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Bonus Episode #42 of BGMania: A Video Game Music Podcast. This week on the show, Bryan from RPGera presents another Musical Review, this time focusing on a game he recently finished from Warhorse Studios and Deep Silver... Kingdom Come: Deliverance 2! Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or whatever you want! Special thanks to our Executive Producers: Jexak, Xancu, & Jeff. EPISODE PLAYLIST AND CREDITS Saint Barbara Theme from Kingdom Come: Deliverance 2 [Jan Valta, 2025] The Trek from Kingdom Come: Deliverance 2 [Jan Valta, 2025] Semine Theme from Kingdom Come: Deliverance 2 [Jan Valta, 2025] Nuptials from Kingdom Come: Deliverance 2 [Adam Sporka, 2025] Kuttenberg Theme from Kingdom Come: Deliverance 2 [Jan Valta, 2025] Trouble at Mill from Kingdom Come: Deliverance 2 [Jan Valta, 2025] Kuttenberg Market from Kingdom Come: Deliverance 2 [Jan Valta, 2025] The Hole in the Wall from Kingdom Come: Deliverance 2 [Adam Sporka, 2025] Soldier's Camp from Kingdom Come: Deliverance 2 [Jan Valta, 2025] Flee! from Kingdom Come: Deliverance 2 [Jan Valta, 2025] Burgher, Commoner and Lord from Kingdom Come: Deliverance 2 [Adam Sporka, 2025] Trapped from Kingdom Come: Deliverance 2 [Jan Valta, 2025] Facing the Foe from Kingdom Come: Deliverance 2 [Jan Valta, 2025] Ode to Henry from Kingdom Come: Deliverance 2 [Jan Valta, 2025] SUPPORT US Patreon: https://patreon.com/rpgera CONTACT US Website: https://rpgera.com Discord: https://discord.gg/cC73Heu Twitch: https://twitch.tv/therpgera Twitter: https://twitter.com/OriginalLDG Instagram: https://instagram.com/bryan.ldg/ Facebook: https://facebook.com/leveldowngaming RPGERA PODCAST NETWORK Very Good Music: A VGM Podcast Listening Religiously
Episode 212 it is - we're cruising into 1858 but wait! The sounds of gunfire! Yes, it's that old South African tune, war, set to the music of the guns. Our society is steeped in action, movement, confrontation. This is not a place for the insipid, the weak, the fearful. Whatever our belief system or our personal politics, what cannot be disputed is that the country and our ways are those of the warrior. This is an uncomfortable truth for metropolitans who are more used to single latte's than sling shots. Globally, 1858 is full of momentous events and incidents. It was the year in which Charles Darwin and Alfred Russel Wallace present their papers on evolution by natural selection in London. In India, a peace treaty ends the Indian Rebellion and later in the year the British parliament passes the Government of India Act. This transfers the territories of the British East India Company and their administration to the Direct Rule of the British Crown. The great stink in London led parliament to a bill to create modern sewerage system after the dreadful odours wafting about the British capital during the summer. Another young girl dreams up appiritions in the mode of Nongqawuse who dreamed up the cattle Killings - this time its Bernadette Soubirous who claims she saw several appritions appeared before her in the southern French town of Lourdes. Without going into too many gory details, around Ash Wednesday a woman appeared before her inside a grotto and after three appearances over time, began to talk. By October, the government had shut down the grotto there were so many people pitching up to take part in what was called a miracle. A miracle only she could see. Strange how these stories in this period repeated themselves. Back in Africa, David Livingstones six-year long second Zambezi expedition arrived on the Indian Ocean coast. Which is an important moment because inland, the tension between the Boers of the Free State and King Moshoeshoe of Basutoland had been exacerbated. A drought was reported in the region in 1858 which exacerbated everything. The Volksraad met in February 1858. They were faced with a request for help to deal with Posholi signed by a field-cornet and sixty five other burghers in the disputed area.Later in February 1858 Smithfield Landdrost Jacobus Sauer sent more news from the badlands - Posholi was, in his words, parading through Smithfield district with warriors and when accosted, said he was on a hunting expedition. When the Commando eventually gathered, there were one thousand armed and mounted Boers. Which was exactly ten percent the size of the Basotho force of ten thousand, all mounted with at least five hundred firearms. Back at the Thaba Bosiu ranch, Moshoeshoe was a sea of calm. It was now war and the king along with the territorial chiefs and councillors, put their plans into motion. They'd faced this kind of attack before, the British had raided them in 1852 if you recall. That had ended in disaster for the empire, so Moshoeshoe was not rattled by the latest assault on his independence.
Another big player in the Phoenix market, John Berger talks about how he's getting mailbox money from properties in 15 states. How Joe Burgher Is Getting Mailbox Money From 17 States | Video Replay To Close More Sales Faster: closemoresales.com/salesmasterclass MOTIVATED LEADSGet a $300 Credit... The post How Joe Burgher Is Getting Mailbox Money From 17 States appeared first on Real Estate Disruptors.
Anita's guest is Tom Burgher of the SLOPOKE Art Show. Produced by Jim Richards
Anita's guests are Tom Burgher and Peter Adams of the SLOPOKE Art Show
I'd love to hear from you. Send me a text! :)Imagine waking up with joy, passion, and a clear sense of purpose, feeling grateful, inspired, and connected to God's plan, trusting His timing is always perfect!Welcome to the Faith-Inspired Living Podcast. Hi, I'm Donna Burgher, your Host, Faith-Inspired Living Mentor, Dream Catalyst, and Mindset Coach.This podcast is for aspiring women who desire to live happy, faith-inspired, and joyful lives.Are you ready to embrace life with God and pursue your Divinely-Designed Dreams™?Join me twice a week. Tune in on Tuesdays for the Scripture Spotlight episodes, where I share a powerful Bible verse and explore its meaning. I'll end each episode with a short prayer asking God to help us live the truths we've discovered. These brief faith-infused episodes are designed to uplift your spirit, strengthen your faith, and inspire you to live each day with renewed purpose, joy, and connection to God's grace.Let's Grow In Faith Together ~ One Verse At A TimeThen, join me each Friday for inspiration, motivation, and education as we explore practical tools and biblical principles to deepen your faith, pursue your dreams, cultivate a positive mindset, and overcome obstacles as you walk in faith toward the radiant future God has planned for you.If you're ready to strengthen your faith, pursue your God-given dreams, and live a joyful, faith-inspired life filled with passion and purpose, I invite you to click the FOLLOW button so you never miss an episode. Go to FaithInspiredLivingPodcast.com I'm so excited to be on this journey with you. May Your Days Be Filled With His Love And Grace.
Anita has a conversation with Tom Burgher about the SLO Poke Art Show. Produced By Jim Richards
Octava entrega de repaso a la colección Mod Jazz Series, recopilatorios que abordaron el jazz desde distintos ángulos buscando favoritos de los mods de los años 60.(Foto del podcast; Johnny Lyttle)Playlist;(sintonía) FREDDIE McCOY “Collard greens”BOOKER T AVERHART and THE MUSTANGS “Take your shoes off pt.1”TROY DODDS “The real thing”MARTINI’S “Hung over”FLOYD WHITE “Finders keepers”NIGHTBEATS “Whos is afraid of Virginia Woolf pt.2”THE RUBEN WILSON QUARTET “Rod run”JESSE DAVIS “Night bloomin’ jasmin”BYRDIE GREEN “Return of the prodigal son”JOHNNY HAMMOND SMITH “The in crowd”F/E LITTLE BOB “Look out, heartaches”JOHN HART with LIL’ BOB and THE LOLLIPOPS “Burgher’s beat”BUDDY GUY “Fever”BILLY LARKIN and HIS ORCHESTRA “Lookin’”HANK JACOBS “A message to Regina”DAVE HAMILTON SEXTET “D.H. Boogaloo”GUS JENKINS “Tricky too”JOHNNY LYTTLE TRIO “The village caller”Escuchar audio
Epsiode 576: Today I catch up with YouTube host, Mike Burgher, AKA Mr. Burgher. We geek out on art history. Dada, Diane Arbus, Toulouse-Latrec, & Van Gogh. I find out the process of how he picks the artists he profiles. All images used with permission. This episode is brought to you by: The post Catching up with YouTube sensation, Mr. Burgher appeared first on Let's Talk Art With Brooke.
Anita talks to Tom Burgher about what is going on at the SLO Poke Art Show. Produced by Jim Richards
Johanna hat lange in Husum als Krankenschwester gearbeitet, doch seit vielen Jahren heißt ihre neue Heimat Jamaika. Auf der mittelamerikanischen Insel ist sie Leitung eines Health Care Centers und berichtet in Thores Tea Time über die Zustände in ihrem kleinen Krankenhaus, über die Unterschiede von der jamaikanischen und deutschen Gesellschaft - und was wir von den (armen) Menschen auf Jamaika noch lernen können. Außerdem sucht Johanna dringend nach Spendern für einen Container, der mit wichtiger Arznei und technischem Gerät nach Jamaika geschifft werden muss.
