Sufi order also known as the 'whirling dervishes'
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"This piece is a sonic recreation of the Sema ceremony - a sacred ritual of the Whirling Dervishes, recorded at Istanbul's Mevlevi center, a UNESCO-listed Intangible Heritage of Humanity. The intent was not simply to reference the ceremony but to immerse the listener in its very essence - the initiation atmosphere, the mystical ascent, the infinite rotation. "At its core, the composition integrates a field recording of a live Sema performance, where the soft rustle of fabric and the subtle friction of feet against the floor become integral textures. These organic elements are resampled and interwoven with spiraling patterns, mirroring the continuous, meditative spin of the dervishes. Layers emerge and dissolve, forming an intricate, self-perpetuating motion - each phrase orbiting around an unseen center, drawing the listener deeper into its gravitational pull. "Titled "Guest House", the piece draws inspiration from Rumi's poem of the same name, which embraces life's varied emotions as visitors to be welcomed. This concept mirrors the spiritual openness of the Sema, where every turn is an acceptance of the unknown, a gesture toward growth through experience. "The piece explores Sufism's philosophy through movement and sound, embracing the transformative power of whirling as a means of transcendence. Every cycle is both repetition and renewal, a gesture of devotion that stretches beyond time. With deep reverence for the ritual's cultural and spiritual significance, the music does not merely observe but participates - not just an echo of the experience, but an extension of it." Sama ceremony reimagined by Serge Bulat. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
Tanıdığım ve bildiğim kadarıyla kitap muhabbeti en yüksek seviyeyi bulan valilerimizden biri de, Sayın Orhan Âlimoğlu'dur. O kadar ki, kendisi görev yaptığı illerimizde okuyan ve okutan vali olarak isimlendirilmiştir. Sakarya'da yaptığım kültür sohbetlerine birkaç defa katılma lütfunda bulunduğu için onun kitapla, ilimle, irfanla olan ülfetine ve ünsiyetine ben de yakından şahidim. Geçen gün telefonuma gelen bir yazıdan bu değerli valimizin “Kitaplar Arasında” adıyla bir eser yayımladığını ve bu çalışmasında Seyyid Nizamoğlu, Mehmed Akif, Fatma Aliye Hanım, Tahirü'l – Mevlevi, Orhan Okay, Nezih Uzel, Mustafa Tahralı, Cahit Zarifoğlu, Memduh Cumhur gibi ilim ve kültür adamlarımıza yer verdiğini öğrendim. Bu vesileyle kendisini tebrik ediyorum, devamı temennisinde bulunuyorum. Osmanlı kültür hayatına duyduğum büyük ilgi dolayısıyla ben de bir zamanlar “Âlim Paşalar” adıyla bir kitap yazma sevdasına düşmüştüm. Eğer bu düşüncem gerçekleşirse bu âlim paşaların, önemli bir bölümünü de “Âlim Valiler” teşkil edecek. İtiraf etmek gerekirse, bu sahada bir boşluk bulunuyor, diyebiliriz. Özellikle son devir Osmanlı paşaları arasında cilt cilt eserler kaleme almış, büyük büyük kütüphaneler kurmuş bir hayli vali bulunuyor. Eğer bunların hayatı ve eserleri efradını câmi, ağyarını mani bir üslupla yazılmış olsaydı, - hiç şüphesiz – biyografi kütüphanemiz daha da zenginleşirdi.
Er predigte Leidenschaft, Liebe und Frieden: der islamische Mystiker, Dichter und Philosoph Rumi. Und er zählt zu den bekanntesten und am meisten gelesenen Dichtern weltweit. Auch mehr als 750 Jahre nach seinem Tod. Woher kommt diese Faszination? Und was macht ihn heute noch aktuell? Dschalāl ad-Dīn Muhammad Rūmī, kurz Rumi (1207-1273) genannt, war ein persischer Sufi-Mystiker, Gelehrter und einer der bedeutendsten persisch-sprachigen Dichter des Mittelalters. Er gilt als geistiger Vater des Ordens der tanzenden Derwische. Seine Anhänger gaben ihm den Beinamen Maulana (dt. «unser Meister»), nach dem der Mevlevi-Derwisch-Orden benannt ist. Seine Gedichte sind tiefgründig, spirituell und oft metaphorisch. Sie behandeln Themen wie Liebe, Spiritualität, Sehnsucht und die Suche nach dem Göttlichen. Rumi verstand es, die menschliche Seele zu berühren und die tiefsten Gefühle auszudrücken. Rumi hinterliess ein reiches literarisches Erbe, das bis heute bewundert wird. Seine Werke wurden in viele Sprachen übersetzt. In den Vereinigten Staaten soll er zu einem der meistverkauften Dichter gehören. Ein herausragendes Werk von Rumi ist sein Mathnawi, ein über 25'000 Verszeilen umfassendes Epos, das als Koran in persischer Sprache gilt. Er soll seine Verse grösstenteils in einer Art Verzückung diktiert haben. Woher kommt diese weltweite Faszination für das Werk Rumis? Was ist die Bedeutung seiner Poesie? Wie hat er die Sufi-Tradition beeinflusst? Und wie aktuell ist er heute noch – gut 750 Jahre nach seinem Tod? Ahmad Milad Karimi im Gespräch mit Otto Höschle, Rumi-Übersetzer, und Peter Hüseyin Cunz, Scheich (Lehrbeauftragter) des Sufi-Ordens der Mevlevi.
Er predigte Leidenschaft, Liebe und Frieden: Der islamische Mystiker, Dichter und Philosoph Rumi. Und er zählt zu den bekanntesten und am meisten gelesenen Dichtern weltweit. Auch mehr als 750 Jahre nach seinem Tod. Woher kommt diese Faszination? Und was macht ihn heute noch aktuell? Dschal?l ad-D?n Muhammad R?m?, kurz Rumi (1207-1273) genannt, war ein persischer Sufi-Mystiker, Gelehrter und einer der bedeutendsten persisch-sprachigen Dichter des Mittelalters. Er gilt als geistiger Vater des Ordens der tanzenden Derwische. Seine Anhänger gaben ihm den Beinamen Maulana (unser Meister), nach dem der Mevlevi-Derwisch-Orden benannt ist. Seine Gedichte sind tiefgründig, spirituell und oft metaphorisch. Sie behandeln Themen wie Liebe, Spiritualität, Sehnsucht und die Suche nach dem Göttlichen. Rumi verstand es, die menschliche Seele zu berühren und die tiefsten Gefühle auszudrücken. Rumi hinterließ ein reiches literarisches Erbe, das bis heute bewundert wird. Seine Werke wurden in viele Sprachen übersetzt. In den Vereinigten Staaten soll er zu einem der meistverkauften Dichter gehören. Ein herausragendes Werk von Rumi ist sein Mathnawi, ein über 25.000 Verszeilen umfassendes Epos, das als Koran in persischer Sprache gilt. Er soll seine Verse grösstenteils in einer Art Verzückung diktiert haben. Woher kommt diese weltweite Faszination für das Werk Rumis? Was ist die Bedeutung seiner Poesie? Wie hat er die Sufi-Tradition beeinflusst? Und wie aktuell ist er heute noch – gut 750 Jahre nach seinem Tod? Ahmad Milad Karimi im Gespräch mit Otto Höschle, Rumi-Übersetzer, und Peter Hüseyin Cunz, Scheich (Lehrbeauftragter) des Sufi-Ordens der Mevlevi.
"Al oír un galope, piensa en una cebra" [Charlas sobre Sufismo] Shems Friedlander ----------------------------------------------------------------- Shems Friedlander es un erudito islámico estadounidense, maestro sufí, artista visual, cineasta, autor y profesor emérito de práctica en la Universidad Americana de El Cairo. Es mejor conocido por sus trabajos sobre las tradiciones místicas del Islam, especialmente la tradición sufí Mevlevi fundada en honor a Mevlana Jalāl ad-Dīn Muhammad Rūmī. Se convirtió al Islam de la mano del Sheikh Muzaffer Ozak al Yerrahi, a principio de los años 1970. Friedlander se incorporó como conferencista y se ha desempeñado como profesor en el Departamento de Periodismo y Comunicación de Masas de la Universidad Americana en El Cairo desde 1994. En 2012, fue nombrado como uno de los 500 musulmanes más influyentes del mundo. Aparte de la fotografía y la pintura, Friedlander es autor de diez libros sobre el sufismo y Mevlana Rumi y ha realizado algunos documentales. Sus obras se han traducido a diversos idiomas, incluyendo el árabe y el turco. -----------------------------------------------------------------
İstanbul'da Osmanlı padişahları tarafından yaptırılan tarihi camilere “Selatin camileri” denildiğini bu konularla az çok ilgilenenler muhakkak bilirler. Mimari özellikleriyle ve güzellikleriyle yüz yıllardan beri İstanbulumuzu süsleyen Fatih Camii işte bu selatin camilerinin ilkidir. Bu sıfatı taşıyan İslam mabedlerinin hemen hemen hepsi külliye şeklinde inşa edilmiştir ki, sahasının genişliği ve etrafını kuşatan binaların sayı itibariyle çokluğunu da dikkate alırsak bu külliyelere şehir içinde şehirler diyebiliriz. Medreseleriyle, kütüphaneleriyle, muvakkithaneleriyle, tabhaneleriyle, hamamlarıyla muhteşem bir manzara arzeden bu külliyeleri “sadakayı cariye” hadisinin canlı şahitleri sayabiliriz. Külliyenin ana binası tabii ki camidir ve bütün bu hayır eserlerinin tam orta yerinde bulunmaktadır. Şairane bir ifadeyle söylemek gerekirse selatin camii, o ihtişamlı görüntüsüyle etrafını kuşatan bu yapılar topluluğuna sanki sultanlığını ilan etmektedir. Mademki Fatih Camisi'yle başladık, öyleyse bu muazzam külliye hakkında külli olmasa bile cüz'i biraz malumat verelim. Fatih Camii ve külliyesi, Hazreti Fatih'in İstanbul'a ilk muhteşem hediyesidir. Fetihten yaklaşık on yıl sonra inşa edilen bu külliye – özellikle Sahnı Seman medreseleriyle – öyle canlı bir hale geldi ki, bu bölgeye daha sonraki yıllarda “ulema semti” denildi. Kanuni Sultan Süleyman'ın bilahare yaptırdığı Süleymaniye Camii ve külliyesi de Fatih Camii ve külliyesiyle yaptığı yarışı kazanmış olmalı ki, o bölgeye de “ulema semti” unvanı verildi. Ama unutmayalım ki, Fatih külliyesi ilk olma özelliğini taşıdığı için birincilik onun hakkıdır. Fatih Camii'nin haziresine gelince, kıble tarafından bulunan bu cennet bahçesi de burada medfun olan âlimlerinin çokluğuyla – bugün bile – İstanbul'un orta yerinin “ulema semti” olduğunu ilan ediyor. Fatih Camii ve külliyesi hakkında daha ayrıntılı ve daha önemli bilgilere ulaşmak isteyen kardeşlerimiz bu konuda yayımlanan eserlere müracaat edebilirler. Ben burada adı geçen caminin maruz kaldığı çirkin ve vahşi bir saldırıyı anlatmak istiyorum. Bu tarihi mabedin uzun ve ilgi çeken hikâyesini -bazen gurur verici, iftihar ettirici özellikleriyle bazen de hüzün verici, öfkelendirici sahneleriyle- Reşat Ekrem Koçu, o meşhur fakat nâtamam ansiklopedisinde anlatıyor. Biz “İstanbul Ansiklopedisi”nin bu ilgili maddesini okuyunca Fatih'in vakfiyesini, ilk Fatih Camii'ni (bugünkü Fatih Camii Sultan Üçüncü Mustafa'nın eseridir), şadırvan avlusunu, taç kapısını, mihrabını, minberini, daha bir çok teferruatını bütün detaylarıyla öğrenmiş oluyoruz. Daha bitmedi, yine aynı sayfalardan Fatih Camii civarındaki mahallelerde çingenelerin oturmasının yasaklandığını, camide meydana gelen softa vak'asıyla birlikte Kadızadeliler olayını, Hüsrev Paşa hadisesini, musıki dersi konusunu, minareden düşen gencin hikâyesini de ayrıca öğrenmiş oluyoruz. Merhum Tahirü'l Mevlevi de “İslam Yolu” isimli mecmuada, 1950'li yıllarda yayımladığı yazılarda İstanbul'un selatin camilerini de tanıtıyor. Bu meyanda Fatih Camii ve külliyesiyle ilgili hatıralara da yer veriyor. Hangi birisini nakledeyim, hem merhum Mehmet Akif'in bu camiyi konu alan o şaheser şiirini yayımlıyor, hem de yine aynı cami hakkında kendisinin yazdığı şiiri neşrediyor. “İçindeki Bir Saflık Cemaat Dolayısıyla” ve “Fatih Camii'ne Hitap” başlığını taşıyan bu şiirin tam bir mersiye olduğunu da bu vesileyle belirteyim.
