Podcasts about horrorfilm

Adama Abramson is a bounty hunter turned vampire hunter in Landlord (2026) Intensity:

Kommt mit uns in Kontakt!:➤ Instagram: https://www.instagram.com/creepycryptpodcast/➤ E-Mail: kontakt@creepycrypt.de➤ Telegram: https://t.me/creepycryptpodcast➤ Letterboxd: https://letterboxd.com/creepycryptpod/➤ The Grieving - Asche zu AscheSeit dem 04. Juni im Home Entertainment von Tiberius FilmTrailer: https://www.youtube.com/watch?v=LgtfbCpI3Vs Blu-ray: https://amzn.to/4xh82Z3DVD: https://amzn.to/4umhQhODigital: https://amzn.to/3SsG7p4➤ SlantedAb dem 25. Juni im Home Entertainment von Happy EntertainmentTrailer: https://www.youtube.com/watch?v=FRYAuKuzmn0Blu-ray: https://amzn.to/49LZX4FDVD: https://amzn.to/4fzvrieDigital: https://amzn.to/3QuwYfaUnseren neuen Twin Peaks Podcast gibt es ab dem 24. Februar 2025 überall wo es Podcasts gibt.Creepy Lodge - Der deutsche Twin Peaks Podcast: https://creepylodge.letscast.fmDISCLAIMER:Alle Links zu Amazon sind Ref-Links. Das bedeutet, dass wir durch euren Kauf am Gewinn mitbeteiligt werden. Hierfür entstehen für euch keine zusätzlichen Kosten. Einige Filme wurden uns von den Verleihern als Rezensionsexemplar zur Verfügung gestellt.Impressum:z.H. Daniel Denzin Yorck Kino GmbHRankestr. 3110789 Berlin

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(Jun 10, 2026) St. Lawrence County farmer Blake Gendebien is running for the Democratic nomination in New York's 21st Congressional District; we have details on how folks in Potsdam and around New York State are celebrating the upcoming World Cup tournament; and we have a conversation with a horror film writer from Ticonderoga whose love for the genre grew from a young age. 

In dieser Episode des Filmfrühstücks widmen sich Patrick und Daniel einem Horrorfilm, der unser eigenes Handwerk aufgreift: Undertone (2026). Erzählt wird die Geschichte einer Podcasterin, die ihre todkranke Mutter pflegt und parallel mit ihrem langjährigen Podcast-Partner aufzeichnet, bis sie eine E-Mail mit zehn Audiodateien vor ein Rätsel stellt.Doch was passiert, wenn der Schrecken nicht aus dem Bild, sondern aus den eigenen Kopfhörern kommt? Wir sprechen darüber, wie der Film mit Geräuschen effektiv arbeitet und warum das Elternhaus als Schauplatz so wirkungsvoll ist. Außerdem ordnen wir das Langfilmdebüt von Ian Tuason ein, welches sich durch seine biografischen Erfahrungen mit Pflege und Trauer auszeichnet.Hört rein und sagt uns, ob Ihr Lust auf Undertone bekommen habt oder auditiver Elevated Horror nicht Euer Fall ist. Wir freuen uns auf Eure Kommentare.---Instagram: https://www.instagram.com/filmfruehstueck/

Kommt mit uns in Kontakt!:➤ Instagram: https://www.instagram.com/creepycryptpodcast/➤ E-Mail: kontakt@creepycrypt.de➤ Telegram: https://t.me/creepycryptpodcast➤ Letterboxd: https://letterboxd.com/creepycryptpod/➤ PassengerSeit dem 28. Mai im KinoTrailer: https://www.youtube.com/watch?v=eNIn8kW1kyE➤ DollyAb dem 11. Juni im KinoTrailer: https://www.youtube.com/watch?v=LALT2B-UbpkUnseren neuen Twin Peaks Podcast gibt es ab dem 24. Februar 2025 überall wo es Podcasts gibt.Creepy Lodge - Der deutsche Twin Peaks Podcast: https://creepylodge.letscast.fmDISCLAIMER:Alle Links zu Amazon sind Ref-Links. Das bedeutet, dass wir durch euren Kauf am Gewinn mitbeteiligt werden. Hierfür entstehen für euch keine zusätzlichen Kosten. Einige Filme wurden uns von den Verleihern als Rezensionsexemplar zur Verfügung gestellt.Impressum:z.H. Daniel Denzin Yorck Kino GmbHRankestr. 3110789 Berlin

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Während Ronny mit einem interstellaren Wissenschaftslehrer die Menschheit retten will, sucht Alex sein Seelenheil bei einem Therapeuten, der berufliche Grenzen eher als grobe Empfehlung versteht. Außerdem sprechen wir über einen Streaming-Giganten, der in Deutschland künftig tiefer in die Tasche greifen soll, und einen Horrorfilm, der schon am ersten Wochenende mehr Geld einsammelt als andere Produktionen in ihrer gesamten Laufzeit. Bei den Trailern treffen Sex-Pässe auf Serienkiller, Dinosaurier auf Vorstadtidylle und Oscar Isaac auf historische Literatur. Klingt anstrengend? Ist es wahrscheinlich auch. Wie immer gilt: Bleibt dran, nicht verpassen! Link zur Folge: https://insertpodcast.podigee.io/229-episode

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A group of seniors volunteered to become the film crew for a horror movie called The Rug. Sounds The post Seniors helping with horror film subject of documentary at special event for older adults appeared first on Consider This. Related posts: Film festival hosted by farmers in Campbellford takes on issues and challenges facing agriculture Major changes to county recycling program as provincial agency takes over responsibility Community event honours Pink Shirt Day for parents and caregivers to help children prevent bullying

