Podcasts about breakbeat poets vol

 Well-Read Live was recorded at Apple Carnegie Library in Washington D.C. About our guests: Deesha Dyer is an award-winning strategist, on-the-ground community organizer, and executive operations expert. She served as the White House social secretary during the Obama administration and is currently the founder and CEO of social impact agency, Hook & Fasten. She curated and instructed a study course called Imposter to Impact at the Harvard Kennedy School. Deesha's entertaining and engaging style of storytelling allows her to inspire audiences around the world. She co-founded and operates organization, beGirl.world Global Scholars, which tackles the racial disparity in study abroad. Deesha was named Marie Claire's new guard of women changing the world, the Root's most influential African-Americans and profiled in Women Who Run the White House by Essence. She's been featured in Vogue, Travelnoire, and The Washington Post and written for Oprah Daily, Glamour and Lonely Planet. Deesha was recently awarded the Women of Excellence Award by the city of Washington, DC. and lives in Maryland.Alexa Patrick is a vocalist and poet from Connecticut. She is the author of Remedies for Disappearing (Haymarket Books, 2023) and holds fellowships from Cave Canem, the DC Commission on the Arts and Humanities, and more. Previous artistic partnerships of Alexa's include Meta, Microsoft, the National Museum of Women in the Arts. In spring 2023, Alexa made her stage production debut as Un/Sung in the opera We Shall Not Be Moved, (dire. Bill T. Jones). You may find her work in publications including Adroit, CRWN Magazine, and The BreakBeat Poets Vol. 2: Black Girl Magic. Visit alexapatrick.com for more. This episode was produced by Brittani Brown of BarbaraJean Productions.Find out more at gloryedim.com 

Join Alexa Patrick and special guests for a celebration of her debut poetry collection Remedies for Disappearing. This event took place on June 6, 2023. In this beautiful debut from an exciting new poet, Alexa Patrick's Remedies for Disappearing memorializes Blackness in its quiet and unexpected forms, bringing the peripheral into focus. These poems muddy Black life and death, observe lineage and love stories, and question what “disappearing” teaches about Blackness and bodies. Remedies for Disappearing is gritty, sharp, and formally inventive, demonstrating Patrick's imaginative curiosity, lyrical restraint, and confidence in her handling of language. Moments of aphoristic confession are balanced with imagistic precision as the speaker recounts the ways her aunties, sisters, and even herself have disappeared in order to survive. Patrick's poetry is haunting and hopeful, striving to provide readers with the tools and context to acknowledge, define, and honor the complexity of Black girl/womanhood. Remedies for Disappearing connects Black girls and women to each other and to their own histories, and insists that they be fully and wholly seen. Get Remedies for Disappearing from Haymarket: https://www.haymarketbooks.org/books/... Speakers: Alexa Patrick is a poet and vocalist from Connecticut. She is a Cave Canem fellow and Tin House alumna. She has also been cast in the featured role of Unsung in We Shall Not Be Moved, an opera under the direction of Bill T. Jones. You may find Alexa's work published in The Quarry, The Rumpus, CRWN Magazine, and The BreakBeat Poets Vol. 2: Black Girl Magic. Raina León is a teacher, writer, artist, curator, scholar, and speaker. You might know her as a founding editor of The Acentos Review, the lead coordinator for Nomadic Press Philadelphia, the author of black god mother this body, and co-founder of StoryJoy, Inc. with Dr. Norma Thomas. She does lots of things and invites you to dream with her sometime. Jasmine Mans is a Black poet and performance artist from Newark, New Jersey. Jasmine's poetry book, BLACK GIRL, CALL HOME has been named one of Oprah's Most Anticipated LGBTQ Books and a TIME Magazine Must Read, to name a few; and Jasmine herself named as Essence's #1 Contemporary Black Poet to Know. Jasmine most recently collaborated with the Brooklyn Ballet on an original performance piece titled Unnatural Surrounding at the prestigious Brooklyn Academy of Music. Gabriel Ramirez, a Queer Afro-Latinx poet and teaching artist has received fellowships from Palm Beach Poetry Festival, The Watering Hole, The Conversation Literary Arts Festival, CantoMundo, Miami Book Fair, and a participant in the Callaloo Writers Workshops. You can find his work in publications like The Volta, Split This Rock, VINYL, Acentos Review as well as Bettering American Poetry Anthology, What Saves Us: Poems of Empathy and Outrage in the Age of Trump and The Breakbeat Poets Vol. 4: LatiNEXT. Kush Thompson, author of A Church Beneath the Bulldozer (2014), is a Chicago-born poet, painter, archivist, educator, and Cave Canem fellow. Voted runner-up best local poet of 2014 by The Chicago Reader, a 2015 Young Futurist by The Root, and a 2017 Pink Door & Luminarts Creative Writing Fellow, Thompson's contributed over a decade of performances and creative writing workshops, both nationally and internationally. Watch the live event recording: https://youtube.com/live/naG3oOfqw6g Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Join us for a book launch, poetry reading, and visual showcase of Por Siempre. This event took place on May 17, 2023. Por Siempre is a visual and verbal narrative of the grit and gentleness in Southwestern Latinx communities told through photography by Antonio Salazar and poetry by José Olivarez. Guns, tattoos, pit bulls, and cars appear alongside a tender aubade, a couple holding hands, a baby bathing in a kitchen sink; landscapes and skylines in Phoenix and Los Angeles show palm trees and messy garages; long white socks and acrylic nails of younger generations meet the smiles and traditions of elders. In a society that would rather disappear or ignore its own grittier dimensions, Salazar's work is both a refusal to be silenced and a love letter to the communities that sing, dance, live, and love, in their own beautiful and dangerous ways. Alongside Salazar's powerful visual narrative, a series of poetry by José Olivarez appears throughout the book. Each poem “speaks” in its own way—to, of, with, and beyond the subjects of Salazar's photos—with humor, honesty, and compassion. These artists together in Por Siempre are a force: expanding and lifting each other's best parts, as those in sincere and caring communities often do. Order a Copy of Por Siempre: https://www.haymarketbooks.org/books/... ———————————————————————————————————————————————— Speakers: Isela Meraz (Chela) is a self-taught community artist, she was born in Durango Mexico “Tierra de Los Alacranes” and has lived in Phoenix, AZ since 1991. The love for her community and social justice has led her to participate in civil disobedience, hunger strikes and spiritual fast. Creating art that honors her family, queerness and land. Her work is now part of the permanent collection of the ASU Art Museum and it is currently on display till July of 2023. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by the Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he coedited the poetry anthology The BreakBeat Poets Vol. 4: LatiNext. He cohosts the poetry podcast The Poetry Gods. Antonio Salazar is a photographer based in Phoenix, Arizona. His work features a glimpse into the culture of the fifth largest city in the U.S. Themes surrounding Chicane/x identity in the Southwest are heavily explored through his art. Watch the live event recording: https://youtube.com/live/dfXwiCOL5zg Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Athena Dixon discusses her new book, The Loneliness Files, the cases that inspired the essays, how social media can help and harm the creative process, writing on her phone, being ghosted for writing opportunities, being transparent in the industry, working without an agent, and more! Born and raised in Northeast Ohio, Athena Dixon is a poet, essayist, and editor. She is the author of the essay collection The Loneliness Files, out now on Tin House, The Incredible Shrinking Woman and No God In This Room, Winner of the Intersectional Midwest Chapbook Contest. Her work also appears in The BreakBeat Poets Vol. 2: Black Girl Magic and Getting to the Truth: The Practice and Craft of Creative Nonfiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're releasing this episode a day early in honor of Athena Dixon appearing at Literary Cleveland's debut Plum City Reading event! This reading takes place at Loganberry Books at 7pm on October 9, with an afterparty to follow across the street at Literary Cleveland's offices. Chris Bachelder and Jennifer Habel will also read.   Athena Dixon takes listeners on a deep dive into the phenomenon of loneliness through her new essay collection, The Loneliness Files. Dixon discusses the inspiration behind these essays, isolation during COVID lockdowns, how online interactions can combat as well as amplify loneliness, true crime, fan fiction, vulnerability in writing nonfiction, the connection between loneliness and writing, the journey to publication as an unagented author, and, naturally, sensory deprivation tanks.   The Loneliness Files was released by Tin House Books on October 3, 2023. Athena Dixon is a poet, essayist, and editor. Her work is included in the anthology The BreakBeat Poets Vol.2: Black Girl Magic, and her craft work appears in Getting to the Truth: The Craft and Practice of Creative Nonfiction. She is also the author of  The Incredible Shrinking Woman (Split/Lip Press 2020) and No God In This Room (Argus House Press 2018), winner of the Intersectional Midwest Chapbook Contest. Learn more about Dixon at her website.   Page Count is produced by Ohio Center for the Book at Cleveland Public Library. For full show notes and a transcript of this episode, visit the episode page. To get in touch, email ohiocenterforthebook@cpl.org (put “podcast” in the subject line) or follow us on Twitter or on Facebook.

