Podcasts about rock musicals

The pantheon performed a LIVE reading of Labyrinth (1986). Here is a preview of the madness, and the entire performance can be watched on YouTube. If you're looking for a regular review of the movie, that can be found in Episode 819. Check out some other Rock Musical movies we've covered: 741: Shock Treatment 746: Rock & Rule 820: Rock 'n' Roll High School The first new review for Rock Musical Month will be Cats (2019).

Shivers, also known as The Parasite Murders, They Came from Within, and, for Canadian distribution in French, Frissons. Editor of this film, Patrick Dodd, also worked on 913: Johnny Mnemonic. Mr. Monopoly has a book of hoaky Canadian radio plays that Cronenberg adapted for television. E-mail hourofthunder@gmail.com if you want us to do a reading of one of those in the future. This concludes Canada Month. Don't forget to change the easy units of measurement back to convoluted things like inches and fahrenheit. Rock Musicals are coming up next month, starting with a live reading of Labyrinth (1986).  

"Let the sunshine Let the sunshine in..." Grab your complicated value set and 100% potent body odor because this week we are diving into the tribe musical that defined boomer culture "Hair" Credits: Hosts: Jesse McAnally & Andrew DeWolf & Liz Esten Podcast Edited By: Andrew DeWolf Theme Songs: Robyn Nash of IOU Music UK Keeper of the Cheese: Juliet Antonio This show is a part of the Broadway Podcast Network Check out this Etsy Shop Social Media: Our WEBSITE Musicals with Cheese on Twitter Musicals W/ Cheese on Instagram Email us at musicaltheatrelives@gmail.com Merch!! Jess Socials Jesse McAnally on Twitter Jess McAnally on Instagram Andrew Socials Andrew DeWolf on Instagram Andrew DeWolf on Twitter Use our Affiliate Link Learn more about your ad choices. Visit megaphone.fm/adchoices

​Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues    Aya de Leon, the Interim Program Director of the Tenth Annual Bay Area Book Festival, June 1-2 in various locations in Berkeley, talks about this year's festival with host Richard Wolinsky. Aya de Leon is the Poet Laureate of the City of Berkeley. She is a novelist and poet who currently teaches creative writing at U.C. Berkeley. She is the author of ten books, the most recent of which are the adult novel, “That Dangerous Energy,” and the young adult novel, “Untraceable.” Originally a hip hop artist, Aya de Leon is also a noted local activist, and the acquiring editor of Fighting Chance Books, the climate justice fiction imprint of She Writes Press. She organizes with the Black Hive, the climate and environmental justice formation of the Movement for Black Lives. Complete Interview.     Paul Auster (1947-2024), in conversation with host Richard Wolinsky, recorded October 2, 2002 while on tour for his novel “The Book of Illusions.” Paul Auster, who died on April 30th, 2024 was a world-renowned novelist, memoirist, and film-maker whose works were translated into forty languages. His career as a writer began with a well-received memoir, The invention of Solitude in 1982, and took off in 1987 with the publication of three connected novellas titled The New York Trilogy. His fame and success grew over the following years. He moved into film-making with the screenplays for two movies directed by Wayne Wang, Smoke and Blue in the Face, and then wrote and directed his own film, Lulu on the Bridge. There are three Paul Auster interviews in the archives. In this first interview, he discusses his film work, goes into depth about both The Book of Illusions and his previous novel, Timbuktu, much of the interview centersd on Lulu on the Bridge and the two Wayne Wang collaborations. The second interview was conducted in  2008 for Man in the Dark, and finally in 2017 for his masterpiece, 4 3 2 1. Currently, all three films, the two with Wayne Wang and Lulu on the Bridge, can be rented via Amazon. From time to time, all three show up on the Criterion app. Complete 48-minute Interview.   Review of “The Glass Menagerie” at San Francisco Playhouse through June 15, 2024. Review of “Galileo, A Rock Musical” at Berkeley Rep Roda Theatre through June 23, 2024.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  10th Annual Festival: June 1-2, guests include Joan Baez, Naomi Klein, Viet Thanh Nguyen, Jonathan Lethem. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  Upcoming readings to be announced. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  The Lehman Trilogy by Stefano Massini . Adapted by Ben Power, directed by Sam Mandes, May 25-June 23, Toni Rembe Theater. Aurora Theatre  The Lifespan of a Fact by Jeremy Kareken & David Murrell and Gordon Farrell, June 21-July 21. Streaming:  July 16-21. Awesome Theatre Company. Por La Noche (By Night), October 11 – 26, 2924. See website for information. Berkeley Rep Galileo, World Premiere Musical, book by Danny Strong, with Raul Esparza, extended to June 23, Roda Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Boxcar Theatre. The Speakeasy. Must close June 29, 2024 Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Company, June 5-29, Orpheum. Mrs. Doubtfire, July 2-28. Girl from the North Country, July 30-Aug 18, Golden Gate. See website for events at the Orpheum, Curran and Golden Gate. Broadway San Jose:  Peter Pan, June 25-30. California Shakespeare Theatre (Cal Shakes). Terrapin Roadshow, June 1-2; As You Like it, September 12 – 29. Center Rep: Cabaret, May 26 – June 23, Lesher Center for the Arts. Central Works  Accused by Patricia Milton, July 13 – August 11. Cinnabar Theatre. La Boheme June 21 – July 5. Club Fugazi. Dear San Francisco ongoing. Contra Costa Civic Theatre In Repertory: Hamlet and Rosencranz and Gildenstern Are Dead, September 7 – 22. Curran Theater: Sesame Street Live, Say Hello, June 7-8; The Cher Show, June 19-23. Custom Made Theatre. In hibernation. Cutting Ball Theatre. See website for upcoming shows. 42nd Street Moon. Bright Star postponed. Golden Thread  Conversations with Artists via Zoom and Howlround TV, through June 13, 2024. Hillbarn Theatre: Always…Patsy Cline, August 22 – September 15. Lorraine Hansberry Theatre. See website for upcoming productions. Magic Theatre. Garuda's Wing by Naomi Iizuka, June 5-23. Marin Theatre Company Torch Song by Harvey Fierstein, May 9 – June 2, 2024. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) tick..tick..BOOM by Jonathan Larson, through June 16, 2024. Ride the Cyclone by Jacob Richmond & Brooke Maxwell, September 20 – October 20. Oakland Theater Project.  Ghost of King Created by and featuring Michael Wayne Turner III June 6-23, 2024. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Pear Theater. Pear Slices, new works through June 2. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Everybody's Talking About Jamie, June 1 – 23, 2024. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. The Glass Menagerie by Tennessee Williams, May 2 – June 15. SFBATCO I, Too, Sing America, Grace Cathedral, June 13-15. See website for upcoming streaming and in- theater shows. San Jose Stage Company: Dirty Rotten Scoundrels.  June 5 – 30. Shotgun Players.  Best Available by Jonathan Spector. May 18 – June 16. Website also lists one night only events at the Ashby Stage. South Bay Musical Theatre: Mary Poppins, the Broadway Musical, May 18 – June 8. Saratoga Civic Theater. Stagebridge: Shady Manor, a musical play by Prescott Cole. June 14-16. 2501 Harrison St., Oakland. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  All's Well That Ends Well by William Shakespeare, May 23 – June 2. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Being Alive: A Sondheim Celebration June 5-20, Mountain View Center for the Performing Arts.. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org The post Bookwaves/Artwaves – May 30, 2024: Aya de Leon – Paul Auster appeared first on KPFA.

KPFA theatre critic Richard Wolinsky reviews “Galileo, A Rock Musical” at Berkeley Rep‘s Roda Theatre through June 23, 2024. The post Review: “Galileo” at Berkeley Rep Roda Theatre appeared first on KPFA.

