Podcast appearances and mentions of bobby rock

Ever wondered why The Tragically Hip never quite cracked the American market? Can being "too Canadian" be a legitimate reason? Join jD, Pete, and Tim, as they delve into these questions and more, in an episode that's all about the legendary Canadian band and renowned producer, Bob Rock. We examine Rock's impactful legacy, his ground-breaking record with The Hip, and why their unique Canadian-ness may have been a double-edged sword in the American music scene.This week, we immerse ourselves in The Hip's 10th studio album, dissecting the distinctive sonic footprint that Bob Rock has imprinted on each track. Hear our candid first reactions, our deep dives into the lyrics' amalgamation of quantum physics, Plato, and God, and how a short hiatus from the album breathed new life into jD's perspectives. From the booming drums akin to Stuart Copeland and Neil Peart's style to the raw, gritty sounds of hip drums, we leave no stone unturned in our exploration of this musical masterpiece.And just when you think we've hit peak musical analysis, think again! We round up our episode with a thoughtful examination of the album's themes of touring and corporate radio. We also give you our take on The Hip's Austin City Limits performance and an exciting, upcoming event in Toronto that promises to echo the essence of a live Tragically Hip experience. To top it all off, we take a side trip to Salt Lake City, diving into its cultural diversity and have a little fun contemplating a world where weed is legal in Utah. So, buckle up for a fun-filled, music-centric journey into the heart of Canadian musicTrack ListingYer not the Ocean - Studio versionIn View - Live from Abbotsford 2009The Kids Don't Get It - Live from Oshawa 2013Last Night I Dreamed that you didn't love Me - Live from Montreal 2006TranscriptTrack 1:[0:00] Well welcome to getting hip to the hip I'm here as always with Pete and Tim and we are checking out for the first time a new hip record every week we do this and we have a lot offun doing it so this week I gave you the 10th studio record produced by famous Canadian producer Bob Rock Bob Rock Bob Ross right he's born for a job part of me make wishes I wasthat guy right hair and everything all the bands he's worked with just oh my god didn't Lambert four Four-wheel drive Lamborghini, like jacked wheels and everything. Track 2:[0:48] Four-wheel drive Lamborghini. Track 3:[0:49] Sorry. Track 1:[0:54] No, don't be sorry. Track 3:[0:57] Let's talk about him a little bit though, because he's done some major bands, right? Track 1:[1:02] Yeah, really. Track 3:[1:03] I mean, wow. That guy's portfolio is quite large. Track 1:[1:09] Like from the mid 80s to the mid 90s he was like, literally. Worked with everybody in rock. Track 3:[1:18] Everybody who's making money. Track 1:[1:20] Yeah. Track 3:[1:21] He went as well. Track 2:[1:22] His last name is Rock. Track 3:[1:23] I know. That's why I kind of wish I was him for that era. Track 2:[1:27] Jeez, dude. Track 3:[1:29] Bon Jovi, Offspring. Track 1:[1:31] He's not as good as the producer Michael Indy. Oh. Track 3:[1:35] Oh, look at that. Track 2:[1:36] Yeah. Track 3:[1:39] No, but seriously, Bob Rock, he was all over the place. He even helped out Cher. But 311, Skid Row, Motley Crue. I mean, this guy. Track 2:[1:48] Which 311 record? Because Grassroots is just, that was a breakthrough, man. I don't know. Track 3:[1:58] I'm not a fan. I didn't know that one. I'd be curious. Track 2:[2:01] Their later stuff, it wasn't. But I bet he's a big Bob Seger fan. Track 3:[2:06] I'm sure. He's sounded pretty significant with Metallica. I was wondering if you, If that rang a bell for you, Mr. Pete. Yeah. Track 2:[2:18] I mean, is this his first record that he's produced with The Hip? Track 1:[2:22] This is the first one. He does two. He does the next two back to back, which they seem to, that seems to be what they do. You know, they work with the producer and then, and thenwork with him again. And it's worked, you know, on a couple of occasions. Track 2:[2:39] Oh, man, yeah, he's got a fucking dude this guy's got a He's got the hair and everything. Track 3:[2:45] She's yeah got a rap sheet. I almost Almost crushing on him Ryan Adams, right? Track 1:[2:51] Yeah, So there was there was great anticipation I think amongst Maybe not the diehard hip fans because the diehard hip fans were gonna we're gonna buy the record regardless andenjoy it regardless. but that that outer fringe that that had been listening the people like me uh that had been had been diehards but had in in between evolution despite you guys really liking it was a recordthat was divisive for me at the time uh i was just listening to other things and you know that's that's all there was to it so um i think that um i've lost my point because i was watchingJessica in the back and she's distracted. Track 2:[3:46] Thanks, Jessica. Geez. Track 1:[3:49] Geez Louise. Oh yeah, the outer fringes like me were thinking, well, Bob Rock knows how to produce a hit record. Maybe this will be the one. You know what I mean? That's like, that's going to bring me back and bring back. I don't know why I was so concerned with their success in the States. I reallydon't. It's, it's, it's pointless. Track 2:[4:14] I feel like it is something that is just fucking ingrained in you Canadians. I mean, I, it's like this, I don't know what it is. I think it's so stupid, but I get it, but I don't get it. I'm just like, why didn't we break through? Why haven't they broken through? Why do you want Americans to like you so much? Guess what? Americans aren't all that fucking great. Take it from one who is one. Track 3:[4:38] In half of us are fucking idiots if not more not more these days, I mean, there's a lot of reproduction happening We're probably towards 60% now. Just I would say Yeah Yeah, you know when I walk down the street I'm like Just ready Let's go No, but but you know I asked the bot, the AI bot, why the hip never broke through acrossthe border other than Detroit and where? or upstate New York, wherever they were playing. And the bot was like... This is my bot voice, it doesn't really exist this way, but the bot was like, They were just too Canadian. Track 1:[5:16] Oh, really? Track 3:[5:19] Yeah, that was a serious point from the bot that people thought that maybe they were just too Canadian. And I thought, wow. Track 1:[5:26] Okay. I don't even know what that means. Track 3:[5:30] Well, because a lot of the content is Canada-themed stuff, you know? Track 1:[5:37] Yeah, but it's not in your face unless somebody points it out. Track 3:[5:43] I mean, that was one explanation. Track 1:[5:46] Yeah, I hear it. Track 3:[5:48] Just content of lyrics. Track 2:[5:50] I mean, if that was the case, for crying out loud, dude, Rick Moranis and John Candy would have never been accepted into popular culture in the United States. That can't be it. Yeah, wrong. Track 3:[6:04] Maybe so because I was thinking, what about the boss? You know, or, I mean, all these artists that sell out concerts around the world. Yeah, was Bruce Springsteen to American? God forbid. Track 2:[6:19] Yeah, a little too American for me. Definitely. Track 3:[6:22] By the way, those blue jeans, pretty handsome. Wow. Track 2:[6:27] And you mentioned Metallica, Tim and JD. He didn't just produce Metallica, but the Black Album. Track 1:[6:35] The Black Album. Track 2:[6:36] Yeah. The one that like, I mean, say what you want about Metallica. I mean, I like a chunk of their stuff. I have a connection because James Hetfield went to my high school. You know? Track 1:[6:49] We know that from episode two. Track 2:[6:52] Do we know that from episode two? Track 3:[6:54] We do. I found this other podcast where it was really hidden inside iTunes, and it's about Pete getting beat up by James Heffield, like he returns to speak at the school and singles outPete. I don't know. I heard that. He said they met at the end, but... Track 2:[7:12] I've never seen the guy, never met the guy, but no, that record was pivotal. I mean, that's where they went from heavy metal band to worldwide, like if you go to another planet, people heard of Metallica. Track 1:[7:27] So here's, here's, this is exactly my point. My point is they had, they had four or five really great records before that, that Metallica fans cleave to and absolutely adore. And Metallica would have had a great career with, with, with just, you know, if they hadn't released the Black Album, they would have had a good career, you know, on the backs of thosefive records. But they did release the Black Album and Bob Rock did produce that record. So there was a thought in my head that maybe the same thing could happen with my band. And that's ridiculous and arbitrary and it ultimately I know doesn't matter, But I think that that's where it came from. Track 3:[8:10] So JD, you mentioned this album wasn't all that for you. Is that what happened? Or what was your reaction when it came out? You said you were late to it? Track 1:[8:20] Yeah, I didn't really get into this record as a fan until I really gave it a bunch of time. And that was when we did the Fully and Completely podcast. I gave it quite a bit of time. And I ended up appreciating it. it. To me, it's an interpretation of a Tragically Hip album, and it's not one that I think is the best interpretation of a Tragically Hip album, but there's some real highlights on it. There's somereal highlights on it. Track 3:[8:59] Do you mean to say it personifies a Tragically Hip album? Is that what you mean by that? Track 1:[9:06] No, because that would mean I would be be making it a person, and calling it by name and things like that. And in this case, what I'm doing... Track 2:[9:15] Okay, you're not buying it a beard, dude. Okay, you're not taking it home, dude. Track 3:[9:20] We're gonna cut that out. No, I'm joking, I'm joking. But with that, did this album kind of represent to you, like, this is a great hip album, it checks boxes? Track 1:[9:32] Or what do you mean by that statement? No, I mean, it's an interpretation of a hip record. A hip hop record to me has backing vocals that I can hear that are Paul Langlois and GordSinclair doing the backup vocals. It's got... Track 2:[9:47] Are they not singing backup on this one? Track 1:[9:49] They are, but it's just mixed differently. It's like you don't hear them the same way. There's like gang vocals on this record. It's true. Track 3:[9:57] It is a little different. Track 1:[9:59] It's just, it's a little bit odd. It's like walking into a room that you're really familiar in, but you have like a feeling like something is off. Like, am I in the same dimension? You know? Track 2:[10:14] It's like when Howard, the duck landed on earth and, and, and thought he was like just home until he saw the first human. Right. Track 3:[10:22] Exactly like that. I mean, that's what I was thinking. Yeah, like yeah. Track 1:[10:27] Yeah, so we gotta we gotta blame Bob Brock for that then That's where I'm going with this Yeah, and he get like I say he gets two stabs at it and this is this is his first stab Yeah, andthere's a lot to like, you know, I don't know. Track 2:[10:39] Should we get into the song by song or We should yeah, we should and when we do I want to I want to kind of comment on what you said JD Because I feel like there's a reason. Track 3:[10:50] Let's keep going with it. Let's keep going. Track 1:[10:51] Yeah, let's go. Track 2:[10:53] Well, I was just gonna say, I hear you when you say I know what you mean by you say it's a hip album personified. Because it's different. It's like, it's a hit, but you're like, something's, it's a little bit like Black Mirror-ish. It's like, is there something I'm missing right now? Yeah, something feels weird. I feel that, you know, it's funny, I got to think to myself, like, what do the members of the hip think? Because like, when they hear, if they were to be flies on the wall in this conversation, because, you know, they all listen week over week. This is a fact, we know this. No, but like, for them, it's probably, I mean, maybe there were some things different, but they're just like, what the fuck is this guy talking about? Track 3:[11:35] They were out front of my house this morning. They were just like, they're hoping to get a glimpse. Track 2:[11:41] Pitchforks? For the first two episodes? With their machetes. Yeah, Jesus. But I feel you, dude. I feel you completely. I do. There's something, not off, but like, as the listener, it just, like, you'll see it when we start talking about the song. I'll point out a few things where I'm just like, yeah, it's saying exactlywhat you just said, JDS. Track 1:[12:06] So where did you guys listen to this record the first time? Track 3:[12:09] Man, I after we last recorded I had a garage project to do and I brought a speaker out there and Got in my zone and just cranked it up and out the gates. I was like, oh this is gonna be Maybe a really fun album and then even during the first song I had I paused it several times and I was distracted and I had Things going on so I did likerestart the album and restart the album restart the album and that has not happen to me with my listenings. So, this one just out the gate for me it was like... all these things were happening but ultimately with the first song i was kind of like whoa what do i think of this it's it was i was a little bit perplexed so yeah after that of course just all thetypical stuff of how i listened to albums just all over the place i really gave this one a lot of time and at one point was like i need to hear this on vinyl i want to hear what's going on withthis album because it was a little bit different and I wasn't necessarily wanting to buy it on vinyl because it's like my favorite one yet. I don't know, I just, I was a little perplexed by this album. Track 1:[13:22] Yeah, yeah. It can be perplexing, yeah. Track 3:[13:27] I was overwhelmed. How about you, Pete? Track 2:[13:33] I did something a little different with this record which was actually good and not to my own even knowing that I was doing it. But I listened to it, I think I first listened to it was inthe car. But second of all, I did some heavy listening right off the bat and then I took a fat break because I was doing other stuff and was busy and I couldn't listen to anything. So I came back to it, revisited it and it gave me a whole new perspective on what the record, what it was, like really, really cool. I mean, it was totally unplanned, but I think when you like, when you start listening to a record and then just listen a bunch over a week straight, nonstop, or like, like regularly, you don't,you look at it one way, but when you listen to it for a bit, and then you put it down and then you come back to it, you have a different perspective than I certainly did. Track 1:[14:32] Interesting. Can't wait to hear more about that. Okay, well let's jump into track by track then. We start out with, you're not the ocean. Track 3:[14:48] Man, you're not coming in. You're not coming in. This song is, it's, well, at one point I was like, Pete's belting this out in the car for this chorus, for sure. So I was trying it too, you know. I love Gord's, whatever he does at the kind of end there. It's a big song. I thought, you know, there's a few songs on this album where I'm like, this is amazing for karaoke. And this song is just big. It's a big singer that way. Is it a breakup song? Is it about death? Or is it like drowning? I read a little bit on it. And there was a lot of Ontario Lake references. You know, it's this, this was kind of, this for me was kind of a word song talking about lots of stuff. Track 1:[15:43] They're called the Great Lakes, Tim. Track 3:[15:43] The Great Lakes, sorry. It was specific to Ontario Lake because, for this song, supposedly, because all those lakes send all their, you know, garbage down into Ontario, which is themost polluted out of the greats. So is it the least great? I don't know. It's somewhat of repetitive song. I like the piano add in. there's piano, like first song I'm hearing. Track 2:[16:08] A lot of piano on this record. Track 3:[16:09] Yeah, a lot of piano, I mean that was, I don't know if that was some Bon Jovi influence in there or something. Anyways, the guitar riff feels a little added, like, you know, like weput extra icing on the cake. Yeah, it was, this is a big song for me. Big chorus. Holy cow. Let's scream it together on three. You guys ready? Just kidding. It's a big one. It's a big opener. Track 2:[16:41] Yeah, I mean, I think this song is, the best way I can put it, summing up in a sentence, this is fastball down the middle, tragically hip. Like when I heard this song, it was just, just, I knew what I was listening to. It sounded like the hip. To me, it was like, and I didn't really dig into Bob Rock prior to the record, but it's like somebody went into the safe in Gord Downie's house, pulled out theformula that is for writing hip songs and fucking followed it and then folded it back up, put it in an envelope, put it in the safe and locked it. Because this song is fucking formulaic, tragically hip. Not in a bad way, in a really cool way. I loved it. I loved Gord's vocals. I love when he gets really high and goes like an octave up. You're not the ocean. And then he goes, you're not. It gets really, it's just, dude, yeah. Track 3:[17:42] And the wolf. Track 2:[17:42] A lot of wolves on this record, man. And it's just, it feels really like, going back to what you said about this record being a hip record personified, it feels like this record wasmanufactured to feel safe and familiar for hip fans. For people to like press play on the first one and just be like, okay, all right, my boys are back. Okay, cool. Okay, cool. Track 1:[18:11] Yeah, I can't hardly disagree with you. Like, I can't. Track 2:[18:15] Just the vibe that I got, you know. Track 3:[18:18] My vibe was kind of like, are we trying to get an older crowd? It didn't feel young to me. I don't know. Track 2:[18:27] Well, this is what, almost 20 years on, right, JD? Track 3:[18:30] Right, exactly. So, you know, fans are getting on in their years. Just hold another conversation. Yeah. The Lonely End of the Rink. So this one I thought was just remarkable in that it could be about Gord and his brother, or Gord or his brother individually, and hockey. And I mean, this is the hockey song, right? Track 1:[18:57] Yeah. Track 3:[18:57] They play the song at games? Track 1:[19:00] I'm sure they do. I'm sure they do. Track 3:[19:03] Yeah. Yeah. This to me was like, you know, the bot said maybe they were too Canadian. I don't I don't know. They play hockey in different countries. Track 1:[19:10] That's right. Track 3:[19:12] But not being a hockey guy, but being a father of two dudes and thinking about brothers, I kind of dug it. The beginning kind of guitar riff start feels like we're getting into an anthem song for me right away, like that guitar at the beginning. Track 1:[19:33] Yeah, this song is written to be played live for sure. Track 3:[19:36] Yeah, the drum and the bass is just super charging. There's this echoey, Pete, if you remember, this is echoey guitar. 100%. Beep, beep, beep, beep, beep. So I've heard that from a few bands, but the first time, actually, Amy and I were in the car and I played the song for her and I said, what does thisechoed out guitar remind you of? Well, I don't know, because there's a few, there's a few, But she said, Duran Duran, this is from Duran Duran. Oh my God, what were these guys listening to on tour? I think they werelistening to anything and everything. I think. Track 1:[20:14] I think they were probably pretty. Track 3:[20:16] I would love to know. Track 1:[20:17] Pretty loose about what they listened to. Yeah. Yeah, yeah. Track 2:[20:20] My money. Track 3:[20:22] That was, what was yours? Track 2:[20:23] No, my money would be that they were, I mean, this says Unforgettable Fire by U2 written all over. Oh, completely. Unforgettable Fire, that whole, like the records just, I was, I was just like, this is, this is... Track 3:[20:39] With like a sprinkle of Robert Plant. I don't know. Track 2:[20:44] There's something else. Track 3:[20:45] There's something else here. Track 2:[20:46] But the thing that was so surprising for me on this song was the drums. Like, Johnny Faye's drums, like, I don't know if it's Bob Rock. I don't know what, but like, I mean, I knew the guy's a good drummer, but this fucking song, all of a sudden he's fucking Stuart Copeland or Neil Peart. Like, what the fuck? Like, I mean, dude, like the drum work is just ridiculous. Track 1:[21:12] He's great. Track 3:[21:13] I agree. I thought at one point the drums on this album were maybe the most raw hip. I don't know, it just that to me was kind of, thank God the drums are that way on this album. If they were polished into like a fucking Bentley or something, Bobby Rock-ish, can we call him Bobby? Track 1:[21:36] You can, you're tight. Track 3:[21:37] That might piss him off if he hears this. Yeah. But yeah, the drums on, I think, throughout were killing it on this album. Track 2:[21:46] But if JD told me, if JD told me, oh, you know, one note about this record, beside it being produced by Bob Rock, Johnny Faye does not play Jones on this. It's just, they have another genre for whatever reason. I would just be like, Oh yeah, that makes sense. Like, and it's not a knock on Johnny Faye. I've just never heard any fucking thing like this from him. Like nothing, nothing. Track 3:[22:05] Yeah. Track 2:[22:07] Nothing. Track 3:[22:08] Almost like he was angry. Do you kind of feel that? Track 2:[22:10] Oh, yeah. Track 3:[22:11] Like, yeah, like not, not hyped about the, maybe the recording process. I don't know. There There was something different on his drums. Track 2:[22:17] Yeah, dude, there's some anger in there. There's some, yeah, all the cool licks. There's an acoustic lick in there and some harpsichord-style effect. But I thought of you, Tim, because there's no, like for a song this grand, they didn't fade it. They ended it, which is cool. Track 1:[22:34] It's true. Track 2:[22:35] Don't fade this shit, man. Fuck it all up. Track 3:[22:37] The momentum of it is really fun, kind of that charging, drumming momentum of the song. It's like, a few songs on this album are kind of locomotive feeling, like they just getgoing, you know? And I think that matches up with part of, at least some, you know, a chunk of the lyrics of this song of joining, oh to join the rush, you know? With Gord's voice just kind of climbing, oh to join the rush! It's fucking great. This was, as comparatively to the prior one, this one I was like, ah, people must, the Canucks must love the song live. Track 1:[23:16] Look at you representing the Pacific Northwest. What's your team called? There's a trivia question. What's your team called? You don't even know. Track 3:[23:27] Dude, I don't follow sports. It's not in my head. Track 1:[23:30] The answer is the Kraken. The Kraken. Track 3:[23:34] I don't even know that. And it makes me laugh because it's ridiculous. You could have, you could have made up like the green zebra tomatoes. You know, I wouldn't have known any better. Track 2:[23:46] Geez. Track 1:[23:48] All right, we go way out of the hips, normal lane, with this next track in view. What did you guys think of this left turn? Track 2:[24:04] You want to take it, Tim? Track 3:[24:06] I mean, I'm just scrolling through the lyrics here. It's really simple. The drums at the beginning of this one, okay, here's more drum notes, are really kind of big and strong and then it softens up. It kind of softens up. Like the song to me, the rest of the music didn't really match the way the drums start which is I'm sure purpose I'm done on purpose but it's like whoa where is thissong shifting to it's it's like felt kind of cute there's keys in the background you know I was like phone rings once phone rings twice phone links three times you know it just felt like Is thiskind of a cash grab radio hit? What is going on here? But you know, of course, I read a little bit about it. And there's like, references to quantum physics and Plato and Gorf's, Gorf's, Gord's believe in God. So, like, is he calling on the Lord? This song confused me. I'm just, if that's not obvious by now. I just wasn't really sure. Track 2:[25:26] Everybody's confused with you now and then. Track 3:[25:30] It's super fun to get into and sing through. Track 1:[25:34] It's fun, but then those lyrics are sort of dark, aren't they? Like, I mean, I've been meaning to call you, I've been meaning to call you, then I do. So this person, for whatever reason, has been meaning to call this other person, and it hasn't called them, then finally does, and the phone ring once, phone rings twice, the phone ringsthree times, and then what? They don't answer? It goes to voicemail? Like what? Like, oh my God. Track 3:[26:04] I mean, if they were calling the Lord, they might still be waiting. Who knows? Track 2:[26:10] Yeah, I don't know that they have voicemail in heaven. I've not been there myself. Track 3:[26:16] Look at that, Jesus doesn't have an iPhone. Wouldn't that be awesome? He'd be so big. Yeah, I don't know. I'm not sure who they were calling or what this one's about. It's kind of fun, but I was like, eh, what's next? But what about you, Mr. P? Track 2:[26:30] I mean, was this a single, by the way, Genie? Track 1:[26:33] I believe this was. Let me just quickly take a look. Track 3:[26:37] It felt damn written. Track 1:[26:39] The first single. Yeah, I mean. Track 3:[26:41] Yeah, there you go. There you go. Track 2:[26:43] I hear you guys with the lyrics and I've been, I think at a certain point, when it comes to The Hip, I've come to appreciate their lyrics so much because Gord's great at what he does. There were a couple times early on when I was digging into lyrics, I started to give them too much weight and it started to sway my opinion of the song, which is fucking stupid becausemusic is not supposed to do that. I mean, yeah, it is in a certain way, but if you really like something and then you dig into the lyrics, like when you dig into the lyrics of the song, fucking, I'll be watching you by the policeand you really know what it's about. No one's gonna fucking like that song and play it at their wedding. It's a creepy ass song, right? But if you kind of step away from it, and you look at it in a different light, you just listen to the melody of it. It's fucking it's a beautiful song. This song is a fucking banger. It's an absolute toe tapper. I loved it. I was fucking that the fucking keyboards. [27:50] I mean, I just was