In this episode of Get Lit Minute, we spotlight the accomplished author, poet and educator, José Olivarez.José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhere. SourceSupport the showSupport the show

Old stories — of mythology or religion — have sometimes been depicted as having one narrative and one interpretation. Here, J. Estanislao Lopez takes on the voice of a character whose story ended in violence, inviting listeners to claim their agency as this character claims hers.J. Estanislao Lopez is the author of We Borrowed Gentleness (Alice James Books, 2022). His poetry has appeared in The New Yorker, Ploughshares, The Rumpus, and Poetry Magazine, as well as the anthology The BreakBeat Poets Vol. 4: LatiNext. Lopez received his MFA from the Warren Wilson Program for Writers.Find the transcript for this show at onbeing.org.We're pleased to offer J. Estanislao Lopez's poem, and invite you to connect with Poetry Unbound throughout this season.

In a church there are liturgies and prayers and statues. But in José Olivarez's poem, there are more urgent things taking place, things that have “no time to wait.”José Olivarez is the son of Mexican immigrants.  He is the author of Promises of Gold, a collection of poems. His debut book of poems, Citizen Illegal, was a finalist for the PEN/Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhereFind the transcript for this show at onbeing.org.We're pleased to offer José Olivarez's poem, and invite you to connect with Poetry Unbound throughout this season.

Grecia Huesca Dominguez is the author of the children's book, Dear Abuelo, shortlisted for the Tomas Rivera Mexican American Children's Book Award and recognized by Bank Street College of Education as one of the Best Children's Books of 2020. She was a 2020 Define American Immigrant Artist Fellow, Her work has appeared in Vogue Mexico, Latino Book Review, The Latinx Project's Intervenxions, The Breakbeat Poets Vol 4 Latinext, Hobart After Dark and The Accents Review. At the age of ten, she moved from Veracruz, Mexico to the Hudson Valley, where she lived for 21 years, in 2021, she moved to Queretaro, Mexico where she currently resides with her daughter.  WINC- https://www.winc.com/hi/sl5230713d3   @Grecia_writer   https://www.refinery29.com/en-us/2022/12/11180964/undocumented-daca-immigrants-leaving-us    https://linktr.ee/greciawriter    Follow us on IG    @whogavethisgirlamic ---------- If you liked this episode, please leave us a review on Apple Podcasts: https://podcasts.apple.com/us/podcast/who-gave-this-girl-a-mic/id1533925842 ----------   Connect with host Melissa C. Instagram: @_meelisssaaa123 ---------- Have any questions, comments, want to be a guest, or know somebody that would be a great guest on the show? We'd love to hear from you! Email us at: whogavethisgirlamic@gmail.com.

Episode #3: Of Laughter and Light Season 2 continues with Alexa Patrick joining our host, Dwayne Lawson-Brown to talk creative outlets, finding light while grieving, and her new collection of poetry! Alexa Patrick is a poet and vocalist from Connecticut. She is a Cave Canem fellow and Tin House alumna. She has also been cast in the featured role of Unsung in We Shall Not Be Moved, an opera under the direction of Bill T. Jones. You may find Alexa's work published in The Quarry, The Rumpus, CRWN Magazine, and The BreakBeat Poets Vol. 2: Black Girl Magic. Follow Alexa Patrick on Instagram: @AlexaLaurel Learn More About Alexa: https://www.alexapatrick.com/ This podcast supported by the DC Commission of the Arts and Humanities, Solid State Books, Day Eight Publishing, and CrochetKingpin.com

Join Chris in conversation with Kemi Alabi, author of Against Heaven (Graywolf Press), about passions, process, pitfalls, and Poetry! Kemi Alabi is the author of Against Heaven (Graywolf Press, 2022), selected by Claudia Rankine as winner of the 2021 Academy of American Poets First Book Award. Their poems and essays appear in the Atlantic, Poetry, the Nation, Boston Review, the BreakBeat Poets Vol. 2, Best New Poets 2019, and elsewhere. Selected by Chen Chen as winner of the 2020 Beacon Street Poetry Prize, Kemi has received Pushcart Prize, Best of the Net and Brittle Paper Award nominations along with fellowships from MacDowell, Civitella Ranieri, Tin House and Pink Door. Kemi believes in the world-shifting power of words and the radical imaginations of Black queer and trans people. As cultural strategy director of Forward Together, they built political power with cultural workers of color through programs like Echoing Ida, a home for Black women and nonbinary writers, and annual art campaigns like Trans Day of Resilience. The Echoing Ida Collection, coedited with Cynthia R. Greenlee and Janna Zinzi, is available now from Feminist Press. Born in Wisconsin on a Sunday in July, Kemi now lives in Chicago, IL. --- Support this podcast: https://anchor.fm/tpq20/support

Join Chris of The Poetry Question in a sit down with Jasminne Mendez, Author of City Without Altar (Noemi Press), about passions, process, pitfalls, & Poetry! Jasminne Mendez is a Dominican-American poet, playwright, translator and award winning author of several books for children and adults. She is the author of two hybrid memoirs, Island of Dreams (Floricanto Press) and Night-Blooming Jasmin(n)e: Personal Essays and Poetry (Arte Público Press). Her second YA memoir, Islands Apart: Becoming Dominican American (Arte Público Press) is forthcoming in May 2022 and her debut poetry collection, City Without Altar, was a finalist for the Noemi Press Book Award for Poetry and will be released in August 2022. Her debut middle grade book Anina del Mar Jumps In (Dial) is a novel in verse about a young girl diagnosed with Juvenile Idiopathic Arthritis and is set to release in 2023. Her debut picture book Josefina's Habichuelas (Arte Público Press), was released last year. Mendez has had poetry and essays published by or forthcoming in numerous journals and anthologies including The Kenyon Review, New England Review, the YA Latinx Anthology Wild Tongues Can't be Tamed edited by Saraciea Fennell (Flatiron/Macmillan), and in The BreakBeat Poets Vol. 4: LatiNext (Haymarket Books). She has translated and written poetry and a libretto for the Houston Grand Opera and she translated Amanda Gorman's best-selling Change Sings into the Spanish edition La canción del cambio. The dramatized version of her play in verse City Without Altar received its world premiere at Milagro theatre in Portland, Oregon this spring. She is an MFA graduate of the creative writing program at the Rainier Writing Workshop at Pacific Lutheran University, a University of Houston alumni, and a Canto Mundo Fellow. Based in Houston, she is the Co-Founder and Program Director of the Houston based Latinx literary arts organization Tintero Projects and a co-host to the poetry and writing podcast series InkWell a collaboration between Tintero Projects and Inprint Houston. She is a Canto Mundo Fellow, a Kenyon Review Writer's Workshop Peter Taylor Fellow and a Macondo and VONA alumni. When she's not writing or napping in her hammock she enjoys playing with sand on the beach with her daughter, swimming in the ocean or a pool, practicing yoga, baking cupcakes and laughing with her partner in poetry and in life Lupe Mendez - the Texas State Poet Laureate. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Farnaz Fatemi, an Iranian American poet and member of the Hive, reads from her debut book, Sister Tongue, that won the 2021 Stan and Tom Wick Poetry Prize (selected by Tracy K. Smith). Julie Murphy and Farnaz Fatemi discuss longing, language, loss, identity and sisterhood as they weave through the remarkable poems in this collection. Farnaz's poetry and prose appear in Poets.org (Poem-a-Day), Pedestal Magazine, Grist Journal, Catamaran Literary Reader, Crab Orchard Review, SWWIM Daily, Tahoma Literary Review,Tupelo Quarterly, phren-z.org, and several anthologies (including, most recently, Essential Voices: Poetry of Iran and its Diaspora, My Shadow Is My Skin: Voices of the Iranian Diaspora and The BreakBeat Poets Vol. 3: Halal If You Hear Me). She was awarded the Nion McEvoy and Leslie Berriman Fellowship by Djerassi and has been honored by the International Literary Awards (Center for Women Writers), Poets on the Verge (Litquake SF), Best of the Net Nonfiction, and Pushcart. She is a member of the Community of Writers. Farnaz taught Writing at the University of California, Santa Cruz, from 1997-2018. www.farnazfatemi.com Listen to or read Farnaz's poem Farnaz, selected for a Poem-a-day in March 2022 by guest editor Brenda Shaughnessy.

