Podcasts about horrorfilm

If you win "Best Feature" at a film festival, but the festival doesn't give you a trophy, can you make your own trophy? Or is that too cringe? Spouses and filmmakers Kaye and Mariel disagree! Their film THE REBRAND (trailer here) won several film festival awards! But most of the festival organizations did not provide trophies, or any physical representation of the win for that matter. Kaye wants to design and 3-D print her own trophies to commemorate the occasion, and to serve as a reminder that "they like her They really like her!" But, while Mariel is proud of the work they have done and the awards they received, she's also trying to rely less on external validation. Who's right? Who's wrong?  If you want to check out the Obscure Cultural Reference, tap here! Thanks to reddit user u/dihydrogenmonoxidesoup for naming this week's case! To suggest a title for a future episode, keep an eye on the Maximum Fun subreddit at reddit.com/r/maximumfun! Thanks to Christian Duguay for letting us close the show with "Frisbee Golf (The Legend Of Tom Clutch)" by Cephalopods Are People! Make sure to check out the Valley Heat podcast if you haven't already. Start at episode 1 and enjoy the ride that is this hilarious show! SUBSCRIBE TO THIS PODCAST in APPLE PODCASTS or the RSS FEED ---Judge John Hodgman is member-supported! Become a member to unlock special bonus episodes and more. Memberships start at just $5 a month. Just tap here!

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Was ist „das Böse“? Wo verbirgt es sich und wie kommt es zum Vorschein? Das Böse ist ein wesentlicher Bestandteil der christlich geprägten Kultur. Aber welche Rolle spielt das Böse in unserer vermeintlich aufgeklärten Zeit, in der wir den Glauben an einen allmächtige Gott durch den Glauben an den Szientismus, eine allmächtige Wissenschaft ersetzt haben? Wo bleibt da der „gute“ alte Teufel, ehemals dargestellt mit Hörnern und Pferdefuß? Für die Philosophin Hannah Arendt war das Böse kein Blut sabberndes Monster, kein Amok laufender Berserker aus einem amerikanischen Horrorfilm. Eher ein unauffälliger Beamter oder Angestellter, der gewissenhaft und pflichtbewusst seine Aufgaben erfüllt und nicht erkennt oder hinterfragt, was er anrichtet. Also jemand, der sein moralisches Urteil auslagert. Ähnlich einem Soldaten, der auf Befehl Menschen erschießt, weil das nun mal sei Job ist. Radio München widmet sich der Frage mit der vierteiligen Reihe: „Vier Masken des Bösen“ von Florian Dimitri Leupin. Jede Folge behandelt einen Schlüsselroman, in dessen Mittelpunkt jeweils ein Mensch steht, der sich selbst nie als böse empfindet, aber zum Komplizen des Bösen wird: Ein Bauarbeiter, der eine Straße baut, die später Panzer trägt. Ein Gastwirt, der Spitzel ist und sich für pflichtbewusst hält. Ein gestürzter Diktator, der seine Richter in Verlegenheit bringt. Ein Waisenjunge, dem ein System seine Rolle zuweist, ohne ihn je zu fragen. Vier Bücher, dieselbe Frage: Wann beginnt der Mensch, sich in den Dienst einer Macht zu stellen und wann beginnt er wieder, er selbst zu sein. Folge 1: „Die Parade – Ab wann man zu Komplizen wird“. Nachzulesen in der Online-Publikation „Ein Blick durchs Schlüsselloch“ auf Substack:https://einblickdurchsschluesselloch.substack.com/p/die-parade-ab-wann-man-zum-komplizen und auf der Website: einblickdurchsschluesselloch.ch Sprecher: Ulrich Allroggen Bild: Florian Dimitri Leupin Radio München www.radiomuenchen.net/​ @radiomuenchen www.facebook.com/radiomuenchen www.instagram.com/radio_muenchen/ twitter.com/RadioMuenchen odysee.com/@RadioMuenchen.net:9 rumble.com/user/RadioMunchen Radio München ist eine gemeinnützige Unternehmung. Wir freuen uns, wenn Sie unsere Arbeit unterstützen. GLS-Bank IBAN: DE65 4306 0967 8217 9867 00 BIC: GENODEM1GLS Bitcoin (BTC): bc1qqkrzed5vuvl82dggsyjgcjteylq5l58sz4s927 Spenden mit Lightning: rm@pareto.town

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Der gehypteste Horrorfilm des Jahres - und Marco und Fabi analysieren, ob Obsession seinem Hype gerecht wird, oder ob sich doch nur ein Jump Scare an den nächsten reiht.Dazu kommt noch eine Reihe an aktuellen Horrorfilmen, die sich nochmal durch sämtliche Subgenres der Gruselfilme bewegt.Egal ob Slasher, dunkle Komödie oder Filme, die als Supernatural Folge vielleicht besser funktioniert haben.Viel Spaß beim Mitgruseln!

