Podcast appearances and mentions of chris cobb

Welcome to Gene-ology, a podcast by Roddenberry Entertainment that dives deep into the early TV writing works of Gene Roddenberry. Much has been made of how progressive Gene Roddenberry's TV writing was, but one line from the original script for "Dutchman's Reef" caught even your hosts off guard - and shows just how far ahead of his time Gene was. Hosted by Earl Green & Ashley Thomas About Gene-ology Gene-ology explores Gene Roddenberry's early television scripts, including his lesser-known works before Star Trek using the Mission Log format popularized by Roddenberry Podcasts. We analyze the themes, writing style, and cultural impact of his scripts, and we even unearth stories from the Roddenberry archives that were never produced. Join us as we trace the roots of Gene's creative genius. In This Episode A breakdown of key moments and themes in "Dutchman's Reef." Exploring Gene Roddenberry's evolving style and storytelling. How this episode ties into the broader TV landscape of the time and reflects the early seeds of Roddenberry's visionary work. Guest stars and unique production elements that bring this episode to life. Special Segment: Dramatic Recreation Since this episode was never produced (or the original video can't be found), we've brought it to life with a dramatic recreation! Special guests Norman C. Lao and Bo Nicholson perform a key section of the script as Chris Cobb and Dan Ledward. Listen in as they bring the story to life in this exclusive performance. Join the Conversation What did you think of this episode? Share your thoughts, theories, and favorite moments in the comments or reach out to us on social media or email us at missionlog@roddenberry.com Did you know Roddenberry Podcasts is on YouTube? Find the video versions of your favorite shows like Mission Log: Prodigy, Mission Log: The Orville, as well as exclusive content only available on YouTube. Subscribe now! https://www.youtube.com/@RoddenberryEntertainment?sub_confirmation=1 Follow us on Social Media: INSTAGRAM https://www.instagram.com/roddenberrypodcasts BLUESKY https://bsky.app/profile/roddenberrypod.bsky.social THREADS https://www.threads.net/@roddenberrypodcasts FACEBOOK https://www.facebook.com/MissionLogPod Our shows are part of the Roddenberry Entertainment family. For more great shows and to learn how we live the legacy of Gene Roddenberry, the creator of Star Trek, follow us here: RODDENBERRY PODCASTS https://www.instagram.com/RoddenberryPodcasts RODDENBERRY ENTERTAINMENT https://www.instagram.com/RoddenberryOfficial RODDENBERRY FOUNDATION https://www.instagram.com/TheRoddenberryFoundation Support the Show For as little as $1 a month, you can gain access to our Mission Log Discord Community! There, we continue the discussion with dedicated channels and a weekly video chat with the hosts. Become a member of our Patreon today! https://www.Patreon.com/MissionLog Subscribe and Stay Tuned Be sure to subscribe to Gene-ology for more deep dives into Gene Roddenberry's early works. New episodes are released regularly as we uncover more of Gene's television legacy.   – Gene-ology is produced by Roddenberry Entertainment. Executive producer Eugene "Rod" Roddenberry. Visit https://Podcasts.Roddenberry.com for more great content. Edited by Earl Green.

Welcome to Gene-ology, a podcast by Roddenberry Entertainment that dives deep into the early TV writing works of Gene Roddenberry. Gene's second episode of Whiplash, "Sarong", proves to be a surprisingly progressive stew of villains you love to hate, pearls, hungry sharks, amazing filming locations, sisters doin' it for themselves, and Peter Graves jumping off a horse like nobody's business. Hosted by Earl Green & Ashley Thomas About Gene-ology Gene-ology explores Gene Roddenberry's early television scripts, including his lesser-known works before Star Trek using the Mission Log format popularized by Roddenberry Podcasts. We analyze the themes, writing style, and cultural impact of his scripts, and we even unearth stories from the Roddenberry archives that were never produced. Join us as we trace the roots of Gene's creative genius. In This Episode A breakdown of key moments and themes in "Sarong." Exploring Gene Roddenberry's evolving style and storytelling. How this episode ties into the broader TV landscape of the time and reflects the early seeds of Roddenberry's visionary work. Guest stars and unique production elements that bring this episode to life. Special Segment: Dramatic Recreation Since this episode was never produced (or the original video can't be found), we've brought it to life with a dramatic recreation! Special guests Norman C. Lao and Paul Cooper perform a key section of the script as Chris Cobb and Zumwalt. Listen in as they bring the story to life in this exclusive performance. Join the Conversation What did you think of this episode? Share your thoughts, theories, and favorite moments in the comments or reach out to us on social media or email us at missionlog@roddenberry.com Did you know Roddenberry Podcasts is on YouTube? Find the video versions of your favorite shows like Mission Log: Prodigy, Mission Log: The Orville, as well as exclusive content only available on YouTube. Subscribe now! https://www.youtube.com/@RoddenberryEntertainment?sub_confirmation=1 Follow us on Social Media: INSTAGRAM https://www.instagram.com/roddenberrypodcasts BLUESKY https://bsky.app/profile/roddenberrypod.bsky.social THREADS https://www.threads.net/@roddenberrypodcasts FACEBOOK https://www.facebook.com/MissionLogPod Our shows are part of the Roddenberry Entertainment family. For more great shows and to learn how we live the legacy of Gene Roddenberry, the creator of Star Trek, follow us here: RODDENBERRY PODCASTS https://www.instagram.com/RoddenberryPodcasts RODDENBERRY ENTERTAINMENT https://www.instagram.com/RoddenberryOfficial RODDENBERRY FOUNDATION https://www.instagram.com/TheRoddenberryFoundation Support the Show For as little as $1 a month, you can gain access to our Mission Log Discord Community! There, we continue the discussion with dedicated channels and a weekly video chat with the hosts. Become a member of our Patreon today! https://www.Patreon.com/MissionLog Subscribe and Stay Tuned Be sure to subscribe to Gene-ology for more deep dives into Gene Roddenberry's early works. New episodes are released regularly as we uncover more of Gene's television legacy.   – Gene-ology is produced by Roddenberry Entertainment. Executive producer Eugene "Rod" Roddenberry. Visit https://Podcasts.Roddenberry.com for more great content. Edited by Earl Green.

Welcome to Gene-ology, a podcast by Roddenberry Entertainment that dives deep into the early TV writing works of Gene Roddenberry. Welcome to Whiplash, a show about Australia's old west whose makers tried to lure Gene to live and work in the UK! His first script for this western starring Peter Graves left little doubt that it was the work of Gene Roddenberry. Hosted by Earl Green & Ashley Thomas About Gene-ology Gene-ology explores Gene Roddenberry's early television scripts, including his lesser-known works before Star Trek using the Mission Log format popularized by Roddenberry Podcasts. We analyze the themes, writing style, and cultural impact of his scripts, and we even unearth stories from the Roddenberry archives that were never produced. Join us as we trace the roots of Gene's creative genius. In This Episode A breakdown of key moments and themes in "Episode In Bathurst." Exploring Gene Roddenberry's evolving style and storytelling. How this episode ties into the broader TV landscape of the time and reflects the early seeds of Roddenberry's visionary work. Guest stars and unique production elements that bring this episode to life. Special Segment: Dramatic Recreation Since this episode was never produced (or the original video can't be found), we've brought it to life with a dramatic recreation! Special guests Norman C. Lao and Julian Stone perform a key section of the script as Chris Cobb and Mr. Perkins. Listen in as they bring the story to life in this exclusive performance. Join the Conversation What did you think of this episode? Share your thoughts, theories, and favorite moments in the comments or reach out to us on social media or email us at missionlog@roddenberry.com Did you know Roddenberry Podcasts is on YouTube? Find the video versions of your favorite shows like Mission Log: Prodigy, Mission Log: The Orville, as well as exclusive content only available on YouTube. Subscribe now! https://www.youtube.com/@RoddenberryEntertainment?sub_confirmation=1 Follow us on Social Media: INSTAGRAM https://www.instagram.com/roddenberrypodcasts BLUESKY https://bsky.app/profile/roddenberrypod.bsky.social THREADS https://www.threads.net/@roddenberrypodcasts FACEBOOK https://www.facebook.com/MissionLogPod Our shows are part of the Roddenberry Entertainment family. For more great shows and to learn how we live the legacy of Gene Roddenberry, the creator of Star Trek, follow us here: RODDENBERRY PODCASTS https://www.instagram.com/RoddenberryPodcasts RODDENBERRY ENTERTAINMENT https://www.instagram.com/RoddenberryOfficial RODDENBERRY FOUNDATION https://www.instagram.com/TheRoddenberryFoundation Support the Show For as little as $1 a month, you can gain access to our Mission Log Discord Community! There, we continue the discussion with dedicated channels and a weekly video chat with the hosts. Become a member of our Patreon today! https://www.Patreon.com/MissionLog Subscribe and Stay Tuned Be sure to subscribe to Gene-ology for more deep dives into Gene Roddenberry's early works. New episodes are released regularly as we uncover more of Gene's television legacy.   – Gene-ology is produced by Roddenberry Entertainment. Executive producer Eugene "Rod" Roddenberry. Visit https://Podcasts.Roddenberry.com for more great content. Edited by Earl Green.

Dive deep into Battle Pass design with industry experts discussing Overwatch 2's approach, player psychology, and monetization strategies. Learn essential insights about progression systems, player choice, and value perception from game developer Ted Park and former Riot meta-systems expert Chris Cobb, hosted by Joseph Kim of Lila Games.Content Overview0:00 - Introduction and Battle Pass Overview3:35 - Hero-Based Games: The Main Character Problem7:20 - Battle Pass Progression and Grindiness13:15 - Value Perception and Premium Options18:40 - Customization vs Production Realities24:10 - Battle Pass Currency and Mythic Rewards System31:25 - Loot Boxes: Their Surprise Return38:15 - IP Integration and Themed Content43:50 - Ideal Battle Pass Design: Expert Recommendations52:15 - Conclusion and Key TakeawaysSUBSCRIBE TO GAMEMAKERS:- Newsletter: https://gamemakers.substack.com/

This week for What Where When-sday, we discuss 615 Indie Live happening this Saturday at various independent music venues across Nashville with Chris Cobb, the president of Music Venue Alliance Nashville. 

