Podcast appearances and mentions of walter elias disney

durée : 00:58:08 - Concordance des temps - par : Jean-Noël Jeanneney - Bambi, Mickey, Donald, Blanche-Neige, Cendrillon... L'évocation de son nom fait surgir d'innombrables figures mythiques de nos mémoires. Olivier Cotte revient sur la vie et l'oeuvre de Walter Elias Disney qui était tout à la fois dessinateur, créateur, entrepreneur et bâtisseur d'empire... - réalisation : Vincent Abouchar - invités : Olivier Cotte Scénariste de BD

Disney...a name that can stir emotions, excite the senses, and bring memories flooding back from anyones childhood. Walter Elias Disney was a man from humble beginnings who, through his love for animation, storytelling, and sheer determination, created an entertainment empire that spans the globe. Mickey Mouse is one of the most recognizable symbols in the modern world. "I'm going to Disneyland" is what every Super Bowl MVP shouts after winning the game. And today the Mouse House has become more than Walt could have ever dreamed. But how did this whole thing start? How did Mickey come about? How did Walt and his team of animators revolutionize animation and the movie making industry forever. Tune in and find out. Sponsor Mini Museum https://shop.minimuseum.com/?utm_source=podcast&utm_campaign=historicallyhighWalt Disney Carpet Specimen https://shop.minimuseum.com/products/disneyland-cranberry-room-carpet?utm_source=podcast&utm_campaign=historicallyhigh

Aujourd'hui on va parler du créateur de l'imaginaire le plus connu de notre temps : Walter Elias Disney. Certains disent de lui qu'il est un magicien, que Mickey est son alter-égo. Mais connaissez-vous vraiment son histoire ? Bonjour à tous et bienvenue dans un nouvel épisode de La Petite Histoire. Je suis Florent Mounier, Alina de Brocéliande a écrit cet épisode, et Sébastien Girard l'a mixé.  Retrouvez-nous sur www.lafabrikaudio.com  et sur les réseaux sociaux de la petite histoire. Nous sommes sur twitter insta et facebook.  Vous aimez ce podcast ? Vous souhaitez le soutenir ? N'hésitez pas à aller donner une note et un commentaire à la petite histoire sur itunes apple podcasts et sur Spotify. Aujourd'hui nous vous invitons donc à découvrir l'histoire du créateur des dessins animés qui ont enchanté notre enfance, je parle bien évidemment de Walter Elias Disney ! De génération en génération la magie Disney a fait redécouvrir les contes populaires d'antan, vous savez, ce qui se racontait au coin du feu à l'époque où la télévision et le cinéma n'existaient pas. Walter Elias Disney a non seulement réussi à faire revivre tous ces contes, mais il a également réussi à créer un empire extraordinaire, empire financier bien sûr, mais aussi un empire du rêve, un monde dans lequel il suffit de croire en quelque chose pour que cela se réalise ! Pour vous raconter son histoire, remontons dans le temps, plus précisément en 1901 à Chicago... Le podcast de La Petite Histoire, produit par La Fabrik Audio, à écouter sur toutes les plateformes de podcasts.   

Né en 1901, Walter Elias Disney est peut-être l'artiste le plus influent du 20ème siècle. Le papa de Mickey était un visionnaire à l'imagination sans borne d'un côté, et un homme d'affaires sans pitié de l'autre. Résultat, il est à l'origine du premier groupe de divertissement monde. Même si le grand public connait beaucoup de choses sur Walt Disney, il y a peut-être une information étonnante qui a pu vous échapper. En effet, il aurait des liens avec la France, et plus particulièrement, avec la Normandie. Comment cela se fait ? Et pourquoi la Normandie en particulier ? Écoutez la suite de cet épisode de "Maintenant Vous Savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Jonathan Aupart. À écouter aussi : Que sont devenus les gagnants de la Star Academy ? Quels sont ces films avec des scènes de sexe non simulées ? Quels sont les tableaux classiques les plus pornographiques ? Retrouvez tous les épisodes de "Maintenant vous savez - Culture". Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Witch Whispers, our weekly minisode series coming to you every Wednesday. Each week, Leigh and Lori will take turns picking a bite-sized magical topic to hold you over until our full-length Friday episode. This week, Lori finally delivers her long-anticipated roast of Walter Elias Disney.

Pour ce dernier épisode de la série ''Les secrets de vos vedettes Disney'', Michel nous parle de Walter Elias Disney.

Aujourd'hui on va parler du créateur de l'imaginaire le plus connu de notre temps : Walter Elias Disney. Certains disent de lui qu'il est un magicien, que Mickey est son alter-égo. Mais connaissez-vous vraiment son histoire ? Bonjour à tous et bienvenue dans un nouvel épisode de La Petite Histoire. Je suis Florent Mounier, Alina de Brocéliande a écrit cet épisode, et Sébastien Girard l'a mixé.  Retrouvez-nous sur www.lafabrikaudio.com  et sur les réseaux sociaux de la petite histoire. Nous sommes sur twitter insta et facebook.  Vous aimez ce podcast ? Vous souhaitez le soutenir ? N'hésitez pas à aller donner une note et un commentaire à la petite histoire sur itunes apple podcasts et sur Spotify. Aujourd'hui nous vous invitons donc à découvrir l'histoire du créateur des dessins animés qui ont enchanté notre enfance, je parle bien évidemment de Walter Elias Disney ! De génération en génération la magie Disney a fait redécouvrir les contes populaires d'antan, vous savez, ce qui se racontait au coin du feu à l'époque où la télévision et le cinéma n'existaient pas. Walter Elias Disney a non seulement réussi à faire revivre tous ces contes, mais il a également réussi à créer un empire extraordinaire, empire financier bien sûr, mais aussi un empire du rêve, un monde dans lequel il suffit de croire en quelque chose pour que cela se réalise ! Pour vous raconter son histoire, remontons dans le temps, plus précisément en 1901 à Chicago... Le podcast de La Petite Histoire, produit par La Fabrik Audio, à écouter sur toutes les plateformes de podcasts.   

Fantomfacts.comMan cuts off his fingers to make aliens more comfortable when they arrive, then we listen to our voicemail with listener feedback. Then the boys learn about the greatest cartoonist ever! Enjoy the Magik! Call the show 605-868-8404

Check out Part 1 of our trip report where we are talking upon our experience at Disneyland California. We have a chance to reflect upon the history of the park, compare our rides, and speak on walking on the path once tread by Walter Elias Disney. Our friend Greg helps us out as we bring you Dislife in Disneyland.  Support the show

Walter Elias Disney, December 5, 1901 – December 15, 1966) was an American animator, film producer and entrepreneur. A pioneer of the American animation industry, he introduced several developments in the production of cartoons.

Episode six covers the Evil Genius podcast with Russel Kane and his special guest panel of comedians, Kae Kurd, Tiff Stevenson & Fern Brady.Today see's discussions of the myths and truths behind Walter Elias Disney.For comments, queries, suggestions or complaints please email tuesdaynightpodcastclub@gmail.comInstagram @tuesdaynightpodSupport this show http://supporter.acast.com/tuesday-night-podcast-club. Hosted on Acast. See acast.com/privacy for more information.

Hoy viajaremos a la animada vida de Walter Elias Disney, al que todavía pueden visitar en la sección de congelados del Cotsco. El pequeño Walter nació el 5 de diciembre de 1901 en…Illinois, ohhhhhh. No nació en 🎶Mojaaaaaca, galopa y corta el viento🎶, No, nació en Chicago, el Benidorm de ellos. Allí se crió con su 4 hermanos, su madre Flora y su padre, Elias Disney, que vivía amargao porque cada vez que abría un negocio le duraba menos que un terrorista a Steven Seagal. El padre de Walt probó suerte una vez más comprando una granja en Missouri, pero los dos hijos mayores le dijeron que iba a recoger lo nabos su prima la de Albacete y se volvieron a Chicago. Así que allí se quedó Walter dibujando animalillos y aguantando el menosprecio de su padre, que el rancio no se reía ni con Pepe Da Rosa. En 1909 Elias contrajo fiebre tifoideas y tuvo que vender la granja, mudándose toda la familia a Kansas City, pero no durarían mucho porque allí no había quien aparcara. 5 años después, su otro hermano, Roy, también se fue de casa porque el pare lo tenía más explotao que un plastiquito de burbujas. Al final lo que quedaba de familia se mudó otra vez a Chicago. Como no sería de jartible Elias Disney que Walt, a los 17 años, falsificó su partida de nacimiento pa combatir como soldado en la Primera Guerra Mundial. Esa casa en Acción de Gracias tenía que ser como un salón de la Super Nany. El padre doraba el pavo a cashetás. A los 20 años ya tenía cara de saberse la vida del podólogo y un bigotito con el que nadie sospecharía nunca que era una mihita nazi. Cosa que gustó en la agencia de publicidad donde lo contrataron y donde conocería a Ubbe (con b) Iwerks, un talentoso dibujante con el que montó más empresas que Ruíz-Mateos con Jiménez de Tejada. Entre los dos montarían un modesto estudio en el único sitio que te garantiza el éxito en Norteamérica: el garaje de su casa. Quebraron más veces que la zapatería Mary Paz, pero Walt siempre se las ingeniaba para sacar el negocio adelante. En el 23 aterrizó en Hollywood, en el 25 se casó y en el 26 le cambió el nombre a la empresa por Walt Disney Studio, porque en los años 20 de antes te daba tiempo de hacer más cosas. Centrado totalmente ya en su empresa, a Walt se le ocurrió un nuevo personaje en el autobús de Sevilla a Sanlúcar: un ratón pánfilo, apolítico y asexuado al que llamó Mortimer. Su mujer, que se veía otra vez esperando a que las del Mercadona pusieran las pegatinas de bajada de precio, le dijo que ella de dibujo no sabía pero que había que tener algo mu malo agarrao en el pechito para ponerle Mortimer a algo. Y así nació Mickey Mouse. En 1937 estrenó su primer largometraje: Blancanieves y los 7 enanitos, que aunque fue todo un éxito en taquilla le dejó endeudao hasta las orejas porque Disney era mu de pedir el dinero a Cetelem. Luego vendrían Pinocho y Fantasía, que recaudaron menos que Waterworld, desastre que se solucionaría más tarde con Dumbo y Bambi. En los años 40, la factoría Disney contaba con un complejo de 20 edificios y 2000 empleados que cobraban menos que los repartidores de Glovo. Tampoco podían tener sindicato, porque eso era de comunistas y a él lo que le gustaba eran lostraterrestre, los nasi y la gente mu blanca. Hasta que llegó un Yorlando Dyaz que le dijo “¿que no nos dejas tener sindicato? Te digo yo que sí” Y se pusieron en huelga un año, que ya tenía que pagar poco er gashó pa que la gente esté un año en huelga por iniciativa propia. También se dedicó a la caza de brujas dando chivatazos al FBI y a echar más humo que el fumador de Expediente X, aunque no hay fotos de Disney fumando porque no quería ser una mala influencia TAN EVIDENTE para los niños; Él era más de mensajes subliminales. Ganó 26 premios Oscar y más dinero que el del video comunitario, pero despidió a 400 empleados para cumplir con el acuerdo de subida salarial del 25% de los dibujantes, porque Disney era bondad y generosidad. Finalmente, el 15 de diciembre de 1966, lo metería la mujé en el cajón al lao de las croquetas de puchero, aunque ustedes siempre podrán recordarlo cuando vean una película de Steaven Seagal o se compren unas babuchas en la zapatería Mary Paz.

