Podcast appearances and mentions of charlie jane

Each year, we sit down and look at the year ahead and, inevitably, end up discussing the books we are looking forward to. This year we invited long time friends of the podcast Charlie Jane Anders and Ian Mond to join us. During a lively conversation it became clear that, no matter what else is happening in the world, there's a lot of wonderful work coming out in 2025, and this only scratches the surface of it. As always, our thanks to Charlie Jane and Ian for making the time to join us. As promised, here are our lists.   Charlie Jane Anders Oathbound, Tracy Deonn Harriet Tubman Live in Concert, Bob the Drag Queen Terms of Service, Ciel Pierlot Notes from a Regicide, Isaac Fellman Meet Me at the Crossroads, Megan Giddings Harmattan Season, Tochi Onyebuchi Ian Mond Waterblack, Alex Pheby The Crimson Road,  A. G. Slatter Exit Zero, Marie-Helene Bertino Major Arcana, John Pistelli The Antidote, Karen Russell Gary K. Wolfe Written on the Dark, Guy Gavriel Kay When We Were Real, Daryl Gregory A Granite Silence, Nina Allan Frankenstein Rex, Adam Roberts Lessons in Magic and Disaster, Charlie Jane Anders Jonathan Luminous, Silvia Park Sour Cherry, Natalia Theodoridou The Devils, Joe Abercrombie The Everlasting, Alix E Harrow All That We See or Seem, Ken Liu

Today we're joined by an award winning novelist and podcaster, and a newcomer to the world of writing comics, Charlie Jane Anders! She's the writer of Marvel's most recent New Mutants run, and the co-creator of Escapade, a transgender superhero! Charlie Jane is most well known for her sci-fi novels like All the Birds in the Sky, Even Greater Mistakes, and The Unstoppable Trilogy. Podcast fans may know her from her Hugo Award winning show, Our Opinions Are Correct! In this episode, we get into the difficulties of switching writing mediums between novels, TV, and comics, and the challenges of joining an ongoing series in the middle of a run. We also discuss the origins of one of Marvel's most prominent new transgender heroes, and what makes her stand out among other trans characters.

"When his girlfriend's family has a loving family to support him, he is transformed into pirates." What exactly is this family dynamic? What life choices is he feeling inferior about? And hold on, he's transformed into pirates, plural? Our guest Charlie Jane Anders helps to make sense of this bizarre beginning! Follow her on Instagram @charliejaneanders and check out her latest work on the Unstoppable trilogy and the New Mutants comics!

One of the greatest science fiction shows on TV debuted twenty years ago: the rebooted version of Battlestar Galactica. This show broke new ground in depicting realistic politics — and a nuanced view of a society of artificial people. How does it hold up? To find out, Charlie Jane went back and watched the entire series — here's what she found. Show notes: www.ouropinionsarecorrect.com/shownotes

From learning disability to award winning author, living and working in Hong Kong, io9 and other work, novel vs. short story, revisiting old ideas, second guessing, explorative writing, dialogue, scriptwriting, description and scene setting, getting emotion on the page, daily routine, and more! Listen in. This originally streamed 8/22/2020 on Instagram live.Follow Victoria @veschwabFollow Charlie Jane @charliejaneanders

Bite into baklava with Charlie Jane Anders as we discuss how her childhood fantasy of aliens whisking her away from Earth gave birth to her Unstoppable trilogy, the way writing a YA meant she had to completely change the way she writes, the challenges of bringing a large cast of characters to life while giving them their own inner lives, why she has problems with Clarke's Third Law but was willing to roll with it for her new trilogy, the difficulties of still being at work on the third book of a trilogy when the first was already in the hands of readers, how growing as a writer means embracing the messiness of the process, her reaction to being called "this generation's Le Guin," what she had to learn to be able to write comics, and so much more.

Charlie Jane Anders discusses her New Mutants run, the Unstoppable trilogy, creating trans X-Men Sheila, and all of her fiction and nonfiction writing. We get into writing for comic books, how it's different than writing narrative fiction, improvising with your own characters, and writing stories over several books and issues. We also talk about how we need more trans heroes, putting queer and trans characters through the ringer, and how to create stories when the world is hard. Special guest host Izzy Wasserstein joins us for this very special chat to close out our 2023 Pride Extravaganza! Learn more about Charlie Jane Anders on Mastodon, Instagram, TikTok, Tumblr, Twitter, and her Website  Join her newsletter Happy Dancing. Learn more about special guest host Izzy Wasserstein on Mastodon, Instagram, Twitter, and her Website Catch Izzy on Episode 137: Feeling queer feelings featuring Izzy Wasserstein You can follow Bitches on Comics on Instagram and Twitter @BitchesOnComics and you can follow our hosts: Sara Century: @saracentury (Instagram and Twitter), S.E. Fleenor: @se_fleenor (Instagram and Twitter), and Monika Estrella Negra: Instagram and Twitter. Follow our Sound Editor Kate on Twitter. Show us some love by giving us a 5-star Review on Apple Podcasts, Spotify, PodChaser, or wherever you get your podcasts. Support us by joining our Patreon Community. Keep in touch with us and see what we're up to by visiting our website: BitchesOnComics.com And check out our new narrative horror podcast Decoded Horror Channel which includes Graveyard Orbit, Tales of the Sapphire Bay Hotel, and more! Bitches on Comics is a Queer Spec project. Check out our other projects! Learn more about Queer Spec at: QueerSpec.com Learn more about your ad choices. Visit megaphone.fm/adchoices

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Adam and Khelan talk to the immensely talented & charming Charlie Jane Anders, creator of new mutants: Escapade & Morgan and writer of the actual New Mutants! And not only is Charlie Jane a wonderful writer, she's a fan just like us!!

Great news, everyone. Charlie Jane Anders is back on Jordan Jesse GO!  to talk about cult horror movies, breakdancing teens, turducken fluffing, and her new book Promises Stronger Than Darkness. Ever tried Microdosing? Visit Microdose.com and use JJGO for 30% off + Free Shipping. Pre-order Jordan's upcoming Archie Horror comic "Camp Pickens" at your local comic shop NOW with code APR231183! On shelves 6/21!

This week's book is all about duality: science against magic, love vs. hurt, book about middle school alienation and also near-future climate apocalypse. And also there are birds!  Our theme music was composed by Nick Lerangis. Advertise on OverdueSee omnystudio.com/listener for privacy information.

We are thrilled to have author, journalist and podcast host, Charlie Jane Anders on the show. Charlie is the author of Victories Greater Than Death and Dreams Bigger Than Heartbreak, the first two books in a new YA trilogy. She is also the author of the short story collection Even Greater Mistakes, and she has written a book about how to use creative writing to get through hard times called Never Say You Can't Survive.Charlie is also the creator of the first trans superhero for The New Mutants. Be sure to check out all of the exciting things that Charlie is up to on her website.You can always find more Tales From The Bridge on Apple Podcasts or our website, you can also find us on Twitter, Instagram, and Facebook to see what is happening on The Bridge.Check out our many links:Apple Podcasts: https://podcasts.apple.com/us/podcast/tales-from-the-bridge-all-things-sci-fi/id1570902818Spotify: https://open.spotify.com/show/3MQuEYGQ3HD2xTewRag8KGTwitter: @BridgeTalesInstagram: @talesfromthebridgeFacebook: http://www.facebook.com/groups/talesfromthebridge/Good Reads: https://www.goodreads.com/review/list/141864356-talesfrom-thebridge?shelf=readIMDB: https://www.imdb.com/title/tt17354590/?ref_=fn_al_tt_1Website: https://talesfromthebridge.buzzsprout.com/Email: talesfromthebridgepodcast@gmail.comEat Sleep NerdListen in on the geeky conversions of four life-long nerds.Listen on: Apple Podcasts   Spotify

Hugo and Nebula Award winner Charlie Jane Anders joins Gary for the 14th instalment of the Advent Calendar to discuss what she's been reading, what she'd recommend, her favourite holiday reads, and her fabulous new novel, Dreams Bigger Than Heartbreak, the latest in her new Unstoppable young adult space opera series. As always, our thanks to Charlie Jane, and we hope you enjoy the episode.

In our final summer episode, we bring you two voices of advocacy in an episode that will both stoke your passions and remind you to be gentle with yourself at the same time. Guests Charlie Jane Anders and Azar Nafisi both speak to why we must write our truths, pay attention, bear witness, and remember the power of one person's voice and words to save and change lives. Learn more about your ad choices. Visit megaphone.fm/adchoices

 Ryan and Jasmine run through all the new books hitting shelves this week including our picks this week (02:43) including IMMORTAL X-MEN #3, MARVEL'S VOICES: PRIDE #1, X-MEN #12 and more!Tune in as we hand out the “Fine. But I'm Taking My Bacon” Award (13:35) — our weekly award named after a phrase pulled directly from an issue in this week's pull list! Think you know which issue this name came from? Let us know by sending us an email at PullList@marvel.com or by tweeting at us using #MarvelsPullList! Just make sure to mark it “Okay to read”!And finally, for this week's reading club, author Charlie Jane Andrews joins us to talk about The Incredible Hulk: Ground Zero (27:02).  What we're reading with Charlie Jane Andrews:Incredible Hulk (1962 - 1999) #340-#346  As always, shout out your local comic shop or send us your questions or comments by emailing us at pulllist@marvel.com or tweet using #MarvelsPullList. Make sure to mark it "Okay to read!"   Remembering Tim Sale Follow us at: @agentm, @jasmiest, and @KaraMcGuirk New comics this week (6/22)AMAZING SPIDER-MAN #4IMMORTAL X-MEN #3KNIGHTS OF X #3MAESTRO: WORLD WAR M #4MARVEL'S VOICES: PRIDE #1         MILES MORALES & MOON GIRL #1MILES MORALES: SPIDER-MAN #39MOON KNIGHT #12NEW FANTASTIC FOUR #1NEW MUTANTS #26PUNISHER WAR JOURNAL: BLITZ #1SILVER SURFER REBIRTH #5STAR WARS CRIMSON REIGN #5X-MEN #12 New Weekly Infinity Comics: X-MEN UNLIMITED INFINITY COMIC #40 6/20/2022THOR: GOD OF THUNDER - THE GOD BUTCHER INFINTY COMIC #1 (6/21/2022)THOR: GOD OF THUNDER - THE GOD BUTCHER INFINTY COMIC #2  (6/21/2022)THOR: GOD OF THUNDER - THE GOD BUTCHER INFINTY COMIC #3  (6/21/2022)MARVEL'S VOICES: ICEMAN INFINITY COMIC #4 6/22/2022LOVE UNLIMITED: MS. MARVEL & RED DAGGER INFINITY COMIC #3 6/23/2022MARVEL MEOW INFINITY COMIC #9 6/24/2022

It's our 200th episode! Welcome special guest Charlie Jane Anders to discuss her new book Dreams Bigger Than Heartbreak, how High School Musical: The Musical: The Series is like The Human Centipede 2 (yes, you read that right), pronouns, and pop culture. More about Dreams Bigger Than Heartbreak Tina left home to claim her destiny as the rebirth of the galaxy's greatest hero --- but she found something better: a chosen family. This YA series features epic battles, even more epic romance, and always getting people's pronouns right. More about Charlie Jane Anders Charlie Jane Anders is the author of Victories Greater Than Death, the first book in a new young-adult trilogy, with the sequel, Dreams Bigger Than Heartbreak, coming April 2022. She's also the author of the short story collection Even Greater Mistakes, and Never Say You Can't Survive (August 2021), a book about how to use creative writing to get through hard times. Her other books include The City in the Middle of the Night and All the Birds in the Sky. She's won the Hugo, Nebula, Sturgeon, Lambda Literary, Crawford and Locus Awards. Her fiction and journalism have appeared in the New York Times, the Washington Post, Slate, McSweeney's, Mother Jones, the Boston Review, Tor.com, Tin House, Teen Vogue, Conjunctions, Wired Magazine, and other places. Her TED Talk, "Go Ahead, Dream About the Future" got 700,000 views in its first week. With Annalee Newitz, she co-hosts the podcast Our Opinions Are Correct. Find us at www.werewatchingwhat.com Charlie Jane Anders can be found at charliejaneanders.com, twitter.com/charliejane, instagram.com/charliejaneanders and tiktok.com/@charliejaneanders THEDHK can be found at instagram.com/thedhk , twitter.com/thedhk, and facebook.com/thedhkmovies

San Francisco author Charlie Jane Anders reads from her new book "Dreams Bigger Than Heartbreak." It's the sequel to "Victories Greater Than Death" about a teenage girl named Tina who's secretly the clone of an alien hero. It came out on April 5, 2022.

Princesses used to be helpless damsels, but these days they're more likely to pick up a sword than wait to be rescued. Why do we love princesses who fight back? Does it have something to do with our hang-ups about femininity? Plus we talk about Charlie Jane's new book Dreams Bigger Than Heartbreak!

