Podcasts about theatre under

Send us a textOn this episode, we say goodbye to one of our own Andrew Edmonson. We remember his contributions to the community and to our show. Then, Brett Cullum has a conversation with Michael Alonzo, talking about his recent marriage and his role in Theatre Under the Stars production of IN THE HEIGHTS.  Michael plays "the Piragua Guy" in the show. Finally, Then Brett talks with Malinda Beckham and Curtis Barber, who are co-directing the play BUG, which opens at MATCH this Friday. It's produced in Houston by Dirt Dogs Theatre Co.Queer Voices airs in Houston Texas on 90.1FM KPFT and is heard as a podcast here. Queer Voices hopes to entertain as well as illuminate LGBTQ issues in Houston and beyond. Check out our socials at:https://www.facebook.com/QueerVoicesKPFT/ andhttps://www.instagram.com/queervoices90.1kpft/

Rachel PeakeOriginally hailing from Saskatchewan, Rachel is a director and dramaturge of theatre and opera. She is currently the Artistic Director of the Grand Theatre in London, Ontario.​From 2021 to 2023 Rachel was the Associate Artistic Director of the Arts Club Theatre Company in Vancouver. There she oversaw the running of the Artistic Department from 2021-2022 during the Artistic Director's maternity leave. From 2017 to 2020 she was the Associate Artistic Director of the Citadel Theatre in Edmonton, where she led the Citadel's New Play Development initiatives. In January 2023 she won the Ovation Award for Outstanding Direction for her work on Something Rotten!, produced by Theatre Under the Stars.​Rachel recently directed Macbeth for Calgary Opera (Betty Mitchell Award nominee - Outstanding Production of a Musical) , Sense and Sensibility for the Arts Club, 9 to 5: the Musical for the Citadel Theatre, Something Rotten! for Theatre Under the Stars, and The Pearl Fishers for Vancouver Opera. Rachel directed and dramaturged Hyperlink for the elbow, which was nominated for a Critic's Choice in Innovation. Recent directorial credits also include The Garneau Block for the Citadel, La Cenerentola for Vancouver Opera, and Phaedra/ Serenade for Pacific Opera Victoria.​Some additional career highlights include directing and dramaturging the world première opera, Stickboy, for Vancouver Opera; directing the première of The Contest of the Winds for Caravan Farm Theatre; helming SexyVoices, a community-based creation piece about love and sex in the disability community for Realwheels Theatre; directing Angels in America: Part One at Studio 58, and directing and co-conceiving the interactive project Sustainability in an Imaginary World at UBC.​Rachel was the co-Artistic Director of Solo Collective Theatre from 2008-2013 for whom she directed Cool Beans, Play With Monsters, After Jerusalem, The Project, and The Trolley Car.  She also spent four years as Resident Stage Director of Dark by Five at Gros Morne Summer Music where she directed and co-created fifteen new interdisciplinary works. ​Rachel interned at the Komische Oper in Berlin, at Stratford's Michael Langham Workshop for Classical Direction, and in the Shaw Festival's Neil Munro Directing Internship. She also studied extensively with her mentor, James Fagan Tait. Rachel is a graduate of the University of Alberta and Studio 58.Grand TheatreThe Grand Theatre is known for world-class theatre created and built in London, Ontario. As southwestern Ontario's premiere producing theatre and one of the most beautiful theatre spaces in Canada, the company has deep ties to the community and to its artists, artisans, and technicians. As a vibrant cultural hub and not-for-profit professional theatre, the Grand serves to gather, inspire, and entertain audiences in London and beyond. At our home in downtown London, we create productions on two stages: the Spriet Stage (839 seats) and the Auburn Developments Stage (144 seats). The Grand season of theatrical offerings runs from September to May, and we collaborate with companies and artists across the country through our co-productions that see London-made artistic and creative work travel to audiences nation-wide. Through our successful New Play Development Program, the Grand is committed to developing and premiering new, original works and supporting the growth and reach of theatre writers and creators. Our recently renovated venue offers a contemporary and welcoming environment that is also home to several successful music series', community arts rentals, and cultural and special events. 

Send your questions or provocations to Adam or Budi here!In this episode, Adam and Budi chat with Joshua Morgan, the founder of Artist's Strategy, to talk about the business side of an acting career. From financial planning to networking, they explore how artists can build sustainable careers while navigating the transition from training to the industry. Joshua Morgan is a versatile actor, director, and educator who has performed at prominent theatres across the U.S., including Woolly Mammoth Theatre Company, Arena Stage, Theatre Under the Stars, Folger Theatre, Signature Theatre, and many more. He originated the role of legendary manager Shelly Berger in Ain't Too Proud: The Life and Times of The Temptations on Broaday and stayed with the production for four years.Before moving to New York to join the last revival of Les Misérables, Joshua co-founded No Rules Theatre Company, the first dual-city theatre based in Washington, D.C., and Winston-Salem, NC. During his tenure, he produced award-winning premieres, directed acclaimed productions, and developed outreach programs for underrepresented communities, including the Deaf/Hard of Hearing.As a director, his credits include In Love and Warcraft (Helen Hayes Nomination), Hedwig and the Angry Inch, The Last Five Years, and more. He has taught at esteemed institutions such as American University, Gallaudet University, and the University of North Carolina School of the Arts.Joshua is also the founder of Artist's Strategy, an organization dedicated to helping freelance artists build sustainable careers and co-host of Creative Risk, a podcast exploring all things art, entrepreneurialism and everything in-between. Follow him on all platforms at @jmorganarts.Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

Joshua: Joshua is a diverse, singing actor who has worked on Broadway and regionally at esteemed theaters such as Woolly Mammoth Theatre Company, Arena Stage, Theatre Under the Stars, Folger Theatre, Triad Stage, and Signature Theatre. His television appearances include "FBI," "Law and Order," "Law and Order: Organized Crime," "Law and Order: SVU," "Lincoln Rhyme," and HBO's "Paterno." Joshua co-founded and served as Artistic Director of the Helen Hayes Award-winning No Rules Theatre Company in Washington, DC, and Winston-Salem, NC. Mike Labbadia (co-host) an actor, producer, writer and filmmaker, a “multipassionate” you can say. As a company member of BEDLAM he's appeared Off-Broadway in shows from Arcadia to Julius Caesar. Regional work includes Alabama Shakespeare Festival, Gulfshore Playhouse, Penguin Rep and Virginia Rep. He's in the upcoming film "On the End" with Tim Blake Nelson. As a producer he's had films premiere at prestigious festivals around the world. In this episode, we discuss these "Rules" actors should break: 06:15 - Rule 1 - Don't pitch yourself Sent 37 self pitching emails, without an agent, and booked a Broadway show 9:03 - Rule 2 - Don't complain to our Reps 12:45 - Rule 3 - We can only be one "kind of artist" 17:15 - Rule 4 - Wait until you have a big project to grow an audience 21:20 - Rule 5 - Don't actively pursue industry relationships 15:52 - Rule 6 - Take on Gig work to support your career 30:29 - Rule 7 - Let the Industry define you as an artist PODCAST DESCRIPTION: “CREATIVE RISK”, is a new podcast hosted by actors Joshua Morgan and Mike Labbadia of Artist's Strategy where they explore all things art, entrepreneurialism and everything in between. The acting industry is more volatile and competitive than ever before, therefore the artist must evolve in order to take radical ownership over their creative businesses. Each episode, Mike and Joshua will get raw and unfiltered, giving hot takes and cutting edge strategies on how to build a sustainable career in the arts.  Guest: For Joshua Morgan : Website IMDb Instagram Broadway World For Podcast: Spotify Apple Podcasts Youtube Instagram TikTok Host: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Stay tuned to the end of the episode for a clip of the Creative Risk podcast. If you like this episode, check out my episode on their podcast" Apple Podcasts Spotify --- Support this podcast: https://podcasters.spotify.com/pod/show/michelle-miller4/support

I first encountered Carlie Dorshaw Moe at Theatre Under the Stars when she was eight. We later worked together at I. Weiner Middle School and the JCC Summer Theatre program where she both performed and acted as a theatre camp counselor.  I last worked with Carlie in 1999. It was great finding out what she's been up to in this century! Recorded on 8/24/24.

Send us a textEver wonder how a choir-loving kid who enjoys being a goofball transforms into a theater powerhouse and roller skates with Beyonce? Join Brett Cullum for a podcast exclusive with Mark Ivy, a cherished talent in the Houston theater scene and a local legend. From his humble beginnings inspired by "Little Shop of Horrors" to the thrill of donning Mr. Mushnik's apron, Mark takes us on a journey full of laughter, challenges, and theatrical magic. You'll hear about his adventures on stage, his real-life struggles with cooking and laundry, and his unexpected foray into a Beyoncé music video, turning the spotlight on the lively and ever-evolving world of Houston's theater community.Get ready to experience the excitement of "Little Shop of Horrors" like never before with its Halloween-perfect run at Theatre Under the Stars on the biggest stage in town. Mark shares his thoughts on the distinct experience of transitioning roles within this iconic musical, embracing the quirks of Mr. Mushnik and the affectionate nickname "Mr. Daddy." We also explore the art of auditioning, the importance of nurturing local theater ties, and the opportunities that recorded auditions bring. If you don't love Mark Ivy as much as we do after this interview, we may have to send you a carnivorous plant! Buy tickets for Little Shop here:  https://www.tuts.com/shows/little-shop-of-horrors-2?gad_source=1&gclid=Cj0KCQjwsc24BhDPARIsAFXqAB3JkYBrXh_sjfcp_eYSnS-eDaGSYnXcq26Lr1pr9I9LS64MPPxCg54aAsJQEALw_wcB&gclsrc=aw.dsQueer Voices airs in Houston Texas on 90.1FM KPFT and is heard as a podcast here. Queer Voices hopes to entertain as well as illuminate LGBTQ issues in Houston and beyond. Check out our socials at:https://www.facebook.com/QueerVoicesKPFT/ andhttps://www.instagram.com/queervoices90.1kpft/

Ryan Surles was eighteen when he took classes at Theatre Under the Stars. The following summer (1989), I recruited him to play Bud Frump in my directorial debut, a teen production of How to Succeed in Business Without Really Trying. Years later, when my niece was a toddler, Ryan was her teacher at Gymboree. A former Las Vegas resident, Ryan gave me a piece of sage advice before I moved here. These and other random connections are discussed within. Recorded on 7/26/24.      