Patreon: https://www.patreon.com/cw/NeonicVoidProductionsInquiries can be sent to hausofthevoid@gmail.comCheck out the NeonicVoid Productions network of podcasts! -https://linktr.ee/neonicvoidproductionsBecome a supporter of this podcast: https://www.spreaker.com/podcast/spookocalypse--5342254/support.

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Nasty Neal talks with Katharine Isabelle, Lou Taylor Pucci and Daniel Stamm about their new film LOCKBOX!Seeking peace after her mother's death, Ellen retreats to a rural town and takes in her severely traumatized cousin Winthrop. Their fragile domestic balance shatters when an erratic neighbor warns that Winthrop is dangerous. As strange phenomena escalate, Ellen must put everything on the line to defend Winthrop from a dangerous otherworldly entity determined to track him down.From the director of THE LAST EXORCISM, LOCKBOX is inspired by the cult podcast “Knifepoint Horror” and is based on an original story by writer, creator, and narrator Soren Narnia.FILMMAKERS:Daniel Stamm - Director (The Last Exorcism, Prey for the Devil)Dark Castle Entertainment - ProducersKearie Peak - ProducerSoren Narnia - WriterJustin Yoffe - WriterCAST:Carla Gugino (The Haunting of Hill House, Gerald's Game, The Fall of the House of Usher) Lou Taylor Pucci (Evil Dead, Touch Me)Katharine Isabelle (Ginger Snaps, Backrooms)Join this channel to get access to perks:https://www.youtube.com/channel/UCOmwH7xVAhD-OOAqFWyTYTA/join#Horrormovie #NastyNeal #LockBox #CarlaGugino #KatharineIsabelle

Kommt mit uns in Kontakt!:➤ Instagram: https://www.instagram.com/creepycryptpodcast/➤ E-Mail: kontakt@creepycrypt.de➤ Telegram: https://t.me/creepycryptpodcast➤ Letterboxd: https://letterboxd.com/creepycryptpod/➤ Twilight (2008)Trailer: https://www.youtube.com/watch?v=uxjNDE2fMjIDigital: https://amzn.to/4bFsBFmTwilight SagaBlu-ray: https://amzn.to/4bGM8FoDVD: https://amzn.to/4yi7uCQUnseren neuen Twin Peaks Podcast gibt es ab dem 24. Februar 2025 überall wo es Podcasts gibt.Creepy Lodge - Der deutsche Twin Peaks Podcast: https://creepylodge.letscast.fmDISCLAIMER:Alle Links zu Amazon sind Ref-Links. Das bedeutet, dass wir durch euren Kauf am Gewinn mitbeteiligt werden. Hierfür entstehen für euch keine zusätzlichen Kosten. Einige Filme wurden uns von den Verleihern als Rezensionsexemplar zur Verfügung gestellt.Impressum:z.H. Daniel Denzin Yorck Kino GmbHRankestr. 3110789 Berlin

In this special collaboration episode, Thomas Thorogood sits down with Nathan Jacobs for an in-depth conversation. They dive into Nathan's experience making a horror film, the horror genre in general, Satan and demons in the Bible and church history, the nature of evil, and more.Opening music is 'Cinematic Time Lapse' by Aleksey Chistilin from Pixabay.Connect with The Nathan Jacobs Podcast:YouTube: https://youtube.com/@thenathanjacobspodcast?si=eeVQhaVEBEtu0VocSpotify: https://open.spotify.com/show/0hSskUtCwDT40uFbqTk3QSApple Podcasts: https://podcasts.apple.com/us/podcast/the-nathan-jacobs-podcastSubstack (The Theological Letters): https://nathanajacobs.substack.com/Support the East West Series: http://theeastwestseries.com/Connect with Thomas Thorogood (The Stir and Fry Podcast):YouTube: ⁠https://www.youtube.com/channel/UCleEvOcQVTb5y2CeIixj0Gg/videos⁠Instagram: ⁠https://www.instagram.com/thorogood.thomas⁠Patreon: ⁠https://www.patreon.com/cw/ThomasThorogood⁠Copyright Disclaimer: under the Copyright, Designs and Patents Act 1988, allowance is made for 'exceptions to copyright' such as criticism, review, quotation, news reporting, caricature, parody, or pastiche.I believe that the use of content in this video/thumbnail is fair use. If any content owners would like to dispute this, I will be glad to immediately remove the content in question. I do not wish to infringe on anyone's content ownership.