Kommt mit uns in Kontakt!:➤ Instagram: https://www.instagram.com/creepycryptpodcast/➤ E-Mail: kontakt@creepycrypt.de➤ Telegram: https://t.me/creepycryptpodcast➤ Letterboxd: https://letterboxd.com/creepycryptpod/➤ Scary Movie (2000)Trailer: https://www.youtube.com/watch?v=SzpGYrrcJZwDigital: https://amzn.to/4tSOeZa3 Movie CollectionBlu-ray: https://amzn.to/4uClN34Wassup Werbespot: https://www.youtube.com/watch?v=JJmqCKtJnxMUnseren neuen Twin Peaks Podcast gibt es ab dem 24. Februar 2025 überall wo es Podcasts gibt.Creepy Lodge - Der deutsche Twin Peaks Podcast: https://creepylodge.letscast.fmDISCLAIMER:Alle Links zu Amazon sind Ref-Links. Das bedeutet, dass wir durch euren Kauf am Gewinn mitbeteiligt werden. Hierfür entstehen für euch keine zusätzlichen Kosten. Einige Filme wurden uns von den Verleihern als Rezensionsexemplar zur Verfügung gestellt.Impressum:z.H. Daniel Denzin Yorck Kino GmbHRankestr. 3110789 Berlin

Good Boy: Wir wollen nur dein Bestes | Der netteste Jigsaw, den es je gab "Good Boy: Wir wollen nur dein Bestes" sorgt zunächst für Verwirrung: Weder handelt es sich um einen Horrorfilm aus der Perspektive eines Hundes noch um den norwegischen Thriller über einen Mann, der seinen Partner wie einen Hund hält – und mit der Komödie "Good Boys" hat das Ganze ebenfalls nichts zu tun. Stattdessen sprechen Sven und Stu über den neuen Film des polnischen Regisseurs Jan Komasa, der für sein intensives Psychodrama mit Stephen Graham und Andrea Riseborough zwei absolute Schauspiel-Schwergewichte gewinnen konnte. Im Mittelpunkt steht der junge Tommy, der sein Leben im völligen Ego- und Hedonismusrausch auskostet – bis der Absturz folgt: Eines Tages wacht er gefesselt im Keller einer ihm unbekannten Familie auf. Dort soll er lernen, sich zu benehmen. Doch ob dieser drastische Ansatz wirklich zur Läuterung führt, darf bezweifelt werden. Ob "Good Boy: Wir wollen nur dein Bestes" ein sehenswerter Kinofilm geworden ist, erfahrt ihr im Podcast. Der Film startet am 4. Juni in den deutschen Kinos. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen. Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Gothic horror is having a moment, and Justin Denton got there before the wave. His feature The Curse of the Sin Eater is now streaming on Prime, built for under a million dollars with 19 shooting days, a single private benefactor, Chicago theater actors, an English manor that half-burned down and got rebuilt by hand, and a composer found on Spotify who bowed his guitar like a cello because he didn't own one. Justin is a VFX veteran who has worked on $200 million productions, directed VR experiences for Legendary, and now has a completed independent feature with a Samuel Goldwyn distribution deal to show for a process that looks nothing like what Hollywood taught him and everything like what filmmaking actually requires. Chris and Daniel dig into the full journey with Justin: how the sin eater mythology stuck with him through COVID, why he pitched it as a drama dressed in horror clothing, what it costs to make a real film in a union town, how distribution actually gets done in the backroom deals before AFM (American Film Market) even opens, and why not having a recognizable name in your cast is the one decision that follows a first-time director all the way to the release screen. The conversation ranges from the Philippou Brothers grinding out horror on YouTube in rural Australia to Demi Moore chasing a script nobody thought she would want, to why the studios are wrong about Gen Z and the movies. This is a real-world map of what it takes to make a feature right now. Links and References: Justin Denton on IMDB > Justin Denton on LinkedIn > Justin Denton on Instagram > The Curse of the Sin Eater Trailer > The Curse of the Sin Eater on Amazon Prime > Film discussed: Talk to Me (dirs. Danny and Michael Philippou)  The Substance (dir. Coralie Fargeat)  My Old Ass (dir. Megan Park)  Weapons (dir. Zach Cregger)  Obsession (dir. Cory Barker)  The Bride (dir. Maggie Gyllenhaal) Widows Bay (Apple TV+)  Honey Don't (dir. Ethan Coen)   This episode is sponsored by: Center Grid Virtual Studio Kitbash 3D (Use promocode "CGGarage" for 10% off)

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Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

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Kommt mit uns in Kontakt!:➤ Instagram: https://www.instagram.com/creepycryptpodcast/➤ E-Mail: kontakt@creepycrypt.de➤ Telegram: https://t.me/creepycryptpodcast➤ Letterboxd: https://letterboxd.com/creepycryptpod/➤ Bloody Axe WoundSeit dem 22. Mai im Home Entertainment von Lighthouse Home EntertainmentInterview mit Matthew John Lawrence: https://youtu.be/kQbq2GNqpVcTrailer: https://www.youtube.com/watch?v=OsE63w2kPO8Blu-ray: https://amzn.to/3PKbUB5DVD: https://amzn.to/4uyPbqTDigital: https://amzn.to/4wNNM19➤ Killer WhaleSeit dem 29. Mai im Home Entertainment von SplendidTrailer: https://www.youtube.com/watch?v=Rymtw1fAPbQBlu-ray: https://amzn.to/4v8sp8TDVD: https://amzn.to/4v7LwQuDigital: https://amzn.to/4v8Jjo2Unseren neuen Twin Peaks Podcast gibt es ab dem 24. Februar 2025 überall wo es Podcasts gibt.Creepy Lodge - Der deutsche Twin Peaks Podcast: https://creepylodge.letscast.fmDISCLAIMER:Alle Links zu Amazon sind Ref-Links. Das bedeutet, dass wir durch euren Kauf am Gewinn mitbeteiligt werden. Hierfür entstehen für euch keine zusätzlichen Kosten. Einige Filme wurden uns von den Verleihern als Rezensionsexemplar zur Verfügung gestellt.Impressum:z.H. Daniel Denzin Yorck Kino GmbHRankestr. 3110789 Berlin