In this episode Elaine chats to Canadian theatre maker Claire Love Wilson. We talk about their show Morag You're a Long Time Died. Which is touring Scotland/Ireland/England this month after a successful month at the Edinburgh Festival. We chat about the show, generational relationships and much more. Tickets here: http://clairelovewilson.com/morag-youre-a-long-time-deid Morag You're a Long Time Died Morag's death left a silence in her place. When her grand-daughter Sam inherits her piano, she also inherits the mystery of Morag's story. An intimate letter composed of fragmented Scottish ballads leads Sam to uncover Morag's possible queerness. In piecing together Morag's history through their shared Scottish musical heritage, Sam discovers a voice of her own. This new experimental musical warps, disrupts, and reconfigures traditional Scottish storytelling, ballad singing and participatory community dance. Reimagining ceilidh theatre from a queer perspective, original compositions are playfully interwoven with electronic loops and interactive dancing to tell old stories anew. Claire Love Wilson Claire Love Wilson (she/they) is queer white/Scottish settler multidisciplinary artist living on the ancestral and unceded territories of the xwməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaʔ/Selilwitulh (Tsleil- Waututh) First Nations. She works as a theatre-maker, actor, playwright, musician, and singer-songwriter. Claire has been featured as a creator and performer at the Vancouver Fringe Festival, the rEvolver festival, The Shift Festival, and Theatre Under the Gun in collaboration with companies like The Only Animal, Urban Ink, the frank theatre, Aphotic Theatre and ITSAZOO Theatre. Claire has also facilitated workshops on her personal loop- based performance practice “Song-Walking” locally as part of Interplay Festival and the Vancouver Outsider Arts Festival, as well as internationally at the University of The West of Scotland, the Scottish Storytelling Centre, and BAM in Paris. Claire is the co- creator, lead performer and co-producer of the experimental musical “Morag, You're a Long Time Deid” (MORAG), which works to queer traditional Scottish ballads through loop-based soundscaping and storytelling. As a work in development MORAG has been showcased at the National Theatre of Scotland, The Scottish Storytelling Centre and at PushOff! in Vancouver. The production premiered as part of Touchstone Theatre's 45th anniversary season in June 2022. MORAG had its UK premiere at the 2024 Edinburgh Fringe Festival and is now on tour in Scotland, Ireland and England. OUR WEBSITE - www.persistentandnasty.co.uk HIPA GUIDES: HIPA GUIDES Equity Toolkit: Link Stellar Quines: Link Persistent Pal & Nasty Hero - Pals and Hero Membership Email – persistentandnasty@gmail.com Instagram - @persistentandnasty Twitter - @PersistentNasty Coffee Morning Eventbrite - Coffee Morning Tickets LINKTREE - LINKTR.EE Resources Samaritans - Rape Crisis Scotland - Rape Crisis UK ArtsMinds - BAPAM Freelancers Make Theatre Work Stonewall UK - Trevor Project - Mermaids UK Switchboard LGBT+ - GATE PLANNED PARENTHOOD DONATE - DONATE ABORTION SUPPORT NETWORK UK - ASN.COM- DONATE

On Tuesday's show: It's Houston Theater Week. All this week, area performing arts venues are offering discounts on performances as they promote their seasons. We learn more from Dean Gladden from The Alley Theatre and Hillary Hart from Theatre Under the Stars.Also this hour: A month after Hurricane Beryl rolled through, Patrick Jankowski of The Greater Houston Partnership returns with a clearer sense of the economic impact the storm had.Then, we revisit a conversation with Dr. Elizabeth McIngvale from the OCD Institute of Texas. She's co-hosting a new podcast about the rise of anxiety in America, called Anxiety Society.And we continue our series visiting area museums with a trip to the Lone Star Flight Museum.

Matty and Kikau chat with Aaron Brown, Cassie Abate, and Tom Delbello, the co-heads of the Musical Theatre program at Texas State University. Their recommendations include Cowboy Carter, The Art and Practice of Musical Theatre, and Director/Choreographer, Tuan Malinowski. -------- Aaron currently serves as a Co-Head of Musical Theatre: Director of Student Relations, Production and New Work at Texas State University. He formerly, served as assistant professor and Co-Coordinator of Musical Theatre at Sam Houston State University from 2019-2023. Some of Aaron's past directing credits include the world premiere of ShaWanna Rivon's You're Cordially Invited to Sit-In (Stages), Houston for the Holidays (Stages), Shakespeare in Love, Airness, Detroit '67, Once on this Island, Violet, Godspell (WaterTower), Crazy for You, Hamoncé: A Devised Piece, Black Magic: A Shakespeare Adaption, The Pavilion, and Hairspray. His assistant director credits include the world premiere production of Regina Taylor's Bread (WaterTower Theatre), Ain't Misbehavin (TUTS), and the regional premiere of Dear Jack, Dear Louise (A.D. Players). Aaron Brown holds an MFA in Directing from Baylor University and a BM in Music Theatre from Oklahoma City University. Aaron is a proud supporter and promoter of diversity in the arts. He is a firm believer that Representation Matters! Aaron is grateful for the love of his amazing wife Holly and their two kids, Eliza Grace and Isaiah Carter Brown. Cassie Abate is a Co-Head of the Musical Theatre Program. Cassie originally hails from Sarasota, FL and has spent the last 15 years working as a performer, director and choreographer in New York and throughout the country. Cassie received a BFA in Musical Theatre from The University of Miami and an MFA in Musical Theatre from San Diego State University. Other training includes Ann Reinking's Broadway Theatre Project and Gil Stroming's Break the Floor in New York City. Cassie was an adjunct professor in the Musical Theatre Program at Montclair State University as well as a Graduate Student Instructor at San Diego State University where she taught dance at the undergraduate and graduate level. Tom is a Co-head of Musical Theatre: Head of Production and New Works. They hold a Masters in Directing from Texas State University. At TXST, Tom has directed Spring Awakening, Guys & Dolls, Cabaret, Hair, Speech and Debate, the New Musical workshop of Dylan Spencer's Cat Obedience School, and many other new works. In Texas he has worked as an associate director at regional theatres such as The Zach Theatre in Austin, and Theatre Under the Stars in Houston. Select acting credits include, the world premier and Toronto companies of Andrew Lloyd Webber's The Boys in the Photograph and the North American tour of Joseph and the Amazing Technicolored Dreamcoat. He has performed at regional theatres across North America and cruised the high seas as a lead vocalist with both Disney Cruise Lines and Princess Cruises.

Imagine stepping into the sequined boots of a pop culture icon; that's the exhilarating challenge Ella Perez takes on night after night as Babe Cher in "The Cher Show." As I sit with her, we peel back the curtain on channeling Cher's spirit without falling into imitation—no easy feat when you're portraying the Goddess of Pop. Ella's own voyage of musical discovery lends an intimate touch to our conversation, as we marvel at the enduring influence of Cher over generations, and the thrills of performing for diverse fans who find a piece of themselves in her songs.The dynamics backstage can be as captivating as the show itself, and Ella returns to share tales from the touring trenches. The bond between the cast of "The Cher Show" is palpable, a family forged in the spotlight, sharing both laughter and support as they crisscross the country. Our heartfelt discussion doesn't shy away from the show's impact on the LGBTQIA+ community, or the dreams that glimmer on the horizon for Ella and the cast. The universal quest for authenticity, so central to Cher's legacy, rings out as a powerful message for us all.As the episode waltzes through a variety of intriguing topics, we're joined by an ensemble of voices that enrich the tapestry of our conversation. From Dan Knetchges' insights into Theatre Under the Stars' upcoming season to Davis Mendoza Darusman's candid exploration of pansexuality, each narrative thread weaves into the next. Julia Grossman's leap from food trucks to Fusion Eats serves as a delectable side dish to our main course, reminding us of the transformative power of passion, be it under the stage lights or in the bustling heart of a kitchen. Join us for an episode that celebrates the stories that bind us, challenge us, and inspire us to keep reaching for the stars.Queer Voices airs in Houston Texas on 90.1FM KPFT and is heard as a podcast here. Queer Voices hopes to entertain as well as illuminate LGBTQ issues in Houston and beyond. Check out our socials at:https://www.facebook.com/QueerVoicesKPFT/ andhttps://www.instagram.com/queervoices90.1kpft/

Cher is an icon - in both fashion and music! In memorable theater style, she is honored and celebrated in the hit musical “The Cher Show”, which plays the Hobby Center beginning April 16th! Today's episode, brought to you by Theatre Under the Stars, brings you closer to two stars of the production, Ella Perez and Lorenzo Pugliese! They play “Babe” and “Sonny Bono”, respectively. We talk about everything about life on tour - you'll even get to hear what it's like to perform one-night shows, then packing up and moving out to a different city in less than 24 hours. Be sure to grab your tickets by visiting www.tuts.com - you don't want to miss it!

