Podcasts about Lesbian Vampire Killers

In this weeks episode Amanda and CJ talk about a weird performance from a 90s band, some police racism, a survival tale and lesbian vampire killers Next episode will be released: ??? Get in touch: Email us - fmedeadpodcast@gmail.com Follow us - Twitter (twitter.com/fmedeadpodcast) or Instagram (instagram.com/fmedeadpodcast/) at @fmedeadpodcast Support the show by donating on Ko-Fi - ko-fi.com/fmedeadpodcast Website - fuckmedeadpodcast.com We'd be forever grateful if you took the time to rate and leave a review in your preferred podcast app! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (https://ko-fi.com/fmedeadpodcast) Credits: https://www.dailymail.co.uk/news/article-13226927/erin-patterson-mushroom-lunch-update.html https://www.dailymail.co.uk/tvshowbiz/article-13226809/Horrendous-Pop-groups-bizarre-performance.html https://www.abc.net.au/news/2024-03-06/nt-police-minister-brent-potter-defends-facebook-posts/103552668 https://www.news.com.au/travel/travel-updates/travel-stories/how-michelle-pittman-and-her-9yo-son-dylan-survived-10-days-lost-in-nsws-mount-royal-national-park/news-story/04b571285a501461d9cd2f83de438555

Episode six of Britcom Goes to the Movies marks the halfway point of the series and this week we're going all the back to 1970. Having said that the themes and satire from The Rise and Rise of Michael Rimmer are all too prescient in 2023. Guy and Rob are joined to talk all things Peter Cook, David Frost and of course The Rise & Rise of Michael Rimmer by writer, producer and host of the Best Pick Podcast Tom Salinsky. Tom's insights and political context for this episode were invaluable and he also wrote and hosted our quiz. Among other things, we talk about That Was The Week That Was, Goodbye Again, Frost/Nixon, and a sprinkling of Monty Python. We wouldn't always urge listeners to watch the film we're talking about (Lesbian Vampire Killers we're looking at you) but The Rise & Rise of Michael Rimmer is worth everyone's time, if not for anything other than Arthur Lowe. Could this biting satire challenge the top of our table, tune in and find out. Ned Sherrin introduces TW3 https://www.youtube.com/watch?v=4e4R2038tfU Goodbye again – full episodehttps://www.youtube.com/watch?v=wfnrTdecoVc David Frost on his Nixon Interviews https://www.youtube.com/watch?v=8fpYu36q_tQ Arthur Lowe narrating the Mr Men https://www.youtube.com/watch?v=M2D1fDiSP_Y The Rise & Rise of Michael Rimmer – Full Movie https://www.youtube.com/watch?v=WT_prfYb6DE The Cadbury's Flake advert on which the Scorpio Humbugs commercial is based https://youtu.be/DqTPVvam1uY?si=cd9-uUyhmxPgpUN_ Harold Wilson and pipe exhibition https://www.youtube.com/watch?v=c0Ssw_WQ-y4 Monty Python – The Silly Party hold Leicester https://www.youtube.com/watch?v=dVI5ZOT5QEM

Episode 2: Getting in the Swing. The only way is up (we hope) after Lesbian Vampire Killers. Next on our agenda was to take a closer look at the Martin Clunes 1994 vehicle Staggered. A film that at the time seemed ubiquitous because of an aggressive marketing campaign, but not one that's widely remembered in 2023. In fact not even by Guy and Rob it would seem. Both huge Men Behaving Badly fans, one had seen Staggered but couldn't remember it, while the other couldn't remember if he had seen it. Keeping up? It's fair to say that Staggered wouldn't have received the exposure it did at the time without the burgeoning TV stardom of Martin Clunes on Men Behaving Badly and after losing the services on Comic Strip Presents director Sandy Johnson, Clunes was given the task of directing Staggered himself. Tune in to find out whether that was a good idea or not. Amongst other things, we get stuck into Men Behaving Badly, Robin of Sherwood, Babes in the Wood, Boobs in the Wood and the unforgettable Warren. See where Staggered rates in our master list of two and who can gain the upper hand (sadly a sitcom that never made the big screen) in the BritCom Goes to the Movies Quiz. You can follow Britcom Goes To The Movies on Twitter and Instagram as @britcomgoes you can email us at britcomgoes@gmail.com and don't forget to like, subscribe and give us a lovely review wherever you get your podcasts to help us reach a wider audience. Staggered – Full Movie https://youtu.be/Iu_nz5StaWw?si=pRxzS2eJwSJzsygZ   Tim Nice But Dim feat. Martin Clunes https://youtu.be/5XHN_1oJXeY?si=POx13MMXgLltN0ee   Men Behaving Badly: What are you thinking? https://youtu.be/-GyxboBU4J4?si=qzNgq6YOtLizACwO   Men Behaving Badly: Toilet https://youtu.be/6NXpAjCudnA?si=XhYwrZiiqj8m2B6H   Robin of Sherwood Trailer https://youtu.be/b9BiXsnYd7k?si=oI6R4bNn2DtDPnLy   Babes in the Wood https://youtu.be/whj5h8-WZZc?si=tSs1qSuvTI56p7zu

Series one episode one of Britcom Goes to the Movies. After a low-brow discussion in a high-end Leeds boozer, Guy Walker and Rob Heath decided to set on a quest to definitively rank as many British comedy small to big/screen transfers as they could before they or more importantly their audience got bored of it. Building the long list of movies that contained some kind of programme, sketch, or talent crossover was the fun bit, then the real work began.   It was decided that Britcom Goes to the Movies would kick off with the 2009 cinematic outing of the Horne & Corden partnership, Lesbian Vampire Killers. This was a film that had become a byword for terrible TV comedy transfers, which is why neither of our presenters had ever seen it. Was this Hammer Horror-inflected comedy really as bad as everyone said? There was only one way to find out.   Charting LVK's origins all the way from the universally loved Gavin & Stacy to the unanimously slated late-noughties sketch show Horne & Corden, this is a deep dive into all things Lesbian Vampire Killers. As a quirk of format at the end of this episode this film would sit both top and bottom of the BGTTM rankings list, but how long would it stay at either end?   You can follow Britcom Goes To The Movies on Twitter and Instagram as @britcomgoes you can email us at britcomgoes@gmail.com and don't forget to like, subscribe and give us a lovely review wherever you get your podcasts to help us reach a wider audience.   James Corden's early TV comedy appearance in Boyz Unlimited https://www.youtube.com/watch?v=z52BM_RXa-I   Lesbian Vampire Killers trailer https://www.youtube.com/watch?v=Ug60BEOdrB4   Viz Comic's “Which McGann Brother are you? https://twitter.com/PaulBurleyHQ/status/583366696766967808?t=KfzOgNHagjBQG3Pp1nssLA&s=08   I like You So Much Better When You're Naked by Ida Maria https://www.youtube.com/watch?v=VkVy2FeqIyc    Shout by James Corden and Dizzy Rascal https://www.youtube.com/watch?v=sHq3vy_7cJQ

Directo con visionado de película: Lesbian Vampire Killers (2009) Intervienen: José Antonio Pérez (El Camarote De Los Marx, Igor Regidor (A La Velocidad Absurda), Roberto Ruisanchez (Órbita Friki) e Iñaki Sánchez. Link al vídeo: https://www.youtube.com/watch?v=eFTel3tFDyE&ab_channel=Lafrikoteka

It's time for one of those huge episodes. Well, it's a four parter anyways. 2009 was a decent year for horror movies, well as long as your don't mind the French extreme, torture porn, the found footage explosion, j horror and a glut of remakes. The highs are really high & the lows are absolute trash. But, what do I think was the very greatest horror movie that came out during 2009? Well, here we have the top 10. The worst 10. A slew of also rans. Some awesome mates. Some special guests. Several pints of beer and a 6+ hour running time split over 4 episodes. This is 2009, A Year In Horror.It's a pretty long journey this one, part 4 of 4 in fact. I am going to give you the time codes below so if you don't want spoilers then, please, avert your eyes.You can now support A Year in Horror via the Patreon.Theme Music by Max Newton& Lucy Foster.Email the podcast at ayearinhorror@gmail.comDon't bother following the podcast on Facebook. But feel free to...Follow me on Twitter.Follow me on Instagram.Follow me on Letterboxd.Below are the timecodes for all the different segments and my guest links. Feel free to let me know where you think I got it wrong or right and of course stay safe out there & I'll see you next month.0.34 - Also Rans (Part 2)11.31 - Doctor Who: The Waters of Mars (w/ Dave Ingram)47.02 - Triangle55.54 - {REC}2 (w/ Niki Jones)

This case takes 'jealousy' to a very very dark place. Also...wtf is up with David?!Lead Investigator: CarterContent Warnings:Current in Crime- murder, violence against children, mention of mental illness, strangulationValerie & Jessica- self harm, bludgeoning, strangulation, sadism, molestationResources:https://www.cbsnews.com/news/lindsay-clancy-charged-killing-her-3-kids-planned-it-all-out-prosecutors-allege/#:~:text=Woman%20charged%20with%20killing%20her,it%20all%20out%2C%20prosecutors%20allege&text=Plymouth%2C%20Mass.,their%20deaths%2C%20CBS%20Boston%20reports.https://www.iheart.com/podcast/269-prime-crime-104056237/https://7news.com.au/original-fyi/crime-story-investigator/australias-grisliest-murders-stacey-mitchell-and-the-faux-friends-who-killed-her-c-469462https://abcnews.go.com/International/story?id=4452601&page=1Support the showInstagram | Facebook | Twitter | TikTok

The lads are back with more stories and more updates on their wild plans! Martin tells all about his nightmare audition experiences and his on-set antics, whilst Gordon comes clean about some questionable roles of his own! Make sure you subscribe and leave a 5 star review! If you'd like to share the times you've been a resourceful rascal, or want to get in touch, send an email to Hello@RestlessNativesPodcast.com