I choose to love you in silence… For in silence, I find no rejection, I choose to love you in loneliness… For in loneliness no one owns you but me, I choose to adore you from a distance… For distance will shield me from pain, I choose to kiss you in the wind… For the wind is gentler than my lips, I choose to hold you in my dreams… For in my dreams, you have no end.--Yesterday I was clever, so I wanted to change the world. Today I am wise, so I am changing myself.--This place is a dream. Only a sleeper considers it real. Then death comes like dawn, and you wake up laughing at what you thought was your grief.-- Jalāl ad-Dīn Muhammad Rūmī (Persian: جلالالدین محمد رومی), also known as Jalāl ad-Dīn Muhammad Balkhī (جلالالدین محمد بلخى), Mevlânâ/Mawlānā (مولانا, "our master"), Mevlevî/Mawlawī (مولوی, "my master"), and more popularly simply as Rumi (30 September 1207 – 17 December 1273), was a 13th-century Persian poet, Hanafi faqih, Islamic scholar, Maturidi theologian, and Sufi mystic originally from Greater Khorasan in Greater Iran. Rumi's influence transcends national borders and ethnic divisions: Iranians, Tajiks, Turks, Greeks, Pashtuns, other Central Asian Muslims, and the Muslims of the Indian subcontinent have greatly appreciated his spiritual legacy for the past seven centuries. His poems have been widely translated into many of the world's languages and transposed into various formats. Rumi has been described as the "most popular poet" and the "best selling poet" in the United States. Like other mystic and Sufi poets of Persian literature, Rumi's poetry speaks of love which infuses the world. Rumi's teachings also express the tenets summarized in the Quranic verse which Shams-e Tabrizi cited as the essence of prophetic guidance: "Know that ‘There is no god but He,' and ask forgiveness for your sin" (Q. 47:19). In the interpretation attributed to Shams, the first part of the verse commands the humanity to seek knowledge of tawhid (oneness of God), while the second instructs them to negate their own existence. In Rumi's terms, tawhid is lived most fully through love, with the connection being made explicit in his verse that describes love as "that flame which, when it blazes up, burns away everything except the Everlasting Beloved." Rumi believed passionately in the use of music, poetry and dance as a path for reaching God. For Rumi, music helped devotees to focus their whole being on the divine and to do this so intensely that the soul was both destroyed and resurrected. It was from these ideas that the practice of whirling Dervishes developed into a ritual form. His teachings became the base for the order of the Mevlevi, which his son Sultan Walad organised. Rumi encouraged Sama, listening to music and turning or doing the sacred dance. In the Mevlevi tradition, samāʿ represents a mystical journey of spiritual ascent through mind and love to the Perfect One. In this journey, the seeker symbolically turns towards the truth, grows through love, abandons the ego, finds the truth and arrives at the Perfect. The seeker then returns from this spiritual journey, with greater maturity, to love and to be of service to the whole of creation without discrimination with regard to beliefs, races, classes and nations. Here are a collection of short poetic phrases from Rumi done in the form of a meditation. Welcome to the Reality Revolution.#rumi #poetry #beauty #meditation #guidedmeditation #manifestation #lawofattraction #quantumjump Buy My Art - Unique Sigil Magic and Energy Activation Through Flow Art and Voyages Through Space and Imagination. https://www.newearth.art/ BUY MY BOOK! https://www.amazon.com/Reality-Revolution-Mind-Blowing-Movement-Hack/dp/154450618X/ Listen to my book on audible https://www.audible.com/pd/The-Reality-Revolution-Audiobook/B087LV1R5V The New Earth Activation trainings https://realityrevolutioncon.com/newearth Alternate Universe Reality Activationhttps://realityrevolutionlive.com/aura45338118 Like us on Facebook https://www.facebook.com/The-Reality-Revolution-Podcast-Hosted-By-Brian-Scott-102555575116999 Join our Facebook group The Reality Revolution https://www.facebook.com/groups/523814491927119 Contact us at media@advancedsuccessinstitute.com For coaching – https://www.advancedsuccessinstitute.com For all episodes of the Reality Revolution – https://www.therealityrevolution.com Subscribe to my Youtube channel https://www.youtube.com/channel/UCOgXHr5S3oF0qetPfqxJfSw Music By Mettaversedeeply divine meditationregenerative spiritual resetmind and spirit rebootthe shiftinto the arms of the cosmosscacred frequenciesawakening the light holdersovertonesmental and spiritual rejuvenationcosmic riverthe shift ➤ Their channel: https://www.youtube.com/channel/UCyvjffON2NoUvX5q_TgvVkw
The Gift of Rumi: Experiencing the Wisdom of the Sufi Master (St. Martin's Press, 2022), written by Dr. Emily Jane O'Dell was published by St. Martin's Press in 2022. In this rich and insightful book, Dr. O'Dell takes us through her own spiritual and physical travels, as well as gives us historical and Islamic mystic context to help us understand and cherish the words of Rumi on a deeper level. As one of the world's most loved poets, Rumi's poems are celebrated for their message of love and their beauty, but too often they are stripped of their mystical and spiritual meanings. The Gift of Rumi offers a new reading of Rumi, contextualizing his work against the broader backdrop of Islamic mysticism and adding a richness and authenticity that is lacking in many Westernized conceptions of his work. Author Emily Jane O'Dell has studied Sufism both academically, in her work and research at Harvard, Columbia, and the American University of Beirut, and in practice, learning from a Mevlevi master and his whirling dervishes in Istanbul. She weaves this expertise throughout The Gift of Rumi, sharing a new vision of Rumi's classic work. At the heart of Rumi's mystical poetry is the “religion of love” which transcends all religions. Through his majestic verses of ecstasy and longing, Rumi invites us into the religion of the heart and guides us to our own loving inner essence. The Gift of Rumi gives us a key to experiencing this profound and powerful invitation, allowing readers to meet the master in a new way. Meg Gambino is an artist and activist currently working as the Client and Community Relations Manager at a local nonprofit focused on ending hunger in North Penn. Her life mission is to creatively empower others by modeling reconciliation between communities of people and people on the margins. Find her on Instagram @megambino. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Gift of Rumi: Experiencing the Wisdom of the Sufi Master (St. Martin's Press, 2022), written by Dr. Emily Jane O'Dell was published by St. Martin's Press in 2022. In this rich and insightful book, Dr. O'Dell takes us through her own spiritual and physical travels, as well as gives us historical and Islamic mystic context to help us understand and cherish the words of Rumi on a deeper level. As one of the world's most loved poets, Rumi's poems are celebrated for their message of love and their beauty, but too often they are stripped of their mystical and spiritual meanings. The Gift of Rumi offers a new reading of Rumi, contextualizing his work against the broader backdrop of Islamic mysticism and adding a richness and authenticity that is lacking in many Westernized conceptions of his work. Author Emily Jane O'Dell has studied Sufism both academically, in her work and research at Harvard, Columbia, and the American University of Beirut, and in practice, learning from a Mevlevi master and his whirling dervishes in Istanbul. She weaves this expertise throughout The Gift of Rumi, sharing a new vision of Rumi's classic work. At the heart of Rumi's mystical poetry is the “religion of love” which transcends all religions. Through his majestic verses of ecstasy and longing, Rumi invites us into the religion of the heart and guides us to our own loving inner essence. The Gift of Rumi gives us a key to experiencing this profound and powerful invitation, allowing readers to meet the master in a new way. Meg Gambino is an artist and activist currently working as the Client and Community Relations Manager at a local nonprofit focused on ending hunger in North Penn. Her life mission is to creatively empower others by modeling reconciliation between communities of people and people on the margins. Find her on Instagram @megambino. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies
The Gift of Rumi: Experiencing the Wisdom of the Sufi Master (St. Martin's Press, 2022), written by Dr. Emily Jane O'Dell was published by St. Martin's Press in 2022. In this rich and insightful book, Dr. O'Dell takes us through her own spiritual and physical travels, as well as gives us historical and Islamic mystic context to help us understand and cherish the words of Rumi on a deeper level. As one of the world's most loved poets, Rumi's poems are celebrated for their message of love and their beauty, but too often they are stripped of their mystical and spiritual meanings. The Gift of Rumi offers a new reading of Rumi, contextualizing his work against the broader backdrop of Islamic mysticism and adding a richness and authenticity that is lacking in many Westernized conceptions of his work. Author Emily Jane O'Dell has studied Sufism both academically, in her work and research at Harvard, Columbia, and the American University of Beirut, and in practice, learning from a Mevlevi master and his whirling dervishes in Istanbul. She weaves this expertise throughout The Gift of Rumi, sharing a new vision of Rumi's classic work. At the heart of Rumi's mystical poetry is the “religion of love” which transcends all religions. Through his majestic verses of ecstasy and longing, Rumi invites us into the religion of the heart and guides us to our own loving inner essence. The Gift of Rumi gives us a key to experiencing this profound and powerful invitation, allowing readers to meet the master in a new way. Meg Gambino is an artist and activist currently working as the Client and Community Relations Manager at a local nonprofit focused on ending hunger in North Penn. Her life mission is to creatively empower others by modeling reconciliation between communities of people and people on the margins. Find her on Instagram @megambino. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