On Friday's show: We get the latest on the walkout at Eastwood Academy from HPM's Rebecca Noel. Also this hour: We meet Houston mayoral candidate Annie Garcia. Plus, how speed limits are determined and enforced in the state of Texas. Then, our "The Good, the Bad, and the Ugly" panelists take on tipping, a traveling hip hop museum, and a proposal at the Eiffel Tower. And we meet the actor playing Sweeney Todd for Theatre Under the Stars.

Melissa Schmitz chats with the very talented Michael Susko this week about his world premiere production—which happens to be his first adaptation—and also a story that he's loved for most of his life, House on Haunted Hill. In this episode, we discuss:How Michael "got" the dramatic rights to the original film The changes and updates he made to this adaptationHow a séance show at the Edinburgh Fringe influenced Michael's writingCurrent trends in playwriting and our hot takes on themAnd more!Resources MentionedThe world premiere of House on Haunted Hill at Kismet Performing Artists Theatre in October 2023 Clifton Arts CenterHouse on Haunted Hill original film Volunteer Lawyers for the ArtsATC StudiosAbout Our GuestIn NYC, Michael Susko's work as writer and director has been seen at Off-Broadway's THE BIGOT, CROSSING OVER, F*CK, MARRY, KILL - New York Theater Festival, Midtown International Fringe Festival, Alternative Theatre Company, Network Theatre Company, Equity Library Theatre and The New Short Play Festival (Artistic Director). Also, Arkansas Shakespeare Theatre, Theatre Under the Stars, Casa Manana, Cider Mill Playhouse, Theatre by the Sea, PaperMill Theatre, Westchester Broadway, Arizona Broadway, Arkansas Repertory, and twelve years as resident director of the New Bedford Festival Theatre where he helmed a variety of musicals, including their Moss Hart Award winning productions of HAIRSPRAY and LES MISERABLES.   As a performer, Michael has been seen in several Broadway national tours, European tours, and countless regional appearances including stints at The Goodspeed Opera House, Paper Mill Playhouse, Walnut Street Theatre, Bristol Riverside, Ogunquit Playhouse, Sacramento Music Circus, Pittsburgh CLO, and Stages St. Louis.  Also, many film, television shows and commercials. As an educator, Michael taught theatre at Chadron State College in Nebraska and served as head of the theatre program at Southern Arkansas University. He teaches playwriting at ATC Studios in Clifton, NJ. MFA iConnect with host Melissa Schmitz***Sign up for the 101 Stage Adaptations Newsletter***101 Stage AdaptationsFollow the Podcast on Facebook & InstagramRead Melissa's plays on New Play ExchangeConnect with Melissa on LinkedInWays to support the show:- Buy Me a Coffee- Tell us your thoughts in our Listener Survey!- Give a 5-Star rating- Write a glowing review on Apple Podcasts - Send this episode to a friend- Share on social media (Tag us so we can thank you!)Creators: Host your podcast through Buzzsprout using my affiliate link & get a $20 credit on your paid account. Let your fans directly support you via Buy Me a Coffee (affiliate link).

Irene gabs away with the multi-talented Tracey Power, live from her current Directing contract in Alberta, BC! Tracey has incredible career all over Canada working as an Actress, a Director, a Choreographer, a Producer and she is a published Writer and Creator of multiple published Plays| She is an award winner and a multi nominee from the Jessie Richardson Awards, the Ovation Awards and the Sterling Haynes Awards. Her last name says it all, POWER!!  Her Plays have been produced and performed in multiple Theatre companies all across Canada and Tracey is in demand both on and off the stage, infront of the camera, and at the helm directing and choreographing musicals as well as her new works across BC.  Hit shows, like "Chelesea Hotel", "Glory", "Miss Shekespeare", "The Jungle Book", and she is currently on tour with her latest collaboration "Hey Viola", and "Chelsea Hotel" is being performed again at the Firehall Arts Centre in February 2024!  Tracey's last show "The Prom" just closed after a successful summer run at Theatre Under the Stars, and she is opening her next show as we speak at the Mayfield Theatre! While Tracey is dominating the Theatre industry with her work she is also performing keeping busy as an actress in such shows as "Ubuntu", "Urinetown", "Les Miserables", "The Wizard of Oz", "La Cage Aux Folles", and multiple roles for Hallmark, Lifetime and the CW Networks.  Like I said her last name says it all Power!!  She's a power house and an amazing woman who brings her positive and warm energy to the workroom, her freindships and any company she is working with making her one of Canadas in demand Artists in all mediums and soon enough we will see her transition her creations from the stage to the screen!!!  ALIST!!!! To BOOK Tracey for her Acting, Directing, Choreographing and Writing skills please contact her Agent Lisa King, at King Talent Inc. To learn more about Tracey and see her upcoming projects please visit her Social Media platforms on Instagram, Facebook, Twitter, and her personal website at www.traceypower.ca.  Join me in celebrating my friend, Tracey Power!! #ilo_artistseries

Regional theater is really the lifeblood of the performing arts in America. It's the place where we get that first spark and inspiration to become lifelong theatergoers or decide to become actors ourselves. But in recent years regional theaters have been struggling to find audiences and to just stay open. The pandemic caused some to close their doors for good, and the ones that remain suffered through uncertain futures. Theatre Under the Stars in Houston, Texas was one such theater that canceled their season and lost millions of dollars in revenue and donations. But it slowly came back in 2021 and is about to start a new season under the leadership of its Tony-nominated artistic director, Dan Knechtges. He previously directed and choreographed Broadway shows like Xanadu and 110 in the Shade as well as his Broadway debut with The 25th Annual Putnam County Spelling Bee. I've worked with him twice: at The Muny doing Seussical and then at TUTS with How to Succeed in Business Without Really Trying. We not only discuss Xanadu and his tenure at TUTS but we also delve into a creative crisis he faced, where he almost quit the business. It's a candid conversation with one of the most approachable and down to earth directors I've ever worked with. Learn more about your ad choices. Visit megaphone.fm/adchoices

Irene gabs away with the amazing Sarah Rodgers, live from her current Directing contract in North Carolina!  Sarah has an incredible career all over Canada and the US!  She is a multi nominated and award winning Actress, Director as well as a Coach and adjunct Professor and she currently holds the legendary position of the Artistic Director for United Players of Vancouver Theatre Company.  She received her BFA (Acting) and MFA (Directing) from The University of British Columbia. Sarah has performed on every stage in BC and she is one of Canadas top in-demand Directors often Directing back to back Seasons at many of our local Theatre companies including Theatre Under the Stars, The Arts Club Theatre Company, United Players, Western Canada Theatre, Firehall Arts Centre , Pacific Theatre, Studio 58, Gateway Theatre and most recently she Directed "The Little Mermaid" for the Opera House in North Carolina! Sarah's Directing resume could truly FILL a phone book!! She has made an impact off the stage and on the stage dominating in such shows as "Angels in America", "Les Belles-Soeurs", "Thoroughly Modern Millie",  "To Avenge"  and so many more! Not to mention her scene stealing moments in her Film and Television roles! She is an Artist a Mother a beautiful person inside and out and you are one of the lucky ones if you get to work with her or watch her work. She is a Wonder Woman as she continues to mentor and lead the Theatre industry encouraging veteran artists and emerging artists to work together through United Players.  Thank you Sarah for all you do for the Arts!! To BOOK Sarah Rodgers for her incredible Directing and Acting skills please contact her Agent Josh Drebit at Kirk Talent Agency.  To learn more about Sarah and follow her on her Social Media platforms please visit her on Facebook and Instagram!! To audition or become involved with Sarah and United Players of Vancouver, please visit their website www.unitedplayers.com.  Join me in celebrating my friend, Sarah Rodgers!!#ilo_artistseries

In the first hour of the show, inclusive sport advocate Ryan Van Praet chats about the importance of taking care of your body during sports training and recovery (13:06). Lifestyle columnist Shaini Saravanamuthu offers tips for coping with wedding prep and planning (25:43). And, Theatre Under the Stars is hosting a musical comedy called “The Prom.” Community reporter Amy Amantea gives you the details (36:52).

On Tuesday's show: Texas GOP lawmakers have reached a deal to cut property taxes. We learn what it took to achieve the compromise and what it might mean for property owners. Also this hour: Map all sorts of things within Houston's city limits, and a shape has a tendency to form. It looks like an arrow. We learn what the “Houston Arrow” represents and why. Then, when hard jobs need doing, how do we balance the well-being of workers with meeting project deadlines? We discuss with a Texas company's safety manager and a representative of a state labor union. And, we discuss more than five decades of free Theatre Under the Stars at Miller Outdoor Theatre with Mitchell Greco, director of TUTS: A Celebration of Houston Stories and Songs, on stage Tuesday through Thursday this week.