Every once in a while, someone tells Lena about a vampire movie she hadn't heard of.... this is one of those movies! Listen to find out if she is gld, she missed out on this one until now or wishes she'd seen it sooner. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This was nearly an episode about Lesbian Vampire Killers. Instead, we we have chosen the 1970s vampiric gothic horror masterpiece, The Vampire Lovers starring Ingrid Pitt and Peter Cushing. Is it actually scary? Probably not, but vampires are inherently queer and this one is actually a lesbian! This is a queer movie watch party for your ears, hosted by Rowan Ellis and Jazza John. Join us as we take a look at the queer film canon, one genre at a time. From rom-coms to slashers, contemporary arthouse cinema to comedy classics - Queer Movie Podcast is a celebration of all things queer on the silver screen! New episodes every other Thursday. Find Us on the Internet Super Highway - Twitter: https://twitter.com/QueerMoviePod  - Patreon: https://www.patreon.com/thequeermoviepodcast - Website: http://www.queermoviepodcast.co.uk/  - Multitude: @MultitudeShows Production - Hosts: Rowan Ellis and Jazza John - Editor: Julia Schifini - Executive Producer: Multitude - Artwork: Jessica E. Boyd Transcript [Intro Music] JAZZA:  Welcome to the Queer Movie Podcast, celebrating the best. ROWAN:  And worst. JAZZA:  In LGBTQ+ cinema. One glorious genre at a time. ROWAN:  I'm Rowan Ellis. JAZZA:  And I'm Jazza John. Each episode we discuss a movie from a different genre of cinema. ROWAN:  This episode, genre is-- ROWAN & JAZZA:  Queer Horror..  JAZZA:  [vampire laugh] ROWAN:  Thanks, Jazza. JAZZA:  But, before we dive into this week's episode, Rowan, what's the gayest thing you've done since we last spoke? ROWAN:  Well, this is actually something that I've wanted to do for a long time. But every time I've tried to do it, there's been a It's not been available for me. And that is volunteering for a Queer Organization specifically for a Queer Youth Group or kind of youth mentoring organization, something like that. And there's, sadly not a lot of them in London, and a lot of them kind of were at capacity or weren't doing their services because of COVID. But at the beginning of the year, I applied and I've just found out today that I've been accepted, so I'm very excited. I've got to do some training, obviously, very soon, but yeah, I'm gonna get to do some mentoring. JAZZA:  It's gonna be so cool. And you're officially becoming a Queer Elder-- ROWAN:  Oh my God. JAZZA:  --soon anyway, aren't you? ROWAN:  Yeah, I am. JAZZA:  Yeah. ROWAN:  In a week's time, I will indeed hit 30 and therefore-- JAZZA:  Good then. ROWAN:  --become an OAP. JAZZA:  Uh-huh. As a as a cis gay man, I stopped aging at 24. So let me know-- ROWAN:  You never will reach that, yeah, I'll let you know what it's like. JAZZA:  Awesome. Thank you so much. ROWAN:  And Jazza, what's the gayest thing that you've done since we last spoke? JAZZA:  So recently, the UK started lifting lockdown restrictions, right? And we were able to have familiar relations again. I had relations with an individual and was able for the first time to actually complete a full session of prep. Do you know how prep works? ROWAN:  I was wondering where you were going with it. I was like, complete a full session of what? JAZZA:  Yeah, it's not session-- ROWAN:  --[2:00] I was like a full, a full session of-- JAZZA:  A full of [2:03] like a-- ROWAN:  --[2:03] relations, you able to what? JAZZA:  I full cycle, a full cycle of [2:06]. ROWAN:  Pretty you. JAZZA:  So I do have that you're able to get it on the NHS now. And it is for anybody who doesn't know a medication that prevents you from getting HIV. And how it works is you're meant to take it two hours before you have relations. And then afterwards you've had relations in order to properly protect yourself. In the past, I have only ever prepared to have the relations and never had to complete the whole cycle of prep. ROWAN:  Oh my God, that's the saddest thing I've ever heard, that's hilarious. JAZZA:  Is it. ROWAN:  You know what, that was excellent. That was a very good-- JAZZA:  Thank you-- ROWAN:  --gayest thing I've done since [2:42]-- JAZZA:  Yeah yeah yeah. I feel like an actual adult now. ROWAN:  Look at you. JAZZA:  [2:45] yeah, look at me. Man in my 30s, finally able to look after myself. ROWAN:  Full disclosure to everyone listening, Jazza as he said that grinning like a little schoolboy does have a tiny gnome figurine right behi--as he said, I felt like such an adult. There is a tiny gnome figurine right behind him. JAZZA:  I'm an adult who collects plushies and plays D&D like these are-- ROWAN:  You know what, fair enough. JAZZA:  Yeah, these are not things that are mutually exclusive. ROWAN:  Yeah, you know what, you're right. [3:09] [Transition Music] JAZZA:  The film we have chosen for today is the 1970s vampiric Gothic horror masterpiece. The Vampire Lovers, starring Ingrid Pitt, and the absolute legendary Peter Cushing. So without further ado, let's start nibbling away at Roy Ward Baker's, The Vampire Lovers. ROWAN & JAZZA:  [trumpet sound] ROWAN:  Are you anticipating some kind of like dramatic horror music [3:47]-- JAZZA:  Yeah, in my head like it's the the title card. ROWAN:  Excellent. JAZZA:  I actually, vampire [3:53]. ROWAN:  I know we just said that we were going to go straight into talking about the history of the genre and the-- JAZZA:  Uh-hmm. ROWAN:  --context of it. But I just also need everyone to know not to make this the call out Jazza Podcast. But-- JAZZA:  It it already is. ROWAN:  --I came up with a whole list of, honestly, iconic wonderful, queer horror movies have come out. Especially some in the last few years. Because we have had an absolute amazing blossoming of queer horror within the last few years. I came up with an amazing shortlist. Jazza, came up with a movie that I immediately vetoed. That is the movie lesbian Vampire Killers. JAZZA:  Uh-hmm. Which has James-- ROWAN:  Which has-- JAZZA:  Corden in it. ROWAN:  --James Corden in it, is therefore I hate crime. And I immediately vetoed it. And then the list Jazza went through the list and it. Basically the secret came out that Jazza is a massive baby. And essentially would just was not able to watch an actual horror movie. And so-- JAZZA:  Uh-hmm. ROWAN:  --we have watched this movie, which is, horror in the most technical sense of the word. JAZZA:  No, but it's like, it's it's a lot of foundations of horror, like, like it's a classic Gothic, lots of dark cobwebby castles. Lots of screen Queens, a couple of screen Kings. ROWAN:  Yes, every element of horror except the bit where it's scary, which I think suited Jazza just fine. JAZZA:  Yeah. ROWAN:  I think that was-- JAZZA:  100% ROWAN:  --that was, I think he's very pleased with himself that he managed to get this. Because the other, we watched some of the trailers together. And there were a few trailers that Jazz stopped halfway through and went, "Oh, yes, I think we get the idea." And then, and it was very obvious why. JAZZA:  Apparently, I'm quite good to watch horror movies with. Just know that if you ever watch a a legitimate horror movie with me, that is actually scary. I'm not having a nice time. And you know what, in this podcast that I am lucky enough to have with you, Rowan. I want to have a nice time, you know? And I don't think that's too much to ask. ROWAN:  Okay, well, when we connect, spend actual time together, maybe I'll just I'll be like, oh, yeah, let's watch this nice little, like animated children's movie and then just slip in a horror movie instead. You could just hold onto my hand. JAZZA:  Maybe next year's Halloween, we can have a special episode again. And you couldn't actually scare the hell out of me, it will be good. ROWAN:  Yeah, if everyone could just audio clip Jazza, just then essentially promising on his on his firstborn son that he will watch a horror movie with me, that'd be great. So I know that Jazza, you've done normally when we watch these movies, we do a little bit of context. And then we talk to each other and go, oh, wait, shit, did we do the same context maybe hopefully, we looked up different bits of trivia otherwise is going to be very boring for both of us. And luckily, we had kind of done a mix. So I know that you've looked up Hammer Horror, which is the kind of studio and very specific niche genre that this particular movie is in. So would you like to tell me about it? I'm ready to learn.  JAZZA:  Yeah yeah yeah, so a Hammer, also great name, Hammer Productions. They were a production house in the UK, who were famous for bringing a lot of classic horror from the black and white era of the 1930s into color. We making a lot of the classics like Frankenstein, Dracula, The Mummy, etc. Remaking them into color movies for audiences throughout the 1950s and 60s. The other thing that they were very well known for doing is having a butt ton of sequels for everything. So this particular movie that we're doing. The Vampire Lovers, has two sequels to it. Lust for a Vampire, released the following year, and then Twins of Evil. Which as far as I have been able to find out on the Wikipedia page was just kind of like the same plot two more times, but with different actors. But to be fair, if the punters are going to go and watch it, then why not right? The reason the The Vampire Lovers itself is quite interesting, and is that a little bit of a tipping point in terms of cinema, is because it was towards the end of the strictness of the Hays Code in the US, which is a piece of us legislation that was very tight collared, around the depictions of sex, nudity, deviant acts like homosexuality. ROWAN:  I'm gonna be annoying and interrupt here is the Queer Film Historian bitch on this podcast. Because I think it's genuinely interesting. It wasn't technically a piece of like Governmental Legislation as such, it was a code that was self-imposed by Hollywood on itself, specifically, because they thought that the government will be even more harsh, so they were like, oh, shit, like, let let's just, we promise no titties, no gays, no, no-- JAZZA: No titties, no gays. ROWAN:  [8:39] for gays, we promise. And and so yeah, no, it's it's a, it's one of those kind of really interesting things actually happened with the comic, comic books as well, the Comic Code Authority happened as well. JAZZA:  Mmm. ROWAN:  A lot of industries at the time were like, well, I guess if someone's gonna do it, it might as well be us, to ourselves. JAZZA:   Uh-hmm. Yeah yeah yeah. And this was kind of like, towards the end of the prolific nature of the Hays Code. And it was still actually really hard to get this past the censors. The Vampire Lovers, which obviously, is pretty gay. There's naked ladies and there's titties absolutely everywhere. And there's also a man who dies while he's having a piss. So it's not really kind of like the highest brow of entertainment. But the reason that they were able to get especially the the gay shit through the censors, even at the time as they were expanding. Was because it was based on the original source text from the 1800s, Carmilla, which is like a classic text. And because it's seen as a classic text, they were like, actually, this is basically Shakespeare. I don't think anybody actually said that. But essentially, that's how they managed to to get around it. ROWAN:  Just being true to the original. JAZZA:  Yeah yeah, exactly. But yeah, we're watching a a movie about lesbian vampires. Of course, there's going to be a little bit of a camper and Gothic horror is always just a little bit of camp. But it's also a really interesting moment in kind of like the attitudes of prudishness, that were in Hollywood throughout the 50s and 60s. ROWAN:  Absolutely. I do, I do agree with you like Hammer Horror is just camp, it's just campy. Like it just has that energy to it in general-- JAZZA:  It is now. ROWAN:  --and I think as well like well, we'll talk about this when we're actually talking about the plot and the performances and stuff in the next section. But yeah, the acting of the time was not exactly the most based in like realism. And and I think that that style of acting that was popular then I think just is so imbued with camp-- JAZZA:  Uh-huh. ROWAN:  --as you look back on it now. Even if this hadn't had a load of vampires in it, I feel like it still would have felt a little bit-- JAZZA:  Uh-hmm. ROWAN:  --kind of queer energy. JAZZA:  A 100%. It reminded me an awful lot of like Ryan Murphy guy. ROWAN:  Oh, yeah. JAZZA:  Which obviously is referential to this era of horror. And I was like, Oh, I 100% understand where all of these references now come from in, like our modern media as well. Rowan, you had, a you also went away and did some of your own research you clever bookworm slash website were around like, vampires, sexuality, all of those things. Would you end up fine, come on, show and tell. ROWAN:  Well, basically, for those for those who don't know about the history of the vampire, it's kind of appears in a lot of different folktales and legends around different places. Just I think the idea of someone who needs to drain other people of their blood, which is very much linked to like, you know, lifeforce in a lot of cultures. It makes sense that there will be kind of mythology around that, and and kind of scary tales, and all that kind of thing. But it kind of didn't necessarily get a kind of literary grounding until the early 1800s. Were John Polidori, wrote The Vampyre, which was actually created kind of as part of the sort of Gothic horror writing contest that also produced, Frankenstein. It was a good, it was a good time that they were having in that rainy manor house. And kind of interestingly, the history of vampires, I think, has not necessarily been, obviously in the mainstream link to queerness. But when you start looking into the history of it, it's a lot of like reading between the lines when it's going on. So, for example, that original text of Vampyre, a lot of people kind of thought that potentially the that kind of central character was based on Lord Byron. There was a bit of a mix up as to who had originally written the tale. And it was attributed Lord Byron originally and then kind of had to be redacted. And so you kind of have this element of like, oh, there's this creeping queerness in there. And that only became like, more intensified when it came to Dracula, which came a bit later. Because again, Bram Stoker, lots of rumors about him being gay, he had a very close relationship with Oscar Wilde. He wrote some frankly, adoring love letters to Walt Whitman, really, really, very gay letters to Walt Whitman. And there are just some quotes that come up in the book that feel very much like they are centered around the kind of repressed, a repressed homosexuality-- JAZZA:  Uh-hmm. ROWAN:  --shall we say. A lot of people have pointed out the fact that he basically started to write Dracula very, very soon after Oscar Wilde's trial and conviction. And that there was potentially a link between that and like the anxieties of being this like queer man who was worried about being like, discovered. So obviously, as with much of queer history, it is not provable. But I do think it's very interesting. And it's something a lot of people have have talked about. But yeah, I think vampire stories in general, as well as being kind of horror, obviously have a lot of links to the idea of sexuality, and and sexual anxieties, I guess over the years. JAZZA:  When we're looking at this area as well. It's really difficult to kind of like put the gay label on it. Because it wasn't a term that they used for themselves-- ROWAN:  No. JAZZA:  --either, but we're just kind of trying to view it for our own lens. ROWAN:  Yeah, exactly. So in Dracula, for example, you've got Lucy, the character of Lucy, who's this kind of like symbol of the new woman. So kind of more independent and breaking free of the constraints of society, especially sexual constraints. And so if she sort of gives herself or is compromised by this kind of foreign invader, then she becomes this corrupted figure, which is very, you know, if you read through the lines, metaphorically, it's very much a sort of like fallen woman virginity loss kind of situation. And then yeah, I mean, spoiler alert for Dracula, but she ends up being staked by like, all of the men who she had been pursuing at one point or another during the story, and dies-- JAZZA:  Uh-hmm. ROWAN:  --this death that's very, like writhing around and bleeding, and it's very kind of like, you know, symbolically resonant in a lot of ways. So yeah, I think I think that like even if you come to Twilight, or to more modern depictions of vampires, it doesn't necessarily have a Victorians lens of sexuality. It has a modern lens, but it's still feels like it might be commenting in some way. So there's a lot more sort of, in the vampire as the romantic lead for women's or like girls fiction, it becomes much more about a man who needs to control his natural impulses, and that he's able to do it for you. The female love interest. JAZZA:  That's the Twilight stuff isn't? ROWAN:  Exactly. JAZZA:  I'll be honest, I wasn't even I wasn't even making that link in like, I feel like Twilight is such a long time ago now. ROWAN:  Ancient history. JAZZA:  Yeah, yeah. But like, seriously, but yeah, I didn't even make that link of kind of like sexual request-ness. But then I haven't really read, I haven't read any of the Twilight books, I've only seen the movie. So maybe that's why it's not at the front of my mind. ROWAN:  Well, allegedly Stephenie Meyer did come up with the idea from some kind of romantically charged dream that she had. And she is quite from quite a religious background. So I think that the sexual repression and morality element to it is, it's not has not been not commented on by people in the past. So yeah, so I definitely think that the vampire legend and mythology and stuff has always had links to sex in some way and to that kind of forbidden element of sex. And I think that that only gets more apparent when you talk about sex that is genuinely forbidden and taboo in the way that kind of same gender relationships might be. So yeah, it completely makes sense, lesbian vampires completely make sense on a literary level. And it very much is not just a kind of, ohhh, she's sexy, and she's a lesbian, and she's a vampire. It's like, oh, there is actually some kind of literary backing to making this a a thing in your films. JAZZA:  Did you have because I accidentally came across this while I was looking through stuff around the source material for The Vampire Lovers, which is like a a vampire novel that predates Dracula by a couple of decades called Carmilla. About a lesbian female vampire. And apparently she's based on this Hungarian, I believe she's a Princess. She's a fancy person, uhm, called Elizabeth Boothroyd. Have you seen her a bit about her? ROWAN:  If this is who I think it is? Yeah, I think she married into a family and got an absolute ton of land and power from it and use that to allegedly just kill a lot of servant girls, and some minor nobility. JAZZA:  Some set I don't think we have to say allegedly anymore. This was in like the the 15, 16 [16:54]-- ROWAN:  She's not gonna [16:55]-- JAZZA:  [16:56] I think we're gonna get sued by Elizabeth III of Hungary fame, but she apparently killed up to 650 people and there was some people who say that she used to bathe in their blood to maintain like youth? Some of this is urban legends now, and there's some people that say that she inspired because she was from the Kingdom of Hungary. Which at that time included, Slovakia and Romania, which is kind of like the part of the world that is where like, vampiric culture comes from, I guess? And some people even suggest that she inspired Carmilla and Dracula. But yeah, like, it's an interesting part of kind of like also the, the empowered woman as well, which was definitely, I mean, deviant for the time that vampire novels became really, really big in the Victorian era. But certainly for like the 1500-1600s when she was alive, as well. And kind of like the fear and the weariness of the empowered, maybe sexualized women as well. I kind of like themes that run through this type of horror too. ROWAN:  Indeed, without I guess, should we go into talking about the actual movie and how the lesbian vampires sort of displays herself. JAZZA:  Displays herself. ROWAN:  Displays herself in this movie JAZZA:  Sometimes literally displays herself-- ROWAN:  Quite literally. JAZZA:  Uh-hmm. [18:15] [Transition Music] [18:15] [ADS] JAZZA:  Dear listener, there's only so many times you can lean on your ability to make a [18:25] gin and tonic. Trust me, I've had the headaches to prove it. Sometimes you need to shake up your drinks trolley, pun intended, and shaker and spoon subscription cocktail box is the perfect way to do that. Each box they send you contains enough ingredients to make three different cocktails with your favorite Spirits. All you need is to buy your own bottle and then you have all you need to craft 12 cocktails at home. It's between 40 and 50 of your American dollars every month, excluding the price of the bottle you buy. So is a sensible way to expand your drinking palette. You can even skip boxes or cancel whenever you like, my darlin'. Imagine if you will, clowning around some popcorn with your loved ones and a fancy cocktail in hand. Enjoying your own Queer Movie Night. Yes, you too, can experience what we experienced together here on this podcast. We support