April 29, 1996. New musical Rent premieres on Broadway, only a few months after the death of the show's creator.You can listen ad-free in the Wondery or Amazon Music app. Or for all that and more, go to IntoHistory.com.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

April 29, 1996. New musical Rent premieres on Broadway, only a few months after the death of the show's creator.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Director of LAMTA - Luitingh Alexander Musical Theatre Academy, Anton Luitingh on what to expect from “Spring Awakening” a rock musical that LAMTA first presented last year for a week, at Theatre on the Bay in Camps Bay. It's back by popular demand from this Friday to 6 April then moves to Pieter Toerien's Montecasino Theatre for a month from 12 AprilSee omnystudio.com/listener for privacy information.

sometimes love hurts... especially when it bitesToday were talking about:2009's Suck where Success eludes members of a struggling rock band, until their bassist (Jessica Paré) goes home with a pale-looking fan and comes back a vampire.If you guys have any request for future movie request please send us an emailat whowatchesthispodcast@gmail.com - Theme Music -Lee Rosevere - Arcade Montage - Music For Podcast 3https://leerosevere.bandcamp.com/ Join the FB group page:https://www.facebook.com/WhoWatchesThisPodcast/YOUTUBE CHANNEL for commentary on shows and movies:https://www.youtube.com/channel/UCrexJV9qExxnAz45E0AJQMw

Jess McEvoy talks about their solo rock musical, 'The Show,' and the way that the show came about naturally after years of performing as a singer-songwriter between Naarm and New York City.Sandrine Lescourant, dancer and performer in Oona Doherty's piece 'Hope Hunt and the Acension into Lazarus', discusses the way the work looks at suburban youth culture in Northern Ireland, focussing on young men and the 'id of the Northern Irish chav.'Director Kitan Petkovski speaks about his 7-hour theatre work, 'The Inheritance,' and how this piece honours the importance of elders in queer spaces, especially gay men in a post-AIDs crisis context.Hosted by Richard Watts

In this episode we are rocking out and talking all things rock musicals! Joining host Ben Cameron are Lena Hall (Hedwig and the Angry Inch, Little Shop of Horrors), Will Swenson (A Beautiful Noise, Hair), and Heidi Blickenstaff (Jagged Little Pill, Something Rotten!). Ben and the group talk about what it's like to do shows in front of the real life stars they are performing as, the different kinds of singing required to do rock style shows, rock musicals they want to see made, and more! Want more ⁠Broadway Cast⁠? Want access to ⁠bonus episodes⁠? Want to have your questions asked on our show? We can make all of those dreams (⁠and more⁠) come true! ⁠CLICK HERE TO JOIN OUR PATREON⁠ Follow us @TheBroadwayCast on Instagram, Facebook, TikTok, YouTube and Twitter --- Support this podcast: https://podcasters.spotify.com/pod/show/the-broadway-cast/support

Released for a limited time for free! Get more content just like this on improv4humans.comSTOLEN IDEA is a comedy punk rock musical that covers the theft of intellectual property in the worlds of music and comedy. The story follows a standup comedian and a rock musician who are both approaching 40 and are fearful their time to “make it” is running out. One has his idea stolen, the other steals an idea. Only the ghosts of Elisha Gray and Alexander Graham Bell can help them now!Starring: Matt Besser, Bobby Matthews, James Adomian, John Gemberling, Virginia Matthews, Paul Rust, Scott Aukerman, Harris Wittels, Mike Cassady, Mike Still and Danielle Schneider.Original music by Bobby Matthews. Performed by Bobby Matthews, Brett Morris and Sean Whalen. Produced, mixed and edited by Brett Morris.Listen to this and the other premium series from Besser and Brett, the entire ad-free i4h archive and brand new bonus podcasts every week at improv4humans.com. Gift a subscription or an exclusive scene to a friend!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Merely Players is in the middle of a diverse and interesting 2023-24 season, currently showing the regional premiere of Hands on a Hardbody at the Merely Underground at 789 Tech Center Drive. Hands on a Hardbody is a 2013 country rock musical based on a 1997 documentary about a group of Texans who compete to win a new truck by keeping their hands on it the longest. This unconventional musical, with a book by Doug Wright and music by Amanda Green and Trey Anastasio of Phish, explores a wide array of human experiences and emotions, as the contestants reveal their stories through an upbeat score that fuses country, blues, and rock.  Featuring an ensemble cast of local talent and an actual full size working truck, this show is fun for the whole family. By Jessica McCallum.Watch this story at www.durangolocal.news/newsstories/merely-players-presents-rock-musical-hands-on-a-hardbody This story is sponsored by Sky Ute Casino and The Payroll DepartmentSupport the show

Although nobody knew it at the time, in April of 1968 “The Golden Age of Broadway” came to an abrupt end on the opening night of the “tribal rock musical” HAIR, which took America by storm and created a shocking jump cut into what I call “The Modern Era" of the Broadway Musical. In this episode I share the story of the emergence and rise of the so called “Rock Musical”. To many HAIR, and the "Rock Musical", seemed like a total betrayal of the values, craftsmanship and traditions of Broadway. However, I see it, and the other new forms of musicals that rose to the forefront in The Modern Era, as just part of the inevitable ongoing evolution of a form that had always closely reflected what was going on in American culture. In the immediate wake of HAIR there were many shows that tried to emulate its triumph -- but only three found real success: Jesus Christ Superstar, Godspell, and Two Gentlemen of Verona. Later, the success of Godspell would lead directly to PIPPIN, and the success of Superstar led to Webber & Rice's 1979 blockbuster EVITA, and the expansion and of their early musical Joseph And His Technicolor Dreamcoat. The term “Rock Musical” is something of a misnomer. Rock music, in is purest form, actually does not lend itself very well to musical theater storytelling. It's musical, rhythmic, and lyric forms are much too limited and repetitive. The most successful “Rock Musicals” – from HAIR to RENT -- would more actually be called “rock flavored” musicals that employ a variety of rock, pop, R&B, folk, and latin styles mixed with traditional forms of songwriting. Over the coming years both Stephen Schwartz and Andrew Lloyd-Webber would move further and further away from Rock and do what Broadway composers had always done – combine the pop music of their day with an eclectic mix of musicals styles that best suited the story and characters they were dramatizing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Michael Shaw Fisher is an actor, producer and writer of musicals, films, and novels in Los Angeles. His original musical DOCTOR NYMPHO VS THE SEX ZOMBIES won Best Musical at the Hollywood Fringe in 2018. His show SKULLDUGGERY: THE MUSICAL PREQUEL TO HAMLET premiered at Sacred Fools Theatre Company in 2016 and earned him an Ovation Award for Best Lyrics and Music. His solo show, SHAKESPEARE'S LAST NIGHT OUT won an Ovation Award for “Best Book of an Original Musical” after winning “Top of Fringe” at the Hollywood Fringe 2015 and "Best Solo Show.” As Artistic Director of Orgasmico Theatre Company, Michael penned and performed in the Ovation-nominated DOOMSDAY CABARET (2012), Best Fringe Musical-winning EXORCISTIC: THE ROCK MUSICAL PARODY EXPERIMENT (2013) and THE WEREWOLVES OF HOLLYWOOD BLVD. (2014). As an actor he has appeared in the Ovation nominated and Top of Fringe-winning SHAKESLESQUE with Cherry Poppins. He's also appeared in Ben Moroski's TILT also appeared in Theatricum Botanicum's RICHARD III and ROSE COTTAGES in 2011. Michael has performed a variety of other plays as well as written, produced and directed others. He has a passion for storytelling in all forms and can't wait to bring more exciting and original theatre projects to life in Hollywood. He is in love with his wife and son.  Exorcistic: The Unauthorized Rock Musical Parody of The Exorcist is the must-see rock musical experience of 2023. Come celebrate "the scariest film of all time" with a demon-themed drink, clutch your crucifixes tight and say your prayers. Your Salvation may depend on it!

