Podcasts about Peggy Olson

Get ready to see a whole new side of Reel Rejects' very own John Humphrey!

Green and Red is starting a new series that talks about how art and culture develop and raise political consciousness. We'll be putting out episodes that talk about the politics of our favorite TV series, film, books, music and whatever else we come up. In our first episode of this new feature, we talk about the award winning television series "Mad Men." We talk about the anti-hero Don Draper and the rising feminism of Peggy Olson. We discuss it's reflections on the political economy, Edward Bernays and the history of the advertising industry, the gender politics of the 1960s, the military industrial complex, the ultimate co-optation of the spirit of the 60s in the shows series finale and much much more. Take a break from the news and our collapsing world and dive into Green and Red's Arts and Culture Series. ----------------------------------------- Intro and Outro- "A Beautiful Mine" by RJD2 Follow Green and Red// +G&R Linktree: ⁠⁠⁠https://linktr.ee/greenandredpodcast⁠⁠⁠ +Our rad website: ⁠⁠⁠https://greenandredpodcast.org/⁠⁠⁠ + Join our Discord community (  / discord  ) Support the Green and Red Podcast// +Become a Patron at   / greenredpodcast   +Or make a one time donation here: ⁠⁠⁠https://bit.ly/DonateGandR⁠⁠⁠ Our Networks// +We're part of the Labor Podcast Network: ⁠⁠⁠https://www.laborradionetwork.org/⁠⁠ +We're part of the Anti-Capitalist Podcast Network: linktr.ee/anticapitalistpodcastnetwork +Listen to us on WAMF (90.3 FM) in New Orleans (https://wamf.org/) This is a Green and Red Podcast (@PodcastGreenRed) production. Produced by Bob (@bobbuzzanco) and Scott (@sparki1969). Edited by Scott.

Want us to talk about "The Suitcase," widely considered one of the greatest episodes of any television show ever? Well, that's what the podcast is for! That's right, this week we dig into the seventh episode of the fourth season of Mad Men. And listeners, it's a knockout. In case this is your first time digging into our podcast, we recap Mad Men from the perspective of a first-time watcher, someone who only watched the show once while it was airing, and a superfan who watches excessively instead of having a functional social life. Discussion Points:  Why is "The Suitcase" such a widely regarded episode and what went into its writing? Does this episode live up to the hype? Does this qualify as a bottle episode? Or at least bottle episode-adjacent? Does this episode better resolve the tension between Don and Peggy compared to the Season 3 finale? What does Peggy truly mean to Don personally and professionally? Is this really the halfway point of the series? What goes into the ownership of a creative idea? How well does the episode balance emotion and comedy? What's your stance on Ghost Anna? Does anyone truly know Don? Extra credits: Matthew Weiner created Mad Men, which aired on AMC from 2007 to 2015. Jennifer Getzinger directed “The Suitcase” and Matthew Weiner wrote the script. The show stars Jon Hamm, January Jones, Elisabeth Moss, Vincent Kartheiser, Christina Hendricks, John Slattery, Robert Morse, and many more. Our intro music is “Mad Men Men” by Tom Davidson, which is an original remix of the show's opening theme “A Beautiful Mine” by RJD2. Podcast illustration is by Jon Negroni. Our podcast hosts include Jon Negroni (Podcast Editor of InBetweenDrafts), Will Ashton (cohost of the Cinemaholics podcast), and Michael Overhulse (a guy who's addicted to working at startups).See omnystudio.com/listener for privacy information.

We at Mad Men Men know a little something about being the rejected podcast. That's right, we're talking about Season 4 Episode 4 this week, directed by the one and only John Slattery A.K.A. Roger Sterling! If you have any criticisms, be sure to write half a sentence on your typewriter and then throw the paper out. In case this is your first time digging into our podcast, we recap Mad Men from the perspective of a first-time watcher, someone who only watched the show once while it was airing, and a superfan who watches excessively instead of having a functional social life. Extra credits: Our intro music is “Mad Men Men” by Tom Davidson, which is an original remix of the show's opening theme “A Beautiful Mine” by RJD2. Podcast illustration is by Jon Negroni. Our podcast hosts include Jon Negroni (Podcast Editor of InBetweenDrafts), Will Ashton (cohost of the Cinemaholics podcast), and Michael Overhulse (a guy who's addicted to working at startups).See omnystudio.com/listener for privacy information.

Season 3 Episode 7 Seven Twenty Three- Frances and Marge discuss Betty's flirtation with Henry Francis, Peggy's proposition, and Don's dilema in signing a contract. inasnitpodcast@gmail.com patreon.com/inasnit Woman of Note Dorothy Draper

Mary Wells Lawrence foi uma publicitária norte-americana. Sua sede por reconhecimento em um ambiente masculino e hostil, transformaram o mercado para sempre. Nascida em 1928, em Ohio, MWL começou sua carreira em 1951, trabalhando como redatora para uma loja de departamentos. Dois anos depois, se mudou para Nova Iorque. Trabalhou como gerente de publicidade da Macy's até ser contratada pela agência de publicidade McCann-Erickson, onde trabalharia até 1956. Dps se tornou redatora-chefe da Doyle Dane Bernbach, agência da qual se tornaria vice-presidente em 1963. Sua genialidade seria reconhecida na Jack Tinker and Partners, agência renomada por sua criatividade e inovação, de onde Wells viraria sócia sênior. Ali, foi responsável pela repaginada da Braniff Airways, criando uniformes juntamente com Emilio Pucci para os comissários!. Criou o slogan “end of the plain plane”. Tinha um salário e renome atípicos para uma mulher de seu tempo, mas que continuava sendo muito menor do que o de vários homens menos competentes. Após o sucesso com a Braniff, e tendo sido negada a promoção prometida por seus chefes, MW criou, com dois colegas, sua própria agência: a Wells Rich Greene. Tornou-se uma das primeiras mulheres a presidir uma grande empresa, e passou a comandar a agência com o maior e mais rápido crescimento na década de 1970. Inventou a campanha “I ♡ NY”, que visava atrair mais turistas para Nova Iorque, e acabou criando um dos símbolos (e slogans!) mais famosos do mundo até hoje. Quando a WGR abriu capital, em 1968, Mary Wells se tornou a primeira CEO de uma empresa na Bolsa de Valores de Nova Iorque, e uma das executivas mais ricas do mundo. Tendo lutado contra cânceres de bexiga e na mama durante a década de 1980, a mais lendária das publicitárias se aposentou em 1990, após mais de 40 anos de uma carreira brilhante. Aos 95 anos, Mary Wells Lawrence segue viva, e talvez tenha até assistido “Mad Men” – sabendo que a protagonista, Peggy Olson, foi amplamente inspirada em sua trajetória!

Carrie Shemanski is a profoundly Midwestern writer, musician, and bon vivant. By day, she's the Peggy Olson of the L.A. Times. At night, you can find her gracing stages around Chicago with bands like Wolfman and The Bangers. At any hour, she's a fun person to have a drink with. The First Time is hosted by Jenn Sodini. Produced by Bobby Evers, Andy Vasoyan, and Julie Mueller. Podcast produced by Andy Vasoyan. Recorded by Tony Baker.

