Podcasts about hall orchestra

In this week's episode of the Gramophone Classical Music Podcast, Editor Martin Cullingford is joined by the Principal Conductor of the Hallé Orchestra, Kahchun Wong, to talk about the orchestra's relationship with its home city, Manchester, and their new recording of Bruckner's Symphony No 9. 

durée : 00:12:42 - Le Prince des Pagodes de Britten par le Hallé Orchestra et le chef Kahchun Wong - Le Hallé Orchestra fait paraître un nouvel enregistrement du ballet de Benjamin Britten "Le Prince des Pagodes" : cela faisait 10 ans que cette partition n'avait pas été gravée dans son intégralité !

durée : 01:28:21 - En pistes ! du mercredi 18 décembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le ballet "Le Prince des Pagodes" de Britten n'est pas des plus connus : le Hallé Orchestra nous en propose justement une nouvelle version intégrale pour le découvrir ! Aussi au programme : Brahms, Fanny Mendelssohn Hensel et Robert de Visée

durée : 00:12:42 - Le Prince des Pagodes de Britten par le Hallé Orchestra et le chef Kahchun Wong - Le Hallé Orchestra fait paraître un nouvel enregistrement du ballet de Benjamin Britten "Le Prince des Pagodes" : cela faisait 10 ans que cette partition n'avait pas été gravée dans son intégralité !

durée : 01:28:21 - En pistes ! du mercredi 18 décembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le ballet "Le Prince des Pagodes" de Britten n'est pas des plus connus : le Hallé Orchestra nous en propose justement une nouvelle version intégrale pour le découvrir ! Aussi au programme : Brahms, Fanny Mendelssohn Hensel et Robert de Visée

In the book Typewriting Behavior, August Dvorak discusses what he calls intelligent behavior, referring to the adoption of new technologies and techniques in place of previous de facto traditions—a call for adapting to the ever-changing circumstances of our New World. Check out this episode to learn more, and hear a story about we can learn from keyboards, steamships, and the Pot Roast Principle. Enjoy! #positivity, #mindset, #purpose, #relationships, #change, #typewriting, #steamships, #potroast  This Volume 7 Issue 11 positivity essay originally appeared on the Hashtag Positivity website on November 25, 2024. Retrieved from https://www.hashtagpositivity.com/blog/keyboards-steamships-the-pot-roast-principle  ABOUT THE HOST Jonas Cain, M.Ed. is a storyteller, magician, musician, and facilitator of fascination. Through his company, Hashtag Positivity, he assists individuals, teams, and communities in “Being Well By Living Well” to experience abiding joy. Connect with Jonas today to discuss your challenges, goals, and obstacles: jonas@hashtagpositivity.com Connect with Jonas today to discuss your challenges, goals, and obstacles: jonas@hashtagpositivity.com WEBSITE www.hashtagpositivity.com   MUSIC “Dolphin-esque” by Doomed “Song of Sadhana” by Jesse Gallagher “New World Symphony” by Antonín Dvořák (Performed by The Hallé Orchestra, conducted by Hamilton Harty, 1923) “New World Symphony” by Antonín Dvořák (Performed by Berliner Philharmoniker, conducted by Herbert von Karajan, 1966) “Lightning Bugs” by Geographer

Tom Service talks to Sir Mark Elder about the legacy that he is leaving behind him after 24 years as Music Director at the Hallé Orchestra. He talks to Tom about Charles Hallé and his mission to set up an orchestra for all the people of Manchester, and how his ethos is still central to the orchestra today. Not only has mark Elder evolved the sound of the orchestra and transformed music-making in Manchester, putting generations of choral singers associated with the Hallé centre stage, but he has forged an identity for Hallé as the orchestra to play British music, and particularly the works of Elgar. Mark Elder also talks to Tom about his tenure at English National Opera, and the current funding crises that face music in the UK. As he prepares to step down from the Hallé, he also reflects on how coincidental it is that he should have been destined for Manchester, once the home of his great Uncle. Norman Cocker, who was a well-known organist at the Cathedral there.

If you´ve ever wondered how the silence prior to start the Opening Movement is energized and about the experience of the brief but extreme moving moment between the end of the Final Movement and the first clap of the audience's applause in a performance, you won't dare to miss this episode. Euan Shields is a 25-year-old Japan-born American orchestral conductor and cellist, known for his emotionally charged performances and delightful technical skills. In this episode, the Assistant Conductor under Sir Mark Elder for the Hallé Orchestra and Music Director of the Hallé Youth Orchestra, talks about all the imaginary happening while standing on the podium and about the different experiences resulted from playing cello in an orchestra vs. conducting one. Listen this superb cellist and promising orchestral conductor talk about mentorship and the benefits of being brutally honest, why he exchanged words for feelings when marking his scores, how he prepares a performance as an assistance conductor and how he puts his conviction of music's transformational power to society in motion.

SynopsisToday, we note two anniversaries concerning Handel and his music in London.On today's date in 1710, the German-born composer's music was performed in London for the first time when excerpts from his opera Rodrigo were used as incidental music during a revival of Ben Jonson's comic play The Alchemist, written 100 years earlier.It's a nice historical touch that in addition to writing satirical comedies such as The Alchemist, Jonson had supplied the poetic texts for elaborate masques staged at the court of King James I. Masques were a kind of precursor of the lavish Baroque operas such as Handel's Rodrigo, which debuted in Italy just three years before its tunes were recycled for use on the British stage.By 1713, the vogue for Italian operas had reached London, and Handel was on hand to write and stage them. On today's date in 1713, his opera Teseo had its premiere at the Queen's Theatre in London. And, just to show that off-stage events could prove every bit as dramatic as those on-stage, the theater manager, a certain Owen Swiney, ran off to Italy with the box office receipts after the second night's performance!Music Played in Today's ProgramGeorge Frederic Handel (1685-1757) Bourrée, from Rodrigo; Hallé Orchestra; John Barbirolli, cond. EMI 63956George Frederic Handel (1685-1757) Overture to Teseo; English Concert; Trevor Pinnock, cond. Archiv 419 219