The Gift of Rumi: Experiencing the Wisdom of the Sufi Master (St. Martin's Press, 2022), written by Dr. Emily Jane O'Dell was published by St. Martin's Press in 2022. In this rich and insightful book, Dr. O'Dell takes us through her own spiritual and physical travels, as well as gives us historical and Islamic mystic context to help us understand and cherish the words of Rumi on a deeper level. As one of the world's most loved poets, Rumi's poems are celebrated for their message of love and their beauty, but too often they are stripped of their mystical and spiritual meanings. The Gift of Rumi offers a new reading of Rumi, contextualizing his work against the broader backdrop of Islamic mysticism and adding a richness and authenticity that is lacking in many Westernized conceptions of his work. Author Emily Jane O'Dell has studied Sufism both academically, in her work and research at Harvard, Columbia, and the American University of Beirut, and in practice, learning from a Mevlevi master and his whirling dervishes in Istanbul. She weaves this expertise throughout The Gift of Rumi, sharing a new vision of Rumi's classic work. At the heart of Rumi's mystical poetry is the “religion of love” which transcends all religions. Through his majestic verses of ecstasy and longing, Rumi invites us into the religion of the heart and guides us to our own loving inner essence. The Gift of Rumi gives us a key to experiencing this profound and powerful invitation, allowing readers to meet the master in a new way. Meg Gambino is an artist and activist currently working as the Client and Community Relations Manager at a local nonprofit focused on ending hunger in North Penn. Her life mission is to creatively empower others by modeling reconciliation between communities of people and people on the margins. Find her on Instagram @megambino. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
The Gift of Rumi: Experiencing the Wisdom of the Sufi Master (St. Martin's Press, 2022), written by Dr. Emily Jane O'Dell was published by St. Martin's Press in 2022. In this rich and insightful book, Dr. O'Dell takes us through her own spiritual and physical travels, as well as gives us historical and Islamic mystic context to help us understand and cherish the words of Rumi on a deeper level. As one of the world's most loved poets, Rumi's poems are celebrated for their message of love and their beauty, but too often they are stripped of their mystical and spiritual meanings. The Gift of Rumi offers a new reading of Rumi, contextualizing his work against the broader backdrop of Islamic mysticism and adding a richness and authenticity that is lacking in many Westernized conceptions of his work. Author Emily Jane O'Dell has studied Sufism both academically, in her work and research at Harvard, Columbia, and the American University of Beirut, and in practice, learning from a Mevlevi master and his whirling dervishes in Istanbul. She weaves this expertise throughout The Gift of Rumi, sharing a new vision of Rumi's classic work. At the heart of Rumi's mystical poetry is the “religion of love” which transcends all religions. Through his majestic verses of ecstasy and longing, Rumi invites us into the religion of the heart and guides us to our own loving inner essence. The Gift of Rumi gives us a key to experiencing this profound and powerful invitation, allowing readers to meet the master in a new way. Meg Gambino is an artist and activist currently working as the Client and Community Relations Manager at a local nonprofit focused on ending hunger in North Penn. Her life mission is to creatively empower others by modeling reconciliation between communities of people and people on the margins. Find her on Instagram @megambino. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
The Gift of Rumi: Experiencing the Wisdom of the Sufi Master (St. Martin's Press, 2022), written by Dr. Emily Jane O'Dell was published by St. Martin's Press in 2022. In this rich and insightful book, Dr. O'Dell takes us through her own spiritual and physical travels, as well as gives us historical and Islamic mystic context to help us understand and cherish the words of Rumi on a deeper level. As one of the world's most loved poets, Rumi's poems are celebrated for their message of love and their beauty, but too often they are stripped of their mystical and spiritual meanings. The Gift of Rumi offers a new reading of Rumi, contextualizing his work against the broader backdrop of Islamic mysticism and adding a richness and authenticity that is lacking in many Westernized conceptions of his work. Author Emily Jane O'Dell has studied Sufism both academically, in her work and research at Harvard, Columbia, and the American University of Beirut, and in practice, learning from a Mevlevi master and his whirling dervishes in Istanbul. She weaves this expertise throughout The Gift of Rumi, sharing a new vision of Rumi's classic work. At the heart of Rumi's mystical poetry is the “religion of love” which transcends all religions. Through his majestic verses of ecstasy and longing, Rumi invites us into the religion of the heart and guides us to our own loving inner essence. The Gift of Rumi gives us a key to experiencing this profound and powerful invitation, allowing readers to meet the master in a new way. Meg Gambino is an artist and activist currently working as the Client and Community Relations Manager at a local nonprofit focused on ending hunger in North Penn. Her life mission is to creatively empower others by modeling reconciliation between communities of people and people on the margins. Find her on Instagram @megambino. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/spiritual-practice-and-mindfulness
The Gift of Rumi: Experiencing the Wisdom of the Sufi Master (St. Martin's Press, 2022), written by Dr. Emily Jane O'Dell was published by St. Martin's Press in 2022. In this rich and insightful book, Dr. O'Dell takes us through her own spiritual and physical travels, as well as gives us historical and Islamic mystic context to help us understand and cherish the words of Rumi on a deeper level. As one of the world's most loved poets, Rumi's poems are celebrated for their message of love and their beauty, but too often they are stripped of their mystical and spiritual meanings. The Gift of Rumi offers a new reading of Rumi, contextualizing his work against the broader backdrop of Islamic mysticism and adding a richness and authenticity that is lacking in many Westernized conceptions of his work. Author Emily Jane O'Dell has studied Sufism both academically, in her work and research at Harvard, Columbia, and the American University of Beirut, and in practice, learning from a Mevlevi master and his whirling dervishes in Istanbul. She weaves this expertise throughout The Gift of Rumi, sharing a new vision of Rumi's classic work. At the heart of Rumi's mystical poetry is the “religion of love” which transcends all religions. Through his majestic verses of ecstasy and longing, Rumi invites us into the religion of the heart and guides us to our own loving inner essence. The Gift of Rumi gives us a key to experiencing this profound and powerful invitation, allowing readers to meet the master in a new way. Meg Gambino is an artist and activist currently working as the Client and Community Relations Manager at a local nonprofit focused on ending hunger in North Penn. Her life mission is to creatively empower others by modeling reconciliation between communities of people and people on the margins. Find her on Instagram @megambino. Learn more about your ad choices. Visit megaphone.fm/adchoices
Ahlak ve karakteri itibariyle, ilmi ve edebi seviyesi dolayısıyla, şairliği ve nüktedanlığı münasebetiyle kendisine muhabbet beslediğim kalem ve kelam erbabından biri de Tahirü'l-Mevlevi'dir. Merhumun en önemli hizmetlerinden biri de Hz. Mevlânâ'nın güzide eseri Mesnevi'yi en güzel şekilde şerh etmiş olmasıdır. Gerek Süleymaniye ve Laleli camilerinde yaptığı Mesnevi sohbetleri, gerekse bu konuda hazırladığı ciltler dolayısıyla kendisine “Şarihü'l-Mesnevi Tahirü'l-Mevlevi” unvanı verildi. Emsali olan Osmanlı uleması ve urefası gibi o da “hezarfen” sıfatına layık bir kimseydi. Yayımladığı dini, tarihi, edebi ve tasavvufi eserler
Kültür & Tarih Sohbetleri'nde bu akşam Cengiz Özdemir ve Ozan Sağsöz, Prof. Dr. Cem Behar'ı ağırlıyor. Yayını izleyebilirsiniz: bit.ly/3Ie3fyA
izahın izahı uzun süreceğinden biz kısa bir cümle kullanalım ve latife, latif gerektir diyelim. Gerçekten de yerinde anlatılan bir fıkra, taşın gediğine konması demek olan bir nükte dinleyicileri yahut okuyucuları hem güldürür hem düşündürür. İşte bunun için ben de acizane ve naçizane kaleme aldığım kitaplardan birine “Tebessüm ve Tefekkür” adını verdim. Aşağıda nakledeceğim bazı “ulema fıkraları” siz değerli okuyucularımı tebessüm ettirirse bendeniz de tefekkür ve teşekkür görevini yerine getirmiş olurum. Öyleyse hemen başlayalım. Cihan hükümdarı ve fetih ordusunun serdarı Fatih Sultan Mehmet Han, kendi adına yaptırdığı o muazzam ve muhteşem caminin etrafına bir de mualla (yüksek) bir medrese inşa ettiriyor. Bu medresede ders verecek hocaların “Kütüb-ü Sitte” diye bilinen altı hadis kitabının yanı sıra, Kamus, Tekmile, Sıhah-ı Cevheri ve benzeri klasik eserleri hıfzetmiş olmalarını şart koşuyor. Burada hocalık yapmak için imtihana hazırlanan Molla Lütfü ile Uslu Şücaeddin bir gün, bir yerde buluşuyorlar. İmtihanla ve isimleri geçen o koca koca eserlerle ve sözlüklerle ilgili konuşurlarken Uslu Şücaeddin bir ara, “Sıhah-ı Cevheri'de müşkilatım bir hayli fazla. Okurken hemen hemen her satırın başına ‘şek' alameti koyuyorum” deyince Molla Lütfü, *Gerçi ben de mütalaa esnasında ‘şek' ediyorum, ama belli ki sen, benden daha ‘eşek'mişsin!” cevabını veriyor. Efendim, buradaki “eşek” kelimesinin, bir adı da “işlek” olan bildiğimiz hayvancağızla hiçbir ilgisi yok. “Şek” Arapça bir kelime olup şüphe anlamına gelmektedir. Bazı şairler, anlamı daha da kuvvetlendirmek için şek ve şüphe kelimelerini birlikte kullanırlar. Nitekim bunlardan biri olan Yahya Kemal de, bir şiirinde şöyle diyor: “Derler, bilir hakikatî yüzlerce feylosof / Bir kısmı şek ve şüphede, bir kısmı hayli kof.” “Eşek” kelimesine gelince, bunun da manası daha fazla şüpheci demektir. Molla Lütfü'nün çok büyük bir âlim olduğunu, Fatih'in kütüphanesinin hâfız-ı kütüplüğünü, yani müdürlüğünü yaptığını da bu arada belirtmiş olalım. Fatih'in, her bakımdan kendine benzeyen torunu Yavuz Sultan Selim Han, Mısır seferinden dönerken Konya'ya da uğrar. Şehrin orta yerine gelince çok şiddetli bir kasırga ve hortum peyda olur. O kadar ki kalkan toz duman hareketli bir sütun gibi göğe doğru yükselir. Manzarayı gören padişah biraz da telaşlı bir halde, yanında bulunan büyük âlim İbn-i Kemal'e “Molla, bu nedir?” sorusunu yöneltir. Şeyhülislam şu cevabı verir: “Padişahım! Şu anda Hz. Mevlânâ'nın diyarında bulunuyoruz. Buranın taşı, toprağı hep Mevlevi'dir. Dolayısıyla durmadan sema ederler!” İşte bir ulema fıkrası daha: Hoca Neş'et Efendi'nin meclisinde bir gün, Hallac-ı Mansur'a ait menkıbelerle ilgili sohbet edilir. O sırada mecliste bulunanlardan biri, “Hiç Ene'l - Hak denir mi?” diye endişesini dile getirir. Hoca Neş'et Efendi, derhal şu cevabı verir: “Peki ne desindi? Ene'l - Batıl mı demesi gerekirdi?” “Ene”nin ben anlamına geldiğini söylemek fıkrayı zevk etmek için herhalde yeterlidir. Sultan İkinci Mahmud devrinin âlimlerinden ve âriflerinden Kethüdazade Ârif Efendi, bir gün meclisinde Allah'ın veli kulları hakkında sohbet ederken şöyle der: “Halk evliyayı nasıl görmek ister biliyor musunuz? Duvar yarılmalı, yeşillere bürünmüş, gözlerine sürme çekmiş, elinde yeşil bir asa olduğu halde duvarın yarığından çıkmalı! Halbuki dünyada hiç böyle evliyaya rastlanmadı!” Görüldüğü gibi, bu anekdot tebessüm ettirmiyorsa da, insanı veliliğin mahiyeti hakkında tefekküre sevk ediyor. Bu büyük âlim, Beşiktaş Ortaköy arasındaki Yahya Efendi Dergâhı'nda yatıyor. Hakkında ayrıntılı bilgi “Ayaklı Kütüphaneler”de münderiçtir.
