Podcasts about Beauregard

C'est une filière qui accueille, en Aveyron comme ailleurs, entre 90 et 95% de filles. Bac pro Sapat, comme soin à la personne et animation du territoire. Ces jeunes femmes font partie de celles qui tiennent la campagne, si vous avez écouté l'épisode de Finta ! avec la sociologue Sophie Orange. Elles prennent à bras le corps des métiers bien peu valorisés qui font tenir le lien social en ruralité, que ce soit auprès des enfants, des personnes en situation de handicap, ou des personnes âgées. Avec toutes leurs casquettes, plus ou moins bénévoles, elles pallient l'affaiblissement de services publics sur lesquels reposaient la solidarité et la sociabilité.DANS TA BANDE ! Pour expérimenter des formats de Finta! plus collectifs, laissant la place à des sujets qui nous lient et des tranches de vie qui nous rassemblent, j'ai choisi de laisser traîner mes micros parmi les élèves de Terminale Sapat du lycée Beauregard de Villefranche-de-Rouergue. La première fois que je les ai rencontrées, dans le cadre d'un projet scolaire visant à animer le territoire, elles s'apprêtaient à accueillir l'un des photographes français les plus réputés au monde, Yann Arthus-Bertrand, qu'elles ont convaincu de venir pour photographier des Villefranchois et des Villefranchoises. Dans l'ombre de cet incroyable projet scolaire, ce sont leurs trajectoires à elles qui m'ont intéressée, avec leurs doutes, leurs envies, leurs nœuds d'orientation, leurs questions et leurs mots. Alors, je suis retournée plusieurs fois les voir. Et voici leur histoire, à plusieurs voix.

Père Jean-François CHIRON, prêtre du diocèse de Chambéry, enseignant à l'Université catholique de Lyon On va parler de l'une des familles les plus renommées de ce pays de Savoie : la famille Costa de Beauregard et de l'un de ses membres illustres aux yeux de l'Eglise, Camille (1841-1910), prêtre savoyard né à Chambéry, fondateur en 1868 de l'orphelinat du Bocage à Chambéry, qui sera béatifié le 17 mai. C'est Mgr Laurent Ulrich, alors évêque du lieu, qui a lancé les démarches en vue de la béatification. Le père Costa aurait pu profiter de son rang social élevé mais il a préféré donner sa vie aux plus défavorisés, se consacrant à la jeunesse. On le surnomme le « père des orphelins ». Son œuvre perdure aujourd'hui, au travers du lycée agricole Costa de Beauregard et d'une maison d'enfants à caractère social. Artiste, philosophe, séducteur un rien romantique (on l'appelait le « beau chevalier »), il est aussi un peu neurasthénique (comme on disait à l'époque). En 1857, il est frappé par la typhoïde. L'abbé Claude-François Chenal, professeur au collège de Rumilly et son précepteur, le persuade de garder un lien avec la pratique religieuse par la récitation quotidienne d'un « Souvenez-Vous ». Son âme fait son chemin et à partir de 1863, il ressent l'appel à la prêtrise. En 1867, une épidémie de choléra sévit à Chambéry. C'est un tournant. Le comte Ernest de Boigne (1829-1895), député du Second Empire, partisan de l'annexion de la Savoie et petit-fils de Benoît de Boigne (1751-1830), aventurier et notable savoyard qui a beaucoup œuvré pour les pauvres à Chambéry, lui donner le terrain et la maison où le père Costa va fonder l'orphelinat du Bocage qu'il va diriger jusqu'à sa mort. Son neveu, le père Ernest Costa, publie en 1913 sa première biographie. En 1991, Jean-Paul II le fait vénérable. Le premier miracle survenu en 1910 concerna le jeune René Jacquemond. Samedi 28 mars à 17h00 à l'amphithéâtre de l'Université Savoie Mont Blanc, 27 rue Marcoz, Chambéry Conférence du Père Patrick Gaso "Camille Costa de Beauregard, un profil atypique et audacieux" (avec la Société des Amis du Vieux Chambéry)Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In this powerful episode, we share a deeply personal story about the devastating impact of early-onset colorectal cancer—and the urgent need for better screening. Our guest, Dr. George Beauregard, is an internal medicine physician and healthcare executive whose world changed forever in 2017 when his newly married 29-year-old son was diagnosed with stage 4 colorectal cancer—just a month after his wedding. Through his son's courageous fight and advocacy, Dr. Beauregard found a renewed purpose: raising awareness about the alarming rise in early-onset cases and the need for improved screening and research. He also shares insights from his memoir, Reservations For Nine: A Doctor's Family Confronts Cancer, blending his personal and professional perspectives. Join us as we discuss his son's lasting legacy, the emotional and medical lessons from their journey, and the fight for earlier detection. This conversation is a call to action for greater awareness, earlier intervention, and meaningful change.  

Horror fiends, gorehounds, and lovers of the extreme—this one's for you! On this blood-soaked episode of Another Goddamn Horror Podcast, we bring you an all-star Splatterpunk Author Panel featuring some of the heaviest hitters in the genre: Wrath James White, Sarah DeRosa, Aron Beauregard, and Kristopher Triana!We dive deep into the state of the horror industry, breaking down the brutal truths of publishing, censorship, and the battle for unfiltered storytelling. We dissect the difference between Extreme Horror and Splatterpunk, explore the twisted roads that led these authors to the genre, and, of course, talk about some must-read books that will leave you scarred.And in true Splatterpunk fashion, we don't hold back on our collective hatred for AI in horror fiction. If you want raw, unfiltered conversations about extreme horror, censorship, and the future of splatterpunk, this episode is a must-listen.Tune in, turn up the volume, and get ready for a horror conversation soaked in blood and ink!#HorrorPodcast #Splatterpunk #ExtremeHorror #WrathJamesWhite #KristopherTriana #AronBeuregard #SarahDerosa #HorrorCommunity #IndieHorror #HorrorBooks #Gore #AIisTheEnemy

General Pierre Gustave Toutant Beauregard was one of the senior commanders of Southern forces during the Civil War. It was he who initiated the hostilities by opening fire on Ft. Sumter in Charleston harbor, in April, 1861.  In July of that year, having taken command of the Confederate Army of the Potomac, he triumphed in the first serious clash of the war, at Manassas, Virginia. His army, aided by reinforcements from Johnston's army in the Shenandoah Valley, routed a Federal army under General McDowell. Had it been his army instead that routed, it is possible the Civil War might have ended that same year, as the path to Richmond would have been wide open.  This is his account of the battle, including the strategic situation leading up to it. As an afterward, he added a very revealing appraisal of the relations between him and Confederate President Jefferson Davis, and the reasons why, in his opinion, the South failed to win its war of secession.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Nous avons eu droit à une folie de transactions, de coupures et de signatures, les équipes ayant signé pour 2,9 milliards de contrat en moins de 72 heures! La saison des agents libres a été officiellement lancée mercredi à 16h et la nouvelle saison NFL 2025-2026 s'est ouverte, les gars de Premier et Les Buts passent au travers des gagnants et perdants de cette mouvementée période!Partenaires du podcast :Phil & Fred PizzeriaFromagerie Victoria LévisRêve SportifMicrobrasserie et distillerie Beauregard

Sharing today a new podcast series highlighting the 5 cool startups participating in Quebec Tech's first cohort. The startups are: Flovver, Lime Santé, Biointelligence, Maket and Ferreol.    The first episode is with Jimmy Beauregard, CEO & Co-Founder @ Flovver (in french). Jimmy started the company in 2020 and their mission is to make sharing money accessible to all by offering secure, automated technological platforms that promote ethical and accessible financial growth. They specialize in end-to-end loan management solutions designed to streamline the lending process. Their offerings aim to accelerate secure access to funds and empower businesses to integrate lending into their models effectively.   Jimmy shares his entrepreneurial journey on the podcast, detailing his 18-year-long career, which began with a web agency and eventually led to the founding of Flovver. Its inception is a tale of resilience and perseverance. Despite early setbacks, Jimmy secured clients and continuously improved the product over the years. Jimmy emphasized the importance of not waiting for perfection, showing up during tough times, and balancing work with personal life priorities. He highlights the crucial role of a dedicated team and good partnerships in achieving success.  

Are you limiting your real estate investments by focusing on just one asset class? In this episode, The Nest Egg Builder founder Peggy Beauregard joins Dave Dubeau to discuss why diversifying within real estate is crucial for long-term wealth. Peggy shares how she helps investors connect with trustworthy syndicators, the power of triple-net leases, and her strategies for vetting deals. She also talks about her weekly investor education show and mastermind group, designed to help people—whether new or experienced—make smarter investment choices.

Episode Summary: In this empowering episode of Teens to Titans, Lorraine Connell sits down with award-winning sales strategist and coach, Justine Beauregard, to explore leadership, self-trust, and personal growth. From early entrepreneurial ventures to overcoming societal pressures, Justine shares valuable insights on developing confidence, building meaningful connections, and embracing authenticity. Key Topics Discussed:

In this episode, we discuss Confederate General P.G.T. Beauregard. 

Cette semaine, Virginie Ranger-Beauregard est à La vie sociale! La fabuleuse comédienne nous fait sourire et réfléchir dans cette discussion sympathique et sincère. On parle avec elle d'affirmation de soi et de nos relations avec les autres. Elle nous partage ses expériences et ses leçons apprises et c'est une discussion qui fait réfléchir.  La vedette revient aussi bien sûr sur son départ surprenant de STAT! On a adoré notre moment avec elle et on est certains que vous aimerez beaucoup aussi. @fizz_ca Fizz. Un fournisseur mobile et Internet nouveau genre qui permet à ses membres de personnaliser leurs forfaits grâce à une expérience entièrement en ligne. Dites adieu aux imprévus et aux frais cachés. Fizz préfère les choses simples et justes. Bienvenue ailleurs. Active un premier forfait Fizz avec le code VIE25 et profite de : Une prime de référence de 25$ 10 Go de données mobiles gratuites 1 mois d'Internet gratuit   La vie sociale sur les réseaux sociaux : Instagram et TikTok @baladolaviesociale   Retrouvez Cam et Karl sur les réseaux sociaux : Instagram @cam_ds / TikTok @ds.camille Instagram et TikTok @karl_hardy

- Les Rolling Stones annulent leur tournée européenne - Le festival Beauregard dévoile sa programmation complète - Styleto annonce la sortie de son premier album

Les classiques du jour : - Blondie "Atomic" - Guns N' Roses "Don't Cry" Les nouveautés du jour : - Snow Patrol "But I'll Keep Trying" - The Kooks "Never Know" - Yoa "Princesse Chaos" Le journal de la musique : - Les Rolling Stones annulent leur tournée européenne - Le festival Beauregard dévoile sa programmation complète - Styleto annonce la sortie de son premier album Musique & Image : "24 Hour Party People" Le live du jour : Depeche Mode "Personal Jesus" (Concert Très Très Privé RTL2)

February 3, 2025 ~ Tom Ervin, President of Walstrom Marine and Pete Beauregard, Owner of Colony Marine join Paul at the Detroit Boat Show.

Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an Instagram page and YouTube channel both called Brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   Yours Truly, Johnny Dollar is a radio drama that aired on CBS Radio from February 18, 1949 to September 30, 1962. The first several seasons imagined protagonist Johnny Dollar as a private investigator drama, with Charles Russell, Edmond O'Brien and John Lund portraying Dollar in succession over the years. In 1955 after a yearlong hiatus, the series came back in its best-known incarnation with Bob Bailey starring in "the transcribed adventures of the man with the action-packed expense account – America's fabulous freelance insurance investigator." There were 809 episodes (plus two not-for-broadcast auditions) in the 12-year run, and more than 710 still exist today. Jim Cox's book American Radio Networks: A History cites "886 total performances" which includes repeat performances. Format The format best remembered was instituted by writer-director Jack Johnstone. Each case usually started with a phone call from an insurance adjuster, calling on Johnny to investigate an unusual claim: a suspicious death, an attempted fraud, a missing person, or other mysterious circumstances. Each story required Johnny to travel to some distant locale, usually within the United States but sometimes abroad, where he was almost always threatened with personal danger in the course of his investigations. He would compare notes with the police officials who had first investigated each strange occurrence, and followed every clue until he figured out what actually happened. Johnny's file on each case was usually referenced as a "matter," as in "The Silver Blue Matter" or "The Forbes Matter". Later episodes were more fanciful, with titles like "The Wayward Trout Matter" and "The Price of Fame Matter" (the latter featuring a rare guest-star appearance by Vincent Price as himself; here Price and Dollar team up to retrieve a painting stolen by Price's insurance agent). Johnny usually stuck to business, but would sometimes engage in romantic dalliances with women he encountered in his travels; later episodes gave Johnny a steady girlfriend, Betty Lewis. Johnny's precious recreational time was usually spent fishing, and it was not uncommon for Johnny's clients to exploit this favorite pastime in convincing him to take on a job near good fishing locations. His past was rarely mentioned, but Dollar in “The Bennett Matter” described himself as a four-year US Marine veteran who then worked as a police officer for a decade before changing careers to insurance investigation.[5] In "The Blackburn Case" Dollar also refers to his time as a Pinkerton Detective. Each story was recounted in flashback, and every few minutes the action would be interrupted by Johnny listing a line item from his expense account, which served as an effective scene transition. Most of the expense account related to transportation, lodging, and meals, but no incidental expense was too small for Johnny to itemize, as in "Item nine, 10 cents. Aspirin. I needed them." The monetary amounts weren't always literal: the smallest line item Johnny ever recorded was "two cents: what I felt like" after a professional setback; the largest was "one million dollars" (the way he felt after finding a missing woman and her daughter in a snowbound cabin). The episodes generally finished with Johnny tallying up his expense account and traveling back to Hartford, Connecticut, where he was based. Sometimes Johnny would add a sardonic postscript under "Remarks," detailing the aftermath of the case. ("The Todd Matter," which especially disgusted Johnny, ended abruptly with "Remarks – nil!") In later seasons the program sometimes referred to itself, with other characters recognizing Dollar's voice from the radio; in the episode “The Salkoff Sequel Matter” Johnny's radio show becomes an important plot point. Original run As originally conceived, Johnny Dollar was a smart, tough, wisecracking detective who tossed silver-dollar tips to waiters and bellhops. Dick Powell starred in the audition show, recorded in 1948, but withdrew from the role in favour of other detective programs, Rogue's Gallery and Richard Diamond, Private Detective. The Johnny Dollar role went instead to Charles Russell. The show for which Powell auditioned was originally titled Yours Truly, Lloyd London, although the name of the show and its lead character were changed to avoid legal problems with the actual insurance company, Lloyd's of London, before the audition tape of December 7, 1948, was recorded. With the first three actors to play Johnny Dollar – radio actor Russell and movie tough-guy actors Edmond O'Brien and John Lund – there was little to distinguish Johnny Dollar from other detective series at the time (Richard Diamond, Philip Marlowe and Sam Spade). While always a friend of the police, Johnny wasn't necessarily a stickler for the strictest interpretation of the law. He was willing to let some things slide to satisfy his own sense of justice, as long as the interests of his employer were also protected. The series ended in September 1954. Revival CBS Radio revived Yours Truly, Johnny Dollar in October 1955 with a new leading man, a new director, and a new format. The program changed from a 30-minute, one-episode-per-week program to a 15-minute, five-nights-a-week serial (Monday through Friday, 8–8:15 pm EST) produced and directed by radio veteran Jack Johnstone. The new Johnny Dollar was Bob Bailey, who had just come off another network detective series, Let George Do It. With a new lead and 75 minutes of air time each week, it became possible to develop each storyline with more detail and with more characters. Almost all of the Johnny Dollar serials were presented by CBS Radio on a sustaining basis (unsponsored, with no commercials); only two of the 55 serials take time out for a sponsor's message. Bob Bailey was exceptionally good in this format, making Johnny more sensitive and thoughtful in addition to his other attributes. Vintage-radio enthusiasts often endorse Bailey as the best of the Johnny Dollars, and consider the 13-month run of five-part stories to be some of the greatest drama in radio history. The serial scripts were usually written by Johnstone, "John Dawson" (a pseudonym for E. Jack Neuman), Les Crutchfield, or Robert Ryf. Blake Edwards also contributed several scripts and the show was always produced and directed by Johnstone. The show featured a stock company of supporting actors, including Virginia Gregg, Harry Bartell, Vic Perrin, Lawrence Dobkin, Stacy Harris, Parley Baer, Howard McNear, John Dehner, Barney Phillips, Lillian Buyeff, Tony Barrett, Don Diamond, Alan Reed, and Forrest Lewis. Movie character actors appeared occasionally, including Jay Novello, Hans Conried, Frank Nelson, Leon Belasco, William Conrad, Edgar Barrier, Jeanne Bates, Gloria Blondell, and Billy Halop. In late 1956, CBS Radio retooled the show, which reverted to a weekly half-hour drama, airing on late Sunday afternoons. Bob Bailey continued in the leading role until 1960 and wrote one episode, "The Carmen Kringle Matter," under his first and middle names (Robert Bainter). Staff announcer Dan Cubberly introduced the program during the Edmond O'Brien run; Roy Rowan was the announcer for the first two years of Bob Bailey's run; he also was an announcer on CBS's I Love Lucy. In "The Laird Douglas Matter," the only Johnny Dollar serial played for laughs, Roy Rowan was written into the script as dog-show expert "Ray Roland." In 1957 Rowan was succeeded by Dan Cubberly, returning to the series. Changes at CBS CBS Radio tried to institute an economy measure in June 1959: its four remaining dramatic series (Yours Truly, Johnny Dollar; Suspense; Gunsmoke starring William Conrad; and Have Gun, Will Travel starring John Dehner) would be moved from Hollywood to New York. The plan met with some resistance, because the cast members and crews of Gunsmoke and Have Gun, Will Travel were willing to cancel the shows themselves rather than move to New York. The situation was stalemated for 17 months, as all four programs remained on the air. Finally, in November 1960, CBS Radio kept Gunsmoke in California, discontinued Have Gun, Will Travel, and moved Yours Truly, Johnny Dollar and Suspense to New York. Bob Bailey, unwilling to relocate, gave up the Johnny Dollar role. Bailey's last performance, aired November 27, 1960, was in a script titled "The Empty Threat Matter," perhaps writer Johnstone's editorial comment on CBS's intention to shut down production in California. In New York, CBS staff producer Bruno Zirato Jr. (who also directed TV game shows for CBS) took over Yours Truly, Johnny Dollar, although Johnstone continued to write the scripts. Former child actor Bob Readick took over the leading role in a manner reminiscent of the original Dollar, Charles Russell. After six months he was replaced by Mandel Kramer, who gave the role his own low-key interpretation. Many fans found Mandel Kramer second only to Bailey as the most effective Johnny Dollar. Both Readick and Kramer were members of CBS's stock company in New York, and both appeared in other CBS dramas. The end The final episodes of Yours Truly, Johnny Dollar and Suspense, airing on CBS, are often cited as the end of the golden age of radio. The last episode of Johnny Dollar, "The Tip-Off Matter", ended at 6:35 pm. Eastern Time on September 30, 1962, followed immediately by the final broadcast of Suspense. Although network radio drama returned to the airwaves – in ABC's Theater Five (1964–65), and CBS Radio Mystery Theater (1974–82) – these were more experimental "drama workshop" shows, and did not adhere to a continuing format or leading character, albeit the latter did spark a bit of a revival of drama on US commercial radio networks in the 1970s. The "Golden Age" of radio drama, as pioneered in the 1920s, died with Johnny Dollar in 1962. Three unsuccessful attempts were made to transfer the success of Yours Truly, Johnny Dollar to television. Charles Russell starred in a 1949 pilot directed by Ralph Levy, Bob Bailey starred in a 1958 pilot entitled The Adventures of Johnny Dollar (which failed because Bailey's 5-foot 9-inch, 150-pound physique didn't match the tough-guy characterization), and William Bryant starred in a 1962 pilot entitled Johnny Dollar. The latter was written, produced, and directed by Blake Edwards. Actors who portrayed Dollar Dick Powell (Audition show in 1948) Charles Russell (February 1949 – January 1950) Edmond O'Brien (February 1950 – September 1952) John Lund (November 1952 – September 1954) Gerald Mohr (Audition show in 1955) Bob Bailey (October 1955 – November 1960) Bob Readick (December 1960 – June 1961) Mandel Kramer (June 1961 – September 1962) Legacy Yours Truly, Johnny Dollar was so familiar to CBS Radio's listeners that the network's resident comedians, Bob and Ray, occasionally satirized it. Their version, "Ace Willoughby, International Detective," followed the Johnny Dollar format of exotic locales, continental officials, cool villains, and tense confrontations, with Ray Goulding doing a letter-perfect imitation of Bob Bailey's delivery. In the comedy version, however, the detective usually gave up on the case after being beaten up incessantly. Yours Truly, Johnny Dollar was a popular weekly radio mystery play in the 1960s and early 1970s on Radio Iran. The role of Johnny Dollar was played by Heidar Saremi, a popular radio performer. Contrary to the original, Johnny Dollar was more of a criminal investigator. At the end of each episode, the narrator asked the radio audience how Johnny found the perpetrators, making the show a mystery quiz as well as a drama; those who guessed correctly were entered into a raffle for a prize. In the 1970s and 1980s the comedy troupe The Firesign Theatre released a number of satirical record albums; several featured spoofs of old-time radio featuring the character Nick Danger, Third Eye, who was loosely based on Sam Spade and Johnny Dollar. The scripts included inside references to radio with lines such as, "It had been snowing in Santa Barbara ever since the top of the page," and riffs on radio sound effects. In 2003, Moonstone Books adapted the Yours Truly, Johnny Dollar radio program into a graphic novel illustrated by Éric Thériault and written by David Gallaher. The show has been the opening item on The Big Broadcast on WAMU in Washington, D.C. off and on since the early 1990s. As of August 2017, the show is being aired several times a day on KTQA FM 95.3 in Tacoma, WA and CHLU FM in Middle LaHave, Nova Scotia, Canada. In August 2021, the SiriusXM satellite radio network began airing many episodes of the show on its "Radio Classics" channel 148. As of February 2019, a documentary about the program, Last Man Standing – Johnny Dollar & the End of Old-Time Radio, has been produced.[12] In 2023, a new graphic novel series was launched with Johnny Dollar investigating cybercrimes of the modern age. "The man with the action packed expense account" is a cyberinsurance investigator, taking on ransomware actors in the modern age. sleep insomnia relax chill night nightime bed bedtime oldtimeradio drama comedy radio talkradio hancock tonyhancock hancockshalfhour sherlock sherlockholmes radiodrama popular viral viralpodcast podcast brett brettorchard orchard east devon seaton beer lyme regis village condado de alhama spain murcia   The Golden Age of Radio Also known as the old-time radio (OTR) era, was an era of radio in the United States where it was the dominant electronic home entertainment medium. It began with the birth of commercial radio broadcasting in the early 1920s and lasted through the 1950s, when television gradually superseded radio as the medium of choice for scripted programming, variety and dramatic shows. Radio was the first broadcast medium, and during this period people regularly tuned in to their favourite radio programs, and families gathered to listen to the home radio in the evening. According to a 1947 C. E. Hooper survey, 82 out of 100 Americans were found to be radio listeners. A variety of new entertainment formats and genres were created for the new medium, many of which later migrated to television: radio plays, mystery serials, soap operas, quiz shows, talent shows, daytime and evening variety hours, situation comedies, play-by-play sports, children's shows, cooking shows, and more. In the 1950s, television surpassed radio as the most popular broadcast medium, and commercial radio programming shifted to narrower formats of news, talk, sports and music. Religious broadcasters, listener-supported public radio and college stations provide their own distinctive formats. Origins A family listening to the first broadcasts around 1920 with a crystal radio. The crystal radio, a legacy from the pre-broadcast era, could not power a loudspeaker so the family must share earphones During the first three decades of radio, from 1887 to about 1920, the technology of transmitting sound was undeveloped; the information-carrying ability of radio waves was the same as a telegraph; the radio signal could be either on or off. Radio communication was by wireless telegraphy; at the sending end, an operator tapped on a switch which caused the radio transmitter to produce a series of pulses of radio waves which spelled out text messages in Morse code. At the receiver these sounded like beeps, requiring an operator who knew Morse code to translate them back to text. This type of radio was used exclusively for person-to-person text communication for commercial, diplomatic and military purposes and hobbyists; broadcasting did not exist. The broadcasts of live drama, comedy, music and news that characterize the Golden Age of Radio had a precedent in the Théâtrophone, commercially introduced in Paris in 1890 and available as late as 1932. It allowed subscribers to eavesdrop on live stage performances and hear news reports by means of a network of telephone lines. The development of radio eliminated the wires and subscription charges from this concept. Between 1900 and 1920 the first technology for transmitting sound by radio was developed, AM (amplitude modulation), and AM broadcasting sprang up around 1920. On Christmas Eve 1906, Reginald Fessenden is said to have broadcast the first radio program, consisting of some violin playing and passages from the Bible. While Fessenden's role as an inventor and early radio experimenter is not in dispute, several contemporary radio researchers have questioned whether the Christmas Eve broadcast took place, or whether the date was, in fact, several weeks earlier. The first apparent published reference to the event was made in 1928 by H. P. Davis, Vice President of Westinghouse, in a lecture given at Harvard University. In 1932 Fessenden cited the Christmas Eve 1906 broadcast event in a letter he wrote to Vice President S. M. Kinter of Westinghouse. Fessenden's wife Helen recounts the broadcast in her book Fessenden: Builder of Tomorrows (1940), eight years after Fessenden's death. The issue of whether the 1906 Fessenden broadcast actually happened is discussed in Donna Halper's article "In Search of the Truth About Fessenden"[2] and also in James O'Neal's essays.