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This week's challenge: A sequel in name only! And Joe reached into his own basket to pull out Dirty Dancing: Havana Nights! Will you represent Cuba or do you only wanna dance?Find us on Instagram at @videodropboxpodcastJosh: @queerbaitmixtapeJoe: @something_of_borisTheme music by Jason Mitchell: @jasonlynnmitchell
We're re-running our favorite episodes from The Business of You archives. If you missed it the first time, or just want to listen again, check this one out! In Part 2 of my conversation with Jonathan Jackson, we dive deeper into his faith and passion for creative storytelling. If acting, music and writing were all about entertaining people, Jonathan would have left the industry behind a long time ago. Instead, he uses multiple creative channels to weave authentic stories of redemption, grace and humanity for others - through song, spoken and written word. While Jonathan still acts, he primarily builds his influence on the foundation of storytelling in every form it takes, with poetry and music taking center stage. Jonathan recently released a new book called The Harrowing of Hell: An Epic Poem exploring what happened between Christ's crucifixion and resurrection. To Jonathan, it is the story of the Hero of Heroes. He has also authored other books including a work of Mystical Poetry entitled “Book of Solace and Madness” and the non-fiction prose “The Mystery of Art”, which has been translated into multiple languages. His band Enation has performed alongside artists such as Echo & The Bunnymen, Sarah McLachlan, Echosmith, and more. Their newest album, Ultraviolet Empire, was released in the fall of 2020 and was co-produced by GRAMMY® Award-winning producer Colin Linden. Jonathan Jackson is a five-time EMMY® Award-winning actor and Critics' Choice Award nominee who has starred in numerous TV and films, including ABC/CMT's hit drama “Nashville” (2012–2018), “General Hospital” (1993–1999, 2009–2011, 2015), “Tuck Everlasting” (2002), “The Deep End Of The Ocean” (1999), “Insomnia” (2002) and “Dirty Dancing: Havana Nights” (2004). He also appeared in episodes of “One Tree Hill”, “Boy Meets World”, “The Twilight Zone” and “Terminator: The Sarah Connor Chronicles.” Trust the timing Jonathan Jackson is a believer in divine timing. Rather than many business strategists who will tell you that there is a “right” or “wrong” time to put your work out into the world, Jonathan recommends that we as entrepreneurs turn inwards. Do you feel like the work is done - and is the world actually ready for it? Do the conditions feel right to you? Jonathan has multiple albums, several books and even some screenplays that await the right conditions. They are in various stays of completion, but they all have one thing in common - it's not the right time yet. In this episode, Jonathan serves us a welcome reminder that much of life and business is about timing. Don't be afraid to explore your interests If you're someone with varying interests, it can be easy to cave in to others' advice to just choose one focus. But Jonathan Jackson gives us his honest advice: Don't. In his young adulthood, Jonathan was an actor while he sought to learn songwriting, screenwriting and more. He never lost sight of his own passions and followed every thread as far as he could, creating new spaces for his own exploration. The results have been incredible. With his most recent book he released an original score of music and occasionally hosts live performances honoring the work. SImilarly, he believes that we can all weave our passions together when the timing is right. Rather than seeing our interests as boxes we have to fit into, he encourages us to stay open minded and see the broader picture. Your interests may seem disparate now, but how could they be woven together in new and innovative ways? Those are the questions worth asking in life. Soundbytes 4:53 - 5:26 “I look at art and poetry and storytelling as all one reality. To me Christ is the great storyteller. He is the eternal poet, the master of story. You can't get a greater story than the story of Christ. The beauty, tragedy and triumph.” 7:59 - 8:17 “I don't feel like every project has to be overtly religious in any way, shape or form to be beautiful. I just want it to have some kind of meaning. Some kind of honesty about the human condition.” Quotes “I had these deep experiences with Christ. To be, theology is beauty, and poetry. It's not about a religion, it's about life.” “When I'm looking at music, storytelling or films, I can't see the world outside of the beauty and challenging reality of Christ.” “Orthodoxy has helped me to see the whole world as a sacrament.” “When I was younger I was looking at it like acting was the central focus of my income. But I saw the writing on the wall a long time ago, that that was not going to be enough for my soul. Developing my writing and music was a way of engaging with the world in these other ways.” “There is a strange kind of tension between the flurry of inspiration, creating things, and waiting. We have four albums we've created and not released yet, because we're waiting for the right time. I have a handful of books that have been written and screenplays - we don't know what we're doing, really. There is intentionality and prayer and vision, but we're trying to be flexible.” “As a writer, I want to live in it for a while, go away from it and come back. Again and again. It's a testing thing, a maturation process with a particular work. My lived experience finally matches the intention of the work.” “I've learned over the years that the music and the story is about connecting with someone's soul and heart. That's the stuff I care about.” Links mentioned in this episode: Visit Jonathan Jackson's Website at https://www.jonathanjackson.com/ Find Jonathan on Facebook at https://www.facebook.com/JonathanJacksonHQ/ Follow Jonathan on Instagram at https://www.instagram.com/jonathanjacksonhq/ Subscribe to Jonathan Jackson's Youtube channel at https://www.youtube.com/channel/UC4KKxEIbF5kAGOSi26Nx3Bg
We're re-running our favorite episodes from The Business of You archives. If you missed it the first time, or just want to listen again, check this one out! Jonathan Jackson was a child actor in the 1990's and early 2000's. But since then, he has become a powerful artist, musician and creator. Now on The Business of You, Jonathan is sharing his unique story - including his journey to faith, fame and personal growth. Jonathan Jackson is a multi-faceted artist who creates meaningful art pieces through music, film, and the written word. He is a five-time EMMY® Award-winning actor and Critics' Choice Award nominee who has starred in numerous TV and films, including ABC/CMT's hit drama “Nashville” (2012–2018), “General Hospital” (1993–1999, 2009–2011, 2015), “Tuck Everlasting” (2002), “The Deep End Of The Ocean” (1999), “Insomnia” (2002) and “Dirty Dancing: Havana Nights” (2004). He also appeared in episodes of “One Tree Hill”, “Boy Meets World”, “The Twilight Zone” and “Terminator: The Sarah Connor Chronicles.” His indie band Enation has performed alongside artists across the musical spectrum, including post-punk legends Echo & The Bunnymen, the iconic Sarah McLachlan, Echosmith, and more. Their new album, Ultraviolet Empire, was released in the fall of 2020 and was co-produced by GRAMMY® Award-winning producer Colin Linden. Jonathan is also a published Author. His current books include a work of Mystical Poetry entitled “Book of Solace and Madness” and the non-fiction prose “The Mystery of Art”, which has been translated into multiple languages. Jonathan resides in Ireland with his wife, Elisa, and their three children. He enjoys Greek coffee, good wine, and music. Navigating fame at an early age At just 11 years old, Jonathan left his idyllic childhood in Washington State to work as a child actor in California. Starring in “General Hospital”, he gained notoriety as a soap opera star and quickly began to book other roles. Working in television and movies, Jonathan had a workload that exceeded that of most grown adults. He knew that if he did not anchor himself in his relationship with God and his connections to his family, he would be swept away. With wisdom beyond his years, Jonathan