American actress and dancer
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6 episodes with Kelly Bishop
3 episodes with Kelly Bishop
2 episodes with Kelly Bishop
4 episodes with Kelly Bishop
3 episodes with Kelly Bishop
2 episodes with Kelly Bishop
2 episodes with Kelly Bishop
Special Guest: Actor Matthew Amira (@MatthewAmira)Spending the summer at a Catskills resort with her family, Frances "Baby" Houseman falls in love with the camp's dance instructor, Johnny Castle.Director: Emile ArdolinoCast: Patrick Swayze, Jennifer Grey, Jerry Orbach, Kelly Bishop, Cynthia Rhodes=====Follow The Tracklist on Instagram @tracklistshowFollow Chris Saunders on Instagram @chrissaunders_musicFollow Daron Jenkins on Instagram @thedaronjenkins=====Support the podcast - Grab one of our stylish Hoodies or T-Shirts!Visit our Merch Shop: https://tracklist-shop.fourthwall.com
After a little Mandela Effect talk, Indy recommends the very Canadian and very hockey TV show Shoresy, Samantha reviews Kelly Bishop's memoir The Third Gilmore Girl, and we preview next week's big watch Friday! I Love This You Should Too is hosted by Samantha and Indy Randhawa
Here's what we're reading, recommending, and revisiting this week.Catherine's library find is perfect for the cat-lover in your life: A History of Art in 21 Cats by Nia Gould. We also suggest visiting the author's site for more cat goodies and the cutest cursor we've seen on the World Wide Web.Terri's random recommendation this week is also a book: Kelly Bishop's memoir, The Third Gilmore Girl. Terri found it made for a delightful afternoon of listening. And, in an update from a few weeks ago, she's got a new answer to the question "What is AI good for?" Mentioned: Past library find All the Beauty in the World, Hallmark (or Hallmark-ish) movies Love Struck Café and Cloudy with a Chance of Christmas.In the archives, we checked in on an episode from 2021 on saying yes to saying no (and which of us is the naysayer in our household).Next week's lineup: Lost S2 E14, "One of Them," on Tuesday, March 25Running Point S1 E1, "Pilot," on Wednesday, March 26Weekly roundup on Thursday, March 27Until then (and anytime you're in need), the archives are available.
Have you ever wondered how to live a life fully aligned with your soul's purpose? In this heartfelt episode, Kelly Bishop, known as "The Third Gilmore Girl," shares her journey of living a spirit-driven life, filled with divine synchronicities and intuitive guidance. We explore how her connection to spirituality has shaped her creative career, her personal growth, and her relationships. Kelly opens up about trusting the universe, embracing soul-aligned decisions, and finding miracles in everyday moments. Tune in to discover how you, too, can awaken your inner wisdom and step into a life led by spirit. You can start the Angel Membership anytime—and there's no better time than now! This month, we're working on the course "You Can Heal Your Life," designed to help you release past hurts and step into your power. Next month, we'll dive into a course that explores spiritual gifts, helping you discover exactly which spiritual gift you might have and how to use them in the world! Angel Membership ✨ The Angel Membership is your pathway to a life aligned with your angels' guidance. Each month, you'll receive a new course, join live weekly events, and connect with a supportive community. Transform your life with the loving guidance of your angels!
Kelly Bishop, legend of stage, screen, chorus lines and iconic television joins us to talk about her magnificent book, The Third Gilmore Girl! Kelly's media path took her from Broadway dancer to a Tony winning performance in A Chorus Line to her partial culpability for putting Baby in a corner in Dirty Dancing to Friday night dinners with Lorelei and Rory as Emily Gilmore. And the journey continues… As Kelly's book and this conversation reveal, she did it all with grace, charm, dedication, diligence and humility.First, we speak with singer/actor Sam Harris, whose rocket ride aboard starship Star Search launched him into millions of living rooms with his celestial rendering of Over the Rainbow. After battling Covid related vocal issues, Sam is readying his triumphant return in a stage show he calls, Beyond The Rainbow. Sam and Fritz discuss their shared history at a little Santa Monica nightclub called The Horn where they honed their crafts and were both discovered! Then Kelly Bishop tells us how her work ethic and confidence were shaped by a nurturing mother, who ran interference against her neglectful father, teaching her ballet and carving a path for her to reach for her dreams.Kelly shares how inspired she has been by show runners Amy Sherman and Dan Palladino and how taking on the role of Emily Gilmore allowed her to explore the relationship she witnessed between her mother and her grandmother. She also talks tenderly about her love story with her husband, Journalist Lee Leonard, her surprisingly primal response to the death of her father and her treasured friendships with Amy Sherman-Palladino and Lauren Graham. Kelly also gives us some hints about the newest Palladino project, Etoile, which is coming soon to Prime. All this plus rounds of IMDB Roulette and Gilmore Girls Trivia!And in recommendations -Weezy: The Echo of Old Books by Barbara DavisFritz: Netflix Movie 'The Teacher's Lounge'Path Points of Interest:The Third Gilmore Girl by Kelly BishopKelly Bishop WikipediaKelly Bishop IMDBA Chorus Line on BroadwayKelly Bishop - At The BalletDirty Dancing The Gilmore GirlsGilmore Girls IMDBGilmore Girls Opening SongMedia Path Podcast"Emily Gilmore" Youtube PageSam Harrishttps://www.samharris.com/Sam Harris at the El Portal Theatrehttps://elportaltheatre.com/beyondtherainbow.htmlThe Teachers' Loungehttps://www.netflix.com/title/81725559The Echo of Old Books by Barbara Davishttps://www.amazon.com/Echo-Old-Books-Novel/dp/1542038162/
Today, I'm thrilled to announce my interview with Tony winner Kelly Bishop, whose memoir The Third Gilmore Girl is now out from Gallery Books. Tune in to hear some of the stories of her legendary career, including how A CHORUS LINE changed the trajectory of musical theater, how she ended up taking over for Stockard Channing in SIX DEGREES OF SEPARATION, how dying her hair led to her Broadway debut in GOLDEN RAINBOW, why she didn't prepare a Tonys acceptance speech, the miscasting that took place in ON THE TOWN, why PROPOSALS was a disappointing experience, breaking the fire code at the Public Theater, getting put into THE LAST NIGHT OF BALLYHOO, standing up to the creative team during RACHAEL LILY ROSENBLOOM…, why she loved her role in BECKY SHAW, going on the road with IRENE, and more. You won't want to miss this interview with one of stage and screen's best actresses.
In this TV Talk episode, Keith goes "TV adjacent" and talks about actor Kelly Bishop's new book, "The Third Gilmore Girl: A Memoir."
It's bookclub! Join us to hear what we thought about Kelly Bishop's book, The Third Gilmore Girl. Do you agree with us? Or do you have other thoughts? We want to hear...
On this episode of Currently Reading, Mary and Roxanna are sharing their favorite reads of 2024. We are excited to give them the reins for a full episode, and they bring some awesome reads for you to add to your TBR! Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site) . . . . 1:24 - Mary and Roxanna's Reading Year In review 2:06 - Mary read 84 books in 2024, 59% print, 24% digital, 17% audio 2:54 - Mary read 71% adult, 16% middle grade, 7% young adult and 6% new adult 4:29 - Currently Reading Patreon 7:45 - Roxanna read 70 books in 2024, 19 were 5-star reads. 8:18 - Roxanna read 81% fiction, 19% nonfiction 9:09 - Both Mary and Roxanna want to increase their POC/Diverse reads im 2025. 10:48 - Mary and Roxanna's Top Reads of 2024 10:57 - The Hotel Nantucket by Elin Hilderbrand (Roxanna #10) 12:15 - The Homewreckers by Mary Kay Andrews 13:23 - The Millicent Quibb School of Etiquette for Young Ladies of Mad Science by Kate McKinnon (Mary #10) 14:39 - Emily Wilde's Encyclopaedia of Faeries by Heather Fawcett 15:22 - Hotline by Dimitri Nasrallah (Roxanna #9) 16:51 - How Not to Drown in a Glass of Water by Angie Cruz 17:45 - Death in the Dark Woods by Annelise Ryan (Mary #9) 17:51 - A Death in Door County by Annelise Ryan 20:33 - The Ten Thousand Doors of January by Alix E. Harrow (Roxanna #8) 21:13 - The Last Dragoners of Bowbazar by Indra Das 23:52 - Cabin: Off the Grid Adventures with a Clueless Craftsman by Patrick Hutchison (Mary #8) 26:27 - It's Easier than you Think by Sylvia Boorstein (Roxanna #7) 30:18 - A Bit Much by Lyndsay Rush (Mary #7) 30:56 - @maryoliversdrunkcousin on Instagram 31:19 - Winter Hours by Mary Oliver 32:03 - Fellowship Point by Alice Elliott Dark (Roxanna #6) 34:58 - The Lost Story by Meg Shaffer (Mary #6) 35:09 - The Wishing Game by Meg Shaffer 37:24 - Margot's Got Money Troubles by Rufi Thorpe (Roxanna #5) 40:05 - The Second Ending by Michelle Hoffman 41:52 - Heir by Sabaa Tahir (Mary #5) 43:47 - A Discovery of Witches by Deborah Harkness 46:44 - Burnout by Emily and Amelia Nagoski (Roxanna #4) 50:12 - The Wedding People by Alison Espach (Mary #4) 53:38 - In the Shadow of the Mountain by Sylvia Vasquez-Lovado (Roxanna #3) 54:02 - Into Thin Air by Jon Krakauer 54:04 - Finding Me by Viola Davis 57:00 - The Pumpkin Princess and the Forever Night by Steven Banbury (Mary #3) 58:59 - Be Ready when the Luck Happens by Ina Garten (Roxanna #2) 1:02:08 - The Third Gilmore Girl by Kelly Bishop 1:02:25 - The Baddest Bitch in the Room by Sophia Chang 1:04:36 - A Letter to the Luminous Deep by Sylvie Cathrall (Mary #2) 1:08:22 - Matrix by Lauren Groff (Roxanna #1) 1:08:39 - Search by Michelle Huneven 1:11:15 - Sandwich by Catherine Newman (Mary #1) Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. January's IPL is a special episode in partnership with All Things Murderful and a total mystery and thriller stack from Fabled Bookshop in Waco, Texas! Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business. All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!
Gilmore Girls was one of the first true binge worthy series that you could watch again and again. On this week's episodes, we are talking to the amazing Kelly Bishop (a/k/a Emily Gilmore). Kelly shares stories from her new Memoir: The Third Gilmore Girl. From her Tony Award winning time in the original A Chorus Line to Gilmore Girls and her personal journey, Kelly has so many stories to tell in her new book and she shares many of them with us. Show Notes/Links: www.hotflashescooltopics.com The Third Gilmore Girl: https://amzn.to/40eiBMU FOLLOW US ON: Instagram: https://www.instagram.com/hotflashesandcooltopics/ Youtube: https://www.youtube.com/channel/UC6ssWfO0qeZYEIs6TzrKBHQ Facebook: https://www.facebook.com/groups/657557054765087 Want to Leave a Review for Hot Flashes and Cool Topics? Here's How: For Apple Podcasts on an iPhone or iOS device: Open the Apple Podcast App on your device. Click on the “search” icon Type into the search bar “Hot Flashes and Cool Topics” and click on the show Towards the bottom, look for “Ratings and Reviews” Click on “Write a Review” and leave us your thoughts and comments! For Apple Podcasts on a computer: On the Apple Podcasts website, go to the search bar and type “Hot Flashes and Cool Topics” After clicking on the show, find the “Listen on Apple Podcasts” button and click on it The “Hot Flashes and Cool Topics” podcast should open on the Apple Podcasts application Keep scrolling on the page until you see “Ratings and Reviews” Click on “See All” If you want to give us a five-star rating, hover over the empty stars! If you want to leave your thoughts and comments, click on “Write a Review”!
