleeve you're supposed to cast on and knit the cuff. Then you do some color work, work in stockinette, right above the cuff, and then you knit  the main color up to the armhole, set that aside, do the same thing with the second sleeve, then attach the sleeves to the body and knit the yoke. My concern about that is, once that's done, you cannot adjust the length of the sleeves Kelly  35:18   without ripping everything out Marsha  35:20   without having to rip out the yoke. Yeah. So I what I decided to do is a provisional cast on with one row of the one of the contrast. The colorwork... the cuffs are supposed to be in the navy blue. So I decided to do one row of the navy blue and then start the colorwork. And that was a disaster because you're doing it, you know, magic loop. And the tension was terrible. It was all over the place. Kelly  35:51   And you have no base to hold on to while you're doing the colorwork. Yeah.  Marsha  35:55   Right. So I ripped that out. I cast on again, provisional cast on. I did three rows of stockinette in the blue, the navy blue, which is going to be the cuff color, because I thought, what will...  and then I knit the color work. And I did about an inch of the main color. And I realized, I don't like the color work because the everything is knit on size eight. But what I've decided to do with the yoke, is I'm going to knit that on nines, and I forgot to switch to nines for the color work sleeve. So I ripped it out back to the... it was not as horrible, but I had to rip it back out to the three rows of the Navy of the stockinette. And then I reknit the color work on nines. And then I switched back to eights and I've done most of the sleeve, I would say it's three quarters done. And I thought it feels a little tight. Kelly  36:57   Oh no. Marsha  36:59   I don't know what's gonna happen. But I decided I'm putting it on waste yarn, and I washed and blocked it. So I did that yesterday. So it's sitting there drying. And so I I just want to make sure. Kelly  37:12    Yeah. Marsha  37:13   I don't want to finish that sleeve and do the second sleeve and  have them too tight. So  Kelly  37:20   oh my gosh! Marsha  37:22   All I can say is, what the hell?  [laughing] I hate... I hate these projects. I hate these projects. So just to help myself I...So Ben's sweater's being set aside for a while. My brother's sweater is going to be set aside for a while. I just need to take a break from it. And anyway, I decided to cast on something else. So Kelly, guess what I cast on. Kelly  37:53   Something for you.  Marsha  37:55   Something for me! And just the name alone is gonna make me happy. It's called Happiness.  Kelly  38:00   Yes.  Marsha  38:00   And the designer is Kyle Kunnecke and I'm using the big giant baby that I bought at stitches, Yarn Snobs Powerball, and it has all these colors in it. It's so interesting. I will post pictures, too.  It weighs... this skein of yarn weighs 500 grams, it's 2187 yards and it was a bit of a challenge to get it onto the swift. And then I wound it into three cakes and what I did is because if you-- if you break it, well... First of all I have to say this is amazing yarn. I'm kind of curious how he's able to get 500 grams and over 2000 yards with not a single break and there's no knots at all and so it's a continuous piece of yarn. I don't know how he dyes it so beautifully given that it's so thick. I mean he's got the color goes all the way through. It's amazing how it's clearly when you open it up into the hank it's it's that's how it was dyed. it was not dyed in another form and then wound into that hank, you know. You can see it's been dyed in that hank. Yeah. Is that was not reskeined. No Yeah. Well anyway, so Kelly  39:23   Hard enough to skein it in the first place before you dye it! Marsha  39:28   So what I did is... I... but I wanted... It may not be important to keep the color order given the way this thing is sort of this very, very crazy, chaotic color, you know, it may not be necessary. Kelly  39:40   I think it's necessary.  Marsha  39:42   Well, I wanted to keep the color order. So what I did is I wound it into three balls, but I put a piece of tape like painters tape on the beginning of the yarn, but as I started taking it off the swift I put it in-- I labeled that end 1 and I put it in so the end 1 now is on the inside of my cake. And end 2 is on the outside of my cake. Right, so then I break that, and then I put a tape on the next the piece that's coming off of the swift, that's 3 that's now wound on that's on the inside of a cake, and 4 is on the outside of my cake. And then the third one, end 5 is on the inside. And end 6 is on the outside. I like to pull from the outside. So I can't pull from the outside of the first cake that is labeled one and two, because two is on the outside. So I'm starting at the very end. So I'm starting with the third cake, which is end starting with six, which then five will be in the center. Then I'll go to two, 4, which is on the outside. 3 is on the inside. And then the last cake 2 is on the outside and 1 is on the inside. Does that make sense? Kelly  41:06   Yeah. And that's I think going to be really important because the cakes of yarn actually look very different. Marsha  41:14   It's true. And the the first one I wound off and the last one I wound off look the most similar. The one that's right in the middle is darker, it has more black in it. So I think I think it is important to keep the order. Kelly  41:32   Yeah, because that way you don't have to alternate skeins, it'll just go along the patterning of the skein. And whatever the differences are, they will change naturally, the way the skein changeds as opposed to abruptly if you weren't going in that order. So I think that's a smart way to do it, Marsha.  Marsha  41:55   Yeah, so I already started knitting on it. I'm so much happier. It's on size four. So it's a nice, it's a smaller needle. Because the other thing I need to mention that I did finish my garter squish blanket over Memorial Day weekend, the deadline to finish it was May 31. And I believe I finished it on May 30 with a day to spare. But that was knit on 13s and that's like, it really feels you can't really get a rhythm knitting with those, because they're so big. So I'm very happy with this so far. And I've just knit. Let's see, I'm knitting on it now. And I have to do two inches of ribbing, and then I'll switch to stockinette. And so I...this is what I'm planning to bring to Black Sheep Gathering the end of the month. So I can just knit mindlessly on it and talk to people and not look at those other two sweaters. Kelly  42:52   I think that's a really good plan. And the thing about this one is that it's a nice kind of boxy sweater with a lot of positive ease. So that's a lot of stitches going around and around in stockinette. So it'll be it'll be perfect knitting for a long time.  Marsha  43:12   Yeah.  Kelly  43:14   And I think everybody probably has the size needle that they feel the most comfortable with. Or the range of needle size that they feel the most comfortable with. I really like my sock needles at the low end. And then I like threes. Like threes, fours. That's a twos threes, fours that's a really nice size for me. It feels they feel right in my hand. Where when I'm knitting with five fives or sixes for a hat, it's not that I don't enjoy it. But it's always nice to get back to my little needles. Marsha  43:49   Yeah, yeah. Kelly  43:51   So that's that'll be good, too. It's right in your your comfort knitting zone. Yeah, well, that's good. I'm excited about it. I think it'll be I think it'll be a good project for you. It sounds like you're excited about it. The colors are great. Marsha  44:07   And then I have been spinning on the Manx Loaghton. And I've been spinning on that and I'm planning on bringing my wheel and that to Black Sheep Gathering and mostly spinning, I think.  Kelly  44:21   Oh, good.  