What makes Nashville's indie music scene so special, and why are independent venues the heart of Music City? In this episode, host Marie Cecile Anderson is joined by Chris Cobb, President of Music Venue Alliance Nashville, to discuss the mission behind 615 Indie Live. Chris shares his insider perspective on how this groundbreaking festival showcases over 50 local artists across 14 beloved venues, highlights the resilience of Nashville's music community, and explains how we can preserve these cultural landmarks in a rapidly changing city. We're doing a survey to learn more about our listeners. We'd be grateful if you took the survey at citycast.fm/survey—it's only 7 minutes long. You'll be doing us a big favor. Plus, anyone who takes the survey will be eligible to win a $250 Visa gift card–and City Cast City swag. Want some more City Cast Nashville news? Then make sure to sign up for our Hey Nashville newsletter.  Follow us @citycastnashville You can also text us or leave a voicemail at: 615-200-6392⁩ Interested in advertising with City Cast? Find more info HERE.

Join us for an enlightening discussion with Chris Cobb as he dives into the world of finance. Discover his expert insights on achieving financial stability, essential terms you should know, and his mission to empower others through online courses. Don't miss this opportunity to gain valuable knowledge in this informative episode!Instagram- https://www.instagram.com/chriscobb_chosen/Youtube.com- https://www.youtube.com/channel/UC9q-8ptyEl3npBwlQzbY-bgWebsite- https://www.chosenins.com/thesocialschematicTune in every Tuesday at 8 AM for another inspiring success story, along with the proven formula to help you achieve your own goals. Don't miss out on the insights that could change your life!Listen to our podcast on:Buzzsprout- https://successformulapodcast.buzzsprout.com/Spotify - https://open.spotify.com/show/7aRe06pXIq6yq8GQf62NBMAmazon Music - https://music.amazon.com/podcasts/1393b77c-626a-4a53-bdd5-43ce3b1aa15b/success-formula-podcastApple Podcast- https://podcasts.apple.com/gb/podcast/success-formula-podcast/id1748704615Our Social Media:Youtube: https://www.youtube.com/@OfficialSuccessFormulaInstagram: https://www.instagram.com/officialsuccessformula/Twitter: https://x.com/_SuccessFormula/Tiktok: https://www.tiktok.com/@officialsuccessformula

Dear Founders, CEOs, Leaders, It's time to let go!  Sincerely,  Your team of trusted colleagues. There is no single key to success for every business, because success is achieved through your team. Every leader knows this.... but how many leaders truly act on this trust? In this episode we listen to Christopher Cobb, Founder & President of Select Transport Group, share his experience in growing a business and learning to let go. We dive into the joy of reconnecting with trusted colleagues and the comfort these relationships bring in navigating the challenges of a new company.  With a charming tale of a massive Lego Star Destroyer that faced unplanned demolition during a lively game of hide and seek, you'll discover how this playful incident mirrors the balance between creativity and precision needed in business. Thank you to our sponsor, Salesdash CRM – A CRM for Freight Logistics. Salesdash CRM is built for freight broker & agent sales teams. Manage your shipper prospecting and follow-ups. Organize your carriers and the lanes they run. Learn more at www.betaconsultinggroup.com/standing-out   Standing Out is a sales, marketing & leadership podcast powered by BETA Consulting Group, created to highlight best practices from industry leaders with incredible experience and insights! The goal is to entertain, educate & inspire individuals & companies to improve their sales, marketing & leadership development outcomes.

Music Citizens is about the people who make music work. Each episode will explore what it takes to do the jobs that keep the music business moving and introduce you to the characters who are often well-known within their worlds but whose vital work goes largely uncelebrated. Today, we're speaking with Jason Moon Wilkins, program director for WNXP and host of the Music Citizens podcast, and Justin Barney, assistant program director for WNXP and the reporter and producer of Music Citizens, about their new project, the inspiration behind it, and the first episode (“The Lifer,” featuring The End's Bruce Fitzpatrick). Then, later on in the show, we're joined by the president of the Music Venue Alliance of Nashville, Chris Cobb, to take a look at the difficulties facing independent music venues in Nashville, like The End.This episode was produced by Mary Mancini.Guests Jason Wilkins | Program Director, WNXP; Host of Music Citizens Justin Barney | Assistant Program Director, WNXP; Reporter and Producer of Music Citizens Chris Cobb | President, Music Venue Alliance of Nashville Further Reading You can listen to the first episode of Music Citizens wherever you get your podcasts or visit the WNXP website. This year, the Tennessee General Assembly passed legislation to create a "Live Music & Performance Venue Fund" to be administered by the Tennessee Entertainment Commission. You can read more about the bill by visiting the website of Tennessee's state legislature. You can learn more about Music Venue Alliance of Nashville, or MVAN, by visiting their website at mvan.org.

Mentioned in this EpisodeAdvertisers for this episode Bending Branch Winery Connect with the Podcast: Facebook: @texaswinepod Instagram: @texaswinepod Email: texaswinepod@gmail.com Visit www.thisistexaswine.com Help the Show: Subscribe to the newsletter. Donate virtual Texas wine or join the podcast membership at the Gold Medal, Silver Medal, or Bronze Medal Level! Leave a review on Spotify or Apple Podcasts! Texas Wine NewsWilliam Chris Wine Company to Donate Portion of Sales to Feeding TexasIntroducing Signor - Far West - VIDEODr. Russ Kane's Specialist of Texas Wine Course LIVE in Comfort - LINKGrafted: Uniting Women in Texas WineInterview with Jeremy Wilson, Brand Ambassador and Sommelier at Adega Vinho WineryFollow Jeremy on IG at @jeremy_wilson13 and see him at Adega Vinho Winery. Taste his Rock Flower Creations there too!Mentioned in the interview:Vinovium's Rose Revelry event - LINK Gold Star Pedernales Cellars' sponsorship of the Hill Country Film Festival Demerit Still those wineries that don't serve Texas wines! Don't forget to #AskForTexasWines yall! Special ThanksNeed lodging in Fredericksburg? Check out Cork + Cactus! Find Cork + Cactus and many more great rentals at Heavenly Hosts.com! Thanks to Texas Wine Lover for promotional help! For the latest information on Texas wineries and vineyards, visit Texas Wine Lover. Don't forget to download the Texas Wine Lover app too!Wine & Food FoundationI'm so happy to be part of the community of wine and food lovers at The Wine & Food Foundation! Get more information about upcoming events, wine education classes, and membership options here.

Meet Chris. Christopher Cobb is the CO-CEO of Chosen Agency in Houston, TX, a Fintech-focused Independent Life Insurance brokerage offering Financial Education for consumers and paths to Entrepreneurship for aspiring entrepreneurs in the Insurance Industry. Growing up in a small town in rural Georgia, he began his professional career after college in a Management trainee program with a major car rental company before entering the insurance industry as an underwriter, working on bank and credit union accounts for a large insurance carrier. Since he worked for an insurance company, many of his relatives assumed he knew all things insurance and began to ask him about Life insurance, even though he worked in Property & Casualty. With that motivation, he decided to get a Life insurance license to help family and friends part-time while maintaining his underwriting career. Less than a year later, he knew he had found his true calling, and along with his life, started their own business in the industry that would firmly establish a limitless legacy for their family… all because He Got License. Chris on Instagram: www.instagram.com/chriscobb_chosen/ Website: linktr.ee/chriscobb_chosen Facebook: www.facebook.com/ChosenInsAgency/ Linked: https://www.linkedin.com/in/christopher-cobb-6234a449/ YSGAL Podcast is the number #1 source for anyone looking to learn about or join the most underrated opportunity in business today...a career in the Insurance industry. Get educated, motivated, and inspired for your journey, as you learn How and Why..."You Should Get A License" Buy the 'You Should Get A License' Book: https://a.co/d/cgjRqNT Looking to get into the industry?: ⁠⁠⁠⁠⁠https://Bit.ly//Ysgetalicense⁠⁠⁠⁠⁠ Support this podcast: ⁠⁠⁠⁠⁠https://anchor.fm/ysgetalicense/support⁠⁠⁠⁠⁠ Host Social Media: IG: ⁠⁠⁠⁠⁠https://www.instagram.com/ysgetalicense/⁠⁠⁠⁠⁠ Tik Tok: ⁠⁠⁠⁠⁠https://www.tiktok.com/@ysgetalicense⁠⁠⁠⁠⁠ Linked In: ⁠⁠⁠⁠⁠https://www.linkedin.com/groups/12524487/⁠⁠⁠⁠⁠ About me: Greetings! My name is Rod Powell. I'm an insurance and financial services professional and Author based in the DC, Maryland, and Virginia areas. I'm multi-state licensed in Life & Health and Virginia licensed in Property & Casualty Insurance, a Registered Employee Benefits Consultant, and a Commercial Lines Coverage Specialist. This channel is not for me to offer my services directly, but to educate you on careers in the industry that has allowed me to bring a ton of value to others and has been very good to me as well. Hope you enjoy and heard something that makes you think..."You Should Get A License" Rod's Social Media IG: ⁠⁠⁠⁠⁠https://www.instagram.com/therodpowell/⁠⁠⁠⁠⁠ Linked In: ⁠⁠⁠⁠⁠https://www.linkedin.com/in/jarrard-a-rod-powell-sr-86801616/⁠⁠⁠⁠⁠  --- Send in a voice message: https://podcasters.spotify.com/pod/show/ysgetalicense/message Support this podcast: https://podcasters.spotify.com/pod/show/ysgetalicense/support