you. And don't forget to get $20 off your first box by going to shakerandspoon.com/queermovie, that's shakerandspoon.com/queermovie. Queer Movie Podcast is part of Multitude which is like a cool little collective of creatives. We like to give our audio siblings a shout out every now and again. And I'm very excited to recommend to you X0 Law. In case you haven't noticed yet, Rowan and I are big nerds. Rowan has her Disney and D&D, I have my love of Final Fantasy in the expanse novels. So this podcast is like catnip to us. Dr. Moyer McTeer is the host and as the coolest job description of Astrophysicist and folklorist. Which honestly, has made wondering what I've been doing with my life. Each episode she goes through the how to of fictional world creation, meaning you can apply her findings to any and all creative projects that you yourself are working on. Are you creating a home route for your D&D table? Are you scribbling away on your first Sci-fi novel? Do you find this stuff interesting? That's fine, too. Honestly, it's necessary educational listening. I had a particularly fun time listening to Moyer and guest Clark Robinson go through the mechanics of building a world magic system. And I think you'll find it interesting too. So go give X0 Law a listen, and tell the doctor we sent you. Now, back to the show. [21:02] [Transition Music] ROWAN:  So we normally split this into three different parts. JAZZA:  Uh-hmm. ROWAN:  We haven't conferred beforehand about what those parts are going to look like for this particular movie. But I have a feeling that we have a very similar thru line. JAZZA:  Hmm. ROWAN:  The first part I have referred to, because there was only one way we could refer to this part, given that in so many other films that we have covered in our previous episodes. This was also the title of a section of the film. JAZZA:  Uh-hmm. ROWAN:  The Party and its Aftermath. JAZZA:  Yeah. 100% It starts with the party and its aftermath. It's very all interesting things start with a party, as does this movie. ROWAN:  Yeah, for some reason, so many stories. Normally, the party in its aftermath is the last act. JAZZA:  Uh-hmm. ROWAN:  Whereas in this one, it's, it's the first so essentially, what happens at the beginning of this movie is that we have this man who's narrating talking about the fact that his sister has died and he is going on this revenge plot. Castle ruins, evil European family, some very helpful vampire lore up front. He lets us-- JAZZA:  Uh-huh. ROWAN:  know you got to decapitate them. You got a stake in through the heart. We're getting a lot of exposition, but you know what, that's just how he rolls. JAZZA:  It was quick. It was quick and acceptable. I feel like you know, for [22:20]-- ROWAN:  Ding, ding, ding! Here we go. JAZZA:  But also, is anyone gonna come into something called The Vampire Lovers, cold as to what a vampire is. ROWAN:  Unlikely. JAZZA:  Like, I feel like most people are probably gonna know broadly, what a vampire is and how you kill it. ROWAN:  Exactly. So it's it's the classic star of the vampire killer is here. He's narrating to us what's about to happen. We have a very fast zoom in on a guy's neck with fang bites. The camera angles and uses within this movie are just very intense. They really love a good zoom in, dramatic zoom in. They really like a good kind of interesting shots, shall we say throughout this. Which I did, did think heighten the camp element. But with, yeah, very quintessential have a horror stuff. The evil figure of the vampire looked like I would say a Halloween sheet ghost costume, mixed with a Dementor. JAZZA:  Oh, well, you have ruined that now. I thought it looks like really quite impressive. ROWAN:  I did as well. Yeah, no, that isn't to diminish how-- JAZZA:  Okay, cool. ROWAN:  --creepy it did look. JAZZA:  Cool. I think that is an accurate description of what it was dressed as to be fair. ROWAN:  Yeah, I was like, you know what, if people aren't going to go back and watch this movie, if they're just listening this to to hear a little bit about lesbian vampires. I want to paint them a picture. And the picture is-- JAZZA:  Uh-hmm. ROWAN:  --a teenager. You know what I'm going to build on this picture. The picture is a teenager who has been asked by their parents to take out their little kid sister and the local sisters friends trick or treating at Halloween. He obviously is too cool for Halloween costumes at this point. He's at that age where it's not cool again. And it's it's, it was cool when he was a kid but he's like, he's he's 15 now, yeah? So he is like, "Urgh, fine!" And he goes into the airing covered and he just gets a sheet and he's like, "Are you happy now?" And he cuts it lies in the sheets. He doesn't care. It's that mix with a Dementor? JAZZA:  Uh-hmm, and lace. ROWAN:  Yeah. JAZZA:  There was lots of lakes. ROWAN:  Yeah. JAZZA:  Yeah, ROWAN:  If you just put that in your head. You've seen him, you can imagine it. JAZZA:  Yeah, 100%. I also love the like beyond just the vampire and the fact that it is a bedsheet. I love the rest of the costuming in this movie, but especially our narrator and the fact that he's there with kind of like his large Bejeweled ring, long sideburns and kind of like ruffled lace cuffs as well. And as he's got kind of got his hand up to his face in shock like, "Huh?!!", you see the rough come out of his sleeve. oh, and it's quite beautiful. It's it's beautiful [24:53], I love it. And all of that coupled with like the artificial fog on the clearly papier-mâché castle. The fake IV and the fact that it's all moonlit night time. I loved it. I was here for it. I felt like I was on a movie set because I was. ROWAN:  Oh yeah, I've completely agree with you there. My note that I made for this section was for a movie about lesbian vampires. We're getting a lot of this random dude. JAZZA:  Who disappears for-- ROWAN:  He disappears-- JAZZA:  --the rest of the movie, by the way. ROWAN:  --for most of the rest of the movie, he comes back at the end. JAZZA:  Uh-hmm. Yeah, and comes back at the very end to ruin it with men. ROWAN:  Yes, well, I mean, what we don't want to give you any spoilers right now. You're gonna get spoilers in approximately how many minutes and take hours to get to the end act. The other note I made was vampire girl is cute and blonde has very shiny hair, please drop the routine. So I was thinking-- JAZZA:  I think, I think it's being, I think, I think the routine is being immortal. ROWAN:  You know what? That makes sense, that checks out. I will say, and we kind of briefly talked about this before we started to record. But the the effects were really good. The there's a computation that happens at this point, and genuinely very, very good special effects, very well-practical effects. JAZZA:  Yeah, like they had Madame Tussaud's head being like, cut off loads of blood everywhere. I laughed when the vampire was killed at the beginning of the movie. I'm sure people in 1970 may have been genuinely shocked. It's-- ROWAN:  Mmm. JAZZA:  --really difficult for me to put myself in the mindset of somebody in the 1970s. ROWAN:  I don't know whether someone in the 1970s didn't I I think they understood what movies were, Jazza. Like I don't think that they were that gonna be that shocked? I think. JAZZA:  It's not quite like in the 1920s when they first showed people a train covered [26:45]-- ROWAN:  Yeah and they ran away. JAZZA:  --and people ran out of the movie. Yeah, yeah yeah. ROWAN:  No, I think that, I think that there was like, it was campy back then it was campy now. It was very much, yeah, my favorite bit of this whole big very, very beginning section before we get to the party, is the disclaimer. Because it goes from this section. It's like a good cold open if, you know, this guy's a vampire hunters. He's a eventing a sister, this is woman who's going around trying to kill people. We get some some of him explaining how to kill a vampire. And we also get her just being really really scared of a cross so you know, ohh, that bit of laws also correct. But once when the kind of credits start to roll at the beginning, there is a disclaimer that any characters or events portrayed are clearly fictitious, which definitely feels like something real vampires making a movie would say. JAZZA:  You saying, are we gonna have to make keep our eye out for more evidence that these are actual vampires making actual movies? ROWAN:  Is Peter Cushing a vampire? Who can tell? JAZZA:  Actually, you know what? He was somehow invoke one, so-- ROWAN:  He does have the vibes. JAZZA:  Yeah. ROWAN:  So then we get to the actual party, which is so aggressively 60s in its hair, makeup and clothing. JAZZA:  Oh my god, the eyeliner? ROWAN:  It's incredible. JAZZA:  --the eyeliner. I was taking notes for my drag character. Like I am doing cat eyes from now on. ROWAN:  I would honestly love to see you as a in drag as a lesbian vampire. I feel like that will be beautiful. JAZZA:  Hey, just you weren't into Halloween this year. ROWAN:  It'll happen. Also in in in, again, with the over the top style acting the over the top style props and stuff. I'm not gonna lie to you, there is no way that you could watch this film with the sound on and not know who the baddies are. Because the music, really is not subtle. There is no no subtleties to this music, you very quickly know who is you're meant to find menacing. Which they needed to do because the acting is so wooden. It's really trying to like give you something give you some indication because the characters are basically just standing around without expressions. JAZZA:  And also like makeup. So you assume that the man who clearly has a inch of white stick on his face. You assume that he is the bad guy vampire, because he turns up has a flowy cape and is whiter than I am. ROWAN:  Uhmm. JAZZA:  Which is saying something. ROWAN:  Now's a good time to point out this man. So basically the plot of the party is there's like, well, there's not much but essentially it's just an excuse for our lead lesbian vampire to turn up. And for her, we assume lesbian vampire mother to, I don't know why I said lesbian, specifically of. Mainly, we can assume she's a vampire. She might also be a lesbian, it's unconfirmed. Kind of drops her off and is like, Oh no, who will look after my daughter while I conveniently have to go away. JAZZA:  Uh-hmm. ROWAN:  And they're like, well, I guess we'll look after her. So this whole party is essentially setting up, that she's gonna have to stay with this family for a little while. But every so often interspersed is just the aforementioned man that Jazza has just briefly described. Who just has a very bad like white face paint makeup on and looks very Draculary and just sort of grins a lot. And he's just never explained the entire movie, it's great. JAZZA:  Yeah, and every now and again, throughout the movie, there will be a shot of the lesbian vampires doing lesbian vampire things, And then that will cast away as a transition to a silhouette of the man with the white face on the on the horse. And I'm like, this movie wants us to believe that this this, I assume that, we know he is a vampire. He's confirmed to be a vampire at the end, because he smiles and has the-- ROWAN:  It's canon. JAZZA:  Yeah, it's canon. But he is confirmed to be a vampire. And I'm like, are we to believe that he is the one pulling the strings of everything? I think that's what we're meant to believe. In which case I kind of dislike because part of the thing that I loved about this movie was the women leads and women like the middle section of the movie is just the women kind of like conversing and trying to kill one another. Why does there have to be a male puppet, puppet master? But then I realized, or, like shoot this down Rowan, and I'm sure you will if you if you do think it is shit. ROWAN:  Pew, pew. JAZZA:  Pew pew. He's Dracula, right? ROWAN:  Well, okay, so it's this question of like, the Dracula character is so well-known and so iconic in everything about him. Not necessarily the actual original Dracula from the book because most depictions of Dracula are nothing like him. But the image of him that has been created by Hollywood by movies and by kind of not even just urban legends. But like people's people's imagination from from movies and like physical-- JAZZA:  Uh-hmm uh-hmm. ROWAN:  --representations of him. So I think it will be very logical to assume that it was meant to be Dracula. But it's it may be it's just because he is so synonymous with vampires we see. If we saw any vampire that looked vaguely like old timey pale skin, we would maybe assume it was Dracula. JAZZA:  But then who else is it going to be? Like, so Carmilla is our titular vampire lover. ROWAN:  uh-hmm. JAZZA:  And apart from Dracula, like obviously, they're originally from different universes from different books. They are-- ROWAN:  Different cinematic universes. JAZZA:  Yeah yeah. This this is like Marvel and DC. ROWAN:  Most ambitious crossover, The Vampire Lovers. JAZZA:  But if it's going to be anybody, I feel like it has to be Dracula. ROWAN:  Yeah. JAZZA:  Because, I feel like nobody else is gonna be calling the shots for Carmilla. ROWAN:  Uhmm. JAZZA:  And even arguably, you'd argue that Carmilla wouldn't be like canonically in the book. She wouldn't be taking any direction from no man. But-- ROWAN:  Indeed. JAZZA:  So we should probably introduce Carmilla, our main lesbian vampire. ROWAN:  At this point going by Marcilla-- JAZZA:  Marci-- ROWAN:  --in an extremely clever, different version of her name. JAZZA:  Yeah. ROWAN:  It's not it was like it was a fake name, but it was just weirdly close to her actual name. JAZZA:  It's a little bit too close, right? So she is played by Ingrid Pitt, who is a Polish-British Actress, and her Wikipedia page, incredibly impressive. She is a Holocaust survivor. Did you know that? ROWAN:  I didn't. It's really, I mean, the Hammer Horror, I know that we're kind of taking the mick out of it. But ultimately, they it has produced some incredibly iconic, especially British Actors and Actresses. JAZZA:  Uh-hmm. ROWAN:  A lot of them were in like, a ton of those very specific Hammer Horror movies and like, very much became, like icons because of it. So I didn't know that about her. But we love to learn. JAZZA:  Yes, she's a, she was a a a Polish Jew and was born 1937 was in a concentration camp in, in Poland. Managed to escape to the UK. And then what it was the era when all of the all of Hollywood were kind of like marrying like seven or eight times. She's had several marriages, she's not had seven or eight, she's had three marriages. But what had the whole classic thing of you know what, I'm just going to become an Actress. Moved to Hollywood, was a waitress for years until she got discovered. And I've got to say, I think that she carries the rest of the cast, I will say including, Peter Cushing.  ROWAN:  How dare you, sir. JAZZA:  I I mean, this is one of his performances. There are other things that he's done better. But she carries this whole movie on her shoulders, I think Ingrid Pitt. I think that she is not, she's not so camp, that it makes it funny. But she really ups the energy, like throughout the film in all of the scenes and the development of her character. ROWAN:  Yeah, I agree. So I I kind of made a note about this, I think that you can see within her fighting to get out is some complexity around Carmilla. To the point where I like kept thinking it was going to be discussed in some way. So what essentially happens as I mentioned at the party, we it's it's a mechanism for Carmilla and Laura to become friends and have to stay together in the house. JAZZA:  Uhm. ROWAN:  Laura, basically slowly starts losing her mind. She starts suffering from nightmares that she's being attacked by this giant cat. She screams a lot. Oh, boy, do they love to scream in this. JAZZA:  I love it so much. ROWAN:  It's I, okay, I'm going to give you another metaphor for the scream. The scream is like, the scream that you get in a high school movie. When a teenager has been punked by their younger brother. And their hair, like their hair has been dyed green. And they look directly into the mirror that is also directly into the camera and they take a deep breath and then they scream. And then the camera zooms out, like to the house and into the like country and then a load of-- JAZZA:  Yeah, yeah yeah. ROWAN:  --birds like flutter out of trees. That's the vibe-- JAZZA:  Yeah. ROWAN:  --from every scream and there's multiple in this particular movie. JAZZA:  Well I love Rowan is that we're very quickly realizing that this season of recording review podcasts, all of your references are going to be to team trash moments. Like that's-- ROWAN:  Yeah, the best of all genres. Other than horror, but I know that you can't handle that, obviously. So I decided to [35:37]-- JAZZA:  [35:37] lead by you. ROWAN:  So yeah, this is very kind of classic Gothic idea of like, slowly trying to figure out like, what's real? What's not real? Did I might actually being attacked? This is a nightmare. Has someone caused me to feel this way? And while this is happening, we get this very intense kind of friendship going on between these two women. I think there's literally an an exchange or one of them says I shall die when you leave. And the other is like, I shall never leave you. And then they do kissy kiss, kiss kiss. JAZZA:  Uh-hmm. ROWAN:  But what's also really interesting to me, which I actually feel like I still see a lot in lesbian movies is that there is no actual relationship development. Which makes sense in this film, because it's like supernatural allure, right? It's like her being like, I'm just this lesbian vampire. And so you're gonna fall for me, even though we literally have never had a conversation properly. Like, we never see that on screen. But I often see that to my mind, at least in lesbian movies. Especially the like historic lesbian movies, where they just really love to bank on the idea of like the repressed women trope. And so they're like, we don't have to have them have conversations and talk about things because they've repressed, right? They just sort of inexplicably now want to kiss. There's no build up and nothing and no discussions. And so I was like, at least here it makes sense. Canonically with the idea of her having this like sexual allure to her victims. JAZZA:  Yeah, it kind of does. I I I will, and this is something that people smarter than me have talked about, about Carmilla the original text from the 1800s. Where she juxtaposes with a character like Dracula, because Carmilla actually seems to genuinely fall in love with the people that she ends up killing, alternative vampires. And I felt like Pitt's depiction of the, she was really good at kind of like, I believed that she really did care for these young women that she ended up, spoiler, kills. ROWAN:  Uhm. Yeah, completely agree. There's these, there are just these moments where she's the character on her own like, and she suddenly has this look of like, deep grief or deep sadness or deep like confliction in her. And I'm like, oh, if this wasn't a Hammer Horror, like I, this same story could be played out. And we really could have dug into the idea of like, I need to do this to survive, or like I cannot, this is what I was meant to do. Like, I've been living for hundreds of years. And this is what's always happened. But this is like, mentally horrific. And I feel like there's some interesting like vampire media that does explore this idea of like, what do you do if you just keep on living? And you have to hurt people in order to survive, like, what does that look like? That and see, or-- JAZZA:  Uh-hmm. ROWAN:  --seeing that conflict of someone who has fallen for someone for that, for real for the first time. That previously it hadn't been things like, these things are really interesting to explore, not where this film is going. Another spoiler alert gang, there there is no complex comes, the biggest complexity is this very specific look that we have interpreted from an actress who was not given anything else in the script to work with. JAZZA:  Yeah. Shall we just say this up before? Up the [38:37]-- ROWAN:  We shout. JAZZA:  --out for that. The script is not this movie's strong point. ROWAN:  Uhm. Yeah, if you couldn't have told that already. I feel like we've really hinted quite heavily at it, so far. JAZZA:  Yes. ROWAN:  But yeah, so the end of this first section is essentially, Laura is bitten. She has these fang bites on her. She she dies, and Marcilla is like, Bye!!! JAZZA:  Yeah, disappears. ROWAN:  I'm out of here, baby. JAZZA:  Uh-hmm. ROWAN:  And so we get to our second section. [39:04] [Transition Music] JAZZA:  So that first section has basically, it's the bullet point version of what's going to happen next with a new girl, essentially. ROWAN:  Uh-hmm. JAZZA:  That's what going to happen-- ROWAN:  Yes, that's exactly. That's exactly it. JAZZA:  Like this is what Carmilla does. She is parachuted in convolutedly to be, to befriend a young woman in a manor house. And then gradually over time, kills her, while terrorizing the local peasantry as well. Because every now and again we'll have like a peasant washer woman running through the forest. Who then stumbles falls and then screams and does the as you said, that [scream] kind of moment. ROWAN:  Wonderful impression. Yes. JAZZA:  Thank you. I'm conscious of of peeking the mic. Otherwise, I would delete, you know, I [39:52]-- ROWAN:  Oh, yeah. No, I know you would. So this one we get a little more titillation, though. Like we functionally