Kommt mit uns in Kontakt!:➤ Instagram: https://www.instagram.com/creepycryptpodcast/➤ E-Mail: kontakt@creepycrypt.de➤ Telegram: https://t.me/creepycryptpodcast➤ Letterboxd: https://letterboxd.com/creepycryptpod/➤ Mother MarySeit dem 21. Mai im KinoTrailer: https://www.youtube.com/watch?v=ATGaqU6Srcc➤ Good BoyAb dem 04. Juni im KinoTrailer: https://www.youtube.com/watch?v=RN-AgjrWr2s Unseren neuen Twin Peaks Podcast gibt es ab dem 24. Februar 2025 überall wo es Podcasts gibt.Creepy Lodge - Der deutsche Twin Peaks Podcast: https://creepylodge.letscast.fmDISCLAIMER:Alle Links zu Amazon sind Ref-Links. Das bedeutet, dass wir durch euren Kauf am Gewinn mitbeteiligt werden. Hierfür entstehen für euch keine zusätzlichen Kosten. Einige Filme wurden uns von den Verleihern als Rezensionsexemplar zur Verfügung gestellt.Impressum:z.H. Daniel Denzin Yorck Kino GmbHRankestr. 3110789 Berlin

Chris ist Content Creator, Moderator, DJ und Trash-TV-Connoisseur. Wenn er nicht gerade auf der Reeperbahn in Hamburg auflegt, Filmpremieren in Berlin moderiert oder mit Claudia Obert Wein trinkt, dann macht er auf Social Media Content über Horrorfilme. Aber wovor fürchtet er sich persönlich? Was sind seine Ängste? Das klären wir in dieser Folge, wenn wir uns fragen: Wovor gruselt sich Chris eigentlich..?

Hokum Review:Welcome to Out from the Horrorbox! With your folktale host Dom Higuera!In this episode, we take a look at the 2026 Gothic supernatural horror film written and directed by Damian McCarthy, Hokum!A horror writer visits an Irish inn to scatter his parents' ashes, only to be caught in a terrifying mystery. He becomes haunted by local tales of a witch and disturbing visions, forcing him to confront personal grief and a shocking disappearance. Let's open up the Horrorbox and find out what's inside!  Time Stamps:Intro - 04:44We've Been Expecting You - 06:02Trivia - 17:22Final Thoughts - 25:24Outro - 39:04 Thank you all for listening into the podcast!We'll see you next time and hear what comes Out from the Horrorbox! Sources: Wikipedia, IMDBhttps://linktr.ee/outfromthehorrorboxpodcastDid you like the episode? If so, please subscribe on Apple Podcasts, Spotify, or anywhere you listen to podcasts.You can follow the podcast on Instagram, Threads, TikTok, Discord, and YouTube all at @horrorboxpodcast. Or follow your host on X (Twitter) @dom_higuera.You can email recommendations for reviews, personal or fictional stories, or anything else at horrorboxpodcast@gmail.com.If you like the podcast and want to show support, you can buy me a coffee at https://ko-fi.com/horrorboxpodcast, it really helps out!

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Howdy there, partner! Welcome back to the Year of the Horse (YH)! That's right, folks, for the Night Shift's second horror western shift in our yearlong special, Kyle (Stück Cassidy) & Calvin (The Lone Papi) played the action role-playing video game WEIRD WEST (2022). Discover a dark fantasy reimagining of the Wild West where lawmen and gunslingers share the frontier with fantastical creatures. Journey through the origin stories of a group of atypical heroes, written into legend by the decisions you make in an unforgiving land. So, is this game any good? Well, give this review a listen and find out...if you DAAAaaaare! Already played it? Let us know your thoughts! OMINOUS MEDIA LINKS: Website Humming Fools - Podcast Evil Cast - Comic WEIRD WEST Developer Diary KYLE LINKS: Website Substack Patreon Instagram Letterboxd  MUSIC: Short Intro - Just Me And My Horse by kaazoom Main Intro - Spaghetti Western by Positive_Sound Spoiler Transition - Cowboy Sting Kevin MacLeod (incompetech.com) Outro - Folk harmonica bluesy touch by Moonpub

It's time for Remake Remix! This week, we're randomly compiling 15 different horror movie/actor/director combos and discussing whether each one would be a film that we would love to see! We had a blast with this concept, and we hope you enjoy it just as much!  If you have enjoyed listening to our show, then give us a 5-star rating. We'd greatly appreciate it!    The Kickstarter page for Behind the Mask II: The Return of Leslie Vernon is live!Check it out here: https://www.kickstarter.com/projects/btm2/behind-the-mask-ii-the-return-of-leslie-vernon  Check out our sponsor DARKSIDE COLLECTIBLES:Website: https://darksidecollectibles.net/Instagram: https://www.instagram.com/darkside_collectibles_/Facebook: https://www.facebook.com/profile.php?id=61565363086549TikTok: https://www.tiktok.com/@darksidecollectiblespgh  Be sure to follow, Like, and Subscribe to us on all our social media sites: YouTube: https://www.youtube.com/@houseofghoulsMerch Store: https://goreclown.com/Facebook: https://www.facebook.com/HouseofGhoulsPodcast/Instagram: https://www.instagram.com/houseofghoulspodcast/    You can find Crystal on social media here:TikTok: https://www.tiktok.com/@horrornightsinInstagram: https://www.instagram.com/crystal_hni/YouTube:  https://www.youtube.com/c/HorrorNightsIn    You can find Ian on social media here: TikTok: https://www.tiktok.com/@ian.vanghoulInstagram: https://www.instagram.com/ianvanghoul/  YouTube: https://www.youtube.com/@IanVanGhoulLetterboxd: https://letterboxd.com/ianVanGhoul/  You can find Colby on social media here: TikTok: https://www.tiktok.com/@colby_does_horrorInstagram: https://www.instagram.com/colby.does.horror/YouTube: https://www.youtube.com/@Colby.Does.HorrorLetterboxd: https://letterboxd.com/colbydoeshorror/  House of Ghouls ThemeWritten by Ian VanGhoul Produced, Recorded, and Performed by Jimmy Mowery  Check out Jimmy's music and socials here:Instagram: https://www.instagram.com/jimmymowery/Spotify: https://open.spotify.com/artist/58e8QpVKO4GflSPwWIMhmw?si=ONJ2snr-Qr6ep_Gi2R2_Uw YouTube: https://www.youtube.com/@jimmymowerymusic  MK Ultra (Used with permission from Victor Gabriel and Tate Labianca) Music written and performed by: Tate Labianca Music engineered by: Vincent Peters (Sumo Audio) Shot and edited by: Vincent Peters (Sumo Audio)Directed by: Victor GabrielCheck out the music video here: https://youtu.be/LhDikR8Dn2Q?si=vLqtQJAiBRmyHFV0  Thanks for listening. Have a great week and stay safe out there!!