The Entities Are Terrifying! Greg Alba & Jackie Bonsignore react to Backrooms - first time watching / giving their breakdown & analysis into the terrifying adaptation of Kane Pixels' viral internet phenomenon. From its unnerving liminal spaces, disturbing creature encounters, and psychological horror to its mind-bending ending, this Backrooms movie reaction explores one of 2026's most anticipated horror films. Backrooms (2026) Reaction (Full Length Watch Along):   / thereelrejects   Taking care of your health just got easier – start here with Zocdoc: https://zocdoc.com/REJECTS #sponsored In this Backrooms reaction, The Backrooms A24 reaction, horror movie reaction, and review, Greg & Jackie descend into Kane Parsons (Kane Pixels') feature-film debut, produced by Shawn Levy (Deadpool & Wolverine, Stranger Things) and James Wan (The Conjuring, Saw). The film stars Chiwetel Ejiofor as Clark (12 Years a Slave, Doctor Strange), Renate Reinsve as Mary (The Worst Person in the World, A Different Man), Mark Duplass (The Morning Show, Creep 2), Finn Bennett (True Detective: Night Country, Warfare), and Cristin Milioti (The Penguin, Palm Springs), as they navigate an ever-shifting labyrinth where reality begins to unravel. Featuring unforgettable sequences through endless yellow hallways, impossible architecture, terrifying entity encounters, unsettling found-footage imagery, psychological breakdowns, and an ending packed with mystery and symbolism, Backrooms transforms one of the internet's most iconic creepypastas into a haunting cinematic experience. Whether you're here for the Backrooms ending explained, Backrooms lore breakdown, or simply to experience A24's latest horror sensation, Greg & Jackie break down every terrifying reveal, theory, and haunting moment. Follow Greg Alba:  Instagram: https://www.instagram.com/thegregalba/ Twitter:  https://x.com/thegregalba Follow Jackie Bonsignore: https://www.instagram.com/jackiebonsignore/ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Ich war neugierig auf einen Film, der mit einem überschaubaren Budget einen so großen Erfolg an den Kinokassen hat. Dabei ist er auf den ersten Blick ein eher konventioneller Film: Ein junger Mann traut sich nicht, einer jungen Frau zu sagen, dass er in sie verliebt ist. Aber er hat einen Wunsch frei und so wird die junge Frau mit dem Fluch belegt, ihn mehr als alles andere zu lieben. Das geht auf grausame Weise schief.Das Besondere: Der junge Mann ist nicht nur völlig außerstande offen seine Liebe zu gestehen – nach dem Wunsch versagt er wirklich in jedem Augenblick dabei mit der bedingungslosen Liebe von Nikki umzugehen. Er stürzt sie in Angst und brennende Eifersucht. Doch das ist nicht der eigentliche Grund ihrer Höllenqualen – das spoilere ich hier nicht.OBSESSION ist eine düstere, schräge Splatter-Komödie aber zugleich auch eine bitterböse Abrechnung mit einem Incel-artigen Mann. Die jüngeren Menschen im Kino (fast alles Pärchen) hatten einen leichteren Zugang zum Film. Ich war im Podcast mit Heidi direkt nach dem Film beeindruckt aber nicht begeistert. Aber der Film hallt durchaus nach – auch wegen der herausragenden Inde Navarrette als Nikki.

When Poltergeist was released in 1982, it became an instant horror classic. But in the years that followed, stories of real human skeletons, tragic deaths, on set accidents and whispered blessings gave rise to one of Hollywood's most enduring legends. This week, we explore the making of the film, the strange stories that surrounded it, and the curse that many believe still lingers over the franchise.The BOOKBY US A COFFEEJoin Sarah's new FACEBOOK GROUPSubscribe to our PATREONEMAIL us your storiesJoin us on INSTAGRAMJoin us on TWITTERJoin us on FACEBOOKVisit our WEBSITEResearch Links:https://catalog.afi.com/Film/56862-POLTERGEISThttps://www.imdb.com/title/tt0084516/locations/https://www.the-numbers.com/movie/Poltergeist-(1982)https://www.theguardian.com/culture/2025/nov/03/if-id-known-the-skeletons-were-real-id-have-been-even-more-disgusted-how-we-made-poltergeisthttps://www.vanityfair.com/hollywood/2022/09/poltergeist-at-40https://library.umbc.edu/specialcollections/garrett/hauntings/poltergeists/seaford-poltergeist/https://www.syfy.com/syfy-wire/was-twilight-zone-episode-little-girl-lost-inspiration-for-poltergeisthttps://www.horrordna.com/features/interview-oliver-robinshttps://www.biography.com/movies-tv/the-poltergeist-curse-its-heeerehttps://www.dominiquedunne.com/https://www.findagrave.com/memorial/1746/heather-o'rourkehttps://www.findagrave.com/memorial/2887/julian-beckhttps://www.findagrave.com/memorial/6964/will-sampsonThanks so much for listening, and we'll catch up with you again on tomorrow.Sarah and Tobie xx"Spacial Winds," Kevin MacLeod (incompetech.com)Licenced under Creative Commons: By Attribution 4.0 Licencehttp://creativecommons.org/licenses/by/4.0/SURVEY Hosted on Acast. See acast.com/privacy for more information.