[3][4] An annotated argument supporting Fessenden as the world's first radio broadcaster was offered in 2006 by Dr. John S. Belrose, Radioscientist Emeritus at the Communications Research Centre Canada, in his essay "Fessenden's 1906 Christmas Eve broadcast." It was not until after the Titanic catastrophe in 1912 that radio for mass communication came into vogue, inspired first by the work of amateur ("ham") radio operators. Radio was especially important during World War I as it was vital for air and naval operations. World War I brought about major developments in radio, superseding the Morse code of the wireless telegraph with the vocal communication of the wireless telephone, through advancements in vacuum tube technology and the introduction of the transceiver. After the war, numerous radio stations were born in the United States and set the standard for later radio programs. The first radio news program was broadcast on August 31, 1920, on the station 8MK in Detroit; owned by The Detroit News, the station covered local election results. This was followed in 1920 with the first commercial radio station in the United States, KDKA, being established in Pittsburgh. The first regular entertainment programs were broadcast in 1922, and on March 10, Variety carried the front-page headline: "Radio Sweeping Country: 1,000,000 Sets in Use." A highlight of this time was the first Rose Bowl being broadcast on January 1, 1923, on the Los Angeles station KHJ. Growth of radio Broadcast radio in the United States underwent a period of rapid change through the decade of the 1920s. Technology advances, better regulation, rapid consumer adoption, and the creation of broadcast networks transformed radio from a consumer curiosity into the mass media powerhouse that defined the Golden Age of Radio. Consumer adoption Through the decade of the 1920s, the purchase of radios by United States homes continued, and accelerated. The Radio Corporation of America (RCA) released figures in 1925 stating that 19% of United States homes owned a radio. The triode and regenerative circuit made amplified, vacuum tube radios widely available to consumers by the second half of the 1920s. The advantage was obvious: several people at once in a home could now easily listen to their radio at the same time. In 1930, 40% of the nation's households owned a radio,[8] a figure that was much higher in suburban and large metropolitan areas. The superheterodyne receiver and other inventions refined radios even further in the next decade; even as the Great Depression ravaged the country in the 1930s, radio would stay at the centre of American life. 83% of American homes would own a radio by 1940. Government regulation Although radio was well established with United States consumers by the mid-1920s, regulation of the broadcast medium presented its own challenges. Until 1926, broadcast radio power and frequency use was regulated by the U.S. Department of Commerce, until a legal challenge rendered the agency powerless to do so. Congress responded by enacting the Radio Act of 1927, which included the formation of the Federal Radio Commission (FRC). One of the FRC's most important early actions was the adoption of General Order 40, which divided stations on the AM band into three power level categories, which became known as Local, Regional, and Clear Channel, and reorganized station assignments. Based on this plan, effective 3:00 a.m. Eastern time on November 11, 1928, most of the country's stations were assigned to new transmitting frequencies. Broadcast networks The final element needed to make the Golden Age of Radio possible focused on the question of distribution: the ability for multiple radio stations to simultaneously broadcast the same content, and this would be solved with the concept of a radio network. The earliest radio programs of the 1920s were largely unsponsored; radio stations were a service designed to sell radio receivers. In early 1922, American Telephone & Telegraph Company (AT&T) announced the beginning of advertisement-supported broadcasting on its owned stations, and plans for the development of the first radio network using its telephone lines to transmit the content. In July 1926, AT&T abruptly decided to exit the broadcasting field, and signed an agreement to sell its entire network operations to a group headed by RCA, which used the assets to form the National Broadcasting Company. Four radio networks had formed by 1934. These were: National Broadcasting Company Red Network (NBC Red), launched November 15, 1926. Originally founded as the National Broadcasting Company in late 1926, the company was almost immediately forced to split under antitrust laws to form NBC Red and NBC Blue. When, in 1942, NBC Blue was sold and renamed the Blue Network, this network would go back to calling itself simply the National Broadcasting Company Radio Network (NBC). National Broadcasting Company Blue Network (NBC Blue); launched January 10, 1927, split from NBC Red. NBC Blue was sold in 1942 and became the Blue Network, and it in turn transferred its assets to a new company, the American Broadcasting Company on June 15, 1945. That network identified itself as the American Broadcasting Company Radio Network (ABC). Columbia Broadcasting System (CBS), launched September 18, 1927. After an initially struggling attempt to compete with the NBC networks, CBS gained new momentum when William S. Paley was installed as company president. Mutual Broadcasting System (Mutual), launched September 29, 1934. Mutual was initially run as a cooperative in which the flagship stations owned the network, not the other way around as was the case with the other three radio networks. Programming In the period before and after the advent of the broadcast network, new forms of entertainment needed to be created to fill the time of a station's broadcast day. Many of the formats born in this era continued into the television and digital eras. In the beginning of the Golden Age, network programs were almost exclusively broadcast live, as the national networks prohibited the airing of recorded programs until the late 1940s because of the inferior sound quality of phonograph discs, the only practical recording medium at that time. As a result, network prime-time shows would be performed twice, once for each coast. Rehearsal for the World War II radio show You Can't Do Business with Hitler with John Flynn and Virginia Moore. This series of programs, broadcast at least once weekly by more than 790 radio stations in the United States, was written and produced by the radio section of the Office of War Information (OWI). Live events Coverage of live events included musical concerts and play-by-play sports broadcasts. News The capability of the new medium to get information to people created the format of modern radio news: headlines, remote reporting, sidewalk interviews (such as Vox Pop), panel discussions, weather reports, and farm reports. The entry of radio into the realm of news triggered a feud between the radio and newspaper industries in the mid-1930s, eventually culminating in newspapers trumping up exaggerated [citation needed] reports of a mass hysteria from the (entirely fictional) radio presentation of The War of the Worlds, which had been presented as a faux newscast. Musical features The sponsored musical feature soon became one of the most popular program formats. Most early radio sponsorship came in the form of selling the naming rights to the program, as evidenced by such programs as The A&P Gypsies, Champion Spark Plug Hour, The Clicquot Club Eskimos, and King Biscuit Time; commercials, as they are known in the modern era, were still relatively uncommon and considered intrusive. During the 1930s and 1940s, the leading orchestras were heard often through big band remotes, and NBC's Monitor continued such remotes well into the 1950s by broadcasting live music from New York City jazz clubs to rural America. Singers such as Harriet Lee and Wendell Hall became popular fixtures on network radio beginning in the late 1920s and early 1930s. Local stations often had staff organists such as Jesse Crawford playing popular tunes. Classical music programs on the air included The Voice of Firestone and The Bell Telephone Hour. Texaco sponsored the Metropolitan Opera radio broadcasts; the broadcasts, now sponsored by the Toll Brothers, continue to this day around the world, and are one of the few examples of live classical music still broadcast on radio. One of the most notable of all classical music radio programs of the Golden Age of Radio featured the celebrated Italian conductor Arturo Toscanini conducting the NBC Symphony Orchestra, which had been created especially for him. At that time, nearly all classical musicians and critics considered Toscanini the greatest living maestro. Popular songwriters such as George Gershwin were also featured on radio. (Gershwin, in addition to frequent appearances as a guest, had his own program in 1934.) The New York Philharmonic also had weekly concerts on radio. There was no dedicated classical music radio station like NPR at that time, so classical music programs had to share the network they were broadcast on with more popular ones, much as in the days of television before the creation of NET and PBS. Country music also enjoyed popularity. National Barn Dance, begun on Chicago's WLS in 1924, was picked up by NBC Radio in 1933. In 1925, WSM Barn Dance went on the air from Nashville. It was renamed the Grand Ole Opry in 1927 and NBC carried portions from 1944 to 1956. NBC also aired The Red Foley Show from 1951 to 1961, and ABC Radio carried Ozark Jubilee from 1953 to 1961. Comedy Radio attracted top comedy talents from vaudeville and Hollywood for many years: Bing Crosby, Abbott and Costello, Fred Allen, Jack Benny, Victor Borge, Fanny Brice, Billie Burke, Bob Burns, Judy Canova, Eddie Cantor, Jimmy Durante, Burns and Allen, Phil Harris, Edgar Bergen, Bob Hope, Groucho Marx, Jean Shepherd, Red Skelton and Ed Wynn. Situational comedies also gained popularity, such as Amos 'n' Andy, Easy Aces, Ethel and Albert, Fibber McGee and Molly, The Goldbergs, The Great Gildersleeve, The Halls of Ivy (which featured screen star Ronald Colman and his wife Benita Hume), Meet Corliss Archer, Meet Millie, and Our Miss Brooks. Radio comedy ran the gamut from the small town humor of Lum and Abner, Herb Shriner and Minnie Pearl to the dialect characterizations of Mel Blanc and the caustic sarcasm of Henry Morgan. Gags galore were delivered weekly on Stop Me If You've Heard This One and Can You Top This?,[18] panel programs devoted to the art of telling jokes. Quiz shows were lampooned on It Pays to Be Ignorant, and other memorable parodies were presented by such satirists as Spike Jones, Stoopnagle and Budd, Stan Freberg and Bob and Ray. British comedy reached American shores in a major assault when NBC carried The Goon Show in the mid-1950s. Some shows originated as stage productions: Clifford Goldsmith's play What a Life was reworked into NBC's popular, long-running The Aldrich Family (1939–1953) with the familiar catchphrases "Henry! Henry Aldrich!," followed by Henry's answer, "Coming, Mother!" Moss Hart and George S. Kaufman's Pulitzer Prize-winning Broadway hit, You Can't Take It with You (1936), became a weekly situation comedy heard on Mutual (1944) with Everett Sloane and later on NBC (1951) with Walter Brennan. Other shows were adapted from comic strips, such as Blondie, Dick Tracy, Gasoline Alley, The Gumps, Li'l Abner, Little Orphan Annie, Popeye the Sailor, Red Ryder, Reg'lar Fellers, Terry and the Pirates and Tillie the Toiler. Bob Montana's redheaded teen of comic strips and comic books was heard on radio's Archie Andrews from 1943 to 1953. The Timid Soul was a 1941–1942 comedy based on cartoonist H. T. Webster's famed Caspar Milquetoast character, and Robert L. Ripley's Believe It or Not! was adapted to several different radio formats during the 1930s and 1940s. Conversely, some radio shows gave rise to spinoff comic strips, such as My Friend Irma starring Marie Wilson. Soap operas The first program generally considered to be a daytime serial drama by scholars of the genre is Painted Dreams, which premiered on WGN on October 20, 1930. The first networked daytime serial is Clara, Lu, 'n Em, which started in a daytime time slot on February 15, 1932. As daytime serials became popular in the early 1930s, they became known as soap operas because many were sponsored by soap products and detergents. On November 25, 1960, the last four daytime radio dramas—Young Dr. Malone, Right to Happiness, The Second Mrs. Burton and Ma Perkins, all broadcast on the CBS Radio Network—were brought to an end. Children's programming The line-up of late afternoon adventure serials included Bobby Benson and the B-Bar-B Riders, The Cisco Kid, Jack Armstrong, the All-American Boy, Captain Midnight, and The Tom Mix Ralston Straight Shooters. Badges, rings, decoding devices and other radio premiums offered on these adventure shows were often allied with a sponsor's product, requiring the young listeners to mail in a boxtop from a breakfast cereal or other proof of purchase. Radio plays Radio plays were presented on such programs as 26 by Corwin, NBC Short Story, Arch Oboler's Plays, Quiet, Please, and CBS Radio Workshop. Orson Welles's The Mercury Theatre on the Air and The Campbell Playhouse were considered by many critics to be the finest radio drama anthologies ever presented. They usually starred Welles in the leading role, along with celebrity guest stars such as Margaret Sullavan or Helen Hayes, in adaptations from literature, Broadway, and/or films. They included such titles as Liliom, Oliver Twist (a title now feared lost), A Tale of Two Cities, Lost Horizon, and The Murder of Roger Ackroyd. It was on Mercury Theatre that Welles presented his celebrated-but-infamous 1938 adaptation of H. G. Wells's The War of the Worlds, formatted to sound like a breaking news program. Theatre Guild on the Air presented adaptations of classical and Broadway plays. Their Shakespeare adaptations included a one-hour Macbeth starring Maurice Evans and Judith Anderson, and a 90-minute Hamlet, starring John Gielgud.[22] Recordings of many of these programs survive. During the 1940s, Basil Rathbone and Nigel Bruce, famous for playing Sherlock Holmes and Dr. Watson in films, repeated their characterizations on radio on The New Adventures of Sherlock Holmes, which featured both original stories and episodes directly adapted from Arthur Conan Doyle's stories. None of the episodes in which Rathbone and Bruce starred on the radio program were filmed with the two actors as Holmes and Watson, so radio became the only medium in which audiences were able to experience Rathbone and Bruce appearing in some of the more famous Holmes stories, such as "The Speckled Band". There were also many dramatizations of Sherlock Holmes stories on radio without Rathbone and Bruce. During the latter part of his career, celebrated actor John Barrymore starred in a radio program, Streamlined Shakespeare, which featured him in a series of one-hour adaptations of Shakespeare plays, many of which Barrymore never appeared in either on stage or in films, such as Twelfth Night (in which he played both Malvolio and Sir Toby Belch), and Macbeth. Lux Radio Theatre and The Screen Guild Theater presented adaptations of Hollywood movies, performed before a live audience, usually with cast members from the original films. Suspense, Escape, The Mysterious Traveler and Inner Sanctum Mystery were popular thriller anthology series. Leading writers who created original material for radio included Norman Corwin, Carlton E. Morse, David Goodis, Archibald MacLeish, Arthur Miller, Arch Oboler, Wyllis Cooper, Rod Serling, Jay Bennett, and Irwin Shaw. Game shows Game shows saw their beginnings in radio. One of the first was Information Please in 1938, and one of the first major successes was Dr. I.Q. in 1939. Winner Take All, which premiered in 1946, was the first to use lockout devices and feature returning champions. A relative of the game show, which would be called the giveaway show in contemporary media, typically involved giving sponsored products to studio audience members, people randomly called by telephone, or both. An early example of this show was the 1939 show Pot o' Gold, but the breakout hit of this type was ABC's Stop the Music in 1948. Winning a prize generally required knowledge of what was being aired on the show at that moment, which led to criticism of the giveaway show as a form of "buying an audience". Giveaway shows were extremely popular through 1948 and 1949. They were often panned as low-brow, and an unsuccessful attempt was even made by the FCC to ban them (as an illegal lottery) in August 1949.[23] Broadcast production methods The RCA Type 44-BX microphone had two live faces and two dead ones. Thus actors could face each other and react. An actor could give the effect of leaving the room by simply moving their head toward the dead face of the microphone. The scripts were paper-clipped together. It has been disputed whether or not actors and actresses would drop finished pages to the carpeted floor after use. Radio stations Despite a general ban on use of recordings on broadcasts by radio networks through the late 1940s, "reference recordings" on phonograph disc were made of many programs as they were being broadcast, for review by the sponsor and for the network's own archival purposes. With the development of high-fidelity magnetic wire and tape recording in the years following World War II, the networks became more open to airing recorded programs and the prerecording of shows became more common. Local stations, however, had always been free to use recordings and sometimes made substantial use of pre-recorded syndicated programs distributed on pressed (as opposed to individually recorded) transcription discs. Recording was done using a cutting lathe and acetate discs. Programs were normally recorded at 331⁄3 rpm on 16 inch discs, the standard format used for such "electrical transcriptions" from the early 1930s through the 1950s. Sometimes, the groove was cut starting at the inside of the disc and running to the outside. This was useful when the program to be recorded was longer than 15 minutes so required more than one disc side. By recording the first side outside in, the second inside out, and so on, the sound quality at the disc change-over points would match and result in a more seamless playback. An inside start also had the advantage that the thread of material cut from the disc's surface, which had to be kept out of the path of the cutting stylus, was naturally thrown toward the centre of the disc so was automatically out of the way. When cutting an outside start disc, a brush could be used to keep it out of the way by sweeping it toward the middle of the disc. Well-equipped recording lathes used the vacuum from a water aspirator to pick it up as it was cut and deposit it in a water-filled bottle. In addition to convenience, this served a safety purpose, as the cellulose nitrate thread was highly flammable and a loose accumulation of it combusted violently if ignited. Most recordings of radio broadcasts were made at a radio network's studios, or at the facilities of a network-owned or affiliated station, which might have four or more lathes. A small local station often had none. Two lathes were required to capture a program longer than 15 minutes without losing parts of it while discs were flipped over or changed, along with a trained technician to operate them and monitor the recording while it was being made. However, some surviving recordings were produced by local stations. When a substantial number of copies of an electrical transcription were required, as for the distribution of a syndicated program, they were produced by the same process used to make ordinary records. A master recording was cut, then electroplated to produce a stamper from which pressings in vinyl (or, in the case of transcription discs pressed before about 1935, shellac) were moulded in a record press. Armed Forces Radio Service Frank Sinatra and Alida Valli converse over Armed Forces Radio Service during World War II The Armed Forces Radio Service (AFRS) had its origins in the U.S. War Department's quest to improve troop morale. This quest began with short-wave broadcasts of educational and information programs to troops in 1940. In 1941, the War Department began issuing "Buddy Kits" (B-Kits) to departing troops, which consisted of radios, 78 rpm records and electrical transcription discs of radio shows. However, with the entrance of the United States into World War II, the War Department decided that it needed to improve the quality and quantity of its offerings. This began with the broadcasting of its own original variety programs. Command Performance was the first of these, produced for the first time on March 1, 1942. On May 26, 1942, the Armed Forces Radio Service was formally established. Originally, its programming comprised network radio shows with the commercials removed. However, it soon began producing original programming, such as Mail Call, G.I. Journal, Jubilee and GI Jive. At its peak in 1945, the Service produced around 20 hours of original programming each week. From 1943 until 1949 the AFRS also broadcast programs developed through the collaborative efforts of the Office of the Coordinator of Inter-American Affairs and the Columbia Broadcasting System in support of America's cultural diplomacy initiatives and President Franklin Roosevelt's Good Neighbour policy. Included among the popular shows was Viva America which showcased leading musical artists from both North and South America for the entertainment of America's troops. Included among the regular performers were: Alfredo Antonini, Juan Arvizu, Nestor Mesta Chayres, Kate Smith,[26] and John Serry Sr. After the war, the AFRS continued providing programming to troops in Europe. During the 1950s and early 1960s it presented performances by the Army's only symphonic orchestra ensemble—the Seventh Army Symphony Orchestra. It also provided programming for future wars that the United States was involved in. It survives today as a component of the American Forces Network (AFN). All of the shows aired by the AFRS during the Golden Age were recorded as electrical transcription discs, vinyl copies of which were shipped to stations overseas to be broadcast to the troops. People in the United States rarely ever heard