turned to creative self-expression to set himself free. He collaborated with his brother Richard to compose original music, learn new instruments and write screenplays. Laughing, he explains that he had to begin writing because many of the ones he read were not very good. Rather than fall victim to the clutches of a dark industry, Jonathan used music and writing to guide himself towards the light. It became the foundation for his life's work. Creativity is a divine gift Self-expression became the basis on which Jonathan connected with others and with his higher power. Channeling his gifts into music and written words, Jonathan became a known artist and musician with his band, Enation. Since the band's inception in 2003, they have toured periodically and continued to produce new work. Jonathan is the band's frontman, writing most of the songs in addition to singing, playing guitar, and playing the piano. While navigating fame and building a career as a musician, Jonathan was also on another personal growth journey - his quest to deepen and explore his faith. For more of Jonathan's story, be sure to tune in next week for Part II of Jonathan's story here on The Business of You! Soundbytes 11:49 - 12:20 “Writing began very early on. Richard, my brother, is 3 years older than me. My brother and I started writing our first screenplay when he was 15 and I was 12. The inspiration was that some of the scripts we were reading weren't very good. We had this feeling early on - like, we can't just sit around and wait for good projects to come our way.” 12:29 - 12:57 “I started writing songs at 11 or 12, at the same time I started acting. It was a way of keeping me sane, and it was a therapeutic thing. At that age it's just a hobby. It turned into starting a band in our late teens!” 15:28 - 16:23 “One of the things acting gave me at a young age - and there's been a lot of studies about the brain and neuroplasticity - that can happen. When you put yourself in certain situations. People looked into it, the neuroplasticity of the brain changes for actors when you play other characters and perform things. It opened me up to the world. At a very young age I had to think and feel, asking so many questions about how others see the world - and what their fears and desires might be. Human psychology became part of my world at a young age.” Quotes “I'm more of an introvert, definitely. I'm fascinated by the introvert/extrovert dynamic. I'm not sure how much is nature versus nurture. I was extroverted as a child and became more introverted when I started acting. I do love people, communicating and connecting one on one.” “Too much attention, positive or negative, is kind of negative. It's going to kind of attack your ego and put you in a false reality. And if you have too much criticism and judgment, you're potentially in extremes when you have any kind of spotlight. Searching for an equilibrium was my main focus throughout my teenage years. How do I remain sane through all that?” “I glimpsed where my life could go if I wasn't careful. A massive wave could pick me up and destroy me, if I didn't position myself carefully. I thought, I need to anchor myself.” “My brother was my closest friend, growing up. I was grateful that we had each other to walk through the madness of LA and the industry together.” “I was slowly, slowly feeling like something central was missing in my experiences in Protestant churches. Wonderful people most of the time, good intentions. But something about the church itself, I just didn't understand it. There were so many versions. You start looking around and think, this is very confusing. The sense of something missing was not connected to Christ Himself, it was the vagueness of the church.” “The modern question is, what do I believe? It sounds like an important question. But the real question if you have any approximation to Christ is, what do Christians believe, and what have they always believed?” Links mentioned in this episode: Visit Jonathan Jackson's Website at https://www.jonathanjackson.com/ Find Jonathan on Facebook at https://www.facebook.com/JonathanJacksonHQ/ Follow Jonathan on Instagram at https://www.instagram.com/jonathanjacksonhq/ Subscribe to Jonathan Jackson's Youtube channel at https://www.youtube.com/channel/UC4KKxEIbF5kAGOSi26Nx3Bg
Have the time of your life…all over again. The hits keep coming as Hot Dave's Summer Film Fest Vol. 4: Not THAT'S What I Call Dance Movies! is back with the sequel that everyone in 2004 was clamoring for: Dirty Dancing: Havana Nights. I'm your host, Dave, and joining me as we ditch this boring party and head over to La Rosa Negra for some hot, sweaty dancing are fellow cinephiles and dirty dancers Ryan, Janna, and Kara. Listen as we discuss Miramax's botched attempt at cashing in on the dance movie craze of the early 2000's; the character of Phelps gives Patrick Bateman a run for his money in the nicely groomed psycho department; and finally, the movie's end credits confirm that Patrick Swayze's character is definitely not Johnny Castle (except, he basically is). Be sure to rate, review and subscribe wherever you get your podcasts. You can also Follow Us on Twitter, Like Us on Facebook, or shoot us an email at apocalypsevideopod@gmail.com. What are your favorite dance films? Drop us a line and let us know. That'll do it for this episode, folks. The sun is setting in Cuba and we really need to get back stateside, because things are heating up in Tampa. When Hot Dave's Summer Film Fest Vol. 4: Not THAT'S What I Call Dance Movies! returns, we'll be back on the stage stripping down to our G-strings with Steven Soderbergh's Magic Mike. Be there!
For Tony Manero, freedom comes once a week. It comes on Saturday night... it's called Saturday Night Fever. Summer rolls on, and so do the hits with Hot Dave's Summer Film Fest Vol. 4: Now THAT'S What I Call Dance Movies. This week, we're dancing under the disco ball as we watch the 1977 box office sensation, Saturday Night Fever. I'm your host, Dave, and joining me as we collectively pool our resources to buy that bitchin' outfit on layaway are fellow dancers Ryan, Mike, Jackie, and Nick “Immortan Hoof”. Listen as we discuss how this is a truly great movie…that you probably won't want to re-watch anytime soon; we learn of Gene Siskel's love of the film, including his costly memorabilia purchase; and finally, we'll talk about the Mandela effect with the film and its infamous PG rating change. Be sure to rate, review and subscribe wherever you get your podcasts. You can also Follow Us on Twitter, Like Us on Facebook, or shoot us an email at apocalypsevideopod@gmail.com. What are your favorite dance films? Drop us a line and let us know. Speaking of dropping, I think someone just fell off the bridge, so it's probably about time to wrap up this episode synopsis. But don't go anywhere, because when Hot Dave's Summer Film Fest Vol. 4: Now THAT'S What I Call Dance Movies! returns, we'll be down in Cuba, sweating and grinding away with Dirty Dancing: Havana Nights. Until then, keep on struttin'!
We are back and this time reviewing a movie on its official anniversary! How is Dirty Dancing Havana Nights already 20 years old. Where has the time gone. We talk about hair, dancing, condoms…and much more. So point those toes, straighten your arms and away we go! Support the showWe are trying out a new format so let us know how you like it. Like subscribe and leave us a review. 5 stars makes us feel fabulous! You can find more witty commentary on all our favorite movies at Two Chicks Talkin Flicks Email twochickstalkinflicks@gmail.com Twitter @2chicksNFlicks Instagram @twochickstalkinflicks https://linktr.ee/Twochickstalkinflicks https://www.buzzsprout.com/1326058
This week we watch, review and react to The Archies, the 2023 Indian Hindi language teen musical comedy film. LADS need a funny sunny happy movie to watch this week, when it's a cold, dark January, and this is it. A live action adaptation of the comic book, this beautiful film set in Riverdale is just what we needed. LADS discuss the (fairly thin, let's face it) plot, our favourite characters and the film Dirty Dancing: Havana Nights (at length). Abi tries to pretend she doesn't like Patrick Swayze. Dan outs himself as a stalker of Lucy and Sam.