A Warning To My Listeners: Today's episode features Mature Subject Matter that may Not be Suitable for Children.Walter Elias Disney, aka Walt Disney, was the entrepreneur of all entrepreneur's,an  animator, a writer, a voice actor, and major film producer. Disney was a pioneer of the animation industry because established several developments in the creation of cartoons. However, a lot of his famous disney movies that we all grew up on are “cleaned up, happy versions” of books and some even have sinister real life stories behind them.Join me in today's episode where I discuss where the inspiration came from for many of our favorite Disney movies growing up... it's not as happy as you'd think!SOURCES FOR THIS EPISODE FROM: https://screenrant.com/disney-movies-dark-origin-inspirations-mulan/https://indiancountrytoday.com/archive/true-story-pocahontas-historical-myths-versus-sad-realityhttps://www.thevintagenews.com/2018/06/21/pocahontas/http://www.todayifoundout.com/index.php/2012/10/sleeping-beauty-is-based-on-a-story-where-a-married-king-finds-a-girl-asleep-and-cant-wake-her-so-rapes-her-instead/https://www.wattpad.com/118817625-the-real-story-behind-disney-movie-the-fox-and-theEpisode Music By: https://pixabay.com/music/epic-classical-epic-darkness-469/Support the show (https://cash.app/$KCandCompanykate)

No dia 05 de dezembro de 1901, há exatos 120 anos, nascia Walter Elias Disney, que ficou mundialmente conhecido como Walt Disney. O Papo Animado de hoje é muito especial e vai celebrar os 120 anos do ator, produtor cinematográfico, cineasta, diretor, roteirista, dublador, animador, empreendedor, filantropo e cofundador da The Walt Disney Company, que há quase 100 anos vem encantando gerações com suas histórias e animações. E para esse episódio mais que especial, seus amigos Allan Wood (@AllanWood.mp4) e Léo Francisco (@cadeoleofrancisco) recebem o jornalista, historiador e amigo Celbi Pegoraro (@celbipegoraro), do podcast AnimaSom, para contar um pedaço da história deste sonhador. Vamos falar do nascimento até o início da produção de seu primeiro longa-metragem de animação, BRANCA DE NEVE E OS SETE ANÕES (Snow White and the Seven Dwarfs), lançado em 1937. Então, pode dar o play e se preparar que o episódio está muito especial e repleto de curiosidades! ___ E-mail: papoanimadocast@gmail.com Instagram: https://www.instagram.com/papoanimado/ YouTube: https://www.youtube.com/papoanimado

Ich bin nicht Walt Disney, hat Walter Elias Disney stets behauptet. Bis heute prägt der Zeichner, Regisseur und Produzent die Populärkultur. Technisch war er dabei stets innovativ, doch seine Geschichten hat er sich aus aller Welt zusammengesucht und umgemodelt.Biermann, Ulrichwww.deutschlandfunk.de, CorsoDirekter Link zur Audiodatei

Rất ít cá nhân tạo ra tầm ảnh hưởng lớn đến ngành công nghiệp giải trí và văn hóa đại chúng của thế kỷ 20 như là Walter Elias Disney. Nhân vật nổi tiếng nhất của ông, chuột Mickey, là một biểu tượng văn hóa được công nhận trên toàn thế giới. Sự đóng góp của ông trong lĩnh vực phim hoạt hình đã giúp thúc đẩy xã hội, đặc biệt là ngành truyền thông. Disney sở hữu tài năng và giấc mơ giúp ông xây dựng nên một đế chế trị giá hàng tỷ đô la. Những câu chuyện của ông đã tiếp thêm sức mạnh cho trí tưởng tượng, sự lạc quan và niềm tin vào bản thân. Chính nhờ những phẩm chất tốt đẹp này mà rất nhiều thế hệ sau này được truyền cảm hứng từ cuộc đời của ông cũng như những bộ phim mà ông để lại cho nhân loại. -------------------

Rất ít cá nhân tạo ra tầm ảnh hưởng lớn đến ngành công nghiệp giải trí và văn hóa đại chúng của thế kỷ 20 như là Walter Elias Disney. Nhân vật nổi tiếng nhất của ông, chuột Mickey, là một biểu tượng văn hóa được công nhận trên toàn thế giới. Sự đóng góp của ông trong lĩnh vực phim hoạt hình đã giúp thúc đẩy xã hội, đặc biệt là ngành truyền thông. Disney sở hữu tài năng và giấc mơ giúp ông xây dựng nên một đế chế trị giá hàng tỷ đô la. Những câu chuyện của ông đã tiếp thêm sức mạnh cho trí tưởng tượng, sự lạc quan và niềm tin vào bản thân. Chính nhờ những phẩm chất tốt đẹp này mà rất nhiều thế hệ sau này được truyền cảm hứng từ cuộc đời của ông cũng như những bộ phim mà ông để lại cho nhân loại. -------------------

Rất ít cá nhân tạo ra tầm ảnh hưởng lớn đến ngành công nghiệp giải trí và văn hóa đại chúng của thế kỷ 20 như là Walter Elias Disney. Nhân vật nổi tiếng nhất của ông, chuột Mickey, là một biểu tượng văn hóa được công nhận trên toàn thế giới. Sự đóng góp của ông trong lĩnh vực phim hoạt hình đã giúp thúc đẩy xã hội, đặc biệt là ngành truyền thông. Disney sở hữu tài năng và giấc mơ giúp ông xây dựng nên một đế chế trị giá hàng tỷ đô la. Những câu chuyện của ông đã tiếp thêm sức mạnh cho trí tưởng tượng, sự lạc quan và niềm tin vào bản thân. Chính nhờ những phẩm chất tốt đẹp này mà rất nhiều thế hệ sau này được truyền cảm hứng từ cuộc đời của ông cũng như những bộ phim mà ông để lại cho nhân loại. -------------------

Rất ít cá nhân tạo ra tầm ảnh hưởng lớn đến ngành công nghiệp giải trí và văn hóa đại chúng của thế kỷ 20 như là Walter Elias Disney. Nhân vật nổi tiếng nhất của ông, chuột Mickey, là một biểu tượng văn hóa được công nhận trên toàn thế giới. Sự đóng góp của ông trong lĩnh vực phim hoạt hình đã giúp thúc đẩy xã hội, đặc biệt là ngành truyền thông. Disney sở hữu tài năng và giấc mơ giúp ông xây dựng nên một đế chế trị giá hàng tỷ đô la. Những câu chuyện của ông đã tiếp thêm sức mạnh cho trí tưởng tượng, sự lạc quan và niềm tin vào bản thân. Chính nhờ những phẩm chất tốt đẹp này mà rất nhiều thế hệ sau này được truyền cảm hứng từ cuộc đời của ông cũng như những bộ phim mà ông để lại cho nhân loại. -------------------

Rất ít cá nhân tạo ra tầm ảnh hưởng lớn đến ngành công nghiệp giải trí và văn hóa đại chúng của thế kỷ 20 như là Walter Elias Disney. Nhân vật nổi tiếng nhất của ông, chuột Mickey, là một biểu tượng văn hóa được công nhận trên toàn thế giới. Sự đóng góp của ông trong lĩnh vực phim hoạt hình đã giúp thúc đẩy xã hội, đặc biệt là ngành truyền thông. Disney sở hữu tài năng và giấc mơ giúp ông xây dựng nên một đế chế trị giá hàng tỷ đô la. Những câu chuyện của ông đã tiếp thêm sức mạnh cho trí tưởng tượng, sự lạc quan và niềm tin vào bản thân. Chính nhờ những phẩm chất tốt đẹp này mà rất nhiều thế hệ sau này được truyền cảm hứng từ cuộc đời của ông cũng như những bộ phim mà ông để lại cho nhân loại. -------------------

Rất ít cá nhân tạo ra tầm ảnh hưởng lớn đến ngành công nghiệp giải trí và văn hóa đại chúng của thế kỷ 20 như là Walter Elias Disney. Nhân vật nổi tiếng nhất của ông, chuột Mickey, là một biểu tượng văn hóa được công nhận trên toàn thế giới. Sự đóng góp của ông trong lĩnh vực phim hoạt hình đã giúp thúc đẩy xã hội, đặc biệt là ngành truyền thông. Disney sở hữu tài năng và giấc mơ giúp ông xây dựng nên một đế chế trị giá hàng tỷ đô la. Những câu chuyện của ông đã tiếp thêm sức mạnh cho trí tưởng tượng, sự lạc quan và niềm tin vào bản thân. Chính nhờ những phẩm chất tốt đẹp này mà rất nhiều thế hệ sau này được truyền cảm hứng từ cuộc đời của ông cũng như những bộ phim mà ông để lại cho nhân loại. -------------------

Walter Elias Disney dit Walt Disney  est un producteur, réalisateur, scénariste et animateur américain, né le 5 décembre 1901 à Chicago (Illinois) et mort le 15 décembre 1966 à Burbank (Californie). Il est l'un des pionniers de l'animation et est une icône du xxe siècle. Il fonde en 1923 la société Walt Disney Company et devient progressivement l'un des producteurs de films les plus célèbres. Walt Disney est aussi le créateur du premier « parc à thèmes », inventant ce concept. Connu pour avoir été un conteur d'histoire et une vedette de télévision, lui et son équipe ont créé un bon nombre des personnages animés les plus connus au monde, dont l'un est considéré à la suite d'une interprétation romantique de plusieurs journalistes comme son alter ego1 : Mickey Mouse. Cinq décennies après sa mort, avec un total de 22 récompenses pour 59 nominations, il est encore à ce jour l'artiste individuel ayant remporté le plus d'Oscars

Today, we talk about Walter Elias Disney, who was an American entrepreneur, animator, writer, voice actor and film producer. A pioneer of the American animation industry, he introduced several developments in the production of cartoons. Part 2 discusses the death of Walt Disney as well as the darker side of Disney Parks. MysteryHistoyPodcast.com Sources: wiki.com biography.com mapquest.com thethings.com --- Send in a voice message: https://anchor.fm/mysteryhistorypodcast/message

Today, we talk about Walter Elias Disney, who was an American entrepreneur, animator, writer, voice actor and film producer. A pioneer of the American animation industry, he introduced several developments in the production of cartoons. Part 1 discusses Walt's early life and birth of Disney Studios. MysteryHistoyPodcast.com Sources: wiki.com biography.com mapquest.com thethings.com --- Send in a voice message: https://anchor.fm/mysteryhistorypodcast/message

We welcome the one and only Shawn Williams from Walt's Apartment podcast to the Tiki Room Studio for the first episode of Season 2. Shawn shares his love of Disney along with his favorite Attractions built and Inspired directly by Walter Elias Disney, visionary creator of DisneyLand. We share some great stories, history, and of course family moments together In this wonderful podcast session.

There are few creatives in the history of the world who have a legacy as enduring as Walter Elias Disney. His name has become synonymous with animation, entertainment, imagination, and magic, and it remains attached to what is arguably the most popular entertainment brand in the entire world. From iconic animated characters like Mickey Mouse to theme parks, films, and so much more, his creations have become a cornerstone of American culture. Many people view his public persona as a sort of kind and generous uncle, but accusations of antisemitism and racial insensitivity in his work have us asking the question: Is Walt Disney the worst?

Walter Elias Disney, produtor, diretor, roteirista e desenhista animado, morre em Los Angeles, em 15 de dezembro de 1966, aos 65 anos. Figura capital da história do cinema de animação, é considerado um ícone internacional graças a sua importante contribuição à indústria do entretenimento durante grande parte do século 20.★ Support this podcast ★

Join me in part two of an amazing conversation as we host a former Disney Imagineer! McNair Wilson is a former Disney Imagineer that has had his hands on projects like Disney-MGM Studios(Disney Hollywood Studios), The Hollywood Tower of Terror aka "Hotel Mel", Downtown Disney, the creation of streetmosphere, some of the concept design over Suess Landing at Universal Orlando, and much more! As a child, McNair even had a very powerful and impactful encounter with one Walter Elias Disney. In addition to diving into many forms of the creative arts, McNair has also authored several books and he is also one of the funniest, most creative, and encouraging people out there! Thank you McNair for spending some time with us! Get in touch with McNair here: Hatch! by McNair Wilson (Facebook) - TeaWithMcNair (website) Get on McNair's e-mail list: Click Here ----- Travel Planning Help Facebook johnrogers@travelmation.net

Wow! 100 Episodes! Thank you to everyone who has downloaded, listened, shared, and reviewed this show, it is so appreciated! To celebrate this milestone, we are hosting a special guest and you are in for a treat! McNair Wilson is a former Disney Imagineer that has had his hands on projects like Disney-MGM Studios(Disney Hollywood Studios), The Hollywood Tower of Terror aka "Hotel Mel", Downtown Disney, the creation of streetmosphere, some of the concept design over Suess Landing at Universal Orlando, and much more! As a child, McNair even had a very powerful and impactful encounter with one Walter Elias Disney. In addition to diving into many forms of the creative arts, McNair has also authored several books and he is also one of the funniest, most creative, and encouraging people out there! Thank you McNair for spending some time with us! Get in touch with McNair here: Hatch! by McNair Wilson (Facebook) - TeaWithMcNair (website) Get on McNair's e-mail list: Click Here ----- Travel Planning Help Facebook johnrogers@travelmation.net

Walter Elias Disney hat dank seiner Kreativität einen der größten Entainment und Medienkonzerne der Welt aufgebaut. Eine Methode die er persönliche praktizierte und einen Ideenprozess strukturiert ist die World Disney Methode. Unser Gedankenhappen für deine innovative Woche: "Um loszulegen muss man aufhören zu reden und anfangen zu handeln." Wir freuen uns, wenn du auch nächste Woche wieder reinhörst. Bahnbrecher Podcast, der Innovationspodcast. Wir helfen dir dabei eingefahrene Denkbahnen zu verlassen, um bahnbrechende Innovationen zu kreieren.