The crew of a U-Boat in the Great War find some danger runs very very deep CAST Cap. Karl Heinrich - Rick Lewis Lt. Keinze - J. Hoverson Crew: Shawn Connor & Bryan Hendricksen Music by: Kevin MacLeod (Incompetech.com) Recorded with the assistance of Ryan Hirst of Neohoodoo Studio Editing and Sound: Julie Hoverson Cover Art - Brett Coulstock "What kind of a place is it? Why it's a U-boat of the Kaiserliche Marine - can't you tell?" ______________________________________________________________ THE TEMPLE Cast: Lieutenant Commander Karl HEINRICH, Graf von Altberg-Ehrenstein, Lieutenant-Commander in the Imperial German Navy, Prussian (mid 30s?) Lieutenant Jurgen KIENZE, second in command, "womanish Rhinelander" (30) Boatswain MULLER, elderly "superstitious Alsatian swine" SCHMIDT [mid 20s - goes mad] ZIMMER [mid 20s - leads delegation to get rid of idol] BOHIN [mid 20s - goes mad] RAABE [early 20s - engineer] SCHNEIDER [early 20s - engineer] OLIVIA Did you have any trouble finding it? What do you mean, what kind of a place is it? Why, it's a U-Boat of the Kaiserlich Marine, can't you tell? (That's World War I, for all you younger folks...) [My apologies for any mischaracterization of Germans - it's all from Lovecraft's original text. His complete lack of knowledge of U-Boats also - But I had to leave in the portholes to support the story. Any mistakes in military etiquette of the time are probably mine, though.] MUSIC SCENE 1. AMBIANCE U-BOAT ENGINE SEAMEN [murmuring voices] SOUND HATCH OPENS, CLANGING FOOTSTEPS KIENZE Achtung! Kapitanleutnant Heinrich on deck! SEAMEN [instantly silent] HEINRICH [commanding, slightly angry sounding] Ser gut! I have been reviewing the log regarding the sinking of the British freighter Victory, and I must say [getting ominous] that you are - most definitely - [spitting out the words] the single, absolute, most efficient U-boat crew in the Atlantic. [laughs] At ease, at ease. SEAMEN [Excited chatter] KIENZE I myself cannot wait to view the film we took. HEINRICH Ya, ya. [aside] The camera was off before we sank the lifeboats? KIENZE As always, Kaleu. SOUND HEARTY CLAP ON SHOULDER HEINRICH Most excellent. Come Kienze, I have a bottle of some fine Schnapps. You must help me celebrate. MUSIC in then under SCENE 2. HEINRICH [on a recording, tired sounding] On August 20, 1917, I, Karl Heinrich, Graf von Altberg-Ehrenstein, Lieutenant-Commander in the Imperial German Navy and in charge of the submarine U-29, deposit this bottle and record in the Atlantic Ocean at a point to me unknown but probably about North Latitude 20 degrees, West Longitude 35 degrees, where my ship lies disabled on the ocean floor. MUSIC HAS FADED OUT SCENE 3. SFX SUBMARINE SURFACES SOUND HATCH OPENS AMBIANCE CALM SEA, OCCASIONAL BIRDS SOUND FOOTSTEPS ON METAL HEINRICH [grunt - stretching noise] There is nothing like the first step out on deck after a victory, eh?. KIENZE A "Victory"? [chuckles] Ya. Very amusing. MULLER [off] Kaleu, sir! Come! SOUND FOOTSTEPS ON METAL HEINRICH What could be so-- Oh! MULLER He must be from the Victory, sir! KIENZE Alive? HEINRICH Don't be foolish, Kienze, we were far too long submerged. He would have had a better chance if he let go and braved the waves. [shouting off] Remove the corpse! [NOTE - red text will come back at the end in echoes] ZIMMER Sir! His hands are in a death grip! HEINRICH Fingers break more easily than railings. ZIMMER [hesitantly] uh... Aye sir! SOUND POUNDING NOISES HEINRICH [sanctimonious] One more victim of the unjust war of aggression the English schweinhunds are waging upon the Reich. KIENZE Truly, he is our victim. Nothing more. HEINRICH You do not see the whole picture - [amused] Just like a soft-headed Rhinelander. If you were a solid Prussian like myself-- SEAMEN [OFF - NOISE OF AN ALTERCATION] HEINRICH Vas is los? Go and see. SOUND FOOTSTEPS ON METAL KIENZE What is this? What is this? Achtung! SOUND SCRAMBLE OF MEN GETTING TO THEIR FEET KIENZE What is so very exciting? ZIMMER Sir! Schmidt took something from the pocket of the ... [gulp] d-dead one. KIENZE Schmidt? Would you show this to me? SCHMIDT It is nothing, Leutnant. KIENZE I will judge that. Give it me. [beat] Well, this is... certainly something. I am confiscating it - now put that over the side. SOUND FOOTSTEPS ON METAL HEINRICH So? KIENZE A bauble. Ivory, I think - looks like a classical bust, ya? HEINRICH Not a senator, though - this one is much too young and handsome. KIENZE Possibly a kaiser? HEINRICH Or a god. KIENZE [reluctantly] It is yours, if you want it. It might be valuable-- HEINRICH No, no. I have not the sentimental-- MULLER [off, screams] SOUND FOOTSTEPS RUNNING ON METAL HEINRICH [puffing only slightly] What is it? SCHMIDT [shivering with fear] Muller, sir - it is Muller! KIENZE Muller's unconscious. HEINRICH Wake him. SOUND SLAPS MULLER [wails] SOUND ANOTHER SLAP MULLER [gasps, is silent] HEINRICH Get him up here. [command] Stations! SOUND RUNNING FEET CLANG AWAY KIENZE Are you going to talk sense now? MULLER [hollow] His eyes! His eyes! KIENZE Whose eyes? Speak sense! SOUND SLAP HEINRICH Enough! Muller. Tell me what is wrong. MULLER Ya, mein kapitan! [trying to calm down] The body - the eyes were closed. But when they rolled it over the side, they opened - and they were mocking us! HEINRICH [casual] Superstitious rubbish. Muller, you have seen corpses before now, and-- MULLER Sir! But that is not all! He-- [sullen, inward] You will not believe me! KIENZE You are under orders to speak. MULLER I-- watched as the body hit the water. I saw it sink beneath the waves, and-- HEINRICH And--? MULLER [almost a whisper] It drew its limbs in, and swam away. KIENZE You filthy lying--! [grunt as about to slap him again] HEINRICH Nein, Leutnant. [calming] Muller. You know this cannot be true, don't you? MULLER But I saw-- HEINRICH Water is deceptive. It is strange, ya, that the body simply sank - but that is probably due to its waterlogged condition after being held under on our railing for hours. Beyond that--? It is all a trick of the light. MULLER Truly? HEINRICH I will hear no more about it, ya? MÜLLER But you should keep no part of him on the ship - it is bad luck. The statue-- HEINRICH Is nothing. It is a trinket. You go about your duties now, Boatswain. SOUND RELUCTANT FOOTSTEPS AWAY HEINRICH Pfaugh. [muttered growl] Superstitious Alsatian swine! Why am I surrounded by inferior-- KIENZE Kaleu? Do you wish that I throw the bust overb-- HEINRICH Nonsense. We do not give in to fear. We are men of the twentieth century - and, more importantly, officers in the Kaiserliche Marine. KIENZE I could... tell them I threw it-- HEINRICH Do not show weakness. It makes you sound unreliable. MUSIC in and under SCENE 4. HEINRICH [canned] The next day a very troublesome situation was created by the indisposition of some of the crew. Evidently suffering from the nervous strain of our long voyage, they had had bad dreams. When weather turned choppy, we descended to a depth where the sea was comparatively calm, despite a somewhat puzzling southward current which we could not identify from our oceanographic charts. MUSIC HAS FADED OUT SCENE 5. SOUND HATCH CLOSES SFX SUBMARINE SUBMERGES SOUND FOOTSTEPS ON METAL RAABE Under-Engineer Raabe, here to make a report, sir! HEINRICH Where is Schneider? RAABE He is ... unwell, sir. HEINRICH What is wrong? RAABE He... did not sleep well, sir. HEINRICH What? KIENZE It is the same with many of the men, Kaleu. They are feverish and say they have had bad dreams. HEINRICH If they are shirking, I will-- RAABE Sir, no! Schmidt is burning up with fever, screaming all night in his berth. HEINRICH [sympathetic] Then you did not sleep well either, I expect? RAABE Nein, Kaleu. HEINRICH [very pleased] Yet you are here, like a good sailor. Good man-- MULLER [muttered off] It is the idol. It is accursed. HEINRICH What? Muller? MULLER [panicky] Nothing. I said nothing sir. KIENZE He said-- HEINRICH [grim] I heard what he said. Muller, I will have none of this wild peasant superstition on my ship! KIENZE [amused undertone] You forget, mein noble Kapitan, I am a commoner as well. HEINRICH [dismissively] Burgher stock. [teasing slightly] And they made you an officer - you must have some good qualities. MULLER What does it matter? We are all doomed! RAABE [dismissive] Doomed? Because some men are sick? HEINRICH Sehr gut. We must remain rational at times like these. Retain our iron German will. [sharp] Kienze? KIENZE [snapping to] Ya mein kapitanleutnant? HEINRICH Remove Boatswain Muller. KIENZE Ya, Kaleu. MUSIC in and under SCENE 6. HEINRICH [canned] The moans of the sick men were decidedly annoying; but since they did not appear to demoralize the rest of the crew, we did not resort to ... extreme measures. It was our plan to remain where we were and intercept the liner Dacia, mentioned in information from agents in New York. MUSIC HAS FADED OUT SCENE 7. SOUND INSIDE THE BOAT. MANY FEET RUNNING ACROSS METAL, FEET STOP ABRUPTLY CROWD [muttering, backs up Zimmer throughout the scene.] HEINRICH Und vas is los? ZIMMER [clears throat] Kapitanleutnant, we must request - most strenuously - that you-- HEINRICH Is this about that knickknack? What sort of Gypsies are you, to believe such phantasms? ZIMMER But what could it hurt, sir? It is surely not so valuable that it is worth risking-- HEINRICH What? Risking what? The only thing we are risking here is our mission. BOHIN We will all die! ZIMMER Shh. [trying to sound reasonable] Morale, mein kapitan. It is such a small thing, yet would mean so much to the men. HEINRICH [low, despising] I see no men here. MUSIC IN AND UNDER SCENE 8. HEINRICH [canned] Everyone seemed inclined to be silent now, as though holding a secret fear. Many were ill, but none made a disturbance. Lieutenant Kienze chafed under the strain, and was annoyed by the merest trifle - such as the schools of dolphins which passed the U-29 in increasing numbers, and the growing intensity of that southward current which was not on our chart. MUSIC HAS FADED OUT SCENE 9. SOUND HATCH CLANGS SHUT AMBIANCE UP TOPSIDE SCHMIDT That makes seven of us. We can surely-- ZIMMER Muller is still in irons. He can be no help. BOHIN Muller saw them! ZIMMER Shh. None of the crazy talk, Bohin. We cannot let ourselves-- BOHIN [too intense to be sane] I have not seen them, but they call to me! Their voices are like the waves - but waves that make words! SCHMIDT [sigh] So there are six of us. SOUND HATCH OPENS, A COUPLE OF FOOTSTEPS RAABE What is going on here? SCHMIDT [snort] We are planning a party. What does it look like? RAABE What is happening that makes everyone so-- BOHIN There! In the WATER! They have come! RAABE --Crazy? SOUND RUNNING FOOTSTEPS, A STRUGGLE, A BODY SLAMMED AGAINST METAL. MUSIC IN AND UNDER SCENE 10. HEINRICH [canned] He was in a detestably childish state, and babbled of some illusion of dead bodies drifting past the portholes; bodies which he recognized, in spite of bloating, as having seen dying during some of our victorious German exploits. And he said that the young man we had found and tossed overboard was their leader. This was very gruesome and abnormal. MUSIC HAS FADED OUT SCENE 11. RAABE Seaman Bohin tried to leap off the deck. We had to hold him down until the madness left him, sir. KIENZE All for such a small thing. SOUND SMALL IVORY STATUE SET ON TABLE RAABE That is what this is all about? KIENZE Just that. SOUND FOOTSTEPS, STATUE IS SNATCHED UP AND PUT AWAY IN A POCKET ZIMMER Sir! Leutnant Kienze? Bohin is gone! He is nowhere on the ship. MUSIC IN AND UNDER SCENE 12. HEINRICH [canned] It at length became apparent that we had missed the Dacia altogether. Such failures are not uncommon, and we were more pleased than disappointed, since our return to Wilhelmshaven was now in order. MUSIC HAS FADED OUT SCENE 13. SOUND MEASURED FOOTSTEPS AMB INSIDE SEAMEN [Muffled, CHEERS!!!] HEINRICH [sigh] This soft-headedness is not good. Morale is the result of willpower, not coddling. KIENZE Still, I too will be glad when this trip is over. That southern current we have blundered into bothers me. HEINRICH It explains how we missed our target. Not every inch of the ocean is charted properly. KIENZE But it is so strong - to be overlooked. RAABE [clears his throat] Sir? HEINRICH Schneider still not feeling well? RAABE He prefers to remain in the engine room, sir. He does not like ... being near portholes. KIENZE Portholes? RAABE His dreams haunt him. [hurriedly] But he is not impaired in his job. HEINRICH [teasing] Well, certainly you did not come all this way to tell us Senior Engineer Schneider does not like portholes. Out with it! RAABE Something fantastic has happened. The boat - it is surrounded by -- dolphins. HEINRICH Dolphins? How many? SOUND KIENZE'S FOOTSTEPS GO AWAY KIENZE [off] Ya, come and look! They are everywhere! HEINRICH Finally something the superstitious can interpret as a good sign, ya? KIENZE [jubilant] Just as we decide to return to Schlicktown! This should truly mollify them. HEINRICH [dry] How fortunate. MUSIC IN AND UNDER SCENE 14. HEINRICH [canned] At noon June 28 we turned northeastward, and despite some rather comical entanglements with the unusual masses of dolphins, were soon under way. MUSIC HAS FADED OUT SCENE 15. SOUND SNORING [HEINRICH] SFX EXPLOSION HEINRICH [wakes up] What? What? SOUND MANY RUNNING FEET, SOME BARE, ONE PAIR OF BOOTS STOMPS THROUGH CALMLY HEINRICH Report. Someone report! SCHMIDT This is your fault, you swine! You made us‑‑ SOUND SLAP, BODY HITS METAL WALL HEINRICH SHUT UP. Is there anyone who can talk sense? KIENZE [breathless, and coughing] They have the fire out. The explosion was in the engine room. HEINRICH What caused it? KIENZE They have found no cause as yet. The damage is extensive. All systems have not yet been tested, but it is certain we have no steering. HEINRICH No--? What about the air compressors? KIENZE They appear undamaged. But, mein freund-- HEINRICH Ya? What is it? KIENZE Schneider and - and Raabe - they were killed instantly. HEINRICH [long indrawn breath, then cold as he can be] That is most unfortunate. MUSIC IN AND UNDER SCENE 16. HEINRICH [canned] Our situation had suddenly become grave indeed; for though the chemical air regenerators were intact, and we could use the devices for raising and submerging the ship and opening the hatches as long as compressed air and storage batteries might hold out, we were powerless to propel or guide the submarine. MUSIC HAS FADED OUT SCENE 17. SOUND SNORING [KIENZE] SOUND CURTAIN OPENS VERY STEALTHILY, HUSHED FOOTSTEPS, RUSTLING KIENZE [snoring stops] SCHMIDT [gasp] SOUND SCUFFLE SOUND COCK OF GUN KIENZE What is it you think you are doing? SCHMIDT [nutso] He demands it! He will not let me sleep until it is returned to him! HEINRICH [off] Was iss? KIENZE A mutiny, kaleu. MUSIC VERY BRIEF HEINRICH [muttered] Can we do without Schmidt, short as we are of hands? KIENZE Hah! With no engines to maintain, I must always find make-work for the men. They will go mad [bad choice of words] -- they are restless if left sitting on their hands. MUSIC IN AND UNDER SCENE 18. HEINRICH [canned] German lives are precious, but the constant raving of Schmidt concerning a terrible curse was most subversive of discipline, so drastic steps were taken. The crew accepted the event in a sullen fashion. MUSIC FADED OUT SCENE 19. AMBIANCE INSIDE SOUND HATCH OPENS ZIMMER [jubilant, yelling down from above] A ship! We are delivered! HEINRICH [composed] Excellent. You see, Kienze? It is never so dark that there is no light. Come along. SOUND STEPS CLIMBING LADDER, THEN OUT ON DECK KIENZE Give me the glasses. ZIMMER But it is a ship, leutnant, isn't that enough? KIENZE [suspicious] Glasses, now! SOUND A BEAT, THEN HEAVY ITEM PUT IN GLOVED HAND. HEINRICH Vas ist? KIENZE [disappointed and disgusted] Yankees. ZIMMER But surely surrender is better than death-- HEINRICH [cold] Zimmer? ZIMMER [braced for the worst] Ya, kapitanleutnant? HEINRICH [colder] Prepare for a dive. SOUND GOING DOWN LADDER. MUSIC IN AND UNDER SCENE 20. HEINRICH [canned] We did not descend far. After several hours, we decided to return to the surface, however, the ship failed to respond to our direction in spite of all that the mechanics could do. Some of the men began to mutter again, but the sight of an automatic pistol calmed them. MUSIC HAS FADED OUT SCENE 21. KIENZE Kaleu, the men are very restless. They fear the worst, being trapped and drifting. They blame us for making a bad decision. HEINRICH [offhand] It was the only decision to make. None but a weakling would surrender to the Yankees. KIENZE Any man may turn weak in such conditions-- HEINRICH [self-satisfied] No Prussian. And if I must be the backbone so my crew can stand straight as men, so be it. KIENZE The men are restless. Angry. HEINRICH [dangerous] If they will not stand, then I will put them down and stamp their bodies into pulp fit only to paint the walls. MUSIC IN AND UNDER SCENE 22. HEINRICH [canned] It was about 5 A.M., that the general mutiny broke loose. The six remaining pigs of seamen, suspecting that we were lost, suddenly burst into a mad fury, roared like the animals they were, and broke instruments and furniture indiscriminately. Leutnant Kienze seemed paralyzed and inefficient, as one might expect of a soft, womanish Rhinelander. MUSIC HAS FADED OUT SCENE 23. SOUND FADING IN, SIX GUNSHOTS, ECHO FADES AWAY HEINRICH [breathing hard] KIENZE [gasping, almost hysterical] HEINRICH [deep breath] Get up. KIENZE [gasps] Did you--? Was that ... necessary? HEINRICH [scornful laugh] You saw them. Now, stand. We need to clean house. KIENZE What do you plan to do? HEINRICH What else? Put them out. We can't keep them here to stink up the place. SOUND SCUFFLING, THEN SHUFFLING FEET KIENZE We can use the top hatch-- HEINRICH Ya, ya. [going off] Make sure they are all dead, will you? KIENZE [calling] Where are--? This will be easier with two. HEINRICH [turning back, briefly] So would killing them, but I had to handle that. This is your part. [leaving again] Let me know when you need help getting them up into the hatch. MUSIC IN AND UNDER SCENE 24. HEINRICH [canned] Our compasses, depth gauges, and other delicate instruments were ruined by the rampage of those swine; henceforth our only reckoning would be guesswork, based on our watches, the calendar, and our apparent rate of drift. MUSIC FADED OUT SCENE 25. SOUND FEET COMING IN [KEINZE] HEINRICH Look at this. KIENZE [coming in] Ya? Oh, ya, more dolphins. Very exciting. HEINRICH No, no - this one here. See the one with the scar? KIENZE Ya. HEINRICH How deep are we, did we determine? KIENZE Too deep for dolphins, certainly, but-- HEINRICH I have been watching this one in the searchlight for two hours now - and he has not left our side. Delphinus delphis is a cetacean mammal, unable to subsist without air. KIENZE Perhaps they are magic dolphins. [trying to chuckle] I'm not interested in them until we run out of other rations. HEINRICH It is a very important discovery. Perhaps a new sub-species. KIENZE [sigh] I'm sure the dolphins will be fascinated when you present your paper to them. MUSIC IN AND UNDER SCENE 26. HEINRICH [canned] With the passage of time Kienze and I decided that we were still drifting south, meanwhile sinking deeper and deeper. I could not help observing, however, the inferior scientific knowledge of my companion. His mind was not Prussian, but given to imaginings with no value. MUSIC HAS FADED OUT SCENE 27. SOUND SEARCHLIGHT COMES ON KIENZE Fabulous, isn't it? HEINRICH Sunken ships? Interesting, yes, but fabulous? What else are you likely to find on the ocean floor? KIENZE No, no - look there. To the right. You see? That peak. It is -- HEINRICH A rock. KIENZE No! It is too regular for a rock. You will see when we get closer. HEINRICH Wake me when you can see it, then. I think I will have some sleep. KIENZE You don't care? HEINRICH Ya, ya. Do you need me to remain? SOUND SITS IN CHAIR KIENZE [beat] We have lost our escort. SOUND LEAFING THROUGH A BOOK HEINRICH Vas? KIENZE Your beloved dolphins. They have finally abandoned us. HEINRICH I am more surprised they remained with us so long. KIENZE [beat] What are we to do? HEINRICH Do? About the dolphins? I am sure they can take care of themselves. KIENZE You know what I mean! What are we to do when we run out of... of... everything HEINRICH That is days, perhaps weeks away. Why waste angst? KIENZE But - there is no hope. We will ... we must die. HEINRICH Everyone must die. KEINZE We could try and get to the surface - one of us - in the diving suit. HEINRICH And how deep did we decide we were? KEINZE [beat, sigh] very deep. HEINRICH If you want to take the suit, and try to get it to the surface, you are welcome. But you know what will happen. KEINZE It is possible to survive caissons disease. ["the bends"] Even drastic decompression-- HEINRICH As a cripple? With joints that never work without pain? With skin so damaged no one can look you in the face? Perhaps paralyzed, even? Incontinent? KEINZE [sigh] HEINRICH Better to die as a man than live as a beast. Of course you might be lucky and have an embolism on the way up, and then ride the waves as a corpse. MUSIC IN AND UNDER SCENE 28. HEINRICH [canned] His mind was tired, but I am always a German, and was quick to notice that the U-29 was standing the deep-sea pressure splendidly. Our southward speed, as gauged by the ocean floor, was about as I had estimated from the organisms passed at higher levels. MUSIC FADE AND OUT SCENE 29. SOUND BOTTLE POURS KIENZE [slightly drunk] Ya, plenty of air and food, but this [long gulping swig] won't last forever. HEINRICH Not at the rate you are abusing it. KIENZE I cannot lose myself in study as you do. What is the point? So you know so much more before you die. HEINRICH It is not impossible we will encounter another u-boat. KIENZE Wake up Karl! This boat - it is our tomb. We are dead men. All we have left to do is lie down. HEINRICH Go to bed, Leutnant. There is no point in talking when you are totalblau. KIENZE [laughs bitterly] You are going to give me orders yet? What if I disobey? You clap me in irons? You will shoot me? HEINRICH [close and dangerous] I will remind you that you are a man, a trained soldier, and an officer of the kaiser's navy, and as such you should have the will to face death. KIENZE I am a soldier, ya. I can face death in battle. It is this lingering, drifting fate that horrifies me. It is like having a fatal disease - you know you must die, but you cannot know when. HEINRICH Very well, then. SOUND GUN OUT OF HOLSTER, CLICK AS BULLETS ARE CHECKED, GUN DROPPED ON TABLE HEINRICH More air for me. SOUND RATTLE OF CURTAIN, FOOTSTEPS LEAVE, RATTLE OF GUN ON TABLE MUSIC IN AND UNDER SCENE 30. HEINRICH [canned] The fact of our coming death affected Kienze curiously. I was very sorry for him, for I dislike to see a German suffer; but he was not a good man to die with. For myself I was proud, knowing how the Fatherland would revere my memory. MUSIC FADES OUT SCENE 31. SOUND SNORING [KIENZE] KIENZE [waking with a horrified start, screaming] He is calling! He is calling! I hear him! SOUND FOOTSTEPS, DOOR HEINRICH [coming on] What is wrong? KIENZE We must go! He will not call forever! SOUND SLAP KIENZE [gasps, breathing hard, almost sobbing] HEINRICH [commanding] Calm down. Remember yourself, man. KIENZE V-v-vas? Kaleu? HEINRICH There you are. [disdainful] You were having a nightmare. Now you are better. SOUND FOOTSTEPS BEGIN TO WALK AWAY KIENZE No. SOUND FOOTSTEPS STOP HEINRICH [sigh] Vas? KIENZE It was not a dream. It was a voice. I still hear it, you see! I still hear him. He calls to me - to us. I don't know why you cannot hear him! HEINRICH You are still drunk. Or deluded. KIENZE I am not. Truly. If you do not believe me, look out the porthole, and you will see his face. It is right in front of us. HEINRICH What? Show me. Ah - blackness. Precisely what is between your ears. KIENZE The searchlight - kommen-zie! SOUND FOOTSTEPS, SEARCHLIGHT COMES ON KIENZE There! There! HEINRICH Mein gott! MUSIC IN AND UNDER SCENE 32. HEINRICH [canned] I am not given to emotion of any kind, but my amazement was very great when I saw what lay revealed in that electrical glow. And yet as one reared in the best Kultur of Prussia, I should not have been amazed, for geology and tradition alike tell us of great transpositions in oceanic and continental areas. What I saw was an extended and elaborate array of ruined edifices; all in various stages of preservation. MUSIC OUT SCENE 33. HEINRICH [pleased] Atlantis! And we, Germans, have discovered it! This is stupendous. KIENZE He is out there. His temple lies still before us, and he watches us from afar. HEINRICH You saw this in your dreams? KIENZE [disturbingly reasonable] He told me. We should go. HEINRICH Go? Where? KIENZE To him. Come now - do not wait until later; it is better to repent and be forgiven than to defy and be condemned. HEINRICH You think we should go outside? We have only one diving apparatus. KIENZE [laughs disturbingly] A suit? We need no suits - he will gather us to him. HEINRICH You have finally crossed into madness. I will find you some medication. KIENZE You cannot cure this with your science, Karl. You are so sensible, and what does it get you? Nothing. Nothing! Come now, or there will be nothing left for you! HEINRICH You are mad. KIENZE [losing it] If I am mad, it is a blessing. May the gods pity the man who in his callousness can remain sane to the hideous end! Come and be mad whilst he still calls with mercy! MUSIC IN AND UNDER SCENE 34. HEINRICH [canned] As he spoke he took his ivory image from the table, pocketed it, and seized my arm in an effort to drag me up the companionway to the deck. When that did not work, he fled. In a moment I heard the grind of the first hatch, and understood that he meant to open them both, exposing the U-29 to the water outside, a vagary of suicidal and homicidal mania for which I was scarcely prepared. MUSIC OUT SCENE 35. SOUND THE HATCH WHEEL SPINS SOUND GUN COCKS HEINRICH One more move and I shoot. KIENZE [laughs hysterically] Shoot? I have nothing to fear. He will welcome me. HEINRICH Did I say I would kill you? I will shoot you in the leg, and clap you in irons. KIENZE You ... would do that!? HEINRICH Ya. [jaunty] But, I am not one to hold a man back. If you wish to go, go. I will even run the hatches for you. KIENZE You... why? HEINRICH Further, I will watch and make sure he finds you, once you are adrift. KIENZE [plaintive] But you will not come with me? HEINRICH Nein. I have things yet to accomplish. KIENZE Very well. But he will not be pleased with you if you ignore his summons. MUSIC IN AND UNDER SCENE 36. HEINRICH [canned] After I saw that Kienze was no longer in the boat I threw the searchlight around the water. I wished to ascertain whether the water-pressure would flatten him as it theoretically should, or whether the body would be unaffected, like those extraordinary dolphins. I did not, however, succeed in finding my late companion, for, owing to the abruptness of the change of angle, a wire was disconnected, which necessitated a delay of many minutes for repairs. MUSIC OUT SCENE 37. SOUND SEARCHLIGHT OUT [NOTE: "HIS ECHO" REFERS TO HEINRICH'S OWN WORDS FROM EARLIER IN THE SHOW - COMING BACK TO HAUNT HIM. THEY WILL BE PUT IN IN POST, AND HEINRICH SHOULD NOT REALLY PAY ANY ATTENTION TO THEM AS HE SPEAKS, AS THEY AREN'T ACTUALLY CONVERSING.] HEINRICH [slow sigh] HIS ECHO [very quiet] He would have had a better chance if he let go and braved the waves. HEINRICH Alone. To survive until I die. [deep breath] Very well. SOUND FOOTSTEPS HIS ECHO [very quiet] One more victim of the unjust war of aggression... SOUND PULL OUT BOOK, OPEN AND PAGE THROUGH. SCENE 38. MUSIC IN HEINRICH [canned] I must be careful how I record my awakening today, for I am unstrung, and much hallucination is necessarily mixed with fact. Psychologically my case is most interesting, and I regret that it cannot be observed scientifically by a competent German authority. HIS ECHO If you were a solid Prussian like myself-- HEINRICH Upon opening my eyes my first sensation was an overmastering desire to visit the rock temple that stood before the now-stationary U29. HIS ECHO No, no. I have not the sentimental-- HEINRICH a desire which grew every instant, yet which I automatically sought to resist. MUSIC OUT SCENE 39. SOUND VAGUE CHANTING, DEEP UNDER. HEINRICH [Waking suddenly] Heh? What is this? SOUND SCRABBLE OUT OF BED, CROSS ROOM HEINRICH Light? Where is this coming from? [wild hope] Could it be? SOUND RUN THROUGH SHIP HEINRICH Where? Another ship? [muttered] Port side, port side. Aha! [sound of triumph turns into sound of dismay] HIS ECHO Superstitious rubbish. HEINRICH It is alight! MUSIC UP SCENE 40. HEINRICH It is well that the reader accept nothing which follows as objective truth, for the events are necessarily the subjective and unreal creations of my overtaxed mind. HIS ECHO It is all a trick of the light. HEINRICH When I attained the conning tower I found the sea in general far less luminous than I had expected. But the door and windows of the undersea temple hewn from the rocky hill were vividly aglow with a flickering radiance, as from a mighty altar-flame far within. HIS ECHO I will have none of this wild peasant superstition on my ship! HEINRICH The light showed that the friezes which covered the front of the temple, clearly carved from the solid rock of the cliffside, depicted many repetitions of but one face - the same face as the ivory bust which Kienze had carried back to the sea with him. HIS ECHO --this one is much too young and handsome. HEINRICH The rest is very simple. HIS ECHO --a god. HEINRICH My impulse to visit and enter the temple has now become an inexplicable and imperious command which ultimately cannot be denied. HIS ECHO This soft-headedness is not good. HEINRICH My own German will no longer controls my acts, and volition is henceforward possible only in minor matters. HIS ECHO Do not show weakness. It makes you sound unreliable. HEINRICH When first I saw that I must go, HIS ECHO That is most unfortunate. HEINRICH I prepared my diving suit, helmet, and air regenerator for instant donning, HIS ECHO --have an embolism on the way up, and ride the waves as a corpse. HEINRICH and immediately commenced to write this hurried chronicle in the hope that it may some day reach the world. HIS ECHO This is your part. HEINRICH I shall seal the manuscript in a bottle and entrust it to the sea as I leave the U-29 forever. HIS ECHO Better to die as a man than live as a beast. HEINRICH I have no fear, not even from the prophecies of the madman Kienze. HIS ECHO None but a weakling would surrender HEINRICH What I have seen cannot be true, and I know that this madness of my own, will at most lead only to suffocation when my air is gone. HIS ECHO you should have the will to face death. HEINRICH The light in the temple is a sheer delusion, and I shall die calmly like a German, in the black and forgotten depths. HIS ECHO Why waste angst? HEINRICH This demoniac laughter which I hear as I write comes only from my own weakening brain. HIS ECHO blackness. Precisely what is between your ears. HEINRICH So I will carefully don my suit and walk boldly up the steps into the primal shrine, that silent secret of unfathomed waters and uncounted years. HIS ECHO If you wish to go, go. END
All of our sufferings is preparation for #Mashiach and the #FinalRedemption by #RavRalphCohen To receive Rabbi Shalom Arush's blessing: https://did.li/eHtlC Visit our website, Breslev Israel, presided by Rabbi Shalom Arush: https://did.li/vcQNf Subscribe to our Youtube channel: https://youtube.com/playlist?list=PLCXGtU6y_0mgx28d2hehPKQC6xVXvjHVY Visit us on our official Facebook page: https://www.facebook.com/breslev.english Visit us on Instagram: https://www.instagram.com/breslev_english/ Did you like it? Don't forget to give it a like!
Happy Chanukah - Chanukah inspiration, plus the reunion of the Emperor, his daughter and her groom. For other Emuna Classes by Rav Ralph Cohen - Rabbi Nachman's Stories, The Burgher and the Pauper 7 - Click & Share - https://youtu.be/IMqX0nRl4fQ - The Evil Pirates: It's all about your intentions - #rebbenachman #stories - by #RavRalphCohen To receive Rabbi Shalom Arush's blessing: https://did.li/eHtlC Visit our website, Breslev Israel, presided by Rabbi Shalom Arush: https://did.li/vcQNf Subscribe to our Youtube channel: https://youtube.com/playlist?list=PLCXGtU6y_0mgx28d2hehPKQC6xVXvjHVY Visit us on our official Facebook page: https://www.facebook.com/breslev.english Visit us on Instagram: https://www.instagram.com/breslev_english/ Did you like it? Don't forget to give it a like!
The guys talk about the new BROCKHAMPTON album, the new Quadeca project, and relics from YouTube's past. Links: https://linktr.ee/thegoodenoughpodcast The guys: Luke: Channel: https://www.youtube.com/channel/UCs5QNDD5u20Q0vifli80UqQ Twitter: https://twitter.com/LukeOnDemandYT Instagram: https://www.instagram.com/lukeondemandyt/ Jackson: Channel: https://www.youtube.com/channel/UCiWMNY8SdFbqtdtn74Mf9iw Twitter: https://twitter.com/jacksonnburns Instagram: https://www.instagram.com/jacksonnburns/ Jake: Channel: https://www.youtube.com/channel/UCzcLnmBnlYwveqeTSKcP6Hg Twitter: https://twitter.com/JakeJosephMusic Instagram: https://www.instagram.com/abucketofjake/?hl=en it's good enough --- Send in a voice message: https://anchor.fm/good-enough-podcast/message
Chris Slatoff and Tom Burgher talk about the SLO Poke Art Festival. Produced by Jim Richards
The SLO Poke Art Festival is the topic of discussion. Produced by Jim Richards
Anita talks to the organizer and one of the artists from the SLO Poke Art Festival. Produced by Jim Richards
Anita's guests are sculptor Christopher Slatoff and SLO Poke Art Festival Organizer Tom Burgher. Produced by Jim Richards
In the 6th episode of the show, I sit down with Julie Burgher, a native of Indiana here in the midwest where I also reside. She is a business advisor at Thryv which is a business located not too far from where I am located. This company is actually larger than both me and her, so to find out more on what makes Julie and her company so special, you will have to stream the full episode. We talk about what she does there and more in a casual conversation. It was so nice to speak with her. I hope you all enjoy our conversation. Follow to make sure that you stay up to date for more exclusive interview and content. Stay blessed. Thrive. Prosper.
Host Marceen Burgher with newly engaged couple Jack and Nikki discussing self-love, relationships and what it takes to find your person. Find Jack and Nikki's story on www.Leathermanlove.com
Joy and Ilona talk with Carina Burgher, a social work student who discusses her experience growing up as a disabled person. Carina is passionate about advocating for others who may not understand their mental health or physical health diagnoses. She believes in living a life as a disabled person that is full of joy. Key Takeaways: Questioning and second-guessing persistent symptoms Being gaslit by health providers The exhaustion that comes with having to be resilient all the time Learning self-advocacy from college mentors The importance of support groups and social support through social media How participating in college sports helped with connection Exploring services for students with disabilities and adaptive fitness in college Connect With Us Instagram: Unlocking College Life
In this episode, Oliver Reeson, Mia Nie and Tori Hobbs share readings on the theme Body Language. These artists reflect on bodies in pain and bodies in pleasure; what it means to inhabit a body in transition and a body in illness. They will consider both the ordinariness and specialness, as well as the resistance, of living in their bodies. Oliver Reeson is an essayist and screenwriter. In 2021, they are one of the recipients of The Next Chapter Fellowship, mentored by Maria Tumarkin. They are also the co-creator and writer of SBS web series Homecoming Queens. You can read Oliver Reeson's essay ‘Body Language: on Kylie Minogue, Cancer and Coming Back to Life' here: https://lithub.com/body-language-on-kylie-minogue-cancer-and-coming-back-to-life/ Mia Nie is a Chinese-Australian comic artist, zine-maker, and award-nominated ex-poet. Her work explores the complexities, contradictions, and deeply felt desires of transgender subjectivity. She is passionate about understanding queer history and imagining queer futures. Mia is a recipient of The Wheeler Centre's The Next Chapter 2020 Fellowship, and is currently working on her first graphic novel. Tori Hobbs is a queer, non-binary, disabled, low-income, Burgher writer and care worker living on Ngunnawal, Ngunawal and Ngambri land. Tori hopes to invest their personal and professional experiences of ableism, care work, disability justice and its intersections into all that they do. Vignettes is produced by Millie Baylis and audio produced by Joe Buchan. Our theme music was created by Thu Care and the artwork is by Molly Hunt. You can find out more about the team behind this podcast and the artists featured, as well as access a transcript of the episode, on the EWF website – at emergingwritersfestival.org.au This podcast was produced on the lands of the Wurundjeri people of the Kulin Nations. We acknowledge that First Nations Peoples are the first storytellers of this land, and that their sovereignty has never been ceded. We pay respects to Elders past and present, and to the Elders of the lands that this podcast reaches.
This is the first episode in a series on Practice. Artist Victoria Burgher explores how practice can engage with political issues such as colonialism, imperial legacy and racism. Victoria uses various materials –- for example sugar, bagass, rubber, which are all linked to colonial crimes -- to challenge symbolic values. Her current project, funded by Techne, focuses on porcelain's associations with whiteness and how subverting porcelain's material properties like 'purity', as well as its more traditional uses for fragile, nimble pieces displayed in vitrines can critique notions of white supremacy and structural racism. In short, this episode is about Victoria's attempt, through her practice, to reflect the times we're living in and to work from an actively anti-racist position, focusing in her new research on exposing whiteness. --- Contributor Bio Victoria Burgher is a multi-disciplinary artist who lives and works in East London. Her politically engaged practice ranges from sculptural installations and site-specific interventions to collaborative community projects. She is interested in art's ability to challenge histories and a fascination with materials and process inform her approach to making. Current work uses colonial commodities in an attempt to challenge the nostalgic narrative of Empire. She exhibits regularly in the UK and Europe and was recently awarded a techne PhD studentship at Westminster University for her research project "Crafting counter-hegemony: using porcelain to interrogate constructed ideologies of whiteness and empire". Website: www.victoriaburgher.com Twitter: www.twitter.com/VictoriaBurgher Insta: www.instagram.com/victoriaburgher === Presented by Julien Clin. Royalty free music generously shared by Steve Oxen. FesliyanStudios.com The Technecast is run by Julien Clin and Polly Hember. Please email technecaster@gmail.com if you would like to be featured on the podcast, or if you have any questions.
This deck has some insane aember burst: 4 off the Chant, but also likely from the Aembermancy. Growth Surge and/or Reap or Sow can combo with the Sporegorger to wipe the board, potentially triggering Keyfrog. And two copies of Thin the Herd can mop up board problems. And that's just Untamed! The Logos and Star Alliance are pretty okay, too. Getting Moray locked behind a Light-enhanced Chapman can be a big boost. Decklist: https://www.keyforgegame.com/deck-details/36b8661f-336a-47ad-92cd-fc0f027346ee
As British forces close in on Pretoria, the Boers argue about surrendering or fighting on. Which side will take more prisoners? Which side will triumph at Diamond Hill? What proclamations will ripple for decades? Notes: 1) My brother laughed out loud when he saw me finally get this going.... my Instagram page. If you want to be amused by an amateur, follow me using this link: https://www.instagram.com/forgottenwarspodcast/ 2) If you have questions about battles and people mentioned in this episode, contact me using this link: https://forgottenwarspodcast.com/contact/ Your question could be featured in a future episode of the show :) 3) Try Fiverr & help the show: https://track.fiverr.com/visit/?bta=231913&nci=9380
I invite guests to share personal stories about acts of leadership that help shape their lives. In Episode 56, Dave Burgher talks about what inspired him to invest in his professional development. He shares a story about how he helped a client by removing some barriers that interfered with their focus. Also, Dave advises us about using active listening and provides some additional advice. 00:00 Prologue "Freedom through prosperity" is Dave's mantra. He designs and implements networking events to connect business professionals to one another. Dave is a leadership professional who trains and coaches entrepreneurs and practitioners in organizations. Also, he is an entrepreneur and a family man. 01:26 Part 1: The P-D-C-A Formula A crucial element of leadership is continuous learning and developing how you practice leadership. In this story, Dave explains what inspired him to actively invest in his own professional development. 06:19 Part 2: Removing Barriers Removed or reduced barriers are a consequence of leadership. Dave shares a story in which he removed a client's set of distracting activities so that the business could focus more on its core capabilities. 10:05 Part 3: Active Listening Active listening is essential for anyone in any organization. What Dave advises us goes beyond active listening. In addition, Dave models how he currently is developing his capabilities. _________________________________ How You Can Support the Show Unlabeled Leadership is a free service for people to learn about leadership. If you want to support the show, you can make a $0.99 donation. Your support reduces production expenses. https://anchor.fm/unlabeled-leadership/support No transcript available (future enhancement) Episode links Dave's LinkedIn Profile and website Stephen Covey's book, 7 Habits of Highly Effective People Gary DePaul's website Gary's books: What the Heck Is Leadership and Why Should I Care? Nine Practices of 21st Century Leadership Background Music You can find all the musical tracks at Envato Elements. 00:00 Theme music: Uplift Corporate Inspire by OlexandrIgnatov 01:08 Spain by MusicDog 00:00 Background Saxophone by _Blacksmith_ 09:47 Fun & Quirky Upbeat Retro by pinkzebra 16:01 Fun and Flirty by BrownHouseMedia Lead on! --- Send in a voice message: https://anchor.fm/unlabeled-leadership/message Support this podcast: https://anchor.fm/unlabeled-leadership/support
Episode 164: Today I chat with artist, Michael Burgher. I found his channel on YouTube and knew I had to talk to him. He has a deep love of art history and a cool Surrealistic/Dada style to his painting: two things that equate to someone I want to hang out with. All images used with […] The post The art of Iowa transplant, Michael Burgher appeared first on Let's Talk Art With Brooke.
Backstories was a one day multi-sited storytelling festival located in the suburbs of Western Australia. Reaching from Mandurah to Wanneroo, the Backstories festival provided new opportunities for storytellers to share stories in local backyards. Anju Sivarajah is a storyteller born in Sri Lanka and predominantly raised in Australia. Anju was a witness to extreme violent genocide in Sri Lanka when she was 5 years old. In her story, she reflects on the effects of Sri Lanka’s civil war, and her mixed Sinhalese, Burgher and Tamil heritage.
Host, Marceen Burgher has open dialogue with her guests on Indignation, Necropolitics and The Racial State. With special guest, Dr. Noel Cazenave, author of Killing African Americans: Police and Vigilante Violence as a Racial Control Mechanism and Professor at University of Connecticut. He discusses his book and the current racial climate surrounding deaths of George Floyd and others. Also on the Podcast is guest Adam Kaplan, Licensed Clinical Psychologist briefly discussing his thoughts on how to communicate race relations with our children and when.
Host Marceen Burgher dishes on gratitude, aunt's death, racism, family, Jamaican dead yaad and features Ladders Memorial Day message from founder Marc Cenedella opening with Joni Mitchell's "Big Yellow Taxi" chorus.
Episode 139 is full of peace and a smattering of love as the Boers gather in Vereeniging to discuss the British terms of surrender. As you can well imagine, the moment is bitter sweet. Men who have not seen their children for years are reunited on May 15th, while further afield, in the prisoner-of-war camps, the news is greeted with both joy and sorrow. So here we are, in Vereeniging on May 15th 1902. It's a settlement our narrator Deneys Reitz passed on his way back from the Natal front “This is a small mining village on the banks of the Vaal River, where nearly two years before, I had watched the Irishmen burning the railway stores during the retreat from the south” he writes. Remember he's riding with Jan Smuts and the other representatives chosen by Boers in the Eastern Transvaal. There will be representatives from the Free State who will be housed in an array of British army tents along with the Transvaal emissaries, each region with its own section. The British had prepared this tented camp with precision. It was laid out in a square, with the delegates meeting in a large central marquees, mess tent on one side, toilets were long drops as they're known in South Africa – pit latrines. But where was the stern General Christiaan de Wet ? Also missing were a handful of the Free State Delegates. Eventually on the morning of the 15th May, the day of the meeting, de Wet and a few hardliners arrived – fashionably late. The other senior political and military leadership were already in Vereeniging, along with Commandant General Louis Botha and de la Rey, Vice President Burgher of the Transvaal, members of the two government and of course, Jan Smuts. Reitz senior was also present, with JB Krogh, LJ Meijer, LJ Jacobs. Each Boer Republic was represented by 30 delegates. For the Free State Judge Hertzog was present, along with Secretary of State WJB Brebner, commander in chief de Wet and CH Olivier. Missing was his the man who'd survived so many incidents and battles on the veld – President Steyn.
As we heard last week, the Netherlands government had decided by January 1902 that the South Africa war was no longer viable for the Boers. Even the latest successes in March where General De la Rey and Jan Smuts had been victorious in battles in the western Transvaal and Northern Cape respectively had failed to really convince their closest ally in Europe that they were likely to defeat the British. The successes by Smuts around Okiep were more good news but all of these skirmishes were in the non-strategic parts of South Africa. The Boers could do nothing now about the increased production on the mines for one, which began producing gold and other commodities. While much of the country was still denuded, burnt, destroyed, the main cities were functioning and things were slowly returning to a version of normal. There were around 6000 gold mine stamps in South Africa at the start of the war. These are machines that crush rock, before the all-important metal within is extracted. Whether it is copper, gold, silver or any other precious mineral inside a rock, the mine stamp was used to pulverise the material, from where the ore would be removed. Most were steam or water driven and the vast majority had been mothballed at the start of the war as miners fled Johannesburg. But by January 1902 at least 1 075 of these mine stamps were functioning in the Transvaal. Gold output was surging. From a lowly 7 400 ounces in May 1901 to a much more productive 70 000 ounces in January 1902. The financiers were happier, the British Empire was getting some of its money back, things were looking up. February production climbed still further, to 81 000 ounces, and by March 1 700 mine stamps were online and 104 000 ounces of gold found its way onto the trains south to South Africa's ports. That was still some way off the 300 000 ounces the mines were pumping out before the start of the Boer war, but you can imagine how each ounce was putting the bounce back in the bankers' steps as they read weekly updates in their smoking rooms in London. Lord Kitchener had accepted a request by the Boers for their generals and political leadership to meet to discuss possible terms after he reached out to President Burgher of the Transvaal. In England, Rudyard Kipling was churning out his poems and stories and he wrote at this time that “Not by lust of peace or show, Not by peace herself betrayed, Peace herself must they forego, Til that peace be fitly made…” Like Milner, Kipling believed the Boers must be made to come to the peace table with cap in hand – not as equals but as a vanquished people. Meanwhile, that icon of empire, Cecil John Rhodes had died at the age of 48. The sudden announcement on March 26th 1902 was a shock to many, although the man who gave his name to an entire country was not exactly loved. Remember how he had bullied and mentally tortured the poor Kekewitch, commander of the British forces in Kimberley during the siege? His stint in Cape politics had also been a disaster. And he was arrested in September 1901 in an extremely unsavoury fraud case involving a promiscuous Russian princess. I don't have the space to cover that here, but if you're interested go Google princess Radziwill. She was one of a kind.
Cos’è la Fake Meat? Indaghiamo l’origine di questo alimento artificiale creato per offrire un’alternativa credibile, in tutto e per tutto, alla carne tradizionale. I risultati sono promettenti? C’è un lato più oscuro sugli effetti di questo alimento? Lo abbiamo provato per voi, quello che sentirete è il nostro responso.Ci potete ascoltare su: Nostro Sito: https://dpenpodcast.wixsite.com/website . Apple Podcast: https://podcasts.apple.com/it/podcast/dpen/id1491536770 . Spotify: https://open.spotify.com/show/69CuHfAuRjpZkr0JYATFvU?si=zCXgJ1ScStyaC2jFtWVF2w . Spreaker: https://www.spreaker.com/user/dpen . E su tutte le app principali di streaming.Seguiteci anche sui nostri social dove potrete anche commentare le puntate e comunicare con noiGruppo Telegram: https://t.me/dpenpodcast . Instagram: https://www.instagram.com/dpenpodcast/ . Twitter: https://twitter.com/DpenPodcast . Jazzaddict's Intro by Cosimo Fogg (201) https://soundcloud.com/cosimo-fogg Creative Commons — Attribution 3.0 Unported— CC BY 3.0 Free Download / Stream: https://bit.ly/jazzaddicts-intro Music promoted by Audio Library https://youtu.be/hY4yspCQRaM
On today’s epsiode, I sit down with Neil from Burgher’s Brewing. Burgher’s Brewing currently has two locations around the city and Neil serves as the head brewer co-owner of both locations. Neil’s brewing up some awesome, true to style, beers at Burgher’s. One of my favorites of the night was a lager collaboration he did with our friends from Couch Brewery and First Sip Brew Box for Veteran’s Day called Espirit De Corps. This beer was brewed to benefit the Veteran Leadership Program. On top of the awesome beers, Burgher’s is serving up some awesome food. So, if you’re a fan of awesome beers and great food, this episode is for you.
Saga Sisterhood is a transformative performance project for women from communities who identify as South Asian that come from non-performer backgrounds but all have something to say about love, friendship, belonging, family and identity. Anju Sivarajah was a witness to extreme violent genocide in Sri Lanka when she was 5 years old. She reflects on the effects of Sri Lanka’s civil war, and her mixed Sinhalese, Burgher and Tamil heritage. On 21 April 2019, Anju’s island homeland transformed into a war zone after a series of terrorist bombings. She was faced once again with terrifying memories. Her experiences have made her and the people of Sri Lanka stronger as one. COMING UP AT THE CENTRE FOR STORIES In Conversation: Paul Genoni and Tanya Dalziell with Susan Midalia –November 11, 2019 Celebrate the non-fiction award winners of the 2019 Prime Minister’s Literary Award with writers Paul Genoni and Tanya Dalziell in conversation with Susan Midalia. Tickets: https://centreforstories.com/event/in-conversation-susan-midalia-with-paul-genoni-and-tanya-dalziell/
LIVING 2B FITT Testimonial Call – June 4, 2019 Join the call to hear about how LIVING 2B FITT has transformed the lives of so many people. #living2b
LIVING 2B Level Up Call – June 5th, 2019 – Alexis Burgher – Life Experience Join the Level Up Call and learn about Life Experience and how it works for you. #living2b
Matthew Winter (@matthewwwinter) and Chris Hodge (@chris420hodge) come together to celebrate the birthday of everybody’s favourite Famous CEO, Matthew Winter. They discuss not being successful at 23 unlike several other YouTube creators, everybody trying to be a Twitch streamer and how to actually be good at it, Zoie Burgher and her horrible Patreon, sexism against women, and people being addicted to porn.
In American history most often told, the vitality of Black activism has been obscured in favor of celebrating white-lead movements. In the 19th century, an enormous network of African American activists created a series of state and national political meetings known as the Colored Conventions Movement (https://en.wikipedia.org/wiki/Colored_Conventions_Movement). The Colored Conventions Project (http://coloredconventions.org) (CCP) is a Black digital humanities initiative dedicated to identifying, collecting, and curating all of the documents produced by the Colored Conventions Movement. In this episode, two of the CCP’s cofounders and co-directors, Jim Casey (https://twitter.com/jimccasey1) and Gabrielle Foreman (https://twitter.com/profgabrielle) are joined by Project Fellow Denise Burgher (https://www.english.udel.edu/people/dburgher) to discuss how the Project mirrors the energy and collective commitments of the Conventions themselves, how to see data as a form of protest, and creating an a set of organizational principles. Museum Archipelago is a tiny show guiding you through the rocky landscape of museums. Subscribe to the podcast via Apple Podcasts (https://itunes.apple.com/us/podcast/museum-archipelago/id1182755184), Google Podcasts (https://www.google.com/podcasts?feed=aHR0cHM6Ly93d3cubXVzZXVtYXJjaGlwZWxhZ28uY29tL3Jzcw==), Overcast (https://overcast.fm/itunes1182755184/museum-archipelago), or Spotify (https://open.spotify.com/show/5ImpDQJqEypxGNslnImXZE) to never miss an epsiode. Club Archipelago
Troy A. Burgher states confidently and with great conviction that technology is the key to achieving one’s New Year’s Resolutions for 2019. Coming off a severe medical issue in 2018, one of the comforting aspects of dealing with that issue (outside of the tremendous support of family and friends) was technology and how I was able to begin my preparation for a comeback year in 2019. Technology afforded me the ability to learn new skills, communicate with family & friends, work on my newly created business, maximize the time I had due to being restricted to my home during recovery, and I was even able to develop a virtual business relationship another business owner for accountability. Over the next two TABRadio broadcasts (1/20/19 & 1/27/19) and also on my business web site’s (www.tabtraining.com) blog page, I will be sharing in more detail, how I will continue to use technology as a tool to develop and build up my self-discipline to handle the obstacles and discomfort associated with making changes in order to develop new habits. It’s often stated that it takes anywhere from 21-66 days to form a new habit, so I must also show great patience for myself during this process; much like I‘ve done throughout my computer training career; lasting over a 25 year span.