Listen to this episode with Katy Jones, Principal Trombone of the Hallé Orchestra. We chat some about her life and background through becoming a pharmacist to principal trombone of major symphony orchestras in the UK. We go into great detail about the breathing technique, Buteyko. If you want to learn more about this take a listen and also visit her website with many details and resources about Buteyko Breathing and courses she has to offer on the topic. https://katyjonestrombone.co.uk/ 

SynopsisOn today's date in 1919, the British composer Edward Elgar finished a work he labeled jokingly as his “Opus 1001” – a 50-second “Smoking Cantata,” intended, according to the manuscript score, as "an edifying, allegorical, improving, expostulatory, educational, persuasive, hortatory, instructive, dictatorial, magisterial, inadautory work.”The score was completed at the Hertfordshire home of a wealthy banker named Edward Speyer, one of Elgar's oldest friends, to whom the manuscript was given.  When Elgar came to stay, Speyer had only one request, that the composer and his musician friends, “Kindly do not smoke in the hall or on the staircase.” That's also full text of Elgar's cantata.In the middle of his manuscript, Elgar drew a medieval hell's mouth, belching smoke.  The little score was discovered, performed, and recorded for the first time in July of 2003.Music Played in Today's ProgramEdward Elgar (1857-1934) Smoking Cantata Andrew Shore, bar; Hallé Orchestra; Mark Elder, conductor. Hallé CD HLL-7505

Jeremy Bowen is the BBC's award-winning international editor. He has been reporting from the world's conflict zones, including Iraq, Bosnia, the Middle East and Ukraine, for more than 30 years. Jeremy was born in Cardiff in 1960. His father was a journalist for BBC Wales, who covered the Aberfan disaster in 1966, and his mother was a press photographer. In 1984, after university, Jeremy joined the BBC as a news trainee and in 1989 he starting reporting from Afghanistan and El Salvador. From 1995 to 2000 he was based in Jerusalem as the BBC's Middle East correspondent. During that time he reported on the assassination of the Israeli prime minister Yitzhak Rabin. His coverage of the event won him the Royal Television Society's Award for Best Breaking News report. In 2022 Jeremy started reporting on the ground in Ukraine and earlier this year he returned to Iraq to discover how the country was coping, 20 years after the US-led invasion in March 2003. Jeremy lives in London with his partner Julia. DISC ONE: Let's Stay Together - Al Green DISC TWO: Symphony No. 2 in E-Flat Major, Op. 63: II. Larghetto. Composed by Edward Elgar and performed by Hallé Orchestra, conducted by Sir John Barbirolli DISC THREE: Piano Concerto No. 2 in C minor, Op 18. Composed by Sergei Rachmaninoff and performed by Vladimir Ashkenazi (piano) with the London Symphony Orchestra, conducted by André Previn DISC FOUR: America - Simon & Garfunkel DISC FIVE: La bohème: O soave fanciulla. Composed by Giacomo Puccini and performed by Plácido Domingo, Montserrat Caballé, London Philharmonic Orchestra, conducted by Georg Solti DISC SIX: Denn alles Fleisch, es ist wie Gras. Composed by Johannes Brahms and performed by Berliner Philharmoniker, conducted by Herbert von Karajan DISC SEVEN: In My Life – The Beatles DISC EIGHT: Waterloo Sunset - The Kinks BOOK CHOICE: The Complete Novels of George Orwell LUXURY ITEM: A manual typewriter CASTAWAY'S FAVOURITE: Symphony No. 2 in E-Flat Major, Op. 63: II. Larghetto. Composed by Edward Elgar and performed by Hallé Orchestra and Wiener Singverein, conducted by Sir John Barbirolli Presenter Lauren Laverne Producer Paula McGinley

As the Royal Northern College of Music celebrates its 50th anniversary, Tom Service talks to current students at the college and former alumni - including the pianist Alexandra Dariescu and conductor Alpesh Chauhan. He meets the RNCM's Principal, Linda Merrick, as well as the college's archivist, Geoff Thomason, to learn more about the college's past, the role it currently plays in the city's musical life, and its aspirations for the future. Formed of present and former students of the college, Tom catches-up with three members of an all-female genre-defying string quartet, Vulva Voce, to hear how their approach to repertoire and performance is winning over audiences. With Manchester's leading classical ensembles descending on Bridgewater Hall for a weekend-long festival celebrating the city's rich musical heritage, Tom Service meets the Director of the BBC Philharmonic, Beth Wells; Chief Executive of the Hallé Orchestra, David Butcher; Creative Director of the Manchester Camerata, Samantha McShane; and Artistic Director & Chief Executive of the Manchester Collective, Adam Szabo. And, Music Matters hears from the composer John Luther Adams, whose new work 'Prophecies of Stone' is set to premiere next month at the Manchester International Festival. We chat too to the biennial festival's Director of Music, Jane Beese, about the ambitions for Manchester's new cultural venue - Aviva Studios.