This week Charlie Jane Anders joined us to talk about EVEN GREATER MISTAKES, a short story collection that's available now. Find out more at https://charliejaneanders.com, on Twitter at https://twitter.com/charliejane, and on Facebook at https://Facebook.com/charliejane. Thank you to all of our incredible listeners for your continued support, including our patrons at https://Patreon.com/BeyondTheTrope. Don't miss out on exclusive Beyond The Trope merch over at https://BeyondTheTrope.Redbubble.com. Mentioned in this episode: Jim Gaffigan Jeff Dunham Kim Stanley Robinson io9 ALL THE BIRDS IN THE SKY by Charlie Jane Anders Nebula Award Locus Award Crawford Award THE CITY IN THE MIDDLE OF THE NIGHT by Charlie Jane Anders VICTORIES GREATER THAN DEATH by Charlie Jane Anders DREAMS BIGGER THAN HEARTBREAK by Charlie Jane Anders NEVER SAY YOU CAN'T SURVIVE by Charlie Jane Anders Gamble and Huff Disco Inferno (song) by The Trammps Sphero Hugo Awards Asimov's Science Fiction Uncanny Magazine Clarkesworld Lightspeed Strange Horizons Tor.com Transcendent Anthologies Lavie Tidhar 3% (TV Show) THE HUNGER GAMES by Suzanne Collins Jessica Jones (TV Show) Daredevil (TV Show) Stranger Things (TV Show)

When it comes to film characters, author and commentator Charlie Jane Anders found that she had to took way back to a movie she loved as a child, AUNTIE MAME (1958), to name someone that made her feel seen in an aspirational way. But in that special FEELING SEEN way, the search for a character to identify with ends up revealing a whole slew of exuberant women who aren't afraid to live their big, colorful lives -- women like Harley Quinn, Leslie Knope, and the 13th Doctor. For one quick thing this week, Jordan's got something stuck in her craw regarding the franchise-fan response to the new TEXAS CHAINSAW movie.***Follow us on Twitter, Instagram, and FacebookWith Jordan Crucchiola and Charlie Jane Anders

Science fiction author Charlie Jane Anders sits down outside the Exploratorium to talk about indie bookstores, the importance of mentors and her book "Victories Greater Than Death" — the latest Total SF Book Club title. Anders published three books in 2021, including a collection of short stories ("Even Greater Mistakes") and a book about writing to get through tough times ("Never Say You Can't Survive"). Total SF Book Club meets at 6 p.m. Thursday Feb. 24 in the Koret Auditorium at the San Francisco Public Library's main branch. Register for the live event or virtual at www.sfpl.org Produced by Peter Hartlaub. Music is "The Tide Will Rise" by the Sunset Shipwrecks off their album "Community" and cable car bell-ringing by 8-time champion Byron Cobb. Follow Total SF adventures at www.sfchronicle.com/totalsf Learn more about your ad choices. Visit megaphone.fm/adchoices

An episode for Tim Curry fans, and Tim Curry fans only! Today on the FFR podcast we are revisiting one Ebony's childhood favorites, Ridley Scott's 1985 glorious, florid, Baroque banquet of a film: Legend. Writer Charlie Jane Anders returns as special guest for this fantastical trip down memory lane. Does Legend hold up after all these years?Time Stamps:43:43 - What's your Freq Out?Ebony on the series (based on book by Emily St. John Mandel) Station ElevenAnita on the film Aniara (2018)Charlie Jane on the novels She Who Became the Sun by Shelley Parker-Chan and The Unbroken by CL ClarkSubmit your own FREQ out at feministfrequency.com/FREQOUTLinks Mentioned:Robert Picardo on playing Meg Mucklebones - https://youtu.be/rNgiowZyF3g?t=165Ebony's piece for feministfrequency.com - Senior Citizen: Gender, Infirmity and Horror“Shine on Me” Follow Charlie Jane:Preorder Dreams Bigger Than Heartbreak - netgal.ly/ImrrPJouropinionsarecorrect.comtwitter.com/charliejanecharliejane.cominstagram.com/charliejaneandersFollow Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsSubscribe to our Star Trek PodcastTwitterInstagramtwitch.tv/femfreq (every Thursday at 6:30pm PT)

Author Charlie Jane Anders sits down with Cameron to discuss her new book VICTORIES GREATER THAN DEATH (out in paperback Feb 1st), metaphorical vs. literal queer representation in science fiction, and trying to escape bullying as a kid by living in a dream world. Keep an eye out for DREAMS BIGGER THAN HEARTBREAK, the second book of the trilogy, out on April 5th!

Today, I have the pleasure of interviewing Charlie Jane Anders. Charlie Jane is the author of the essay collection Never Say You Can't Survive along with the short story collection Even Greater Mistakes.  Her other books include The City in the Middle of the Night and All the Birds in the Sky. Her fiction and journalism have appeared in the New York Times, the Washington Post, Slate, McSweeney's, Mother Jones, the Boston Review, Tor.com, Tin House, Teen Vogue, Conjunctions, Wired Magazine, and other places.  Her TED Talk, "Go Ahead, Dream About the Future" got 700,000 views in its first week. With Annalee Newitz, she co-hosts the podcast Our Opinions Are Correct.   In this episode Charlie Jane Anders and I discuss: What makes something an “idea” versus a “story” and how to tell the difference. How to keep short stories contained while making them rich and deep. Why she believes endings are hard and what she does to cross the finish line. Plus, her #1 tip for writers. For more info and show notes: diymfa.com/390

They've been guests of our podcasts in the past, but today Anita is excited to welcome both co-hosts of the Our Opinions Are Correct Podcast to the same episode of Feminist Frequency's Star Trek Podcast: Annalee Newitz and Charlie Jane Anders. Together we discuss episodes 2 and 3 of season 4 of Discovery.Links Mentioned:FFR episode on Charlie Jane's book Never Say You Can't Survive - https://feministfrequency.com/video/creativity-in-crisis-with-special-guest-charlie-jane-anders-feminist-frequency-radio-174/Listen to Annalee and Charlie Jane's Podcast:ouropinionsarecorrect.comFollow Annalee:twitter.com/annaleenannaleenewitz.comFollow Charlie Jane:twitter.com/charliejanecharliejane.comFollow Us:Join our PatreonOur WebsiteSubscribe on to FFR on Apple PodcastsSubscribe to our Star Trek PodcastTwitterInstagram

Join Nat & PJ in conversation with award-winning author Charlie Jane Anders to hear more about the importance of creativity in tough times as outlined in her book Never Say You Can't Survive, how to use your fiction writing muscles to craft true stories, and what she thinks is the bravest thing writers can do. 

This week on Storybound, we want to spotlight Charlie Jane Anders, whose novel, “Victories Greater Than Death,” will be developed as a series by Amazon, with Michael B. Jordan's Outlier Society producing. Today, we're re-airing Anders' episode of Storybound, where she read an excerpt from the novel, backed by an original Storybound remix with Originalii, and sound design and arrangement by Jude Brewer. Charlie Jane Anders is the author of Victories Greater Than Death, the first book in a new young-adult trilogy, which came out in April 2021. Up next: Never Say You Can't Survive, a book about how to use creative writing to get through hard times; and a short story collection called Even Greater Mistakes. Her other books include The City in the Middle of the Night and All the Birds in the Sky. Her fiction and journalism have appeared in the New York Times, the Washington Post, Slate, McSweeney's, Mother Jones, the Boston Review, Tor.com, Tin House, Teen Vogue, Conjunctions, Wired Magazine, and other places. Her TED Talk, "Go Ahead, Dream About the Future" got 700,000 views in its first week. With Annalee Newitz, she co-hosts the podcast Our Opinions Are Correct. Oginalii is comprised of Emma Hoeflinger, Ryan Quarles, Simon Knudtson, and Emma Lambiase. Together, they create a sound that can't be pinned down; sludgy-psyche-rock meets technical talent that surpasses initial expectations. Support Storybound by supporting our sponsors: Norton brings you Michael Lewis' The Premonition: A Pandemic Story, a nonfiction thriller that pits a band of medical visionaries against a wall of ignorance as the COVID-19 pandemic looms. Scribd combines the latest technology with the best human minds to recommend content that you'll love. Go to try.scribd.com/storybound to get 60 days of Scribd for free. Finding You is an inspirational romantic drama full of heart and humor about finding the strength to be true to oneself. Now playing only in theaters. Acorn.tv is the largest commercial free British streaming service with hundreds of exclusive shows from around the world. Try acorn.tv for free for 30 days by going to acorn.tv and using promo code Storybound. Storybound is hosted by Jude Brewer and brought to you by The Podglomerate and Lit Hub Radio. Let us know what you think of the show on Instagram and Twitter @storyboundpod. *** This show is a part of the Podglomerate network, a company that produces, distributes, and monetizes podcasts. We encourage you to visit the website and sign up for our newsletter for more information about our shows, launches, and events. For more information on how The Podglomerate treats data, please see our Privacy Policy.  Since you're listening to Storybound, you might enjoy reading, writing, and storytelling. We'd like to suggest you also try the History of Literature or Book Dreams. Learn more about your ad choices. Visit megaphone.fm/adchoices

* Charlie Jane Anders is the author of The City in the Middle of the Night and All the Birds in the Sky. Her fiction and journalism have appeared in the New York Times, the Washington Post, McSweeney's, Mother Jones, Tor.com, Wired, and elsewhere. Her TED Talk, "Go Ahead, Dream About the Future" got 700,000 views in its first week. Along with Annalee Newitz, she co-hosts the podcast Our Opinions Are Correct. Charlie Jane will be a keynote speaker at the 2022 San Francisco Writers Conference. * Charlie Jane talked about two books that she has published recently: the nonfiction "Never Say You Can't Survive" and the young adult fiction, "Victories Greater than Death."  * "Never Say You Can't Survive" is "a mixture of encouragement, ideas for how to use writing to feel OK in a world that's not OK, and actual technical advice on stuff like characts, plot, and worldbuilding." * Podcast host Matthew Felix and Charlie Jane discussed many of the topics in the book, including how to strike the right balance between outlining and allowing for spontaneous creativity; the challenge writers sometimes have in giving themselves permission to write; imagination as a form of resistance; and navigating the challenge of representing without appropriating. * Matthew and Charlie Jane talked about impostor syndrome and how to get beyond it. * Charlie Jane talked about the art of worldbuilding (i.e., creating fictional worlds), and how daydreaming, researching the past, and more can help with the process. * She also elaborated on an observation she made in her Tedx talk that “the world ends all the time, and we keep going.” * "Victories Greater than Death" is about a young woman - a clone - who is the keeper of an interplanetary rescue beacon that is about to activate, making her dreams of saving all the worlds and adventuring among the stars possible. * Charlie Jane explained the challenges of writing a young adult novel, including finding the right pace and voice. She also discussed how she knew this book was just the first in a trilogy, as well as the book's exploration of gender identity.  * Charlie Jane talked about the worldbuilding that went into "Victories Greater than Death," the challenges of writing the forthcoming second book in the series, and the possibility of returning to this world for other books. * Charlie Jane shared the future of her popular San Francisco reading series, Writers with Drinks.   Listen here or on: iTunes | Stitcher | Spotify | Google | TuneIn | Amazon | Player FM | Deezer Watch on YouTube   Links www.charliejaneanders.com www.facebook.com/charliejane www.instagram.com/charliejaneanders/

How can we practice self-care, stay open and vulnerable, and have enough discernment to know how much to keep pushing ourselves creatively when we feel depleted? This episode is a show for our times, as we tackle with guest Charlie Jane Anders all the ways that global and personal crises challenge our creative and writing lives. We recommend you check out Charlie Jane's talk on YouTube, Never Say You Can't Survive, which inspired the book: https://www.youtube.com/watch?v=0ItTO9DDhCI.

Leigh (@lshfoster) and Ellie (@elliebrigida) chat with author Charlie Jane Anders (@charliejaneanders) about why Gunpowder Milkshake Should've Been Gay. This movie was full of way too many kickass women in suits for us to believe that all of them are straight. We discuss the very clear poly relationship going on between all of the women in the library, the bisexual lighting following Sam around in every scene, and debate whether Madeleine's death counts toward Bury Your Gays. We talk about the lack of character development and how many missed opportunities there were for things to be so much gayer. Follow along on Twitter: Lez Hang Out (@lezhangoutpod) and answer our Q & Gay at the end of every episode. Leigh Holmes Foster (@lshfoster) and Ellie Brigida (@elliebrigida). You can also join us on Facebook.com/lezhangoutpod and follow along on Instagram (@lezhangoutpod). Support this show http://supporter.acast.com/lezhangoutpod. See acast.com/privacy for privacy and opt-out information.

Gene and Willow discuss All The Birds In The Sky by Charlie Jane Anders. It's an apocalyptic book that both defies and embraces the conventions of fantasy, science fiction, and coming of age novels. Gene loves it, and was sure Willow would, too. Wrong.   You can find the comics Gene and Willow make together at www.librarycomic.com    And if you know a book Willow might like, please please please email us your suggestion at bookstabberpodcast@gmail.com

#PodcastersForJustice Decorated speculative fiction and YA author and pundit, Charlie Jane Anders, chatted with me about the genesis of storytelling, how to weather 20 years of rejection, write through hard times, and her latest how-to for writers Never Say You Can't Survive. "Being a writer doesn't have to mean you have a cool haircut and live in Brooklyn and go to fancy literary parties. It can mean that you're just someone who enjoys making up stories ... you don't even have to publish them." – Charlie Jane Anders Charlie Jane's novel Victories Greater Than Death – the first book in a new young-adult trilogy, April, 2021 – and 2019's Locus Award winner The City in the Middle of the Night – named one of the year's best books by the Guardian and others and optioned for TV by Sony. Her 2016 novel, All the Birds in the Sky, was #5 on Time Magazine's list of the year's 10 best novels, and won the Nebula, Locus and Crawford awards. Her latest is Never Say You Can't Survive, a book about how to use creative writing to get through hard times. It's described as "... a practical guide to storytelling [and a] ... a manual for creativity in unprecedented times." Charlie Jane's fiction and journalism have appeared in the New York Times, The Washington Post, Slate, McSweeney's, Mother Jones, Boston Review, Tor.com, Tin House, WIRED magazine, and many other places. Her TED Talk, "Go Ahead, Dream About the Future" has been viewed over 2M times. She also co-hosts the Hugo Award-winning podcast Our Opinions Are Correct with Annalee Newitz. Stay calm and write on ... And Stay Tuned: I'm cooking up some extras for fans of the show in the coming weeks you won't want to miss including the option to have episodes, extras, and added insights delivered straight to your inbox, and maybe even some Writer Files merch on the way. If you're a fan of The Writer Files, please "Follow" us to automatically see new interviews. In this file Charlie Jane Anders and I discussed: The importance of why "we all contain multitudes" Impostor syndrome and rubbing elbows with famous authors Her creative chameleon characteristics And why writers need to juxtapose the small and personal against the huge and epic Stay calm and write on ... Show Notes: CharlieJaneAnders.com Never Say You Can't Survive by Charlie Jane Anders Charlie Jane Anders Amazon author page Our Opinions Are Correct the Hugo Award-winning podcast TED Talk, "Go Ahead, Dream About the Future" welovebookstores.org Charlie Jane Anders on Facebook Charlie Jane Anders on Twitter Kelton Reid on Twitter

ITINERARY: Charlie Jane Anders talks about her essay collection Never Say You Can't Survive, how to write in dark times, the retrospective opportunities offered by a story collection, and gleefully smashing the bounds of 'genre' distinctions in her new YA trilogy. Becky Chambers talks about her fridge-meal novella A Psalm for the Wild-Built, the pleasures of tea-drinking, and why she has hope. Drew reads an excerpt of Albert Camus' The Myth of Sisyphus as a beacon against dark times. Full episode transcript available here. Tor Presents: Voyage into Genre is a co-production with Lit Hub Radio Hosted by Drew Broussard Audio engineering + production by Stardust House Creative Music by Dani Lencioni of Evelyn Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes, telling a story can save you. In this episode, we speak with novelist, short story writer and journalist Charlie Jane Anders about her new book, “how writing helps us set rules, create frames, and surprise ourselves with what is possible. “Stories keep us alive,” she says. We also talk about writing and politics, writing the story you want to read, changing gears and creativity as a “saving grace.” Charlie Jane Anders is the author of Victories Greater Than Death, the first book in a new young-adult trilogy published in April 2021,along with the forthcoming short story collection Even Greater Mistakes, and the book we’ll be talking about today:Never Say You Can’t Survive, which  comes out in August. Her other books include The City in the Middle of the Night and All the Birds in the Sky. Her fiction and journalism have appeared in the New York Times, the Washington Post, Slate, McSweeney's, Mother Jones, the Boston Review, Tor.com, Tin House, Teen Vogue, Conjunctions, Wired Magazine, and other places. Her TED Talk, "Go Ahead, Dream About the Future" got 700,000 views in its first week. With Annalee Newitz, she co-hosts the podcast Our Opinions Are Correct.*Please note: this episode was recorded on July 20, 2021. ShownotesFor All Mankind Apple+ tv seriesNever Say You Can’t SurviveVictories Greater Than DeathCharlie Jane’s Ted Talk on Imagination and the FutureCharlie Jane Anders website This is a public episode. Get access to private episodes at emergingform.substack.com/subscribe