[0:00] Why is Sufism a debatable topic worldwide? [7:36] The etymological origins of the name “Sufism” [9:49] The historical beginnings of Sufism [10:55] The existential questions that define Islamic branches [14:24] The story of the Prophet Mohammad and the angel Gabriel [16:32] Various Sufi practices throughout history [21:59] All about the Dervishes (Sufi whirlers) and the Mevlevi way [25:16] Mystical and Sufist practices in other religions [28:56] Debunking the misconceptions of Sufism brought on by the internet [31:26] The controversial miracles in Sufism and criticisms from other religions [35:43] The danger Sufis represented to the Turkish system [38:21] Sufis don't worship out of fear of Hell nor desire for Heaven [42:37] Defining the gender of God [43:57] Yawm Al Mithak: The moment of creation [49:43] Finding beauty in the art of math and in Arabic literature [53:06] The similarities between the world's religions [57:02] The enemies of Sufism over time [1:03:39] Al-Hallaj, the Absolute Truth and the secret he divulged [1:07:11] Teaching life values in a college course through Sufism [1:22:05] The concept of marriage & love in Sufism [1:30:45] Ambiguity in Sufism No Halal (right) Nor Haram (wrong) [1:32:09] What unites/separates Sufism, Islam, Christianity, and Judaism? [1:39:05] Can no religious people be considered “Good”? [1:51:42] The negative side of Sufism [1:55:23] The negative connotation of Hope in Sufism and the myth of The Simurgh Please consider joining our community on Patreon and supporting us! https://www.patreon.com/sardeafterdinner بلال الأرفه لي هو أكاديمي متخصص بالأدب العربي والدراسات القرآنية والتصوّف. يشغر منصب كرسي الشيخ زايد للدراسات العربية والإسلامية في الجامعة الأمريكية في بيروت. بدأ اهتمامه بالروحانيات والتصوّف أثناء دراسته للحصول على الدكتوراة في جامعة يال، حاليا يعلم صفًا عن هذا الموضوع في الجامعة الأمريكية في بيروت. تحدثنا في هذه السردة عن: - لماذا اشتهر جلال الدين الرومي؟ - كيف يمارس التصوّف حول العالم؟ - المفاهيم الخاطئة الشائعة عن المعتقدات الصوفيّة من وجهات نظر مختلفة. - ما هي العناصر المشتركة والمختلفة بين التصوّف، الإسلام، المسيحيّة واليهوديّة؟ - التفسيرات المختلفة للتصوّف بين البلدان وعبر التاريخ - الباطنية الروحانية والفنون في التصوّف (الشعر، الرقص، الفن، الغناء) Bilal Orfali is a scholar specializing in Arabic literature, Quranic studies and Sufism, who currently serves as the Sheikh Zayed Chair of Arabic and Islamic Studies at The American University of Beirut (AUB). During his PhD at Yale he began looking into spirituality and Sufism to satisfy his curiosity, and now teaches an in-demand class about it at AUB. In this Sarde, we spoke about the following: - Why is Rumi so damn popular? - How is Sufism defined and practiced around the world? - Common myths and misconceptions about Sufist beliefs from multiple perspectives - What unites/separates Sufism, Islam, Christianity and Judaism? - Different interpretations of Sufism across countries and cultures throughout history - Mysticism and the arts in Sufism (poetry, dance, art, singing) Sarde (noun), [Sa-r-de]: A colloquial term used in the Middle East to describe the act of letting go & kicking off a stream of consciousness and a rambling narrative. The Sarde After Dinner Podcast is a free space based out of the heart of Beirut, Lebanon, where Médéa Azouri & Mouin Jaber discuss a wide range of topics (usually) held behind closed doors in an open and simple way with guests from all walks of life. SARDE EVERY SUNDAY with NEW EPISODES released WEEKLY! 8:00 PM
Türk Kahvesi'nin bu bölümünde Hz. Mevlana'nın 22. kuşaktan torunları Faruk Hemden Çelebi ve Esin Çelebi Bayru konuk oluyor. - Çelebi ailesinin tarihi ve kültürü - Makam çelebisi ne demektir? - Makam çelebisinin görevi nedir? - Sema nedir? Sema nasıl yapılır? - Mevlevi şeyhi icazeti kimlere verilebilir? - Mevlevi eğitimi nasıl yapılıyor? - Hz. Mevlana'nın günümüz insanlarına mesajı ne?
Konuklarımızın hikayesini de ülkemizin hikayesini de konuşuyoruz. Türkiye'nin seçkin isimleri Türk Kahvesi'nde ağırlanıyor, samimi ve sıcak bir atmosfer evlerinize taşınıyor. Ayşe Böhürler Pazar sabahlarını, Türk Kahvesi ile tatlandırıyor. Sanat ve entelektüel hayat üzerine değerlendirmeler, nostalji, mimari, tarih ve eski uygarlıklar üzerine birçok konunun konuşulduğu programda aradığınız her şeyi bulacaksınız. #TürkKahvesi'nde bu hafta konuklarımız Hz. Mevlana'nın 22. kuşaktan torunları Faruk Hemden Çelebi ve Esin Çelebi Bayru ◾ Çelebi ailesinin tarihi ve kültürü ◾ Makam çelebisi ne demektir? ◾ Makam çelebisinin görevi nedir? ◾ Sema nedir? Sema nasıl yapılır? ◾ Mevlevi şeyhi icazeti kimlere verilebilir? ◾ Mevlevi eğitimi nasıl yapılıyor? ◾ Hz. Mevlana'nın günümüz insanlarına mesajı ne? Ayşe Böhürler ile #TürkKahvesi her Pazar 11.10'da #TVNET'te
Nefir Arapçada “topluluk” anlamına gelen, Farsçada toplanmak, bir araya gelmek için kullanılan bir musiki aleti. Seyyah dervişlerin, bir yere geldiklerini ilan etmek için kullandıkları bir tarikat eşyası.
Nefir Arapçada “topluluk” anlamına gelen, Farsçada toplanmak, bir araya gelmek için kullanılan bir musiki aleti. Seyyah dervişlerin, bir yere geldiklerini ilan etmek için kullandıkları bir tarikat eşyası.