Subscriber-only episodeCamp counselors Jackie and Greg sit around the fire for Brian De Palma's PHANTOM OF THE PARADISE from 1974. Topics of discussion include the many inspirations from Oscar Wilde to Hitchcock to German Expressionism, De Palma's giddy filmmaking, the tunes by Paul Williams, and an unfair comparison to the other midnight rock musical, THE ROCKY HORROR PICTURE SHOW. The monthly S'mores series is an offshoot from our main series, where Jackie and Greg explore films from the fringes of cinema, encompassing underground, experimental, cult, camp, genre, horror, and B-movies. S'mores episodes are unlocked by becoming either a Patron or Friend of the Show (see below). These episodes are released on the last Tuesday of each month.Check us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comJoin our weekly film club: instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxGet in touch at hello@sceneandheardpod.comSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Re-Connected is a weekly live show where we go over boutique blu ray announcements, physical media sales, and sometimes we go over unboxings/collection updates. We are a community of cult movie fans that enjoy getting together to discuss what is releasing. This week we are joined by Nathaniel Thompson of Mondo-Digital! We are going to be going over the announcements for the week and discussing ROCK MUSICALS! Join us! Hope to see you in the chat! - Stay up to date with Mondo-Digital here: http://mondo-digital.com Mondo-Digital on Facebook: https://www.facebook.com/profile.php?id=100063548171855 Mondo-Digital on Twitter: https://twitter.com/mondodigital Mondo-Digital on Instagram: https://www.instagram.com/mondodig/ Nathaniel Thompson/Mondo-Digital on Letterboxd: https://letterboxd.com/mondodigital/ Nathaniel's list of all (or, at least most) of the Commentaries he has appeared on: https://letterboxd.com/mondodigital/list/audio-commentaries-ive-done/ Nathaniel's ranked list on Krimi films (mostly German crime films): https://letterboxd.com/mondodigital/list/krimis-ranked/ Nathaniel's ranked Jess Franco list: https://letterboxd.com/mondodigital/list/jess-franco-ranked/ Order Nathaniel's book that released recently in the US: https://amzn.to/3CGHpCN - Buy The Physical Media Advocate on Amazon! https://amzn.to/47g41qY - Follow Shelf Shock Rewind on Twitter: https://twitter.com/Shelf_Shock Follow Shelf Shock Rewind on Instagram: https://www.instagram.com/shelfshockrewind/ Follow Shelf Shock Rewind on Facebook: https://www.facebook.com/ShelfShockRewind Follow Shelf Shock Rewind on YouTube: https://www.youtube.com/@shelfshockrewind1231 - Become a patron here: https://www.patreon.com/DiscConnected - Like the page and follow on Facebook here: https://www.facebook.com/TheDiscConnected - Join me on Instagram at: https://www.instagram.com/thediscconnected/ - Or on Twitter: https://twitter.com/disc_connected - Email: DiscConnectedMedia@gmail.com -- Merch: https://www.teepublic.com/user/the-disc-connected - Podcast: https://thediscconnected.podbean.com - If you happen to be shopping on Amazon for something and would like to share some of Lord Bezos' profits with my channel at no additional cost to you, please consider shopping through my link: https://amzn.to/39mcX1t - Tip Jar: https://www.paypal.com/donate?hosted_button_id=TDEVSPJZ9EFCW or paypal.me/RVinls (friends and family only) or  Amazon wish list: https://www.amazon.com/hz/wishlist/ls/20CR2ZN456P1B?ref_=wl_share - Music is by Michael J. LeRose- michaelxcreates@gmail.com. Outro is K(NO)W by Crusoe via a Creative Commons Attribution License and verbal/written permission from the artist. - Links above may be affiliate/promotional links that provide me a tiny commission to support the sight and do not charge the consumer anything extra.

For more geeky podcasts visit GonnaGeek.com   It's 1968, One of the most turbulent years in US history.  Richard Nixon wins the election against Hubert Humphrey.  The US is entwined in the war between North and South Vietnam and Lyndon B. Johnson, who is still president, increases our own ground troops to 550,000.  Martin Luther King and Robert F. Kennedy are both assassinated.  The Civil Rights Act is passed.  Riots outside the Democratic National Convention in Chicago breakout and Chicago's mayor orders his police, “shoot to kill.”  The country is at odds.   One Broadway musical is getting all the attention with a scene where all the performers drop their clothing and appear fully nude.  This new show plays with the division between the existing culture at the time, and the counterculture of the “hippie generation” and marks the birth of the “Rock-Musical”   A decade later, Milos Forman, Director of the Oscar winning film, One Flew Over the Cookoo's Nest sets his sights bringing it to the big screen with major changes.  Screenwriter Micheal Weller rewrites the script to have a more narrative structure.     Casting John Savage, fresh off his work on the Deer Hunter and launching the careers of Beverly D'Angelo and Treat Williams (RIP), with “blink and you'll miss them" appearances from Nelle Carter and “Mrs. Garret's” Charlotte Rae, Forman begs the question, “Do we cut it short, or do we let it all hang out?”   This week, we talk about the 1979 film adaptation of HAIR!   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com

Peter Filichia, James Marino, and Michael Portantiere review Good Vibrations: A Punk Rock Musical @ Irish Arts Center, and the Ethan Mordden book, “Gays on Broadway”. Discussion topics include Alen Menken performing “Sheridan Square”, Peter Marks on Regional Theaters, and the passings of Jack Goldstein, Jeffrey Carlson, and Betta St. read more The post This Week on Broadway for July 9, 2023: Good Vibrations: A Punk Rock Musical @ Irish Arts Center appeared first on BroadwayRadio.

Theatrical sound designer Kyle Jensen returns to the show to talk with Michael about their work co-designing a recent production of the musical RENT for Hamilton College in Clinton NY. They are joined in the discussion by Jess Buttery, Production Manager for the college's theater department. They talk about the sound system design philosophy and implementation used for the production, some of the challenges of the show, and how Kyle and Michael worked collaboratively throughout the process. The group also explores the balance between professional production quality and educational value in a college theater setting and the importance of professional models in technical theater education. This episode is sponsored by Rational Acoustics , Allen & Heath, and RCFJoin our Discord Server and our Facebook Group, and Follow us on InstagramPlease check out and support The Roadie Clinic, Their mission is simple. "We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle."The Signal To Noise podcast series on ProSoundWeb is hosted by Live Sound/PSW technical editor Michael Lawrence and pro audio veterans Kyle Chirnside, Chris Leonard, and Sam Boone

Writer of the BroadwayWorld winning musical, The Last Match: A Pro Wrestling Rock Musical, Jason Huza joins the show to chat about creating the amalgamation of theater, pro wrestling, and rock n' roll into a musical masterpiece. Find out more about The Last Match Musical at https://www.thelastmatchmusical.com/     As Always The BCP is brought to you by our favorite store, Funkenstein Wrestling Superstore located online and at the Englishtown, NJ Flea Market!!   The BCP is also sponsored by the The No Gimmicks Podcast Fan Group The Pro Wrestling podcast that keeps it 100% real, 100% of the time!! The No Gimmicks Podcast is available wherever you get your podcasts.

THE PHANTOM OF THE OPERA  Music by Andrew Lloyd Webber | Lyrics by Charles Hart | Additional Lyrics by Richard Stilgoe | Book by Richard Stilgoe & Andrew Lloyd Webber | Based on the novel Le Fantome de  l'Opera by Gaston Leroux | Originally Directed by Harold Prince | Orchestrations by David Cullen & Andrew Lloyd Webber | Original Production by Cameron Mackintosh Ltd. and The Really Useful Group Ltd. Works Consulted & Reference :The Phantom of the Opera (Original Libretto) by Andrew Lloyd Webber, Charles Hart, and Richard StilgoeSense of Occasion by Harold PrinceUnmasked by Andrew Lloyd WebberRazzle Dazzle by Michael ReidelThe Complete Phantom of the Opera by George PerryMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"The Music of the Night” from  The Phantom of the Opera (Original London Cast Recording) | Music by Andrew Lloyd Webber | Lyrics by Charles Hart | Additional Lyrics by Richard Stilgoe | Performed by Andrew Lloyd Webber, Phantom of the Opera Original London Cast, Michael Crawford"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

In this episode we are rocking out and talking all things rock musicals! Joining host Ben Cameron are Lena Hall (Hedwig and the Angry Inch, Little Shop of Horrors), Will Swenson (A Beautiful Noise, Hair), and Heidi Blickenstaff (Jagged Little Pill, Something Rotten!). Ben and the group talk about what it's like to do shows in front of the real life stars they are performing as, the different kinds of singing required to do rock style shows, rock musicals they want to see made, and more! Want more Broadway Cast? Want access to bonus episodes? Want to have your questions asked on our show? We can make all of those dreams (and more) come true! CLICK HERE TO JOIN OUR PATREON Follow us @TheBroadwayCast on Instagram, Facebook, TikTok, YouTube and TwitterSee omnystudio.com/listener for privacy information.

Harmony and understanding, sympathy and trust abound in this ninth foray into 1967, covering the legacy and impact of the groundbreaking hippie musical extravaganza, Hair! Sarah & Joe discuss the freewheeling nature of the show's composition, from its initial off-Broadway premiere in '67 to its triumphant run on Broadway and the West End to becoming a worldwide phenomenon. Much attention is paid to creators Gerome Ragni and James Rado, their other projects in subsequent years, the too-late film adaptation by Milos Forman in 1979, the massive controversies surrounding Hair virtually everywhere it played, and how the show influenced and changed musical theater from that point forward. 