Vamos às reviews relâmpago do que lemos de setembro a dezembro de 2024, na nossa escala habitual de Comprar, Kobo, e Cagar? Livros mencionados: - Os Detalhes, Ia Genberg (02:04) - All the Water in the World, Eiren Caffall (02:38) - A Novel Love Story, Ashley Poston (07:34) - A Malnascida, Beatrice Salvioni (08:16) - Just Last Night, Mhairi McFarlane (08:50) - Vista Chinesa, Tatiana Salem Levy (09:16) - Solitária, Eliana Alves Cruz (09:46) - Good Material (Bom Partido), Dolly Alderton (10:07) - I Love Dick, Chris Kraus (10:40) - And How Does That Make You Feel?: Everything You Never Wanted to Know About Therapy, Joshua Fletcher (11:05) - No Tempo das Cerejas, Célia Correia Loureiro (11:48) - The Weekend, Charlotte Wood (12:38) - Incidents Around the House, Josh Malerman (13:43) - This Summer Will Be Different (Este Verão Vai ser Diferente), Carley Fortune (14:40) - Triste Tigre, Neige Sinno (15:22) - Ariadne, Jennifer Saint (16:40) - Freckles, Cecelia Ahern (17:22) - Ruthless Vows (Promessas Cruéis), Rebecca Ross (18:11) - Um Lobo no Quarto, Valentina Silva Ferreira (19:02) - A Cicatriz, Maria Francisca Gama (19:52) - Deus Pátria Família, Hugo Gonçalves (20:02) - Elena Knows, Claudia Piñeiro (21:27) - Stay True (Lealdade), Hua Hsu (22:44) - Um Dedo Borrado de Tinta, Histórias de Quem Não Pôde Aprender a Ler, Catarina Gomes (23:50) - Intermezzo, Sally Rooney (25:15) - Hidden Pictures (Desenhos Ocultos), Jason Rekulak (25:51) - Brutes, Dizz Tate (26:48) - Savor It (Quando o Verão Terminar…), Tarah DeWitt (27:28) - Drive Your Plow Over the Bones of the Dead (Conduz o Teu Arado sobre os Ossos dos Mortos), Olga Tokarczuk (28:32) - The Bee Sting (A Picada de Abelha), Paul Murray (29:25) - Notes on Heartbreak (Notas sobre Corações Partidos), Annie Lord (29:49) - The Burnout, Sophie Kinsella (31:37) - Descansos, Susana Amaro Velho (31:53) - The Happy Couple (O Casal Feliz), Naoise Dolan (32:34) - The List, Yomi Adegoke (33:03) - Pequena Coreografia do Adeus & O Peso do Pássaro Morto, Aline Bei (34:32) - Nettle & Bone, T. Kingfisher (34:41) - The Third Gilmore Girl, Kelly Bishop (35:14) - The Vanishing Act of Esme Lennox (O Estranho Desaparecimento de Esme Lennox), Maggie O'Farrell (35:50) - Orbital, Samantha Harvey (36:29) - Diálogos Para o Fim do Mundo, Joana Bértholo (37:31) - The Ministry of Time (O Ministério do Tempo), Kaliane Bradley (37:57) - White Nights (Noites Brancas), Fyodor Dostoyevsky (38:21) - One Day in December (Um Dia em Dezembro), Josie Silver (38:53) - Graveyard Shift, M. L. Rio (39:27) - Demon Copperhead, Barbara Kingsolver (40:26) - We Used to Live Here, Marcus Kliewer (41:11) - Holiday Romance (Romance de Férias), Catherine Walsh (41:59) - A Origem dos Dias, Miguel D'Alte (42:38) - Snowed In, Catherine Walsh (43:02) - Ruído, Lisboa, uma cidade que não se cala, João Pedro Pincha (43:41) - Kiss Her Once for Me, Alison Cochrun (44:37) - Também os Brancos Sabem Dançar, Kalaf Epalanga (45:16) - The Fall of the House of Usher (A Queda da Casa de Usher), Edgar Allan Poe (45:56) - What Moves the Dead, T. Kingfisher (46:15) - A Sunny Place for Shady People (Um Lugar Luminoso para Gente Sombria), Mariana Enríquez (46:59) - There Are Rivers in the Sky, Elif Shafak (47:43) - Family Meal, Bryan Washington (48:07) - Querida Tia, Valérie Perrin (48:33) - The Wood at Midwinter, Susanna Clarke (49:07) - O Amor e Sua Fome, Lorena Portela (49:46) - Para Onde Vão os Guarda-Chuvas, Afonso Cruz (50:19) - Não Fossem as Sílabas do Sábado, Mariana Salomão Carrara (50:36) - Earth, John Boyne (51:06) - Melhor Não Contar, Tatiana Salem Levy (51:25) - Rodham, Curtis Sittenfeld (52:05) - A Educação Física, Joana Mosi (53:43) - Marigold e Rose, Louise Glück (54:23) ________________ Falem connosco: livratepodcast@gmail.com. Encontrem-nos em: www.instagram.com/julesdsilva // www.instagram.com/ritadanova Identidade visual: Mariana Cardoso (marianarfpcardoso@hotmail.com) Genérico: Vitor Carraca Teixeira (www.instagram.com/oputovitor)
The Third Gilmore Girl is the New York Times bestselling memoir from the award-winning actress, spanning her six decades in show business from originating the role of Sheila Bryant in A Chorus Line and her memorable performance as Jennifer Grey's mother in Dirty Dancing to her iconic turn as Emily Gilmore in “Gilmore Girls.” In conversation with Dana Bash, CNN's chief political correspondent, anchor of “Inside Politics with Dana Bash,” and co-anchor of “State of the Union.” This program was held on December 4, 2024.
This week, Alexis and Suzanne dive into a few books about Gilmore Girls, with contributions from some bookish creators. They discuss Lauren Graham's HAVE I TOLD YOU THIS ALREADY and Kelly Bishop's THE THIRD GILMORE, as well as the collection of essays edited by Ann Hood, LIFE'S SHORT, TALK FAST. They hear from Larissa (Eating Gilmore), Kristine (Gilmore Book Club), and Jules (The Literary Lifestyle). Each creator shares how Gilmore Girls has impacted their lives as readers. To interact with them, see the links below. Jules @therorygilmorebookclub The Literary Lifestyle The Rory Gilmore Book List The 2025 Rory Gilmore Reading Challenge Kristine @gilmorebookclub The Gilmore Book Club Resource Guide to the Rory Gilmore Reading Challenge Gilmore Book Club YouTube Larissa @eatinggilmore Eating Gilmore Blanket Fort Files Podcast The Gilmore Girls Episode Reading Challenge Rate and review us on Apple Podcasts, Spotify, or wherever you listen. Join us on Instagram and TikTok @talkingfastpodcast, and send your thoughts to talkingfastpodcast@gmail.com
In Episode 184, Susie (@NovelVisits) and I close out the year with our Best Books of 2024 Genre Awards. We reveal our Overall Best Books (Fiction and Nonfiction) and our full breakdown by genre, including: Best Literary Fiction, Best Romance, Best Brain Candy, Best Genre Mash-Up, and more! Plus, we're sharing the winners for these same genres as chosen by the Sarah's Bookshelves Live Patreon community! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Announcements My 2025 Reading Tracker is out! Plus, this year we've added another option — a LITE Tracker. Once again, the Tracker is ONLY available to Superstars patrons (i.e., no longer available as a separate purchase for $14.99 here on my website). Also, to avoid Apple's 30% fee, be sure to join directly from Patreon's site, mobile or desktop. Become a Superstars Patron here! Instructions for how to give an SBL Patreon membership as a gift. Highlights Podcast reflections from 2024 — including top episodes based on download stats. A brief overview of Susie's and Sarah's 2024 year in reading. Our favorite books of the year: overall and by genre, including the SBL Patreon Community's picks. 2024 Genre Awards [16:45] Sarah Leaving by Roxana Robinson | Amazon | Bookshop.org [16:52] Margo's Got Money Troubles by Rufi Thorpe | Amazon | Bookshop.org [21:21] Anna Bright is Hiding Something by Susie Orman Schnall | Amazon | Bookshop.org [24:12] The Sequel by Jean Hanff Korelitz | Amazon | Bookshop.org [28:42] The Wealth of Shadows by Graham Moore | Amazon | Bookshop.org [32:26] JFK Jr. by RoseMarie Terenzio and Liz McNeil | Amazon | Bookshop.org [36:25] Be Ready When the Luck Happens by Ina Garten | Amazon | Bookshop.org [40:42] How To End a Love Story by Yulin Kuang | Amazon | Bookshop.org [46:11] Real Americans by Rachel Khong | Amazon | Bookshop.org [50:46] Victim by Andrew Boryga | Amazon | Bookshop.org [57:26] The God of the Woods by Liz Moore | Amazon | Bookshop.org [59:40] Sipsworth by Simon Van Booy | Amazon | Bookshop.org [1:04:24] Nuclear War by Annie Jacobsen | Amazon | Bookshop.org [1:07:09] Same As It Ever Was by Claire Lombardo | Amazon | Bookshop.org [1:08:47] Susie Wolf at the Table by Adam Rapp | Amazon | Bookshop.org [17:59] Sandwich by Catherine Newman | Amazon | Bookshop.org [22:05] Interesting Facts About Space by Emily Austin | Amazon | Bookshop.org [25:42] What Happened to Nina? by Dervla McTiernan | Amazon | Bookshop.org [29:43] The Women by Kristin Hannah | Amazon | Bookshop.org [33:41] The Message by Ta-Nehisi Coates | Amazon | Bookshop.org [38:16] One Day I'll Grow Up and Be a Beautiful Woman by Abi Maxwell | Amazon | Bookshop.org [41:47] Funny Story by Emily Henry | Amazon | Bookshop.org [47:23] Beautyland by Marie-Helene Bertino | Amazon | Bookshop.org [51:54] The Familiar by Leigh Bardugo | Amazon | Bookshop.org [54:02] The Husbands by Holly Gramazio | Amazon | Bookshop.org [58:18] Wandering Stars by Tommy Orange | Amazon | Bookshop.org [1:00:14] Perris, California by Rachel Stark | Amazon | Bookshop.org [1:02:44] Liars by Sarah Manguso | Amazon | Bookshop.org [1:05:18] Nuclear War by Annie Jacobsen | Amazon | Bookshop.org [1:07:09] Patrons James by Percival Everett | Amazon | Bookshop.org [19:55] Margo's Got Money Troubles by Rufi Thorpe | Amazon | Bookshop.org [27:43] The God of the Woods by Liz Moore | Amazon | Bookshop.org [31:16] The Women by Kristin Hannah | Amazon | Bookshop.org [35:35] The Small and the Mighty by Sharon McMahon | Amazon | Bookshop.org [40:10] Be Ready When the Luck Happens by Ina Garten | Amazon | Bookshop.org[43:33] Funny Story by Emily Henry | Amazon | Bookshop.org [48:59] Annie Bot by Sierra Greer | Amazon | Bookshop.org [53:28] The Tainted Cup by Robert Jackson Bennett | Amazon | Bookshop.org [56;10] You Like It Darker by Stephen King | Amazon | Bookshop.org [56:39] Victim by Andrew Boryga | Amazon | Bookshop.org [58:58] Twenty-Four Seconds From Now by Jason Reynolds | Amazon | Bookshop.org [1:01:54] Piglet by Lottie Hazzell | Amazon | Bookshop.org [1:03:22] The Husbands by Holly Gramazio | Amazon | Bookshop.org [1:06:16] Other Books Mentioned Mercury by Amy Jo Burns [20:10] Tell Me Everything by Elizabeth Strout [20:13] All the Colors of the Dark by Chris Whitaker [20:27] The Wedding People by Alison Espach [20:37] We All Want Impossible Things by Catherine Newman [22:17] Bad Blood by John Carreyrou [24:27] She Said by Jodi Kantor and Megan Twohey [24:40] Mrs. Quinn's Rise to Fame by Olivia Ford [28:10] A Happier Life by Kristy Woodson Harvey [28:23] Good Material by Dolly Alderton [28:27] The Plot by Jean Hanff Korelitz [28:57] Nightwatching by Tracy Sierra [31:55] The Return of Ellie Black by Emiko Jean [32:00] Worst Case Scenario by T. J. Newman [32:05] Falling by T. J. Newman [32:20] Drowning by T. J. Newman [32:21] The Lion Women of Tehran by Marjan Kamali [36:03] Spare by Prince Harry [37:20] The Anxious Generation by Jonathan Haidt [40:00] Challenger by Adam Higginbotham [40:28] The Wives by Simone Gorrindo [44:46] Sociopath by Patric Gagne, Ph.D. [45:09] Consent by Jill Ciment [45:15] The Third Gilmore Girl by Kelly Bishop [45:21] Grief Is for People by Sloane Crosley [45:31] One Way Back by Christine Blasey Ford [45:34] Only Say Good Things by Crystal Hefner [45:43] There's Always This Year by Hanif Abdurraqib [45:48] People We Meet On Vacation by Emily Henry [47:10] Just for the Summer by Abby Jimenez [48:51] The Rom-Commers by Katherine Center [48:59] Love of My Afterlife by Kirsty Greenwood [49:02] Summer Romance by Annabel Monaghan [49:34] Slow Dance by Rainbow Rowell [49:44] The Other Valley by Scott Alexander Howard [53:47] The Book of Doors by Gareth Brown [56:12] Bride by Ali Hazelwood [56:27] Diavola by Jennifer Thorne [57:06] We Used to Live Here by Marcus Kliewer [57:11] Lula Dean's Little Library of Banned Books by Kirsten Miller [59:17] Colored Television by Danzy Senna [59:22] I Hope This Finds You Well by Natalie Sue [59:27] We Are Experiencing a Slight Delay by Gary Janneti [59:35] There There by Tommy Orange [1:00:27] Anita de Monte Laughs Last by Xochitl Gonzalez [1:01:40] When the World Tips Over by Jandy Nelson [1:01:59] Martyr! by Kaveh Akbar [1:03:35] Dixon, Descending by Karen Outen [1:03:56] How We Named the Stars by Andrés N. Ordorica [1:04:11] The Safekeep by Yael van der Wouden [1:04:21] Bear by Julia Phillips [1:06:18] The Ministry of Time by Kaliane Bradley [1:06:25] The Fury by Alex Michaelides [1:06:51] The Only Plane in the Sky by Garrett M. Graff [1:08:10] Demon Copperhead by Barbara Kingsolver [1:10:27] Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin [1:10:28] Top Podcast Episodes [4:40] Ep. 158: Best Books of 2023 Genre Awards with Susie (@NovelVisits) Ep. 160: The Best Backlist Books We Read in 2023 with Catherine (@GilmoreGuide) Ep. 159: Winter 2024 Book Preview with Catherine (@GilmoreGuide) Ep. 157: Best Books of 2023 Superlatives with Susie (@NovelVisits) Ep. 164: Winter 2024 Circle Back with Catherine (@GilmoreGuide) Ep. 163: Classics & Retellings 101 with Sara Hildreth (@FictionMatters) Ep. 156: 2023 State of the Industry with Sarah Landis (Literary Agent) Ep. 162: BookTok 101 with Leigh Stein (Author & Journalist) Ep. 178: Behind the Scenes of Amazon's Best Books Lists with Al Woodworth, Senior Editor & Manager of Amazon Books Editorial Ep. 179: From Corporate America to Indie Bookstore Owner with Gayle Weiswasser (Co-Founder of Wonderland Books) Ep. 167: Circling Back to 2018 in Books with Catherine (@GilmoreGuide)
Before Kelly Bishop found her way into our hearts as Emily Gilmore, she danced her way into history in Broadway's "A Chorus Line" and the movie "Dirty Dancing." Most recently, you might have seen her as Mrs. Ivey in Hulu's "The Watchful Eye."But chances are you probably recognize the Tony-Award winner from her role as the matriarch of Stars Hollow. She joins us to talk about her new memoir, "The Third Gilmore Girl."Want to support 1A? Give to your local public radio station and subscribe to this podcast. Have questions? Connect with us. Listen to 1A sponsor-free by signing up for 1A+ at plus.npr.org/the1a.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
This week on From the Front Porch, it's an episode of Annie Recommends! In this series, Annie curates a stack of books in a certain genre or theme for you – just as if you walked into our brick-and-mortar store, The Bookshelf. Sometimes, you just want a good book list. This month, Annie recommends a short list of her favorite nonfiction titles for November. To purchase the books mentioned in this episode, stop by The Bookshelf in Thomasville, visit our website (search “Episode 504” to find the books mentioned in this episode), or download and shop on The Bookshelf's official app: Circle of Hope by Eliza Griswold JFK, Jr. by Liz McNeil and RoseMarie Terenzio The Age of Magical Overthinking by Amanda Montell The Barn by Wright Thompson Congratulations! The Best Is Over by R. Eric Thomas From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram, Tiktok, and Facebook, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com. A full transcript of today's episode can be found here. Thank you to this week's sponsor, Thomasville, Georgia. There is something truly special about the holiday season in Downtown Thomasville. The twinkling lights, beautifully decorated store windows, and holiday events all add to the festive feeling of the season. Let us be your shopping and dining destination this holiday season, so spend Christmas in Thomasville with us. Activities are held every weekend leading up to Christmas, including this year's 38th Annual Victorian Christmas on December 12 and 13. Learn more by visiting thomasvillega.com or call 229-228-7977. Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations. This week, Annie is reading The Third Gilmore Girl by Kelly Bishop. If you liked what you heard in today's episode, tell us by leaving a review on Apple Podcasts. You can also support us on Patreon, where you can access bonus content, monthly live Porch Visits with Annie, our monthly live Patreon Book Club with Bookshelf staffers, Conquer a Classic episodes with Hunter, and more. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are...Jennifer Bannerton, Stephanie Dean, Linda Lee Drozt, Ashley Ferrell, Susan Hulings, Wendi Jenkins, Martha, Nicole Marsee, Gene Queens, Cammy Tidwell, and Amanda Whigham.