The time value of money states that the money you have today is worth more than the money you'll have at a future date. The two main reasons why are your potential earning capacity and inflation. It's why people make investments instead of letting their money sit in their checking accounts. It's why Mad Men's Peggy Olson didn't balk when she was offered $19,000 per year in 1970 (the equivalent of about $149,500 today).  As a real estate investor, understanding the time value of money is critical because it'll help you make informed financial decisions that will impact the profitability of your investments. To help you make these decisions, let's explore the time value of money, including how it works, how future values, present values, and compounding periods fit into the equation, and include some real-life investing examples to show you how to make your money work for you over time. Learn more about your ad choices. Visit megaphone.fm/adchoices

We'll give you five dollars if you listen to the latest episode of the Mad Men Men podcast. The only catch, though, is we're going to immediately steal it back. That's right, this week we're discussing Episode 3 of Season 3 of Mad Men, titled "My Old Kentucky Home." An episode so spicy, it gets a disclaimer at the beginning if you're watching the digital version. The workers of Sterling Cooper are attending a garden party with some questionable entertainment choices. Young Sally's crime spree continues at the expense of Grandpa Gene and especially Carla. Peggy Olson is her name, getting high is her Mary Jane. And I can't believe we're only JUST now finding out that Paul was once part of the Tiger Tones! In case this is your first time digging into Mad Men Men, our humble little baby podcast recaps Mad Men from the perspective of someone who hasn't really watched the show, someone who went through it once a long time ago, and a superfan who watches excessively it instead of having a functional social life. EXTRA CREDITS Mad Men was created by Matthew Weiner and aired on AMC from 2007 to 2015. This episode, “My Old Kentucky Home,” was directed by Jennifer Getzinger and written by Dahvi Waller and Matthew Weiner. The show stars Jon Hamm, January Jones, Elisabeth Moss, Vincent Kartheiser, Christina Hendricks, John Slattery, Robert Morse, and many more. The opening instrumental theme heard at the beginning of this podcast is “A Beautiful Mine” by RJD2. Podcast illustration is by Jon Negroni. The podcast is hosted by Jon Negroni (Film Editor of InBetweenDrafts), Will Ashton (cohost of the Cinemaholics podcast), and Michael Overhulse (The Original “Negroupie” and inventor of dogs interrupting podcast conversations). We'll be back soon to discuss Season 3 Episode 4, titled “The Arrangements.” Subscribe to Mad Men Men on Apple Podcasts, Spotify, Google Podcasts, or wherever else podcasts are, ahem, advertised.See omnystudio.com/listener for privacy information.

The time value of money states that the money you have today is worth more than the money you'll have at a future date. The two main reasons why are your potential earning capacity and inflation. It's why people make investments instead of letting their money sit in their checking accounts. It's why Mad Men's Peggy Olson didn't balk when she was offered $19,000 per year in 1970 (the equivalent of about $149,500 today).  As a real estate investor, understanding the time value of money is critical because it'll help you make informed financial decisions that will impact the profitability of your investments. To help you make these decisions, let's explore the time value of money, including how it works, how future values, present values, and compounding periods fit into the equation, and include some real-life investing examples to show you how to make your money work for you over time. Learn more about your ad choices. Visit megaphone.fm/adchoices

TVC 607.4: Rita Lakin, Edgar nominated screenwriter and author of The Only Woman in the Room: Episodes from My Life and Career as a Television Writer, talks to Ed some of the parallels between her career and that of Peggy Olson, the copywriter played by Elisabeth Moss on AMC's Mad Men. One of the first female writer/producers in network television, Rita opened doors for many other women at a time when the industry was run almost entirely by men. Rita Lakin passed away Thursday, Mar. 23 at age ninety-three. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices

Frances and Marge continue their deep dive into Season 3, Episode 3, "My Old Kentucky Home" Learn more about Bacardi rum, seersucker suits, and the mediocre white man!  Peggy Olson wants to smoke MJ, and Joan is forced to play the accordion.   inasnitpodcast@gmail.com

OOF CW- Blackface Season 3, Episode 3 "My Old Kentucky Home"- Join Frances and Marge as they discuss this whopper of an episode!  Peggy has to work over the weekend.  Betty and Don go to Roger and Jane's garden party.   WON- Chef Leah Chase patreon.com/inasnit inasnitpodcast@gmail.com

Frances and Marge continue their rundown of Mad Men Season 3, Episode 2, "Love Among the Ruins" Betty is upset by her father's declining health, but she doesn't seem to have any solutions. Peggy has a one night stand.   inasnitpodcast@gmail.com

Frances and Marge do a deep dive into Mad Men Season 3, Episode 2, "Love Among the Ruins" In this episode, we discuss the Melba Toast that is Paul Kinsey, Joan continues to amaze us all in every color of the rainbow, and Peggy pushes back on the Patio campaign idea. WON Dorothy Dandridge inasnitpodcast@gmail.com patreon.com/inasnit

Saga Noren'den, Peggy Olson'a, Fleabag'den, Buffy'e, Alicia Florrick'den Phoebe Buffay'e, Bihter Ziyagil'den Şehnaz Tango'ya ekranın hakkını alan, ıvır zıvıra tamah etmeyen, cesur, komik ve içten kadınları.Televizyon çocuklarına ulaşmak için: televizyoncocuklaripodcast@gmail.comTelevizyon Çocuklarını sosyal medyada takip etmeyi unutmayın! Instagram Hesabımız: @televizyoncocuklaripodcast Deniz Tokgöz Instagram @bugunnelerizledimDefne Akman Instagram @defnettinReklam ve İş Birlikleri için: aysegul.kuyumcu@gmail.com

We did it. We watched a full season of Mad Men. It was extremely easy (we just pressed play on a TV show 13 times). But in other ways it was difficult. We had to put our hands up to the wall and say, "We're here...to podcast." So this week on Mad Men Men, we discuss "The Wheel," the 13th episode of Season 1. Pete Campbell has the opposite of baby fever. But don't tell that to Peggy Olson. Don finds a time machine and why is Betty scheduling so many therapy sessions this week? In case this is your first time digging into Mad Men Men, this podcast tackles Mad Men from the perspective of someone who hasn't really watched the show, someone who went through it once a long time ago, and a superfan who watches excessively it instead of having a functional social life. Mad Men was created by Matthew Weiner and aired on AMC from 2007 to 2015. The show stars Jon Hamm, January Jones, Elisabeth Moss, Vincent Kartheiser, Christina Hendricks, John Slattery, Robert Morse, and many more. The opening instrumental theme heard at the beginning of this podcast is “A Beautiful Mine” by RJD2. Podcast illustration is by Jon Negroni. You can find more TYF podcasts here. Subscribe to Mad Men Men on Apple Podcasts, Spotify, Google Podcasts, or wherever else you listen to podcasts.See omnystudio.com/listener for privacy information.

Interview croisée dʹAnaïs Bordages et de Marie Telling, qui publient "Petit éloge des anti-héroïnes de séries" (Les Pérégrines). Dans ce livre, les deux journalistes spécialisées en séries TV rendent un hommage féministe et affectueux à ces personnages tour à tour mauvaises mères, hystériques, castratrices ou détestables pestes. Les autrices analysent aussi lʹévolution des personnages féminins sur nos petits écrans, de Nellie Oleson à Skyler White, de Charlotte York à Rachel Green, de Cordelia à Livia Soprano, en passant par Daenerys Targaryen, Peggy Olson ou encore Laura Palmer. Par Antoine Droux.

Career Q&A with Elisabeth Moss. Moderated by Richard Ridge, Broadway World. BIO: Elisabeth Moss stars as ‘Peggy Olson' on the award-winning series Mad Men, which is currently airing its final seven episodes. In addition to the series' numerous honors, Moss has received five Emmy Award nominations, a Golden Globe nomination, and two Screen Actors Guild Award nominations for her performance on the show and has joined with the cast to win the Screen Actors Guild Award for Best Ensemble in a Drama Series three consecutive years. Additionally, Moss's performance in Jane Campion's highly-acclaimed seven-part miniseries Top of the Lake earned her numerous accolades and prizes, including the Golden Globe and Critics Choice TV Awards for Outstanding Lead Actress in a Movie or Miniseries as well as Emmy and SAG Award nominations in the same category. Prior to Mad Men, Moss played ‘Zoey Bartlett,' daughter to Martin Sheen's president, for seven seasons on Aaron Sorkin's critically praised and award-winning drama, The West Wing. On the big screen, Moss has completed production on four films: High-Rise, a film directed by Ben Wheatley also starring Tom Hiddleston, Sienna Miller and Jeremy Irons; the drama Meadowland, directed by Reed Morano and starring Olivia Wilde and Luke Wilson, which will make its world premiere at the Tribeca Film Festival; Queen of the Earth , the psychological thriller written and directed by Alex Ross Perry and premiered to stellar reviews at the Berlin International Film Festival; and Truth, in which she stars opposite Robert Redford and Cate Blanchett in the political drama about the scandal that erupted after Dan Rather reported on 60 Minutes II that George W. Bush had gotten preferential treatment that put him in the National Guard to avoid the Vietnam War draft. Moss's additional film credits include The One I Love, in which she starred with Mark Duplass (Sundance Film Festival 2014); Listen up Philip, directed by Alex Ross Perry and starring Jason Schwartzman (Sundance Film Festival 2014); Walter Salles's adaptation of the classic Jack Kerouac novel On the Road, Get Him to the Greek , The Missing Girl Interrupted , Mumford, A Thousand Acres, and Virgin, for which she was nominated for an Independent Spirit Award for Best Actress. Moss is currently starring in The Heidi Chronicles, a Broadway revival of Wendy Wassterstein's Pulitzer and Tony Award-winning play in which Moss plays the title character. Her additional theater credits include The Children's Hour in London's West End opposite Keira Knightley, the Broadway revival of David Mamet's Speed the Plow opposite William H Macy and her New York theater debut at the Atlantic Theater Company in Franny's Way.