There's really no secret about our approach. We keep moving forward—opening up new doors and doing new things—because we're curious. And curiosity keeps leading us down new paths. We're always exploring and experimenting. At WED, we call it Imagineering—the blending of creative imagination with technical know-how.—Walt DisneyLillian Disney could sense something big brewing in early 1952. It was one of those times, she would say, when “Walt's imagination was going to take off and go into the wild blue yonder and everything will explode.” Walt began liquidating long-held family assets, borrowing against his life insurance policy, selling properties, and even selling the rights to his own name. Walt Disney was planning something new—he was planning to kick down the walls dividing his movies and real life.When Disney's children were very young, he'd tried to take them to places where their imaginations could run wild. But every carnival or fair seemed to be dirty, poorly run, and filled with vice. Walt wanted to create a place where people could take their family and forget the concerns of the everyday world—a place beautiful, safe, and filled with endless wonder. So at about the same time that he had started selling assets and conserving his capital, he pulled aside one of his art directors and had him begin working on concept sketches for a new kind of amusement park. The sketches started to illustrate the vision he had in his head, a utopian world where guests would enter a fairytale world.Ever since his early days as a Kansas City artist and animator, Walt had a unique belief in the power of his thoughts. As time went on, he became expert at manifesting his dreams into physical forms, often creating the necessary technology as he went. But nothing prepared him for the challenge of manifesting Disneyland—taking the imaginary world of his movies and making it literally concrete. Disneyland would transport visitors into a captivating three-dimensional story, a sprawling material incarnation of a wonderland that began as a vision, then lived on screens.Disney knew little about the experiential side of entertainment; his expertise and success was in storytelling through the mediums of animation, film, and television. To make his dream world a reality, Disney chose some of the studio's most talented individuals, took a small building on the Disney lot, and formed a new company, WED Enterprises—an acronym for Walter Elias Disney. This interdisciplinary dream team would be tasked with creating the design, development, and construction of Disneyland—not only doing something that none of them had done before, but that no one had done before. They represented an extraordinary group of storytellers, engineers, animators, contractors, directors, writers, artists, set designers, lighting designers, sound engineers, and many others. WED employees would interpret the Disney stories by building beautiful sets and giving them the interactivity and resilience to wow thousands of guests daily.The plans for the 160-acre site called for 5,000 cubic yards of concrete and a million square feet of asphalt. The designs included a replica of an 1800s main street, manmade riverbeds for steamboats and jungle cruises, a mile of railroad tracks, and a full-scale Bavarian castle. Walt was at the construction site pushing the WED team every day, giving his attention to every detail, every blade of grass, every leaf on every tree. As former Disney executive vice president and Imagineer Marty Sklar remembers, “The thing we worked so hard to avoid is letting people out of the story with discordant details…. Even the trash cans in the park are for that particular story or theme.” The attention to detail and level of execution were extraordinary. 

We're killing two films with one podcast this week on We Want The D, but not by doing an original and a remake the way we have in the past. This time, we're looking at SALUDOS AMIGOS, a four-movie package film from the early 1940s; and the 2008 documentary Disney made about the making of said package film, WALT & EL GRUPO. One wouldn't necessarily think the latter deserves the former, but it turns out the documentary is quite illuminating as to just why Disney made not one, but two movies of seemingly disconnected, cute but often generic short films set in South America. Plus is gives Vicky, Nolan and Jill an excuse to dive back into the psychology of Walter Elias Disney, one of our hosts' favourite pastimes. 

Employees emotional distress, Rise of the Resistance and mosquitoes, Greg and Mitch went to Disneyland so you don't have too. They break down the science, the history, and the experiences that Walter Elias Disney has tried to design.

A Valentine's Day, double Time Phone special! We speak to St Valentine himself about his legal issues, watch Cannon Classic Movie 'Death Wish 2' and speak to none other than Walt Disney about where his ideas come from. SHOW NOTES Saint Valentine was a widely recognized 3rd-century Roman saint, commemorated in Christianity on February 14. From the High Middle Ages, his Saints' Day has been associated with a tradition of courtly love. He is also a patron saint of epilepsy. Death Wish II is a 1982 American vigilante action film directed and co-edited by Michael Winner. It is the first of four sequels to the 1974 film Death Wish. In the story, architect Paul Kersey (Charles Bronson) moves to Los Angeles with his daughter (Robin Sherwood). After his daughter is murdered at the hands of several gang members, Kersey is once again forced to become a vigilante. Walter Elias Disney (/ˈdɪzni/; December 5, 1901 – December 15, 1966) was an American entrepreneur, animator, voice actor, and film producer. A pioneer of the American animation industry, he introduced several developments in the production of cartoons.

Walt Disney====================================Esta semana nossa coluna homenageia o homem que foi responsável pela invenção de gêneros cinematográficos, criou personagens ícones da cultura mundial além de ser o cofundador da maior empresa de entretenimento do mundo. Esta semana a coluna faz uma homenagem ao norte-americano, Walt Disney.Walter Elias Disney, conhecido e popularizado como Walt Disney, nasceu dia 5 de dezembro de 1901, há 118 anos, na cidade de Chicago e foi um animador, cineasta, diretor, roteirista, dublador, empreendedor e produtor cinematográfico.Tornou-se mundialmente conhecido por ser o pioneiro do ramo da animação tendo produzido o primeiro longa-metragem de animação Branca de Neve e os Sete Anões (1937) além de ser o criador de personagens icônicos como Mickey e Pato Donald.Walt Disney é filho do empreiteiro Elias Disney e da professora Flora Call Disney. Com 7 anos já revelava talento para o desenho. Com 14 anos ingressou no Kansas City Art Institute. Com 16 anos, entrou para a Cruz Vermelha, onde foi motorista de ambulância. Com 18 anos retornou para Kansas City e iniciou sua carreira de cartunista de propaganda e depois passou a produzir filmes publicitários.Por volta de 1923, deixou Kansas City e partiu para Hollywood, levando um filme feito com a técnica de desenho animado e atores reais. Junto com o irmão montou uma produtora e ofereceu seus filmes à distribuidora M. J. Winkler. Produziu "Alice" e em seguida "O Coelho Oswald”. Esta empresa é a gênese da atual maior empresa de entretenimento do mundo, a Walt Disney Company.Em 1925, casou-se com Lillian Bounds, uma de suas primeiras funcionárias. Em 1927 criou o camundongo, que foi batizado por sua esposa, com o nome de "Mickey Mouse", que se tornaria um dos maiores sucessos de sua produtora. Em 1928, lançou Steamboat Willie, o primeiro desenho com som da história. Nos anos seguintes, para contracenar com o Mickey Mouse, Walt Disney criou as personagens "Pato Donald", o "Pateta" e o "Pluto”. Em 1932, recebeu seu primeiro Oscar, com o filme "Flowers and Trees”. Walt Disney já havia criado curtas-metragens e animações, mas em 1935 divulgou sua ideia revolucionária de criar uma nova forma de arte. No início foi considerado louco, pois Hollywood não acreditava que adultos pagariam para assistir à uma animação. Ignorando as críticas e com o apoio de seu irmão Roy, hipotecou vários bens e pegou empréstimo bancário para realizar seu sonho. Foram investidos mais de um milhão de dólares para a criação do longa-metragem, em plena Grande Depressão americana. A ousadia do visionário, Walt Disney mudou a história do cinema mundial, elevando a animação à categoria de arte. Com o lucro do filme, Disney construiu um estúdio, dando sequência a outras produções e iniciando um império de entretenimento, que além de produzir dezenas de filmes e animações expandiu-se num conglomerado que inclui parques temáticos, brinquedos, jogos e livros com centenas de personagens. Outros longas vieram na sequência, entre eles, "Pinóquio", "Fantasia”, “Bambi" e Cinderela. Após deixar de atuar exclusivamente com animações, a Disney expandiu seus negócios para o teatro, parques temáticos, música, rádio e mídia online. Hoje, a The Walt Disney Company opera redes de televisão pagas e tem como subsidiárias empresas como Lucasfilm, Marvel Entertainment, Pixar, ABC e Fox. De acordo com a Walt Disney, seu principal objetivo é "tornar as pessoas felizes". Disney e sua equipe sempre diziam, à época do lançamento revolucionário de Branca de Neve que sabia que todas as pessoas foram crianças um dia. Hoje, sua empresa, além de povoar o imaginário do mundo inteiro, tem um valor de mercado de cerca de 155 bilhões de dólares, com ativos de 96 bilhões e faturando cerca de 55 bilhões de dólares por ano. Há dezenas de biografias e filmes sobre Disney e seu legado cultural impressionante. Eu recomendo os filmes Walt antes do Disney, de 2015 que conta a saga e os obstáculos enfrentados na criação de suas obras e o livro Walt Disney. O Triunfo da Imaginação Americana de Neal Gabler, um petardo de quase 800 páginas sobre a vida de Walt Disney.Walt Disney é a pessoa que venceu o maior número de Óscars na história, sendo 22 prêmios e 59 indicações. Disney faleceu dia 15 de dezembro de 1966 de câncer de pulmão em Burbank, Califórnia. Seu corpo foi cremado e suas cinzas estão no Forest Lawn Memorial Park, Glendale. Morreu antes da inauguração de um de seus últimos sonhos, o parque Walt Disney World, na Flórida, que foi inaugurado em 1971.

Happy Thursday, December 5th Everyone! Weather in the parks today will be partly cloudy with a high of 67 degrees. Park hours today, Disneyland will be open from 8 am - 10 pm and DCA 8 am - 9 pm. Happy Birthday, Walt Disney! On this day in the Year 1901, Walter Elias Disney was born in Chicago, Illinois. He was the 4th Disney Son born to Elias & Flora Disney and was named after the family's Pastor & friend, Walter Parr. New Poster & Trailer just released for Disney's All-new Live-Action Mulan. Mulan is set to hit theaters March 27, 2020 Congrats to our friends over at WDW today on the Grand Opening of their new attraction Rise of the Resistance. This New attraction will hit Our Galaxy's Edge on January 17th.

Saiba mais sobre a vida de Walter Elias Disney no #QueDiaéHoje! Produção: Vinícius de Oliveira Locução: Letícia Maria Mesa de Som: Matheus Bueno Edição e Finalização: Leonardo Engelmann Postagem: Mafê Vieira

Walter Elias Disney, hoy en día su legado es el imperio mundial del entretenimiento. Las crónicas oficiales dicen que nació en Chicago, Illinois un 5 de diciembre de 1901. Otras no oficiales, aseguran que lo hizo en Mojacar (Almeria). En este programa hablaremos de su relación con Hitler, Franco y Benito Mussolini, entre otros. También de los supuestos mensajes subliminales subidos de tono, su posible condición de antisemita y su "pasado" andaluz. ¿Es más oscuro de lo que nos venden? ¿Que secretos esconde Walter Disney? Antonio Osorio, Cristina Candela, Jaime Noguera, Manolo del Pryca, Francisco Guerrero y Alberto Pons trataran un tema tan "peliagudo" Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Felipe e Rebeca contam em detalhes como foi a viagem incríevel pela vida do Gênio Walter Elias Disney. De Orlando a Los Angeles passando por Chicago, Marceline, Kansas City e mais detalhes desta viagem de 44hs a bordo de um trem atravessenado 9 Estados americanos.