Summary "Team Logan." We welcome Helen Zaltzman of The Allusionist back on the show to discuss the incredible life and times of Kelly Bishop as laid out in her new memoir The Third Gilmore Girl. Also discussed: Bunheads, The Marvelous Mrs. Maisel, and Etoile. Show notes: Kelly Bishop as Sheila in A Chorus Line (TikTok) Recommendations: Lisa: Somebody Somewhere (Season 3) (Crave) Andrea G.: Culinary Class Wars (Netflix) Andrea W.: Terrarium by Matthew Walsh (book) Helen: Seigfried & Joy (Instagram account of magic act from Berlin) Music credits "Electrodoodle" by Kevin MacLeod From: incompetech.com Licensed under Creative Commons: By Attribution 3.0 License Theme song "Pyro Flow" by Kevin Macleod From: incompetech.com Licensed under Creative Commons: By Attribution 3.0 License "Good Times" by Podington Bear From: Free Music Archive Licensed under Creative Commons: By Attribution 3.0 License Pop This! Links: Pop This! on TumblrPop This! on iTunes (please consider reviewing and rating us!) Pop This! on Stitcher (please consider reviewing and rating us!) Pop This! on Google PlayPop This! on TuneIn radioPop This! on TwitterPop This! on Instagram Logo design by Samantha Smith Intro voiced by Morgan Brayton Pop This! is a podcast featuring three women talking about pop culture. Lisa Christiansen is a broadcaster, journalist and longtime metal head. Andrea Warner is a music critic, author and former horoscopes columnist. Andrea Gin is a producer and an avid figure skating fan. Press play and come hang out with your new best friends. Pop This! podcast is produced by Andrea Gin.
This episode of the Skift Meetings podcast tackles a pressing question: As much as our industry has become consumed with promoting wellness at events, are meetings actually integrating these practices? Skift Meetings editor Barbara Scofidio and executive editor Andrea Doyle are joined by Kelly Bishop, founder of Wellevate Experiences, to explore the gap between wellness ideals and real-world applications. Connect with Skift Meetings LinkedIn: https://linkedin.com/company/skift-meetings X: https://twitter.com/SkiftMeetings Facebook: https://facebook.com/skiftmeetings Instagram: https://www.instagram.com/skiftmeetings/ Subscribe to @Skift Meetings to discover the future of meetings.
A candid and captivating memoir from award-winning and beloved actress Kelly Bishop, spanning her six decades in show business from Broadway to Hollywood with A Chorus Line, Dirty Dancing, Gilmore Girls, and much more. Kelly Bishop's long, storied career has been defined by landmark achievements, from winning a Tony Award for her turn in the original Broadway cast of A Chorus Line to her memorable performance as Jennifer Grey's mother in Dirty Dancing. But it is probably her iconic role as matriarch Emily in the modern classic Gilmore Girls that cemented her legacy. Now, Bishop reflects on her remarkable life and looks towards the future with The Third Gilmore Girl. She shares some of her greatest stories and the life lessons she's learned on her journey. From her early transition from dance to drama, to marrying young to a compulsive gambler, to the losses and achievements she experienced-among them marching for women's rights and losing her second husband to cancer-Bishop offers a rich, genuine celebration of her life. Full of witty insights and featuring a special collection of personal and professional photographs, The Third Gilmore Girlis a warm, unapologetic, and spirited memoir from a woman who has left indelible impressions on her audiences for decades and has no plans on slowing down. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
In this episode of 92NY Talks, join award-winning actress Kelly Bishop for the launch of her captivating new memoir, The Third Gilmore Girl. Full of witty insights, it is a warm, unapologetic and spirited story from a woman who has left indelible impressions on her audiences for decades — and has no plans on slowing down. She is interviewed by a surprise guest moderator, THE Lauren Graham. The conversation was recorded on September 17, 2024 in front of a live audience at The 92nd Street Y, New York.
Welcome to The Spark, your creative pick-me-up from The Creative Boom Podcast. Every Thursday, we bring you a shorter, snappier episode to give you that midweek boost of inspiration. We'll share creative news, practical tips, book recommendations, and even some emails from our listeners. Whether you're looking for a quick shot of creativity or need some insights to carry you into the weekend, The Spark has got you covered. In this episode, we looked back on Monday's interview with Brian Cannon and the incredible listener feedback we received about the golden days of designing for Oasis in the '90s. Plus, we teased our next guest, Seema Sharma, and the fascinating conversation we'll have about creativity and AI—exploring what it means for the industry, and whether AI is a friend or foe. In Creative News, we discussed Mozilla's new retro-inspired brand identity designed by JKR, and Meta's latest AI innovations, including celebrity-voiced chatbots and AR glasses. Closer to home, Factory International's creative skills training in Manchester is making waves in local venues. And we revealed the UK creative industries' impressive £124.6 billion contribution to the economy. In The Spotlight, we shone on Shaping Tomorrow, a groundbreaking new podcast series produced by Hear Art that amplifies the voices of deaf creatives in the industry. Our Book of the Week, The Third Gilmore Girl by Kelly Bishop, is a memoir that goes beyond acting to explore resilience, women's rights, and personal triumphs. For Tip of the Week, we had a mental health reminder from Liam Hopkins of Lazerian Studio on nurturing your mind and embracing rest as a creative tool. Finally, in Letters to the Editor, we shared thoughtful listener emails about balancing work, managing perfectionism, and why it's refreshing to have platforms that don't always focus on the bigger industry names. If you'd like to share your thoughts on this episode, or any from our show, send your thoughts to letters@creativeboom.com, and we'll do our best to read them out during next week's The Spark.
After undergoing facial-reconstructive surgery, Edward becomes fixated on an actor in a stage production based on his former life. That's the setup for A Different Man starring Sebastian Stan, written and directed by Aaron Schimberg. All that and a discussion of best plays-within-films from movie history. The Wrap's Kristen Lopez joins us! What's Good:Alonso - Kelly Bishop, The Third Gilmore GirlDrea - zackfox.comKristen - finally ready to start Spooky SeasonIfy - Ranting for a good cause (fundraising for Ysabel Jorado campaign) ITIDIC:Major Cineplexes Plan $2 Billion UpgradeMagic: the Gathering Animated Series Hits the Restart Button with New ShowrunnerSaiorse Ronan Could Make Oscar HistoryStaff Picks:Alonso - In the SummersDrea - Rez BallKristen - The Wild RobotIfy - The Substance kristenklopez.comTicklish BusinessPlugs!See In The SummersWatch Rez BallWatch Hollywood BlackWatch The Mirror GameSee Alonso in Dallas with The Last of Sheila (9/26)Watch Drea's A New York StoryFollow us on BlueSky, Twitter, Facebook, or Instagram Follow us on BlueSky, Twitter, Facebook, or InstagramWithDrea ClarkAlonso DuraldeIfy NwadiweProduced by Marissa FlaxbartSr. Producer Laura Swisher
ET's with the Clooney's on their 10th wedding anniversary. How George and Amal are celebrating. Plus, an update on their twins. Then, new details on Hoda's decision to leave “The Today Show”. How the show plans to replace her. And, Diddy's 11th day behind bars. The new attention being paid to his star-studded parties as another lost interview goes viral. Then, singer Lana Del Rey gets married in a swamp. A look at her ‘I Dos' to an alligator tour guide. Plus, Prince Harry's house of horrors. How Jimmy Fallon scared the pants off the Prince. And, behind-the-scenes of the epic return of “Yellowstone”. The extreme measures they took to keep the show top secret. Then, Rob Lowe gives an update on the “St. Elmo's Fire” sequel. Plus, getting rETrospective with Kelly Bishop. Stories from her near 60-year Hollywood career, from “Gilmore Girls” to “Dirty Dancing”. And, how Olivia Newton John's daughter Chloe Lattanzi is keeping her mother's legacy alive. Then, remembering Dame Maggie Smith. Our time with the “Harry Potter” star and 2-time Oscar winner.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Send us a textSupport the show***Please note all opinions expressed on The Three Guys Podcast do not represent any Group, Company or Organization***Episode Produced by The Three Guys ProductionsInstagram: The Three Guys Podcast (@the_three_guys_podcast_) • Instagram photos and videosTwitter: The Three Guys Podcast (@TheThreeGuysPo1) / TwitterYouTube: Three Guys Podcast - YouTubeLinkedIn the-three-guys-podcastDerek: Derek DePetrillo (@derekd0518) • Instagram photos and videosBrian: Brian Nazarian (@the_real_brian_nazarian) • Instagram photos and videosBrett: Brett J. DePetrillo @78brettzky - Instagram
Send us a textI have been given an incredible opportunity to reinvent my career and follow my passion of helping others be their best self through positive wellness experiences, coaching, motivation & accountability. https://www.kellybishopwellevateexperiences.com/Through understanding my strengths and most importantly passions around people, I have created a business to help individuals, teams and companies create top notch culture and happy employees. Together with my wellness certification and my 25 years of global event leadership expertise and hospitality, I am helping companies strategize, consult and elevate high end corporate wellness experiences through events around the world. My newly created company is Wellevate Experiences; PickPositive LLC.Support the show***Please note all opinions expressed on The Three Guys Podcast do not represent any Group, Company or Organization***Episode Produced by The Three Guys ProductionsInstagram: The Three Guys Podcast (@the_three_guys_podcast_) • Instagram photos and videosTwitter: The Three Guys Podcast (@TheThreeGuysPo1) / TwitterYouTube: Three Guys Podcast - YouTubeLinkedIn the-three-guys-podcastDerek: Derek DePetrillo (@derekd0518) • Instagram photos and videosBrian: Brian Nazarian (@the_real_brian_nazarian) • Instagram photos and videosBrett: Brett J. DePetrillo @78brettzky - Instagram
Before Kelly Bishop danced onto our screens as Emily Gilmore she was one of New York City's top chorus girls, inspiring and originating a whole ass character in A Chorus Line. Between winning a Tony and having some husbands she writes one of our favorite kinds of just keep doing shit you like memoirs. NEW MERCH!!!!!! https://shop.celebritymemoirbookclub.biz/ If you want to host a CMBC meetup here's a meetup 101 packet to help you plan! We're hosting a Book Swap Oct 17! WE'RE STILL IN AUSTRALIA 9/25 - Brisbane, Australia 9/27 - Melbourne, Australia 9/29 - Perth, Australia Keep up with all the latest: https://celebritymemoirbookclub.biz/ Join our Geneva Community to chat with the other worms!!!! Join the Patreon for new episodes every Thursday! https://www.patreon.com/celebritymemoirbookclub Follow us on Twitter @cmbc_podcast and Instagram @celebritymemoirbookclub Art by @adrianne_manpearl and theme song by @ashleesimpsonross Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this special episode, we sit down with the legendary Kelly Bishop, known to many as the sharp-witted and glamorous matriarch, Emily Gilmore, from The Gilmore Girls. Kelly takes us on an intimate journey through her life, as we dive into her new memoir, The Third Gilmore Girl. From her early days on Broadway—winning a Tony Award for A Chorus Line—to Dirty Dancing—to her iconic television roles (Bunheads, The Marvelous Mrs. Maisel…), we discuss the stories behind the scenes with Lauren Graham and Alexis Bledel, the brilliance of Amy Sherman-Palladino's writing, and the reason she's Team Logan. Learn more about your ad choices. Visit megaphone.fm/adchoices
