Podcast appearances and mentions of philip glass ensemble

Sam Sadigursky is widely recognized as one of the most talented clarinetists and reed doublers of his generation. He has released eleven acclaimed albums as a leader and appears on over sixty recordings as a sideman, including numerous Grammy-nominated and Grammy Award-winning projects. A member of the Philip Glass Ensemble, he has also toured and recorded with Brad Mehldau, David Byrne, Bruce Hornsby, Darcy James Argue's Secret Society, the Mingus Orchestra, and U.S. Poet Laureate Robert Pinsky. From 2017 to 2019, Sadigursky was the onstage clarinetist in the Grammy, Tony, and Emmy Award-winning Broadway production of The Band's Visit, and he has performed in over twenty other Broadway productions.Blending Jewish spiritual and Klezmer music with post-minimalist classical, jazz, and elements of American folk, Sadigursky and accordionist/multi-instrumentalist Nathan Koci recently released Volumes IV and V of The Solomon Diaries on Adhyaropa Records. This five-album series reflects on the Borscht Belt—the once-thriving Jewish resort region that helped shape 20th-century American culture—while also exploring contemporary experiences of immigration and Jewish identity.The Solomon Diaries Volume IV .⁠https://open.spotify.com/album/6aueHALAzKJf0eDoo048ek?si=LVmkM3hhQiSBUJJBb1egAw⁠The Solomon Diaries Volume V ⁠https://open.spotify.com/album/6dkN03M2qai0xXNC38VTSa?si=bBjX0IVXQQyJO4J1hjKtVA⁠

We're thrilled to welcome our next guests on the show: the Music Director and General Manager of the The Philip Glass Ensemble, Michael Riesman and Andrew Sterman. They're returning to The Town Hall on April 19 for a live score accompaniment to Godfrey Reggio's NAQOYQATSI (2002). In the last couple of years they also performed the first entries to the Qatsi trilogy at the Town Hall: KOYANNISQATSI (1982) and POWAQQATSI (1988). ✨Follow The Philip Glass Ensemble on Instagram✨Follow The Town Hall on Instagram

Laurie Anderson is an artist and performer who came to fame in the UK with her 1981 hit O Superman. Her work spans music, film and multimedia projects which interrogate our relationship with technology and tell stories about the world we live in.She was born in Chicago in 1947, the second-oldest of eight children, and started learning the violin when she was five. She studied Art History at Barnard College in New York and took a Masters in Sculpture at Columbia University.In the 1970s she was part of the downtown New York art scene and her friends and contemporaries included Philip Glass, Gordon Matta-Clark and the choreographer and dancer Trisha Brown. One of Laurie's first performance art pieces featured a symphony played by car horns.In 1992 she met Lou Reed, the singer and songwriter who fronted the Velvet Underground. They were together for 21 years until his death in 2013. Laurie is the head of Lou's archive which is at the New York Public Library for the Performing Arts and open to anyone who wants to learn more about his musical adventures.In 2024 Laurie was awarded a Lifetime Achievement award at the Grammys and a Stephen Hawking Medal for Science Communication. DISC ONE: Pony Time - Chubby Checker DISC TWO: Gracias a la vida - Violetta Parra DISC THREE: Tusen Tankar - Triakel DISC FOUR: Part 1 - Philip Glass Ensemble, conducted by Michael Riesman DISC FIVE: Flibberty Jib - Ken Nordine with the Fred Katz Group DISC SIX: Doin' the Things That We Want To - Lou Reed DISC SEVEN: Washington, D.C - The Magnetic Fields DISC EIGHT: Is Chicago, Is Not Chicago – Soul Coughing BOOK CHOICE: Speak, Memory by Vladimir Nabokov LUXURY ITEM: A dog collar CASTAWAY'S FAVOURITE: Gracias a la vida - Violetta Parra Presenter Lauren Laverne Producer Paula McGinley

Today, the Spotlight shines On composer, mandolinist, multi-instrumentalist, teacher, and label founder Joe Brent.Joe has worked with artists ranging from Regina Spektor to the Philip Glass Ensemble, but his collaboration with Grammy-nominated violinist Sara Caswell and bassist Andrew Ryan in 9 Horses was the impetus for our time together. 9 Horses creates music between classical precision and folk intimacy with mandolins and violins. On their latest album, Strum, 25 musicians create what Joe calls “identifiably human-made music.”Joe shares the story behind 9 Horses and much more, including why making deeply human music matters now more than ever.(The musical excerpts heard in the interview are from the 9 Horses album Strum)–Dig DeeperVisit Joe Brent at josephbrent.com and Adhyâropa Records at adhyaroparecords.comPurchase 9 Horses's Strum on Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Joe Brent on Instagram, Facebook, Threads, and YouTubeFollow Adhyâropa Records on Instagram, Threads, Facebook, and YouTubeMandolins: A Brief HistoryDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On composer, mandolinist, multi-instrumentalist, teacher, and label founder Joe Brent.Joe has worked with artists ranging from Regina Spektor to the Philip Glass Ensemble, but his collaboration with Grammy-nominated violinist Sara Caswell and bassist Andrew Ryan in 9 Horses was the impetus for our time together. 9 Horses creates music between classical precision and folk intimacy with mandolins and violins. On their latest album, Strum, 25 musicians create what Joe calls “identifiably human-made music.”Joe shares the story behind 9 Horses and much more, including why making deeply human music matters now more than ever.(The musical excerpts heard in the interview are from the 9 Horses album Strum)–Dig DeeperVisit Joe Brent at josephbrent.com and Adhyâropa Records at adhyaroparecords.comPurchase 9 Horses's Strum on Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Joe Brent on Instagram, Facebook, Threads, and YouTubeFollow Adhyâropa Records on Instagram, Threads, Facebook, and YouTubeMandolins: A Brief HistoryDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Juliet Stevenson - The Philip Glass Ensemble & NSO - In Vogue: The 1990s