#climatechange #water #rockmusical CONVERSATIONS WITH CALVIN WE THE SPECIES New: MARK A. DURSTEWITZ: Writer, Musician, Composer, "Water, Inc," A New Climate Change Rock Musical; Writer (novels, short stories, poems, lyrics, technical, marketing); Founding member of Madmen & Dreamers. ‘WATER INC' A CLIMATE CHANGE ROCK MUSICAL!!!!!!! GoFundMe: https://gofund.me/c0eb0d02 YouTube: Kind of like "Water Water everywhere; BUT really not much to drink (healthfully and un-chemically)" 163 Interviews. GLOBAL Reach. Earth Life. Amazing People. PLEASE SUBSCRIBE (You can almost find any subject you want) https://www.youtube.com/c/ConversationswithCalvinWetheSpecIEs ** MARK DURSTEWITZ: CONTACT: LinkedIn https://www.linkedin.com/in/mark-durstewitz-046201b/ GoFundMe: https://gofund.me/c0eb0d02 mark@madelf.com www.madelf.org Twitter: @MadmenDreamers Madmen and Dreamers Facebook: https://www.facebook.com/people/Madmen-and-Dreamers/100050270388871/ Spotify: https://open.spotify.com/artist/3ecEuDmTW5mQXBBMKbBgSe Google madmen and dreamers FB or Spotify Soundcloud https://soundcloud.com/madmen-and-dreamers ** The MAD in Madmen & Dreamers & MadElf Arts & Education (501c3), is a creative juggernaut. A natural musician, prolific writer, & published novelist with several award-winning short stories, he found his milieu at the nexus of storytelling, music & technology. The digital studio is his domain. His primary instrument is piano & has played keyboards for many bands from southern to progressive rock, & many projects from studio to venue. Mark's passion is bringing meaningful stories to the public & calling audiences to action. The world has many problems that need to be addressed but climate change is the mother of them all. Never before in our history have we faced such an existential threat. It threatens everything & everyone & has been downplayed & denied by people with despicable greed. I have roamed forests of eastern 1/3 of US since I was a boy & changes I've seen in only my lifetime are frightening. It's killing me that we can't get our collective acts together to stop it. I had to get this project to the stage. I wouldn't have been able to live with myself if I had something that might have helped but didn't use it. I wouldn't be able to look my children, nor my grandchildren, in the face if I stood by and did nothing. We can fix this. We have everything we need to do so. We only have to act together in a determined & sustained way to make it abundantly clear to elected officials & business interests that we will not allow them to destroy the lives of our children and our children's children. We need everybody. ** ALSO ON AUDIO: SPOTIFY http://spoti.fi/3bMYVYW GOOGLE PODCASTS http://bit.ly/38yH3yP edits by Claudine Smith- Email: casproductions01@gmail.com PLEASE SUBSCRIBE (You can almost get any subject interview you want ) #rutgers #womenshealth #onehealth #branding #singersongwriter ** CLIMATE UPDATE: Latest IPCC climate change report finds 'irreversible' impact of global warming IT'S N0W OR NEVER: Intergovernmental Panel on Climate Change (IPCC) released its second chapter on the impact of climate change. Many of the impacts of global warming are now simply "irreversible," the UN's latest assessment found. **

There's honey in the rock. The rock that is Jesus who provides everything we need.   Join the conversation: message us or comment via our Facebook page, instagram, youtube or email us at plexus@salvationarmy.org.uk facebook.com/selahtimetopause instagram.com/plexus.salvationarmy/ youtube.com/channel/selahtimetopause ---- Music: Honey In The Rock by Brooke Ligertwood Intro Music: Just Breathe by  Bethany Henderson Digitally transmitted under licence: CCL 478026 and 21126816

Cultura em Pauta #244 - 10 de junho de 2022

Adam and Liam break down and rank the Top 5 "non-rock" musical instruments used in rock music through the decades.

HAIR COMPOSER: Galt MacDermot LYRICIST: Gerome Ragni, James Rado BOOK: Gerome Ragni, James Rado DIRECTOR: Tom O'Horgan CHOREOGRAPHER: Julie Arenal PRINCIPLE CAST: Lynn Kellogg (Sheila), James Rado (Claude), Gerome Ragni (Berger),  OPENING DATE: Apr 29, 1968 CLOSING DATE: Jul 01, 1972 PERFORMANCES: 1,750 SYNOPSIS: Claude, a young American, is called to serve in the United States army to fight the Vietnam War and questions whether he will go and fight for a war he sees as unjust, or flee the country and become a fugitive of the law.  A commentary on American hippie counterculture of the late 1960s, Hair established a new genre of rock musicals and broke ground in its portrayals of sex, sexuality, nudity, and drug use. Several of the songs from the show became chart-topping anthems. James Rado and Jerome Ragni's musical's opening at the Public Theatre allowed its controversial form and content to prove their marketability before a more mainstream Broadway run. Elizabeth Lara Wollman explores how Joseph Papp fostered the show and how his relinquishing of the rights altered his idea about commercial musicals, the staging of Gerald Freeman versus Tom O'Horgan, and why the musical became a red herring in the development of rock musicals. Elizabeth L. Wollman (Ph.D in Ethnomusicology, The Graduate Center, CUNY) is a professor of music at Baruch College, CUNY. Her research and teaching interests include the stage musical, the commercial theater industry, canonicity, historiography, failure, sexuality and gender, and the cultural history of New York City. She has published articles on the relationship between gender stereotypes and rock radio programming, the impact of the economy on the development of the Broadway musical, the critical and commercial reception of rock musicals, and New York's theater scene in the 1960s and 1970s. She is the author of The Theater Will Rock: A History of the Rock Musical, From Hair to Hedwig (University of Michigan Press, 2006), Hard Times: The Adult Musical in 1970s New York City (Oxford University Press, 2012) and A Critical Companion to the American Stage Musical (Bloomsbury/Methuen Drama, 2017). With Jessica Sternfeld she was co-editor of The Routledge Companion to the Contemporary Musical (2020) and is currently co-editor of the journal Studies in Musical Theatre. SOURCES Great Rock Musicals by Stanley Richards, published by Stein & Day Publishing (1979) Hair, Original Cast Recording. RCA Victor (1968) Hair starring John Savage and Treat Williams, directed by Milos Foreman. MGM Studios (1979) The Age of Hair: Evolution and Impact of Broadway's First Rock Musical by Barbara L Horn, published by Praeger (1991) The Theatre Will Rock: A History of the Rock Musical, from Hair to Hedwig by Elizabeth Lara Wollman, published by University of Michigan Press (2009) Let The Sun Shine In: The Genius of Hair by Scott Miller, published by Heinemann Drama (2003) Learn more about your ad choices. Visit megaphone.fm/adchoices

Although nobody knew it at the time, in April of 1968 “The Golden Age of Broadway” came to an abrupt end on the opening night of the “tribal rock musical” HAIR, which took America by storm and created a shocking jump cut into what I call “The Modern Era" of the Broadway Musical. In this episode I share the story of the emergence and rise of the so called “Rock Musical”. To many HAIR, and the "Rock Musical", seemed like a total betrayal of the values, craftsmanship and traditions of Broadway. However, I see it, and the other new forms of musicals that rose to the forefront in The Modern Era, as just part of the inevitable ongoing evolution of a form that had always closely reflected what was going on in American culture. In the immediate wake of HAIR there were many shows that tried to emulate its triumph -- but only three found real success: Jesus Christ Superstar, Godspell, and Two Gentlemen of Verona. Later, the success of Godspell would lead directly to PIPPIN, and the success of Superstar led to Webber & Rice's 1979 blockbuster EVITA, and the expansion and of their early musical Joseph And His Technicolor Dreamcoat. The term “Rock Musical” is something of a misnomer. Rock music, in is purest form, actually does not lend itself very well to musical theater storytelling. It's musical, rhythmic, and lyric forms are much too limited and repetitive. The most successful “Rock Musicals” – from HAIR to RENT -- would more actually be called “rock flavored” musicals that employ a variety of rock, pop, R&B, folk, and latin styles mixed with traditional forms of songwriting. Over the coming years both Stephen Schwartz and Andrew Lloyd-Webber would move further and further away from Rock and do what Broadway composers had always done – combine the pop music of their day with an eclectic mix of musicals styles that best suited the story and characters they were dramatizing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Let's rock!