you're right, it's exactly the same story. But we do get a little more titillation. So we have like Emma comes into Carmilla's room. Welcome in there is just naked in the bath, and just has a casual conversation about-- JAZZA:  Uh-hmm. ROWAN:  --the dresses that they're going to wear and Carmilla's like, you should take everything off for you try on this dress, because it ruins the shape to have underwear on. And she's like, oh, okay, like there's literally no reason for the scene apart from for the audience have like this kind of sex and fear and horror and campaign nudity and like all this stuff coming together in in the way that it's often does. So even at that point, I was like, oh, this is ridiculous. And then they start chasing each other around while topless in, what I genuinely think might be the most unconvincing chase scene in all of cinema. JAZZA:  It's kind of like when you see if the like, in in maybe a more modern movie where two women have been asked to, do a pillow fight and and it's sexy. Just trust me, it's sexy. All the way through this second conquest of Carmilla of Emma's character who is this the wide idiot, frankly. ROWAN:  Yeah, she does have a type doesn't she? JAZZA:  Yeah yeah. Oh my God, I didn't even think of it like that. But yeah yeah, though I did it. But she like I I I found myself questioning all the way through kind of like this moment of undressing and Ooh, tits or bear ass, you know. I don't want and can you answer this for me? Is this sexy? ROWAN:  Well as a sexual lesbian, Jazza, I don't really, I I'm both highly qualified and utterly unqualified to answer that question-- JAZZA:  Which is-- ROWAN:  --no, not in my mind. But I think as well it's it's it's that I think that the sexiness with this release, I don't know maybe there's probably some lesbians that are just like, yes, tits. But I think, like, we have them, we know what they look like. So it's kind of like, what did someone else I feel like it's the connection that that-- JAZZA:  Made that that logic. I just, I just want to put this out there that logic does not-- ROWAN:  Not, no, that's fair enough. JAZZA:  Yeah. ROWAN:  But it is this thing of like, there is literally no feeling of connection between them during that chase scene. Like, I think there are other bits where there's more like when they're doing this sort of hypnotizes seductressy bit that like, feels like they're-- JAZZA:  Uh-hmm. ROWAN:  --slightly monstering chemistry. But like, that scene where they're chasing each other around could not have been-- JAZZA:  Less sexy. ROWAN:  --less sexy, if it tried like it just in an embarrassing kind of way that's like, Oh, God, I guess I'm watching this now, this is happening. Because I do think as well, it is like, it is very funny to me, because I think immediately just reminds me of the super, the super cliche to the point where it's almost become a meme thing that happens with gay male characters in movies. And in porn as well, where they, they kind of have a like, they're sort of play fighting, and then suddenly, it's like, oh, no, now we are on top of each other and it is sexual. JAZZA:  Uh-huh. ROWAN:  Like-- JAZZA:  CRGBF episode. ROWAN:  Yeah, it's like it's it's such a trope. And it's so funny that it kind of like this was like, even less convincing than those things. I was really interested to see, because this was on so many sort of, like, you know, classic queer movie lists. But typically movies that are this old, you don't really have the actual canonical confirmation in any way. And you definitely do in this movie, like they, they really have it up and although it does fall into the trope, we'll talk about in a second about like, kind of the evil lesbian trope. It's supernatural and over the top and kind of didn't mind it in that way. But yeah, once again, Emma starts having nightmares. Start screaming, everyone else kind of goes away on like, the day goes away on business. She has a suitor, but he's not you know, it's it's in the olden times. So he doesn't really come-- JAZZA:  Uh-hmm, uh-hmm. ROWAN:  --around all the time. He just occasionally, he'll turn up. But we'll be do have it's a little bit different is the kind of Governess character-- JAZZA:  Yeah. ROWAN:  --like Mme. Perrodot, who's kind of like becomes this accomplice to Carmilla. Because she's just seducing everyone. JAZZA:  I love Carmilla and The Governess. And I want them to go away and have a home with the what was the cat's name? Gustav. ROWAN:  Oh, yeah, you know what-- JAZZA:  I want to-- ROWAN:  --you're right. JAZZA:  --go move to a cottage in the Romanian countryside and just live with Gustav. Because, uhm, so as well as seducing Emma, Carmilla begins seducing and killing all of the peasantry around the mansion. Carmilla begins to seduce The Governess. And that is when it does get sexy. And I was like, oh, all of a sudden there actually feels like there is chemistry between these two women. And I thought that Carmilla had turned The Governess into a vampire? But it turns out that she doesn't that The Governess is just have familia and just really fancy is the pants off of Carmilla. ROWAN:  Uh-hmm. JAZZA:  And to be fair with an ass like that. ROWAN:  I mean, who can blame her? JAZZA:  Mmm. ROWAN:  But yeah, that's an interesting thing here. Again, I'll come back to when we talk about lesbian trips versus exchange that happens between Emma and Carmilla about, you know, I love you. I don't want anyone taking you away from me and Emma being like, we'll always be friends. She's like, no, it's not the same thing, it's different. I want you to love me for all your life. Like it's very much the idea of like Carmilla is the predatory, kind of obsessive like actual lesbian. And then you have this like poor innocent Emma who didn't didn't understand what was happening. Like-- JAZZA:  Uh-hmm. ROWAN:  --she didn't know that that was what was going on in the mind of this perverted lesbian vampire. JAZZA:  I sometimes also get the the feeling that Carmilla was a bit of a like the lesbian version of a nagging dude, bro. Like she keeps on telling, telling Emma there's, ahh you talk such nonsense. Like, getting really defensive about the way that she feels about funerals, for example. ROWAN:  Oh, bloody he hates funerals. JAZZA:  Completely gaslights, Emma about like the bite marks on her being from a brooch and not from anything else. ROWAN:  Yeah, truly Carmilla is the gaslight, gatekeeper, girlboss of all, of all [46:00]-- JAZZA:  That is, that is the classification that we needed. Thank you very much, Rowan, I appreciate it. ROWAN:  I don't know if you had anything else to say about this section. Cuz I think the third section is like the boys are back in town. JAZZA:  Oh, I called the third section. Lesbian Vampire Killers. ROWAN:  Oh, yeah. You know what, that also works very well. [46:16] [Transition Music] ROWAN:  This is essentially when all of the guys and tada like, hey, I don't know whether you've noticed how every woman is dying in the local area by having their blood drained. But I think there may be foul play at work. JAZZA:  Uh-hmm. Can I just say the men, they have been practically no men having speaking parts in this movie, for like a good 50% of the middle part of it. The first 25% is Carmilla and the aftermath party. And then we have 50% of just women. seducing one another and being hot. And-- ROWAN:  And Gustav, the cat. JAZZA:  --and, and Gustav, the cat, of course. So I won't forget Gustav, the cat. And then these men come in. And I'll be completely honest, I forgotten who most of them were. ROWAN:  Oh, yeah, I fully could not remember any of these men were. JAZZA:  And what their relationships were with the women previously. So it is all of the aggrieved men who have been affected by cumulus murdering. So it is the father of Laura who she killed in act one. It is the suitor of Emma, who-- ROWAN:  Uh-hmm. JAZZA:  --at this point is going through the stages of death as well. And also the father of Emma as well, who has just come back from business. ROWAN:  Ooh, and surprised that guy from the beginning who who was narrating. JAZZA:  Oh, sure, the guy of the sideburns. ROWAN:  Yeah. JAZZA:  [47:52] caps. ROWAN:  [47:52] there's also just randomly like, there's a Doctor, there's a butler, there's a landlord. JAZZA:  Yeah, all of these men that, I'll be honest movie I didn't I don't care about and I feel like it wanted us to root for the men because they're the ones who are like injustice. And I was like, now I know that Carmilla is going around and killing all of these doe wide dumb women. But I'm on her side, I'll be completely honest. And I kind of want the men to leave them alone so that they can have their happy lesbian life with The Governess and Gustav. ROWAN:  Yeah. And instead, the men keep trying to bring garlic flowers into their room, which is honestly-- JAZZA:  [48:27] ROWAN:  --very rude. JAZZA:  Yeah, so one of the workers in the mansion, Mr. Venton, is supposed to be a, no, he's not really a hero. Basically, I immediately dislike him because we introduced him as he slaps the ass of a bar wench in the peasant village. He then decides, oh, yeah, definitely everything that's happening to Emma is vampiric in nature. He reckons the vampire is The Governess, actually, rather than Carmilla. And then starts talking with the landlord of the local pub, and getting advice and so brings in garlic flowers to Emma's bedroom, to try and ward off the vampires and causing a Doctor who also as well as encouraging the use of these flowers, brings in a a crucifix and puts it around Emma's neck. Which makes it impossible for both Carmilla and for The Governess to go into the womb and to complete the killing of our delight [49:33] ROWAN:  Yeah. Which ultimately, yeah, great plan to be honest, it did work. They pretty foolproof. JAZZA:  Yeah, it was pretty good until Venton get seduced by Carmilla and just goes, you know what, all I want to do is make out with you and I'm going to like murder this girl for it. And you know what? I was happy to see him die at the hands of Carmilla, good for her. ROWAN:  And then she's also like, ohh, going to kill the Doctor and all, like just the though we have a nice scene when the Doctor's Horse get super spooked. And she somehow, I guess is teleported there. Because she never really seems to leave the house and yet she's always off body killing people. So yeah she's, she's like you know what? We, enough of this. JAZZA:  Uh-hmm. ROWAN:  No thank you. So kind of simultaneously while all of the the lads are going on a little road trip to her old family castle to try and-- JAZZA:  Yeah, where she's buried. ROWAN:  Yeah. JAZZA:  Yeah. ROWAN:  She's like Oop, time for a kidnap and decides to essentially kidnap Emma, and in the process dump The Governess. JAZZA:  Can I just say this just cemented, cemented Carmilla was an, as the absolute fuck boy if this movie, ROWAN:  You're, you know what? You're absolutely right. She is-- JAZZA:  Like-- ROWAN:  --she is the fuck boy-- JAZZA:  --literally-- ROWAN:  --of this movie. JAZZA:  --The Governess is there on the floor, begging, take me with you. She loves you, she wants to create that life with Gustav. ROWAN:  She wants the cottage called dream with the cat-- JAZZA:  [50:58] of this-- ROWAN:  --and, in the woods, in Romanian. JAZZA:  Who knew in the 1970s that this was going to pave the way for the Cottagecore Movement and-- ROWAN:  I know, right. JAZZA:  --Lesbian Cottagecore Movement. ROWAN:  That's the true history of it. And then there's so much screaming again, classic. Because she decides to to feed on The Governess and-- JAZZA:  Yeah. ROWAN:  --maybe shouldn't have done that in front of Emma. If she wanted Emma-- JAZZA:  Uh-hmm. ROWAN:  --to come away with her. But you know she did and that's on her. So all the screaming again. And then the suitor is here to save the day, whose name is Carl. Which-- JAZZA:  Didn't know it is, no, I completely missed that. What? That's very funny-- ROWAN:  It's Carl, yeah. Carl's here to save the day and so Carmilla-- JAZZA:  Carl.. ROWAN:  --looks like, ohh, well, I guess a bit of skip town. This is too much for me, and then runs back to the castle. Which obviously we as the audience know is filled with the lads who are up to no good. JAZZA:  The Lesbian Vampire Killer. ROWAN:  Yeah. The Lesbian Vampire Killer, the lads. And so yeah, she just runs back to the castle, has a little nap. And then while she's napping, doesn't notice them all come around her coffin and and stab her in the heart. JAZZA:  I can I just say they don't, she doesn't notice them. Finding her coffin, moving a massive, kind of like slate off of her coffin. Carrying her coffin into the chapel, opening the coffin, then moving her dress down so that expose his, her chest and then placing the stake on her breast so that they can actually stub her. She doesn't notice any of that, she's fast asleep, bless her. ROWAN:  She's hibernating, [52:22] we nap and she deserves it. JAZZA:  Very cute. This is all happening during the night as well. And that's when she's to be awake? ROWAN:  Hmm, doing question is fine. She's she's hibernating. JAZZA:  And then they once again they stab her through the chest. She is then decapitated, which again, the physical effects of this movie. We're not what I was expecting for 1970, that is very nice. ROWAN:  That's very good. JAZZA:  Have we gone backwards? ROWAN:  Possibly, I I genuinely feel like the special effects of Jurassic Park hold up better than the special effects of Jurassic World. So, yes, you're you're correct. The audience of the goodies. JAZZA:  I am with you. ROWAN:  I really enjoyed that they were like yeah, Peter Cushing can have the killing blow. He's a he's the star of this, is no real connection to a lot of what's going on here but sure. And then at the end come in his portrait on the wall has changed to be all vampire instead of all hot like she was before. JAZZA:  Very doing great. ROWAN:  Yeah, it's great. It was it was very much like Chekhov's decapitation. Because they did the guy at the very beginning was like, the only way you can kill them as if you decapitate them. And it's like, oh, I wonder if that will come back later on. It's like, a plot point. And then yeah, that was the end of the movie we had, we have experienced, The Vampire Lovers. JAZZA:  Uh-hmm, uh-hmm. Rowan did you [53:36], how how was this, how was this experience for you? Because obviously this isn't what you wanted. You wanted quote unquote, "real horror". ROWAN:  So here's the thing. JAZZA:  Mmm, go! ROWAN:  I will admit, when we were coming up with these movies, and we and you decided that we were going to watch The Vampire Lovers, I was worried. JAZZA:  Can I just say, I rolled a dice when decided this. ROWAN:  Yeah, you did annoyingly. JAZZA:  So it wasn't me that decided it was the dice. ROWAN:  The dice, it was the thing. I would admit, the time I was a bit like, disappointed because I like, no that, I don't know if I'm that interested in this or whatever. But then I did watch the movie. And I agree with my initial assessment, I was so bored. This was such a boring movie. JAZZA:  I I couldn't disagree with you more. ROWAN:  Ohhh, God. JAZZA:  I loved it, I loved it so much. ROWAN:  I've could have predicted that though. I feel like we've had, we've disagreed on movies before in this podcast. And I think it's just you enjoy trash. JAZZA:  This isn't, no no-- ROWAN:  Like, and not that that's not even meant to be me. Like, like, taking a dig at you. I'm like you genuinely do appreciate sort of like campy, trashy, like low budget stuff. I think more than I do. JAZZA:  Yes. Yeah. No, I'm with you. That is my vibe. That is my my modus operandi. But also I will say, all the way through, I was just fascinated that a movie like this was out in 1970. And I was also just captivated by all of the women. Either Ingrid Pitt, really does carry this full movie, she was absolutely phenomenal throughout the whole thing. But then every single woman is just absolutely stunning. And I don't understand why they're hanging around with all of these mediocre men. I wanted it to just be the women living their cortical fantasy. And I was so sucked in to their beauty and like some of their sexy flirting. I was super into The Governess, and all of that shit. I genuinely was hooked to this movie. I I really enjoyed the ride, I thought it was great. I will say some of that is based on kind of like, oh, isn't this an interesting depiction of like, the end of the height of the Hammer Horror Movement, and of the type of movie that was out at the time and stuff like that. ROWAN:  What a nerd. JAZZA:  But I have a--I had a really nice time, I'd recommend it. ROWAN:  Yeah, I also I guess it appreciated it on that more intellectual level of like, mmm, this is I was I was like, at the very least, there's stuff that we can say about it. In the same way as I did predict this is what was going to happen. That like when you do an experiment in science class, really, I just keep doing high school metaphors. And it's not even on purpose. And when you do an experiment in science class, and it goes horribly wrong, and all of your results are wrong. You're like, well, at least I have something to write in my evaluation, even if the results and the conclusion of the terrible. I'll have, I'll basically just be able to, like, absolutely destroyed myself by being like me from 10 minutes ago, when I did this experiment is ridiculous, and doesn't know what she was doing and absolute fool. Or here all the things she did wrong. JAZZA:  And you're and you'll get really good marks for being reflective. ROWAN:  Yeah, exactly. You really reflective. And I kind of feel like this is the vibe of like, well, I don't enjoy it. But there's a lot we can say about it. So I guess this is the section where we talk about a little bit more context specific around Queer Movies, lesbian vampires, they're a thing. So this is not, this very much was part of a tradition. Like you talked about Carmilla before. And this is a tradition that has very much been with us for a long time, for a number of reasons. So one, as we talked about before, the vampire genre ties in a lot to sex and sexuality. And it only makes sense that if you're going to talk about perversion and sexuality that lesbians come up, you know, it's a it's just how we do. So I think also the fact that there is a, there is a riskier a danger, and alert sexuality element of vampires. And so if you're going to pick a sexuality to titillate the assumed to be male audience. With a bit of taboo, with a bit of danger, with a lot of titties, the lesbians will do it for you. So this is very much yeah, old, old trope, which has continued on through the decades. And this was absolutely no exception and actually was like a very noted example of it that a lot of people will talk about. I think it was very interesting that, when you look at the Wikipedia article for this movie, it gives you, often Wikipedia articles will tell you like what the rotten score is with critics. JAZZA:  Uhm. ROWAN:  And the note that they've made of it being certified rotten. I looked at the citation, and it was from 2013. It is now absolutely not certified rotten, the critic score is 71. And the audience score is 60. So it kind of has gotten more critical clout as a cult classic, than sort of a good movie at the time getting good reviews. It's very much had basically the reaction that we sort of had to at of, there is something about the context of it and something about its sort of cult classic status, which has, I think, elevate it in in subsequent reviews. JAZZA:  Is it, I'm sensing a mirroring of what we saw with Jennifer's Body-- ROWAN:  Hmm. JAZZA:  --a little bit. ROWAN:  You are not wrong, you're absolutely not wrong. There is this idea of the as I kind of mentioned earlier, corrupting lesbian force, right? So you would often have not just in like supernatural ways in in more realistic dramas around these decades, especially within the Hays Code or around it, of the experienced, maybe older sexual lesbian, and the young innocent virgin who didn't really understand what was going on and couldn't be blamed and was sucked in but just needed to be kind of taken out of this woman's [59:23] and given to a nice good man and that would kind of cheer her like this very much is something that is a big, big part of the conceptualization people had of lesbians of what what that relationship looks like. And I think queer people in general was like, the predator, right? So you had a lot of in our history, we have a lot of stuff where, you know, queer people shouldn't be teachers because they shouldn't be around young people. Ridiculous, obviously. And then more recently, we have the sort of trans bathroom panic stuff around the idea that old trans people shouldn't be trusted with our children in bathrooms like just completely ridiculous. But absolutely ties into this idea of like the evil lesbian trope, which plays out so much, over over time, over over this genre. And if you're being interpreting it in maybe a little bit more of a generous way, or if you wanted to subvert it, then you might look at how becoming a vampire is sort of as a symbol of no longer being tied to sort of puritanical ideas of sex and sexuality. And it being a very freeing experience and that that kind of tying into queerness like, I definitely think there's room for that interpretation. In like more modern explorations of lesbian vampires. I'd be really interested to see stuff like that. But yeah, there's a 1936 film Dracula's Daughter. JAZZA:  Yeah. ROWAN: 