Frances and Marge deep dive into S2E2 Flight 1.  We discuss Pretentious Paul's Party, Joan being racist, and Pete losing his dad. WON- Annie Glenn Feedback- Inasnitpodcast@gmail.com https://www.patreon.com/inasnit  

Frances and Marge look back at the favorite moments of Mad Men Season 1.   Find In A Snit the Podcast on Facebook, Twitter, and Instagram.

This podcast covers New Girl Season 3, Episode 2, Nerd, which originally aired on September 24, 2013 and was written by Kay Cannon and directed by Fred Goss. Here's a quick recap of the episode:Jess doesn't fit in with the teachers at her new school so Nick comes to the rescue! Schmidt spends the episode trying to balance his relationship with Cece and Elizabeth while his coworker Beth tries to sabotage it and Winston watches Daisy's cat, Ferguson.We discuss Pop Culture References such as:Mad Men / Don Draper / Peggy [Olson] / Don Draper's Office - When Schmidt is showing Elizabeth his office, he comments that it is a ⅔ replica of Don Draper's office from the television show Mad Men and he fantasized about Elizabeth being his “sexy Peggy”. Additional Pop Culture References such as:“I Believe I Can Fly” - R. Kelly - When the guys needed to wake Jess up to go to work, they sang her the song “I Believe I Can Fly”, which is a 1996 song written and performed by American singer R. Kelly. The song was originally from the soundtrack to the 1996 film Space Jam.James Taylor - Nick told Jess not to worry because she's “Nick Miller's girl now. [She's] my old lady,” to which Jess thought he was talking like a James Taylor song. James Vernon Taylor is an American singer, songwriter, and musician, who was inducted into the Rock and Roll Hall of Fame in 2000 and has won six Grammy Awards. He is one of the best-selling music artists of all time, having sold more than 100 million records worldwide. “What's Up?” - 4 Non Blondes - When Jess is standing on the toilet while drunk, she is singing the song “What's Up?” This song was released as the second single from American Rock group, 4 Non Blondes', 1992 debut album, Bigger, Better, Faster, More!. It reached number 14 on the US Billboard Hot 100 but was number one in many other countries. From San Francisco, 4 Non Blondes were active from 1989 to 1994 and “What's Up?” was their most popular song. On our new section of our podcast called “Most Likely To” we discussed who we think would be most likely to be like Beth, steal their partner's cat, commit a crime to fit in, and sneak into their boss's hot tub but not get caught. We also covered when Schmidt went to go see Cece to uninvite her from his work party as our “Schmidtism” this episode. For “Not in the 2020s” we highlighted the way Elizabeth spoke about people from Hong Kong and Dr. Foster forcing Nick and Jess into his hot tub. Our “Yes in the 2020s” included Winston standing up for himself and Nick helping Jess get new friends. We also explored the careers of Dreama Walker (Molly), Mark Proksch (Dan), and Angela Kinsey (Rose), the guest stars of the episode. We also mentioned this article about Mark pranking the news as a "yo-yo master".Also in this episode were the following guest stars who we do not discuss in the podcast: Merritt Wever (Elizabeth - Previously discussed in S2E22), Eva Amurri (Beth - Previously discussed in S1E8), Curtis Armstrong (Dr. Foster - Previously discussed in S2E24), Brenda Song (Daisy - Previously discussed in S2E23), Grace Holley (Hot Girl), Sergio Cilli (Director), Jimmy Kaplanges (Jimmy), and Erika Stillwater (Hot Girl #2).We didn't find the bear this episode but we did discuss how Schmidt being a Sagittarius but having a January birthday didn't match and an AV club article that mentioned the belief that less lines were ad-libbed in this season.While not discussed in the podcast, we noted other references in this episode including:Shorty - This episode Schmidt tried to call Cece “shorty” in public. Shawty, shorty, or shortie is an American slang term used as a term of endearment for an attractive woman or a girlfriend, that was particularly popular in hip hop from the 2000s. Hacky Sack - In a flashback we see that Nick used to be popular as he was good at the game Hacky Sack. "Hacky Sack" is the name of a brand of footbag popular in the 1970s, which has since become a generic trademark. A footbag is a small, round bag usually filled with plastic pellets or sand, which is kicked into the air as part of a competitive game. This episode got a 7/10 rating from Kritika and an 8.5/10 from Kelly and we both had the same favorite character: Nick!Thanks for listening and stay tuned for Episode 3!Music: "Hotshot” by scottholmesmusic.comFollow us on Twitter, Instagram or email us at whosthatgirlpod@gmail.com!Website: https://smallscreenchatter.com/

We discuss the pilot episode of Mad Men, from Don Draper and the art of "bullshit", to Peggy's eventful first day of work, to all the ways that Pete Campbell is the worst man alive.Subscribe to our weekly newsletter at itsinmyqueue.substack.com.Find us on Twitter: @inmyqueuepod • @adinaterrific • @karaaa_powellAnd Instagram: @inmyqueuepodor send comments, questions,  and show suggestions to us at itsinmyqueuepod@gmail.com!

Why are reproductive rights so important? What even are reproductive rights? When we think of reprodictive rights, mostly we think of abortion and Roe v. Wade. While those topics are also important, they barely scratch the surface of the intricacies and intimacy of how reproductive rights impact our daily lives. Join Peggy Olson and your host, Elizabeth Cunningham, as we dive into the history, the importance and the 'what now' in reproductive rights.

Exploring workplace power dynamics and emotional vulnerability in Mad Men Season 4 Episode 7 titled: The Suitcase.Links:Support Mind Theater on Ko-fiFollow Mind Theater on Instagram, Twitter, and TikTokMusic by Blue Dot Sessions- Vernouillet- A Catalog of Seasons- Passing Station 7- As Dust Gathers- Ches Coreu

Ali discusses what goes into crafting a compelling character, drawing examples from various TV characters including Moira Rose, Michael Scott, Peggy Olson and Bugs Bunny.

Host Angela Palladino is joined by painter, writer and comedian, Julian Edward Williams. We dive deep into creative expression through visual mediums, seeing the big picture, how painting informs writing, and also the life and times of Don Draper and Peggy Olson! Follow Julian! Instagram: https://www.instagram.com/julianedwardwilliams/ Website: https://www.jewilliamsart.com/ Follow Angela! Twitter: https://twitter.com/angpal Insta: https://www.instagram.com/ang.pal/ Website: https://www.angelapalladino.com/

Cette semaine dans Peak TV, Anaïs et Marie regardent Mad Men (AMC) –une de leurs séries préférées. On y suit le destin croisé de Don Draper et Peggy Olson dans l'univers d'une agence de pub new-yorkaise des années 1960. Qu'est-ce qui fait le brio de la série? Don Draper est-il le meilleur antihéros de l'histoire de la télé? Et Peggy Oslon en est-elle la plus grande héroïne féministe? Si vous voulez en apprendre plus sur l'importance des costumes dans les séries, vous pouvez réécouter notre épisode de Peak TV à ce sujet. Chaque vendredi, Anaïs Bordages et Marie Telling décortiquent sur Slate.fr les tendances et l'actualité des séries TV. Critiques, analyses et coups de cœur, elles montrent comment les séries reflètent la société... et inversement. Suivez Slate Podcasts sur Instagram et Facebook. Pour échanger et découvrir de nouveaux podcasts, rejoignez le Slate Podcast Club sur Facebook. Crédits: Peak TV est un podcast de Marie Telling et Anaïs Bordages, produit par Slate.fr sous la direction de Christophe Carron et Benjamin Saeptem Hours. Réalisation et montage: Aurélie Rodrigues Musique: «Arpy (Saeptem PeakTV Megamix)», Dan Henig

The New Girl is a deep investigation of Peggy Olson, early Feminism, and the lives of women in the early 1960s.YouTubeInstagramEmail UsMusic by Tyler Everett