SCHOCKER MIT SCHLOGGER | Folge 31: High Tension Trotz Hitze und bevorstehendem Urlaub hat sich Schlogger für Folge 31 von Schocker mit Schlogger an einen echten Kultfilm der French-Extremity-Bewegung gewagt: "High Tension". Alexandre Ajas Durchbruch, dessen Remake "The Hills Have Eyes" bereits in Folge 5 für schlaflose Nächte sorgte, verzichtet zwar auf eine komplexe Handlung, liefert dafür aber kompromisslose Kills und eine bis heute kontrovers diskutierte Auflösung. Einiges davon konnte Schlogger überzeugen – ebenso wie ihr zweites Ich namens Stu, das natürlich ebenfalls wieder mit von der Partie ist. Warum ausgerechnet das berühmte Finale und ein ganz bestimmter Kill den Ausschlag gegeben haben könnten, dass "High Tension" am Ende keine noch höhere Wertung erhält, und weshalb der einst indizierte Horrorfilm bis heute so polarisiert, erfahrt ihr im Podcast. Übersicht aller Folgen Schocker mit Schlogger Schlogger bei Instagram Stu bei Instagram Schloggers Website Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee

Kommt mit uns in Kontakt!:➤ Instagram: https://www.instagram.com/creepycryptpodcast/➤ E-Mail: kontakt@creepycrypt.de➤ Telegram: https://t.me/creepycryptpodcast➤ Letterboxd: https://letterboxd.com/creepycryptpod/➤ Saint Clare - Engel der VergeltungSeit dem 02. Juli im Home Entertainment von Tiberius FilmTrailer: https://www.youtube.com/watch?v=nwTKf9niMIUBlu-ray: https://amzn.to/3R0gdcbDVD: https://amzn.to/4aMcVjvDigital: https://amzn.to/4pisXaS➤ Kombucha - Die Zukunft beginnt hierSeit dem 02. Juli im Home Entertainment von Tiberius FilmTrailer: https://www.youtube.com/watch?v=5CYjF4OFyt0Blu-ray: https://amzn.to/4vjkuFtDVD: https://amzn.to/3SJ0xKZDigital: https://amzn.to/4vjkyVJUnseren neuen Twin Peaks Podcast gibt es ab dem 24. Februar 2025 überall wo es Podcasts gibt.Creepy Lodge - Der deutsche Twin Peaks Podcast: https://creepylodge.letscast.fmDISCLAIMER:Alle Links zu Amazon sind Ref-Links. Das bedeutet, dass wir durch euren Kauf am Gewinn mitbeteiligt werden. Hierfür entstehen für euch keine zusätzlichen Kosten. Einige Filme wurden uns von den Verleihern als Rezensionsexemplar zur Verfügung gestellt.Impressum:z.H. Daniel Denzin Yorck Kino GmbHRankestr. 3110789 Berlin

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Join Without Your Head host Nasty Neal for an in-depth conversation with Britt Bankhead and Grace Patterson, the stars and filmmakers behind the new indie horror film The Town That Takes.We discuss:The inspiration behind the filmThe real legend of Roanoke and Croatoan Bringing the story and characters to lifeIndependent filmmaking challenges and triumphsHorror influences and favorite genre filmsBehind-the-scenes stories from productionWhat's coming next from Britt and GraceIf you love independent horror, psychological suspense, and discovering the next generation of genre filmmakers, don't forget to LIKE, SUBSCRIBE, and share the interview!

Kommt mit uns in Kontakt!:➤ Instagram: https://www.instagram.com/creepycryptpodcast/➤ E-Mail: kontakt@creepycrypt.de➤ Telegram: https://t.me/creepycryptpodcast➤ Letterboxd: https://letterboxd.com/creepycryptpod/➤ The FuriousSeit dem 18. Juni im Kinohttps://www.youtube.com/watch?v=Avky8dVaqAI➤ Kraken - Erwachen der TiefeAb dem 23. Juli im Kinohttps://www.youtube.com/watch?v=EUTatY1-oBIUnseren neuen Twin Peaks Podcast gibt es ab dem 24. Februar 2025 überall wo es Podcasts gibt.Creepy Lodge - Der deutsche Twin Peaks Podcast: https://creepylodge.letscast.fmDISCLAIMER:Alle Links zu Amazon sind Ref-Links. Das bedeutet, dass wir durch euren Kauf am Gewinn mitbeteiligt werden. Hierfür entstehen für euch keine zusätzlichen Kosten. Einige Filme wurden uns von den Verleihern als Rezensionsexemplar zur Verfügung gestellt.Impressum:z.H. Daniel Denzin Yorck Kino GmbHRankestr. 3110789 Berlin