Nuestra Palabra: To Live, Love, Heal & Experience Violence as a Black Person w/ Jasminne Mendez Jasminne Mendez talks to Tony Diaz about her book, "City Without Altar" and how her book helped her redefine her identity as a Black woman and better understand what it means to be Black. Jasminne Mendez is a Dominican-American poet, playwright, translator and award winning author of several books for children and adults. She is the author of two hybrid memoirs, Island of Dreams (Floricanto Press) and Night-Blooming Jasmin(n)e: Personal Essays and Poetry (Arte Público Press). Her second YA memoir, Islands Apart: Becoming Dominican American (Arte Público Press) is forthcoming in May 2022 and her debut poetry collection, City Without Altar, was a finalist for the Noemi Press Book Award for Poetry and will be released in August 2022. Her debut middle grade book Anina del Mar Jumps In (Dial) is a novel in verse about a young girl diagnosed with Juvenile Idiopathic Arthritis and is set to release in 2023. Her debut picture book Josefina's Habichuelas (Arte Público Press), was released last year. Mendez has had poetry and essays published by or forthcoming in numerous journals and anthologies including The Kenyon Review, New England Review, the YA Latinx Anthology Wild Tongues Can't be Tamed edited by Saraciea Fennell (Flatiron/Macmillan), and in The BreakBeat Poets Vol. 4: LatiNext (Haymarket Books). She has translated and written poetry and a libretto for the Houston Grand Opera and she translated Amanda Gorman's best-selling Change Sings into the Spanish edition La canción del cambio. The dramatized version of her play in verse City Without Altar received its world premiere at Milagro theatre in Portland, Oregon this spring. She is an MFA graduate of the creative writing program at the Rainier Writing Workshop at Pacific Lutheran University, a University of Houston alumni, and a Canto Mundo Fellow. Based in Houston, she is the Co-Founder and Program Director of the Houston based Latinx literary arts organization Tintero Projects and a co-host to the poetry and writing podcast series InkWell, a collaboration between Tintero Projects and Inprint Houston. She is a Canto Mundo Fellow, a Kenyon Review Writer's Workshop Peter Taylor Fellow and a Macondo and VONA alumni. When she's not writing or napping in her hammock she enjoys playing with sand on the beach with her daughter, swimming in the ocean or a pool, practicing yoga, baking cupcakes and laughing with her partner in poetry and in life Lupe Mendez - the Texas State Poet Laureate. Facebook: https://www.facebook.com/jmendezmemoirs/ Twitter: @jasminnemendez Instagram: @jasminnemendez Website: https://www.jasminnemendez.com/ * This is part of a Nuestra Palabra Multiplatform broadcast. * Video airs on www.Fox26Houston.com. * Audio airs on 90.1 FM Houston, KPFT, Houston's Community Station, where our show began. * Live events. Thanks to Roxana Guzman, Multiplatform Producer Rodrigo Bravo, Jr., Audio Producer Radame Ortiez, SEO Director Marc-Antony Piñón, Graphics Designer Leti Lopez, Music Director Bryan Parras, co-host and producer emeritus Liana Lopez, co-host and producer emeritus Lupe Mendez, Texas Poet Laureate, co-host, and producer emeritus Writer and activist Tony Diaz, El Librotraficante, hosts Latino Politics and News and the Nuestra Palabra Radio Show on 90.1 FM, KPFT, Houston's Community Station. He is also a political analyst on “What's Your Point?” on Fox 26 Houston. He is the author of the forthcoming book: The Tip of the Pyramid: Cultivating Community Cultural Capital. www.Librotraficante.com www.NuestraPalabra.org www.TonyDiaz.net Nuestra Palabra is funded in part by the BIPOC Arts Network Fund.

Join us for the Haymarket Poetry Spring Showcase, where we'll celebrate new books by Noor Hindi, Maya Marshall, and Hope Wabuke. Pre-order Hope Wabuke's The Body Family, publishing in April: https://bookshop.org/a/1039/9781642596977 Pre-order Noor Hindi's DEAR GOD. DEAR BONES. DEAR YELLOW., publishing in May: https://bookshop.org/a/1039/9781642596960 Pre-order Maya Marshall's All the Blood Involved in Love, publishing in June: https://bookshop.org/a/1039/9781642596953 ----------------------------------------------------------------------- Noor Hindi (she/her/hers) is a Palestinian-American poet and reporter. She is a 2021 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellow. DEAR GOD. DEAR BONES. DEAR YELLOW. is her debut collection of poems. She lives in Dearborn. Follow her on Twitter @MyNrhindi. Maya Marshall is the author of chapbook Secondhand and cofounder of underbelly, a journal on the practical magic of poetic revision. She has earned fellowships from MacDowell, Vermont Studio Center, Callaloo, Watering Hole, Community of Writers and Cave Canem. Marshall previously served as artist-in-residence at Northwestern University and as faculty for Loyola University. She is the 2021-2023 Creative Writing Fellow in Poetry at Emory University. Hope Wabuke is a Ugandan American poet, essayist, and writer. She is the author of the forthcoming memoir Please Don't Kill My Black Son Please. Hope has published in The Guardian, The Root, Los Angeles Review of Books, and NPR among others. She is an Assistant Professor of English and Creative Writing at the University of Nebraska-Lincoln, and a founding board member and former Media & Communications Director for the Kimbilio Center for African American Fiction. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. Suzi F. Garcia is a Peruvian-American poet and editor raised in the South. She is the author of the poetry chapbook A Homegrown Fairytale (Bone Bouquet, 2020), focusing on queering the reader relationship with Dorothy from The Wizard of Oz. She is an upcoming editor for POETRY and executive editor of Noemi Press, where she has edited several award-winning books of poetry, craft, and more. Watch the live event recording: https://youtu.be/2e3DzF-pIBU Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

We're welcoming award winning author Kemi Alabi into the Words and Shit studio to talk about their upcoming book, past successes, the importance of the work they're doing in the black and brown queer and trans spaces, and so much more! Tune in live to get to know the person behind the poetry! Kemi Alabi is the author of AGAINST HEAVEN (Graywolf Press, 2022), selected by Claudia Rankine as winner of the 2021 Academy of American Poets First Book Award. Their poems and essays have been published in the Atlantic, Poetry, Boston Review, Catapult, Guernica, them., the BreakBeat Poets Vol. 2, Best New Poets 2019, and elsewhere. Selected by Chen Chen as winner of the 2020 Beacon Street Poetry Prize, Kemi has received Pushcart Prize, Best of the Net and Brittle Paper Award nominations along with support from MacDowell, Civitella Ranieri, Tin House and Pink Door. They've performed their work across the United States for schools, universities, museums, libraries, theaters, conferences, festivals, protests and more. A Mass LEAP-trained teaching artist, they've worked with students of all ages. Kemi believes in the world-shifting power of words and the radical imaginations of Black queer and trans people. As cultural strategy director of Forward Together, they built political power with cultural workers of color through programs like Echoing Ida, a home for Black women and nonbinary writers, and annual art campaigns like Trans Day of Resilience. The Echoing Ida Collection, coedited with Cynthia R. Greenlee and Janna Zinzi, is available now from Feminist Press.