Vi närmar oss semestern som passar perfekt till läsning, oavsett vad det blir för väder eller aktivitet. Kulturredaktionens litteraturredaktör Lina Kalmteg har därför fått i uppdrag att välja några riktigt bra böcker för den lässugna. Lyssna på alla avsnitt i Sveriges Radio Play. LINAS LÄSTIPS”Pengar på fickan” av Asta Olivia Nordenhof. Översättning: Johanne Lykke Naderehvandi.”Djävulsboken” av Asta Olivia Nordenhof. Översättning: Johanne och Khashayar Lykke Naderehvandi.”Om uträkning av omfång”, 1-3. Översättning: Ninni Holmqvist.”Syskonen” av Brigitte Reimann. Översättning: Jesper Festin.”Jag tar inte farväl” av Han Kang. Översättning: Andreas Karlsson och Okkyoung Park.”Nattens skola” av Karl Ove Knausgård. Översättning: Staffan Söderblom.”Middlemarch” av George Eliot. Översättning: Hans-Jacob Nilsson.SEPTOLOGIERNALina Kalmteg har även hittat en trend inom litteraturen bland sina lästips. Vi verkar befinna oss i septologins era. I dagens program möter vi de två danska författarna Solvej Balle och Asta Olivia Nordenhof som båda två bestämde sig för att skriva septologier, nästan samtidigt och ovetandes om den andras planer. KAMMARMUSIKFESTIVAL Går det att kombinera hållbarhet och motion med en kammarmusikfestival?Ja det gör det, om man frågar Fairplay Chamber Music!En av grundarna, Jakob Koranyi gästar programmet för att bland annat berätta om Sveriges mest klassiska lopp, ”Running for Beethoven” som kombinerar motion med klassisk konsert. PHILIP GLASS För första gången någonsin spelar Philip Glass Ensemble den amerikanska tonsättarens verk Glassworks i sin helhet utanför USA. Och det gör dem i Uppsala ikväll. Men vem är egentligen Philip Glass? Hur har han influerat musiken? Och har Glassworks som komponerades 1981 fått en revival? Det är frågor du kommer få svar på av P2s Britta Svanholm Maniette. HANTVERKET OBS essäerna har sommarledigt och under P1 Kulturs sista veckor före sommaren sänder vi Hantverket, vår serie där vi möter människor som verkar bakom kulissen i kulturbranschen. Det kan vara en en tapetmakare, en dockmakare eller som idag, attributmakaren Hanna Pettersson. Hon var i full färd att färdigställa ett gigantiskt bläckhorn till Dramatens uppsättning av ”Brott och straff” vintern 2022, då vår reporter Tove Lindell träffade henne. Programledare: Lisa WallProducent: Saman Bakhtiari

Ga Ga Ti Ga, Ga Ga Ga Ti Ga... John talked about the Samba sing-a-long, studying in India, and Brazil, recording vibes and various percussion instruments, the importance of cultural context in music, and bringing your A-game to every studio session! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is John Arrucci, an acclaimed master artist in Classical, Jazz, North Indian, Afro-Cuban, Afro-Brazilian and other indigenous traditions and someone I first met when he moved to Nashville to build his studio. Having composed, performed, and instructed for over 40 years, John has studied on three continents and received numerous honors.  His work as drummer and percussionist is featured on scores for feature films, television, commercial spots and recordings including on Sony, Polygram, Mercury, Chesky, Koch Jazz, Chiaroscuro, Rykodisc and other labels. He has performed and/or recorded with Michael Brecker, John Patittucci, Mariah Carey, David Byrne, Philip Glass Ensemble, and for Dalai Lama, Bishop Desmond Tutu and many other dignitaries and has performed at notable venues such as Carnegie Hall, David Geffen Hall, Jazz at Lincoln Center, Town Hall, Merkin Hall and United Nations. His percussion can be found on programs including Patriot, Late Show with Stephen Colbert, Oprah Winfrey and Rosie O'Donnell.  As a composer, John has received numerous commissions, grants and awards from members of The New York Philharmonic, The Manhattan Marimba Quartet, The Mannes College of Music and many others. His acclaimed 2011 release “Metaphors” features 9 of his compositions and performances on Drum Set, Vibes, Marimba and Percussion. John taught for over 20 years at Princeton University, the City University of New York, and many other prominent institutions including an Eastman School of Music where he graduated with distinction. The Smithsonian Institution awarded him a Post-Doctoral level research fellowship to study Tabla in Benares, India with Pandit Sharda Sahai. He has also studied music in Brazil, and Shekere and Agbe with the renowned Chief James Hawthorne Bey, and Conga and Afro-Cuban drumming with Frank Malabe and Tabla with Robert Becker. He has basically done a tremendous amount of music and finally landed in Nashville, Tennessee making himself available for in-studio and remote recording, live performances, touring, commissions and Master Classes, one of which I recently took to learn Samba drumming which was amazing! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/79yhhF3Yr5dp4a9iMhkqBn?si=6869fa6d30e44433 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/442