programming from the AFRS,[31] though AFRS recordings of Golden Age network shows were occasionally broadcast on some domestic stations beginning in the 1950s. In some cases, the AFRS disc is the only surviving recording of a program. Home radio recordings in the United States There was some home recording of radio broadcasts in the 1930s and 1940s. Examples from as early as 1930 have been documented. During these years, home recordings were made with disc recorders, most of which were only capable of storing about four minutes of a radio program on each side of a twelve-inch 78 rpm record. Most home recordings were made on even shorter-playing ten-inch or smaller discs. Some home disc recorders offered the option of the 331⁄3 rpm speed used for electrical transcriptions, allowing a recording more than twice as long to be made, although with reduced audio quality. Office dictation equipment was sometimes pressed into service for making recordings of radio broadcasts, but the audio quality of these devices was poor and the resulting recordings were in odd formats that had to be played back on similar equipment. Due to the expense of recorders and the limitations of the recording media, home recording of broadcasts was not common during this period and it was usually limited to brief excerpts. The lack of suitable home recording equipment was somewhat relieved in 1947 with the availability of magnetic wire recorders for domestic use. These were capable of recording an hour-long broadcast on a single small spool of wire, and if a high-quality radio's audio output was recorded directly, rather than by holding a microphone up to its speaker, the recorded sound quality was very good. However, because the wire cost money and, like magnetic tape, could be repeatedly re-used to make new recordings, only a few complete broadcasts appear to have survived on this medium. In fact, there was little home recording of complete radio programs until the early 1950s, when increasingly affordable reel-to-reel tape recorders for home use were introduced to the market. Recording media Electrical transcription discs   The War of the Worlds radio broadcast by Orson Welles on electrical transcription disc Before the early 1950s, when radio networks and local stations wanted to preserve a live broadcast, they did so by means of special phonograph records known as "electrical transcriptions" (ETs), made by cutting a sound-modulated groove into a blank disc. At first, in the early 1930s, the blanks varied in both size and composition, but most often they were simply bare aluminum and the groove was indented rather than cut. Typically, these very early recordings were not made by the network or radio station, but by a private recording service contracted by the broadcast sponsor or one of the performers. The bare aluminum discs were typically 10 or 12 inches in diameter and recorded at the then-standard speed of 78 rpm, which meant that several disc sides were required to accommodate even a 15-minute program. By about 1936, 16-inch aluminum-based discs coated with cellulose nitrate lacquer, commonly known as acetates and recorded at a speed of 331⁄3 rpm, had been adopted by the networks and individual radio stations as the standard medium for recording broadcasts. The making of such recordings, at least for some purposes, then became routine. Some discs were recorded using a "hill and dale" vertically modulated groove, rather than the "lateral" side-to-side modulation found on the records being made for home use at that time. The large slow-speed discs could easily contain fifteen minutes on each side, allowing an hour-long program to be recorded on only two discs. The lacquer was softer than shellac or vinyl and wore more rapidly, allowing only a few playbacks with the heavy pickups and steel needles then in use before deterioration became audible. During World War II, aluminum became a necessary material for the war effort and was in short supply. This caused an alternative to be sought for the base on which to coat the lacquer. Glass, despite its obvious disadvantage of fragility, had occasionally been used in earlier years because it could provide a perfectly smooth and even supporting surface for mastering and other critical applications. Glass base recording blanks came into general use for the duration of the war. Magnetic wire recording In the late 1940s, wire recorders became a readily obtainable means of recording radio programs. On a per-minute basis, it was less expensive to record a broadcast on wire than on discs. The one-hour program that required the four sides of two 16-inch discs could be recorded intact on a single spool of wire less than three inches in diameter and about half an inch thick. The audio fidelity of a good wire recording was comparable to acetate discs and by comparison the wire was practically indestructible, but it was soon rendered obsolete by the more manageable and easily edited medium of magnetic tape. Reel-to-reel tape recording Bing Crosby became the first major proponent of magnetic tape recording for radio, and he was the first to use it on network radio, after he did a demonstration program in 1947. Tape had several advantages over earlier recording methods. Running at a sufficiently high speed, it could achieve higher fidelity than both electrical transcription discs and magnetic wire. Discs could be edited only by copying parts of them to a new disc, and the copying entailed a loss of audio quality. Wire could be divided up and the ends spliced together by knotting, but wire was difficult to handle and the crude splices were too noticeable. Tape could be edited by cutting it with a blade and neatly joining ends together with adhesive tape. By early 1949, the transition from live performances preserved on discs to performances pre-recorded on magnetic tape for later broadcast was complete for network radio programs. However, for the physical distribution of pre-recorded programming to individual stations, 16-inch 331⁄3 rpm vinyl pressings, less expensive to produce in quantities of identical copies than tapes, continued to be standard throughout the 1950s. Availability of recordings The great majority of pre-World War II live radio broadcasts are lost. Many were never recorded; few recordings antedate the early 1930s. Beginning then several of the longer-running radio dramas have their archives complete or nearly complete. The earlier the date, the less likely it is that a recording survives. However, a good number of syndicated programs from this period have survived because copies were distributed far and wide. Recordings of live network broadcasts from the World War II years were preserved in the form of pressed vinyl copies issued by the Armed Forces Radio Service (AFRS) and survive in relative abundance. Syndicated programs from World War II and later years have nearly all survived. The survival of network programming from this time frame is more inconsistent; the networks started prerecording their formerly live shows on magnetic tape for subsequent network broadcast, but did not physically distribute copies, and the expensive tapes, unlike electrical transcription ("ET") discs, could be "wiped" and re-used (especially since, in the age of emerging trends such as television and music radio, such recordings were believed to have virtually no rerun or resale value). Thus, while some prime time network radio series from this era exist in full or almost in full, especially the most famous and longest-lived of them, less prominent or shorter-lived series (such as serials) may have only a handful of extant episodes. Airchecks, off-the-air recordings of complete shows made by, or at the behest of, individuals for their own private use, sometimes help to fill in such gaps. The contents of privately made recordings of live broadcasts from the first half of the 1930s can be of particular interest, as little live material from that period survives. Unfortunately, the sound quality of very early private recordings is often very poor, although in some cases this is largely due to the use of an incorrect playback stylus, which can also badly damage some unusual types of discs. Most of the Golden Age programs in circulation among collectors—whether on analogue tape, CD, or in the form of MP3s—originated from analogue 16-inch transcription disc, although some are off-the-air AM recordings. But in many cases, the circulating recordings are corrupted (decreased in quality), because lossless digital recording for the home market did not come until the very end of the twentieth century. Collectors made and shared recordings on analogue magnetic tapes, the only practical, relatively inexpensive medium, first on reels, then cassettes. "Sharing" usually meant making a duplicate tape. They connected two recorders, playing on one and recording on the other. Analog recordings are never perfect, and copying an analogue recording multiplies the imperfections. With the oldest recordings this can even mean it went out the speaker of one machine and in via the microphone of the other. The muffled sound, dropouts, sudden changes in sound quality, unsteady pitch, and other defects heard all too often are almost always accumulated tape copy defects. In addition, magnetic recordings, unless preserved archivally, are gradually damaged by the Earth's magnetic field. The audio quality of the source discs, when they have survived unscathed and are accessed and dubbed anew, is usually found to be reasonably clear and undistorted, sometimes startlingly good, although like all phonograph records they are vulnerable to wear and the effects of scuffs, scratches, and ground-in dust. Many shows from the 1940s have survived only in edited AFRS versions, although some exist in both the original and AFRS forms. As of 2020, the Old Time Radio collection at the Internet Archive contains 5,121 recordings. An active group of collectors makes digitally available, via CD or download, large collections of programs. RadioEchoes.com offers 98,949 episodes in their collection, but not all is old-time radio. Copyright status Unlike film, television, and print items from the era, the copyright status of most recordings from the Golden Age of Radio is unclear. This is because, prior to 1972, the United States delegated the copyrighting of sound recordings to the individual states, many of which offered more generous common law copyright protections than the federal government offered for other media (some offered perpetual copyright, which has since been abolished; under the Music Modernization Act of September 2018, any sound recording 95 years old or older will be thrust into the public domain regardless of state law). The only exceptions are AFRS original productions, which are considered work of the United States government and thus both ineligible for federal copyright and outside the jurisdiction of any state; these programs are firmly in the public domain (this does not apply to programs carried by AFRS but produced by commercial networks). In practice, most old-time radio recordings are treated as orphan works: although there may still be a valid copyright on the program, it is seldom enforced. The copyright on an individual sound recording is distinct from the federal copyright for the underlying material (such as a published script, music, or in the case of adaptations, the original film or television material), and in many cases it is impossible to determine where or when the original recording was made or if the recording was copyrighted in that state. The U.S. Copyright Office states "there are a variety of legal regimes governing protection of pre-1972 sound recordings in the various states, and the scope of protection and of exceptions and limitations to that protection is unclear."[39] For example, New York has issued contradicting rulings on whether or not common law exists in that state; the most recent ruling, 2016's Flo & Eddie, Inc. v. Sirius XM Radio, holds that there is no such copyright in New York in regard to public performance.[40] Further complicating matters is that certain examples in case law have implied that radio broadcasts (and faithful reproductions thereof), because they were distributed freely to the public over the air, may not be eligible for copyright in and of themselves. The Internet Archive and other organizations that distribute public domain and open-source audio recordings maintain extensive archives of old-time radio programs. Legacy United States Some old-time radio shows continued on the air, although in ever-dwindling numbers, throughout the 1950s, even after their television equivalents had conquered the general public. One factor which helped to kill off old-time radio entirely was the evolution of popular music (including the development of rock and roll), which led to the birth of the top 40 radio format. A top 40 show could be produced in a small studio in a local station with minimal staff. This displaced full-service network radio and hastened the end of the golden-age era of radio drama by 1962. (Radio as a broadcast medium would survive, thanks in part to the proliferation of the transistor radio, and permanent installation in vehicles, making the medium far more portable than television). Full-service stations that did not adopt either top 40 or the mellower beautiful music or MOR formats eventually developed all-news radio in the mid-1960s. Scripted radio comedy and drama in the vein of old-time radio has a limited presence on U.S. radio. Several radio theatre series are still in production in the United States, usually airing on Sunday nights. These include original series such as Imagination Theatre and a radio adaptation of The Twilight Zone TV series, as well as rerun compilations such as the popular daily series When Radio Was and USA Radio Network's Golden Age of Radio Theatre, and weekly programs such as The Big Broadcast on WAMU, hosted by Murray Horwitz. These shows usually air in late nights and/or on weekends on small AM stations. Carl Amari's nationally syndicated radio show Hollywood 360 features 5 old-time radio episodes each week during his 5-hour broadcast. Amari's show is heard on 100+ radio stations coast-to-coast and in 168 countries on American Forces Radio. Local rerun compilations are also heard, primarily on public radio stations. Sirius XM Radio maintains a full-time Radio Classics channel devoted to rebroadcasts of vintage radio shows. Starting in 1974, Garrison Keillor, through his syndicated two-hour-long program A Prairie Home Companion, has provided a living museum of the production, tone and listener's experience of this era of radio for several generations after its demise. Produced live in theatres throughout the country, using the same sound effects and techniques of the era, it ran through 2016 with Keillor as host. The program included segments that were close renditions (in the form of parody) of specific genres of this era, including Westerns ("Dusty and Lefty, The Lives of the Cowboys"), detective procedurals ("Guy Noir, Private Eye") and even advertising through fictional commercials. Keillor also wrote a novel, WLT: A Radio Romance based on a radio station of this era—including a personally narrated version for the ultimate in verisimilitude. Upon Keillor's retirement, replacement host Chris Thile chose to reboot the show (since renamed Live from Here after the syndicator cut ties with Keillor) and eliminate much of the old-time radio trappings of the format; the show was ultimately cancelled in 2020 due to financial and logistics problems. Vintage shows and new audio productions in America are accessible more widely from recordings or by satellite and web broadcasters, rather than over conventional AM and FM radio. The National Audio Theatre Festival is a national organization and yearly conference keeping the audio arts—especially audio drama—alive, and continues to involve long-time voice actors and OTR veterans in its ranks. Its predecessor, the Midwest Radio Theatre Workshop, was first hosted by Jim Jordan, of Fibber McGee and Molly fame, and Norman Corwin advised the organization. One of the longest running radio programs celebrating this era is The Golden Days of Radio, which was hosted on the Armed Forces Radio Service for more than 20 years and overall for more than 50 years by Frank Bresee, who also played "Little Beaver" on the Red Ryder program as a child actor. One of the very few still-running shows from the earlier era of radio is a Christian program entitled Unshackled! The weekly half-hour show, produced in Chicago by Pacific Garden Mission, has been continuously broadcast since 1950. The shows are created using techniques from the 1950s (including home-made sound effects) and are broadcast across the U.S. and around the world by thousands of radio stations. Today, radio performers of the past appear at conventions that feature re-creations of classic shows, as well as music, memorabilia and historical panels. The largest of these events was the Friends of Old Time Radio Convention, held in Newark, New Jersey, which held its final convention in October 2011 after 36 years. Others include REPS in Seattle (June), SPERDVAC in California, the Cincinnati OTR & Nostalgia Convention (April), and the Mid-Atlantic Nostalgia Convention (September). Veterans of the Friends of Old Time Radio Convention, including Chairperson Steven M. Lewis of The Gotham Radio Players, Maggie Thompson, publisher of the Comic Book Buyer's Guide, Craig Wichman of audio drama troupe Quicksilver Audio Theatre and long-time FOTR Publicist Sean Dougherty have launched a successor event, Celebrating Audio Theatre – Old & New, scheduled for October 12–13, 2012. Radio dramas from the golden age are sometimes recreated as live stage performances at such events. One such group, led by director Daniel Smith, has been performing re-creations of old-time radio dramas at Fairfield University's Regina A. Quick Centre for the Arts since the year 2000. The 40th anniversary of what is widely considered the end of the old time radio era (the final broadcasts of Yours Truly, Johnny Dollar and Suspense on September 30, 1962) was marked with a commentary on NPR's All Things Considered. A handful of radio programs from the old-time era remain in production, all from the genres of news, music, or religious broadcasting: the Grand Ole Opry (1925), Music and the Spoken Word (1929), The Lutheran Hour (1930), the CBS World News Roundup (1938), King Biscuit Time (1941) and the Renfro Valley Gatherin' (1943). Of those, all but the Opry maintain their original short-form length of 30 minutes or less. The Wheeling Jamboree counts an earlier program on a competing station as part of its history, tracing its lineage back to 1933. Western revival/comedy act Riders in the Sky produced a radio serial Riders Radio Theatre in the 1980s and 1990s and continues to provide sketch comedy on existing radio programs including the Grand Ole Opry, Midnite Jamboree and WoodSongs Old-Time Radio Hour. Elsewhere Regular broadcasts of radio plays are also heard in—among other countries—Australia, Croatia, Estonia,[46] France, Germany, Ireland, Japan, New Zealand, Norway, Romania, and Sweden. In the United Kingdom, such scripted radio drama continues on BBC Radio 3 and (principally) BBC Radio 4, the second-most popular radio station in the country, as well as on the rerun channel BBC Radio 4 Extra, which is the seventh-most popular station there.   Special thanks to Wikipedia. #starradio #totalstar #star1075 #heart #heartradio #lbc #bbc #bbcradio #bbcradio1 #bbcradio2 #bbcradio3 #bbcradio4 #radio4extra #absoluteradio #absolute #capital #capitalradio #greatesthitsradio #hitsradio #radio #adultcontemporary #spain #bristol #frenchay #colyton #lymeregis #seaton #beer #devon #eastdevon #brettorchard #brettsoldtimeradioshow fe2f4df62ffeeb8c30c04d3d3454779ca91a4871