Town Square with Ernie Manouse airs at 3 p.m. CT. Tune in on 88.7FM, listen online or subscribe to the podcast. Join the discussion at 888-486-9677, questions@townsquaretalk.org or @townsquaretalk. Actress and vocalist Liz Mikel joins us to discuss her role as Benjamin Franklin in the national tour of the Broadway revival of 1776: The Musical. This celebrated musical depicts the events that lead to the signing of the Declaration of Independence. Mikel discusses how this revival reimagines the classic musical by featuring a cast made up of female, trans, and non-binary actors playing America's founders, as well as the reactions she's seeing from audience members so far. 1776: The Musical is presented by Theatre Under the Stars and will be in Houston from July 20 – 22, 2023, at the Hobby Center for the Performing Arts. For more information, click here. Then, we speak with author Kenneth C. Davis, best known for the New York Times bestsellers Don't Know Much About® History and America's Hidden History, as well as several other works. Davis shares insight on who the U.S. founding fathers were apart from the mythology around their legacies. Davis also explains why we celebrate Independence Day on July 4, how the founding fathers felt about slavery despite many owning slaves themselves, and certain figures in U.S. history who deserve more credit for their contributions to the country, including founding “mothers”. Guests: Liz Mikel “Benjamin Franklin” in 1776: The Musical Kenneth C. Davis Author of New York Times bestsellers Don't Know Much About® History and America's Hidden History, and many other works, including In the Shadow of Liberty: The Hidden History of Slavery, Four Presidents, and Five Black Lives Town Square with Ernie Manouse is a gathering space for the community to come together and discuss the day's most important and pressing issues. We also offer a free podcast here, on iTunes, and other apps

Show notes below:   Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music www.marcstewartmusic.com    © 2023 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links: https://www.amandatestini.com/ https://www.stratagemartists.com/amanda-testini About Amanda: Amanda Testini (she/her) is an Italian-Canadian performer, choreographer and director based on the unceded and ancestral territories of the Musqueam, Squamish and Tsleil-Waututh First Nations. Amanda has worked with Arts Club Theatre Company, Bard on the Beach, the Cultch, Theatre Replacement, Firehall Arts Centre, Belfry Theatre, Opera Kelowna, Gateway Theatre, Savage Society, Theatre Under the Stars, Vancouver Asian Canadian Theatre, Carousel Theatre for Young People, shameless hussy productions, Neworld Theatre, Speakeasy Theatre, Electric Company,  Vancouver Opera, Axis Theatre and Banff Centre of the Arts. She is a graduate of Randolph Academy for the Performing Arts Triple Threat Program, Studio 58's Acting Program, a Jessie Award nominee, and was the Yulanda M Faris Young Artist Stage Director at Vancouver Opera for the 2019/2020 and 2021/2022 seasons. Recently she choreographed and was the standby for the East Van Panto: The Little Mermaid, and coming up she will be the Movement Director on Teenage Dick at the Arts Club. For more info check out www.amandatestini.com or www.stratagemartists.com/amanda-testini       About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.

In this episode we are joined by Joshua Morgan, talking all things singing and acting. Joshua is a proud graduate of the University of North Carolina School of the Arts. A diverse, singing actor, his regional credits include roles at Woolly Mammoth Theatre Company, Arena Stage, Theatre Under the Stars, Folger Theatre, Triad Stage, Signature Theatre, Olney Theatre Center, North Carolina Theatre, amongst many others. He was last seen in the Broadway musical, Ain't Too Proud: The Life and Times of the Temptations, having originated the role of legendary manager, Shelly Berger. Before that, he had most recently finished production on NBC's upcoming series Lincoln. He is currently developing stories for TV and streaming content. Joshua also founded and runs a company called Artist's Strategy, whose goal is to help freelance creative entrepreneurs develop strategic business plans and work towards a sustainable future in the arts. We want to hear from YOU and provide a forum where you can put in requests for future episodes. What are you interested in listening to? Please fill out the form for future guest suggestions here and if you have suggestions or requests for future themes and topics, let us know here! @theatreartlife Thanks to David Zieher who composed our music.

Town Square with Ernie Manouse airs at 3 p.m. CT. Tune in on 88.7FM, listen online or subscribe to the podcast. Join the discussion at 888-486-9677, questions@townsquaretalk.org or @townsquaretalk. Houston is home to one of the largest and most diverse theater districts in the country. With plays, musicals, the ballet, opera, symphony and more, there's something for everyone.  We start the conversation by discussing Houston's Theater District and the cultural and economic impact on the city, particularly during the holiday season. Then, an ensemble of representatives and performers from Houston's major theater companies share the special productions you can enjoy during the holidays. Houston Ballet The Nutcracker November 25 – December 27, 2022 Brown Theater at the Wortham Theater Center HoustonBallet.org Jubilee of Dance December 2, 2022 Brown Theater at the Wortham Theater Center HoustonBallet.org Houston Grand Opera El Milagro Del Recuerdo December 8 – 18, 2022 Cullen Theater at the Wortham Theater Center HoustonGrandOpera.org Houston Symphony Home Alone – Film with Live Orchestra December 3, 2022 Jones Hall HoustonSymphony.org Handel's Messiah December 9, 10 & 11, 2022 Jones Hall HoustonSymphony.org A Very Merry Pops December 15, 17 & 18, 2022 Jones Hall HoustonSymphony.org Ho-Ho-Holiday! Polar Express, Frozen & More December 17, 2022 Jones Hall HoustonSymphony.org Theatre Under the Stars Mary Poppins December 6 – 24, 2022 The Hobby Center for the Performing Arts TUTS.com Alley Theatre A Christmas Carol November 18 – December 30, 2022 Alley Theatre AlleyTheatre.org What-A-Christmas December 2 – 24, 2022 Alley Theatre AlleyTheatre.org Performing Arts Houston Blind Boys of Alabama Christmas Show December 4, 2022 Jones Hall PerformingArtsHouston.org Cirque Dreams Holidaze December 23 – 24, 2022 Jones Hall PerformingArtsHouston.org Main Street Theater The Wickhams: Christmas at Pemberley November 19 – December 18, 2022 Main Street Theater – Rice Village MainStreetTheater.com Rodgers & Hammerstein's Cinderella November 11 – December 23, 2022 MATCH MainStreetTheater.com A.D. Players A Texas Carol November 30 – December 23, 2022 The George Theater ADPlayers.org The Ensemble Theatre A Motown Christmas November 17 – December 24, 2022 The Ensemble Theatre EnsembleHouston.com STAGES “Houston for the Holidays” November 18 – December 24, 2022 Rochelle and Max Levit Stage at STAGES StagesHouston.com Panto Snow White and the Seven Dorks November 25 – December 24, 2022 Lester and Sue Smith Stage at STAGES StagesHouston.com The Music Box Theater A Beatles Holiday Cabaret December 2 – 28, 2022 The Music Box Theater TheMusicBoxTheater.com Queensbury Theatre Tribble School Dance Concert December 2 – 3, 2022 Queensbury Theatre QueensburyTheatre.org New Year's From Around the World ECHOrchestra December 30, 2022 Queensbury Theatre QueensburyTheatre.org Ars Lyrica Houston ArsLyricaHouston.org DaCamara Dacamera.org Houston Saengerbund HoustonSaengerbund.org Guests: Hillary Hart Executive Director, Theatre Under The Stars Chair of the Board, Theater District Houston Dr. Doni Wilson Professor of English, Houston Christian University Arts Writer, Houston Chronicle David Rainey Resident Acting Company Member, Alley Theatre Plays Scrooge in “A Christmas Carol” Lee Strickland Director of Artistic Programs, Performing Arts Houston Rebecca Greene Udden Founding Artistic Director, Main Street Theater Jayme McGhan Executive Artistic Director, A.D. Players at the George Theater Eileen Morris Artistic Director, Ensemble Theatre DeQuina Moore Actress & Star, “Houston for the Holidays” Kristina Sullivan Executive Director, Queensbury Theatre/Tribble School for the Performing Arts Cast Member, Music Box Theater Town Square with Ernie Manouse is a gathering space for the community to come together and discuss the day's most important and pressing issues. We also offer a free podcast here, on iTunes, and other apps

Today on NOW with Dave Brown, Mike Omelus from APTN tells you about this year's Indigenous Day Live in Winnipeg! Steven Scott from Double Tap Canada explains why Quick Assist's move to the Microsoft Store is causing some barriers for users. Bureau reporter Alex Smyth drops by to preview AMI-tv's “Postcards from The Rockies.” Community reporter Becki Zerr in Regina discusses the importance of advocating for accessible sidewalks and walkways. And in her Pacific regional report, Sylvi Fekete describes the return of Theatre Under the Stars at Stanley Park in Vancouver. This is the June 16, 2022 episode.

In her Pacific regional report, Sylvi Fekete describes the return of Theatre Under the Stars at Stanley Park in Vancouver. She also discusses a new federal grant for Northern BC Tourism to develop inclusive experiences for both visitors and community members living in the region. From the June 16, 2022 episode.