Synopsis Today's date marks the 1953 New York premiere of a musical movie that flopped when it debuted but has since become a cult classic – and for two very good reasons.First, the movie's script – written by Dr. Seuss – was about a little boy named Bart who didn't enjoy practicing the piano and who was worried that his widowed mom might marry his dreaded piano teacher. The film, entitled “The 5,000 Fingers of Dr. T,” is cast as Bart's dream – or nightmare – with surreal scenarios as only Dr. Seuss could imagine them. Second, the film boasted a score by Frederick Hollander, a composer of droll Berlin cabaret songs who found a welcome home in Hollywood. For “The 5,000 Fingers of Dr. T,” Hollander crafted witty songs and an extravagant instrumental sequence for a whacky Seussian ballet.Despite all that, The New York Times reviewer was bored: “a ponderously literate affair,” he wrote. The film did have its fans, however, and one was a little boy who DID like to practice the piano – singer and pianist Michael J. Feinstein, who lovingly gathered together all of Hollander's used and unused music for the movie for a limited edition CD-set released in 2010. Music Played in Today's Program Friedrich Hollaender (1896-1976) br>5000 Fingers of Dr. T filmscore studio orchestra On This Day Births 1717 - Baptismal date of Bohemian violinist and composer Johann Wenzel Anton Stamitz, in Nemecký Brod (Deutsch-Brod, now Havlíckuv Brod); 1842 - Austrian operetta composer Carl Zeller, in St. Peter in der Au; 1854 - Italian opera composer Alfredo Catalani, in Lucca; Deaths 1915 - Russian composer Sergei Taneyev, age 58, in Dyud'kovo, near Zvenigorod (Julian date: June 6); Premieres 1899 - Elgar: "Enigma Variations," in London, Queen's Hall, Hallé Orchestra conducted by Hans Richter; 1915 - Saint-Saëns: choral work, "Hail California," in San Francisco, composer conducting; 1926 - Antheil: "Ballet Mécanique," in Paris; 1984 - Bernstein: opera "A Quiet Place" (revised version), by La Scala Opera, John Mauceri conducting; The first version of this opera premiered at Houston Grand Opera on June 17, 1983, conducted by John DeMain. Others 1869 - final concert of a five-day "Great National Peace Jubilee" involving an orchestra of 1000 and a chorus of 10,000 organized by bandmaster Patrick Gilmore performing in a specially-constructed hall in Boston's Back Bay; Links and Resources On Friedrich Hollaender Original 1953 movie trailer for "Dr. T" More on the film

Scottish composer Helen Grime is this week's guest on Composing Myself, talking to Wise Music Group CEO Dave Holley and Creative Director Gill Graham about her life in and out of music. Melodic motifs on the conversational score today include her formative years studying the oboe, why a first rehearsal is more nerve-wracking than a premiere, experiences at Tanglewood - the summer home of the Boston Symphony Orchestra, why passing knowledge forward through teaching and learning is so important, and the nature of inspiration - “sometimes I seek it, and sometimes I really need it”. As ever, a joyful and enlightening hour.https://helengrime.com/The music of Helen Grime has been performed by leading orchestras around the world, among them the London Symphony Orchestra, Hallé Orchestra, Boston Symphony Orchestra, Orchestre de Paris, Royal Concertgebouw Orchestra, Deutsches Symphonie-Orchester Berlin and Swedish Radio Symphony Orchestra. Conductors who have championed her music include Sir Simon Rattle, Sir Mark Elder, Pierre Boulez, Kent Nagano, Oliver Knussen, George Benjamin, Daniel Harding, Marin Alsop and Thomas Dausgaard. Her music frequently draws inspiration from related artforms such as painting (Two Eardley Pictures, Three Whistler Miniatures), sculpture (Woven Space) and literature (A Cold Spring, Near Midnight, Limina) and has won praise in equal measure for the craftsmanship of its construction and the urgency of its telling.Born in 1981, Grime attended St Mary's Music School in Edinburgh and, following studies at the Royal College of Music in London, was awarded a Leonard Bernstein Fellowship to attend Tanglewood Music Center in 2008. Between 2011 and 2015 she was Associate Composer to the Hallé Orchestra in Manchester and in 2016 was appointed Composer in Residence at Wigmore Hall in London. She was Lecturer in Composition at Royal Holloway, University of London, between 2010 and 2017 and is currently Professor of Composition at the Royal Academy of Music in London. She was appointed MBE in the 2020 New Year Honours List for services to music. Hosted on Acast. See acast.com/privacy for more information.

Who doesn't love gazing at the sea? It's something that brings out the meditative in all of us as we stare at it and think deep thoughts. Claude Debussy didn't want us to think too hard - just to listen. In La Mer, he brings The Sea to us wherever we are, in all its beauty and wonder. Total listening time 36 mins (podcast 11', music 25') The music is here in full, played by The Hallé Orchestra (from Manchester, UK) conducted by Mark Elder on Youtube, Spotify, and links to the album at Apple Music and Amazon. The recordings linked above are available to buy as high-quality downloads from Presto Music for under GB£5! This episode's title is a line borrowed from an epic poem by Spike Milligan.   What do you think? Let me know with a comment at cacophonyonline.com. I'd love to hear from you!   There are more great episodes featuring the sea at Cacophony. Check out episodes: 29, 63 and 81 for music by Nicolai Rimsky-Korsakov, Benjamin Britten and Ethel Smyth. Also, the previous episode, 136, which takes us on a journey ending at Finisterre on the Atlantic coast of Spain.   If you'd like to support Cacophony there are easy, great, ways: – help with the costs of running it (and me) with a one-off contribution  or with a regular payment at ko-fi.com – share this episode with someone you know – share the 100 second trailer – subscribe/ review and keep listening! Thanks for listening!  