Anita and Ebony are joined on this episode of FFR by special guest Charlie Jane Anders— writer, podcast host, event impresario and one of the founders of io9, a website devoted to science fiction, fantasy, futurism, science, technology and related news. She's the author of several books of speculative fiction and “inspirational weirdness,” including Victories Greater Than Death, The City in the Middle of the Night, and All the Birds in the Sky. She's here today to hold our hands as we try to wrestle with creativity in times of crisis, the subject of her new book, Never Say You Can't Survive: How to Get Through Hard Times By Making Up Stories. Time Stamps:4:56 - Main segment51:39 - What's your Freq Out?Ebony on the series Reservation Dogs on HuluCharlie Jane on the novel Perfectly Parvin by Olivia AbtahiSubmit your own FREQ out at feministfrequency.com/FREQOUTFollow Charlie Jane:Never Say You Can't Survive - bit.ly/NeverSayYouCantPreordertwitter.com/charliejanecharliejane.cominstagram.com/charliejaneandersFollow Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagram

Charlie Jane Anders has a list of publication credits as long as my arm, so you can imagine my excitement when she agreed to let me interview her! Join us as we talk about her new books, her experience writing for TV, her past in journalism, and more! For show notes, please visit: https://www.sarahwerner.com/ To support the work I do here at the Write Now podcast, become a patron on Patreon! https://patreon.com/sarahrheawerner Thank you as always for listening, and happy writing! — Sarah

This week, host June Thomas talks to Charlie Jane Anders, author of many novels and a new book of writing advice, Never Say You Can't Survive. In the interview, Charlie Jane offers tons of detailed writing tips and explains how escaping into fictional worlds can help people endure hard times.  After the interview, June and co-host Rumaan Alam discuss some of Charlie Jane's writing tips, and then Rumaan talks about his recent profile of author Jason Reynolds, which was published in the New Yorker.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Big Mood, Little Mood—and you'll be supporting the work we do here on Working. Sign up now at slate.com/workingplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host June Thomas talks to Charlie Jane Anders, author of many novels and a new book of writing advice, Never Say You Can't Survive. In the interview, Charlie Jane offers tons of detailed writing tips and explains how escaping into fictional worlds can help people endure hard times.  After the interview, June and co-host Rumaan Alam discuss some of Charlie Jane's writing tips, and then Rumaan talks about his recent profile of author Jason Reynolds, which was published in the New Yorker.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Big Mood, Little Mood—and you'll be supporting the work we do here on Working. Sign up now at slate.com/workingplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host June Thomas talks to Charlie Jane Anders, author of many novels and a new book of writing advice, Never Say You Can't Survive. In the interview, Charlie Jane offers tons of detailed writing tips and explains how escaping into fictional worlds can help people endure hard times.  After the interview, June and co-host Rumaan Alam discuss some of Charlie Jane's writing tips, and then Rumaan talks about his recent profile of author Jason Reynolds, which was published in the New Yorker.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Big Mood, Little Mood—and you'll be supporting the work we do here on Working. Sign up now at slate.com/workingplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Even when you're making up your own story, you still need to do tons of research. But the good news is, research is super fun. We talk about how to bring a dose of reality to your imaginary people and places. And we also discuss Charlie Jane's brand new book about how to write yourself out of the bad times! Show notes: www.ouropinionsarecorrect.com/shownotes

We talked to the author of Victories Greater Than Death and she's awesome Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

Our identity is who we are. But for such a seemingly simple concept, our identities are extremely complex. We aren't the only ones who decide our identities. Society places labels on us that we often don't feel represents who we are, or worse, forces us into very narrow roles from which we feel we are […] The post Chosen Identities – with Charlie Jane Anders first appeared on Breaking the Glass Slipper.

Our identity is who we are. But for such a seemingly simple concept, our identities are extremely complex. We aren’t the only ones who decide our identities. Society places labels on us that we often don’t feel represents who we are, or worse, forces us into very narrow roles from which we feel we are […] The post Chosen Identities – with Charlie Jane Anders first appeared on Breaking the Glass Slipper.

This fortnight we’re discussing “All the Birds in the Sky” by Charlie Jane Anders. We've had this on the booklist since almost the beginning and we're so excited to finally bring you this episode.  Book TW for abusive parents, parental death, torture (implied), sex (explicit), bullying/abuse (explicit).  Topic 1: Serafina - Emotional connection. Begins at (1:35), No major CWs.  Topic 2: Laurence - Parental abuse: Neglect. Begins at (14:20), CW for neglect, discussion of torture, child abuse.  Topic 3: Patricia - Parental abuse: Control. Begins at (23:55), CW for neglect, food abuse, bullying, targeting abuse, child abuse.  Promo for CPOV Reignite; Spoiler-free wrap-up and ratings: Begins at (36:50).  ---  If you'd like to make a monthly donation, please check us out on Patreon.  To make a one-time donation please support us on Ko-Fi.  You can check out Robin's written review of the book at Reviews That Burn.  Find all our links on our Carrd.  Music provided by HeartBeatArt and is used with permission. 

The past lives in the walls. It lives just over our shoulder. It stares at us without blinking. It stares from the mirrors. It can never just be. So neither can we. Charlie Jane Anders and Bradley Robert Parks bring us two ghost stories. One takes lives while the other saves them, one punchline at a time. "Sustenance" by Bradley Robert Parks, Read by Bradley Levine Bradley Robert Parks ​is a writer and sometimes singer, and founded the Brooklyn Speculative Fiction Writers in 2010. His publication credits can be found on his website, bradleyrobertparks.com. He lives in Brooklyn with his husband and one perfect cat, Ms. Magoo. ​Bradley Levine is a NYC based actor, creator, and producer. Recent stage credits: James & the Giant Peach (James, The Argyle Theatre), Casse Noisette (world premiere, Bridge Street Theatre), Camp Rolling Hills (NYMF). Original Devised pieces include: Gathering Sparks (Bangkok Exploriment Festival/ Theatre Row), Down the Urinal Hole & Around the Corner (Dixon Place, KC Fringe). Training: BA Acting, Pace University; The William Esper Studio; The Grotowski Institute in Poland. IG: @bradley_levine "Ghost Champagne" by Charlie Jane Anders, Read by Kim Rogers Charlie Jane Anders is the author of The City in the Middle of the Night and All the Birds in the Sky and the co-host of Our Opinions Are Correct, a podcast about the meaning of science fiction, with Annalee Newitz. Kim Rogers is an EMC actress and entertainment industry executive. She lives with her husband in Crown Heights, Brooklyn and can be heard at the top of every episode of the Kaleidocast.

Charlie Jane Anders (Victories Greater Than Death novel, Our Opinions Are Correct podcast) joins Jordan and Jesse for a discussion of the friendship potential of various kaiju, the shocking but serene photo Jesse stumbled upon on Twitter while he was searching for Ichiro Suzuki highlights, and Little Ceasar's cult status as the ultimate sex symbol. PLUS, Charlie Jane has an amazing new novel out called Victories Greater Than Death!Have you had a karate or other martial arts-related Momentous Occasion? Call us at 206-984-4FUN or email a voice memo to jjgo@maximumfun.org!Get Charlie Jane's amazing novel  Victories Greater Than Death!

Charlie Jane Anders is an award-winning author and journalist who was a founding member of the popular site io9 and whose latest novel, Victories Greater Than Death, is out next week and kicks off a new YA trilogy. She's also the author of All the Birds in the Sky, which won the Nebula, Crawford and Locus awards, Choir Boy, which won a Lambda Literary Award, and The City in the Middle of the Night. Her short fiction has appeared in Tor.com, Boston Review, Tin House, Conjunctions, the Magazine of Fantasy and Science Fiction, Wired Magazine, Slate, Asimov's Science Fiction, Lightspeed, ZYZZYVA, Catamaran Literary Review, McSweeney's Internet Tendency and tons of anthologies. Her story "Six Months, Three Days" won a Hugo Award, and her story "Don't Press Charges And I Won't Sue" won a Theodore Sturgeon Award. Charlie Jane also organizes the monthly Writers With Drinks reading series, and co-hosts the podcast Our Opinions Are Correct with last week's guest, Annalee Newitz.We had great fun chatting with Charlie Jane about her writing career, learning how she broke into the industry, and how it felt when All The Birds In the Sky won all those awards. We also hear about her new YA trilogy, and discuss how easy it is (or isn't!) to make changes to a trilogy once the first book is out. Plus we hear what she's been reading and watching, and hear about which Marvel TV show she would love to be writing!Links:Pre-order/buy Victories Greater Than Death and Charlie Jane's other booksVisit Charlie Jane's websiteVisit io9Watch our video panel Page One Sessions as we discuss writing with great authors: https://youtu.be/gmE6iCDYn-sThe Page One Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on Twitter: @write_gearFollow us on Facebook: www.facebook.com/WriteGearUK/Follow us on Instagram: write_gear_uk See acast.com/privacy for privacy and opt-out information.

Guest of honor interview with Charlie Jane Anders at Swecon 2019 – Replicon in Västerås Sweden The interviewer is Anna Bark Persson The music is from Sands Of Time (Psychadelik Pedestrian) / CC BY-NC 3.0

Award-winning novelist Charles Yu is joined by his friend, sci fi and fantasy author Charlie Jane Anders, to discuss Yu's novel Interior Chinatown, newly published in paperback and awarded the National Book Award just two weeks before this discussion!  Their conversation touches on metafiction, working in TV, satire in 2020, subjectivity (especially for those who aren't often granted it), being a protagonist vs. being a narrator, and being the only Asian American in the room, and includes a brilliant image of the artist as musician: "the instrument you play makes a sound that only you can make." (Recorded December 1, 2020)

Ten minutes with... is a special series presented by Coode Street that sees readers and book lovers from around the world talk about what they're reading right now and what's getting them through these difficult times. Hugo and Nebula winner Charlie Jane Anders talks about some new books she's been reading by Rebecca Roanhorse, Holly Black, Silvia Moreno-Garcia, and Darcy Little Badger, some past favourites including Kurt Vonnegut, Jr., Katherine Dunne, and Ursula K. Le Guin, and her own forthcoming YA trilogy—as well as the differences between writing YA and adult fiction. Books mentioned include: Victories Greater Than Death by Charlie Jane Anders Black Sun by Rebecca Roanhorse The Folk of the Air trilogy by Holly Black Certain Dark Things by Silvia Moreno-Garcia Elatsoe by Darcy Little Badger Kurt Vonnegut: Novels & Stories 1963–1973 by Kurt Vonnegut Jr. Geek Love by Katherine Dunn

Cool suits, touch telepathy, and tidally locked planets, oh my! We didn't know it at the time of our interview, but Paul and Elizabeth sit down with one of our official Hugo Fancast nemeses, Charlie Jane Anders, to talk about her new book, The City in the Middle of the Night! Listen to why Charlie […]

Good afternoon everyone and welcome to another edition of The Avid Reader. Today our guest is Charlie Jane Anders, author of this, her new novel, The City In The Middle Of The Night. published in February by Tor. She’s the organizer of the Writers with Drinks series and was a founder of i09, a website about sci fi, science and futurism, Her stories have appeared in Asimov’s Science Fiction, The Magazine of Fantasy & Science Fiction, Lightspeed, Tin House and lots of anthologies. Her novel, Six Months, Three Days won a Hugo Award. The City In The Middle Of The Night explores a land where night and day, miserable and extremely hot and cold nights and days, compete with each other, while a very narrow perimeter allows a scrappy but flawed civilization to claw out an existence, more than subsistence, but less than bucolic. This, because the planet is rotationally locked with its sun, just as our moon is rotationally locked with our planet, which is why we see only one side of the moon and have no idea what they other side looks like other than the recent Chinese lunar lander. A mothership has left our dying planet for a generations long trip to this planet, not knowing what will be found there, and as the new residents try to creat a habitable world, the mothership revolves slowly up above, mythologized and revered. The cold war of two cities on this planet form the loose thread of this novel. Two women, almost lovers, very close friends have a relationship which evolves, as does this “war” over the course of this book. The two protagonist are joined with a panoply of well drawn peripheral friends as each faction tries to achieve control or power over the other. Added to this story is that of an alien life, misunderstood by some but embraced, literally and figuratively by the hero of our story.

Good afternoon everyone and welcome to another edition of The Avid Reader. Today our guest is Charlie Jane Anders, author of this, her new novel, The City In The Middle Of The Night. published in February by Tor. She’s the organizer of the Writers with Drinks series and was a founder of i09, a website about sci fi, science and futurism, Her stories have appeared in Asimov’s Science Fiction, The Magazine of Fantasy & Science Fiction, Lightspeed, Tin House and lots of anthologies. Her novel, Six Months, Three Days won a Hugo Award. The City In The Middle Of The Night explores a land where night and day, miserable and extremely hot and cold nights and days, compete with each other, while a very narrow perimeter allows a scrappy but flawed civilization to claw out an existence, more than subsistence, but less than bucolic. This, because the planet is rotationally locked with its sun, just as our moon is rotationally locked with our planet, which is why we see only one side of the moon and have no idea what they other side looks like other than the recent Chinese lunar lander. A mothership has left our dying planet for a generations long trip to this planet, not knowing what will be found there, and as the new residents try to creat a habitable world, the mothership revolves slowly up above, mythologized and revered. The cold war of two cities on this planet form the loose thread of this novel. Two women, almost lovers, very close friends have a relationship which evolves, as does this “war” over the course of this book. The two protagonist are joined with a panoply of well drawn peripheral friends as each faction tries to achieve control or power over the other. Added to this story is that of an alien life, misunderstood by some but embraced, literally and figuratively by the hero of our story.

Charlie Jane Anders is the author of The City in the Middle of the Night. Her previous books include Choir Boy and All the Birds in the Sky. Her novelette […]

Candice speaks with author Charlie Jane Anders about her new novel, THE CITY IN THE MIDDLE OF THE NIGHT. Originally aired on February 7th 2019.