Synopsis In the early years of the 20th century, a hauntingly beautiful piece of Grecian sculpture – a bust of the head of the goddess Aphrodite – was donated to the Boston Museum of Fine Art. There it inspired this orchestral work by Boston composer George Whitefield Chadwick. Chadwick's symphonic tone poem Aphrodite was, in the words of the composer, “an attempt to suggest in music the poetic and tragic scenes which may have passed before the sightless eyes of such a goddess.” Chadwick composed this music during East Coast holidays on Martha's Vineyard, inspired, he said, by the play of light and wind on the sea before him. It received its premiere at the Norfolk Festival in Connecticut on this date in 1912. On today's date in 1999, at a summer musical festival on the opposite coast of America, another musical work inspired by ancient Greece received its first performance. This music was entitled Five Images after Sappho, inspired by texts of the ancient Greek poetess Sappho and written for the remarkable voice of a modern American soprano, Dawn Upshaw. It was premiered at the Ojai Festival in California, and was written by the Finnish composer and conductor Esa-Pekka Salonen. Music Played in Today's Program George Whitefield Chadwick (1854 - 1931) Aphrodite Brno State Philharmonic; Jose Serebrier, conductor. Reference 74 Esa-Pekka Salonen (b. 1958) Five Images after Sappho Dawn Upshaw, soprano; London Sinfonietta; Esa-Pekka Salonen, conductor. Sony 89158 On This Day Births 1770 - possible birthdate of the British-born early American composer, conductor, and music publisher James Hewitt, in Dartmoor; 1932 - American composer and jazz arranger Oliver Nelson, in St. Louis; Deaths 1872 - Polish opera composer Stanislaw Moniuszko, age 53, in Warsaw; 1907 - Norwegian composer Agathe Backer-Groendahl, age 59, in Kristiania (now Oslo); 1951 - Russian-born American double-bass player, conductor and new music patron, Serge Koussevitzky, age 76, in Boston; Premieres 1811 - Weber: opera, "Abu Hassan." In Munich; 1883 - Tchaikovsky: "Festival Coronation March," in Moscow (Julian date: May 23); Tchaikovsky conducted this march at the gala opening concert of Carnegie Hall (then called just "The Music Hall")in New York on May 5, 1891; 1912 - Chadwick: tone poem "Aphrodite" in Norfolk, Conn., at the Litchfield Festival; 1914 - Sibelius: "Oceanides," in Norfolk, Conn., at the Litchfield Festival, with the composer conducting; 1935 - Shostakovich: ballet "The Limpid Stream," in Leningrad at the Maliiy Opera Theater; 1935 - R. Strauss: opera "Die schweigsame Frau" (The Silent Woman), in Dresden at the Staatsoper; 1994 - Philip Glass: opera "La Belle et la Bête" (Beauty and the Beast) based on the film by Jean Cocteau), by the Philip Glass Ensemble at the Teatro de la Maestranza in Seville (Spain), with Michael Riesman conducting; 1997 - Richard Danielpour: ballet "Urban Dances," at New York State Theater by the New York Ballet, choreographed by Miriam Mahdaviani; 1999 - Esa-Pekka Salonen: "Five Images after Sappho" for voice and orchestra, at the Ojai Festival in California, with soprano Dawn Upshaw and the Los Angeles Philharmonic New Music Group, conducted by the composer. Links and Resources On Chadwick On Salonen