¡¡ 101-MUSICAL DREAMS !! Esta semana JUST ROCK presenta un programa ,donde la música de todos los tiempos ,estarán presentes. Esperamos que os guste. Disfrutar de las canciones. Un saludo de toda la familia que realizamos, Just Rock. Puedes comentar y pedir temas en el Chat de IVOOX y a través de Facebook, También puedes suscribirte, es gratis y estarás al día cuando se suba cada PodCast. Y recuerda, Si te gusta "No seas egoísta y comparte". Rock On!!! Y de nuevo gracias a todos esos músicos, medios de comunicación y amigos, que poco a poco con sus Saludos, ya forman parte importante de JUST ROCK.! "101-MUSICAL DREAMS " Playlist: 1.- HAREM SCAREM - Change Comes Around. 2.- HARLAN CAGE - Dearborn Station. ⭐️Sección “Marta Y Sus Clases De Rock”. 3.- B-JOE - Forty Days. 4.- BITE THE BULLET - Cold Wind. ⭐ Sección "El Rincón Del Tigre". 5.- KISS - It´s My Life. 6.- BATTLE BEAST - Circus Of Doom. ⭐ Sección “Los Consejos de David” . 7.- DANNY VAUGHN - Just Like That. 8.- TINTA CHINA - Desesperación. 9.- CHARMING GRACE - Run Away. 10.- THE SIGN - Desperate Heart. 11.- TOUR DE FORCE - Hold On. 12.- STYX- The Best Of Times. 13.- GLORY - What Can We Do. ⭐Sección “El Delorian De Doc” 14.- PERROS DE PAJA - La Edad Del Sol. 15.- REGATTA - Wherever You Run. 16.- AGRESIVA - Tóxico. 17.- GIANT - Highway Of Love. Saludos - Regards - KENT HILLI - AGRESIVA.

In this episode, eight of this season's guests--Janine McGuire (Episode 55: The Musicals of Andrew Lloyd Webber), Deborah Blumenthal (Episode 57: Company), Rob Hartmann (Episode 59: Merrily We Roll Along), Danielle Feder (Episode 60: Parade), Amber Savva (Episode 64: Rock Musicals), Robert Lee (Episode 65: Artist Characters in Musical Theater), BethAnn Cohen (Episode 66: Into the Woods), and Victoria Myers (Episode 67: The Roles of Bernadette Peters)--return to discuss the topics from the season and listener questions and comments.  This discussion was held live on Sunday, December 19th on Scene to Song's Facebook page, and was recorded for this podcast almost in its entirety. Scene to Song will be going on a brief hiatus to prepare for Season five and will return in early 2021. In the meantime, you can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow us on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” The theme music you are hearing is by Julia Meinwald. And a special announcement for 2022! When Scene to Song returns for season 5, it will have an accompanying monthly e-newsletter! You'll get more info about the episodes and guests, a "this month in musical theater history," shout outs to upcoming musicals in development, and more! Sign up now at scenetosong.substack.com to make sure it's in your inbox when we launch in February 2022!

This week, we're reviewing the Rock Musical, I Kissed a Vampire. 50% Audience rating on Rotten Tomatoes, 4.2/10 on IMDB. --- Send in a voice message: https://podcasters.spotify.com/pod/show/no-redeeming-feature/message

InD Theatre - Lizzie production Jessie Smith - Director & Dawn Janow - Costumer designer Become part of the Podcastville Community on Patreon! The B.I.Stander Podcast is a listener supported show, please consider subscribing.  Thank you This episode is sponsored by MUD/WTR (click the link to help the show) The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers Society &  Human Interest stories, music and arts. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! Tell them you heard it on: The BISTANDER Podcast! Blue Canary Auto  Helpline House SI.COM Sound Reprographics B.I.Hoops & More PLEASE TELL THEM "THE B.I.STANDER PODCAST" SENT YOU! Music performed by Band of Steves of The Island Music Guild. Listen on Spotify, PlayerFM, Apple Podcasts, TuneIN, Castbox, Amazon Podcasts, Deezer, and more! Support the Show on PATREON

In einer Welt in der Rock 'n' Roll König ist, sind die Kultfilm-Kumpel die Hofnarren! In der neuesten Episode eures Lieblingspodcasts begleitet ihr Fakten-Frank auf seiner Mission, die schöne Ellen Aim aus den Fängen der “Bomber” zu befreien und hört Kultfilm-Kev dabei zu, wie er verbal mit dem Vorschlaghammer auf Walter Hills Neo-noir Rock Musical eindrischt.

In this episode, actor and producer Amber Savva discusses rock musicals, focusing on Bat out of Hell and other rock jukebox musicals. We also talk about the song "Kiss Me/Ladies and Their Sensitivities/Kiss Me Quartet" from Sweeney Todd. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” The theme music is by Julia Meinwald. Music played in this episode: "Two out of Three Aint Bad" from Bat out of Hell by Meatloaf "Two out of Three Aint Bad" from Bat out of Hell The Musical Original Cast Recording "Paradise by the Dashboard Light" from Bat out of Hell The Musical Original Cast Recording "El Tango de Roxanne" from Moulin Rouge: Music from Baz Luhrmann's Film "School of Rock (Teacher's Pet)" from School of Rock The Musical "Kiss Me/Ladies in Their Sensitivities/Kiss Me Quartet" from Sweeney Todd

N2N has always been one of my favorite musicals, ever since I heard about it back in 2009! I was really excited to share it with Anna. There has been some news regarding the lead actress from the show, which I do address, but the bulk of this episode was recorded before we found out about the allegations. So just be warned the first few minutes I talk about some content that regards possible sexual misconduct and emotional abuse. The musical itself also deals with depression and suicidal ideation, so that should be included in this content warning as well. Thank you for your understanding. Hope you appreciate this episode! BroadwayBabyMusicalManiac@gmail.com

Ok, this week I have an update on some previous crowdfunding projects I mentioned, including the successful conclusion to Fat Fleshy Fingers on Kickstarter!! This week's project is a GoFundMe from the filmmakers behind Silent Shadow, Yolit Rios (on Instagram @yolitsvisionary) and Gary Jay (on Instagram @garyjayjr): (Silent Shadow short: https://youtu.be/q4iFFk6PT8M). They're raising money for a new western short with a black lead. Link below, and I'm trying to get them on the show. Also covered, briefly, is the trailer for Animosity, the first film from Brendan Steere. He actually won awards for this film at Buffalo Dreams way back in 2013, but it's only now getting released thanks to the smash hit that was The VelociPastor. I also go on a rant about Michael Epstein (https://twitter.com/MichaelJEpstein) sending me down a rabbit hole of obscure 80's rock musicals (titles and links below) New Projects discussed on this episode: Lucky Lucy on GoFundMe: https://www.gofundme.com/f/lucky-lucy-short-film Animosity coming soon from the director of The VelociPastor: https://youtu.be/mxkgYI4EzXY The Good Exorcist available on TubiTV, Plex, and rental, coming soon on Blu from Troma: https://www.justwatch.com/us/movie/the-good-exorcist Obscure 80's Rock Musicals mentioned on this episode: Voyage of the Rock Aliens: https://www.justwatch.com/us/movie/voyage-of-the-rock-aliens The Apple: https://www.justwatch.com/us/movie/the-apple Rock & Rule: https://youtu.be/knENwlh0FFA Streets of Fire: https://www.justwatch.com/us/movie/streets-of-fire --- Send in a voice message: https://anchor.fm/nsfapod/message

Zach Raffio (Broadway Beat) joins the classroom to talk rock musicals. We play “Name That Rock Flop,” Caitlin thinks we process trauma through rock musicals, Lauren stans the Linda Lindas and should there be a Jack Antonoff rock musical?  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this powerful message, Ps. Jurgen uses our annual Easter production "Hero the Rock Musical" to reveal seven kingdom truths!

Somos todos iguais, não somos? / We're all equal, aren't we?

HAIR Book & Lyrics by Gerome Ragni & James Rado | Music by Galt MacDermot | Produced for the Broadway stage by Michael Butler | Original Produced by the New York Shakespeare Festival TheatreEpisode Segments:2:25 - Speed Test4:09 - Why God Why8:04 - Back to Before25:26 - What's Inside42:47 - How Do You Solve a Problem Like Maria?1:06:25 - Our Favorite Things1:14:56 - Corner of the Sky1:18:08 – What Comes Next?Works Consulted & Reference :Hair (Original Libretto) by Gerome Ragni & James RadoFree For All: Joe Papp, The Public, and the Greatest Theater Story Ever Told by Kenneth Turan & Joseph PappJoe Papp: An American Life by Helen Epstein Hair: The Story of the Show That Defined A Generation by Eric Grode It Happened On Broadway: An Oral History of the Great White Way by Myrna Katz Frommer & Harvey Frommer“No Legs, No Jokes, No Chance”: A History of the American Musical Theater by Sheldon PatinkinMusical! A Grand Tour by Denny Martin FlinnB'WAY: The American Musical (2004 PBS Documentary)Music Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Manchester England” from Hair (Original Broadway Cast Recording) | Music by Galt MacDermot & Lyrics by Gerome Ragni & James Rado | Performed by James Rado & Hair Ensemble"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

This week, Allen, Asher, Sam, and Raph watch The Apple and talk about anti-aquarian reactionaries, the hippie hangover, and what makes a truely great bad movie. Follow us on social media: @Robothauspod @HighlyAfiligent @AsherLack @CaseofPiles @_perkwunos