Charlie Jane Anders joins Jonathan and Gary to discuss her second novel, The City in the Middle of the Night, which will be in shops during the coming week. Her powerful and engaging new novel follows her award-winning debut, All the Birds in the Sky, and we chat about following that novel, her hopes for the new book, and much more. As always, our thanks to Charlie Jane for taking the time to talk to us. We hope you enjoy the episode and the shorter format.  We'll have a new episode out soon. Coode Street for February 3rd Episode 345: Liza Trombi, Locus, and the Year in Review Episode 346: Neil Clarke and the State of Short Fiction in 2018 Episode 347: Charlie Jane Anders and The City in the Middle of the Night

“It seems like journalists are used to being in charge of editorial processes.” —“Algorithms for Journalism: The Future of News Work,” The Journal of Media Innovations (2017) News breaks like a rain cloud, or a daydream. Roy arrives at his desk just in time to claim the story: Rival militias started a gunfight at a federal water pipeline that they both wanted to steal from. Nine people dead, another 17 injured.

Kango and Sharon first met at a party, one of those lavish debauch-fests where people fly in from all over the galaxy wearing sentient fetishwear that costs a whole asteroid belt. The specially grown building had melted, causing toxic fumes that killed a few hundred people, and then the canapés on the appetizer table came to life and started mutilating bystanders with their razor-sharp mandibles. The party was going according to plan, in other words. The only thing that nobody could have predicted, even the most OCD of the party-planners, was that two of the party's minor entertainers ended up standing around near the Best Dressed Dead Guest lineup. | Copyright 2017 by Charlie Jane Anders. Narrated by Stefan Rudnicki.

Repost With awards season upon us, we thought it might be worthwhile to re-release our spoiler heavy roundtable discussions for last year. The first 2017 awards-eligible book we discussed was Charlie Jane Anders' All the Birds in the Sky.   *   Welcome to the second episode of The Coode Street Roundtable. The Roundtable is a monthly podcast from Coode Street Productions where panelists James Bradley, Ian Mond, and Jonathan Strahan, joined by occasional special guests, discuss a new or recently released science fiction or fantasy novel.  Charlie Jane Anders' All the Birds in the Sky This month Coode Street co-host Gary Wolfe joins us to discuss All the Birds in the Sky, the second novel from Hugo Award winning author Charlie Jane Anders. It's a warm, humane, funny, and genuinely engaging novel described by its publisher as follows: From the editor-in-chief of io9.com, a stunning novel about the end of the world--and the beginning of our future... Childhood friends Patricia Delfine and Laurence Armstead didn't expect to see each other again, after parting ways under mysterious circumstances during middle school. After all, the development of magical powers and the invention of a two-second time machine could hardly fail to alarm one's peers and families. But now they're both adults, living in the hipster mecca San Francisco, and the planet is falling apart around them. Laurence is an engineering genius who's working with a group that aims to avert catastrophic breakdown through technological intervention. Patricia is a graduate of Eltisley Maze, the hidden academy for the world's magically gifted, and works with a small band of other magicians to secretly repair the world's every-growing ailments. Little do they realize that something bigger than either of them, something begun years ago in their youth, is determined to bring them together--to either save the world, or plunge it into a new dark ages. A deeply magical, darkly funny examination of life, love, and the apocalypse. We discuss the novel in detail, including how the story develops and ends. If you're keen to avoid spoilers, we recommend reading the book before listening to the episode. If you don't already have a copy, All the Birds in the Sky can be ordered from: amazon.com amazon.com.au amazon.co.uk We encourage all of our listeners to leave comments here and we will do our best to respond as soon as possible. Next month The Coode Street Roundtable will return at the end of March with a discussion of a book to be announced shortly.

We're joined by Charlie Jane Anders to wrap up her book, All the Birds in the Sky. Did you know Kevin has a secret history? What anime inspired Ernesto? These things, as well as all the winners of all the awards on this episode.

Welcome to the second episode of The Coode Street Roundtable. The Roundtable is a monthly podcast from Coode Street Productions where panelists James Bradley, Ian Mond, and Jonathan Strahan, joined by occasional special guests, discuss a new or recently released science fiction or fantasy novel.  Charlie Jane Anders' All the Birds in the SkyThis month Coode Street co-host Gary Wolfe joins us to discuss All the Birds in the Sky, the second novel from Hugo Award winning author Charlie Jane Anders. It's a warm, humane, funny, and genuinely engaging novel described by its publisher as follows: From the editor-in-chief of io9.com, a stunning novel about the end of the world--and the beginning of our future... Childhood friends Patricia Delfine and Laurence Armstead didn't expect to see each other again, after parting ways under mysterious circumstances during middle school. After all, the development of magical powers and the invention of a two-second time machine could hardly fail to alarm one's peers and families. But now they're both adults, living in the hipster mecca San Francisco, and the planet is falling apart around them. Laurence is an engineering genius who's working with a group that aims to avert catastrophic breakdown through technological intervention. Patricia is a graduate of Eltisley Maze, the hidden academy for the world's magically gifted, and works with a small band of other magicians to secretly repair the world's every-growing ailments. Little do they realize that something bigger than either of them, something begun years ago in their youth, is determined to bring them together--to either save the world, or plunge it into a new dark ages. A deeply magical, darkly funny examination of life, love, and the apocalypse. We discuss the novel in detail, including how the story develops and ends. If you're keen to avoid spoilers, we recommend reading the book before listening to the episode. If you don't already have a copy, All the Birds in the Sky can be ordered from: amazon.com amazon.com.au amazon.co.uk We encourage all of our listeners to leave comments here and we will do our best to respond as soon as possible. Next month The Coode Street Roundtable will return at the end of March with a discussion of a book to be announced shortly.

One of the highlights of the 2015 World Fantasy Convention in November was when Gary and Jonathan got to sit down with Guest of Honor Chelsea Quinn Yarbro and io9 editor-in-chief Charlie Jane Anders to discuss their respective careers, their experiences working in science fiction and fantasy as women, and much more. This episode was recorded live on 6 November 2015 in from an enthusiastic audience and was recorded by Paul and the WFC team, and made possible by Peter Halasz. Our sincere thanks to Quinn, Charlie Jane, and everyone at WFC. As always, we hope you enjoy the episode!

Welcome to the final episode of the Coode Street Podcast to be recorded for 2015. This week  Gary and Jonathan are joined by award-winning writers and critics Charlie Jane Anders and Nisi Shawl in the Gershwin Room to discuss more of the best science fiction and fantasy books of the year. As with last week, you'll need to listen to the episode to hear what's recommended, but there are a good handful of familiar books and few surprises that you may want to hunt down before the year is done. We would like to thank each and every one of you for taking the time to listen to the podcast, for the feedback you've sent in throughout the year, and for your support of Coode Street. We'd also like to thank Charlie Jane and Nisi for making the time to appear on the podcast this week. There will be some new episodes coming up that were recorded back in November, which we hope you enjoy too, but we're on holidays for a while, relaxing and enjoying the season. We wish all of you the happiest of holidays. See you in 2016 for another year of the Coode Street Podcast!