Walter Elias Disney (/'d?zni/;[1] December 5, 1901 – December 15, 1966) was an American entrepreneur, animator, voice actor and film producer. A pioneer of the American animation industry, he introduced several developments in the production of cartoons. As a film producer, Disney holds the record for most Academy Awards earned by an individual, having won 22 Oscars from 59 nominations. He was presented with two Golden Globe Special Achievement Awards and an Emmy Award, among other honors. Several of his films are included in the National Film Registry by the Library of Congress. Walt Disney Disney in 1946 Born Walter Elias Disney December 5, 1901 Chicago, Illinois, U.S. Died December 15, 1966 (aged 65) Burbank, California, U.S. Occupation Entrepreneur animator voice actor film producer Board member of The Walt Disney Company (1923–1966) Relatives See Disney family Awards 26 Academy Awards (22 competitive, 4 honorary) 3 Golden Globe Awards 1 Emmy Award

Walter Elias Disney (/ˈdɪzni/;[1] December 5, 1901 – December 15, 1966) was an American entrepreneur, animator, voice actor and film producer. A pioneer of the American animation industry, he introduced several developments in the production of cartoons. As a film producer, Disney holds the record for most Academy Awards earned by an individual, having won 22 Oscars from 59 nominations. He was presented with two Golden Globe Special Achievement Awards and an Emmy Award, among other honors. Several of his films are included in the National Film Registry by the Library of Congress.   Walt Disney   Walt Disney 1946.JPGDisney in 1946   Born Walter Elias Disney December 5, 1901 Chicago, Illinois, U.S.   Died December 15, 1966 (aged 65) Burbank, California, U.S.   Occupation Entrepreneur animator voice actor film producer   Board member of The Walt Disney Company (1923–1966)  Relatives See Disney family  Awards 26 Academy Awards (22 competitive, 4 honorary) 3 Golden Globe Awards 1 Emmy Award    This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy Support this podcast

Walt Disney – bara namnet ger de flesta en nostalgisk och mysig känsla i kroppen. Få andra har som honom förkroppsligat vad det är att vara barn och att få drömma sig iväg till en fantasivärld. Med figurer som Kalle Anka, Musse Pigg och många fler var Walter Elias Disney en av de absolut främsta inom sin genre.Men TÄNK OM "farbror Walt" inte bara var den mysgubbe som så många av oss såg honom som? Tänk om det fanns en mörkare sida, som antydde maktfullkomlighet, kvinnohat – och till och med rasism...? Det här är några av de myter om Walt Disney som vi kommer att titta på idag!KÄLLOR:13 super dark facts about Disney (sammanställning av några av myterna; https://www.ranker.com/list/walt-disney-dark-facts/)These Disney Academy Awards aren't your normal Oscars (om Oscars-statyetten för Snövit; https://d23.com/disneys-special-academy-awards/)Fact-checking the age-old rumors of Walt Disney's dark side (artikel om myterna; https://www.vulture.com/2013/12/walt-disney-anti-semitism-racism-sexism-frozen-head.html)Songs of the South (Wikipedia-artikel; https://en.wikipedia.org/wiki/Song_of_the_South#Controversies)The truth behind Walt Disney's frozen head (inslag i BBC; https://www.bbc.com/reel/video/p0753mtw/the-truth-behind-walt-disney-s-frozen-head)Why Most Disney Heroines Don't Have Mothers and So Many More Secrets From the Disney Archives (artikel, Glamour; https://www.glamour.com/story/disney-secrets-beauty-and-the-beast)Characters created by Carl Barks (wiki om Disney;https://disney.fandom.com/wiki/Category:Characters_created_by_Carl_Barks)Diverse artiklar länkade från Wikipedia (dock inte ursprungsartiklarna som inte uppfyller våra krav på fakta)MUSIK:Life Decisions av Remember the Future (intro och outro)Övrig musik och bakgrundsljud levereras av Epidemic SoundLOGOTYPE:Vår logotype är skapad av Josefine Molén på Molén Media (www.josefinemolen.se), och anpassas inför varje avsnitt av mig.Glöm inte att sponsra oss på patreon.com/tankom för att få fler och längre avsnitt!Du kan också Swisha ett engångsbidrag på nummer 123 356 17 01 (betalningsmottagare: Tobias Henricsson). See acast.com/privacy for privacy and opt-out information.

Come and sit around as Valerie and Brina tell you tales of the makings of Nightmare Before Christmas and the beginnings of Walt Disney

It’s been more than 50 years since Walter Elias Disney departed for the great amusement park in the sky, yet his legacy consistently inspires new generations of business owners and creators. Michael Goldsby and Rob Mathews, two professors of entrepreneurship at Ball Street University, have encapsulated Disney’s magic rules of success into a must-read book, Entrepreneurship the Disney Way. As Goldsby tells host and award-winning journalist Dean Rotbart, two traits that Disney embodied that to this day are hard-wired into The Walt Disney Company are an obsessive commitment to product quality and a refusal to stop innovating and creating.  For businesses owners who wish upon a star that they could emulate the success of the Disney and the Magic Kingdom, Goldsby says the pixie dust is simple: Just ask yourself time and again, “What would Walt do?” Photo: Michael Goldsby, Ball State UniversityPosted: September 2, 2019Monday Morning Run Time: 42 minutes 42 seconds  

Imagine the world without Walt Disney. A world where his beloved characters and songs never shaped your dreams, where magic and visual storytelling never sparked your imagination, and where no whimsical theme parks ever delighted your childhood fantasies. Walt Disney and his works are nothing less than legendary. From pioneering animations to spellbinding theme parks, his unparalleled vision continues to inspire generation after generation. People of all ages all around the world have been touched by Walt Disney's legacy – which didn't come easily for this innovative animator and persistent entrepreneur. Walt Disney's life story shows no traces of dumb luck or free passes. Instead, it begins with a hard-working paperboy and ends with a humble film producer, who marked history once again while daydreaming on a park bench. Top Walt Disney Quotes to Awaken the Dreamer in You All our dreams can come true, if we have the courage to pursue them. That's the real trouble with the world. Too many people grow up. Early life with a love for art On December 5th, 1901, Walter Elias Disney was born in a small neighborhood in Chicago. He was one of five children of Irish, Canadian, German, and American descent. walt-disney-as-a-young-child Image: Walt Disney at the age of 1. Credit: History.com When Walt was four years old, his family moved to Marceline, Missouri, where his artistic talent was sparked by a neighborhood doctor who asked him to draw his horse. Young Walt instantly fell in love with art and intently developed his skills by copying the cartoons in his father's newspaper. At seven years old, Walt decided to help his struggling family by selling his drawings to neighbors and family friends. At school, Walt Disney was rather inattentive. His teachers would often catch him daydreaming or doodling pictures of animals and nature. As he grew older, he picked up a knack for storytelling and would tell his classmates outlandish tales while illustrating on the chalkboard. At ten years old, Walt and his family moved to Kansas City where his uncle employed him to sell snacks and newspapers along the railroad. Being amongst trains all summer induced Walt with a fascination for them, a passion which can still be seen in his theme parks today. During the rest of the year, Walt would wake up at 4:30 every morning with his brother Roy to deliver the newspaper before school. They would make another paper round after school as well. The job was exhausting and Walt would often fall asleep in class, but he continued his paper route for more than six years to help his family. The Army and a short-lived business Walt Disney attended McKinley High School back in Chicago, where he drew patriotic pictures about WWI for the school newspaper. At night, he took illustration courses at the Chicago Academy of Fine Arts to broaden his skills. At 16, a shy yet determined Walt Disney dropped out of high school and attempted to join the Army in their fight against the Germans. But he was rejected since he was still under the minimum age of 17. Nevertheless, Walt was insistent on joining, and so he tried again – this time enlisting for the Red Cross with a forged birth certificate. He was accepted and soon shipped to France where he spent the following year driving an ambulance. For all the blood and grisly injuries Walt would face on a daily basis, he found comfort in dreaming up new cartoon characters for his future career as an artist. In his downtime, Walt would give life to his unrelenting imagination by drawing on the side of his ambulance, covering it with cartoons from stern to stern. Some of his work was even published in the army newspaper. After his time in the Army had ended, Walt Disney returned to Kansas City at 18 years old with the goal of becoming a newspaper artist. His brother, Roy, got him a job at the Pesmen-Rubin Art Studio, where he met Ub Iwerks, a fellow cartoonist there. ub-iwerks-and-walt-disney-posing-for-a-photo Image: Walt Disney and Ub Werk. Credit: Inspiration X Not even a year had passed when a sharp decline in revenue pushed Walt Disney out of the job, the justification being “he lacked imagination”. This would have discouraged many aspiring artists, but not Walt Disney. With unwavering optimism and the support of his new friend Ub, Walt opened his very first business. Together, they formed Iwerks-Disney Commercial Artists. Sadly, they failed to attract enough customers and the business went under after only a month. Walt was dismayed, but far from ready to quit on his dream. All of my obstacles have strengthened me. You may not realize it when it happens, but a kick in the teeth may be the best thing in the world for you – Walt Disney First commercial success and bankruptcy As determined as Walt Disney was to achieve his goals, no amount of belief was going to get him anywhere without the money to fund it. So he got a job at the Kansas City Film Ad Company, where he produced short films using cutout animation. Meanwhile, at home, Walt began to experiment with a different animation technique using a borrowed camera and book. Later on, he tried to convince the ad agency to adopt this new technique – but was unsuccessful. the-story-of-the-life-of-walt-disney Image: Walt Disney and his camera. Credit: TIME Walt Disney soon decided it was time to quit talking and start doing, so he left the agency and opened his second business. Walt, Ub and a handful of animators would work long hours to produce short cartoons called Laugh-O-Grams. These seven-minute animations of modernized fairytales were shown at the local theater, attracting enough attention and popularity to keep their business afloat. Although funding soon began to decline, which pushed Walt Disney to work on the story of a live-action girl called Alice exploring an animated wonderland. Before he could finish it, his company went bankrupt and he was, once again, left with close to nothing. At 22 years old and already with two failed business ventures under his belt, Walt felt the only way he would succeed is if he believed in his dream implicitly and unquestionably. He then packed his suitcase – never leaving behind his favorite canned chili – and made the trip to Hollywood. A whole new chapter of his life was about to begin. A stolen rabbit and an optimistic mouse Walt met up with his brother, Roy, who had just overcome tuberculosis. They pooled their money to set up shop in their uncle's garage in Hollywood. There, Walt dogged studios day after day in an effort to sell his Alice in Cartoonland series. He was rejected time and time again, until he heard from Margaret J. Winkler, a New York cartoon distributor looking for a fresh series. Walt and Roy were equally ecstatic and moved their operation to a rented room at the back of a real estate office. Walt took charge of animation while Roy operated a second-hand camera. They then hired two girls to ink and paint the celluloids. The rental was small and they lacked employees, but the front door proudly read “Disney Bros. Studio”, and that's all the incentive Walt needed. Walt Disney's series on Alice was well-received, which allowed the studio to hire more animators. His first hires included his friend Ub Iwerks and an inker who Walt would later marry. Their studio went on to create more animated shorts, and later gave life to a chipper, venturesome character called Oswald the Lucky Rabbit. oswald-the-lucky-rabbit-by-walt-disney Image: Oswald the Lucky Rabbit. Credit: Inverse Things were going seemingly well for the studio. Although five years later, Walt attempted to negotiate a higher fee for the Oswald series, only to find their distributor actually wanted to reduce their fee. It turned out that Winkler and her husband had poached Walt's best employees and made them their own. He also discovered that they had stolen the rights to Oswald the Lucky Rabbit. He was now faced with the ultimatum of accepting a reduced fee for his work or leaving the studio. Walt chose to leave, along with his loyal animator Ub. Now at 27 years old, a disillusioned Walt Disney stared blankly out the window while on a train to Hollywood. Disaster seemed right around the corner for his company, but an idea was forming in his restless mind. Walt dug around for his notepad and fervently sketched his idea on paper. The result was Mortimer the Mouse, later baptized as “Mickey” by Walt's wife. This character was special. He was more human, adventurous, and hugely optimistic – much like Walt Disney himself. He rushed his rather bad sketch over to Ub, who refined Mickey's appearance while Walt worked on defining his character. Walt's team was on board with this new cartoon, but would the audience like him? Snow White and the “ruin of Disney” Mickey Mouse first appeared in Plane Crazy and The Gallopin' Gaucho, two silent films which failed to find distribution. But Walt was used to failure by now and knew better than to roll over. He and his team decided to integrate syncronized sound into a third short, called Steamboat Willie. With Ub in charge of animation and Walt lending his own voice as Mickey's – the first ever sound cartoon hit the NY Colon Theater in 1928. It became an instant sensation. The reviews were beyond glowing and plans of Mickey merchandise began to bloom. the-original-mickey-mouse Image: Mickey Mouse cartoons. Credit: Cartoon Brew Soon enough, film studios began to line up with all sorts of deals for Walt. From experience, he never sold the rights to his prized Mickey. Along with his passionate team, Walt formed Disney Studios and went on to create a series of sound cartoons. Gradually, their humorous animations and lovable characters flickered across televisions all over the country. Six years and many successful animations later, Walt Disney continued to push the limits of animation by announcing his first full-length feature film Snow White and the Seven Dwarfs. Everyone thought it was a terrible idea. His wife and brother tried to talk him out of it, but Walt took out multiple bank loans and spent the next three years producing his vision. His very own team thought the film would “ruin Disney Studios”. Yet Walt Disney persevered, and in 1937, the film became the most successful motion picture of the year. It won dozens of awards and turned enough profit to pay off every bank loan and then some. Materializing magic and creating a legacy For years onward, Disney Studios completed a string of popular animated films and introduced countless iconic characters. But Walt was a well-known ‘workaholic dreamer' and his mind was brimming with even more ambitious ideas. On one particular Saturday with his daughters, Walt sat on a park bench eating peanuts while his girls played on the merry-go-round. As he watched them, he began to daydream of a place where parents and children could have fun together. His plans for a theme park began to hatch. It would be unlike any other, where people of all ages could explore and revel in fantastical experiences. disneyland-vintage-photo Image: Disneyland – vintage photo. Credit: Business Insider In 1954, the first Disneyland opened its doors to thousands of awaiting public. Despite the counterfeit tickets and abounding technical difficulties, Disneyland was an instant success and became known as a truly magical place. Now over 50 years old, Walt Disney had finally made his wildest dreams come true. His animation companies were flourishing, his characters were loved by many, and his productions were crossing borders into other countries. He had successfully transformed the entertainment industry and delighted people of all ages with his extraordinary vision. It wasn't long before Walt began plans for a new theme park. Sadly, before construction was complete, his life-long habit of chain-smoking had finally caught up with him. In 1966, Walt Disney passed away from lung cancer. Although his unfinished venture was not lost. His brother Roy continued working on the theme park which opened in 1971, under the name Walt Disney World. Regardless of how many years have passed since his death, Walt Disney continues to live on as a central figure in the history of animation. Although his reputation has changed over the years, he remains known as a national treasure for the U.S. and a cultural influencer worldwide. Thanks to his vision and unfailing pursuit of his dreams, Walt's legacy now transcends generations with memorable characters and influential films. His impressive record of 22 Academy Awards is one that has yet to be beaten. If Walt Disney were alive today, he would warmly reassure you that – from experience – there is no direct path to success. That your accomplishments depend almost solely on your dedication and willingness to persevere. He would also tell you that sometimes, the key lies within your most unexpected daydreams. If you can dream it, you can do it.

Não há como falar de Walt Disney World sem antes relembrarmos o primeiro Parque Temático idealizado, projetado, supervisionado e construído pelo então Walter Elias Disney, o Disneyland Park localizado em Anaheim no estado da Califórnia. Nesse episódio você vai ouvir muitas curiosidades sobre esse parque desde sua idealização. --- Send in a voice message: https://anchor.fm/travel-guide-orlando/message

He’s a studio. He’s a theme park. He’s a Man. Born in Chicago in 1901, Walter Elias Disney would become one of the defining figures of entertainment. But the flesh-and-blood man was far from perfect, and his life was defined by an insatiable desire to push the boundaries of what was possible. Parcasters - Don't miss the exciting conclusion to our exploration of the Robert Blake murder trial, coming up tomorrow on Not Guilty! Catch up on the first episode now at parcast.com/notguilty

He’s a studio. He’s a theme park. He’s a Man. Born in Chicago in 1901, Walter Elias Disney would become one of the defining figures of entertainment. But the flesh-and-blood man was far from perfect, and his life was defined by an insatiable desire to push the boundaries of what was possible. Parcasters - Don't miss the exciting conclusion to our exploration of the Robert Blake murder trial, coming up tomorrow on Not Guilty! Catch up on the first episode now at parcast.com/notguilty

On today’s episode, we go over 10 interesting facts about the man, the myth, the legend, Walter Elias Disney.   If you have any suggestions for upcoming shows or just wanna say “HI”, you can email us at MousekaBrosPodcast@gmail.com   Check us out on Facebook at The MousekaBros and don't forget to subscribe!   If you’re planning your next Disney World, Disneyland, Disney Cruise Line or Universal Orlando vacation you’re gonna wanna reach out to me, Ryan Noppinger with Capture the Magic Vacations. You can reach me at ryan.noppinger@ctmvagent.com. This service is at no cost to you and I will ensure that you get the best vacation package for you and your family. My services don't end at booking your vacation, I can even plan your fastpasses and book your dining reservations to make your vacation planning less stressful and to get your Disney vacation off to a magical start!   Links: Check out our Facebook: @TheMousekaBros Need help planning your next Disney adventure? Click Here!

Walt Disney: The Triumph of The American Imagination, written by Neal Gabler, and narrated by Arthur Morey celebrates the remarkable life of Walter Elias Disney. Episode includes discussion with guest Gilbert Tang. Walt Disney: The Triumph of the American Imagination **Selected Video References:** Alice's Wonderland Oswald the Lucky Rabbit - Trolley Troubles Plan Crazy (Mickey Mouse) Silly Symphonies: Flowers & Trees Silly Symphonies: The Three Little Pigs and Big Bad Wolf Multiplane Camera E.P.C.O.T.   **Additional Links:** Connecting with Walt podcast Walt Dinsey (PBS) Mickey’s 90th Spectacular Disney Dish podcast: The Mineral King Project, Part 1 Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration The Pixar Touch: The Making of a Company Cuphead

Happy Wednesday, December 5th Everyone! This is #TheMinnieMiceMinute Weather in the parks today will be cloudy with scattered Showers and a high of 57 degrees. HAPPY BIRTHDAY WALT DISNEY!! Today in the year 1901, On a Sunday, Walter Elias Disney was born in Chicago, Illinois to Parents Flora & Elias Disney in their 2 story Family Cottage Home. He was named after their family friend & Pastor, Reverend Walter Parr. Fun Fact in Disney History, On this day in the year 1985, The City of Anaheim Salutes Disneyland in Celebration of Walt Disney's Birthday with a World - record release of One MILLION Balloons over the park! What a sight that must have been! Mary Poppins Returns has just been named one of the 10 Best Movies of the Year by The American Film Institute. This just in, Craig Gillespie (who last directed I Tonya) is set to Direct the Live Action “Cruella De Vil” and Emma Stone will Play Cruella. In Downtown Disney News, Napolini is Now Open! With a beautiful, clean & Spacious new interior. You can now walk in and choose options from an all-new refrigerated section with Sandwiches, Salads, Cheesecakes, Soft Drinks and even Alcoholic options such as Beer & Champagne. You can also build your own personal pizza or choose one of their signatures pizzas to go! For More Minnie Mice Minute Updates, Subscribe on Itunes, SoundCloud or Google Play! Again, I'm Mama Mouse Cynthia, co-host of The Minnie Mice Show, Make sure you check us out at @TheMinniemice Thanks for listening…. This is the Minnie Mice sounding off! Until Next time, Be Kind & Spread Some Magic!

Descubre en esta completísima biografía de Walter Elias Disney, todo sobre la vida de este gran genio. Desde su nacimiento el 5 de diciembre de 1901, hasta la primavera de 1926 cuando cambiaron el nombre de su empresa, que pasó a llamarse Walt Disney Studio... Desde su gran crisis de salud de 1931 debida a su adicción al trabajo, hasta sus primeras Sinfonías tontas de 1932. Desde el nacimiento del pato Donald en 1934, hasta su primer largometraje de dibujos animados, primero también de la historia del cine, titulado Blancanieves y los siete enanitos realizado en 1937, que dejó a Disney endeudado hasta 1961 por culpa de la amortización de los créditos que tuvo que pedir, ya que el presupuesto inicial de 500.000 dólares de la película había acabado triplicándose. En Blancanieves y los siete enanitos se utilizó por primera vez la cámara multiplano, capaz de sugerir profundidad de campo gracias a un ingenioso sistema de superposición de cinco láminas filmadas en un mismo plano para simular lejanía, y un nuevo sistema de technicolor. La película fue el primer ejemplo de que el cine de animación de la escuela Disney tenía un sólido procedimiento narrativo, en el que los personajes humanos eran descritos a partir de la «mirada» de los animales humanizados o de los seres fantásticos. También quedó patente en el filme el gusto de Disney por lo tenebroso y su estilo de sugerir más que de mostrar abiertamente el terror. Pinocho de 1940, considerada como una de las piezas maestras del cine de animación por los críticos y en la que se invirtieron 2.600.000 dólares, fue un desastre comercial. Lo mismo sucedió con Fantasía (1940), que costó 2.300.000 dólares. Considerada una obra maestra por unos y una insultante caricatura de la música clásica por otros. Estos fracasos comerciales abrieron una importante brecha económica en la empresa, paliada poco después por los éxitos consecutivos de Dumbo (1941) y Bambi (1942). Disney exigía un alto nivel de creatividad y producción a cambio de salarios muy bajos, aunque nunca reparó en gastos a la hora de hacer sus películas y siempre llevó personalmente una vida privada sin lujos ni ostentaciones. El 10 de noviembre de 1940 empezó a colaborar con el FBI. En 1941, un sindicato de ilustradores recién creado en su compañía amenazó al «Mago de Burbank» con ir a la huelga en demanda de mejores salarios. El 29 de mayo de aquel año, los estudios Disney quedaron casi paralizados por una huelga en la que participaron la mayoría de los trabajadores y que duró todo un año. Disney recibió una interesante propuesta de Howard Hughes: un crédito sin intereses de un millón de dólares a cambio de su ayuda en un terreno (el sector cinematográfico) que el multimillonario tejano no conocía y en el que quería invertir. Con aquel dinero, Disney puso en marcha 18 nuevos proyectos, entre ellos Cenicienta (1950), Alicia en el país de las maravillas (1951) y Peter Pan (1953). En 1953, después de ganar un nuevo Oscar al mejor documental con El desierto viviente, inició conversaciones con la cadena televisiva ABC para ceder la emisión de sus películas al nuevo invento. A diferencia de otros productores de Hollywood, que la consideraban una amenaza, Disney creyó que la televisión era un excelente medio de difundir sus productos. Un año después inició la realización de filmes específicamente para televisión, la parte de su producción artística más denostada por los críticos. Críticas que también le lloverían años después con Mary Poppins (1964), su primer largometraje con sólo actores reales. Pero a Disney no le importaron, porque esas películas le daban el dinero que necesitaba para hacer realidad un proyecto que acariciaba desde hacía tiempo: construir un enorme parque de atracciones basado en sus personajes. Disneyland, que abrió sus puertas el 17 de julio de 1955 en Anaheim, California. Este parque, con una extensión de 120 hectáreas, costó 17 millones de dólares. Multimillonario y galardonado con veintinueve Oscars, en la década de los sesenta se había consolidado como uno de los personajes más conocidos y queridos de todo el mundo, pero su salud flaqueaba, y todo su imperio entró en una lucha por la sucesión. Fumador empedernido y aficionado al alcohol, murió el 15 de diciembre de 1966 en Los Ángeles, California, víctima de un cáncer de pulmón, después de haber supervisado los esbozos de Disney World, parque temático al estilo de Disneyland pero más enfocado hacia los adultos, que abriría sus puertas en 1971 en Orlando, Florida (en 1983, la compañía inauguró en Japón el Tokio Disneyland y en 1992 abrió sus puertas el Euro Disney de París). Con el fallecimiento de Disney, entraba en la leyenda uno de los nombres fundamentales de la cultura popular del siglo XX. Con variada fortuna, tratarían de sustituirle figuras tan dispares como su hermano Roy O. Disney, su sobrino Roy E. Disney y su yerno Ron Miller. Pero sólo el productor ejecutivo Michael Eisner demostró ser un digno sucesor suyo. Biografía extraída de biografiasyvidas.com Pero existe una biografía, escrita en 2001 por Marc Eliot, titulada "Walt Disney, el príncipe oscuro de Hollywood", publicada en Estados Unidos, donde relata el lado oscuro del famoso productor. En este libro, desmonta capitulo a capitulo el mito del Walt Disney. Marc asegura entre otras muchas cosas que el productor de cine era alcohólico, un neurótico cazacomunistas, y que se atribuyó la creación de Mickey Mouse. También indica que Walt, fue agente del FBI y simpatizante de los nazis. Se cree que su verdadero nombre de Walt Disney es José Guirao, hijo de una casquivana española que se refugió en Estados Unidos. Walt participó en la producción de Mickey Mouse pero no fue su creador, su verdadero autor fue Ub Iwerks, considerado históricamente uno de los mayores talentos de la compañía. El libro de Marc "Walt Disney, el príncipe oscuro de Hollywood", ha sido objeto de indignación, malestar e incredulidad por parte de los admiradores del creador de sueños, y de los herederos. Una de sus hijas, Diane Disney Miller dijo: "Considero este libro -que irónicamente se entrega a la fantasía más de lo que mi padre hizo- un asesinato de un gran hombre que llevó diversión a la gente alrededor del mundo". Para Disney, se había convertido en una obsesión tratar de establecer dónde y cuándo había nacido y quién era su verdadero padre. A los 16 años había recibido un certificado de nacimiento de la oficina de registro de Chicago en el que se le informaba que en la fecha de nacimiento que suministraba -diciembre 5 de 1901- no aparecía ningún Walt Disney. Por último, tras la muerte de Walt Disney se difundió un rumor que ha llegado hasta nuestros días, todavía son muchos los que creen que Disney continúa criogenizado, con las constantes vitales suspendidas, a la espera de poder despertar y que los nuevos avances médicos puedan hacer que vuelva a la vida. Pero por desgracia, esto no es más que una leyenda urbana extendida en el tiempo, ya que el cadáver Disney fue incinerado por deseo expreso de sus familiares.

Descubre en esta completísima biografía de Walter Elias Disney, todo sobre la vida de este gran genio. Desde su nacimiento el 5 de diciembre de 1901, hasta la primavera de 1926 cuando cambiaron el nombre de su empresa, que pasó a llamarse Walt Disney Studio... Desde su gran crisis de salud de 1931 debida a su adicción al trabajo, hasta sus primeras Sinfonías tontas de 1932. Desde el nacimiento del pato Donald en 1934, hasta su primer largometraje de dibujos animados, primero también de la historia del cine, titulado Blancanieves y los siete enanitos realizado en 1937, que dejó a Disney endeudado hasta 1961 por culpa de la amortización de los créditos que tuvo que pedir, ya que el presupuesto inicial de 500.000 dólares de la película había acabado triplicándose. En Blancanieves y los siete enanitos se utilizó por primera vez la cámara multiplano, capaz de sugerir profundidad de campo gracias a un ingenioso sistema de superposición de cinco láminas filmadas en un mismo plano para simular lejanía, y un nuevo sistema de technicolor. La película fue el primer ejemplo de que el cine de animación de la escuela Disney tenía un sólido procedimiento narrativo, en el que los personajes humanos eran descritos a partir de la «mirada» de los animales humanizados o de los seres fantásticos. También quedó patente en el filme el gusto de Disney por lo tenebroso y su estilo de sugerir más que de mostrar abiertamente el terror. Pinocho de 1940, considerada como una de las piezas maestras del cine de animación por los críticos y en la que se invirtieron 2.600.000 dólares, fue un desastre comercial. Lo mismo sucedió con Fantasía (1940), que costó 2.300.000 dólares. Considerada una obra maestra por unos y una insultante caricatura de la música clásica por otros. Estos fracasos comerciales abrieron una importante brecha económica en la empresa, paliada poco después por los éxitos consecutivos de Dumbo (1941) y Bambi (1942). Disney exigía un alto nivel de creatividad y producción a cambio de salarios muy bajos, aunque nunca reparó en gastos a la hora de hacer sus películas y siempre llevó personalmente una vida privada sin lujos ni ostentaciones. El 10 de noviembre de 1940 empezó a colaborar con el FBI. En 1941, un sindicato de ilustradores recién creado en su compañía amenazó al «Mago de Burbank» con ir a la huelga en demanda de mejores salarios. El 29 de mayo de aquel año, los estudios Disney quedaron casi paralizados por una huelga en la que participaron la mayoría de los trabajadores y que duró todo un año. Disney recibió una interesante propuesta de Howard Hughes: un crédito sin intereses de un millón de dólares a cambio de su ayuda en un terreno (el sector cinematográfico) que el multimillonario tejano no conocía y en el que quería invertir. Con aquel dinero, Disney puso en marcha 18 nuevos proyectos, entre ellos Cenicienta (1950), Alicia en el país de las maravillas (1951) y Peter Pan (1953). En 1953, después de ganar un nuevo Oscar al mejor documental con El desierto viviente, inició conversaciones con la cadena televisiva ABC para ceder la emisión de sus películas al nuevo invento. A diferencia de otros productores de Hollywood, que la consideraban una amenaza, Disney creyó que la televisión era un excelente medio de difundir sus productos. Un año después inició la realización de filmes específicamente para televisión, la parte de su producción artística más denostada por los críticos. Críticas que también le lloverían años después con Mary Poppins (1964), su primer largometraje con sólo actores reales. Pero a Disney no le importaron, porque esas películas le daban el dinero que necesitaba para hacer realidad un proyecto que acariciaba desde hacía tiempo: construir un enorme parque de atracciones basado en sus personajes. Disneyland, que abrió sus puertas el 17 de julio de 1955 en Anaheim, California. Este parque, con una extensión de 120 hectáreas, costó 17 millones de dólares. Multimillonario y galardonado con veintinueve Oscars, en la década de los sesenta se había consolidado como uno de los personajes más conocidos y queridos de todo el mundo, pero su salud flaqueaba, y todo su imperio entró en una lucha por la sucesión. Fumador empedernido y aficionado al alcohol, murió el 15 de diciembre de 1966 en Los Ángeles, California, víctima de un cáncer de pulmón, después de haber supervisado los esbozos de Disney World, parque temático al estilo de Disneyland pero más enfocado hacia los adultos, que abriría sus puertas en 1971 en Orlando, Florida (en 1983, la compañía inauguró en Japón el Tokio Disneyland y en 1992 abrió sus puertas el Euro Disney de París). Con el fallecimiento de Disney, entraba en la leyenda uno de los nombres fundamentales de la cultura popular del siglo XX. Con variada fortuna, tratarían de sustituirle figuras tan dispares como su hermano Roy O. Disney, su sobrino Roy E. Disney y su yerno Ron Miller. Pero sólo el productor ejecutivo Michael Eisner demostró ser un digno sucesor suyo. Biografía extraída de biografiasyvidas.com Pero existe una biografía, escrita en 2001 por Marc Eliot, titulada "Walt Disney, el príncipe oscuro de Hollywood", publicada en Estados Unidos, donde relata el lado oscuro del famoso productor. En este libro, desmonta capitulo a capitulo el mito del Walt Disney. Marc asegura entre otras muchas cosas que el productor de cine era alcohólico, un neurótico cazacomunistas, y que se atribuyó la creación de Mickey Mouse. También indica que Walt, fue agente del FBI y simpatizante de los nazis. Se cree que su verdadero nombre de Walt Disney es José Guirao, hijo de una casquivana española que se refugió en Estados Unidos. Walt participó en la producción de Mickey Mouse pero no fue su creador, su verdadero autor fue Ub Iwerks, considerado históricamente uno de los mayores talentos de la compañía. El libro de Marc "Walt Disney, el príncipe oscuro de Hollywood", ha sido objeto de indignación, malestar e incredulidad por parte de los admiradores del creador de sueños, y de los herederos. Una de sus hijas, Diane Disney Miller dijo: "Considero este libro -que irónicamente se entrega a la fantasía más de lo que mi padre hizo- un asesinato de un gran hombre que llevó diversión a la gente alrededor del mundo". Para Disney, se había convertido en una obsesión tratar de establecer dónde y cuándo había nacido y quién era su verdadero padre. A los 16 años había recibido un certificado de nacimiento de la oficina de registro de Chicago en el que se le informaba que en la fecha de nacimiento que suministraba -diciembre 5 de 1901- no aparecía ningún Walt Disney. Por último, tras la muerte de Walt Disney se difundió un rumor que ha llegado hasta nuestros días, todavía son muchos los que creen que Disney continúa criogenizado, con las constantes vitales suspendidas, a la espera de poder despertar y que los nuevos avances médicos puedan hacer que vuelva a la vida. Pero por desgracia, esto no es más que una leyenda urbana extendida en el tiempo, ya que el cadáver Disney fue incinerado por deseo expreso de sus familiares.

Denne mannen ble født 5 desember 1901. Han startet sin karriere med å tegne hester. Han forfalsket fødselsattesten sin for å bli med i 1. verdenskrig, men kom frem til frankrike etter krigen var ferdig. Han er et amerikansk kulturikon. Dette er nok en kar du kjenner best fra barndommen gjennom filmer som Løvenes konge, Mikke Mus og Donald. Han har vunnet 22 oscar og laget et land og 2 verdener. En pioner i den amerikanske animasjonsindustrien. En som har holdt unger rolig foran skjermer i snart 100 år, og er slitne foreldres beste venn. Vi snakker selvfølgelig om: Walter Elias Disney!

En el programa de hoy, la magia, el sueño hecho realidad, Walter Elias Disney. Productor, director, guionista y animador estadounidense. Figura capital de la historia del cine de animación infantil, está considerado un icono mundial gracias a sus importantes contribuciones a la industria del entretenimiento durante gran parte del siglo XX, famoso por personajes como el Pato Donald o Mickey Mouse. Hablaremos también de mitos sobre su figura. Más programas CDC y contenido en https://companerosdecamino.org/ Estamos en YouTube: https://www.youtube.com/channel/UCboQAziXi4MYbw2iK1Mo5Ww?view_as=subscriber y Facebook: https://www.facebook.com/podcastcompanerosdecamino/

This week we look back at the first serial produced by the No Midnight Podcast Channel! "Walt - A No Midnight Serial" takes a look at the life, and legacy of our personal hero, Walter Elias Disney. Click here to listen to Walt - A No Midnight Serial! Read more, support the podcast, pick up some merch, and listen to past episodes at NoMidnightPodcast.com

Welcome to Disney in Review! Today, we trace Walt Disney's lineage, travel to his hometown of Marceline, Missouri, and join him in France during World War I.    Follow the podcast on social media: Facebook- @disneyinreviewpodcast (https://www.facebook.com/disneyinreviewpodcast/) Twitter- @DisneyinRev (https://mobile.twitter.com/DisneyinRev) Instagram- @disneyinreview (https://www.instagram.com/disneyinreview/) I'd love to hear from you via email at disneyinreview@hotmail.com!   Sources Cited: 1. Walt Disney: The Triumph of the American Imagination by Neal Gabler  http://amzn.to/2EdjNYT  2. How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life by Pat Williams with Jim Denney  http://amzn.to/2EFWPY6  3. In the Service of the Red Cross: Walt Disney's Early Adventures: 1918-1919 by David Lesjak http://amzn.to/2EdW4HZ    Disney History Timeline   Herbert Arthur Disney (December 8, 1888 – January 29, 1961) Raymond “Ray” Arnold Disney (December 30, 1890 – May 24, 1989) Roy Oliver Disney (June 24, 1893 – December 20, 1971) Walter Elias Disney (December 5, 1901 – December 15, 1966) Ruth Flora Disney (December 6, 1903 – April 7, 1995)   Disney Lineage -d’Isignys of Normandy, arrived in England with William the Conqueror and fought at the Battle of Hastings (October 14, 1066) -In late seventeenth century, during English Restoration, a Protestant branch of the family moved to County Kilkenny, Ireland   July 1834 (Decade before the Potato Famine) -Arundel Elias Disney (Elias’s grandfather, Walt’s great-grandfather) sold his holdings and moved from Liverpool to America with wife and 2 kids & his older brother (Robert) and his wife and 2 kids on the New Jersey   1835 -Arundel bought 149 acres along Maitland River and moved to the township of Goderich in SW Ontario’s wilderness (Canada), near Lake Huron -Arundel built his area’s first grist mill and sawmill, farmed his land, and had 16 kids (8 girls & 8 boys)   1858 -Oldest son, Kepple (25), married Mary Richardson (another Irish immigrant) -Bought 100 acres of lands and built small pine cabin and moved to Bluevale in Morris Township (north of Goderich) -Elias Disney (February 6, 1859 – September 13, 1941) -Kepple restlessly strikes out             -Oil struck nearby in Oil Springs – rented his farm, left family with Mary’s sister, and joined drilling crew for 2 years (Struck no oil)             -Returned to Bluevale, then left to drill salt wells for one year (still no fortune)             -Returned to Bluevale and built new frame house on his land and started farming again   1877 -Kepple left with Elias (18) and Robert (2nd oldest son) heading to California, where gold had been struck -Only got to Kansas. Kepple bought >300 acres in NW Kansas (Ellis county) from Union Pacific Railroad (trying to get people to settle at division points along the train route throughout the state; Disneys couldn’t get land through the Homestead Act because not American citizens) -Dry and bitter cold climate/rough frontier, making it hard to farm, so raised livestock instead (sheep and cattle could graze on yellow buffalo grass) -Difficult to farm, so men join railroad crews and women sell buffalo bones to fertilizer manufacturers   1886 -Winter of 1885/1886 rough (10-12 foot snow banks) -Kepple and Elias (27) went on a reconnaissance trip to Lake County, middle of Florida with their neighbors, the Call family, including their 16 year-old daughter Flora Call -Kepple returned to Ellis County, Kansas, but Elias stayed with the Calls in the middle of Florida   Call lineage -Moved from England to America in 1636, first near Boston then to upstate New York -In 1825, Eber Call, Flora’s grandfather, left for Huron County, Ohio with wife and 3 kids, to escape hostile Indians and “bone-chilling cold”, and farmed several acres -Eber’s son, Charles Call, graduated with honors from Oberlin College in 1847 -Charles then headed to California to find gold then drifted around the West for a few years until he ended up near Des Moines, Iowa and met a German immigrant by the name of Henrietta Gross. -Charles Call and Henrietta Gross got married on September 9, 1855 -Charles and wife returned to father’s house in Ohio, and Charles became a teacher like his two sisters -Flora Call (April 22, 1868 – November 26, 1938) -January 1879- Charles and his wife and 10 kids moved to Ellis County, Kansas because he was afraid one of his 8 daughters would marry one of the neighbor family’s 8 sons, all of whom were “not sober enough” for the devout father, Charles Call -1880- Flora was sent to Ellsworth to train to be a teacher and roomed with Albertha Disney, Elias’s sister   1886 -Elias moved to Acron. -Calls moved to adjacent town of Kismet. Charles raised oranges on several acres and began teaching in neighboring Norristown -Flora was the teacher in Acron her 1st year and Paisley her 2nd year   1888 -Elias (29) and Flora (19) got married on New Year’s Day, 1888 in the Calls’ home in Kismet -Elias bought an orange grove, but freeze destroyed most of the crop -Charles Call had an accident while clearing his land of pine trees and never recovered -Charles Call died in early 1890 -Robert Disney (Elias’s younger brother) had moved to Chicago in 1889 and built a hotel in preparation of the 1893 Columbian Exposition (celebration of the 400-year anniversary of Columbus’s discovery of America. -Herbert Arthur Disney (December 8, 1888 – January 29, 1961)   1890 -Elias, Herbert, and pregnant Flora moved to Chicago (Rented one-story frame cottage at 3515 South Vernon in South side of Chicago, located 20 blocks from exposition)   1891 -Raymond “Ray” Arnold Disney (December 30, 1890 – May 24, 1989) -Elias earned $1/day as a carpenter -Saved $700 and bought land in 1892 through Robert’s real estate connections and built 2-story wooden cottage at 1249 Tripp Avenue (later renumbered as 2156 North Tripp Avenue in 1909)   1893 - Roy Oliver Disney (June 24, 1893 – December 20, 1971) -Disneys moved to Tripp Avenue in spring 1893, which had just begun undergoing construction -Elias bought plots of land in the neighborhood, designed houses, and built them -By 1900, Elias had built 2 homes: sold one home for $2500 and rented out the other for extra income -St. Paul’s Congregation Church built in October 1900, 2 blocks from the Disney’s home (Elias named a trustee and member of the building committee) -Disneys attended church throughout the week, and when the preacher was gone, Elias would occasionally preach -Walt born in the upper bedroom of the Tripp house -Walter Elias Disney (December 5, 1901 – December 15, 1966) -Bet with pastor: Minister Walter Parr’s wife and Flora were pregnant at the same time. Elias and Walter agreed if they both had sons, they would name them after each other (Supposedly Ray was originally named Walter, per his birth registration; Walt had no birth certificate, just a baptismal certificate) -Also rumored Walt was born in Mojacar, Spain, his parents had emigrated to the US and worked for Elias, who adopted Walt, per the Spanish magazine, Primer Plano -The Parr’s child was born in July 1902 and named Charles Alexander -Another of Parr’s children, born in May 1904, was named Walter Elias Parr -Ruth Flora Disney (December 6, 1903 – April 7, 1995)   1906 (Marceline) -2 neighbor boys the same age as Herbert and Ray and from a family in their congregation attempted to rob a car barn and killed a cop in a shootout -Elias was afraid his boys would follow the same path, since the neighborhood was getting rougher -February 1906, sold Tripp house for $1800, and sold another in March -Elias, Herbert, and Ray went to Missouri in a boxcar to prepare the farm -Flora, Roy, Walt, and Ruth came later on the Sante Fe train -Uncle Robert owned 500 acres a mile west of the Disneys -45 acre farm near Marceline, Missouri, 100 miles NE of Kansas City on Santa Fe RR, with whitewashed house -Walt’s first pet, Maltese terrier, followed Roy into town one day and didn’t come back -Piglet named Skinny, followed Walt like a puppy -Walt didn’t start school until age 7, so he could accompany Ruth to school -Marceline was the seat of the western division of the Santa Fe Railroad. Because of its large workforce, it had a large progressive population that supported William Jennings Bryan, and this contributed to Walt’s cultural education -Walt saw his first circus parade. Walt made his own and displayed it for neighboring kids -Walt attended his first Chautauqua (traveling tent show that featured the leading speakers of the time) -Walt saw his first theatrical play: Touring performance of Peter Pan starring Maude Adams             -Walt and Roy reprised the role at school using a hoist and tackle set that broke -Buffalo Bill’s Wild West Show paraded through Marceline, when Buffalo Bill stopped his buggy and invited Walt to join him -Walt saw his first motion picture: Depiction of crucifixion and resurrection of Jesus. Walt convinced Ruth to go, and they both got scolded by parents when they came home after dark -Uncle Edmond “Ed” Disney (Elias’s younger brother, with intellectual disability, real-life Peter Pan, Walt admired his juvenile sense of freedom) -Uncle Robert and his wife Margaret would visit, and Aunt Margaret “Auntie” would bring pencils and Big Chief drawing tablets for Walt to draw on. She encouraged his art. -Doc Sherwood (Retired doctor with wife and no children, so they basically adopted Walt as their son) -Doc commissioned Walt to draw his prize Morgan stallion, Rupert. That day Rupert was skittish, so Doc had to hold his reins, and Walt had trouble drawing the horse. -Different stories: Doc paid Walt a nickel or a quarter for the drawing (unlikely for the frugal doctor) OR Doc framed and hung the drawing in his house -Walt and Ruth used tar from barrels’ tar lining on the farm to pain the side of their whitewashed house. Walt convinced Ruth because he told her it could come off.   1907 -Herbert and Ray grew wheat on Uncle Robert’s land with his permission, neighbors harvested it, and they got the money. -Elias asked what they were going to do with the money, and one said he wanted to buy a pocketwatch. Elias freaked and said instead he would take the money to help pay off the farm. -Herbert and Ray left the farm that night, withdrew their money from the bank, and hopped on a train for Chicago. -By spring, they had moved to Kansas City, where Robert got them jobs as bank clerks -Herbert became a postal service mail carrier in 1909 -Herbert and Ray would send old clothes to Flora for her to hem for Roy and Walt -Herbert and Ray would occasionally visit the family in Marceline, but the rift/wounds never fully healed   1910 -Farm was harder to run without Herbert and Ray -Elias formed a chapter of a farmer’s union, The American Society of Equity -Elias became sick with typhoid or diphtheria early in 1910, after which he was too weak to work the farm -Crop prices fell, and there was a 5-month-long coal strike in summer of 1910 -Elias finally sold farm in November 1910 for $5,175 -The Disneys moved into town in Marceline to a small 4-room house at 508 Kansas Avenue, so kids could finish semester and Elias recover his health -Walt would remember his idealized version of Marceline, the rustic farm city, which would eventually inspire/influence:             -So Dear to My Heart, Pollyanna, Disneyland’s Main Street USA and Tom Sawyer Island, and early cartoons about animals and farm life   1910 -Moved to Kansas City to 2706 E 31st St (small house, no indoor plumbing, outdoor shed “barn” that Walt and Roy would stay in when family visited, close proximity to Fairmount amusement park) -Elias bought distributorship of Kansas City Star newspaper in Roy’s name -13 editions of the paper delivered per week -Elias made about $28/week. Roy made $3. Walt (9) made “some little amount.” - Walt and Roy delivered papers starting around 3:30AM daily (took pushcarts resembling roman chariots to the paper’s distribution points, load up with papers, then return to Santa Fe St to deliver papers; papers too heavy on Sundays to make one trip) -First year, Walt delivered his 50 papers per edition by foot, second by bike (Walt got the bike because Roy left the route to become a bank clerk after graduating, and Walt took over Roy’s route too) -To make extra money, Walt also delivered medicine on his route for a pharmacy. Eventually Walt got 50 extra papers to sell near a trolley stop, then on the trolley -Because of the paper route, he would get to school late and leave early -Walt had to walk up to each door to make sure the paper wouldn’t fly away (put under a brick or between 2 doors) -In winter, snow would come up to his neck, and he would fall asleep in entryways of apartment buildings on his route. -In his 6 years on the route, Walt only missed 5 weeks:             -2 weeks with a severe cold             -1 week to visit his Aunt Josie in Hiawatha (Hi-wath-uh), Kansas (1913)             -2 weeks in 1916 when he kicked a piece of ice that had a nail hidden in it (Spent his recovery renovating Bellefontaine house with new kitchen, bedroom, and a bathroom to replace outhouse) -Walt never forgot his time with the paper route (Still having nightmares 40 years later about missing a customer on the route) -Elias’s temper and frugality distanced him from Walt (Elias invested Walt’s money earned from the trolley; Walt got another job at a candy store to earn money to buy extra papers for extra money that Elias didn’t know about) -Disney frugality -> Walt’s most memorable Christmas gift was a new pair of steel-toed leather boots to replace his worn-out shoes -Elias ordered 14 year-old Walt to the basement for a beating for being “too insolent,” but Roy pulled Walt aside and told him to resist. Walt went downstairs, and Elias followed. Elias yelled and grabbed a hammer to hit Walt, but Walt rose up and grabbed his father’s hand and took the hammer. After this, Elias never touched Walt again. -Roy took a parental role for Walt and Ruth (buying toys and candy, taking to the movies, trade stories, etc.)   1912 -Roy left home in the middle of the night for Kansas -Walt in 5th grade at Benton Grammar School -Walt’s best friend, Walter Pfeiffer (lived on Bellefontaine) -Walt had a curfew of 9pm for the paper route, but he’d sneak out to the Pfeiffers (family of performers) -Walt’s principal, Mr. Cottingham (1938 Walt invited entire student body to watch Snow White for free) -Walt/Walt skit in school talent show, “Fun in the Photograph Gallery” -“The Two Walts” skits and comedy routines at amateur night contests in Kansas City at Agnes Theater -Walt did impressions of Charlie Chaplin, drew cartoons, and told stories -Walt continued to draw throughout school (margins of textbooks, perfect Teddy Roosevelt on chalkboard, school posters for events, cartoon advertisements on glass slides for Agnes Theater) -Just as he had for Doc Sherwood, Walt drew cartoons for Bert Hudson, owner of a barbershop, in exchange for free haircut or 10-15 cents, and Bert Hudson would hang the pictures in a special frame. -Amusement parks in Kansas City: Fairmount Park “Fairyland per Ruth” (giant dipper rides, 9-hole golf course, zoo, swimming/boating on lake, 4thof July fireworks show) Electric Park (one of the largest amusement parks at the time, band concerts, thrill rides, spectacular nighttime fireworks displays, steam-powered train that circled the park, named from 100,000 electric bulbs transformed nightly)   1914 -Summer/Fall 1914 moved to 3028 Bellefontaine 2-story house (still along paper route)   1916 (Walt 14) -Elias allowed Walt to begin taking Saturday art classes at the Kansas City Art Institute in the downtown YMCA building (learned basics of sculpture and casting) -First feature-length film seen: silent movie of Snow White, starring Marguerite Clark   1917 (Walt 15) -March 1917- Elias sold newspaper route for $16,000 to invest and buy shares in jelly-canning firm, O’Zell Company of Chicago -Elias, Flora, and Ruth moved to Chicago to head up construction and maintenance at company’s factory. Elias became O’Zell executive -Walt stayed with Herbert and Roy in Bellefontaine Street home (Herb married with 1-yo daughter, Roy unmarried bank clerk) -June 1917- Walt graduated from Benton School (school ended at 7th grade) -Principal Cottingham gave Walt a $7 prize for a comic character Walt had drawn -Roy joined Navy in June 1917 after America entered WWI (2 weeks after Walt graduated) -Roy got Walt a summer job as “news butcher” for Van Noyes News Company (selling newspapers, candy, and tobacco to passengers on Santa Fe RR, brief education in business; quit after 2 months) -At end of summer, Walt moved to Chicago with his family -By day attended William McKinley High School in West Side Chicago, near Disney’s house on Ogden Avenue. -Walt worked as cartoonist on McKinley HS magazine, The Voice -Winter 1917 until Spring 1918- Elias paid for night classes at Chicago Academy of Fine Arts (Walt convinced Elias it had “educational value”). Walt’s first exposure to live models, but he realized his talent lay in caricature, not being a “fine artist” -Leroy Gossett and Carey Orr, Chicago newspaper cartoonists, mentored Walt and inspired him to pursue career as newspaper cartoonist   1918 (Walt 16) -1st Girlfriend, Beatrice Conover -Walt worked part-time at O’Zell Company from the time school let out for summer until July   World War I -Walt tried to join the Navy with friend, Russell Maas, but rejected for being too young -Walt tried to join Canadian Army with his friend, where age limit was lower, but Russell was rejected for poor eyesight (wore glasses and Walt didn’t want to join without Russell) -Turned down for post office job because too young (got job same day by wearing father’s hat and false moustache and returning to same man) -September 3, 1918- Bomb went off in Chicago Federal Building where Walt was walking through the post office after finishing his mail run (Bomb killed 4 and injured 30) -Walt tried to join Red Cross’s American Ambulance Corps (age limit 17) with Russell (fake names: St. John brothers). Plan failed when asked for passports, and Russell’s mom told Flora -Walt asked parents to join Red Cross. Elias refused. -Walt enlisted on September 16, 1918 (changed his birthday from 1901 to 1900 on his certificate after his mom had it notarized) -Walt’s training at Camp Scott (Chicago South Side near University of Chicago) cut short by influenza epidemic, contracted within days of starting training. Walt, Flora, and Ruth sick, and Flora took care of them at home (Hospitals considered unsafe). -When Walt recovered 3 weeks later, his unit shipped for France with Russell. -A month and a half later, on November 4, 1918 – Walt returned to Camp Scott, reassigned to new unit and sent by train for training at Camp King, located in Sound Beach, Connecticut. -Walt trained with Ray Kroc (15 year-old ambulance corpsman, lied about age also) -November 11, 1918 –Armistice signed at Compiegne, France (War ended) -November 18, 1918 –Walt shipped out for Le Havre, France aboard SS Vaubin (converted cattle ship) to be ambulance driver -November 30, 1918 –Walt landed in Le Havre, France. Took train from coast to Paris, where he chauffeured military officers around Paris. -February 1919- Transferred to Neufchateau (150 miles east of Paris) and ran errands for the canteen that served troop replacements passing through Neufchateau. Later drove relief supplies to war-ravaged areas. -Made extra money by painting discarded German helmets to look like battlefield souvenirs (Sent money home to Flora via American Express with instructions to buy Ruthie a watch and save rest in bank) -Walt started smoking (Eventually became 3 pack-per-day habit by end of life)   1919 -July 1919- Walt reassigned to Paris -August 7, 1919- Walt applied for a discharge -September 1919 –Walt’s ambulance unit disbanded -October 9, 1919- Walt arrived in New York Harbor on SS Canada -October 10, 1919- Walt discharged from Red Cross -October 11, 1919- Walt arrived in Chicago -Beatrice wrote Walt letters while he was in France, but she was engaged when Walt returned to Chicago (got married in April 1920), and Walt declared himself “through with women.” -Walt had saved $600 from his earnings in France ($300 from a craps game in Neufchateau) -Walt declined Elias’s job offer at O’Zell and set his sights on becoming a newspaper cartoonist.   The intro and outro of this podcast are public domain songs obtained from freemusicarchive.org. Intro- The Royal Vagabond by Jockers Dance Orchestra Outro- Hello Central, Give Me Heaven by Byron Harlan   Thanks for listening! Subscribe to get all the latest episodes, and share this episode with someone you think would enjoy it!