En el día en que se cumplen 100 años del nacimiento de René Hall te ofrecemos este episodio dedicado a reivindicar y arrojar luz sobre este talentoso hombre de música que siempre se movió entre bambalinas. Trabajador incansable y sumamente prolífico, maestro del blues, el jazz y el pop, pionero del rocknroll, tremendo guitarrista y exquisito arreglista. Lideró sus propios grupos con los que nunca tuvo éxito, pero como músico de sesión puso sus virtudes al servicio de muchos grandes nombres y decenas de clásicos de la música. Playlist; (sintonía) RENÉ HALL ORCHESTRA “Night fright” (1953) RENE HALL TRIO “My kind of rockin’” (1951) THE DOMINOES “Sixty minute man” (1951) LARRY WILLIAMS “Dizzy Miss Lissy” (1958) LARRY WILLIAMS “Bony Moronie” (1957) LARRY WILLIAMS “Bad boy” (1959) DON and DEWEY “Justine” (1958) DON and DEWEY “Just a Little lovin’” (1958) RENÉ HALLS ORCHESTRA featuring WILLIE JOE “Twitchy” (1958) RITCHIE VALENS “La Bamba” (1958) RITCHIE VALENS “Donna” (1958) CHAN ROMERO “Hippy hippy shake” (1959) BABETTE BAIN “That’s it” (1959) JOHNNY BURNETTE “Cincinnati fireball” (1960) SAM COOKE “You send me” (1957) SAM COOKE “Having a party” (1962) SAM COOKE “A change is gonna come” (1964) THE RENE HALL SEXTET “Rene’s boogie” (1950) Escuchar audio

Conductor Delyana Lazarova talks about the Hallé Orchestra ahead of the performance at the NCH - The new movie Bodies Bodies Bodies takes a parlour game but introduces danger and gore that play on our pre-occupations with technology and cancel culture - John Meagher and Lia Murphy review new albums by John Legend, Daithí, Sampa The Great.

Brief summary of episode:Jonathon Heyward is forging a career as one of the most exciting conductors on the international scene. He currently serves as Music Director Designate of the Baltimore Symphony Orchestra and will begin his five-year contract in the 2023-24 season. Jonathon's selection was unanimous from the Baltimore Symphony Music Director Search Committee, comprised of BSO musicians, staff, and community members. In March 2022, Jonathon made his debut with Baltimore Symphony Orchestra in three performances that included the first-ever performance of Shostakovich's Symphony No. 15. Quickly re-engaged, he returned in April to lead a Benefit Concert for Ukraine at the Meyerhoff.Born in Charleston, South Carolina, Jonathon began his musical training as a cellist at the age of ten and started conducting while still at school. He studied conducting at the Boston Conservatory of Music, where he became assistant conductor of the prestigious institution's opera department and of the Boston Opera Collaborative, and received postgraduate lessons from Sian Edwards at London's Royal Academy of Music. Before leaving the Academy, he was appointed assistant conductor of the Hallé Orchestra, where he was mentored by Sir Mark Elder, and became Music Director of the Hallé Youth Orchestra. His debut with the National Youth Orchestra of Great Britain at the 2021 BBC Proms earned five-star reviews and was hailed by British newspaper The Guardian as ‘an unforgettable showcase of high-energy collaboration'.Jonathon's commitment to education and community outreach work deepened during his three years with the Hallé and has flourished since he arrived in post as Chief Conductor of the Nordwestdeutsche Philharmonie in January 2021. He is equally committed to including new music within his imaginative concert programmes. Those qualities were evident in his Baltimore Symphony Orchestra debut bill, which comprised Hannah Kendall's The Spark Catchers, Beethoven's Third Piano Concerto and the first ever BSO outing for Shostakovich's Fifteenth Symphony.The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode ★ Support this podcast ★

The rock band elbow (small "e") hails from greater Manchester and makes subtle, sensitive, anthemic, joyful music, sometimes augmented with the strings of the Hallé Orchestra, (which they did not bring with them.) Guy Garvey's vocals and wordplay are perched atop a well-orchestrated but never overwrought blend of melodic bass, guitar and piano riffs, and pulsing percussion, all the while squeezing out a wide range of bottled emotions onto expansive life paintings. They've referred to themselves as "prog without the solos" (AllMusic). elbow plays music from their 2017 album, "Little Fictions" in-studio. (From the Archives, 2017.)

This week we're celebrating Shakespeare's 458th birthday with Robert McCrum, author of Shakespearean, and Editor-in-Chief at Faber and Faber for nearly 20 years, as well as literary and associate editor of The Observer. Robert's enthusiasm is infectious as he guides us through the best of this summer's stage productions from Gregory Doran's production of Richard III at RSC Stratford from 23rd June, to Kathryn Hunter playing King Lear from 10th June and Julius Caesar from 3rd May, both at The Globe. We also chat about Henry V with Kit Harrington, filmed at the Donmar Warehouse and screening in cinemas via National Theatre Live and The Tragedy of Macbeth with Denzel Washington and Frances McDormand. And happy birthday to Ralph Vaughan Williams too, who would be 150 this year. We're booking: A Sea Symphony by Ralph Vaughan Williams with Hallé Orchestra conducted by Sir Mark Elder at Bridgewater Hall on 30th April To Glorious John conducted by Sir Mark Elder at Bridgewater Hall on 12th May – tune into BBC Radio Three at 7.30 pm to hear the concert live Phantasy Quintet by Ralph Vaughan Williams with Hallé St. Peter's Chamber Series at Bridgewater Hall on 15th May We're reading: My Year Off: Rediscovering Life after a Stroke by Robert McCrum

durée : 00:58:50 - Sir John Barbirolli, bâtisseur d'orchestres - par : Aurélie Moreau - Successeur de Toscanini à la tête du New York Philharmonic, Sir John Barbirolli a débuté comme violoncelliste. Nommé à la tête du Hallé Orchestra à son retour d'Amérique, il est l'invité de prestigieux orchestres, dont le Philharmonique de Vienne.

