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In this episode of "Catching Up!", Mason and Nate dive into a vibrant discussion on the evolving landscape of education, focusing on how vibe coding, curiosity, and judgment are poised to redefine learning priorities. They explore the shifting dynamics of computer science education in the age of AI and highlight the importance of fostering experience-based learning opportunities across diverse educational geographies. From the intriguing concept of "Italian brain rot" to the challenges of expanding CTE programs in rural areas, this episode covers an array of thought-provoking topics. The hosts also discuss the role of curation in both digital and physical spaces, emphasizing its growing significance in the modern world. Tune in to discover insights and strategies for preparing students for a future where curiosity and creativity drive learning and innovation. Join Mason and Nate as they catch up on these exciting developments and share their vision for fostering collaborative and innovative learning environments. Editor's note: In this episode, Mason wrongly refers to "the AI shark with sneakers" as Bombaleo Bambala... it is actually Tralalero Tralala. Appologies to Tralalero. Outline (00:00) Introduction to Vibe Coding and Curiosity (01:53) Exploring AI and Vibe Coding (07:13) AI's Impact on Research and Accuracy (10:34) The Rise of Curation in Digital and Physical Spaces (17:59) Deep Dive: Humans as Luxury Goods in the Age of AI (29:34) Tracking Fitness and Reflection Practices (33:13) AI and Learning Documentation (41:22) Rural vs. Urban Education Experiences (49:06) What's That Song? Links Watch the full video here Read the full blog here Gobekli Ripen Solutions Journalism Network David Bornstein on On Being Human Flourishing Program Art Museums and curation Humans as "Luxury Goods" in the age of AI What is the State of CS Education in 2024?
Reverend Freakchild "Om Mani Padme Hum" & "I Can't Be Satisfied" - The Bodhisattva Blues www-reverendfreakchild.org Reverend TJ McGlinchey "Hey Baby" - There Was A Time www.revtj.com Reverend Raven & The Chain-Smokin' Altar Boys "Creature Of Habit" - My Life (Twentieth Anniversary) www.reverendraven.com Reverend Shawn Amos "Boogie" - The Reverend Shawn Amos Love You www.shawnamos.com Reverend Peyton's Big Damn Band "Are You Gonna Rise? (For LeVar)" www.bigdamnband.com **************************Kris Angelis "Brighter Blue" - That Song, Hope www.krisangelis.com Grace Morrison "Ghost Of It" - Maybe Modern www.gracemorrison.com Jann Klose "Love You The Most" - Surrender www.jannklose.com Bernadette Connors "White Magnolia" www.bernadetteconnors.com Alice Howe & Freebo "You've Been Away So Long" - Live www.alicehowe.com Shanna In A Dress "Everything & Nothing" - Robot www.shannainadress.comMeghan Cary "Sail Across The Water" - Singg Louder www.meghancary.com*************Push Puppets "This Whole Endeavor" - Tethered Together https://www.pushpuppets.net/Tim McBride & The Divide "Falling Away Again" - Off The Ground www.timmcbridemusic.com Box Elder "Origami Bats" www.boxelder.com The Bad Ups "Better Than You" - Life Of Sin The Human Rights "Roxham Road" - One People https://www.thehumanrights.ca/Feverjaw "The Physical Limit" www.feverjaw.com ***************Bone & Yarrow "Dragon" - s/t Dropsonic "So Long" - s/t https://www.facebook.com/dropsonicofficial/B-Movie "Marilyn Dreams" - Hidden Treasures www.b-movie.org GBD "I Can't Take It Anymore" www.gbdkc.comScott Yoder "Portrait Of Anneliese" https://www.scottmatthewyoder.com
~~~ TL;DR: It's an updated remake of a Beastie Boys parody about Dr. Demento and Whimsical Will. ~~~ One of the most iconic 'Side 1, Track 1' songs in the history of Generation X is the first song on the legendary 1986 Diamond Certified debut album by the Beastie Boys "Licensed To Ill", titled "Rhymin' And Stealin'". ... Far less iconic is the great Luke Ski's 1997 Certified Plastic sophomore album "Shadows Of The Bunghole". For that album, I had the oh-so-clever idea to begin the album with a parody of "Rhymin' And Stealin'", with the gag being that if someone put the disc in and started playing it, another person nearby hearing the album start would be fooled into thinking the album playing was "Licensed To Ill", and then when the first sound bites and lyrics dropped, they would be overcome with a feeling of jocular bamboozlement. Whether or not that ever occurred in real life is unknown and assumed not ever have actually happened. After nearly 2 years of finally being able to listen to "The Dr. Demento Show" on the actual radio, I felt the need to pay tribute to the show, to Dr. Demento (a.k.a. Barret Hansen) himself, as well as the weekly purveyor of the "Demented News" on the show, "Whimsical Will" Simpson. So that led me to make a parody of the aforementioned Beastie's song, titling mine "The Doctor And William". I call this type of song a 'forced parody', in which there is no clever wordplay or other logical or parallel connection between the original song and subject matter being discussed in the parody, making it obvious that the author (in this case, me) just REALLY REALLY REALLY wanted to parody THAT SONG about THAT SUBJECT despite the fact that it doesn't make any sense to do so intellectually. So, having copped to that, I still really liked what I did with it, with my other MCs making up my Beastie parody trio being J. Styles (Jason Stahl, best friend since the 4th grade) and DJ Skrabble (my brother J.T. Sienkowski). The good Doctor never played this track on his show, but Whimsical Will did report on the song during the July 6th, 1997 edition of the Demented News. 27 years later, an impending celebration of Dr. Demento's birthday made me think it would be fun to give this track an update and perform it live at the celebration with the help of some friends. So I commissioned Professor Shyguy to make a new backing track (and also mix this final studio version), so that I, the great Luke Ski (doing the King Ad-Rock parts), along with Devo Spice (MCA) and Tony Goldmark (Mike D.), and also along with the chanting assistance of Chris Mezzolesta of Power Salad, Insane Ian, and ShoEboX of Worm Quartet, performed it for Dr. D. to the jocular bamboozlement of everyone in attendance. In conclusion, for the millionth time, thank you to Barret Hansen, a.k.a. Dr. Demento, and "Whimsical Will" Simpson, for bringing so much joy, laughter, and found family together with your decades upon decades of demented news, mad music, and crazy comedy. We owe it all to you. And we will never ever forget to stay deee-mented! Will the good Doctor play "The Doctor And William (2025 Edition)" on his show? Perhaps he might if the fans REQUEST for him to play it, either from "The Dr. Demento Show" Request Page, or post it with the word REQUEST at The OFFICIAL Dr. Demento Show Facebook Page!
In this episode of "Catching Up!", hosts Mason and Nate dive into a lively discussion on the future of education, exploring how learning spaces, AI readiness, and global innovations are reshaping the landscape. From the creative redevelopment of community hubs in former malls to the pressing need for media literacy amidst a wave of information overload, this conversation covers a range of critical topics. They touch on the potential impacts of a new executive order on AI in education and the challenges facing early education systems. With insights from recent trips and conferences, including a poetic cultural journey through Ireland, this episode is packed with thoughtful reflections and forward-thinking ideas on how to best prepare students for an AI-driven world. Join Mason and Nate as they catch up on these exciting developments and share their vision for fostering collaborative and innovative learning environments. Outline (00:00) Introduction and Catching Up (01:18) Discussion on Music and Education (03:43) Mall Redevelopment and Community Hubs (06:43) Super Bloom and Media Theorist (10:06) Media Literacy and Info Obesity (12:47) America's Promise Alliance Research (14:48) Executive Order on AI and Education (19:57) Enrollment Issues in Public Schools (25:15) Exploring Expanded Learning Ecosystems (28:12) The Future of National Assessments (32:12) Challenges in Early Education (39:06) Cultural Insights from Ireland (46:15) What's That Song? Links Watch the full video here Read the full blog here Mall redevelopment - OKC America's Abandoned Malls Drop The Slop AI Executive Order America's Promise How can we reimagine where learning happens? Montana Assements The Limitations of Through-Year Assessments States try to tackle child care shortages — by lowering standards Is universal early childhood education and care an equalizer? A systematic review and meta-analysis of evidence
The first episode in our new weekly series "That Song" pays tribute to "Misty Mountain Hop" by Led Zeppelin. From the heavy guitar riff to its undeniable groove, that song is an all-time great!