This week, Allen, Asher, Sam, and Raph watch The Apple and talk about anti-aquarian reactionaries, the hippie hangover, and what makes a truely great bad movie. Follow us on social media: @Robothauspod @HighlyAfiligent @AsherLack @CaseofPiles @_perkwunos

Trotz Slowdown gibt die Kunst nicht auf: Zu den Bühnen, die weiterhin spielen, gehört auch das Theater St. Gallen. Dort kam am Samstag «The Black Rider» zur Premiere – das durchschlagende Rock-Musical von Bob Wilson, Tom Waits und William S. Burroughs. Weitere Themen:  (00:04:59) Verunsichernder Blick auf den Winter: zu den psychischen Folgen der Pandemie.  (00:09:05) «Ich, eine schlechte Mutter»: In ihren autofiktionalen Bekenntnissen rechnet die feministische Autorin Margerite Andersen mit sich und ihrem Leben ab. (00:13:26) Der Begriff Gender weckt grosse Emotionen: Das Stapferhaus Lenzburg widmet dem Geschlecht eine Ausstellung. (00:18:11) Comeback der Programmzeitschrift fürs Fernsehen: Gleich zwei neue Zeitschriften bilden unter dem Titel «Streaming» digitale Angebote ab.

Over the last three episodes I charted the rise of the Rock Musical – from HAIR to EVITA, - as well as the very unlikely “Nostalgia Craze” that swept Broadway and America during the 1970’s. 1970s Broadway experienced another blast from the past with the return of the Black Musical. More than a dozen hit black musicals opened during the decade, and three of them won the Tony Award for BEST MUSICAL. About half of these were new, original musical plays – mostly adaptations of popular plays or novels. All of them employed a combination of rhythm & blues, pop, rock, jazz and traditional Broadway style music to help tell their stories.  The other half were musical revues that showcased the classic songs of the great black songwriters of the 1920s, 30s and 40s. These shows represented a significant black wing of the ongoing Nostalgia Craze. Please join me as I explore the musical plays PURLIE, RAISIN, and THE WIZ,; the gospel musicals DON’T BOTHER ME I CAN’T COPE, AND YOUR ARMS TOO SHORT TO BOX WITH GOD.; and the songbook revues BUBBLING BROWN SUGAR, AIN’T MISBEHAVIN’, EUBIE!, SOPHISTICATED LADIES, and BLACK AND BLUE.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In the last episode I outlined how a new wave of brash young songwriters swept aside the Golden Age and ushered in Broadway’s Modern Era with shows such as Hair, Jesus Christ Superstar, Godspell and Two Gentleman of Verona.  But surprisingly, in the midst of this ongoing triumph and ascendance of the Rock Musical, the biggest hit of 1971 was a revival of the Silver Age musical comedy, NO, NO, NANETTE. That’s right the Vincent Youmans musical that has introduced the songs “Tea For Two” and “I Want To Be Happy” way back in the Roaring 20s. With a heavily retooled book, sparkling new orchestrations and arrangements, and a snazzy, art deco inspired set and costume design, this reincarnation of No, No, Nanette was billed as “the new 1925 musical”. And it became a smash hit, running for 861 performances, and winning 4 Tony Awards for Choreography, Costume Design, and for two of its stars Helen Gallagher, and another vintage movie star, comedian Patsy Kelly. And, after years of it being almost entirely absent from Broadway -- Nanette brought tap dancing back into fashion in a major way. Most significantly, Nanette fanned a mania for everything and anything that recalled the music, style, and glamour of the 20s, 30s and 40s. The press dubbed this mania “The Nostalgia Craze” as it quickly spread into every aspect of American life. In this episode Albert Evans and I explore the origins of Broadway’s “Nostalgia Craze of the 1970s” -- where it came from, and what artistic, social and cultural forces came together to spark this unlikely phenomenon. We look at its roots in the counterculture youth rebellion of the 1960’s, the rediscovery of classic films from the 1930s and 40s on television, and in the popularization of gay camp culture via the off-off Broadway mega hit DAMES AT SEA. All of this would lead to the triumphant 1971 Broadway revival of NO, NO, NANETTE, which was billed as “the new 1925 musical”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although nobody knew it at the time, in April of 1968 “The Golden Age of Broadway” came to an abrupt end on the opening night of the “tribal rock musical” HAIR, which took America by storm and created a shocking jump cut into what I call “The Modern Era" of the Broadway Musical. In this episode I share the story of the emergence and rise of the so called “Rock Musical”. To many HAIR, and the "Rock Musical", seemed like a total betrayal of the values, craftsmanship and traditions of Broadway. However, I see it, and the other new forms of musicals that rose to the forefront in The Modern Era, as just part of the inevitable ongoing evolution of a form that had always closely reflected what was going on in American culture. In the immediate wake of HAIR there were many shows that tried to emulate its triumph -- but only three found real success: Jesus Christ Superstar, Godspell, and Two Gentlemen of Verona. Later, the success of Godspell would lead directly to PIPPIN, and the success of Superstar led to Webber & Rice’s 1979 blockbuster EVITA, and the expansion and of their early musical Joseph And His Technicolor Dreamcoat. The term “Rock Musical” is something of a misnomer. Rock music, in is purest form, actually does not lend itself very well to musical theater storytelling. It’s musical, rhythmic, and lyric forms are much too limited and repetitive. The most successful “Rock Musicals” – from HAIR to RENT -- would more actually be called “rock flavored” musicals that employ a variety of rock, pop, R&B, folk, and latin styles mixed with traditional forms of songwriting. Over the coming years both Stephen Schwartz and Andrew Lloyd-Webber would move further and further away from Rock and do what Broadway composers had always done – combine the pop music of their day with an eclectic mix of musicals styles that best suited the story and characters they were dramatizing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hola amigos,para la 21 edición de JUST ROCK,hemos recopilado un puñado de canciones del mejor Rock de todos los tiempos. Disfrutarlas y un saludo de todos los componentes de Just Rock. Puedes comentar y pedir temas en el Chat de IVOOX y a través de Facebook (Just Rock). Si te gusta "No seas egoísta y comparte" Rock On!!! "Musical Love" Playlist: 1.H.E.A.T-Living On The Run. 2.FM-Call On Me. 3.Dany Veras-Blinded. 4.Bonfire- Rock Me 'tío I Die. 5.Sangre Azul-Mil y Una Noches. 6.Viana-Friday Night. 7.First Signal-This City. 8.38 Special-She Loves To Talk. 9.Elyte.No Te Puedo Dejar Atrás. 10.Dare-Abandon. 11.U.D.O-We Are One. 12.Metropolis- Wilson And Blue. 13.Stoneflower- Gonna Let You Go. 14.Last Autumn's Dream- Need A Little Loving. 15.The Tubes-Out Of The Business. 16.Marcie Free-True Love.

JESUS CHRIST SUPERSTAR Music by Andrew Lloyd Webber | Lyrics by Tim Rice | A rock opera based on the last week of Jesus' lifeEpisode Segments:0:59 - Speed Test 4:01 - Why God Why6:57 - Back to Before25:51 - What's Inside 51:15 - How Do You Solve a Problem Like Maria?1:07:23 - Our Favorite Things1:15:23 - Corner of the Sky Works Consulted:Jesus Christ Superstar (Original Libretto) by Andrew Lloyd Webber & Tim RiceJesus Christ Superstar (1973 Film) Directed by Norman Jewison, Screenplay by Melvyn Bragg & Norman Jewison, Produced by Norman Jewison & Robert StigwoodGreat Performances: Jesus Christ Superstar (2001 PBS Broadcast) Directed by Gale Edwards & Nick MorrisJesus Christ Superstar Live in Concert (2018 NBC Broadcast) Directed by David Leveaux & Alex RudzinskiAndrew Lloyd Webber: A Biography by Gerald McKnightAndrew Lloyd Webber by John SnelsonUnmasked (A Memoir) by Andrew Lloyd WebberMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer "Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Heaven on Their Minds” from Jesus Christ Superstar | Performed by Murray Head & Alan Doggett"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas

If you're looking for a fresh new take on a theatrical pop culture classic, the iconic rock & roll musical Grease is making its debut tonight on Purdue Fort Wayne's Williams Theatre stage. It's not only the first time the show has been produced there, it's also the first time that either Craig Humphrey, head of PFW's Design Technology Program or assistant professor of Musical Theater, James Stover have tackled the piece. The plot thickens, you might say, as the two are passing the torch with this theatrical adventure--Craig is preparing to retire from teaching as James is making his directorial debut here. For the back stage perspective of it all, WBOI's Julia Meek sat down with Humprhey and Stover to discuss the play itself as well as the collaboration they enjoyed during its production, and how they view the time they've enjoyed working together in the School's Department of Theater. WBOI Artcentric is brought to you by WBOI's own Julia Meek and Ben Clemmer. Our theme music is “Me voy pal campo” by KelsiCote. Our administrative assistants are Keegan Lee and Brittany Smith. Our production assistants are Monica Blankenship and Mikaela Veltum.