Quel sera l'artiste normand qui performera sur la scène du festival Beauregard cet été ? Avant de connaître la réponse le jeudi 23 janvier, au Big Band Café, on vous emmène à la rencontre de Guesney, le Z, Welcome Nogaro et Gogojuice. Son du jour : Bien mérité - Eloi

 Bjorn Skaptason on The Battle of Shiloh  For more info : WWW.ChiagoCWRT.ORG  At the outset of the Battle of Shiloh in April 1862, the Confederates had high hopes for an important strategic victory. They aimed to block the Union advance into Mississippi, and early in the battle, it seemed that they might succeed.  As night fell on the first day of battle, General Pierre G. T. Beauregard, who took command after General Albert Sidney Johnston was shot and died, believed his army was victorious. In what might have been his fatal error, he called a halt to the attacks as darkness approached.  What he didn't know was that, during the night, thousands of additional Union troops arrived to reinforce Ulysses S. Grant's battered army. By daybreak, Federal forces numbered nearly 54,000 men near Pittsburg Landing, an advantage of 24,000 men over Beauregard's army. The greater numbers, and the tactical advantage they provided, proved to be decisive.  Bjorn Skaptason holds degrees from the University of Kansas and Loyola University Chicago. He worked as a seasonal ranger at the National Park Service's Shiloh National Military Park and Corinth Civil War Interpretive Center for two summers while studying history at Loyola. Bjorn has published essays on Ambrose Bierce at Shiloh for the Ambrose Bierce Project Journal, on the United States Colored Troops in the campaign and battle of Brice's Crossroads for the West Tennessee Historical Society Papers, and 2  in the Journal of the Illinois State Historical Society on The Chicago Light Artillery. A dealer in antiquarian books, Bjorn produced and guest hosted "A House Divided," a live book discussion program webcast from Abraham Lincoln Book Shop in Chicago. 