Marsha  44:22   That's it. And then as I say finished project, I finished my garter squish. That's my only finished project. Kelly  44:27   and it turned out nice. Marsha  44:29   Yeah. It's nice.  Kelly  44:30   How do you-- have you put it next to your other two? To like, see how it compares and what you like? Like, how do you like them compared to one another? Or are there like, this is the first one that you've done with flat colors? Marsha  44:47   No, it's the second. Kelly  44:48   Oh, the second one. That the first one you did was also was the Cascade.  Marsha  44:54   The first one was flat. The main color was like a blue like a I don't know what color blue you would call that one Kelly  45:00   Not quite navy-- kind of between the Navy and kind of a darker royal blue? Not so bright as a royal blue, but not so Navy. Marsha  45:10   And and then this one, it had brighter colors more. Not really natural colors. The contrasting one? And then the second one I did is when we dyed all the yarn so we had the gradient and then all the painted variegated.  And then the this one that I just completed the background was a brown, then all the colors are like sage and orange. And I don't know, it looks more like the first one.  Kelly  45:43   Yeah.  Marsha  45:44   And ironically, I what I really would like to do is I would like to do one where the the, the main color is just a cream or a natural color like yours. That's what I-- but I found that's what I wanted to do. But you know, I had all that yarn. The first one it was using the yarn from my dad's sweater. And then the one that I just finished, I had a lot of just undyed yarn, and I dyed it because I Kelly  46:16   because  the solid was the brown. Like you've always had a different solid. Marsha  46:21   Yes. But actually now I'm kind of thinking I could have. Well, no, that really wouldn't, because even the natural colored yarns were all slightly different. I didn't have a consistent... I was thinking what I could have done is just reversed it. And the one that yarn that was sort of the... No, I did it the right way, because the yarn that I dyed for the background was all kind of camel colored, right? It wasn't natural. Yeah, yeah. So anyway. Kelly  46:44   Well, you'll have to put a fourth one on your needles Marsha  46:49   I cannot do a fourth one, ugh! Kelly  46:50   No, you know what you should do? The next one you do, because I think there will be another one in your future at some point. Not in the near future. Yeah, I'm sure there'll be another one.  Do that one that is the, I think it's called the sediment throw. Where you go corner to corner? Marsha  47:07   Yes. Um, I was thinking about that. And then the other one I'm thinking of is, there's the one for my brother that he wants.   Kelly  47:19   You're not doing any projects for other people for a while. Marsha  47:22    No. Kelly  47:23   I'm gonna lay down that law for you, Marsha. [laughing] Marsha  47:25   I know. But the one I really want to make is... I'm sorry, I should have been... because I didn't know we were going to be talking about this in depth. Let me look at my patterns... Kelly  47:37   Well, a lot of people did the habitation throw.  Marsha  47:42   I'm looking for the one that I... because I've been pulling out yarn for it. Anyway, there's the one for my brother. And that's all with the Noro. And I don't really have I don't have any Noro. So I have to figure that one out. I was scrolling through my patterns. I can't find it. It but anyway, basically, it's like chevrons, kind of, you just use sock weight yarn that you and so that's when I was sort of thinking of using that. And I was actually thinking because I have so much sock weight yarn like scraps. But I also have a lot of sock weight yarn that I bought single skeins, that I don't really like them. I don't want a shawl out of them. I don't want to make socks. I was thinking I would put that all into the blanket, but I have, you're supposed to use about 500 grams. To make the blanket. Total to make the blanket. I was sort of thinking maybe what I would do is hold the sock weight yarns double and go up a needle size. And so I could use some of those one off skeins that I don't really like very much. So anyway, Kelly  48:52   I think it's a perfect solution.  Holding yarn double is a perfect solution to using the partials or well, partial skeins that are leftover but also full skeins of, of yarn that you bought that you don't need another pair of socks or you weren't in love with it anymore. Marsha  49:13   Yeah. I'm hoping I get my Juju back.  Kelly  49:15   Well, focus on your sweater first because that is, I think, that is just such a fun pattern. That sweater is cute. The yarn is great. It's comfortable knitting because you just start doing stockinette around and around until you're sick of it. Marsha  49:36   Yeah. So I think I have these you know, my brother's sweater and Ben sweater are sitting in my bedroom in their project bags. I think I'm gonna go put them in the closet.  Kelly  49:44   I think you should. Yes, put them away where you don't have to look at them and feel any kind of guilt or?  Marsha  49:49   Yeah. Anyway. So let's go into more positive things. We'll finish my projects and go into your projects.  Kelly  49:57   Okay, well, there's not much to say This will be short. I'm making a pair of shorty socks. And I'm using a hand spun yarn that I've that I've actually used before for socks. It's out of a fiber was Falkland, which, it's not as soft as I would expect Falkland to be. But there's not, you know, it's not horrible. Just when people talk about Falkland a lot of times they talk about how soft it is. But anyway, it's Tomato and Mink, or Mink and Tomato was the colorway. I don't now remember where I got it. But it was a number of years ago, maybe 2013 or 14, something like that. And I spun it up and last summer or the summer before I made a pair of regular socks out of it. And I had spun it for socks, I made a three ply, so it's long color repeats, it's a chain ply. One thing I will comment about chain ply because there was a little bit of discussion about it on the Ravelry group this morning. One thing about chain ply, it definitely magnifies your inconsistencies. So I have some places where this yarn is super, super thin, like a lace weight. It's a three ply, but super, super thin, because my fiber got thin. And then you're putting the three thin fibers together and you do the chain ply, so it's thin. And then in the thicker area, you know, because when you're chain plying, you're plying areas that are close together, I'm plying three, three thicker strands. And then I've got a thicker yarn, so it's more like a sport. So this yarn varies from a really thin lace weight to about to sport weight. Which is fine, it makes a nice sock. It's not you know, it's honestly this is one of the things I try to tell people is that those kinds of inconsistencies, you think they look big in the skein or in the yarn, but once you knit with them, even in stockinette, I'm really not seeing that kind of inconsistency in my knitting. So it doesn't show. The other thing about the chain ply is you have a tendency to over spin it. Because your feet... you need, you really need as your hands slow down if you get, you know, stuck or you miss the chain, or you just need a little extra time. And you don't also slow down your feet, you get it over spun over plied. And this yarn is pretty overplied. I mean, it's like kinking on itself as I'm trying to knit with it. And you know, it's been washed. And a lot of times when you wash an over plied yarn, it does relax quite a bit. But this I'm a lot of times having to, you know, pull out the kinks, as I'm knitting. The places where it's pigtailed onto itself. That's really good and I did it on purpose. Well, it's a it's a good feature to have for sock yarn, because it makes the sock yarn more durable. But it is a little bit