Andrés Cerpa recollects how his father's early dementia was an increasing influence on his early years. As he grew, his father diminished. The burden of this was heavy on him — he stayed awake listening for information, and fell asleep at school. Older now, he looks at his younger self with tenderness and sadness. This poem gives attention to the experience of the growing presence of absence, and the ways that affects memory, family, and perspective.Andrés Cerpa is the author of Bicycle in a Ransacked City: An Elegy, and The Vault from Alice James Books. A recipient of fellowships from McDowell and Canto Mundo, his work has appeared in Ploughshares, Poem-a-Day, The Kenyon Review, The Rumpus, Puerto Rico en mi Corazón, The Breakbeat Poets Vol 4: LatiNext,  The Nation, and elsewhere. He holds degrees from the University of Delaware and Rutgers University Newark.Find the transcript for this show at onbeing.org.

In this episode, I spoke with féi hernandez about Hood Criatura, their poetry collection released in 2020. We also spoke about their incredible skills as an illustrator, and féi recommends some fantastic reads. féi hernandez (b.1993 Chihuahua, Mexico) is a trans, Inglewood- raised, formerly undocumented immigrant artist, writer, healer. They have been published in POETRY, Pank Magazine, Oxford Review of Books, Frontier Poetry, The Breakbeat Poets Vol. 4: LatiNext, amongst others. They are a Define American Fellow for 2021 and are currently the Board President of Gender Justice Los Angeles. féi is the author of the full-length poetry collection Hood Criatura (Sundress Publications 2020) which was on NPR's Best Books of 2020. féi collects Pokémon plushies. féi's website féi's instagram Purchase Hood Criatura Poets, books, etc. mentioned in this episode: Gloomy the Naughty Grizzly, anime series Sailor Moon, anime series Natalie Diaz's My Brother Was an Aztec Natalie Diaz's Postcolonial Love Poem Ambar Lucid and her song “Story to Tell” féi's illustrations Hood Criatura on Goodreads, Barnes and Noble, and Amazon. Go leave a review :) Editor and Social Media Manager: Mitchel Davidovitz The Sound of Waves Breaking is “Project - 3_30_21, 6.55 PM.wav” by bradygalp123

Show Notes from Episode 82 and Links to Sara Elkamel's Work           On Episode 82 of The Chills at Will Podcast, Pete has the pleasure to speak with Sara Elkamel, poet and journalist, about her passion for the form, her work with surrealism, and her eye for detail. The two delve into three of Sara's profound and lush poems, with Sara generously sharing the background and thought process in creating the work.     Sara Elkamel is a poet and journalist living between her hometown, Cairo, and New York City. She holds an MA in arts journalism from Columbia University, and is currently an MFA candidate in poetry at New York University, where she teaches in the undergraduate Creative Writing Program.   Elkamel's poems have appeared in The Common, Michigan Quarterly Review, Four Way Review, The Boiler, Memorious, wildness, Nimrod International Journal, The Rumpus, Jet Fuel Review, etc. Her work has also been featured as part of the anthologies Best New Poets 2020, Best of the Net 2020, The BreakBeat Poets Vol. 3: Halal If You Hear Me, and 20.35 Africa: Vol. 2. She was named a 2020 Gregory Djanikian Scholar by The Adroit Journal, and a finalist in Narrative Magazine's 30 Below Contest in the same year. Elkamel's debut chapbook “Field of No Justice” will be published by the African Poetry Book Fund & Akashic Books in 2021.   Elkamel has designed and facilitated (often collaboratively) a number of creative writing workshops in art spaces and cultural intuitions in Cairo, Alexandria and Amman, Jordan, including at the Cairo Institute of Liberal Arts and Sciences (CILAS), The Townhouse Gallery, Medrar for Contemporary Art, and at the Mohammad and Mahera Abu Ghazaleh Foundation (MMAG).     Sara Elkamel's Personal Website   Interview with Washington Square: Sara Elkamel on Surrealism, Myth, and Gender in “Field of No Justice”   Sara Elkamel's “Heaven”   Four Way Review-Three Poems by Sara Elkamel   At about 2:40, Sara discusses what she is working on currently, as she has recently returned from Cairo after more than a year; she discusses how a collection of poems becomes a thesis when poetry is not inherently ordered   At about 6:30, Sara talks about her childhood in Cairo and her relationship with the written word, including her love of the book fair (!) and some early introductions to symbolism and    At about 10:30, Pete asks Sara about the connections between the familiarity of the US upon Sara's starting to live here and what she read in Egypt about the US   At about 12:00, Sara responds to Pete's question about the influence of the Koran on her writing   At about 13:00, Sara responds to Pete's question of how Arabic as a language lend itself to poetry, as seen through the proud traditions of poetry written in the language    At about 15:10, Sara relates a fitting Anne Carson quote   At about 15:50, Sara discusses some transformative texts that she read as she got older, including “A Little Sugar” from Hussein Jelaad in Beirut 89 and Alan Ziegler's class, where she read formative work from Ben Lerner and Carl Phillips, as well as work from Anne Carson-a gift from her boss    At about 19:25, Sara discusses her personal views on form, as she writes prose poetry for the most part, as well as form in contemporary poetry   At about 22:40, Sara glowingly explains her philosophy and process of editing       At about 26:05, Sara explains her views of “deciphering poetry”   At about 28:45, Pete quotes Sara from a previous interview and asks her what she means about the connection between poetry and “collage”   At about 31:35, Pete and Sara discuss “Field of No Justice” and the idea of the speaker as the poet   At about 32:50, Sara gives background on some themes and references/inspiration for “Field of No Justice”   At about 34:40, Pete highlights some intriguing lines from the above poem and asks Sara about her use of the bird as motif   At about 35:50, Pete asks Sara about surrealism and its connection to Egypt in both “older times” and in contemporary times   At about 38:20, Sara details Wadi Rum and its natural beauty and her connection to it, used as muse for her poem “The Language of the Body”   At about 39:25, Sara reads “The Language of the Body”   At about 41:25, Pete asks Sara about the poem-its repetition and “sinning out in the open,” for one, and Sara talks about the poem as a response to a prompt from Professor Catherine Barnett and more of its genesis   At about 45:20, Sara reads “Heaven”   At about 46:05, Sara responds to Pete's question, in response to the poem “Heaven” about challenges in writing shorter pieces and Pete recounts some profound lines as he and Sara discuss specific word and craft choices   At about 50:45, Sara talks about future projects and her impressive editing process You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Spotify and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. I'm excited to share Episode 83 with Larry Strauss on October 5. I hope you can tune in, as I talk to the novelist, teacher, student advocate and freelance writer who has been published in USA Today and many other prestigious publications. Larry's newest novel, Light Man, is an engrossing read and is out in November 2021.  The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.