Meet Justine Beauregard, a bold marketing strategist who believes the secret to rapid and repeatable sales isn't just about identifying a target market—it's about connecting with your target buyers. By honing in on the precise intersection of what you do best and what drives your best customers to buy now, she helps entrepreneurs transform their messages into magnetizing headlines that speak directly to those ready-to-say-yes clients. Justine's approach goes beyond industry “good enough” standards. She teaches business owners to position themselves at the top, stand out with ultra-specific messaging, and captivate customers who actively seek them out—no pushbacks, no drawn-out sales cycles. From crafting irresistible headlines and intros to sharing stories that flex real expertise, Justine offers a roadmap to predictable, repeatable revenue. If you're ready to skyrocket your sales by speaking straight to the people who want and need what you have, don't miss this insightful conversation with Justine Beauregard. https://www.linkedin.com/in/justinejbeauregard/ https://www.justinebeauregard.com/

François Beauregard aborde les enjeux qui concernent l'inclusion sociale des personnes en situation de handicap. Au programme : Elise Duchesne, professeure en physiothérapie, nous parle de l’équipe transuniversitaire qui a découvert une avenue prometteuse pour épurer et rajeunir les muscles des personnes atteintes de dystrophie myotonique de type 1. Puis, Anik Roy Trudel de Han-Logement…

Have an idea or tip? Send us a text!Peggy Beauregard, a veteran in the world of commercial real estate, graces us with her presence to share over four decades of wisdom. Discover how Peggy transitioned from hands-on property management to becoming a limited partner, reaping the rewards of real estate without the everyday grind. Learn the ins and outs of diversifying income streams and the strategic advantage of turning to real estate as a steady asset class, especially as markets evolve. Beauregard's insights on embracing economic changes are not to be missed for those looking to secure financial growth and stability.We dive deeper into the crucial subject of planning business exits, particularly as retirement looms on the horizon. Uncover the necessity of significant financial reserves, potentially up to $2.8 million, to ensure a comfortable future. We'll dispel myths surrounding business valuations and reveal why the real payoff is in the profits and dividends earned over the years. With examples of multigenerational businesses, she explores effective strategies for handing over the reins, whether through selling, liquidation, or generational succession, underscoring the need for foresight and preparation.On a lighter note, we highlight the importance of nurturing financial literacy from a young age. Richard Wilson's approach to instilling entrepreneurial thinking in his children shines a light on the timeless principles of integrity and customer care. These values build a sustainable business and prepare the next generation for future success in an ever-changing world. Beauregard caps off our episode with a call for continuous learning and networking within the real estate industry, offering her expertise and encouragement for listeners eager to enhance their financial journeys.MediaclipMediaclip strives to continuously enhance the user experience while dramatically increasing revenue.Independent Photo ImagersIPI is a member + trade association and a cooperative buying group in the photo + print industry.Buzzsprout - Let's get your podcast launched!Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showSign up for the Dead Pixels Society newsletter at http://bit.ly/DeadPixelsSignUp.Contact us at gary@thedeadpixelssociety.comVisit our LinkedIn group, Photo/Digital Imaging Network, and Facebook group, The Dead Pixels Society. Leave a review on Apple and Podchaser. Are you interested in being a guest? Click here for details.Hosted and produced by Gary PageauEdited by Olivia PageauAnnouncer: Erin Manning

François Beauregard aborde les enjeux qui concernent l'inclusion sociale des personnes en situation de handicap. Au programme : Le parahockey est la version paralympique du hockey sur glace et, depuis son entrée au programme paralympique en 1994, il est devenu l’une des plus grandes attractions pour les spectateurs des Jeux paralympiques d’hiver. Samuel Lachaine, chroniqueur…

François Beauregard aborde les enjeux qui concernent l'inclusion sociale des personnes en situation de handicap. Au programme : Le programme d’adaptation à domicile (PAD), dédié à aménager la résidence des personnes vivant avec des handicaps, est suspendu indéfiniment, puisque son enveloppe budgétaire est vide. Dominique Salgado, directeur général du CAPVISH en dit plus. Le Centre…

Ce soir dans Label Antenne, écoutez l'actrice Guslagie Malanda parler de A Young Promising Woman, un film qu'elle a choisi de diffuser à l'Amphi Daure le 29 octobre dernier. Le festival Beauregard vient d'annoncer 11 nouveaux noms à sa programmation 2025 parmi lesquel celui de la chanteuse britannique Jorja Smith ou encore celui du duo rock Wet Leg. Le festival Cabourg Mon Amour lui, a annoncé les premiers artistes qui joueront les 19,20 et 21 juin prochain pour la 11ème édition du festival. En attendant l'été, passons à la loupe ces programmations. Son du jour : Hypo - Jyeuhair

Mind bending podcast!!!  Brain scans that prove Jennifer is IN ANOTHER ZONE!!!  Jennifer was invited by a lab up in Marin County to do some EEGs of her brain, based upon the fact that she'd had a number of events, broken bones over the years.  She went up to a brain scan lab in Marin where they mapped her brain - doing a baseline scan while she was "not thinking of anything" - and then while doing a session with someone in the office, but looking straight ahead. The results are dramatic and mind bending.  The results show that when Jennifer is "doing a session" (in trance, or as I call it "bypassing the filters on the brain") she's in full DELTA state - the equivalent of being in a deep sleep, or as shown in the scans of monks who are in a trance or doing meditation.   From an AI definition of the Theta vs. Delta state: There are various levels of awareness and sleep as recorded by science - theta state, delta state, etc. Theta and delta waves are both types of brain waves that occur during sleep, but they have different frequencies and are associated with different stages of sleep: Theta waves These waves are associated with the initial stages of non-REM sleep, and are characterized by a frequency of 3–8 Hz and an amplitude of 50–100 µV. Theta waves are associated with deep relaxation, creativity, intuition, and visualization. Delta waves These waves are associated with deep, slow-wave sleep, and are characterized by a frequency of 0.5–3 or 4 Hz and an amplitude of 100–200 µV. Delta waves are associated with physical healing and regeneration, reduced stress and anxiety, and dreamless sleep.  Electroencephalography (EEG) is the primary tool used to measure brainwaves during sleep." It's as if Jennifer is "sound asleep" while we're doing these sessions, while she's working with law enforcement, while working with her clients.  Her brain is "In another dimension" so to speak - not the awake mind that we associate with daily living. Also worth noting; as the video of a Parkinson's patient (on this page - Coleman Hough) during hypnosis showed, during the hypnosis session she lost her symptoms; she stopped shaking and spoke normally.  (As if she was asleep, while consciously speaking.)  As noted, people with brain issues (Parkinsons, Tourette's) don't shake or have tics while they're sleeping.  It's only in the Theta state that the shaking returns (as evidenced in the session with Coleman, all the shaking returned when she was "counted down." In the research from Dr. Greyson ("AFTER") he talks about filters on the brain, that "block information not conducive to survival."  Dr. Wambach talks about the same filters in her book "Reliving Past Lives." The point is - if people can use meditation (and Coleman told us from the flipside that both meditation and hyperbaric oxygen therapy can help) to bypass the filters, why not use that as a tool for healing? It's uncanny that Jennifer has these scans, and as noted in the podcast, a scientist at the University of Pennsylvania is doing EEG/MRI scans of mediums. (Dr. Beauregard's BRAIN WARS has some MRI data in his research.) Luana Anders is our moderator on the flipside, LuanaAnders.com - passed in 1996, was pals with Tina Turner, both SGI Buddhists.  So Tina stops by to say hello.  (And Jennifer has had a client who has spoken with Tina as well.) So HAPPY THANKSGIVING. Each week Jennifer and I have no idea what we're going to talk about, and each week we go further and farther into the flipside to learn new information. Stay tuned! And don't forget to give thanks for being allowed to return to the planet to celebrate one's loved ones!  They are not gone, they're just not here. When you toast them, do so in present tense.

En Hoy es Risco del miércoles 6 de noviembre desde Washington D.C. en la cobertura especial de Grupo Fórmula desde Estados Unidos, Javier Risco habló con Lorena Becerra, experta en encuestas y analista política y Luis Pablo Beauregard, periodista de El País sobre el triunfo del candidato republicano Donald Trump en las elecciones presidenciales de ese país. Becerra señaló que las encuestas en los estados llamados bisagra, subestimaron a Trump, quien aprovecho también a los primeros votantes del sector latino. Mientras que Beauregard destacó que Trump tendrá el control del Congreso y de la Corte. Ambos coincidieron que en la elección hubo un voto de castigo a los demócratas. Sobre el discurso de Kamala Harris, Beauregard subrayó que la demócrata mandó buenas señales para establecer la transición de gobierno con Trump. Mientras que en la sección “Mapa y territorio” con Lisa Sánchez, directora de México Unido Contra la Delincuencia, analizó las implicaciones de la decisión de la Suprema Corte de Justicia de la Nación. La discusión se restringió en dos cosas: dio acceso a una acción de constitucionalidad proveniente de partidos políticos sobre la Reforma Judicial, pero no analizaron la constitucionalidad de la misma reforma, solo se limitaron a determinar si podían entrar o no al fondo, lo cual por mayoría de votos determinaron que no. Finalmente son Sergio López, PadrinoTech, comentó sobre un estudio que muestra que los modelos de inteligencia artificial se equivocan más en preguntas electorales cuando se formulan en español.

Mastering Sales: Embrace Authenticity and Build Meaningful ConnectionsIn a recent episode of the Thoughtful Entrepreneur podcast, host Josh engages with Justine Beauregard, a seasoned sales strategist and the voice behind the "People Over Profits" podcast. Their discussion centers on the significance of building authentic relationships in sales, emphasizing a sales approach that aligns with one's personality. Justine shares her journey, influenced by her entrepreneurial grandmother, which led her to discover that her ability to connect with people was her greatest asset in sales. This realization shaped her belief that sales can be an authentic expression of care for others.Justine's core philosophy, "people over profits," underscores the importance of prioritizing relationships for sustainable business growth. She advises sales professionals to focus on understanding and catering to the needs of others, creating meaningful interactions that lead to successful outcomes. Justine also addresses common sales anxieties, encouraging entrepreneurs to view sales as a conversation rather than a transaction. By shifting their mindset and actively listening, individuals can alleviate the pressure associated with traditional sales tactics and foster a more relaxed atmosphere.To support entrepreneurs in enhancing their sales skills, Justine offers various resources, including her podcast and a 14-day sales challenge. She also hosts speed networking events to help individuals practice their networking and sales skills in a supportive environment. By embracing these principles and leveraging available resources, entrepreneurs can transform their approach to sales, making it a more natural and rewarding part of their business journey.About Justine Beauregard:Meet Justine. She's an expert sales coach + trainer who can help you close more sales with fewer objections by designing a sales process that fits you. She's known for her ability to create meaningful connections and value quickly and has helped her clients reach up to 2,300% higher revenue in under 6 months.Apply to be a Guest on The Thoughtful Entrepreneur: https://go.upmyinfluence.com/podcast-guestLinks Mentioned in this Episode:Want to learn more? Check out Justine Beauregard's website athttps://www.justinebeauregard.com/Check out Justine Beauregard on LinkedIn athttps://www.linkedin.com/in/justinejbeauregard/Don't forget to subscribe to The Thoughtful Entrepreneur and thank you for listening. Tune in next time! More from UpMyInfluence:We are actively booking guests for our The Thoughtful Entrepreneur. Schedule HERE.Are you a 6-figure consultant? I've got high-level intros for you. Learn more here.What is your #1 Lead Generation BLOCKER? Take my free quiz here.Want to learn more about all the podcasts managed by UpMyInfluence? Opt in here.

Deux heures de direct à l'écoute de celles et ceux qui font le monde : le raconter, le décrypter et l'analyser pour donner des clés de lecture et de compréhension aux auditeurs.