annoying to knit with. And it is a feature of chain plying, if you're not really careful, you can get you know, you can get things over plied when you don't mean for them to be. But these are just a pair of shorty socks, and they're not going to match because they're with the leftover balls. And these are... so one of them has a gray cuff, the other one has a gray and orange striped cuff. And then half the foot is gray and other half the foot is orange. And this one I've got a gray cuff and an orange part of the foot. And then I have only gray left. So it'll only have one orange stripe or the other one has, I think two or three places on it that there's orange. So these are really long pattern repeats which again is another one of those features of chain ply is that you can get those long-- or not pattern repeats, color repeats, you know, long stretches of color. So they're self striping, but the stripes are about four inches in some places. Yeah. So that's my socks. And then I have a new spinning project. So I'm using up the remainder of the Columbia fleece. I had been using the Columbia and the Oxford. Spinning those up, I spun those all. I had spun those in the past two summers and then used them for my garter squish. And then I I'd used up all of the Oxford in the final part of my garter squish. And so then I started with the rest of the Columbia fleece and I carded it and I added in tussah silk. So I have this tussah silk top I had bought like a pound or eight ounces of it or something a long time ago. It was in my stash, I got it out and I just, you know, blended that in as I was carding, and it is nice. This  fiber's really nice. I have these batts. And you can see, like, I blended the silk, I tried to blend this out pretty well. But there are places where you've got like this strand of like silk fiber running through it. That's just super pretty and fun to spin. There's a lot of silk content, I tried to get 50/50. But I couldn't. I only wanted to do three passes through the carder, and I couldn't get 50% silk into the fiber in just three passes. So that's alright, it has enough silk in it. It's going to be really nice. And it's spinning up pretty thin. So I'm probably going to make it into a three ply, but I don't know, I might two ply it and use it for a shawl or something. I'm not sure how much I'll have when I get when I get done.  Marsha  56:04   Yeah.  Kelly  56:05   And I think in this case, I am going to spin all the singles first and then decide if I want to do I want a two ply. Or do I want a three ply? How much yarn? How much of this yarn do I want? And then I think I'll also dye it after the spinning is finished. Because that'll be interesting because the dye will take differently on the silk and the wool.  Marsha  56:26   yeah, interesting.  Kelly  56:28   And I cleaned up my wheel, took it all apart, washed it, oiled it-- well, washed it, polished it, put it back together, oiled it. It's spinning so nicely. Marsha  56:41   So I have a question. I don't see your mohair sweater on here. Kelly  56:45   No, that's put away for a little while. It's been kind of warm. I haven't knitted on it since I think I was knitting on it at the last episode when we recorded and it's still sitting up in the in the guest room vanity area from that day. I haven't touched it since then. I got really into the carding that was the main thing and then the socks are just something that I started at the Pismo rally trip to have something to knit in the car and then I brought them with me in the car to this, you know on this trip, but I haven't made a whole lot of progress on them. Marsha  57:23   Well, I have a comment about it. When I was walking Enzo and listening to the last episode, you were talking about the sweater and how you had had that sweater in the 60s. You-- the mohair sweater that you bought in the boys department.  Kelly  57:41   Yeah,  Marsha  57:41   And I was walking  along and I of a sudden I thought, why was that sweater in the boys department? I mean like because it was hairy right? It was like a hairy mohair sweater. Kelly  57:52   It was a vest. Marsha  57:52   A vest Yeah, I mean a vest but like it was in the boys department? Like what boy was wearing?  Was that a style to have those hairy vests or? I think that's what just struck me is like, what boy was going to be wearing that? Kelly  58:07   Yeah, I know. I don't know. Well, I told you it was unusual. I it was an unusual piece of clothing. Marsha  58:15   I know so you always think of the boys department having...You know when Ben was born and Iwould go to get him some clothes and and all these--so much variety and interesting things with for girls. And the boys it was all like Navy and brown. Like there was nothing fun really with boys clothes. And so that's why I'm like, What boy was going to be wearing that hairy vest? [laughing] Kelly  58:44   Well, and this was ...I wonder if I have any pictures with me wearing it? This was tan, kind of a tan brown color. And they had a... I don't think the whole vest was Argyle. I don't think the pattern was totally Argyle but it had a thin orange like thin orange diagonal striping like an argyle. I just remember the thin orange stripe. I don't really remember if the whole thing was Argyle. If it was, it was muted, you know, it was like a tan and a light brown or something. It wasn't wild colors. But yeah, it was... It wasn't, you know, totally hairy like my Sonny Bono jacket. You know, it wasn't like that. But it was definitely hairy.  Marsha  59:37   You know, I guess I'm out of touch. I'm out of touch with what boys were wearing in the 60s and this  Kelly  59:42   Well, let's see, when would it have been? Late sixties or early seventies.., depending on when I had it. I think I had it in like middle school. We don't have middle schools here but-- or we didn't have middle school where I was but it would have been like middle school age, maybe fifth sixth, seventh eighth somewhere in there. So it would have been the early 70s. Marsha  1:00:09    Yeah, yeah.  Kelly  1:00:10   No, I can picture it... I can kind of. Yeah, I think  it could have been like maybe something the Monkees wore maybe.  Marsha  1:00:20   Well, you know, I mean, I don't know. I, since we're on this topic, I remember it was very popular for girls when I was in middle school. Well, elementary school, but like late elementary, like, sixth grade or something, but those crocheted vests. All the girls wanted, like, crocheted vests and it was like those granny squares, right. And my my aunt made one for me, my great aunt made me one of those vests and then Kelly  1:00:55   It would be right in style now if you still have it. [laughing] Marsha  1:00:58   Yes. And then also do you remember Go Go boots?  Kelly  1:01:01   Oh, yeah.  Marsha  1:01:01   Did you have the white Go Go boots? Kelly  1:01:03   I didn't have them for regular life. Wehad white boots for my baton. My baton group. Marsha  1:01:11   Oh, I had gogo boots and white gogo boots that I wore to school because everybody wanted them and I my parents bought me a pair, probably at Sears. And they were like vinyl. Yeah. And my feet practically rotted off in those.  Kelly  1:01:30   Yeah.  Marsha  1:01:32   Well, between you know, nylon socks and plastic boots. I remember a my mother finally said you just can't wear them because my feet were I was getting like, like athlete's foot or something and just sitting in that moisture all day long. So she said you can't wear them. So I was only to wear them like once a week or something.  Kelly  1:01:51   That's funny. Yeah, we had them for baton, for parades and stuff. That was part of our parade uniform. And, and the other part of our parade uniform was vinyl. And it was like a cowboy vest with a suede. It was the beige cowboy vest with a suede star on it and suede like edging. Right. And then the bottom part of it was these vinyl bloomers.  