An online transcript is available Complete episode notes can be found herePlaylists:  Apple Music     Spotify     .pdfTrouble listening? Right-click to download an MP3 "Self-care" became a common discussion topic at the start of the pandemic to the extent that it's now not unheard of for relative strangers to share their life-hacks with each other. So, as we come to the end of 2022, with all of the stress and craziness that come from turning the page of a calendar, we offer you a life-tested playlist for well-being: deep cuts our guests recommend for those moments when you want to pull back, recharge, take stock, reset, and find that special sweet spot between listening-and-hearing where you connect with your wellness and can be restored. .Many thanks to all our panelists today. And from all of us at the Hear Me Now Podcast, we hope the year ahead is sweet. .You'll find the (nearly) complete Well-being Playlist on Apple Music and on Spotify. And you can download a printable list, too. A few cuts heard on the podcast episode are not available on streaming services but are available for you to hear elsewhere: "Don't Think Twice" ft. Billy Strings, "Barbara Allen" ft. Emmy Rossum, "Barbara Allen" ft. Emmylou Harris, and an unplugged version of Spencer LaJoye's "Plowshare Prayer," as heard on the podcast. ...Jeremy EdmondsOutreach & Marketing Liaison Providence ElderPlace - PACEGuest on the debut of this podcast:  Ep. 001 "I see you. I hear you. And I ache for you" and on Ep. 022 "George Floyd revisited: Our first anniversary."Vashon Island, Wash."Love's in Need of Love Today" by Stevie Wonder on "Songs in the Key of Life"...PRODUCERS' PANEL: Melody FawcettCare Experience ManagerProvidence Home & Community CareTukwila, Wash."Spanish Steps" by Van Morrison on "Poetic Champions Compose"...Dr. LJ PunchTrauma Surgeon & Founder of the BRIC — the Bullet-Related Injury ClinicRecent guest on this podcast:  Ep. 50 "When Bullets Wound"Saint Louis, Mo."Chrysalism" by Toonorth on "Chillhop Essentials Spring 2020""Go Up Moses" by Roberta Flack on "Quiet Fire""Right On" by the Roots, Joanna Newsom, STS" on "How I Got Over""Three Little Birds" by Bob Marley & The Wailers on "Legend — The Best of Bob Marley""Song Song" by Ben Wendel on "What We Bring"...Steve SilbermanAuthor, "NeuroTribes: the Legacy of Autism and the Future of Neurodiversity"Recent guest on this podcast:  Ep. 57 "Neurodiversity"San Francisco, Calif."Kids and Dogs" by David Crosby (ft. Jerry Garcia) on "If Only I Could Remember My Name"...Dr. Anna McDonaldFaculty,Swedish First Hill Family Medicine Global Health ResidencyRecent guest on this podcast:  Ep. 54 "Family medicine building bridges"Seattle, Wash./Mangochi, Malawi"Particula" by Major Lazer & DJ Maphorisa on "Know No Better"...Eric ThoelkeFounder, TOKY Branding + DesignSaint Louis, Mo."The Breaking of the Fellowship" by Howard Shore on "LOTR: The Fellowship of the Ring""Days of the Ring" by Howard Shore on "LOTR: The Return of the King"...PRODUCERS' PANEL: Mike DrummondExecutive Director, CommunicationsProvidence HealthDana Point, Calif."Don't Think Twice, It's All Right" by Bob Dylan performed by Billy Strings...Gwen ThompkinsWriter and Host of Music Inside OutGuest on this podcast:  Ep. 007 "COVID winter strategies"New Orleans, La.Two recordings of "Barbara Allen" (trad.) sung first by Emmy Rossum and then by Emmylou Harris....Bob BoilenNPR host and producer, musicianAll Songs Considered  & Tiny Desk ConcertsSilver Spring, Md."Opening" by Michael Reisman, Philip Glass, and The Philip Glass Ensemble on "Glassworks.""Retracing Home" by Bob Boilen on "Hidden Smiles." ... Alexandra BeersPoetBrooklyn, N.Y."Someone to Watch Over Me" by Ira Gershwin performed by Keith Jarrett from "The Melody at Night, With You."...Dr. Ira ByockPalliative Care Physician and Founder of the Providence Institute for Human CaringMissoula, Mont."My Life" by Iris DeMent from "My Life."...PRODUCERS' PANEL: Scott AcordCommunications ManagerHear Me Now storytelling projectProvidenceLos Angeles, Calif."Plowshare Prayer" by Spencer LaJoye...Seán CollinsHost and co-producer of the Hear Me Now PodcastSaint Louis, Mo."1/2" by Brian Eno from "Ambient 1: Music for Airports"...

In episode 59 I talk to Francesca Brierley aka heka about Philip Glass, an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimalism, being built up from repetitive phrases and shifting layers. Glass describes himself as a composer of "music with repetitive structures", which he has helped evolve stylistically. Glass founded the Philip Glass Ensemble, with which he still performs on keyboards. He has written fifteen operas, numerous chamber operas and musical theatre works, fourteen symphonies, twelve concertos, nine string quartets and various other chamber music, and several film scores. Three of his film scores have been nominated for an Academy Award.

durée : 00:11:46 - Disques de légende du vendredi 27 mai 2022 - Aujourd'hui, zoom sur une oeuvre très originale qui a marqué son temps, un opéra atypique qui renonce à une narration linéaire : "Einstein on the beach" de Philip Glass.

Sam Sadigursky shares his experience playing minimalist music with the Philip Glass Ensemble, jazz with Brad Melhldau, and tips for improvising as a classically-trained player. If you're looking for extra help, you might want to check out his series of Clarinet Etude Books! Join Clarineat and listen to the extended, ad-free GOLD edition at clarineat.com/join

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Through his operas, his symphonies, his compositions for his own ensemble, and his wide-ranging collaborations with artists ranging from Twyla Tharp to Allen Ginsberg, Leonard Cohen to David Bowie, Philip Glass has had an extraordinary and unprecedented impact upon the musical and intellectual life of his times.The operas – “Einstein on the Beach,” “Satyagraha,” “Akhnaten,” and “The Voyage,” among many others – play throughout the world's leading houses, and rarely to an empty seat. Glass has written music for experimental theater and for Academy Award-winning motion pictures such as “The Hours” and Martin Scorsese's “Kundun,” while “Koyaanisqatsi,” his initial filmic landscape with Godfrey Reggio and the Philip Glass Ensemble, may be the most radical and influential mating of sound and vision since “Fantasia.” His associations, personal and professional, with leading rock, pop and world music artists date back to the 1960s, including the beginning of his collaborative relationship with artist Robert Wilson. Indeed, Glass is the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music – simultaneously.He was born in 1937 and grew up in Baltimore. He studied at the University of Chicago, the Juilliard School and in Aspen with Darius Milhaud. Finding himself dissatisfied with much of what then passed for modern music, he moved to Europe, where he studied with the legendary pedagogue Nadia Boulanger (who also taught Aaron Copland , Virgil Thomson and Quincy Jones) and worked closely with the sitar virtuoso and composer Ravi Shankar. He returned to New York in 1967 and formed the Philip Glass Ensemble – seven musicians playing keyboards and a variety of woodwinds, amplified and fed through a mixer.The new musical style that Glass was evolving was eventually dubbed “minimalism.” Glass himself never liked the term and preferred to speak of himself as a composer of “music with repetitive structures.” Much of his early work was based on the extended reiteration of brief, elegant melodic fragments that wove in and out of an aural tapestry. Or, to put it another way, it immersed a listener in a sort of sonic weather that twists, turns, surrounds, develops.There has been nothing “minimalist” about his output. In the past 25 years, Glass has composed more than twenty five operas, large and small; twelve symphonies, thirteen concertos; soundtracks to films ranging from new scores for the stylized classics of Jean Cocteau to Errol Morris's documentary about former defense secretary Robert McNamara; nine string quartets; a growing body of work for solo piano and organ. He has collaborated with Paul Simon, Linda Ronstadt, Yo-Yo Ma, and Doris Lessing, among many others. He presents lectures, workshops, and solo keyboard performances around the world, and continues to appear regularly with the Philip Glass Ensemble.From https://philipglass.com/biography/. For more information about Philip Glass:Words Without Music: https://wwnorton.com/books/Words-Without-Music/“The beginner's guide to Philip Glass”: https://www.eno.org/discover-opera/the-beginners-guide-to-philip-glass/“How Philip Glass Went From Driving Taxis to Composing”: https://www.theatlantic.com/business/archive/2018/04/philip-glass-taxi-driver-composer/558278/“Philip Glass”: https://www.interviewmagazine.com/music/philip-glass