On this week of ClapperCast, the team reviews Paranormal Activity: Next of Kin and celebrates Halloween by talking about Over the Garden Wall, Lesbian Vampire Killers, Ghost Stories & Game of Death! Get Bonus Podcasts on Patreon for only $2 a month: https://www.patreon.com/ClapperLTD Follow us on Twitter: @ClapperPodcast Send us an email at ClapperCast@gmail.com Thanks for listening! Credits: Hosted & Edited by Carson Timar Featuring Alina Faulds & Paul Price ClapperCast is a weekly film podcast featuring roundtable discussions from marginalized voices by those at Clapper. New episodes air every Wednesday. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/clapperpodcast/message Support this podcast: https://anchor.fm/clapperpodcast/support

En este episodio especial del Intermedio, continuamos con el evento anual de Terrormania donde se pone a dar opiniones 31 peliculas de Halloween durante Octubre!En este episodio hablamos sobre:Annabelle Comes Home Benny Loves You (Gracias a Chuy por la recomendación)(Lesbian) Vampire Killers (el nombre cambia dependiendo en donde se encuentren)No se les olvide suscribirse, comentar y sugerir.

In this week's episode, Caroline and Mandy continue their streak of gay vampire movies with the clearly gay vampire movie, "Lesbian Vampire Killers". Join them on this adventure, featuring broken cellphones, stupid decisions, and public enemy number one James Corden (FBI agent reading this... it is a joke). If you want to watch this with us, don't make the mistake of getting Apple TV, only to find out you need to still pay 4 bucks to watch it. Rent it on iTunes. If you have any questions, comments, or wanna hang with us on Sukkot, email us at thegaysthegoysandthejews@gmail.com.