Seema Yasmin is an Emmy Award-winning journalist, medical doctor, professor and author. She is director of the Stanford Health Communication Initiative,  clinical assistant professor in Stanford University's Department of Medicine, and visiting professor at the Anderson School of Management at UCLA where she teaches crisis management and communications. Yasmin was a finalist for the Pulitzer Prize in breaking news in 2017 with a team from The Dallas Morning News for coverage of a mass shooting. She is the recipient of two awards from the Pulitzer Center on Crisis Reporting. Her reporting appears in Rolling Stone, The New York Times, WIRED, Scientific American, and other outlets. She is a medical analyst for CNN and a correspondent for Conde Nast Entertainment. Yasmin is a fiction fellow of the Kundiman and Tin House writing workshops. Her poems and short stories have been published in literary magazines and anthologies including The BreakBeat Poets Vol 3: Halal If You Hear Me, New Moons: Contemporary Writing by North American Muslims, The Georgia Review, The Literary Review, Foundry, The Los Angeles Review, and others. Her writing has earned awards and residencies from the Millay Colony for the Arts, the Mid Atlantic Arts Council, Hedgebrook, and others. After training in medicine at the University of Cambridge, Yasmin served as an officer in the Epidemic Intelligence Service at the U.S. Centers for Disease Control and Prevention, where she investigated outbreaks in prisons, hospitals, reservations and other settings; principal investigator for a number of epidemiologic studies; and deployed as strategic advisor to foreign ministries of health. She trained in journalism at the University of Toronto and worked as a staff writer at The Dallas Morning News covering Ebola's arrival in Texas. Her scholarly work focuses on the spread of health misinformation and disinformation, the growth of medical and news deserts, and the impact on public health. She teaches creative nonfiction including health and science journalism, global health storytelling, practicing medicine with empathy and compassion, and advanced clinical communication skills. Her unique combination of expertise in epidemics, science communication and journalism has been called upon by the Presidential Commission for the Study of Bioethical Issues, the Aspen Ideas Festival and the Skoll World Forum.

Seema Yasmin gathers a powerful line-up of poets—George Abraham, Aracelis Girmay, José Olivarez, Janice Lobo Sapigao, and Yalini Thambynayagam—to celebrate Yasmin's poetry collection, If God Is A Virus. Based on original reporting from West Africa and the United States, and the poet's experiences as a doctor and journalist, If God Is A Virus charts the course of the largest and deadliest Ebola epidemic in history, telling the stories of Ebola survivors, outbreak responders, journalists and the virus itself. These documentary poems explore which human lives are valued, how editorial decisions are weighed, what role the aid industrial complex plays in crises, and how medical myths and rumor can travel faster than microbes. These poems also give voice to the virus. Eight percent of the human genome is inherited from viruses and the human placenta would not exist without a gene descended from a virus. If God Is A Virus reimagines viruses as givers of life and even authors of a viral-human self-help book. Featuring: Dr. Seema Yasmin is an Emmy Award-winning journalist, medical doctor, disease detective and author. She was a finalist for the Pulitzer Prize in breaking news reporting in 2017 with her team from The Dallas Morning News for coverage of a mass shooting. Yasmin was a disease detective in the Epidemic Intelligence Service at the Centers for Disease Control and Prevention where she chased outbreaks in maximum-security prisons, American Indian reservations, border towns and hospitals. Currently, Dr. Yasmin is a Stanford professor, medical analyst for CNN and science correspondent for Conde Nast Entertainment. Find her at seemayasmin.com, Twitter @DoctorYasmin and Instagram: @drseemayasmin. Aracelis Girmay is the author of three books of poems: the black maria (BOA, 2016); Teeth (Curbstone Press, 2007), winner of a GLCA New Writers Award; and Kingdom Animalia (BOA, 2011), the winner of the Isabella Gardner Award and finalist for the National Book Critics Circle Award and the Hurston/Wright Legacy Award. Girmay currently serves as the Margaret Bundy Scott Professor in the English Department. George Abraham is a Palestinian-American poet, educator, and engineer who grew up on unceded Timucuan lands. They are the author of their debut collection Birthright, winner of the Big Other Book Award, finalist for the Lambda Literary Award in Bisexual Poetry, and was named on Best of 2020 lists with The Asian American Writers' Workshop and The New Arab. Janice Lobo Sapigao (she/her) is a daughter of immigrants from the Philippines, and the author of two books of poetry: microchips for millions and like a solid to a shadow. She's been profiled in Content Magazine, Mercury News, SF Gate, and Metro Silicon Valley. Her work has appeared in literary magazines such as Apogee Journal, Entropy, The Offing, poets.org, Split This Rock's Poem-of-the-Week, and Waxwing Literary Journal. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNext. https://joseolivarez.com/ YaliniDream is a touring performing artist, organizer, somatics practitioner, and consultant with over twenty years' experience using artistic tools for healing, organizing, and dignity with communities contending with violence and oppression. Watch the live event recording: https://youtu.be/QPIZZhVeTGY Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

A critical mass of six Hive members buzz in to this episode to share new poems. Victoria Bañales teaches English at Cabrillo College, is founder and editor of Journal X, and a member of the Writers of Color Collective-Santa Cruz County. Her writing has appeared in various anthologies and journals, including The Acentos Review, Cloud Women's Quarterly, North Dakota Quarterly, and more. She is the recipient of the 2020 Porter Gulch Review Best Poetry Award and 2017 EOPS Instructor of the Year Award. She lives in Watsonville, CA. https://www.cabrillo.edu/journal-x/ http://writersofcolorsantacruz.org/ Nikia Chaney is the author of us mouth (University of Hell Press, 2018) and two chapbooks, Sis Fuss (2012, Orange Monkey Publishing) and ladies, please (2012, Dancing Girl Press). She has served as Inlandia Literary Laureate (2016-2018). She is founding editor of shufpoetry, an online journal for experimental poetry, and founding editor of Jamii Publishing, a publishing imprint dedicated to fostering community service among poets and writers. She has been published in the Portland Review, Welter, Vinyl, Saranac Review, Kweli, 491, and Apogee. She teaches at Cabrillo College in Santa Cruz. http://www.nikiachaney.com Julia Chiapella's poetry has appeared or is forthcoming in Avatar Review, I-70 Review, The MacGuffin, Midwest Quarterly, Perceptions Magazine, phren-Z and The Wax Paper. She is the retired director of the Young Writers Program, which she established in 2012, opening an after-school writing lab and adjacent gallery at the Santa Cruz Museum of Art & History. She received the Gail Rich Award in 2017 for creative contributions to Santa Cruz County. Farnaz Fatemi's manuscript, Sister Tongue, was a finalist for the X. J. Kennedy Poetry Prize and the Catamaran Literary Reader Poetry Prize, and is out in the world finding its long-term home. You can find her work in several anthologies including The BreakBeat Poets Vol. 3: Halal If You Hear Me and How to Love the World: Poems of Gratitude and Hope, and numerous journals. Farnaz taught Writing at the University of California, Santa Cruz, for over 20 years. http://www.farnazfatemi.com Julie Murphy's poems appear or are forthcoming in The Atlanta Review, The Buddhist Poetry Review, CALYX, Massachusetts Review, The Louisville Review, and The New Ohio Review Online among other journals and anthologies. A licensed psychotherapist, Julie developed Embodied Writing™. She hosts radio programs for the Hive Poetry Collective on KSQD. She is a founding member of the Right to Write Press and teaches poetry, as a volunteer, at Salinas Valley State Prison. Julie lives in Santa Cruz County, California. www.juliemurphy.org Dion O'Reilly's prize-winning debut book, Ghost Dogs, was published in February 2020 by Terrapin Books. Her work appears in American Journal of Poetry, Cincinnati Review, Narrative, The New Ohio Review, The Massachusetts Review, New Letters, Rattle, The Sun, and other literary journals and anthologies. She teaches ongoing workshops on Zoom, and soon, maybe, in her artsy messy house. dionoreilly.wordpress.com