We're all about the power of song! Countless studies show that singing in choirs can help beat the blues, boost your social life, reduce your stress levels and help you exercise - and, according to the choir members we hear from in this episode, it's true! Singers in The People's Show Choir Halesowen and the Hallé Orchestra's Ancoats Community Choir talk about the life-changing benefits they get from singing together - and, according to Ula Weber, Halesowen Show Choir Leader, anyone can sing! We hear about the growing social prescribing movement that means GPs can prescribe the arts instead of medicine and Music Director of the Hallé, Sir Mark Elder tells Katie how singing together can have an incredible impact on our health. www.thepeoplesorchestra.com https://www.halle.co.uk/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Hoy tenemos como invitada a Rosa Campos, Clarinete Co-Principal y Solista de Requinto en The Hallé Orchestra en Manchester. Rosa empezó a tocar en esta orquesta en el año 2004 y desde entonces, esta posición le abrió las puertas para colaborar con otras orquestas como Royal Liverpool Philarmonic Orchestra, London Symphony, the Northern Sinfonia, the City of Birmingham Symphony, Chamber Orchestra of Europe, entre otras. Estudió clarinete y piano en el Conservatorio Superior de Música de Vigo y en el año 2000 decidió irse a estudiar clarinete y clarinete bajo con Anthony Pay, Joan Enric Lluna y Michael Harris. Además de su actividad orquestal, Rosa realiza conciertos frecuentemente como solista y música de cámara, interpretando en diferentes salas de conciertos de países como Suecia, Italia, Taiwan, Inglaterra y España. Entre sus proyectos más recientes está el dúo que forma junto al pianista Paul Janes. Es profesora de Requinto en el Royal Northern College of Music en Manchester y es profesora de clarinete visitante en la Chetham´s School of Music. En este episodio hablaremos de: Sus inicios con el clarinete y en qué momento de su carrera decidió irse a Inglaterra a estudiar. De sus profesores principales, Joan Enric Lluna, Anthony Pay y Michael Harris. La importancia del papel del clarinete 2º dentro de la orquesta y las particularidades que muchos clarinetistas ignoran a la hora de interpretar este papel Hablaremos de momentos de duda y qué fue lo que le más le ayudó en esos momentos Del proceso de audición que tuvo que pasar en la orquesta Y de muchas cosas más… Recuerda que en academiadeclarinete.com tienes a tu disposición cientos de clases grabadas en vídeo con ejercicios, técnicas, partituras y todo lo que necesitas, para mejorar como clarinetista. También tienes disponible la sección de Masterclasses, donde grandes clarinetistas colaboran regularmente compartiendo todo lo que saben con los estudiantes de la academia, y de esta manera, hacer de esta plataforma un lugar de referencia y aprendizaje para toda la comunidad de clarinetistas de habla hispana. Muchas cosas están por llegar. No te lo pierdas. Descarga gratis la Guía de estudio del Clarinetista. *Fotografía: Paco Amate (function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = "//forms.aweber.com/form/75/1002537775.js"; fjs.parentNode.insertBefore(js, fjs); }(document, "script", "aweber-wjs-lxvwl76h6"));

This summer on the Mind Over Finger Podcast, I promise you a fantastic time with wonderful guests! Every month I'm having a live Q&A with amazing musicians in my Facebook group, the Mind Over Finger Tribe and, as to be expected, much wisdom is being shared! We start with pianist Konstantin Soukhovetski, we continue in May with violinist Callum Smart, in June you'll hear from trumpet player Christopher Still from Honesty Pill, July will bring violinist Esther Abrami, and we'll spend time with guitarist Brandon Jack Acker in August. I hope you can join us live for the upcoming sessions. All of the details are in the Mind Over Finger Tribe at facebook.com/groups/mindoverfingertribe.   If you're enjoying today's content, take a screenshot as you're listening, share on social and tag me and my guest so we can thank you for tuning in!     Frustrated with your playing?  Unsatisfied with you career?  Ready for a change? Whatever your challenge, you don't have to go at it alone, and I can help.  Visit www. https://www.mindoverfinger.com/workwithme to learn more and book your call and let's discuss how to get you from where you are to where you want to be.   THE MUSIC MASTERY EXPERIENCE will be back in June 2021.  This is my LIFE CHANGING, highly personalized group coaching program where I show you how to implement mindful & effective practice techniques, how to make them habits, and how to get RESULTS. Save your spot at http://www.mindoverfinger.com/mme and get access to some really cool bonuses.     MORE ABOUT CALLUM SMART: Website: https://www.callumsmart.com/ YouTube channel: https://www.youtube.com/channel/UC_ecn1-p8BqHqeliOh-_weg Facebook: https://www.facebook.com/callumsmartviolin/ Instagram: https://www.instagram.com/callumsmartviolin/ Twitter: https://twitter.com/CallumLSmart Patreon: https://www.patreon.com/user?u=32598434&fan_landing=true   “…the sincerity of Smart's singing line is cause for celebration, and the recital is quite outstanding in its unique sequence and profile of a superb young player.” Andrew Parker, International Record Review Callum Smart is quickly developing an international reputation as one of Britain's finest young violinists. Playing with ‘an inherent nobility that speaks to the heart' (International Record Review), he is celebrated for combining ‘brilliant technique with the confidence to take risks' (Bachtrack) and his ‘utterly convincing' interpretations (BBC Music Magazine). Recognised as a rising star since winning the BBC Young Musician strings category and being the top European prize-winner at the Menuhin Competition in 2010, Smart now enjoys concert appearances with the UK's leading orchestras, including re-invitations to the Royal Philharmonic Orchestra, Royal Liverpool Philharmonic and the Philharmonia Orchestra. In 2020-21, Callum makes his debut with the Hallé Orchestra performing Korngold's Violin Concerto, and also a Boston debut with the Lexington Symphony Orchestra performing Elgar's Violin Concerto. Last season, he made his debut with the BBC Philharmonic performing Berg's Violin Concerto, and this season sees his return to the Royal Philharmonic Orchestra and debut with the Manchester Camerata. Previous season highlights include his North American debut with the Calgary Philharmonic Orchestra, as well as performances with the Fort Wayne Philharmonic, European Union Chamber Orchestra, Orpheus Sinfonia and Polish Chamber Philharmonic Orchestra, covering a range of concerto repertoire from Mozart and Beethoven to Glazunov, Britten, Prokofiev, Elgar, Weill, and Korngold. As a recitalist, Smart performs at some of the world's most prestigious venues including London's Wigmore Hall, the Konzerthaus Berlin and the Auditorium du Louvre in Paris, and at a number of European festivals including the Cheltenham Festival, Dvorak Festival in Prague, Menuhin Festival, Mecklenburg-Vorpommern and the Malmo International String Festival. Smart's partnership with Richard Uttley continues this season with recitals across the UK; they are also joined by horn player Ben Goldscheider for a series of concerts as The Ashwell Trio. Continuing his advocacy for new music, Smart worked with composer George Benjamin to perform his Three Pieces for solo violin at both the Wigmore Hall and the Royal Northern College of Music. He also performed Kaija Saariaho's Nocturne for solo violin at the Bridgewater Hall in Manchester. Now with two recital discs to his name, 2016 saw the release of Smart's second disc on the Orchid Classics Label with pianist Richard Uttley. ‘La Voix' – including works by Fauré, Poulenc and Ravel – featured as one of the Strad Magazine's recommended recordings of the month, and was accorded 4 star reviews both in the BBC Music Magazine and the Observer. Having returned to the UK following his Premier Young Artist scholarship at the Jacobs School of Music in the United States studying with Mauricio Fuks, Smart took up a place on the International Artist Diploma postgraduate course at the Royal Northern College of Music (RNCM) studying with Ana Chumachenco and Noah Bendix-Bagley. Having made an immediate impact on his return, he was subsequently appointed as a violin tutor at the RNCM. Smart plays on a c.1730-35 violin by Carlo Bergonzi and is a Hattori Foundation Award Winner 2019.   Join the Mind Over Finger Tribe for access to my weekly live videos and to exchange with a community of like-minded musicians   Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to an exceptionally productive practice using the metronome.  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights.     THANK YOU: A HUGE thank you to my fantastic producer, Bella Kelly, who works really hard to make this podcast as pleasant to listen to as possible for you. Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme.  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction.  You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home.   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