This week the guys welcome the MOCO Bass Team's Assistant Head Coach Chris Cobb, and Anglers Gabe Amburgey and Austin Hatton.  Both Winners and Champs in different Tournaments.  This was a very exciting show. Tune into another exciting episode, all this and more on this weeks From Corner2Corner!!   Podcast made for everyone.  Sports, Wrestling, Movies, and much much more.  As the Number One Podcast out of Mount Sterling every Saturday morning that drops at 3 am your missing out if you don't listen.   Hosts - Sean Kiper, Neil Payne, Wes Crouch and Adam Muncy. Cash App: fromc2cpc if you would like to help the show!! Follow and Like us on the following Social Media Platforms. https://www.tiktok.com/@fromcorner2corner?lang=en https://twitter.com/corner2cornerpc https://www.youtube.com/channel/UCQ1CVW5JlWWXRJLUWzuJc6g www.fromcorner2corner.com

With over 20 years of experience in the Live Music Industry, Cobb is a true expert who deeply cares about the industry's success. As the former owner and operator of several venues, including Exit/In, and the current booker for The Riverbend Festival in Chattanooga, Cobb has a wealth of knowledge to share.In this episode, we delve into various topics such as the essential qualities needed to run a successful live music venue, the challenges facing the industry, and innovative solutions to revive the live music market. Cobb also discusses his involvement with D Tour and NIVA, shedding light on the crucial work these organizations are doing to support live music venues.If you're a music lover, a venue owner, or anyone interested in the live music industry, this episode is a must-listen. Get ready to be inspired by Cobb's passion and wisdom as he shares his insights on what it takes to succeed in this exciting yet challenging field. (00:37) Exit/In lowdown (05:40) Trademark battle (07:10) The capitalist challenge in Nashville (and other music communities) (11:30) Solutions and a message of hope (21:00) Life after Exit/In and what's next — Niva, Chattanooga, Booking, and more! (24:00) Music inside the Amazon tower downtown (31:15) The future of NIVA (34:55) Incredible advice for opening venues (39:27) Headliners of the Riverbend festival (43:55) What is D tour + the future (56:00) What is Cobb's why?

It was a tough wild card weekend for Brooks Nuanez as games stayed close and the overs started hitting. In this week's All Football, All the Time, Brooks details the adjustments he's making, the bets he likes and how he sees this week's divisional round games playing out. Colter Nuanez chats with Montana Grizzlies associate head coach Chris Cobb to wrap up coverage of the rapidly approaching Cat-Griz rivalry games.

Colter Nuanez shares interviews with a variety of subjects in this weekend's rivalry showdown as Montana prepares to host Montana State in a double header in Missoula on Saturday January 21, 2023. Hear the latest edition of John Velk's countdown of the top Griz men's hoopers of all time featuring a conversation about Sayeed Pridgett (2:14). Plus, hear interviews with Montana State senior point guard Darian White (12:08), Montana senior power forward Mack Anderson (18:45), Montana State women's basketball coach Tricia Binford (26:40), Montana women's basketball coach Brian Holsinger (37:41), Montana State men's basketball coach Danny Sprinkle (44:51), Montana men's associate head basketball coach Chris Cobb (54:51). 

In ancient Mesopotamia people didn't just want to believe in ghosts, or yearn for an extraordinary encounter in a shadowy haunted building. They believed in ghosts. Ghosts were simply part of normal everyday life. They were to put it plainly— expected. Let's take a closer look at the first known drawing of a ghost--drawn in clay. If a ghost were to become a problem or a nuisance, something would need to be done about it. In fact Irving Finkle author of The First Ghosts and curator at the British Museum likened the situation to needing to call the plumber. Got a clogged drain? You'd call a professional to help. Got a ghost? Who ya gonna call? The exorcism guy! And he came prepared, ready with a really well rounded guide with specifics on how-to-get-rid of ghosts with programmatic if this, then do this type of thing and kind of umbrella-like statements, to cover things. You don't want to do a half-baked job when getting rid of a ghost. The guide, not as convenient as our phones, or even a book was written in cuneiform on clay tablets. What does all of this have to do with art? From what I understand of all of the detailed instructions for the many situations that had to be considered in getting a ghost to leave–they weren't all illustrated. But here's an “if statement” — What if I told you that one of these clay tablets was really special, with the oldest known (3,500 years old) drawing of a miserable, sad man–a bearded ghost? Finkle gives the example that maybe the man had three wives and lost each of them. One could jump to the conclusion that he would follow a young woman to the underworld, thus the ritual that complemented the illustration that we'll talk about in more depth. First here's the formal description of the piece: Title: Tablet impressed with Mesopotamian ghost, side profile  Artist: Master craftsperson Date: 1,500 BCE Geography: Ancient Babylon Medium: Clay tablet Dimensions: Fits in a person's hand Classification: Tablet Location: British Museum, Great Russell St, London WC1B 3DG, UK (has not been displayed) Acquired: 19th century, approximately half of the tablet is missing Photo © British Museum, line drawing © James Fraser and Chris Cobb for The First Ghosts at https://news.artnet.com/.../oldest-ghost-british-museum... Thanks to the audio sound artists at FreeSound for the accompanying sound/music. Please Support the Whispering Gallery Podcast: https://www.patreon.com/suzannenikolaisenart https://www.buymeacoffee.com/suznikart Social Media https://www.facebook.com/whisperinggallerystories/ https://www.instagram.com/whisperinggallerypodcast/ https://www.etsy.com/shop/MysticMediumsStudio

This episode is brought to you by LMNT! Spelled LMNT. What is LMNT? It's a delicious, sugar-free electrolyte drink-mix. I tried this recently after hearing about it on another podcast, and since then, I've stocked up on boxes and boxes of this and usually use it 1–2 times per day. LMNT is a great alternative to other commercial recovery and performance drinks. As a coach or an athlete, you will not find a better product that focuses on the essential electrolyte your body needs during competition. LMNT has become a staple in my own training and something we are excited to offer to our coaches and student-athletes as well. LMNT is used by Military Special Forces teams, Team USA weightlifting, At least 5 NFL teams, and more than half the NBA.You can try it risk-free. If you don't like it, LMNT will give you your money back no questions asked. They have extremely low return rates. LMNT came up with a very special offer for you as a listener to this podcast. For a limited time, you can claim a free LMNT Sample Pack—you only cover the cost of shipping. For US customers, this means you can receive an 8-count sample pack for only $5. Simply go to DrinkLMNT.com/contacts to claim your free 8-count sample pack.Lyve is a community-based platform that gives people the opportunity to learn new skills and abilities through the form of live online classes, prerecorded video classes, and one on one lessons. Lyve also gives educators and creators a platform to easily share their knowledge and make money while doing it. We aim to give everyone a platform to easily teach and learn various skills and subjects. Enjoy courses in a variety of fields today.Taking a bunch of pills and capsules is hard on the stomach and hard to keep up with. To help each of us be at our best, we at Athletic Greens developed a better approach to providing your body with everything it needs for optimal performance. 75 vitamins, minerals, whole-food sourced superfoods, probiotics, and adaptogens in one convenient daily serving to bring you the nutrition you need. Go to https://athleticgreens.com/contacts/ for more. 

In this episode, Pastor David is back in the studio with Chris Cobb.  They discuss the Journey to Peace series, what it was like for them as Pastors during the pandemic, and why it's important to look toward God in order to live a life of peace. To stay connected with what's going on at Gateway visit https://mygatewaycity.church or follow us on social media to receive weekly updates:  @gatewaycitychurch

In this episode of Around the Big Sky in Men's Hoops, Colter Nuanez catches up with Montana assistant coach Chris Cobb to talk the end of the regular season and the long legacy of winning at Montana. Southern Utah head coach Todd Simon also joins the show with the Thunderbirds about to leave the league.

In this week's episode, Pastor Luke sits down with Chris Cobb and Amy Dodson as they discuss listening to the voice of God. Why do we need to listen to Him? HOW do we know if it's the voice of God? Listening to the voice of God is the key to walking closely with him, but sometimes it's easier to say "Listen to Him" than it is to actually do it. We invite you to listen as Luke, Chris, and Amy discuss the complexities of listening to God. We hope you will also join them for their Facebook Live Bible study through the Lenten season (2022) as they continue to learn and discuss what it looks like to "Listen to Him."