Join Stand with Kashmir and Haymarket Books for a collaborative event series uplifting the work of artists and activists fighting for self-determination and abolition in the face of police brutality, militarism, and settler-colonialism. We will celebrate transnational and inter-movement resistance, exploring both the similarities between the different movements and the aspects that make each unique in its way. We will feature activists, artists and scholars from each movement to tell their story of resistance and resilience, and to strengthen solidarity across borders Participants: Ahmer is a prolific rapper and producer from Srinagar, Kashmir. Since a young age, Ahmer has been acutely aware of the violence that plagues that valley, and his lyrics reflect a self-critical and self-aware artist that is trying to make sense of one of the most complex issues of our time. By diving deep into his and his family's history in the valley. https://azadirecords.com/artist/ahmer/ Destiny Harris is a Black, queer abolitionist and organizer from the west side of Chicago. She is a sophomore, sociology major at Howard University. She believes in the power of grassroots organizing as a vehicle to building collective power and achieving liberation throughout the diaspora. Her work is at the intersection of abolition, anti-war, anti-militarism and environmental liberation. Destiny believes in the power of storytelling, poetry and culture as means of mobilization that should always be driving our movements. She has organized all throughout the city on campaigns like #DefundCPD, #CopsOutCPS and the #NoCopAcademy campaign which aimed to combat the narrative that our communities need police. She is currently a member of Dissenters. Destiny is now working around environmental liberation with Generation Green. Uzma Falak is a DAAD doctoral fellow at the Department of Anthropology, University of Heidelberg. Her work has appeared in The Economic and Political Weekly, Al Jazeera, Warscapes, The Caravan, Himal Southasian, Anthropology and Humanism, The Electronic Intifada, and anthologies like Of Occupation and Resistance, Gossamer: An Anthology of Contemporary World Poetry, among others. Her film ‘Till then the Roads Carry Her' has been screened at numerous film festivals. She was an invited artist-scholar at Warwick's Tate Exchange, 2018 (Tate Modern, London). Her ethnographic poem ‘Point of Departure' won an Honourable Mention in the Society for Humanistic Anthropology's 2017 Ethnographic Poetry Award. Tommy “Teebs” Pico is a poet, podcaster, and tv writer. He is author of the books IRL, Nature Poem, Junk, Feed, and myriad keen tweets including “sittin on the cock of the gay.” Originally from the Viejas Indian reservation of the Kumeyaay nation, he now splits his time between Los Angeles and Brooklyn. He co-curates the reading series Poets with Attitude, co-hosts the podcast Food 4 Thot and Scream, Queen! is poetry editor at Catapult Magazine, writes on the FX show Reservation Dogs, and is a contributing editor at Literary Hub. https://tommy-pico.com/ Jamila Woods is an activist, award-winning poet, and singer/songwriter whose inspirations include Gwendolyn Brooks and Toni Morrison, as well as Erykah Badu and Kendrick Lamar. As a solo artist, she specializes in an accessible yet non-commercial form of R&B that is rooted in soul and wholly modern, which can be heard on her albums HEAVN (2016) and LEGACY! LEGACY! (2019). She is also the co-editor of The BreakBeat Poets Vol. 2: Black Girl Magic. https://www.jamila-woods.com/ This event is sponsored by Haymarket Books and Stand with Kashmir. Watch the live event recording: https://youtu.be/YXf1wQ0ZWOM Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

This is the third and final in a series of events curated by Cortney Lamar Charleston in collaboration with The BreakBeat Poets and Haymarket Books, to celebrate the release of his new collection, Doppelgangbanger. Poets: Cortney Lamar Charleston is originally from the Chicago suburbs. He completed his undergraduate education at the University of Pennsylvania, earning a BS in Economics from the Wharton School and BA in Urban Studies from the College of Arts & Sciences. While attending Penn, he was most interested in the business as a political entity, the relationship between the public and private sectors and the physical and sociological construction of cities. It was during his college years that he began writing and performing poetry as a member of The Excelano Project. Charleston's academic interests, coupled with his upbringing spent bouncing between Chicago's South Side and its South and West suburbs, immediately influence his written work. Charleston's poems paint themselves against the backgrounds of past and present; they grapple with race, masculinity, class, family, faith and how identity is, functionally, a transition zone between all of these competing markers. Said differently, his poetry is a kind of marriage between art and activism, a call for a more involved and empathetic understanding of the diversity of the human experience. This same line of thought frames his philosophy as Poetry Editor at The Rumpus. He also currently serves on the Alice James Books Editorial Board. Julian Randall is a Living Queer Black poet from Chicago. He has received fellowships from Cave Canem, CantoMundo, Callaloo, BOAAT, Tin House, Milkweed Editions, and The Watering Hole. Julian is the recipient of a Pushcart Prize. Julian is the winner of the 2019 Betty Berzon Emerging Writer Award from the Publishing Triangle and the 2019 Frederick Bock Prize. His poetry has been published in New York Times Magazine, Ploughshares, and POETRY and anthologized in The Breakbeat Poets Vol.4, Nepantla and Furious Flower. He has essays in Vibe, Black Nerd Problems, and other venues. He holds an MFA in Poetry from Ole Miss. He is the author of Refuse (Pitt, Fall 2018), winner of the 2017 Cave Canem Poetry Prize, and a finalist for a 2019 NAACP Image Award, the Middle Grade novel Pilar Ramirez And The Prison of Zafa (Holt, Winter 2022). He talks a lot about poems and other things on Twitter at @JulianThePoet. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhere. Watch the live event recording: https://youtu.be/d7eErci3NLs Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Are you ready to celebrate Janel Pineda's Lineage of Rain? With special guests: Kay Ulanday Barrett, féi hernandez, Vanessa Angélica Villareal AND Jihyun Yun?! Hosted by José Olivarez?! Y'all: get ready for the real. ---------------------------------------------------- Speakers: Janel Pineda is a Los-Angeles born Salvadoran poet and educator. She has performed her poetry internationally in both English and Spanish, and been published in LitHub, PANK, The BreakBeat Poets, Vol. 4: LatiNext, and The Wandering Song: Central American Writing in the U.S. among others. As a Marshall Scholar, she holds an MA in Creative Writing and Education from Goldsmiths, University of London. Janel's debut poetry chapbook, Lineage of Rain, is forthcoming from Haymarket Books. Kay Ulanday Barrett is a poet, performer, and cultural strategist. Barrett's latest book More Than Organs received a 2021 Stonewall Honor Book Award in Literature by the American Library Association. They have featured at The Lincoln Center, The U.N., Symphony Space, The Poetry Project, Princeton University, NYU, The Dodge Poetry Foundation, The Hemispheric Institute, and Brooklyn Museum. They've received fellowship invitations from MacDowell, Lambda Literary, Drunken Boat, VONA, The Home School, VCCA, Monson Arts, and Macondo. They are a 3x Pushcart Prize nominee and 2x Best of the Net nominee. They have written two poetry books, When The Chant Comes (Topside Press, 2016) and More Than Organs (Sibling Rivalry Press, 2020). They currently reside in NYC/NJ and remix their mama's recipes with the company of their jowly dog. féi hernandez (b.1993 Chihuahua, México) is an Inglewood-raised immigrant trans non-binary visual artist, writer, and healer. Currently, they are the President of the Advisory Board for Gender Justice Los Angeles. They have been published in Poetry, Oxford Review of Books, Frontier, NPR's Code Switch, BreakBeat Poets Volume 4: LatiNEXT, PANK Magazine amongst others. féi is the author of Hood Criatura (Sundress Publications, 2020). Vanessa Angélica Villarreal was born in the Rio Grande Valley to Mexican immigrants. She is the recipient of a 2019 Whiting Award and the author of the award-winning collection Beast Meridian (Noemi Press, Akrilica Series, 2017), a 2019 Kate Tufts Discovery Award finalist, and winner of the John A. Robertson Award for Best First Book of Poetry from the Texas Institute of Letters. Her work has appeared in the New York Times, Paris Review, Boston Review, Los Angeles Review of Books, the Rumpus, the Academy of American Poets' Poem-a-Day, Buzzfeed Reader, and Poetry Magazine, where her poem “f = [(root) (future)]” was honored with the 2019 Friends of Literature Prize. Find her on Twitter @Vanessid. Jihyun Yun is a Korean American poet from the San Francisco Bay Area. Winner of the 2019 Prairie Schooner Prize in poetry, her debut collection Some Area Always Hungry [an urgently beautiful collection] was published by University of Nebraska Press in September 2020. Her work has appeared in Best New Poets, Adroit, Narrative Magazine and elsewhere. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. Watch the live event recording: https://youtu.be/Tz02p_U9-g4 Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