En el episodio de hoy, tenemos como invitado a Sergio Castelló, Clarinete Principal en The Hallé Orchestra en Manchester. Sergio inició sus estudios musicales a la edad de 5 años con Juan Carlos González, profesor con el que estudió hasta el grado Superior y quien despertó en Sergio la pasión por la música y el clarinete. Continuó sus estudios superiores en Madrid en la Escuela Superior de Música Reina Sofía con los profesores Enrique Pérez y Michel Arrignon. Durante su etapa como estudiante Sergio participó en varios concursos de jóvenes intérpretes a nivel nacional, recibiendo varios primeros premios, y fue en ese momento donde empezó su trayectoria orquestal, formando parte de orquestas jóvenes como la EUYO o la Orquesta Joven Gustav Mahler. En 2015 finalizó sus estudios al conseguir la plaza de Clarinete Principal en la Ópera de Limoges. En 2016 Sergio obtiene la plaza de clarinete principal en The Hallé Orchestra en Manchester, orquesta con la que toca actualmente. Con esta orquesta ha tenido la ocasión de tocar varios conciertos como solista y grabar la Primera Rapsodia de Debussy, que podéis en Spotify en este enlace de aquí. Ha trabajado además como invitado con orquestas como la Orquesta Nacional de España, London Philharmonic, BBC Philharmonic, Royal Northern Sinfonia, entre otras, con las que ha tenido la oportunidad de tocar en eventos como los BBC Proms en Londres, Festival de Lucerna o en Musikverein en Viena. A Sergio le interesa también la docencia y le gusta compartir su experiencia con la siguiente gerenación de clarinetistas. Da masterclasses regularmente en Royal Norhern College of Music en Manchester y en otros centros en Reino Unido y es profesor en Chethams School of Music en Manchester. En este episodio hablamos de: Sus inicios con el clarinetePor qué su etapa estudiando en el Reina Sofía fue tan importante en su trayectoriaDe sus profesores Enrique Pérez y Michel ArrignonSu primera experiencia tocando en una orquesta profesionalMentalidad para afrontar pruebas y aprender de la experienciaSu trayectoria hasta llegar a tocar en la Orquesta de ManchesterHablaremos sobre el presente y futuro de la música clásicaDe nuevos proyectos, grupos y consejos para estudiantes de clarinete que quieran dedicarse en serio a la música De todo esto y mucho más, hablaremos en este episodio Recuerda que en academiadeclarinete.com tienes a tu disposición clases grabadas en vídeo con ejercicios, técnicas, repertorio y todo lo que necesitas para mejorar como clarinetista. Échale un vistazo al apartado de Masterclasses, donde nuevos profesores irán colaborando regularmente para hacer de esta academia un lugar de referencia y aprendizaje para toda la comunidad de clarinetistas de habla hispana. Accede a todo el contenido en academiadeclarinete.com y sigue aprendiendo con grandes clarinetistas desde donde tú quieras, y a tu ritmo. Descarga gratis la Guía de estudio del Clarinetista. (function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = "//forms.aweber.com/form/75/1002537775.js"; fjs.parentNode.insertBefore(js, fjs); }(document, "script", "aweber-wjs-lxvwl76h6"));