Among those of us who watch cable television, everyone’s favorite copywriter bad boy is Don Draper of the show ‘Mad Men.’ Along with his secretary who became a copywriter, Peggy Olson, Don Draper is the reason this is the first edition of the Fictional Old Masters Series. Yes, they are fictional characters. But a lot of factual research went into creating these characters, And I was able to pluck out a few gems from the hours and hours of dialogue they spoke on the show. My goal today is to make this useful as well as maybe a little entertaining. So to talk about ‘Mad Men,’ we really have to begin with Matt Weiner. The show was his brainchild. Now Weiner was not an ad man, much less a Mad Man. In fact, he was a cable TV drama writer. He wrote the pilot for ‘Mad Men,’ on spec, in 1999. David Chase, who was doing ‘The Sopranos’ for HBO at the time, was so impressed with the script that he hired Weiner to write and executive produce that show. Weiner joined ‘The Sopranos’ team and had a lot of success. Eight years later, in 2007, Weiner got his show with ‘Mad Men.’ The first episode launched six weeks after the last episode of ‘The Sopranos,’ but on a different cable network, AMC. ‘Mad Men’ won tons of awards, and continued to 2015. I bring up all this history because it leads to an important question: Consider it was fiction, how authentic was Mad Men, compared to real Madison Avenue advertising? To answer that question, let’s turn to the acclaimed high-drama film producer Alfred Hitchcock. Weiner has said that Hitchcock was a major influence on him. And Hitchcock was a much stronger believer in facts that most people would expect. In the 1967 book ‘Hitchcock/Truffaut,’ Hitchcock muses, “What is drama, after all, but life with the dull bits cut out.” So he was pretty much saying drama should be close to real life. But not like real life, because drama should never be boring. And Weiner seems to have adopted that attitude. The scenes from ‘Mad Men’ were artistically enhanced, for sure, but they weren’t from a different universe than the one we live in. Weiner did a lot of research, and he acknowledged in interviews that the character Don Draper was based in part on the famous Chicago copywriter Draper Daniels. Here’s something Draper Daniels wrote: NOW… AT LAST… THE NEW AMAZING Gem of genius slowly blazing. The one man who, without a doubt Knows what this business is about. The man who screams, when words are changed, That all the changers are deranged. Still, were he quieter or politer, He wouldn’t be a copywriter. So, finally, before we dive into the takeaways, let me introduce you to our two Fictional Old Masters. Don Draper begins the show as a creative director and junior partner of a Madison Avenue ad agency in New York. He’s a hard drinker and a chain smoker. He has some deep secrets in his past and he has a lot of sex partners besides his wife. Not what you would call a boy scout, back in the day. He was also what we call a genius copywriter. He had an uncanny knack for coming up with really good advertising ideas. We’ll be focusing more on his copywriter chops and less on his lifestyle. Peggy Olson started out as Draper’s secretary and moved up to becoming a copywriter, where she got her own office with a door that closed. It may sound trite now. But I worked in a big Rockefeller Center building in New York very close to the fictional Mad Men office, and I had an office with a door that closed. Some of the other writers I worked with didn’t. Not only was it status, but it made a huge difference when you needed to concentrate and write something. Draper was always pushing Peggy to be better. For as broken a man as he was, in that era, his behavior would be called “supportive,” at times. When he switched agencies, he asked her to go with him. In her character in the show, you can see how difficult it was for women at the time, but even so, how it was possible to grow and succeed. In the show, we then proceed to the five takeaways.Download.

After just over 200 episodes in between, we return to one of our favorite shows, MAD MEN. It's May 25, 1965, the night of the second Ali/Liston heavyweight boxing match and also Peggy Olson's 26th birthday. Don is deliberately avoiding bad news from California and thus drags Peggy into an all-nighter for a client, causing her to miss her own party. Directed by Jennifer Getzinger and written by show creator Matthew Weiner. Starring Jon Hamm and Elisabeth Moss. FOLLOW US ON LETTERBOXD - Zach1983 & MattCrosby Thank you so much for listening! Please follow the show on Twitter: @GreatestPod Subscribe on Apple Podcasts / Podbean Taking a brief break from recommendations!  

Les séries contribuent fortement à façonner nos imaginaires. On a toutes et tous grandi avec plein de super héros, mais très peu d’héroines. On a adoré plein de personnages principaux, mais ils sont toujours blancs. On s’est ému pour des histoires d’amours, mais elles sont tout le temps hétérosexuelles… bref : notre imaginaire est biaisé puisqu’il ne permet pas à chacune et chacun de s’identifier, de s’inspirer, et de se sentir représenté. Depuis quelques années, les choses tendent à changer, on voit plus de productions qui incluent des profils et des histoires plus représentatives et nos warriors vont nous le rappeler... elles vont nous souffler des références, nous émouvoir et nous amuser...  références : Centre d’études sur la place des femmes à la télévision et au cinéma : http://womenintvfilm.sdsu.edu/ Female Gaze : l’arrivée de Peggy Olson dans son nouveau bureau https://www.youtube.com/watch?v=_m67JbGjWnc Le Regard féminin – Une révolution à l'écran, Iris Brey, Éditions de l'Olivier, collection Les Feux Nos recos en vrac : Dark Angel, Buffy, Charmed, Fleebag, How to get away with murder, Unbelievable, Forbrydelsen, Nola Darling n’en fait qu’à sa tête, Watchmen, I may destroy you, Girls ...

The Women attend “The Marriage of Figaro” (S1E3). Ashley and Kate discuss a terrifying department store and the source of sadness as adults. They also celebrate Helen Bishop, Peggy Olson, and older styles of acting. We learn about Ashley’s domain name cache, and Kate misidentifies a Roman numeral.

A quick announcement: On Thursday December 17, 2020, you can hear a few more of my thoughts on Buffy the Vampire Slayer along with insights into my favorite Mad Men character, Peggy Olson, if you check out the podcast They Coined It. I was lucky enough to be a guest for part of an episode discussing […] The post Mad Men, Buffy, And More appeared first on Lisa Lilly.

The Women attend “The Marriage of Figaro” (S1E3). Ashley and Kate discuss a terrifying department store and the source of sadness as adults. They also celebrate Helen Bishop, Peggy Olson, and older styles of acting. We learn about Ashley’s domain name cache, and Kate misidentifies a Roman numeral. This podcast is powered by Pinecast.

AL speaks to the brilliant Tat Effby. You may know Tat's work if you read My Shrewsbury magazine as her cartoon strip Round The Bend is a very popular feature. We discuss Tat's life as a copywriter, what she dubs as Shropshire's answer to Peggy Olson (from MadMen). We talk about Tat's work for Private Eye, her love of puns and exactly what does a bad day look like for her? Tat has a new cartoon feature that you can see on Instagram/Facebook, all you have to do is search "In The Olden Phrase" We discuss the origin of this work and what might become of it. I always enjoy chatting with Tat, she is a huge supporter of the Biscuit, so fun to talk to and she made me actual (and tasty) Shrewsbury Biscuits...friends for life! - AL

It seems bizarre to think, but there was a time when tourists stayed away from New York City. Coming out of the 70s, and into the early 80s, New York was a dangerous, dirty, and nearly bankrupt city. It would take an advertising campaign to help bring the city back to life. This is a look back on the famous campaign going into the 80s and a logo that is part of pop culture. This is also the story of Jane Maas; the woman behind the campaign, and the real-life inspiration for Peggy Olson from Mad Men.  

