Podcast appearances and mentions of lindsay buckingham

What do you know about Fleetwood Mac?I'm sure you've heard Rumours and the rest of the stuff featuring Stevie Nicks and Lindsay Buckingham, but did you know that there was also a Blues Era of the band?Well, if you love English Blues, this episode isn't for you because there was also this weird transitional period and that's what we're talking about today!

This episode we are talking "FLEETWOOD MAC" with Diane Lutz and Andie Baldwin from STEVIE MAC... the Fleetwood Mac tribute that is lighting up the stage all over the country! Diane and Andi are the Stevie and Christine McVie of the original iconic band and talk about their passion for the music. About StevieMacStevieMac authentically and flawlessly pays tribute to the legends of Fleetwood Mac. In this mesmerizing theater production, StevieMac replicates the most popular hits and the most memorable live performances spanning the decades long careers of Fleetwood Mac as well as the solo careers of Stevie Nicks, Christie McVie and Lindsay Buckingham. Time period wardrobe, multimedia and story-telling transport the audience to the specific eras being celebrated, immersing the audience in a multi-sensory experience you will be talking about for years to come.For more on the band  https://www.steviemactribute.com/

The Stevie Nicks + Lindsay Buckingham lore runs DEEP. Here's part 3. THE SOURCES: https://en.wikipedia.org/wiki/Fleetwood_Machttps://www.rollingstone.com/music/music-news/fleetwood-mac-back-on-the-chain-gang-243176/5/https://www.latimes.com/entertainment-arts/music/story/2021-09-10/stevie-nicks-lindsey-buckingham-relationship-timelinehttp://www.inherownwords.com/lindsey.htmhttps://www.tiktok.com/@michellegomez.simppp/video/7477581755222936840https://www.reddit.com/r/FleetwoodMac/comments/12yd1ab/that_silver_springs_the_moment_stevie_nicks_knew/:Donate to Palestinian Children's Relief Fund::www.pcrf.netDonate to Mutual Aid Funds: https://www.folxhealth.com/library/mutual-aid-fundsGET AN OCCASIONAL PERSONAL EMAIL FROM ME: www.makeyourdamnbedpodcast.comTUNE IN ON INSTAGRAM FOR COOL CONTENT: www.instagram.com/mydbpodcastOR BE A REAL GEM + TUNE IN ON PATREON: www.patreon.com/MYDBpodcastOR WATCH ON YOUTUBE: www.youtube.com/juliemerica The opinions expressed by Julie Merica and Make Your Damn Bed Podcast are intended for entertainment purposes only. Make Your Damn Bed podcast is not intended or implied to be a substitute for professional medical advice, diagnosis or treatment. Get bonus content on PatreonSupport this show http://supporter.acast.com/make-your-damn-bed. Hosted on Acast. See acast.com/privacy for more information.

Fleetwood Mac lore runs DEEP and today we're breaking it down from the beginning.Part 1: Peter Green creates a band, does some bad drugs, and quits the band. The guitarist does some bad drugs, quits the band and joins a cult. The rest of the band keeps touring and putting out albums every six months because apparently there were also good drugs at the time.Part 2: The new guy has an affair with Fleetwood's wife so the band breaks up and Fake Fleetwood Mac takes over. The OG Fleetwood Mac sues their manager for their name. They settle out of court and hire Lindsay Buckingham and Stevie Nicks and record an album titled "Fleetwood Mac" which does really well. Like, chart-topping well. They're facing increased pressure to create a follow up hit and all of their personal relationships start to fall apart. They decide to air their dirty laundry and create Rumours which does even better than their other smash hit. They got a grammy and charted for 30 Sources:https://en.wikipedia.org/wiki/Fleetwood_Machttps://en.wikipedia.org/wiki/Peter_Green_(musician)https://en.wikipedia.org/wiki/Jeremy_Spencerhttps://en.wikipedia.org/wiki/Christine_McViehttps://www.elle.com/culture/music/a42977664/fleetwood-mac-timeline/?utm_source=google&utm_medium=cpc&utm_campaign=mgu_ga_elm_md_pmx_hybd_mix_us_20071786260&gad_source=1&gad_campaignid=20076302534&gclid=Cj0KCQjwtpLABhC7ARIsALBOCVp66ZaJM2lsCY1Twljnoj8GemOzPt-Vec6ZdLa0yVmv2MWffDuLgNwaAozqEALw_wcBDonate to Palestinian Children's Relief Fund::www.pcrf.netDonate to Mutual Aid Funds: https://www.folxhealth.com/library/mutual-aid-fundsGET AN OCCASIONAL PERSONAL EMAIL FROM ME: www.makeyourdamnbedpodcast.comTUNE IN ON INSTAGRAM FOR COOL CONTENT: www.instagram.com/mydbpodcastOR BE A REAL GEM + TUNE IN ON PATREON: www.patreon.com/MYDBpodcastOR WATCH ON YOUTUBE: www.youtube.com/juliemerica The opinions expressed by Julie Merica and Make Your Damn Bed Podcast are intended for entertainment purposes only. Make Your Damn Bed podcast is not intended or implied to be a substitute for professional medical advice, diagnosis or treatment. Get bonus content on PatreonSupport this show http://supporter.acast.com/make-your-damn-bed. Hosted on Acast. See acast.com/privacy for more information.