er yıl 1-7 Ekim tarihleri “Camiler ve Din Görevlileri Haftası” olarak gündeme gelir. Bu vesileyle başta Diyanet İşleri Başkanımız olmak üzere diğer yetkili şahsiyetler camilerin öneminden, bu mabetlerin aynı zamanda birer ilim ve irfan mekânları olduğundan söz ederler. Tabii ki bunlar takdire şâyân konuşmalardır. Bu konuda benim de bazı düşüncelerim var, müsaadenizle birkaç cümleyle dile getireyim. Şurası bir gerçek ki, ecdadımız özellikle selatin camilerinin içlerini yaptıkları dini ve ilmi hizmetleriyle dolduruyorlardı. Onların zamanında bu ulu mabetler birer mektep, birer medrese idi. Aynı camide birden fazla kürsü vardı. Kiminde hadis, kiminde tefsir, kiminde de Mesnevi dersleri ve sohbetleri yapılırdı. Cumhuriyet devrinde bu muazzam hizmet bazı himmet sahibi zatlar tarafından -kısmen olsun- devam ettirildi. Mesela Mesnevi şarihi ve büyük edebiyat tarihçisi Tahirü'l – Mevlevi işte bu himmet ve hizmet erbabından biridir. Merhum, vefat edene kadar Süleymaniye ve Laleli camilerinde yaptığı sohbetlerle gönülleri fethetmeyi sürdürdü. Mabetlerin ilim merkezleri olduklarını gösteren işaretlere bugün de bazı selatin camilerinde rastlanmaktadır. Mesela, Bayezid Camii'ne girerseniz sağ tarafta “Ulema Maksuresi”
بِسۡـــــــــمِ ٱللهِ ٱلرَّحۡـمَـٰنِ ٱلرَّحِـــــــيمِ 0:00 El juego oculto. 6:10 Nuestra sanación yace en el recuerdo de Dios. 11:16 Las 4 clases de vínculos interpersonales. 14:27 Retiro Espiritual: Introspección y plan de acción. 17:29 Exploración, Vida y Gratitud. 20:11 Temor de (distanciarnos de) Allah. 24:00 Soltando el lastre. 25:40 Cuento Sufí: El leñador. 31:13 Beneficios del Ayuno y Secretos de Ramadán. ------------------------------------------------------------------------------ Shems Friedlander es un erudito islámico estadounidense, maestro sufí, artista visual, cineasta, autor y profesor emérito de práctica en la Universidad Americana de El Cairo. Es mejor conocido por sus trabajos sobre las tradiciones místicas del Islam, especialmente la tradición sufí Mevlevi fundada en honor a Mevlana Jalāl ad-Dīn Muhammad Rūmī. Se convirtió al Islam de la mano del Sheikh Muzaffer Ozak al Yerrahi, a principio de los años 1970. Friedlander se incorporó como conferencista y se ha desempeñado como profesor en el Departamento de Periodismo y Comunicación de Masas de la Universidad Americana en El Cairo desde 1994. En 2012, fue nombrado como uno de los 500 musulmanes más influyentes del mundo. Aparte de la fotografía y la pintura, Friedlander es autor de diez libros sobre el sufismo y Mevlana Rumi y ha realizado algunos documentales. Sus obras se han traducido a diversos idiomas, incluyendo el árabe y el turco. ------------------------------------------------------------------------------ Orden Sufi Halveti Yerrahi Argentina http://sufismo.org.ar/ http://editorayerrahi.com.ar/store/ YouTube: Orden Sufi Halveti Yerrahi Instagram: Orden Sufi Halveti Yerrahi Facebook: Orden Sufi Halveti Yerrahi Facebook: Editorial Yerrahi Spotify: Orden Sufi Halveti Yerrahi --------------------------------------------------- #ShemsFriedlander #EmergenciaEspiritual #PsicologíayEspiritualidad
The mystical, inward-facing order of Sufism goes back to the very beginning of the Islamic religion in the 8th century. It has parallels to the venerable traditions of Buddhist and Hindu mysticism, and aims for direct union with God by purifying the heart. The work of the Persian Sufi poet RUMI has achieved worldwide popularity for its beauty and insight, and a body of Sufi music evolved to accompany religious practices and meditation—most famously the "whirling dervishes" of the Mevlevi order in Turkey—creating a genre that's not only alive today, but producing new strains of spiritual music. On this transmission of Hearts of Space, we revisit the contemplative heart of Middle Eastern music, on a program called 'SUFI SOUL 3.' Music by ZIKR PROJECT, DHAFER YOUSSEF, ANOUAR BRAHEM, ELIYAHU SILLS, ALEX KHASKIN, MICHEL BANABILA with MEMET POLAT, ÜMLAUT, & SALAR ASID, DEREK & BRANDON FIECHTER, ABE HATHOT, and PAUL AVGERINOS & OMAR FARUK TEKBILEK. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
بسم الله الرحمن الرحيم 0:00 Introducción por el Dr. Daniel Goleman (PhD) 10:27 La Cebra. 19:13 ¿Qué es la vida? 24:18 Consecuencias del olvido de Dios. 27:44 Comunidad y Sufismo. 31:15 Cuento Sufí: "Bendición o Calamidad, sólo Dios sabe" 39:23 Reflexión e Introspección Psicoespiritual. 41:25 Conciencia y Acción Responsable. ------------------------------------------------------------------------------ Shems Friedlander es un erudito islámico estadounidense, maestro sufí, artista visual, cineasta, autor y profesor emérito de práctica en la Universidad Americana de El Cairo. Es mejor conocido por sus trabajos sobre las tradiciones místicas del Islam, especialmente la tradición sufí Mevlevi fundada en honor a Mevlana Jalāl ad-Dīn Muhammad Rūmī. Se convirtió al Islam de la mano del Sheikh Muzaffer Ozak al Yerrahi, a principio de los años 1970. Friedlander se incorporó como conferencista y se ha desempeñado como profesor en el Departamento de Periodismo y Comunicación de Masas de la Universidad Americana en El Cairo desde 1994. En 2012, fue nombrado como uno de los 500 musulmanes más influyentes del mundo. Aparte de la fotografía y la pintura, Friedlander es autor de diez libros sobre el sufismo y Mevlana Rumi y ha realizado algunos documentales. Sus obras se han traducido a diversos idiomas, incluyendo el árabe y el turco. ------------------------------------------------------------------------------ Daniel Goleman es un psicólogo, periodista y escritor estadounidense. Adquirió fama mundial a partir de la publicación de su libro Emotional Intelligence (en español Inteligencia emocional) en 1995. Daniel Goleman estudió antropología en la Universidad de Amherst, Massachusetts para posteriormente obtener su doctorado en la Universidad de Harvard, también en Massachusetts. Trabajó como redactor de la sección de ciencias de la conducta y del cerebro del periódico The New York Times. Ha sido editor de la revista 'Psychology Today' y profesor de psicología en la Universidad de Harvard, en la que obtuvo su doctorado. Goleman fue cofundador de la Collaborative for Academic, Social and Emotional Learning (Sociedad para el Aprendizaje Académico, Social y Emocional) en el Centro de Estudios Infantiles de la Universidad de Yale (posteriormente en la Universidad de Illinois, en Chicago), cuya misión es ayudar a las escuelas a introducir cursos de educación emocional. --------------------------------------------------- Orden Sufi Halveti Yerrahi Argentina http://sufismo.org.ar/ http://editorayerrahi.com.ar/store/ YouTube: Orden Sufi Halveti Yerrahi Instagram: Orden Sufi Halveti Yerrahi Facebook: Orden Sufi Halveti Yerrahi Facebook: Editorial Yerrahi Spotify: Orden Sufi Halveti Yerrahi --------------------------------------------------- #ShemsFriedlander #DanielGoleman #PsicologíaPerenne
Salaam, namaskar pessoal! Hoje, com muita a honra e alegria, trazemos duas pessoas muito queridas e caminhantes sinceros da Senda do Coração: Dino e Maria Rosa, idealizadores do Retiro Rosa de Nazaré e grandes transmissores dos conhecimentos e técnicas espirituais do sufismo de Jalal'Udin Rumi. O Sufismo Mevleve Os fundadores do Rosa de Nazaré praticam o giro dos dervishes Mevlevi (ordem sufi fundada por Rumi) desde 1998. Em 2004, no dia 17 de dezembro, o dia de Seb-i-arus, eles receberam a bênção de Sidki Celebi para continuar esta tradição - Maria Rosa como professora e Dino como Sheik. Com esse propósito, desde então, cursos periódicos (a cada 3 meses) são organizados para iniciar pessoas interessadas em aprender e/ou aprofundar o conhecimento na tradição Sufi Mevlevi. Maria Rosa de Freitas: Psicóloga junguiana com abordagem corporal e astróloga com formações em danças sagradas. Iniciou-se na dança de giro Sufi com Maria Gabriele Wosien em 1998. Vai com frequência a Konya e Istanbul. Ah, e não se esqueça, se puder, de dar uma olhada na nossa campanha do Catarse em prol do novo livro e da pós graduação no Einstein: * https://www.catarse.me/revolucaodesi_novos_projetos?ref=project_link *
Adem Özköse - Mevlevi`den Öğrendiğim Sükût Dili by GENÇ
Jalāl ad-Dīn Muhammad Rūmī (Persian: جلالالدین محمد رومی), also known as Jalāl ad-Dīn Muhammad Balkhī (جلالالدین محمد بلخى), Mevlânâ/Mawlānā (مولانا, "our master"), Mevlevî/Mawlawī (مولوی, "my master"), and more popularly simply as Rumi (30 September 1207 – 17 December 1273), was a 13th-century Persian poet, Hanafi faqih, Islamic scholar, Maturidi theologian, and Sufi mystic originally from Greater Khorasan in Greater Iran. Rumi's influence transcends national borders and ethnic divisions: Iranians, Tajiks, Turks, Greeks, Pashtuns, other Central Asian Muslims, and the Muslims of the Indian subcontinent have greatly appreciated his spiritual legacy for the past seven centuries. His poems have been widely translated into many of the world's languages and transposed into various formats. Rumi has been described as the "most popular poet" and the "best selling poet" in the United States. Rumi, 1207– 1273 CE, was a 13th-century Persian Muslim poet, jurist, Islamic scholar, theologian, and Sufi mystic. Rumi's influence transcends national borders and ethnic divisions in the Muslim world and beyond. His poems have been widely translated into many of the world's language. Rumi has become a widely read and popular poet, even in the US. Like other mystic and Sufi poets of Persian literature, Rumi's poetry speaks of love which infuses the world. Rumi's teachings also express the tenets summarized in the Quranic verse which Shams-e Tabrizi cited as the essence of prophetic guidance: "Know that ‘There is no god but He,' and ask forgiveness for your sin" (Q. 47:19). In the interpretation attributed to Shams, the first part of the verse commands the humanity to seek knowledge of tawhid (oneness of God), while the second instructs them to negate their own existence. In Rumi's terms, tawhid is lived most fully through love, with the connection being made explicit in his verse that describes love as "that flame which, when it blazes up, burns away everything except the Everlasting Beloved." Rumi believed passionately in the use of music, poetry and dance as a path for reaching God. For Rumi, music helped devotees to focus their whole being on the divine and to do this so intensely that the soul was both destroyed and resurrected. It was from these ideas that the practice of whirling Dervishes developed into a ritual form. His teachings became the base for the order of the Mevlevi, which his son Sultan Walad organised. Rumi encouraged Sama, listening to music and turning or doing the sacred dance. In the Mevlevi tradition, samāʿ represents a mystical journey of spiritual ascent through mind and love to the Perfect One. In this journey, the seeker symbolically turns towards the truth, grows through love, abandons the ego, finds the truth and arrives at the Perfect. The seeker then returns from this spiritual journey, with greater maturity, to love and to be of service to the whole of creation without discrimination with regard to beliefs, races, classes and nations. Here are a collection of short poetic phrases from Rumi done in the form of a meditation. Welcome to the Reality Revolution. Music By Mettaversedeeply divine meditationalways nowcosmic riverthe shift639hz increase love and harmony ➤ Listen on Soundcloud: http://bit.ly/2KjGlL➤ Follow them on Instagram: http://bit.ly/2JW8BU2➤ Join them on Facebook: http://bit.ly/2G1j7G6➤ Subscribe to their channel here: https://www.youtube.com/channel/UCyvjffON2NoUvX5q_TgvVkw Guided Meditations https://www.youtube.com/playlist?list=PLKv1KCSKwOo_BfNnb5vLcwouInskcEhqL For all episodes of the Reality Revolution – https://www.therealityrevolution.com Join our facebook group The Reality Revolution https://www.facebook.com/groups/403122083826082/ Contact us at media@advancedsuccessinsitute.com#rumi #poetry #beauty #meditation #guidedmeditation #manifestation #lawofattraction #quantumjump #TotalHumanOptimization
Rakı sofrasında genç bir kadına sarkıntılık eden Mevlevi dedesi kimdir?-Ahmet Hakan -24 Aralık 2020 by Hürriyet
In this podcast, Shaykh Kabir Helminski explores a number of topics and concepts relevant to every spiritual seeker, commenting on what it means to ascend in consciousness and how the Sufi tradition, particularly the heart of the Mevlevi order, serves to do that. Tradition, as he says, serves as a template and means of transmission through non-dual gestures of the sacred: ceremony, manners, service and worship. Heartfulness, a key differentiator of the path, begins with the understanding that within the human being is the possibility of opening a window to the Divine. The Sufi walking into the realm of the Sacred is a return back to our essence; to be, and act, from a place of unconditional love. Shaykh Kabir Helminski touches on the possibility that every soul has a uniquely subjective vantage point within the non-dual unified reality. He provides insightful remarks on our human experience; the different levels of human consciousness, our partaking in a process of conditioning, deconditioning and reconditioning; and, our role as reflectors of the Divine Reality, as modeled in the mirroring of Shams-i Tabrīzī and Jalāluddīn Rumi. The transformative power of Rumi's teachings, the pedagogy of love, becomes magnified through sohbets, arts, language, and music. This conversation, centered in the heart of its tradition, greets us with love.