Happy as a pig in shit listening to this. Yeah, I couldn't remove this perfect pop song I am a sucker for a pop song and I make no fucking bones about it man. You know, you give me a pop song That is just pure bubblegum and rock candy and I will just be like where do I sign? This is this is this is one and I just I mean, I loved, loved, loved it. Loved it. Loved it. I think Go ahead. Track 3:[28:25] No, you go. Track 2:[28:28] I was jumping into No, I just I think it's a song like this. It's easy for any hardcore hit fan to be like, fuck that they sold out or whatever. Like, he's such a fucking asshole about it. Excuse my language. But dude, you know what, if I'm any one of those fucking dudes in the band, they probably had a blast recording this. They probably had a shit ton of fun fucking playing it live, becausepeople just fucking dance to it. And it's fun. And anybody who says anything coarse about it, go fuck themselves. That's my piece. Sorry. I guess I'm fucking myself. Track 3:[29:02] So what about this? What about this? I love these lines, right? What about these lines right here? Day erasers dark of night excited states gone in plain sight under the wave or by cave light i lose things change but never in your eyes i mean that's the loaded bit of this song at the endbut you're just going through and you're it's it's nuts to me like i'm i'm hearing the song i'm singing the chorus like you can sing along to this one right even on first listen if you're a megafan you're probably like yes, phone rings once, phone rings twice. And then this Dark Eraser's Dark of Night happens, and it's like, whoa, Gord's throwing the dagger at the wheel at the end here. Track 2:[29:51] Maybe he's just getting shit to rhyme and to fit the song too. I mean, you also don't, that's why I don't, I give, unless somebody's, unless it's like really obvious or whatever, I just try not to give lyrics that much weight because it could ruin a song. I could see if I dig into the lyrics of the song, which I did not, Tim, it would've fucking ruined it for me. I just choose to be like, oh, that's, you know. It is what it is, you know, because it's that's that's another thing because Gord's lyrics are so They're like, you know 30% THC in the CBD like dude you one drop and you're fucking done. So you got to be careful with it it's really potent and And and I I I take his lyrics with a grain of salt because otherwise like all the dude the And the Chani Wenjack shit, dude, if I reallystart digging in and thinking about that, it gets me like depressed and like super pissed off and like, yeah, you know, it does bring attention to it, which is great. But like, if I can't, I can't hold that as close to my heart as I do with some songs, because it just will fucking wreck me. Track 3:[31:15] I guess I'm kind of in the middle like I look into them to a certain degree and I either go all the way, which rarely happens or I kind of stop halfway up the hill, you know, but myone of my favorite things lyrics wise on this one is just his use of the USA calling the USA, the excited states. I think that's what that is and it just made me forever want to call where I'm from the The excited states, the excited states, because it's so true. It's like pew, pew, we're ready. Track 1:[31:49] Oh my God. Track 3:[31:50] We're so excited all the time. Excited in schools, churches, everywhere we go, we're excited country. So that, I mean, it's a packed song. It's simple, but it's, yeah, let's just keep moving. Track 1:[32:05] So the next song that we have to discuss then is Fly, which is our first song that we've heard that isn't a single. Track 2:[32:17] I think this song is, the placement of it is perfect because you've got these three fucking just monsters before and then it kind of brings it down. To me, I felt like it was, I'm in a bar in Alaska. And it's cold out. But when you get inside, it's nice and warm and toasty. And there are mugs of beer and there's a jukebox. And like, it's a romantic comedy. Track 3:[32:48] A pair of glowing thighs. Track 2:[32:50] Totally, man. I'm telling you, man. Track 3:[32:53] That lyric in here is amazing. Track 2:[32:55] I know. Track 3:[32:56] Coastline rise is like a pair of glowing thighs. Track 2:[33:00] See you soon. The chorus is a fucking banger. I just felt like this song was just a feel-good song that didn't slow... like sometimes the songs that slow it down in track three or four, whenever that song comes on a record, it will maybe sometimes put you in a depressing mood or whatever, but this songbuilds up to some fun. But it just, it does take it down a notch in a very nice, beautiful way. I loved it. Yeah, not much more I could say about it. I liked it. I liked it. Tim? Timmy? Track 3:[33:37] Yeah, I just thought there was some fun one-liners in here. It's kind of, I echo what Pete just said. I felt like it was a good number four. It's the guy batting clean up and you know he's solid for a single, you know, to keep things alive. And I think that's kind of what this song is. It felt a little, this is where I went back to Bob Rock and I'm like, this is a little bit Bon Jovi-esque feeling. It just, you know, that's that was kind of about it for me. Track 2:[34:11] By the way, I think what you mean, and I'm not trying to split hairs here, I think what you mean is Jon Bon Jovi. Because if anybody knows anything, there's two things. There's Bon Jovi, which is the band, and then there's Jon Bon Jovi, which is the solo shit. I felt Jon Bon Jovi on that. Track 3:[34:30] Yeah, well, I'm just more referencing like shoulder length feathered cut hair. Track 1:[34:35] That's a lot of years you're covering there. Track 2:[34:39] Well, I mean, Blaze of Glory was by and far his finest work, his finest hour, as was the film Young Guns 2, which... I'm with you there. Track 1:[34:48] I'm with you there. A lot of the movies. It was great. Track 2:[34:54] Oh, oh, God, I gotta rewatch that. Track 1:[34:56] Let's go into the next track, which is one that I always remember from when this record came out, because I had something named the same thing that I had written. I just think, this is me tooting my own horn, but I just think that title, that misspelling with the word sick, Which is journalism speak for there's a spelling error there. It's just so clever. I love it. But what did you think of the song? Track 3:[35:26] Yeah, I mean, I did speaking of spelling errors, I did read that Gord is quoted as saying it actually wasn't supposed to be world container. It was supposed to be world contain her. Oh, really? guys yeah yeah so supposedly the the, you know the the title of this album is incorrect so maybe it's somewhat of a reference to thatyeah so was that I that keep going on the song. Track 2:[35:55] Was she put into a parcel? Because I mean, I don't know. Track 3:[36:02] I don't know. Yeah Maybe maybe maybe it's hmm. That's that's another that's another hit mystery that we'll never know wonder if she's was priority or first-class Well, she had probably would have been DHL if she was coming out ofCanada So who knows? Yeah What do I have on this one, you know, it's I I just immediately went to, where Pete doesn't go sometimes apparently with songs, is like, who is this about? Is this a proposal gone bad? Is it rejection? Is it about being infatuated with someone and not having that feeling reciprocated? And there was some bit I read about it that this... where do I have the quote? This gal from... I guess gal... Lexi Liu. Who knows? Where am I gonna go here? Okay, so this person online wrote that it was about... she had experienced that it was about a teacher of hers who was dating Gord and she rejected Gord's proposal. And supposedly there's like a whole story there about Gord's, you know, one of his relationships. So who knows? Track 1:[37:28] I've... I've not... Track 3:[37:31] I've not heard that story. You have? Track 1:[37:35] No, I haven't. Oh, you haven't? Track 3:[37:37] Okay. So that, that to me, I mean, it got to this level with this, with this song and the lyrics and the content of it. But for me, it kind of got to this level of like, all right, whether or not this one's about, you know, a breakup or what have you, it's, it's, um... it's not my favorite on the album. It's catchy and it's good. It's a good song and it ends kind of at this height of energy, right? Track 1:[38:07] Yeah, it's not around long enough to be a fan. Track 3:[38:11] Yeah, it's... Track 1:[38:11] But it's not a great song, I don't think. Now there will be somebody out there who it's their favorite song and that's cool. That's what's cool about music. Track 3:[38:23] I thought about this one. I don't know. Yeah, I don't know when I'll hear, listen to this one next is kind of what I thought it was like, what's what's next on the album, but I'm curiouswhat Pete thought of it, of course. Track 2:[38:34] You know, I liked it a lot. I mean, I thought that there was some really cool ideas, like they were kind of experimenting with with the song. And I thought that there was like, chaos within that builds up to the chorus. chorus, and then it just returns to the verse. And you're like, okay, you're like, what the fuck is this going on? What is going on? And then it comes back to the verse. And you're like, okay, all right. Yeah, we're back. Because it's a bit disorientating. And, you know, Gord's vocals on this just singing for that guy must have been so cathartic. Track 1:[39:14] Like, he really puts a lot into it. Track 2:[39:17] Yeah, but it feels like he's doing it like he's a guy who like, you know, needs to exercise three hours a day at the gym. And like, that's just him exercising three hours, and you're just like listening to him do it. Because he's like, I got to do this, it's like part of my routine. And he's so good at it. You know what I mean? Like, and, you know, I want to just, you know, we can move on after the song. I like the song. It's definitely not one of my favorites on the record, but I like it. In terms of lyrics, and I just want to say this too, because I don't look at lyrics as much, or I don't look at things, there's a couple reasons for that, and I just want to say why. [40:08] Because, well, for me, writing songs, when I write songs, it's really hard to write a song that's so thematic. You know, that's like one idea that starts off and it's sewn up at the end like a fucking with a bow on it. And like, even then it's like, like, let's say it's not completely thematic, but it's, it's about something. Maybe not like super specific. Even that's hard. Like a lot of shit I've done is just little ideas of things sprinkled in a song and it's like kind of of just jumbled in and thrown in there so sometimes people ask you about things you're likewhat and the reason why I bring that up is because when I make a Steely Dan reference here I don't know if you guys have ever listened to any other shit a lot of people give them a lot ofshit I'll take that as a no I haven't listened to an album no I'll say the same thing but I have no nothing against Steely Dan? No, well, I mean, they're amongst people, amongst music heads, they, the biggest thing they get asked is what the fuck are your lyrics about? And the guy, the singer of the band who's written most of them or the other guy had written them, they always ask the same question. What's this song about? Because the lyrics are just all over the fucking place. [41:30] And ninety nine percent of the time is just like, I don't know, man, we You are just coming up with cool shit to say. I mean really like that's and their lyrics are regarded much as you would regard something like some pixies or pavement lyrics is just like super avant-garde, super strange like what youlike, whoa, that what the fuck is that about? And then you come to find out it's like, it's just, it's just no, yeah, it's nothing. Track 3:[41:59] Well, just random journal entry. Track 2:[42:01] Yeah, totally. And that's another reason why I think I've been head faked a lot and I don't dig into to them because I will prescribe a certain. a feeling or emotion to a song and come to find out I'm fucking wrong, or it's not at all about that. Like, hence, I'll be watching you, or every breath you take, excuse me. And then you're like, fuck, man, why did I play that at my wedding? Track 3:[42:28] You know, I have to think conceptually with Gord's songwriting, like he is such a prolific songwriter. And like, back to one of your first comments be like, I thought it must be, have been, it must have been exhausting to sing these songs or like be on tour and singing classic, you know, 52times in what, two months? Something crazy? Like, god damn. But with his songwriting skills, I mean, I can stop and hear one-liners that are fun and that I enjoy, but he pushes me, the way I receive it, it pushes me into going down rabbit holes of like,what was this song about? And there's been a few where I've listened to him and thought the chorus was, you know, A, B, C, D, E, and I actually look up the lyrics and I have some of the words wrong. It's hilarious. And I love when stuff like that happens. Like, that's entertaining. That's entertaining for me. Track 1:[43:30] That's great. Track 2:[43:31] Excuse me, excuse me while I kiss this guy. Track 3:[43:34] I'm still, I'm still, you know, JD, you've, you've commented on this with me before, but I'm still like, here's an album. It's like a book to me. I want to hear it start to finish and see if there's anything about it that's creating this novel. Or is it like this current album, which I feel like you can put in and put onrandom and it kind of doesn't matter. Order wise, it's one of those types of albums for me. So this song, Lovesick, in general, it's big, and it has this kind of a quick stop ending. It's got a lot of energy to it. After this, I was like, OK, what are we getting to next? I'm kind of like chugging along in this album, trying to get to what maybe is less produce of a feelingand more authentic hip. Track 1:[44:28] But the kids don't get it. Kids don't get it. Track 2:[44:30] Kids don't. Track 3:[44:30] That was it. That was it. It's a fun start. It's got a good build. There's like, quickly into it, there's this, I think, Pete, I don't know if you caught this. I think it might be a drumstick on top of a cymbal. Track 2:[44:47] Yeah, yeah. Like doing a swirl. Track 3:[44:48] Yeah. Right? It's like a swirl sound and then it fades off. I love that shit. I don't want that all the time. I feel like that's the surprise ingredient on a pizza, but there's that sound in this song a few times and it's fucking cool. You know, it's like, yeah, the kids don't get it, I was thinking. We're Gen X, you know, we get it. We were born without technology and we've integrated and we know both sides and that's what this song's about. Generations growing up just being in the middle of it and not getting it and all the hard work this band does and yeah the kids don't get it. But then as I listened to this song probably 20 times I thought, nah, Gord's smarter than me. what is he thinking about with this song, you know? And it felt more like anti-government, like you're not gonna fool us sentiment, which kind of made it even more, for lack of a better word, more punk rock feeling. Like this song was checking and way more boxes for me. Lots of whoos in it, you know, it just, this one is like Bobby Rock left the room and the guys busted out this song. That's the way it felt for me. Track 1:[46:16] Oh, I love it. I love that. And I love it especially because there's almost like a dichotomy of a lyric In this song kids don't get it and the next song, pretend. I think it's. Track 2:[46:36] Oh, there is. There certainly is. Track 1:[46:39] It's that, if I ask you a question, are you gonna lie to me? I said, honey, is that your question? Cause that one's easy. And then we get the, you know, that, that, that. Version of it is the banger version you know and the other version is a little more tone down but top heat what did you think of the kids don't get it. Track 2:[47:01] Well that was the first thing i wrote about pretend obviously but in terms of the kids don't get it i loved it i mean i echo much of what tim said i love the chorus the no. Kids don't get it. The woos in this song, Gord's singing like, he's like a, he's like a fucking pissed off buffalo. You ever seen a buffalo before? Track 1:[47:22] Yeah, driven. Track 3:[47:24] Driven by him. Track 2:[47:26] I was one of those assholes. Track 3:[47:27] They're as big as Volkswagens. Track 2:[47:29] Yeah, yeah, yeah, no, they're huge. Track 3:[47:32] You're one of the assholes? Track 2:[47:33] No, I was one of the assholes that gets out of the car at Custer National Park and, you know, walks over to one. and thinks like, oh, this is cool. Take a picture. And no, that's a fucking dumb move. For anybody listening, thinking that that's cool, or that's ever something to do, don't do it. It's fucking stupid. Track 1:[47:56] To be fair, the buffalo was having dinner. He said to you very politely, if you had waited till I was done dinner, I would have totally let you have the photo. But now I'm gonna tohave to run after you like a pissed off buffalo. Track 2:[48:11] Just said fucking that is the first memory that jogged my mind when I heard Gord's fucking grunts in this song. I feel like he, I want to watch more interviews with him. I really want to dig deep. I just haven't had time. But I want to figure out like, one, whether or not anything Tim has said throughout this his pod in terms of lyrics and meanings, like I know a lot of it has credence to him. But maybe some of it doesn't and like what he thought about it, because I feel like a lot of his words, he just writes down his poetry. And then he shows up to the studio is like, Hey, guys, let's do the song or let's make this song or whatever. Track 3:[48:52] I think he does that, too. I totally agree. Track 2:[48:54] But like, I wonder how much part of it he's sitting down with an acoustic guitar, and like working, working songs out with the lyrics he's written, because that's a whole anotherprocess, you know, to like write a bunch of shit and then to write chords. Like you got you got fucking Paul A. Wan and Gord Sinclair and Rob Baker to do that. You know, so I'm I'm just wondering, you know, what that is. And then if he was Scott, I wish he was fucking alive, man. I would love to fucking interview that guy or just talk to him and just be like, dude, what the fuck? And either I feel like therewould be two scenarios. Either he would be super fucking cool and chill, like, yeah, man, we're just fucking doing this and like this and like this happened, blah, blah, blah, blah. Or he would just like, look at me and be like, you're a feeble minded fuck. I can't wait for this interview to be over, get the fuck out of here. Track 3:[49:51] I think that's what he'd say about me. Track 1:[49:53] No, I don't know. Track 2:[49:55] Probably, probably. You're more nuanced than I am. But I just. Track 3:[49:59] He'd be like, Tim, you're about 16% right on the themes of my lyrics. And that's what I would love. I mean, that's what I love about this guy. I mean, he's obviously so fucking prolific. I wish I had like a book of his poetry sitting right here. Because, you know, he's one of those artists where you get served up something. And everybody, I think, could take their music a little bit differently but have this thread throughout it that joins all the fans together. You know, it's kind of... It's kind of what's amazing about them. And in that regard, who the fuck cares if he was writing about Canadian themes and the discussion of why they didn't make it in Orange County? Track 1:[50:47] Whatever. Track 3:[50:49] It's kind of like, who cares? How many bands not from Japan sell out shows in Japan all the time? They just want to be entertained. and maybe people just need to be entertained and not look into it that much. Track 2:[51:06] That's Stan McKe- That's Stan McKe- I- Stan- Stan McKeta? Or no, his name's not Stan McKeta, but Stan McKeta's Donuts. The people need to entertain, need to be entertained, Wayne. They need the distraction. Like the voices in my head. I thought you said- Why do they come to me to die? Why do they come to me to die? Oh my god. Oh my god. That's- You know, anybody- Wayne's World, like when he goes, why did they come to me to die? Why did they come to me to die? I think it's Wayne's World, too. Track 3:[51:42] Honestly, I thought you said spanakopita. I was just thinking about delicious, delicious Greek baked goods. I was totally in a different land. No, but I, I, let's, let's keep moving this, this song when I heard it, it was exhausting and it was the first song I hit forward on who was like, give me what's next. Yeah. Pretend. If you don't pretend and I don't pretend, pretending might end, but pretend can pretend to end. It's like, oh, this is arduous. This was tough for me. Track 1:[52:22] Wow. Track 2:[52:24] Yeah. J.D., what do you think? I'd love to like, as a hardcore hip. Track 1:[52:29] Well, it meanders. It certainly does meander. If I'm ranking the 11 songs on the record, it's in the bottom 10, right? It's either 10 or 11 on this record for me. But I'm just so curious. I'm so curious about that stanza, like why he chose to use it again, and then why did they sequence those songs back to that? Track 2:[53:00] Totally, right? Track 3:[53:02] I don't know. I don't know. love to know if they, you know, what level they took part in the production of this album. Track 1:[53:12] Did they just hand the keys over? At this point they were very fluent in studio, so I don't know that they get a production credit. Let me quickly look. Usually they do. Track 3:[53:22] I mean, this one I thought at one point after, you know, I did of course listen to it in complete, but... Track 1:[53:29] No, this is producer Bob Rock, period. And most of their other records, even when it was like Steve Berlin. It was like Steve Berlin, the tragically hip Mark Freak, or something like that. So this is, this is interesting. This is straight up Bob Rock. Huh. Okay. Track 3:[53:50] I had thought like the three of us need to do karaoke of this one so we can be like arm and arm I'm just shit-faced. Track 1:[53:58] Pretend? Track 3:[54:00] Yeah. Track 1:[54:01] Oh my gosh. Track 3:[54:02] I think we should pretend to do it and not actually do it. This is a total sing with friends, ironically singing with friends song. It's like a really nice glass of red wine or made me think of like plush velvet. I don't know what the fuck is happening. It's the song's candlelit and I don't know why it makes me feel that way. And it was like, skip, oh, it was tough. Track 2:[54:28] Yeah, I thought it was, I said, it feels like a love song in a fine dining restaurant during Sunday brunch. Yes, Sunday brunch. Track 3:[54:39] See, we were fine dining together. Track 2:[54:41] No, I mean, it doesn't feel, it feels like another band or like, now Gord's singing, And I know Gord had some soul stuff that he did. before he passed, but it definitely feels like, oh, this is not a hip song. This is some of the solo stuff. There's jazz guitar in there, which I gotta say, man, I mean, it speaks to Rob Baker's skills, man, because that guy fucking, I mean, he makes it sound good. The chorus feels really 70s, almost like there's a- AM radio. Track 1:[55:19] Yeah. Track 2:[55:19] Yeah. And there's something that they do with Gord's vocals in there. It's a 70s style thing that came about in the 70s, I feel. But Scott Weiland from Stone Doole Bynes was popular for it. It's where they double the vocals. They take literally I don't he doesn't re-record the vocals. They take the same vocal track, they double it And then they put it like they put the one track offset by like a millisecond to the other. So it sounds more full and rich. And they put put them in in one left, one right. And it sounds like gives this really weird, unique effect. And Wyland, Scott Wyland was prolific for that. But but, yeah, it's got that vibe to it. Fucking random. That's all I have to say about this song. Track 3:[56:12] It's like having two turbos on your car when you record like that, when you produce like that. Track 2:[56:16] It's like having 11 on your amp. Track 1:[56:17] Yeah. Track 3:[56:19] But why not make 10? 10 the loudest. With the lyrics of this one, when I finally, you know, let it, when I finally absorbed it really, because again, I skipped it on first listen, Um, I,you know, maybe this is like a fucking, maybe they were pretending, I don't know. Maybe the band, you know, maybe the band in their, in their career, maybe they're in their career at this point. I mean, I'd be exhausted and to a degree with trying to make it bigger than they are now. It's like, you're in the industry, you are a fucking... When you don't like it, you might be feeling like a marionette, you know? This is big, giant business happening with this band's career, and this is one of those songs maybe they have todo. Track 1:[57:16] Wow. I mean... Track 3:[57:18] Yeah. Track 1:[57:20] Let's move on because I don't dislike the song so much that I'm willing to beat it into a pulp. No, no. Track 2:[57:30] I don't know. Track 3:[57:31] I'm sorry to offend all the Canadians. Track 2:[57:33] I want to make one more quick point real quick. And this is not really about the song, but about the band. And I'll be really brief. My apologies. But to what Tim said about the band. No, no, no, really. This is the band, you know, being exhausted in this night. You have to think this is 2007 right? These guys have been at it 20 years right? They could fucking quit at any time in terms of like probably set money wise. I mean maybe they're not fucking living in, they got three different mansions but I would posit to think that every member of this band is not worrying about where they're going to gettheir next fucking meal. [58:13] Okay, yeah, they were when they did the 100% so That being said though This is a time where things were like through the 2000s, you know up through 2000 early 2002 thingswere like Record sales and all that stuff. They were making a shit ton of money and then think about this time though, man music and Streaming was coming up sales for records tanked, all that money, all that revenue thatpeople were used to just disappeared. And so I would imagine to think that this band went through a bit of a come to Jesus so to speak, and was like... I guess we do. I mean, maybe they're not thinking we got to break into the American market like every fucking Canadian thinks, or we think thinks. But like they're thinking we got to fucking 