Long-time listeners of this podcast will know that 1987's Dirty Dancing is Anita Sarkeesian's favorite film, so for this season opening episode of Feminist Frequency Radio, she is, of course, joining host Kat Spada for a look at the Swayze-ist of Patrick Swayze films. But this conversation has a twist, as they'll also be considering Dirty Dancing: Havana Nights, the (ill-advised) 2004 sequel. Are we still having the time of our lives?Links Mentioned:I Am Cuba on Kanopy: https://www.kanopy.com/en/product/i-am-cuba-0Find Anita:anitasarkeesian.comtwitter.com/anitasarkeesianFind Kat:twitter.com/kat_ex_machinaFind Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramtwitch.tv/femfreq
In Part 2 of my conversation with Jonathan Jackson, we dive deeper into his faith and passion for creative storytelling. If acting, music and writing were all about entertaining people, Jonathan would have left the industry behind a long time ago. Instead, he uses multiple creative channels to weave authentic stories of redemption, grace and humanity for others - through song, spoken and written word. While Jonathan still acts, he primarily builds his influence on the foundation of storytelling in every form it takes, with poetry and music taking center stage. Jonathan recently released a new book called The Harrowing of Hell: An Epic Poem exploring what happened between Christ's crucifixion and resurrection. To Jonathan, it is the story of the Hero of Heroes. He has also authored other books including a work of Mystical Poetry entitled “Book of Solace and Madness” and the non-fiction prose “The Mystery of Art”, which has been translated into multiple languages. His band Enation has performed alongside artists such as Echo & The Bunnymen, Sarah McLachlan, Echosmith, and more. Their newest album, Ultraviolet Empire, was released in the fall of 2020 and was co-produced by GRAMMY® Award-winning producer Colin Linden. Jonathan Jackson is a five-time EMMY® Award-winning actor and Critics' Choice Award nominee who has starred in numerous TV and films, including ABC/CMT's hit drama “Nashville” (2012–2018), “General Hospital” (1993–1999, 2009–2011, 2015), “Tuck Everlasting” (2002), “The Deep End Of The Ocean” (1999), “Insomnia” (2002) and “Dirty Dancing: Havana Nights” (2004). He also appeared in episodes of “One Tree Hill”, “Boy Meets World”, “The Twilight Zone” and “Terminator: The Sarah Connor Chronicles.” Trust the timing Jonathan Jackson is a believer in divine timing. Rather than many business strategists who will tell you that there is a “right” or “wrong” time to put your work out into the world, Jonathan recommends that we as entrepreneurs turn inwards. Do you feel like the work is done - and is the world actually ready for it? Do the conditions feel right to you? Jonathan has multiple albums, several books and even some screenplays that await the right conditions. They are in various stays of completion, but they all have one thing in common - it's not the right time yet. In this episode, Jonathan serves us a welcome reminder that much of life and business is about timing. Don't be afraid to explore your interests If you're someone with varying interests, it can be easy to cave in to others' advice to just choose one focus. But Jonathan Jackson gives us his honest advice: Don't. In his young adulthood, Jonathan was an actor while he sought to learn songwriting, screenwriting and more. He never lost sight of his own passions and followed every thread as far as he could, creating new spaces for his own exploration. The results have been incredible. With his most recent book he released an original score of music and occasionally hosts live performances honoring the work. SImilarly, he believes that we can all weave our passions together when the timing is right. Rather than seeing our interests as boxes we have to fit into, he encourages us to stay open minded and see the broader picture. Your interests may seem disparate now, but how could they be woven together in new and innovative ways? Those are the questions worth asking in life. Quotes “I had these deep experiences with Christ. To be, theology is beauty, and poetry. It's not about a religion, it's about life.” “When I'm looking at music, storytelling or films, I can't see the world outside of the beauty and challenging reality of Christ.” “Orthodoxy has helped me to see the whole world as a sacrament.” “When I was younger I was looking at it like acting was the central focus of my income. But I saw the writing on the wall a long time ago, that that was not going to be enough for my soul. Developing my writing and music was a way of engaging with the world in these other ways.” “There is a strange kind of tension between the flurry of inspiration, creating things, and waiting. We have four albums we've created and not released yet, because we're waiting for the right time. I have a handful of books that have been written and screenplays - we don't know what we're doing, really. There is intentionality and prayer and vision, but we're trying to be flexible.” “As a writer, I want to live in it for a while, go away from it and come back. Again and again. It's a testing thing, a maturation process with a particular work. My lived experience finally matches the intention of the work.” “I've learned over the years that the music and the story is about connecting with someone's soul and heart. That's the stuff I care about.” Links mentioned in this episode: Visit Jonathan Jackson's Website at https://www.jonathanjackson.com/ Find Jonathan on Facebook at https://www.facebook.com/JonathanJacksonHQ/ Follow Jonathan on Instagram at https://www.instagram.com/jonathanjacksonhq/ Subscribe to Jonathan Jackson's Youtube channel at https://www.youtube.com/channel/UC4KKxEIbF5kAGOSi26Nx3Bg
How could we not follow up last week’s episode with 2004’s Dirty Dancing: Havana Nights? This sweet story about freedom from your parents and from a literal dictator (it’s totally about that)...
Jonathan Jackson was a child actor in the 1990's and early 2000's. But since then, he has become a powerful artist, musician and creator. Now on The Business of You, Jonathan is sharing his unique story - including his journey to faith, fame and personal growth. Jonathan Jackson is a multi-faceted artist who creates meaningful art pieces through music, film, and the written word. He is a five-time EMMY® Award-winning actor and Critics' Choice Award nominee who has starred in numerous TV and films, including ABC/CMT's hit drama “Nashville” (2012–2018), “General Hospital” (1993–1999, 2009–2011, 2015), “Tuck Everlasting” (2002), “The Deep End Of The Ocean” (1999), “Insomnia” (2002) and “Dirty Dancing: Havana Nights” (2004). He also appeared in episodes of “One Tree Hill”, “Boy Meets World”, “The Twilight Zone” and “Terminator: The Sarah Connor Chronicles.” His indie band Enation has performed alongside artists across the musical spectrum, including post-punk legends Echo & The Bunnymen, the iconic Sarah McLachlan, Echosmith, and more. Their new album, Ultraviolet Empire, was released in the fall of 2020 and was co-produced by GRAMMY® Award-winning producer Colin Linden. Jonathan is also a published Author. His current books include a work of Mystical Poetry entitled “Book of Solace and Madness” and the non-fiction prose “The Mystery of Art”, which has been translated into multiple languages. Jonathan resides in Ireland with his wife, Elisa, and their three children. He enjoys Greek coffee, good wine, and music. Navigating fame at an early age At just 11 years old, Jonathan left his idyllic childhood in Washington State to work as a child actor in California. Starring in “General Hospital”, he gained notoriety as a soap opera star and quickly began to book other roles. Working in television and movies, Jonathan had a workload that exceeded that of most grown adults. He knew that if he did not anchor himself in his relationship with God and his connections to his family, he would be swept away. With wisdom beyond his years, Jonathan turned to creative self-expression to set himself free. He collaborated with his brother Richard to compose original music, learn new instruments and write screenplays. Laughing, he explains that he had to begin writing because many of the ones he read were not very good. Rather than fall victim to the clutches of a dark industry, Jonathan used music and writing to guide himself towards the light. It became the foundation for his life's work. Creativity is a divine gift Self-expression became the basis on which Jonathan connected with others and with his higher power. Channeling his gifts into music and written words, Jonathan became a known artist and musician with his band, Enation. Since the band's inception in 2003, they have toured periodically and continued to produce new work. Jonathan is the band's frontman, writing most of the songs in addition to singing, playing guitar, and playing the piano. While navigating fame and building a career as a musician, Jonathan was also on another personal growth journey - his quest to deepen and explore his faith. For more of Jonathan's story, be sure to tune in next week for Part II of Jonathan's story here on The Business of You! Quotes “I'm more of an introvert, definitely. I'm fascinated by the introvert/extrovert dynamic. I'm not sure how much is nature versus nurture. I was extroverted as a child and became more introverted when I started acting. I do love people, communicating and connecting one on one.” “Too much attention, positive or negative, is kind of negative. It's going to kind of attack your ego and put you in a false reality. And if you have too much criticism and judgment, you're potentially in extremes when you have any kind of spotlight. Searching for an equilibrium was my main focus throughout my teenage years. How do I remain sane through all that?” “I glimpsed where my life could go if I wasn't careful. A massive wave could pick me up and destroy me, if I didn't position myself carefully. I thought, I need to anchor myself.” “My brother was my closest friend, growing up. I was grateful that we had each other to walk through the madness of LA and the industry together.” “I was slowly, slowly feeling like something central was missing in my experiences in Protestant churches. Wonderful people most of the time, good intentions. But something about the church itself, I just didn't understand it. There were so many versions. You start looking around and think, this is very confusing. The sense of something missing was not connected to Christ Himself, it was the vagueness of the church.” “The modern question is, what do I believe? It sounds like an important question. But the real question if you have any approximation to Christ is, what do Christians believe, and what have they always believed?” Links mentioned in this episode: Visit Jonathan Jackson's Website at https://www.jonathanjackson.com/ Find Jonathan on Facebook at https://www.facebook.com/JonathanJacksonHQ/ Follow Jonathan on Instagram at https://www.instagram.com/jonathanjacksonhq/ Subscribe to Jonathan Jackson's Youtube channel at https://www.youtube.com/channel/UC4KKxEIbF5kAGOSi26Nx3Bg
We have for you on the show today screenwriter and director, Boaz Yakin, The writer behind The Punisher, Dirty Dancing: Havana Nights, The Rookie, & Safe and directing, The Fresh, Remember the Titans and the comedy-drama, Uptown Girl among others.Growing up in a talented theatrical family, it was only natural for Yakin to pursue a life in film or some sort of performing arts.His dad, who was a teacher at Juilliard and a theater director enrolled Boaz into the famous Stell Adler script analysis class when he was only 17 years old. Thereafter, he tried out film school at US City college, later transferred to NYU, before quitting school after his first script was auctioned and got him in the door at 19 years old.At age 22, Yakin wrote his first produced film, Marvel's The Punisher. When Frank Castle's family is murdered by criminals, he wages war on crime as a vigilante assassin known only as The Punisher.In 1990, Yakin co-wrote one of the action films of the times, The Rookie, starring star boy Charlie Sheen, and Clint Eastwood who also directed the film.But his big hit came right after, FRESH, Yakin's directorial debut is an emotional coming of age story, that offers a realistic glimpse of the dangerous life in New York City's projects during the crack epidemic.Michael, nicknamed Fresh, is a 12-year-old kid running drugs for gangsters, notably Esteban, inspired by the chess lessons of his father, an alcoholic speed-chess master played by Samuel L. Jackson. Fresh devises and executes a brilliant plan to extricate himself and his drug-addicted sister from their hopeless lives.Next up for Boaz was directing the box-office smash. REMEMBER THE TITANS.Academy Award® winner Denzel Washington shines in REMEMBER THE TITANS. Based on real events, this remarkable story celebrates how a town torn apart by friction and mistrust comes together in triumphant harmony. After leading his team to fifteen winning seasons, beloved football coach Bill Yoast (Will Patton) is demoted and replaced by tough, opinionated Herman Boone (Washington). How these two men overcome their differences and turn a group of hostile young men into champions is a remarkable portrait of courage and perseverance. You and your family will never forget the Titans!His blockbuster smash, Now You See Me featured big industry names like Morgan Freeman, Jesse Eisenberg, Isla Fisher, Dave Franco, Mark Ruffalo, Woody Harrelson, Michael Caine, etc. The $75 million budget film grossed $351.7 dollars.The plot follows an FBI agent and an Interpol detective who track and attempt to bring to justice a team of magicians who pull off bank heists and robberies during their performances and reward their audiences with the money.Boaz continued his blockbuster ways by working on the $200 million tentpole film Prince of Persia: The Sands of Time, starring Jake Gyllenhaal.A young fugitive Prince and Princess must stop a villain who unknowingly threatens to destroy the world with a special dagger that enables the magic sand inside to reverse time.Boaz and I chatted about his creative process, the business side and political side of screenwriting and directing in Hollywood during this conversation. He was extremely raw and honest about what it really is like working inside the Hollywood machine.Enjoy this conversation with Boaz Yakin.
We have for you on the show today screenwriter and director, Boaz Yakin, The writer behind The Punisher, Dirty Dancing: Havana Nights, The Rookie, & Safe and directing, The Fresh, Remember the Titans and the comedy-drama, Uptown Girl among others.Growing up in a talented theatrical family, it was only natural for Yakin to pursue a life in film or some sort of performing arts. His dad, who was a teacher at Juilliard and a theater director enrolled Boaz into the famous Stell Adler script analysis class when he was only 17 years old. Thereafter, he tried out film school at US City college, later transferred to NYU, before quitting school after his first script was auctioned and got him in the door at 19 years old.At age 22, Yakin wrote his first produced film, Marvel's The Punisher. When Frank Castle's family is murdered by criminals, he wages war on crime as a vigilante assassin known only as The Punisher.In 1990, Yakin co-wrote one of the action films of the times, The Rookie, starring star boy Charlie Sheen, and Clint Eastwood who also directed the film.But his big hit came right after, FRESH, Yakin's directorial debut is an emotional coming of age story, that offers a realistic glimpse of the dangerous life in New York City's projects during the crack epidemic.Michael, nicknamed Fresh, a 12-year-old kid running drugs for gangsters, notably Esteban, inspired by the chess lessons of his father, an alcoholic speed-chess master played by Samuel L. Jackson. Fresh devises and executes a brilliant plan to extricate himself and his drug-addicted sister from their hopeless lives.Next up for Boaz was directing the box-office smash REMEMBER THE TITANS.Academy Award® winner Denzel Washington shines in REMEMBER THE TITANS. Based on real events, this remarkable story celebrates how a town torn apart by friction and mistrust comes together in triumphant harmony. After leading his team to fifteen winning seasons, beloved football coach Bill Yoast (Will Patton) is demoted and replaced by tough, opinionated Herman Boone (Washington).How these two men overcome their differences and turn a group of hostile young men into champions is a remarkable portrait of courage and perseverance. You and your family will never forget the Titans!His blockbuster smash, Now You See Me featured big industry names like Morgan Freeman, Jesse Eisenberg, Isla Fisher, Dave Franco, Mark Ruffalo, Woody Harrelson, Michael Caine, etc. The $75 million budget film grossed $351.7 dollars.The plot follows an FBI agent and an Interpol detective who track and attempt to bring to justice a team of magicians who pull off bank heists and robberies during their performances and reward their audiences with the money.Boaz continued his blockbuster ways by working on the $200 million tentpole film Prince of Persia: The Sands of Time, starring Jake Gyllenhaal.A young fugitive Prince and Princess must stop a villain who unknowingly threatens to destroy the world with a special dagger that enables the magic sand inside to reverse time.Boaz and I chatted about his creative process, the business side and political side of screenwriting and directing in Hollywood during this conversation. He was extremely raw and honest about what it really is like working inside the Hollywood machine.Enjoy this conversation with Boaz Yakin.
Dirty Dancing Month Begins! Havana Nights Expert: Jo Burke joins us and injects some knowledge into an otherwise culturally ignorant discussion. Vince does accents and impressions; Josh doubles down when he's wrong. Including: The Walking Dead updates, allusions to The Wire, and becoming a Beast
Teen romance, casual racism, disapproving parents, sub-par history lessons and - you guessed it - some dirty dancing. Join Grace and Katie for another episode of The Unsolicited Film Critics: The Sequel as we saunter through old Havana for Dirty Dancing: Havana Nights (2004).Find us on Instagram & Threads @theunsolicitedfilmcritics
JoAnn Jansen is a film choreographer, known for working with some of the biggest stars in Hollywood. Part of her journey to becoming a dancer herself has even been made into a film – the sequel to the Dirty Dancing movie, Dirty Dancing Havana Nights, which was based on her teenage experience in Cuba. But her dancing hopes nearly came to an abrupt end when, at 19, she found herself the single mother of a severely disabled baby. JoAnn tells Jo Fidgen that the experience eventually gave her the drive to pursue her goals. Get in touch: outlook@bbc.com Presenter: Jo Fidgen Producer: Rebecca Vincent (Photo: JoAnn Jansen. Credit: Michael Higgins)
JoAnn Jansen is a film choreographer, known for working with some of the biggest stars in Hollywood. Part of her journey to becoming a dancer herself has even been made into a film – the sequel to the Dirty Dancing movie, Dirty Dancing Havana Nights, which was based on her teenage experience in Cuba. But her dancing hopes nearly came to an abrupt end when, at 19, she found herself the single mother of a severely disabled baby. JoAnn tells Jo Fidgen that the experience eventually gave her the drive to pursue her goals. Get in touch: outlook@bbc.com Presenter: Jo Fidgen Producer: Rebecca Vincent (Photo: JoAnn Jansen. Credit: Michael Higgins)
Isis Mussenden is an international costume designer whose film credits include The Chronicles of Narnia, the two animated classics, Shrek and Shrek 2, Dirty Dancing: Havana Nights, American Psycho, and The Waterdance. She has earned CableACE and BAFTA nominations for her designs and was the recipient of both Saturn and CDG awards and a 2018 Ciclope Gold Award. Isis is a native of Los Angeles and attended the University of California at Santa Barbara as a studio art major and later graduated from New York's prestigious Parsons School of Design earning her Bachelor of Fine Arts degree in Fashion Design. Isis joins us to share her insights into character development and telling stories through clothes and costume. She discusses how she came to be the first costume designer credited on an animated film and describes the intricacies of what she does as a costume designer, particularly the differences between working with human actors versus animated characters. Isis also shares how she became interested in costume design and dives into the details of some of her favorite recent projects. “There 10 million paths into the business...we're just opening the doors of access, and showing how many different careers and career paths that there are in film and television.” - Adam Leipzig “You have a whole new perspective. You don't have any preconceived notions whatsoever.” - Tamika Lamison “Way before I even think of a piece of clothing, I'm just thinking about the story, the character, the person, the way an actor does, but the difference is I have to be all the actors.” - Isis Mussenden Highlights This Week: How Isis manages to tell character stories even within very specific period constraints as she did in films such as 13 Days, directed by Roger Donaldson How Isis comes into a movie — how she pitches herself and her ideas to the filmmaker The jobs that Isis interviewed for and didn't get and why she remains philosophical about the process of finding jobs that are an excellent fit for her personality and skills The key roles and responsibilities of working as a costume designer and why Isis feels it's beneficial for graduates to start at the bottom in the industry they love Why terminology matters and the difference between the terms' wardrobe designer' and ‘costume designer' How Isis' close relationship with her mother led to her pursuing her interest in costume design Some of the past projects that Isis is particularly proud of Isis' advice for one of MediaU's emerging costume designers Student of The Week: Lashell Gibbs - Born and raised in Hartford, CT. I loved fashion from a very young age. At the age of 6, I would put on fashion shows for the company of whomever was at my house. I can recall spending days watching fashion shows during fashion week. In high school I would mix and mash fashion styles to create my own unique looks. I went off to college at Alabama State University. While getting my degree in Elementary Education, I found time to dance in band and theater, work in the theater department's costume shop and become Miss Alabama State University. After graduating I taught math to 7th and 8th graders for four years then went on to teach 2nd grade for three years. While teaching I was collecting vintage and unique fashions for my fantasy online store. After my seventh year of teaching, I resigned and took a leap of faith and started a brick-and-mortar store in Hartford named How Bazaar. We sold my clothing designs, vintage fashions, furniture and local artist goods. After three years of owning the store, I had a vision of taking my shop on the road for a college and music festival tour, to raise awareness around sustainable fashion. To realize this vision, I bought a mobile home and turned it into a mobile boutique. I closed the brick-and-mortar store and ran the mobile boutique full-time. I took How Bazaar mobile boutique across country from Art Basel in Miami to SXSW in Austin and on to Coachella in Indio, California. After Coachella I visited Los Angeles and decided to stay to pursue my dream of becoming a costume designer. While sleeping in my truck at night and selling clothing on Melrose and other markets I would talk with buyers about what I wanted to do. I lucked out one day and had the opportunity to talk with a seamstress for film. She told me to attend Los Angeles Trade Tech College and learn how to sew, because the industry is always looking for people in costume with sewing skills. So, I enrolled and started attending LATTC for fashion and design. During my first semester I applied for the Academy Gold Program (a diversity program for students wanting to work in the film and television industry). To everyone's surprise, the pandemic happened and there was no more school. I returned to Connecticut and received the best news ever. I made it into the Academy Gold Online Program. After attending the Academy Gold Program, I was flabbergasted when my mentor was announced to be the iconic Ruth Carter! Ruth and I would meet over zoom and phone during which we got to know one another. During one of our meetings, she told me if I can make it to ATL I could work with her on Black Panther 2 and continue being mentored. I packed my mobile boutique up and hauled my car to Atlanta and as they say, “the rest is history.” Resources: Isis Mussenden Website Isis Mussenden on IMDB Connect with MediaU: MediaU Website MediaU on Facebook MediaU on Instagram MediaU on Twitter Adam Leipzig on LinkedIn Tamika Lamison on LinkedIn
Since the dawn of cinema, sequels have always been a dicey proposition. As the media is oft to tell us, fans are absolute monsters and barely register as human, and as such, can be fickle and unreasonable with how they receive follow-ups to their favourite properties. Some sequels meet even the most jaded fan expectations, and provide quality and worthy continuations of fantastic starts - think Winter Soldier, Terminator 2, and Wrath of Khan. In other cases, you get movies like Last Jedi, Speed 2, and Dirty Dancing: Havana Nights, all being served by Howard the Duck in a Miniskirt as he squats over your table and colon-dumps onto your plate. However, once in a long while, you get a sequel that not only manages to reach the level of expectation set upon it by demanding fans, but in many ways surpasses the original source material and becomes legendary in its own right. Empire Strikes Back is an obvious example of this, but in this episode, we get to talk about another absolute gem of sequel legend - 2010: The Year We Make Contact. Strap into your command chair and join Jay and Benny as we blast off into Jupiter orbit, and enjoy one of the best sequels in movie history. 2001 is a tough act to follow because of the whole...you know...absolute artistry and generation-defining storyline. However, 2010 inexplicably knocks it out of the park with a compelling follow-up to the events of the previous film, while adding incredible acting, solid storytelling, and themes of unity and camaraderie against all odds. 2010 is a rare gem in the world of sequels for an obvious yet often overlooked reason - it respects and honours the original material, using it as a springboard to continue a story that makes existing fans happy, while providing an accessible journey to new ones. We wish more studious would take note of this *cough Disney Star Wars cough*. Avoid staring directly at the monolith as we explore such topics as: With two minutes of computer mission review text, the viewer is perfectly brought up to speed on the events of the previous movie. If you never saw 2001, these two minutes would have you perfectly positioned to enjoy the movie. Why don't more sequels do this? Russia and the US are close to an all out war, yet the scientist interactions between both nations are presented with the right amount of intrigue and cooperation. The growing friendship between the two nations' crews is one of the best parts of this movie If you're like Benny, and you have an abnormally strong dislike of women with pronounced chin dimples, you're going to HATE Floyd's wife Dave is a returning character, playing a pivotal role in story development. He is a beloved character that is treated with respect and dignity. Last Jedi is absolute garbage Enough good things cannot be said about the growing relationships between space crews. From Floyd's fatherly comforting of a young Russian officer to John Lithgow's buddy Max, the viewer is treated to enemies slowly becoming friends in a universe that doesn't allow it Dear NASA: We get it. There's clay on Mars. Awesome. How about you get around to launching a drill probe so we can all say hello to the sentient squid race under Europa's icy crust? Pretty please?
Welcome to another awesome episode! We sit down with the ever fascinating Mika Boorem. Mika has a long list of acting credits in film and tv, has directed, written, and produced, and has worn many other hats in the film industry during her career. She has traveled the world, started a charity (MadaKilonga), and is driven to do interesting things by her passion for her work, in a male dominated industry. We appreciate her coming by to share her amazing stories with us. Mika's bio: Mika Boorem is an American actress who has also ventured into directing. She made her debut with a voice role in 2005's Whisper of the Heart. She next had her first TV role in an episode of Touched by an Angel. She later had roles in the films The Education of Little Tree, Jack Frost and Things You Can Tell Just by Looking at Her. At the same time, she also starred as Alissa Amross on the short-lived series The Tom Show. In the 2000s, she had notable roles in the films The Patriot, Along Came a Spider, Hearts in Atlantis, Riding in Cars with Boys, Blue Crush, and Dirty Dancing: Havana Nights. She also played the recurring role of Harley Hetson on Dawson's Creek. She recently made her feature film directorial debut in 2018's Hollywood.Con. Some trivia: She has a black belt in Tae Kwon Do, is an experienced gymnast, and can speak French.
Our discussion of the pop culture topics in the July 1988 issue of Sassy turns into a wild ride, as Dave takes tough stances on overstuffed comic books, Pam fact-checks an item on Keanu Reeves's name, and a factoid about fireworks ends up in a revelation about pediatric dentistry in Saskatchewan in the 1980s. Watch It covers Permanent Record and Running On Empty, among others; then Listen Up assigns Jenny Morris the wrong nationality but also tells us about a solo project from a guy in The Smiths. Chris Young tries (and fails) to break the One To Watch curse. Then it's on to the features: Christina reports from the set of The All New Dating Game and delivers a roundup of Australian bands, before Karen profiles a very VERY young Chynna Phillips. No need to hold on for one more day: our latest podcast is here! Visual Aids
We have for you on the show today screenwriter and director, Boaz Yakin, The writer behind The Punisher, Dirty Dancing: Havana Nights, The Rookie, & Safe and directing, The Fresh, Remember the Titans and the comedy-drama, Uptown Girl among others.Growing up in a talented theatrical family, it was only natural for Yakin to pursue a life in film or some sort of performing arts. His dad, who was a teacher at Juilliard and a theater director enrolled Boaz into the famous Stell Adler script analysis class when he was only 17 years old. Thereafter, he tried out film school at US City college, later transferred to NYU, before quitting school after his first script was auctioned and got him in the door at 19 years old.At age 22, Yakin wrote his first produced film, Marvel's The Punisher. When Frank Castle's family is murdered by criminals, he wages war on crime as a vigilante assassin known only as The Punisher.In 1990, Yakin co-wrote one of the action films of the times, The Rookie, starring star boy Charlie Sheen, and Clint Eastwood who also directed the film.But his big hit came right after, FRESH, Yakin’s directorial debut is an emotional coming of age story, that offers a realistic glimpse of the dangerous life in New York City's projects during the crack epidemic.Michael, nicknamed Fresh, a 12-year-old kid running drugs for gangsters, notably Esteban, inspired by the chess lessons of his father, an alcoholic speed-chess master played by Samuel L. Jackson. Fresh devises and executes a brilliant plan to extricate himself and his drug-addicted sister from their hopeless lives.Next up for Boaz was directing the box-office smash REMEMBER THE TITANS.Academy Award® winner Denzel Washington shines in REMEMBER THE TITANS. Based on real events, this remarkable story celebrates how a town torn apart by friction and mistrust comes together in triumphant harmony. After leading his team to fifteen winning seasons, beloved football coach Bill Yoast (Will Patton) is demoted and replaced by tough, opinionated Herman Boone (Washington).How these two men overcome their differences and turn a group of hostile young men into champions is a remarkable portrait of courage and perseverance. You and your family will never forget the Titans!His blockbuster smash, Now You See Me featured big industry names like Morgan Freeman, Jesse Eisenberg, Isla Fisher, Dave Franco, Mark Ruffalo, Woody Harrelson, Michael Caine, etc. The $75 million budget film grossed $351.7 dollars.The plot follows an FBI agent and an Interpol detective who track and attempt to bring to justice a team of magicians who pull off bank heists and robberies during their performances and reward their audiences with the money.Boaz continued his blockbuster ways by working on the $200 million tentpole film Prince of Persia: The Sands of Time, starring Jake Gyllenhaal.A young fugitive Prince and Princess must stop a villain who unknowingly threatens to destroy the world with a special dagger that enables the magic sand inside to reverse time.Boaz and I chatted about his creative process, the business side and political side of screenwriting and directing in Hollywood during this conversation. He was extremely raw and honest about what it really is like working inside the Hollywood machine.Enjoy this conversation with Boaz Yakin.
Des idées dans la suite de Flavien Stirnemann : Dirty Dancing - Havana Nights du 7/03/2021. Émission de pop culture en direct les dimanches de 16h à 17h. www.pantoufles-explosives.com
For this edition of the Box Office Battle podcast we talk about classic movies from the eighties: The Fly, Road House, and Dirty Dancing. Then we discuss their sequels, and why they didn't live up to the originals. We also talk about the first two Teenage Mutant Ninja Turtles movies, and premier Ice Cast!
Tito started his career as a Salsa Dancer by his parent's initiative, both musicians. A top level dancer of many genres such as: Jazz, Merengue, "Bomba y Plena", Rumba, Modern Dance and Tap among others. He has visited more than 100 cities worldwide giving performances and classes, with his wife and dance partner Tamara Livolsi.Having participated in various television commercials, dance videos and movies such as, "Dirty Dancing: Havana Nights", Yellow, El Cantante: Hector Lavoe and American Gangster as dancers, he is no stranger to the stage.Today, Tito is not only a Salsa Dancer, he also is the Director of the San Juan City Salsa Dance Program and has made the choreographic works for concerts of artists such as: Gilberto Santa Rosa, Víctor Manuelle, El Gran Combo, Michael Stuart, Tito Nieves, Rubén Blades, Richie Rey y Bobby Cruz, Domingo Quiñones, Ismael Miranda, Elvis Crespo, Cheo Feliciano, Modesto Cepeda, Andy Montañez, NG2, Luis "Perico" Ortiz, Tommy Olivencia, Julio Voltio and Tego Calderón. He was also the choreographer for the "Bomba" and "Cha-Cha-Cha" routine in Ricky Martin's appearance in Miss Universe 2001 and the Celia Cruz "Azúcar" Special in Miami in 2003. Even after all this stardom, Tito remains humble, kind and readily shares his knowledge with so many!Don't forget to subscribe and leave a review!
This Film Is Dedicated To The Brave Mujahideen Fighters of Colorado --------------- Patreon: www.patreon.com/pinkocommieslutz Rate us on Apple Podcasts: apple.co/2yI1lGW Follow us on Twitter: @pinkocommieslutz Bunny @bunnythemelis Steve @pinkosteve Cover Art and Theme Song by @eviljekyll on Twitter --- Support this podcast: https://anchor.fm/pinkocommieslutz/support
Because nobody puts Baby in a corner.A "Dirty Dancing" sequel is indeed happening, courtesy of Lionsgate, Deadline reports.Studio CEO Jon Feltheimer confirmed the news on an earnings call Thursday, referring to it as "one of the worst kept secrets in Hollywood," according to the publication."It will be exactly the kind of romantic, nostalgic movie that the franchise's fans have been waiting for and that have made it the biggest-selling library title in the company's history," he reportedly said.The 1987 film starred Patrick Swayze and Jennifer Grey as dance instructor Johnny Castle and vacationer Frances "Baby" Houseman who find love (and a now-iconic dance routine) at a holiday resort.Grey is reportedly set to star in the sequel as well as executive produce it. Swayze died at age 57 in 2009 of pancreatic cancer.The original film sparked other projects including two "Dirty Dancing" TV series, a TV movie, a musical and the 2004 film "Dirty Dancing: Havana Nights."
This week, we have the time of our lives in Cuba and fix 2004's Dirty Dancing: Havana Nights, the utterly pointless prequel to the 80s classic Dirty Dancing. Sponsor: Stitcher Premium https://www.stitcher.com/premium Promo code: SEQUELISERS Twitter: twitter.com/sequelisers Instagram: instagram.com/sequelisers Music by Daniel Williams
Episode NotesEntertainment Today, Scripture of the Day, Quote of the DayAs heard on this episode:Entertainment Today: Entertainment Guru is upset with Netflix for renewing Mr. Iglesias' because the show is not entertaining. Both hosts are annoyed with Netflix for not renewing David Steinberg's ‘No Good Nick.' New on Amazon Prime: June 2020 - Available June 1MOVIESDirty Dancing (1987)Dirty Dancing: Havana Nights (2004)Fair Game (2010)Frankenstein And The Monster From Hell (1974)Futureworld (1976How To Train Your Dragon (2010)Incident At Loch Ness (2004)Joyride (1996)Kingpin (1996)Nate And Hayes (1983)Sex Drive (2008)Shrek Forever After (2010)The Cookout (2004)The Natural (1984)Trade (2007)Wristcutters: A Love Story (2007)You Don't Mess With The Zohan (2008)TVAir Warriors: Season 1 (Smithsonian Channel Plus)Annie Oakley: Season 1 (Best Westerns Ever)Doc Martin: Season 1 (Acorn TV)Dragnet: Season 1 (Best TV Ever)Finding Your Roots: Season 1 (PBS Living)Forsyte Saga: Season 1 (PBS Masterpiece)Growing up McGhee: Season 1 (UP Faith & Family)Liar: Season 1 (Sundance Now)Professor T: Season 1 (PBS Masterpiece)Roadkill Garages: Season 1 (Motortrend)Saints and Sinners: Season 1 (Brown Sugar)Super Why: Season 1 (PBS Kids)SWV Reunited: Season 1 (Urban Movie Channel)The Black Death: The World's Most Devastating Plague (The Great Courses)The L Word: Season 1 (Showtime)The L Word: Generation Q: Season 1 (Showtime)The Saint: Season 1 (Shout! Factory)Wackey Races: Season 1 (Boomerang)Work in Progress: Season 1 (Showtime)Available June 3Takers (2010)Available June 5Gina Brillon: The Floor is Lava (Amazon Original special)Available June 7Equilibrium (2002)Available June 12Child's Play (2019)Knives Out (2019)Available June 15The U.S. vs. John Lennon (2006)Available June 18Crawl (2019)Available June 197500 (2019) — Amazon Original movieAvailable June 21Life in Pieces: Seasons 1-4Pete the Cat: Season 2, Part 1 — Amazon Original seriesAvailable June 27Guns Akimbo (2020)Available June 30Mission: Impossible – Ghost Protocol (2011)One for the Money (2012)Spy Kids (2001)Spy Kids 3: Game Over (2003)The Gallows Act II (2019)Where the Wild Things Are (2009) Vulture.com#scriptureoftheday - 2 Corinthians 12:9 Trust in the Lord with all your heart and lean not on your own understanding;#quoteoftheday - When I get sad, I stop being sad and be awesome instead. True story. - How I Met Your MotherProducts mentioned on this episode:Amazon Prime Video - https://amzn.to/3gUbB09
Ever love a show or movie so much you actually don't tell anyone that you like because you can't handle them not liking it? We've coined a new term - "Show-motional" and that's how Becky feels about Outlander! We bring emotional beacon and dear friend, Melanie Lubin Zimmerman, on the show to talk about pop culture that we all love deep in our hearts (to the point of doing some pretty ridiculous things). We talk Normal People, My So Called Life, Dirty Dancing: Havana Nights, Star Wars, and of course, Avatar (Airbender and Korra). We also catch up on a bunch of recs, including Andover (starring Jennifer Finnigan and Jonathan Silverman), the Lighthouse, Chrissy's Court (on Quibi), and Stumptown. Subscribe, rate and review us on your favorite podcast platform, including iTunes | Spotify | Stitcher | Google Play | Podbean | Overcast. Play along with Friday Night Movie at home! Read the FNM Glossary to learn the about our signature bits (e.g., Buy/Rent/Meh, I Told You Shows, Tradesies, etc.) and then head on over to our merch store your very own official FNM t-shirt. Send us your recommendations and your tradesies! We'll watch them and report back on the show! Email us at pancake@pancake4table.com or tweet @FriNightMovie, @pancake4table, @chichiKgomez, and/or @paperBKprincess. Follow our creations and zany Instagram stories @frinightmovie and @pancake4table. Follow us on Letterboxd (@pancake4table) where we're rating every movie we've EVER watched. Subscribe to our quarterly newsletter for exclusive giveaways and news! Theme music by What Does It Eat. Subscribe and leave a review on IOS or Android at www.fridaynightmoviepod.com. Follow all of our pop culture shenanigans at www.pancake4table.com.
Our Score - 3.34/10 (F) Rotten Tomatoes - 23% IMDB - 6/10 Listener Request From: Laura According to Laura, Dirty Dancing: Havana Nights (2004) is better than the original. That's is an extremely hot take. Press play to hear if we agree!
In this lucky 13 episode, we discuss the latest news, and how we think it all impacts the show. Then we do a deep dive into our favorite yellow-eyed blacksmith, Perrin! Join us as we discuss how large a human head is, learn how to pronounce words we really should already know, and discuss Joe's favorite movie, Dirty Dancing: Havana Nights. Spoilers abound, as do conspiracy theories!Please show your support and rate/review us. http://getpodcast.reviews/id/1479634263 wotshowcast.buzzsprout.com Email: talkwotpodcast@protonmail.com Twitter: @arantalk Instagram: talk_aran_rhiod Discord: https://discord.gg/GM5QkyG
The sequel we never knew we needed! Ally Cohen takes the boys to Cuba to find pre-zaddy Diego Luna in the 2004 flick Dirty Dancing: Havana Nights. They talk about white people and more! Donate to our Patreon to get exclusive access to even more episodes, including our new Movie Marathon episodes. Rate, review, and subscribe to us on Apple Podcasts.
We're back with another Toast Episode! CeeJay and Micah unthaw the intensely horny Hallmark movie, DIRTY DANCING: HAVANA NIGHTS. We're unpacking the anachronistic music choices, the time-traveling Cosmic Ghost of Patrick Swayze and Micah's undying love of Diego Luna on this week's Below Freezing! Links: Show Social Media: @Below32Pod CeeJay's Twitter & Instagram Micah's Twitter & Instagram Riley's Twitter & Instagram More music from Riley
Have the time of your life ... all over again. Dirty Dancing: Havana Nights (2004) - PG-13 - Duration (movie): 1hr 26min
Katey Miller is not like most girls. She brings a sweater and a book to the pool.
The Idols of so many dancers, the legendary dancers Tito and Tamara! sharing their journey, experience, how they keep motivated and what it takes to be successful but also to stay successful for many years... Enjoy :) From www.TitoOrtos.com: Ortos J. Gutiérrez Ortiz, better know as “Tito Ortos”, was born in Santurce, Puerto Rico on the 26thof December, 1974. His father, Ortos D. Gutiérrez Colón, a piano and clarinet player and his mother Awilda Ortíz Molina, a guitar and French tube player, both graduated from the "Escuela Libre de Música" in Hato Rey, PR. Years later, Tito took on their footsteps and studied both bass and clarinet during two years at the "Escuela Libre de Música" in Carolina, PR. His musical heritage was undeniable for not only his parent, but also his great-grandfather,Domingo Colón, was a musician. Domingo was the creator of "Mingo and his Whoopee Kids" band, where the famous Puerto Rican singer Ruth Fernández, started her career. Tito began his career as a salsa dancer because of his parent’s initiative. They took him to his first dance teacher, the outstanding dancer, Papito Jala Jala. He taught him the foundations of salsa and his trademark, the art of dancing with flavor. Soon enough Tito was invited to be a member of famous salsa dance group, the Jala Jala Dancers. He also had the honor of being able to take lessons with another spectacular salsa dancer Mr. Tito Bey. During his years as a Jala Jala Dancer, he participates in many local and international events as well as in shows with performers such as Roberto Roena, Cheo Feliciano and La Sonora Ponceñaamong others. At that same time, Tito was one of the singers in his father’s orchestra "De Menor a Mayor" which later became "Songo". In the near future he began to work with choreographer and dancer Stacey López with whom he got to dance for Jerry Rivera and several more artists of RMM Music Company. Other groups in which he participated were "Danzarines de Papa Tambor", directed by Jorge Santana;"Bailadores D’aki", directed by Felipe Polanco and "International Dancers", directed by Angel Martínez. Ortos completed a Bachelor’s Degree in Natural Sciences at the University of Puerto Rico. Here he also took modern dance classes and worked with choreographerViveca Vázquez and Paulette Beauchamp. Because of his open mind and his desire to become a more completed dancer, Tito challenged himself and took upon the experience of moving for several months to the city of New York. His friend and colleague, Jhesus Aponte, inspired him greatly in taking this step. During his stay at New York, he trained very hard in jazz and other disciplines such as ballet, tap and acrobatics at the respectful academy, Broadway Dance Center. Since then, he has visited over 75 cities worldwide giving performances and classes, with his wife and dance partner Tamara Livolsi. Then both participate yearly in congress around the world and work as judges to the Salsa Open and for the World Salsa Championship. Produce the Puerto Rico Hustle and Salsa Festival and they ar part of the organization of the Puerto Rico Salsa Congress. In addition to his dancing career, Tito works with the government of Puerto Rico as the director of the Salsa Dance Program, "San Juan es Salsa", of the Department of Recreation and Sport of San Juan. This Program has over 1,000 students and still growing every year. He also is in charge of the dance competition "San Juan es Salsa". Tito also has acting experience for he has done over 10 TV commercials and was one of the dancers in the films "Dirty Dancing: Havana Nights", Yellow, El Cantante: Hector Lavoe y American Gangster. Nowadays not only has he established himself as a dancer but also as choreographer. He does all the choreographic work for Gilberto Santa Rosa and Víctor Manuelle and has choreographed for El Gran Combo, Michael Stuart, Richie Ray & Bobby Cruz, Domingo Quiñones, Ismael Miranda, Elvis Crespo, Modesto Cepeda, Andy Montañez and Tego Calderón. In addition to all this, he also choreographed the "Bomba" and "Cha-Cha-Cha" intervention of Ricky Martinin the presentation of "Miss Universe 2001 Pegeant" and the 2003 tibute to Celia Cruz, the TV Special "Azúcar" which was held in Miami. Even though he is best know for salsa dancing, Tito is also an outstanding jazz dancer and has performed with Melina León, Yaire, Elvis Crespo, Olga Tañón and among others.
This week we got our passports renewed just in time to visit Cuba to talk Dirty Dancing: Havana Nights. Amanda Kirkham joins your hosts, Justin, Eliz, and Tyler as they try to figure out what goes on during a typical night in Havana! Star ratings help us build our audience! Please rate/review/subscribe to us on Apple Podcasts or wherever you listen, and share us with beach cabana mates! Email us at sequelrights@gmail.com with feedback or suggestions on future franchises! Special Guest: Amanda Kirkham.
This week on the pod... Steven thinks Roger Sterling dancing with his daughter is inappropriate; Angela can't pick which hermano is mas caliente. Subscribe to the pod, rate and review us on iTunes, and follow/spread the word on Facebook, Instagram, and Twitter! Or reach us by email imywtpod@gmail.com
Kicking off 2019 with NPR’s “Wait Wait...Don’t Tell Me!” host, Peter Sagal. Sagal got his start with screenwriting, penning Dirty Dancing: Havana Nights. Writing the sequel to Dirty Dancing was a natural transition to hosting a public radio show. Sagal talks to Catie Lazarus about how he wound up hosting National Public Radio’s most popular show, his new book “The Incomplete Book of Running”, and why to get off the grid.