It's our film study of Curry Barker's film - Obsession, and yes, we debate some Oscar / other Awards chances here for this new horror smash hit. NON-SPOILER REVIEW OF OBSESSION: Production Profile + Reception & Scores - 2:22 Theater Going Stories + Composition Thoughts - 8:46 Performance Reviews - 17:15 More Writing Thoughts + Original Screenplay Oscar Category Forecast - 21:48 Production Value Reviews & Why Comedians Make Good Horror - 27:51 Final Oscar Lens Debate - 32:52 Spoiler Warning - 38:16 SPOILER REVIEW OF OBSESSION: A Fun Love Square - 38:28 MMO Love Advice for all Humanity - 46:45 Who is Wish Nikki? Real Nikki?? - 49:41 Escalations & Curiosities & Objections - 53:39 That Ending, Elevated Horror? & Drawing From The Classic Romances - 59:33 What's next for Barker, this “franchise?” - 1:05:10 Final Grades - 1:06:19 OUTRO: This may indeed be an Oscars contender. Irregardless, we love covering the best in horror year round, building to our Scaries: Horror Movie Awards Show on Halloween. So stay tuned to our feed for more horror movie reviews incoming. Otherwise, we'll be covering the Cannes Film Festival from our perch here in Hollywood East. So you should also stay tuned for all of the Reviewing the Reviewers and Timing the Ovations that we love to hate to love every spring in upcoming Cannes episodes of Oscar Race Checkpoint! https://linktr.ee/mikemikeandoscar