** Stoked Grom Stories #8 ** Max Hart is a 12-year old legend-in-the-making from Sydney's Gold Coast. With a well rounded set of skills and knowledge in the ocean that includes fishing, surfing, and spearfishing Max is constantly busy enjoying life in the water with friends and family. Competing in state championship paddle races and surf competitions, Max is no stranger to pressure. Playing a leading role in the School of Rock Musical in both South Korea and Australia, totaling over 130 performances, Max rips on the guitar and continues to add this gift to his already impressive set of skills in the water. Max shares the ins and outs of his favorite surf breaks, like Byron Bay and Snapper Rock, talks about his favorite dive spots, and masterfully handles the dreaded lightening round of questions. I hope you get inspired today by this stoked grom like I did. If you like what you hear, I appreciate you following This Ocean Life on your podcast app and/or sharing with a friend. Hope everyone is well and safe. You can find fun stuff on the ThisOceanLife.TV website, Instagram, and Facebook, and Twitter. Host: Josh Pederson, @surfpaddletailgate  

Are you looking to make a ROCK MUSICAL? Producer Kenneth Hughes says you need three things: SEX, VAMPIRES, and if you're lucky—Kevin Scott Richardson from the Backstreet Boys! Learn about his new film Vampire Burt's Serenade airing next month on AMAZON PRIME. The icing on the cake for this episode? Animal Sun is back—WITHOUT PANTS?! Hear their new song Without You!

Put on your tight leather pants and let your hair down! Cali picks the underrated Rock Musical that shows to be careful what you wish for and never meet your idols. Get ready for a lot of singing in this episode.

In which the Musical Man and Frank Mills are caught going down on each other in Manchester, England. Donate today via Patreon: patreon.com/musicalmanpod / Twitter: @musicalmanpod / Podbean: musicalmanpod.podbean.com / Email: musicalmanpod@gmail.com

Marc and Betsy take a break from Rent and discuss their other favorite rock musicals from Broadway.

In this episode, writer Marcus Scott discusses rock musicals as a vehicle for coming-of-age stories and biographies, looking at Hedwig, The Bubbly Black Girl Sheds Her Chameleon Skin, Passing Strange, and A Strange Loop, among others. We also talk about the song "Skid Row (Downtown)" from the Little Shop of Horrors.   

In this episode, I have a conversation with the great Sheri Sanders, from Rock the Audition: A Masterclass in Auditioning for Rock Musicals. We discuss how she became the Worlds preeminent 'rock' repertoire coach and audition cut arranger, challenges she feels singers face when singing rock music, what she feels singers should know about singing pop/rock music, finding what makes you unique, and more!https://www.instagram.com/sherisandersrocks/Take 5 minutes to help The Visceral Voice better serve other professional voice users by filling out this questionnaire.

Punk rock isn't really what springs to mind when you think about musical theatre, but it's the driving force behind American Idiot the Musical.And it's been pretty successful - now celebrating its 10th year, the show has also picked up 2 Tony Awards and a Grammy for Best Musical Show album.Based on the album by Green Day and lyrics by front man Billie Joe Armstrong, the show follows three boyhood friends searching for meaning in the post 9/11 world … described by Billie Joe as “a coming of age in a politically-driven climate”.American Idiot the Musical is heading to our shores soon, and former X-Factor star Luke Friend who plays St Jimmy, joined Andrew Dickens.LISTEN TO AUDIO ABOVE

We are talking about the things we love this week on the Second Take Variety Hour!Things we spoke about in this episode:Star Wars: The Rise of Skywalker trailer review. https://www.imdb.com/title/tt2527338/School of Rock - Live Musical https://au.schoolofrockthemusical.com/Triple Jump - https://www.youtube.com/channel/UCY5xhpH29hcQudilieKD63QLike us and continue the discussion on Facebook, Twitter, our Website,OR consider giving to our Patreon,AND, find all of our sister podcasts at www.thatsnotcanonproductions.comLike us and continue the discussion on Facebook, Twitter, our Website,OR consider giving to our Patreon,AND, find all of our sister podcasts at www.thatsnotcanonproductions.com

Louie Pearlman & Joel Esher are the creators of "Joey & Ron: A New Sixties Bubblegum Rock Musical," which will premiere off-Broadway this November at the Players Theatre. Both Louie & Joel have been Story Pirates for over ten years (as has Laura!). In addition, Louie Pearlman has been an innovator and maverick of the NYC comedy and arts scene since 2002. Louie's officially-licensed Archie Comics/Riverdale stories "Nice Girls Finish Last," and “Riverdale’s Worst Nightmare” are currently available on the platform Yarn. Louie co-hosts and produces two podcasts: “XOXO Riverdale” and “Kick The Jukebox.” Joel Esher was recently nominated for the Off-Broadway Association’s Best Musical Award for “PharmaBro,” which he wrote with Lauren Gundrum. Other works include Folk Wandering, Bagels from Benny, Sammy Spider, and the upcoming “Noplace," with Gregory Van Acker, which O'Neill Theater 2019 NMTC Semi-Finalist). For more information, visit www.JoeyRonMusical.com!  

Você já passou embaixo de alguma escada? Bateu 3 vezes na madeira? Invocou a loira do banheiro? No episódio desta semana, falamos sobre superstições e algumas crenças .  O episódio contou com as presenças especiais da Amanda, Gabi e Nati, além dos integrantes Vina, Rurick, Neri e Vini . A abertura e áudio de fundo é som dos nossos amigos do DD CRASH em parceria com Josh Culture e Terra Preta, a música chama N.C.S.U e vocês encontram no Spotify, YouTube e onde mais eles tocarem. Acompanhem o trampo deles no instagram @d.d.crash. ### MOMENTO JÁ DEU ===> Rurick indica: "Simpatia Funciona?" | Nerdologia | YouTube - https://youtu.be/D3p0PRYBCPE . Gabi indica: Programa "Cozinha Prática" | Canal GNT . Nati indica: "Número 23" | Filme - http://www.adorocinema.com/filmes/filme-48412/ . Vini indica: "Escola do Rock" | Musical - https://guia.folha.uol.com.br/teatro/2019/08/estreia-do-musical-escola-do-rock-inspira-roteiro-roqueiro-pela-cidade-confira.shtml . Amanda indica: "Efeito Borboleta" | Filme - http://www.adorocinema.com/filmes/filme-44449/ . Vinagretti indica: "Fé Líquida" | Café Filosófico - https://youtu.be/YnQ1LAFJ3-4 . Neri indica: "Mas Você Vai Sozinha?" | Podcast - https://open.spotify.com/show/4c2b8qL5xQ7ZKq2fM9Ygq4?si=UXn4ZOQTQye1Vg81pDXUWQ . "Superstition" | Stevie Wonder - https://open.spotify.com/track/1h2xVEoJORqrg71HocgqXd?si=XrvLZ7d7SCac8kxvZTlzqw

 Luke  Davis speaks to Brent Hill and Amanda Lehpamer from The School of Rock Musical ahead of its Sydney tour 

Vlog 18- Ft. Kerry Ellis. ‪Ricardo Afonso. ‬Sabrina Aloueche. Noel Sullivan. Debbie Kurup. Patrick Sullivan. Georgia Carling. Ben Purkiss. Calum Robshaw. Ian Stroughair a.k.a Velma Celli. Oscar Conlon-Morrey. Boom Bang-a-Bang at Above the Stag. Sonder at The Cats Back Wandsworth Arts Fringe. Death of a Salesman at the‪ Young Vic Theatre. ‬Cleopatra the Musical. The Best of Rock Musicals. West End Calling. The Other Palace.

Regardless of the situations you were born into, God is able to make all things new in our lives when we become born-again believers! In this powerful message, Morgan Ervin, also known for playing Jesus in HERO the Rock Musical, talks about what God does in our lives when we are born-again.

Regardless of the situations you were born into, God is able to make all things new in our lives when we become born-again believers! In this powerful message, Morgan Ervin, also known for playing Jesus in HERO the Rock Musical, talks about what God does in our lives when we are born-again.