Lorna arranged the strings on several of the tracks on the Possible album including "Undying" which is currently submitted for a Grammy for Best Contemporary Classical Composition.  Please let your Grammy voting friends know! Lorna is the founding keyboardist/synthesist of the “all-star, all-female quintet” (Time Out NY) Victoire with indie-classical darling and longtime collaborator composer Missy Mazzoli. Recent seasons included the Carnegie Hall commission and premiere of Mazzoli's Vespers for a New Dark Age, performed by the ensemble Victoire, percussionist Glenn Kotche (of Wilco) and members of vocal ensemble Roomful of Teeth. Lorna Dune arranged and co-produced the Vespers album, which was released in March 2015 on New Amsterdam Records. The New York Times called it “ravishing and unsettling”, and the album was praised on NPR's First Listen, All Things Considered and Pitchfork. Victoire returned to Carnegie Hall in March of 2015 as part of the “Meredith Monk and Friends” concert. Their past debut album Cathedral City, released on New Amsterdam Records, was named one of 2010ʹs best classical albums by the New York Times, Time Out New York, the New Yorker and NPR. A well-seasoned pianist and synthesist, she has joined the Philip Glass Ensemble for a production of his new work for Shakespeare in the Park, has worked with composer Steve Reich, composer and visual artist Tristan Perich, Meredith Monk, Lukas Ligeti and other talented artists. Her recent keyboard performances include a premiere of a synthesizer concerto by composer William Brittelle and the Seattle Symphony Orchestra. Other highlights from this and past seasons include a premieres with the Baltimore Symphony Orchestra, Saint Paul Chamber Orchestra & Alabama Symphony Orchestra, a Carnegie Hall premiere with Victoire, BAM Next Wave Festival, C3 Festival in Germany, MADE Festival in Umeå, Sweden, Crossing Brooklyn Ferry, Ecstatic Music Festival, X-Avant Festival in Toronto, Shakespeare in the Park with the Philip Glass Ensemble, live film score performance at the Whitney Museum and the French Alliance Institute, Chicago's Millenium Park “Dusk Variation” Chamber Series, Imagine Science Festival at Bell House, NY Eye and Ear Festival, and live performances on WNYC's New Sounds and Soundcheck. Lorna Krier has appeared in features in the New York Times, Washington Post, Time Out New York, NPR, Village Voice, Pitchfork, The Fader, Brooklyn Vegan, Chicago Reader, Baltimore Sun, eMusic, Arthur Magazine, Impose Magazine, Tiny Mix Tapes, Matrixsynth, The Daily Contributor, Paste Magazine, and more.https://www.lornadune.com/Lorna Dune - Bandcamp  ANNOUNCING JOURNEY SPACE -***Check out the new platform JourneySpace.com - a space for online live facilitated journeys.  The inaugural event will be a live stream open to anyone on Dec 4th, 2021.  Visit Journeyspace.com for more information. Also. New Music from East Forest! -"Possible" - the latest studio album  from East Forest - LISTEN NOW:Spotify / AppleOrder the album on vinyl - limited edition + check out the new Possible clothing: http://eastforest.org *** Support this free podcast by joining the East Forest COUNCIL on Patreon.  Monthly Zoom Council, Podcast exclusives, private Patreon live-stream ceremony, and more.  Check it out and a great way to support the podcast and directly support the work of East Forest! - http://patreon.com/eastforest *****Please rate Ten Laws w/East Forest on iTunes.  It helps us get the guests you want to hear.  Tour - Catch East Forest LIVE - Pledge your interest in the upcoming East Forest Ceremony Concert events this Spring/Summer 2021.  More info and join us at eastforest.org/tourCommunity - Join the newsletter and be part of the East Forest Community.Meditation - Listen to East Forest guided meditations on Spotify & AppleRam Dass album - Check out the East Forest x Ram Dass album on (Spotify & Apple) + East Forest's Music For Mushrooms: A Soundtrack For The Psychedelic Practitioner 5hr album (Spotify & Apple).Socials -Stay in the East Forest flow:Mothership:  http://eastforest.org/IG:  https://www.instagram.com/eastforest/FB:  https://www.facebook.com/EastForestMusic/TW:  https://twitter.com/eastforestmusicJOIN THE COUNCIL - PATREON: http://patreon.com/eastforest 