Next up on this action-packed season of Shred With Shifty, country superstar Keith Urban joins Chris Shiflett to walk through some of his most iconic solos and unpack some fine details behind his successful music career. Strapped with the '51 Fender “Nocaster” that he used to record the solo on “Tumbleweed,” Urban walks Shifty through some of his guitar secrets, like how he came to own Waylon Jennings' iconic, leatherbound 1950 Fender Broadcaster (hats off to his wife, Nicole Kidman, for that one). Urban tells avid surfer Shiflett why he never got into surfing while growing up in Australia, and remembers his earliest influences in the country's music scene. Low-gain players like Mark Knopfler, Ray Flacke, and Lindsay Buckingham helped shape Urban's lead-guitar tastes, imprints you can hear in the capoed, drop-D solo on “Stupid Boy.” (Urban says his new solo record, High, features more of these theatrics.) Amid the fretboard analysis, Urban talks about his “love-hate relationship” with his Fractal amp-modeling unit, which he still leaves at home when he plays live—a 100-watt Marshall Super Lead and PRS J-MOD 100 still reign supreme for Urban's concerts. Tune in to learn how Urban's unique pick grip gave his solos some extra percussive edge, how he keeps his chops up, and which artist he'd want to “gunsling” for. Full Video Episodes: http://volume.com/shifty Apple: https://podcasts.apple.com/podcast/id1690423642 Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/ Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314 Follow Chris Shiflett: Facebook: https://www.facebook.com/chrisshiflettmusic Instagram: https://www.instagram.com/shifty71 TikTok: https://www.tiktok.com/@chris.shiflett Twitter: https://twitter.com/chrisshiflett71 Website: http://www.chrisshiflettmusic.com Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag Producer: Jason Shadrick Executive Producers: Brady Sadler and Jake Brennan for Double Elvis Engineering support by Matt Tahaney and Matt Beaudion Video Editor: Addison Sauvan Graphic Design: Megan Pralle Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.

Fleetwood Mac began as a Psychedelic blues band but their sound expanded over each successive lineup change. They would become one of the most popular and influential bands of all time. These are select tracks from their early days with Peter Green to their more commercial fortunes with Bob Welch, and massive commercial success with Stevie Nicks and Lindsay Buckingham. If you would, please make a donation of love and hope to St. Jude Children's Hospital in Christy McVie's name.Make an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org)Also:Kathy Bushnell Website for Emily Muff bandHome | Kathy Bushnell | Em & MooListen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)Listen to more music by Laurie Larson at:Home | Shashké Music and Art (laurielarson.net)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For unique Candles have a look at Stardust Lady's Etsy shopWhere art and armor become one where gods are by TwistedByStardust (etsy.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/Tarot card readings by Kalinda available atThe Mythical Muse | FacebookEmma Bonner-Morgan Facebook music pageThe Music Of Emma Bonner-Morgan | FacebookFor booking Children's parties and character parties in the Los Angeles area contact Kalinda Gray at:https://www.facebook.com/wishingwellparties/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/Please feel free to donate or Tip Jar the show at my Venmo account@jessie-DelgadoII

In this segment from the new Fleetwood Mac book "Dreams" it tells the story about how Lindsay Buckingham & Stevie Nicks joined the band!