From Wikipedia, the free encyclopedia 240 – "The Day of the Doctor"  episode Official poster Cast  ()  ()  ()  () Others  – /The Moment  –   – Osgood  – Androgar  – The General Philip Buck – Arcadia Father  –   – McGilliop Aidan Cook,  –   – Voice of the/Zygons ,  – Daleks  – The Curator/ John Guilor – Voice of the   – (uncredited) Production Director Script editor Richard Cookson Producer Marcus Wilson Executive producer(s) Steven Moffat Faith Penhale Incidental music composer Series Length 76 minutes Originally broadcast 23 November 2013 (GMT, simulcast internationally) Chronology ← Preceded by Followed by → """" (mini-episode) "" "The Day of the Doctor" is the 799th episode of the British  programme , and marks the programme's fiftieth anniversary. It is written by , an executive producer alongside Faith Penhale. It has been described by series producer Marcus Wilson as a "love letter to the fans" and by the controller of , , as an "event drama". It was shown on on 23 November 2013, in both 2D and 3D. The special was broadcast simultaneously in 94 countries, and was shown concurrently in 3D in some cinemas. It achieved the  for the largest ever simulcast of a TV drama. The episode shows the last day of the , in which a  of  faces his choice to kill both  and his own race of  in an act of mass destruction, paralleling this with a present-day choice by paramilitary organisation  to destroy  rather than allow an alien invasion. It reveals how, contrary to previous plotline understanding, the Doctor followed plea to change his mind at the last instant of the Time War, and hid the war-racked planet Gallifrey in time, rather than destroy it, but due to the distortions of time incurred, had retained no memory of his changed decision. The episode starred  as the  and  as his companion, . Previous lead actors  and  returned for the episode, Tennant reprising his role as the , while Piper portrayed a sentient doomsday weapon called the Moment, projecting an image based on her character , invisible and inaudible to everyone but the , played by, introduced for the first time in the  as an unknown past incarnation of the Doctor. Other appearances included a very brief view of the upcoming, expected to succeed Matt Smith in , and a significant  by  actor , now in his late 70s and the earliest surviving actor to have played the title role. Rounding out the guest cast,  starred as , while  returned to portray the in-series daughter of 1970s central figure .The special also featured the return of the , and the , shape-shifting aliens who had previously only appeared in the 1975 serial . Contents   []  Mini-episodes See also:  and  Two mini-episodes written by Steven Moffat, "" and "", were released shortly prior to "The Day of the Doctor". They depict events occurring during the  between the Doctor's own race of  and his , the . In "The Night of the Doctor",  reprised his role as the  from the and subsequent  audio plays. He is a to the ongoing Time War and intends to rescue a crew member from a crashing spaceship via the . Realising that he is a , she refuses to comply, preferring to die rather than go with him. She and the Doctor die as the ship crashes on Karn. The Doctor is resurrected temporarily by the Sisterhood of Karn. They persuade the Doctor to take action to end the Time War, offering him a selection of potions to control his regeneration. He chooses a potion designed to initiate his regeneration into a hitherto unknown  of the Doctor as a "warrior" (described in credits as the "" and played by ). "The Last Day" is filmed from the first-person perspective of a Gallifreyan soldier who has had a camera implanted in his head. The soldiers scan for Daleks at Arcadia, Gallifrey's second city and believed due to its impregnable defences to be the safest place on the Time Lords' home planet. During training exercises, a blurred object in the sky is identified surprisingly as the first of a fleet of successfully invading Daleks, which kill the soldiers. The "Fall of Arcadia" becomes the central battle of the Time War around which "The Day of the Doctor" is centred. Plot At , teacher  receives a message from the  and returns to the , which is unexpectedly  to . Kate Stewart of the paramilitary organisation  shows the Doctor preserved instructions from previous wife , along with the Under-Gallery, a secret vault of forbidden art housed at the . The vault includes several works of  art: moments of time preserved in stasis that take the form of "3-D pictures". One such work, called either No More or Gallifrey Falls, shows the fall of Arcadia on the last day of the Time War, an event believed to have obliterated both the Time Lords and the  from the universe. The glass of several of these pictures has been broken from within and figures in the paintings have disappeared. It transpires that the  , preserved in stasis in the pictures, are invading, taking the forms of UNIT members. To defeat them, Kate plans to detonate a nuclear warhead in London from within UNIT's "TARDIS-proof" Black Archive of Time Lord and other alien artefacts. The detonation would will wipe out London but save the rest of humanity. In the midst of the Time War, the —a hitherto-unknown "hidden" incarnation of the —watches Gallifrey falling to the Dalek invasion. He decides to trigger an ancient  called "the ", a "galaxy eater" which will destroy both races completely. The Moment, however, is sentient and possesses a conscience. Its interface manifests with the form of his future assistant  to challenge whether mass killing is his best option and to show him the future personal consequences of his actions. The Moment opens fissures in space and time between these two points in the timeline and Elizabethan England, depositing the Eleventh Doctor and the War Doctor near the  and a young Elizabeth I under threat from Zygons, who are using the time period to secret themselves into the stasis of the Time Lord paintings as to invade in the contemporary future. All three Doctors are captured and imprisoned in the , where the Moment encourages the War Doctor to form an escape plan involving calculations which would take "centuries", but which, being begun on the War Doctor's , are therefore now completed on the Eleventh's screwdriver, four hundred years in its future. The Eleventh Doctor, meanwhile, inscribes in stone the code necessary to activate a  stored in UNIT's Black Archive. Found by his allies in the present day, it allows Clara to both escape the Zygons and free the Doctors, by travelling into the past. Using the same technique to "travel" to the present via the Time Lord paintings as the Zygons, they gain entry to the Black Archives despite its TARDIS-proof defences. They use the Black Archives' mind-wiping facilities to erase the memories of the humans and Zygons present, causing them to forget who is human and who is Zygon in human form, and forcing them to cancel the detonation and discuss peace. The War Doctor, now convinced that detonating the Moment will allow his future selves to save many more lives, is returned to his time by the Moment. His other two present incarnations appear with the intention of detonating the device alongside him so as to share his burden. Clara, reminding them that he chose the name "Doctor", implores that he seek a different solution. The three Doctors finally think of an alternative solution, to put the planet Gallifrey in stasis in a moment of time, leaving the Daleks surrounding the planet to be obliterated by their own firepower; to the rest of the universe it would still appear that both sides wiped each other out. The three work with the consent of the desperate Time Lords and summon all of the Doctor's other past incarnations – as well as  – to successfully execute this plan. The three Doctors and Clara return to the Gallery, unsure whether it is possible to return Gallifrey from stasis. The War Doctor is content to think that he failed in doing the right thing, rather than succeeding in doing the wrong thing. He realises that neither he nor the Tenth Doctor will remember what happened, and will continue shouldering the guilt for centuries. After departing, the aged War Doctor finds himself beginning to  within his TARDIS. The Tenth Doctor also leaves, having persuaded his successor to tell him about his impending death on the planet . The Eleventh Doctor, now alone in the Gallery, is joined by its mysterious curator, who appears to resemble an aged version of the. The Curator enigmatically suggests that he might be a future incarnation of the Doctor, as well as commenting that the painting's actual name is neither No More nor Gallifrey Falls, but Gallifrey Falls No More. The Doctor surmises that his plan to save Gallifrey was successful. In closing, the Doctor describes a recurring dream, in which he and his eleven previous incarnations are looking together upon Gallifrey. The Doctor vows to find and restore Gallifrey. Continuity As the show's 50th anniversary special, the episode contains multiple references to previous episodes. It opens with the title sequence and theme arrangement used at the series' debut in 1963. Echoing the opening of the very first story, , a policeman is shown walking past the sign for I.M. Foreman, the scrap merchant in whose yard the TARDIS was located, and its first few seconds are in monochrome (as had been the case in , the last time more than one Doctor had featured in an official story)., where the Doctor's granddaughter  went when they were on Earth in 1963, also featured in both the original story and the 1988 serial . According to the school sign, the chairman of the school governors is now , formerly one of the First Doctor's original three companions and a science teacher at the school, and the headmaster is W. Coburn, a reference to  and ,[] who respectively directed and wrote An Unearthly Child. Clara rides out of Coal Hill School on the Eleventh Doctor's anti-gravity motorcycle from "" at 5:16, the time An Unearthly Child originally aired on  television (the first broadcast began 1 minute 20 seconds after its scheduled time of 5:15  on 23 November 1963.). The same date and time were also reflected in the activation code of the vortex manipulator, 1716231163 (signifying 17:16 23/11/1963). When the TARDIS is picked up by , the call sign used by the helicopter to refer to UNIT is 'Greyhound leader', reflecting that of,[] whose daughter Kate is now portrayed as having his role as commander of UNIT. Lethbridge-Stewart was a central character in the 's era and also several of his successors', originally appearing in the serial  and making his last appearance in Doctor Who in  serial , which is also referenced. An image of the Brigadier is seen alongside images of various companions of the Doctor. Kate's assistant, Osgood, is also a name from that era (UNIT technician Osgood from ) and her scarf is very similar to that worn by the Fourth Doctor; the Eleventh Doctor remarks that it is a "nice scarf". Osgood also uses it to trip up her Zygon duplicate who was standing on it, a nod to the Fourth Doctor's actions against a thug in his first story Robot. Kate Stewart twice mentions her subordinate, Malcolm, presumably the same UNIT scientist named Malcolm played by  in "".[] The controversy, regarding whether the  era stories took place in the 1970s or 1980s, is referenced in dialogue by Kate Stewart, when she mentions that events occurred in "the '70s or '80s depending on the dating protocol used". The Tenth Doctor's era is also heavily referenced, elaborating on his marriage to Queen Elizabeth I originally mentioned in his final story,  and first referred to in "". It is implied that he deserted her shortly after the wedding as part of his (fruitless) attempt to flee his impending death, hence her fury at him when she finds him at the Globe Theatre;[]at that time he had no idea why she was so angry, since the events of "The Shakespeare Code" occur much earlier than those of "The Day of the Doctor". The Tenth Doctor's speech to a rabbit whom he believes to be a Zygon is partially taken from the Christmas special, "". The Tenth Doctor mentioned the Fall of Arcadia in "". When he leaves after learning of Trenzalore, the Tenth Doctor remarks, "I don't want to go...", his incarnation's final words from The End of Time; the Eleventh Doctor tells Clara that "he always says that" after his TARDIS leaves. The Eleventh Doctor's fixation with  – a linking item in this story – begins in "" and reappears in "", "", and "". The Moment device was originally mentioned in The End of Time, but had not been explored in depth. Here, it takes the form of "", a seemingly omnipotent being and personalisation of the  itself, which manifested in  when she absorbed the Time Vortex in the  finale, "". Other references come heavily from the previous multi-Doctor anniversary stories, The Three Doctors and The Five Doctors. The Eleventh Doctor's dismissal of the Tenth Doctor and War Doctor as "the sandshoes and grandad" to mock their respective trainers and age echo the First Doctor's description of his two successors in The Three Doctors as "a dandy and a clown"[]. Likewise, a Time Lord says, "I didn't know when I was well-off! All twelve of them!" which recalls the Brigadier's line from The Three Doctors: "Three of them, eh? I didn't know when I was well off." More of the Brigadier's dialogue from the latter serial is referenced when Kate asks for an incident report code-named "Cromer"; in the earlier story, upon being transported to another universe, the Brigadier initially believes himself to be near the coastal Norfolk town. A line from the First Doctor, this time from The Five Doctors, is also referenced near the end as the Tenth Doctor tells the Eleventh, "It's good to know my future is in safe hands" (which the First told the Fifth in the earlier story, appended by "after all"). In trying to compensate for the presence of three Doctors who utilise different console rooms, the Tenth Doctor's TARDIS console briefly changes to the War Doctor's console room, seen again later in the episode, before settling on the Eleventh's; according to the script, the fact that all three are together has knocked their time streams out of sync and the TARDIS is reacting to that.[] The Tenth Doctor comments upon the Eleventh Doctor's TARDIS console, "Oh you've redecorated! I don't like it", a line originally used by the  speaking to the Third in  and later reused by the Second and Eleventh Doctors respectively in and "". There were plenty of other script references to both the recent and classic history of the programme. When the Tenth and Eleventh Doctors aim their  at troops in 1560, the War Doctor asks if they plan to "...assemble a cabinet at them?", a line used by  when the Eleventh Doctor points his screwdriver at  in a fight scene of "". The white roundels in the wall of the War Doctor's TARDIS were featured in the classic series' original TARDIS console rooms from 1963 to 1989 before being removed for the more elaborate TARDIS console used by the Seventh and Eighth Doctors in the TV movie. Seeing the white roundels, both the Tenth and Eleventh Doctor are pleased, but are uncertain as to what they are for. The final scene in the Gallery, containing 's  as the curator,  somewhat, as he enigmatically talks to the watching audience and Eleventh Doctor in a short  upon the Doctor's past and future activities, ultimately (in the context of the episode) deterring questions about his apparent knowledge with the comment, '"Who" Knows?'. Cast  as the .  as the . Excluding flashbacks and archived footage, Tennant had not appeared in Doctor Who since his final regular appearance as the Doctor in the concluding scenes of , broadcast on 1 January 2010.  as companion . The special was the first time the actress was credited on the show simply as Jenna Coleman, dropping the Louise part of her name seen in previous episodes.  as the Moment Interface, a Gallifreyan super weapon. While credited as , Billie Piper was instead portraying the projection of the Moment's user interface which had taken the form of the Doctor's then-future companion.[] Piper has not portrayed Rose as a series regular since "", although she reprised her role in various episodes of the fourth series and appeared briefly in The End of Time.  as the , the Doctor's warrior-like forgotten incarnation. The War Doctor came between the  and Doctors, and renounced the title of Doctor.  as 's daughter Kate Stewart, who previously appeared in "", having been originated by actress Beverley Cressman in the direct-to-video spin-offs,  and .  as . Page is the third actress to portray Elizabeth I on Doctor Who, following Vivienne Bennet () and  ("").  as Osgood. Throughout the special, Osgood is seen wearing a copy of the 's iconic scarf.  as Androgar, a .  as the General of Gallifrey. Jonjo O'Neill as McGilliop. Aidan Cook and  as the .  as the voice of the  and the Zygons.  and  as Daleks.[]  as the Curator, a mysterious character who informs the Eleventh Doctor of Gallifrey's survival at the end of the episode. His resemblance to the  is alluded to, but left unexplained. , , , Tom Baker, , , ,  and all appear in the special as their respective Doctors, through the use of archive footage and voice doubles. All are credited as "the Doctor" alongside Smith, Tennant and Hurt in the episode's closing credits. John Guilor provided voice acting for the First Doctor, though he was credited as "Voice Over Artist".  makes an uncredited cameo appearance as the , prior to taking over the lead role from Smith in the 2013 Christmas Special, titled "". Casting Both David Tennant and Billie Piper returned to appear in the 50th anniversary special On 30 March 2013, a distribution error occurred, and many subscribers to received the issue five days before the official release date. The issue of the magazine included the official announcement that and , who previously played the  and in Doctor Who respectively, were lined up to appear in the special, along with actor . Moffat did not want to bring Rose the character back because he felt her story was wrapped up and did not feel comfortable adding to Davies' arc. However, he liked the concept of bringing back her Bad Wolf persona and felt that Piper needed to be in the special as she symbolised the rebirth of Doctor Who. John Hurt did not actually audition for the part, but had been asked by the production team and "said yes with remarkable speed".His costume was meant to signify that he was "rougher, tougher", and had been around for a while; the audience had missed a lot. Hurt's request to keep his beard adds to this effect, and makes him the first bearded Doctor.  discussed plans for the anniversary episode with Moffat, but eventually declined to return as the ., who played the , claimed that none of the surviving actors who portrayed the Doctor prior to Eccleston were contacted regarding the special.  confirmed this while being interviewed on Australian television alongside McCoy and . However, McGann went on to say that he could still be in the 50th but at the last moment. reported rumours that a Doctor from the classic era would feature in the special, citing unknown sources.  and, who played Tenth Doctor companions  and , respectively, both stated they would not be in the 50th, but may return to the show at some point. Barrowman stated that he would have liked to be in it, but speculated that the producers wanted to try some different things. Production Publicity Steven Moffat previously stated, "Most things that have been said about the 50th are not true... Normally I am responsible for the disinformation and the rubbish rumors—I usually put them out myself, but I haven't needed to for this one." On the importance of the episode, Moffat has stated that it will "change the narrative" of Doctor Who. "", an additional 7-minute special, was released on 14 November 2013, and featured the  ()'s regeneration into the  (). Another 4 minute special, entitled "", was released on 20 November 2013 and saw the start of the Fall of Arcadia. On 4 November 2013, the BBC released the official synopsis: "The Doctors embark on their greatest adventure in this 50th anniversary special. In 2013, something terrible is awakening in London's National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion. All of reality is at stake as the Doctor's own dangerous past comes back to haunt him." On 22 November 2013,  stated on  "I can say something about my character; it's not Rose as we know her" to about the episode.[] Writing "The Day of the Doctor" was written by , current head writer of Doctor Who, and produced by Faith Penhale in , with  directing. Moffat began writing the script for "The Day of the Doctor" in late 2012, announcing that, as a security precaution, he had not produced any copies, instead keeping it on his computer "under lock and key" until it was needed. Moffat had often thought about featuring a "mayfly Doctor" who appears for a single episode, asking, "Would it be weird in the run of the series to have the 45th Doctor turn up and be played by  or someone? Would that be a cool thing to do?" He also indicated that the "classic Doctor" he would most like to feature in a new story was 's , stating, "You'd want him to come and say 'What in the name of God have I turned into?' That's the confrontation that you most want to see, to celebrate 50 years. Going round and round in circles on it I just thought, 'What about a Doctor that he never talks about?' And what if it is a Doctor who's done something terrible, who's much deadlier and more serious, who represents that thing that is the undertow in both David and Matt. You know there's a terrible old man inside them. Well, here he is, facing the children he becomes, as it were." Knowing that Matt Smith was planning to leave, Moffat wrote the special specifically with the brief appearance of the  during the sequence of all of the Doctors uniting to save Gallifrey, prior to casting anyone in the role. Moffat later stated of the 50th episode, that it was his "plan from the start" that all the Doctors would fly in to save Gallifrey, and he knew there would be a new one at that time. He wrote it before knowing who would be cast. Typically, Doctor Who's anniversary stories are named after the number of returning Doctors, as with  and . Moffat explained his choice of title to SFX magazine, commenting that "... it's very rare in Doctor Who that the story happens to the Doctor. It happens to people around him, and he helps out – he's the hero figure who rides in and saves everybody from the story of the week. He is not the story of the week. In this, he is the story of the week. This is the day of the Doctor. This is his most important day. His most important moment. This is the one he'll remember, whereas I often think the Doctor wanders back to his TARDIS and forgets all about it." Filming Because "The Day of the Doctor" was filmed in 3D, the episode took longer than usual to shoot, especially as every  shot had to be done twice. Filming began on 2 April 2013 in , . On 9 April 2013 scenes were filmed for the special in , . On 17 April 2013 , ,  and  filmed scenes in ,, , and some scenes were shot in . On 2 May 2013, scenes in  were being filmed for scenes that take place at Totter's Lane and Coal Hill school, locations which had previously featured in the first 1963 serial , the 1985 serial , and the 1988 serial . Filming for the special was completed on Sunday 5 May 2013. From 4–5 May 2013, Paul McGann returned to Doctor Who alongside John Hurt's War Doctor, to record "The Night of the Doctor". Marketing Trailers The first trailer for the special was shown to attendees of  in July 2013. The BBC's decision not to release the trailer online to international fans was met with controversy. On 26 July, the BBC responded to criticisms by saying the trailer was intended to be exclusive to Comic-Con attendees and that content for all other audiences would be forthcoming at a later date.The trailer was also screened at The Edinburgh International Television Festival, at the end of Charlotte Moore's "Meet The Controller" session.[] On 28 September, the BBC revealed that the trailer for the special had been specifically shot and was currently in post-production. On 19 October 2013, a specially-made teaser trailer, directed by Matt Losasso, was shown on BBC One, and was then subsequently posted online. It contained icons from the history of the show and had a monologue by Matt Smith, as well as body doubles and  to create shots of previous Doctors. A clip from "The Day of the Doctor" was shown at the BBC's  show on Friday 15 November. The official trailer for the episode aired in the United Kingdom at 8 pm GMT on 9 November. Due to the leak of a trailer earlier on 9 November on BBC Latin America's Facebook page, the BBC officially released it ahead of schedule. A second official trailer was shortly released later. Furthermore, before the release of the main trailers, a short clip previewed the Eleventh Doctor and Clara examining a seemingly impossible painting. On 10 November 2013, a short clip of the Eleventh Doctor announcing "The clock is ticking" interrupted a BBC One ident. This was followed on Monday 11 November by another ident interruption, with the Eleventh Doctor stating "It's all been leading to this..." Viral marketing On 28 September, the BBC unveiled a   (#SaveTheDay) and an  that was used to promote the special.Respectively, the hashtag and the ident were shown before and after the premiere of  on BBC One. The hashtag was used to reveal all subsequent promotional material. On 7 November 2013, a video starring Smith in character as the Doctor was released promoting the hashtag, promising exclusive content. A website was launched to reveal the content. Broadcast Countries that screened "The Day of the Doctor" simultaneously.   Countries that screened on TV.   Countries that screened in cinemas.   Countries that screened both on TV and in cinemas. The BBC broadcast the episode in 94 countries simultaneously, in order to avoid plot leaks. It earned a  for the world's largest ever simulcast of a TV drama. The  rated the episode PG for mild violence and threat. The  also rated the episode PG for "mild science fiction themes and violence", noting there was "very mild impact" with regards to sexual themes. The episode broadcast at 7:50pm in the UK, and was preceded and followed by other Doctor Who related programmes and broadcasts, including broadcast of an after-party. Canadian  rated "The Day of the Doctor" PG in , G in  and G in. Broadcasters The following is a list of some broadcasters that aired "The Day of the Doctor" on 23 or 24 November 2013, depending on time zones. CountryChannel    and  (television) and Hoyts (cinema)    (television),  and  (cinema)   Haydn and  (cinema)             BBC Entertainment and BBC HD   BBC Entertainment and BBC HD (television)Movie Center (cinema)                            BBC Entertainment         BBC Entertainment and BBC HD (television)Cinemark (cinema)    (television) (television) (cinema)   Cinemaxx (cinema)    ( and Yle HD)      (television)Cinemaxx, Cine Star and UCI (cinema)    (television) (cinema)   Bíóparadís (cinema)      (not simultaneous, 20 minute delay and commercial breaks)   Kinopark and Chaplin Cinema (cinema)   BBC One    (not simultaneous, 10 minute delay) (cinema)   Fredrikstad Kino, Kristiansand Kino, Trondheim Kino,Volda Filmteater, Ringen Oslo Kino and Bergen Kino (cinema)    and NST (television)CoolConnections (cinema)   BBC Entertainment Asia   Cinesa (cinema)   Bio Roy and Tumbascenen Bio (cinema)    BBC One     Kronverk Cinema (cinema)   BBC One,  and BBC 3D (television),  and  (cinemas), as well as independent cinemas around the UK.    (television), , Cinemark and  (cinema) Home media "The Day of the Doctor" is planned to be released on DVD and 3D Blu-ray on 2 December 2013 in the UK. It will be released on 4 December 2013 in Australia and 10 December 2013 in North America. Reception "The Day of the Doctor" received instant positive reactions. Ben Lawrence of  gave the special five stars, calling it "charming, eccentric and very, very British." 's Simon Brew praised the special, calling it "terrific", and stating that it was "pulsating with comedy, ambition, and top to bottom entertainment." Jon Cooper of  gave the episode five stars, stating that it "not only gives hardcore fans a beautiful reinvention of their favourite show but also gives casual viewers a stonking story and a reminder why we all love this show so much." Jim Shelley of  called the episode "a clever, chaotic, infuriating combination of nifty, knowing tiny detail and big, hollow, pompous bluster." However, he disliked the effects, accusing the BBC on pandering to the American audience, as well as disliking the Zygons, deeming them not "scary enough," and naming Matt Smith and David Tennant "irritating." 's Chris Taylor stated that the episode is "one designed to please fans and newcomers alike," and that it "shows why the Doctor is finding his way into ever more homes and hearts." 's Viv Grospok criticised various elements of the episode, though concluded that "it was all worth it." Social analytics website SecondSync revealed that Doctor Who generated almost 500,000 "tweets" on  during its broadcast, with the peak number of tweets occurring at the beginning of the broadcast, at 12,939 tweets per minute. Overnight figures revealed that the episode had a total of 10.18 million viewers for the live broadcast in the United Kingdom, while the box office takings for its cinema screenings totalled £1.7m (US$2.2m), which placed it at number three in the UK film chart for the week, behind  and . The live simulcast on , at 2.50pm /11.50am , had a total audience of 2.4m viewers, with a further 1.2m watching the later repeat, the largest audience in the channel's history. The cinema screenings, on a total of 660 screens nationwide, took a total of US$4.8m (approx £3m) at the box office, placing it at number 2 in the US chart. The special had a total of 1.95m viewers for its two broadcasts in Australia, with 590,000 watching the live broadcast on  at 6.50am /3.50am AWST, and another 1.36m watching the repeat at 7.30pm, while the cinema box office takings totalled AU$1.54m, putting it at number three in the Australian film chart.  A total of 1.7m viewers watched the two broadcasts on Canadian channel , making it the most watched entertainment programme in Canada on the day, with the 1.1m watching the live broadcast at 2.50pm  being the channel's largest ever audience. Worldwide, cinema screenings brought $10.2 million at the box office. See also , a parody tie-in to this episode. Notes References ^   Sources that refer to John Guilor's role as the voice of the in the special include: Southall, J. R. (25 November 2013). . . Retrieved 28 November 2013. 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Peter did a magic spell, and it worked fine. With no unintended consequences, and no weird side effects. Two days later, he was on the front page of the local newspaper: “The Miracle Conjurer.” Some blogs picked it up, and soon enough he was getting visits from CNN and MSNBC, and his local NPR station kept wanting to put him on. News crews were standing and talking in front of his house. Narrated by Stefan Rudnicki.