En el capítulo de hoy, Héctor, nos habla sobre el temor del emprendedor y la lucha interna de evitar el fracaso. Nos enumera algunas de las causas que generar terror al emprender: Perder nuestro dinero invirtiendo en un pozo sin fin. Y es que no es fácil ver cómo nuestros ahorros van colándose por un desagüe sin obtener resultados esperados.  Tener incertidumbres sobre si la idea tendrá futuro. Contrasta tus ideas siguiendo un sencillos pasos que vimos en el podcast anterior.  Tomar malas decisiones al elegirlas.  Dejar un empleo “seguro”.  Arrastrar a otras personas que queremos a un precipicio. Y es que debemos de ver el fracaso como una oportunidad de intento y no como un desastre. La mentalidad europea fomenta el error como un fracaso estrepitoso, mientras que en América forma parte del proceso de la vida de cualquier persona. Walter Elias Disney, más conocido como Walt Disney, !fue despedido del periódico donde trabajaba por falta de creatividad! Lejos de frustrar sus ansias creativas, continuó delante y apostó por su famoso Mickey Mouse pero necesitaba conseguir que un banco le financiara los 15.000 dolares que necesitaba. 305 intentos le costó hasta que logró el dinero. Como él decía, “Todos nuestros sueños pueden convertirse en realidad si tenemos la valentía de perseguirlos.” ¿Os imagináis teniendo que visitar tantos bancos para conseguir financiación? Para él cada intento le dejaba un poco más cerca de su sueño, producir sus películas animadas. Héctor nos cita algunos consejos para superar los temores comunes al emprender: Aceptar el riesgo: Todo negocio conlleva un riesgo. Sino fuera así todo el mundo tendría un negocio propio. Muchas veces, quien más arriesga, obtienen un mayor beneficio. Planificar, organizar y persistir. El tener todo lo mejor atado posible te beneficiará de poder evitar una fuente de estrés muy común, la de creer que dejas algo por hacer en el momento clave de tu idea. Buscar medios para ser productivo te ayudará a beneficiarte de una sensación de realización increíble. Tener sensación de “perder el tiempo” generará pensamientos negativos. Considera que cualquier logro lleva su tiempo. Si te frustras al no conseguirlo a la primera o segunda, te será difícil conseguir avanzar hasta el siguiente peldaño de tu escalera profesional. Visualizar el resultado. Llena tu mente con ideas positivas, imaginando donde quieres estar en un futuro a medio plazo. Comparte tu tiempo con otros emprendedores para escuchar y alimentarte de sus experiencias personales. El escuchar a otras personas cómo han lidiado con sus problemas, no tiene porque darte una pista de cómo se resuelven los tuyos, pero si que empatizarás con la sensación de logro por resolver el problema. Lee y conoce las historias y biografías de otros emprendedores que consiguieron su sueño. Una mentalidad abierta como la de ellos te ayudará e inspirará. Crece en una pequeña burbuja idílica. Sería una forma muy especial de rodearte de buenos sentimientos y pensamientos, dejando a un lado los problemas frecuentes del día a día. No significa que apartes tu mirada de lo que te rodea, pero no acudas a fuentes de información, como Informativos o programas en medios que hablan de las particularidades negativas de la vida en sociedad y la política. Ya sabéis que ellos viven de las noticias que llaman la atención y hoy en día, la mayoría se centra en aspectos negativos, desafortunadamente. Refuérzate en tu entorno. Amigos, familia, pareja. Ellos te escucharán y te sabrán apoyar en los momentos complicados, que como bien te puedes imaginar no serán pocos. Escucha rápidamente el feedback, opiniones, de los demás. Piensa que siempre tienes tiempo de virar tu rumbo si el camino no es el correcto, pero cuanto antes lo hagas, antes conseguirás comenzar el sendero hacia el siguiente paso que te dejará más cerca de tu meta. Finalmente, nos explica como hizo posible salir adelante en el momento en que ...

One thing Walt Disney ALWAYS wanted in his theme parks was a train. From his earliest days in Marceline, Missouri, to taking the train from NYC to Los Angeles after Oswald the Lucky Rabbit was taken from him, Walt always had a fascination with railroads. This week I'll take a closer look at that fascination with the Word of the Week – Railroad. From the train that brought the Disney family to Marceline, MO to the WDW Railroad, take a trip with me as I explore the history of railroads in the life and times of Walter Elias Disney.

On this week's very special episode of We Want The D, Vicky, Nolan and Jill are taking a deep dive into the man without whom this podcast wouldn't be possible - Walter Elias Disney; better known his friends (and enemies and underpaid workers) as 'Walt.' If we learned anything from our discussion, it's that Walt was a complicated figure. Sure, he may have creating Mickey Mouse (kinda), but he also thought Song of the South was a good idea. He may have changed the world of film and animation, but he also named names in front of HUAC while wearing a silly tie. He thought up Disneyland, but only after falling down a bizarre rabbit hole of toy train obsession. We hope you enjoy this departure from our regular format as we celebrate and scrutinize the life and works of the man who built the empire that this podcast gluttonously gorges itself with each week.

Chegou a hora de prestarmos uma homenagem para Walter Elias Disney, o criador de todo o império de sonhos que até hoje encanta muitos adultos e crianças. Revisitamos o início da carreira, desde de quando ele era apenas um filho de fazendeiro até a criação do Mickey, passando pelos grandes clássicos da história da animação. Jurandir Filho, Raphael Santos, Giovane Araújo e Wilker Medeiros conversaram sobre a primeira Era de Ouro das animações da Disney, passando de “Branca de Neve e Os Sete Anões” até “Mogli – O Menino Lobo”. É uma verdadeira viagem no tempo!

Chegou a hora de prestarmos uma homenagem para Walter Elias Disney, o criador de todo o império de sonhos que até hoje encanta muitos adultos e crianças. Revisitamos o início da carreira, desde de quando ele era apenas um filho de fazendeiro até a criação do Mickey, passando pelos grandes clássicos da história da animação. Jurandir Filho, Raphael Santos, Giovane Araújo e Wilker Medeiros conversaram sobre a primeira Era de Ouro das animações da Disney, passando de “Branca de Neve e Os Sete Anões” até “Mogli – O Menino Lobo”. É uma verdadeira viagem no tempo!

Cerramos el 2015 dándole honor a quien honor merece, quien inició esto que tanto nos gusta: Walter Elias Disney. En este podcast aprovechamos que el mes de diciembre es tanto el cumpleaños como el aniversario luctuoso de Walt para recordar su obra y momentos importantes de su vida.

Cerramos el 2015 dándole honor a quien honor merece, quien inició esto que tanto nos gusta: Walter Elias Disney. En este podcast aprovechamos que el mes de diciembre es tanto el cumpleaños como el aniversario luctuoso de Walt para recordar su obra y momentos importantes de su vida.

10 Things To Love About Disney’s Magic Kingdom A vacation to Walt Disney World is not complete without visiting the Magic Kingdom. The magic can be felt as soon as stepping onto Main street when you are suddenly immersed in a land of fantasy, leaving all your worries behind. It is a place we feel that everyone of all ages should experience at least once in their lifetime and become inspired that truly anything is possible.   “Walt Disney World is a tribute to the philosophy and life of Walter Elias Disney… and to the talents, the dedication, and the loyalty of the entire Disney organization that made Walt Disney’s dream come true. May Walt Disney World bring Joy and Inspiration and New Knowledge to all who come to this happy place … a Magic Kingdom where the young at heart of all ages can laugh and play and learn — together”. – Roy Disney October 25, 1971   Our Favorite Things Walking slowly down Main Street Astro Orbiter (preferably at night) Pineapple Dole Whip Liberty Tree Tavern (all you can eat at dinner time)  Relaxing on Central Plaza (area between Main Street & Cinderella Castle). Carousel of Progress- The classic attraction that Walt Disney himself created. Dumbo ride at night. No, you are never too old for this attraction lol Jungle Cruise- So entertaining! Space Mountain The Electrical Parade- Guaranteed to bring the out the kid in you Email us your question or suggestions for future episodes: Info@unlockingthemagic.com Thanks For Listening! Hope you enjoyed this episode! We really love doing these shows. It’s so much fun for us and we hope you like them too . If you could subscribe in Itunes and give us an honest review that would be awesome.  Also come talk to us on Twitter & Facebook and see the photos from our recent trips on Instagram. That’s it for now! Until next time, have a great (and of course magical) day. Website: http://www.unlockingthemagic.com/ Facebook: http://www.unlockingthemagic.com/facebook Twitter: http://www.unlockingthemagic.com/twitter Pinterest: http://www.unlockingthemagic.com/pinterest