With a birthday so close to Christmas, I prefer everything about that, especially the books! It is the perfect time of year, being so snowy and cold here in Canada, to curl up for a week with this stack of great books. Find them all at https://bookshop.org/shop/typicalbooks Want more? Thank you! Subscribe for the monthly magazine episodes and member-only podcasts https://anchor.fm/typicalbooks/subscribe With so many gifts, books I am reading right now, and one I picked up for myself, I figured a bookish haul video was in order. See the series on @Books of Blood https://youtu.be/7dMvFba1H7g 00:00 - Holiday Horror Haul and Current Reads 00:18 - Slewfoot by Brom https://amzn.to/30OEgRh 00:32 - An Occurrence at Owl Creek Bridge by Ambrose Bierce https://amzn.to/32ux7Gk 01:30 - More on Slewfoot to come 02:10 - Consider This by Chuck Palahniuk https://amzn.to/32hvjAr 02:34 - A few Authortube ideas for 2022 03:34 - The Necrophiliac by Gabrielle Wittkop https://amzn.to/32qnKah 03:59 - Horror home for the holidays... 04:32 - Mütter Museum: Historic Medical Photographs https://amzn.to/3sqGIJa 06:36 - Halloween novelization by John Passarella https://amzn.to/3qiRb6y 07:33 - Halloween Kills shirt from Fright Rags 07:45 - The Order of the Good Death mug https://www.orderofthegooddeath.com/ 08:12 - The Terror by Dan Simmons https://amzn.to/3H0ZRVP 11:05 - Rape of a Normal Mind by Chris Cobb and Rob Avery https://amzn.to/3ee2ur9 14:41 - What are you reading over the holidays? ✮✮✮✮✮✮ Welcome to Typical books; horror fiction unbound - I am Lydia Peever, horror author and co-host of the horror film podcast Dead Air and creator of the horror booktube channel Typical Books. If you want more, head over to Patreon for extended and bonus shows! Typical Books is one of the Top 35 Canadian podcasts! Feedspot has a team of over 25 experts whose goal is to discover and rank popular blogs, podcasts, and youtube channels in several niche categories. If you are looking for something new to read, some insight or reviews of horror you have read, or even talk from a writer's perspective, I hope you enjoy this little podcast. Check out the Youtube version by searching Typical Books, or visit me at typicalbooks.com. Music by ænorex ▹ https://aenorex.com music used by permission of the artist --- Send in a voice message: https://anchor.fm/typicalbooks/message