Kicking off 2019 with NPR’s “Wait Wait...Don’t Tell Me!” host, Peter Sagal. Sagal got his start with screenwriting, penning Dirty Dancing: Havana Nights. Writing the sequel to Dirty Dancing was a natural transition to hosting a public radio show. Sagal talks to Catie Lazarus about how he wound up hosting National Public Radio’s most popular show, his new book “The Incomplete Book of Running”, and why to get off the grid. Learn more about your ad choices. Visit megaphone.fm/adchoices
We had the time of our lives discussing Dirty Dancing (1987), Dirty Dancing: Havana Nights (2004) and the 2017 made-for-TV musical version of the original. We compare performances, plots, and most importantly, dance montages that begin in hesitance and end in pure expressions of love, sex, and self. There are a lot of those.
Brenna Fynes is back on the podcast to talk about the weird sequel (?) to Dirty Dancing and to talk about how this is a cult fave of hers and all about her book that she wrote that is coming out and much more! Episode sponsored by Brewquet.ca! Rate! Review! Subscribe! *NEW EPISODES EVERY MONDAY* Email: letswatchthatpodcast@gmail.com Twitter/Instagram: @letswatchpod film, movies, humor, tv, reviews, podcast, Bryce Logan, Vancouver, guests, film school, arts, jokes, funny, entertainment, podcast, theatre, DVD, Blu-ray, Netflix, screening, question, interview, Oscars, humour, actors, film festival, film review, IMDB, lets watch that, podcasting, pod, cast, director, writer, scripts, screenplay, iTunes, google play, Spotify, Reddit, BC, Canada, New Westminster, comedy, horror, action, drama, romance, sci-fi, mystery
This week, JoAnn and Abbey lose their collective mind over Diego Luna. You can talk sh*t about Dirty Dancing: Havana Nights, but you know you loved it! Come join as they discuss his career and some of their favorite roles, as well as his STELLAR scruff and eye crinkles. Ya know, For Science. (Music is “Energetic Rock” by Rodrigo Vicente from HookSounds)
We use our Canadian passports to travel to Cuba this week with a review of Dirty Dancing: Havana Nights, a sequel in name (and Swayze) only. We also chat about Jurassic World: Animal Kingdom and Set It Up. marriedwithclickers@gmail.com
It's the prequel/reimagining you never asked for! "Michelle Monaghan" and Le Professora join in on the "fun!" Can you believe it's taken this long to get ladies to guest on their show? Geez! Dir. Guy Ferland, 2004. Starring Romola Garai and Diego Luna.
Our guest Stephen helps us predict the second half of this steamy sequel, set in 1958 amidst the Cuban revolution. Will our couple do the famous Dirty Dancing lift? Will baby be put in a corner? Will Fidel Castro lead the revolution to victory? Join us as we find out. In this episode we watch Listen now
Melissa Carcache is an actress and producer who co-created the new Hialeah series and most recently started on Nickelodeon's Every Witch Way. We spoke about her new comedy series based in the city she grew up in, LA, showbiz, being driven, the difficulties of creating and producing your own show and what it takes to succeed. Her new series, co-exec produced by filmmakers David A. Vargas & Javier Mayol is available online at the Facebook link below. I think you'll enjoy this talk with Melissa, who's energy, drive and talent are as charming and delightful as she is. About Hialeah, the series A young married couple move from Chicago to Hialeah and things quickly turn upside down when Kay Greenberg meets his new wife’s crazy, loud Cuban family for the first time. The series stars Jordan Wall (A&E’s The Glades) and Melissa Carcache (Nickelodeon’s Every Witch Way). The series also stars Rene Laván (Dirty Dancing: Havana Nights) and Elizabeth Elias (Nickelodeon’s Every Witch Way) and is executive produced by the creators of Love and Hostages, David Vargas and Javier Mayol and by Melissa Carcache. Where to Watch: https://www.facebook.com/HialeahSeries/ Melissa's social media links: https://www.instagram.com/melicarcache/ https://twitter.com/melicarcache/ https://www.facebook.com/MelissaCarcache/
A NY Jew must dance so that a Rocket may have an abortion. Then, some "fat" girl gets her cleavage sniffed by the suicidal gay boyfriend from Milk.
After tackling Aline's favourite Dirty Dancing: Havana Nights, Fran picks Ghost(1990) to placate her longing for some actual Swayze. The girls discuss Whoopi Goldberg, misname Brooklyn Nine-Nine characters, and discuss films that made them cry.
We had the time of our lives talking to writer/performer Kristen Bartlett about the film Dirty Dancing (and, tangentially, Dirty Dancing: Havana Nights... not to mention the musical and the VIDEO GAME?! yeah). Join us as we reminisce about Swayze, Grey, and of course Orbach. It's the 60s and the 80s at the same time, and pretty much everyone is white and people are practically having sex on the dance floor. What's not to love!? Get ready to do your lift, grab your watermelon, and come join us! (Please note we had a bit of an issue with echo when recording in two different spots, so thanks for your auditory patience)
Just when you thought Film Geek Radio couldn't get any cooler... we did. This is the first of a monthly series of bonus episodes of Cinema Fix! Are you a true movie addict looking for recommendations on what to check out and what to avoid? Don't worry: Andrew and Monica OD'd on movies so you don't have to. In Cinema Fix Overdose episodes, they'll discuss other movies they've seen over the past 30 days, plus provide some DVD recommendations for the upcoming month. This month, they discuss Face/Off, Day For Night, Mud, The Invader, I Declare War, Purple Rain and more! SHOW NOTES: 0:22 - Intro 5:00 - Face/Off (watch it) 9:50 - No (watch it) 15:25 - Day For Night (watch it) 17:30 - I Declare War 21:46 - Dirty Dancing: Havana Nights (watch it) 31:40 - Drug War 34:09 - Devdas (watch it) 36:18 - Mud (watch it) 40:45 - Purple Rain (watch it) 45:00 - The Invader 48:35 - DVD/Blu-Ray Recommendations 1:00:19 - Show close DON'T FORGET: You can contact the show by emailing cinemafix@filmgeekradio.com. Thanks for listening!
News, Crosstalk, a Spotlight feature on recording drums and Viewer Mail! News: U-NO-60 Virtual Synth JamJunky Groove Monkee Rock For Addictive Drums iChords Audio To MIDI Modartt Pianoteq Pianoteq Forums TuneCore/Guitar Center Van Giveaway Crosstalk: Start sending in your questions for Charles Dye! Dave Chick comments on Leo Badinella Sweetwater's guitar recording tip Brian Daste's guitar recording trick Al's featured video - The Loudness Wars: Spotlight: The Recorderman overhead drum mic technique. Recorderman's original post at Recording.org Gearslutz thread with more discussion and pictures Viewer Mail: Joao Alves recommends this video cowbell lesson! An audio comment from Jeff Connor Lava lamp invention from Patrique Osbourne A gear/MIDI question from Jon Solitro An audio question about MILAR from Rick Shelton The Stupid Knob: R. Kelly -- Pillar of the community...nay...THE WORLD! Answer To Last Week's Trivia Question: Q: It's one of the biggest singles of all time. It was #1 in almost every charting country in the world, including the UK and the US. It's the second most successful single of all time (after Cher's Believe) since 1999 in the United World Chart and has sold about 9 million copies worldwide. It's a duet, and a remake of a song off of the movie soundtrack of the movie Dirty Dancing: Havana Nights. A: Hips Don't Lie, Shakira (ahh-OOO-gah) and Wyclef Jean! This week's winner is Mark Long. Congratulations Mark, you're taking home a copy of Guitar and Drum Trainer courtesy of Ryan Smith over at GuitarAndDrumTrainer.com. Honorable mention goes out to Alex Free and Jon Solitro. Great job! See you next week! Tags: music recording studio home studio project studio mixing protools plugin digidesign frappr creative commons digidesign mix it like a record jamjunky groove monkey addictive drums ichords pianoteq tunecore guitar center charles dye leo badinella brian daste the loudness wars recorderman gearslutz r kelly cher dirty dancing hips dont lie shakira wyclef jean