Tracey Wigginton, known as the "Lesbian Vampire Killer", is an Australian murderer who achieved notoriety for killing Edward Baldock in 1989, to drink his blood. This was described as "one of the most brutal and bizarre crimes Australia has ever seen"

Episode 21 of Movies About Girls. This episode was originally released on June 21, 2009.

Moinsen! Heute machen wir zusammen einen Ausflug in die Geschichte, quasi eine keine gemeinsame Zeitreise in die Zeit der queer monstrosities und dem homoerotischen Subtext (Trinkspiel-Idee: trinkt jedes Mal einen Shot, wenn ich homoerotischer Subtext sage und freut euch auf eine ordentlich angeschwippste Zeit), von Oscar Wilde bis zu Lesbian Vampire Killers ist alles mit dabei - und am Ende nochmal eine Podcast-Empfehlung, der ihr unbedingt folgen solltet. Viel Spaß und, falls ihr meine Idee umsetzt: Don't drink and drive! Wir hören uns!

In this episode Kris and Kim discuss Ida Maria's entry for the 2018 Norwegian Melodi Grand Prix, Scandilove. Unfortunately the links in this have been lost to the winds of time (well, actually our podcast host, Anchor, liked screwing up the shownotes when you so much as looked at them in mobile... if you really need the information, reach out to Kris on Twitter at @KrisWhoTweets Norway's record in Eurovision isn't.... the best. Scandilove - Live Version Ida Maria - I Like You So Much Better When You're Naked was used in the film, Lesbian Vampire Killers & used as the inspiration for a title of an episode of Grey's Anatomy Scandilove - Studio Version GIF is pronounced "giff" not "jiff" and this is the hill we will both die on Daði Freyr (Daði & Gagnamagnið) – Think About Things (Official Video) People bopping to Think About Things More people bopping to Think About Things Donald Trump is planning on banning Tik Tok in the US due to "data concerns" and definitely nothing to do with TikTok'ers claiming responsibility for blocking people buying Trump merch or booking tickets for Donald Trump rallies so numbers were low. Punk Rock Factory's brilliant cover of Think About Things and their album of covers, The Wurst Is Yet To Come Next time we will be covering the Grand Prix Eurovision de la Chanson Européen 1957

This month the Devils go out for a nice stake, with a side order of lesbian vampires, including a balanced appraisal of the James Corden vehicle Lesbian Vampire Killers, the 1970s classics Daughters of Darkness, Fascination and The Blood Spattered Bride, and modern takes including Nadja, The Moth Diaries and the brand new (it only premiered two days ago!!!) After Dark aka Vampire Virus. Our Highs & Lows include another new movie seen at the weekend's Sohome Horror Festival - drag scene slasher Killer Unicorn - and of course there's another round of Scary Noises. For next month's episode we'd like to know your Top 5 arthouse horror movies, so please email them to dx5podcast@gmail.com or tweet us @DevilXFive.

In this "Extra Bad" piece of content, Jacob Simmons speaks to Phil Claydon, the man who directed Lesbian Vampire Killers.Phil talks about the process behind getting the movie made, what it was like to work with James Corden and Matthew Horne, and his reaction to the film's poor reviews at the time.You can follow Phil on Twitter @PhilClaydon76Don't forget to vote in our Episode 8 Poll!Find us on Facebook - www.facebook.com/badthingspodcastTwitter - https://twitter.com/BadThingsPod (@badthingspod)Instagram - www.instagram.com/badthingspod (@badthingspod)Theme music - Boo Boogie by Doug Wood. See acast.com/privacy for privacy and opt-out information.

Reviewing the worst of the worst - so you don't have to!Nathan Packham and Jacob Simmons settle in for a horror in every sense of the word, as they review 2009's Lesbian Vampire Killers!The stars of Gavin and Stacey, Matt Horne and James Corden, trade in Barry Island for the mythical village of Cragwich (which is in Norfolk) to fend off some blood-sucking babes.Nathan and Jacob recoil at the film's laddish humour, squirm at the wooden acting, and are left speechless by some dialogue about medieval gay bars, the female genitalia, and a very special werewolf.Don't forget to vote in our Episode 8 Poll!Find us on Facebook - www.facebook.com/badthingspodcastTwitter - https://twitter.com/BadThingsPod (@badthingspod)Instagram - www.instagram.com/badthingspod (@badthingspod)Theme music - Boo Boogie by Doug Wood. See acast.com/privacy for privacy and opt-out information.

Mom antics, she smears turds on herself, 50's throwbacks, the elephant in the room and Lesbian Vampire Killers!

E estamos de volta… E hoje em um episódio totalmente não recomendável para menores de 18 anos. Em um episódio com um humor de certa forma ácido, caústico e brutal, os Fate Masters Rafael, Fábio e Luís vão revisar um jogo que, tanto pelas suas mecânicas, artes e posicionamento chocou, polemizou e foi um dos mais comentados nos últimos tempos: #iHunt. Venha se sujeitar a ser um fodido e caçar monstros na economia colaborativa, onde todas as pequenas e grandes mazelas do capitalismo apenas reforçam três coisas: te fuder de maneira literal e abstrata mostrar que monstros não são analogias, são criaturas nem todo monstro suga sangue: alguns sugam seu dinheiro Vamos falar sobre as várias mecânicas novas e não tão novas, como os Pacotes de Perícias, Criação dos Monstros, A Vantagem que faz com que uma luta justa seja apenas um eufemismo para bater as botas e muito mais. Vamos também falar sobre como os Monstros em #iHunt não são sempre maus, e às vezes nem o pior mal, embora ocasionalmente alguns deles sejam tão ruins que o Alemão possui uma palavra especial para eles, backpfeifengesicht, ou seja, “alguém que tá pedindo um soco na cara”. E sobre como o nível de Ameaça é definido e sobre como é uma péssima ideia tentar estacar um vampiro pelo peito, graças a um treco chamado Esterno. Venha para San Jenaro, a Sunnydale hipster do Vale do Silício, onde uma caçada de monstros está a um clique e enquanto não está caçando monstros você tem um Emprego vindo diretamente do Vagas Arrombadas. Está desesperado o bastante para arriscar seu pescoço contra a Duqueza Demoníaca de San Jenaro para juntar dinheiro para pagar contas, comprar aquele remédio contra fibromialgia e (se sobrar algum) tomar um sorvete? Se sim, apenas deslize para a direita no #iHunt para aceitar o serviço. Mas lembre-se: o sistema é foda e tem toda uma série de pequenas merdas para te fuder de todos os jeitos em todos os momentos. E acima de tudo: NADA DE FASCISTAS! NADA DE FASCISTAS Se você é um fascista, você não é bem vindo nesse jogo. É contra as regras. Se você está lendo isso e pensando, “Porra, agora todo mundo que não concorda com você é fascista?”, então provavelmente você é um fascista, ou ao menos é incapaz de inferir coisas do contexto e reconhecer um ambiente político perigoso que tornou aqueles que são oprimidos mais raivosos. Não jogo esse jogo. Vá se tratar. Cresça. Aprenda. Vá assistir “Um lindo dia na vizinhança” ou algo similar. Lembrem-se: qualquer dúvidas, críticas, sugestões e opiniões você pode enviar na comunidade do Facebook do Fate (com a hashtag #fatemasters), pelo email fatemasterspodcast@gmail.com, pela página do Fate Masters no Facebook e agora pelo servidor do Movimento Fate Brasil no Discord E as redes sociais dos Fate Masters: Mr Mickey: fabiocosta0305 ou hufflepuffbr em quase todas as redes sociais Velho Lich: rafael.meyer no Facebook ou eavatar no Tumblr Cicerone: lcavalheiro#0520 no Discord e lcavalheiro no Telegram Abaixo, a tabela dos materiais analisados até agora Posição Cenário Mr. Mickey Velho Lich Cicerone Média 1 Uprising - The Dystopian Universe RPG 5 5 5 5   #iHunt 5 5 5 5 3 Masters of Umdaar 5 4,5 5 4.83   Chopstick 5 4,75 4,75 4.83 5 Wearing the Cape 4,8 4,75 4,38 4,78 6 Secrets of Cats 4,7 4,5 4,5 4,73 7 Templo Perdido de Thur-Amon 4,6 4,75 4,75 4,68   Jadepunk 4,8 4,75 4,5 4,68   Nest 4,8 4,5 4,75 4,68 10 Bukatsu 4,75 4,5 4,5 4,58 11 Boa Vizinhança/Good Neighbors 4,7 4,25 4,75 4,56 12 Daring Comics 4,25 4,5 4,75 4,5 13 Mecha vs Kaiju 4,25 4,75 4 4,33 14 Atomic Robo 4 4,5 —- 4,25 15 Destino em Quatro Cores 4 4 3,75 3,92 16 Atomic Robo: Majestic 12 3,5 3,5 —- 3,5 17 Projeto Memento 3,5 3,75 2,75 3,33   Ferramentas de Sistema 4 —- —- 4   Horror Toolkit 4,5 4,5 2 3,6 Link para o programa em MP3 Participantes: Fábio Emilio Costa Luís Cavalheiro Rafael Sant’anna Meyer Duração: 100min Cronologia do Podcast: 00:00:14 - Introdução 00:01:20 - Uma introdução ao #iHunt (e sobre como hoje a coisa vai ladeira abaixo) 00:04:09 - Sobre o cenário de #iHunt e o Aplicativo do #iHunt e sobre como ele é um jogo que não é para qualquer um (nada de Fascistas aqui, catzo!) 00:26:01 - As Perícias (ou Pacotes de Perícias) e Aspectos do #iHunt 00:35:30 - Sobre os Lances, as formas que existem de se matar monstros em #iHunt (e como isso não é uma categorização como no Storyteller) 00:44:21 - Sobre os Monstros em #iHunt, seus poderes, características e fraqueza, e como construir suas próprias coisas ruins 00:53:29 - O Nível de Ameaça e a Vantagem 01:01:21 - Sobre o gerador aleatório de Caçadas de Monstros e sobre como várias caçadas são embebidas na vida cotidiana do #iHunter, e como nem sempre você é o lado bom da coisa 01:10:05 - Sobre Arriscar Aspectos e Essência 01:22:19 - Intervalo Comercial (o X-Card do jogo), Formulário de Consentimento e Selfies como Marcos de Evolução e os Callbacks e o Cenário de San Jenaro 01:28:10 - Sobre Notas e Adoção de Regras 01:53:47 - Considerações Finais Links Relacionados: #iHunt Uber 99 Taxi Microsoft Facebook Google iFood Rolemaster Hinode OSE (Old-School Essentials) Priscila a Rainha do Deserto Matadores de Vampiras Lésbicas Zumbilândia Caça-Fantasmas Elvira Vampirella Walking Dead Resident Evil Santa Clarita Diet Resenha de #iHunt do Mr. Mickey para a Dungeon Geek Gráfico dos Dados Fate no AnyDice Gráfico dos Dados Fate com Vantagem no AnyDice #iHunt: Killing Monsters in the Gig Economy (English Edition) Machine Age (itch.io) Machine Age no Twitch Aphoteosis Drive/X Machine Age Olivia Hill Rule John Constantine BBSes Dracula Fate - Criaturas Fantásticas Ceifadores Discord da Machine Age - San Genaro Link para a comunidade do Google+ do Fate Masters Comente esse post no site do Fate Masters! Assine no iTunes Trilha Sonora do Podcast: Clandestino por Manu Chao / Playing For Change Ambient Pills por Zeropage Ambient Pills Update por Zeropage

Before James Corden found fame in the USA, he teamed up with his 'Gavin & Stacey' co-star Matthew Horne for Lesbian Vampire Killers, a crude and ill-conceived Shaun of the Dead knock-off that almost buried his career for good.  The film is considered so irredeemably awful that Corden himself has spent the rest of his career publicly apologising for it. But could it really be as bad as its reputation suggests? Turns out the answer is a fairly definitive yes, because this movie is garbage. In this week's episode, we reluctantly conduct a thorough post-mortem on everything from the nonsensical plot, the robotic acting, the dreadful special effects and the constant flurry of sexist, homophobic and generally laugh-free alleged jokes that pepper the mercifully brief 87 minute running time.  No sequel for this film will or should ever be made, so our challenge this week was to consider any acceptable way that this movie could theoretically be brought back to the big screen. Did we succeed? We'll leave the final judgement up to you... ----- Beyond The Box Set is the hit British movie podcast in which we take a look at classic standalone movies before attempting to pitch fantasy sequel, prequel and spin-off ideas to bring them back to the big screen. We're currently in the middle of our annual Halloween season, this time focusing on classic (and questionably classic) Vampire movies.   If you enjoy the show, please hit subscribe for a new episode every Friday morning, and don't forget to leave us a rating or a review on your preferred podcasting app - it really helps us to connect with new listeners and build our audience.  beyondtheboxset.com patreon.com/beyondtheboxset twitter.com/beyondtheboxset facebook.com/beyondtheboxset instagram.com/beyondtheboxset 00.00: When James Corden is the best part of a movie... 45.00: Lesbian Vampire Killers Drinking Games 56.55: Lesbian Vampire Killers 2: Hot Fuzz 1.07.00: Lesbian Vampires Killed Our Careers! 1.15.35: Episode 139 Preview & Listener Submissions

Director: Phil ClaydonWriters: Stewart Williams and Paul HupfieldPlot: Their women having been enslaved by the local pack of lesbian vampires thanks to an ancient curse, the remaining menfolk of a rural town send two hapless young lads out onto the moors as a sacrifice.

Tracey Wigginton was convicted of murdering Edward Baldock and trying to drink his blood. Tracey wasn’t just a regular old murderer, you see. She was a vampire, a night stalker, one of the Devil’s children, who needed to feed on the sweet nectar of life to sustain herself.At least, that’s what her vampire coven believed. And they believed in her enough to help her take another human life.On this episode of Murder in the Land of Oz, your girls talk about mind control, why men don’t think women can murder, and of course, our shameful teenage vampire phases. We renounce Twilight, but Buffy is still cool.On October 20, 1989, Edward Baldock was violently murdered. It was a tragedy, but the media had an absolute field day when it was discovered that his killers were a coven of wannabe vampire lesbians. Readers couldn’t get enough of the Lesbian Vampire Killers, and the story made international news. Some people were titillated, others were terrified. Were cults of lesbian vampires coming for you?Tracey Wigginton and three others were arrested for the murder. Tracey’s three accomplices quickly turned on her, saying they were compelled by Tracey to commit the crime. While Tracey got life imprisonment with a minimum of 13 years, her accomplices got barely more than a slap on the wrists. So were these women really compelled by Tracey to help her murder an innocent man? Or did the accomplices take advantage of the burgeoning Satanic Panic to make Tracey take the fall?Our main source this week was Great Crimes and Trials: Lesbian Vampires Killers, which you can partake of herehttps://www.youtube.com/watch?v=oUvEzwFw4u0For more information, you can check out these news articleshttps://www.brisbanetimes.com.au/national/queensland/lesbian-vampire-killer-released-from-jail-20120111-1pvou.html​​​​​​​https://www.news.com.au/national/crime/new-book-reveals-six-personalities-of-vampire-lesbian-killer/news-story/d41b346be98738676f41b52717a3f721If you want to find out more, pro tip: turn on Safe Search before searching “Lesbian Vampire Killer”.Find us on FACEBOOK, TWITTER, INSTAGRAM or EMAIL us on murderinthelandofoz@gmail.com