Wir waren auf angenehmste Weise extrem unangenehm berührt: BACKROOMS – basierend auf der Webserie des noch sehr jungen Regisseurs Kane Parsons – ist einer der originellsten und ungewöhnlichsten Horrorfilme, die wir seit langer Zeit gesehen haben. Wenn wir den Protagonisten durch die endlosen Räume folgen, die wie architektonische Metastasen einer sadistischen KI wirken, dann es ist es als würden wir hellwach durch den eigenen Alptraum gehen. Die bedrückende Atmosphäre und das unter die Haut gehende Sounddesign ziehen einen in seinen Bann. Eine Welt, die man so noch nie gesehen hat: Räume, die man zwar glaubt wiederzuerkennen, die aber nur ein sinnentleertes, kaskadierendes Echo einer Erinnerung an Räume ist.Dazu kommt, dass uns einzelne Szenen genauso verwirren wie die extrem irritierende Architektur der endlosen Gänge, Hallen und Zimmer. Der Versuch, dahinter einen Grund und einen Zweck zu erkennen, laugt unseren Verstand aus: Was das alles bedeutet, dass muss jeder mit sich selbst ausmachen. Meine Idee: Der Raum ist ein Phänomen, dass aus dem Unterbewusstein der Menschen, die den Raum betreten, immer neue Räume Realität werden lässt (wie einst auf Solaris). Nur so ein Gedanke. Im Podcast direkt nach dem Kino wieder draußen in der vertrauten Welt reden wir auch über die großartigen Darsteller, über Höhenangst und Jump Scares. Am Mikrofon: Marc, Hendrik, Tom und Thomas.

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In dieser emotionalen Ausgabe der Themen-Show.DE erleben wir mit Christoph Rothe und Maria Kehrt eine Geschichte, die unter die Haut geht. Maria, selbst eine erfahrene Krankenschwester, teilt ihre persönliche und schockierende Erfahrung als Patientin im Operationssaal. Was passiert, wenn man als Fachkraft die Kontrolle abgibt und dann feststellt, dass während einer Routine-OP etwas gravierend schiefläuft? Hier musste sie erleben, wie der eigene Körper auf dem OP-Tisch lag, während ihr Geist völlig klar war. Eine Situation, die niemandem widerfahren sollte und doch tragische Realität wurde. Tauchen Sie ein in ein Gespräch über Vertrauen, Ohnmacht und die tiefen Narben, die medizinische Fehler hinterlassen können. Wie macht man weiter, wenn der Ort der Heilung zum Ursprung des Traumas wird?

Züge sind toll, Zombies sind toller – also müssten Zombies, die sich in einem Zug befinden, doch eigentlich der helle Wahnsinn sein?! Und wie es der Zufall will, gibt es mit "Train to Busan" tatsächlich einen Film, der eben dieses Szenario bietet. Stellt sich lediglich noch die Frage, ob dieser aus Korea stammende Horrorfilm aus dem Jahr 2016 mit seiner verheißungsvollen Ausgangslage denn auch wirklich etwas taugt. Schauen wir doch mal, was Thomas und DingDong dazu sagen. Moviebreak wünscht untote Unterhaltung!

Content-Warnung: Von 26:15 bis 28:10 geht es in dieser Folge um sexualisierte Gewalt – überspringt diesen Part gerne, falls ihr von dem Thema lieber nicht hören möchtet. --- Hat da jemand Indie-Intermezzo gesagt? Niemand? Ganz egal, wir lesen trotzdem zwei Kurzgeschichten aus dem Band Zwischen 2 Herzschlägen. Wer sich an Gänsehaut oder Fear Street erinnert, kann sich den Vibe von Eine Nacht in Whitechapel (Katharina Gerlach) und Der mysteriöse Horrorfilm (Sarah Drews) gut vorstellen. Wir freuen uns über ein bisschen Abwechslung vom amerikanischen und männlichen Horror-Mainstream. Lasst uns gerne wissen, was ihr von den Geschichten haltet und wie ihr unsere Deutungen der Storys findet. --- In der nächsten Folge lesen wir zwei weitere Kurzgeschichten aus dem Sammelband Zwischen 2 Herzschlägen, und zwar Glitzernde Scherben aus Dunkelheit und Kettenreaktion. Leider ist der Band nicht kostenlos online zu haben, aber recht günstig auf Amazon. Ganz wichtig: Wir haben von den Autorinnen ein Rezensionsexemplar bekommen und werden für unsere Besprechung nicht anderweitig vergütet

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Today we welcome our friend Gwynedd Stuart to the podcast to talk about the 2006 video game movie Silent Hill, starring Sean Bean and guy with a pyramid on his face. Next week is the start of July-brary where we watch movies we rented with our library card! Tune in next week when our movie will be... True Grit (2010) ----- Listen to Gwynedd's music trivia gameshow Musical Puke.  Pre-order signed copies of Jordan's new comic book series "The Amazing Venom" here at bit.ly/goofriends   Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinfreewithads

Lita (Hannah Fierman) is a dominatrix looking to get some cash on the side in The Demonatrix (2026) ★★★1/2 out of ★★★★★Intensity:

On today's episode, host Kate Lindsay speaks with Rachel Barker, host of Girl on Film on YouTube. The internet has been rich with horror content for decades, but only recently have iconic creepy stories and their creators finally gone mainstream. With movies like Obsession and Backrooms breaking box office records, are YouTubers the next breakout stars for Hollywood? Get more of ICYMI with Slate Plus! Join for exclusive bonus episodes of ICYMI and ad-free listening on all your favorite Slate podcasts. Subscribe from the ICYMI show page on Apple Podcasts or Spotify. Or, visit slate.com/icymiplus for access wherever you listen.This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Editorial support from A.C. Valdez. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay speaks with Rachel Barker, host of Girl on Film on YouTube. The internet has been rich with horror content for decades, but only recently have iconic creepy stories and their creators finally gone mainstream. With movies like Obsession and Backrooms breaking box office records, are YouTubers the next breakout stars for Hollywood? Get more of ICYMI with Slate Plus! Join for exclusive bonus episodes of ICYMI and ad-free listening on all your favorite Slate podcasts. Subscribe from the ICYMI show page on Apple Podcasts or Spotify. Or, visit slate.com/icymiplus for access wherever you listen.This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Editorial support from A.C. Valdez. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay speaks with Rachel Barker, host of Girl on Film on YouTube. The internet has been rich with horror content for decades, but only recently have iconic creepy stories and their creators finally gone mainstream. With movies like Obsession and Backrooms breaking box office records, are YouTubers the next breakout stars for Hollywood? Get more of ICYMI with Slate Plus! Join for exclusive bonus episodes of ICYMI and ad-free listening on all your favorite Slate podcasts. Subscribe from the ICYMI show page on Apple Podcasts or Spotify. Or, visit slate.com/icymiplus for access wherever you listen.This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Editorial support from A.C. Valdez.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

Adama Abramson is a bounty hunter turned vampire hunter in Landlord (2026) Intensity:

And this year it's even bigger and even weirder!

(Jun 10, 2026) St. Lawrence County farmer Blake Gendebien is running for the Democratic nomination in New York's 21st Congressional District; we have details on how folks in Potsdam and around New York State are celebrating the upcoming World Cup tournament; and we have a conversation with a horror film writer from Ticonderoga whose love for the genre grew from a young age. 

Director Daniel J. Phillips joins Nasty Neal of the Without Your Head Horror Podcast to discuss his chilling new religious horror film DIABOLIC.In this exclusive interview, Daniel talks about the origins of the film, crafting its disturbing atmosphere, exploring themes of faith and evil, working with the cast, creating unforgettable horror imagery, and bringing DIABOLIC to life on screen.If you're a fan of supernatural horror, religious horror, psychological terror, indie horror films, and behind-the-scenes filmmaking discussions, you won't want to miss this conversation.

In this episode, we welcome Daniel Myrick, co-director of The Blair Witch Project, one of the most influential independent films of all time. Released in 1999, the groundbreaking horror phenomenon helped redefine the found-footage genre, became a cultural touchstone, and changed the landscape of indie filmmaking. In our conversation, Daniel reflects on the origins of the project, its innovative production approach, the unprecedented impact of the film's release, and the lessons he has carried throughout his career as a filmmaker and storyteller.“The Making Of” is presented by AJA:Bridging ST 2110 with the Broader IP WorldAs IP adoption accelerates, establishing a seamless flow for IP media across a production is fundamental. Need to move compressed IP production media onto an ST 2110 network or deliver ST 2110 media to platforms that only accept compressed media? Discover how AJA BRIDGE LIVE makes both easy.Join The Making Of at Panasonic's Cine Gear Panel:The Making Of joins Panasonic at Cine Gear Expo Los Angeles for “The New Talk Show,” a panel exploring how cinematic tools and studio design are transforming video podcasts into next-generation talk shows. Founder and host Michael Valinsky joins SoundShed AV Solutions CEO Matt Alvarez for the discussion on Saturday, June 6, 3:45pm–4:35pm in Theater 1. To register for the show, visit here Thunderbolt 5 Speed. DIY RAID Without Limits.The OWC Express 4M2 Ultra is a next-gen Thunderbolt 5 NVMe enclosure built for serious post workflows. Delivering up to 6622MB/s, it lets you use your own drives to create a high-performance RAID with up to 32TB—and beyond via daisy chaining. Compact, powerful, and scalable for 8K+ and VFX workflows. Available for pre-order now, shipping in late June. Browse hereIgelkottPlates: One-Lens 360° Driving Plates for VFXIgelkottPlates announces its redesigned storefront for licensing single-lens 360° driving plates. Read full horizon-strip thumbnails, share collections with DP and VFX supervisor via one link — no logins, and download free ProRes 422 HQ samples in seconds. Captured on real European and US roads, up to 16K. Learn more hereMeet the YoloCam S7The YoloCam S7 paired with the included YoloLiv MFT 18mm F1.4 Lens gives creators a complete professional video solution right out of the box — all for just $799. Featuring stunning 4K60FPS video, real-time autofocus, interchangeable lenses, simultaneous HDMI and USB-C output, and seamless integration with YoloBox and YoloLiv workflows, the YoloCam S7 delivers incredible flexibility for livestreaming, content creation, and video production. Whether you're using it as a high-end webcam or a full live production camera, this bundle gives you everything you need to get started. Learn more today by contacting Videoguys at 800-323-2325. Visit herePodcast Rewind:May 2026 - Ep. 135.Advertise in The Making Of:Promote your products or services to 260K film industry pros and content creators reading this newsletter. To explore a partnership, email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Gothic horror is having a moment, and Justin Denton got there before the wave. His feature The Curse of the Sin Eater is now streaming on Prime, built for under a million dollars with 19 shooting days, a single private benefactor, Chicago theater actors, an English manor that half-burned down and got rebuilt by hand, and a composer found on Spotify who bowed his guitar like a cello because he didn't own one. Justin is a VFX veteran who has worked on $200 million productions, directed VR experiences for Legendary, and now has a completed independent feature with a Samuel Goldwyn distribution deal to show for a process that looks nothing like what Hollywood taught him and everything like what filmmaking actually requires. Chris and Daniel dig into the full journey with Justin: how the sin eater mythology stuck with him through COVID, why he pitched it as a drama dressed in horror clothing, what it costs to make a real film in a union town, how distribution actually gets done in the backroom deals before AFM (American Film Market) even opens, and why not having a recognizable name in your cast is the one decision that follows a first-time director all the way to the release screen. The conversation ranges from the Philippou Brothers grinding out horror on YouTube in rural Australia to Demi Moore chasing a script nobody thought she would want, to why the studios are wrong about Gen Z and the movies. This is a real-world map of what it takes to make a feature right now. Links and References: Justin Denton on IMDB > Justin Denton on LinkedIn > Justin Denton on Instagram > The Curse of the Sin Eater Trailer > The Curse of the Sin Eater on Amazon Prime > Film discussed: Talk to Me (dirs. Danny and Michael Philippou)  The Substance (dir. Coralie Fargeat)  My Old Ass (dir. Megan Park)  Weapons (dir. Zach Cregger)  Obsession (dir. Cory Barker)  The Bride (dir. Maggie Gyllenhaal) Widows Bay (Apple TV+)  Honey Don't (dir. Ethan Coen)   This episode is sponsored by: Center Grid Virtual Studio Kitbash 3D (Use promocode "CGGarage" for 10% off)

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Chris ist Content Creator, Moderator, DJ und Trash-TV-Connoisseur. Wenn er nicht gerade auf der Reeperbahn in Hamburg auflegt, Filmpremieren in Berlin moderiert oder mit Claudia Obert Wein trinkt, dann macht er auf Social Media Content über Horrorfilme. Aber wovor fürchtet er sich persönlich? Was sind seine Ängste? Das klären wir in dieser Folge, wenn wir uns fragen: Wovor gruselt sich Chris eigentlich..?

Howdy there, partner! Welcome back to the Year of the Horse (YH)! That's right, folks, for the Night Shift's second horror western shift in our yearlong special, Kyle (Stück Cassidy) & Calvin (The Lone Papi) played the action role-playing video game WEIRD WEST (2022). Discover a dark fantasy reimagining of the Wild West where lawmen and gunslingers share the frontier with fantastical creatures. Journey through the origin stories of a group of atypical heroes, written into legend by the decisions you make in an unforgiving land. So, is this game any good? Well, give this review a listen and find out...if you DAAAaaaare! Already played it? Let us know your thoughts! OMINOUS MEDIA LINKS: Website Humming Fools - Podcast Evil Cast - Comic WEIRD WEST Developer Diary KYLE LINKS: Website Substack Patreon Instagram Letterboxd  MUSIC: Short Intro - Just Me And My Horse by kaazoom Main Intro - Spaghetti Western by Positive_Sound Spoiler Transition - Cowboy Sting Kevin MacLeod (incompetech.com) Outro - Folk harmonica bluesy touch by Moonpub

It's our film study of Curry Barker's film - Obsession, and yes, we debate some Oscar / other Awards chances here for this new horror smash hit. NON-SPOILER REVIEW OF OBSESSION: Production Profile + Reception & Scores - 2:22 Theater Going Stories + Composition Thoughts - 8:46 Performance Reviews - 17:15 More Writing Thoughts + Original Screenplay Oscar Category Forecast - 21:48 Production Value Reviews & Why Comedians Make Good Horror - 27:51 Final Oscar Lens Debate - 32:52 Spoiler Warning - 38:16 SPOILER REVIEW OF OBSESSION: A Fun Love Square - 38:28 MMO Love Advice for all Humanity - 46:45 Who is Wish Nikki? Real Nikki?? - 49:41 Escalations & Curiosities & Objections - 53:39 That Ending, Elevated Horror? & Drawing From The Classic Romances - 59:33 What's next for Barker, this “franchise?” - 1:05:10 Final Grades - 1:06:19 OUTRO: This may indeed be an Oscars contender. Irregardless, we love covering the best in horror year round, building to our Scaries: Horror Movie Awards Show on Halloween. So stay tuned to our feed for more horror movie reviews incoming. Otherwise, we'll be covering the Cannes Film Festival from our perch here in Hollywood East. So you should also stay tuned for all of the Reviewing the Reviewers and Timing the Ovations that we love to hate to love every spring in upcoming Cannes episodes of Oscar Race Checkpoint! https://linktr.ee/mikemikeandoscar

Rachel sits down with Canadian Director Simon Glassman to discuss his surrealistic, cosmic horror comedy Buffet Infinity. A profoundly original film that weaves millennial nostalgia for local cable commercials into a terrifying and hilarious battle over business and the fate of reality itself. The film hits streaming May 8th, 2026 after a small theatrical run. Topics covered include the cosmic horror of AI, why he kept the full movie from the cast until it was released, and why “Buffet Infinity” scratches that conspiratorial itch without all of the baggage. Plus, what Glassman is up to next. “Buffet Infinity” is a Canadian satirical comedy horror film, directed by Simon Glassman. A satire of consumerism inspired by Second City Television and told entirely through mock television commercials instead of conventional narrative, the film centres on the fictional Westridge County in Alberta, where two restaurants are fighting each other for dominance, spawning cults and sinkholes and other apocalyptic consequences Support Bloody Good Horror, gain live stream access, join our Slack and get the entire back catalog by visiting us at: https://www.patreon.com/bloodygoodhorror BGH on social media https://www.instagram.com/bloodygoodhorror/ https://www.threads.com/@bloodygoodhorror Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailThe Passenger trailer is here—and it's pure nightmare fuel.

The month of May is here! You know what that means… it's time for some MAYhem, baby! We're asking YOU to decide what our fall miniseries should be. The theme this year? MOVIE MONSTERS! Want to know your three choices? Listen in to find out, and head over to our Discord to cast your vote! Next week, we're closing out our Oceans series in style AND announcing our summer miniseries! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod Credits:  Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Continuous Creation and the Discovery of the Hiss The "Steady State" theory was famously conceptualized after Fred Hoyle and his colleagues, Thomas Gold and Hermann Bondi, watched the looping narrative of the horror film Dead of Night, leading them to propose a universe where matter is continuously created to maintain a constant density as galaxies drift apart. Hoyle described a "creation field" where new particles spontaneously emerge from empty space due to quantum uncertainty, an idea he compared to new spectators filling empty rows in a stadium to keep the crowd density uniform. A major breakthrough in this research was Hoyle's prediction of a specific energy state for carbon-12, the "triple-alpha process," which explained how life-essential elements could be synthesized in the immense heat of dying stars' collapsing cores. Meanwhile, George Gamow and his student Ralph Alpher theorized that the early universe consisted of a primordial substance called "Ylem" that underwent a "Big Squeeze" to form the elements. Ironically, Hoylecoined the term "Big Bang" during a 1949 BBC radio broadcast as a derisive joke to mock the idea of a single initial explosion, a nickname that Gamow disliked because he felt it misrepresented the physics of the early universe. Despite their professional competition, the two men remained friends and famously debated the temperature of the universe during a 1956 road trip through La Jolla in a white Cadillac. While they failed to accurately predict the cosmic temperature during that drive, the debate was effectively settled in 1964 when Bell Labs researchers Arno Penzias and Robert Wilson accidentally discovered a persistent radio "hiss" while trying to calibrate a satellite antenna. After ruling out urban interference and cleaning pigeon droppings from their equipment, they realized they had found the cosmic microwave background radiation. This discovery, which Robert Dicke and Jim Peebles at Princeton were also searching for, provided the definitive evidence for the Big Bang and "scooped" the scientific community, ultimately vindicating Gamow's model over Hoyle's Steady State theory. Guest Author: Paul Halpern. (3/4)DECEMBER 1961

Jenna and Sheinelle weigh in on listeners' tricky social situations. Adam Scott joins to discuss his new horror film, ‘Hokum,' and reflect on his hit shows ‘Severance' and ‘Parks and Recreation.' Jenna sits down with Queen Camilla during a special event at the New York Public Library. And, chef Brooke Baevsky shares a delicious recipe for banana bread and French toast crepes. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.