One of the main themes and messages of this podcast has always been that success can mean different things to different people, and how someone gets there, if they get there, seems to take a different path each time. Today's episode is with someone that I had the privilege of working with in the musical adaptation of First Wives Club back in 2015 in Chicago (with Faith Prince and Christine Sherrill). We were gearing up for a hopeful Broadway transfer that unfortunately never happened. But Carmen Cusack gave a memorable performance in that show and a few years later went on to star in her Broadway debut of Bright Star and most recently Flying Over Sunset. Her journey to Broadway has been a very unique one – from Denver and Texas to London and Shanghai. But as you'll hear in her stories, the bumpy road to success is as much a personal journey as it is a professional one... Jazz lounges not Broadway theaters are her true musical home Her tumultuous relationship with Sunday in the Park with George James Lapine and Flying Over Sunset Through the loss of theater during Covid, she finds her musical voice Find this and more episodes at whyillnevermakeit.com. Podcast hosted and produced by Off-Broadway actor and singer Patrick Oliver Jones - https://www.pojones.com    This Wednesday the 27th Joshua Morgan from Ain't Too Proud joins Patrick Oliver Jones onstage for an evening of conversation and song at The Green Room 42 at 7pm. This live show will be filled with intimate discussions and musical memories which have had a significant impact on Morgan's life and career. But this isn't the first time Morgan and Jones have shared the stage. They performed together back in 2016 in Houston for Theatre Under the Stars' production of How To Succeed in Business Without Really Trying, directed by Tony-nominated Dan Knechtges. Tickets are available for both in-person seating and online livestream.     The Backstory of Carmen Cusack and the Final Five Questions Learn more of the details of her journey from Denver to Broadway, as she chronicles her various roles and milestones. It highlights both the struggle and the joy of her time onstage, and finding the freedom to explore her own voice and artistry. Find it on the WINMI Blog. Follow Carmen - Website | Twitter | Instagram Support WINMI through donations or subscriptions - https://winmi.supercast.com  

For Video Edition, Please Click and Subscribe Here: https://youtu.be/Mk8hMLICY7s Jim Hibbard's professional career has spanned more than fifty years. He has worked in film, television, stage and nightclubs in disciplines such as dancing, singing, acting, choreographing, directing, writing, producing and post production foley work. Jim's film work includes Hello Dolly with Barbra Streisand, Gypsy with Natalie Wood, Thoroughly Modern Millie with Julie Andrews, Bye Bye Birdie with Ann-Margret, six films with Elvis Presley, Finian's Rainbow with Fred Astaire and choreographing A Very Merry Muppet Christmas for Jim Henson's Production Company. His television work includes choreography for the TV series Where the Action Is for Dick Clark Productions, Peggy Fleming At Sun Valley ( which won two Emmys), The Tom Jones Series, Ann-Margret Super Special ( which also won two Emmys), The Paul Anka Series and the Canadian Express Series. Jim's stage work includes performing, choreographing and/or directing West Side Story in Los Angeles, Hawaii and Vancouver; Anything Goes in LA and Vancouver; Best Little Whorehouse in Texas and Little Shop of Horrors for Theatre Under the Stars and the Arts Club in Vancouver; The Pajama Game for Theatre Under the Stars in Vancouver and the Rainbow Stage in Winnipeg; the world premiere of the rock opera, Tommy, at the Aquarius Theatre in LA; Starting Here Starting Now for the Belfry Theatre in Victoria, Stage West at Edmonton and Calgary and the Arts Club in Vancouver; Guys and Dolls at the Arts Club in Vancouver and the San Diego Playhouse in Southern California. You can see Jim in several dance clips from the movie Hello Dolly in the animated film, Wall-E. Jim is continually a popular and well respected teacher who's classes you can find at Harbour Dance Centre.

Join us for a chat with Monique Midgette, discussing Broadway, DC, National Tours, and her new position as Associate Artistic Director at Theatre Under the Stars in Houston, Texas, where she soon hopes to attend a rodeo…. https://www.moniquemidgette.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/connerandsmithshow/message

We are excited to bring you our next episode featuring Adam Cates!Adam Cates has built a career as a theatre artist working as a choreographer, director, performer, educator and writer. He created choreography for a new production of Puccini's La Boheme at The Santa Fe Opera and provided choreography for the American premiere of the Olivier-winning play Jeeves Wooster in Perfect Nonsense at Hartford Stage for UK director Sean Foley. He collaborated with Larry Grossman, Andrew Lippa, director Kaitlin Hopkins, and Peanuts Worldwide to create The World According to Snoopy as both the choreographer and co-book writer.In New York, Adam's work has been performed at Lincoln Center, The Juilliard Opera, and the New York Musical Festival off-Broadway. Adam is on the faculty of Pace University and wrote the guidebook for young professionals: The Business of Show. Adam has choreographed musicals and opera for Arkansas Rep, Music Theatre Wichita, Gulfshore Playhouse, Theatre Under the Stars, Theatre Aspen, Anchorage Opera, Memphis Playhouse on the Square, Pacific Conservatory Theatre, Bard Music Festival, New London Barn Playhouse, and commercial work in Reno/Lake Tahoe, Atlantic City, Las Vegas, Orlando, Walt Disney World, and Barcelona. He choreographed and appeared on the TV series Chicas de Viaje in Argentina, and associate choreographed episodes of 90210 (CW Network) and Live from Lincoln Center (PBS). On Broadway, Adam was the associate choreographer of the musical Anastasia by Lynn Ahrens, Stephen Flaherty and Terrence McNally. He also associate- choreographed the Tony-winning “Best Musical” A Gentleman's Guide to Love Murder (also the First and Second national tours), and was an assistant to Kathleen Marshall on the Tony-winning revival of Anything Goes starring Sutton Foster and Joel Grey. He assisted and was the dance captain for Tommy Tune's Doctor Dolittle national tour.Our conversation with Adam was inspiring, authentic and informative.  We hope you enjoy this weeks episode!Follow us on Facebook: JAM Joe and Michelle's Dance PodcastFollow us on Instagram: @jam_dance_ podcastFollow Adam Cates on Instagram: @adamcnyc