"I don’t think anyone wants to be one of a hundred colors in a box." - Peggy Olson, Babylon HERE'S YOUR BASKET OF KISSES discusses Babylon ... WATCH the episode on IMDB-TV (free with Amazon Prime subscription) The blog post visually comparing Roger and Joan with the work of Edward Hopper can be found here. The blog post discussing the Wheel-O toy on the Draper staircase can be found here. To purchase Matt Zoller Seitz's book of his Mad Men recaps, Carousel (Roberta contributed!), click here. Hosts - Roberta Lipp & Dan Jasper Sound & Graphics Consultant - Albert Stern (stickrust arts) Music - Adam Michael Tilford Editing - Roberta Lipp Social Media Instagram Twitter Facebook

Per emergere nel mondo dei pubblicitari di Madison Avenue devi essere una vera dea ex machina.Peggy Olson ha colto la sfida di petto ed è l'esempio lampante di rivalsa sul (Mad) men's world.A cura di Federica FilippinMusic credits: Jungle Wobbles archive.org

Watching Elisabeth Moss as Mad Men’s sec-turned-exec Peggy Olson (as millions did for 88 addictive episodes) and in recent projects like Top of the Lake, High Rise and Queen of Earth, you’d be forgiven for assuming she’s a capital-S Serious or capital-M Method artist. Even director Jane Campion might’ve drawn the same conclusion from Moss’ Top of Lake audition tape. “It was remarkable…I just found myself really interested in watching this gentle, quiet, obviously interior performance. At the end of about six hours, I was still really interested. She’s a little bit like a Mona Lisa. There’s a lot that she’s not showing you.” It’s an impression Moss sometimes wishes were true, but acknowledges that capital-C Class Clown is more apt. (That was, in fact, the title unanimously bestowed by her Mad Men cast mates). So much for our illusions. As she told The Guardian in 2016, “I wish I was super-serious, anguished. I see those actors and think, God, they are so cool and seem so interesting. I don’t take acting that seriously.” But she does it seriously. Tales from several sets support her seeming ability to perform the acting equivalent of doing zero to 60 for a scene without ever appearing to bear down on the gas. “I was shocked at how quickly she metabolized the material,” Mad Men creator Matthew Weiner once marveled. “She is that kind of actress where we don’t ever intellectually delve into what is going on with her character. It’s almost like it doesn’t pass through Elisabeth’s brain. It’s completely instinctive. She works hard, but I think she also works hard to hide it. Either that, or she’s an alien.” Weiner may deal in alternative facts, but we’re going with the former, which begs the unanswerable question, what is instinct anyway? That’s probably not something an eight-year-old thinks much about. Moss just liked playing the TV roles she started getting at that age. But she also liked dancing, studying ballet seriously while being homeschooled as she pursued both. She earned her GED at 16 and decided acting offered the more physically enduring career option. She worked steadily in supporting film and TV parts like Girl, Interrupted and Picket Fences before being cast as first daughter Zoey Bartlet on West Wing. That led to Weiner’s casting her in Mad Men, which subsequently led to six Emmy nods and fame as an unintentional feminist icon. As Peggy Olson grew in confidence and complexity, her character’s storyline grew more compelling, rivaling Don Draper’s for our interest. If making us believe and champion Peggy’s huge personal and professional transformation is an accomplishment, an even bigger one is emerging from a seven-season national TV phenomenon without being forever identified with or pigeonholed by it. But even before the show ended, Moss told The Telegraph UK, “I think it’s up to you as an actor to make choices that are different, to stretch your ability, to not get too comfortable doing something you know you can do. Of course, if you play one character for five years, people are going to think of you as that character. But you can break out of that.” Can, and did. If viewers weren’t quite ready to move on, Moss was. She’s since chosen a string of largely independent projects that allow her to tell stories as diverse and interesting as the women in them. You’ll find virtually enslaved housewives (High Rise) single-minded detectives (Top Of Lake) and mourning, possibly unhinged vacationers (Queen Of Earth). Harder to find is a bad review. Just one of way too many to list is The New York Times’ take on the latter. “It is Ms. Moss, with her intimate expressivity, who annihilates you from first tear to last crushing laugh.” In addition to landing an emotional punch, she has a talent for landing herself in stories that regardless of time period or milieu are strikingly relevant to current times. None more so, unfortunately, than The Handmaid’s Tail, Hulu’s excellent and much buzzed-about adaptation of the Margaret Atwood novel. On the off chance you’re not convinced of her versatility – or guts – know that when Moss decided to try the stage for the first time in 18 years of acting, she did it on Broadway, in Mamet’s Speed-the-Plow, no less. And there was The Heidi Chronicles. While you could argue there’s no one better suited to play its evolving, wisecracking proto-feminist lead, taking on an iconic 1989 role and making it resonate in 2015 is a gamble. It paid off with a Tony nod and raves from noted theater critic Charles Isherwood, who called Moss “a superb actor who possesses the unusual ability to project innocence and smarts at the same time.” High praise, but as far as Moss is concerned, Get Him to the Greek is as valid a choice as the largely improvised indie The One I Love, if it makes her a better actor. Whether that’s possible is debatable, but what’s not is this: More than ever, we need stories about heroic, flawed and completely believable women, and few actors play them better.

Junkies and mermaids... it's a combination we've waited over a hundred episodes to bring to pass and finally, we've done it. We're talking Peggy Olson's latest, Her Smell and Night Tide, which features a young and dashing Dennis Hopper.   Intro: 0:00 - 15:15 Her Smell: 15:18 - 58:15 Night Tide: 59:00 - 1:40:00   https://www.facebook.com/cinemavertigogo/ https://www.facebook.com/groups/cinemavertigogosocialclub/ https://twitter.com/cinemavertigogo https://www.instagram.com/cinemavertigogo/ https://open.spotify.com/show/0sKQN6gZac3s74kL4hx1bj https://itunes.apple.com/us/podcast/cinema-vertigogo/id1262932321 https://www.stitcher.com/podcast/cinema-vertigogo https://player.fm/series/cinema-vertigogo-2364142 https://radiopublic.com/cinema-vertigogo-GEB451 https://cinemavertigogo.com/2019/08/21/episode-104-her-smell-and-night-tide/

No dia 19 de julho de 2007, a primeira série original da AMC estreava: Mad Men. A televisão vivia seu auge criativo, a chamada TERCEIRA ERA DE OURO, e Matthew Weiner, que havia trabalhado como roteirista e produtor executivo de Sopranos, via sua tão sonhada história sobre publicitários da Avenida Madson em Nova York ganhar vida. Mad Men é até hoje considerada uma das melhores séries em todos os tempos e The Suitcase (que assim como esse episódio do Rebobinando é o sétimo da quarta temporada) considerado o auge da série. Pra conversar comigo sobre Mad Men, Don Draper, Peggy Olson e The Suitacase, eu recebo aqui o Hélio Flores e o Max Valarezo. Pegue seu copo de whisky, acenda um cigarro, e ouça o Rebobinando. Bancada Luide Matos (@luide) Hélio Flores (@helioflores) Max Valarezo (@maxvalarezo) Links comentados Se inscreva no canal EntrePlanos https://www.youtube.com/channel/UCZq_CYXRoRjKqidapMPujaQAssine o Rebobinando e ouça o podcast exclusivo! COMO GANHAR R$ 10 EM CASHBACK NO PICPAY: baixe o aplicativo e adicione o código "LUIDE". Ao assinar qualquer plano, você recebe R$ 10 de cashback O Rebobinando é mais um podcast de cultura pop publicado toda sexta feira e para isso seguir acontecendo, precisa do seu apoio. Procure por AMIGOS DO FÓRUM no PicPay e faça sua assinatura. Você terá acesso a uma newsletter, podcasts, sorteios e grupos no facebook e WhatsApp. Continue a conversa! Instagram: @luide Twitter: @rebobinando | @luide Facebook: /amigosdoforum Críticas, sugestões ou simplesmente mandar um abraço: podcast@estalo.rec.br ou nas redes sociais listadas acima. Baixou o episódio com muita velocidade, não foi? O motivo: o Amigos do Fórum e o Rebobinando são hospedados na E-CONSULTERS, empresa de hospedagem com mais de 10 anos de mercado. Acesse www.econsulters.com.br e veja os planos disponíveis. Esse episódio foi editado e co-produzido pela Estalo Podcasts (http://estalo.rec.br). Quer ter a qualidade do Rebobinando em seu podcast? Entre em contato pelo e-mail contato@estalo.rec.br

Susan Credle, Global Chief Creative Officer at FCB, believes that tenacious strategic thinking expressed through unforgettable creative with scale leads to long-term success for businesses and brands. Susan is one of the industry’s leading creatives and an important voice representing women. Parallels are often drawn between the fictional Peggy Olson from Mad Men and Susan Credle, who started out as an intern at BBDO and moved up the ranks to become EVP, Executive Creative Director. In this episode, we talked to Susan about her experience as the Direct Jury President at Cannes 2018, the industry's gender problem and how we can collectively make change happen, the key traits that she looks for in creative (and client!) minds, and why the attention to craft is more important now than ever before. Whether you're a junior art director, a marketing director or a CEO, this one's a must listen.

Everyone knows the name Helen Gurley Brown, Cosmopolitan’s famous Editor-in-Chief and the inspiration for fictional NYC women like Carrie Bradshaw, Peggy Olson, and Hannah Horvath. A new novel set in 1960s New York sheds light on the surprisingly tumultuous beginning of Gurley Brown’s 32-year reign at Cosmo, including how she kept the lights on at the magazine even as she was railroaded by Hearst executives.Renee Rosen is the bestselling author of historical fiction. Her novels include Windy City Blues, White Collar Girl, What the Lady Wants and Dollface as well as the young adult novel, Every Crooked Pot. http://reneerosen.com

Everyone knows the name Helen Gurley Brown, Cosmopolitan’s famous Editor-in-Chief and the inspiration for fictional NYC women like Carrie Bradshaw, Peggy Olson, and Hannah Horvath. A new novel set in 1960s New York sheds light on the surprisingly tumultuous beginning of Gurley Brown’s 32-year reign at Cosmo, including how she kept the lights on at the magazine even as she was railroaded by Hearst executives. When Gurley Brown took the reins in 1965, she was best known as the author of the controversial Sex and the Single Girl, and was viewed as an unbecoming choice to lead a magazine with a rich literary history. But the changes she brought—from sexy covers featuring young women to grabby headlines that were the precursor to clickbait—turned Como’s fortunes around and revolutionized women’s magazines. The story of those early months is told through the eyes of Gurley Brown’s fictional assistant, in Renee Rosen’s historical novel PARK AVENUE SUMMER (April 30, 2019). Informed by Rosen’s extensive research—including interviews with Lois Cahall, who considered Helen her second mother—the novel contains irresistible details only those closest to Helen would know. ABOUT Mad Men meets The Devil Wears Prada as Renée Rosen draws readers into the glamour of 1965 New York City and Cosmopolitan Magazine, where a brazen new Editor-in-Chief--Helen Gurley Brown--shocks America by daring to talk to women about all things off limits... New York City is filled with opportunities for single girls like Alice Weiss who leaves her small Midwestern town to chase her big city dreams and unexpectedly lands the job of a lifetime working for Helen Gurley Brown, the first female Editor-in-Chief of a then failing Cosmopolitan Magazine. Nothing could have prepared Alice for the world she enters as editors and writers resign on the spot, refusing to work for the woman who wrote the scandalous bestseller, Sex and the Single Girl. While confidential memos, article ideas, and cover designs keep finding their way into the wrong hands, someone tries to pull Alice into this scheme to sabotage her boss. But Alice remains loyal and becomes all the more determined to help Helen succeed. As pressure mounts at the magazine and Alice struggles to make her way in New York, she quickly learns that in Helen Gurley Brown's world, a woman can demand to have it all.

No, I didn’t actually talk to Peggy Olson, but I got the next best thing. I talk to my new friend Caitlin about her history of work in the advertising industry. As a business marketing major, and having gone to college near a lot of ad agencies, Caitlin decided to give advertising a try. She...

No, I didn’t actually talk to Peggy Olson, but I got the next best thing. I talk to my new friend Caitlin about her history of work in the advertising industry. As a business marketing major, and having gone to college near a lot of ad agencies, Caitlin decided to give advertising a try. She...

El pasado mes de Julio de 2017 se cumplieron 10 años del estreno en el canal AMC de la serie de tv, Mad Men. 10 años desde que un buen día decidimos sentarnos frente a un televisor a mirar las imágenes de una serie que era todo estilo y elegancia y que desde la premisa argumental del éxito profesional de un grupo de publicistas de Madison Avenue que discutían acerca de campañas promocionales de cigarrillos y coches habló de otros temas como las frustraciones personales, las inseguridades sentimentales o las relaciones sexuales furtivas mientras la sociedad de consumo norteamericana de los 60 vivía continuos cambios y presenciaba acontecimiento fundamentales para entender la historia del siglo XX. Mad Men ha sido una de las series que más han marcado a la televisión (y a otras tendencias) en la última década. Además de una de las series más queridas y laureadas de los últimos años. En Sonora Podcast como buenos fans de la serie hemos querido servirnos un whisky solo con hielo y ponernos un distinguido traje de color negro para grabar este capítulo dedicado, como no, a la música que suena en la serie protagonizada por Don Draper, Peggy Olson, Roger Sterling o Pete Campbell. The Cardigans, Ella Fitzgerald, The Rolling Stones, The Decemberist o The Doors suenan en algún momento de las 7 temporadas de Mad Men y también, en este capítulo 16 de Sonora Podcast. TRACKLIST: 01. DAVID CARBONARA - A Beautiful Mine (RJ2D cover) 02. THE CARDIGANS - The Great Divide 03. ELLA FITZGERALD - Manhattan 04. ROSEMARY CLOONEY - Botch-A-Me 05. THE DECEMBERIST - The Infanta 06. ANN MARGRET - Bye Bye Birdie 07. ALBERTO IGLESIAS - Me voy a morir de tanto amor (Lucía y el Sexo) 08. THE ROLLING STONES - (I Cant Get No) Satisfaction 09. GILLIAN HILLS - Zou Bisou Bisou 10. DIONNE WARWICK - Walk On By 11. THE BEATLES - Tomorrow Never Knows 12. NANCY SINATRA - You Only Live Twice 13. FRIEND AND LOVER - Reach Out of the Darkness 14. SERGIO MENDES & BRASIL 66 - Going Out of My Head 15. SPENCER DAVIS GROUP - I'm A Man 16. THE ZOMBIES - This Will Be Our Year 17. BERT COOPER - The Best things in life are free 18. BUDDY HOLLY - Everyday 19. THE DOORS - Hello, I Love You 20. THE NEW SEEKERS - I'd Like To Teach The World To Sing

El pasado mes de Julio de 2017 se cumplieron 10 años del estreno en el canal AMC de la serie de tv, Mad Men. 10 años desde que un buen día decidimos sentarnos frente a un televisor a mirar las imágenes de una serie que era todo estilo y elegancia y que desde la premisa argumental del éxito profesional de un grupo de publicistas de Madison Avenue que discutían acerca de campañas promocionales de cigarrillos y coches habló de otros temas como las frustraciones personales, las inseguridades sentimentales o las relaciones sexuales furtivas mientras la sociedad de consumo norteamericana de los 60 vivía continuos cambios y presenciaba acontecimiento fundamentales para entender la historia del siglo XX. Mad Men ha sido una de las series que más han marcado a la televisión (y a otras tendencias) en la última década. Además de una de las series más queridas y laureadas de los últimos años. En Sonora Podcast como buenos fans de la serie hemos querido servirnos un whisky solo con hielo y ponernos un distinguido traje de color negro para grabar este capítulo dedicado, como no, a la música que suena en la serie protagonizada por Don Draper, Peggy Olson, Roger Sterling o Pete Campbell. The Cardigans, Ella Fitzgerald, The Rolling Stones, The Decemberist o The Doors suenan en algún momento de las 7 temporadas de Mad Men y también, en este capítulo 16 de Sonora Podcast. TRACKLIST: 01. DAVID CARBONARA - A Beautiful Mine (RJ2D cover) 02. THE CARDIGANS - The Great Divide 03. ELLA FITZGERALD - Manhattan 04. ROSEMARY CLOONEY - Botch-A-Me 05. THE DECEMBERIST - The Infanta 06. ANN MARGRET - Bye Bye Birdie 07. ALBERTO IGLESIAS - Me voy a morir de tanto amor (Lucía y el Sexo) 08. THE ROLLING STONES - (I Cant Get No) Satisfaction 09. GILLIAN HILLS - Zou Bisou Bisou 10. DIONNE WARWICK - Walk On By 11. THE BEATLES - Tomorrow Never Knows 12. NANCY SINATRA - You Only Live Twice 13. FRIEND AND LOVER - Reach Out of the Darkness 14. SERGIO MENDES & BRASIL 66 - Going Out of My Head 15. SPENCER DAVIS GROUP - I'm A Man 16. THE ZOMBIES - This Will Be Our Year 17. BERT COOPER - The Best things in life are free 18. BUDDY HOLLY - Everyday 19. THE DOORS - Hello, I Love You 20. THE NEW SEEKERS - I'd Like To Teach The World To Sing