Synopsis Primitive man probably imitated animal sounds for both practical and religious reasons. More recently, the Baroque-era composer Heinrich Franz von Biber imitated one particular animal for COMIC effect in his “Sonata Representing Animals,” and, in early 20th century slang, it’s simply “the cat’s meow.” Now speaking of cats, they’re supposed to have nine lives–but would you believe 8,949? On today’s date in 1981, “Cats,” a musical by the British composer Andrew Lloyd Webber opened at the New London Theatre in that city’s fashionable West End. Despite a bomb threat and brief evacuation of the theatre, the premiere of “Cats” was a great success. 8,949 performances later, on the same date in 2002, when the show finally closed, it had long since entered the Guinness Book of World Records as the longest-running musical to date. In London, it took in 136 million British pounds in ticket sales. Worldwide, “Cats” has taken in billions of dollars, has been seen by millions, and has been performed in 11 different languages in over 26 countries. And if you asked YOUR cat to comment on all this, he or she would probably say, “Why are you surprised?” and saunter away. Music Played in Today's Program Heinrich Ignaz Franz von Biber (1644 – 1704) Sonata violino solo representativa Il Giardino Armonico; Giovanni Antonini, cond. Teldec 21464 Andrew Lloyd Webber (b. 1948) Cats Overture Original Broadway Cast orchestra Geffen 22031 On This Day Births 1791 - Bohemian composer Jan Václav (Johann) Voríšek(Worzischek), in Vamberk; 1855 - Russian composer Anatoly Liadov, in St. Petersburg (Julian date: April 29); 1888 - American popular song composer Irving Berlin (Isidore Balin) inTemun, Russia (Julian date: April 29); 1895 - American composer William Grant Still, in Woodville, Miss.; 1954 - Scottish composer Judith Weir, in Aberdeen; Deaths 1849 - German composer Otto Nicolai, age 38, in Berlin; 1916 - German composer, Max Reger, age 43, in Leipzig; 1947 - Swedish composer Ture Rangström, age 62, in Stockholm; Premieres 1728 - Handel: opera "Tolomeo, re d'Egitto" (Julian date: April 30); 1917 - Busoni: opera "Arlecchino" (Harlequin) and "Turandot" in Zürich at the Stadttheater; 1945 - Bernstein: "Hashkiveinu" (text from the Sabbath Evening Service) for Cantor, Choir and Organ, at Park Avenue Synagogue in New York City, by Cantor David Puttterman, Max Heffman conducting; 1948 - Cowell: "Hymn, Chorale, and Fuguing Tune" No. 8 for strings, at Florida State University Recital Hall by the School of Music Faculty String Quartet; 1955 - Bliss: Violin Concerto, in London; 1963 - William Grant Still: opera "A Southern Interlude," by the University of Miami Opera; This opera was later revised as "Highway 1, U.S.A."; 1966 - Andrew Imbrie: Symphony No. 1, by the San Francisco Symphony; 1981 - Andrew Lloyd-Webber: musical "Cats" (after T.S. Eliot's "Old Possum's Book of Practical Cats") in London at the New London Theatre; This enormously popular and long-running musical opened on Broadway on October 7, 1982; 1984 - John Harbison: "Ulysses' Bow," by the New Haven Symphony, Murry Sidlin conducting; 1995 - John Adams: musical "I Was Looking at the Ceiling and Then I Saw the Sky"at the Zellerbach Playhouse in Berkeley, California, with the Paul Dresher Ensemble conducted by Grant Gershon; 2000 - Colin Matthews: "Pluto The Renewer" (as a new contribution to Gustav Holst's "The Planet"), in Manchester, by the Hallé Orchestra, Kent Nagano conducting; 2002 - Kenneth Frazelle: "Concerto for Chamber Orchestra," in Glendale, Calif., by the Los Angeles Chamber Orchestra, Jeffrey Kahane conducting. Links and Resources On Biber On Lloyd Webber's "Cats" More on Andrew Lloyd Webber