Marsha  1:02:24   Bloomers? Kelly  1:02:25    Bloomers Marsha  1:02:25    Pants. Kelly  1:02:26   Like, bloomers! [laughing] Marsha  1:02:32   They wouldn't they have no drape or anything, right? I mean, they must have been... Kelly  1:02:37   there's no leg, right? So they're just bloomers. So they like they just, I mean, I maybe I'm not using the right word. They were like they're like the shape of underpants. [laughing] Marsha  1:02:51   Oh my gosh. [laughing] Kelly  1:02:54   And I, honestly this is terrible. This is maybe too much information. But I remember one parade thinking of the you know, the, the vinyl and the not breathing and the... But I remember one parade where the edge of the vinyl the unsewn seam edge. Because my mom made them, right. Somebody in the troop made them and most of the girl's parents or moms made them but then there were some moms that didn't sew. But my mom sewed so she made ours. But the seam allowance wasn't covered. And I had oh my god, the most painful, painful raw area Marsha  1:03:36   down there. Kelly  1:03:38   From marching with that seam edge of this vinyl rubbing on my leg. For the whole parade. It's like oh my god. When I think back on that. Yeah. And then we had the white, the white boots. And we had cowboy hats. Oh, it was cute. Marsha  1:03:58   But painful, but very painful. Kelly  1:04:01   Well after that one parade my mom did fix it. She... I don't know what--she covered the seam allowance in some way. But yeah. Oh my gosh, I should look for it. I should look for a picture.  Marsha  1:04:14   Yeah, yeah,  Kelly  1:04:14   To put in the show notes. I don't know if I have time to do that. But yes, funny, cute. They were cute. But when I think back... So that's the end of my projects, Marsha. That's why we're talking about so much random other stuff that's not knitting. [laughing] Marsha  1:04:35   I know. Well, hopefully things will start looking up for me and so that we'll have better things to talk about in terms of projects. But anyway, moving along. Let's talk about the Stashbusting blanket along because that is done. It ended on May 31. And we have winners. Kelly  1:04:55    yes.  Marsha  1:04:56   So so let's just say what the prize is going to be  Kelly  1:04:59   okay.  Marsha  1:04:59   We debated a long time about what the prize should be. Because we thought of yarn, getting people a-- but then this was all about stash busting right? You could look at this both ways. Oh, they didn't want any more yarn because they were working to get rid of yarn out of their stash. Or you could look at it as everybody got rid of the, the yarn in their stashes that all the stuff they used, it was really a Stashbusting. And they need some yarn. So we couldn't make up our minds. We finally decided to go in a completely different direction. And everybody who the winners will receive a pattern of their choice up to $10. So that's going to be the prize. And we have five winners. So Kelly, yes, so we'll list them. Let's say who it is. Kelly  1:05:44   Our first winner is michembry, Michelle, and she made the Habitation Throw. And I really liked that pattern. I'm gonna, I think I might at some point, make one of those because it turns-- a lot of people did them and they all turned out really, really nicely. So congratulations, Michelle. Marsha  1:06:04   Yes. And our second winner is cattitude. Cat. And she made the sunburst granny square throw. Kelly  1:06:14   Yeah, congratulations, Cat. She's our Faroese interpreter. Marsha  1:06:20   Yes, yes. Our foreign correspondent. Kelly  1:06:23   Our third winner is iheartbooks. And she also made a garter Squish, blanket. It turned out really nicely. I just have to say that is the best pattern. I really think that pattern is so versatile. So congratulations, iheartbooks, and I didn't say what her real name is. I don't remember if that's because it wasn't there. Or if I just forgot, but iheartbooks, Congratulations! And Laura Sue also made a garter squish. And Kelly, you have a note here accursed Romney?  Yes. She she made a post in one of the-- I think this one was from the discussion board. I drew from both the discussion, and the fo thread to get the winners. And she was using this what she called the accursed Romney that she was trying to get rid of. But she also knit this during the caregiving and loss of her mother, and talked about how soothing it was to, to knit, you know, that garter stitch pattern. And to just-- kind of like what you were talking about with the sweater you're doing. You can just knit and knit and knit and not have to really think too much about it. So yeah, she got she got rid of a Romney fleece that she'd had forever and had been probably she felt like it was multiplying in her stash because I have that feeling about some of my yarn. Like, wait a minute, I thought you were gone.  Marsha  1:07:55   Yeah.  Kelly  1:07:57   And then our last winner, also with the habitation throw is Starwood knitter. So congratulations to Starwood knitter Marsha  1:08:08   and to all the winners. It was a really fun along Kelly  1:08:12   Yeah, it was it was. Marsha  1:08:14   I would consider doing another Stashbusting blanket along next year. Yeah. Different pattern though. Kelly  1:08:23   That's good. Give  everyone some time to think Marsha  1:08:27   and  build up their stash. Kelly  1:08:28   Build up or go through their stash and get ideas. Get some creative ideas. Because honestly, when we started this, I didn't think I had the right... I knew I had stash. But I didn't think I had the right yarn to make one. And it wasn't until I put it all out. And looked at it for a couple of weeks with different ideas before I thought, Oh, I know what I could do. I could combine these and yeah, so. So yeah, well, so definitely have to do that again. It was really fun. Yeah, we'll need to have some time in between to do something other than blankets. Marsha  1:09:08   Yeah. So as I mentioned before, the prize is a pattern of your choice up to $10. And Kelly, we're gonna have people contact you.  Kelly  1:09:20   Yeah, through Ravelry or, two ewes at Two Ewes Fiber Adventures dot  com, the email address, Instagram, any of those ways, just get in touch with me. All I need is to know your Ravelry name and what pattern you want. And if you're not on Ravelry and there's a pattern you want that I can get to you some other way let me know that too, because I've been able to do that for some other people. Marsha  1:09:50   All right, and then the Summer Spin In is underway. It started June 1 And it goes until September 5 We've talked about what we were spinning Kelly  1:10:04   I put up the thread. So there's a thread on Ravelry and I have a hashtag summer spin in 2022.  Marsha  1:10:13   Okay,  Kelly  1:10:13   so if you want to post, if you have Instagram and you want to play, post on Instagram. Go ahead and use the hashtag summer spin in 2022. And there's no, I have no punctuation in that summer spin in, there's no dash or anything. It's just  three words summer spin in  and 2022. Marsha  1:10:34   And then the other thing Black Sheep gathering we've talked about mentioned it during this episode, but just the details: Black Sheep Gathering is taking place in Albany, Oregon on from June 24 through the 26th. And Saturday, June 25, we will have a meet up at the trailer starting around 4:00 or 4:30. And so we'll have some snacks and beverages and if you are at the black sheep gathering, stop by and say hi. Kelly  1:11:06   yeah.  Marsha  1:11:09   So I should say too, Kelly, I did sign up for a class. You will laugh about this one. I'm going to take a color work. Finally. So I'm actually excited about that. Hopefully, I'll learn some good tips and techniques. So and then our last order of business is we want to hear from you. So we've done this before where people have been sending us audio recordings about their favorite yarn shops. And so just go to speak pipe.com forward slash two ewes and you can le