The Purrrcast is the cat podcast for you and your feline friends. Based in Los Angeles, hosts Sara Iyer and Steven Ray Morris chat with fellow cat enthusiasts about the furry little creatures they love. Not sure how the cats feel about it though. On episode SEVENTY-EIGHT of The Purrrcast we welcome KCRW DJ Marion Hodges to chat about her newish kitties Whiskey and Peggy Olson. She tells us about their adoption day antics at Santé D'Or, neighborhood floofs, we discuss the 'Garfield Is Dead' theory, and we celebrate Whiskey's 'birthday' on the podcast! The Purrrcast, talking to cat people because we can't talk to their cats. New episodes every Wednesday! Please rate and subscribe in iTunes: thepurrrcast.com Email us! thepurrrcast@gmail.com If you shop on Amazon be sure to click this link and we'll get a small kickback. Thanks for the support: http://www.amazon.com?_encoding=UTF8&tag=thepurr-20 Follow Marion on Twitter: https://twitter.com/marionhodges On Instagram: https://www.instagram.com/notquitepunk/ Check out her show The Lab every Sunday: http://www.kcrw.com/music/shows/the-lab Links Of Interest: - “Garfield is Dead" theory - https://ceebeegeebee.wordpress.com/2007/08/28/garfield-is-dead/ - Purchase Garfield Minus Garfield - http://amazon.com - Sara's trip to the cat cafe in Seoul - https://vimeo.com/135770253 - Follow the Buster Loves Penny Instagram: https://www.instagram.com/busterlovespenny/ Follow The Purrrcast on Twitter: https://twitter.com/ThePurrrcast on Instagram: https://instagram.com/thepurrrcast/ on Tumblr: http://thepurrrcast.tumblr.com/ Please like us on Facebook: https://www.facebook.com/ThePurrrcast Follow Sara Iyer's cat Samba on Twitter: https://twitter.com/kittysamba Follow Sara Iyer on Instagram: https://instagram.com/saraiyer/ Check out Sara Iyer on Vimeo: https://vimeo.com/saraiyer Follow Steven Ray Morris on Twitter: https://twitter.com/StevenRayMorris Buy Steven's book on the Jurassic Park Franchise over at Thought Catalog: http://thoughtcatalog.com/book/molding-a-jurassic-universe/ Theme song by Anabot (Analise Nelson) and Dax Schaffer: http://www.anabotmusic.com/ https://daxschaffer.bandcamp.com/ Artwork by Jillian Yoffe: flatratstudio.com Part of the #HelloLionFace podcast network See omnystudio.com/listener for privacy information.

Episode #54: Bosom Buddies - “Macho Man” Original Release Date: September 2, 2016 This week Patrick and Kat take a trip back to a simpler time when an Oscar winner dressing up in ladies clothing with the goal of attaining cheaper rent was done for laughs. But what happens to your masculinity when it is covered by your feminine side? Find out on a very special episode of Bosom Buddies. Plus, what happened to Peggy Olson post Mad Men, what does Superman do with his Clark Kent clothes when he's saving the world, and what lengths would you go through to pretend to your boss that you had an identical twin? We have some great stuff coming up on the podcast, so don't forget to subscribe, rate, and review us on iTunes. Website: http://www.averyspecialpodcast.com Twitter: @VeryPodcast Starring: Patrick M. Dunn and Kat Halstead

Episode Summary: This week on the FadCast, Ryan's Life Boss and Expert on the female perspective, Emily, brings the controversy for a discussion pitting feminism versus sexism within the film medium. We explore audience perception of female characters in recent releases like 'Suicide Squad,' the upcoming 'Wonder Woman' and 'Ghostbusters' and then diving into the past for 'Thelma and Louise,' 'Star Wars' and 'Game of Thrones.' Before that we sprint through FilmFad.com's Exclusive: ‘Wolfcop’ Creator Lowell Dean Teases Sequel’s New Holiday Theme And Shares New Set Photos! and Cable Casting Rumors for 'Deadpool 2' for "the Speed Round!" But first, to kick off the episode, Emily joins Pooya and Ryan for a counter-perspective with a script read taken from AMC's 'Mad Men.'  Episode Breakdown: Pooya: You are listening to FilmFad.com’s FadCast Episode 102 Ryan: With our special celebrity guest, my Life Boss, Emily Pooya: Today we’ll get controversial pitting feminism against sexism in film Ryan: As we discuss how the recent roles of leading ladies in Hollywood are being received by both audiences and critics Pooya:  Yes ma'am! You’ll hear all that, and more, so let’s get started! (Intro Music break) Current Events -  Exclusive: ‘Wolfcop’ Creator Lowell Dean Teases Sequel’s New Holiday Theme And Shares New Set Photos! and Cable Casting Rumors for 'Deadpool 2' (2min) Script Read - 'Mad Men’ Script Read ft. Emily as Peggy Olson, Pooya as Don Draper and Ryan as Pete. Narration also by Ryan. (3min) Main Topic - Feminism Vs Sexism in Film (50min) Episode Breakdown 00:00 - 01:08 | Intro 01:08 - 02:58 | Speed Round 02:59 - 05:49 | 'Mad Men’ Script Read 05:50 - 07:08 | Feminism Vs Sexism in Film - Main Topic Intro 07:10 - 22:56 | 'Suicide Squad' (Harley Quinn, Enchantress, Amanda Waller) 22:57 - 31:34 | 'Wonder Woman' 31:35 - 34:45 | 'Thelma and Louise' 34:46 - 38:58 | 'Ghostbusters' 39:00 - 48:19 | 'Star Wars' 48:20 - 56:45 | 'Game of Thrones' 56:46 - 58:21 | Feminism Vs Sexism in Film - Closing Remarks 58:22 - 59:18 | Outro Do YOU want to be featured on an episode of the FadCast?! Well then, call the FadCast hotline at (310) 651-8127 and leave us a voicemail to possibly be featured on an upcoming episode! Awesome, right?! We know!!!  

This week on The Moment, Brian Koppelman talks to Maggie Siff, the actress best known for her roles in Mad Men, Sons of Anarchy, and the upcoming Showtime series, Billions. Brian and Maggie reflect on the past year creating Billions together and how Maggie goes about preparing for her scenes on the show. Plus, Maggie talks about when she first fell in love with acting, why it's important to her to play strong, smart women on TV, and how she originally intended to read for Peggy Olson during her first Mad Men audition. Topics mentioned:BillionsMad MenSons of Anarchy"Mister Roberts"Being John MalkovichNYU Tisch School of the Arts People mentioned:Maggie SiffMatthew WeinerDamian LewisPaul GiamattiMalin AkermanDavid CostabileKurt SutterZelda FichandlerRon Van LieuThomas SadoskiAlan Taylor This episode of The Moment is brought to you by Braintree. Looking to set up payments for your business? Braintree gives your app or website a payment solution that accepts just about every payment method with one simple integration. Plus, we'll give you your first $50,000 in transactions fee-­free. To learn more, visit BraintreePayments.com/Moment. And by The Message, an original science fiction podcast from Panoply and GE Podcast Theater. All of Season 1 is available now, so listen and find out why a 70-year-old alien recording seems to be killing people. Search for The Message on iTunes.  Email: themomentbk@gmail.comTwitter: @BrianKoppelmaniTunes: itunes.com/themoment To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week on The Moment, Brian Koppelman talks to Maggie Siff, the actress best known for her roles in Mad Men, Sons of Anarchy, and the upcoming Showtime series, Billions. Brian and Maggie reflect on the past year creating Billions together and how Maggie goes about preparing for her scenes on the show. Plus, Maggie talks about when she first fell in love with acting, why it’s important to her to play strong, smart women on TV, and how she originally intended to read for Peggy Olson during her first Mad Men audition. Topics mentioned:BillionsMad MenSons of Anarchy"Mister Roberts"Being John MalkovichNYU Tisch School of the Arts People mentioned:Maggie SiffMatthew WeinerDamian LewisPaul GiamattiMalin AkermanDavid CostabileKurt SutterZelda FichandlerRon Van LieuThomas SadoskiAlan Taylor This episode of The Moment is brought to you by Braintree. Looking to set up payments for your business? Braintree gives your app or website a payment solution that accepts just about every payment method with one simple integration. Plus, we’ll give you your first $50,000 in transactions fee-­free. To learn more, visit BraintreePayments.com/Moment. And by The Message, an original science fiction podcast from Panoply and GE Podcast Theater. All of Season 1 is available now, so listen and find out why a 70-year-old alien recording seems to be killing people. Search for The Message on iTunes.  Email: themomentbk@gmail.comTwitter: @BrianKoppelmaniTunes: itunes.com/themoment

"The words. You are good with the words, man." So say we to our returning guest, author William Dewey. In out longest episode yet, we talk about one of our favorite shows of all time, Mad Men. Don Draper, Peggy Olson, Joan Harris, Roger Sterling, Pete Campbell, and on and on and on. We could name 40+ characters that we know and care about over the course of the show's 7 seasons, let alone countless scenes and even more moments of dialogue. Join us as we talk about what makes Mad Men so profoundly effective, enlightening and insightful.