In this episode of the Strange Horizons podcast, editor Anaea Lay presents Charlie Jane Anders's "Complicated and Stupid." You can read the full text of the story, and more about Charlie Jane Anders, here.

From Wikipedia, the free encyclopedia Jump to: , 225 – "Asylum of the Daleks" episode The unique logo from the title sequence, mimicing the distinct bodywork. Cast () () () Others – Oswin – Darla von Karlsen David Gyasi – Harvey – Cassandra – Voice of the – Dalek 1 – Dalek 2 – Photoshoot PA (uncredited) Production Writer Director Producer Marcus Wilson Executive producer(s) Caroline Skinner Series Length 48 minutes Originally broadcast 1 September 2012 Chronology ← Preceded by Followed by → "" (episode) (mini-serial) "" "Asylum of the Daleks" is the first episode of the of the British science fiction television series . This episode marks the return of the . It was broadcast on , and on 1 September 2012, and will be on in on 8 September 2012. The episode features the alien time traveller the () being captured by the , along with his () and (), who are about to divorce. They are sent by the Daleks to the Asylum, a planet where insane Daleks are exiled, to enable the Asylum to be destroyed before the insane Daleks can escape. The Doctor is helped along the way by Oswin (), a woman who lives on a spaceship that crashed on the planet a year ago and has been trapped there since then. Coleman makes her first appearance in Doctor Who in this episode, before returning as the Doctor's new companion in ; her appearance was successfully kept a secret from the general public prior to the episode's broadcast. Contents Plot Prequel A prequel was released to iTunes, Zune, and Amazon Instant Video on 2 September, 2012 for US subscribers for the series. As the Doctor has tea, a hooded messenger informs him that a woman, Darla von Karlsen, requests his help in freeing her daughter. The messenger provides space-time coordinates to the planet Skaro. is a different five-part mini serial prequel to this episode, which was released serially in the week leading up to the premiere. The fifth part hints at Amy and Rory's divorce. Synopsis is lured to the ruins of , original homeworld of the Daleks, by a humanoid Dalek "puppet", Darla, who teleports him to the Parliament of the Daleks. There he is reunited with and , who have been similarly kidnapped from present-day Earth, just after Rory has delivered Amy their divorce papers. Within the Parliament, the Prime Minister of the Daleks explains to them that the Daleks have a planet known as the Asylum, where they keep Daleks which have gone insane; the Daleks are unwilling to engage with the inmates themselves, as destroying such pure hatred face-to-face would contravene their sense of "beauty", much to the Doctor's revulsion. The Parliament has received a transmission of the "" from from a woman, Oswin Oswald. She is on board the Alaska, a ship which has crashed into the Asylum, and claims to have been fending off Dalek attacks for a year. The crash of the Alaska has ruptured the planet's force-field, thus risking the escape of the planet's inmates. The Parliament now wishes to destroy the planet remotely to prevent this, but the force-field is not ruptured sufficiently to allow that. The force-field can only be deactivated from the planet itself but, afraid to face such a mission themselves, the Daleks of the Parliament task the Doctor, Amy and Rory with doing so. The three are given bracelets to protect them from the planet's nanogene cloud, which would convert them into Dalek puppets to serve the facility's security systems, before being dropped through the force-field breach via a gravity tunnel onto the surface of the planet. The Doctor and Amy land close to each other and are discovered by Harvey, another survivor from the Alaska. Rory, however, is dropped to the bottom of a long shaft into the Asylum—there he accidentally awakens some of its inhabitants, but is saved and guided to a safe room by Oswin, who has accessed the computers. Meanwhile Harvey is revealed to be a Dalek puppet, converted by the nanogene cloud. A similar fate has befallen the corpses of other Alaska survivors, who re-animate and attack the Doctor and Amy, stealing her nano-field bracelet just before the pair are saved by Oswin and guided to Rory. Now unprotected from the nanogenes, Amy begins to be converted into a Dalek puppet and begins experiencing memory loss and hallucinations. The Doctor guesses that the Daleks will destroy the planet as soon as he deactivates the force-field, before he and his companions can escape. However, he realises that Rory's hideout is a telepad via which they can teleport onto the Dalek Parliament ship. Oswin agrees to deactivate the force-field in return for the Doctor coming to save her. While the Doctor is gone, Rory tries to give Amy his bracelet. The Doctor explained that love slows the Dalek puppet conversion, and Rory justifies that by "coldly and logically" asserting that he has always loved her more than she loves him, thus he would be converted more slowly, invoking his 2000-year vigil "". Amy angrily replies that she loves him equally, but gave him up since she is infertile as a result of the events of "" and thus unable to bear the children she knows that he has always desired. They then realise that the Doctor has already given Amy his own nano-field bracelet but didn't tell them, in order to allow the two to converse and reconcile. The Doctor makes his way to Oswin, venturing through the 'intensive care section', containing Daleks who survived encounters with him. They begin to re-activate, but he is saved from them by Oswin, who deletes the Doctor from the Daleks' collective, , leaving them with no memory of him. The Doctor enters Oswin's chamber only to discover to his horror that she has been fully converted into a Dalek. Unprotected from the nanogenes for nearly a year, she could not prevent herself from being converted in order to preserve her genius-level intellect for Dalek use. Unable to cope with her conversion, her mind retreated into a fantasy of survival as a human, which was picked up as the Carmen transmission. Oswin is nearly overcome by a Dalek personality at this revelation, though she still possesses human emotions and is unable to kill the Doctor. Oswin fulfils her promise of deactivating the force-field, on the condition that the Doctor remember her as the human she once was. The Doctor returns to Amy and Rory and teleports them back to his TARDIS, which is on board the Parliament ship, as the planet is destroyed. The Daleks fail to recognise him due to his removal from their hive intelligence. He leaves the ship and drops the reunited Amy and Rory back home. He then departs alone, delighting in the Dalek Parliament's closing question to him: "Doctor who?". Continuity In her opening speech, Darla refers to the Doctor fighting in the and then dying. The Doctor appears to die in the episodes "" and "". The nanogenes are mentioned in the two-parter ""/"", also written by Moffat. In the closing exchange in the Parliament, the Doctor refers to one of his nicknames as "The Oncoming Storm", first mentioned in the episode "". The final question of "Doctor who?", besides being an obvious callback to the programme's title, is the "question that must not be answered" that Dorium asks at the end of "The Wedding of River Song". Some of the Daleks are survivors of previous encounters with the Doctor on Spiridon (), Kembel ("" and ), Exxilon (), Aridius (), and Vulcan ().[] Production "Asylum of the Daleks" contained many variations of Daleks from the programme's 50-year history, and was intended to make them appear scary again. "Asylum of the Daleks" contains every kind of Dalek that has ever faced the Doctor, including the from the 1988 story, . Executive producer announced in 2011 that he intended to give a "rest" to the Daleks. The reason for the rest was that Moffat felt their frequent appearances made them the "most reliably defeatable enemies in the universe". Moffat recalled that the Daleks were remembered for being scary, but due to their legacy as British icons they had become "cuddly" over the years and their true menace forgotten; with "Asylum" he intended to make them scary again, reminding the audience of their intentions. He thought the best way to do this would be to show Daleks that were considered even madder than usual. Gillan admitted that she had not been scared of the Daleks before working on the episode. It is also the first Dalek story Moffat has written for the show; he stated that he "couldn't resist" the opportunity. In March 2012, it was announced that would replace Gillan and Darvill as the next companion, first appearing in the . It was Moffat's idea to have her appear in "Asylum of the Daleks" as the character of Oswin. He intended to keep it a secret, and thanked the press and fans that it was not leaked. Whether Coleman's later character is the same as Oswin has yet to be confirmed. According to , the production team located the remaining models of the various versions of the Daleks and shipped them to the studios in . This included a Dalek owned by , Moffat's predecessor. Executive producer Caroline Skinner knew Davies well and asked to borrow his replica. She stated that he was "thrilled" that it was canonised. The total number of different Daleks was around 25, with models from 1963 to 2010; Skinner said that "there was just a real magic and sense of history about having them". Many of the props were built from scratch. The snow scenes on the asylum planet were filmed during the production of "" when the production team realised they were near the snow resort in . Broadcast and reception "Asylum of the Daleks" was preview screened at on 14 August, and at the MediaGuardian Edinburgh International Television Festival during 23–25 August. On 25 August it was also screened in New York City and Toronto. "Asylum of the Daleks" was broadcast on 1 September 2012 on in the United Kingdom, in the United States, and on in Canada, and on 2 September on the service. It will premiere on 8 September 2012 on in Australia, and on 13 September on in New Zealand. Overnight viewing figures for the UK showed that it was watched by 6.4 million viewers, the lowest overnight figure for a premiere episode of the revived series; however, viewing patterns indicate that fewer people watch Doctor Who live, and it won its timeslot. It was also the most-viewed episode on BBC's online the day that it aired. It achieved an of 89, the highest for a series opener of Doctor Who. Critical reception "Asylum of the Daleks" received positive reviews from critics. Dan Martin of praised Moffat's "script packed with ace curveballs and zappy dialogue" and Nick Hurran's direction. He also was pleased that the asylum setting could explore the Daleks while making it reminicent of the classic series. reviewer Gavin Fuller gave it four out of five stars, describing it as a "confident opener" and highlighting the concept and set design of the asylum. He particularly praised Coleman, who he called "the star of the episode". Michael Hogan, also writing for The Telegraph, gave "Asylum of the Daleks" a slightly higher rating of four and a half stars out of five, also commending Coleman as well as many details of the script. Neela Debnath of commented positively on the show's continuing exploration of the Daleks and the more "adult tone", praising the peformance of the three leads. writer Patrick Mulkern stated that it "ticks all [his] boxes as a Doctor Who fan of more than 40 years standing", describing it as "clever, fast, funny, eerie, surprising and tearjerking". Nick Setchfield of gave the episode five out of five stars, calling it a "strong, cinematically-minded series opener" which succeeded in making the Daleks scary. He also praised Coleman's debut, Smith's performance, the special effects, and Amy and Rory's emotional subplot. reviewer noted that the plot "is mostly just an excuse to explore the Doctor's ongoing relationship with the Daleks, and to show how sad it's gotten". 's Morgan Jeffery also awarded it five stars, though he felt Amy and Rory's breakup was "a little difficult to buy" as it was resolved quickly, even if the situation was "sensitively handled" and "deftly performed". Keith Phipps of graded "Asylum of the Daleks" as a "B+", also writing that he had a "quibble" with the Ponds' marriage issue as it had not been foreshadowed. 's Matt Risley rated the episode as 8.5 out of 10, finding that the "only downside" was that "it felt less a tale about the Daleks than an adventure that just happened to have them in it". Maureen Ryan, writing for , felt it was a "ripping start to the season" that redeemed the Daleks from "". While she commended Gillan and Darvill's acting during Amy and Rory's emotional confrontation, she noted that they were not a couple that would break up because of infertility. References . BBC. 14 August 2012. Retrieved 14 August 2012. ^ . Radio Times. 22 August 2012. Retrieved 22 August 2012. ^ Martinovic, Paul (1 September 2012). . . Retrieved 2 September 2012. . Amazon. Retrieved 3 September, 2012. . . Retrieved 3 September 2012. . BBC. 22 August 2012. Retrieved 3 September 2012. (Video). BBC. 22 August 2012. Retrieved 3 September 2012. (Video). BBC. 31 August 2012. Retrieved 2 September 2012. ^ Martin, Dan (1 September 2012). . . Retrieved 2 September 2012. . BBC. Retrieved 3 September 2012. ^ Ryan, Maureen (31 August 2012). . . Retrieved 3 September 2012. ^ Setfield, Nick (1 September 2012). . . Retrieved 2 September 2012. . BBC. 25 June 2012. Retrieved 26 June 2012. ^ . BBC News. 31 May 2011. Retrieved 5 August 2012. ^ (Video). BBC. 29 August 2012. Retrieved 31 August 2012. . BBC. 15 August 2012. Retrieved 15 August 2012. (Video). BBC. 30 August 2012. Retrieved 31 August 2012. Moffat, Steven (28 August 2012). . . Retrieved 31 August 2012. . BBC News. 21 March 2012. Retrieved 25 June 2012. (Video). . 1 September 2012. Retrieved 2 September 2012. ^ Debnath, Neela (1 September 2012). . . Retrieved 2 September 2012. Gee, Catherine (1 September 2012). . . Retrieved 2 September 2012. Hogan, Michael (14 August 2012). . . Retrieved 14 August 2012. Brown, David (24 August 2012). . . Retrieved 26 August 2012. Setchfield, Nick (22 August 2012). . SFX. Retrieved 26 August 2012. (Video). BBC. 1 September 2012. Retrieved 2 September 2012. Sperling, Daniel (25 June 2012). . . Retrieved 25 June 2012. Golder, Dave (9 May 2012). . SFX. Retrieved 10 May 2012. Wicks, Kevin (25 August 2012). . . Retrieved 25 August 2012. . . 23 August 2012. Retrieved 1 September 2012. . . Retrieved 25 August 2012. . . 22 August 2012. Retrieved 25 August 2012. . . 28 August 2012. Retrieved 29 August 2012. . . 22 August 2012. Retrieved 25 August 2012. . Prime TV. 28 August 2012. Retrieved 2 September 2012. . Prime TV. 28 August 2012. Retrieved 2 September 2012. ^ Golder, Dave (2 September 2012). . . Retrieved 2 September 2012. . . 3 September 2012. Retrieved 3 September 2012. Fuller, Gavin (1 September 2012). . . Retrieved 2 September 2012. Hogan, Michael (2 September 2012). . . Retrieved 2 September 2012. Mulkern, Patrick (1 September 2012). . . Retrieved 2 September 2012. Anders, Charlie Jane (1 September 2012). . . Retrieved 3 September 2012. Jeffery, Morgan (1 September 2012). . . Retrieved 2 September 2012. Phipps, Keith (1 September 2012). . . Retrieved 2 September 2012. Risley, Matt (1 September 2012). . . Retrieved 2 September 2012. External links