In his first stand-up comedy act, Dominic Kellar talks about playing Pusswedilla, Sri Lankan and Burgher names, and how to use your Sri Lankan names to confuse foreigners. Subscribe to our podcast for more episodes. Subscribe our YouTube channel for more Freddy and Pusswedilla videos at www.youtube.com/stagelightandmagic Find us on Instagram at www.instagram.com/stagelightandmagic Written and Directed by Feroze Kamardeen. © 2018 StageLight&Magic Inc. StageLightandMagic.com
Greg may have a problem!
MP Voices – Stories of Jesus Among Us
MP Voices – Stories of Jesus Among Us
In Nederland is er een groeiende groep mensen die vraagt om een herdefiniëring van ons VOC-verleden. Maar in de voormalig Nederlandse kolonie Sri Lanka wordt daar anders tegenaan gekeken. De letters VOC staan daar voor een sterk merk. Laura Stek gaat op zoek naar de zogenaamde Dutch Burghers - afstammelingen van VOC'ers - om te ontdekken hoe zij er tegenover staan. Ze kwam onder andere terecht in een VOC-bejaardentehuis, uitsluitend bedoeld voor Burgher-dames. Ceylon-kenner Lodewijk Wagenaar, die zijn nieuwste boek Kaneel en Olifanten op de Dutch Burger Union presenteerde, geeft context en uitleg.
clown is not a social justice warrior...
Creating efficient, effective, and productive users of technology is what drives his passion for training, consulting, coaching and helping individuals overcome their fear and anxiety of technology and computers. Learn more about Troy A. Burgher, a former resident of Edgemere Houses [of the New York City Housing Authority] located in Far Rockaway, Queens [New York City], and his entrepreneurial journey. Ever since he stood in for a computer trainer back and “guru”, in the early 90’s, at the Rev. Mason Beacon Program within his neighborhood, he’s developed a passion for sharing his knowledge of computers and software applications with residents of inner-city communities; in particular desktop applications within the Microsoft Office Suite of applications. Growing up in Edgemere Houses, there were no or very limited local technology and computer literacy resources, overshadowed by sports and craft-related activities, for Troy entertain his thirst for exploring computers. This is what motivated him toward a life-long pursuit to bridging the technology literacy gap that exists in the inner-city community. 25+ years later of freelance training, facilitating technology literacy workshops, and developing training programs has given him solid practical experience in working with and motivating beginner and novice users; transforming them into more efficient, effective and productive users of technology and computers.
After the Live Heart Talks Show the three of us Sheila SiStar and Sheena-Gaye Rogasch began to talk about dream interpretation. So we decided to hit the record button and make an After Show on Dreams.
After the Live Heart Talks Show the three of us Sheila SiStar and Sheena-Gaye Rogasch began to talk about dream interpretation. So we decided to hit the record button and make an After Show on Dreams.
Six days of FREE webinars designed to inspire technology self-sufficiency facilitated by Troy A. Burgher and sponsored by TAB Training & Consulting, LLC is what TABWeek is all about. TABWeek [12/13/15 to 12/19/15] begins with a Sunday afternoon [12/13 - 3:00 pm CST] TABRadio broadcast that will introduce the week's events and material that will be covered during following six days. The TABRadio broadcast will also re-state the featured topic for December which is Organization and Time Management. For more information and to register for the webinars offered during TABWeek, please visit the web site: www.tabtraining.com/htm I hope you will listen to the broadcast and perhaps call-in to the show with a question.
Host Sheila jean Burgher interviews Tracy Lee of Petaline Healing. Tracy shares her story and her gifts of healing with Sheila.
Host Sheila jean Burgher interviews Tracy Lee of Petaline Healing. Tracy shares her story and her gifts of healing with Sheila.
Have you recently purchased a new desktop or laptop? Are you a new or beginner user of Microsoft Office applications like Excel, Word, PowerPoint, Outlook? Are you looking to enhance your job search opportunities, but have limited knowledge or experience using computers? Using Microsoft Office Suite applications? If you answered YES to any of these questions, then call in to this LIVE Call-In TABRadio Broadcast. Live Talk is a TABRadio broadcast live call-in show created for YOU, the listener, to ask questions about technology and computers. These broadcasts are designed to help listeners take the first step in overcoming their anxiety and fear of technology and computers en route to becoming more efficient, effective and productive users of technology and computers. Here the only "bad" question is the question that is never asked and keeps you from moving on to accomplishing the goals that have been set. **This is a special broadcast since it is the first event scheduled during TABWeek; six days [7/12/15-7/17/15] of FREE webinars designed to provide novice and beginner users with motivation and inspiration to begin incorporating technology and computers as tools to assist with achieving personal, professional and/or academic goals and to eventually become more efficient, effective and productive users of technology. Learn about technology and computers from Troy A. Burgher, a Microsoft Certified Professional, with over 20+ years of experience teaching and developing classes and course materials on Basic Technology and Computer Literacy for novice and beginner users.
Live Talk is a TABRadio broadcast call-in show where you the listener can ask questions about technology and computers. These broadcasts are designed to help listeners overcome their anxirety with technology and computers in route to becoming more efficient, effective and productive users of technology and computers. Here the only "bad" question is the question that is never asked and keeps you from moving on to accomplishing the goals that have been set. No scripts. No pitches. And no commercials! Just 30 minutes dedicated to taking listener questions, LIVE on the Internet! Learn about technology and computers from Troy A. Burgher, a Microsoft Certified Professional, with over 20+ years of experience teaching and developing classes and course materials on Basic Technology and Computer Literacy for novice and beginner users. Have you recently purchased a new desktop or laptop? Are you a new or beginner user of Microsoft Office applications like Excel, Word, PowerPoint, Outlook? Are you looking to enhance your job search opportunities, but have limited knowledge or experience using computers? Using Microsoft Office Suite applications? If you answered YES to any of these questions, then call in to my LIVE TABRadio broadcast Sunday, 5/31/2015, at 3:00 PM [EST].
I am changing the format of my monthly TABRadio broadcasts to a live call-in show where you the listener can ask questions about technology and computers. My broadcast is designed to help you become more efficient, effective and productive users of technology and computers by overcoming whatever anxiety keeps you from doing so. Here the only "bad" question is the question that is never asked and keeps you from moving on to accomplishing the goals that have been set. No scripts. No pitches. And no commercials! Just 30 minutes dedicated to taking listener questions, LIVE on the Internet! Learn about technology and computers from Troy A. Burgher, a Microsoft Certified Professional, with over 20+ years of experience teaching and developing classes and course materials on Basic Technology and Computer Literacy for novice and beginner users. Have you recently purchased a new desktop or laptop? Are you a new or beginner user of Microsoft Office applications like Excel, Word, PowerPoint, Outlook? Are you looking to enhance your job search opportunities, but have limited knowledge or experience using computers? Using Microsoft Office Suite applications? If you answered YES to any of these questions, then call in to my LIVE TABRadio broadcast this coming Sunday [4/26/15] at 3:00 PM [EST].
This is the first broadcast of the 2014 by Troy A. Burgher, owner of TAB Training & Consulting, as he outlines the services offered by his business and the direct connection to the movement that he will embark on in 2014; a "Back to the Basics - Technology Literacy MOVEMENT." Mr. Burgher understands that such a movement will take more that himself (and his business) to get started...therefore he will be building partnerships with other individuals, business owners and organizations that also believe that technology literacy is key to personal, academic and business success.
Are you living your passions? Are you even clear on what your passions are? Today Teri and Donna Burger of Empower With Passion are going to talk about how you can start living a life you love by embracing your passions NOW!!
We are joined by our very own Burgher in Beantown, Jim Lokay this week. The show kicks off with a touching story about a man, and his iPad's journey throughout the Northeast. That heartwrenching story is followed-up by an e-mail from our Southern compatriot, AJ, as we do an East Coast comparison of cable service. In a related story, we touch upon news of Comcast raising their data caps in test markets. While we're on the topic of customer service and data usages, we segue into discussions of AT&T and Verizon reworking their "grandfathered" data plans. And, we wrap things up with some lighterhearted stories about saving money on a more accurate Kinect-like device for the XBox, and about Space X's first launch over the weekend. So check it out. And, if you like it, join us live Tuesdays at 7:00 p.m. EST. Join the AwesomeCast on Twitter, Facebook and be sure to follow us on iTunes in both video and audio formats, as well as YouTube, Boxee, Roku, and Blip.tv! As always, you can chime in with news, thoughts, or comments at Contact@AwesomeCast.com or 724-25-A-CAST.
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