Today on LIVE! Daily News, a GoFundMe has been set up for a 9-year-old who is in a medically induced coma, Pfluger Fest was this past weekend, and the three men involved in the Walmart Theft Scheme have been indicted.Also, Fagner Rocha with ASU's Symphony Orchestra is in the studio and Paul Harris spoke with Central Bobcat's head coach Mark Smith.Today's Top Stories: Friday Night Rewind: Best Games, Biggest Wins and Top Performers From Last Week (10/21/2024)Three San Angelo Men Indicted in Walmart Lottery Theft Case Involving Over $1 Million (10/21/2024)Police Respond to Game Room Robbery in Santa Anna, Seek Help Identifying Suspect (10/21/2024)Quail Populations Surge Across Texas as Hunting Season Begins, TPWD Reports (10/21/2024)San Angelo Big Lots Offering Discounts on Everything in Store as Part of Closeout Sale (10/21/2024)Ramp Closure Alert for U.S. 67 Westbound On-Ramp Near Bell Street (10/21/2024)Texas High School Football State Rankings: Week 9 (10/21/2024)To Vote for or Against Proposition A (10/21/2024)San Angelo Girl Airlifted After Tree Swing Accident, Fundraiser Nears Goal (10/21/2024)San Angelo Man Indicted After Shooting at Two Women, Turning Gun on Himself (10/21/2024)Exact Timetable Released for Rare Comet Viewing Over Texas (10/21/2024)Angelo State Hosts STEM Lab Night for Families and Students Tomorrow (10/21/2024)West Texas High School Football District Standings (10/21/2024)TxDOT: 25% of Texas Traffic Deaths Occur in Energy-Producing Areas (10/21/2024)Angelo State Kicks Off 2024 Homecoming Week With Packed Schedule of Public Events (10/21/2024)Potential Record Highs This Week as San Angelo Warms into the 90s (10/21/2024)Drug Possession and Assault Causing Injury Tops Booking Report (10/21/2024)Bad Crash on FM 2105 (10/20/2024)Jury Trial for Man Accused of Uxoricide Starts Tomorrow (10/20/2024)Pfluger Hosts Largest ‘Pfluger Pfest' Yet in Christoval, Thousands Attend (10/20/2024)Firefighters Use Jaws of Life in Crash on Sherwood Way (10/20/2024)Why Secular Halloween Frightens Some of the Faithful (10/20/2024)Truck and Car Collide on Beauregard, One Hospitalized (10/20/2024)Early Voting for Nov. 5 General Elections Begins Tomorrow (10/20/2024)Angelo State Locks Down Midwestern, Remains Unbeaten in Conference (10/20/2024)

Maureen Beauregard took over as President and CEO of Easterseals NH and VT at the start of COVID and, rather than hunkering down to weather the storm, she pursued a new strategic plan and took control with her team, growing mission impact from ~$100M to $140M in 5 short years. Maureen discusses a commitment to doing what's right even when it's hard, not letting fear get in the way. She discusses bringing a deep focus on business planning to uplevel the historic non-profit model and the power of seeking out input from the team on the front lines, creating conditions for them to feel appreciated, seen, and heard. Maureen is a bold leader whose north star is always to improve the conditions for those the organization serves. She is an excellent example of how bridging deep business expertise with personal passion can create extraordinary mission impact.   To learn more about Easterseals NH and VT, and to support the work, please visit: Easterseals New Hampshire (eastersealsnh.org)   Executive Access is produced by The Ideal Life, a platform that provides coaching, community, and content for people to grow both personally and professionally.   

This week's episode takes us behind the scenes of an independent record label and record store out of Portland, Oregon: Jackpot Records, with its founder Isaac Slusarenko. He opened the store in 1997 as a place that was all about music, no T-shirts or candles. He launched the label in 2004 with a vinyl edition of the 1971 self-titled psychedelic soul album by Beauregard, a Portland wrestler, followed by albums by local rockers the Wipers. With repeat Caropop guest Kevin Grey providing the all-analog mastering then and now, the label offers Record Store Day treasures (Gandalf!) while releasing higher-profile titles by the Meters, Booker T. and the M.G.'s, Etta James, the Electric Prunes, Bill Evans, Martin Denny and others. How does the licensing of albums work? How does Slusarenko make his Jackpot pressings stand out? How important are the cover art, colored vinyl and limited editions? Slusarenko pulls back the curtains.

Justine tells hoe to avoid feast and famine cycle in business. Justine Beauregard, Sales Strategist and Podcast Host at "The People over Profit" Podcast. https://justinebeauregard.com https://www.linkedin.com/in/justinejbeauregard

About Nick Jain Nick has lived an inspiring rags to riches story. Nick started his life by being raised by a single grandmother in a small city in India and graduated at the top of his class from Harvard Business School. Along the way, Nick has worked at some of the top investing firms in the world such as Bain Capital and Greenlight, and has led dramatic business transformations in 3 entirely different industries: trucking, men's shoes, and now B2B software. https://www.ideascale.com/ https://www.linkedin.com/in/nickjain/ ------------------------------- About Cindy Rand Her sabbatical is over! This business savvy fireball, emits good vibes at the onset of any conversation! Affectionately named "The Busy Woman's Cheerleader" by her clients, she lives up to the name with her genuine heart to see others succeed. http://www.thecindyrand.com/ https://podmatch.com/hostdetail/1669242170302x155413175378146020 ---------------------------------- About Justine Beauregard I got my first sales job in 2007, and (as you can probably imagine) it was awful.​ I was plugged into an automated cold calling system, given a bad sales script, and spent my days being told "no" or ignored for hours a day. One day, my supervisor left me in charge and I was inspired to sell in my own way - and it worked! Not only did I make a sale, but the person I was selling to offered me even MORE than I asked for on the call. https://justinebeauregard.com/ https://linkedin.com/in/justinejbeauregard/ ---------------------------------- When It Worked Podcast https://getoffthedamnphone.com/podcast

During the August recess for Congress, Louisiana Farm Bureau hosted a number of visits for Congressional staff to get some hands-on experience in the field. Madison Plaisance from the LFBF Commodity and Public Policy department helped arrange these tours and joins us on the podcast today to discuss the value of that experience for the farmers and staff alike. Also, we get to know Matthew Waguespack, the newest member of the Commodity and Public Policy team at Louisiana Farm Bureau.Here is the video from convention Madison talks about.Here is the story from the Staffer Tour to Beauregard and Evangeline parishes.Here is the story with Michael Fruge in this week's episode of TWILA.Learn more about the latest news on the Farm Bill.Learn more about Louisiana Farm Bureau member benefits here. Become a member of Louisiana Farm Bureau today.  

Friday Night Lights series continues as we sit down with Coach Jones and talk about this years Hornets team. --- Support this podcast: https://podcasters.spotify.com/pod/show/vujadesports/support

In dieser anregenden Podcast-Folge sprechen Superintendent Heinrich Fuchs und Prof. Paul Melot de Beauregard mit Moderatorin Andrea Greuner über die aufwendige Revitalisierung der Johanneskirche. Die Kirche, ein Wahrzeichen und historisches Juwel, wird denkmalgerecht saniert und modernisiert, um sowohl ihre historische Bedeutung zu bewahren als auch den Anforderungen in Gegenwart und Zukunft gerecht zu werden. Superintendent Heinrich Fuchs teilt Einblicke in die Bedeutung der Johanneskirche für die Düsseldorfer Stadtgesellschaft und die Herausforderungen, die mit der denkmalgerechten Sanierung eines so wichtigen Gebäudes verbunden sind. Er betont die Rolle der Gemeinschaft und wie die Zusammenarbeit mit den Bürger:innen und Besucher:innen das Projekt in die Zukunft trägt. Prof. Dr. Paul Melot de Beauregard, Vorsitzender des Fundraising-Beirats der Evangelischen Kirche in Düsseldorf, beschreibt die immense Bedeutung der Johanneskirche für die Bürger:innen der Landeshauptstadt Düsseldorf. Die Kirche diene als multifunktionaler Raum für kulturelle Veranstaltungen, Gemeinschaftstreffen und spirituelle Erholung. Sie bieten den Menschen nicht nur einen Ort der Begegnung und des Austauschs, sondern auch eine Oase der Ruhe inmitten des städtischen Trubels. Zusammen erzählen sie die Geschichte einer Transformation, die nicht nur die Struktur eines Gebäudes, sondern auch das Herz einer Gemeinschaft erneuern wird. Sie legen dar, das Wie und Warum die Unterstützung von öffentlichen und privaten Förderern notwendig ist. Hören Sie rein und lassen Sie sich inspirieren von einem Projekt, das Tradition und Zukunft auf beeindruckende Weise verbindet,   Eine wunderbare neue Folge von „Wirtschaft Düsseldorf unplugged“, die man auf keinen Fall verpassen sollte.

Can time symmetry in physics, combined with exceptional violations of the 2nd law of thermodynamics, and the “quantum handshake” transactional interpretation of Quantum mechanics, open up main stream physics to the possibility of retro-causation? Could it help to explain the many paradoxes left open in modern physics? and is there experimental evidence for it? Today we have the extraordinary possibility of retro-causation to get our heads around: the apparently impossible phenomenon of events in the present causing changes in the past, or future events having an effect in the present depending on how you want to look at it. Today we'll be approaching this topic via the context of time symmetry in physics. As far back as 1947, French quantum physicist Olivier Costa de Beauregard, began to question the usual interpretation of time in quantum mechanics, intuiting that something was missing from the model for the many paradoxes in Quantum Mechanics to remain unexplained. And then, with others get on board over the years, in the 80's, John G Kramer, agreed that the missing ingredient was found in time symmetry and he proposed a ‘quantum handshake' between the waves passing forward and backward in time at the moment of collapse; in this Transactional Interpretation of quantum mechanics, Kramer claimed he had solved the paradoxes. My guest today has put together this research, a re-interpretation of the 2nd law of thermodynamics based on violations where Entropy exceptionally does not hold, and theorisation about quantum correlates to consciousness to create a new theory of retro-causation, which he thinks can be tested. He is Daniel Sheehan, Author and Professor of Physics at the University of San Diego, specialist in plasma physics, violations of the 2nd Law thermodynamics and Retro-causation. He is the founder the Quantum Retro-causation symposia that met at The University of San Diego. What we discuss: 00:00 Intro. 09:00 Time dilation: the twin paradox. 12:20 Time symmetry: reversible time functions in physics equations. 13:20 Violations of the 2nd Law, the Entropic arrow of time. 18:20 Wheeler's bizarre altered double slit experiment. 23:15 Wheeler's ‘Participatory Universe'. 26:00 The history of retro-causation research. 29:15 Bergmann and Lebowitz ‘Two-State Vector Formalism' theory 1964 31:00 Kramer's “Quantum Handshake” Transactional interpretation of QM. 35:30 Sheehan's theory of retro-causation. 36:45 The assumption of quantum processes acting in the brain. 39:00 Issues with quantum consciousness hypotheses. 42:00 Macroscopic quantum systems. 50:00 Precognitive retro-causation experiments: Graff & Cyrus  51:45 Triple blind experiments - blind ‘even to the universe'. 55:00 Is the subject finding out what actually happened important to the result? 57:00 Emotional charge in the future, influencing the past. 59:00 Are some events in the future already fixed? 01:01:30 Global Consciousness aggregate effects in physical systems. 01:02:30 Time symmetry allows the transmission into the past of important. 01:05:00 Wider science reception of such a paradigm shifting ideas as retro-causation. 01:05:00 Getting over our Second law biology habits. References: Vladislav Capek & Daniel P. Sheehan, “Challenges to The Second Law of Thermodynamics: Theory and Experiment”. Stephen Wolfram, “Computational Foundations for the Second Law of Thermodynamics” John Wheeler - Altered double double slit “Delayed Choice” experiment. Bergmann and Lebowitz ‘Two-State Vector Formalism' theory 1964 John G. Kramer's “Transactional interpretation” of Quantum Mechanics. Dale E Graff, Patricia S. Cyrus, ‘Perceiving the future news: Evidence for retrocausation' Paper Global Consciousness project at Princeton, Roger Nelson. Quotes: “The question is more important than the answer”, author unknown. “Order is a state of mind, not a state of matter” On Entropy, Daniel Sheehan. 