The BreakBeat Poets Live! is a virtual, multi-generational showcase of some of the illest writers on the planet rock. Each chapter features writers and performers who are part of the Haymarket Books family. While all of our events are freely available, we ask that those who are able make a solidarity donation in support of our continuing to do this important work. Penelope Alegria is the 2019 Chicago Youth Poet Laureate and a two-time member of Young Chicago Authors' artistic apprenticeship, Louder Than a Bomb Squad. Her work has been featured or is forthcoming in La Nueva Semana, El Beisman, Muse/A Journal, The Breakbeat Poets Vol. 4: LatiNext, as well as BBC Radio 4 and WBEZ Radio Archives. She is a Brain Mill Press Editor's Pick, and she was awarded the 2018 Literary Award by Julian Randall and both the 2019 and 2020 Poetry Award by the Niles West English Department. She has performed spoken word at the Obama Foundation Summit, Pitchfork Music Festival, and other venues in the Chicagoland area. She started at Harvard College in the fall of 2020. Nilah Foster is considered a part of the queer black youth that comes from the far south side of Chicago and represents it all with her pen. She was a Louder Than A Bomb Indy finalist of 2019 and Indy winner of 2020 which also allowed her to be a part of the bombsquad 2019 and 2020 cohort. But nothing serves a better medium of learning about her than from her writing where she interrogates her own truths and where she and the audience learn together. E'Mon Lauren is from the South Side of Chicago. She is a Scorpio enthusiast and a firm believer in Dorthy Dandridge reincarnation. E'mon uses poetry and playwriting to explore a philosophy of hood womanism. She was named Chicago's first Youth Poet Laureate. A former Kuumba Lynx Performance Ensemble slam team member and Louder Than a Bomb champion, E'mon has performed in many venues including The Brave New Voices International Youth Poetry Festival and The Chicago Hip Hop Theatre Fest. She was a 2016 finalist for The Gwendolyn Brooks Open Mic Award. E'mon has been published in The BreakBeat Poets: New American Poetry in the Age of Hip-Hop, The Down Dirty Word, and elsewhere. She has been featured in Chicago Magazine, The Chicago Tribune, and on WGN Radio. She is a member of Young Chicago Authors Teaching Artist Corps. José Olivarez is the son of Mexican immigrants. His book, Citizen Illegal, won of the 2018 Chicago Review of Books Poetry Prize and was named a top book of 2018 by NPR. ​He holds fellowships from CantoMundo, Poets House, and the Bronx Council on the Arts. Olivarez was awarded the Author and Artist in Justice award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. He is a recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. Jamila Woods is an activist, award-winning poet, and singer/songwriter whose inspirations include Gwendolyn Brooks and Toni Morrison, as well as Erykah Badu and Kendrick Lamar. As a solo artist, she specializes in an accessible yet non-commercial form of R&B that is rooted in soul and wholly modern, which can be heard on her albums HEAVN (2016) and LEGACY! LEGACY! (2019). She is also the co-editor of The BreakBeat Poets Vol. 2: Black Girl Magic. Kevin Coval is a poet and author of A People's History of Chicago and over ten other collections, anthologies, and chapbooks. ​He is the founder and editor of the BreakBeat Poets series for Haymarket Books, artistic director for Young Chicago Authors, and the founder of Louder than a Bomb: The Chicago Youth Poetry Festival. Watch the live event recording: https://youtu.be/NPvZi_3U_ZE Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

The Root Slam presents an all Black Latinx book release celebrating The BreakBeat Poets Vol. 4: LatiNext. Featuring performances by Elizabeth Acevedo, Nicole Sealey, John Murillo, Julian Randall, and Jennifer Falú and co-hosted by Gabriel Cortez and Tianna Bratcher. Featuring: ELIZABETH ACEVEDO NICOLE SEALEY JOHN MURILLO JULIAN RANDALL JENNIFER FALU TIANNA BRATCHER GABRIEL CORTEZ -------------------------------------------------------------------- The mission of The Root Slam is to create an inclusive, socially just space to promote the artistic growth of the Bay Area poetry community. We are guided by values centering the voices of Black, indigenous, and people of color artists; queer, trans, gender non-conforming, and women poets; working class/low-income, disabled, im/migrant and undocumented folks. For more, follow @TheRootSlam on Facebook, IG, and Twitter www.RootSlam.org

Editors José Olivarez and Willie Perdomo will be joined by special guests Diannely Antigua, Rigoberto González, Janel Pineda, and Raquel Salas Rivera, for an event to launch the new anthology The BreakBeat Poets Vol. 4: LatiNext. In the dynamic tradition of the BreakBeat Poets anthology, The BreakBeat Poets Vol. 4: LatiNext celebrates the embodied narratives of Latinidad. Poets speak from an array of nationalities, genders, sexualities, races, and writing styles, staking a claim to our cultural and civic space. Like Hip-Hop, we honor what was, what is, and what's next. Get the book: www.haymarketbooks.org/books/1491-the-breakbeat-poets-vol-4 Watch the live event recording: https://youtu.be/MIBC7OtkrkA Buy books from Haymarket: haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Hosted by Kevin Coval and Idris Goodwin, The BreakBeat Poets Live is a virtual, multi-generational showcase of some of the illest writers on the planet rock. Each chapter features writers and performers who are part of the Haymarket Books family. --- Kevin Coval is a poet and author of A People's History of Chicago and over ten other collections, anthologies, and chapbooks. ​He is the founder and editor of the BreakBeat Poets series for Haymarket Books, artistic director for Young Chicago Authors, and the founder of Louder than a Bomb: The Chicago Youth Poetry Festival. --- Idris Goodwin is the playwright, producer, educator, who coined the term “breakbeat poet.” He is the author of Can I Kick It? and the Pushcart–nominated collection These Are the Breaks. His publications also include Inauguration, cowritten with Nico Wilkinson, and Human Highlight: An Ode to Dominique Wilkins and This Is Modern Art, both cowritten with Kevin Coval. --- Comprised of two gifted musicians, The O'My's channel their experiences and perspective into gritty, polished music that grabs listeners with its sound, and holds them with its content. Nick Hennessey and Maceo Vidal-Haymes, two Chicago natives, man the keys and guitar respectively, with Maceo handling vocal duties. --- Penelope Alegria is the Chicago Youth Poet Laureate for 2019-2020 and a two-time member of Young Chicago Authors' artistic apprenticeship. Her work has been featured or is forthcoming in La Nueva Semana, Muse/A Journal, The Breakbeat Poets Vol. 4: LatiNEXT, and elsewhere. She is a Brain Mill Press Editor's Pick and was awarded the 2018 Literary Award by Julian Randall. --- Tarfia Faizullah is the author of two poetry collections, Registers of Illuminated Villages (Graywolf 2018) and Seam (SIU 2014). The recipient of a Fulbright fellowship, three Pushcart prizes, and other honors, Tarfia has been featured in periodicals, magazines, and anthologies both here and abroad. --- Krista Franklin is a writer and visual artist, the author Too Much Midnight (Haymarket Books, 2020), the artist book Under the Knife (Candor Arts, 2018), and the chapbook Study of Love & Black Body (Willow Books, 2012). She is a recipient of the Joan Mitchell Foundation Painters and Sculptors Grant, and a frequent contributor to the projects of fellow artists. Her visual art has exhibited at Poetry Foundation, Konsthall C, Rootwork Gallery, Museum of Contemporary Photography, Studio Museum in Harlem, Chicago Cultural Center, National Museum of Mexican Art, and the set of20th Century Fox's Empire. --- chicago born and raised, roy kinsey is a bit of an anomaly when it comes to tradition in his respective industries. where being a black, queer-identified, rapper, and librarian may be an intimidating choice for some, roy kinsey's non-conformist ideology has informed his 4th album, and self proclaimed, “best work yet,” blackie: a story by roy kinsey. --- Willie Perdomo is the author of The Crazy Bunch, which recently won the New York City Book Award for poetry, The Essential Hits of Shorty Bon Bon, a finalist for the National Book Critics Circle Award, Smoking Lovely, winner of the PEN Open Book Award, and Where a Nickel Costs a Dime, a finalist for the Poetry Society of America Norma Farber First Book Award. He is also a co-editor of the BreakBeat Poetry Series anthology, LatiNext. Watch the live event recording: https://youtu.be/BbAovRbt6Zw Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