Ein Credo und seine Notwendigkeit: Ausbau der Nebensaison zum Ganzjahresziel und elektrische Innovation Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Wir können immer und rund ums Jahr Astrid Stehanig-Staudinger, CEO der Österreich Werbung brachte es so, während der ITB in Berlin, schon vor einigen Wochen auf den Punkt. Die Alpenrepublik hat längst das Marketingstichwort „Ganzjahresziel“ für sich entdeckt und versucht es umzusetzen. Der Winter allein reicht nicht mehr aus, um dauerhaft erfolgreich zu sein und für weitere positive Anziehungspunkte zu sorgen. Damit ist die Ausdehnung aufs komplette Jahr ein wirtschaftliches Muss für Österreichs Reisebranche. Mit dem Saisongeschäft wird es schwieriger dauerhaft neue Kundschaft anzuziehen, zumal wenn Teile einer ehemaligen Hauptsaison dem Klimawandel absehbar zum Opfer fallen dürften. Nur wie macht man das? Entscheidend, so hieß es in Berlin, seien nicht mehr nur das Ziel, die Aktivität und die dazugehörige Saison, sondern ein Gefühl. Der Weg zum Ganzjahreserlebnis Wie entwickelt man genau diese strategische Zukunftsfrage? Zunächst einmal betont Astrid Stehanig-Staudinger, man sei ja nicht mehr am Anfang , sondern habe schon eine ganze Menge geschafft. Die „Lebensgefühl-Kampagne wurde bereits im letzten Jahr begonnen und ein Anteil von 28 Prozent Urlaubern in der Nebensaison kann sich sehen lassen. Pressegespräch der Österreich Werbung zur ITB 2026 in Berlin – Foto: Philipp Gaiko / Österreich Werbung Österreich als Gefühlserlebnis nicht mehr aus dem Kopf bekommen ist das Ziel der Kampagne. Nur sie lässt sich nicht verordnen. Das „Lebensgefühl Österreich“ muss in die Köpfe der potentiellen Kundschaft. Allerdings muss die Realität des Angebots auch vielfältig eingelöst werden. Gleichwohl treffen Natur, Berge, Seen, Wandern, Radfahren, Mountainbikes, Kulinarik, Schmäh, Stadt und Land aufeinander. Da müssen die einzelnen Gewerke zusammenarbeiten und an einem Strang ziehen. Von der Theorie zur Praxis Daran arbeiten die Destinationen seit geraumer Zeit und das zahlt sich offensichtlich aus. Während des Pressegesprächs kamen dementsprechend auch unterschiedliche Zielegebiete zu Wort. Beispiel Saalfelden – Leogang Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Wenn nur bedingt Mittel da sind, um neue Anziehungspunkte zu schaffen, müssen diese aus der vorhandenen Infrastruktur entstehen. Wer Bergbahnen hat, kann neben Skifahrern im Winter auch Wanderer oder Mountain-Biker in den anderen Jahreszeiten in luftige Höhe bringen. Natürlich sind Wanderwege und Bike-Parcours eine Grundvoraussetzung fürs Gelingen. Martina Ellmauer, Prokuristin bei der Saalfelden – Leogang Tourismus GmbH, beschreibt die Bemühungen im Podcast sehr anschaulich. Beispiel Salzkammergut Salzkammergut: Mondsee – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Gut „lustig sein im Salzkammergut“ war bisher schwerpunktmäßig dem Sommer vorbehalten. Entspannte Wanderwege, entspannendes Seeerlebnis machten die Region berühmt. Nicht umsonst fuhr Alt-Bundeskanzler Helmut Kohl bevorzugt an den Wolfgangsee. Inzwischen, berichtet Stefan Brandlehner, Geschäftsführer von Salzkammergut Marketing, hat man festgestellt, dass sich die Ruhe ausstrahlender Seen in Kombination mit Adventsstimmung wundervoll verkaufen lässt. See und Kulinarik funktionieren im Januar und Februar. So soll jede Region ein eigenes Erfolgsrezept entwickeln. Das Ziel ist sicher noch nicht erreicht, der Weg dorthin aber durchaus erfolgversprechend beschritten. Sagen wir mal die Vielfältigkeit herausarbeiten mit dem Credo: Es gibt überall etwas Passendes und das jederzeit. Ganzjahresziel als Teil sozialer Nachhaltigkeit Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Der Vorteil der Bestrebungen sei wirtschaftlich notwendig, zukunftssichernd und gleichzeitig auch sozial nachhaltig, sagt Astrid Stehanig-Staudinger. Sie meint damit nicht nur eine Überlebensfähigkeit engagierter Betriebe, sondern auch die soziale Absicherung der Mitarbeiterinnen und Mitarbeiter. Wer einen guten, dauerhaften und sicheren Job hat, der bleibt. Wer dauerhaft engagierte Mitarbeitende beschäftigt, bietet nicht nur Perspektiven fürs Personal, sondern hat Sicherheit im Betrieb. Saisonbetrieb macht den Fachkräftemangel größer, jedes Mal und gelegentlich mit ungewissem Ausgang. Die touristische Bedeutung Wintersportregionen auch im Sommer interessant machen. Das Salzkammergut und die Region zum Adventsspot machen Advent als Reisegefühl: Salzkammergut und Salzburg machen es vor. Hier: Salzburger Christkindlmarkt am Residenzplatz © Tourismus Salzburg GmbH/Foto: G. Breitegger Das Burgenland zur Wein- UND Kulturregion machen oder den Mehrwert in Städten, gleich ob Wien, Salzburg, Innsbruck oder Graz, herausarbeiten und bewerben. Graz  – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Damit einher geht auch die Verpflichtung immer wieder Neues zu kreieren, das die eigene Destination für das ganze Jahr attraktiv macht, beziehungsweise die Nebensaisonzeiten so attraktiv macht, dass Gäste kommen und gleichzeitig die Hauptsaison so attraktiv zu halten, dass die Kundschaft nicht abwandert. Generationswandel einkalkulieren: Beispiel mit Hypershell PRO Wenn Kärntens Berge, Badeseen und das Schloss am Wörthersee ausgeschöpft sind, braucht es eben neue Ansätze für neue Kundschaft. Und diese neue Kundschaft darf dann gerne auch etwas älter sein. Das waren zum Beispiel die Gedanken von Georg Overs, Geschäftsführer bei Region Villach Tourismus. Das E-Bike hat sich durchgesetzt, jetzt kommt etwas Neues, erzählt er mir. Das Bestechende dabei: Es geht nicht nur um ein neues Sport-Hilfsgerät, sondern auch um die Erschließung einer neuen Kundengruppe. Lüften wir im Podcast also das Geheimnis von E-Hike fürs leichtere Wandern aktiver Senioren. Man könnte es E-Wandern nennen Georg Overs demonstriert das Exo-Skelett auf der ITB – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Was das ist? Ein tragbares Exoskelett, das an Beinen und Hüfte angebracht wird. Es unterstützt die Bewegungsabläufe beim Wandern. Dadurch steigert es die Beinkraft, kann Gewicht ausgleichen und reduziert die Müdigkeit. Es ermöglicht Menschen mit geringerer oder schwindender Kondition, (weiterhin) schöne Bergerlebnisse zu genießen. Wird E-Hike zum E-Hype bei den “Boomern”? – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Leichter den Berg raufkommen mit Hypershell PRO – Foto: Rdiger Edelmann / ttb-media TON-TEXT-BILD Herausforderung als Chance der Zukunft? Digitale Veränderungen bringen immer wieder Neues auf den Plan. Technische Entwicklungen sollen die Bemühungen der Touristiker zusätzlich unterstützen. Auch daran arbeitet Österreich. KI oder Gehirnstrommessung zur Touristensteuerung sind solche Stichworte Klingt ein wenig nach Horrorfilm. Ich habe mich darauf eingelassen, ausprobiert und überlebt. Das aber ist eine ganz andere Geschichte, die in der nächsten Woche folgt. Lebensgefühl Österreich: Grätzel feiern am Wiener Kutschkermarkt – Foto: Wien-Tourismus / Paul Bauer Information & Links Österreich Lebensgefühl Villach & Umgebung E-Hiking mit Hypershell PRO The post Podcast 318 – Austria 2026: Lebensgefühl & E-Hike first appeared on Deutsches Reiseradio (German Travelradio).

THE TIM JONES AND CHRIS ARPS SHOW Joey V’s Movies: “Obsession", a horror film about a love wish gone wrong Brought to you by Harry J's Steakhouse in Moscow Millshttps://www.facebook.com/HarryJsSteakhouse/ https://newstalkstl.com/movies/ PLOT: After breaking the mysterious “One Wish Willow” stick to win his crush’s heart, a hopeless romantic finds himself getting exactly what he asked for, but soon discovers that some desires come at a dark, sinister price. 24/7 LIVESTREAM - http://bit.ly/NEWSTALKSTLSTREAMS RUMBLE - https://rumble.com/NewsTalkSTL See omnystudio.com/listener for privacy information.

THE TIM JONES AND CHRIS ARPS SHOW Joey V’s Movies: “Obsession", a horror film about a love wish gone wrong Brought to you by Harry J's Steakhouse in Moscow Millshttps://www.facebook.com/HarryJsSteakhouse/ https://newstalkstl.com/movies/ PLOT: After breaking the mysterious “One Wish Willow” stick to win his crush’s heart, a hopeless romantic finds himself getting exactly what he asked for, but soon discovers that some desires come at a dark, sinister price. 24/7 LIVESTREAM - http://bit.ly/NEWSTALKSTLSTREAMS RUMBLE - https://rumble.com/NewsTalkSTL See omnystudio.com/listener for privacy information.