Az elfogás: Izgalmas az utolsó percekig Mafab 2024-09-24 04:50:02 Film USA Pataky Attila Elsa Pataky számára kijárt már egy jó kis akciófilm, ahol megmutathatta sokoldalúságát, és végre 2022-ben meg is kapta a lehetőséget, Az elfogás (Interceptor) főszerepét Luke Bracey oldalán. A film nekem inkább témája miatt érdekes: adott egy szervezet, mely úgy akar pénzt kizsarolni az amerikai kormányzatból, hogy elfoglal nukleáris atomrakéta-tám A Szívek szálloda-rajongók kifakadtak Lauren Graham új posztján in.hu 2024-09-23 20:25:03 Könyv New York Szálloda R. Kelly A Szívek szállodája-rajongók nem panaszkodhattak a múlt héten: nagy szereplői újraegyesülés történt.Ahogy már írtunk róla, Kelly Bishop, aki a sorozatban az ikonikus Emily Gilmore-t alakítja, szeptember 17-én kiadta memoárját, és megünneplésére könyvbemutatót tartott New Yorkban. A jelenlévők természetesen arra számítottak, hogy a legendás színészn 6 színész, aki tökéletes lenne ma a Harry Potter sorozat egyik szerepére Joy 2024-09-24 04:46:00 Könyv Harry Potter J. K. Rowling Mi már elkezdtük képzeletben a castingot a J. K. Rowling világhírű regényéből készülő sorozatban. Mit gondolsz a választásainkról? "A való életben biztos, hogy nem ölnék meg senkit. De itt most szabad" – Izgalmasnak ígérkezik az Árulók második évada Player 2024-09-24 04:21:33 Film Valóságshow Megvannak a gyilkosok, a hangadók, a megfigyelők és az ártatlanul gyanúsítottak. Megint az Rtl nyomozós realityje lehet az idény egyik legjobb tévéműsora. A Magyar Zene Háza összművészeti produkciókkal bővíti programját kultura.hu 2024-09-23 17:45:01 Zene Magyar Zene Háza A Magyar Zene Háza összművészeti felhívást hirdet, amelynek célja az intézmény küldetéséhez kapcsolódó, művészeti ágakat átfogó előadó-művészeti produkciók bemutatása. Felbecsülhetetlen értékek - A brit királyi család legértékesebb ékszerei, és lebilincselő történeteik InStyle 2024-09-23 19:25:00 Film Brit királyi család A brit királyi család női tagjainak megjelenése mindig kiváló. Nem csoda, hiszen különleges ékszereikkel még jobban felhívják magukra a figyelmet. Érdemes gyönyörködni bennük, igazán különleges darabok. Megérkezett a Mennydörgők első előzetese Igényesférfi.hu 2024-09-24 06:04:32 Film Marvel A Marvel legújabb filmje, a Thunderbolts* végre bemutatkozott az első előzetesével, amelyet már most izgatottan várnak a rajongók. Kovács Patrícia: Az iskolai bántalmazás mindkét oldalán álltam már Librarius 2024-09-24 07:59:32 Film Kovács Patrícia Kovács Patrícia nemcsak saját élményei miatt, de kislánya kapcsán is fontosnak érezte, hogy részt vegyen a programban. Lecserélték Kabir Bedit! Jön az új Sandokan-sorozat: ő lett az új maláj tigris Blikk 2024-09-24 08:52:21 Film Tigris Malajzia Megérkeztek az első fotók a jövő évben megjelenő Sandokanról: kiderült, mennyire hasonlít Kabir Bedire az új maláj tigris. Lehetsz az Usa alapítója, ha a párbaj árnya már kiskorodtól elkísér – Mutatunk egy részletet a Hamilton-sztoriból! Könyves Magazin 2024-09-24 10:06:19 Könyv USA Lewis Hamilton Dánia Hogyan vált a St. Croix-i dán rabszolgakolónián született, félárva, de tehetséges szegény fiú az Usa létrejöttének egyik kulcsfigurájává? Olvas bele a történetébe! Andrei Mangra Szabó Zsófiról: "Egy igazi csoda, bomba csaj, és jó a ritmusérzéke" Story 2024-09-24 09:00:40 Bulvár Bomba Szabó Zsófi Egyelőre élvezi, hogy újra Magyarországon lehet, a táncpartnerével, Szabó Zsófival pedig hamar egy hullámhosszra kerültek. A további adásainkat keresd a podcast.hirstart.hu oldalunkon.
Az elfogás: Izgalmas az utolsó percekig Mafab 2024-09-24 04:50:02 Film USA Pataky Attila Elsa Pataky számára kijárt már egy jó kis akciófilm, ahol megmutathatta sokoldalúságát, és végre 2022-ben meg is kapta a lehetőséget, Az elfogás (Interceptor) főszerepét Luke Bracey oldalán. A film nekem inkább témája miatt érdekes: adott egy szervezet, mely úgy akar pénzt kizsarolni az amerikai kormányzatból, hogy elfoglal nukleáris atomrakéta-tám A Szívek szálloda-rajongók kifakadtak Lauren Graham új posztján in.hu 2024-09-23 20:25:03 Könyv New York Szálloda R. Kelly A Szívek szállodája-rajongók nem panaszkodhattak a múlt héten: nagy szereplői újraegyesülés történt.Ahogy már írtunk róla, Kelly Bishop, aki a sorozatban az ikonikus Emily Gilmore-t alakítja, szeptember 17-én kiadta memoárját, és megünneplésére könyvbemutatót tartott New Yorkban. A jelenlévők természetesen arra számítottak, hogy a legendás színészn 6 színész, aki tökéletes lenne ma a Harry Potter sorozat egyik szerepére Joy 2024-09-24 04:46:00 Könyv Harry Potter J. K. Rowling Mi már elkezdtük képzeletben a castingot a J. K. Rowling világhírű regényéből készülő sorozatban. Mit gondolsz a választásainkról? "A való életben biztos, hogy nem ölnék meg senkit. De itt most szabad" – Izgalmasnak ígérkezik az Árulók második évada Player 2024-09-24 04:21:33 Film Valóságshow Megvannak a gyilkosok, a hangadók, a megfigyelők és az ártatlanul gyanúsítottak. Megint az Rtl nyomozós realityje lehet az idény egyik legjobb tévéműsora. A Magyar Zene Háza összművészeti produkciókkal bővíti programját kultura.hu 2024-09-23 17:45:01 Zene Magyar Zene Háza A Magyar Zene Háza összművészeti felhívást hirdet, amelynek célja az intézmény küldetéséhez kapcsolódó, művészeti ágakat átfogó előadó-művészeti produkciók bemutatása. Felbecsülhetetlen értékek - A brit királyi család legértékesebb ékszerei, és lebilincselő történeteik InStyle 2024-09-23 19:25:00 Film Brit királyi család A brit királyi család női tagjainak megjelenése mindig kiváló. Nem csoda, hiszen különleges ékszereikkel még jobban felhívják magukra a figyelmet. Érdemes gyönyörködni bennük, igazán különleges darabok. Megérkezett a Mennydörgők első előzetese Igényesférfi.hu 2024-09-24 06:04:32 Film Marvel A Marvel legújabb filmje, a Thunderbolts* végre bemutatkozott az első előzetesével, amelyet már most izgatottan várnak a rajongók. Kovács Patrícia: Az iskolai bántalmazás mindkét oldalán álltam már Librarius 2024-09-24 07:59:32 Film Kovács Patrícia Kovács Patrícia nemcsak saját élményei miatt, de kislánya kapcsán is fontosnak érezte, hogy részt vegyen a programban. Lecserélték Kabir Bedit! Jön az új Sandokan-sorozat: ő lett az új maláj tigris Blikk 2024-09-24 08:52:21 Film Tigris Malajzia Megérkeztek az első fotók a jövő évben megjelenő Sandokanról: kiderült, mennyire hasonlít Kabir Bedire az új maláj tigris. Lehetsz az Usa alapítója, ha a párbaj árnya már kiskorodtól elkísér – Mutatunk egy részletet a Hamilton-sztoriból! Könyves Magazin 2024-09-24 10:06:19 Könyv USA Lewis Hamilton Dánia Hogyan vált a St. Croix-i dán rabszolgakolónián született, félárva, de tehetséges szegény fiú az Usa létrejöttének egyik kulcsfigurájává? Olvas bele a történetébe! Andrei Mangra Szabó Zsófiról: "Egy igazi csoda, bomba csaj, és jó a ritmusérzéke" Story 2024-09-24 09:00:40 Bulvár Bomba Szabó Zsófi Egyelőre élvezi, hogy újra Magyarországon lehet, a táncpartnerével, Szabó Zsófival pedig hamar egy hullámhosszra kerültek. A további adásainkat keresd a podcast.hirstart.hu oldalunkon.
A candid and captivating memoir from award-winning and beloved actress Kelly Bishop, spanning her six decades in show business from Broadway to Hollywood with A Chorus Line, Dirty Dancing, Gilmore Girls, and much more. Kelly Bishop's long, storied career has been defined by landmark achievements, from winning a Tony Award for her turn in the original Broadway cast of A Chorus Line to her memorable performance as Jennifer Grey's mother in Dirty Dancing. But it is probably her iconic role as matriarch Emily in the modern classic Gilmore Girls that cemented her legacy. Now, Bishop reflects on her remarkable life and looks towards the future with The Third Gilmore Girl. She shares some of her greatest stories and the life lessons she's learned on her journey. From her early transition from dance to drama, to marrying young to a compulsive gambler, to the losses and achievements she experienced-among them marching for women's rights and losing her second husband to cancer-Bishop offers a rich, genuine celebration of her life. Full of witty insights and featuring a special collection of personal and professional photographs, The Third Gilmore Girlis a warm, unapologetic, and spirited memoir from a woman who has left indelible impressions on her audiences for decades and has no plans on slowing down. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
Welcome back to the studio. This is My Day of Play, where you're taken into the real events and actions of how it happens long before the process of editing or cleaning up. This is how it really went. Today we're broadcasting from the RV deep inside a nature preserve. So you're gonna hear some things always taking place in the background and the connections are not always perfect. First we're spending time with Actress and author Kelly Bishop from The Gilmore Girls Then we're gonna fun it up with Charlton Pettus and Kay Hanley the creators of Disney Jr's Kindergarten The Musical. Get Ready for the 3rd conversation we're cooking with Anna Jones. And finally we put a lot of play in art with Susan Hensley. This is My Day of Play. Completely unedited in the way of meeting the wizard behind the curtain. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
CarneyShow 09.18.24 Billy Busch, Kelly Bishop, Paws for a Cause, Jim Cantalin, Jim Ryan, Jill Farmer by
Today on the show: The latest on the assassination attempt with Peter Charalambous from ABC News. Scott Slade updates #Campaign2024. Diddy arrested. Correspondent Erin Real covering new regulations aimed at Chinese e-commerce giants. We'll talk to Colin Hay lead singer Men at Work. Another chance for you to win $1000. Plus, iconic actress Kelly Bishop joins us live! 9am-noon on 95.5 WSB.
Tony Award-winning actress Kelly Bishop--a veteran of Broadway, film and TV, including as matriarch Emily in "Gilmore Girls"--kicks off the show to share about her new book The Third Gilmore Girl. Bishop's memoir covers her six decades in show business and life lessons she has learned along the way. Anna Jones follows to make life easier and more delicious with her cookbook Easy Wins: 12 Flavor Hits, 125 Delicious Recipes, 365 Days of Good Eating. Anna takes 12 hero ingredients guaranteed to make your food taste great, offering chapters on lemons, olive oil, mustard, and tahini, among others, all tied in with 125 recipes ranging from Double Lemon Pilaf with Buttery Almonds to Miso Rarebit to Cherry & Chocolate Peanut Butter Sundae. Sports audio: Rob Thomson, Manager, Philadelphia Phillies (MLB.com)Nick Sirianni, Head Coach, Philadelphia Eagles (philadelphiaeagles.com)Nick Foles, former Philadelphia Eagles quarterback (philadelphiaeagles.com)See omnystudio.com/listener for privacy information.
This prestigious leadership development program offers a unique, 17-month experience designed for emerging and mid-career leaders in agriculture.
Hello, bookworms! We're back with another catch-up episode of My Sister's TBR, and September is shaping up to be a great month for us book-wise. We're diving into some exciting books, sharing what we're currently reading, catching up on the latest bookish news, and talking about our yearly reading goal (spoiler, we're kinda crushing it…)September Releases We're Buzzing About* Fantasy and Romance: Get ready for dragons, magic, and forbidden love in "Never Keep" by Carolyn Peckham and Suzanne Valenti, and "A Fire in the Sky" by Sophie Jordan.* Contemporary Romance: Abby Jimenez brings us a heartwarming short story with "The Situation-Ship," while Lynn Painter's "Nothing Like the Movies" promises a sequel filled with emotion and grand gestures.* Mystery and Thriller: Laura Dave's "The Night We Lost Him" will keep you on the edge of your seat as siblings uncover a shocking family secret.* Holiday Reads: It's never too early for Christmas books! Allie Carter's "The Most Wonderful Crime of the Year" offers a unique blend of mystery and romance, and Jenny Bayliss's "Kiss Me at Christmas" will warm your heart.* Memoir: Dive into the fascinating life of actress Kelly Bishop with her memoir, "The Third Gilmore Girl."What We're Currently ReadingStacey is loving the cozy vibes of "Legends and Lattes" and can't get enough of the epic fantasy world in "House of Sky and Breath." Rebecca shares her thoughts on "Five Brothers" by Penelope Douglas and more! We also touch on our Featured Read this month, The Hollow Places by T.Kingfisher. This book is giving us ALL the spooky vibes, we really hope you're joining us with this book because we definitely need to talk about it (and maybe have a little therapy sesh).Bookish News* The highly anticipated "Onyx Storm" by Rebecca Yarros is complete and heading to editors!* Fans of the Black Dagger Brotherhood series can rejoice – it's coming to Passionflix!Reading Goals Check-InWe're both crushing our reading goals this year! Tune in to hear our most memorable reads so far.Join the ConversationWe'd love to hear from you! Follow us on Instagram at MySistersTBR and let us know what you're reading this month.Until next time, happy reading!My Sister's TBR is a reader-supported publication. To receive new posts and support our work, consider becoming a free or paid subscriber. Get full access to My Sister's TBR at www.mysisterstbr.com/subscribe
Zoe Jones delivers the latest entertainment news in three minutes. In today's episode, Olivia Culpo and Christian McCaffery are officially married, Celine Dion made a surprise appearance at the NHL draft, and Gilmore Girls stars Lauren Graham and Kelly Bishop reunited.
Celebrate International Women's Month with us!About KaylaExperienced professional with extensive global travel and meetings management experience, enjoys building relationships with internal stakeholders, executives, and external vendors. Highly skilled in strategic sourcing, contract negotiations, vendor management, customer service, and communicationshttps://www.linkedin.com/in/kaylalanegtp/https://www.linkedin.com/in/kellybishopcmpcmmhttps://www.kellybishopwellevateexperiences.com/About KellyI have been given an incredible opportunity to reinvent my career and follow my passion of helping others be their best self through positive wellness experiences, coaching, motivation & accountability. Through understanding my strengths and most importantly passions around people, I have created a business to help individuals, teams and companies create top notch culture and happy employees. Together with my wellness certification and my 25 years of global event leadership expertise and hospitality, I am helping companies strategize, consult and elevate high end corporate wellness experiences through events around the world. My newly created company is Wellevate Experiences; PickPositive LLC.***Please note all opinions expressed on The Three Guys Podcast do not represent any Group, Company or Organization***Episode Produced by The Three Guys ProductionsInstagram: The Three Guys Podcast (@the_three_guys_podcast_) • Instagram photos and videosTwitter: The Three Guys Podcast (@TheThreeGuysPo1) / TwitterYouTube: Three Guys Podcast - YouTubeLinkedIn the-three-guys-podcastDerek: Derek DePetrillo (@derekd0518) • Instagram photos and videosBrian: Brian Nazarian (@the_real_brian_nazarian) • Instagram photos and videosBrett: Brett J. DePetrillo @78brettzky - Instagram
Welcome back to our SECOND Episode of February! Yes!!! We made it! Still on track, y'all! In this episode, Karrilee and Kayelyn discuss what Success means to them and encourage you to ask yourself that question, too! Then, of course, they share their 3-2-1's! (We used to always add these to the Shownotes - but then we realized we wanted you guys to actually listen to the podcast so we stopped, but... we decided to include them with some links this time!) Karrilee's 3-2-1's: 3 Things She's into: IF:Gathering Replay/Memories Sunshine! Team Growth at work! 2 Things She's Looking Forward to: Springtime Walks Planning an IF:Local event soon 1 Thing She's Over: The Return of the Lingering Cough! Kayelyn's 3-2-1's: 3 Things She's into: Spotify "Youth Group Throwbacks" Playlist Love is Blind - Season 6 New Morning Mercies Devotional by Paul David Tripp 2 Things She's Looking Forward to: New Year, New Me can start anytime! (Starting Goals over!) New Book coming out (in Sept!) by Kelly Bishop called "The Third Gilmore" 1 Thing She's Over: Lack of Routine Until next time (which will be sometime in March!) ;) ~Karrilee & Kayelyn~ --- Send in a voice message: https://podcasters.spotify.com/pod/show/changing-our-minds/message
Do you know about toxic positivity? Have you been accused of it and how do you handle the label of being toxically positive? Join us as we discuss this topic and many more this week including real life childhood superheroes (both on and off TV), and which lessons we've learned from our many nephews and nieces (we have 8 through our siblings, and another 8 who call us aunt/uncle from our closest friend circle). (The Victory Couch is hosted by Rick and Julie Rando) Show notes: Connect with us on Instagram @thevictorycouch, Facebook, victorycouchpodcast@gmail.com, or www.thevictorycouch.com Want a new Victory Couch sticker for your water bottle, laptop, guitar case, etc.? Send us a quick screenshot of your review and your mailing address and we'll get you one! Reviews welcome https://podcasts.apple.com/us/podcast/the-victory-couch/id1628820081 SUBSCRIBE to The Victory Couch e-mail list by visiting https://www.thevictorycouch.com/ and click SUBSCRIBE at the top of your screen. Leave us a voice message through Spotify for Podcasters: https://podcasters.spotify.com/pod/show/thevictorycouch/message Have you ever been accused of toxic positivity and how did you handle it? Pollyanna https://www.imdb.com/title/tt0054195/ Did you have a childhood superhero (or real-life hero in some regard) that you look up to? Why that person or superhero? Juilliard https://www.juilliard.edu/music He-Man https://www.imdb.com/title/tt0126158/?ref_=fn_al_tt_1 Wonderwoman Jem https://www.imdb.com/title/tt0090461/?ref_=fn_al_tt_1 Barbie and the Rockers https://www.imdb.com/title/tt0090461/?ref_=fn_al_tt_1 If you were a superhero what would your superpowers be? Harry Potter https://www.imdb.com/list/ls072049366/ Star Trek https://www.imdb.com/title/tt0060028/?ref_=fn_al_tt_1 Star Wars https://www.imdb.com/star-wars/?ref_=nv_sr_srsg_0_tt_7_nm_0_q_star%2520wars What lessons have you gained from being an uncle/aunt? The Chicks https://thechicks.com/ Pokémon https://www.pokemon.com/us My Little Pony https://www.imdb.com/title/tt1751105/ Kelly Bishop https://www.imdb.com/name/nm0084105/ Couch crumb: internet trolls, corrections that need to be made from last week's episode, knee issues, false fire alarm Prop your feet up: good friend who has been overseas for a year in the military is back on US soil, Junior Theater Festival, date night Junior Theater Festival https://juniortheaterfestival.com/ S2: Episode 1 (Junior Theater Festival episode) https://podcasts.apple.com/us/podcast/s2-episode-1-about-the-bowl-that-is-super-helping/id1628820081?i=1000597925851 Cheesecake Factory Olive Garden Chick-fil-A Longhorn Steakhouse Maggiano's Little Italy MCCA (Mountain City Center for the Arts) https://www.mymcca.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/thevictorycouch/message
Dirty Dancing is the Born to Watch attempt at getting out of our comfort zone, well for two of us. We will let you decide which team member isn't going to put Baby in a corner.It's rare for a film to capture the essence of a generation, to become a cultural touchstone that transcends time and speaks to audiences across generations. "Dirty Dancing," directed by Emile Ardolino and released in 1987, is one such cinematic gem that has managed to do just that. With its infectious energy, heartwarming romance, and a soundtrack that's become synonymous with the era, "Dirty Dancing" continues to sway hearts and ignite conversations even decades after its release.Set in the summer of 1963, the film whisks us away to Kellerman's, a family resort nestled in the Catskill Mountains. This seemingly idyllic retreat becomes the backdrop for the transformational journey of Frances "Baby" Houseman, portrayed brilliantly by Jennifer Grey. Baby is an idealistic young woman on the brink of adulthood, her world view shaped by her upper-middle-class upbringing and the impending societal changes of the 1960s. Her life takes a thrilling turn when she stumbles upon the staff quarters and encounters the vivacious dance instructor Johnny Castle, played by the charismatic Patrick Swayze.The film's title itself carries a provocative undertone, and indeed, dance serves as a metaphor for the hidden desires, social boundaries, and self-discovery that drive the narrative. As Baby watches the forbidden and electrifying world of "dirty dancing" unfold before her eyes, her journey from innocence to self-assuredness mirrors the societal shifts happening beyond the dance floor. The dance sequences are nothing short of mesmerising, as Swayze and Grey's chemistry ignites the screen, and their moves convey emotions that words often fail to express.What truly elevates "Dirty Dancing" beyond its dazzling dance numbers is its unapologetic exploration of class, gender, and identity. The backdrop of the early 1960s allows the film to address these issues with a subtle yet poignant touch. Baby's encounter with the working-class staff challenges her preconceived notions, and her blossoming relationship with Johnny defies societal expectations. The dance routines themselves, at times sensual and raw, are symbolic of breaking free from the constraints of traditional roles.Jennifer Grey's portrayal of Baby is a masterclass in character development. Her transition from a sheltered girl to a confident woman is believable and relatable. Grey's ability to convey vulnerability, determination, and passion draws the audience into Baby's world, making us cheer for her every step of the way. Patrick Swayze's Johnny is a complex character, harbouring dreams and burdens that go beyond his tough exterior. Swayze's magnetic presence brings depth to the character, making Johnny more than just a dance instructor – he becomes a symbol of aspiration and rebellion.The supporting cast adds layers of charm and intrigue to the film. Jerry Orbach as Dr. Jake Houseman, Baby's father, delivers a touching performance as a well-intentioned parent struggling to come to terms with the changes his daughter is experiencing. The late, great actress Kelly Bishop shines as Marjorie Houseman, portraying the matriarch with a mix of grace and quiet understanding. And who could forget the scene-stealing turn by Cynthia Rhodes as Penny, Johnny's dance partner, whose predicament becomes a catalyst for Baby's transformation?The film's soundtrack deserves special mention, as it's impossible to discuss "Dirty Dancing" without acknowledging its impact. The music not only accompanies the dance sequences but becomes an integral part of the storytelling. Tracks like "Time of My Life" by Bill Medley and Jennifer Warnes and "Hungry Eyes" by Eric Carmen infuse the film with a sense of nostalgia and romance, capturing the essence of the era and remaining etched in the memories of viewers."Dirty Dancing" is a quintessential coming-of-age story, a tale of love transcending social barriers, and a celebration of the power of dance to liberate the spirit. It's a film that reminds us that change is inevitable, that stepping out of our comfort zones can lead to remarkable transformations, and that true empowerment comes from embracing our passions and defying expectations. It's no wonder that the film's iconic line, "Nobody puts Baby in a corner," has become a rallying cry for individuality and self-expression.In conclusion, "Dirty Dancing" is a cinematic treasure that continues to captivate audiences with its timeless themes, unforgettable performances, and mesmerising dance sequences. The film's ability to bridge generations and evoke emotions speaks to its enduring relevance. Whether you're watching it for the first time or revisiting it for the umpteenth time, "Dirty Dancing" will always have the power to make you laugh, cry, and dance like nobody's watching.Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcast If you are looking to start a podcast and want a host or get guests to pipe in remotely, look no further than Riverside.fmClick the link below https://riverside.fm/?utm_campaign=campaign_1&utm_medium=affiliate&utm_source=rewardful&via=matthew
The craze with artificial intelligence has continued dominating people's attention across industries — creating images, deepfake videos and writing essays. KEXP's Roddy Nikpour gives a rundown on how A.I. has been playing out in the music industry and chats with musician and writer, Kelly Bishop, about her Vice article titled, “Is AI Music a Genuine Threat to Real Artists?” Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.
Diane and Sean discuss the sweaty, sexy, 80's era film...Dirty Dancing. Episode music is "The Time of My Life", written by Franke Previte, Donald Markowitz, John DeNicola; performed by Bill Medley and Jennifer Warnes from the OST.Check the Merch link for NEW MERCH!- Our theme song is by Brushy One String- Artwork by Marlaine LePage- Why Do We Own This DVD? Merch available at Teepublic- Follow the show on social media:- Tumblr: WhyDoWeOwnThisDVD- Follow Sean's Plants on IG: @lookitmahplantsSupport the show
Kelly joins The Three Guys with for chat to discuss the importance of personal wellness and building a positive personal and professional environment. We learn about:-Picking Positive-The effects of toxic culture-Small acts of kindness going a long way-Kelly's journey from her career in Meeting Planning to becoming a Wellness Counselorhttps://www.linkedin.com/in/kellybishopcmpcmmhttps://www.kellybishopwellevateexperiences.com/ABOUTI have been given an incredible opportunity to reinvent my career and follow my passion of helping others be their best self through positive wellness experiences, coaching, motivation & accountability. Through understanding my strengths and most importantly passions around people, I have created a business to help individuals, teams and companies create top notch culture and happy employees. Together with my wellness certification and my 25 years of global event leadership expertise and hospitality, I am helping companies strategize, consult and elevate high end corporate wellness experiences through events around the world. My newly created company is Wellevate Experiences; PickPositive LLC.***Please note all opinions expressed on The Three Guys Podcast do not represent any Group, Company or Organization***Episode Produced by The Three Guys ProductionsInstagram: The Three Guys Podcast (@the_three_guys_podcast_) • Instagram photos and videosTwitter: The Three Guys Podcast (@TheThreeGuysPo1) / TwitterYouTube: Three Guys Podcast - YouTubeLinkedIn the-three-guys-podcastDerek: Derek DePetrillo (@derekd0518) • Instagram photos and videosBrian: Brian Nazarian (@the_real_brian_nazarian) • Instagram photos and videosBrett: Brett J. DePetrillo (@78brettzky
The first of a two-part series on the short-lived 80s American distribution company responsible for Dirty Dancing. ----more---- The movies covered on this episode: Alpine (1987, Fredi M. Murer) Anna (1987, Yurek Bogayevicz) Billy Galvin (1986, John Grey) Blood Diner (1987, Jackie Kong) China Girl (1987, Abel Ferrera) The Dead (1987, John Huston) Dirty Dancing (1987, Emile Ardolino) Malcolm (1986, Nadia Tess) Personal Services (1987, Terry Jones) Slaughter High (1986, Mark Ezra and Peter Litten and George Dugdale) Steel Dawn (1987, Lance Hook) Street Trash (1987, Jim Muro) TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. Have you ever thought “I should do this thing” but then you never get around to it, until something completely random happens that reminds you that you were going to do this thing a long time ago? For this week's episode, that kick in the keister was a post on Twitter from someone I don't follow being retweeted by the great film critic and essayist Walter Chaw, someone I do follow, that showed a Blu-ray cover of the 1987 Walter Hill film Extreme Prejudice. You see, Walter Chaw has recently released a book about the life and career of Walter Hill, and this other person was showing off their new purchase. That in and of itself wasn't the kick in the butt. That was the logo of the disc's distributor. Vestron Video. A company that went out of business more than thirty years before, that unbeknownst to me had been resurrected by the current owner of the trademark, Lionsgate Films, as a specialty label for a certain kind of film like Ken Russell's Gothic, Beyond Re-Animator, CHUD 2, and, for some reason, Walter Hill's Neo-Western featuring Nick Nolte, Powers Boothe and Rip Torn. For those of you from the 80s, you remember at least one of Vestron Pictures' movies. I guarantee it. But before we get there, we, as always, must go back a little further back in time. The year is 1981. Time Magazine is amongst the most popular magazines in the world, while their sister publication, Life, was renowned for their stunning photographs printed on glossy color paper of a larger size than most magazines. In the late 1970s, Time-Life added a video production and distribution company to ever-growing media empire that also included television stations, cable channels, book clubs, and compilation record box sets. But Time Life Home Video didn't quite take off the way the company had expected, and they decided to concentrate its lucrative cable businesses like HBO. The company would move Austin Furst, an executive from HBO, over to dismantle the assets of Time-Life Films. And while Furst would sell off the production and distribution parts of the company to Fox, and the television department to Columbia Pictures, he couldn't find a party interested in the home video department. Recognizing that home video was an emerging market that would need a visionary like himself willing to take big risks for the chance to have big rewards, Furst purchased the home video rights to the film and video library for himself, starting up his home entertainment company. But what to call the company? It would be his daughter that would come up with Vestron, a portmanteau of combining the name of the Roman goddess of the heart, Vesta, with Tron, the Greek word for instrument. Remember, the movie Tron would not be released for another year at this point. At first, there were only two employees at Vestron: Furst himself, and Jon Pesinger, a fellow executive at Time-Life who, not unlike Dorothy Boyd in Jerry Maguire, was the only person who saw Furst's long-term vision for the future. Outside of the titles they brought with them from Time-Life, Vestron's initial release of home video titles comprised of two mid-range movie hits where they were able to snag the home video rights instead of the companies that released the movies in theatres, either because those companies did not have a home video operation yet, or did not negotiate for home video rights when making the movie deal with the producers. Fort Apache, The Bronx, a crime drama with Paul Newman and Ed Asner, and Loving Couples, a Shirley MacLaine/James Coburn romantic comedy that was neither romantic nor comedic, were Time-Life productions, while the Burt Reynolds/Dom DeLuise comedy The Cannonball Run, was a pickup from the Hong Kong production company Golden Harvest, which financed the comedy to help break their local star, Jackie Chan, into the American market. They'd also make a deal with several Canadian production companies to get the American home video rights to titles like the Jack Lemmon drama Tribute and the George C. Scott horror film The Changeling. The advantage that Vestron had over the major studios was their outlook on the mom and pop rental stores that were popping up in every city and town in the United States. The major studios hated the idea that they could sell a videotape for, say, $99.99, and then see someone else make a major profit by renting that tape out fifty or a hundred times at $4 or $5 per night. Of course, they would eventually see the light, but in 1982, they weren't there yet. Now, let me sidetrack for a moment, as I am wont to do, to talk about mom and pop video stores in the early 1980s. If you're younger than, say, forty, you probably only know Blockbuster and/or Hollywood Video as your local video rental store, but in the early 80s, there were no national video store chains yet. The first Blockbuster wouldn't open until October 1985, in Dallas, and your neighborhood likely didn't get one until the late 1980s or early 1990s. The first video store I ever encountered, Telford Home Video in Belmont Shores, Long Beach in 1981, was operated by Bob Telford, an actor best known for playing the Station Master in both the original 1974 version of Where the Red Fern Grows and its 2003 remake. Bob was really cool, and I don't think it was just because the space for the video store was just below my dad's office in the real estate company that had built and operated the building. He genuinely took interest in this weird thirteen year old kid who had an encyclopedic knowledge of films and wanted to learn more. I wanted to watch every movie he had in the store that I hadn't seen yet, but there was one problem: we had a VHS machine, and most of Bob's inventory was RCA SelectaVision, a disc-based playback system using a special stylus and a groove-covered disc much like an LP record. After school each day, I'd hightail it over to Telford Home Video, and Bob and I would watch a movie while we waited for customers to come rent something. It was with Bob that I would watch Ordinary People and The Magnificent Seven, The Elephant Man and The Last Waltz, Bus Stop and Rebel Without a Cause and The French Connection and The Man Who Fell to Earth and a bunch of other movies that weren't yet available on VHS, and it was great. Like many teenagers in the early 1980s, I spent some time working at a mom and pop video store, Seacliff Home Video in Aptos, CA. I worked on the weekends, it was a third of a mile walk from home, and even though I was only 16 years old at the time, my bosses would, every week, solicit my opinion about which upcoming videos we should acquire. Because, like Telford Home Video and Village Home Video, where my friends Dick and Michelle worked about two miles away, and most every video store at the time, space was extremely limited and there was only space for so many titles. Telford Home Video was about 500 square feet and had maybe 500 titles. Seacliff was about 750 square feet and around 800 titles, including about 50 in the tiny, curtained off room created to hold the porn. And the first location for Village Home Video had only 300 square feet of space and only 250 titles. The owner, Leone Keller, confirmed to me that until they moved into a larger location across from the original store, they were able to rent out every movie in the store every night. For many, a store owner had to be very careful about what they ordered and what they replaced. But Vestron Home Video always seemed to have some of the better movies. Because of a spat between Warner Brothers and Orion Pictures, Vestron would end up with most of Orion's 1983 through 1985 theatrical releases, including Rodney Dangerfield's Easy Money, the Nick Nolte political thriller Under Fire, the William Hurt mystery Gorky Park, and Gene Wilder's The Woman in Red. They'd also make a deal with Roger Corman's old American Independent Pictures outfit, which would reap an unexpected bounty when George Miller's second Mad Max movie, The Road Warrior, became a surprise hit in 1982, and Vestron was holding the video rights to the first Mad Max movie. And they'd also find themselves with the laserdisc rights to several Brian DePalma movies including Dressed to Kill and Blow Out. And after Polygram Films decided to leave the movie business in 1984, they would sell the home video rights to An American Werewolf in London and Endless Love to Vestron. They were doing pretty good. And in 1984, Vestron ended up changing the home video industry forever. When Michael Jackson and John Landis had trouble with Jackson's record company, Epic, getting their idea for a 14 minute short film built around the title song to Jackson's monster album Thriller financed, Vestron would put up a good portion of the nearly million dollar budget in order to release the movie on home video, after it played for a few weeks on MTV. In February 1984, Vestron would release a one-hour tape, The Making of Michael Jackson's Thriller, that included the mini-movie and a 45 minute Making of featurette. At $29.99, it would be one of the first sell-through titles released on home video. It would become the second home videotape to sell a million copies, after Star Wars. Suddenly, Vestron was flush with more cash than it knew what to do with. In 1985, they would decide to expand their entertainment footprint by opening Vestron Pictures, which would finance a number of movies that could be exploited across a number of platforms, including theatrical, home video, cable and syndicated TV. In early January 1986, Vestron would announce they were pursuing projects with three producers, Steve Tisch, Larry Turman, and Gene Kirkwood, but no details on any specific titles or even a timeframe when any of those movies would be made. Tisch, the son of Loews Entertainment co-owner Bob Tisch, had started producing films in 1977 with the Peter Fonda music drama Outlaw Blues, and had a big hit in 1983 with Risky Business. Turman, the Oscar-nominated producer of Mike Nichols' The Graduate, and Kirkwood, the producer of The Keep and The Pope of Greenwich Village, had seen better days as producers by 1986 but their names still carried a certain cache in Hollywood, and the announcement would certainly let the industry know Vestron was serious about making quality movies. Well, maybe not all quality movies. They would also launch a sub-label for Vestron Pictures called Lightning Pictures, which would be utilized on B-movies and schlock that maybe wouldn't fit in the Vestron Pictures brand name they were trying to build. But it costs money to build a movie production and theatrical distribution company. Lots of money. Thanks to the ever-growing roster of video titles and the success of releases like Thriller, Vestron would go public in the spring of 1985, selling enough shares on the first day of trading to bring in $440m to the company, $140m than they thought they would sell that day. It would take them a while, but in 1986, they would start production on their first slate of films, as well as acquire several foreign titles for American distribution. Vestron Pictures officially entered the theatrical distribution game on July 18th, 1986, when they released the Australian comedy Malcolm at the Cinema 2 on the Upper East Side of New York City. A modern attempt to create the Aussie version of a Jacques Tati-like absurdist comedy about modern life and our dependance on gadgetry, Malcolm follows, as one character describes him a 100 percent not there individual who is tricked into using some of his remote control inventions to pull of a bank robbery. While the film would be a minor hit in Australia, winning all eight of the Australian Film Institute Awards it was nominated for including Best Picture, Director, Screenplay and three acting awards, the film would only play for five weeks in New York, grossing less than $35,000, and would not open in Los Angeles until November 5th, where in its first week at the Cineplex Beverly Center and Samuel Goldwyn Pavilion Cinemas, it would gross a combined $37,000. Go figure. Malcolm would open in a few more major markets, but Vestron would close the film at the end of the year with a gross under $200,000. Their next film, Slaughter High, was a rather odd bird. A co-production between American and British-based production companies, the film followed a group of adults responsible for a prank gone wrong on April Fool's Day who are invited to a reunion at their defunct high school where a masked killer awaits inside. And although the movie takes place in America, the film was shot in London and nearby Virginia Water, Surrey, in late 1984, under the title April Fool's Day. But even with Caroline Munro, the British sex symbol who had become a cult favorite with her appearances in a series of sci-fi and Hammer horror films with Peter Cushing and/or Christopher Lee, as well as her work in the Bond film The Spy Who Loved Me, April Fool's Day would sit on the proverbial shelf for nearly two years, until Vestron picked it up and changed its title, since Paramount Pictures had released their own horror film called April Fools Day earlier in the year. Vestron would open Slaughter High on nine screens in Detroit on November 14th, 1986, but Vestron would not report grosses. Then they would open it on six screen in St. Louis on February 13th, 1987. At least this time they reported a gross. $12,400. Variety would simply call that number “grim.” They'd give the film one final rush on April 24th, sending it out to 38 screens in in New York City, where it would gross $90,000. There'd be no second week, as practically every theatre would replace it with Creepshow 2. The third and final Vestron Pictures release for 1986 was Billy Galvin, a little remembered family drama featuring Karl Malden and Lenny von Dohlen, originally produced for the PBS anthology series American Playhouse but bumped up to a feature film as part of coordinated effort to promote the show by occasionally releasing feature films bearing the American Playhouse banner. The film would open at the Cineplex Beverly Center on December 31st, not only the last day of the calendar year but the last day a film can be released into theatres in Los Angeles to have been considered for Academy Awards. The film would not get any major awards, from the Academy or anyone else, nor much attention from audiences, grossing just $4,000 in its first five days. They'd give the film a chance in New York on February 20th, at the 23rd Street West Triplex, but a $2,000 opening weekend gross would doom the film from ever opening in another theatre again. In early 1987, Vestron announced eighteen films they would release during the year, and a partnership with AMC Theatres and General Cinema to have their films featured in those two companies' pilot specialized film programs in major markets like Dallas, Denver, Detroit, Houston and San Francisco. Alpine Fire would be the first of those films, arriving at the Cinema Studio 1 in New York City on February 20th. A Swiss drama about a young deaf and mentally challenged teenager who gets his older sister pregnant, was that country's entry into the Best Foreign Language Film Oscar race. While the film would win the Golden Leopard Award at the 1985 Locarno Film Festival, the Academy would not select the film for a nomination, and the film would quickly disappear from theatres after a $2,000 opening weekend gross. Personal Services, the first film to be directed by Terry Jones outside of his services with Monty Python, would arrive in American theatres on May 15th. The only Jones-directed film to not feature any other Python in the cast, Personal Services was a thinly-disguised telling of a 1970s—era London waitress who was running a brothel in her flat in order to make ends meet, and featured a standout performance by Julie Walters as the waitress turned madame. In England, Personal Services would be the second highest-grossing film of the year, behind The Living Daylights, the first Bond film featuring new 007 Timothy Dalton. In America, the film wouldn't be quite as successful, grossing $1.75m after 33 weeks in theatres, despite never playing on more than 31 screens in any given week. It would be another three months before Vestron would release their second movie of the year, but it would be the one they'd become famous for. Dirty Dancing. Based in large part on screenwriter Eleanor Bergstein's own childhood, the screenplay would be written after the producers of the 1980 Michael Douglas/Jill Clayburgh dramedy It's My Turn asked the writer to remove a scene from the screenplay that involved an erotic dance sequence. She would take that scene and use it as a jumping off point for a new story about a Jewish teenager in the early 1960s who participated in secret “Dirty Dancing” competitions while she vacationed with her doctor father and stay-at-home mother while they vacationed in the Catskill Mountains. Baby, the young woman at the center of the story, would not only resemble the screenwriter as a character but share her childhood nickname. Bergstein would pitch the story to every studio in Hollywood in 1984, and only get a nibble from MGM Pictures, whose name was synonymous with big-budget musicals decades before. They would option the screenplay and assign producer Linda Gottlieb, a veteran television producer making her first major foray into feature films, to the project. With Gottlieb, Bergstein would head back to the Catskills for the first time in two decades, as research for the script. It was while on this trip that the pair would meet Michael Terrace, a former Broadway dancer who had spent summers in the early 1960s teaching tourists how to mambo in the Catskills. Terrace and Bergstein didn't remember each other if they had met way back when, but his stories would help inform the lead male character of Johnny Castle. But, as regularly happens in Hollywood, there was a regime change at MGM in late 1985, and one of the projects the new bosses cut loose was Dirty Dancing. Once again, the script would make the rounds in Hollywood, but nobody was biting… until Vestron Pictures got their chance to read it. They loved it, and were ready to make it their first in-house production… but they would make the movie if the budget could be cut from $10m to $4.5m. That would mean some sacrifices. They wouldn't be able to hire a major director, nor bigger name actors, but that would end up being a blessing in disguise. To direct, Gottlieb and Bergstein looked at a lot of up and coming feature directors, but the one person they had the best feeling about was Emile Ardolino, a former actor off-Broadway in the 1960s who began his filmmaking career as a documentarian for PBS in the 1970s. In 1983, Ardolino's documentary about National Dance Institute founder Jacques d'Amboise, He Makes Me Feel Like Dancin', would win both the Academy Award for Best Documentary Feature and the Emmy Award for Outstanding Children's Entertainment Special. Although Ardolino had never directed a movie, he would read the script twice in a week while serving on jury duty, and came back to Gottlieb and Bergstein with a number of ideas to help make the movie shine, even at half the budget. For a movie about dancing, with a lot of dancing in it, they would need a creative choreographer to help train the actors and design the sequences. The filmmakers would chose Kenny Ortega, who in addition to choreographing the dance scenes in Pretty in Pink and Ferris Bueller's Day Off, had worked with Gene Kelly on the 1980 musical Xanadu. Well, more specifically, was molded by Gene Kelly to become the lead choreographer for the film. That's some good credentials. Unlike movies like Flashdance, where the filmmakers would hire Jennifer Beals to play Alex and Marine Jahan to perform Alex's dance scenes, Emile Ardolino was insistent that the actors playing the dancers were actors who also dance. Having stand-ins would take extra time to set-up, and would suck up a portion of an already tight budget. Yet the first people he would meet for the lead role of Johnny were non-dancers Benecio del Toro, Val Kilmer, and Billy Zane. Zane would go so far as to do a screen test with one of the actresses being considered for the role of Baby, Jennifer Grey, but after screening the test, they realized Grey was right for Baby but Zane was not right for Johnny. Someone suggested Patrick Swayze, a former dancer for the prestigious Joffrey Ballet who was making his way up the ranks of stardom thanks to his roles in The Outsiders and Grandview U.S.A. But Swayze had suffered a knee injury years before that put his dance career on hold, and there were concerns he would re-aggravate his injury, and there were concerns from Jennifer Grey because she and Swayze had not gotten along very well while working on Red Dawn. But that had been three years earlier, and when they screen tested together here, everyone was convinced this was the pairing that would bring magic to the role. Baby's parents would be played by two Broadway veterans: Jerry Orbach, who is best known today as Detective Lenny Briscoe on Law and Order, and Kelly Bishop, who is best known today as Emily Gilmore from Gilmore Girls but had actually started out as a dancer, singer and actor, winning a Tony Award for her role in the original Broadway production of A Chorus Line. Although Bishop had originally been cast in a different role for the movie, another guest at the Catskills resort with the Housemans, but she would be bumped up when the original Mrs. Houseman, Lynne Lipton, would fall ill during the first week of filming. Filming on Dirty Dancing would begin in North Carolina on September 5th, 1986, at a former Boy Scout camp that had been converted to a private residential community. This is where many of the iconic scenes from the film would be shot, including Baby carrying the watermelon and practicing her dance steps on the stairs, all the interior dance scenes, the log scene, and the golf course scene where Baby would ask her father for $250. It's also where Patrick Swayze almost ended his role in the film, when he would indeed re-injure his knee during the balancing scene on the log. He would be rushed to the hospital to have fluid drained from the swelling. Thankfully, there would be no lingering effects once he was released. After filming in North Carolina was completed, the team would move to Virginia for two more weeks of filming, including the water lift scene, exteriors at Kellerman's Hotel and the Houseman family's cabin, before the film wrapped on October 27th. Ardolino's first cut of the film would be completed in February 1987, and Vestron would begin the process of running a series of test screenings. At the first test screening, nearly 40% of the audience didn't realize there was an abortion subplot in the movie, even after completing the movie. A few weeks later, Vestron executives would screen the film for producer Aaron Russo, who had produced such movies as The Rose and Trading Places. His reaction to the film was to tell the executives to burn the negative and collect the insurance. But, to be fair, one important element of the film was still not set. The music. Eleanor Bergstein had written into her script a number of songs that were popular in the early 1960s, when the movie was set, that she felt the final film needed. Except a number of the songs were a bit more expensive to license than Vestron would have preferred. The company was testing the film with different versions of those songs, other artists' renditions. The writer, with the support of her producer and director, fought back. She made a deal with the Vestron executives. They would play her the master tracks to ten of the songs she wanted, as well as the copycat versions. If she could identify six of the masters, she could have all ten songs in the film. Vestron would spend another half a million dollars licensing the original recording. The writer nailed all ten. But even then, there was still one missing piece of the puzzle. The closing song. While Bergstein wanted another song to close the film, the team at Vestron were insistent on a new song that could be used to anchor a soundtrack album. The writer, producer, director and various members of the production team listened to dozens of submissions from songwriters, but none of them were right, until they got to literally the last submission left, written by Franke Previte, who had written another song that would appear on the Dirty Dancing soundtrack, “Hungry Eyes.” Everybody loved the song, called “I've Had the Time of My Life,” and it would take some time to convince Previte that Dirty Dancing was not a porno. They showed him the film and he agreed to give them the song, but the production team and Vestron wanted to get a pair of more famous singers to record the final version. The filmmakers originally approached disco queen Donna Summer and Joe Esposito, whose song “You're the Best” appeared on the Karate Kid soundtrack, but Summer would decline, not liking the title of the movie. They would then approach Daryl Hall from Hall and Oates and Kim Carnes, but they'd both decline, citing concerns about the title of the movie. Then they approached Bill Medley, one-half of The Righteous Brothers, who had enjoyed yet another career resurgence when You Lost That Lovin' Feeling became a hit in 1986 thanks to Top Gun, but at first, he would also decline. Not that he had any concerns about the title of the film, although he did have concerns about the title, but that his wife was about to give birth to their daughter, and he had promised he would be there. While trying to figure who to get to sing the male part of the song, the music supervisor for the film approached Jennifer Warnes, who had sung the duet “Up Where We Belong” from the An Officer and a Gentleman soundtrack, which had won the 1983 Academy Award for Best Original Song, and sang the song “It Goes Like It Goes” from the Norma Rae soundtrack, which had won the 1980 Academy Award for Best Original Song. Warnes wasn't thrilled with the song, but she would be persuaded to record the song for the right price… and if Bill Medley would sing the other part. Medley, flattered that Warnes asked specifically to record with him, said he would do so, after his daughter was born, and if the song was recorded in his studio in Los Angeles. A few weeks later, Medley and Warnes would have their portion of the song completed in only one hour, including additional harmonies and flourishes decided on after finishing with the main vocals. With all the songs added to the movie, audience test scores improved considerably. RCA Records, who had been contracted to handle the release of the soundtrack, would set a July 17th release date for the album, to coincide with the release of the movie on the same day, with the lead single, I've Had the Time of My Life, released one week earlier. But then, Vestron moved the movie back from July 17th to August 21st… and forgot to tell RCA Records about the move. No big deal. The song would quickly rise up the charts, eventually hitting #1 on the Billboard charts. When the movie finally did open in 975 theatres in August 21st, the film would open to fourth place with $3.9m in ticket sales, behind Can't Buy Me Love in third place and in its second week of release, the Cheech Marin comedy Born in East L.A., which opened in second place, and Stakeout, which was enjoying its third week atop the charts. The reviews were okay, but not special. Gene Siskel would give the film a begrudging Thumbs Up, citing Jennifer Grey's performance and her character's arc as the thing that tipped the scale into the positive, while Roger Ebert would give the film a Thumbs Down, due to its idiot plot and tired and relentlessly predictable story of love between kids from different backgrounds. But then a funny thing happened… Instead of appealing to the teenagers they thought would see the film, the majority of the audience ended up becoming adults. Not just twenty and thirty somethings, but people who were teenagers themselves during the movie's timeframe. They would be drawn in to the film through the newfound sense of boomer nostalgia that helped make Stand By Me an unexpected hit the year before, both as a movie and as a soundtrack. Its second week in theatre would only see the gross drop 6%, and the film would finish in third place. In week three, the four day Labor Day weekend, it would gross nearly $5m, and move up to second place. And it would continue to play and continue to bring audiences in, only dropping out of the top ten once in early November for one weekend, from August to December. Even with all the new movies entering the marketplace for Christmas, Dirty Dancing would be retained by most of the theatres that were playing it. In the first weekend of 1988, Dirty Dancing was still playing in 855 theaters, only 120 fewer than who opened it five months earlier. Once it did started leaving first run theatres, dollar houses were eager to pick it up, and Dirty Dancing would make another $6m in ticket sales as it continued to play until Christmas 1988 at some theatres, finishing its incredible run with $63.5m in ticket sales. Yet, despite its ubiquitousness in American pop culture, despite the soundtrack selling more than ten million copies in its first year, despite the uptick in attendance at dance schools from coast to coast, Dirty Dancing never once was the #1 film in America on any weekend it was in theatres. There would always be at least one other movie that would do just a bit better. When awards season came around, the movie was practically ignored by critics groups. It would pick up an Independent Spirit Award for Best First Feature, and both the movie and Jennifer Grey would be nominated for Golden Globes, but it would be that song, I've Had the Time of My Life, that would be the driver for awards love. It would win the Academy Award and the Golden Globe for Best Original Song, and a Grammy for Best Pop Performance by a Duo or Group with Vocals. The song