Dans cette série "Trésor de souvenirs", nous collectons le témoignage de quelques personnes qui ont personnellement connue Eva de Vitray-Meyerovitch. Ici, le témoignage de Kudsi Ergüner, il est mondialement connu en tant que maître de « Ney », la flûte de roseau. Héritier de la tradition soufie Mevlevi, auteur et traducteur de nombreux ouvrages... https://consciencesoufie.com/kudsi-erguner-par-carole-latifa-ameer/ En ce mois de décembre 2020, en partenariat avec "Les Amis d'Eva", nous rendons hommage à Eva de Vitray-Meyerovitch, interprète française de l'œuvre de Rumi (m. 1273). Elle consacra sa vie à traduire ses écrits et à le faire connaître au public francophone. Vous pouvez retrouver un dossier spécial pour l'hommage à Eva de Vitray-Meyerovitch sur notre site : https://consciencesoufie.com/hommage-a-eva-de-vitray-meyerovitch/ Vous pouvez soutenir ces efforts en contribuant à la souscription au projet "Hommage à Eva de Vitray-Meyerovitch" : https://www.helloasso.com/associations/conscience-soufie/collectes/hommage-a-eva-de-vitray-meyerovitch-un-pont-entre-islam-et-occident Pour plus d'informations visitez notre site: https://consciencesoufie.com/ Musique utilisée dans cette vidéo avec l'autorisation de Joanna Goodale : Artiste : Joanna Goodale Titre : After « Yavaran Masem » · Album : Bach in a Circle Pour plus d'informations visitez son site: https://www.joannagoodale.com/
Greatest Persian Mystical Poets. Rumi, Hafez, Razi Aldin Artimani
About Rumi. Rumi or Mevlevi was a 13th century Persian poet, theologian and Sufi mystic. In this episode you will get to know this great Sufi that the world has ever seen.
Rumi - Cure For A Man Who Has Swallowed A SnakeVoice by Adam SiddiqMore Rumi inspiration can be found on Facebook & Instagram @RumiQuotesOfficial or at www.rumiquote.com.
Poem by Hafiz Shirazi.Narrated by Adam Siddiq.
Rumi - Cure For A Man Who Has Swallowed A SnakeVoice by Adam SiddiqMore Rumi inspiration can be found on Facebook & Instagram @RumiQuotesOfficial or at www.rumiquote.com.
Poem by Hafiz Shirazi.Narrated by Adam Siddiq.
Dr. Lynch discusses Rumi's Masnavi-e Ma‛navi, Mevlevi Sema Ceremonies, and more. Follow us on Twitter @knightschool_
We're back... we start off with a question about Islamic poetry, jump into description of Canada's failparty the NDP, talk Chomsky and the mods and many other topics. World Bank, arranged marriages, China and Jim Cramer... rounded off with a final bit about Japanimation. Correction: Tom referred to Rumi's most famous work as the "Mevlevi". It is in fact the Masnavi, and Mevlevi is the name of the sufi tariqa (order) that he founded. Intro music by auntie004. Outro is Kyuss - El Rodeo.
Peter H. Cunz ist Scheich im Sufiorden der Mevlevi, ein Orden, der auf den persischen Mystiker Mevlana Celaleddin Rumi (1207-1273) zurückgeht. Peter Cunz hat als Scheich eine ähnliche Stellung wie ein Abt in einem römisch-katholischen Kloster – und leitet oder berät Ordensgruppen in der Schweiz, den Niederlanden sowie Kolumbien und Mexiko. Der Sufismus ist eine Sammelbezeichnung für islamische Mystik, die wie die meisten mystischen Strömungen egal welcher Religion eine Einheit allen Seins erkennen. Das im Gespräch erwähnte Experiment mit einem Blatt und dessen Lichtabgabe heisst Kirlianfotografie und kann etwa auf Wikipedia nachgelesen werden. Der erwähnte Angelius Silesius (eigentlich Johann Scheffler) war ein deutscher Lyriker, Theologe und Arzt aus dem 17. Jahrhundert, der durch seine mystischen Gedichte bekannt geworden ist – und vom Protestantismus zum Katholizismus konvertierte, aus Ärger über die Zensur, die ihm in seiner protestantischen Heimat widerfuhr.
Dervish in Progress (DIP) eğitimlerinin kurucusu dansçı Ziya Azazi yaklaşık 20 yıldır üzerine çalıştığı bu sistemi Mevlevi felsefesi ve dansı üzerine kurmuş. Ziya ile sohbet DIP öncesine uzandı, doğup büyüdüğü Antakya’ya kadar gitti. Ve ortaya ‘EV’ kavramını, zaman ve mekanla kurulan ilişkiyi soruşturan samimi bir sohbet çıktı. Müzik: Mercan Dede - Istanbul, Gevende - Beboyin Yerki
Mevlana Celaddiin-i Rumi is a 13th century Muslim saint and Anatolian mystic known throughout the world for his exquisite poems and words of wisdom, which have been translated into many languages. Rumi, as he is known in the west, is the best selling poet in USA. The United Nations declared 2007 The Year of Rumi and celebrations were held world wide. Mevlana was a Muslim, but not an orthodox type. His doctrine advocates unlimited tolerance, positive reasoning, goodness, charity and awareness through love. To him all religions were more or less truth. Mevlana looked with the same eye on Muslim, Jew and Christian alike. His peaceful and tolerant teachings have appealed to men of all sects and creeds. In 1958, Pope John XXIII wrote a special message saying: “In the name of the Catholic World, I bow with respect before the memory of Rumi.” Hz. Mevlana, passed away on 17 December 1273 following a brief time on his sickbed and reached out to his Allah and his beloved prophet. and was laid to rest beside his father in Konya, in present day Turkey. Mevlevi disciples call this night Seb-i Arus (wedding night), the night of unity. Mevlana's Works In addition to his best-known book of verse, Masnawi, the first eighteen lines of which were written down personally and the rest dictated to his student, Chalabi Husameddin, he also wrote Divan-i Kebir; Fih-i Ma-Fi, Mecalis- i Seb’a and Mektubat. Masnawi It contains 26 thousand couplets in six volumes, consisting of stories inspired by the Quran’s teachings about all that is created, as well as Hz. Mohammad’s words and their morals. Divan-i Kebir Preceding Masnawi, it is a collection of poems recited by Hz. Mevlana over a wide span of time. It contains approximately 40 thousand couplets within twenty-one moderate-size divans, as well as one “Divan-i Rubai” Fih-i Ma-Fih It connotes “What’s within is within” and contains Hz. Mevlana’s lectures. Mecalis-i Seb’a: As the meaning of the title “Seven Sermons” implies, it contains Hz. Mevlana’s seven lectures. Mektubat It consists of the 147 letters Hz. Mevlana wrote to relatives, including his son Sultan Veled, and to friends, rulers, and officials of the State. The daily language of the time was Turkish, the scientific language was Arabic, while Persian was the language of literature. For this reason Hz Mevlana’s books are all in Persian. They were all translated into Turkish at a later time. In his books, Hz. Mevlana talks about how to be a wholesome human being: one who has inner peace and harmony, one who is both aware of and appreciates God’s blessings, one who takes a stand in the face of life’s hardships, one who is tolerant and loving. The Mevlevi life is based on “adab and erkan” (discipline and rules of conduct). In their conduct, they are very kind, graceful, and discreet and they never go to extremes in behaviour or in speech. In salute, they place their right hand on their heart and incline their head slightly, implying “you are in my heart”. Even their handshake is peculiar to their discipline. They seize and kiss the back of each others hands, indicating mutual respect and equality. This is a greeting from ”soul to soul” and denotes equality of existence. Every part of the Mevlevi system of behavior bears a symbolical meaning, such as taking soft steps or showing respect to their daily appliances, and they can be observed in the act of the whirling dervishes in ‘Sema’ rituals, which are considered an extension of their daily lives.