Today I welcome back Broadway Vocalist Sally Wilfert. In this episode Sally is Baring It All with Call Me Adam about her theatrical legacy, including her work with the legendary composer William Finn, singing at Congregation Beit Simchat Torah (CBST), lessons learned & so much more! Listen to Part 1 of our interview here! We paid tribute to Sally's best friend, Three-time Tony nominee Rebecca Luker Be sure to catch Sally in her triumphant return to the concert stage this summer! July 10: Broadway Under The Trees at Harmony in the Woods: Click here for tickets! July 18 & 20: How Did I End Up Here? at Feinstein's/54 Below: Click here for tickets! Connect with Sally: Website Facebook Twitter Instagram YouTube Like What You Hear? Join my Patreon Family to get backstage perks including advanced notice of interviews, the ability to submit a question to my guests, behind-the-scene videos, and so much more! Follow me on Facebook, Twitter, and Instagram Visit: https://callmeadam.com for more my print/video interviews Special Thanks: My Patreon Family for their continued support: Angelo, Reva and Alan, Marianne, Danielle, Tara, Alex, and The Golden Gays NYC. Join the fun at https://patreon.com/callmeadamnyc. Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ) Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY) Edited by Drew Kaufman (https://bit.ly/2OXqOnw) Outro Music Underscore by CueTique (Website: https://bit.ly/31luGmT, Facebook: @CueTique) More on Sally: Sally Wilfert has appeared on Broadway in the Tony Award-winning production of Assassins, The Adventures of Tom Sawyer, and King David. She toured the country in the first national tour of The 25th Annual Putnam County Spelling Bee. Off-Broadway, Sally's credits include See Rock City, Make Me A Song: The Music of William Finn, The Mistress Cycle, and The Prince & The Pauper. At Carnegie Hall she has appeared in Cole Porter's Jubilee, South Pacific in Concert (starring Reba McEntire), and Sondheim: A Tribute, (all for PBS). Performing with the New York City Ballet at Lincoln Center and Tokyo, she was featured soloist, singing “Somewhere” for their performances of West Side Story Suite. Sally has performed throughout the country, including shows at the La Jolla Playhouse, Cincinnati Playhouse, Baltimore Center Stage, Pittsburgh Civic Light Opera, Barrington Stage, Houston's Theatre Under the Stars (TUTS), Goodspeed Musicals, Northshore Music Theatre, Cap 21, Hartford Theatreworks. She has appeared at The Ensemble Theatre of Cincinnati in Mamma Mia, Chasing Rainbows, Damn Yankees, Kiss Me Kate, The Light in the Piazza, Footloose, When We Met, LMNOP (World Premiere), Little Miss Sunshine (World Premiere), Marry Me A Little, Elegies: A Song Cycle, Les Miserables, The Last Five Years, Amadeus, Into the Woods, & The Threepenny Opera. Sally performed in concert in Rob Kapilow's What Makes it Great, American Songbook's Rebecca Luker, Sally Wilfert: It's Time, William Finn's Songs of Innocence and Experience, Broadway in South Africa, Jeff Blumenkrantz Songbook, New York City Christmas in such venues as 54 Below & NJ Performing Arts Center, Jacob Javits Center, The Allen Room, The Zipper Theatre, Merkin Hall, Symphony Space, Joe's Pub, & Birdland. Her recording credits include One Voice: Natalie Weiss & Sally Wilfert, See Rock City, New York City Christmas, Make Me A Song, Assassins, King David, The Prince & the Pauper, and A Christmas Survival Guide. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sally Wilfert & Rebecca Luker were best friends. In celebration of what would have been Rebecca Luker's 60th Birthday (4/17), Sally & I pay tribute to their amazing friendship, their final project together, All The Girls, and much more! After listening to this episode, please consider making a donation to Target ALS, in honor of Rebecca Luker who passed away from ALS on December 23, 2020. Stream All The Girls on Spotify and Amazon Purchase/Download All The Girls on PS Classics and iTunes Connect with Sally: Website Facebook Twitter Instagram YouTube Like What You Hear? Join my Patreon Family to get backstage perks including advanced notice of interviews, the ability to submit a question to my guests, behind-the-scene videos, and so much more! Follow me on Facebook, Twitter, and Instagram Visit: https://callmeadam.com for more my print/video interviews Special Thanks: My Patreon Family for their continued support: Angelo, Reva and Alan, Marianne, Danielle, Tara, Alex, and The Golden Gays NYC. Join the fun at https://patreon.com/callmeadamnyc. Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ) Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY) Edited by Drew Kaufman (https://bit.ly/2OXqOnw) Outro Music Underscore by CueTique (Website: https://bit.ly/31luGmT, Facebook: @CueTique) More on Sally: Sally Wilfert has appeared on Broadway in the Tony Award-winning production of Assassins, The Adventures of Tom Sawyer, and King David. She toured the country in the first national tour of The 25th Annual Putnam County Spelling Bee. Off-Broadway, Sally’s credits include See Rock City, Make Me A Song: The Music of William Finn, The Mistress Cycle, and The Prince & The Pauper. At Carnegie Hall she has appeared in Cole Porter’s Jubilee, South Pacific in Concert (starring Reba McEntire), and Sondheim: A Tribute, (all for PBS). Performing with the New York City Ballet at Lincoln Center and Tokyo, she was featured soloist, singing “Somewhere” for their performances of West Side Story Suite. Sally has performed throughout the country, including shows at the La Jolla Playhouse, Cincinnati Playhouse, Baltimore Center Stage, Pittsburgh Civic Light Opera, Barrington Stage, Houston’s Theatre Under the Stars (TUTS), Goodspeed Musicals, Northshore Music Theatre, Cap 21, Hartford Theatreworks. She has appeared at The Ensemble Theatre of Cincinnati in Mamma Mia, Chasing Rainbows, Damn Yankees, Kiss Me Kate, The Light in the Piazza, Footloose, When We Met, LMNOP (World Premiere), Little Miss Sunshine (World Premiere), Marry Me A Little, Elegies: A Song Cycle, Les Miserables, The Last Five Years, Amadeus, Into the Woods, & The Threepenny Opera. Sally performed in concert in Rob Kapilow’s What Makes it Great, American Songbook’s Rebecca Luker, Sally Wilfert: It’s Time, William Finn’s Songs of Innocence and Experience, Broadway in South Africa, Jeff Blumenkrantz Songbook, New York City Christmas in such venues as 54 Below & NJ Performing Arts Center, Jacob Javits Center, The Allen Room, The Zipper Theatre, Merkin Hall, Symphony Space, Joe’s Pub, & Birdland. Her recording credits include One Voice: Natalie Weiss & Sally Wilfert, See Rock City, New York City Christmas, Make Me A Song, Assassins, King David, The Prince & the Pauper, and A Christmas Survival Guide. More on Rebecca: Broadway: "Helen" in Fun Home; Cinderella’s Fairy Godmother; "Winifred" in the original Broadway production of Mary Poppins (Tony Award nomination); "Claudia" in Nine, opposite Antonio Banderas; "Marian Paroo" in The Music Man (Tony, Drama Desk & Outer Critics Circle Award nominations); "Maria" in The Sound of Music (Outer Critics Circle Award nomination); "Magnolia" in Showboat (Tony Award nomination); "Lily" in The Secret Garden (Drama Desk Nomination); "Christine" in The Phantom of the Opera. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Adam and Budi interview Chan Harris a true renaissance man of the theatre about his career in the theatre and how life can be circuitous and fortuitous at the same time.Chan Harris studied at the Juilliard School with classmates that included Renee Fleming, Audra MacDonald, and Laura Linney. He studied voice with Beverley Peck Johnson, graduating in 1990 with a Bachelor of Music.After graduation, he worked for Theatre Under the Stars (West Side Story, La Cage Aux Folles, the world premiere of Kopitt & Yeston’s Phantom, Evita, the Merry Widow), the Alley (Forever Plaid, Robert Wilson's Danton's Death) and in Houston Grand Opera's historic production of Astor Piazzolla's Maria de Buenos Aires. He has been cast in several national tours (Evita, Big River, Into the Woods) and worked in New York, both Off-Broadway and Off-Off-Broadway, and in regional theatres all over the country in Forever Plaid, Brigadoon, Old Wicked Songs, Beauty and the Beast, Godspell, and was a resident actor at the Mountain Playhouse (Don't Dress For Dinner, The Winslow Boy, Funny Money, Inherit the Wind, Broadway Bound, The Lion In Winter, Joseph and the Amazing Technicolor Dreamcoat). Internationally, Chan was cast in a German-language tour of Phantom of the Opera, for which he toured Germany, Belgium, Austria, and Switzerland. In Berlin, he worked for the prestigious Theatre Des Westens and Berliner Ensemble. He also created the role of Young Kafka in Kafka: In the Penal Colony for the Polish National Opera.In 1997 he was asked to play Jesus in the Korean-language Jesus Christ Superstar for the Hyundae Theatre Company in Seoul, South Korea. For this role, he was the first foreigner to work as an actor in Korean-language theatre and the first foreigner to win a “best actor” award at the Korean Theatre Awards.In 1999, he was asked to direct the national tour of Forever Plaid. At the Mountain Playhouse, Chan has directed over 20 plays, including four world premieres, three of which were commissioned through a grant by the Pennsylvania Council on the Arts. He has continued to direct in New York and for theatres all over the country.During his career as a director, Chan has continued to study. He enrolled in The Actors Center conservatory program, studying under Ron van Lieu (acting), Earl Gister (acting), Felix Ivanov (stage combat), Grace Zandarski (voice), Per Brahe (mask), Katherine Fitzmaurice (voice), Christopher Bayes (clown) and Frank Deal (improv). He spent time in Bali, Indonesia studying Balinese dance, mask work, and kecak, and in Korea studying Pansori. As a teacher, he has taught all over the world. In addition to teaching masterclasses in New York City, at the University of Alabama, the University of Montavallo, the Foxcroft School, Bowdoin College, and the University of Texas, he taught drama and theatre development as a “sustainable” resource in the Transvaal area of South Africa through a U.N. Sponsored program.To submit a question, please visit http://www.speakpipe.com/theatreofothers for voice recording or submit an email to podcast@theatreofothers.com Messages may be quoted by name unless the writer stipulates otherwiseIf you enjoyed this week´s podcast, we´d love for you to leave a review on Apple Podcasts. It helps with our visibility, and the more people listen to the podcast, the more we can invest in it and make it even betterMusic credit: https://www.purple-planet.comhttp://www.theatreofothers.com

Michael is an award-winning Director/Choreographer/Playwright/Educator. Starting as a MT actor, he has shifted to the other side of the table. Directing credits include THE BIGOT (Off-Broadway), Arkansas Shakespeare Theatre, Theatre Under the Stars, Casa Manana, New Bedford Festival Theatre, Cider Mill Playhouse, Theatre by the Sea, Paper Mill Theatre, and more. In NYC he is the Artistic Director of The New Short Play Festival. @michaelsusko1 michaelsusko.com SFX by ZapSplat

ARTS - Politics & Theatre with Nancy BishopGuest: Nancy Bishop, CSA and Emmy-Nominated Casting Director. And also a Theatre Director.Theatre has always been an important part of Czech culture and national identity, often being used in subversive ways to undermine those who would dominate them. Nancy Bishop takes us all the way back to 1620 up though Havel and the Velvet Revolution, when Czech theatre has its ultimate triumph: a playwright becomes president!SECTIONS02:12 - A Personal Connection and a Petition04:11 - White Mountain and the Suppression of the Czech Language06:53 - Czech Makes Inroads in the 18th Century, Count Nostitz and the Estates Theatre09:26 - Czech and Irish Parallels, the 19th Century and the early Czech-Language Theatre12:25 - The National Theatre - More Than a Building, Working Under the Radar, The Nazis Press German (Again)14:25 - The Communists, the Counter-Charter and Theatre as Samizdat16:47 - Theatre Under the Communists, and Havel's Take on Absurdism23:46 - After the Prague Spring and Normalization25:00 - The Velvet Revolution and Theatres as Places of Political Action  Slip of the Tongue: František Palacký did not, in fact, attend the grand opening of the National Theatre in 1881, as he had died in 1876. But he was involved with it until his death.  Music by Fanette Ronjat   Make sure to check out Nancy's website, workshops, books and more:Nancy Bishop CastingOther places mention in this episode:Strawdog TheatreFrancis Parker SchoolFor events in Prague, go to the Facebook page The Prague Haps Follow us on social for extras:FacebookTwitterYouTubeInstagramOther Podcasts by Derek DeWittDIGITAL SIGNAGE DONE RIGHT - Winner of 2020 Communicator Award of Excellence for Podcasts Series-Corporate Communications and on numerous top 10 podcast lists. CONSPIRACY CLEARINGHOUSE - A rather skeptical look at conspiracies and mysteries. Each episode will examine conspiracy theories, most of which are not true, a few of which might be a little bit true and even a couple that turned out, in fact, to be true. This is the podcast that dares to look behind the curtain that’s behind the curtain.