Unabhängig von Alter, Religion oder Herkunft jeden Monat ein Gehalt beziehen und das ohne jede Gegenleistung. Davon träumen Fans des „Bedingungslosen Grundeinkommens“. Eine kontrovers diskutierte Idee, die politisch fast schon tot war. Aber dann kam die Corona-Krise. Vor allem Solo-Selbständige, Kreative und Künstler träumen seither wieder vom bedingungslose Grundeinkommen. Doch steckt in der politischen Idee eigentlich auch Musik? Dieser Frage gehen Künstler jetzt unter dem Titel „Der Klang des bedingungslosen Grundeinkommens nach.“ Jane Höck weiß mehr darüber.

Im Museum sind wir oft von stummen Zeugen umgeben, vor allem je weiter es in die Zeit zurückgeht. Antike Statuen oder Inschriften auf Säulen sprechen nicht zu uns. In London läuft gerade eine Ausstellung, die versucht, die verborgenen Inhalte solcher Objekte zum Vorschein zu bringen, zum Beispiel festgehaltene Liedtexte in Form von Gesang und Musik. Jane Höck über die Musik des Alten Ägyptens.

Mercury HATES US so please bare with us as we try to deliver these cases in the worst conditions possible, probably really not that bad but we are *dramatic*!!!For ep 54, Morgan brings you a first hand haunting of a house in Brooklyn, NY straight from the writings of one the former tenants, Jane H. Taylar wraps it up with the case of Joel Rifkin aka Joel the Ripper!This was a crazy one so hold on tight! See ya next week! Love ya, BYE!!BESS PICS: https://besspics.com/AFTERLIFELASHES: CREEPSANDCRIMES 40% OFFBe sure to like, comment, subscribe and turn on post notifications for our channel! Let's Get Creepy!!Follow us on Instagram: https://www.instagram.com/creepsandcrimespodcast/?hl=enCheck out our website: https://creepsandcrimespodcast.com/Join our Patreon: https://www.patreon.com/creepsandcrimesStory Sources: Reddit.comGraphics: Created by Taylar Fetzner via CanvaPhotos: Bess PicsIntro Song 1: Phenom via Epidemic SoundsIntro Song 2: Phenom via Epidemic Sounds, Remix by Taylar FetznerBackground Music: Decomposed via Epidemic SoundsAd Music: Sunset Dew via Epidemic Sounds