[Downton Gabby Off-Season 2] - The damsels take a trip to Robert Altman's delicious 2001 film Gosford Park, a triumphant Oscar-winning moment for Julian Fellowes, and the inspiration for Downton Abbey. How does his collaboration with the dark and nasty Altman hold up? Which actors laid the foundations for their Downton counterparts? And what is Ryan Phillippe doing in this movie? From there, the discussion turns to the TV we're watching. How is Game of Thrones streamlining GRRM's unwieldy narrative? Did freshman show Jane the Virgin stick the landing in its finale? Who are we worried about on Call the Midwife? And how will we say goodbye to Peggy Olson, Joan Holloway, and the gang from Mad Men? We're going to need a lot of moral support this Sunday night! Pour a melancholy martini, stare pensively out your office window, and join us for a new episode of Downton Gabby: Off-Season.

The gang wishes we were all Peggy Olson as we look at what's sure to be a standout episode from Mad Men's final stretch of episodes - "Lost Horizons."

Este es el podcast en el que las estrellas más grandes del mundo son acostadas en el diván de Gus Casals y Mercedes Monserrat y deconstruídas. En este episodio, la pareja no-pareja más famosa de la ficción actual: Don Draper & Peggy Olson de Mad Men. Un viaje a la psiquis de Don y un análisis de su particular relación con Peggy. Además: consultorio existencial. Enviá tu consulta a psiqueycupido@posta.fm.

One of the continuing issues of the entertainment industry is the treatment of women in movies and television. Even with a larger number of female writers, producers, and directors, roles often follow stereotypical and negative conventions. In her new book Smart Chicks on Screen: Representing Women’s Intellect in Film and Television (Rowman and Littlefield, 2014), Laura Mattoon D’Amore brought together 13 writers to discuss issues of the depiction of the intelligence of women on film and in television. The articles cover from the 1950s to present day and include interesting views of the depiction of females in both traditional roles and in newer settings. The four writers interviewed with Laura are: * Stephen R. Duncan, who discusses the actress Judy Holliday and how her image was altered by the Cold War red scare. * Stefania Marghitu, who examines the character of Peggy Olson from Mad Men, comparing her actions in the 1960s from the perspective of twenty first-century writers. * De Anna J. Reese, who details how Kerry Washington is able to present a viable version of a black woman with power who is able to keep her racial and gender identity. * Amanda Stone, who discusses the importance of the female characters of the popular series, The Big Bang Theory. These writers represent a great cross-section of ideas related to gender and intelligence that runs through the book. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the continuing issues of the entertainment industry is the treatment of women in movies and television. Even with a larger number of female writers, producers, and directors, roles often follow stereotypical and negative conventions. In her new book Smart Chicks on Screen: Representing Women’s Intellect in Film and Television (Rowman and Littlefield, 2014), Laura Mattoon D’Amore brought together 13 writers to discuss issues of the depiction of the intelligence of women on film and in television. The articles cover from the 1950s to present day and include interesting views of the depiction of females in both traditional roles and in newer settings. The four writers interviewed with Laura are: * Stephen R. Duncan, who discusses the actress Judy Holliday and how her image was altered by the Cold War red scare. * Stefania Marghitu, who examines the character of Peggy Olson from Mad Men, comparing her actions in the 1960s from the perspective of twenty first-century writers. * De Anna J. Reese, who details how Kerry Washington is able to present a viable version of a black woman with power who is able to keep her racial and gender identity. * Amanda Stone, who discusses the importance of the female characters of the popular series, The Big Bang Theory. These writers represent a great cross-section of ideas related to gender and intelligence that runs through the book. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the continuing issues of the entertainment industry is the treatment of women in movies and television. Even with a larger number of female writers, producers, and directors, roles often follow stereotypical and negative conventions. In her new book Smart Chicks on Screen: Representing Women’s Intellect in Film and Television (Rowman and Littlefield, 2014), Laura Mattoon D’Amore brought together 13 writers to discuss issues of the depiction of the intelligence of women on film and in television. The articles cover from the 1950s to present day and include interesting views of the depiction of females in both traditional roles and in newer settings. The four writers interviewed with Laura are: * Stephen R. Duncan, who discusses the actress Judy Holliday and how her image was altered by the Cold War red scare. * Stefania Marghitu, who examines the character of Peggy Olson from Mad Men, comparing her actions in the 1960s from the perspective of twenty first-century writers. * De Anna J. Reese, who details how Kerry Washington is able to present a viable version of a black woman with power who is able to keep her racial and gender identity. * Amanda Stone, who discusses the importance of the female characters of the popular series, The Big Bang Theory. These writers represent a great cross-section of ideas related to gender and intelligence that runs through the book. Learn more about your ad choices. Visit megaphone.fm/adchoices

D.C. Fontana. If Gene Roddenberry was the Founding Father of Star Trek, then D.C. Fontana was the Founding Mother. In this episode of Standard Orbit, we explore D.C.'s trek from secretary to script editor to writer to story consultant to show runner. We discuss her 10 episodes of The Original Series, her post-TOS episodes, and even touch on her non-Trek works. Find out more about this possible inspiration for a certain Mad Men character!

We get all talky with Chicago comic Stephanie Hasz about Madperson Peggy Olsen and how the future will be a dystopian hellscape ruled by psychic dinosaurs.

In this week's episode, Corey & Joe welcome back guest host e from eclectikrelaxation.com & The Eclectik Discussion Podcast. The guys talk about the triumphant return of Betty Draper Francis, Margarine vs. Butter, how to get a Peggy Olson (with homemade shiv) action figure, and the mysterious Bob Benson. Bobby #1 was dearly missed.

Kathryn interviews Advertising Woman of the Year Jane Maas on what it was like to be an advertising woman in the sixties and seventies - that Mad Men era of casual sex and professional serfdom. In her book mad women: The Other Wise of Life on Madison Avenue in the 60's and Beyond, Maas, designer of the 'I Love New York' campaign and a real-life Peggy Olson, reveals it all. She has been featured on NBC Nightly News, CBS Morning Show, and in the Wall Street Journal and New York Times. Kathryn also interviews journalist Florence Williams on her book Breasts: A Natural and Unnatural History. Breasts are everywhere, from reality TV shows, wardrobe malfunctions, doctor's visits, and pink-ribboned fundraisers. Follow this organ from puberty to pregnancy and explore the environmental issues that impact the health of women around the world with journalist and New York Times freelance writer Florence Williams. Breasts was named a finalist for the 2011 Columbia/Nieman Lukas Work-in-Progress Award.

Kathryn interviews Advertising Woman of the Year Jane Maas on what it was like to be an advertising woman in the sixties and seventies - that Mad Men era of casual sex and professional serfdom. In her book mad women: The Other Wise of Life on Madison Avenue in the 60's and Beyond, Maas, designer of the 'I Love New York' campaign and a real-life Peggy Olson, reveals it all. She has been featured on NBC Nightly News, CBS Morning Show, and in the Wall Street Journal and New York Times. Kathryn also interviews journalist Florence Williams on her book Breasts: A Natural and Unnatural History. Breasts are everywhere, from reality TV shows, wardrobe malfunctions, doctor's visits, and pink-ribboned fundraisers. Follow this organ from puberty to pregnancy and explore the environmental issues that impact the health of women around the world with journalist and New York Times freelance writer Florence Williams. Breasts was named a finalist for the 2011 Columbia/Nieman Lukas Work-in-Progress Award.

Marriage of Figaro Pete Campbell returns from his honeymoon with tall tales and a big grin on his face. He does tell Peggy Olson that their fling before his marriage was for one night only. Don Draper runs into an old army buddy who knows him under the name of Dick Whitman. He also takes a tour of Rachel Menken's store but in a private moment, their mutual attraction becomes evident. The Drapers have friends over for their daughter's birthday party, including the divorcée who lives down the street. Don however is obviously unhappy with his lot in life and seems to be carrying a burden ...

In this episode we take a close look at the character Peggy Olson. We also talk about the latest news stories, we talk about some of are other favorite shows, and hear some listener feedback. Listen to podcast below:   Continue reading 017 Mad Men Podcast: “Peggy Olson Then and Now”→