Duncan Stewart Duncan is a Casting Director & Partner at Stewart/Whitley. BROADWAY/NY: Hadestown, The Lightning Thief, The Great Comet of 1812, Rock Of Ages, The Black Clown (Lincoln Center), A Clockwork Orange, On The Town, Pippin, Chicago The Musical, La Cage Aux Folles, As You Like It, Elf the Musical, The Radio City Christmas Spectacular, Carnegie Hall West Side Story, The Band Wagon, Stuffed, Curvy Widow, Pageant. WEST END/UK: Hadestown (London’s National Theatre), Thriller Live, Menier Chocolate Factory; TV: Tiny Pretty Things(Netflix), Zoey’s Extraordinary Playlist (NBC/Lionsgate), Freaky Friday (Disney Channel); TOURS: The Lightning Thief, Finding Neverland, Waitress, SpongeBob, A Bronx Tale, Charlie And The Chocolate Factory, The Bodyguard, Dirty Dancing, The Sound of Music, Elf the Musical, Into The Woods, Once, Shrek, Flashdance, Anything Goes, Bullets Over Broadway, The Duck Commander Musical, We Will Rock You. UPCOMING: Sunday In The Park With George, Paradise Square, A Wonderful World, Moby Dick, Stephen Schwartz’ The Prince of Egypt, August Rush, Stu for Silverton; REGIONAL: American Repertory Theater, The Alley Theatre, Carnegie Hall, Bay Street Theater, Theatre Under the Stars (TUTS), Hollywood Bowl, The Berkeley Repertory Theater, The Goodspeed, The Ahmanson, Seattle’s 5th Avenue, Asolo Rep, TheatreWorks, Philadelphia Theatre Company, Miami New Drama, For The Record productions, Aida Cruise Lines, and the Broadway-branded shows on Royal Caribbean Cruise Lines. Prior to forming Stewart/Whitley, Duncan was the in-house Director of Casting for National Artists Management Company (NAMCO) on various Broadway/West End productions. This year he celebrates 16+ years as the Casting Director of Chicago. Previous to this he worked with Alaine Alldaffer (Head of Casting) on numerous productions at Playwrights Horizons. Duncan has been a TV guest judge and panelist for ABC’s Emmy-winning, “Extreme Weight Loss” and Broadway TV’s “Next Broadway Star” and is often booked as a guest lecturer and seminar/workshop leader for numerous colleges, studios and universities in the US, Canada and UK. Mr. Stewart is an Artios Award winner and proud member of the Casting Society of America (CSA). Instagram: @duncanstewart1 Host Jamie Neale discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves? Host Instagram: @jamienealejn Podcast Instagram: @360_yourself Music From Electric Fruit Produced by Tom Dalby Composed by Toby Wright

“Build relationships with decision makers.” –Erik SteinHow to be a Casting Director with Erik SteinErik Stein is the Casting Director for PCPA Pacific Conservatory Theatre and the Recruitment Coordinator for Pacific Conservatory Theatre’s Professional Actor Training Program. On Broadway, Erik performed with Roddy McDowall, Hal Linden, Jim Dale, and Frank Langella. He appeared as the Ghost of Christmas Present opposite Tim Curry in the Broadway production of A Christmas Carol directed by Susan Stroman. Off-Broadway, Erik created the role of Stephens in Manhattan Theatre Club’s production of Captains Courageous starring Treat Williams and Norm Lewis. Erik is a founding member of The Alaska Shakespeare Festival and The California Cabaret Theatre. He has had the fortune to work across the country with more than 30 Regional Theaters including several award-winning theaters such as The York Theatre Company, Goodspeed Opera House, The Utah Shakespeare Festival, Pioneer Theatre Company, North Shore Music Theatre, Geva Theatre, Theatre Under the Stars, and PCPA. Erik teaches Audition Techniques and the Business of Being an Actor for Pacific Conservatory Theatre, he has directed for several training programs and regional theaters, and he has lead Audition and Acting the Song workshops all over the country. Erik is the author of No Caution! A Step by Step Guide to Preparing Auditions for Universities, Colleges, Conservatories, and Beyond. As a playwright, Erik has written a few plays including Under the Boardwalk, Ho,Oh,No! A Christmas Show!, Mouth Pictures, and The Key. Erik lives with his beautiful wife Jax and their two wonderful cats on the Central Coast of California.Hear from Erik about:· How this career works and unfolds· How The Red Eye Grill in New York City has been part of Erik’s Broadway ups and downs· What a casting director does (how his job works)· What can be frustrating for a casting director (the energy you actors DO NOT want to bring into the room!)· Tips to make your auditions amazing!· How to market yourself and build relationships· Feeling stuck in a “type?” How to break out of it and be seen differently· How to change your thinking from an actor’s perspective to a decision maker’s· What makes PCPA so special (and how to audition for them…NOW!)· The odds of males versus females at auditions for Erik· The conservatory at PCPA: www.pcpa.org (click on “Conservatory” for videos and info)· Must-know tips for video submissions from Erik! (this is HUGE!)· His audition tip book, No Caution! And how it can help you succeed in the audition roomYou can contact Erik Stein at casting@pcpa.org and find him on FacebookYou can order Erik’s book, No Caution!: A Step-by-Step Guide to Preparing Auditions for Universities, Colleges, Conservatories, and Beyond GET IT NOWYou can also share this episode on social media, write a review, and/or email Steph before March 1, 2020 and one lucky winner will receive a free copy of Erik’s audition tip book!Your host Steph Newman is a theatre pro who helps people. Contact her!Support the show (http://www.stephnewman.com/podcast)

Hello everyone! Today is a very special episode for me. I have had the pleasure of getting to witness this young man grow into the kindest, most professional human ever. I am of course speaking of the wonderful and amazing Joshua Lalisan. Josh and I met in the ensemble of the musical FAME! and ever since then I've had a special place in my heart for him. On today's episode we talked about queer representation, being a dancer, and toxic masculinity in the theatre community. He just finished wrapping up a successful turn as Sky in Mamma Mia! with Theatre Under the Stars and he is going to continue to be a break out star here in Vancouver. Thank you so much for listening and stay tuned for more episodes next week!

The Houston Equity FestivalWitwith *Tracy Ahern, Gabriel Regojo, *Susan Shofner, John William Stevens, and *Pamela Vogel*Member of Actors' Equity AssociationVivian Bearing, Ph.D., a renowned scholar and professor of English who has spent years studying and teaching the brilliant and difficult metaphysical sonnets of John Donne, has been diagnosed with terminal ovarian cancer. During the course of her illness, Vivian comes to reassess her life and her work with a profundity and humor that are transformative both for her and the audience. This production plays for eight shows only in a limited run. "[A] brutally human and beautifully layered new play . . . you will feel both enlightened and, in a strange way, enormously comforted." --The New York Times Hospital supplies provided by MEDICAL BRIDGES INCSaturday, Sep. 7 7:30 PM Buy Tickets Sunday, Sep. 8 3:00 PM Buy Tickets Thursday, Sep. 12 7:30 PM Buy Tickets Friday, Sep. 13 7:30 PM Buy Tickets Saturday, Sep. 14 7:30 PM Buy Tickets Sunday, Sep. 15 3:00 PM Buy TicketsWit by Margaret Edson MEET THE CAST*Tracy Ahern ("Motherhood OUT LOUD"/Matchbox 1, May 2017) will play Susie Monahan R.N. and *Pamela Vogel ("Leap and the Net Will Appear"/Catastrophic Theatre/Matchbox 3, February 2018) will play Vivian Bearing PH.D.. Tracy and Pamela worked together last season, in AD Players staging of the iconic movie, "The Lilies of the Field", and are excited to be collaborating on stage again, in this highly acclaimed show. Tracy’s many credits include "Girls Only - The Secret Comedy of Women” at Main Street Theater and Pamela’s include "Doubt" for Unity Theatre in Brenham, TX. Local actors Ron Jones, and Tracy herself, were trailblazers for Equity Member Projects. Ahern’s production of "Motherhood OUT LOUD" played to sold out houses at the MATCH! Gabriel Regojo (“Bootycandy”/Catastrophic Theatre/Matchbox 3, February 2019) will play Jason Posner M.D.. Among his notable credits are the highly praised “Sender” at Rec Room Arts, and “My Mañana Comes” at Stages Repertory Theatre. Gabriel was named one of the “Houston Chronicle’s Top 10 Best Actors in Houston” in 2017. *Susan Shofner (MATCH debut) will play E. M. Ashford. She was seen earlier this year in 4th Wall Theatre’s “Rapture, Blister, Burn,” and in shows at Stages Repertory Theatre and Main Street Theater as well as many productions at TUTS, (Theatre Under the Stars), including “Into the Woods” and “Bonnie and Clyde”. Susan’s regional credits are from the Paper Mill Playhouse, Off-Broadway, and the National Tours: “The Best Little Whorehouse in Texas” and “On the Twentieth Century”. John William Stevens (MATCH debut) will play Dr. Harvey Kelekian M.D., Mr. Bearing. He has appeared recently at the Ensemble Theatre in August Wilson’s “Ma Rainey’s Black Bottom” and “Gem of the Ocean” and in “The Waiting Room”. At Theatre Southwest John was seen as Barrymore’s Ghost in “I Hate Hamlet,” as well as taken on, and won high praise for, the (almost) one-man show “Barrymore” playing the man himself. *Member Actors’ Equity Association MEET THE VIDEOGRAPHERLionell Hilliard is an Instructor at the Art Institute of Houston, in Digital Filmmaking & Video Production. He earned his M.F.A. in Film Producing from The American Film Institute and B.F.A. in Radio, Television and Film from Sam Houston State University. MEET THE DIRECTORVance Johnson helmed the Houston premiere of “Passing Strange” for Standing Room Only Productions which won the 2017 Houston Press Theatre Award for Best Musical. Recently, Vance directed the “Excellent” “Bootycandy” confidently predicted by the Houston Press (two months into 2019) to be “one of the best shows of the year”. Follow us @WitHouEqFest #WitHoustonEquityFestival #HoustonEquityFestival2019 See acast.com/privacy for privacy and opt-out information.