30 Kasım 2019 Cumartesi günü Türkiye Tarihi Evleri Koruma Derneği TÜRKEV’in katkılarıyla Dede Efendi Evi'nde gerçekleşen Türk Müziği Akademik Çevresi Bilim-Sanat Etkinlikleri'nin yedincisinde Kırıkkale Üniversitesi Fen-Edebiyat Fakültesi Doğu Dilleri ve Edebiyatları Bölümü Öğretim Üyesi Doç. Dr. Yakup Şafak, “Mevlevî Ayinleri ve Güfte Özellikleri” başlıklı bir sunum yaptı. Etkinliğin dinleti bölümünde ise 173. vefat yıldönümünde (29 Kasım 1846) Hammâmîzâde İsmail Dede Efendi'nin Hüzzam Mevlevî Ayini, Prof. Rûhî Ayangil yönetimindeki TUMAC İcrâ Heyeti tarafından icra edildi. TUMAC İcrâ Heyeti Rûhî Ayangil (Kanun / Gûyende) Fatma Âdile Başer (Kudûm) Bâkî Enis Balakbabalar (Bendîr) Eşref Berk Türkoğlu (Ney) Hazar Ertürk (Ney) Emrah Kocaman (Tanbûr) Murat Şahin (Naathân / Âyinhân) Samet Baştuğ (Gûyende)
Mevlana Celâleddin er-Rûmî (1207-1273) O, Cenâb-ı Hakk'ı delice seviyordu ve ufkunda hiç dinmeyen bir inilti vardı gece-gündüz. Halvette-celvette, her zaman ayrı ayrı muhabbet ve aşk u iştiyak fasılları yaşıyordu. Bütün bütün mâsivâdan tecerrüt edip kendini gönlündeki aşk u vuslatın gel-gitlerine salınca tamamen bir ateş topuna dönüyordu. içten içe ocaklar gibi yanıyor, ama asla gam izhar etmiyordu. Yanmayı aşkın gereği görüyor, âh u vah etmemeyi de vefa töresi sayıyordu. Ona göre, 'seviyorum' diyenler cayır cayır yanmalı ve bunu da maiyyet ve kurbetin bedeli saymalıydılar. Az yemeli, az içmeli, az uyumalı, konuşacakları zaman da sadece O'ndan söz açmalı ve hep 'hayret' yaşamalıydılar. O, 'Sevenin nasıl uyuduğuna şaşılır; evet, sevene uyumak haramdır.' derdi. Bir keresinde, (Cenab-ı Hakk'ın, Hazreti Davud'a hitaben:) 'Ey Davud! Kendini uykuya salıp beni düşünmeyen, sonra da aşk iddiasında bulunan yalan söylemiş olur.' sözünü naklettikten sonra 'Karanlık basınca aşıklar delirir-delirmeli.' demiş ve hep dediği gibi davranmıştı. İşte Divan-ı Kebîr'de onun mağmalar gibi köpürüp duran his ve heyecan ummanından sadece birkaç damla: 'Elsiz-ayaksız kalmış zavallı gönlümde O'nun aşkına direnecek güç kalmadığı için mecnun gibiyim. Her gün, her gece beni bağlayan aşk zincirinin ucunu geveleyip duruyorum. Sevgilinin hayâli gelip belirince kanlar içinde kalıyorum. Ben kendimde olmadığım için O'nu gönül kanıyla boyarım diye korkuyorum. Aslında Sen, her zaman aşk ateşiyle yanıp yakılan bu âşığın gecelerini perilerden sormalısın.. Herkes gidip uyudu; gönlünü O'na kaptırmış olan ben ise uyku nedir bilmiyorum. Bütün gece gözlerim göklerde yıldız saymakta; O'nun aşkı uykumu öyle bir alıp götürdü ki, bir daha geri geleceğini sanmıyorum...' Eğer O'nun aşk u heyecanı ve vecd ü hafakanlarının özü sayılan şiir divanlarının ruhu sıkılacak olsa, ondan hep böyle aşk u iştiyak ağlamaları, vuslat ve ümit nağmeleri dökülecektir. Mevlânâ bir ömür boyu sevmiş, sevildiği inancıyla oturup kalkmış, hep O'na karşı olan aşk u alâkasını dillendirmiştir. O, bu engin aşk u alâkasını her seslendirişinde de O'na yalnız yürümemiştir; kendini dinleme bahtiyarlığına ermiş-çevresini de alıp beraber götürmüştür. Evet o, kendisine sunulan semavî ziyafet sofralarından, o ışık hâlesi içinde bulunanlara da kâse kâse sunmayı âdeta bir vefa borcu bilmiştir. İşte ona ait bir semavî yolculuk sergüzeştinden etrafa akseden bir kaç müteşâbih nağme: 'Aşk burakı aklımı da gönlümü de aldı götürdü. Nereye götürdüğünü bana sorma. Aklımı da gönlümü de alıp ötelere götürdü. Yürüyüp öyle bir revaka ulaştım ki, orada ne ay var ne de gün; öyle bir dünyaya eriştim ki, orada dünya da dünya olmaktan çıkmış...' Bu seyahat, mirac-ı Ahmediye'nin gölgesinde öyle bir uruc ve bir semavî yolculuk ki, Süleyman Çelebi ifadesiyle, 'Ne mekân var ânda ne arz u semâ.' Görüp duydukları, bakıp temâşâ ettikleri gözlerin görmediği, kulakların işitmediği, akl u fikrin kavrayamadığı özel iltifat tecellileriydi ve bunlar herkese de müyesser değildi. O, gitti, gördü, tattı ve bir fâninin bilebileceği çerçevede bilinebilecek her şeyi bildi. Görmeyenler bilemez, tatmayanlar duyamaz; duyanlar da çok kez sır vermez, sır verseler de onu herkes ihâta edemez. Gâlib'in ifadesiyle: "Bir şu'lesi var ki şem'-i Canan'ın Fânûsuna sığmaz âsumanın" Mevlânâ'nın bütün bir varlığa karşı duyduğu muhabbet, alâka ve insanlarla münasebetlerindeki sıcaklık, ondaki o derinlerden derin ilâhî aşkın bir izdüşümüydü. Fıtratı sermest-i câm-ı aşk olan Hazreti Pir her şeyi sevmiş, topyekün varlığı muhabbetle kucaklamış, her nesne ile bir çeşit diyaloğa geçmişti ki; bütün bunlar, onun Allah'a karşı o derin aşk u alâkasının yansımasından başka bir şey değildir.
Underlying Rumi’s magnificent poetry is a coherent world-view and spiritual psychology. A living tradition of human transformation has continued in the spirit of his legacy. Through contemplative practice, ceremony, metaphysical reflection, artistic expression, and community service a process of psycho-spiritual maturity has been refined. We will explore the fundamentals of this tradition and consider how they might be applied in today’s world. Kabir Helminski is the Co-Director of the ThresholdSociety, a non-profit educational foundation that has developed programs that provide a structure for practice and study within Sufism and spiritual psychology. He has been working within the Mevlevi tradition of Sufism for about thirty years and has translated many volumes of Sufi literature, including many works of Rumi. http://www.meditatio.co.uk/ Music Credits: Aourourou by Blue Dot Sessions
photo by Cat Stevens Nissa Nishikawa works with performance, ceramics, painting, glass, and film. Her practice interprets traditional forms of dance, ritual and craft in ways that illuminate the current crisis in ecology and community. She engages with alchemical and animistic practices through the use of elemental base materials, forging processes of transformation that are intuitively informed by a close observation of the intelligence of nature and the non-human as systems of navigation. This ongoing fascination extends to the embodied principles of movement while bringing together many disciplines in one space. She studied Fine Arts at Concordia University in Montreal, Quebec, Stage Arts at the Royal Academy of Dramatic Art in London and holds an MA in Performance from Goldsmiths College. Experiences stemming from time with Min Tanaka, Steve Paxton, Anna Halprin and dervish turning of the Mevlevi tradition are paramount to her practice. Recent workshops have been held at the Architectural Association (London), Camden Arts Centre (London) and the Victoria and Albert Museum (London). DEN, Regents Place, London, 2019 DEN with BOMS: 108 strategies of soil renewal on charred wood table, Regents Place, London, 2019 DEN with performance Tenko no Seishin / The Familiar Earth, Regents Place, London, 2019
Türk Müziği Akademik Çevresi Bilim ve Sanat Etkinlikleri'nin ilki 26 Ocak 2019 Cumartesi günü Dede Efendi Evi'nde başladı. Yoğun ilgi gösterilen etkinlikler serisinin ilkinde İTÜ TMDK Müzikoloji Bölümü Öğretim Üyesi Doç. Dr. Ozan Baysal, "Ferahfeza Mevlevi Ayini'nde Perdenin Ötesi" başlıklı bir sunum yaptı. SUNUM HAKKINDA Türk mûsikîsinin en sanatlı formu olan Mevlevî Âyîn repertuarı hakkında birçok ulusal ve uluslararası çalışma bulunsa da, müzik içerisindeki yapısal unsurların ayinin programatik yapısı ve güftelerin anlamı ile birlikte ele alındığı incelemeler son yıllarda ortaya çıkmaya başlamıştır. Hammâmîzâde İsmail Dede Efendi’nin Ferahfezâ Mevlevî Âyîni’ndeki müzikal akış ve sözel anlam arasındaki ilişkilerin inceleneceği bu sunumda öncelikle makam müziğinde kullanılabilecek yeni bir yapısal analiz modeli tanıtılacaktır. Zaman-Makam Analiz Modeli olarak adlandırdığımız bu model çizgisel bir zaman ölçeği üzerinde makamsal değişim ve dönüşümleri farklı katmanlardan oluşan yatay bir olaylar şeması şeklinde sergileyerek, eser içerisinde yer alan tikel müzikal an’ları, tümel bir bütünlük içerisinde yansıtmayı ve incelenen eserdeki farklı zaman bölgeleri arasındaki yapısal bağlantıları görülebilir kılmayı hedeflemektedir. Sunumumuz, bu modelin sağladığı analiz perspektifinin kullanıldığı Türkiye Bilimsel ve Teknolojik Araştırma Kurumu (Tübitak) tarafından desteklenen “Mevlevi Ayinlerinde Söz Boyama” başlıklı araştırma projesinin bazı önemli sonuçlarını özetlerken, Ferahfezâ Mevlevî Âyîni’nde kullanılan güftelerin anlamı da dikkate alındığında ortaya çıkan olaylar şeması ile Dede Efendi’nin tasavvuf anlayışının varoluşsal bir programa nasıl dönüştüğünü perdeye yansıtacaktır. Doç. Dr. Ozan Baysal İstanbul Teknik Üniversitesi Müzikoloji Bölümü’nde öğretim üyesidir. Yüksek Lisans ve Doktora derecesini Istanbul Teknik Üniversitesi Müzik İleri Araştırmalar Merkezi’nde (MIAM) tamamlamıştır. Çalışmalarında özellikle zaman ve hareket teorileri üzerine yoğunlaşan, ve bu alandaki farklı perspektifleri müzik algısı ve hafıza teorileri ile harmanlayarak “Döngüsel Analiz Modeli” ve “Zaman-Makam Analiz Modeli” gibi çeşitli müzik analiz modelleri sunmuş olan Baysal, aynı zamanda Müzik Teorileri Tarihi üzerine araştırmalarını devam etmektedir.