Audio Junkeez Radio Show "FRESH" on FreshRadioShow.com. Episode 101 | That Song!
Today we're talking about How Fish Is Made by Wrong Organ! A game about going up or down and whether or not your choice or the belief in that choice really matters in the end! This game was recommended by Adam (Brittlemoon)!! Suggest a game on our website!Download How Fish Is Made for free on Steam or itch.io! Check out Wrong Organ's upcoming game Mouthwashing!---Discussed in the episodeAJ and Chase's playthrough on our YouTube channel!Gross Games about Flesh and Stuff by Jacob Geller on YouTubeAdditional linksOur playthrough without commentary
Musician, comedian and writer Dave Hill returns to the Power Chord Hour to talk about the new Valley Lodge record Shadows in Paradise and lots moreDAVE HILLhttps://www.davehillonline.comhttps://www.instagram.com/mrdavehillhttp://www.valleylodgehq.comhttps://valleylodge.bandcamp.comPCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Special Thanks to my buddy Jay Vics for the behind the scenes help on this episode!https://www.meettheexpertspodcast.comhttps://www.jvimobile.com
TWS News 1: Whataburger to the Rescue – 00:26 Name It & Claim It: Snowplow – 3:08 TWS News 2: Let’s Go to Mars – 6:55 That Song or Verse that Pulls You Out of a Bad Headspace – 10:32 TMI – 17:54 Strange Things You Found in Your Home – 20:46 Rock Report: Cartoons for President – 27:46 Led Astray by GPS – 31:36 You can join our Wally Show Poddies Facebook group at www.facebook.com/groups/WallyShowPoddies
What were some of our favorite segments from this past week? Join Hoody as he goes through some of the best things from the past five days of the show, including: War Of The Roses, What's That Song?, Playlist Playoff and more!Make sure to also keep up to date with ALL of our podcasts we do below that have new episodes every week:The Thought ShowerLet's Get WeirdCrisis on Infinite Podcasts
This is a cute one. Big props to Big Wreck, Candlebox, Steelheart and everyone at Hogan's Hangout on Clearwater Beach in Florida. ThursdayThe12thPodcast@gmail.com Rated R. Copyright 2024. Thank you for listening and God bless! Apple Podcasts! https://podcasts.apple.com/us/podcast/thursday-the-12th/id1447422518 Website https://sites.libsyn.com/205751 https://sites.libsyn.com/205751/site As always, thank you to Jason Bieler, EP Wolfe and Hulk Hogan et al. #RJM
Welcome to The Times of Israel's Daily Briefing, your 20-minute audio update on what's happening in Israel, the Middle East and the Jewish world. Today is day 87 of the war. Political correspondent Tal Schneider and Blogs editor Miriam Herschlag join host Jessica Steinberg for today's podcast. Schneider looks at a dispute in the Knesset cabinet on Sunday, as right-wing politician, Minister of Settlements Orit Strock accused IDF pilots of not carrying out their missions properly, causing an uproar in the room. Herschlag discusses the last year in the ToI blogs platform, speaking about the heavy-hitting blogs of the last three months since October 7, and what topics resonated prior to the war, including the proposed judicial reform, the "That Song" project and the most popular post of the year. Schneider finishes up the podcast with a discussion of the northern tunnel system built by Hezbollah and Israel's desire to find a diplomatic conclusion rather than war with its enemies in the north. For the latest updates, please look at The Times of Israel's ongoing live blog. Discussed articles include: Live blog January 1, 2024 Outrage as far-right minister suggests some pilots refusing air support for Gaza troops I hear massive shooting. I have never been this scared in my life ‘Friendly fire,' that horrific oxymoron That Song It's hard to be a Jew Hezbollah's land of tunnels (Hebrew) THOSE WE HAVE LOST: Civilians and soldiers killed in Hamas's onslaught on Israel THOSE WE ARE MISSING: The hostages and victims whose fate is still unknown Subscribe to The Times of Israel Daily Briefing on iTunes, Spotify, PlayerFM, Google Play, or wherever you get your podcasts. IMAGE: Israelis celebrating New Year's Eve in Tel Aviv, December 31, 2023. (Photo by Avshalom Sassoni/Flash90)See omnystudio.com/listener for privacy information.
Lee Howey is with us this week. Talking retirement at 20, a Belgium resurgence, playing for his boyhood club, fall outs with Stan Tenant, Glen Little's driving skills, excessive drinking and life after football and of course... THAT SONG.#sunderlandafc #Leehowey #footballpodcast
Welcome to the episode 11 of "Women In The Music Industry", a podcast that shines a spotlight on the remarkable women who are breaking barriers and making their mark in an industry that has long been dominated by men. Today's episode features an absolute force of all things pop music... the unstoppable NIIVA. Recognized as iHeart Radio's "Future Star", KiSS RADiO's "One To Watch", and Amazon Music Canada's "Breakthrough Artist", NIIVA soared to success with her Billboard charting hit single "Friends," reaching the high heights of CHR Radio. Her new single "That Song" has just been released to all streaming services. Come listen to her inspiring story of how she went from living in Bulgaria, to England, to Canada, to songwriting with her heroes, to dominating Canadian airwaves and having her image everywhere, to writing a #1 WORLDWIDE SMASH SINGLE for the K-POP pop-power girl-group "aespa"!!! All of this... and so much more! If you are enjoying this video series, please rate/review/subscribe/tell everyone about it. Every little bit helps. Instagram: @itsniiva Web: www.itsniiva.com
Are the boys trying too all grow mustaches? Join Intern John, Shelby Sos, Rose, Hoody, and Erick as we figure out if mustaches are attractive in 2023 or not and talk to listeners about their former and current office hook-ups! Plus an all NEW One That Got Away and Hoody gives us another round of "What's That Song?" All that and more today with Intern John & Your Morning Show!Make sure to also keep up to date with ALL of our podcasts we do below that have new episodes every week:The Thought ShowerLet's Get WeirdCrisis on Infinite Podcasts
Shelby Sos might have a potential new grandpa on the horizon! Join Intern John, Shelby Sos, Hoody, and Erick as we talk about the potential date Shelby's grandma might go on and share your secrets in a batch of John's Little Secrets! Plus Hoody has a NEW version of "What's That Song?" that's guaranteed to make you miss the 2010s!All that and more today with Intern John & Your Morning Show!Make sure to also keep up to date with ALL of our podcasts we do below that have new episodes every week:The Thought ShowerLet's Get WeirdCrisis on Infinite Podcasts
REMASTERED & OPTIMIZED - Series 2 Episode 8 (Oct. 12, 2002) of The Ricky Gervais Show on XFM, the tin pot radio station we all know and love. **With an ALL-NEW Never-Before-Heard Bit at (11:58)** Our brilliant trio together again! Ricky "PLAY A RECORD THEN! DO SOMETHING! FOR CHRIST'S SAKE!" Gervais; Stephen "Hotel, yes, roof, good, food, adequate, beach, clean. Next." Merchant; and the eminent, Karl "Big Mother, right? You call in, if your mum's heavy, you win a CD." Pilkington. THIS TRACK HAS BEEN OPTIMIZED FOR AUDIO. File updated Nov. 7, 2023. Karl's Surprise Holiday to the Canary Islands (3:08) Karl at the Nudist Beach (7:10) Karl's got some new ideas for competitions (12:30) Strike it Ricky (13:40) Big Mother (14:13) The Rice is Right (14:34) 15 Taiwan (15:37) ROCKBUSTERS (16:44) EDUCATING RICKY (26:48) That Song's Got a Good Story (42:34) 98 Year Old Woman with Blue Hands Farting (47:45) Auntie Nora Has Wind for 5 Minutes (51:18)
Welcome to The Times of Israel's Daily Briefing, your 15-minute audio update on what's happening in Israel, the Middle East and the Jewish world, from Sunday through Thursday. Editor David Horovitz and ops&blogs editor Miriam Herschlag join host Amanda Borschel-Dan on today's episode. We begin the program with a few minutes of President Isaac Herzog's speech last night at the Jewish Federations General Assembly in Tel Aviv, in which he announced his idea of Kol Ha'am—Voice of the People: The President's Initiative for Worldwide Jewish Dialogue. Horovitz provides some initial reactions to the initiative, including what he thinks are its chances of success. He also updates on the ongoing judicial overhaul negotiations taking place in the President's Residence. Herschlag presents a new project on The Times of Israel's blogs platform called, That Song. The collection of short essays from different bloggers explores Israeli songs that mattered to them at a particular moment (and maybe continue to matter to them today). The public is invited participate and to draft short pieces in which they remember where they were when they first heard a song, and how they felt about it. (The project will be launched this week.) Discussed articles include: Herzog's global Jewish dialogue initiative is laudable, as long as it's not too late Herzog announces launch of ‘Voice of the People' initiative for global Jewish dialogue Israel's greatest existential threat is from within, Herzog tells Jewish Federations Subscribe to The Times of Israel Daily Briefing on iTunes, Spotify, PlayerFM, Google Play, or wherever you get your podcasts. IMAGE: President Isaac Herzog speaks at the Jewish Federations General Assembly in Tel Aviv, April 23, 2023. (Nimrod Gluckman)See omnystudio.com/listener for privacy information.