In Folge 113 steht Mario 3 1/2 Stunden in der Warteschlange, verzweifelt Peter am Kaffee-Automaten und wird Dominique zur Psycho-Tante. Unser offizieller Music-Act, den wir in dieser Folge NICHT spielen durften: Lindsay Buckingham mit „Holiday Road“ (https://youtu.be/IbL3NfWJUQs?si=dfmTbjHKfIQUg3TX) #nationalgalerie #caspardavidfriedrich # franshals #lindsaybuckingham #diamantfeder #otz #Saalfeld #unterwellenborn #yetiketchup #parkerlewis #ddrsofteis #softeis #podcast #Tohuwapodcast #Berlin #Humorpodcast #Talkpodcast #Laberpodcast #Gesprächspodcast #Talk #softeisliebe #softeiswiefrüher #eiskombinat

Cue "Holiday Road" by Lindsay Buckingham...  You know the song - from the Vacation Movies.I found out long ago(Oh-oh-oh-oh-oh)It's a long way down the Holiday Road(Oh-oh-oh-oh-oh)Holiday Road...Holiday Road....BUT THEN DISASTER STRIKES!Mosquitos, wasps, hornets, ants, flys, poison ivy, poison sumac and poison oak are just some of the things that can ruin a rendezvous with Christie Brinkley in her Ferrari 308 GTS Quattrovalvole (WHAT. A. CAR!). Jack, Lynne and Matt McFarland break down the horticultural hazards that can make your vacay go sideways on this week's episode of The Growing Season.  Jack McFarland has completed his course of radiation and updates the listeners on his health.  Spiders...AHHHHH.  Why are they necessary?  How to rid yourself of wasps and mosquitos can be easy if you know what to do.   The trio outline the steps you need to take.Can your pets get poison ivy AND can a human develop a tolerance to it?The most deadly insect?  You'd be surprised to learn...Do flys pollinate and what exactly is purpose of an ant?Tune in. Looking to book a consult for your property?  We'd love to help.  CLICK HERE.What is a TGS Tiny Garden? CLICK HERE. Subscribe to The Growing Season podcast.  CLICK HERE.  

Label: WB 29570Year: 1983Condition: MLast Price: $30.00. Not currently available for sale.This has got to be one of the catchiest songs never to have made the Top 40... or even the Top 90! If only it weren't so damn short... And so hard to find! For those new to this artist, he famously joined Fleetwood Mac at the beginning of its renaissance in 1975 and made many great contributions to that band as singer, guitarist, and songwriter. The B side is "The Trip" by Ralph Burns. Both songs are from the soundtrack of National Lampoon's movie Vacation. "Holiday Road" is therefore a non-album track, since it doesn't appear on any of Lindsay Buckingham's albums. Note: This beautiful copy comes in a vintage Warner Bros. Records factory sleeve. The vinyl has some very light scuffing, grading Near Mint. I'm delighted to report that the audio itself is pristine Mint, and so are the labels! Note Two: The mp3 snippet starts at the second verse, cause I wanted to hear that magnificent guitar bit in the bridge... ;-)

Pacific St Blues & AmericanaSpotlight on Peter Green's Fleetwood Mac Blues BandEXTENDED SHOW - part 2 of 2 June 30, 2024Facebook Contact19. Fleetwood Mac feat Bob Welch / Sentimental Lady20. Best Coast / Rhiannon21. Rhiannon Giddens / You Louisiana Man 22. Tom Petty & the Heartbreakers feat Stevie Nicks / Insider 23. Johnny Cash feat Lindsay Buckingham & Mick Fleetwood / Sea of Heartbreak24. Ronnie Earl / Heart of Glass (a musical tribute to Peter Green) 25. Rory Gallagher / Showbiz Blues26. Joe Bonamassa / Lazy Poker Blues 27. Peter Green & Splinter (solo) / Can You Tell Me Why? 28. Jeremy Spencer (solo) / It Hurts Me too 29. Vince & the Valiant's (Fleetwood Mac feature Danny Kirwin)30. Peter Green's Fleetwood Mac Blues Band / The Green Manalishi 31. Karen Souza / Dreams32. Trixie Whitley / Before the Beginning 33. Gardens & Villa / Gypsy EXTENDED SHOW34. Eric Gales & Derek Trucks / Layla35. Aerosmith / Rats in the Cellar36. Peter Green's Fleetwood Mac Blues Band / Madge Jam 