Den amerikanske tonsättaren Philip Glass har skrivit över 25 operor, mängder av film- och teatermusik, orkesterverk, pianomusik med mera. Lyssna på alla avsnitt i Sveriges Radio Play. År 2019 fyllde Philip Glass egen grupp The Philip Glass Ensemble 50 år och detta firades med en internationell jubileumsturné, som bland annat besökte Stockholm och Malmö.Många har säkert hört Philip Glass musik utan att tänka på det. Som till exempel den musik han skrev för succéfilmen ”Timmarna”.På 60-talet samarbetade Philip Glass med Ravi Shankar i Paris. Internationellt uppmärksammad blev han med den banbrytande operan ”Einstein on the Beach”, som han gjorde tillsammans med Robert Wilson.De senaste åren har hans operor ”Satyagraha” och ”Akhnaten” nått en stor publik. Folkoperan och Cirkus Cirkörs uppsättning av den första av dem fick Philip Glass själv uppleva på BAM i New York.– Jag hamnade med Philip bakom scenen och då sa han att han var glad att han fått leva och se den här uppsättningen, berättar tenoren Leif-Aruhn Solén i programmet.Nu är han aktuell med cirkusoperan ”Circus Days and Nights”, skriven direkt för Cirkus Cirkör.Medverkar i programmet gör dirigent Karen Kamensek, Cirkus Cirkörs Tilde Björfors, musikjournalisten Hanna Höglund och givetvis Philip Glass själv.En dokumentär från 2021 av Kerstin Berggren.

Den amerikanske tonsättaren Philip Glass har skrivit över 25 operor, mängder av film- och teatermusik, orkesterverk, pianomusik med mera. Nu är han aktuell med cirkusoperan Circus Days and Nights, skriven direkt för Cirkus Cirkör. År 2019 fyllde Philip Glass egen grupp The Philip Glass Ensemble 50 år och detta firade den i dag 84-årige musiklegendaren och hans grupp med en internationell jubileumsturné, som bland annat besökte Stockholm och Malmö. Många har säkert hört Philip Glass musik utan att tänka på det. Som till exempel den musik han skrev för succéfilmen Timmarna. På 60-talet samarbetade Philip Glass med Ravi Shankar i Paris. Internationellt uppmärksammad blev han med den banbrytande operan Einstein on the Beach, som han gjorde tillsammans med Robert Wilson. De senaste åren har hans operor Satyagraha och Akhnaten nått en stor publik. Folkoperan och Cirkus Cirkörs uppsättning av den första av dem fick Philip Glass själv uppleva på BAM i New York.  Jag hamnade med Philip bakom scenen och då sa han att han var glad att han fått leva och se den här uppsättningen, berättar tenoren Leif-Aruhn Solén i programmet. Operan Akhnaten, som handlar om den egyptiske faraonen, fick global spridning när Metropolitanoperan sände ut föreställningen live på bio. Dirigent var Karen Kamensek, som intervjuas i programmet. Vi får också möta Cirkus Cirkörs Tilde Björfors, musikjournalisten Hanna Höglund och givetvis Philip Glass själv. En dokumentär från 2021 av Kerstin Berggren.

"During this week’s episode of The Jazz Hole Brooklyn-based composer and woodwind master Peter Hess talks about three recent albums that came out on his own label Diskonife: Present Company by the Peter Hess Quartet, Falling by the Peter Hess Trio and Cut The Red Wire by the Mick Rossi/Peter Hess Duo. Tune in to hear the conversation in four parts and samples from all three albums in between. Peter Hess lives in NYC since 1997, can be heard on hundreds of recordings and is a member of the world-renowned Philip Glass Ensemble. Peter Hess Quartet - “Komma” & “The Net Menders” Album: Present Company Peter Hess (ts), Brian Dyre (tb), Adam Hopkins (b) and Tomas Fujiwara (d) Peter Hess Trio - “Move To Mars” & “Gone Lights” Album: Falling Peter Hess (ts), Matt Moran (vib) and Jeff Davis (d) Mick Rossi & Peter Hess - “4+11+3” & “Wadabe” Album: Cut The Red Wire Mick Rossi (p, harmonium, syn, guzheng, d, perc) and Peter Hes (Bb, Eb, Bass and Contra-Alto clarinets, ts, alto fl) 00:00 - The Jazz Hole with Linus 01:15 - Komma - Peter Hess Quartet 07:19 - The Net Menders - Peter Hess Quartet 14:18 - Interview with Peter Hess, Part I 20:32 - Move To Mars - Peter Hess Trio 27:23 - Interview with Peter Hess, Part II 31:35 - Gone Lights - Peter Hess Trio 36:37 - Interview with Peter Hess, Part III 42:09 - 4+11+3 - Mick Rossi, Peter Hess 48:52 - Interview with Peter Hess, Part IV 52:49 - Wadabe - Mick Rossi, Peter Hess 57:07 - Finish "

Ep. 123: Lisa Bielawa, composer and vocalist. Let's Talk Off The Podium with Tigran Arakelyan. In this podcast Bielawa talks about a recent project called Broadcast from Home, work with Philip Glass, time at Yale, various major projects and much more. Composer, producer, and vocalist Lisa Bielawa is a Rome Prize winner in Musical Composition and takes inspiration for her work from literary sources and close artistic collaborations. Her music has been described as “ruminative, pointillistic and harmonically slightly tart,” by The New York Times. She is the recipient of the 2017 Music Award from the American Academy of Arts & Letters and was named a William Randolph Hearst Visiting Artist Fellow at the American Antiquarian Society for 2018.  Bielawa consistently executes work that incorporates community-making as part of her artistic vision. She has created music for public spaces in Lower Manhattan, the banks of the Tiber River in Rome, on the sites of former airfields in Berlin in San Francisco, and to mark the 30th anniversary of the fall of the Berlin Wall. Her music has recently been premiered at the NY PHIL BIENNIAL, Lincoln Center, Carnegie Hall, The Kennedy Center, SHIFT Festival, and Naumburg Orchestral Concerts, among others. She will have her second residency as a performer/composer at John Zorn’s venue The Stone in March 2020. Orchestras that have championed her music include the The Knights, Boston Modern Orchestra Project, American Composers Orchestra, and the Orlando Philharmonic. Premieres of her work have been commissioned and presented by the Chamber Music Society of Lincoln Center, Brooklyn Rider, Seattle Chamber Music Society, American Guild of Organists, and more.  Bielawa began touring as the vocalist with the Philip Glass Ensemble in 1992 and in 2019 she became the inaugural Composer-in-Residence and Chief Curator of the Philip Glass Institute at The New School. In 1997 Bielawa cofounded the MATA Festival, which celebrates the work of young composers, and for five years she was the artistic director of the San Francisco Girls Chorus.  She received a 2018 Los Angeles Area Emmy nomination for her unprecedented, made-for-TV-and-online opera Vireo: The Spiritual Biography of a Witch's Accuser, created with librettist Erik Ehn and director Charles Otte. Vireowas filmed in twelve parts in locations across the country and features over 350 musicians. Vireo was released on CD/DVD in 2019 (Orange Mountain Music) and she is also recorded on the Tzadik, TROY, Innova, BMOP/sound, Supertrain Records, Sono Luminus, and Cedille labels. For more information about Lisa Bielawa please visit: www.lisabielawa.net © Let's Talk Off The Podium, 2020

Pour le tout dernier épisode de la saison 2019-2020, une vaticination particulière vous est proposée… Tout en approfondissant, amplifiant et fortifiant notre fervente passion pour le culte du Black, nous allons entreprendre un ahurissant détour vers un tout autre genre musical, pareillement noir de méphistophélique potentiel, mais davantage élitiste, ésotérique et vilainement outrageuse pour les non-initiés et les pauvres d'esprit. Bouillonnant de haines misanthropiques, de sombres méditations existentielles, de désespoirs nauséabonds, de ferveurs ancestrales et d'anxiétés apocalyptiques, voici douze compositions de l'éternel génie des Noirceurs au cœur de la musique savante. ☩ LISTE LITURGIQUE ☩ 1. Carlo Maria Giulini avec la Berliner Philharmoniker et la Ernst Senff Chor (Allemagne) - Messa da requiem : 2, Dies irae « Tuba mirum » (de Guiseppe VERDI) 2. Charles Dutoit avec l'Orchestre symphonique de Montréal (Québec) - Carmina Burana : 1, « O Fortuna » (de Carl ORFF) 3. Anna Meredith et la Scottish Ensemble (Écosse) - Concerto no. 4 en fa mineur, op. 8, RV 297, « L'inverno » (de Antonio VIVALDI) 4. Nemanja Radulovic et Les Trilles du Diable (France) - Toccata et fugue en D mineur, BmV 565 (de Johann Sebastian BACH) 5. Georg Solti avec la Wiener Philharmoniker (Autriche) - Götterdämmerdung, WWV 86D, acte 3 : « Trauermarsch » (de Richard WAGNER) 6. Peter Oundjian avec la Toronto Symphony Orchestra (Ontario) - The Planets : 1. « Mars, the Bringer of War » (de Gustav HOLST) 7. Thomas Dausgaard avec Hetna Regitse Bruun, Peter Lodahl, la Dansk Nationalt Kor, la Dansk Nationalt Vokalensemble et la danske nationale symfoniorkester (Danemark) - Endens tid, BVN 243 : IV, « La Catastrophe » (de Rued LANGGAARD) 8. Olivier MESSIAEN avec Lise Arseguest (France) - Poèmes pour mi, no.4, « Épouvante » (de Olivier MESSIAEN) 9. Juan Pablo Izquierdo avec la Cuarteto Latinoamericano et la Carnegie Mellon Philharmonic Orchestra (International) - Black Angels (13 Images from the Dark Land), partie 1 « Return » : no. 13, Threnody III, « Night of the Electric Insects » (de George CRUMB) 10. Sir Simon Rattle avec la City of Birmingham Symphony Orchestra (Royaume-Uni) - Three Screaming Popes (after the paintings by Francis Bacon), for Large Orchestra (de Mark-Anthony TURNAGE) 11. Philip Glass Ensemble (États-Unis) - « Prophecies », dernier mouvement du documentaire Koyaanisqatsi (de Philip GLASS) 12. Valery Gergiev avec la Mariinsky Orchestra (Russie) - Suite scythe, op. 20 « Ala et Lolly » : II. « Tchoujbog et la danse des esprits » (de Sergei PROKOFIEV) (en fond)

Good Morning, This is Louise. Episode 63 - a circle of words|featuring the music of Sinead Harnett, Sabrina Claudio, Shigeru Umebayashi, Kiana Ledé, The Philip Glass Ensemble, and Blondiealso featuring excerpts from "Improvisation for a cure" by Ryiuchi Sakamotowith an ambient field recording by Rambalacalso featuring the voices of Ava, Allison, Paola, Louise, Serena, Moira, Tessa, and Samanthaprogrammed and written by rhan small ernst Thank you for listening