Here's how I remember it: A touch shocked me. I was reaching for a flash-seared bog-oyster, and then a fingertip, softer than I'd ever felt, brushed my knuckle. The softness startled me so much, it took me a moment to realize the hand had seven fingers, three more than mine. Narrated by Hillary Huber.

The Curse of Clyde Langer is a two-part story of which will broadcast on on 10 and 11 October 2011. It is the second story of the fifth and last series. Contents  []  [] Plot [] Part One At school, Clyde shows Rani The Silver Bullet, a comic he made. While Sarah Jane has a talk with Mr. Chandra on Sky's first day at school, a strange storm interrupts the meeting, when fish begin to fall out of the sky. According to Mr Smith, it is normal for the weather to be raining fish though the fish that day was abnormally large. Thinking it might be related to an old superstition involving a , the gang visits a museum that just opened an exhibition of totem poles and other such items. Before the entrance, a homeless woman begs for money, which Clyde gives to her, stating it probably wasn't her fault she is out in the streets. While in the museum, Clyde gets a splinter from an old totem pole. Dr Madigan explains the legend of the totem pole. Hetocumtek was a vicious warrior who fell out of the skies and tried to enslave the people on the Mojave plains. The tricked the warrior, imprisoning him inside the totem pole. Sarah Jane suspects that Hetocumtek is both a warrior god and an alien. Having detected no alien signs of any kind the gang leaves. That night, Clyde finished his comic and signs his name on it before falling asleep. He fails to notice that his name on all of his documents, including his comic, begins to mysteriously glow orange. Walking to Sarah Jane's house, Clyde shows her The Silver Bullet. She at first takes interest in his comic. At the mention of his name, Clyde's name glows orange in Sarah Jane's eye. Suddenly, Sarah Jane takes a dislike of Clyde as she orders him to leave her house. At the front of the Chandra's residence, Clyde tries to tell Rani and Haresh his problem he had with Sarah Jane only to face the same conflict when Haresh says his name as it glows in their eyes. Haresh then expels him from school. Getting ready for her first day of school, Sky enters the attic. Sarah Jane tells her she will return to the museum to see if there are any connections between the totem pole and the fish incident. When she mentions Clyde to Sarah Jane, she is instructed to stay away from him. Unaffected by the curse, Sky notices the sudden hatred Sarah Jane has for Clyde. At the park, Clyde is treated kindly by Steve until his name is said. Barely escaping from Steve and his gang who was chasing after him, he enters the museum. Asking Dr Madigan about curses, Sarah Jane enters the museum where she advises her to keep away from Clyde. Dr Madigan, who said his name, orders the security guards to throw him out. Clyde returns home where he sees his mum with an envelope addressed to him. Realizing what has happened, he begs her to let him stay after she called the police to capture him. Finally escaping, he walks out of Bannerman Road. Out in the streets in the middle of the rain, the homeless woman he helped offers to assist him as she holds out her hand. [] Part Two While his friends all turn on Clyde as a result from the curse, he meets a mysterious girl on the streets that helps him through the hardship of losing his friends and loved ones. She introduces herself as Ellie. Fearing the curse will do the same to her, Clyde introduces himself as Enrico Box. Ellie tells him about the Night Dragon, how people mysteriously disappears because of the Night Dragon. At the museum, lightning bursts out of the totem pole. Sarah Jane was called in to investigate the suspicions. Scanning, Sarah Jane receives detections of alien energy. She then sees one of the faces' eyes on the pole glow orange. Meanwhile, Sky at school notices how Sarah Jane and Rani hates Clyde but both fails to think of a reason why. Sarah Jane suddenly tears up in the attic although she doesn't know why. The same thing occurs to Rani later in the car as well as Clyde's mum when Sky visits her. All of them feel as if they are missing a person in their life yet they do not realize who it is. Clyde and Ellie visits Mystic Mags, who tells them the Night Dragon is coming and that it will take one of them. She also foresees something else that has put a mark on Clyde, a curse. The totem pole back at the museum begins to cause the weather to rain and thunder heavily as the faces begins to become alive. Within the rain, Clyde and Ellie connects with each other, keeping themselves warm by burning The Silver Bullet. Back in the attic, Sarah Jane and Rani share their tearing experiences. Sky, after being informed that Hetocumtek is getting stronger, discovers that Clyde activated the warrior god when he receives a splinter, creating the curse. She realizes that as long as Clyde is out in the streets, the alien warrior god will get stronger. Sky also sees that his name is the key to stopping Hetocumtek. She manages to convince Sarah Jane and Rani to say his name repeatedly to break the curse upon them. Clyde draws a portrait of Ellie and shows it to her. She then kisses him and tells him she will be back, leaving to get coffee. Sarah Jane and the gang arrives, bringing Clyde to the attic, though it was without choice. There, Mr Smith transports the totem pole to the attic where it begins to fight back, creating lightning and destruction. Clyde, holding onto the pole, shouts, "My name is Clyde Langer!" disintegrating the pole. Clyde, welcomed back by his friends and family, tries to search for Ellie. He asks many people only to find they do not know where or who she is. Clyde suggests they use Mr Smith to track her, but Rani points out her name on a sign, indicating that Ellie took the name. A man there saw Ellie board a truck named "Night Dragon Haulage". He explains that the truck driver occasionally would drive some people to other places for a better life. At night in his room, Clyde reminisces about Ellie as he stares at his portrait of her. [] Cast Notes previously appeared as Carla Langer in and . appeared in the episode "" as . Sara Houghton is the daughter of Doctor Who writer . [] Reception Charlie Jane Anders of io9 thought this story to be as good as stories in the parent show . [] References (Press release). BBC Press Office. Retrieved 2011-10-06. Anders, Charlie Jane (12 October 2011). . io9. Retrieved 14 October 2011. [] External links on at the at the

from wikipedia. "Closing Time" is the twelfth episode of the of the British television series , and was first broadcast on , and on 24 September 2011. Contents [] [] Plot summary Nearly two hundred years have passed for the Doctor after leaving Amy and Rory in ""; and the Doctor is on a farewell tour as he knows he has one more day in his relative time before his death (depicted in ""), saying goodbye to his past companions. He stops by Craig (""), finding he is living with his girlfriend Sophie, moved into a new home, and now raising their baby, Alfie. Craig, tending to Alfie alone while Sophie is away for the weekend, suspects the Doctor is investigating something alien. As the Doctor leaves, he notices an strange electrical disturbance in the area, and decides to investigate. Craig, while at a new department store with Alfie, discovers the Doctor working in the toy department. The Doctor reveals that he has traced the electrical disturbances to the store and using the job to allow him to investigate more. The Doctor and Craig enter a lift and find themselves teleported to a spacecraft, but the Doctor manages to reverse the teleporter and disables it. As Craig returns home, the Doctor sees Amy and Rory shopping, but stays out of their sight. The Doctor continues to follow rumours of a store clerk's disappearance and of a "silver rat". With Craig's help, the Doctor enters the store and catches a Cybermat, which has been siphoning small amounts of energy to the spacecraft. The Doctor also encounters a malfunctioning Cyberman in the building's basement, and is curious how it arrived in the store. At Craig's house, while the two are distracted, the Cybermat reactivates, but they are able to stop it, and the Doctor reprograms the unit to track down the Cybermen signal. The Doctors leaves on his own to locate the Cybermen at the store, but Craig shortly follows, bringing Alfie along. The Doctor finds the spaceship actually sits below the store, underground, accessed by a tunnel from a changing room. The ship has been slowly siphoning energy from the store's power lines, reactivating its crew. The Doctor is captured by the Cybermen, who tell him that their ship crashed long ago, but with this new energy, will soon have enough power to convert the human race. Craig, leaving Alfie with a store clerk, follows the Doctor into the tunnel, and is also captured and placed into a conversion machine. The Doctor reveals his own impending death and urges Craig to fight, but the conversion appears to be complete until Alfie's cries over the closed-circuit television echo in the ship. Craig fights the conversion, sending the rest of the Cybermen into overload as they painfully experience the emotions they have repressed. The Doctor and Craig escape via the teleporter as the ship explodes, the blast contained by the cavern. The Doctor slips away unseen, but Craig returns home to find that the Doctor has used time travel to clean the mess from the previous night. The Doctor tells Craig that Alfie now has a much higher opinion of his dad. The Doctor leaves just before Sophie returns. Nearby, the Doctor tells the TARDIS he knows this is his last trip in her and offers some parting words to a small group of children. In the far future, River Song, recently made a Doctor of Archaeology, reviews eyewitness accounts from those children, and also notes the date and location of the Doctor's death. She is interrupted by Madame Kovarian and agents of ; Kovarian tells River that she is still theirs, and will be the one to kill the Doctor. They place her in an astronaut's suit and submerge her in the lake to await the Doctor. [] Continuity Two hundred years have passed for the Doctor since the events of "", taking him to the age his older self was in "". Multiple events in the episode correspond to those of "The Impossible Astronaut": the Doctor takes from Craig's home the "TARDIS blue" envelopes he uses to bring Amy, Rory, River, Canton Delaware and his younger self to Lake Silencio; Craig gives him the Stetson hat he wears at the start of that episode; and the "impossible astronaut" is confirmed to be River Song. The Cybermen, like those in "", do not bear the Cybus Industries logo on their chests. are shown for the first time in the revived series. In the classic series, they appeared in , and . The Doctor stops by to see Craig before he dies, as the Tenth Doctor popped in on his former companions before regenerating in . The Doctor claims to be able to "speak 'baby'", as he did in "". The Doctor expresses his dislike for Craig's "redecorated" house in a variation of lines spoken by the in and , and Craig explains to the Doctor that the reason his house looks different is that it is a different house from the one he had in ""; Craig also remarks that he has inspected the upstairs level, alluding to the false story shown in "The Lodger". The Doctor echoes himself in the classic series serial when he recites the mini-poem "Not a rat, a Cybermat" from the novelization of Revenge of the Cybermen. Amy appears in an ad for Petrichor perfume, with the tagline, "For the girl who's tired of waiting." The concept of was used as a psychic password in "" and means "the smell of dust after rain". The Doctor frequently refers to Amy as "the girl who waited". [] Production Writer said in an interview that he was considering bringing the character of Craig back when was cast and he saw his performance, saying that "it already felt like he was one of the Who family". It was also his idea to bring back the Cybermen, because there were no other returning monsters in the series and he thought "there should be a sense of history about the Doctor's final battle to save Earth before he heads off to meet his death". [] Cast notes This episode marks 's third involvement with Doctor Who, having provided vocals for the "Ballad of the Last Chance Saloon", heard in , and appeared in as Wrack. The accompanying to "Closing Time" is entitled "Open All Hours" in honour of Baron's role in the . DJ appears in a non-speaking cameo role, as a man shopping for lingerie. [] Broadcast and reception "Closing Time" was first broadcast in the United Kingdom on on 24 September 2011 and in the United States on on the same date. It achieved overnight ratings of 5.3 million viewers, coming in second for its time slot behind . [] Critical reception The episode received generally positive reviews, with critics praising the comic interplay between Smith and Corden. Jack Pelling of Celluloid Heroes Radio praised Roberts' deftly crafted comic script, and described it as "one of the most enjoyable episodes of Doctor Who in recent years". Dan Martin of questioned the decision to air a standalone episode as the penultimate show of the series, calling "Closing Time" "something of a curiosity" as well as writing positively about "Smith and Cordon's double act". Gavin Fuller of awarded the episode three out of five stars, comparing Smith's performance favourably to that of . Neela Debnath of said it was an "intriguing change of pace" and succeeded with "great comedic moments" and the "brilliant chemistry between the Doctor and Craig". She praised Corden for excelling after his "average" performance in "The Lodger". Patrick Mulkern, writing for , thought that the ending was an "emotional overload...but what better way to deal with the emotionally deprived Cybermen?" He was pleased with the "sweet cameo" from Amy and Rory and the "tense coda" with River Song and Kovarian. 's Matt Risley rated the episode 7.5 out of 10, praising the chemistry between Smith and Corden as well as Smith's interaction with the baby, but was disappointed with the Cybermen, who he said "never really delivered on the threat or horror fans know they're capable of". reviewer Rob Power gave the episode three and a half out of five stars, saying it "[worked] wonders" as a light-hearted episode before the finale and with "properly bad" Cybermen. Though he thought the Cyberman lacked "real menance" and Craig escaped in a "cheesy way", he considered the main focus to be on the Doctor's "farewell tour" and praised Smith's performance. He thought that the moments of "sad-eyed loneliness and resignation" added weight to "what would otherwise have been a paper-thin episode". He also praised the ending for bringing things together for the finale, though he thought the final scene with River Song felt "a little tacked-on". [] References "". . Doctor Who Confidential. . 24 September 2011. No. 12, series 6. 4:52 minutes in. "The Doctor allows Craig to come along and play the part of his companion [...]" ^ . BBC. 17 September 2011. Retrieved 18 September 2011. ^ Martin, Dan (24 September 2011). . The Guardian. Retrieved 24 September 2011. . (writer), (director). . . . 25 December 2009–1 January 2010. No. 4, season . The Eleventh Doctor tells in that he visited her and each of his companions. ^ . BBC. Retrieved 25 September 2011. Anders, Charlie Jane (24 September 2011). . io9. Retrieved 25 September 2011. Novelisation of by ^ Power, Rob (24 September 2011). . SFX. Retrieved 25 September 2011. . BBC. 22 September 2011. Retrieved 23 September 2011. (Press release). BBC. Retrieved 25 September 2011. . BBC America. Retrieved 25 September 2011. Golder, Dave (25 September 2011). . SFX. Retrieved 25 September 2011. Pelling, Jack (24 September 2011). . Celluloid Heroes Radio. Retrieved 24 September 2011. Fuller, Gavin (24 September 2011). . The Telegraph. Retrieved 25 Septembe 2011. Debnath, Neela (25 September 2011). . The Independent. Retrieved 25 September 2011. Mulkern, Patrick (24 September 2011). . Radio Times. Retrieved 25 September 2011. Risley, Matt (25 September 2011). . . Retrieved 25 September 2011. at the