Nick talks to Jon Robyns and Hugh Wooldridge about the massive celebration of rock musicals coming up on May 12th to the Eventim Apollo in Hammersmith - The best of Rock Musicals.   David Herzog talks to Blake Klein from Pint of Wine Theatre about "Queen of the Mist," a Michael John LaChuisa musical about the first person to successfully go over Niagara Falls in a barrel in 1901 and Michael Shapiro provides another instalment of his development diary of The Bully Problem. 

The topic clearly stated that Ben needed to be here. And it's a good thing it did. Lord knows, if he weren't this episode would be 30 minutes of wide-eyed, panic-stricken silence between Geoff and Max. It's the King of the Rock Musical vs. The Father of the Contemporary American Musical. (Otherwise known as Ben [...]

This week, Mike is joined by the powerful Hedley Knights, who as well as being the producer/sound engineer, he voices Jault for the podcast audio drama We Fix Space Junk and is a co-founder of Battlebird Productions! In addition to discussing how WFSJ all began, the inspirations for it, bonus content and who the “Automnivoice” is, they discuss a whole mess of other things, so even if you’re not a fan of We Fix Space Junk, this is still an incredible listen! Hedley’s journey to becoming a sound engineer, some previous musical ventures (including a musical about Dwayne “The Rock” Johnson) and the music he generally listens to are discussed, as well as the uncanny valley in movies, Harry Potter, The Hitchhiker’s Guide To The Galaxy, Dungeons & Dragons, old-school internet, Nikola Tesla, Elon Musk and much more in part 1 of this chat! Part 2 will be released next week, where their conversation continues, discussing some more details of WFSJ, some more political matters and several other topics, so be sure to tune in next week for that! We Fix Space Junk & Battlebird Productions Mike was on Comedy Geek’s most recent episode (Episode 11), regarding each guest’s favourite sketches, so be sure to head on over to their show and give them some love!  Promo by Whispered True Stories Genuine Chit-Chat is now a part of the Brit Pod Scene, so be sure to check out the other members of the family as well as the BPS podcast – www.britpodscene.com Instagram – Twitter – Facebook – YouTube – Stitcher - Podbean - Spotify You can also email us at GenuineChitChat@outlook.com with any reviews, comments or suggestions.

Episode 2 of the Take Me to the World Musical Theatre Podcast is all about Jukebox Musicals. I'll be giving some examples of different musicals, and I'll be talking about the two categories that you can break most jukebox musicals into. As well I'll touch on some good and bad points about jukebox musicals in general, and why I think it's important to talk about and see jukebox musicals.

Laura Saggers is a British singer/songwriter based in Los Angele,. For some time she has been arranging, recording and performing covers each week and has just released her debut original album Chasing Dreams. Classically trained on piano since the age of 4, Laura picked up the guitar while backpacking through Latin America as a teen, and later acquired and mastered the keytar.  She was was endorsed by Roland for the keytar in 2013 and was rated as their top 25 keytarists worldwide alongside Lady Gaga and Keisha's keytarists. Laura's original singles have won the  Summer Fling Best Song award for 2015 in the Unsigned Only International Music Competition, er and her song 10'000 Bitcoins was featured in the LA Times and Wall Street Journal. 

On this episode of Married with Mouse Ears, Michael & Zara answers lots of questions from listeners of the podcast about trip planning, married life, favorite Disney moments and much more!(3:00) Episode Shoutout: Jesse AKA @mimamacoco AKA Our Amiga JesseConnect with us and ask a question, offer a comment, or just say hi!Follow Us: Instagram | FacebookiTunes ---> Leave a review here

Besuch bei der Inszenierung des Rock Musicals (der Rock Oper) Jesus Christ Superstar am 17. Juni 2018 beim Domplatz Open Air des Theaters Magdeburg in Magdeburg. Die Aufführung besprechen im Audio-Podcast Reporter Stefan B. Westphal und Schauspieler Hans-Jürgen Müller-Hohensee. --- Send in a voice message: https://anchor.fm/sachsen-anhalt-podcast/message

Today we're talkin' chess again! Judith saw a production in her city of Boston, and who wouldn't want another opportunity to talk about our favorite '80s rock opera/musical about Cold War tensions and international Chess superstardom cowritten by two ABBA members!  We figure out a little more of what's going on with the plot this time. But not too much.  We also talk about Joe Iconis, a musical theater writer from NY, and his musical revue, The Joe Iconis Rock and Roll Jamboree!  #zogmaran  

Bruce Bernhard “The Brain That Wouldn't Die” A Hip, Rock Musical that is Ultimately an Affirmation of Traditional Values

“I think one of the things is not looking at the result. Something that has grown very evident in me, and it came from being a teacher, the work that we always do in my classroom is process work not product work. What we want to do when go into the audition room is we want to show these people that “hey, this what this song does to me, And it's not polished and it's not perfect, but I'm in the moment and I'm in the music.” If we're using musical theater, which I think applies to going in for a job interview, or anything that we're doing to put our work out there, that we come in and say “this is me in the process I'm in with this material. I want you to see how I play with material. I want you to witness me being in my experience.” – Sheri SandersIn 2004, Sheri Sanders created an audition class in NYC called Rock The Audition: A Masterclass in Auditioning for Rock Musicals – and it became a cult hit. Since then, Sheri has become the world's preeminent popular music repertoire coach, a Hal Leonard published author, and has taught at more than 55 musical theatre programs all over the country – instructing performers and their professors and coaches to successfully interpret all styles of popular music. See acast.com/privacy for privacy and opt-out information.

Topic: "What it means to be a female entrepreneur in a male dominated entertainment business" Broadway is being dominated by rock musicals. So In 2004, Sheri Sanders put her acting career on the back burner and decided to create Rock The Audition, a musical theatre revolution teaching students and their educators how to successfully audition for Rock musicals with authentic popular music. In 2011, Hal Leonard published her book, Rock The Audition: How to Prepare for and Get Cast in Rock Musicals, and she spent the next 4 years transforming 51 musical theatre programs all over the US. Her students have been on and Off- Broadway as well as competing on The Voice, X-Factor, American Idol, and the Glee Project. This year Sheri teamed up with Broadway producer Hunter Arnold to create Rock The Performance, a web universe for all things popular music as they relate to musical theatre training! Sheri has since gone back into acting to lead by example while she continues to change the face of auditioning for Musical Theatre. www.rocktheperformance.com www.sheri-sanders.com/home/

I talk with lyricist-bookwriter Danny Ginges and composer-lyricist Philip Foxman, about their rock musical Atomic, which debuted in Australia, then moved to off Broadway, and then was produced by two regional theatres, Meadow Brook Theatre in Rochester, Michigan, and then New Line Theatre in St. Louis.

Hello, dear listeners! This week, Windy and Melissa talk about ROCK MUSICALS! Because, clearly, we don’t talk about musicals enough! If you’d like to drink along this week, well, you’ll need to BYOB, because we were drinking nothing but glorious water. We’d already killed a bottle of wine before the episode, and we were sleep … Continue reading The post Episode 36: Metal as F*ck appeared first on Xanadu Cinema Pleasure Dome.

  Are You Screening? host and BFCA critic, Marc Eastman, along with co-host extraordinaire Shane Leonard, take on Rock of Ages. As always, delivering their instant reaction to the film. Neither of us are especially hopeful going into the Rock Musical with the curious ensemble cast, but you never know.

An open discussion about the content and subject matter of Tony-Award winning musical, Spring Awakening. Spring Awakening is a Rock Musical adaptation of the controversial 1892 German play by Frank Wedekind. It features music by Duncan Sheik and a book and lyrics by Steven Sater. Set in late-19th century Germany, it concerns teenagers who are discovering the inner and outer tumult of human sexuality. The original play was banned in Germany for a while due to its portrayal of abortion, homosexuality, rape, child abuse and suicide. In the musical, alternative rock is employed as part of the folk-infused rock score. Spring Awakening received eleven 2007 Tony Award nominations, winning eight, including Tonys for best musical, direction, book, score and featured actor. The show also won four Drama Desk Awards, while its London production won four Olivier Awards. Panel Guests (subject to change) Pat Addiss, Broadway Producer of the original Broadway production; Dorothy Berloni, Former Head of Programming, Bushnell Center of the Performing Arts, Hartford, CT; Father Jerry Ryle, Director of Campus Ministry; Mary Jo Mason, Ph.D., LPC, NCC, Director of Wellness Facilitator, Jerry Goehring, Executive Director, Edgerton Center

A look at the fan phenomenon surrounding REPO!: THE GENETIC OPERA