Scott Barlow has been a Mental Management client for about 7 years working with Mental Coach, Troy Bassham but until today he has never told anyone about his secret weapon to success. Scott's wife, Klancy, was instrumental in getting him connected with Mental Management and she shares the story alongside Scott in this episode. We discuss how he found out about Troy and what his success has been like over the past several years using the Mental Management System. Scott signed with the Kansas City Royals in 2018 and is starting his 5th year pitching in the majors. Named 2021 Royals Pitcher of the Year, nominated for All-MLB at the end of the 2022 season. Finished last season with 24 saves (Nine of them multi-inning saves). 7 wins, 6 holds, 2.18 ERA and 1.00 WHIP Join our Patreon Membership at the Silver or Gold level to learn more specifics about what Scott does mentally in training and games - we posted an in-depth additional video with over 40 minutes of content on his mental approach to pitching for our members: https://www.patreon.com/posts/inside-champions-80464582 Products & Resources: The Performance Analysis Journal Scott uses: https://mentalmanagement.com/products/performance-analysis-the-ultimate-performance-journal Troy Bassham's Book "Attainment" - https://mentalmanagement.com/products/attainment-the-12-elements-of-elite-performance The originial Mental Management book by Olympic Champion Lanny Bassham "With Winning in Mind"- https://mentalmanagement.com/products/with-winning-in-mind Bobby Rock interview Troy referenced: https://youtu.be/1tn9rXZeg2o Interested in training with Troy Bassham on the mental game - email troy@mentalmanagement.com or check out https://mentalmanagement.com/ To contact Heather Sumlin regarding Mental Management training go to https://www.heathersumlin.com/  

Creatures of the night del 5: fem poddar, fem gäster, fem ämnen Chris Laney berättar för oss ur en musiker och ljudteknikers perspektiv om hur det kunde ha gått till med Vinnie Vincent under inspelningen av  "Creatures of the Night". Ni kommer att se på "Creatures of the Night" på ett helt nytt sätt. Laney är också med i hårdrocksbandet "Pretty Maids". Spelade år 2004 med Bruce Kulick. Han är också stolt innehavare av en Bell Sounds testgravering av "KISS". Gäst: Chris Laney Detta har vi pratat om: "Rosa" Originals, boken "Snöret" av Lars Peterson, Gröna Lund 1976, Bob Marley, Rock and Roll Over, Tomorrow, Ali Lundbohm, Polar studio, Bruce Kulick, Moonlight Bar (2004-04-10), King of the Mountain, Trail by Fire, Tears Are Falling, Uh! All Night, Bill Aucoin, Alex Bergdahl, Pretty Maids, Ronnie Alvins, Studio Platform, Dynasty, Casablanca, Reggae Paul, Dr Bombay, Carlito, Dr Macdoo, Christer Björkman, Vinnie Vincent, Creatures of the Night, Unmasked, KISS, Motley Crue, stamper, John 5, japanska promo, Uruguay, Ecuador, skivtvättmaskin, skivrengöring, Nowhere to Run, Partners in Crime, 10 East 23rd Street, Valand, Jimmie Rudolfsson, Sofie Gustafsson, ståpäls, Warrior, Hirsh Gardner, New England, A Million to One, Paul Stanley, Revenge, Unholy, Gilda Caserta, George Sewitt, Bobby Rock, Marantz cd-spelare, taktil känsla, Tove Styrke, LP-skivor, Danger, Lesley, Dolby Atmos, fasfel, War Machine, Legends Never Dies, Don't Leave Me Lonely, Not For the Innocent, David Bowie, Peter LeMarc, Say Yeah, I Love It Loud, Kiss i Malmö 1983, dödsmetall,  Glickman Marks, Brasilien, Animalize, Heavens on Fire, Burn Bitch Burn, Asylum, Revenge, Bob Ezrin, Hate, Childhoods End, Jungle, Carnival of Souls, Carr Jam -21

Incredible interview with Bobby Rock - he's not only a successful drummer he is a fan of Mental Management and the book "With Winning in Mind". We jump right into this interview with a story of when he was first given the book. We can thank our brother Brian Bassham for this connection. We talk in this interview about deliberate practice, the pressures of playing live and learn a little about Bobby's experiences during his 4 decades in the music industry. A native Californian, Bobby grew up in Houston, before studying at the prestigious Berklee College of Music in Boston. As an accomplished performer and studio drummer, he has worked with a diverse roster of artists, including ex-Kiss guitarist's Vinnie Vincent Invasion, funk-rock pioneers Rare Earth, the multi-platinum Nelson and Slaughter, Alcatrazz (featuring Graham Bonnet), Gary Hoey, Nitro, Hardline, Monster Circus (featuring Dee Snider), The Stu Hamm Band, guitarists Brett Garsed, T.J. Helmerich, Neil Zaza, Bob Kulick, Bruce Kulick, Michael Angelo Batio, funk bass phenoms Bill “The Buddha” Dickens and Carl Carter, and and all-star rockers Scrap Metal. He is currently touring and recording with rock icon, Lita Ford. Additionally, Bobby has released three records as a solo artist, two top-selling drum books and videos (including his critically acclaimed masterwork, The Zen of Drumming) and is recognized as one of the premier performers and educators in the industry, having done over 900 drumming workshops and exhibitions worldwide, and twice won Drum magazine's Clinician of the Year award. Bobby's latest book, The Boy Is Gonna Rock: A Drummer's Journey From Houston to Hollywood in Search of Hair Metal Heaven, is an Amazon best-seller and focuses on the early days of his career. Learn more about Bobby - https://www.bobbyrock.com Join our Training to Win Webinar with Troy Bassham February 22nd - https://mentalmanagement.com/products/training-to-win-webinar-with-troy-bassham Bobby Rock's Patreon specific interview is coming soon where we go into more details about how he applies Mental Management to his craft - https://www.patreon.com/with_winning_in_mind Check out "With Winning in Mind" and other Mental Management products - https://mentalmanagement.com/

DACAPO - Våra extranummer När något ämne dyker upp som vi bara måste prata av oss om.... Nu Vincent John Cusano. Vi pratar om: I was made for lovin' you, Oulu, Frankie Banali, Quiet Riot, Theresa "Terri" Cusano, Alfonso Cusano, Treasure, Dan Hartman, Laura Nyro, Carmen Appice, Adam Michell, Gene Simmons, Creatures of the Night, Peter Criss (Tears), John Waite, Syd Amerika, Eric Carr, Ace Frehley, Bruce Kulick, Wendy O Williams, Samantha Fox, Jean Beauvoir, Mora, Orsa Spelmanslag, Benny Andersson, Dana Strom, Bobby Rock, Mark Slaughter, Robert Fleischmann, Chrysalis, Vicki Petersen, Bangles, Lita Ford, Revenge, Steve Vai, Yngve Malmsteen, Kiss Expo 1995 & 1996, Johnny Fredriksson, Niklas Olsson, Anders Ringman, Johan Kihlberg, Mats Vassfjord, Johan Carlén, Carl Linnaeus, Patrick Larsen, Nils Brekke Svensson, KISS och gitarristen som försvann, Arjen Alkemade, Nashville, Creaturesfest, Bob Kulick,

You're gonna love this one.  For Episode 16 we bring in local motorcycle rider and Outlaw Square Director Bobby Rock on to the DAMN Show!  You don't want to miss it!  We talk of motorcycle rides, what's happening at Outlaw Square, along with some jokes along the way.  At the end of the Episode, we play a highlights reel of all 16 Episodes from Season 1 that will have you LOL-ing!  So grab a cold one (unless you're driving) sit back, and join us for another episode of The D.A.M.N. Podcast featuring Bobby Rock of Outlaw Square, Brought to you by Law Tigers - AMERICA'S MOTORCYCLE LAWYERS!

This is PART 3 of the full in bloom interview with drummer Bobby Rock. Bobby talks about Vinnie Vincent, recording his drums for the band's 1986 self-titled debut album, sobriety, Dana Strum, Mark Edwards, and more. Bobby Rock Part I on YouTube: https://www.youtube.com/watch?v=VVxfUy_XXIM Bobby Rock Part 2 on YouTube: https://www.youtube.com/watch?v=jG67TeLBNqA Bobby Rock Part I on full in bloom: https://fullinbloom.com/drummer-bobby-rock-talks-lita-ford-her-new-album-vinnie-vincent-invasion-dana-strum-sweet-savage-joey-c-jones-full-in-bloom-interview-2021/ Bobby Rock Part 2 on full in bloom: https://fullinbloom.com/bobby-rock-part-ii-talks-1986-vinnie-vincent-invasion-album-dana-strum-recording-guitars-arbor-2021-full-in-bloom-interview/ Hit the subscribe button & click the bell if you would like to be notified as new interviews & excerpts are uploaded. Song by FOOL OF FATE

Episode 36 Bobby Landgraf His Austin friends call him “Bobby Rock,” but the rest of the world knows him as Bobby Landgraf, the one-time guitarist for metal supergroup, Down. Join us as we laugh it up tracing Bobby's journey from local sound guy through on-stage stints with Dino Lee, Honky, Gahdzilla Motor Company and his travels as a go-to guitar tech for Down and ZZ Top. Created and Produced by Jared Tuten

01. Kazka - Запала (SHUMSKIY Remix) 02. Camelphat & Elderbrook - Cola (Dj Dark & MD Dj Remix Extended) 03. Showtek, Sultan + Shepard - Way We Used 2 (Extended Mix) 04. David Guetta vs.The Egg - Love Don't Let Me Go (Velchev & Dmitriy Rs and DJ Ramirez Remix) 05. Kishe - Цю ніч (Belaha Extended Remix) 06. Imagine Dragons - Thunder (Denis Agamirov & Stylezz Remix) 07. Время и Стекло-Дим (Shnaps & Sanya Dymov Remix) 08. Время и Стекло - VISLOVO (Shnaps Remix) 09. 50 Cent - Candy Shop (Cheaterz Remix) 10. Blaikz, Marc Kiss & ThomTree - Somebody to Love (Extended Mix) 11. Keanu Silva & Richard Judge - We Are The Greatest 12. Jordan Jay & Ellis - All That She Wants (Extended Mix) 13. Sick Individuals & Justin Prime feat. Bymia - Not Alone 14. Lucas & Steve x Brandy - I Could Be Wrong (Club Mix) 15. OPIUM vs. Bobby Rock - Літо-мохіто vs. My Feelings (Lipich Mash-Up) 16. Наталя Мирна & Belaha - Промені (Original Mix) 17. Barabanova - Весна (Midnight Daddies Remix) 18. Plastik Funk & Deekey - Rock This Town (Extended Mix)

This is PART II of the full in bloom interview with drummer Bobby Rock. Bobby talks about Vinnie Vincent, Dana Strum, auditioning for the Vinnie Vincent Invasion, recording Vinnie's guitars for the band's 1986 self-titled debut album, Arbors, and more. You can listen to PART I from this interview @ fullinbloom.com: https://fullinbloom.com/drummer-bobby-rock-talks-lita-ford-her-new-album-vinnie-vincent-invasion-dana-strum-sweet-savage-joey-c-jones-full-in-bloom-interview-2021/ Hit the subscribe button & click the bell if you would like to be notified as new interviews & excerpts are uploaded. Song by FOOL OF FATE

La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Slaughter es una banda de Hard rock estadounidense formada en Las Vegas , Nevada , Estados Unidos, por el vocalista principal y guitarrista rítmico Mark Slaughter y el bajista Dana Strum . La banda alcanzó el estrellato en 1990 con su primer álbum Stick It to Ya , que generó varios sencillos de éxito como " Up All Night ", "Spend My Life", "Mad About You" y "Fly to the Angels". ". El álbum alcanzó el estatus de doble platino en los Estados Unidos. La banda sigue siendo un acto constante en giras nacionales, principalmente en el Rock Never Stops Tour que presenta a varias bandas de la misma época. Slaughter se formó en Las Vegas, Nevada, a fines de 1988, a partir de las cenizas del vocalista principal Mark Slaughter y la banda anterior del bajista Dana Strum, Vinnie Vincent Invasion . La compañía discográfica de Vinnie Vincent Invasion, Chrysalis Records , le quitó el contrato de $ 4 millones a Vinnie Vincent por exceder su línea de crédito con el sello, y transfirió el contrato a los ex miembros Slaughter y Strum. En 1989, Slaughter y Strum completaron la formación reclutando al guitarrista principal Tim Kelly y al baterista Blas Elias . El álbum debut de Slaughter, Stick It to Ya, tuvo tres sencillos lanzados que llegaron al Billboard Hot 100 : el éxito "Fly to the Angels" (EE.UU. # 19), y los éxitos moderados "Up All Night" (EE.UU. # 27) y "Spend My Life "(Estados Unidos # 39). Durante este tiempo, se lanzó una canción de la banda sonora de la película Bill & Ted's Bogus Journey . Esa canción, titulada "Shout It Out", fue acompañada por un video musical, pero no logró llegar al Hot 100 de EE. UU. En 1992, la banda lanzó su segundo álbum, titulado The Wild Life . Alcanzó el número ocho en el Billboard Top 200 Album Chart y fue certificado oro, pero no produjo ningún Top 40 en el Hot 100 de EE. UU. El único sencillo que alcanzó el Hot 100 fue el primer sencillo "Real Love" (US # 69). La banda planeaba grabar su tercer álbum a principios de 1994. Sin embargo, en 1993 el guitarrista Tim Kelly fue arrestado por cargos de tráfico de drogas, mientras que el bajista Dana Strum tuvo un accidente de motocicleta que lesionó la mano que tocaba. El álbum retrasado se completó en febrero de 1994 y se lanzó el primer sencillo "Searchin '". Sin embargo, después de la absorción de Chrysalis Records en EMI Records, Slaughter se eliminó de EMI. Posteriormente, la banda firmó con CMC International , un nuevo sello en ese momento que firmó muchas bandas de hard rock y metal frente a la nueva popularidad del grunge . La etiqueta tuvo una distribución mayoritaria a través de BMG . En 1995, Slaughter lanzó el álbum Fear No Evil . El álbum no tuvo mucho éxito en América del Norte , Europa o gran parte de Asia, pero funcionó bien en Japón . El guitarrista Dave Marshall (ex- banda de Vince Neil ) tuvo que reemplazar a Kelly en ocasiones, debido a sus problemas legales. Los problemas legales de Kelly terminaron y la banda se comprometió con su próximo álbum. En 1997, se estrenó Revolución . El álbum presentaba un sonido más ecléctico y psicodélico, pero no logró causar impacto. El 5 de febrero de 1998, ocurrió una tragedia cuando el guitarrista Tim Kelly murió en un accidente automovilístico en el desierto de Arizona . Esto afectó profundamente al grupo, pero se comprometieron a continuar con la banda. Dave Marshall actuó brevemente como guitarrista de gira para Slaughter en Japón. En 1998, contrataron a Jeff Blando como reemplazo de Kelly y comenzaron a trabajar en su próximo álbum. Se lanzó un álbum en vivo titulado Eternal Live con algunas de las últimas actuaciones de la banda con Kelly. En 1999, lanzaron el álbum Back to Reality , con Blando como el nuevo guitarrista. Blando estuvo anteriormente en Left For Dead y Saigon Kick . Slaughter continúa presentando muchos paquetes turísticos de rock con otros actos que vieron prominencia durante la era del glamour de la década de 1980 y principios de la de 1990. Durante el verano de 1999, mientras estaba en el " Rock Never Stops Tour " (que incluía a Ted Nugent y Night Ranger ), Slaughter vio algunos de sus sencillos anteriores en álbumes recopilatorios. El álbum de VH-1 "Power Ballads" incluyó "Fly To The Angels"; "Up All Night" se incluyó en Rhino Records"Golpeadores duros". Slaughter también participó en la gira "Poison, Cinderella, Dokken and Slaughter" del verano de 2000. En 2001, Slaughter fue parte de la gira "Voices of Metal" con Vince Neil de Mötley Crüe , Ratt y Vixen . Mark Slaughter y el ex compañero de banda de Vinnie Vincent Invasion de Dana Strum, Bobby Rock, tocaron como baterista de gira para Slaughter, reemplazando a Blas Elias en algunos shows del Rock Never Stops Tour. En abril de 2004, Slaughter lanzó un DVD-A titulado Then and Now que presenta 12 canciones y 50 fotos de la banda a lo largo de los años. Slaughter también lanzó un DVD que presenta todos los videos musicales y metraje detrás de escena durante la temporada 2004. El 13 de julio de 2007, Slaughter actuó en el festival de glam metal Rocklahoma . Sin embargo, Strum y Blando no estuvieron presentes durante la actuación de la banda, aunque actuaron con Vince Neil la noche siguiente. A finales de enero de 2008, Slaughter realizó un espectáculo en Motley Cruise, un crucero de cuatro días por el Caribe con Vince Neil , Skid Row , Ratt , Endeverafter , Lynam . Slaughter continúa de gira y en 2017 están programados para aparecer en el crucero Monsters of Rock y en Rocklahoma junto con varios otros conciertos programados.

This is PART I of the full in bloom interview with drummer Bobby Rock. Bobby talks about the upcoming Lita Ford album, Sweet Savage, Vinnie Vincent Invasion, books, fitness, the Renaissance, & more. More Info @ fullinbloom.com Hit the subscribe button & click the bell if you would like to be notified as new interviews & excerpts are uploaded.

Now that we've wrapped up our full Pink Floyd studio album discography it's time for our third bonus episode so bust out that AquaNet and strap on your pink Jackson V because the Boyz are Gonna Rock! Bonus episode #3 covers the self titled debut album by Vinnie Vincent Invasion. Mark, Kevin, Alex, and Chris take you on a historical journey surrounding the album as well as share our favorites and not-so favorites from the record. We go on a deep dive track-by-track listen of this hair metal heavyweight as well as share personal stories of discovering the Vinnie Vincent Invasion debut self titled album, reading Bobby Rock's book, and for an added bonus... a live dissection/reaction of the full "Boyz are Gonna Rock" music video.Available at https://lightthesky.net/podcasts/bonus-episodes/vinnie-vincent-invasion-vinnie-vincent-invasion/ and on all podcast streaming platforms (just search "Light the Sky Podcast.")Follow "Light the Sky Podcast" on Instagram, Twitter, and Facebook to stay up-to-date with all things LTS.Instagram: https://www.instagram.com/lighttheskypodcast/Twitter: https://twitter.com/LighttheSkyPod1Facebook: https://www.facebook.com/LightTheSkyPodcast/

Non-Stop Rock Talk is very happy to welcome Lita Ford drummer Bobby Rock. Bobby and Tyson dive deep into the Vinnie Vincent Invasion cult classic album All Systems Go. The two discuss all elements of the production, the marketing and the break-up of the band shortly after the release. Sit back, stay safe and enjoy!!!

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Vinnie Vincent Invasion fue una banda de heavy metal creada por el exguitarrista de Kiss en los discos Creatures Of The Night y Lick it Up, Vinnie Vincent. Es una banda que apenas editó algunos demos, 2 discos y un EP, ha contado con grandes músicos como los vocalistas Robert Fleischman (Journey), Jeff Scott Soto (Yngwie Malmsteen's Rising Force, Panther, Journey) y Mark Slaughter Slaughter y el Baterista Bobby Rock (Nitro, Nelson). Musicalmente es una excelente banda, Vinnie Vincent no es un guitarrista que se centra en la velocidad, sino en la melodía y no le teme a experimentar con efectos. La banda se mantuvo solamente dos años, tiempo en el que participaron como vocalistas Robert Fleischman (Journey) y Mark Slaughter (Slaughter), al igual que otros músicos populares como el bajista Dana Strum y el baterista Bobby Rock. Mark, y los demás dejaron a Vinnie porque su actitud era diferente, para otros era porque Mark y los demás querían que la banda se llame Invasion y quitarle el nombre de Vinnie Vincent, pero seguramente éste dijo: Aquí el famoso soy yo y el grupo se llama como yo diga. En 1985 grabaron el disco Vinnie Vincent Invasion, y en 1988 el disco All Systems Go, que contiene la canción "Love Kills", que apareció en la película del mismo año A Nightmare on Elm Street 4: The Dream Master. En 1986, junto con el bajista Dana Strum dieron vida a este Invasion. Completan la formación Bobby Rock (nada que ver con el famoso productor) y un agudísimo cantante llamado Robert Fleishman. Lo mejor de este disco es Vinnie Vincent y lo peor también. El disco cuenta con unas composiciones de heavy metal americano ochentero fantásticas. La inicial Boyz are gonna rock, Shoot u full of love, Animal... las más lentas y geniales No substitute y Back on the streets (canción que luego versionaría John Norum en su genial debut en solitario Total Control). La cara B empieza con un buen tema hard (ya os digo que casi todos lo son) Do you wanna make love, sigue con la ya comentada Back On the Streets, I wanna be your victim es otro de los mejores temas del disco, muy macarra de los 80. Baby-O sería el típico tema pasteloso de bandas de la época sinó fuera porque Vinnie y compañía la convierten en una locura estridente. Invasion cierra el disco, otro buen tema heavy con final a la altura del proyecto, desquiciante y obsesivo. En 1988 entran al estudio y graban su siguiente trabajo titulado "All systems Go" con Mark Slaughter en los vocales chillantes. En lo musical este es un trabajo excelente con canciones muy elaboradas que en conjunto con la voz de Mark Slaughter le da un buen ritmo y profundidad a las canciones. Entre las favoritas del disco se encuentra "Love Kills"fue presentado en promoción para la banda sonora de Pesdilla en Elm Street IV. "That Time Of Year" es una buena canción que te hace adentrarte a la melodiosa y buen registro de Mark Slaughter. "Breakout" es una canción muy explosiva, con el riff y la voz de Mark hacen una buena combinación para mover la cabeza hasta desnucarte. El álbum tuvo cierto éxito, pero la confusión interna mató a la banda a finales de 1988 al final de su gira de un mes. Vincent grabó un tercer álbum de la invasión con Fleischman, pero nunca vio la luz del día, y él ha permanecido fuera de los reflectores y grabado esporádicamente desde entonces. Rock pasó a la fama con Nelson, mientras que Slaughter y Strum formaron Slaughter alcanzó éxito platino, El 20 de enero de 2018 vinnie vincent reaparece en los medios después de más de 20 años. Lo hizo en kiss expo en Atlanta. Hizo una performance acústica donde durante la interpretación de la canción Back On The Streets aparece sorpresivamente Robert Fleischman y anuncian la vuelta de la banda. Además vinnie vincent brindo una conferencia de prensa y manifestó sus ganas de volver a los escenarios.Escucha este episodio completo y accede a todo el contenido exclusivo de Biblioteca Del Metal (Recopilation). Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/308558

Follow Mikey Barreneche: open.spotify.com/artist/7qGy8DUTeuBqoyN6gUf3gd facebook.com/mikeybarreneche/ instagram.com/mikeybarreneche/ twitter.com/mikeybarreneche TRACKLIST: 1 . Whethan - Stadium Rave 2. Calvo & Dazz - No Scrubs (Hollaphonic Remix) 3. Mikey Barreneche - Dade (Z A K Remix) 4. Cosmic Gate - Exploration Of Space (Mikey Barreneche Bootleg) 5. Drake - Find Your Love (MUUS & Billy Cave Bootleg) 6. Mikey Barreneche - ID 7. Mikey Barreneche - ID 8. Mikey Barreneche - ID 9. Sonny Fodera & Dom Dolla Moving Blind (Cloonee Remix) 10. Jay Z & Kanye West vs Fisher - Freaks vs Niggas in Paris Y2K bbno (Lalala Andrea Chan vs The Stickmen Private Mashup) 11. Dont Blink - The Lazer 12. Cloonee - Get Stupid 13. Biggie Smalls - Suicidal Thoughts (MUUS Remix) 14. Bad Bunny - Safaera (Banana Mambo Edit) 15. Ben Rainey & KHAOS - Words You Say 16. Thomas Gold, Kosling, Matthew Steeper - Wildest Dream 17. Orjan Nilsen & Bobby Rock feat. ANVY - Fearless 18. Yves V vs Dimitri Vangelis & Wyman vs Sebastian Ingrosso & Alesso ft. Ryan Tedder - Daylight vs Calling (YVes V Mashup) 19. MaRLo, Jano - The Dreamers 20. Serg - ID 21. SQWAD - Never Stop 22. Dom Dolla vs Benny Benassi - Take It Satisfaction (Engmar Mashup) 23. Lee Foss, John Summit, Hayley May - Summertime Chi

01. Gareth Emery - I Saw Your Face (Alex Sonata & TheRio Remix) [CREATE MUSIC GROUP] 02. Gabriel & Dresden feat. Sub Teal - No One's To Blame (Gabriel & Dresden Respray) [ANJUNABEATS] 03. SICK INDIVIDUALS & Justin Prime feat. Lasada - Ocean [REVEALED] 04. Orjan Nilsen & Bobby Rock feat. ANVY - Fearless [ARMADA MUSIC] 05. Jason Ross - The Accord [ANJUNABEATS] 06. NOOMA - On The Dancefloor [GENERATION SMASH] 07. Norni & Natalie Gioia - By Your Side [SUANDA VOICE] 08. [CLUBBERS CHOICE] FEEL - Equestrian [SUANDA BASE] 09. Patric Arcee - Cube-8 [EXIMINDS AIRLINES] 10. Bobina & Roxanne Emery - Rising Tide [MAGIK MUZIK] 11. Michael Milov - Thanatos [SUANDA BASE] 12. Eugenio Tokarev - Inefable [ALWAYS ALIVE] 13. Armin van Buuren vs. D'Angello & Francis - Que Pasa [ARMIND] 14. Gabry Ponte, Marnik, Roberto Molinaro - Ameno [SPINNIN'] 15. [CLASSIQUE] ATB - The Summer [ENTER] 16. [CHILLOUT] Marco Torrance with Natasha Jaffe - Fragile [ABORA CHILLOUT]

Welcome to the 11'th episode of In My Opinion Radio! New fresh tunes from Armin van Buuren, Tom Staar, Matt Fax, Arty, Loud Luxury and many more! World premiere of the new In My Opinion release from Yang and a brand new vocal track from yours truly. Tracklist 00: Intro01: Brando - Look Into My Eyes (HUGEL & Hugo Cantarra Extended Remix) [Armada]02: Armin van Buuren & AVIRA - Illusion (Extended Mix) [Armind]03: Tom Staar feat. Leo Stannard - U + I (Extended Mix) [Armada]04: Zack Martino & Lena Leon - Dreamin (Extended Mix) [Armada]05: Matt Fax - Light On (Extended Mix) [Colorize, Enhanced]06: Loud Luxury x CID - Nights Like This (PBH & Jack Extended Remix) [Armada]07: ARTY x Audien and Ellee Duke - Craving (Extended Mix) [Armada]08: Morgan Page & Mark Sixma - Our Song (Orjan Nilsen Extended Mix) [Armada]09: MANSE, Meikle & Max Adrian feat. Elle Vee - A Little Bit (Extended Mix) [Revealed Recordings]TRACK OF THE WEEK: 10: Orjan Nilsen & Bobby Rock feat. Anvy - Fearless (Extended Mix) [Armada]11: Daddy's Groove - Stellar (Robbie Mendez Remix) [Spinnin']12: SaberZ x ANG - Home Run (Extended Mix) [Rave Culture]WORLD PREMIERE: 13: Yang - Lions (Extended Mix) [In My Opinion] 14: Sander van Doorn - I Dream (Extended Mix) [Spinnin'] 15: Eximinds & HamzeH - Arena (Extended Mix) [Interplay Records]ORJAN´S CLASSIC PICK: 16: Gouryella ‎– Tenshi (Club Mix) [Tsunami] Follow Orjan Nilsen & In My Opinion on Social Media: https://www.facebook.com/OrjanMusic/ https://www.facebook.com/IMOLabel/ https://www.instagram.com/orjann82/ https://www.instagram.com/imolabel/ https://bit.ly/SPOrjanhttps://bit.ly/SPIMO YouTube: In My Opinion - Episode 011

In the kitchen this week we're listening to Toronzo Cannon, Lonnie Mack, The Smokin' Joe Kubek Band & Bnois King, Busker Incognito, Ana Popovic, Bobby Rock, YES, Susan Tedeschi, Larkin Poe, and Sass Joran.  Getcha' some.

Intro EDM Sunset Podcast 001-Daft Punk - Television Rules The Nation _ Around The World _ Harder Better Faster Stronger(Original mix) 002-Axwell __ Ingrosso - On My Way (MERCER Remix) 003-Hugo Cantarra - Mercury (Extended Mix) 004-The Chemical Brothers - Hey Boy, Hey Girl (Corey James & Chris Avantgarde Bootleg) 005-Nicky Romero, Stadiumx - Harmony (Original Mix) 006-Felguk, Lazy Rich - Dance To The Beat (Extended Mix) 007-Anty Flex & SoundLiner - Let Me Know (Original Mix) 008-Marcus Schossow & Dave Winnel - CNTRL (Original Mix) 009-Bobby Rock ft. Cimo Frankel - New Life (Dyson Remix) 010-Mord Fustang Feat. Liinks - Pop (Fabian Baroud Remix) 011-Shapov - Runic(Original mix) 012-M.E.G. & N.E.R.A.K. - Concorde (Original Mix) 013-Borgeous & Zaeden - Yesterday (Original Mix) 014-Sick Individuals & DBSTF - Waiting For You (Original Mix) Outro EDM Sunset Podcast

On this installment Pete has a super chill discussion with accomplished drummer Bobby Rock of the Vinnie Vincent Invasion, Nelson, and Lita Ford fame. They discuss Bobby's super new book... "The Boy Is Gonna Rock: A Drummer's Journey from Houston To Hollywood in Search of Hair Metal Heaven" A great read chock full of amazing stories of auditions, recording studio trials and tribulations, road warrior tour tales, and Bobby's whole musical history to date. Bobby & Pete riff, have fun, laugh a lot and dive deep into his amazing career and story! Bobby is a very interesting cat and his story is diverse and eye opening for sure!   ENJOY! Check out Bobby on tour with Lita Ford. The book is available on Amazon and wherever books are sold online. It can also be found and ordered on bobbyrock.com along with other Bobby Rock merchandise. He can be found on Facebook @BobbyRockWorld and on Twitter @bobbyrocklive   Special Thanks to our favorite podcasts and the players involved: Growin' Up Rock Decibel Geek Podcast Rock City Talking Maiden (The Podcast of the Beast) PodKISSt Cheap Talk With Trick Chat Podder Than Hell Ages Of Rock KISS FAQ Please Subscribe, Rate, and Review I LOVE IT LOUD, DO YOU?

Ep103: Bobby Rock, Drummer of Vinnie Vincent Invasion & Nelson, interviewed by Psycho Steve! Listen on iTunes, SoundCloud, & Youtube! Photo Credit: Joe Schaeffer Photography. Powered by Perlzweig Enterprises, LLC. If you haven’t already, please subscribe or follow us! Feel free to rate our show and write a review! Please help spread the word and share this with all of your friends and family! Rock out to the podcast and listen on iTunes or SoundCloud! Don’t forget to get yourself, a friend, or loved ones some merch by Zazzle at https://www.zazzle.com/psychostevepresents. Enjoy our theme song by, friend of the show, Paul Laine, best known for bands such as Danger Danger, Darkhorse, and now The Defiants! Facebook: @paullaineofficial Instagram: @mrpaullaine Twitter: @mrpaullaine. Also, check out Alison "Metal Babe" Cohen of Metal Babe Mayhem who also helps promote local and regional bands get exposure. Hear interviews and buy some rocker clothes on their website http://metalbabemayhem.com. Follow her on FB, IG, and Twitter: @metalbabemayhem. YouTube: https://www.youtube.com/channel/UCvsKhNzaxSHZaYExU6b-oEw iTunes: https://itunes.apple.com/us/podcast/psycho-steve-presents-hair-today-gone-tomorrow/id1294560293?mt=2https://itunes.apple.com/us/podcast/psycho-steve-presents-hair-today-gone-tomorrow/id1294560293?mt=2 SoundCloud: https://m.soundcloud.com/user-344303966 #bobbyrock #drummer #vinnievincentinvasion #vvi #nelson #nelsontwins #joeschaeffer #joeschaefferphotography #paullaine #thedefiants #metalbabemayhem #psychosteverocks #perlzweigenterprises #hairtodaygonetomorrow #takecarebrushyourhair #goodnightgracie --- Support this podcast: https://anchor.fm/HTGTpodcast/support

On this episode of the Talking Metal podcast we hear new interviews with Bill Temple, Dan Lorenzo and Perturbator.First up, Mark Strigl and Ian McCurdy interview longtime Vinnie Vincent roadie Bill Temple. Topics include Mark Chatfield, Wolf Hoffman, Pete Way, Vinnie Vincent's guitars, working with Vinnie Vincent, Mark Slaughter, Dana Strum, Kiss, Traci Guns and LA Guns physically attacking him, Randy Dietrick, Bobby Rock, his falling out with Vinnie Vincent and much more.Then starting 1 hour 3 mins into the podcast Mark Strigl interviews former Hades and Non-Fiction guitarist Dan Lorenzo. His new band is called Vessel of Light and their great new release is Woodshed. Buy it now using our Amazon links! Interview topics with Dan Lorenzo include the Ancient VVisdom, the new Vessel of Light album Woodshed, the Talking Metal Snowblind jam with Rob Dukes (watch it below), religion, vegetarianism, Painful Pleasures, Hustle Butter, Steppin Out magazine, the environment, Hades, the Old Bridge Militia, Scott Ian, RUN DMC, NonFiction, The Cursed, Bobby Blitz and much more.This episode's final interview is with James Kent AKA Perturbator and it was conducted by Emily Strigl at Heavy Montreal. This chat starts at the 1:58:00 mark.ollow Mark Strigl on Twitter at these accounts: @talkingmetal & @striglFollow Emily on Instagram.Follow Talking Metal on Instagram.Support Mark Strigl and his podcasts on Patreon here: www.patreon.com/talkingmetalUse the Paypal tab to make a donation (the Paypal is paypal.me/MarkStrigl), OR use this link to make a purchase on Amazon.Thanks for listening to Talking Metal!

Eddie Trunk is joined by Lita Ford drummer Bobby Rock who discusses his new autobiography, 'The Boy is Gonna Rock.' Additionally, Bobby discusses working with Vinnie Vincent and his time in The Vinnie Vincent Invasion, the other books he has written, opening for Alice Cooper, fitness, and more!

The ’80s hair-metal scene is known for a lot of things, fitness and wellness not normally included. But try telling that to Bobby Rock, an accomplished drummer and fitness enthusiast who committed to a healthy lifestyle back in 1984, just as his career was getting off the ground. (“One night,” he writes, in his new book The Boy is Gonna Rock, “in the back lot of a Red Roof Inn somewhere in Mississippi, I did so many sets of squats I could barely walk the next day—no exaggeration.”) His dedication is real. He’ll perform a full set on stage and then head to the gym (often after midnight) to get in a workout. He ran two marathons largely because his mother was a runner. He is a quiet leader, loves animals, supports several animal-welfare organizations and has been a strict vegan since 1993. He meditates. He’s written nine books and has toured with the likes of Slaughter, Nelson, Vinnie Vincent Invasion and more. And, at 54, he’s still drumming — currently on the road with metal icon Lita Ford — and is injury free. Incredibly thoughtful and pleasant, Rock chatted with me about the physical nature of drumming, the ins and outs of his workouts and how his life would be different had he not chosen to get fit.  Follow Bobby on Twitter @bobbyrocklive and Instagram @bobbyrocklive. Find him on Facebook @BobbyRockWorld. For more on his fitness, nutrition, music, musings and more, go to bobbyrock.com. Check out his new book, The Boy Is Gonna Rock (Zen Man Publishing). Show notes can be found at fitmixtape.com. While you’re there, sign up for our weekly newsletter. Follow the show on Instagram @fitmixtape and on Twitter @fitmixtape. Have a comment, question, suggestion or killer playlist? Send an email to fitmixtape@gmail.com.  Bobby Rock is a world-renowned drummer, author of nine books, speaker, entrepreneur, activist, devout vegan, and a recognized health and fitness specialist, with certifications in exercise, nutrition, and meditation. He has recorded and performed with a variety of artists, including Vinnie Vincent Invasion, Nelson, Slaughter, Rare Earth, Brett Garsed, Neil Zaza, Gary Hoey, Hardline, Nitro, Scrap Metal, Alcatrazz feat. Graham Bonnet. the Stu Hamm Band, and is currently touring with rock icon, Lita Ford. He has also released several CDs and toured extensively as a solo performer, and is recognized as a top drumming educator. Additionally — through speaking, writing, and activism — Bobby remains committed to a number of animal and environmental causes. On Bobby’s playlists: “A startling variety,” including AC/DC, Black Sabbath, funk, R&B, Miles Davis and John Coltrane.  

KISS ARMY – cool off in THE KISS ROOM! Matt Porter is joined by Bobby Dreher and Alex Richter with guests: * BOBBY ROCK, talking about his new book: “This Boy Is Gonna Rock, a drummer’s journey from Houston to Hollywood in search of hair metal heaven” * CHRIS CZYNSZAK from the Decibel Geek Podcast […]

On this episode of Westwood One's Rock Talk With Mitch Lafon: Def Leppard's Phil Collen, The Dead Daisies' John Corabi and Lita Ford's Bobby Rock. Our co-host is Trixter guitarist Steve Brown.  In our first interview Def Leppard guitarist Phil Collen discusses the band's current tour with Journey, his reasons for temporarily leaving the tour and his replacement (today's co-host) Steve Brown, his recent participation on the G3 tour, ManRaze & Delta Deep as creative outlets, the importance of having new Def Leppard music, his upcoming solo album, the new TESLA album, Def Leppard's upcoming CD COLLECTION TWO, being a producer and much more. Our second interview is with The Dead Daisies frontman, John Corabi, we talk about the upcoming North American tour, the new abum Burn It Down, joining the band, lineup changes, being a rock n' roll parent, Tommy Lee & his son, Generation Swine, Mötley Crüe's "massive mistake" and much more. Our third guest is veteran drummer Bobby Rock. He's got a new book called The Boy Is Gonna Rock. We discuss that plus we talk Vinnie Vincent, Lita Ford, nutrition, Dana Strum, and more.  Help support the show. Please consider a donation: https://www.paypal.me/MitchLafon See omnystudio.com/listener for privacy information.

The Indy Kiss Konfessionals Day Two. - We're halfway there people!! Find out what happens when you have the Expo to end all Expos dedicated to the greatest Rock n Roll band on earth KISS. The 20th anniversary Indy Kiss Expo was celebrated in rock star fashion this month with a special guest list that was 2nd to none in Kiss World. In fact it seemed like just about everyone except Gene and Paul were in attendance. You had appearances by: Ace Frehley, Michael James Jackson, Todd Kerns, Bill Starkey, Lydia Criss, Eric Singer, Karl Cochran, Robert Fleischman, Roman Fernandez, Bruce Kulick,  Anton Fig,  Mark Slaughter, Big John Harte, Bobby Rock, Bob Kulick, Brent Fitz, Tod Howarth, John Regan, Lita Ford, Pat Gasperini, Ryan Spencer Cook, Phil Shouse, Jeremy Asbrock, Carrie Stevens, Chuck Garric, Rob Affuso. That was enough to keep your day busy, and then on top of all that at night, you had performances  by The Kulick Brothers, The Gene Simmons Band (minus Gene), Four By Fate, an All Star Jam featuring Eric Singer and Ace Frehley, People like Lita Ford and Chuck Garric sitting in on various songs all highlighted by a two song reunion by the original Frehley's Comet. Growin' Up Rock was on site and recording the full two days. If you were unable to attend or you were there but can't remember, have no fear, we did our best to talk with many of the artist performing as well as some crazy Kiss fanatics so that we could share their rock n roll story. In Day Two, We catch up with members of Four By Fate and Frehley's Comet, in addition to talking with Andy Moyen about this years Gathering down in Miami before the Kiss Kruise in November. Four By Fate: Tod Howarth - Frehley's Comet / Four By Fate / Cheap Trick John Regan - Frehley's Comet / Four By Fate / Peter Frampton Pat Gasperini - Four By Fate Rob Affuso - Skid Row / Four By Fate The Lovely Jennifer Who Bogarts the Mic Andy Moyen - Organizer - Kiss Gathering Dennis Talbott - Ages Of Rock Podcast Chris Cogdall - Gives Us a Report On The Chicago Vault   Help us fund the Rock N Pod Expo 2 this year in Nashville. August 25th - Hopefully you can come but if not, please consider being a VIP and making a donation to make this happen. Use the link below. Rock N Pod 2 Go Fund Me Everyone’s got a Rock N Roll story to tell, so tell us yours @ growinuprock.com Like us and leave us a review on our FaceBook page - @ growinuprock Follow us on Twitter @growinuprock Subscribe to our Podcast at the platform of your choice and leave us a review You can help out the Podcast by doing all of your shopping at Amazon using our link below. Click on the Amazon banner below and it takes you to the Amazon site where you shop as normal. It coast you exactly the same, but the podcast gets a very small fee as a partner which help us pay to get our shows out each and every week. Support Music / Artist / and Your Favorite Podcast   Growin’ Up Rock Amazon Store KISS Four By Fate Frehley's Comet

The Indy Kiss Konfessionals Day One. - It's gonna be a long weekend people!! Find out what happens when you have the Expo to end all Expos dedicated to the greatest Rock n Roll band on earth -  KISS. The 20th anniversary Indy Kiss Expo was celebrated in rock star fashion this month, with a special guest list that was 2nd to none in Kiss World. In fact it seemed like just about everyone except Gene and Paul were in attendance. You had appearances by: Ace Frehley, Michael James Jackson, Todd Kerns, Bill Starkey, Lydia Criss, Eric Singer, Karl Cochran, Robert Fleischman, Roman Fernandez, Bruce Kulick,  Anton Fig,  Mark Slaughter, Big John Harte, Bobby Rock, Bob Kulick, Brent Fitz, Tod Howarth, John Regan, Lita Ford, Pat Gasperini, Ryan Spencer Cook, Phil Shouse, Jeremy Asbrock, Carrie Stevens, Chuck Garric, Rob Affuso. That was enough to keep your day busy, and then on top of all that at night, you had performances  by The Kulick Brothers, The Gene Simmons Band (minus Gene), Four By Fate, an All Star Jam featuring Eric Singer and Ace Frehley, People like Lita Ford and Chuck Garric sitting in on various songs all highlighted by a two song reunion by the original Frehley's Comet. Growin' Up Rock was on site and recording the full two days. If you were unable to attend or you were there but can't remember, have no fear, we did our best to talk with Kiss fans, and many of the artist in attendance who were performing so that we could share their rock n roll story. In this Day One, of what will be a Two Episode feature of the Podcast, we talked with the following People: Craig Gass - Comedian / TV Jody Havenot - Podcast Rock City Co-Host Brent Fitz - Slash, Gene Simmons Band, and The Kulick Brothers Band Carolyn-Bae Jones - Kiss Fanatic ET Brown - Kiss Fanatic and Bass Player in Blonder Than Hell Eric Alberty - Kiss Fanatic Todd Kerns - Slash, Gene Simmons Band, and The Kulick Brothers Band Brad Rusthoven - Kiss Fanatic Christopher Williams - Kiss Fanatic and Drummer Of Accept Noah Algee - Kiss Fanatic Help us fund the Rock N Pod Expo 2 this year in Nashville. August 25th - Hopefully you can come but if not, please consider being a VIP and making a donation to make this happen. Use the link below. Rock N Pod 2 Go Fund Me Everyone’s got a Rock N Roll story to tell, so tell us yours @ growinuprock.com Like us and leave us a review on our FaceBook page - @ growinuprock Follow us on Twitter @growinuprock Subscribe to our Podcast at the platform of your choice and leave us a review You can help out the Podcast by doing all of your shopping at Amazon using our link below. Click on the Amazon banner below and it takes you to the Amazon site where you shop as normal. It coast you exactly the same, but the podcast gets a very small fee as a partner which help us pay to get our shows out each and every week. Support Music / Artist / and Your Favorite Podcast   Growin’ Up Rock Amazon Store KISS Slash Toque Accept    

We're back this week to share our favorite songs by Sunset Strip legends WASP! In 1982 Blackie Lawless builds WASP was built to shock. Their over-the-top image garnered a ton of attention in an already-growing LA music scene. From Lawless' buzzsaw codpiece to models being tied to a torture rack to throwing raw meat into the audience, WASP takes the blueprint set by Alice Cooper and KISS and elevates it to raunchy new heights. Amid all of the theatricality, though, lay some of the best hard rock music of the decade and beyond. WASP   While Blackie Lawless remains the constant in WASP's career, the band has featured a number of fantastic musicians and incarnations over the years. The early days of the band included bassists Rik Fox and Don Costa and, later, Johnny Rod. Notably, some amazing guitarists have graced albums by WASP including Chris "Mean Man" Holmes, Randy Piper, Darrell Roberts, and Bob Kulick. Additionally, a who's who of rock drumming history have passed through the WASP ranks including Tony Richards, Frankie Banali, Stet Howland, Steve Riley, Mike Dupke, and Randy Black. The band currently surrounding Lawless features Doug Blair, Mike Duda, and Aquiles Priester. As mentioned in the show, we're showcasing our personal Top 5 WASP Songs. You're getting great tracks from virtually all eras of their more than thirty year career. In conclusion, it's a deep dive into one of the landmark metal bands of the 1980s and beyond. We hope you enjoy Top 5 WASP Songs and SHARE with a friend! Also don't miss your chance to enter for a chance to win the KISSTORY GUITAR RAFFLE! Signatures collected at the recent Indianapolis KISS Expo include Ace Frehley, Eric Singer, Bruce Kulick, Bob Kulick, Lydia Criss, Robert Fleischman, Bobby Rock, Mark Slaughter, Tod Howarth, John Regan, Anton Fig, Michael James Jackson, Craig Gass, Christopher Williams and many more! Go to www.rocknpod.eventbrite.com and select KISSTORY GUITAR in the TICKETS section! Once 300 spots are taken, the raffle will close and a winner will be announced! Guitar will be shipped FREE inside the USA to the winner! Buy Music! WASP Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Call us on the Hotline! (540) DBGeek - 1 or (540) 324-3351 Support Us! Shop through our Amazon link! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  

Veteran rock drummer Bobby Rock (VINNIE VINCENT INVASION, NELSON, LITA FORD) releases his memoir, “The Boy Is Gonna Rock: A Drummer’s Journey From Houston To Hollywood In Search Of Hair Metal Heaven” A very detailed and personal 12-chapter memoir about the entire VINNIE VINCENT INVASION saga. Get it at http://bobbyrock.com/ or special packages at www.bobbyrockstore.com […]

This week on Podcast Rock City, we're joined by BOBBY ROCK and TODD KERNS! A PRC double-header! Check it out!

"May you live in interesting times." - purported Chinese curse Ryan Brown, drummer for Dweezil Zappa, found himself in Atlanta recently. And with a healthy dose of deja vu we found ourselves cordoned away in the tiny office of the local theatre where we first met about a year and half ago. Long time listeners will recall his interview (episodes 18 & 19) and subsequent mentions on other episodes. Plus, he's a member of the much vaunted 'advisory board' of this very show. Needless to say he and I have become pretty good friends and when the opportunity presented itself to do a topic based show we jumped on it. When musicians talk about bands that commonly write and perform in odd times a litany of jazz, fusion, and progressive rock bands come to the forefront. But for my money the Zappa family holds the patent on odd times. So, who better to discuss the topic than a guy who has had to play the Zappa catalog 339 times? But before we get to the nuts and bolts of drum geekdom there was plenty to catch up on. These nuggets of brilliance include: BBQ (KC vs. Texas vs. Memphis vs. NC), the ghosts of theatres past, Los Angeles, custom snare drums (built by first time drum makers), dogs and drums named Harvey, road life (replete with 4am tacos), the median height of the Dweezil Zappa Band, Vinnie Colaiuta 'phobia', a Bobby Rock sighting, setting up Bozzio's drums, and a chance encounter at Joe Rogan's podcast location. Of course we talk learning, counting, memorizing and practicing odd time signatures. We even discuss our favorite bands that specialize in this genre. Plus for you folks that want get the skinny on how to play/count/learn "Keep It Greasy" you'd better listen closely because Brown is telling you how it's done right here. Then like Paulie on Goodfellas he's turning his back on you. From now on when someone asks him how to play "Keep It Greasy" he's simply says, "91". You can follow Ryan at his webisite: https://ryanbrowndrums.wordpress.com/ The Drummer's Weekly Groovecast publishes feature episodes every Monday with "Accountability Thursday" mini-episodes every 1st and 3rd Thursday of the month. We can be found on Itunes, Google Play Podcasts, Stitcher and everywhere you listen to your favorite podcasts. Plus, visit our web site at www.drummersweeklygroovecast.com There you can access every episode, view our videos, interact with our social media, and stay in touch with us via our contact form. Subscribe today!

We’re super excited to present an Exclusive Mix from Bobby Rock, a producer who’s been on a tear with solo releases and collabs and who’s looking primed for even bigger success in 2018.

It’s the first episode of the year, and Juze has a stunning Journey to take you on to kick start 2018. There’s music from the likes of Gorgon City, Tom Staar, Jaded, Blackbox, SDJM, Jax Jones, and a whole host more. Then, joining in for the second half of the show, Bobby Rock is the guest, and he plays some of his favourite tracks ever. 01. Jax Jones Ft. Ina Wroldsen - Breathe02. Pnau - Go Bang (KC Lights Remix)03. David Guetta Ft. Justin Bieber - 2U (SDJM Remix)04. Sumak & Aniss Hypnoise - Beautiful Darkside05. Peking Duk Ft. Icona Pop - Let You Down (Dom Dolla Remix)06. Camelphat Ft. Elderbrook - Cola (Tom Staar Remix)07. Blackbox - Everybody Everybody (vs. Blackbox Remix)08. Chemical Surf & Breaking Beattz - Don’t Stop09. Gorgon City - Grooves On The Vinyl10. Havoc & Lawn vs. Rocket Pengwin & Danusk - Windmills11. Jaded - Pancake (VIP Remix)12. Wax Wings - Gravedance13. J-Trick & Autokraft Ft. Bigredcap - House Of Grime14. La Fuente - LIT15. Philip Z - The Right Stuff16. FREY - Milkshake17. Hawksburn - Blessed18. A-Minor - Stars In The Shade (Clear Six Remix)19. Mija Ft. Kelli Schaefer - Bad For U20. Joel Corry - Feel This Way21. Avon Stringer & Ron Carroll - Trapped In The Music (Man Without A Clue Remix)22. Radetzky Marsch23. Dire Straits - Walk Of Life24. Mick Jagger & David Bowie - Dancing In The Streets25. Vato Gonzalez - Badman Riddim26. Marvin Gaye - Ain’t No Mountain High Enough27. Olav Basoski - Waterman (2017 Mix)28. Erick E & Olav Basoski - Don’t Turn Your Back (Sander Van Doorn Remix)29. Status Quo - On The Road Again30. Jack Johnson - Mudfootball (Live)31. Cirez D - On Off32. Tiesto - Traffic33. SHM - Greyhound34. Bobby Rock - Blitz (Axwell Mashup)35. Bobby Rock - You Make Me Feel36. Knife Party - Bonfire