Do all teachers have a secret code they use when talking to parents? Join John, Rose, Hoody, and Erick as we talk to teachers about the things they say to politely talk about their students and also talk to listeners about their "not my proudest" moments! Plus an all NEW War Of The Roses and Hoody's got a NEW round of "What's That Song?" for us to play! All that and more on Your Morning Show for today!Make sure to also keep up to date with ALL of our podcasts we do below that have new episodes every week:The Thought ShowerLet's Get WeirdCrisis on Infinite Podcasts
Do all teachers have a secret code they use when talking to parents? Join John, Rose, Hoody, and Erick as we talk to teachers about the things they say to politely talk about their students and also talk to listeners about their "not my proudest" moments! Plus an all NEW War Of The Roses and Hoody's got a NEW round of "What's That Song?" for us to play! All that and more on Your Morning Show for today!Make sure to also keep up to date with ALL of our podcasts we do below that have new episodes every week:The Thought ShowerLet's Get WeirdCrisis on Infinite Podcasts
Almost 70 years ago this year, a street musician named Jesse “Lone Cat” Fuller recorded his new song, “San Francisco Bay Blues,” for the World Song label.Nowadays that particular 1954 recording is a collector's item, but the world really didn't start knowing this rocking number until 1962 when Fuller recorded a one-man band rendition, which appeared on a Smithsonian Folkways compilation called “Friends of Old Time Music.” After that… well, everybody seemed to know it.Folk singer Ramblin' Jack Elliott was perhaps the first to embrace it and perform it around the clubs and the studios. With that, it entered the canon of many a trouper, from Tom Rush to Richie Havens to Peter, Paul and Mary.Since then, the song has had an extraordinary number of covers, by Bob Dylan and Jim Kweskin, by Jim Croce and The Weavers, by Hot Tuna and Janis Joplin.Even The Beatles, minus George Harrison, performed a version of ‘San Francisco Bay Blues' during the Get Back/Let it Be sessions on Jan. 14, 1969. And John Lennon recorded an unreleased version of the song during the Imagine sessions in May 1971, while McCartney performed ‘San Francisco Bay Blues' often during his solo concerts in San Francisco. It was played more frequently still at his soundchecks around the world.Eric Clapton performed the song on MTV Unplugged in 1992 during the taping in England. The live album earned six Grammy Awards, including Album of the Year.Lone Cat's BackstoryIn the decades before “San Francisco Bay Blues” made its mark, Jesse Fuller rambled along quite a winding path. Born Jonesboro, Ga., in 1896, he grew up with foster parents and did numerous jobs: grazing cows for 10 cents a day; toiling in a barrel factory, a broom factory and a rock quarry; working on a railroad and for a streetcar company; shining shoes; even peddling hand-carved wooden snakes at one point.As a young man, the 1920s found him living in southern California, where he operated a hot-dog stand. It was in those heady Roarin' Twenties days that he was befriended by silent film legend Douglas Fairbanks, who helped him work briefly as an extra in The Thief of Bagland (1924) and East of Suez (1925).Come the Depression, Fuller moved north to Oakland, across the bay from San Francisco, where he worked for the Southern Pacific Railroad as a fireman, spike driver and maintenance-of-way worker. Around the early 1950s, Fuller began making a living as a street musician, working solo as “The Lone Cat” and busking for money. Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and in Los Angeles.And then came That Song.Our Take on the TuneHonestly, we don't remember when we started doing this one. Twenty years ago, “San Francisco Bay Blues” was the rollicking final track on our first album, but it was already an old number with us.And lately it's back in the repertoire with lively solos by the whole crew. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com
An absolutely storming episode of Andor, and Tom's here to talk about it, along with 'What's That Song', and the Battle of Crait from Episode VIII!
New apps can identify songs for us, whether those songs were produced by a person or a bird. (The program opens with a Sesame Street recording of "What's the Name of That Song?" and uses the "Li'l Darlin'" tract from the album *The Atomic Mr. Basie*.
Laugh with us and cry with us as we take it back to the Golden Age with Dumbo, the flying elephant! Don't miss: The highs and lows caused by this film's outrageous dream sequence, Pink Elephants on Parade How living in Florida informed our opinions of the film's opening with regard to theming A discussion of the complete lack of character development, even in comparison to even the simpler contemporaries of this film Our final score for the film, which signals the start of a downturn for the studio as the war began PLUS, we talk through all the thoughts our audience had when they watched the movie, including those who joined us on our biweekly #ddpwatchnight on Twitter! Links for you: Our website has our ranking spreadsheet for all the movies we've rated so far Become a Ko-fi member for exclusive content and access to your hosts and our team Join our ‘Ohana to be among the first to know about new content we're developing Follow us on Twitter @definingdisney and let us know your thoughts on Dumbo Check out our friends at That Song from that Movie, whose Dumbo episode we recorded a clip for last year! When our transcription is available, we'll link it here Don't forget to SUBSCRIBE so you don't miss a single episode, and if you enjoyed this one, please leave us a rating and review. Thanks for listening and we'll see ya real soon!