The magnificent Meka G. from Cinematic Nightmares joins Doc to review OBSESSION (2026) from writer director Curry Barker. Not only does Barker make a stunning and impressive directorial debut but actress Inde Navarrette delivers one of the best horror performances of the year as Nikki. Seriously, this movie is bat-sh!t insane - delightfully so. It will stick with you long after you leave the theater. Check out what Doc and Meka have to say about OBSESSION. Obsession (2026) This Bloody Good Movie is Insane Synopsis: After breaking the mysterious "One Wish Willow" to win his crush's heart, a hopeless romantic finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price. Writer/Director Curry Barker Cast: Michael Johnston, Inde Navarrette, Cooper Thomlinson, Megan Lawless, Andy Richter Check out Meka G. and Cinematic Nightmares today! https://www.youtube.com/@CinematicNightmaresPodcast https://www.instagram.com/cinematicnightmarespodcast/

The Alamo City Movie Talk crew gets into Hokum Review | Did This Horror Film Deliver?.Let's talk movies and be sure to let us know what you thought of the film down below. Thank you all for watching and listening. Do not forget to SUBSCRIBE to us! Thanks for making us part of your day. 

Cradle of Filth joins Hollie Nicole backstage at Welcome to Rockville for an unforgettable episode of Teaser Talk.Dani Filth opens up about life on the road during the Majestic In Depth U.S. Tour, the band's signature blend of horror and theatrical extreme metal, their upcoming album, touring Australia with DevilDriver, and even a surprising collaboration with Ed Sheeran.The conversation also explores how Cradle of Filth continues evolving creatively while remaining one of the most influential and recognizable bands in extreme metal history.If you're into black metal, gothic metal, festival culture, horror-inspired music, and exclusive artist interviews, this episode delivers a deep dive into the dark cinematic world of Cradle of Filth.Hosted by Hollie Nicole for Teaser Talk.

Psst ... hört ihr das?... nein? Nichts?Tja. Im Weltraum hört man ja auch niemanden podcasten ...... bis jetzt! In der neuesten Folge von Insert Moin tauchen Micha und Pumkin tief in Directive 8020 ein. Die beiden besprechen, wie Supermassive Games mit dem Sci‑Fi-Horror aus der Dark Pictures‑Reihe neue Wege geht: Vom industriellen Raumschiffsetting über die toll gespielte Crew bis hin zu den Zeitsprüngen, die die Story in eine Serienstruktur pressen. Ohne Spoiler gehen sie auf die ersten Kapitel ein, beleuchten, warum das Spiel Zeit braucht, um zu zünden, und werfen einen Blick auf die Mechaniken wie das Turning‑Points‑System.Besonders interessant wird es, wenn Micha und Pumkin die Erwartungen anpassen. Pumkin interessiert sich vorwiegend für die Story-Aspekte und testet sich an den Stealth‑Passagen, während Micha von seiner Skepsis vergangener Previews zur Begeisterung für die Charaktere wechselt. Die Diskussion dreht sich um Vertrauensfragen in der Crew, die Glaubwürdigkeit der Figuren und ob Directive 8020 die Formel der Reihe wirklich erneuert oder nur aufwärmt. Hosted on Acast. See acast.com/privacy for more information.

Behind the Mask II is officially happening and David J. Steive, Nathan Baesel, and Angela Goethals are returning this week to tell us all about the amazing news! There's still 10 days left in the Kickstarter campaign, so please donate if you can! The link is below.  If you have enjoyed listening to our show, then give us a 5-star rating. We'd greatly appreciate it!    The Kickstarter page for Behind the Mask II: The Return of Leslie Vernon is live!Check it out here: https://www.kickstarter.com/projects/btm2/behind-the-mask-ii-the-return-of-leslie-vernon  Check out our sponsor DARKSIDE COLLECTIBLES:Website: https://darksidecollectibles.net/Instagram: https://www.instagram.com/darkside_collectibles_/Facebook: https://www.facebook.com/profile.php?id=61565363086549TikTok: https://www.tiktok.com/@darksidecollectiblespgh  Be sure to follow, Like, and Subscribe to us on all our social media sites: YouTube: https://www.youtube.com/@houseofghoulsMerch Store: https://goreclown.com/Facebook: https://www.facebook.com/HouseofGhoulsPodcast/Instagram: https://www.instagram.com/houseofghoulspodcast/    You can find Crystal on social media here:TikTok: https://www.tiktok.com/@horrornightsinInstagram: https://www.instagram.com/crystal_hni/YouTube:  https://www.youtube.com/c/HorrorNightsIn    You can find Ian on social media here: TikTok: https://www.tiktok.com/@ian.vanghoulInstagram: https://www.instagram.com/ianvanghoul/  YouTube: https://www.youtube.com/@IanVanGhoulLetterboxd: https://letterboxd.com/ianVanGhoul/  You can find Colby on social media here: TikTok: https://www.tiktok.com/@colby_does_horror Instagram: https://www.instagram.com/colby.does.horror/YouTube: https://www.youtube.com/@Colby.Does.HorrorLetterboxd: https://letterboxd.com/colbydoeshorror/  House of Ghouls ThemeWritten by Ian VanGhoul Produced, Recorded, and Performed by Jimmy Mowery  Check out Jimmy's music and socials here:Instagram: https://www.instagram.com/jimmymowery/Spotify: https://open.spotify.com/artist/58e8QpVKO4GflSPwWIMhmw?si=ONJ2snr-Qr6ep_Gi2R2_Uw YouTube: https://www.youtube.com/@jimmymowerymusic  MK Ultra (Used with permission from Victor Gabriel and Tate Labianca) Music written and performed by: Tate Labianca Music engineered by: Vincent Peters (Sumo Audio) Shot and edited by: Vincent Peters (Sumo Audio) Directed by: Victor Gabriel Check out the music video here: https://youtu.be/LhDikR8Dn2Q?si=vLqtQJAiBRmyHFV0  Thanks for listening. Have a great week and stay safe out there!!