Lynn Harris is the CEO and founder of GOLD Comedy — the online comedy world for young women and non-binary folks who want to nerd out about comedy together. Lynn is also a creative partner to select brands, organizations and individuals, blending her experience in writing, communications, advocacy and entertainment to create strategic content that brings maximum fun to serious issues, for maximum impact. Read more about Lynn Harris. Learn more about The Passionistas Project. Full Transcript: Passionistas: Hi, and welcome to the Passionistas Project podcast, where we talk with women who are following their passions to inspire you to do the same. We're Amy and Nancy Harrington. And today we're talking with Lynn Harris, the CEO and founder of Gold Comedy, the online comedy worlds for young women and nonbinary folks who want to nerd out about comedy together, but is also a creative partner to select brands, organizations, and industry. Blending her experience in writing communications, advocacy, and entertainment to create strategic content that brings maximum fun to serious issues for maximum impact. So please welcome to the show. Lynn Harris. Lynn: Thank you. Passionistas: What's the one thing you're most passionate about? Lynn: Besides salt? I'm into salt and I'm into comedy is power. I'm passionate about a lot of things. I'm passionate about a lot of things. I think the most on-brand thing for me to say right now is comedy is power and comedy, as I'm passionate about comedy as power. And that's why it matters to me. Who's got the mic so to speak. Passionistas: So what does that mean? What, what does comedy as power mean and why is it so important who has the mic? Lynn: It's certainly at an individual level and to the cultural level. When you make people laugh, you make people listen. And comedy really has been, as you know, at this sort of level of joke and at the level of industry and at the level of culture has really been defined by a kind of a small narrow group of people since the beginning, which is. Because if you think about it, comedy, everyone thinks of comedy as this outsider, art that you get into comedy. Cause like the underdog and you're punching up at power. And why are white dudes running the whole thing? It makes no sense. I'm working to try to change that. How are you changing? The more women do comedy. The more women define comedy. And that's true, not just for women, but for anybody who is not a straight white dude, many of whom are very funny, but I think that comedy will be funnier if it is defined by more types of voices. And if comedy is funnier, the world's a better place, honestly. Not just because laughter is the best medicine, which it's like the second best the COVID vaccine is the best, but also because comedy affirms connections. When you laugh at a joke, that means you get the joke. And when you get the joke, that means you're in on something you like, you got the reference, you follow the comic on there. On their bait and switch. And a lot of people say that, you know, that's, that's the reason that comedy brings people together. I'm not super convinced that it does because for better and for worse, I think it's sort of affirms who we are. Not that it doesn't have something to teach us, which I can circle back to, but I think, you know, comedy does affirm who we are and what we think is funny and, uh, what we think is important. And it can also change that to some degree it can, um, cause as comedy, you know, comedy kind of is sort of a fun house mirror for color. And what we're allowed to laugh at can change for better and for worse, usually for better the arc of a let's see, how can I destroy that? Quote, the, you know, the arc of, of comedy? What is it? They have bends toward justice, right? As things become okay to say not okay to say, I think that's a, both a driver and a reflection of culture evolving, and that's why it's important to have. For a lot of us to be in charge of how that culture is evolving. Passionistas: So let's take this back. Tell us a little bit about your childhood and when was the first time you remember that you were funny? Lynn: Okay. This is so dumb, but I remember I was, I don't know, six, seven, I don't know. And my mother was kind of the kind of person who, like, if you sneezed, she would be like, what's wrong. And I remember I was little five or six whenever and she said, Are you and she heard me cough, or like I said something, I don't know what, and she said, are you okay? You're a little horse. And I said, no, I'm not. I'm a little, child's obviously my parents thought that was side splitting and I got a big laugh and I was like, oh, I can let them getting last as fun. That's the first one. I remember, by the way I moved away from puns. Another time they were building. They were building like a new bath or renovating our bathroom, the house I grew up in. And so there was like the frame for a closet, but there was nothing in it yet. It was just like, the space was defined. And so I went into the closet and I said, look, it's a Lynn in closet. That's where it all began. Folks Passionistas: Was humor, always a part of your household? Like where your parents funny? Lynn: Yeah. My parents are funny, white parents in very different ways. And they also, but in very different ways, but they definitely both of their families or also super funny in very different ways. But at the end of the day, they really just, they just, they liked a good joke. They just really liked a good joke. A funny movie, funny TV show. It was, there was, it was definitely. But like a high-value currency. Passionistas: What sparked your interest in comedy? And did you immediately want to pursue a career in it? Lynn: Maybe the career part came when I was a little older and wanted to find ways to upset my parents as opposed to delight them. But I just, I always just gravitated toward, I never defined or pursued a career in a certain kind of comedy, a certain kind of. Like my, I did stand up for a long time, but my goal in doing standup was to do stand up. So I didn't, which is nice because it kind of took the pressure off. I worked at it, but I didn't, I didn't attach not that this is a bad thing, by the way, this is a completely legitimate and great thing. My goal at the time, wasn't to like, get on a show or get to, or, you know, get an agent and move to LA or whatever it was. So either it just means I had, I was just content or just that I was really not at all. I just really liked standup. I just like it as an art form. I just, I just like it. I never attached it to a next level dream. And then I just kind of stopped doing it when I just got tired when I just couldn't stay up past 10 anymore. Basically I used to host shows that started at 10 and now I'm, I don't know. And I'm not a napper, so I don't, I just powered through, I just always gravitated toward basically like the wacky red head, not the lead, but the leads weird from. Like the Janeane Garofalo character in the truth about cats and dogs, not to directly compare myself to her majesty, but, um, Jimmy grew up a little, but, um, but that idea was always my jam, I think in high school. I went to, I had a pretty good experience overall, but I went to a very preppy high school and I had very preppy. They were very nice, but very preppy classmates who were sort of all tall and live and blonde. Um, none of which describes me. And they could like burst into lacrosse the way that I like the fame kids burst into song. And so it just wasn't, I wasn't like miserable. It just was not, that was the central culture and I was not in that. And so I think I defined myself against it even harder by being like the theater kid played the goofy roles. That was just, I think it, I probably would have been that anyway, but I think I probably kind of defined myself against the lacrosse team. And now. When I was in high school, um, I went on a ski trip. It was like a Jewish youth group ski trip up to this winter Wonderland. Um, that was called every year. It's still going on, still going on. This is the eighties it's still happening. And we all went up to Manchester, New Hampshire to ski and do other stuff for the weekend. And on the Saturday night, um, a bunch of dudes. Somehow got ahold of like some grapefruits and some borrowed nightgowns and went and did this completely made up impromptu improvise, drag skit in the social hall that brought the house down. And my, it was sloppy. It was made up. It was, there's nothing inherently funny about dudes dressing as women, but it brought the house down and I, my first thought was okay, what are the girls going to do? And my next thought was. Because I knew even then that wit girls would not be received the same way we could not be equally slept. And, and bring the house down. Not because we're not funny, but because that's not the way people view women as funny, or, you know, it's just women don't have that kind of audience. Um, we didn't in the end, we maybe more now, definitely not back then. And so, like I just kind of, you know, my my third thought, you know, my first thought was, what are we doing second thought? And my third thought was. And so we didn't, I didn't say con let's come on, Debbie and Jenny let's go. So I didn't say anything. And, um, I don't regret that because I think my instincts were correct, but I was bummed out out of, I was bummed out about it for years and I, that really, really stuck with me. It really, really stuck with me. I had this real sense that. That was not cool and not fair. And, uh, something would have to change. Uh, and so I I'm, who knows, but that may be, oh, and fun fact, one of those dudes may or may not have been Adam Sandler who was there. So, um, I, as a civilian, it was his high school. So I have Adam Sandler to thank for Gold Comedy. And what I'm doing now is. Passionistas: So that was high school. Where did you go to college? And, and what did you decide to focus on when you were in college? Lynn: I went to, as we all like to say, I went to college in new Haven and, and very much enjoyed the pizza by the way, in new Haven, as the New York pizza snob, I will say that navens even better. So yeah, I went to, so I went to college at Frank Pepys and. I did there wasn't any, there was improv. This is, this is the eighties. There was improv. I believe there was maybe a sketch group, but there was no awareness. There's no standup. Like now I hear they have stand up groups and I'll get back to that, but I didn't do it. So I didn't do like straight up comedy in college. What I did do was I was in an acapella singing group once again, continuing on my nerd track. And I became, I was, I am not a great singer. What came naturally for me was doing the, like the shtick in between the songs. And so I became the ringleader of those things and that's where I kind of scratch the scratch to the comedy itch. What did you do after college? Did you pursue a career in comedy or did you do some. I was always drawn to being a writer. That was always just what I was. I never decided that was what I was going to do. I just kind of knew that I was going to do something where I had to write. And I just had this tractor beam of wanting to be some form of writer, not in the way that, like I thought about it. I didn't think about it. I w I didn't like journal about what dreaming of being a writer. And I didn't watch movies about thoughtful writers that I didn't, I just do it. And so after college, so I did a lot of journalism in college. And after college, that's really where I focused in terms of it didn't occur to me. I could really make money as doing comedy. I loved theater and I was always, I loved being on stage, but I knew that I didn't have the gumption or that Moxie or the, I just didn't think I wanted to go to LA and compete with anybody. In that world. And I just didn't see myself as really an actor. I saw myself as more of a I cam then, or just a wise ass than a serious actor. So I didn't really occur to me to head to the head, to the, to Hollywood or even New York for a few years. I went back to Boston for a little while and then, but I started doing, I started taking stand-up classes when I lived in Boston, when I lived. Laundry distance from home. Basically, I actually sort of freelancing as a journalist and I took a stand up class and I also had a day job. My dad is a retired MIT professor. He, my dad's actually a very famous phenologist, which means that about seven people know who he is and that he's a heartbeat away from Noam Chomsky, which made me very popular. And I did. I had an office job at MIT that I'm sure was pure nepotism. So I called myself the rejectionist. So I sat at a desk and told students that they had the wrong forms. And, but then more and more as I was able to get paid more and more for journalism, I phased out. My night job became my day job. And then I also did, started doing standup in Boston and Cambridge. Passionistas: Tell us about your work as a journalist. Because I, uh, we saw that you like wrote like the first national mainstream article about dating violence and what kind of, uh, topics were you writing about and what drew you to those topics? Lynn: That is a true story about you. Remember, you know, Parade Magazine, they insert. Frankly, if you want to get an issue out there, I think it has the pattern or had I'm going to get this wrong, but either the first or first, second, or third largest circulation of anything. And so I, I did make a choice back then based on two things, I always cared a lot about various social justice issues. Influenced by my parents, especially my mom. And especially I, I wound up carrying the most about gender, gender justice, and related, um, you know, feminist stuff back then, we were not as nuanced about what we meant by gender justice. It was, it was much more narrow focus on, on women's rights and probably white women's rights. I'm sure. But, you know, I thank my mom for, you know, making, being a feminist, not rebellion. So I, I gravitated toward social issues. Social justice issues, especially I was always really interested in how pop culture reflects or shapes culture. As before. When I was talking about comedy, I was, I've always been interested in that in any culture, in any forum when Ellen came out. And culture had led it to be okay for that to happen. But then when she did it, it also changed culture. Like it's back and forth. And I just cared about it mainly because I really love television. And, and in all seriousness, I do think, I think it matters. And it was always, there was always some combination of what gets me out of bed in the morning is social justice. And what keeps me up at night is till. Burning the candle at both ends. And so at that somehow first, it just kind of happened. But then I evolved into making a real choice about choosing to write for the most mainstream possible publications about issues that would kind of push them a little bit, push things a little bit, maybe not push the publication, but push people a little bit. And, um, and even if I had to do a little bit more, more like both sides or whatever, To appear balanced or whatever. And maybe I wouldn't write it quite the same way as aggressively as I would write it for, um, uh, you know, a real, like a lefty. We didn't have blogs then, but blog, I made the choice also financial, you know, because they paid more to, I'm not, I wasn't that noble to write for. Um, I kind of got lucky with Parade, but, um, no. Okay. I worked hard on that, but I wound up gravitating toward women's magazines also, which were. Terrible in many ways, but way more feminist than people ever thought. I'm way more aware, like anyone who didn't think Cosmo was performance art and God, I just, nobody should have any, should waste any time being angry at Cosmo it's it was, I just don't. I never understood that. And so I wrote a lot for Glamor and Glamor was way ahead of a lot of those. They went back and forth a little bit after. With Whitney, but under Ruth, they had a Glamor had this column about all the female senators, all of them, the definitive legions, a female senators that reported on exactly what they were doing. Exactly what they were. And weren't doing for Glamour readers. You're not gonna find that elsewhere. Um, no one else has wrote about the women's senators. Nobody cared and. And so in Glamour, would you way back then would write about abortion and all those things. And sure. Their audience was huge and included people who were anti-abortion, but I, but then when I got to write about it, I wasn't preaching to the choir necessarily, and you can humanize the issue and you can really actually change hearts and minds a little. And so I that's what I, that's what I gravitated toward. And I was able to eventually. I worked so hard at writing for so many different types of publications. I wrote for a sewing newsletter. I wrote for obviously Glamour tons of different publications each with their own style. And the most important thing I learned was aside from feeling that I was, in some cases, doing something important, the most important, important skill I learned was to be able to write in the publications voice and not be fancy about that. Cause I wasn't ready to express myself. I was running cause I liked writing and it was, I mean, I just, wasn't all precious about that. I, it was a fun game to be like, okay, how do I write about this thing in that voice? And how do I channel that voice? It's really, it's interesting. It's a project. It's a puzzle. It's not. Like, that's what you do in your journey. For those of you watching the podcast, I'm miming, I'm listening to the podcast, I'm miming some sort of like, kind of BS self-expression, but like you wouldn't have to deliver a product and it's, it's fun only after you learn how to do that. Do you really get to a place? I think where you then get you get assignments from people who are asking you to write in your voice. Um, so that eventually after I worked and worked and worked for years and years and wrote. Uh, probably thousands of articles. I can't even remember. Then I was able to do