"The Word" by Fugazi (First Demo) https://fugazi.bandcamp.com/track/the-word-demo "The Word" by Fugazi (Margin Walker sessions) https://dischord.bandcamp.com/track/the-word Last performance of "The Word"? Paris, 11-22-88 https://youtu.be/PZY_e16_XN4?t=3382 Sesame Street: "What's the Name of That Song?" https://www.youtube.com/watch?v=6TjX5r37V0Q Pierce-Arrow https://soundcloud.com/piercearrow Email the podcast: fugaziAtoZ@gmail.com Donate to the podcast: https://tips.pinecast.com/jar/the-alphabetical-fugazi
Crit Lee sponsor of the show has a long-overdue visit to The Neighborhood. Cam and JJ host their sponsor as they have drafted scents and talk about Cap's absence, NBA, the boys play Shit What's That Song, and more. They debut a new segment called Mount Rushmore. Remember to follow us on Twitter: @_nghbrhd_ @cappellimike @cam_auld_12 @jjmoneey @dil_lebbie @pzspicks @criitlee
Cam, Koby and JJ talk about last week's poll and draft "best singles without a feature". They play Shiiiiiit What's That Song, talk about rap, basketball, and discuss the loss of artist DMX Remember to vote on the draft and follow us on Twitter @cappellimike @cam_auld_12 @jjmoneey @dil_lebbie @kobyoram @pzspicks
Nat chats with Rachel Ernst, a twin mom who lives in Chiang Mai, Thailand with her husband, 4-year-old twin boys, and a 2-year-old singleton boy. Her twins were born in Seoul, South Korea, when the family was with the U.S. military. She and her husband started taking the twins on trips when they were five months old and never looked back! Hear how she is doing it away from family and the benefits/pitfalls of raising her children in an overseas community. This episode is sponsored by Dr. Brown's."What's the Name of That Song?" Sesame Street special on Prime VideoBoppy Newborn LoungerTwin Go twin carrierMarco Polo appCONTACT USVISIT Twiniversity.com for tons of free twin tips!FOLLOW us on Facebook, Instagram, Pinterest, YouTube, and Twitter.SUBSCRIBE to our email newsletter!Subscribe for FREE to our other podcast, the Twins Tale Podcast, giving you an inside look at feeding schedules, sleep struggles, and all the highs and lows of raising twins from birth to college age.Take a class! Twiniversity offers online expecting twins classes, a breastfeeding twins class, and a baby safety class including CPR, first aid, car seat safety, and childproofing. Click here to check out our online classes.
Join us for our very first listener-created episode, centered on the iconic film The Lion King, a masterpiece of Disney Renaissance animation and music that has taken on many forms and lasted the test of time. We've asked our listeners and fellow podcasters to tell us why this movie means so much to them, and they delivered! Don’t miss: The adoration for the film's music, both the soundtrack versions and the radio cuts from Elton John How the film helps tackle the difficult concept of grief and self-exploration in a way for young people to understand at various different levels A discussion of the incredible cinematography and design that identify this movie within moments The way the franchise has spanned the world and pervaded Disney's content for nearly two decades We'd like to thank everyone who sent in submissions for this episode, including The Derek Duvall Show, Oof! Right in the Childhood, Stressed Depressed & Anxious, and That Song from That Movie. Links for you: Our website has our ranking spreadsheet for all the movies we’ve rated so far Check out our Ko-fi membership for continued exclusive content and access to your hosts and our team Join our ‘Ohana to be among the first to know about new content we’re developing Follow us on Twitter @definingdisney and let us know why The Lion King is special to you A special shoutout to our friends at The Movie Chef Podcast, whose hilarious clip we hope to include on a future (PG-13 rated) blooper reel of some kind When our transcription is available, we’ll link it here Don’t forget to SUBSCRIBE so you don’t miss a single episode, and if you enjoyed this one, please leave us a rating and review. Thanks for listening and we’ll see ya real soon!
In this episode Cap, Cam, and JJ host a special guest Artist/Musician Christian "Mulu" Holt. They talk about DJ Hero, their favorite rappers, and play "Shiiiiiit What's That Song?". The Neighborhood also interviews Mulu on his career, passion, and dedication to music. Follow us on Twitter: @mulumusic @cappellimike @cam_auld_12 @jjmoneey @dil_lebbie @pzspicks Follow Mulu on Instagram: @mulumusic mulumusic.com for the latest on Mulu's music
JJ hosts Paul and guest Sam Hixson (Sammo) on this special Christmas edition. The draft is festive and Shiiiiit What's That Song!? is a good matchup. Enjoy your holidays and Welcome to the Neighborhood. @_nghbrhd_ @JJMoneey @dil_lebbie @hamsixon @CappelliMike @Cam_Auld_12 remember to follow us and let us know what you think!
Tag Paid Go - Ep 38 - Better Than Flowers. Some people give their significant other flowers or gifts for their anniversary, I dedicate a whole episode to mine. I even wrote a song for her. This episode I review my past sponsor The Chocolate Fairy Farm. I also bring back my new segment called "My Fondest Memory of That Song", featuring "Tiny Dancer" by Elton John. MY featured song is called "Jellybean”. Listen to past episodes and songs at:www.tagpaidgo.com
No, I'm not being aggressive, honest! This week I am talking about the gymnastics-themed film Stick It! I will also be looking at my favourite book by author Paige Toon, If You Could Go Anywhere, and talking about the things that have affected my mental health over the last week. I also have a very strange dream to share. Featured promo: That Song from that Movie
Tag Paid Go - Ep 37 - Music Appreciation 101. This episode I discuss the The Mandalorian S2(Non Spoiler). I read fan mail! I also bring back my new segment called "My Fondest Memory of That Song", featuring "Intergallactic by The Beastie Boys. MY featured song is called "Clock Radio”. Listen to past episodes and songs at:www.tagpaidgo.com
Tag Paid Go - Ep 36 - Even Porn Stars Work 9-5. This episode I discuss the movie, Hubie's Halloween. I also bring back my new segment called "My Fondest Memory of That Song", featuring "Waterloo" by ABBA. MY featured song is called "Black Cats and Broomsticks”. Listen to past episodes and songs at:www.tagpaidgo.com
Tag Paid Go - Ep 35 - A Superhero Bar Sounds Fun. This episode I discuss the movie, Nightmare Before Christmas. I also bring back my new segment called "My Fondest Memory of That Song", featuring "I'm The One" by Van Halen. MY featured song is called "The EVH Blues Bar Band”. Listen to past episodes and songs at:www.tagpaidgo.com
Tag Paid Go - Ep 34 - Sorry I Ghosted You. So, I missed a week. Writers block - It happens.. This episode I discuss all things Halloween. I have a mystery guest as well. I also bring back my new segment called "My Fondest Memory of That Song", featuring "Runaway Train" by Soul Asylum. MY featured song is called "GRACE”. Listen to past episodes and songs at:www.tagpaidgo.com
Tag Paid Go - Ep 33 - Broken Timeline? Call a Repairman . This episode I discuss the movie, Back To The Future Part 2. I also bring back my new segment called "My Fondest Memory of That Song", featuring "Head Over Heels" by The GoGos. MY featured song is called "No Sleeping Today”. Listen to past episodes and songs at:www.tagpaidgo.com
Tag Paid Go - Ep 32 - Back To The 90s For The 80s. This episode I discuss the movie, Bill and Ted Face the Music. I also bring back my new segment called "My Fondest Memory of That Song", featuring Dr. Dre and Tupac's "California Love". MY featured song is called "Heading' For the Sun”. Listen to past episodes and songs at:www.tagpaidgo.com
Tag Paid Go - Ep 31 - One Rhythm Nation United. This episode I discuss the movie, Poltergeist. I also bring back a new segment called "My Fondest Memory of That Song", featuring Janet Jackson's "Rhythm Nation". MY featured song is called "Drinks w/ Friends”. Listen to past episodes and songs at:www.tagpaidgo.com
Tag Paid Go - Ep 30 - The Back BACK Street Boys. This episode I discuss the movie, The Martian. I also bring back a new segment called "My Fondest Memory of That Song", featuring Backstreet Boys' "I want It That Way". MY featured song is called "Coming' Home”. Listen to past episodes and songs at:www.tagpaidgo.com
Tag Paid Go - Ep 29 - When It Rains You Get Wet. This episode I discuss The Umbrella Academy Season 2. I also premiere a new segment called "My Fondest Memory of That Song, featuring Tiffany's "I Think We're Alone Now". MY featured song is called "SOAKED”. Listen to past episodes and songs at:www.tagpaidgo.com
Welcome to this weeks episode. Well be playing “What’s That Song” and go over some rare Medical conditions. Enjoy!
AAADRIIAANNN! If you thought Sylvester Stallone's accent was hard to decipher, then you have clearly never listened to an episode of That Song from That Movie before. This week we go the full 15 rounds against "Gonna Fly Now", the theme song of the ultimate underdog movie Rocky. Ben contemplates the difficulty of crapping thunder, Dietrich gives his review of Temple of Doom and Alex is hiding in his garden. Follow us on Twitter: @TSFTMpod Like it, share it and subscribe ...it.
Supposedly the average person sleeps for 26 years of their life! Sleep is a time of restoration for your body; and refreshment for your mind... we just wish we could achieve more of it! #honesttruthsYour Fluff Hosts have been kept awake with worries, life plans, excitement, THAT SONG that won't stop spinning through your head #goodnightworldIn this episode we share some Tried & Tested Tips to help you catch some Zzzzz's; & sink in to the captivating realm of DREAM ANALYSIS! Don't forget to rate and subscribe!Follow us: Instagram: @FluffcreativesTwitter: @FluffcreativesEmail: Fluffenquiries@gmail.com See acast.com/privacy for privacy and opt-out information.
Episode 6 of That Scene, That Song features a conversation with actor and model Gaia Weiss who has featured on screen in Judy, Vikings, Mary Queen of Scots and The Legend of Hercules. Doing ballet from the age of four, and drama from 7, performing and being on stage was always in her blood. Through a career that she says 'just happened' is thread of tenacity and doing the hard work. The Scenes Live and Become - a film that Gaia describes as a lesson in humanity. It is the story of Christian Ethiopian mother who saves her son by sending him to Israel, where he is adopted by a family in Tel Aviv and must acclimate to his new life while guarding the secret of his past. The particular scene that moved Gaia was where the mother implores her son to 'go, live and become'. Cold War by Pawel Pawlikowski is described as an impossible love story in impossible times. The film is a passionate love story between a man and a woman who meet in the ruins of post-war Poland. With vastly different backgrounds and temperaments, they are fatefully mismatched and yet condemned to each other. Set against the background of the Cold War in 1950s Poland, Berlin, Yugoslavia and Paris, it’s the tale of a couple separated by politics, character flaws and unfortunate twists of fate. The Songs Jerusalem by Alpha Blondy with an inspiring message of community and meaning of togetherness; something we can all take some inspiration from these days. Tezeta by Mulatu Astatke that joins Gaia whenever she needs to recharge from the frenetic nature of life. If you have nothing left, you can't give anymore. This song will fill your soul. Gaia discovered it under extraordinary circumstances: she was at Sting's house in Tuscany listening to Mia Moretti sing a captivating song that caressed her spirit. She Shazam'd it, and we get to listen to it today.
Episode 6 of That Scene, That Song features a conversation with actor and model Gaia Weiss who has featured on screen in Judy, Vikings, Mary Queen of Scots and The Legend of Hercules. Practicing ballet from the age of four, and drama from 7, performing and being on stage was always in her blood. Through a career that she says 'just happened' is thread of tenacity and doing the hard work. The ScenesLive and Become - a film that Gaia describes as a lesson in humanity. It is the story of Christian Ethiopian mother who saves her son by sending him to Israel, where he is adopted by a family in Tel Aviv and must acclimate to his new life while guarding the secret of his past. The particular scene that moved Gaia was where the mother implores her son to 'go, live and become'. Cold War by Pawel Pawlikowski is described as an impossible love story in impossible times. The film is a passionate love story between a man and a woman who meet in the ruins of post-war Poland. With vastly different backgrounds and temperaments, they are fatefully mismatched and yet condemned to each other. Set against the background of the Cold War in 1950s Poland, Berlin, Yugoslavia and Paris, it’s the tale of a couple separated by politics, character flaws and unfortunate twists of fate. The SongsJerusalem by Alpha Blondy with an inspiring message of community and meaning of togetherness; something we can all take some inspiration from these days. Tezeta by Mulatu Astatke that joins Gaia whenever she needs to recharge from the frenetic nature of life. If you have nothing left, you can't give anymore. This song will fill your soul. Gaia discovered it under extraordinary circumstances: she was at Sting's house in Tuscany listening to Mia Moretti sing a captivating song that caressed her spirit. She Shazam'd it, and we get to listen to it today.
It’s the David & Sue “Songs about Body Parts” Request Hour + Sue was asking you to name the song from the line from the lyrics so listen to find out the outcome! So think […] http://media.rawvoice.com/joy_driving/p/joy.org.au/fridaydrive/wp-content/uploads/sites/194/2020/03/200221-DavidSue-RequestHour-BodyParts.mp3 Podcast: Play in new window | Download (Duration: 48:17 — 44.3MB) Subscribe or Follow Us: Apple Podcasts | Android | Google Podcasts | Spotify | RSS The post REQUEST HOUR: It’s the “Songs about Body Parts” Request Hour + What’s That Song from the First Line? #ListenNOW appeared first on Driving You Mad, Driving You Crazy.
Episode 5 of That Scene, That Song features musician, producer, composer and living breathing medicine man for the soul, Nitin Sawhney. The fascinating conversation follows Nitin’s life and musical journey as well as two indispensable pieces of advice for anybody struggling with identity, direction or motivation Don’t let anybody tell you that it’s not enough to just be you.He emplore us to believe that you are enough as you are. Be process orientated, not goal orientedExpectation can be the enemy of happiness, so enjoy the process and you will never be far from happiness. When one focuses on goals, things can go one of two ways. It might be that you don’t achieve your goal and the you will be disappointed. And even if you do achieve it you will not have enjoyed the process and the satisfaction may be fleeting. He goes on to share two films and two songs that have had a profound impact on his life. Two filmsPather PanchaliBy director and master filmmaker Satijit Ray and music by Bandichi Ravi Shankar who sat for 11 straight hours to create the score. The film is the first of the Apu Trilogy and Nitin finds it to be one of the most emotional moments in film history. Filled with sparse and simple scenes creating using a single, static camera that leaves space for imagination and emotion. Blade RunnerAnd specifically the final "Tears in Rain" monologue scene with the late Rutger Hauer as a replicant passing away. An extraordinary speech highlighting the ‘otherness’ of the replicants; exploited and turned into slaves. Perceived as less than human struggling only to survive and to be perceived as equal. Mirros todays stories of refugees and immigrants - of so many people that have been repressed by cultures and nations. Hauer is expressing his last moments and wanting to share his experiences. Two SongsMustt Mustt, the Massive Attack Remix, by Nusrat Fateh Ali KhanThis remix by Massive Attack captured everything that was going in with the dub scene and was the first high-profile band to mix an incredible Maestro of cavalli sagrams What’s Going On, Marvin GayFeaturing sadly prophetic lyrics, and a question that Nitin asks himself every morning looking at the news. How is this happening… this crazy dystopian nightmare that no one can explain to me.
That Scene, That Song is a conversation about two songs and two films that have shaped Timi, his outlook on life or work, or that have profound personal meaning. The star Episode four stars Nigerian singer Timi Dakolo. Hailed as “the golden voice of Africa”, Dakolo’s soulful tenor is intoned with a melodic West African lilt. In 2007, a friend encouraged him to audition for the inaugural season of Idols West Africa, offering to split the cost of travel. Dakolo emerged winner, his victory scoring him a recording contract with Sony BMG. Fresh from releasing his debut UK album Merry Christmas, Darling, 38-year-old Dakolo talks creative authorship. Christmas songs, he says, are “the hardest songs to sing” because a sense of public ownership creates pressure to deliver them “word for word, pronunciation for pronunciation, rhythm for rhythm.”For Dakolo, sharing the experiences that shaped him is the essence of being an artist. “You can’t give what you don’t have,” he says. “I don’t believe in ‘fake it till you make it’. I have to define what music is to me. To me, music is the sound of my emotions.”The Idols winner caught the singing bug aged 14, freestyling with friends during lunch break. His peers were listening to Chaka Demus & Pliers, Brian Adams and Phil Collins, but at home it was reggae records that were played on his uncle’s turntable. His grandmother “loved morning prayers” and her hymns were the young Dakolo’s alarm clock. “If you grow up with an old woman, you become an adult at a very young age,” says the singer. “My grandmother loved education so much… She would say: “If you don’t want the life, if you don’t like what you see, all these men, if you don’t want to be them, you have to read, because that’s how you escape.” The scenes From the world of cinema, Dakolo selects the finale of Bryan Singer’s 2018 Queen biopic Bohemian Rhapsody, starring Rami Malek. Here, Dakolo muses on the idea of songs as communal experiences. “At the end, when the crowd are singing ‘we will, we will, rock you…’” says Dakolo, “I’ve watched it five times and I’ve cried every time. I’ve cried because it’s not just the words. It’s not just the pictures. It’s the experience they share. The ability to exchange experience. Your pain is my pain. Your truth is my truth.” Up next is Bradley Cooper’s 2018 directorial debut A Star Is Born, helmed by Lady Gaga. Talking about troubled singer Jackson (played by Cooper) deciding to quit music, Dakolo reflects on what can happen when the noise of the industry overcomes the craft itself.“One of the big take-homes for me in that movie is how you can be so talented and yet miss it,” he says. “If you wish to do music, every other thing is secondary. He left what made him him to do everything else.” The songs Hearing Dakolo break into an acapella rendition of Can’t Give Up Now by Mary Mary is something special. “There will be mountainsthat I will have to climb/ And there will be battlesthat I will have to fight/ But victory or defeat, it's up to me to decide/ But how can I expect to winif I never try,” he sings. The track has been a tonic for Dakolo during difficult times. Here he uses the song as a springboard to discuss what talent can cost us, as well as the serendipitous nature of success. To close, Dakolo selects an original song sung by his grandmother, a signal in his youth that there would be no food for dinner. Dakolo’s grandmother, a petty trader who sold in-season fruits and other goods, was a vital figure in his
That Scene, That Song is a conversation about two songs and two films that have shaped Timi, his outlook on life or work, or that have profound personal meaning. Words from the soul and a voice from the heart - you will enjoy this conversation with a true original who is a the very beginning of what will be an extraordinary journey. Timi frequently breaks out into song to tell us about films and songs that have shaped his life: Timi's films: Bohemian Rhapsody A Star Is Born Timi's songs: Can't Give Up Now by Mary Mary And an original song from his grandmother; a signal in his youth that there was going to be no food for dinner.
What We Seee Presents Episode 3 of That Scene, That Song featuring Eddie Kadi. That Scene, That Song is a conversation about two songs and two films that have shaped Eddie, his outlook on life or work, or that have profound personal meaning. Eddie talks about a the very personal journey and early inspirations from Kinshasa to London and now to the heights of the comedy world with many strings to his bow, including presenting, acting music and - as you will hear thoroughly his story - giving back. Eddie’s two films: A.W.O.L. – Jean Claude van Damme https://youtu.be/7gAMarKpYvQ The Shawshank Redemption https://youtu.be/4uu-eWVhj3M Eddie’s two songs: Eau Benite, Simaro Lutumba https://open.spotify.com/track/6FZm33EIV0dY3XdLwuwxIQ Speechless, Michael Jackson https://open.spotify.com/track/1O1LkHTi3Lep9OHE8BvOVe?autoplay=true&v=T
What We Seee Presents Episode 3 of That Scene, That Song featuring Eddie Kadi. That Scene, That Song is a conversation about two songs and two films that have shaped Eddie, his outlook on life or work, or that have profound personal meaning. The star Episode three sees award-winning comedian, presenter and actor Eddie Kadi in the hot seat. Born in Kinshasa, the Democratic Republic of the Congo, and raised in London, Kadi was “the life of the party” from a young age. Whether he was singing in the school choir or playing the keyboard, performing gave him “a sense of belonging”. Kadi describes his parents, both from the same tribe, as instilling in him an understanding of “the power that my country has”. Fluent in French and English, the importance of speaking his mother tongue, Lingala, stays with him. It was while studying media technology at Kingston University London that Kadi made his first steps into comedy. Hosting a talent showcase for the African Caribbean Society, his impersonations were a hit with the audience. Gigging as a comedic host turned into appearances on the stand-up circuit and it wasn’t long before Kadi was winning accolades from the likes of Gina Yashere. In 2002, four years into his comedy career, Kadi was awarded Best Comedy Newcomer at the Black Entertainment Comedy Awards.Today, 36-year-old Kadi’s whip-smart routines remain rooted in his Congolese heritage. “Yearning to teach people about my culture put me in a different lane as soon as I got into stand-up,” he says. “I was telling a story that not a lot of people around me were telling.” The scenes From the big screen, Kadi chooses Frank Darabont’s 1994 penitentiary epicThe Shawshank Redemption, which he describes as his cinematic “national anthem”. “Every time you watch it, you see things you’ve not seen before,” he says. “Such a beautiful journey of strength, friendship, loyalty, redemption.”Up next, a 1990 action movie gets Kadi talking about the joy of returning “to the things that defined your childhood”. Describing A.W.O.L // Lionheart, which stars Jean-Claude van Damme as a paratrooper legionnaire, the comedian says: “Our house was obsessed!”“The sound track is demonic – it was created to make you cry,” continues Kadi. “It made me fall in love with Jean-Claude van Damme. I saw him beyond the films.” The songsKicking off the music selections is Eau Bénite, a track by the late Congolese artist and poet Simaro Lutumba, who Kadi is currently making a documentary about. “This guy was one of the best lyricists to come out of the Congo,” says Kadi. “He performed this song with his band live for me and I was near tears.”Up next is Speechless, a gentle, under-the-radar 2001 track by Michael Jackson that has become a tonic for Kadi in times of stress. The comedian likens the sound to gospel, saying, “Whenever I felt anxious, I played this song, and for some reason it always calmed me down.” The summary Kadi’s comedy is underpinned by an acute interest in philanthropy. Whether he’s talking about the strength of African women or the backstories of “the roadmen” in Netflix series Top Boy, he returns to the human condition time and again. Along the way, he ruminates on the cultural stigma of “being a clown” in his native country, and the lack of space in British comedy for black comics to hone their craft. Talking about his musical cultural keystones, he says: “What makes a song even more special, be
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What We Seee Presents Episode 2 of That Scene, That Song featuring Charlotte Spencer. That Scene, That Song is a conversation about two songs and two films that have shaped Charlotte, her outlook on life or work, or that have significant personal meaning.The star Episode two stars Essex-born actor Charlotte Spencer, who plays Esther Denham in ITV’s Jane Austen drama series Sanditon.Spencer set her sights on a career in acting at the age of three. She trained in ballet at the Brenda Taylor School of Dance, where she still teaches. The 28-year-old remembers her upbringing as “a middle-class lifestyle on a working-class wage”. Her father, a builder, and her mother, who worked at a school, remortgaged their house to her to London’s Sylvia Young Theatre School. Musical theatre dominated Spencer’s early life. Aged 12, she played Jane Banks in Mary Poppins, and on leaving school at 16 she landed a role in Oliver!Her first big TV gig came in 2014 when she played Carly in Line of Duty, for which she scooped a BAFTA nomination. With the highs, came lows. A two-year lull in work put Spencer on the verge of giving up her craft. Out of that darkness, she developed a passion for teaching. Today, Spencer juggles her acting work with coaching dance, theatre and singing. “I realised it’s actually the arts that keep me going, not just the acting,” she says.The songs For her song choices, Spencer selects Joni Mitchell’s 1971 folk-rock masterwork Case of You, which she refers to as “genius” and “poetry”. She singles out the line, ‘I’m frightened by the devil / And I’m drawn to those ones who ain’t afraid."“I really relate. I’m excited by people that push the boundaries, who will say if something’s wrong. People who think differently,” says the Sanditon star.Spencer’s second choice is Otis Redding’s Cigarettes & Coffee(1966), the languid opening bars of which sound like morning sunlight yawning through blinds. She draws comparisons with Shakespeare’s Sonnet 130 on the imperfect reality of love. “It’s the most beautiful because it’s the most real,” says Spencer. The scenes From cinema, Spencer chooses the opening of Disney’s original Beauty & the Beast(1992), which carves out an enchanted world and closes on the line “for who could ever learn to love a beast?”Here, Spencer circles back to the theme of imperfect love, praising a childhood favourite that taught her to seek out “someone who can see past ‘my beast’”. Moving from animation to art house, scene two comes from Paolo Sorrentino’s richly aesthetic drama The Great Beauty(2013) and is a continuous shot of Italian countryside.The wordless sequence, as Spencer puts it, “makes you watch our beautiful world for a moment.” The summaryWhether she’s talking about the “privilege” of having supportive parents or the casting call “failures” that were blessings in disguise, Spencer is reliably candid about the serendipitous nature of success. More than acting, dancing or singing, the power of storytelling in all its forms emerges as the Essex native’s true passion. “Our whole civilisation is built on stories,” she says. “It’s incredible to me how people feel like the arts aren’t important.”“Without art, you can’t survive,” she adds.
What We Seee Presents Episode 1 of That Scene, That Song featuring Eliza Butterworth. That Scene, That Song is a conversation about two songs and two films that have shaped Eliza, her outlook on life, work, or that have profound personal meaning. The Star Lincolnshire-born actor Eliza Butterworth stars in Netflix’s Saxon-age drama series The Last Kingdom. The only actor in her family, Butterworth describes herself as arriving to her craft “late in the game”, aged 15. She went on to land a place at RADA, where her lack of acting experience made her – in her words – “a blank canvas”. Four months after graduating, Butterworth bucked the struggling actor trend and scooped a role inThe Last Kingdom. Now in production for Season 4, the series follows the life of King Alfred the Great. Butterworth plays Lady Aelswith, wife of King Alfred, in turn played by Butterworth’s real-life husband, David Dawson. Aelswith is a Lady Macbeth-esque lover and confidant who challenges Alfred. Here, Eliza takes time out from filming in Hungary to talk about the films and songs that have made a profound impact on her. The Scenes First up from the big screen is what Butterworth calls “a two-minute long scene of utter joy” from Tom Ford’s 2009 debut A Single Man, which sees a British professor “lose all sense of containment” with his lover. Second, a moment in 2002’s Amélie,Jean-Pierre Jeunet’s love letter to the quirks of Paris and its inhabitants. In the scene, a painterly figure becomes a metaphor for the movie’s lonely protagonist. There’s a cohesion to Butterworth’s choices, with both scenes hinging on a brief human interaction and the power of a kind gesture. The Songs In her musical selections, the 26-year-old proves herself to be an old soul. Small wonder, perhaps, given that she’s currently playing a woman almost twice her age. She picks Maurice Ravel’s impressionistic piano movement, Une Barque sur l’Océan(1904-05) a sea-faring composition that “goes from twinkling, light waves to a thunderstorm” before sailing “back out into the beautiful calm of the ocean”. And, by way of contrast, the opening bars of George Benson’s infectious 1980 funk classic, Gimme The Night. The Summary Whether she’s talking 70s disco or the vocals of Billie Holiday, Butterworth takes a magpie’s approach to culture, and her passions rarely derive from her generation. Along the way, the young actress talks characterisation, overcoming vulnerability, and her desire to go back to the classical texts that RADA gave her a love for.
What We Seee Presents Episode 1 of That Scene, That Song featuring Eliza Butterworth. That Scene, That Song is a conversation about two songs and two films that have shaped Eliza, her outlook on life or work, or that have significant personal meaning.The StarLincolnshire-born actor Eliza Butterworth stars in Netflix’s Saxon-age drama series The Last Kingdom. The only actor in her family, Butterworth describes herself as arriving to her craft “late in the game”, aged 15. She went on to land a place at RADA, where her lack of acting experience made her – in her words – “a blank canvas”. Four months after graduating, Butterworth bucked the struggling actor trend and scooped a role inThe Last Kingdom. Now in production for Season 4, the series follows the life of King Alfred the Great.Butterworth plays Lady Aelswith, wife of King Alfred, in turn played by Butterworth’s real-life husband, David Dawson. Aelswith is a Lady Macbeth-esque lover and confidant who challenges Alfred. Here, Eliza takes time out from filming in Hungary to talk about the films and songs that have made a profound impact on her. The Scenes First up from the big screen is what Butterworth calls “a two-minute long scene of utter joy” from Tom Ford’s 2009 debut A Single Man, which sees a British professor “lose all sense of containment” with his lover. Second, a moment in 2002’s Amélie,Jean-Pierre Jeunet’s love letter to the quirks of Paris and its inhabitants. In the scene, a painterly figure becomes a metaphor for the movie’s lonely protagonist. There’s a cohesion to Butterworth’s choices, with both scenes hinging on a brief human interaction and the power of a kind gesture. The Songs In her musical selections, the 26-year-old proves herself to be an old soul. Small wonder, perhaps, given that she’s currently playing a woman almost twice her age. She picks Maurice Ravel’s impressionistic piano movement, Une Barque sur l’Océan(1904-05) a sea-faring composition that “goes from twinkling, light waves to a thunderstorm” before sailing “back out into the beautiful calm of the ocean”. And, by way of contrast, the opening bars of George Benson’s infectious 1980 funk classic, Gimme The Night. The SummaryWhether she’s talking 70s disco or the vocals of Billie Holiday, Butterworth takes a magpie’s approach to culture, and her passions rarely derive from her generation. Along the way, the young actress talks characterisation, overcoming vulnerability, and her desire to go back to the classical texts that RADA gave her a love for.
What We Seee Presents Episode 2 of That Scene, That Song featuring Charlotte Spencer. That Scene, That Song is a conversation about two songs and two films that have shaped Charlotte, her outlook on life or work, or that have profound personal meaning. The star Episode two stars Essex-born actor Charlotte Spencer, who plays Esther Denham in ITV’s Jane Austen drama series Sanditon. Spencer set her sights on a career in acting at the age of three. She trained in ballet at the Brenda Taylor School of Dance, where she still teaches. The 28-year-old remembers her upbringing as “a middle-class lifestyle on a working-class wage”. Her father, a builder, and her mother, who worked at a school, remortgaged their house to her to London’s Sylvia Young Theatre School. Musical theatre dominated Spencer’s early life. Aged 12, she played Jane Banks in Mary Poppins, and on leaving school at 16 she landed a role in Oliver! Her first big TV gig came in 2014 when she played Carly in Line of Duty, for which she scooped a BAFTA nomination. With the highs, came lows. A two-year lull in work put Spencer on the verge of giving up her craft. Out of that darkness, she developed a passion for teaching. Today, Spencer juggles her acting work with coaching dance, theatre and singing. “I realised it’s actually the arts that keep me going, not just the acting,” she says. The songs For her song choices, Spencer selects Joni Mitchell’s 1971 folk-rock masterwork Case of You, which she refers to as “genius” and “poetry”. She singles out the line, ‘I’m frightened by the devil / And I’m drawn to those ones who ain’t afraid.’ “I really relate. I’m excited by people that push the boundaries, who will say if something’s wrong. People who think differently,” says the Sanditon star. Spencer’s second choice is Otis Redding’s Cigarettes & Coffee(1966), the languid opening bars of which sound like morning sunlight yawning through blinds. She draws comparisons with Shakespeare’s Sonnet 130 on the imperfect reality of love. “It’s the most beautiful because it’s the most real,” says Spencer. The scenes From cinema, Spencer chooses the opening of Disney’s original Beauty & the Beast(1992), which carves out an enchanted world and closes on the line “for who could ever learn to love a beast?” Here, Spencer circles back to the theme of imperfect love, praising a childhood favourite that taught her to seek out “someone who can see past ‘my beast’”. Moving from animation to art house, scene two comes from Paolo Sorrentino’s richly aesthetic drama The Great Beauty(2013) and is a continuous shot of Italian countryside. The wordless sequence, as Spencer puts it, “makes you watch our beautiful world for a moment.” The summary Whether she’s talking about the “privilege” of having supportive parents or the casting call “failures” that were blessings in disguise, Spencer is reliably candid about the serendipitous nature of success. More than acting, dancing or singing, the power of storytelling in all its forms emerges as the Essex native’s true passion. “Our whole civilisation is built on stories,” she says. “It’s incredible to me how people feel like the arts aren’t important.” “Without art, you can’t survive,” she adds.
What We Seee Presents Episode 5 of That Scene, That Song featuring musician, producer, composer and living breathing medicine man for the soul, Nitin Sawhney. That Scene, That Song is a conversation about two songs and two films that have shaped Nitin, his outlook on life and work, or that have profound personal meaning. The fascinating conversation follows Nitin’s life and musical journey as well as two indispensable pieces of advice for anybody struggling with identity, direction or motivation: Don’t let anybody tell you that it’s not enough to just be you. He emplore us to believe that you are enough as you are. Be process orientated, not goal oriented Expectation can be the enemy of happiness, so enjoy the process and you will never be far from happiness. When one focuses on goals, things can go one of two ways. It might be that you don’t achieve your goal and the you will be disappointed. And even if you do achieve it you will not have enjoyed the process and the satisfaction may be fleeting. He goes on to share two films and two songs that have had a profound impact on his life. Two films Pather Panchali By director and master filmmaker Satijit Ray and music by Bandichi Ravi Shankar who sat for 11 straight hours to create the score. The film is the first of the Apu Trilogy and Nitin finds it to be one of the most emotional moments in film history. Filled with sparse and simple scenes creating using a single, static camera that leaves space for imagination and emotion. Blade Runner And specifically the final "Tears in Rain" monologue scene with the late Rutger Hauer as a replicant passing away. An extraordinary speech highlighting the ‘otherness’ of the replicants; exploited and turned into slaves. Perceived as less than human struggling only to survive and to be perceived as equal. Mirros todays stories of refugees and immigrants - of so many people that have been repressed by cultures and nations. Hauer is expressing his last moments and wanting to share his experiences. Two Songs Mustt Mustt, the Massive Attack Remix, by Nusrat Fateh Ali Khan This remix by Massive Attack captured everything that was going in with the dub scene and was the first high-profile band to mix an incredible Maestro of cavalli sagrams What’s Going On, Marvin Gaye Featuring sadly prophetic lyrics, and a question that Nitin asks himself every morning looking at the news. How is this happening… this crazy dystopian nightmare that no one can explain to me.
We binged it, now we've got to talk about it: Season Three of Stranger Things! THERE ARE SPOILERS, DO NOT LISTEN IF YOU HAVEN'T SEEN THE WHOLE SEASON AND YOU CARE ABOUT SPOILERS. We discuss all sorts of things including our own experiences getting pushed into puberty, we try to finesse the timeline of the series, we talk Joyce, Hopper, our new faves Murray + Alexei 4ever, Schrödinger's Hopper, Scoops spycraft, which group gets which 80s movie genre, how Jonathan could have tried just a bit harder bud, and we ask whether Billy deserved a sympathetic backstory and when and how we think Stranger Things might eventually wrap things up. And, oh yeah, there is That Song. Email us at TVWinnerPod@gmail.com. Twitter/Insta @TVWinnerPod. Find Beth @yourbeth_friend. Find Hannah @NoBriggity.
The official podcast show for the Facebook Page Soulful & Deep House Mixes - Mzansi Deep Hosted and produced by Terence Rhoda MIX BY DJ DJ Sphecific TRACK LIST 1. Apple Jazz - Chaneling You (Original Mix) 2. Matt Thibideau & Mark Thibideau - Vactrol Circuit Malfunction (Original Mix) 3. Dive Craft - Dub-o-matic (Original Mix) 4. Tim Andresen - Purple Sky (Original Mix) 5. Evren Ulusoy - Saturnia (Original Mix) 6. S.A.M. - Decoy (Original Mix) 7. La Rose - It Is Over (Original Mix) 8. Jimpster - The Sweetness of That Song 9. Zopelar - Origini (Ripperton Bubble Dub) 10. Headless Ghost - Let's Fall (Deetron Remix) DJ Sphecific on Twitter DJ Sphecific on Instagram For show enquiries or comments, please email mzansideep@gmail.com Also listen to Mzansi Deep Live ( Live Stream Saturdays 11am till 2pm SA time on www.sanzliveradio.com
As the holiday season reaches its zenith (and the sun’s track its nadir), Episode 36 finds the Shed Dogs wondering if our listeners in the Southern Hemisphere got the same explanation for the timing of Christmas as we did. We discuss the dark web of deceit in airline seat booking practices, the current state of tipping, and of course, That Song. Is this a fun episode? You be the judge!
Relax, you won't hear That Song in this episode. You WILL hear discussion of its place in Disney history, the whole Big Disney Song phenomena including Under The Sea and When You Wish, a discussion of Fairy-Tale Time Dilation, and more! It's a goodun!
That song. THAT SONG!! IT'S SO GOOD!!! Unfortunately, the movie is a big ol' mess. Join us as we wrap up the swashbuckling trilogy that started phenomenally and ended with a whimper (but ironically BOAT LOADS of cash) (NEXT EPISODE: Ocean's 13)
Tom T. Hall was named by Rolling Stone magazine as one of the 100 Greatest Songwriters of All Time. Known as “The Storyteller,” the Grammy winner landed 35 songs in the Top 10 on Billboard’s country chart between 1965 and 1996. Many of those featured Hall as both writer and artist, including “Homecoming,” “Me and Jesus,” “Ravishing Ruby,” “That Song is Driving Me Crazy,” “I Like Beer,” and the #1 hits “A Week in a County Jail,” “The Year That Clayton Delaney Died,” “(Old Dogs, Children and) Watermelon Wine,” “Country Is,” “I Care,” “Faster Horses (The Cowboy and the Poet),” and “I Love,” which also became a hit on the pop chart. Tom T. Hall songs that hit the Top 5 for other artists include “Hello Vietnam” by Johnny Wright, “How I Got to Memphis” and “(Margie’s at) The Lincoln Park Inn” by Bobby Bare, “If I Ever Fall in Love (With a Honky Tonk Girl)” by Faron Young, “Pool Shark” by Dave Dudley, “You Always Come Back (To Hurting Me)” by Johnny Rodriguez, “I’m Not Ready Yet” by George Jones, “Little Bitty” by Alan Jackson, and “Harper Valley P.T.A.,” which Jeannie C. Riley took to the #1 spot on both the country and pop chart, making her the first woman to achieve that feat. Hall was named NSAI Songwriter of the Year in 1972, was inducted into the Nashville Songwriters Hall of Fame in 1978, joined the Country Music Hall of Fame in 2008, was honored with the Academy of Country Music’s Poet’s Award in 2010, and earned the prestigious BMI Icon award in 2012.
Norm De Plume Intro: The Revenge: "Just Be Good To Mario" (Hold On For Love Dub) [Needwant] Sebastian Davidson & Enthousiaste Gasten: "That Song" (Huxley Remix) [Kolour] Zepp001: "Dearly Beloved" [Delusions Of Grandeur] Delano Smith: "My Life" [Mixmode] Zepp001: "The Warm" [Delusions Of Grandeur] The Dead Rose Music Co. Guest Mix: 1 francis inferno orchestra- lovers -sleazy beats 06 2 the dead rose music Co. - I love what you do- taikomochi 3 the dead Rose music co - kissing in the dark - sleazy beats 4 the dead Rose music co - get me through the day 5 Dj bang- suzie can't give you more- 6 cottam- sunrise sunset (deep space orchestra mix) - use of weapons 7 Hercules and love affair - my house - dfa 8 bicep - Darwin 9 the dead Rose music Co. - hokusai (untitled mix) taikomochi WAYWARD @ The CAMP (London) // Friday 21st January feat. THE DEAD ROSE MUSIC CO. & NORM DE PLUME: http://www.residentadvisor.net/event.aspx?215948