The BreakBeat Poets Live! is a virtual, multi-generational showcase of some of the illest writers on the planet rock. Each chapter features writers and performers who are part of the Haymarket Books family. Mixing lofi soul instrumentals with funk influences and smooth vocals. Elton Aura has a unique knack for words, flow, and beat selection. He opened up for Noname on her Room 25 tour in 2019 and is in the later stages of his next project coming in 2020. Cortney Lamar Charleston is a Cave Canem fellow and Pushcart Prize-winning author of Telepathologies (Saturnalia Books, 2017) and the forthcoming Doppelgangbanger (Haymarket Books, 2021). Aracelis Girmay is the author of the poetry books Teeth, Kingdom Animalia, and the black maria, and the picture book changing, changing. She is on the editorial board of the African Poetry Book Fund and recently edited a new Selected of Lucille Clifton poems entitled How to Carry Water. --- Juan J. Morales is the son of an Ecuadorian mother and Puerto Rican father. He is the author of three poetry collections, including The Handyman's Guide to End Times, Winner of the 2019 International Latino Book Award. He is a CantoMundo Fellow, a Macondo Fellow, the Editor/Publisher of Pilgrimage Press, and Professor and Department Chair of English & World Languages at Colorado State University-Pueblo. --- José Olivarez is the son of Mexican immigrants. His book, Citizen Illegal, won of the 2018 Chicago Review of Books Poetry Prize and was named a top book of 2018 by NPR. ​He holds fellowships from CantoMundo, Poets House, and the Bronx Council on the Arts. Olivarez was awarded the Author and Artist in Justice award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. He is a recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. --- Willie Perdomo is the author of The Crazy Bunch, which recently won the New York City Book Award for poetry, The Essential Hits of Shorty Bon Bon, a finalist for the National Book Critics Circle Award, Smoking Lovely, winner of the PEN Open Book Award, and Where a Nickel Costs a Dime, a finalist for the Poetry Society of America Norma Farber First Book Award. He is also a co-editor of The BreakBeat Poets Vol. 4: LatiNext. His work has appeared in The New York Times Magazine, Poetry, The Best American Poetry 2019, and African Voices. He is currently a Lucas Arts Literary Fellow and teaches at Phillips Exeter Academy. --- Diamond Sharp is a poet and essayist from Chicago. She has performed at Chicago's Stage 773 and her work has been featured on Chicago Public Radio. She has been published in the New York Times Magazine, New York Magazine, Vice, Pitchfork, Lenny, PANK, and others. A Callaloo fellow, she has also attended the Wright/Hurston workshop and is a member of the inaugural Poetry Foundation Incubator class. Her debut book of poetry, Super Sad Black Girl, is forthcoming from Haymarket Books. Diamond is an alumna of Wellesley College. Watch the live event recording: https://youtu.be/9fyjCPbIKCM Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Join hosts Chibbi and Raqui as we welcome José Olivarez to the Words and Sh*t stage! Streaming Live on The Blah Poetry Spot's page, tune in to get to know the person behind the poetry! José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhere.

In This Episode:    Athena Dixon is a poet, essayist, and editor. She is the author of The Incredible Shrinking Woman and No God in This Room. Her work also appears in The BreakBeat Poets Vol. 2: Black Girl Magic.   Athena's work has appeared in various publications including GAY Magazine and Narratively. She is founder of Linden Avenue Literary Journal, which she launched in 2012, and the co-host of the New Books in Poetry Podcast. She lives in Philadelphia.   When she's not publishing her own work, Athena helps businesses and authors edit their work – both for quality, and by providing “sensitivity reading” which helps them hone their marketing in a way that promotes equality, and fights discrimination and stereotypes.    In this episode, we cover a wide range of valuable topics like getting your prose published, what to do FIRST if you're just launching your writing career, and the raw truth about what it takes to make it as a professional writer.    Episode Highlights   The step-by-step process Athena used to find and land her publisher Demystifying the “romantic writer's life” with the truth about a professional writer's day to day How Athena supports her “ideal writer's life”  financially  Why she recommends NOT writing every single day  What to do FIRST if you want to build a career in editing or professional prose The biggest mistakes new writers make when pricing their services How to package up editing services so they're a “no brainer” for clients to say yes to Athena's advice for helping business owners market with equality and inclusion in mind How the publishing industry can make more room for smaller presses and authors   And plenty more along the way. Get the resources mentioned in this episode below.  

Poet, storyteller, and essayist Roberto Carlos Garcia is a self-described “sancocho […] of provisions from the Harlem Renaissance, the Spanish Poets of 1929, the Black Arts Movement, the Nuyorican School, and the Modernists.” Garcia is rigorously interrogative of himself and the world around him, conveying “nakedness of emotion, intent, and experience,” and he writes extensively about the Afro-Latinx and Afro-diasporic experience. Roberto's third collection, [Elegies], is published by Flower Song Press and his second poetry collection, black / Maybe: An Afro Lyric, is available from Willow Books.  Roberto's first collection, Melancolía, is available from Červená Barva Press. His poems and prose have appeared or are forthcoming in POETRY Magazine, The BreakBeat Poets Vol 4: LatiNEXT, Bettering American Poetry Vol. 3, The Root, Those People, Rigorous, Academy of American Poets Poem-A-Day, Gawker, Barrelhouse, The Acentos Review, Lunch Ticket, and many others. He is founder of the cooperative press Get Fresh Books Publishing, A NonProfit Corp. A native New Yorker, Roberto holds an MFA in Poetry and Poetry in Translation from Drew University, and has been nominated for a Pushcart Prize. www.robertocarlosgarcia.com Instagram: @robertobelike Twitter: @Thespokenmind  Bookstores where you can find Roberto's books: Word Up Books www.wordupbooks.com The Lit Bar: http://www.thelitbar.com/ inyaddyswords.co IG & Twitter: @yaddyv_____

Kathryn H. Ross has found a balance. Between past and present. Between self and ancestors. Between self-discovery and continuous growth. In her hybrid collection, Black Was Not a Label, Ross invites readers into a life unfurling. Through the lenses of natural hair, faith, and microaggressions, she lights a path to what it means to seek self while still honoring the past lives, personal and historical, that connect us all. Black Was Not a Label (Pronto, 2019) is as soft as it is sharp. Ross is a writer of humanness, one who finds more interest in what we feel than theme. Yet, even in this general warmth, she manages to hone in on topics that have rippled throughout generations. Readers are not allowed to look away from the sometimes ingrained expectations of assimilation nor are we allowed to put down the weight of all that came before us. What she gives us in this collection are the means to carry it with grace and the hope it will become a little lighter. Kathryn Ross is a Southern California based writer and editor. Her works of fiction, nonfiction, and poetry have previously appeared in Sybil Literary Journal, MORIA Literary Magazine, Linden Avenue, and Crack the Spine. She is a columnist at Pasadena Now where she writes about race and culture and a poetry and essay reviewer for Whale Road Review and The Rumpus, respectively. She completed her MA in English and Creative Writing at Azusa Pacific University and loves cats, baths, and rose slushies. Athena Dixon is a NE Ohio native, poet, essayist, and editor. Her essay collection, The Incredible Shrinking Woman, is forthcoming from Split/Lip Press (2020). Athena is also the author of No God in This Room, a poetry chapbook (Argus House Press). Her poetry is included in The BreakBeat Poets Vol. 2: Black Girl Magic (Haymarket Books). Learn more at www.athenadixon.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Cornerstore spoke with José Olivarez & Willie Perdomo, 2 editors of The Breakbeat Poets Vol. 4: LatiNext, about their current experience with releasing this new anthology into the world right now. José & Willie also express what kind of conversations they hope this book will cause; what it was like working so closely together; […]

The Cornerstore spoke with José Olivarez & Willie Perdomo, 2 editors of The Breakbeat Poets Vol. 4: LatiNext, about their current experience with releasing this new anthology into the world right now. José & Willie also express what kind of conversations they hope this book will cause; what it was like working so closely together; and much more. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app