Nos hemos pasado.Vale, lo sabemos. Somos madafakas, y nos hemos pasado.Pero no queríais que lo dividiéramos, y habéis estado mucho tiempo esperando, así que aquí está: el podcast sobre vampiros. Nuestra magna obra, y no porque sea buena, sino porque es un TOCHACO. Aquí caben cuatro de nuestros podcasts normales…Y como comprendo lo tochaco que es, aquí os dejo un "resumen" de lo que podéis encontrar en él, para que os sea fácil llegar sólo a los cachos que os interesen (que no me entere yo, malditos...).I. INTRO y bla, bla, blaSaludos a los oyentes, comentarios y tres promos:Comando Alt SuprimirInvaders PodcastPodcast CaramelizadoII. 1ª PARTE: Génesis -vampiros en la antigüedad y otras culturasUn poco sobre los antepasados del vampirismo y leyendas de diversas culturas (Mesopotamia, Grecia antigua, Asia, América...).III. 2ª PARTE: Europa y la histeria del siglo XVIIIOtro poco sobre el origen del vampiro tal y como lo conocemos, los puntos débiles de los chupasangres y características en general. También algo sobre nombres y etimología, y las causas que llevaron a creer en el nosferatu. IV. 3ª PARTE: Vampiros en la literatura y el cineEl grueso del podcast, supongo.Comenzando en el Romanticismo y las novelas de terror gótico, hacemos un tour por muchas de las obras en las que el vampiro hace su aparición.Aquí incluyo un listado, y como en el podcast mencionamos que algunos poemas los pondríamos en el blog, los he añadido. Der Vampir (Heinrich August Ossenfelder)Mi querida y joven doncella se aferraInflexible, rápida y firmementeA las antiguas enseñanzasDe una madre siempre fiel,Así como, en las orillas del Tisza,Los oficiales húngarosCreen en la leyenda del vampiro inmortal.Pero mi Christine, perdéis el tiempo,Y rechazáis mi amor,Hasta que yo, vengativo,Brinde a la salud de un vampiroCon pálido Tokay (vino húngaro). Y mientras durmáis delicadamenteA vos vendré arrastrándome,Y la sangre de vuestra vida absorberé.Y así temblaréis,Pues yo estaré besándoos,Y vos estaréis cruzando las puertas de la MuerteCon miedo, en mis fríos brazos.Y al final os preguntaré:“Comparados con tal enseñanza¿Qué son los encantos de una madre?” La novia de Corinto (Goethe)A salir de mi tumba y errar soy forzada,A buscar el vínculo a Dios hace tiempo cortado,A amar al prometido que he perdidoHasta que la sangre vital de su corazón haya bebido.Thalaba el Destructor (Robert Southey) Christabel (Samuel Taylor Coleridge)El Giaour (Lord Byron)[fragmento]Pero primero, sobre la tierra, como vampiro enviado,tu cadáver de la tumba será arrancado;luego, lívido, vagarás por el que fuera tu hogar,y la sangre de todos los tuyos has de beber;allí, de tu hija, hermana y esposa,a medianoche, la fuente de la vida secarás;Aunque abomines del banquete, debes, forzosamente,nutrir tu lívido cadáver viviente. Tus víctimas, antes de expirar,en el demonio a su señor verán;maldiciéndote, maldiciéndose,tus flores marchitándose están en el tallo.Pero una que por tu crimen debe caer,la más joven, entre todas, la más amada,llamándote padre, te bendecirá:¡esta palabra envolverá en llamas tu corazón! Pero concluir debes tu trabajo y observaren sus mejillas el último color;de sus ojos el último destello,y su postrera y vidriosa mirada debes verhelarse sobre el azul sin vida. Con impías manos desharás luegolas trenzas de su dorado cabello,que fueron en vida bucles por ti acariciadosy con promesas de tierno amor despeinados;¡pero ahora tú lo arrebatas, monumento a tu agonía! Con tu propia y mejor sangre chorrearántus rechinantes dientes y macilentos labios.Luego, a tu lóbrega tumba caminarás;ve, y con demonios y espíritus delira,hasta que de horror estremecidos, huyande un espectro más abominable que ellos.The Vampyre (John William Polidori)The Skeleton Court, or The Vampire Mistress (Elizabeth Caroline Grey) Varney the Vampire (James Malcolm Rymer) Carmilla (Sheridan LeFanu) Drácula (Bram Stoker)Vampire of the CoastThe Vampire (Robert Vignola) Nosferatu, una sinfonía de horror (F. W. Murnau) London After Midnight (Tod Browning) Drácula (Tod Browning) I am Legend (Richard Matheson)Drácula (Terence Fisher) The Fearless Vampire Killers (Dance of the Vampires) (Roman Polanski /Gérard Brach) Vampire Lovers / Las amantes vampiro (Roy Ward Baker)Blackula (William Crane) Blood for Dracula (Paul Morrissey) Salem’s Lot (Stephen King)The Dracula Tape (La voz de Drácula) (Fred Saberhagen)Entrevista con el Vampiro (Anne Rice) Zoltan, Hound of Dracula (Albert Band)The Hunger (Whitley Strieber)Fevre Dream / Sueño del fevre (George R. R. Martin) El ansia (Tony Scott)Lost Boys / Jóvenes ocultos (Joel Schumacher)Lost Souls (Poppy Brite)Anno Dracula (Kim Newman (Neil Gaiman))Drácula de Bram Stoker (Coppola)Entrevista con el vampiro (Niel Jordan)Abierto hasta el amanecer (Robert Rodríguez / Tarantino)Buffy cazavampiros (Joss Whedon)Blade (Stephen Norrington)Vampiros (John Carpenter)Vampyrrhic / El ejército de las sombras (Simon Clark)La sombra del vampiro (E. Elias Merhige)Drácula 2000 (Patrick Lussier)Jesucristo cazavampiros (Odessa Filmworks – Lee Demarbre)The Southern Vampire Mysteries [Dead until Dark] (Charlaine Harris)30 Days of Night (Steve Niles / Ben Templesmith)Underworld (Len Wiseman)La liga de los hombres extraordinarios (Alan Moore / Stephen Norrington)Van Helsing (Stephen Sommers)Låt den rätte komma in (John Ajvide Lindqvist) La historiadora (Elizabeth Kostova)Twilight (Stephenie Meyer)La criatura perfecta (Glenn Standring)30 días de noche (David Slade)Soy leyenda (Francis Lawrence)Moonlight (Ron Koslow / Trevor Munson)Déjame entrar (Tomas Alfredson)Crepúsculo (Catherine Hardwicke)True Blood (Alan Ball)Lesbian Vampire Killers (Phil Claydon) IV. EPÍLOGO o el trastero de los vampiros Aquí hablamos de algún que otro personaje real relacionado con el mito, como Vlad Tepes o Erzsébet Báthory, y de otros vampiros que decidimos dejar aparte:Vampiros en los videojuegos (Castlevania, Soul Reaver, Suikoden, Final Fantasy, Metal Gear Solid, D)Vampiros en los cómics y dibujos animados……y Transformers. Canciones que se pueden escuchar en el podcast:Libérame, de Elliot Goldenthal (B.S.O. de Entrevista con el Vampiro)Bela Lugosi is Dead, de BauhausBáthory Aria, de Cradle of FilthCry Little Sister, de Gerard McMann and Michael Mainieri (B.S.O. de The Lost Boys)Gay Bar, de Electric SixThe Hunger & 1,000,000 year BC, de The MisfitsBad Things, de Jace EverettClaire’s Dream, de London After Midnight[Dibujos varios perpetrados por Brucelé y Danikilu]

DO NOT JUDGE US ON THIS QUALITY. We basically recorded a meeting to discuss doing a podcast, and then released it as a podcast....In this episode, the three tackle Music, Smart Phones, Star Wars, Star Trek Discovery & Enterprise, drunkenness and TV Series Mars. Danny Lenihan talks about why Star Wars Battle of Hoth is RUBBISH, Tim McEwan explains why he saved money with Samsung, and Phil Close tells us all about the TV Series, Mars, and his embarrassing drunken tales.

This week the Pauls realise they're the last in a long line of vampire slayers but are ultimately disappointed when this amounts to nothing more than being disgusted by penises and living in a state of constant gay panic. Also, women are super evil and we had no idea. Don't believe us? You obviously haven't seen Lesbian Vampire Killers. So what's the one good thing? Featuring: misogyny! how to be a man, a concept album we can all enjoy, the importance of delivery and god really just a lot of gay panic.

Debbie Wiseman is one of the UKs top composers. Her wonderful melodic and lyrical style of music has graced over 200 credits on film and television. In January 2017. Jason Drury talked to Debbie Wiseman about her life and career for CINEMATIC SOUND RADIO. During the interview, you will also be hearing selections from TOM AND VIV, WILDE, TOM’S MIDNIGHT GARDEN, ARSENE LUPIN, LESBIAN VAMPIRE KILLERS, JEKYLL, WOLF HALL and much more. Debbie also talks about her music away from the screen, in particular, her hit classical album THE MUSICAL ZODIAC. And you’ll hear selections from Wiseman’s new compilation album DEBBIE WISEMAN: LIVE AT THE BARBICAN at the end of the program. Jason Drury would like to thank Debbie Wiseman for kindly giving her time for this interview and for Erik Woods for introducing the show. This program is dedicated to the memory of Jason’s father, Eric Drury, who sadly passed away during the making of this program. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

This time I take a quick look at the best British comedy horror movies of the past ten years, Doghouse (2009), Cockeys Vs Zombies and Lesbian Vampire Killers (2009). --- Send in a voice message: https://anchor.fm/love-horror/message

In this episode of Dread Media, Damien joins Desmond once again to dig through the muck that is Human Centipede 2. There are spoilers, you have been warned. Then Devil Dinosaur Jr. takes a look at Lesbian Vampire Killers in a brand new Stay Scary. Great feedback and music abounds! "Outlaw Shit" by Struggle feat. Yelawolf, "Don't Shit Where You Eat" by Ween, "Woman" by Wolfmother, and "Jumping the Sharks" by Carter Falco. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @dreadmedia, @DevilDinosaurJr, and @ExtraLivesShow on Twitter.

In this episode of Dread Media, Damien joins Desmond once again to dig through the muck that is Human Centipede 2. There are spoilers, you have been warned. Then Devil Dinosaur Jr. takes a look at Lesbian Vampire Killers in a brand new Stay Scary. Great feedback and music abounds! "Outlaw Shit" by Struggle feat. Yelawolf, "Don't Shit Where You Eat" by Ween, "Woman" by Wolfmother, and "Jumping the Sharks" by Carter Falco. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @dreadmedia, @DevilDinosaurJr, and @ExtraLivesShow on Twitter.

In this episode of Dread Media, Damien joins Desmond once again to dig through the muck that is Human Centipede 2. There are spoilers, you have been warned. Then Devil Dinosaur Jr. takes a look at Lesbian Vampire Killers in a brand new Stay Scary. Great feedback and music abounds! "Outlaw Shit" by Struggle feat. Yelawolf, "Don't Shit Where You Eat" by Ween, "Woman" by Wolfmother, and "Jumping the Sharks" by Carter Falco. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @dreadmedia, @DevilDinosaurJr, and @ExtraLivesShow on Twitter.

In this episode of Dread Media, Damien joins Desmond once again to dig through the muck that is Human Centipede 2. There are spoilers, you have been warned. Then Devil Dinosaur Jr. takes a look at Lesbian Vampire Killers in a brand new Stay Scary. Great feedback and music abounds! "Outlaw Shit" by Struggle feat. Yelawolf, "Don't Shit Where You Eat" by Ween, "Woman" by Wolfmother, and "Jumping the Sharks" by Carter Falco. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @dreadmedia, @DevilDinosaurJr, and @ExtraLivesShow on Twitter.

In this episode, we have new toys at MacBites HQ, Lara Croft rides again and we play buzzword bingo in more ways than one BackBites MacBites Learning MacBitesLearning on Twitter AppleTV update Should Elaine watch Lesbian Vampire Killers - yes or no? let us know Gusto Elaine's Pixelmator video 12 Days of Christmas app ProductiveMacs bundle MacUpdate bundle ChatBites Elaine’s new toy Credit card on iTunes Derek the iTunes Voucher spotting Sherlock iMessage Farce The Two Ronnies Mastermind sketch Out of Sync Notifications VMWare Fusion Adobe and Flash and other nightmares The new Adobe upgrade policy Scott kelby's plea to Adobe Photoshop Elements in MAS v boxed product Google Death Squad Ride Again Google Catalogs Google Bar Google+ with Added Twitter ChromeBook on iPad Postbox Logic Pro 9 EyeTV Upgrade and LaunchBar Tell Me v. Siri MacBitesSiri on Twitter Minster's video - MacBites Newsflash Feedback and Comments Minster's audio Jane’s MacBites Listening Marathon MacBites Episode 1 MacBites Episode 4 - Leopard Launch Special MacBites Episode 6 - iPhone Launch Special MacBites Episode 9 - The 13 minute episode MacBites Episode 15 - The Goombay Dance Band MacBites Episode 16 - Koi Pond MacBites Episode 37 - Sensitive wrist action

Welcome to Dark Discussions, your place for the discussion of horror film, fiction, and all that’s fantastic. As the 1990’s begin, the tale of nosferatu, the vampire, follows many different approaches that quite differ from the historical monster known to be the spawn of hell and an enemy of Christianity and the Roman Catholic Church. With Anne Rice’s 1973 novel Interview With the Vampire produced for the big screen, vampires, though still quite violent and horrific, start to take on a new face. Romantic themes permeate the back story as death and loss follow every move of the creatures of the night. Vampires as central characters become the focus of such films. As protagonists and antiheroes, the vampire becomes an individual that film audiences are more able to feel for but as a result the horror element begins to fade from the mythos. Stories such as Underworld and Blade make the monster almost appear as if they are superheroes. Action and stylized violence brings a rebirth to a tired genre but also makes fans of the traditional monster wish for the bygone days. While such series as the Twilight Saga bring in a new audience of fans, those searching for the vampire as a monster are offered such films as 30 Days of Night, Stakeland and Let the Right One In bringing hope to the devotee of traditional vampires. Other takes include a scientific approach such as Daybreakers, a gothic return to the Hammer days with Lesbian Vampire Killers, the Korean film Thirst filled with Catholicism essentials, and a coming of age horror tale The Hamiltons. Dark Discussions continues with their second part of their vampire retrospective. Philip and Mike talk about how the vampire has changed these past few years and what it means to cinema and the history of the monster. From Dusk Till Dawn to 2011’s Fright Night, though the vampire may have changed, their taste for human blood has not. Come listen, faithful listeners, as we all wait for the sun to rise. As always we welcome your comments: darkdiscussions@aol.com (written email or attached mp3 files) WWW.DARKDISCUSSIONS.COM

Dobbelt D goes country med lesbiske vampyrer, et anderledes pirat skib, mexicansk science fiction, og en super nuser Kristen Stewart. Derudover: Snak om en kontroversiel trailer, lyttermails og feedback på show 100. Følgende titler omtales: 0:39:54 Sleep Dealer BD 0:47:53 The Notebook BD 0:57:42 Hannah Montana The Movie 1:12:10 The Hitcher (1986) 1:21:16 The Boat That Rocked 1:33:42 The Last House on the Left (2009) 1:42:48 Adventureland 2:01:11 Sunshine Cleaning 2:10:44 Lesbian Vampire Killers

On this week's show we see take a look at all the movies we watched at Frightfest's one-day Spring event, including Coffin Joe's Embodiment Of Evil, Repo! The Genetic Opera, Not Quite Hollywood and Lesbian Vampire Killers.

On this week's show we see take a look at all the movies we watched at Frightfest's one-day Spring event, including Coffin Joe's Embodiment Of Evil, Repo! The Genetic Opera, Not Quite Hollywood and Lesbian Vampire Killers.

On this week's show we see take a look at all the movies we watched at Frightfest's one-day Spring event, including Coffin Joe's Embodiment Of Evil, Repo! The Genetic Opera, Not Quite Hollywood and Lesbian Vampire Killers.