Synopsis Primitive man probably imitated animal sounds for both practical and religious reasons. More recently, the Baroque-era composer Heinrich Franz von Biber imitated one particular animal for COMIC effect in his “Sonata Representing Animals,” and, in early 20th century slang, it’s simply “the cat’s meow.” Now speaking of cats, they’re supposed to have nine lives–but would you believe 8,949? On today’s date in 1981, “Cats,” a musical by the British composer Andrew Lloyd Webber opened at the New London Theatre in that city’s fashionable West End. Despite a bomb threat and brief evacuation of the theatre, the premiere of “Cats” was a great success. 8,949 performances later, on the same date in 2002, when the show finally closed, it had long since entered the Guinness Book of World Records as the longest-running musical to date. In London, it took in 136 million British pounds in ticket sales. Worldwide, “Cats” has taken in billions of dollars, has been seen by millions, and has been performed in 11 different languages in over 26 countries. And if you asked YOUR cat to comment on all this, he or she would probably say, “Why are you surprised?” and saunter away. Music Played in Today's Program Heinrich Ignaz Franz von Biber (1644 – 1704) Sonata violino solo representativa Il Giardino Armonico; Giovanni Antonini, cond. Teldec 21464 Andrew Lloyd Webber (b. 1948) Cats Overture Original Broadway Cast orchestra Geffen 22031 On This Day Births 1791 - Bohemian composer Jan Václav (Johann) Voríšek(Worzischek), in Vamberk; 1855 - Russian composer Anatoly Liadov, in St. Petersburg (Julian date: April 29); 1888 - American popular song composer Irving Berlin (Isidore Balin) inTemun, Russia (Julian date: April 29); 1895 - American composer William Grant Still, in Woodville, Miss.; 1954 - Scottish composer Judith Weir, in Aberdeen; Deaths 1849 - German composer Otto Nicolai, age 38, in Berlin; 1916 - German composer, Max Reger, age 43, in Leipzig; 1947 - Swedish composer Ture Rangström, age 62, in Stockholm; Premieres 1728 - Handel: opera "Tolomeo, re d'Egitto" (Julian date: April 30); 1917 - Busoni: opera "Arlecchino" (Harlequin) and "Turandot" in Zürich at the Stadttheater; 1945 - Bernstein: "Hashkiveinu" (text from the Sabbath Evening Service) for Cantor, Choir and Organ, at Park Avenue Synagogue in New York City, by Cantor David Puttterman, Max Heffman conducting; 1948 - Cowell: "Hymn, Chorale, and Fuguing Tune" No. 8 for strings, at Florida State University Recital Hall by the School of Music Faculty String Quartet; 1955 - Bliss: Violin Concerto, in London; 1963 - William Grant Still: opera "A Southern Interlude," by the University of Miami Opera; This opera was later revised as "Highway 1, U.S.A."; 1966 - Andrew Imbrie: Symphony No. 1, by the San Francisco Symphony; 1981 - Andrew Lloyd-Webber: musical "Cats" (after T.S. Eliot's "Old Possum's Book of Practical Cats") in London at the New London Theatre; This enormously popular and long-running musical opened on Broadway on October 7, 1982; 1984 - John Harbison: "Ulysses' Bow," by the New Haven Symphony, Murry Sidlin conducting; 1995 - John Adams: musical "I Was Looking at the Ceiling and Then I Saw the Sky"at the Zellerbach Playhouse in Berkeley, California, with the Paul Dresher Ensemble conducted by Grant Gershon; 2000 - Colin Matthews: "Pluto The Renewer" (as a new contribution to Gustav Holst's "The Planet"), in Manchester, by the Hallé Orchestra, Kent Nagano conducting; 2002 - Kenneth Frazelle: "Concerto for Chamber Orchestra," in Glendale, Calif., by the Los Angeles Chamber Orchestra, Jeffrey Kahane conducting. Links and Resources On Biber On Lloyd Webber's "Cats" More on Andrew Lloyd Webber

Dr John Rigby studied orchestral conducting at the University of Huddersfield and the Royal Northern College of Music. He gained his PhD from King's College London having researched the cultural resonances of Franz Lehár's ‘Berlin' operettas during the Weimar Republic. He also holds an honorary Doctor of Arts from Edge Hill University in recognition of his work in musical theatre and conducting.As a musical supervisor his credits include: JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT (Palladium); SCHOOL OF ROCK (London, US Tour, Australia, Korea); THE PHANTOM OF THE OPERA (25th Anniversary UK and US Tours); JESUS CHRIST SUPERSTAR (World Arena Tour & DVD); LES MISERABLES (Korea); MISS SAIGON (London, cinema release & DVD); THE PRODUCERS (UK Tour) and THE KING AND I (UK Tour). As a musical director his West End credits include: Christopher Wheeldon's AN AMERICAN IN PARIS (Dominion & cinema release) BEAUTIFUL AND DAMNED (Lyric); THE DROWSY CHAPERONE (Novello); THE KING AND I (Palladium); THE LAST EMPRESS (Apollo, Hammersmith); MARGUERITE (Theatre Royal, Haymarket); LES MISÉRABLES (Palace & Queens); THE PHANTOM OF THE OPERA (Her Majesty's); PETER PAN (Savoy); THE PIRATES OF PENZANCE (Savoy); THE PRODUCERS (Theatre Royal, Drury Lane) and SINATRA (Palladium). Additionally, he was musical director for the German productions of MISS SAIGON (Stuttgart) and STARLIGHT EXPRESS (Bochum). He also recently conducted and supervised the workshops for Andrew Lloyd Webber's 2018 reworking of STARLIGHT EXPRESS at The Other Palace, London.His opera credits include: Judith Weir's THE BLACK SPIDER(Huddersfield Contemporary Music Festival); CARMEN JONES (Royal Festival Hall); CAROUSEL (Opera North); DIE FLEDERMAUS (Opera Holland Park); MADAMA BUTTERFLY (Lyric Opera, Dublin); and most recently CHESS (English National Opera).John is extremely active on the concert platform as both a conductor and presenter and the numerous orchestras he has worked with include: the Berliner Symphoniker, Royal Philharmonic Orchestra, BBC Concert Orchestra, City of London Sinfonia, CBSO, Dublin Concert Orchestra, Hallé Orchestra, Ulster Orchestra, London Philharmonic Orchestra, London Concert Orchestra, Manchester Concert Orchestra, Royal Philharmonic Concert Orchestra, Royal Liverpool Philharmonic Orchestra, RSNO, Scottish Concert Orchestra, RTÉ Concert Orchestra, RTÉ Symphony Orchestra and the orchestras of both Welsh National Opera and Opera North. He has appeared as a conductor of BBC Radio 2's FRIDAY NIGHT IS MUSIC NIGHT and is also conductor of the famous CLASSICAL SPECTAUCULAR concerts for Raymond Gubbay. He recently conducted the sell-out concerts of 2 CELLOS at the London Palladium and the Royal Albert Hall, as well as ANDREW LLOYD WEBBER'S 70th BIRTHDAY CONCERT with the Royal Philharmonic Concert Orchestra.Future plans include supervising the Russian premiere of CHESS in Moscow in October 2020, Andrew Lloyd Webber's new musical, CINDERELLA, which will open in London in spring 2021, and the return of JOSEPH to the London Palladium in summer 2021.He has been awarded an honorary Doctor of Arts from Edge Hill University in recognition of his work in musical theatre and conducting.