Rachel sits down with Canadian Director Simon Glassman to discuss his surrealistic, cosmic horror comedy Buffet Infinity. A profoundly original film that weaves millennial nostalgia for local cable commercials into a terrifying and hilarious battle over business and the fate of reality itself. The film hits streaming May 8th, 2026 after a small theatrical run. Topics covered include the cosmic horror of AI, why he kept the full movie from the cast until it was released, and why “Buffet Infinity” scratches that conspiratorial itch without all of the baggage. Plus, what Glassman is up to next. “Buffet Infinity” is a Canadian satirical comedy horror film, directed by Simon Glassman. A satire of consumerism inspired by Second City Television and told entirely through mock television commercials instead of conventional narrative, the film centres on the fictional Westridge County in Alberta, where two restaurants are fighting each other for dominance, spawning cults and sinkholes and other apocalyptic consequences Support Bloody Good Horror, gain live stream access, join our Slack and get the entire back catalog by visiting us at: https://www.patreon.com/bloodygoodhorror BGH on social media https://www.instagram.com/bloodygoodhorror/ https://www.threads.com/@bloodygoodhorror Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailThe Passenger trailer is here—and it's pure nightmare fuel.

The month of May is here! You know what that means… it's time for some MAYhem, baby! We're asking YOU to decide what our fall miniseries should be. The theme this year? MOVIE MONSTERS! Want to know your three choices? Listen in to find out, and head over to our Discord to cast your vote! Next week, we're closing out our Oceans series in style AND announcing our summer miniseries! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod Credits:  Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of The David Ellefson Show, David Ellefson and Joshua Toomey welcome the unmistakable Dani Filth of Cradle of Filth. Dani dives into his upcoming acting role in a new horror film and how stepping in front of the camera compares to life on stage. The conversation shifts to writing new music, the band's relentless touring schedule, and what fans can expect when they hit the road across the U.S. and the Danny Wimmer Presents festival circuit. The guys also rewind to the wild days of Ozzfest, swapping stories from the road, including the unforgettable moment Dani crossed paths with Gene Simmons while fully decked out in makeup and costume.Join the Patreon for early access to episodes and Q and A's with the hosts www.patreon.com/tdesFor David Ellefson Stage Played Basses and Merch www.ellefsonemporium.comFollow David on Social Medialinktr.ee/davidellefsonFollow Joshua on Social Medialinktr.ee/talktoomeypodcast #megadeth #bassplayer #thrash #bigfour

Continuous Creation and the Discovery of the Hiss The "Steady State" theory was famously conceptualized after Fred Hoyle and his colleagues, Thomas Gold and Hermann Bondi, watched the looping narrative of the horror film Dead of Night, leading them to propose a universe where matter is continuously created to maintain a constant density as galaxies drift apart. Hoyle described a "creation field" where new particles spontaneously emerge from empty space due to quantum uncertainty, an idea he compared to new spectators filling empty rows in a stadium to keep the crowd density uniform. A major breakthrough in this research was Hoyle's prediction of a specific energy state for carbon-12, the "triple-alpha process," which explained how life-essential elements could be synthesized in the immense heat of dying stars' collapsing cores. Meanwhile, George Gamow and his student Ralph Alpher theorized that the early universe consisted of a primordial substance called "Ylem" that underwent a "Big Squeeze" to form the elements. Ironically, Hoylecoined the term "Big Bang" during a 1949 BBC radio broadcast as a derisive joke to mock the idea of a single initial explosion, a nickname that Gamow disliked because he felt it misrepresented the physics of the early universe. Despite their professional competition, the two men remained friends and famously debated the temperature of the universe during a 1956 road trip through La Jolla in a white Cadillac. While they failed to accurately predict the cosmic temperature during that drive, the debate was effectively settled in 1964 when Bell Labs researchers Arno Penzias and Robert Wilson accidentally discovered a persistent radio "hiss" while trying to calibrate a satellite antenna. After ruling out urban interference and cleaning pigeon droppings from their equipment, they realized they had found the cosmic microwave background radiation. This discovery, which Robert Dicke and Jim Peebles at Princeton were also searching for, provided the definitive evidence for the Big Bang and "scooped" the scientific community, ultimately vindicating Gamow's model over Hoyle's Steady State theory. Guest Author: Paul Halpern. (3/4)DECEMBER 1961

Jenna and Sheinelle weigh in on listeners' tricky social situations. Adam Scott joins to discuss his new horror film, ‘Hokum,' and reflect on his hit shows ‘Severance' and ‘Parks and Recreation.' Jenna sits down with Queen Camilla during a special event at the New York Public Library. And, chef Brooke Baevsky shares a delicious recipe for banana bread and French toast crepes. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Well howdy there, partner! Welcome...to the Year of the Horse (YH)! That's right, folks, for the Night Shift's first horror western shift in our yearlong special, Kyle (Stück Cassidy) & Abby (Two Tart Jane) screened the American Western horror film BONE TOMAHAWK (2015). In the Old West, a small-town sheriff and his rag-tag posse set out to rescue several townspeople from a brutal cave-dwelling, cannibalistic tribe. So, is this film any good? Well, give this review a listen and find out...if you DAAAaaaare! Already seen it? Let us know your thoughts! OMINOUS MEDIA LINKS: Website Humming Fools - Podcast Evil Cast - Comic KYLE LINKS: Website Substack Patreon Instagram Letterboxd  ABBY LINKS: Instagram Letterboxd MUSIC: Short Intro - Just Me And My Horse by kaazoom Main Intro - Spaghetti Western by Positive_Sound Spoiler Transition - Cowboy Sting Kevin MacLeod (incompetech.com) Outro - Folk harmonica bluesy touch by Moonpub