Julie Tomaino and host Christopher King talk about their production of Disney's Newsies opening July 10 at Theatre Under the Stars in Vancouver. Julie talks about her continuing journey into directing, her philosophy on choreography, and her stroke that changed her life.Enter the contest to win 2 tickets to Theatre Under the Stars 2019 Season. Go to www.fromthepitpodcast.com to enter.

Jason Styres (IG:@jasonstyrescsa)(jasonstyrescsa.com) is a casting director whose work is currently represented internationally. He has, in a relatively short time, come to work in every facet of the industry: theatre, film, television, commercials, live events, company consultation, and more.  He and his team place an emphasis on creating an environment for teams, producers, and performers to effectively and efficiently put together exemplary groups of collaborative artists in order for a project realize its fullest potential. All the while never sacrificing the humanity of the process.Most recently, he was appointed to the New York board for the Casting Society of America, in addition to being named one of the "industry players you need to know" by Backstage.  He cast such projects as the Tony Award Best Musical A Gentleman’s Guide to Love & Murder (Broadway & 1st National Tour, and 2nd National Tour), the hit Off-Broadway comedy Puffs, Or: Seven Increasingly Eventful Years at a Certain School of Magic & Magic, the current national tours of Bartlett Sher’s productions of Fiddler on the Roof and The King & I, Josh Prince’s breakthrough Dance Lab NY (FKA, Broadway Dance Lab), Magic Mike Live in both Las Vegas and London (alongside Channing Tatum & Alison Faulk), Rodgers + Hammerstein's Cinderella (National Tour), Dames at Sea (Broadway), The Lion King (Broadway & National Tour), Irving Berlin’s White Christmas (National Tour), Trip of Love (Off-Broadway), Nice Work If You Can Get It (Broadway), and for over 15 different productions for the prestigious New York City Center Encores! series. He has worked with such directors and choreographers as Darko Tresnjak, Camille A. Brown, Josh Prince, Warren Carlyle, Josh Bergasse, Ruben Santiago-Hudson, Marc Bruni, Casey Nicholaw, Kathleen Marshall, Josh Rhodes, John Doyle, Randy Skinner, and James Lapine — amongst many, many others. Other credits include Hartford Stage, New York Philharmonic, the York Theatre Company, Shakespeare Theatre Company (DC), San Francisco Symphony, Theatre Under the Stars (TUTS), TUTS Underground, Queensbury Theatre, Florida Studio Theatre, and various other theatres. He cast the three-time Emmy nominated production of Carousel (NY Philharmonic/PBS), the smash-hit television show So You Think You Can Dance, and the highly praised HBO documentary Six by Sondheim. Some recent favorite projects include Last Week Tonight with John Oliver, The Prancing Elites Project, and How You Look At It — a brand new dance short by Wendy Seyb, currently gathering awards across the country in various film festivals.  He also worked with Nathan Mitchell and Alexander McQueen/Document Journal on their highly lauded immersive project for New York Fashion Week (S/S 2017). His upcoming projects include The Apple Boys (HERE Arts Center), Midnight at the Never Get (York Theatre), a brand new developmental work with Camille A. Brown (in conjunction with the Jerome Robbins Foundation and the Baryshnikov Arts Center), a collaboration with the Astoria Performing Arts Center, the next incarnation of the award-winning show Pedro Pan (previously seen at NYMF and Fringe)... as well as some other exciting new projects yet to be announced.Outside of his normal work in casting, he is a proud supporter/friend of the Cancer Support Community, serving as their casting consultant for their galas and benefits, serves as guest faculty for Broadway Dance Center and the Quest Intensive, as well as several universities and colleges across the nation.

The first Award Season Bonus episode of 2019! And it's a musical that's tied for the most Tony nominations with 12, including Best Musical. (A full list of those nominations can be found here.)  Joshua Morgan plays Shelly Berger, who was the real-life manager of the Temptations as well as The Supremes and Jackson 5. Josh is no stranger to Broadway as he was in the closing cast for the most recent revival of LES MISÉRABLES, which played at the same Imperial Theater.  I first met and worked with Josh at Theatre Under the Stars in Houston, Texas where we performed HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING. And in this episode we talk a lot about succeeding in this business and how hard that can be. he give great insights into the mindset and discipline needed to withstand the rigors of rejection and persistent which are essential components of any actor's journey.  Follow Josh on Twitter and Instagram and find out more on his business, Artist's Strategy. ------ Please consider buying me a coffee to support this work that goes into each episode.   Join the WINMI community by following on Instagram or Twitter as well as reaching out to Patrick with any questions or comments: contact.winmipodcast.com

Douglas MacaulayWVYB Principal Conductor and Program DirectorDouglas Macaulay works as a Conductor, Composer, Arranger, Educator, and Producer. He has composed for a wide variety of genre including band, orchestra, film, and dozens of theatrical scores (a recipient of the Jesse Richardson award for outstanding Theatrical Composition). He is an independent record producer, music consultant for the film and television industry and has worked as Music Director for CBC Television and Radio, the Pacific Music Industry Association, The Cambie Street Brass Band, the Vancouver Community College Wind Ensemble, Theatre Under the Stars, and the Vancouver Firefighters Band. Most notably, he is the co-founder and Artistic and Managing Director of Con Brio Festivals where, since 2000, he has produced the respected Whistler Music Festival and Sun Peaks Music Festival. As a volunteer, Doug has taught instrumental music and band to visually impaired youth in a program he founded for the CNIB and volunteers as a board member and consultant with a variety of music and arts organizations.Currently, he is in demand as adjudicator and clinician at music festivals throughout Canada and the U.S. most recently for the Pearl City Band Festival in Hawaii, the North Vancouver schools band and strings festival, as conductor of the South Eastern United States (SUES) High School Honor Band and Middle School Honor Band and a guest conductor last season for the Pacific Symphonic Wind Ensemble and the Troy State (Alabama) University Symphonic Band. In the summer of 2012, Doug will be Senior Band Director for the UBC Summer Music Institute. Doug continues to support local artists serving as Executive Producer for Malcolm Aiken's debut CD Paper Star, as Associate Producer for Robert Buckley's new album of Wind Band works Continuum and is a co-founder and producer for the Marcus Mosely Chorale.In his own community, Doug was instrumental in the creation of the unique and visionary “Community Music Hall” – a dedicated large ensemble rehearsal space within the new West Vancouver Community Centre. The facility provides space to many community music ensembles and is home to the West Vancouver Youth Band for which Doug has been Principal Conductor and Program Director since 1993. During that time, the WVYB has grown from 39 musicians in three ensembles to nearly 200 in five ensembles. Hosted on Acast. See acast.com/privacy for more information.

This week on Pardo's Turn, I was lucky to have on Eric Ulloa to sing an excerpt from "The Gun Song," from Sondheim and Weidman's ASSASSINS. As the author of 26 Pebbles who recently played Jud Fry in Oklahoma at Theatre Under the Stars, his perspective is illuminating and fresh; we also have a great chat about diversity on stage, and his time with ON YOUR FEET!

Hello podcast fans! This week we’re coming at you with the lovely Jolene Bernardino, who was an absolute ray of sunshine from the moment she walked into my apartment to record. You may recognize her from the recent production of 42nd Street at Theatre Under the Stars where she played Ann “Anytime Annie” Reilly and tapped up a storm when she wasn’t delivery witty dialogue. It was interesting to get to talk to her especially because she’s a part of the next generation of actors that are going to be entering the city, and let me tell you, you’re going to be seeing a lot of this one! Can’t wait for you to listen, and hope to have all of you folks back next week for our next episode!

Toni Capra is the executive director of Da Camera and Perryn Leech is the managing director of Houston Grand Opera. They are participating in the TransCanada Theater District Open House on Sunday, August 26. This free event is an opportunity to visit the Wortham Center, Jones Hall and the other theatres in the district. All the companies who perform downtown, including Houston Ballet and the Theatre Under the Stars, will be performing throughout the afternoon. They will also be offering special discounts on their season tickets. These are often the best prices of the season. Check out the website for all the info and head down there with the family!www.theaterdistrictopenhouse.com

We open by interviewing UBC alumnus Julia UIlrich on her role in Theatre Under the Stars' production of 42nd Street. After a short break, we talk with Luisa Jojic on the upcoming Bard on the Beach features, including Macbeth, Timon of Athens, As You Like it and a remixed Lysistrata. We end with a conversation on American Animals, the problem of college debt in the United States, and free screenings of Sita Sings the Blues and Khalil Gibran's The Prophet.

Leo Boucher is the director of marketing and audience development for Da Camera of Houston. They are a presenting organization who have been mixing jazz and chamber music with great success for 30 years. They are one of the best examples of how eclectic Houston's art community is, from its performers to its patrons. Check out their incredible season: www.dacamera.com As they do each year, Da Camera will be a part of Theater District Open House, on Sunday August 27th, from 12 to 5 PM. This is a free event in Houston's world class theatre district. You'll get to tour the Wortham Theater Center, mingle with dancers from Houston Ballet, meet musicians and artists from the Houston Symphony, the Houston Grand Opera, Society for the Performing Arts and Theatre Under the Stars.Da Camera is presenting a free concert by the New York philharmonic String Quartet and there is a lot more going on. Check it out: www.theaterdistrictopenhouse.com

Guest: Shel PiercyDirector of Disney's Beauty and The Beast from Theatre Under the Stars