things like for Salon and other publications where they'd be like, no, please, you do you. And, and, and really have my own voice. I had a bunch of different columns in my ear that were supposed to be Edward a column for the DailyToominNews. Like things that we're supposed to be sound like me, not sound like them, but that is not where you start. And, and, and, and it's, it's so much the better, you know, the better for it. It's like TV, it's like TV. Our usual friend, Amy Toomin Strauss was, um, is teaching for Gold Comedy now. We were talking to her about what to teach and when, or what are the different things that she could teach. And, and, you know, I do sort of hear and feel out there that everyone's like, well, I've got a great idea for a show, um, because, because rightly things have been, so, um, the platforms have been so democratized now that like, sure you could do, you, you could write your, you know, put your show on YouTube and maybe. You know, maybe it'll get picked up or maybe, you know, that it's not that that doesn't happen now, but Amy's point was. Yeah, but I don't want to teach how to write your own show. First. I want to teach how to write someone else's show and it's the same thing. Learning how it show you needing to be able to show a show runner that you understand, obviously the basics that apply anywhere and everywhere, but also how to write for that show, how to channel those characters, those voices, those situations. How to replicate that world. And so it's definitely analog that I really learned in journalism. I've learning how to write the other stuff first. Then you get to do your own thing. It works the same way on stand up. I'm not that you should go around telling other people's jokes or writing other people's jokes for them. It doesn't really start that way unless you're Ava on PACS, which we love. And she didn't start that way either. But anyway, 2, 0 1 almost comedians. I know. Or people who either teach or mentor comedians always say, find the comedians that you like and learn them, know them, live them, and even go ahead and do the exercise of writing jokes. Like there's obviously you can't go and do that and get paid for that. Or, or, you know, there's a point past which that's stealing, but just that the imitation. The imitation and the practice and the imitation and the practice is really helpful. And it helps you learn how any joke works. Passionistas: We're Amy and Nancy Harrington, and you're listening to the Passionistas Project Podcast and our interview with Lynn Harris. If you're a young woman or identify as nonbinary and want to turn your sense of humor into your superpower, visit GoldComedy.com. If you're enjoying this interview and would like to help us to continue creating inspiring content, please consider becoming a patron by visiting ThePassionistasProject.com/podcast and clicking on the Patron button. Even $1 a month can help us continue our mission of inspiring women to follow their passions. Now here's more of our interview with Lynn. So in 1997, you found your own voice and you created Breakup Girl. Lynn: Co-created. Passionistas: Co-created. Yes. So tell us about that character in the show and how it expanded as time and technology. Lynn: I co-created a Breakup Girl with Chris Cobb. So, so in '97 it was much, much easier to get a book contract. You didn't have to already have a blue check mark. You didn't already have to have a sub stack or whatever, like you, if you had an, you really just had to have a good idea. Seriously. I had an idea about writing a humor book about surviving a breakup and. I went to bat to have Chris who's a brilliant illustrator. And we had collaborated before I went to bat to have Chris have us be a package deal. It'd be the designer and illustrator of the book, which also would never happen now. So we actually, literally, we actually realized we were roommates in a different block and you were sitting there figuring out all the real estate and what we had written and what he had designed. And we realized we had like a few more, like we had like. You know, 16 more pages to fill in. We were like, ah, and then Chris was like, you know, I was just kind of thinking that we, that, I don't know if there should be like a superhero character. And I was like, oh my God, we should've done that from the beginning. And so we created this, it was originally Chris's idea. But, but from that moment, we collaborated and came up with the idea of this, the superhero who helps people with romantic emergencies. We have superheroes who can bend steel bars, but how about one that it can mend broken heart? And so that we invented this kind of classic, like kind of a winking version of a classic superhero who had like a utility Fanny pack. And who's really, but actually really smart and thoughtful character who had her own problems, but was able to help others. And so we added her origin story and all this other stuff in the book and added her as this voice and presence in the book. And then the book did. Okay. But then people were like, what? I liked that character. And so in actually that was in '91, whatever '96, I don't remember '96. And then in '97, Chris was like, there's this thing that mostly NASA uses, but it's called the worldwide web. And I think it would be super fun to make a page on the worldwide web about. And so we created a website in '97. That was literally an overnight success because no one else was doing anything remotely like it. And we just did it. We did the thing that does not happen now, which is we built it and they came and it hasn't happened yet. But the advice column, I decided to write an advice column. It got super popular. I think it was, you know, Chris's artwork is amazing, but I do think that, um, and this goes back to the idea of the intersection of pop culture and social change, what we were doing that was different. And this was intentional. We kind of wandered into this enterprise, but the part, once we kind of get our bearings, um, the part that was intentional was that it was not going to be a female superhero talking to women about related. Because that's stupid and it's reductive and in the world, at least of like binary, heterosexual people, half the people in relationships are dudes. So like, why is it thought of as like this lady thing that's so stupid. And, and we kept coming up against that because then people would assume that because Breakup Girl was female, because we were talking about relationships that it was a site for women. And it never was never, not even, it never was. We just, we made it it's about relationships and we wanted to change. This was, we were like intentional about this. We wanted to change the way people thought and talked about relationships. So from the very beginning, the letters that we would get online, we're not even close to all from women. So many from dudes. And we had no letters from people that we have different words for. Now, people would say, do your breakup girl, I'm a secret. Cross-dresser my wife doesn't have. And all these things that we talk to gay people and straight people, a trans people at all these things that no one else was doing, not because we were like brilliant, but because we, there was intentional that we really did think it was dumb that, that only half the people in relationships were talking about relationships or had a place to talk about relationships. I think that plus the combination of humor, she had a really specific style of nerdy, superhero comic book humor that people felt comfortable with. And was nice to everybody. It got really big. And then the property. Got we got acquired by Oxygen and, um, in a really kind of great deal because they hired us. They didn't buy it away from us. They ha they bought us with it. So we got hired to create it for Oxygen on an even bigger platform. Um, and that all went straight to hell a while ago, awhile, awhile later, but that's a story for a less jaunty podcast, but, but out now we actually are. We're playing around with it with a new version. A lot of the stuff that she talks and talked about is, is eternal. But a lot of it is like, we talked about like computer dating. Um, and so, you know, some of that stuff has to be updated. Passionistas: You have so many things that we could talk to you about, but let's focus a little bit on Gold Comedy. When and why did you start. Lynn: Well, that part goes kind of goes back to Adam Sandler and wanting to, and also having them stand up myself. And I didn't have a lot of people have a lot of women who worked a lot harder at it than I did and did a lot more of it than I did have much worse stories about, about everything from just garden variety, sexism to outright horrific. And not just the harassment itself, but would it having a law? I didn't really get into the whole world where I, that many other women did, where you have to actually make choices about jobs that you don't take and jobs that aren't even offered to you because they're cause you don't, you can't work with that guy or because that guy already has a woman or whatever. So even my mild experiences were exhausting and outrageous and. All paths lead to this idea of making sure that women, especially young women and anyone else outside the comedy norm, which is often a way to name norm had access to the fun of comedy and the power of comedy. And it matters. It matters because women are people and it matters because comedy is a job and it ma it matters because comedy is power. I just had this idea of how much better would the world be if we had an even broader idea of who's funny or, or who makes us think, or who helps us process that, that day's crazy news. And I thought, what if I just start building the farm? And so now it's gone through various forms in reality, and in my mind, but now what we have is the only, and this was by the way, just, we, I was envisioning this online long before anyone knew about any kind of COVID or a pandemic, because part of the vision for me was, first of all, nobody wants to, I don't recommend starting a brick and mortar place in New York City because it's. But also, I wanted to find the funny young people and not even young people who don't live in New York, Chicago, San Francisco, LA, Toronto, where can we find the Carrie Underwood of comedy? Let's like if they can Zoom in from Dakota and they're funny then. Great. So I always had this idea of creating an online school and community and online place of learning and social interaction, where, where you could find your comedy crew no matter where you live and get the learning and collaboration and interactivity interaction and helping each other out that I did get from my crew in New York and many people do, but it's hard to find. And again, what if you don't live in New York or what if you're not old enough to go to club? We opened again, went through lots of different ideas and permutations, but we opened our current members member, only members only club last fall. And so we now have this amazing online platform, which is powered by a company called mighty networks. Basically they built the bones of the app and we just bring our people in our stuff. And we have a place where. Women and young women and non binary folks come to, let's see Mondays, we have open mics with feedback. Like they're the nicest open mics in the world. Plus you get feedback from me and other and your peers Tuesdays and Thursdays usually are when we have our courses right now, we're in the middle of the standup course. We just finished improv. We posted on storytelling and sketch, which yes, you can do all of this online. Wednesdays, every Wednesday we have a Q and A with a comedy pro or celebrity. Writers who have toilet in the trenches whose names you don't know, but who shows, you know, to, uh, Rachel Dratch and Bloom, Ashley Nicole Black from A Black Lady Sketch Show, like an amazing range of people. And you just show up in the Zoom and ask them like you totally just fan girl out and ask them questions. We have monthly shows that are open to the public. We pay our own comics for. For performing because it's work and you want to set that tone set that precedent. We just did a pride show, which is amazing with Murray Hill and Sydney Washington. And so we basically just create the experiences that, that, that young or new, or not even new medium. We have a lot of comedians in the gang who have been doing comedy for a little while, but still want to find the people in the place to really nerd out and really like level up as fast as they can. And we have folks. I think our youngest is an eighth grade with a couple of eighth grade and then all the way up to people Myers. And then we just. Uh, a course that's outside the member's club. So like we had, so you get all that with a subscription, it's all inclusive with a subscription. Then we have a one-off course that we call gold label, which is being taught by your friend and mine, Amy Toomin Strauss, who is the one who wrote The One With the Embryos, um, on Friends. And she's teaching in a three series on about TV writing, con TV, comedy writing, and that's open to people inside and outside of the. It's really the place. It's the place to find your way to level up your work and find your crew. And it's great if you, you know, there's a lot of like improv for T-Mobile. And stuff like that, which is great. But we really present comedy as a path to comedy it's comedy for comedy. However, there are many people, we also attract a lot of people who may or may not want to be professional comedians in whatever capacity, standup writers, whatever, but who know that comedy skills are life skills and they like comedy. So they're like, well, that's perfect. I can learn to be, I can use this thing. I love. To learn how to, you know, write better sink faster, listen, better, get out of my head. Um, stop self-editing react more quickly. Um, all those things are, things are things you can do. And, you know, find your voice, which is, which sounds abstract and woo, but it's a thing. Um, understand your what's, your unique take on things. You can do all that. So we have a real mix of people. It's sort of varying levels of intensity around their comedy career goals, but there's room for everybody. Passionistas: How does the average person get involved? How do people become a part. Lynn: Funny, you should ask. Um, all you need to do is visit our website, which has a lot of free resources on it. Also, I believe that the, uh, irritating term for that is freemium. If lots of articles and, you know, useful, actionable snackable, actionable resources to, to help you just kind of learn. Basics of joke writing and you know how to make your PowerPoint funnier without being a group without being too much of a dork. So there's just a ton of ton of free resources. And then if, um, if folks are interested in joining what we call the, the club, the Gold Comedy club, um, Click right through from our website to there and learn more about that, frankly, the price is amazing. Um, and frankly, it's going to go up. Um, so one of these days, so, so it's $299. 99 a year for all of that stuff. Anything we do in the club, you get any course, um, any, all of our self-paced, we have a ton of one-off classes that are just an hour. With, you know, a writer from James Corden talking about topical jokes, you know, um, you could just nerd out without, and just inhale all of that stuff. You can take our, um, our lives, you know, live on Zoom classes, all those things. So that's all with that one price. Um, so, and then we, we, we record and archive everything that we do. So you also have active. That's why eventually the price is going to go up because our, our resource libraries is getting bigger literally every week. So, um, it's really, really fun. And the. As much as I'm proud of all the resources and I'm happy to like drop all the names of the famous people who have, you know, who swing by and answer questions. And I'm happy to talk about the quality of the, of the instruction and all that stuff. Really. The thing is the community, really the thing. And because you all these people who have literally never met, unless it's their friend that they brought in, um, are like this incredibly supportive. Like cheering section for each other and people will post like stuff they're working on and get feedback. Um, people will come to other classes, final shows just to cheer the others on. Um, people really have there's. We have a lot of 1, 2, 3, few people who have now done open mikes for the first time, because they felt, you know, got those skills and the confidence from us. And, um, and then, and now like people are going now that we can do this. People who live in the same city are like starting to go see the other people in your life. And it's a whole thing. So it's really, um, just it's that kind of, you know, safe, supportive ad-free, um, welcoming place that you can't, you can get. And, and most comedians say like the most important thing is to find your crews. You can do that, but this is. This is not, instead of, if you start doing comedy in some city and you meet your friends, it's not instead of that, but this is, this one is going to be there for you wherever you are, um, and all the time and it's on your phone. Um, so, uh, yeah, it's really, that's the most moving thing that I've seen. It was my goal. So I'm not surprised, but I'm delighted that it really has turned out that way. Passionistas: Listening to the Passionistas Project Podcast and our interview with Lynn Harris. If you're a young woman or identify as nonbinary and want to turn your sense of humor into your superpower, visit GoldComedy.com. Please visit ThePassionistasProject.com to learn more about our podcast and subscription box filled with products made by women owned businesses and female artisans. To inspire you to follow your path. Use the code FALLMYSTERY to get a free mystery box with a one-year subscription. And be sure to subscribe to the Passionistas Project podcast, so you don't miss any of our upcoming inspiring guests until next time. Stay well and stay passionate.

 Colter Nuanez is joined by guest host Andrew Houghton to break down tonight's NBA Draft. Plus, University of Montana associate head men's basketball coach Chris Cobb swings by to give his scout on Evan Mobley, a former USC star that is projected as a Top 3 NBA pick. The Griz played USC to open last season. 

Today Pastor David is joined by Pastors Chris and Daniel of Gateway City Church SJ.  They discuss the importance of reaching our neighbors and how as a church we need to go where the people are, which means leaving the four walls of a church building.   To stay connected with what's going on at Gateway visit https://mygatewaycity.church or follow us on social media to receive weekly updates: @gatewaycitychurch

We talk about game development methodologies and best practices with how to structure and execute game development. SPEAKERS: - Chris Cobb, co-founder and CTO of Pragma Platform, who also formerly worked as an engineering lead at Riot Games, and held software development roles at both Popcap and Microsoft. - Noemi Rouleau, Associate Producer at Square Enix Montreal. Noemi also worked in production at Ubisoft on games like RainbowSix Siege , For honor, and Assassin's Creed Origins - Xiang Shen, CTO at Century Games. Century is a multi-billion revenue Beijing-based games developer and publisher. Xiang also formerly founded mobile games studio Outact, and was formerly a technical director at Roblox, and worked in software engineering at Tencent, EA, and Ubisoft. TOPICS: 0:00 Intro 1:18 Team Structure 9:00 Dev Team Roles 20:40 Game Dev Phases 36:18 Engineering Practices (CI, Code Review, Coding Standards) 50:27 Dev Methodology 1:03:18 Sprint Estimates 1:14:10 Final Message --- Send in a voice message: https://anchor.fm/gamemakers/message

In this episode we interview Chris Cobb a Personal Banker and future CPA we talk about getting your money and finances right in 2021! Follow him at: https://instagram.com/therealctfk?igshid=7ck5yn6lige9

In today's always-on world, your business demands a simpler approach to network security. At Blackfoot Communications we deliver state-of-the-art security solutions – from the perimeter to end-point devices and remote data backup – for businesses across Montana. Ensure your company's network is online. All the time.For more information, visit GoBlackfoot.com/business

In today's always-on world, your business demands a simpler approach to network security. At Blackfoot Communications we deliver state-of-the-art security solutions – from the perimeter to end-point devices and remote data backup – for businesses across Montana. Ensure your company's network is online. All the time.For more information, visit GoBlackfoot.com/business

Welcome to episode 33! This week we have Chris Cobb, the associate head coach at the University of Montana. He talks to us about the high-low offense that they use, and how to incorporate and develop your post players. If you've been enjoying these episodes please make sure to subscribe, and as always thanks for listening!

This week, the guys get to talk about getting back on stage for a full band show for the first time—which ties perfectly into the guest for this week, Chris Cobb. Chris owns the iconic EXIT/IN and the global pandemic has quickly threatened the sustainability of not only his but numerous music venues across the country. Chris, Justin and JR give some advice for how you can help save the iconic venues so that live music can continue to go on.

In today's always-on world, your business demands a simpler approach to network security. At Blackfoot Communications we deliver state-of-the-art security solutions – from the perimeter to end-point devices and remote data backup – for businesses across Montana. Ensure your company's network is online. All the time.For more information, visit GoBlackfoot.com/business

We switch gears this week and talk with Chris Cobb, owner of the Exit/In music venue in Nashville, TN, OG Nutbutter Campmate, and precinct captain of the newly formed National Independent Venue Association. NIVA was formed to help preserve the ecosystem of independent venues across the country while they are force to close throughout the pandemic. Chris shared some eye-opening insights about the state of live music and told us what he thought it would take for a large festival like Bonnaroo to resume. Also: has Brad found the perfect festival food? Intro Music: "Harmony Hall" by Vampire Weekend

In today's always-on world, your business demands a simpler approach to network security. At Blackfoot Communications we deliver state-of-the-art security solutions – from the perimeter to end-point devices and remote data backup – for businesses across Montana. Ensure your company's network is online. All the time.For more information, visit GoBlackfoot.com/Business.Ryan Tootell and Colter Nuanez talk with Montana men's basketball associate head coach Chris Cobb about recruiting, the end of the season, and more about the Montana basketball program (3:15). To end the hour, Ryan and Colter talk about the Montana State men's basketball program and take a call from an old friend (44:38).

Guest speaker Pastor Chris Cobb, from our San Jose, CA campus, shares about The Power and Purpose of the Gospel. He is passionate about the fundamentals on our ministry strategy and shares his heart on 4 vital steps to move forward in our pursuit of Christ.Follow us on social media at @gccgilbert and check out our website mygatewaycity.church/gilbert

In 1961, Goya's famous portrait of the Duke of Wellington went missing from London's National Gallery. The case went unsolved for four years before someone unexpectedly came forward to confess to the heist. In this week's episode of the Futility Closet podcast we'll describe one of the greatest art thefts in British history and the surprising twists that followed. We'll also discover Seward's real folly and puzzle over a man's motherhood. Intro: One of the desks on the U.S. Senate floor is full of candy. Astronaut John Young smuggled a corned beef sandwich into space. The following list of "Sasha Spottings" comes from Brandi Sweet, caretaker of Bella, Ojo, Schatzi, Babu, and Atte: Episode 9 Episode 46 Episode 63 Episode 114 Episode 139 Episode 144 Episode 146 ("mentioned as purring but I couldn't hear her") Episode 148 Episode 156 Episode 164 Episode 168 Episode 173 Episode 183 Episode 201 Episode 207 Episode 215 Sources for our feature on Kempton Bunton and Goya's Portrait of the Duke of Wellington: Alan Hirsch, The Duke of Wellington, Kidnapped!, 2016. Simon Mackenzie, "Criminal and Victim Profiles in Art Theft: Motive, Opportunity and Repeat Victimisation," Art Antiquity and Law 10:4 (November 2005), 353-370. Melvin E. DeGraw, "Art Theft in Perspective," International Journal of Offender Therapy and Comparative Criminology 31:1 (1987), 1-10. Richard LeBlanc, "Thief-Proofing Our Art Museums: Security Expensive? ... Not the Morning After," UNESCO Courier 18:10 (November 1965), 4-6, 10-17 "Hugh Courts' Papers Relating to the Trial of Kempton Bunton," National Gallery (accessed Nov. 17, 2019). "The National Gallery: The Missing Masterpiece," Royal Society (accessed Nov. 17, 2019). James Whitfield, "The Duke Disappears" History Today 61:8 (August 2011), 43-49. "Thefts From Museums," Burlington Magazine 109:767 (February 1967), 55-56. Noah Charney, "The Wackiest Art Heist Ever," Salon, Nov. 15, 2015. "Spectre of Goya: Letters to the Editor," Times, Oct. 31, 2019, 28. "'The Thieves Vanished Into the Rio Carnival Crowds' - The 10 Most Audacious Art Heists in History," Telegraph.co.uk, Jan. 26, 2018. Adrian Lee, "Britain's Most Bizarre Art Heist," Daily Express, April 16, 2016, 37. Alan Travis, "Revealed: 1961 Goya 'Theft' From National Gallery Was a Family Affair," Guardian, Nov. 30, 2012. "A Blizzard and a Blaze," [Newcastle-upon-Tyne] Evening Chronicle, Dec. 31, 2011, 10. Noah Charney, "Art Thieves No Longer Oddballs," [Christchurch, New Zealand] Press, Sept. 2, 2011. Sandy Nairne, "From National Gallery to Dr No's lair," Guardian, Aug. 6, 2011, 14. Sandy Nairne, "How Goya's Duke of Wellington Was Stolen," Guardian, Aug. 5, 2011. "Hero or Villain?: Geordie's Bizarre Crime of Conscience," [Newcastle-upon-Tyne] Evening Chronicle, June 30, 2010, 10. David Lee, "It's a Steal: Why Art Remains a Favourite Among Thieves," Times, May 22, 2010, 21. Chris Cobb, "Stolen Masterpieces," Ottawa Citizen, Jan. 11, 2009, B.1. "Goya Thief Sent for Trial," Times, Aug. 18, 2001, 25. Peter Lennon and Edward Pilkington, "Files Reveal Innocent Man Was Jailed for Stealing Goya Painting From the National Gallery in 1961," Guardian, Jan. 13, 1996, 3. Paul Hoffman, "Psst! Wanna Buy a Hot Rembrandt?", New York Times, June 1, 1975. "Stolen Wellington by Goya Rehung in London Gallery," New York Times, Jan. 12, 1966. W. Granger Blair, "Briton Acquitted of Stealing Goya; But Admitted Thief Is Guilty of Taking the Frame," New York Times, Nov. 17, 1965. Clyde H. Farnsworth, "Ransom Asked for Goya Stolen in '61," New York Times, Dec. 31, 1964. "Work Said to Be Uninsured," New York Times, Feb. 18, 1964. "'No Questions' Deal Is Offered for Goya," New York Times, Jan. 8, 1964. "Scotland Yard to Examine Alleged Ashes of Painting," New York Times, Jan. 2, 1964. "Greatest Heists in Art History," BBC News, Aug. 23, 2004. "Portrait of the Duke of Wellington," Paintings in Movies (accessed 11/17/2019). Jillian Elizabeth Seaton, "Touching the Void: The Museological Implications of Theft on Public Art Collections," dissertation, University of Edinburgh, 2014. County Cork's Algiers Inn, from listener Ken Murphy. Listener mail: The Algiers Inn. Barry Roche, "Pirate Raid That Stunned Nation," Sun, Jan. 10, 2003, 8. Wikipedia, "Alaska Purchase" (accessed Nov. 22, 2019). Jesse Greenspan, "Why the Purchase of Alaska Was Far From 'Folly,'" History.com, March 30, 2017. "Purchase of Alaska, 1867," Office of the Historian, U.S. Department of State (accessed Nov. 22, 2019). "History of the Bureau of Diplomatic Security of the United States Department of State," U.S. Department of State, October 2011 (page xxiii). Ralph E. Weber, "Seward's Other Folly: America's First Encrypted Cable," Studies in Intelligence 36 (1992), 105-109. This week's lateral thinking puzzle was contributed by listener Jesse Schlaud. You can listen using the player above, download this episode directly, or subscribe on Google Podcasts, on Apple Podcasts, or via the RSS feed at https://futilitycloset.libsyn.com/rss. Please consider becoming a patron of Futility Closet -- you can choose the amount you want to pledge, and we've set up some rewards to help thank you for your support. You can also make a one-time donation on the Support Us page of the Futility Closet website. Many thanks to Doug Ross for the music in this episode. If you have any questions or comments you can reach us at podcast@futilitycloset.com. Thanks for listening!

In today's always-on world, your business demands a simpler approach to network security. At Blackfoot Communications we deliver state-of-the-art security solutions – from the perimeter to end-point devices and remote data backup – for businesses across Montana. Ensure your company's network is online. All the time.For more information, visit GoBlackfoot.com/Business.Ryan Tootell and Colter Nuanez sit down with Montana assistant basketball coaches Chris Cobb and Zach Payne for this week's ESPN Roundtable before the Griz tip off their season at Stanford (2:02).

In this episode, we interview Chris Cobb of Armstrong Transport. His story is very different from many we’ve told on Freelance to Founder. Our guest built his business with a dwindling cash reserve and with no knowledge of the business he was getting into. Only trust in his own work ethic, $15,000, and the expertise of his partner. There’s no sexy email marketing software startup story here, no seven-figure online course on ‘course-building’, no niche community he developed and grew, no book, no agency – none of these things. Chris Cobb found success starting a freight brokerage, which evolved into a financial services firm, which he very recently cashed out to the tune of tens of millions.  Here’s why you’re going to want to listen to this episode, even if transportation isn’t your thing. Get to learn about the creative, forward-thinking business that Chris exited in order to fund his freight startupHow and why Chris pivoted from freight brokerage to financial services firm How Chris broke through the mental barriers of hitting an intellectual wall with the business and survived a terrible decision which cost the company $300,000 as well as credibility with his business partnerHow Chris views risk tolerance and manages his perceived deficiencies as a CEO and manager We’ve never had a CEO of a company this size nor a founder story involving an exit. We hope you enjoy this episode of Freelance to Founder. Please do leave us an honest rating on iTunes. Complete show notes for this episode can be found on Millo.co Thank you to our Sponsors for supporting this episode: Radix: In today’s digital world, your personal brand is your web address, your unique niche in the world. Get your space on the internet with a special 90% off offer on 1 & 5 year .space domains! Log on to get.space now and use coupon code “FREELANCETOFOUNDER” to redeem 90% discount on your domain! Subscribe for new episodes at freelancetofounder.com. This podcast is a production of Millo. Recently from the Millo Blog: What earning $33k from Fiverr taught me about building a freelance business Learn more about your ad choices. Visit megaphone.fm/adchoices

Gil and Geoff are thrilled to welcome Chris Cobb from Riot Games, creator of the number one online game in the world, League of Legends. Until recently Chris was the technical lead for the Player Behavior team, which was tasked with designing in-game and out-of-game systems to encourage players to be nicer to each other, and deal with players who don't. Over the years, what did they learn about behavior, and how to design systems to encourage it to improve? Duration: 1:02:29

In Episode 88, Chris Cobb of Cobb Realty joins the podcast to share his story that includes a stop in the Air Force before becoming a REALTOR.  Discipline combined with hustle is a powerful combination and Chris exudes it. Chris is also committed to giving back and he shares his upcoming endeavor to raise money for The Fisher House.   www.chriscobbsellstucson.com/ http://www.arizonafisherhouse.org/ (The Fisher House)  

On episode 4 of The Kate Halper Show, Nate Silver of fivethirtyeight talks to us about a study which finds that Black Americans are almost eight times as likely as white Americans to be victims of homicide. Comedians Ted Alexandro and Desiree Burch talk about politics and humor, and Chris Cobb discusses how he encouraged New York City to recognize site of a former slave market on Wall Street and mark it with a plaque. And speaking of terrible, greedy, rich white men, we give you a Trumpdate. Did you know that there is a Donald Trump State Park? Well, we at The Katie Halper Show are renaming it. We have some great candidates. And they're Mexican.

How to solve the Bay Area's housing development issues; what it'll take to get SF's public transportation to improve; a Bay Area Beats with Howell Devine, and local musicians The Chris Cobb band.

New Releases. Interview with Chris Cobb from Ragtag Studio for ‘Ray’s The Dead’. NBA Live 15 delayed. Remote Play from the new Sony Experia Z3. Batman: Arkham Knight gets a release date and special editions. What we’re playing and watching. Extra Life 2014. Review of NHL 15 (PS4). Paypals. Emails. Comedian is Patrice O’Neal. http://psnation.com 6:26 - Ray’s The Dead 42:45 - NBA Live 15 1:10:03 - Run Sackboy! Run! 1:18:20 - Batman: Arkham Knight 1:29:42 - Diablo III 1:31:50 - Destiny 1:41:20 - Joe Danger Break Music is from R-Type Complete cd 2:11:20 - NHL 15 (PS4) Comedian is Patrice O’Neal

Installation artist Chris Cobb's "There Is Nothing Wrong in This Whole Wide World" involved reclassifying the books at the Mission District's Adobe Books -- by color. Cobb, along with nearly 20 assistants, spent an entire night arranging all of the neighborhood bookstore-and-sometime-gallery's estimated 20,000 books to create a continuous spectrum, covering the whole shop. The installation remained in place from November 12, 2004 until January 20, 2005. Spark checked in on Cobb and his team as they transformed an everyday space into a stunning work of art.

Are there statements about God, humans, the universe, and any other thing that a Latter-day Saint "must" believe to be considered a "Mormon"? And, if so, how literally does one have to take these so-called "doctrines"? Are they close-to-perfect encapsulations of eternal truths that are consistently taught in scripture and that have hardly changed or evolved throughout time, with modern LDS pronouncements simply further clarifications? Or are doctrines far "fuzzier," more fluid statements suggesting where Mormons are encouraged to focus now but always with the anticipation that, as the Ninth Article of Faith states, there are "many great and important things" still to be revealed? Furthermore, are "ideas" or "truths we can state" really what we should focus on? Does "knowing" some truth actually translate directly to becoming more godlike in nature? Would God really prefer that someone is able to list beliefs or name attributes of godliness over someone who has come to embody compassion and other spiritual qualities? Are we giving "doctrine" too much power? Are we letting "statements that we are supposed to believe" distract us from what’s vital? Are we allowing the discomfort of conspicuousness when we imagine that we are being pressured to say we assent to various teachings (that fall apart, horribly, when held up to scientific or intellectual scrutiny) drive us from fellowship with other Latter-day Saints? In this two-part podcast, Mormon Matters host Dan Wotherspoon and panelists Gina Colvin, Charles Harrell, and Chris Cobb take on all of these issues, and much more. Are there different, healthier ways to view the question of Mormon teachings and doctrinal discourse? Is doctrinal presentation, especially in Church curriculum, a straightforward process of teaching truth, or is there much more at play--assumptions (cultural, Western, cognitive, gendered, etc.) motivating what is selected as more or less important? The panel explore what it means when leaders might say that this or that doctrine is "binding" upon members and whether or not it is actual "doctrines" that are canonized or simply sources (scripture) that are granted authoritative power--and, as is evident about any scripture, whatever doctrines might be offered therein call always to a wonderfully wide spectrum of interpretation? The panel also explores whether we might be in a moment within Mormon development when doctrines are being scaled back, when less emphasis is being placed upon teachings and more on community, doing good in the world, "becoming" better Christians/human beings.

Are there statements about God, humans, the universe, and any other thing that a Latter-day Saint "must" believe to be considered a "Mormon"? And, if so, how literally does one have to take these so-called "doctrines"? Are they close-to-perfect encapsulations of eternal truths that are consistently taught in scripture and that have hardly changed or evolved throughout time, with modern LDS pronouncements simply further clarifications? Or are doctrines far "fuzzier," more fluid statements suggesting where Mormons are encouraged to focus now but always with the anticipation that, as the Ninth Article of Faith states, there are "many great and important things" still to be revealed? Furthermore, are "ideas" or "truths we can state" really what we should focus on? Does "knowing" some truth actually translate directly to becoming more godlike in nature? Would God really prefer that someone is able to list beliefs or name attributes of godliness over someone who has come to embody compassion and other spiritual qualities? Are we giving "doctrine" too much power? Are we letting "statements that we are supposed to believe" distract us from what’s vital? Are we allowing the discomfort of conspicuousness when we imagine that we are being pressured to say we assent to various teachings (that fall apart, horribly, when held up to scientific or intellectual scrutiny) drive us from fellowship with other Latter-day Saints? In this two-part podcast, Mormon Matters host Dan Wotherspoon and panelists Gina Colvin, Charles Harrell, and Chris Cobb take on all of these issues, and much more. Are there different, healthier ways to view the question of Mormon teachings and doctrinal discourse? Is doctrinal presentation, especially in Church curriculum, a straightforward process of teaching truth, or is there much more at play--assumptions (cultural, Western, cognitive, gendered, etc.) motivating what is selected as more or less important? The panel explore what it means when leaders might say that this or that doctrine is "binding" upon members and whether or not it is actual "doctrines" that are canonized or simply sources (scripture) that are granted authoritative power--and, as is evident about any scripture, whatever doctrines might be offered therein call always to a wonderfully wide spectrum of interpretation? The panel also explores whether we might be in a moment within Mormon development when doctrines are being scaled back, when less emphasis is being placed upon teachings and more on community, doing good in the world, "becoming" better Christians/human beings.

Installation artist Chris Cobb's "There Is Nothing Wrong in This Whole Wide World" involved reclassifying the books at the Mission District's Adobe Books -- by color. The installation remained up from November 12, 2004 until January 20, 2005. Spark checked in on Cobb and his team as they transformed an everyday space into a stunning work of art.

We caught up with venue owner and promoter Chris Cobb to discuss crafting a memorable atmosphere and experience in his buildings (like IEBA's 2018 Club of the Year, Marathon Music Works), lessons learned as a tastemaker booking at three different levels in a market, and staking out his place as an independent in the face of consolidation.