This week, Colby is bullied into leaving, we chill, we chat, and one very important question needs to be answered: Do you prefer burnt or non-burnt popcorn??   Let us know in the comments and we hope you enjoy the show!  If you have enjoyed listening to our show, then give us a 5-star rating. We'd greatly appreciate it!    The Kickstarter page for Behind the Mask II: The Return of Leslie Vernon is now live!Check it out here: https://www.kickstarter.com/projects/btm2/behind-the-mask-ii-the-return-of-leslie-vernon  Check out our sponsor DARKSIDE COLLECTIBLES:Website: https://darksidecollectibles.net/Instagram: https://www.instagram.com/darkside_collectibles_/Facebook: https://www.facebook.com/profile.php?id=61565363086549TikTok: https://www.tiktok.com/@darksidecollectiblespgh  Be sure to follow, Like, and Subscribe to us on all our social media sites: YouTube: https://www.youtube.com/@houseofghoulsMerch Store: https://goreclown.com/Facebook: https://www.facebook.com/HouseofGhoulsPodcast/Instagram: https://www.instagram.com/houseofghoulspodcast/    You can find Crystal on social media here:TikTok: https://www.tiktok.com/@horrornightsinInstagram: https://www.instagram.com/crystal_hni/YouTube:  https://www.youtube.com/c/HorrorNightsIn    You can find Ian on social media here: TikTok: https://www.tiktok.com/@ian.vanghoulInstagram: https://www.instagram.com/ianvanghoul/  YouTube: https://www.youtube.com/@IanVanGhoulLetterboxd: https://letterboxd.com/ianVanGhoul/  You can find Colby on social media here: TikTok: https://www.tiktok.com/@colby_does_horrorInstagram: https://www.instagram.com/colby.does.horror/YouTube: https://www.youtube.com/@Colby.Does.HorrorLetterboxd: https://letterboxd.com/colbydoeshorror/  House of Ghouls ThemeWritten by Ian VanGhoul Produced, Recorded, and Performed by Jimmy Mowery  Check out Jimmy's music and socials here:Instagram: https://www.instagram.com/jimmymowery/Spotify: https://open.spotify.com/artist/58e8QpVKO4GflSPwWIMhmw?si=ONJ2snr-Qr6ep_Gi2R2_UwYouTube: https://www.youtube.com/@jimmymowerymusic  MK Ultra  (Used with permission from Victor Gabriel and Tate Labianca) Music written and performed by: Tate Labianca Music engineered by: Vincent Peters (Sumo Audio) Shot and edited by: Vincent Peters (Sumo Audio) Directed by: Victor Gabriel Check out the music video here: https://youtu.be/LhDikR8Dn2Q?si=vLqtQJAiBRmyHFV0  Thanks for listening. Have a great week and stay safe out there!!

There's no Brendan Fraser or Boris Karloff, just a sarcophagus and some pure unstoppable terror from the director of 'Evil Dead Rise'. Alexis Hejna from Honeysuckle Rose Creations joins Robert Winfree to take a look at what will surely go down as one of the most intense horror films of 2026.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

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The Mummy is in theaters this weekend and Rob Nelson is joining us to break down the movie and discuss what worked and didn't work for each of us.  If you have enjoyed listening to our show, then give us a 5-star rating. We'd greatly appreciate it!    You can find Rob Nelson on social media here:Website: https://www.robnelsonhorror.com/TikTok: https://www.tiktok.com/@robnhorrorInstagram: https://www.instagram.com/robnhorror/Good Reads: https://www.goodreads.com/book/show/230200019-made-a-monster  Follow the Kickstarter page for Behind the Mask II: The Return of Leslie Vernon here: https://www.kickstarter.com/projects/btm2/behind-the-mask-ii-the-return-of-leslie-vernon  Check out our sponsor DARKSIDE COLLECTIBLES:Website: https://darksidecollectibles.net/Instagram: https://www.instagram.com/darkside_collectibles_/Facebook: https://www.facebook.com/profile.php?id=61565363086549TikTok: https://www.tiktok.com/@darksidecollectiblespgh  Be sure to follow, Like, and Subscribe to us on all our social media sites: YouTube: https://www.youtube.com/@houseofghoulsMerch Store: https://goreclown.com/Facebook: https://www.facebook.com/HouseofGhoulsPodcast/Instagram: https://www.instagram.com/houseofghoulspodcast/    You can find Crystal on social media here:TikTok: https://www.tiktok.com/@horrornightsinInstagram: https://www.instagram.com/crystal_hni/YouTube:  https://www.youtube.com/c/HorrorNightsIn    You can find Ian on social media here: TikTok: https://www.tiktok.com/@ian.vanghoulInstagram: https://www.instagram.com/ianvanghoul/  YouTube: https://www.youtube.com/@IanVanGhoulLetterboxd: https://letterboxd.com/ianVanGhoul/  You can find Colby on social media here: TikTok: https://www.tiktok.com/@colby_does_horrorInstagram: https://www.instagram.com/colby.does.horror/YouTube: https://www.youtube.com/@Colby.Does.HorrorLetterboxd: https://letterboxd.com/colbydoeshorror/  House of Ghouls ThemeWritten by Ian VanGhoulProduced, Recorded, and Performed by Jimmy Mowery  Check out Jimmy's music and socials here:Instagram: https://www.instagram.com/jimmymowery/Spotify: https://open.spotify.com/artist/58e8QpVKO4GflSPwWIMhmw?si=ONJ2snr-Qr6ep_Gi2R2_UwYouTube: https://www.youtube.com/@jimmymowerymusic  MK Ultra (Used with permission from Victor Gabriel and Tate Labianca)Music written and performed by: Tate LabiancaMusic engineered by: Vincent Peters (Sumo Audio)Shot and edited by: Vincent Peters (Sumo Audio)Directed by: Victor GabrielCheck out the music video here: https://youtu.be/LhDikR8Dn2Q?si=vLqtQJAiBRmyHFV0  Thanks for listening. Have a great week and stay safe out there!!