Türk Müziği Akademik Çevresi Bilim ve Sanat Etkinlikleri'nin ilki 26 Ocak 2019 Cumartesi günü Dede Efendi Evi'nde başladı. Yoğun ilgi gösterilen etkinlikler serisinin ilkinde İTÜ TMDK Müzikoloji Bölümü Öğretim Üyesi Doç. Dr. Ozan Baysal'ın "Ferahfeza Mevlevi Ayini'nde Perdenin Ötesi" başlıklı sunumunun ardından Prof. Rûhî Ayangil yönetimindeki TUMAC İcrâ Heyeti Dede Efendi'nin Ferahfezâ Mevlevî Âyîni'ni icra etti. TUMAC İcrâ Heyeti Rûhî Ayangil (Kanun / Gûyende) Aslıhan Eruzun Özel (Kemençe) Korkutalp Bilgin (Tanbûr) Burçin Bahadır Güner (Ud) Ahmet C. Altınkaynak (Ney) Bâkî Enis Balakbabalar (Kudûm / Bendîr) Memduh Özyalvaç (Naathân / Âyinhân)
Kabir Helminski is a Shaikh of the Mevlevi Order of Sufis, which traces its inspiration to Mevlana Rumi. He began his Mevlevi training as a student of the late Shaikh Suleyman Loras. In 1990 he was subsequently appointed a Shaikh. Under Kabir’s direction, the Mevlevi Order is working to apply traditional Sufi principles to the conditions of contemporary life. Kabir and his wife, Camille, founded and now direct The Threshold Society, a nonprofit educational foundation that has developed programs for practice and study within Sufism and spiritual psychology. He leads workshops and retreats for Sufis and the broader multifaith community. sufism.org
1908 yılında II. Meşrutiyet'in ilanındansonra Eşref Edib, kendisi gibi hukukçu olanEbü'l-ȗla Mardin ile birlikte bir mecmua hayalinihayata geçirmek için harekete geçti. Aklınagelen “Sırat-ı Müstakim” ismi kabul gördü.1908'de yayın hayatına başlayan mecmuanınbaşyazarı Mehmet Akif oldu. “Din, felsefe, edebiyat,hukuk ve ulȗmdan bahis haftalık gazetedir”alt başlığıyla yayım hayatına başlayandergiye, 50. sayısından itibaren “siyaset, içtimaiyat,medeni ahval” de dâhil edildi.Mehmet Akif ve Ebü'l-ȗla Bey'den başka,Babanzade Ahmet Naim, Manastırlı İbrahimHakkı, Musa Kazım, Bereketzade İsmail Hakkıve Tahirü'l Mevlevi gibi isimlerin katkıda bulunduklarıderginin hemen hemen bütün işleriniEşref Edib üstlenmişti.İlk baskısı 70 bini bulan dergi, kısa zamandaİşkodra'dan Bağdat'a oradan Yemen'e kadarulaştı. Böylece Eşref Edib'in özellikle öneçıkarmaya çalıştığı Mehmet Akif'in şiirleri debütün Osmanlı vilayetlerine ulaşmış oldu.
Kabir Helminski is a Shaikh of the Mevlevi Order of Sufis, which traces its inspiration to Mevlana Rumi. He began his Mevlevi training as a student of the late Shaikh Suleyman Loras. In 1990 he was subsequently appointed a Shaikh. Under Kabir’s direction, the Mevlevi Order is working to apply traditional Sufi principles to the conditions of contemporary life. Kabir and his wife, Camille, founded and now direct The Threshold Society, a nonprofit educational foundation that has developed programs for practice and study within Sufism and spiritual psychology. He leads workshops and retreats for Sufis and the broader multifaith community. The Threshold Society, rooted within the traditions of Sufism and inspired by the life and work of Mevlâna Jalâluddîn Rumi, is a non-profit educational foundation with the purpose of facilitating the experience of Divine Unity, Love, and Truth in the world. Sufism is a living tradition of human transformation through love and higher consciousness. Our fundamental framework is classical Sufism and the Qur’an as it has been understood over the centuries by the great Sufis. The Society is affiliated with the Mevlevi Order, and offers training programs, seminars and retreats around the world. Threshold Society Website: www.sufism.org
The music of Turkey includes diverse elements ranging from Central Asian folk music and music from Ottoman Empire dominions such as Persian music, Balkan music and Byzantine music, as well as more modern European and American popular music influences. In turn, it has influenced these cultures through the Ottoman Empire.[1] Turkey is a country on the eastern shore of the Mediterranean Sea, and is a crossroad of cultures from across Europe, North Africa, the Middle East, the Caucasus and South and Central Asia.The roots of traditional music in Turkey spans across centuries to a time when the Seljuk Turks colonized Anatolia and Persia in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for Westernization.[2]With the absorbance of immigrants from various regions the diversity of musical genres and musical instrumentation also expanded. Turkey has also seen documented folk music and recorded popular music produced in the ethnic styles of Armenian, Greek, Polish, Azeri and Jewish communities, among others.[1] Many Turkish cities and towns have vibrant local music scenes which, in turn, support a number of regional musical styles.Historical backgroundTraditional music in Turkey falls into two main genres; classical art music and folk music. Turkish classical music is characterized by an Ottoman elite culture and influenced lyrically by neighbouring regions and Ottoman provinces, such as Persian and Byzantine vocal traditions and South European cultures.[3] Earlier forms are sometimes termed as saray music in Turkish, meaning royal court music, indicating the source of the genre comes from Ottoman royalty as patronage and composer.[4] Neo-classical or postmodern versions of this traditional genre are termed as art music or sanat musikisi, though often it is unofficially termed as alla turca. In addition, from the saray or royal courts came the Ottoman military band, Mehter takımı in Turkish, considered to be the oldest type of military marching band in the world. It was also the forefather of modern Western percussion bands and has been described as the father of Western military music.[5]Turkish folk music is the music of Turkish-speaking rural communities of Anatolia, the Balkans, and Middle East. While Turkish folk music contains definitive traces of the Central Asian Turkic cultures, it has also strongly influenced and been influenced by many other indigenous cultures. Religious music in Turkey is sometimes grouped with folk music due to the tradition of the wandering minstrel or aşık (pronounced ashuk), but its influences on Sufism due to the spritiual Mevlevi sect arguably grants it special status.[6]It has been suggested the distinction between the two major genres comes during the Tanzîmat period of Ottoman era, when Turkish classical music was the music played in the Ottoman palaces and folk music was played in the villages.[7][3] However, with the type of cultural cross-breeding the empire allowed, both genres relate to the multitudes of ethnic groups to be found in the make-up of the Ottoman Empire. In that sense they are the first examples of their kind in world music.[7][3] Although Turkish classical and folk music have generally enjoyed a broad popularity regardless of subcultures, regional classical music has had lapses in prominence.When the modern Turkish state was proclaimed in 1923, the new republic aimed at creating a nation with a distinct and unified culture. This included replacing the culture of Istanbul, which was perceived as the Ottoman elite, by the culture of rural Anatolia, which was considered Turkish. Hence, folk music was promoted, while classical music became less popular.[2] Moreover, western classical music was introduced and encouraged in accordance with one of the most important policies of the new state, westernization of the society.[2] By the 1960s, western popular music had been introduced to Turkey, with the name hafif-batı müziği (light-western music). At the same time, socialist movements were getting popular in accordance with the world. Musicians who were inspired by these movements started adapting folk music with contemporary sounds and arrangements, giving rise to Anatolian rock and protest music or özgün muzik (authentic music). Increasing immigration in the 1970s from southeastern rural areas to big cities in the west, and particularly to Istanbul, gave rise to a new cultural synthesis, which was regarded as a degeneration of Istanbul music by some musicologists whom favoured Ottoman classical music. Paradoxically things had come full circle; a genre that had once been thought as foreign was now viewed as Turkish or alla turca, as it was reminiscent of a time when Turks were at the height of their power in world events.[2]The new residents of metropolitan areas suffered from hard economical conditions and had difficulties in adapting to the big city from rural life. This newly constructed culture proceeded to generate its own music, derogatively termed by Istanbul musicologists as arabesque or arabesk, due to its high pitched wailing and exaggerated symbolisms of suffering. Arabesque was a synthesis of Turkish folk and middle-eastern music, similar to the growing left-wing subculture's own "arabesque", which was a new version of protest music fused in folk traditions. In the era influenced by the military government, arabesque and özgün genres were labeled "degenerate" and discouraged by the government, while Turkish classical music and contemporary music were promoted.[2]Despite this however, western-style pop music lost popularity to arabesque in the late 70s and 80s, with even its greatest proponents Ajda Pekkan and Sezen Aksu falling in status. It became popular again by the beginning of the 1990s, as a result of an opening economy and society. With the support of Aksu, the resurging popularity of pop music gave rise to several international Turkish pop stars such as Tarkan and Sertab Erener. The late 1990s also saw an emergence of underground music producing alternative Turkish rock, electronica, hip-hop, rap and dance music in opposition to the mainstream corporate pop and arabesque genres, which many believe have become too commercial.[8]Ottoman classical musicAs the Empire grew, musics of conquered peoples of the Balkans and the Mediterranean were incorporated into an increasingly diverse Ottoman music. The Ottoman Empire was a multi-ethnic state, and cultural influences, including music, were shared by groups including the Turks, Armenians, Greeks, Kurds, Arabs, Persians, Assyrians and Jews.With the beginning of the decline of the empire in the early 19th century, one branch gradually evolved from serious artistic music to "urban entertainment music".[2] But the essence of classical Turkish music— a refined aesthetic, a vast repertoire, a sophisticated makam system of melodic modes, a variety of usul rhythmic modes, a rich body of Ottoman poetry—survived throughout the 19th and 20th centuries and continues in the 21st century.Though akin to today's classical Arab music, classical Turkish music has a broader repertoire, utilizes a wider range of makams and usuls, and enjoys a strong following of audiences, performers, and students. One can find more distant similarities with Azerbaijan, Uzbek, and other Turkic musics. [3]Three of the best known composers of Turkish classical music are Buhurizade Itri, Dede Efendi, and Haci Arif Bey. Throughout its history until the late 20th century, classical Turkish music was transmitted orally from teacher to student via the meşk system. Some compositions lost from the oral repertoire have survived in Hamparsum notation, developed by composer and musician Hamparsum Limonciyan by request of Sultan Selim III.In 1934, the government of Mustafa Kemal Atatürk banned Ottoman classical music, though the ban was lifted the following year. Even though the Republic of Turkey has a considerably less multiethnic character than the Ottoman Empire, important performers and composers like Yorgo Bacanos and udi Hrant Kenkulian came from minorities, while favourite Turkish composers include Sadettin Kaynak.Some of the important musicologists involved with this genre are Prince Cantemir, Cinuçen Tanrıkorur and Rauf Yekta Bey who wrote the first modern account of Turkish classical music available in a Western language. [4]Modern Turkish singers of neo-classical music include Münir Nurettin Selçuk, Müzeyyen Senar, Zeki Müren, Bülent Ersoy and Emel Sayın. Safiye Ayla ranks as one of the great secular classical singers of the early 20th centery. Kâni Karaca is considered one of the great singers of mosque music and Mevlevi music in the last third of the 20th century. Leading instrumentalists include Necdet Yaṣar (tanbur), Niyazi Sayın (ney), İhsan Özgen (kemenche), Akagündüz Kutbay (ney—deceased).Listen
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