From The Wine Conversation (wine-conversation.com)"Episode Summary:-Jasper Morris explores the Mâconnais in our latest 10-Minute Masterclass. It is situated 50 miles to the south of Beaune and 50 miles north of Lyon. There are a thousand producers growing grapes, but a lot of their grapes go to the Cave Cooperatives. The soil is a clay-limestone mix, as is true for the Côte d'Or. Jasper explains that if it is called Mâcon it is almost certain to be chardonnay, and it certainly is if it is called Vire-Clessé or Pouilly-Fuissé. There is a little Pinot Noir in the region, which would be bottled as Bourgogne Rouge, and if Gamay is planted it will be called Mâcon with the village name attached. Regarding the taste of Mâcon, Jasper explains that there are three styles. Mâcon bought from a supermarket is bottled in considerable volumes, usually fermented in stainless steel, and is fresh, cheerful, mineral-driven, gulping wine, which can be very satisfying. The artisanal producers tend to age in barrel and the wines show a little more substance, and clearly have a more southern feel than the wines of the Côte Chalonnaise. “Pouilly-Fuissé, you can get up to 14 percent alcohol without it feeling too heavy, as they all have a thread of acidity underneath,” he notes. And then, Viré-Clessé can be more full-bodied, everything there is on a mini-plateau with several streams. You can also have a little residual sugar, a more late-harvest style that's unique in Burgundy.The big negociants have their own holdings or good relationships with the growers. In Pouilly-Fuissé, Jasper recommends looking out for Domaine Ferret, owned by the House of Jadot but independently run, Domaine Barraud, Château de Beauregard, Domaine Jacques Saumaize, Domaine Saumaize-Michelin, and Olivier Merlin, whilst over In Pouilly-Vinzelles, it's the Bret Brothers. In Viré-Clessé, Domaine Thevenet, Domaine André Bonhomme and Domaine Jean-Marie Chaland. For Mâcon and Mâcon-Villages, the co-operatives and small growers, as well as the interlopers from the north who wish to make chardonnay at more affordable prices, such as Domaine Leflaive and Domaine Lafon.Jasper's insider tip is to look for the premier crus in Pouilly-Fuissé which are already established, and the about-to-be-established premier crus in Pouilly-Vinzelles and Pouilly-Loché. “Amazing for the appellation,” Jasper notes. His obscure fact? The village in the Mâconnais called Chardonnay is not named after the grape. It was recorded in the 17th century, when the grapes grown there were red."You can also find Jasper's guest appearances on other Podcast/Video channels we work closely with: The Wine Conversation 67 Pall Mall TV Bringing Burgundy closer to you with every episode!Subscribe to my website and get full access to my scores, tasting notes, detailed write-ups on producers and much more:https://www.insideburgundy.com/register/See all our events at: https://www.insideburgundy.com/all-events/Daily updates on our Instagram: @jaspermorris.insideburgundy

In today's episode, I sit down with Justine Beauregard, Sales Strategist and Coach, as she shares her journey into entrepreneurship and sales coaching. Justine talks about the importance of sales skills in all aspects of life, both personally and professionally. She walks us through the key elements of her sales process and addresses some of the most common struggles in sales. She also highlights the significance of asking the right questions and understanding the needs of potential clients - emphasizing the importance of being in service to your clients and fighting for their success.   Grab your pen and paper and get ready to learn from Justine and to take what she shares with you and put it into action immediately! Enjoy!   Mentioned in this episode Justine Beauregard - Main Website Justine Beauregard - Instagram Justine Beauregard - Podcast Justine Beauregard - Facebook Justine Beauregard - LinkedIn Justine Beauregard - Freebies Offer Optimization Scorecard Leave a Podcast Review Subscribe Work/Connect with me: Offer Optimization Scorecard Book a Call   Tune in to start taking your business and life to the next level today and don't forget to subscribe or follow the podcast to make sure you don't miss any future episodes. Visit https://jessicamillercoaching.com/ to learn more. You can also follow me on Instagram (@jessicadioguardimiller) and Facebook.

A retiree is found murdered in his Florida home. A sole beer can and a daily planner would be the best clues to finding his killer. It was a mystery that would take many years to solve.  View source material and photos for this episode at: anatomyofmurder.com/the-daily-planner/Can't get enough AoM? Find us on social media!Instagram: @aom_podcast | @audiochuckTwitter: @AOM_podcast | @audiochuckFacebook: /listenAOMpod | /audiochuckllc

Howdy, Puny Partners! Welcome to Possum Springs, an old west small town with big characters and bigger trouble. Follow journalist Atticus Stillwell (Skyler), sherriff Matthew Baker (Julian), deputy Beauregard Montgomery (Holly), and mail-order-bride Jolene Stillwell (Neo) as their paths meet at the intersection of lust and pride. With a new sherriff in town, the Des Moines brothers wreaking havoc, and an out-of-town bride catching everyone's eye, one thing's for certain: it's gonna be a fiasco! Atticus breaks a story. Baker reignites an old flame. Jolene snuffs one out. Beauregard definitely shot first.   We launched a Patreon! Check it out if you want to support us and this podcast! https://patreon.com/TinyTablePodcast?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink As always, if you have any TTRPGs you want us to try out, please email us at tinytablebusiness@gmail.com or contact us at any of the socials below!
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One morning when I was out walking my big dog, Beauregard, the Lord spoke to my heart so strongly...What He imparted into me was HUGE and I believe it could be the catalyst to your breakthrough!If you've got your dream but you're not sure what to do next in the pursuit of seeing it become a reality, this could be your answer... and it's so simple!In this week's podcast video, I share this powerful word the Lord gave me.FREE DOWNLOAD (ASK BIG MINI BOOK): https://www.terri.com/askbigebook/ BECOME A PARTNER: https://www.terri.com/partnership/GIVE TODAY: https://www.terri.com/single-donation/REGISTER FOR ICING: https://www.terri.com/icingBe sure to subscribe to my podcast channel for more content about making your dreams bigger than your memories and fulfilling God's plan on your life.SAY HELLO!Website → https://www.terri.com/Instagram → https://www.instagram.com/terrisavellefoy/Tik Tok → https://www.tiktok.com/@terrisavellefoyPinterest → https://www.pinterest.com/terrisavellefoy/Support the Show.

Why is it important to customize sales messaging for different audiences? What are the key elements of a high-converting sales message, and how should these elements be adapted when dealing with diverse customer personas? In this insightful episode I am joined by sales coach Justine Beauregard to dive deep into the art of authentic sales and crafting high-converting messages. Justine is a Sales Coach + Trainer who helps people grow businesses and have objection-free sales conversations that are enjoyable from start to finish. Since 2008, she has trained thousands of people how to sell and helped nearly 600 clients worldwide reach up to 2,300% higher revenue using proven, feel-good sales strategies. Together, we unpack the do's and don'ts of sales conversations, emphasizing the importance of avoiding common mistakes like overselling and unselling. Justine, with her expertise, explains how curiosity can become a powerful tool to ensure alignment in potential partnerships, providing valuable advice on building confidence and adaptability in sales dialogue. Also, we share relatable experiences, and we highlight the significance of creating tailored and adaptable messaging, rather than resorting to a one-size-fits-all strategy.   "Lead with value, not just a sales pitch. Authentic connection is key for successful conversations." -           - Justine Beauregard   In this episode, we explore:  - The art of authentic selling techniques - Why specificity in your pitch can make or break a sale - Adjusting your message for clarity and impact - The importance of understanding your audience's needs - Using curiosity as a tool in sales conversations   Links: Website: https://www.justinebeauregard.com/  Podcast: https://www.justinebeauregard.com/podcast  Instagram: https://www.instagram.com/justinebeauregardcoach  Facebook: https://www.facebook.com/JustineBeauregardCoach  LinkedIn: https://www.linkedin.com/in/justinejbeauregard/    Ready to simplify and streamline how you scale your business? We are now accepting Visionary CEOs and their right-hand Ops Leads into our signature Simplify to Scale mentorship program. Learn more and join us at https://www.leanoutmethod.com/scale Join us for our transformational in-person business retreats and masterminds each Spring and Fall at https://www.leanoutmethod.com/retreathttps://www.leanoutmethod.com/retreat. Have questions? Want to explore partnering together to scale your business? Connect with me on my personal Instagram @cristagrasso or LinkedIn and let's start a conversation. If you loved this episode, please help us spread the word and reach more business owners like you by leaving a 5-star rating and review. Hit subscribe to be the first to listen to new episodes each Tuesday. For full show notes and more visit https://www.leanoutmethod.com/podcast      

Sales, a thing we all have to do, and success, a thing we're all trying to get. Joining me to chat about them in this episode is business coach, Justine Beaurgard. Listen as we discuss how these topics play a role for all of us and what we can do to think of them in a healthier way.You can find Justine and her podcast here:Website: https://www.justinebeauregard.com/Instagram: @justinebeauregardcoachPeople Over Profit PodcastApple Podcast | SpotifyCheck out People Driven Business Magazine Here: https://www.justinebeauregard.com/people-driven-business-magazine______________________________You can find me here:Instagram: @gingerbizWebsite: https://www.katymurrayphotography.com/Facebook: https://www.facebook.com/groups/TipsandTricksforyourbusinessTwitter: https://twitter.com/GingerBizKM 

Ever felt like all info on attracting, converting and delivering on retainers is just gatekept? That ends today. In today's episode we have friends, Creativ Rise team members, husband and wife team and agency owners of Beauregard Media, Mig and Karianne! Follow Mig Follow Karianne Follow Beauregard Media Beauregard Media Website Watch the 'How To Talk To Your Ideal Customer' Reel we referenced in this episode - ________________________________ Shop Courses and Tools to grow your business - www.creativrise.com/shop Share this episode with a friend who needs to hear this. Even better - share this episode on your IG story and TAG us (@creativrise, @joeyspeers, @christyjspeers) and we will repost you! Watch this episode on Youtube Free Resources

Follow the hosts on Instagram @robnudds and @alonbenjoseph.Can't get enough of the TRTS team? Follow its Resident Provocateur @davaucher and Chief Editor Chris Horrocks @thatguyonbass.Thanks to @skillymusic for the theme tune.

Steph Infection is back with a new episode! Chris Fleming joins us and we chat about a wild mushroom experience, lumps, a fear of water and our experiences in comedy. Take a wild guess where Chris got a tick bite... Follow @Steph_Tolev and @steph_infection_podcast on Instagram. Send in your body stories to be featured on the pod! Thanks to our sponsors: Nutrafol and Factor! For a limited time, Nutrafol is offering our listeners $10 off your first month's subscription and free shipping when you go to Nutrafol.com and enter the promo code INFECTION. Head to FACTORMEALS.com/INFECTION50 and use code INFECTION50 to get 50% off. 00:00:00 Steph Infection 00:01:46 Bus Adventures and Miming 00:02:39 Canadian Evil 00:08:09 Bachelor Party Shroom 00:12:16 Full Moon Effects and Muppet Beauregard 00:16:09 The Clarity of Bombing on Stage 00:18:35 Chevy Chase 00:21:19 Body Issues and Health 00:24:58 Meniscus Injury and Dancing Again 00:30:42 Fear of LASIK Surgery 00:34:54 Beauregard's Character Traits 00:36:22 Drinking Habits 00:40:50 Tick Encounter 00:46:00 Ocean Snorkeling 00:50:10 Farm Life and Animal Births 00:53:45 Bachelor and Bachelorette Party Experiences 00:57:59 Prince Albert Piercing   See Steph's "Filth Queen" Tour: Jan 25-27 Tacoma, WA Feb 8-10 Oklahoma City, OK Feb 15-17 Grand Rapids, MI Feb 22-24 Rochester, NY Mar 6 Los Angeles, CA Mar 7-9 New Jersey, NY Mar 14-16 Winnipeg, MB Mar 21-23 Wisconsin, WI   Get tickets at stephtolev.komi.io

Performing as Gonzo the Great, Dr. Bunsen Honeydew, Waldorf, Beauregard, and countless other Muppets for over 50 years, Dave Goelz has been working on this franchise since the beginning. He's one of two Muppet performers to have worked on all 8 Muppet theatrical releases, and his experience includes time with working other Muppets legends like Frank Oz and of course Jim Henson. Dave recently became an honorary Imagineer (recognized at Destination D23 2023) due to his years working on Disney Parks experiences.   In this podcast episode, I chat with Dave about his first 50 years with The Muppets, including his early fascinating with puppeteering, his work with The Muppets and Sesame Street, his Disney Parks projects, and beyond.   What is your favorite Muppet film and favorite Muppet character? Tag me and join the conversation below. YouTube: https://www.youtube.com/@imaginationskyway Instagram: www.instagram.com/imaginationskyway Facebook Group (ImagiNation): https://www.facebook.com/groups/imaginationskyway Facebook: www.facebook.com/imaginationskyway TikTok: www.tiktok.com/@imaginationskyway  Threads: https://www.threads.net/@imaginationskyway Twitter: www.twitter.com/skywaypodcast Email: matt@imagineerpodcast.com  Get Bonus Content If you want to take your love of Imagination Skyway to the next level and help support the show, definitely consider joining us on Patreon for virtual events, bonus content and episodes, exclusive access to our private Passholder communities and more.  How to Support the Show Share the podcast with your friends Rate and review on iTunes - https://itunes.apple.com/us/podcast/the-imagineerpodcasts-podcast/id1244558092 Join our Patreon Group - https://www.patreon.com/imagineerpodcast Purchase merchandise - https://www.teepublic.com/stores/imagineer-podcast?ref_id=8929 Enjoy the show!

Howie welcomes Methuen City Councilor D. J. Beauregard to the show to discuss the indictment against former police chief Joseph Solomon. Allegedly, Solomon was involved in shady activities, and he's now being charged with fraud and corruption. Then, Dark Brandon is back. He was supposed to be giving remarks about John McCain...and then...