Ob aus Provokation, künstlerischem Ausdruck, Krankheit oder purer Lust dazu: Frauen ohne Haare sind auch im Jahr 2021 ein Aufreger. Warum eigentlich? Jane Höck trifft Frauen, die sich für einen kahlen Kopf entschieden haben. Von Jane Höck.

Mit „Roxy und ihr Wunderteam“ entstand die erste Fußball-Operette der Geschichte. Die Uraufführung fand in Anwesenheit der österreichischen Fußball-Nationalmannschaft 1937 im Theater an der Wien statt. Geschrieben wurde das Werk von Paul Abraham, der in den frühen 30er Jahren als König der Operette gefeiert wurde. Jane Höck über den jüdischen Star, den die Nationalsozialisten aus seiner Heimat vertrieben und seine Fußball-Operette.

Ganz langsam meldet sich der Frühling zurück und mit den ersten Blüten im Garten stellen sich auch die geflügelten Botschafter von Frühling und Sommer wieder ein. Die Schmetterlinge, deren zarte Flügel in allen nur denkbaren Farben schillern. Falter sind Poesie und Musik. Sie flattern durch Lieder und tanzen luftig leicht übers Klavier. Jane Höck folgt den lyrischen Klangspuren von Schmetterlingen und Faltern.

Der Argentinier Astor Piazzolla ist ein Phänomen. Mit seinem Tango Nuevo schaffte der Bandoneonspieler im vergangenen Jahrhundert den Sprung in die Klassik, in den Jazz, ja sogar in Rock und Pop. Heute eine Legende war der Tango Erneuerer zu Lebzeiten in Argentinien höchst umstritten. Wie sich der Mann, der am 11. März seinen 100. Geburtstag feiert, gegen alle Widerstände durchgesetzt und es dabei zu Weltruhm gebracht hat, darüber berichtet Jane Höck.

Musik spricht in einzigartiger Weise menschliche Emotionen an. Sie kann uns Gänsehaut und Glücksgefühle bescheren, uns heiter und fröhlich stimmen, aber auch traurig und niedergeschlagen. In Krisen funktioniert Musik sogar als Stimmungsaufheller und Antidepressivum, ganz ohne Nebenwirkung. Jane Höck hat untersucht, wie und wo Optimismus und Zuversicht in Musik zu finden sind.

Es war ein Jahr großer Herausforderungen und Entbehrungen und trauriger Ereignisse. Was bleibt von 2020 hängen, außer Corona-Krise und Lockdown? Jane Höck schaut zurück auf große und kleine Nachrichtenlichtblicke. In Deutschland und in der Welt. Von Jane Höck.

Ants, acid and yeast that can grow their own acid. Ants use formic acid to keep their colony safe inside and out. By ingesting formic acid, Ants are able to ward off dangerous pathogens. Passing food with your mouth isn't very socially distant, but ants eat acid to make it safe. How can yeast be used to 'grow' materials needed to make perfume and dyes? Succinic acid is a useful chemical precursor, but its possible to grow yeast that are able yo produce on scale as a by product. Finding just the right genes with CRISPR and super computers can turn yeast into a chemical production powerhouse. Simon Tragust, Claudia Herrmann, Jane Häfner, Ronja Braasch, Christina Tilgen, Maria Hoock, Margarita Artemis Milidakis, Roy Gross, Heike Feldhaar. Formicine ants swallow their highly acidic poison for gut microbial selection and control. eLife, 2020; 9 DOI: 10.7554/eLife.60287 Patrick F. Suthers, Hoang V. Dinh, Zia Fatma, Yihui Shen, Siu Hung Joshua Chan, Joshua D. Rabinowitz, Huimin Zhao, Costas D. Maranas. Genome-scale metabolic reconstruction of the non-model yeast Issatchenkia orientalis SD108 and its application to organic acids production. Metabolic Engineering Communications, 2020; 11: e00148 DOI: 10.1016/j.mec.2020.e00148

Blau erinnert an Meer und Himmel. An den Sommer! In Blau blüht aber auch die Blume der Weisheit, schmerzhaft seufzt der Blues in den Ohren und tanzen die blauen Noten des Jazz übers Klavier. Wie klingt Blau, welche Musik steckt in dieser Farbe, die wie eine Meeresbrise daher kommt? Jane Höck nimmt mit auf eine musikalische Reise ins Blaue.

November 1, 2020: "God Will Provide" by the Rev. Jane H. Rowe, preceded by 1 Kings 17:1-6

Spukgestalten kommen selten leise daher. Fiese Geräusche begleiten Geister und Gefährten in der Oper, in Filmen und Spielen. Schrille Töne sorgen für den nötigen Thrill. Jane Höck hat sich auf eine ungeheure Musikreise begeben. Von Jane Höck.

October 4, 2020: "Remember", by the Rev. Jane H. Rowe, preceded by Exodus 12:1-13 and 13:3-8

Von Sommerblau bis "Feeling Blue". Wie klingt Blau – welche Musik steckt in dieser Farbe, die wie eine Meeresbrise daher kommt? Jane Höck nimmt uns mit auf eine musikalische Weltreise ins Blaue. Von Jane Höck.

Cornelia Jefferson Randolph to Jane H. Nicholas Randolph, 18 January 1818. One of Thomas Jefferson's granddaughters writes to her sister-in-law about parties, shallow friendships, and an embarrassing incident on the dance floor. Kathryn is joined this week by Mary Wigge, a research editor of Martha Washington's papers. You can read the full transcribed text of this letter (along with the original handwritten document!) here: http://tjrs.monticello.org/letter/754 For more information on Cornelia Jefferson Randolph visit here: https://www.monticello.org/site/research-and-collections/cornelia-jefferson-randolph And for more information on Jane Hollins Nicholas Randolph visit here: https://www.monticello.org/site/research-and-collections/jane-hollins-nicholas-randolph

Clickbait-Jane // Drosten vs. Streeck // Gewürzregal bei Moin.de To clickbait or not to clickbait - das ist die Frage, der Klein aber Stoukalov diesmal nachgehen. Denn - spoiler alert! - es ist gar nicht so einfach: Jane H. bei der Zeit darf es nicht. Julia B. bei Moin.de kann es schon mal machen. Na und die FAZ macht ja bekanntlich eh, was sie will, solange die Klicks stimmen. Auch wenn sich dafür zwei Virologen im Topmodel-Finale ausstechen müssen. Außerdem wird noch geklärt, warum übermedien klug sind, was Fake News eigentlich sind (und nicht sind) und was denn nun das Geheimnis der Rewe-Gewürzregale ist...

To get live links to the music we play and resources we offer, visit This show includes the following songs: Adeline Saive - Breathing Again  Celine - Call Me  Jane H - Seashell  Avaya - Tempest  Voodoo Shakedown - Play With Fire  Siren Valley - Alive  Laura Clare - Money Religion  Susan Kane -  Rebekah  Rumour Mill - I Should Know Better  Rachael Sage - Blue Sky Days  For Music Biz Resources Visit Visit our Sponsor Bandzoogle at: Visit our Sponsor Ed & Carol Nicodemi at:  Visit our Sponsor Carlene Thissen at:

To get live links to the music we play and resources we offer, visit This show includes the following songs: Adeline Saive - Breathing Again  Celine - Call Me  Jane H - Seashell  Avaya - Tempest  Voodoo Shakedown - Play With Fire  Siren Valley - Alive  Laura Clare - Money Religion  Susan Kane -  Rebekah  Rumour Mill - I Should Know Better  Rachael Sage - Blue Sky Days  For Music Biz Resources Visit Visit our Sponsor Bandzoogle at: Visit our Sponsor Ed & Carol Nicodemi at:  Visit our Sponsor Carlene Thissen at:

Ein Konzert im Garten spricht auf besondere Weise die Sinne an. Naturtöne vermischen sich mit von Menschen erzeugten Melodien. Jane Höck nimmt uns mit auf einen klingenden Streifzug durch die Verbindung von Musik und Garten. Von Jane Höck.

Der Frühling ist die perfekte Zeit, um in Gärten oder Parks die ersten Open-Air-Konzerte des Jahres zu besuchen. In Zeiten von Corona bleibt da nur das Musizieren im eigenen Garten, allein oder mit der Familie. Das lenkt ab, macht Spaß und inspiriert. Wie und in welcher Form der Garten es in die klassische Musik geschafft hat, darum geht es in einem Beitrag von Jane Höck.

With the outbreak of war with Spain, Ireland once again became a serious concern for London. The Spanish could find easy allies among their co-religionists, and the kingdom was lightly defended. The solution? Offer a serious of political and financial concessions to Catholic Anglo-Irish and Gaelic Irish, in return for their assistance in the war. Check out the podcast website: https://www.paxbritannica.info Facebook: https://www.facebook.com/PodBritannica/ Twitter: https://twitter.com/BritannicaPax For this episode, I found the following publications particularly useful: Jane H. Ohlmeyer, ''Civilizinge of those Rude Partes': Colonization within Britain and Ireland, 1580s-1640s', in The Oxford History of the British Empire: Volume I: The Origins of Empire Nicholas Canny, Making Ireland British, 1580-1650 Conrad Russell, The Causes of the English Civil War Mark Kishlansky, Monarchy Transformed Tadhg Ó hAnnracháin, 'Counter Reformation: The Catholic Church, 1550-1641', in The Cambridge History of Ireland Colm Lennon, 'Protestant Reformations, 1550-1641', in The Cambridge History of Ireland For a full bibliography, see the website. Learn more about your ad choices. Visit megaphone.fm/adchoices

Der Belgier Godfried-Willem Raes ist der Herrscher über 76 besondere Musiker. Sie intonieren, was immer er will. Nur: Seine Musiker sind keine Menschen, sondern Maschinen. Jane Höck hat das größte Roboter-Orchester der Welt besucht. Von Jane Höck.

Back in the reign of James VI/I, the plantations of Ireland came under official review. Middlesex, looking to cut costs and raise funds, looked across the Irish Sea to the growing colonial project of the Plantations of Ireland. Why were these costing so much money, why were they not bringing in profit, and why were they still so Irish?! Check out the podcast website: https://www.paxbritannica.info Facebook: https://www.facebook.com/PodBritannica/ Twitter: https://twitter.com/BritannicaPax For this episode, I found the following publications particularly useful: - Jane H. Ohlmeyer, ''Civilizinge of those Rude Partes': Colonization within Britain and Ireland, 1580s-1640s', in The Oxford History of the British Empire: Volume I: The Origins of Empire - Nicholas Canny, Making Ireland British, 1580-1650   For a full bibliography, see the website. Learn more about your ad choices. Visit megaphone.fm/adchoices

March 1, 2020: "Look at Us, Jesus" by the Rev. Jane H. Rowe, preceded by Psalm 19:7-14 and Mark 10:17-31

February 23, 2020: "Who Is Jesus to You?" by the Rev. Jane H. Rowe, preceded by Mark 9:2-8 and Mark 8:27-9:1

February 16, 2020: "It's Contagious" by the Rev. Jane H. Rowe, preceded by Psalm 51 (responsorial sung) and Mark 7:1-23, then concluding with "Give Me a Clean Heart"

February 9, 2020: "Sent Out" by the Rev. Jane H. Rowe, preceded by Psalm 145:10-19, a Holy Surprise, and Mark 6:1-13

February 2, 2020: "Only Believe" by the Rev. Jane H. Rowe, preceded by Psalm 131 and Mark 5:21-43

January 26, 2020: "Tell Your Friends" by the Rev. Jane H. Rowe, preceded by Psalm 27:7-10, 13-14 and Mark 5:1-20

Mit "lalelu" und "eia popeia" werden Kinder in den Schlaf gesungen. Aber warum eigentlich? Wie und wann funktionieren Schlaflieder? Gab es sie schon immer? Jane Höcks Spurensuche im Reich der Wiegenlieder bringt überraschend viele Monster zutage. Von Jane Höck.

December 29, 2019: A sermon by the Rev. Jane H. Rowe using Between Us and Abuela: A Family Story from the Border by Mitali Perkins, preceded by Psalm 126 and Luke 2:21-35

December 22, 2019: "Part of a Bigger Plan" by the Rev. Jane H. Rowe, preceded by Luke 1:5-13 and 67-80

Jane H. Neyman was denied membership in the Female Relief Society of Nauvoo. Rather than becoming bitter, Neyman went on to lead her local Relief Society in Beaver Utah.

December 8, 2019: "A Highway for God" by the Rev. Jane H. Rowe, preceded by Mark 1:1-4 and Isaiah 40:1-11

December 1, 2019: "The Days Are Surely Coming" by the Rev. Jane H. Rowe, preceded by Psalm 130 and Jeremiah 33:14-18

November 24, 2019: "Keeping the Covenant - South Church Stories" by the Rev. Jane H. Rowe with stories by members of the congregation, preceded by 2 Kings 22:1-2 and 2 Kings 23:1-3

November 17, 2019: "A Love Story with Many Verses" by the Rev. Jane H. Rowe, preceded by Isaiah 5:1-7 and 11:1-5

November 10, 2019: "A Love Story" by the Rev. Jane H. Rowe, preceded by Psalm 81:8-10a, 13 and Hosea 11:1-11

November 3, 2019: "The Contest" by the Rev. Jane H. Rowe, preceded by Joshua 24:14-15 and 1 Kings 18:17-24, 36-39

October 27, 2019: "A Leader Who Listens" by the Rev. Jane H. Rowe, preceded by Mark 10:42-45 and 1 Kings 12:1-15a

October 20, 2019: "With All Your Might" by the Rev. Jane H. Rowe, preceded by Psalm 150 and 2 Samuel 5:1-5; 6:1-5

October 13, 2019: "A Journey of Love" by the Rev. Jane H. Rowe, preceded by Mark 3:31-35 and Ruth 1:1-18

My Weekly Reminder.....Be Mindful of How You are Living Your Life! Every week the first 10 minutes of my ASK BEATTY SHOW summarizes all of the things that we need to DO to keep ourselves emotionally, psychologically and physically healthy.   1.  In the last 48 hours have you been engaging in activities that are good for you or have you been engaging in behaviors and relationships that are destructive and self-destructive to your well-being?  Be honest with yourself. If you are being good to yourself, continue to do so.  If not, when and what steps  are you you prepared to take to put your life and your relationships on a more positive course?   2.    My guests today are Jane H. Goldman and Cheryl Benton.   Jane is a renaissance woman and is the author of With No Regrets-Getting Older"  Face It, Live It, Love It, published by Three Tomatoes Publishing (2019).  Jane reveals universal fears and thoughts about growing older and freeing ourselves from the expectations of others. For a number of years, Jane was General- Counsel Vice President of Warner Bros Distributing Corporation and thereafter, litigation counsel to its parent company Time Warner Inc. She now pursues and lives her passions which include painting, sculpting, music and writing.  She also won a Drama Desk Award as associate producer of the long running show Celebrity Autobiography, which recent had its Broadway debut.  She earned her law degree from NYU.   Cheryl is the founder/publisher of the Three Tomatoes, a lifestyle media platform for grownup women, which she started after a successful career in advertising.  Three Tomatoes celebrates women at every age and stage of our lives.  She is the author of a novel, Can You See Us Now? and co-author of Martini Wisdom. She recently launched the Three Tomatoes Publishing Services to help women get published.  "Women's voices and stories, especially as we get older, need to be told", says Benton.   TO LIFE AND LOVE, xxxBEATTY

Leise, sauber und zuverlässig: Mähroboter sind unauffällige Helfer im Garten. Jane Höck hat sich im Garten der Zukunft umgesehen und fragt sich, ob Mähroboter nach und nach zum neuen Familienmitglied werden. Von Jane Höck.

Keine EU-Verwaltungsgebäude, keine in Brunnen pinkelnden Kerlchen, dafür mehr als 10.000 kulturhistorische Gebäude des Mittelalters und Grachten bis zum Abwinken. Jane Höck hat die historische Stadt besichtigt. Von Jane Höck.

Diese Reise kann man auf vierlei Weise angehen. Jane Höck hat die beiden Hauptstädte der ehemaligen Doppelmonarchie so besucht - mit Sisi und Franz im Kopf sowie Kind & Kegel im Gepäck. Von Jane Höck.

With the death of Elizabeth, the King of Scots travels south to take up his new kingdoms of England and Ireland. James faces an uphill challenge; his rulership style is vastly different to Elizabeth's, and he inherits a number of serious problems. Adding to this is James' insistence on political union between his two larger kingdoms; he wants to become King of a single Great Britain. Check out the podcast website: https://www.paxbritannica.info Facebook: https://www.facebook.com/PodBritannica/ Twitter: https://twitter.com/BritannicaPax In this episode I made particular use of the following publications: - Jane H. Ohlmeyer, ''Civilizinge of those Rude Partes': Colonization within Britain and Ireland, 1580s-1640s', in The Oxford History of the British Empire: Volume I: The Origins of Empire - Alan Stewart, The Cradle King: A Life of James VI and I - Julian Goodare, The Government of Scotland 1560-1625  For a full bibliography, see the website. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jane H. Neyman was denied membership in the Female Relief Society of Nauvoo. Rather than becoming bitter, Neyman went on to lead her local Relief Society in Beaver Utah.

James VI was crowned king at one year old, and his early life was spent as the puppet of a succession of regencies. When he finally asserted his independence, he faced down a series of rebellions and strengthened his royal authority through fire and sword. His relationship with Elizabeth of England was complicated and often violent, and his vassals were insubordinate and churlish. Yet he would emerge at the dawn of the 17th century the ruler of the entirety of the British Isles. Check out the podcast website: https://www.paxbritannica.info Facebook: https://www.facebook.com/PodBritannica/ Twitter: https://twitter.com/BritannicaPax In this episode I made particular use of the following publications: - Jane H. Ohlmeyer, ''Civilizinge of those Rude Partes': Colonization within Britain and Ireland, 1580s-1640s', in The Oxford History of the British Empire: Volume I: The Origins of Empire - Alan Stewart, The Cradle King: A Life of James VI and I - Julian Goodare, The Government of Scotland 1560-1625  For a full bibliography, see the website. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Jane H. Hill visits The Context of White Supremacy. Dr. Hill is Regents' Professor of Anthropology and Linguistics at the University of Arizona. She has done extensive research on the relationship between language and White Supremacy. Her 2008 publication, The Everyday Language of White Racism, examines how words are used to advance, conceal and excuse the ongoing enterprise of White Terrorism. We'll discuss how White Supremacist commentary is frequently masqueraded as "a joke" - and how the practice of coding White Supremacy in jokes is extremely effective for perpetuating the system. We'll also discuss the concept of "Mock Spanish". The purposeful, "playful" degradation of the Spanish language, subtly encourages the abuse of non-white people. #MasterDeceivers #WordsMatter #TheCOWS INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 720.716.7300 CODE: 564943#

Cruising for the Cure is a classic wooden boat show that benefits pancreatic cancer research. Mel sits down with Rick Thie of Cruising for the Cure and talks about his mom Jane Thie, the inspiration for the boat show and the Jane H. Thie Memorial fund. Mel is on the board of directors of Cruising for the Cure, and is a fan of wooden boats, so being a part of this organization is near and... Mel Majoros has been sharing her battle with breast cancer online for nearly 2 years now on her blog titled "The Cancer Warrior". After being named one of the top cancer blogs in the country, Mel is taking her advocacy and inspiring outlook a step farther with her new weekly show at www.empoweradio.com.

Learn how hypnosis can assist with weight loss and promote healthy habits. Jane H. Percy, author of Lighten Up: Win at Losing, shares numerous helpful tips to help you overcome the challenges of trying to loose weight.For more information, please visit http://www.riverlightcenter.com The post Hope, Healing and WellBeing – Lighten Up: Win at Losing Weight with Jane H. Percy appeared first on WebTalkRadio.net.