HT MYATA LOUNGE @ Helgi Импровизация House Time. Третья часть лайв микса с открытия кафе Мята Lounge. Устраиваемся поудобнее. Слушаем и наслаждаемся. Хорошая музыка для хорошего отдыха. 01 Cardiobeats feat. Kate Wild (LS) - Down With Me (Original Mix) 02 Alex Ander & Peter Brown (LS) - Im Leaving You (Fly Edit 2015) 03 Alexis Raphael - The Helter Skelter (Original Mix) 04 Andrew Rai, Marotto, Kinspin - You Are The One (Bruno Be Remix) 05 Benny Camaro - Soft 06 Billon - Slave to the Vibe (Original Mix) 07 BK Style - Carelles Whisper (Original Mix) 08 Blondee - Happen (Original Mix) 09 Bobby Rock feat. Nathan Nicholson - Baby (Original Mix) 10 Boy George & Vanilla Ace feat. Katerina Themis - Just Another Guy (Larsson Remix) 11 Bronxy, Rata - 17Sun (Original Mix) 12 Dario DAttis, Yvan Genkins - Afro_Call 13 Deepswing - In the Music (Spada Remix) 14 DJ Lutique feat. Anya Kohanchik - Blinding Sun (Man Of Goodwill Remix) 15 Dj Natasha Baccardi feat. Julia Turano - Is It Love (Iio Cover) 16 Duke Dumont - Need U 100% (KREAM Remix) 17 Ecotek - One Night Only Ft. Aloma Steele 18 Eyup Celik & Yasar Ozcifci - Waiting For The Sun (Original Mix)

HT MYATA LOUNGE @ Helgi Импровизация House Time. Третья часть лайв микса с открытия кафе Мята Lounge. Устраиваемся поудобнее. Слушаем и наслаждаемся. Хорошая музыка для хорошего отдыха. 01 Cardiobeats feat. Kate Wild (LS) - Down With Me (Original Mix) 02 Alex Ander & Peter Brown (LS) - Im Leaving You (Fly Edit 2015) 03 Alexis Raphael - The Helter Skelter (Original Mix) 04 Andrew Rai, Marotto, Kinspin - You Are The One (Bruno Be Remix) 05 Benny Camaro - Soft 06 Billon - Slave to the Vibe (Original Mix) 07 BK Style - Carelles Whisper (Original Mix) 08 Blondee - Happen (Original Mix) 09 Bobby Rock feat. Nathan Nicholson - Baby (Original Mix) 10 Boy George & Vanilla Ace feat. Katerina Themis - Just Another Guy (Larsson Remix) 11 Bronxy, Rata - 17Sun (Original Mix) 12 Dario DAttis, Yvan Genkins - Afro_Call 13 Deepswing - In the Music (Spada Remix) 14 DJ Lutique feat. Anya Kohanchik - Blinding Sun (Man Of Goodwill Remix) 15 Dj Natasha Baccardi feat. Julia Turano - Is It Love (Iio Cover) 16 Duke Dumont - Need U 100% (KREAM Remix) 17 Ecotek - One Night Only Ft. Aloma Steele 18 Eyup Celik & Yasar Ozcifci - Waiting For The Sun (Original Mix)

Выбирай лучший трек выпуска: https://vk.com/djjimrussiaDj Jim представляет еженедельное радио-шоу "ElectroSpeed"!В ночь с четверга на пятницу с 0 до 1 слушай на Dfm, а также на других fm станциях в разных регионах и странах.II DjJim.RU II iTunes II ВКонтакте II FaceBook II Twitter II Instagram II Mixcloud II SoundCloud IIПрограмма выходит с 2008 года.Если вы хотите получать записи эфиров для еженедельной ротации на вашей интернет или FM радиостанции, вам сюда: djjim.ru/radioshow 1. Aeroloid - Always Two [Plasmapool] 2. Garmiani feat. Julimar Santos - Fogo [Spinnin'] 3. [Музыка больших танцполов] KSHMR & No Mondays - Divination [Dharma Music] 4. Bobby Rock, Mark Bale & Roger Horton - The Bass (Ferdinands Feld Festival Anthem 2017) [Pyro] 5. Steven Vegas & Kevin Brand - Caribbean Bass [Revealed] 6. Mike Williams x Tom & Jame - Step Up [Spinnin' Copyright Free] 7. Garabatto - Pleasure [Panda Funk] 8. Bingo Players - Beat The Drum [Hysteria] 9. Steff Da Campo - Make It Roll [Uprise Music] 10. [ES-27] Empire Of The Sun - Alive (Zedd Mix) [Capitol] 11. Klaas - Together [Planet Punk Music] 12. [Прокачали] Mandee - On The Move [Free] 13. Tujamo feat. Sorana - One On One (Brohug Remix) [Spinnin'] 14. D.O.D - Unforgettable [Axtone] 15. [Прогресс недели] Zonderling feat. Mingue - Remedy [Spinnin' Deep] 16. Dannic x Tom & Jame - Ready [Maxximize] 17. Hardwell feat. Alexander Tidebrink - We Are One [Revealed] 18. BooVox & DropTalk - Love Me [Artist Intelligence Agency - No Soundcloud] 19. Firebeatz x Lucas & Steve - Show Me Your Love [Free] 20. [Прокачали] Rave Vegas - Hardcore Vibes (Calvo Remix) [Big Blind Music] 21. Jay Hardway - Need It [Spinnin'] 22. Zack Martino & Reggio feat. Jonny Rose - Against The Night [TNC]

Выбирай лучший трек выпуска: https://vk.com/djjimrussiaDj Jim представляет еженедельное радио-шоу "ElectroSpeed"!В ночь с четверга на пятницу с 0 до 1 слушай на Dfm, а также на других fm станциях в разных регионах и странах.II DjJim.RU II iTunes II ВКонтакте II FaceBook II Twitter II Instagram II Mixcloud II SoundCloud IIПрограмма выходит с 2008 года.Если вы хотите получать записи эфиров для еженедельной ротации на вашей интернет или FM радиостанции, вам сюда: djjim.ru/radioshow 1. Aeroloid - Always Two [Plasmapool] 2. Garmiani feat. Julimar Santos - Fogo [Spinnin'] 3. [Музыка больших танцполов] KSHMR & No Mondays - Divination [Dharma Music] 4. Bobby Rock, Mark Bale & Roger Horton - The Bass (Ferdinands Feld Festival Anthem 2017) [Pyro] 5. Steven Vegas & Kevin Brand - Caribbean Bass [Revealed] 6. Mike Williams x Tom & Jame - Step Up [Spinnin' Copyright Free] 7. Garabatto - Pleasure [Panda Funk] 8. Bingo Players - Beat The Drum [Hysteria] 9. Steff Da Campo - Make It Roll [Uprise Music] 10. [ES-27] Empire Of The Sun - Alive (Zedd Mix) [Capitol] 11. Klaas - Together [Planet Punk Music] 12. [Прокачали] Mandee - On The Move [Free] 13. Tujamo feat. Sorana - One On One (Brohug Remix) [Spinnin'] 14. D.O.D - Unforgettable [Axtone] 15. [Прогресс недели] Zonderling feat. Mingue - Remedy [Spinnin' Deep] 16. Dannic x Tom & Jame - Ready [Maxximize] 17. Hardwell feat. Alexander Tidebrink - We Are One [Revealed] 18. BooVox & DropTalk - Love Me [Artist Intelligence Agency - No Soundcloud] 19. Firebeatz x Lucas & Steve - Show Me Your Love [Free] 20. [Прокачали] Rave Vegas - Hardcore Vibes (Calvo Remix) [Big Blind Music] 21. Jay Hardway - Need It [Spinnin'] 22. Zack Martino & Reggio feat. Jonny Rose - Against The Night [TNC]

Afrojack returns with another jam packed episode of Jacked Radio, playing new tracks from Dom Dolla & Torren Foot, RetroVision, and Armin van Buuren & Garibay, before playing his own remix of David Guetta and Justin Bieber’s hit single ‘2 U’, in the first half of the show. He then turns things up with the new D-wayne and Bobby Rock track ‘Getaway’, before showing off the Yellow Claw remix of his latest single ‘Another Life’ with David Guetta featuring Ester Dean. Let’s get Jacked!

Subscribe now to receive new episodes automatically! Cuebrick's Conference #063 1. Cazzette - Handful Of Gold (Thomas Gold Extended Mix) 2. Nature One Inc. - We Call It Home (Prod. By Cuebrick) 3. Don Diablo - Momentum 4. Toby Green - Lift Me Up 5. Gryffin & Illenium ft. Daya - Feel Good (Jason Bouse x Kuur Remix) 6. Sick Individuals - Never Say Never 7. TØAK - Feeling Me 8. Nytrix - Under Electric Skies (Olly James Remix) 9. Fickle Friends - Glue (MJ Cole Remix) 10. Oliver Heldens - Ibiza 77 (Can You Feel It) (Chocolate Puma Remix) 11. Matroda - BO$$ 12. BEAUZ x Luke Anders x Ducka Shan - Ceasefire (Feat. Becca Krueger & Eliason) 13. Ashley Wallbridge - Ashley Wallbridge 14. Sick Individuals - Alive (Holl & Rush Extended Remix) 15. Mikro - Bounce It (Original Mix) 16. Brohug - The Streets 17. Mikro - Bass Rock 18. Bobby Rock, Mark Bale & Roger Horton - The Bass (Ferdinands Feld Festival Anthem 2017)

I present to you my first podcast, which was recorded on 02/01/2017.Have a nice listening!Subscribe:● Soundcloud: soundcloud.com/kefrod-music● MixCloud: mixcloud.com/kefrodmusic  ● Instagram: instagram.com/kefrodmusic  ● Facebook: facebook.com/kefrodmusic  ● Twitter: twitter.com/kefrodmusic  EDM RADIO SHOW 001 NEW YEAR MIX Tracklist: 1. DJ Kuba & Neitan - ROCK! (twoloud Edit) 2. MC Joao - Baile De Favela (Hardwell Remix Edit) 3. Alex Byrne - Turn Me Up 4. Dannic & HIIO - Funky Time 5. Bobby Rock feat Jones 2.0 - Work Hard, Play Hard 6. Tim Shaft & Dyrage - 1990s 7. Outmakers & Take Two - Massive 8. Moksi - In The Rave (Mike Cervello Remix) 9. MR.BLACK & WAO - Hu Ha (VIP Edit) 10. Fais feat. Afrojack - Hey (Tom & Jame Remix) 11. VINAI & Olly James - LIT 12. Wolfpack vs. Diego Miranda - Nashville 13. Robert Falcon & Sentinel - Warru (Nari & Milani Extended Edit) 14. Piko Taro - PPAP (Pen Pineapple Apple Pen) (W&W Remix) (Remake) 15. David Pietras & Fred Issue - Wanted 16. Steve Angello ft. Mako - Children Of The Wild (Simon de Jano, Madwill X Still Yo) 17. Marco V - Yeahka 18. John Christian & Arin Tone - House Of God 19. Jimmy Clash - CUBA 20. Tom Tyger & Melsen - I Need U 21. Axwell - Barricade (Club Mix) 22. Armin Van Buuren Ft Eric Vloeimans - Embrace (Arty Extended Remix) 23. Oliver Moldan feat. Jasmine Ash - High & Low (Stadiumx Remix)

Drummer Bobby Rock joins the guys this week for Albums Unleashed Vinnie Vincent Invasion All Systems Go. In this long-form discussion, Bobby goes into detail on the tour leading up to the recording of this sophomore album; including his recollection of equipment being confiscated due to a pending lawsuit filed by former New England drummer Hirsh Gardner against Vinnie Vincent. A lot of tension was building around the recording of All Systems Go with pressure coming down from Chrysalis label heads pushing for more restrained playing from Vincent. That tension would grow to a boil as label moves and band machinations began to cause a separation between the members of the band. In this long form discussion, Bobby shares his feelings on this pressure as well as how the band reacted to it through the recording process. All Systems Go In this Albums Unleashed special, Bobby Rock discusses the songs on All Systems Go and why certain songs didn't get the push they didn't deserve such as the lack of video for opening track, Ashes to Ashes. Other items discussed include a managerial change in the band during the recording process as well as a tour that was in the works with another guitar hero that fell through. Near the end of the discussion, Bobby is asked about his interest in the off-chance that he'd be asked to be part of an Invasion reunion. His answer might surprise you. Bobby Rock is currently drumming for Lita Ford. You can keep track of Bobby at the links below. We hope you enjoy Albums Unleashed Vinnie Vincent Invasion All Systems Go and SHARE with a friend! More Bobby Rock! Official Website Instagram Facebook Buy Music! Vinnie Vincent Invasion Bobby Rock Visit Our Sponsor! HK Collecitbles, Inc. (Specializing in hard to find music and movies as well as authenticated/graded entertainment and historical collectibles.) HK Collectibles , Inc. on Ebay Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Call us on the Hotline! (540) DBGeek - 1 or (540) 324-3351 Support Us! Shop through our Amazon link! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download

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01. Mainstage ID: ID - Vicious Girl 02. Adele - Hello (W&W & Kenneth G Bootleg) 03. Tiesto & Tony Junior - Get Down 04. Firebeatz & Jay Hardway - Home 05. Nicky Romero & Stadiumx - Harmony 06. Don Diablo ft. Jungle Brothers - Ill House U (VIP Mix) 07. Apster & NLW - Soundboy 08. Zack Martino & Reggio - Wonderland 09. Vigel vs Nari & Milani - Venom 10. Bobby Rock ft. Nathan Nicholson - Baby (Bobby Rock Club Mix) 11. Headhunterz & Crystal Lake ft. Reunify - The Universe Is Ours 12. Cash Cash - Escarole 13. Kenneth G & Maurice West - Kung Fu 14. Dash Berlin - Till The Sky Falls Down (Andrew Rayel Remix) 15. LTN vs Boxer & Forbes - Memory Lane 16. Thirty Seconds To Mars - Kings & Queens (Pierro Remix) 17. Timmy Trumpet - Mantra 18. TripL - Brand New Day

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