would anchor a soundtrack that would also include two other hit songs, Eric Carmen's “Hungry Eyes,” and “She's Like the Wind,” recorded for the movie by Patrick Swayze, making him the proto-Hugh Jackman of the 80s. I've seen Hugh Jackman do his one-man show at the Hollywood Bowl, and now I'm wishing Patrick Swayze could have had something like that thirty years ago. On September 25th, they would release Abel Ferrera's Neo-noir romantic thriller China Girl. A modern adaptation of Romeo and Juliet written by regular Ferrera writer Nicholas St. John, the setting would be New York City's Lower East Side, when Tony, a teenager from Little Italy, falls for Tye, a teenager from Chinatown, as their older brothers vie for turf in a vicious gang war. While the stars of the film, Richard Panebianco and Sari Chang, would never become known actors, the supporting cast is as good as you'd expect from a post-Ms. .45 Ferrera film, including James Russo, Russell Wong, David Caruso and James Hong. The $3.5m movie would open on 110 screens, including 70 in New York ti-state region and 18 in Los Angeles, grossing $531k. After a second weekend, where the gross dropped to $225k, Vestron would stop tracking the film, with a final reported gross of just $1.26m coming from a stockholder's report in early 1988. Ironically, China Girl would open against another movie that Vestron had a hand in financing, but would not release in America: Rob Reiner's The Princess Bride. While the film would do okay in America, grossing $30m against its $15m, it wouldn't translate so easily to foreign markets. Anna, from first time Polish filmmaker Yurek Bogayevicz, was an oddball little film from the start. The story, co-written with the legendary Polish writer/director Agnieszka Holland, was based on the real-life friendship of Polish actresses Joanna (Yo-ahn-nuh) Pacuła (Pa-tsu-wa) and Elżbieta (Elz-be-et-ah) Czyżewska (Chuh-zef-ska), and would find Czech supermodel Paulina Porizkova making her feature acting debut as Krystyna, an aspiring actress from Czechoslovakia who goes to New York City to find her idol, Anna, who had been imprisoned and then deported for speaking out against the new regime after the 1968 Communist invasion. Nearly twenty years later, the middle-aged Anna struggles to land any acting parts, in films, on television, or on the stage, who relishes the attention of this beautiful young waif who reminds her of herself back then. Sally Kirkland, an American actress who got her start as part of Andy Warhol's Factory in the early 60s but could never break out of playing supporting roles in movies like The Way We Were, The Sting, A Star is Born, and Private Benjamin, would be cast as the faded Czech star whose life seemed to unintentionally mirror the actress's. Future Snakes on a Plane director David R. Ellis would be featured in a small supporting role, as would the then sixteen year old Sofia Coppola. The $1m movie would shoot on location in New York City during the winter of late 1986 and early 1987, and would make its world premiere at the 1987 New York Film Festival in September, before opening at the 68th Street Playhouse on the Upper East Side on October 30th. Critics such as Bruce Williamson of Playboy, Molly Haskell of Vogue and Jami Bernard of the New York Post would sing the praises of the movie, and of Paulina Porizkova, but it would be Sally Kirkland whom practically every critic would gush over. “A performance of depth and clarity and power, easily one of the strongest female roles of the year,” wrote Mike McGrady of Newsday. Janet Maslim wasn't as impressed with the film as most critics, but she would note Ms. Kirkland's immensely dignified presence in the title role. New York audiences responded well to the critical acclaim, buying more than $22,000 worth of tickets, often playing to sell out crowds for the afternoon and evening shows. In its second week, the film would see its gross increase 12%, and another 3% increase in its third week. Meanwhile, on November 13th, the film would open in Los Angeles at the AMC Century City 14, where it would bring in an additional $10,000, thanks in part to Sheila Benson's rave in the Los Angeles Times, calling the film “the best kind of surprise — a small, frequently funny, fine-boned film set in the worlds of the theater and movies which unexpectedly becomes a consummate study of love, alienation and loss,” while praising Kirkland's performance as a “blazing comet.” Kirkland would make the rounds on the awards circuit, winning Best Actress awards from the Los Angeles Film Critics Association, the Golden Globes, and the Independent Spirit Awards, culminating in an Academy Award nomination, although she would lose to Cher in Moonstruck. But despite all these rave reviews and the early support for the film in New York and Los Angeles, the film got little traction outside these two major cities. Despite playing in theatres for nearly six months, Anna could only round up about $1.2m in ticket sales. Vestron's penultimate new film of 1987 would be a movie that when it was shot in Namibia in late 1986 was titled Peacekeeper, then was changed to Desert Warrior when it was acquired by Jerry Weintraub's eponymously named distribution company, then saw it renamed again to Steel Dawn when Vestron overpaid to acquire the film from Weintraub, because they wanted the next film starring Patrick Swayze for themselves. Swayze plays, and stop me if you've heard this one before, a warrior wandering through a post-apocalyptic desert who comes upon a group of settlers who are being menaced by the leader of a murderous gang who's after the water they control. Lisa Niemi, also known as Mrs. Patrick Swayze, would be his romantic interest in the film, which would also star AnthonY Zerbe, Brian James, and, in one of his very first acting roles, future Mummy co-star Arnold Vosloo. The film would open to horrible reviews, and gross just $312k in 290 theatres. For comparison's sake, Dirty Dancing was in its eleventh week of release, was still playing 878 theatres, and would gross $1.7m. In its second week, Steel Dawn had lost nearly two thirds of its theatres, grossing only $60k from 107 theatres. After its third weekend, Vestron stopped reporting grosses. The film had only earned $562k in ticket sales. And their final release for 1987 would be one of the most prestigious titles they'd ever be involved with. The Dead, based on a short story by James Joyce, would be the 37th and final film to be directed by John Huston. His son Tony would adapt the screenplay, while his daughter Anjelica, whom he had directed to a Best Supporting Actress Oscar two years earlier for Prizzi's Honor, would star as the matriarch of an Irish family circa 1904 whose husband discovers memoirs of a deceased lover of his wife's, an affair that preceded their meeting. Originally scheduled to shoot in Dublin, Ireland, The Dead would end up being shot on soundstages in Valencia, CA, just north of Los Angeles, as the eighty year old filmmaker was in ill health. Huston, who was suffering from severe emphysema due to decades of smoking, would use video playback for the first and only time in his career in order to call the action, whirling around from set to set in a motorized wheelchair with an oxygen tank attached to it. In fact, the company insuring the film required the producers to have a backup director on set, just in case Huston was unable to continue to make the film. That stand-in was Czech-born British filmmaker Karel Reisz, who never once had to stand-in during the entire shoot. One Huston who didn't work on the film was Danny Huston, who was supposed to shoot some second unit footage for the film in Dublin for his father, who could not make any trips overseas, as well as a documentary about the making of the film, but for whatever reason, Danny Huston would end up not doing either. John Huston would turn in his final cut of the film to Vestron in July 1987, and would pass away in late August, a good four months before the film's scheduled release. He would live to see some of the best reviews of his entire career when the film was released on December 18th. At six theatres in Los Angeles and New York City, The Dead would earn $69k in its first three days during what was an amazing opening weekend for a number of movies. The Dead would open against exclusive runs of Broadcast News, Ironweed, Moonstruck and the newest Woody Allen film, September, as well as wide releases of Eddie Murphy: Raw, Batteries Not Included, Overboard, and the infamous Bill Cosby stinker Leonard Part 6. The film would win the National Society of Film Critics Award for Best Picture of the year, John Huston would win the Spirit Award and the London Film Critics Circle Award for Best Director, Anjelica Huston would win a Spirit Award as well, for Best Supporting Actress, and Tony Huston would be nominated for an Academy Award for Best Adapted Screenplay. But the little $3.5m film would only see modest returns at the box office, grossing just $4.4m after a four month run in theatres. Vestron would also release two movies in 1987 through their genre Lightning Pictures label. The first, Blood Diner, from writer/director Jackie Kong, was meant to be both a tribute and an indirect sequel to the infamous 1965 Herschell Gordon Lewis movie Blood Feast, often considered to be the first splatter slasher film. Released on four screens in Baltimore on July 10th, the film would gross just $6,400 in its one tracked week. The film would get a second chance at life when it opened at the 8th Street Playhouse in New York City on September 4th, but after a $5,000 opening week gross there, the film would have to wait until it was released on home video to become a cult film. The other Lightning Pictures release for 1987, Street Trash, would become one of the most infamous horror comedy films of the year. An expansion of a short student film by then nineteen year old Jim Muro, Street Trash told the twin stories of a Greenpoint, Brooklyn shop owner who sell a case of cheap, long-expired hooch to local hobos, who hideously melt away shortly after drinking it, while two homeless brothers try to deal with their situation as best they can while all this weirdness is going on about them. After playing several weeks of midnight shows at the Waverly Theatre near Washington Square, Street Trash would open for a regular run at the 8th Street Playhouse on September 18th, one week after Blood Diner left the same theatre. However, Street Trash would not replace Blood Diner, which was kicked to the curb after one week, but another long forgotten movie, the Christopher Walken-starrer Deadline. Street Trash would do a bit better than Blood Diner, $9,000 in its first three days, enough to get the film a full two week run at the Playhouse. But its second week gross of $5,000 would not be enough to give it a longer playdate, or get another New York theatre to pick it up. The film would get other playdates, including one in my secondary hometown of Santa Cruz starting, ironically, on Thanksgiving Day, but the film would barely make $100k in its theatrical run. While this would be the only film Jim Muro would direct, he would become an in demand cinematographer and Steadicam operator, working on such films as Field of Dreams, Dances with Wolves, Sneakers, L.A. Confidential, the first Fast and Furious movie, and on The Abyss, Terminator 2, True Lies and Titanic for James Cameron. And should you ever watch the film and sit through the credits, yes, it's that Bryan Singer who worked as a grip and production assistant on the film. It would be his very first film credit, which he worked on during a break from going to USC film school. People who know me know I am not the biggest fan of horror films. I may have mentioned it once or twice on this podcast. But I have a soft spot for Troma Films and Troma-like films, and Street Trash is probably the best Troma movie not made or released by Troma. There's a reason why Lloyd Kaufman is not a fan of the movie. A number of people who have seen the movie think it is a Troma movie, not helped by the fact that a number of people who did work on The Toxic Avenger went to work on Street Trash afterwards, and some even tell Lloyd at conventions that Street Trash is their favorite Troma movie. It's looks like a Troma movie. It feels like a Troma movie. And to be honest, at least to me, that's one hell of a compliment. It's one of the reasons I even went to see Street Trash, the favorable comparison to Troma. And while I, for lack of a better word, enjoyed Street Trash when I saw it, as much as one can say they enjoyed a movie where a bunch of bums playing hot potato with a man's severed Johnson is a major set piece, but I've never really felt the need to watch it again over the past thirty-five years. Like several of the movies on this episode, Street Trash is not available for streaming on any service in the United States. And outside of Dirty Dancing, the ones you can stream, China Girl, Personal Services, Slaughter High and Steel Dawn, are mostly available for free with ads on Tubi, which made a huge splash last week with a confounding Super Bowl commercial that sent millions of people to figure what a Tubi was. Now, if you were counting, that was only nine films released in 1987, and not the eighteen they had promised at the start of the year. Despite the fact they had a smash hit in Dirty Dancing, they decided to push most of their planned 1987 movies to 1988. Not necessarily by choice, though. Many of the films just weren't ready in time for a 1987 release, and then the unexpected long term success of Dirty Dancing kept them occupied for most of the rest of the year. But that only meant that 1988 would be a stellar year for them, right? We'll find out next episode, when we continue the Vestron Pictures story. Thank you for joining us. We'll talk again next week. Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.
Oh hi! This week we tackle Trev's favorite Gilmore Girls episode! We finally feel some pride in Rory, continue to drool over Lauren Graham, and we all blubber along with Luke and company. Also a little chit chat about what Kelly Bishop is up to and a bit of Love Is Blind talk!Instagram - https://instagram.com/ykthatepisodeTwitter - https://twitter.com/ykthatepisodeWebsite: https://ykthatepisode.com
Diana accidentally saved Dirty Dancing (1987) for her final pick and could not do it without Polina and Ryan. Polina and Diana know this movie in their bones and Ryan got to watch it for the first time for the podcast. This was the right movie for the last episode. Polina mentioned the episode of the podcast You Must Remember This about Dirty Dancing and Fatal Attraction. Polina is on Twitter @anilop and Ryan is @RyanSkonnord. The feed will be pretty quiet, but you can still reach out on Twitter and Instagram @HEAMCast, Facebook @HappilyEverAftermath. Your best bet is by e-mail at heamcast@gmail.com. Spending the summer at a Catskills resort with her family, Frances "Baby" Houseman falls in love with the camp's dance instructor, Johnny Castle. Stars Jennifer Grey, Patrick Swayze, Jerry Orbach, Cynthia Rhodes, Jack Weston, Jane Brucker, Kelly Bishop, Lonny Price, Max Cantor, Charles 'Honi' Coles, Neal Jones, and Wayne Knight. (from IMDb.com) Find other amazing podcasts by searching #ladypodsquad on Twitter, Instagram, Facebook, and all the social media platforms.
Dirty Dancing… a 1987 romantic drama dance film. The setting is 1963. It's the story of ‘Baby' Frances Houseman played by Jennifer Grey… a young woman on her way to a vacation resort with her parents Jack and Marjorie Houseman… Jerry Orbach and Kelly Bishop. While at this resort Baby is immediately awestruck by Johnny Castle, the resident dance instructor and all around hunk played by Patrick Swayze. Dirty Dancing is the timeless story of Baby and Johnny Castle, two people from different worlds, different lives, who collide in one fantastic romance at this vacation resort. Dirty Dancing is one of the all-time great films, it was one of the highest grossing films of the year, it was the number one video rental in 1988. It was the first FILM to sell more than a million copies on video. I've Had the Time of My Life won an Academy Award, a Golden Globe Award and a Grammy Award.See omnystudio.com/listener for privacy information.
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