reprinted from wikipedia with thanks and respect The God Complex From Wikipedia, the free encyclopedia 221 – "The God Complex" episode Cast () () () Others  — Lucy Hayward  — Rita  — Howie Spragg Daniel Pirrie — Joe Buchanan  — Gibbis Caitlin Blackwood — Amelia Pond Dafydd Emyr — PE Teacher  — The Creature Rashad Karapiet — Rita's Father Roger Ennals — Gorilla Production Writer Director Producer Executive producer(s) Length 50 mins Originally broadcast 17 September 2011 Chronology ← Preceded by Followed by → "" "" "The God Complex" is the eleventh episode of the of the British television series , and was first broadcast on , and on 17 September 2011. Contents [] [] Plot summary The TARDIS, while traveling to a new planet, arrives in what appears to be a 1980's Earth hotel, but the Doctor recognizes it as an alien structure specifically designed to take that appearance. They soon meet a group of four, humans Rita, Howie, Joe, and the alien Gibbis, each who had previously been taken from their routine lives and found themselves in the hotel. The four explain that there is a minotaur-like beast in the hotel that consumes others. It does this by enticing them to enter one of the many rooms in the hotel which contains their greatest fears, upon which they become brainwashed to "praise him" and allow themselves to be taken, their bodies left without any signs of life; many others have experienced this, and photos of them and their fears cover many of the hotel's walls. The hotel is inescapable — its doors and windows walled up — and its halls and rooms can change on a whim. The Doctor, Amy, and Rory soon find the TARDIS has also disappeared, and the Doctor warns them from opening any door they are drawn to, for fear of being possessed. As the Doctor tries to ascertain the situation, Joe, already possessed, has been drawn away from the group and is killed by the beast. Howie soon becomes possessed after entering a room against the Doctor's warnings. The remaining group set up a trap to lure the beast into the hotel's parlor using Howie's voice, upon which the Doctor questions the trapped creature and learns it is in agony wishing for its end. The Doctor realises the hotel is really a prison for the creature, and the "fears" in each room are harmless illusions. Howie escapes from the group, allowing the beast to escape and chase him down, killing him before the Doctor can save him. While exploring more of the hotel, both Amy and the Doctor are separately lured to look into two specific rooms, facing their own fears. Rita soon follows the fate of Joe and Howie. The Doctor, Amy, Rory, and Gibbis regroup, and the Doctor surmises that the other three believed that some higher fate controlled their lives. The hotel and its rooms were, by design, meant to challenge their faith by fear to allow the beast to possess them. The Doctor identifies that Gibbis has survived due to the extreme cowardice of his species, while Rory lacks any such faith to be broken. However, the Doctor realises that it is Amy's faith in him that is being challenged; Amy soon becomes possessed like the others. As the beast comes for Amy, the Doctor and the others grab her and take her to the room of her entrancement. Inside, they find the illusion of young Amy, Amelia, still waiting for the return of her "raggedy Doctor" (""). The Doctor asserts to Amy that he is "not a hero" but "just a mad man with a box" to break her faith in him; her faith broken, the beast outside the door collapses on the floor. As they watch, the hotel is revealed to be part of a large simulation; the Doctor identifies themselves aboard an automated prison spaceship, and the beast as a relative of the Nimon, a creature that feeds off the faith of others. The ship's automated systems had provided it "food" by bringing aboard creatures who had a strong faith. The Doctor identifies Amy's faith in him as the cause of their arrival on the ship. The beast mutters that "death would be a gift" for the Doctor before it passes away. The Doctor finds his TARDIS nearby, offering Gibbis a lift home. He then takes Amy and Rory back to their home on Earth, believing it best for the two to stop traveling with him for fear that their faith in him would lead to their deaths. The Doctor sets off alone in the TARDIS, contemplating these recent events. [] Continuity Several references to past alien species are displayed throughout the wall of photos of the past victims of the beast: Tritovore, Silurian, Sontaran, Judoon, Cat Nun, and the Daleks are referenced as the nightmare faced by one of the late guests. The Doctor identifies the beast as being from a species who are close relatives to the Nimon, previously a foe in the serial and audio drama ; and the group witnesses two illusions of , from the episodes "", "", and "". Though the audience is not shown the contents of the room that the Doctor is lured to open, the sound of the TARDIS' can be heard. This episode is the third time in the television series where the Doctor has forced his companions to leave the TARDIS, following and . Young Amelia, played by Gillan's cousin Caitlin Blackwood, is shown waiting for her "raggedy Doctor" to return from the episode "". The Doctor, being forced to break Amy's faith in him, repeats a previous event in where the is forced to break 's faith in him. [] Production originally pitched the episode for the with the idea of a hotel with shifting rooms. Showrunner thought that there were too many instances in which the characters were running through corridors in that series, so Whithouse wrote "" instead and "The God Complex" was pushed to the next series. The idea to have a be the monster came from Whithouse's love for . , who plays Gibbis in this episode, previously appeared in the audio drama where he played two separate characters. [] Outside references The hotel and setting has been compared to 's film, , using similar composition such as long corridor shots. [] Broadcast and reception "The God Complex" was first broadcast in the United Kingdom on on 17 September 2011 and on the same date in the United States on . Overnight ratings showed that 5.2 million viewers watched the episode on , beaten by direct competition on 1. This made Doctor Who third for the night behind and Family Fortunes. The episode was ranked number 1 on BBC's the day after it aired service and also was popular on social networking site , where the phrase "Amy and Rory" trended the night it aired. [] Critical reception The episode received generally positive reviews from critics. Jack Pelling of Celluloid Heroes Radio praised look of the episode, describing it as "stylishly directed by Nick Hurran, whose use of Dutch camera angles and Hitchcock zooms gave the episode an impressive, cinematic quality." Gavin Fuller of The Daily Telegraph awarded the episode 3 and a half stars, stating that "the surreal tone to the episode, helped camouflage the fact that the plot made very little sense." Dan Martin of the Guardian was surprised by the exits of Amy and Rory stating that "since the reboot they've been big, climactic, end-of-the-universe tragedies." Martin also praised Karen Gillan for her performance and stated that her exit was "the kind of ending that would have been nice for Sarah-Jane, really." Martin also praised Smith's Doctor stating that we start to see the darkside more, particularly directed at himself and stronger than Tennant's portrayal. The main part of the episode Martin felt that it was "like a runaround bolted on to make way for the ending." Continuing to add that as has already been shown in this series the formula is not a recipe for success. Martin sums up the episode though by describing it as funny and thoughtful. [] References ^ Martin, Dan (2011-09-17). . . Retrieved 2011-09-17. Queenie Le Trout (2011-09-17). . . Retrieved 2011-09-17. Anders, Charlie Jane (2011-09-17). . . Retrieved 2011-09-17. Brew, Simon (2011-09-17). . . Retrieved 2011-09-17. ^ . BBC. 10 September 2011. Retrieved 11 September 2011. Golder, Dave (25 July 2011). . SFX. Retrieved 11 September 2011. . . Retrieved 2011-09-11. Phillips, Keith (2011-09-17). . . Retrieved 2011-09-17. Mulkern, Patrick (2011-09-18). . . Retrieved 2011-09-18. (Press release). BBC. Retrieved 18 September 2011. . . Retrieved 18 September 2011. Golder, Dave (18 September 2011). . . Retrieved 18 September 2011. Pelling, Jack. . The God Complex. Celluloid Heroes Radio. Retrieved 17 September 2011. [] External links Wikiquote has a collection of quotations related to: on at the at the

The Categories of Life reprinted From Wikipedia, the free encyclopedia with respect and thanks "The Categories of Life" episode Cast Starring – – – – – – Others – – – – – – Ralph Coltrane – Blue Eyed Man – Daniel Adegboyega – Guard Brad Bell – Nurse Chris Charles Carpenter – News Reporter Jim Conway – Man Jonathan Dane – Handsome Man Teresa Garza – Spanish Newscaster Brendan Hughes – Pidgeon Joelle Elizabeth Jacoby – Excited Teenager Liz Jenkins – Rachel Ria Jones – Pushy Woman Masami Kosaka – Japanese Newscaster – Maria Candido Francine Morgan – Stressed Woman Stuart Nurse – Thomason Tracy Pfau – Pale Woman Caroline Whitney Smith – Paramedic Vito Viscuso – Angry Man Randa Walker – Candice Production Writer Director Guy Ferland Producer (UK unit) Executive producer(s) Jane Espenson (co-executive) (co-executive) Production code 105 Length 55 minutes Originally broadcast 5 August 2011 Chronology ← Preceded by Followed by → "" "" "The Categories of Life" is the fifth episode of the of British series , and was first broadcast in the United States on on 5 August 2011 and in the UK on 11 August. Contents [] [] Plot summary The government panels are cancelled after PhiCorp and the world's governments implement a categorization system regarding life. Those who should have died and are brain-dead are assigned Category 1 status, and those who have persistent injuries/diseases are to be given Category 2 while Category 3 status are normal people who have no or minor injuries. Category 1s and 2s are sent to Overflow Camps which resemble where there are hidden modules not appearing on satellite footage, and Torchwood suspects that these modules have a dark purpose. Appalled by growing governmental control over life and death, Vera travels to California to assist Torchwood. As he survived a fatal injury, Rex investigates a camp in California as a Category 2 patient while Esther sneaks in and administratively assigns Rex a Category 1 status and smuggles him a camera to film evidence. Using her medical panel credentials, Vera attempts to inspect the treatment of Category 1 patients and discovers that many conscious people are being assigned Category 1 status, essentially being declared non-living by the government. Vera threatens to prosecute Colin Maloney, the man overseeing the overflow camp after she sees the inhumane conditions which conscious Category 1 patients are enduring. He panics and shoots her. To cover up his actions, he and soldier Ralph Coltrane transport her to one of the modules and place her inside. Elsewhere, Jack tries to convince Oswald to use his fame to expose PhiCorp's advanced knowledge of the Miracle, but Oswald goes ahead with his pro-PhiCorp televised speech to a packed stadium. Meanwhile, Gwen returns to Wales to rescue her father from an Overflow Camp. During the escape attempt, her father suffers another heart attack and the doctors later give him Category 1 status, which Gwen struggles to challenge. When her husband Rhys reveals to her that the camp's personnel are taking Category 1 patients to the "burn unit", Gwen deduces that the modules are in fact incinerators used to burn the Category 1 patients. This is grimly confirmed when, back in the California Overflow Camp, Maloney activates the incinerator on the module containing Vera. Rex comes across Vera but cannot free her, and is forced to watch her being burned alive, reluctantly video recording her agony. [] Reception Writing for the Guardian, Dan Martin describes this episode as the episode in which "Miracle Day finally realised its potential". For Martin, the success of the episode is based on the fact that it revolves around "looking at humanity through a camera contact-lens, darkly". He concludes by opining that although this episode is set in a world completely different to our own this episode has greater than those previous. 's Heather Hogan also praised the writing of the episode, stating that although she knew in advance that Vera was going to die, the ending left her with her mouth "completely agape". Hogan felt that the use of Nazi imagery relating to the in-universe use of the final solution was particularly unsettling. She questions whether this is making the show too dark, but ultimately concludes that the reverses applies, as Miracle Day now has her full attention, stating that the final scenes will continue to haunt her. Writing for entertainment site io9 Charlie Jane Anders also praises the set-up of the episode, stating that it illuminates a basic truth about the perils of rationing healthcare. She also praises the way some of the failures of the protoganists (particuarly Vera and Gwen) play into the episode, stating that "'The Categories of Life' exposes human vanity in the way that only a script by Jane Espenson could". [] References Martin, Daniel (6 August 2011). . . Retrieved 6 August 2011. Hogan, Heather (8 August 2011). . AfterElton. Retrieved 10 August 2011. Anders, Charlie Jane (7 August 2011). . io9. Retrieved 10 August 2010. [] External links

It's the introduction of three major characters to Graymalkin Lane! Cable! Wolfsbane! And Moira MacTaggert! New episode featuring the story from Cable -1, a time-traveling adventure set in the X-Men's pre-history! But first, Chad and the hosts of the X-Wife Podcast interview the world-building and brilliant Charlie Jane Anders! We discuss New Mutants, trans-representation in comics, and zany super-hero adventures. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy