Podcasts about Cartoon Brew

Mattie Lubchansky (Boys Weekend) and the lads hop in Benny the Cab and floor it to Toontown as they cover Robert Zemeckis' seminal live-action/animated triumph: Who Framed Roger Rabbit? Topics include the perfect storm of the film's creation, the meticulous production design, and the vital importance of venerating comedy that hits you like a piano to the head. Mattie Lubchansky: Twitter // Instagram // Patreon Boys Weekend: A hilarious trans-“final girl” horror graphic novel about a bachelor party gone very, very wrong. A witty, tender romp through the cosmic horror of being alive   Temporal Culture War: Mattie Lubchansky and Clayton Ashley figure out what the hell was going on in culture in the early 2000s while they wade through episodes of Star Trek Enterprise. Available on Spotify // Apple Podcasts // RSS Feed Media Referenced in Episode: Who Framed Roger Rabbit? Dir. Robert Zemeckis. 1988. Behind the Ears: The True Story of Roger Rabbit. More info about TV Guardian “‘Who Framed Roger Rabbit' Hits 30: A Look Back at ILM's AStonishing Old-School Optical VFX” by Ian Failes. Cartoon Brew. June 21st, 2018. “‘Who Framed Roger Rabbit' Creators on How They Broke All The Rules” by Brian Welk. The Wrap. June 19th, 2018. TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com Commercial: “The Secret to a Perfect Rabbit Marriage” // Written by A.J. Ditty // Starring A.J. Ditty as “Roger Rabbit”

Cartoon Brew contributor and animator Vincent Alexander constructed a piece back in April around the most influential filmmakers and examples of their work that you could trace back to the guys behind the Looney Tunes. In this episode, I'm joined by Vincent and we touch upon a few of those directors and their films. Some may blow you away!   Looney Tunes in the News! The Day the World Blew UP! A Looney Tunes Movie made it's WORLD PREMIERE AT ANNECY! In the world of animation, few names evoke as much nostalgia and admiration as the Looney Tunes. With iconic characters like Daffy Duck and Porky Pig, these beloved cartoons have entertained audiences for generations. The recent premiere of 'The Day the Earth Blew Up' at the Annecy Animation Festival has reignited interest in these classic characters, showcasing their enduring appeal in a modern context. A Stellar Premiere at Annecy The unveiling of 'The Day the Earth Blew Up' at the Annecy Animation Festival was nothing short of spectacular, drawing a crowd that was visibly moved by the charm and wit of the Looney Tunes legacy. Under the directorial guidance of Pete Browngardt, and brought to life by the talented voice work of Eric Bauza as both Daffy Duck and Porky Pig, Candi Milo as Petunia, Fred Tatascior as Farmer Jim and Ghostbusters 2 actor Peter MacNicol as The Invader; this feature-length adventure captured the hearts of those in attendance. The event itself was a vibrant celebration of animation, with 'The Day the Earth Blew Up' standing out as a highlight of the festival. From the moment the lights dimmed and the first scene rolled, the audience was immersed in a world filled with laughter, nostalgia, and the unmistakable zaniness of the Looney Tunes universe. Each joke landed with precision, eliciting hearty laughs, while the emotional beats of the story brought the crowd on a rollercoaster of feelings. The film's cleverly crafted narrative and beautifully executed 2D animation showcased the enormous effort and passion poured into its creation by Browngardt and his team. As Daffy and Porky navigated through their hilarious and often precarious journey to save Earth, the connection between the characters and the audience was palpable. The inclusion of scenes detailing the duo's upbringing and their comedic struggles with employment added layers to their personas, enriching the viewer's experience. Moreover, the portrayal of their friendship and resilience against the backdrop of an alien threat highlighted the timeless appeal of these characters, making every moment on screen feel both fresh and familiar. The Annecy premiere served as a powerful reminder of the magic that the Looney Tunes can bring to the big screen. It was a night where animation enthusiasts, critics, and newcomers alike were united in their appreciation for a franchise that continues to evolve while staying true to the heart and humor that has defined it for generations. A Return to Form for Looney Tunes In an era where digital animation dominates, 'The Day the Earth Blew Up' emerges as a beacon of classic animation prowess, masterfully marrying the age-old antics of Looney Tunes with contemporary storytelling finesse. This film is not merely a nod to the golden age of Warner Bros animation but a robust reaffirmation of its timeless appeal and relevance. By weaving a narrative that is as emotionally engaging as it is uproariously funny, it marks a significant milestone in the evolution of Looney Tunes, showcasing the adaptability and enduring charm of its characters. The genius of 'The Day the Earth Blew Up' lies in its ability to harness the quintessential elements that made Looney Tunes a household name—dynamic slapstick humor, sharp wit, and a knack for chaos—while infusing them with a modern sensibility that appeals to today's audiences. Daffy Duck's irreverent humor and Porky Pig's endearing stutter are complemented by a storyline that pits them against challenges that are both fantastical and surprisingly relatable, ensuring that the humor resonates on multiple levels. The movie excels in leveraging the rich history of its characters, providing them with a depth that adds a new layer of enjoyment for fans and newcomers alike. The exploration of Daffy and Porky's backstories and personal growth throughout their adventure adds a layer of complexity to their characters, making their triumphs all the more satisfying. By striking an ideal balance between the slapstick comedy that fans expect and the narrative depth that modern audiences crave, 'The Day the Earth Blew Up' revitalizes the Looney Tunes brand. It demonstrates the potential for these iconic characters to grow and thrive in the contemporary media landscape, ensuring that their antics will continue to entertain and inspire laughter for generations to come. This film does more than just revisit the past; it propels the beloved antics of Looney Tunes into the future, proving that some classics only get better with time. The Art of Blending Humor and Heart 'The Day the Earth Blew Up' masterfully intertwines the laugh-out-loud humor characteristic of the Looney Tunes with deeply touching moments, creating a rich cinematic tapestry that speaks to a wide array of emotions. The filmmakers ingeniously use the comedic escapades of Daffy Duck and Porky Pig not just as a vehicle for humor, but also as a means to explore themes of friendship, resilience, and determination. This dual approach ensures that the audience is not only entertained by the antics on screen but also emotionally invested in the characters' journeys. At its core, this film is a testament to the complexity of the Looney Tunes characters, who are capable of eliciting both belly laughs and tender moments within the span of a single scene. The dynamic between Porky Pig and Petunia Pig, for example, offers a glimpse into the more nuanced aspects of the characters' lives, enriching the narrative and providing a counterpoint to the high-energy comedic sequences. This delicate balance between humor and heart is what sets 'The Day the Earth Blew Up' apart, making it not just a comedy, but a story with soul. The effectiveness of this blend is further highlighted by the movie's animation style, which employs expressive character animations and vibrant visuals to enhance both the comedic and emotional impact of the story. By doing so, the film pays homage to the legacy of Looney Tunes animation while also pushing the boundaries of how these beloved characters can connect with contemporary audiences. Through its artful combination of humor and heart, 'The Day the Earth Blew Up' invites viewers to laugh, empathize, and perhaps even see a bit of themselves in the animated antics of Daffy, Porky, and the rest of the Looney Tunes gang. Critical Acclaim and Audience Reception Upon its unveiling, 'The Day the Earth Blew Up' quickly captivated critics and moviegoers, securing its place as a standout addition to the Looney Tunes' storied legacy. Critics have lauded the film for its inventive storytelling, seamless blend of classic and modern comedic elements, and its ability to weave heartfelt moments amidst uproarious laughter. The animation's quality, vibrant and expressive, received particular acclaim, highlighting the skill and dedication of the artists behind this project. Audience reactions mirrored this enthusiasm, with many expressing delight at seeing their favorite characters on the big screen in a narrative that felt both fresh and faithful to the essence of Looney Tunes. Viewers of all ages found themselves enchanted by the dynamic duo of Daffy Duck and Porky Pig, whose adventures brought not only nostalgia but also a sense of novelty that resonated with contemporary sensibilities. Social media buzzed with positive feedback, from tweets praising specific comedic sequences to Instagram stories capturing the joyous atmosphere of theater screenings. This wave of approval underscores the film's universal appeal and its success in reaching a broad demographic, from lifelong fans of Looney Tunes to a new generation experiencing the antics of these characters for the first time. The palpable excitement and commendations from both critics and audiences underscore the film's impact, reinforcing its status not merely as a successful animation but as a significant cultural event. This reception is a testament to the movie's quality and its role in the ongoing legacy of Looney Tunes, affirming that the charm and wit of these characters remain as vibrant and compelling as ever. The Implications for Future Looney Tunes Projects The enthusiastic reception of 'The Day the Earth Blew Up' heralds a potentially wide future for Looney Tunes, showcasing their potential to captivate modern audiences while retaining the essence that has made these characters beloved for decades. This film's success could pave the way for Warner Bros. to reassess their locked away film, Coyote Vs. Acme which is a live action/animation hybrid film starring Wile E. Coyote and John Cena. This film has had it's share of publicity and with a large push from 'Earth' it's possible the film could see the light of day. The industry's response and the public's embrace of this latest offering reinforce the idea that there's a keen appetite for content that marries nostalgia with innovation. As we look ahead, the question isn't whether there will be more Looney Tunes projects but rather how these characters will evolve to meet the expectations of a new generation while delighting long-time fans. The possibilities are as limitless as the imaginations of those at the helm of future projects, suggesting that the legacy of Looney Tunes is not only secure but set to soar to new heights. The Article Read and Watch Films Inspired by The Looney Tunes   Follow Our Guest! Vincent Alexander VincentCartoons - Instagram NonsenseIsland - Twitter   Thanks for Listening!

Despite Kung-Fu Panda 4 making bank at the box office this weekend, DreamWorks Animation is massively chopping its animation staff going forward. According to Cartoon Brew, 40-50% of DreamWorks animators won't be getting their contracts renewed. This is NOT good news for Western animation. AT ALL. ➡️ Tip Jar and Fan Support: http://ClownfishSupport.com ➡️ Official Merch Store: http://ShopClownfish.com ➡️ Official Website: http://ClownfishTV.com ➡️ Audio Edition: https://open.spotify.com/show/6qJc5C6OkQkaZnGCeuVOD1 ➡️ Gaming News: https://open.spotify.com/show/0A7VIqE3r5MQkFgL9nifNc About Us: Clownfish TV is an independent, opinionated news and commentary channel that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. Disclaimer: This series is produced by Clownfish Studios and WebReef Media, and is part of ClownfishTV.com. Opinions expressed by our contributors do not necessarily reflect the views of our guests, affiliates, sponsors, or advertisers. ClownfishTV.com is an unofficial news source and has no connection to any company that we may cover. This channel and website and the content made available through this site are for educational, entertainment and informational purposes only. These so-called “fair uses” are permitted even if the use of the work would otherwise be infringing. #Animation #DreamWorks #KungFuPanda #Disney #News #Commentary #Reaction #Podcast #Comedy #Entertainment #Hollywood #PopCulture #Tech

Episode SummaryDespite competing with a similar insect-themed offering from DreamWorks, Pixar's sophomore feature film, A Bug's Life (1998), earned positive reviews at the box office and solidified the reputation of the animation studio. Although misogyny, racism, and fatphobia are sprinkled throughout, Rachel eagerly celebrates this movie as a depiction of Marxist class revolution; Erin is less enthusiastic. Episode BibliographyAntz. (n.d.). Box Office Mojo. Retrieved January 2, 2023, from https://www.boxofficemojo.com/title/tt0120587/?ref_=bo_se_r_1Bansinath, B. (2022, November 16). All of the Allegations Against Kevin Spacey. The Cut. Retrieved January 18, 2023, from https://www.thecut.com/article/all-of-the-allegations-against-actor-kevin-spacey.htmlBrew, S. (2016, March 24). Widescreen, pan and scan, and the slow rise of letterboxing. Den of Geek. Retrieved January 21, 2023, from https://www.denofgeek.com/movies/widescreen-pan-and-scan-and-the-slow-rise-of-letterboxing/Brown, A. (2012, June 12). Ants. Why Did It Have To Be Ants?: A Bug's Life. Tor.com. Retrieved January 7, 2023, from https://www.tor.com/2012/06/12/ants-why-did-it-have-to-be-ants-a-bugs-life/A Bug's Life. (n.d.). Box Office Mojo. Retrieved January 2, 2023, from https://www.boxofficemojo.com/release/rl2420737537/A Bug's Life. (n.d.). Wikipedia. Retrieved January 19, 2023, from https://en.wikipedia.org/wiki/A_Bug%27s_Life#cite_note-PixarTouch01-6A Bug's Life (1998) - Full Cast & Crew. (n.d.). IMDb. Retrieved January 5, 2023, from https://www.imdb.com/title/tt0120623/fullcredits/?ref_=tt_cl_smBurrows, P. (1998, November 12). ANTZ VS. BUGS: The inside story of how Dreamworks beat Pixar to the screen. Business Week. Retrieved January 2, 2023, from https://web.archive.org/web/19991128083348/http://www.businessweek.com/1998/47/b3605013.htmBurrows, P. (1998, November 13). STEVE JOBS, MOVIE MOGUL: Can he build Pixar into a major studio? Business Week. Retrieved January 2, 2023, from https://web.archive.org/web/19991128070945/http://www.businessweek.com/1998/47/b3605001.htmCarlson, W. E. (2017). 6.7 Pacific Data Images (PDI) – Computer Graphics and Computer Animation: A Retrospective Overview. The Ohio State University Pressbooks. Retrieved January 21, 2023, from https://ohiostate.pressbooks.pub/graphicshistory/chapter/6-7-pacific-data-images-pdi/Caruso, S. (2022, October 6). A Timeline of Kevin Spacey's Controversies, as He Faces Sexual Assault Trial in New York City. People. Retrieved January 18, 2023, from https://people.com/tv/kevin-spacey-controversy-timeline/Clinton, P. (1998, November 20). Review: 'A Bug's Life' hits a bulls-eye. CNN. Retrieved January 7, 2023, from http://www.cnn.com/SHOWBIZ/Movies/9811/20/review.bugs.life/Corliss, R. (1998, November 30). Cinema: Bugs Funny. TIME.com. Retrieved January 7, 2023, from https://content.time.com/time/subscriber/article/0,33009,989666,00.htmlCuenca-Orellana, N., & López-Heredia, P. (2020). Male and female workers: Gender treatment through Pixar's films. index.comunicación, 10(1), 97-123. Davis, S. (1998, October 2). Animated Film Directors Bring Insects to Life. The Oklahoman. Retrieved January 21, 2023, from https://www.oklahoman.com/story/news/1998/10/02/animated-film-directors-bring-insects-to-life/62267152007/Ebert, R. (1998, November 25). A Bug's Life movie review & film summary (1998). Roger Ebert. Retrieved January 7, 2023, from https://www.rogerebert.com/reviews/a-bugs-life-1998Failes, I. (2017, November 25). 'Geri's Game' Turns 20: Director Jan Pinkava Reflects On The Game-Changing Pixar Short. Cartoon Brew. Retrieved January 19, 2023, from https://www.cartoonbrew.com/cgi/geris-game-turns-20-director-jan-pinkava-reflects-game-changing-pixar-short-154646.htmlGleiberman, O. (1998, November 20). A Bug's Life | EW.com. Entertainment Weekly. Retrieved January 7, 2023, from https://ew.com/article/1998/11/20/bugs-life/Gomez, P. (2020, May 26). A Bug's Life is the technological marvel Pixar left behind. The A.V. Club. Retrieved January 7, 2023, from https://www.avclub.com/a-bug-s-life-is-the-technological-marvel-pixar-left-beh-1843575964Grebey, J. (2018, November 24). Why A Bug's Life Is an Underrated Pixar Classic. Rotten Tomatoes. Retrieved January 7, 2023, from https://editorial.rottentomatoes.com/article/why-a-bugs-life-is-an-underrated-pixar-classicHunter, S. (1998, November 25). 'A Bug's Life' (G). The Washington Post. Retrieved January 7, 2023, from https://www.washingtonpost.com/wp-srv/style/movies/reviews/bugslifehunter.htmIverson, J. (1999, February 14). A Bug's Life Becomes First All-Digital DVD Release. Sound & Vision. Retrieved January 7, 2023, from https://www.soundandvision.com/content/ia-bugs-lifei-becomes-first-all-digital-dvd-releaseJulie, & T.J. (2013, January 31). A Bug's Life - Director's Commentary Review. Pixar Post. Retrieved January 9, 2023, from https://pixarpost.com/2013/01/a-bugs-life-directors-commentary-review.htmlKing, S. (1999, April 22). A New Look for 'Bug'. Los Angeles Times. Retrieved January 7, 2023, from https://www.latimes.com/archives/la-xpm-1999-apr-22-ca-29763-story.htmlLasseter, J., & Stanton, A. (Directors). (1998). A Bug's Life [Film]. Walt Disney Pictures. Marshall, A. (2022, November 16). Kevin Spacey Faces New Sexual Assault Charges in U.K. The New York Times. Retrieved January 18, 2023, from https://www.nytimes.com/2022/11/16/arts/uk-kevin-spacey-sexual-assault-charges.htmlMcCarthy, T. (1998, November 29). A Bug's Life. Variety. Retrieved January 5, 2023, from https://variety.com/1998/film/reviews/a-bug-s-life-1200455803/Mulder, C. P. (2013). It's the time of your life: Marxism in animated films. Rethinking Marxism: A Journal of Economics, Culture & Society, 25(2), 284-292. DOI: 10.1080/08935696.2012.696806Murray, R. L., & Heumann, J. K. (2011). That's all folks? Ecocritical readings of American animated features. Nebraska. Ness, M. (2017, February 23). Insects and Corporate Infighting: A Bug's Life. Tor.com. Retrieved January 7, 2023, from https://www.tor.com/2017/02/23/insects-and-corporate-infighting-a-bugs-life/Pixar. (2016, October 13). Filmmakers Round Table | A Bug's Life | Disney•Pixar. YouTube. Retrieved January 9, 2023, from https://www.youtube.com/watch?v=yKWKasuMXtkPixar. (2023). Translucency and Subsurface Scattering. Pixar's RenderMan. Retrieved January 19, 2023, from https://renderman.pixar.com/resources/RenderMan_20/subsurface.htmlPixar Animation Studios - a bug's life. (2023). Pixar Animation Studios. Retrieved January 9, 2023, from https://www.pixar.com/feature-films/a-bugs-lifeStack, P. (1998, November 25). "Bug's" Has Legs / Cute insect adventure a visual delight. SFGATE. Retrieved January 7, 2023, from https://www.sfgate.com/movies/article/Bug-s-Has-Legs-Cute-insect-adventure-a-visual-2976395.phpSubsurface scattering. (n.d.). Wikipedia. Retrieved January 19, 2023, from https://en.wikipedia.org/wiki/Subsurface_scatteringVHS BTS. (2019, March 28). Living A Bugs Life. YouTube. Retrieved January 14, 2023, from https://www.youtube.com/watch?v=Z4Msedi5Ao0WAusJackBauer. (2016, March 4). A Bug's Life - Behind The Scenes (1080p). YouTube. Retrieved January 14, 2023, from https://www.youtube.com/watch?v=KHfMUZ73ybgWilmington, M. (1998, November 24). A BUG'S LIFE. Chicago Tribune. Retrieved January 7, 2023, from https://www.chicagotribune.com/news/ct-xpm-1998-11-25-9811250037-story.htmlWisecrack. (2022, January 31) Antz vs. A Bug's Life: Who Loves Capitalism More?[Video]. YouTube. https://www.youtube.com/watch?v=aCpxP51SOmE

Josie & The Pussycats is a musical comedy film released in 2001, based on the Archie Comics series and Hanna-Barbera cartoon of the same name. The film starred Rachael Leigh-Cook, Rosario Dawson, Tara Reid, Alan Cumming, and Parker Posey, and was directed by Harry Elfont and Deborah Kaplan. The film followed the adventures of the eponymous band as they attempt to achieve and eventually navigate stardom, while a conspiracy involving subliminal messaging lurks in the backdrop. The film featured a soundtrack of original rock songs written by professional songwriters like Adam Schlesinger, Adam Duritz, and Anna Waronker, among others, and featured a vocal performance by Kay Hanley of the power pop band Letters To Cleo. Though not a hit upon its release, it has since gone on to become a cult favorite for its sharp satire of commercialism.On an all new Hell Is A Musical, Lilz and Scott are joined by Kendra Beltran, writer for Collider, MTV Geek, and Cartoon Brew, as well as the host of the podcast Crushgasm. The three of them take in a screening of Josie & The Pussycats, debate the secret genius behind the film, shower praise upon MVP Alan Cumming, and REALLY work on their pronunciation....with Lilz and Scott!

Episode SummaryA smashing success at the box office and awards shows, Beauty and the Beast (1991) confirmed that the Disney Renaissance had indeed arrived.  Despite its technical and narrative achievements, this film garnered heavy criticism from the feminists it sought to appease with a spunky heroine. Erin and Rachel discuss how Belle and her suitors reinforce that gendered violence is a tale as old as time. Oh, and also, is everyone gay?Episode BibliographyAn American Tail: Fievel Goes West. (n.d.). Wikipedia. Retrieved February 5, 2022, from https://en.wikipedia.org/wiki/An_American_Tail:_Fievel_Goes_WestBanks, M. (2021). De Beaumont's Beauty and the Beast: A feminist analysis. Journal of Literary Criticism, Comparative Linguistics and Literary Studies, 42(1), Beauty and the Beast (1946 film). (n.d.). Wikipedia. Retrieved March 25, 2022, from https://en.wikipedia.org/wiki/Beauty_and_the_Beast_(1946_film)Beauty and the Beast (1991 film). (n.d.). Wikipedia. Retrieved January 23, 2022, from https://en.wikipedia.org/wiki/Beauty_and_the_Beast_(1991_film)Beauty and the Beast Movie Channel. (2018, October 19). The Making of Beauty and the Beast. YouTube. Retrieved February 5, 2022, from https://www.youtube.com/watch?v=Y9SAisRqUW0Beres, L. (1999). Beauty and the Beast: The romanticization of abuse in popular culture. European Journal of Cultural Studies, 2(2), 191-207.Brode, D. (2006). Multiculturalism and the mouse: Race and sex in Disney entertainment. University of Texas Press. Coates, L., Bonnah, S., & Richardson, C. (2019). Beauty and the Beast: Misrepresentation and social responses in fairy-tale romance and redemption. International Journal of Child, Youth and Family Studies, 10(1), 119-136. DOI: 10.18357/ijcyfs101201918809Cocteau, J. (Director). (1946). La belle et la bête [Film]. DisCina. Cummins, J. (1995). Romancing the plot: The real beast of Disney's Beauty and the Beast. Children's Literature Association Quarterly, 20(1), 22-28. https://doi.org/10.1353/chq.0.0872Davis, A. M. (2014). Handsome heroes and vile villains: Men in Disney's feature animation. John Libbey & Company, Limited. Downey, S. D. (1996). Feminine empowerment in Disney's Beauty and the Beast. Women's Studies in Communication, 19(2), 185–212.Ebert, R. (1991, November 22). Beauty And The Beast movie review (1991). Roger Ebert. Retrieved January 28, 2022, from https://www.rogerebert.com/reviews/beauty-and-the-beast-1991Failes, I. (2021, November 15). 30 Years Ago: The CG Secrets of the Ballroom Sequence in 'Beauty and the Beast'. Cartoon Brew. Retrieved February 5, 2022, from https://www.cartoonbrew.com/feature-film/30-years-ago-cg-secrets-ballroom-sequence-beauty-beast-145174.htmlGriswold, J. (2004). The meanings of “Beauty & the Beast”: A handbook. Broadview Press.Hahn, D., Schneider, P., Pacheco, P., & Bacon, C. (Directors). (2010). Waking Sleeping Beauty [Film; Disney+]. Buena Vista Home Entertainment.Hayes, M., & King, B. (2017, February 5). 5 Things You May Not Know About "Beauty And The Beast". The Odyssey Online. Retrieved February 2, 2022, from https://www.theodysseyonline.com/5-things-about-beauty-beastHeatwole, A. (2016). Disney girlhood: Princess generations and Once Upon a Time. Studies in the Humanities, 43(1). Hinson, H. (1991, November 22). 'Beauty and the Beast'. The Washington Post. Retrieved January 28, 2022, from https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/beautyandthebeastghinson_a0a71b.htmJeffords, S. (1995). The curse of masculinity: Disney's Beauty and the Beast. In Bell, E., Haas, L., & Sells, L. (Eds.), Mouse to Mermaid: The Politics of Film, Gender, and Culture (pp. 161-173). Indiana University Press.Logan, M. H. (2018). Stockholm Syndrome: Held hostage by the one you love. Violence and Gender, 5(2), 67-69. https://doi.org/10.1089/vio.2017.0076Maas, M. K., & Bonomi, A. E. (2021). Love hurts? Identifying abuse in the virgin-beast trope of popular romantic fiction. Journal of Family Violence, 36, 511-522. Magnus, L. (2017), Beauty and the Beast – All four versions. Lulu Press, Inc.MWH1980. (2016, December 6). Audio Commentary Commentation: Beauty and the Beast (1991) | The Entertainment Nut. The Entertainment Nut. Retrieved February 2, 2022, from https://theentertainmentnut.wordpress.com/2016/12/06/audio-commentary-commentation-beauty-and-the-beast-1991/Ness, M. (2016, January 14). A Return to the Glory Days: Disney's Beauty and the Beast. Tor.com. Retrieved January 23, 2022, from https://www.tor.com/2016/01/14/a-return-to-the-glory-days-disneys-beauty-and-the-beast/Olson, K. M. (2013). An epideictic dimension of symbolic violence in Disney's Beauty and the Beast: Inter-generational lessons in romanticizing and tolerating intimate partner violence. Quarterly Journal of Speech, 99(4), 448-480, DOI: 10.1080/00335630.2013.835491 Schwartz, D. (2017, March 24). How 'Beauty and the Beast' Became a Heartbreaking Metaphor for AIDS. Observer. Retrieved February 5, 2022, from https://observer.com/2017/03/beauty-and-the-beast-metaphor-aids-howard-ashman/Smith, K. E. (2018). ‘It's a Pity and a Sin': Images of Disability, Trauma and Subverted Power in Disney's Beauty and the Beast. Word and Text: A Journal of Literary Studies and Linguistics, 8, 111-128.Steeves, H. P. (2005). Yep, Gaston's gay: Disney and the beauty of beastly love. Popular Culture Review, 16(1), 125-145. Sumera, L. (2008). The mask of beauty: Masquerade theory and Disney's Beauty and the Beast. Quarterly Review of Film and Video, 26(1), 40-46. DOI: 10.1080/10509200600701156Swan, S. S. (1999). Gothic drama in Disney's Beauty and the Beast: Subverting traditional romance by transcending the animal‐human paradox. Critical Studies in Media Communication, 16(3), 350-369. DOI: 10.1080/15295039909367100Trousdale, G., & Wise, K.. (Directors). (1991). Beauty and the Beast [Film]. Walt Disney Pictures.Walker, L. E. (1979) The Battered Woman. Harper and Row.Warner, M. (1995).  From the beast to the blonde: On fairy tales and their tellers. Vintage.

Ian Failes joins Luke to talk about building meaningful relationships in the VFX industry. Ian has written for magazines such as FXGuide, Cartoon Brew, VFX Voice, 3D Artist, 3D World, Thrillist, Syfy, Inverse, Digital Arts, Rolling Stone, Polygon, and more. Before the onset of the COVID-19 pandemic, he traveled to different studios, events, and conferences across the globe and built relationships with various people. Now, due to restrictions, he shares how virtual space broadens his horizon when it comes to building relationships. Highlights Building meaningful relationships in the VFX industry - 3:37 VFX Journalism is niche and continuously changes - 6:31 A small industry providing space for people - 10:04 Creating camaraderie virtually - 13:38 Ian's background and transition into his career - 19:31 Sending out magazines across the globe - 24:54 The cover of the issue III - 27:14 Huge shows, lots of stories untold - 28:45 Challenges in VFX journalism today - 31:31 Ian's podcasts for VFX - 35:56 Always carry the “newbie mindset” - 39:00 There will always be enough content - 41:13 Where to find Ian Failes - 42:52 Episode Resources Connect with Luke Thompson LinkedIn: https://www.linkedin.com/in/luke-thompson-97281555/ Instagram: https://www.instagram.com/lukethompsonfilm/?hl=en ActionVFX Instagram: https://www.instagram.com/actionvfxofficial/?hl=en https://www.actionvfx.com/blog?category=podcast  https://www.actionvfx.com/ Connect with Ian Failes Twitter: https://twitter.com/vfxblog?lang=en LinkedIn: https://au.linkedin.com/in/ian-failes-17154b4 Website: https://beforesandafters.com/ Instagram: https://instagram.com/ianstafailes?utm_medium=copy_link Podcast: https://beforesandafters.com/category/podcasts/ 

Gottfried Roodt + Lloyd Wilgen are the creators of the wildly popular series Noodle and Bun (https://www.noodleandbun.com/). I discovered Noodle and Bun on Tiktok and instantly fell in love with the expressive CG animation. Noodle and Bun got major traction on TikTok and now has over 4.3 million followers. In this interview, I discover how Noodle and Bun came to life, what it takes to create merchandise for your brand, and how to grow your audience after going viral. Check out Noodle and Bun on YouTube, Instagram (@noodle_and_bun), and TikTok (@noodle_and_bun). AND go grab some new merch from the official Noodle and Bun store.   Show Notes: Noodle and Bun Store https://www.noodleandbun.com/collections/plush Cartoon Brew interview https://www.cartoonbrew.com/apps/meet-the-animators-who-are-reaching-millions-of-viewers-on-tiktok-199436.html PolyCat https://www.polycat.com/ TikTok @nood_and_bun https://www.tiktok.com/@noodle_and_bun?lang=en YouTube Channel https://www.youtube.com/channel/UCgTVYQn8fJy6d2IDRB3ECqQ Instagram @noodle_and_bun https://www.instagram.com/noodle_and_bun/?hl=en      

Episode SummaryIn an episode bubbling over with Disney history, Erin and Rachel dive into The Black Cauldron (1985), also known as, “the film that almost killed Disney animation.” Amid corporate restructuring, another animator's strike, and increasing competition at the box office, The Black Cauldron totally flopped. Erin and Rachel liked this film about as much as 1985 audiences did, and not just because of the misogyny and white-washed cast. Even innovative animation technology couldn't save the meandering script and annoying characters.Episode BibliographyBerman, T., & Rich, R. (Directors). (1985). The Black Cauldron [Film]. Walt Disney Pictures.The Black Cauldron. (1996, November 1). Filmtracks. Retrieved June 10, 2021, from https://www.filmtracks.com/titles/black_cauldron.htmlThe Black Cauldron (film). (n.d.). Wikipedia. Retrieved June 7, 2021, from https://en.wikipedia.org/wiki/The_Black_Cauldron_(film)Black Cauldron, The (film). (2015, September 6). D23. Retrieved June 10, 2021, from https://web.archive.org/web/20150906012122/https://d23.com/a-to-z/black-cauldron-the-film/Butler, O. (1993). Parable of the sower. Four Walls Eight Windows.Champlin, C. (1985, July 27). 'Cauldron': Words Away from the Pot of Gold. The Los Angeles Times.The Chronicles of Prydain. (n.d.). Wikipedia. Retrieved June 7, 2021, from https://en.wikipedia.org/wiki/The_Chronicles_of_PrydainDeja, A. (2013, February 9). Milt Kahl's Black Cauldron. Deja View. Retrieved June 12, 2021, from http://andreasdeja.blogspot.com/2013/02/milt-kahls-black-cauldron.htmlDiehl, B. (1985, June 15). Disney Pictures back to basics with fully-animated features. Ottawa Citizen, C6.Ebert, R. (1985, July 24). The Black Cauldron. RogerEbert.com. Retrieved June 10, 2021, from https://www.rogerebert.com/reviews/the-black-cauldron-1985Fierce, R. (2015). Isn't it romantic? Sacrificing agency for romance in The Chronicles Of Prydain. Mythlore, (33) 2, 2015, p. 75.Goodman, W. (1985, July 26). Screen: Disney's 'Black Cauldron'. The New York Times, C5.Gregory, J. (2019, February 25). Ron Miller helped modernize Disney. So why do his successors get all the credit? Theme Park Tribune. Retrieved June 10, 2021, from https://www.themeparktribune.com/ron-miller-helped-modernize-disney-so-why-do-his-successors-get-all-the-credit/Hahn, D., Schneider, P., Pacheco, P., & Bacon, C. (Directors). (2010). Waking Sleeping Beauty [Film; Disney+]. Buena Vista Home Entertainment.Harmetz, A. (1978, August 10). Disney film far behind schedule. The Register-Guard, 9C.Hill, J. (2006, February 9). "The Black Cauldron": What went wrong. Jim Hill Media. Retrieved June 12, 2021, from http://jimhillmedia.com/editor_in_chief1/b/jim_hill/archive/2006/02/10/712.aspxHill, J. (2010, September 10). Why For did Disney's "The Black Cauldron" fail to connect with audiences back in 1985? Jim Hill Media. Retrieved June 10, 2021, from http://jimhillmedia.com/editor_in_chief1/b/jim_hill/archive/2010/09/10/why-for-did-quot-the-black-cauldron-quot-fail-at-the-box-office.aspxHulett, S. (2014, August 29). ‘Mouse in Transition': Rodent Detectives and Studio Strikes (Chapter 11). Cartoon Brew. Retrieved June 12, 2021, from https://www.cartoonbrew.com/promote-article/mouse-in-transition-rodent-detectives-and-studio-strikes-chapter-11-103143.htmlKenton, W. (2020, January 30). Corporate Raider. Investopedia. Retrieved June 12, 2021, from https://www.investopedia.com/terms/c/corporate-raider.asp#:~:text=A%20corporate%20raider%20is%20an,the%20company's%20leadership%20and%20management.Kois, D. (2010, October 19). The Black Cauldron: Is the movie that almost killed Disney animation really that bad? Slate. Retrieved June 10, 2021, from http://www.slate.com/articles/arts/dvdextras/2010/10/the_black_cauldron.single.htmlLloyd Alexander Interview Transcript. (n.d.). Scholastic. Retrieved June 10, 2021, from https://www.scholastic.com/teachers/articles/teaching-content/lloyd-alexander-interview-transcript/Mallory, M. (2012, September 7). John and Ron Mention 'The Unmentionable'. Animation Magazine. Retrieved June 10, 2021, from https://www.animationmagazine.net/top-stories/john-and-ron-mention-the-unmentionable/Ness, M. (2015, October 8). A Demoralizing Disaster: Disney's The Black Cauldron. Tor.com. Retrieved June 7, 2021, from https://www.tor.com/2015/10/08/a-demoralizing-disaster-disneys-the-black-cauldron/Peraza, M. (2010, September 9). Cauldron of Chaos. Ink and Paint Club. Retrieved June 12, 2021, from http://michaelperaza.blogspot.com/search/label/Black%20CauldronRon W. Miller. (n.d.). Wikipedia. Retrieved June 10, 2021, from https://en.wikipedia.org/wiki/Ron_W._MillerSito, T. (n.d.). The '50s Through the '90s. The Animation Guild. Retrieved June 12, 2021, from https://animationguild.org/about-the-guild/the50s-the90s/Solomon, C. (1985, July 27). 'Cauldron' a Treat for Kidvid-Sore Eyes. The Los Angeles Times, 44.

Chris and Alex continue their discussions of Studio Ghibli for Episode 72 with a look at animated war feature Grave of the Fireflies (Isao Takahata, 1988), a film that was initially released as a double bill with partner My Neighbor Totoro (Hayao Miyazaki, 1988). Telling the story of teenage boy Seita and his younger sister Setsuko who, after fleeing the city of Kobe, must navigate the public horrors and personal traumas of World War II, Grave of the Fireflies offers a graphic and emotional portrait of conflict and society through the isolation and struggle experienced by the siblings. Joining the podcast this week to discuss the film’s potent political message is Alex Dudok de Wit, Associate Editor at Cartoon Brew, freelance journalist (including work for the BFI/Sight and Sound) and author of the upcoming BFI Film Classic on Grave of the Fireflies (London: Bloomsbury, 2021). Listen as the trio examine the historical, political and artistic contexts for the film, and its important place within the Ghibli canon; the cartoon short tradition and wartime propaganda in both the U.S. and Japan; pacing, rhetoric and the narrative framing of Grave of the Fireflies through fantasy and subjectivity; ghostliness, death and the afterlife, and what the pull between naturalism and fantasy means for the film’s tragedy; the interplay between the fantastical elements of Takahata’s film and its anti-war sentiment; the possible narrative judgment of Seita’s actions and protection of Setsuko; and how Grave of the Fireflies opens up questions about the many relationships between animation and politics, and what it means for popular animation to ‘do’ political enquiry.

On May 2020, the 2005 Nickelodeon animated series Avatar: The Last Airbender on Netflix for the people who first saw it on TV as well as the people who had never seen it before. During that summer, it had broken Netflix records by staying on the top 10 most viewed programs for 60 days. It became the most streamed animated series on Netflix at the end of 2020 according to an article by Cartoon Brew. It had brought in a new fanbase thanks to its compelling story, memorable characters, unique world, and its incredible soundtrack. Avatar: The Last Airbender has been praised as a masterpiece in animation and a timeless classic. In honor of its 16th anniversary of the premiere, Patricia recorded an episode of Nick Jukebox back around February 2015 to celebrate its 10th anniversary by featuring some of its best instrumental songs from each season. Book 1: Water 1. Intro to Avatar: The Last Airbender 2. Reincarnation 3. Agni Kai 4. The Blue Spirit 5. Ocean Spirit Mic Break Book 2: Earth 6. Azula's Theme 7. The Swamp 8. The Chase 9. The Seven Chakras 10. Palace Invasion Mic Break Book 3: Fire 11. Reconciliation 12. Aang vs. The Firelord 13. Last Agni Kai 14. Peace Excerpt 15. Avatar's Love Mic Break 16. Ending theme to Avatar: The Last Airbender --- Support this podcast: https://anchor.fm/old-school-lane/support

Interview by Scott Wiser: A Director, Animator on projects for DreamWorks, Fox, and Indies. Creator of original feature-film pitches (in the form of self-published books and short films). You may know Jeff Bell for his CG and VFX work on ‘Everyone's Hero,' ‘Hoodwinked 2' or ‘Ozzy.' But he's also a software developer; he was part of the team that brought Maya to market in the 90s. These worlds collided when his company Tangent Animation was producing Next Gen, the first Netflix feature done entirely in Blender. Jeff was tired of running into the same old problems in the animation pipeline – so the team developed its own solution called LoUPE. The company has adapted LoUPE for mass release ever since, collaborating with major software companies and letting top studios like Island of Misfits put it to work. LoUPE stands apart because it was developed by animators, for animations. Jeff's mission to help artists and studios use the latest technology to scale and compete at a global level – and tell better stories with more on the screen. Following last week's launch in AWS Marketplace, Loupe was featured in Animation, AWN, and Cartoon Brew. You can follow Jeff at: https://www.tangent-labs.com/​ https://www.linkedin.com/company/tang...​ Get updates from Scott Wiser by: 1. Subscribing to this channel and/or 2. Signing up for the newsletter and www.scottwiser.com/follow

Jake talks Animated Shorts with Alex Dudok de Wit (1:05) before breaking down the Animated Feature category (22:45).Theme song is Inevitable Hope by RKVC.

THE DOOMED & STONED SHOW ~Season 5, Episode 49~ Journey back with DJ Billy Goate some two decades ago to revel in the heart of the Grunge era: the year 1993. For this broadcast, he's selected 29 of his favorite songs from space of those 12 months that gave birth to new music from Alice in Chains, Cathedral, Clutch, Helmet, Kyuss, Motorpsycho, Mudhoney, Nirvana, Pearl Jam, Primus, Smashing Pumpkins, Sonic Youth, Soundgarden, Tad, and more. If you dig the broadcast, let me know in the comments which year in heavy music history you'd like me to explore next! PLAYLIST: INTRO (00:00) 1. Nirvana - "Scentless Apprentice" (00:09) 2. Clutch - "12 Ounce Epilogue" (03:57) 3. Tad - "Grease Box" (06:47) 4. Primus - "My Name Is Mud" (10:40) 5. Green Jelly - "Three Little Pigs" (15:27) HOST SEGMENT I (21:21) 6. Kyuss - "Green Machine" (23:16) 7. Clutch - "A Shogun Named Marcus" (26:54) 8. Cathedral - "Ride" (29:37) 9. Skin Yard - "Miss You" (34:34) 10. Treepeople - "Cartoon Brew" (37:22) 11. Helmet - "Primitive" (Killing Joke cover)(39:03) HOST SEGMENT II (43:01) 12. Toadies - "Possum Kingdom" (EP version) (45:05) 13. Mudhoney - "Between Me & You Kid" (56:51) 14. Motorpsycho - "Nothing To Say" (1:00:29) 15. Sonic Youth - "It Is My Body" (Alice Cooper cover) (1:05:48) 16. Soundgarden - "Show Me" (1:08:41) HOST SEGMENT III (1:11:30) 17. Alice in Chains - "What The Hell Have I" (1:12:28) 18. Nirvana - "Milk It" (1:16:26) 19. Melvins - "Hooch" (1:20:21) 20. Skin Chamber - "Throb" (1:23:13) HOST SEGMENT IV (1:29:16) 21. Pearl Jam - "Blood" (1:30:44) 22. Uncle Sally - "U.S. Blues" (1:33:35) 23. My Sister's Machine - "I Slip Away" (1:38:30) 24. Smashing Pumpkins - "Hummer" (1:41:48) 25. Alice in Chains - "A Little Bitter" (1:48:45) HOST SEGMENT V (1:52:34) 26. Melvins - "Lizzy" (1:54:02) 27. Pearl Jam - "Leash" (1:58:46) *incidental music during host segments by Goddess from the album 'Voyager' (2019)

Did you have an awesome August? Did you drink awesome shooters and listen to awesome music and then just sit around and soak up each other's awesomeness? Or did you end the month wanting to know more about the protests in Hong Kong and Disney's growing influence in the entertainment world? Then you've come to the right place! Reading  Red, White And Royal Blue by Casey McQuiston Dreaming The Beatles by Rob Sheffield Watching Good Boys  Blinded by the Light  Euphoria on HBO/Sky Atlantic Listening  Lover by Taylor Swift  Golden Hour by Kasey Musgraves  Politics  ‘Hong Kong Protest Timeline’, CNN: https://www.cnn.com/2019/08/16/asia/hong-kong-protests-evolution-intl-hnk-trnd/index.html ‘Hong Kong leader starts dialogue on protests, but won't budge on demands’, CBC: https://www.cbc.ca/news/world/hong-kong-protests-carrie-lam-serious-violent-escalation-1.5260883 Pop Culture  ‘Acquisition Of 21st Century Fox By Disney’, Wikipedia: https://en.wikipedia.org/wiki/Acquisition_of_21st_Century_Fox_by_Disney#Reactions_and_antitrust_concerns ‘Chart: Everything That Disney Owns’, Cartoon Brew: https://www.cartoonbrew.com/disney/chart-every-company-that-disney-owns-172130.html ‘Disney vs. The Public Domain: How Mickey Mouse Continues to Protect His Copyright’, Lucentem: https://lucentem.com/2018/12/05/disney-vs-the-public-domain-how-mickey-mouse-continues-to-protect-his-copyright/ ‘Spider-Man’, Wikipedia: https://en.wikipedia.org/wiki/Spider-Man ‘For Disney, it's all about 'quality over quantity' with Disney+’, Engadget: https://www.engadget.com/2019/08/25/disney-plus-netflix-uk-gdpr-interview-d23-expo/ ‘Sony, Marvel to Split on Future 'Spider-Man' Releases’, The Hollywood Reporter: https://www.hollywoodreporter.com/heat-vision/sony-marvel-split-future-spider-man-releases-1233383 ‘Here's Everything Hilary Duff Has Said About The "Lizzie McGuire" Reboot’, Buzzfeed: https://www.buzzfeed.com/shylawatson/hilary-duff-lizzie-mcguire-reboot-instagram

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 14, Sam is joined by Alex Dudok de Wit, freelance film journalist, Associate Editor for Cartoon Brew and curator for Short of the Week.  Alex has chosen the 1941 animated classic Dumbo (64 minutes), the fourth feature from Walt Disney Productions.  Sam and Alex discuss Dumbo's shoestring budget, the crow controversy, and why pink elephants were a safe choice in 1941.  We'll be back in a couple of weeks.   We have a new website! Check us out at 90minfilmfest.com Tweet: @90MinFilmFest Instagram: @90MinFilmFest Subscribe on Apple Podcasts at: https://tinyurl.com/90minfilm Hosted by @sam_clements. Produced by Louise Owen. Guest star Alex Dudok de Wit (@dudeydok) . Edited by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you! Bonus Link: Hear Dumbo's voice with the mid-80's oddity, Dumbo's Circus. 

Welcome to the official Musty Creative Podcast! Michelle and Jesus trip out over the new live-action Aladdin teaser trailer. Then they discuss writer's rights in the animation industry. Finally, Jesus tells us about a new creative project. Come and enjoy with us and all of the Musties! Cartoon Brew link: https://www.cartoonbrew.com/disney/aladdin-writer-unhappy-that-he-was-excluded-and-unpaid-for-disneys-live-action-remake-165286.html Follow me on Twitter www.twitter.com/mustycreative Listen to more episodes on Anchor anchor.fm/musty Listen on your favorite podcasting platforms. We're on Apple Podcasts! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/musty/support

Chris Arrant is an Editor at Newsarama. He formerly worked for Life, Marvel, MTV, Publishers Weekly, CBR, iFanboy, Cartoon Brew, Tokyopop, and Bleeding Cool.

From Deadline Clarence creator Skyler Page has exited Cartoon Network amid allegations that he groped a female artist. “Skyler Page is no longer an employee at Cartoon Network Studios,” confirmed a rep for the animation network. The accusations gradually came to light over Twitter when friends of Emily Partridge, a storyboard artist on Cartoon Network show Adventure Time, called Page out for the alleged assault. Partridge began tweeting about the incident without naming Page, before finally identifying him as her alleged attacker. From TVLine.com Chris Savino, creator of the hit animated series The Loud House, has been fired from Nickelodeon after a string of sexual harassment allegations were brought against him by female co-workers, our sister site Deadline reports. Savino was suspended, only to be formally let go [from the show]. The following is the official statement being issued by Nickelodeon: Chris Savino is no longer working with Nickelodeon. We take allegations of misconduct very seriously, and we are committed to fostering a safe and professional workplace environment that is free of harassment or other kinds of inappropriate conduct. Despite Savino's firing, Nickelodeon will continue airing The Loud House. Additionally, the show's third season is still slated to premiere in early 2018. Per an earlier report from Cartoon Brew, numerous women came forward with reports of sexual harassment on Savino's part, including making unwanted advances and threats of blacklisting. Nickelodeon has not confirmed these details.

From Deadline Clarence creator Skyler Page has exited Cartoon Network amid allegations that he groped a female artist. “Skyler Page is no longer an employee at Cartoon Network Studios,” confirmed a rep for the animation network. The accusations gradually came to light over Twitter when friends of Emily Partridge, a storyboard artist on Cartoon Network show Adventure Time, called Page out for the alleged assault. Partridge began tweeting about the incident without naming Page, before finally identifying him as her alleged attacker. From TVLine.com Chris Savino, creator of the hit animated series The Loud House, has been fired from Nickelodeon after a string of sexual harassment allegations were brought against him by female co-workers, our sister site Deadline reports. Savino was suspended, only to be formally let go [from the show]. The following is the official statement being issued by Nickelodeon: Chris Savino is no longer working with Nickelodeon. We take allegations of misconduct very seriously, and we are committed to fostering a safe and professional workplace environment that is free of harassment or other kinds of inappropriate conduct. Despite Savino's firing, Nickelodeon will continue airing The Loud House. Additionally, the show's third season is still slated to premiere in early 2018. Per an earlier report from Cartoon Brew, numerous women came forward with reports of sexual harassment on Savino's part, including making unwanted advances and threats of blacklisting. Nickelodeon has not confirmed these details.

¡Here's the plan se va a estrenar on line este domingo 22 de octubre! Podrán verlo gratis en el sitio web especializado en animación Cartoon Brew: http://www.cartoonbrew.com/ Junto a Vero Rodríguez y Alfredo Rodríguez, conversamos con Fernanda Frick, animadora, ilustradora y directora del premiado cortometraje animado. Hablamos del gran trabajo que hubo detrás del corto; de la visión de Fernanda y cómo la plasmó en el guión y la dirección; de los estereotipos que quiso derribar con esta historia y también del poder transformador de la narrativa. Pueden ver el trailer de Here's the plan, aquí: https://vimeo.com/197473922 ¿Te interesó el Taller de Pre Producción en Ilustración de Andrés Rodríguez? Para inscripciones y consultas, escribe a andres@androp.cl ¡Muchas gracias por escuchar este podcast! Deja tus comentarios y compártelo cuando quieras. Nuestro canal de Youtube: www.youtube.com/anfibiaed Nuestras redes sociales: www.twitter.com/AnfibiaEd/ www.facebook.com/AnfibiaEd/ www.instagram.com/AnfibiaEd/ Nuestro sitio web: www.anfibiaediciones.cl/

We interviewed with two audience award winners in the Womanimation! film festival, an international film festival highlighting animated film stories, created by women. Our first guest was Britt Raes, from Belgium, whose latest film is Catherine, winner of the audience award for Womanimation! 2017. Britt loves drawing and telling stories, working in animation and collaborating in graphic design. She is currently developing an animated series about pets and writing a children’s book. Catherine has won jury awards, audience awards, and press awards around the world, and played in Belgium for the month of August in theaters with the Turkish documentary feature film Kedi.  We also spoke with Lori Malepart-Traversy, from Montreal, Canada, director of Le Clitoris, winner of the audience award for Womanimation! 2016.  A native of Montreal, Canada, Lori holds both a BFA in Film Animation and a BFA in Studio Arts from Concordia University.  Her expertise lies in animated documentary filmmaking, a tool she uses to tell stories, give meaning, and provoke reactions. Lori’s animated short film work includes Extra champignons, Sparky Ketchup and most recently, Le Clitoris.  Le Clitoris has toured festivals around the world including Annecy and has been featured in online venues such as Short of the Week and CB Fest, a new series of short film premieres from Cartoon Brew.   Additionally, Lori was commissioned make the Womanimation! 2017 Audience Award for Britt Raes for Catherine, a standing clitoris art object inspired by Le Clitoris.

This week we cover a broad range of subjects. The Oscars and the strange voters, Jorge Gutierrez and why Stephen likes him so much, software going subscription based into "the cloud," and a fan-game BURGERBOSS from "Bob's Burgers!" There's some analysis and some inspiration and a skit, in true RubberOnion fashion. You won't want to miss this episode... because, whatever. CLICK HERE to go to the full blog post & leave a comment! Annotations: (20:08)   Young Justice returns on episode of Teen Titans GO! (29:59)   Jorge Gutierrez making Kung-Fu Space Western with ReelFX under new multi-year contract (47:30)   Cartoon Brew's compilation of the Hollywood Reporters Oscar ballet surveys (1:03:28)   The Rubber Onion animation podcast's final Oscar "predictions" (this was recorded Sunday before the ceremony) (1:12:11)   Autodesk Software to go completely subscription based in 2016 (1:26:14)   Greg Pugh's fan game version of Burgerboss Check out more of your hosts:Stephen Brooks (@RubberOnion)Rob Yulfo (@RobYulfo)Pat Ryan (@TheBadPatRyan)And please Rate/Review us on iTunes & Rate/Review on Stitcher while you're at it (=

Best Episode Ever! The Power is out and the poorest kid in the world is getting haircuts with a rock, Inventing forks and spoons, Being on The Evening News and asking for "the Marty McFly". Scandal in the animation Studio and a glass of Cartoon Brew. Plus the color pink, Fish at KFC and Spoons are for babies! Subscribe @iTunes NOW Music by www.BradSucks.net cc

Drew Christie is an animator and an illustrator. He has been featured on The New York Times, The Huffington Post, The Atlantic, Drawn, Cartoon Brew, and Juxtapoz. Where you can find Drew Christie online: DrewChristie.com Drew Christie on Vimeo Drew Christie on Facebook Drew Christie on Twitter Things mentioned in this episode: Cheap Animator – Jason’s […]

The seventeenth (and last of 2013) Skwigly podcast, brought to you by skwigly.com Presented by Steve Henderson and Ben Mitchell Special guests: Richard Williams - legendary author of "The Animator's Survival Kit" and animation director of "Who Framed Roger Rabbit" Ian Mackinnon and Peter Saunders - mastercraftsmen behind the puppets of "Frankenweenie", "Fantastic Mr. Fox", "The Corpse Bride" et al and founders of Mackinnon & Saunders. Jerry Beck - animation historian, co-founder of Cartoon Brew and current head of Animation Scoop and Cartoon Research Chris Buck and Jennifer Lee - directors of Disney's holiday smash "Frozen"

- From Deadline Clarence creator Skyler Page has exited Cartoon Network amid allegations that he groped a female artist. “Skyler Page is no longer an employee at Cartoon Network Studios,” confirmed a rep for the animation network. The accusations gradually came to light over Twitter when friends of Emily Partridge, a storyboard artist on Cartoon Network show Adventure Time, called Page out for the alleged assault. Partridge began tweeting about the incident without naming Page, before finally identifying him as her alleged attacker. - From TVLine.com Chris Savino, creator of the hit animated series The Loud House, has been fired from Nickelodeon after a string of sexual harassment allegations were brought against him by female co-workers, our sister site Deadline reports. Savino was suspended, only to be formally let go [from the show]. The following is the official statement being issued by Nickelodeon: Chris Savino is no longer working with Nickelodeon. We take allegations of misconduct very seriously, and we are committed to fostering a safe and professional workplace environment that is free of harassment or other kinds of inappropriate conduct. Despite Savino's firing, Nickelodeon will continue airing The Loud House. Additionally, the show's third season is still slated to premiere in early 2018. Per an earlier report from Cartoon Brew, numerous women came forward with reports of sexual harassment on Savino's part, including making unwanted advances and threats of blacklisting. Nickelodeon has not confirmed these details.