David Crowell is a member of the Philip Glass Ensemble, playing woodwinds, and is a genre-crossing composer in his own right, leading his own band, Empyrean Atlas. David plays guitars and saxophones in Empyrean Atlas, as well as writing the music, managing the band, and producing their 3 albums. His music has been said to be a mix of classical, jazz, pop, post-punk, African, ambient, and minimalism. David has played all over the world with the Philip Glass Ensemble, and chats to Marie about what it is like to play huge works such as Einstein on the Beach. We talk about how minimalism has influenced his own work, and a wide variety of other influences he has had during his studies at the Eastman School of Music and professional career. We hear four of David's compositions, including: Redwood, by Empyrean Atlas from the album, Empyrean Atlas Waiting in the Rain for Snow, performed by the Now Ensemble Hashimoto for Flute Trio, performed by Andrew Sterman Eye to Eye, by Empyrean Atlas from the album, Empyrean Atlas Hear more at: davidcrowellmusic.com

In which I travel by train across the state reading Heidegger; experience a double dose of Wagner and Lincoln Center; and see the Philip Glass Ensemble at Carnegie Hall.

In which I travel by train across the state reading Heidegger; experience a double dose of Wagner and Lincoln Center; and see the Philip Glass Ensemble at Carnegie Hall.

On this installment, we sit down with Chris Schlarb of Psychic Temple to discuss Psychic Temple IV, a melange of West Coast pop magic, sophisticated textures, and exploratory rock & roll. It’s a record that finds Schlarb commanding a vast ensemble of players — including Max Bennett (Joni Mitchell, Frank Zappa, the Wrecking Crew), Terry Reid, current and former members of Cherry Glazerr, the Philip Glass Ensemble, Cryptacize, the Dirty Projectors, and many more. Schlarb is a true journeyman, whose work spans country, gospel, gangsta rap, avant-garde, and jazz, and here he discusses it all, elucidating his unique approach to music making. Then, M.C. Taylor of Hiss Golden Messenger explains why 1972’s Bright Phoebus: The Songs of Mike and Lal Waterson is one of his favorite LPs. Recently reissued by Domino Records, the album’s blend of country, rock, folk, and psychedelia, has served as a sort of emotional compass for Taylor, whose new album, Hallelujah Anyhow, due out from Merge on September 22, will be the topic of our next episode.

A summer mix presenting, among other variety of music, two long tracks from the theatrical production Einstein on the Beach composed by Philip Glass and directed by Robert Wilson in 1975. Aired on Radio Campus Paris 93.9fm on June 26th, 2017. Tracklist: KAB 1340- L.Pierre Fujiyama 1- Moondog Act I, Scene 2: Trial- Philip Glass Ensemble, The Memories of Edith Johnson- Pharoah Sanders Sun Watcher- Albert Ayler The Three Faces Of Balal- Yusef Lateef Looking Outward- Sun Ra Kostnice- Zdeněk Liška Symphonique 3 (Ode to Venus- Moondog Knee Play 4- Philip Glass Ensemble, The Apocalypse des Animaux (Generique)- Vangelis Hijack- Alfonso Lovo Discovery- The Heliocentrics Phantom Of The Panter- Mulatu Astatke & The Heliocentrics Processione Sul Mare- Tony Esposito Cocaine Blues- Woody Guthrie Cocaine- Dick Justice Just a Spoonful- Charley Jordan Ode A Satwa- Marconi Nataro Fujiyama 2- Moondog Act I, Scene 1: Train- Philip Glass Ensemble, The

Tom Service meets the acclaimed violinist and conductor Nikolaj Znaider ahead of concerts involving both his violin and his baton with the Royal Scottish National Orchestra and his Mozart project with the London Symphony Orchestra. Nikolaj talks to Tom about how to engage young audiences, how Colin Davis taught him everything he knew and, of course, why music matters. Up till now Philip Glass's masterpiece Music in 12 Parts has only been performed by the composer's own Philip Glass Ensemble - but Glass has now given his blessing for a new generation of players to take on the three-and-a-half-hour epic. Tom talks to organist James McVinnie and a specially formed ensemble including pianists Timo Andres, David Kaplan and Eliza McCarthy, gamba player Liam Byrne and soprano Josephine Stephenson about the piece. Plus he talks to original Glass Ensemble members Joan La Barbara and Michael Riesman about the original experience in the 1970s. Plus Tom celebrates the 70th birthday of the English composer, arranger and producer Daryl Runswick. A remarkably prolific composer who worked with Berio and Stockhausen, was a successful jazz bassist with the Dankworths, has written over 100 arrangements for the King's Singers, been sampled by pop bands and was head of composition at Trinity College of Music. Tom talks to Daryl about being a musical chameleon.

Composer Philip Glass discusses his Academy Award-nominated score to Notes on a Scandal. Glass is considered one of the most influential composers of the late-20th century. In 1976, his landmark opera Einstein on the Beach was staged by Robert Wilson to a baffling variety of reviews. At the time, his compositions were so avant-garde that he had to form the Philip Glass Ensemble to give them a venue for performance. Although called a minimalist by the Western classical mainstream, he denies this categorization. His major works include opera, theater pieces, dance, and song. Notes on a Scandal is his latest of over 80 film scores.