Avec Nick Cave, Jarvis Cocker, Coldplay et Fleetwood Mac. En 1997, Nick Cave et ses Bad Seeds sortent leur 10e album, tournant dans la carrière du groupe vers des sonorités moins dures, "The Boatman's Call", Nick Cave se sépare de Viviane Carneiro, mère de son 1er fils, Luke, et a une courte relation avec la chanteuse et musicienne britannique PJ Harvey. Divorce encore dans l'album "Further Complications" du chanteur et musicien anglais Jarvis Cocker, leader du groupe Pulp à l'époque de sa désunion avec la mère de son fils. En 2014, Coldplay sort son 6e opus "Ghost Stories", en grande partie basé sur le récent divorce du chanteur Chris Martin et de l'actrice américaine Gwyneth Paltrow. L'album de Fleetwood Mac, "Rumours", en 1977, qui nous plonge dans la séparation de, non pas 1, mais bien 2 couples au sein de la formation : le guitariste Lindsay Buckingham et la chanteuse Stevie Nicks et le bassiste John McVie et la chanteuse et musicienne Christie McVie. --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent l'univers rock, au travers de thèmes comme ceux de l'éducation, des rockers en prison, les objets de la culture rock, les groupes familiaux et leurs déboires, et bien d'autres, chaque matin dans Coffee on the Rocks à 6h30 et rediffusion à 13h30 dans Lunch Around The Clock. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

In this episode, Rich and Clint discuss the greatest songs to drive to. But, of course, it's highly dependent on what type of driving. Clint walks through the critical driving scenarios (e.g. driving after a breakup, driving in the morning up to the ski mountain, white-knuckle driving at night...). Artists discussed in this episode include Tom Petty, Pink Floyd, Beck, Sting, Pearl Jam, U2, Lindsay Buckingham, Paul Simon, Green Day, Dr Dre and more. Proudly part of Pantheon Pods. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Rich and Clint discuss the greatest songs to drive to. But, of course, it's highly dependent on what type of driving. Clint walks through the critical driving scenarios (e.g. driving after a breakup, driving in the morning up to the ski mountain, white-knuckle driving at night...). Artists discussed in this episode include Tom Petty, Pink Floyd, Beck, Sting, Pearl Jam, U2, Lindsay Buckingham, Paul Simon, Green Day, Dr Dre and more. Proudly part of Pantheon Pods. Learn more about your ad choices. Visit megaphone.fm/adchoices

We all know that "Saturday Night Live" has had some pretty incredible and funny surprise celebrity cameos over the years. Since the very beginning, SNL has had a wonderful habit of bringing out celebrities to have some fun, and shock audiences at home and in the studio by simply popping on stage. In this episode, Nick looks back at some of the more recent surprise cameos that delighted audiences everywhere. Included are the out of the blue appearances by Barbra Streisand, Bernie Sanders, Lindsay Buckingham, and the most recent shocker: Scarlett Johansson, whose portrayal Republican Senator Katie Britt was hilarious, brutal, and scarily on-the-money. You'll hear the sketches and cameos, and the stories behind the appearances themselves. Since there have been so many great ones to choose from, this is just Part 1 of "SURPRISE!!! SNL Cameos." [Ep66]

Rock legend and songwriter for Fleetwood Mac, Lindsey Buckingham discusses thegroup's reunion and his relationship with Stevie Nicks.See omnystudio.com/listener for privacy information.

Tom Petty and the Heartbreakers' lead guitarist shows Shifty how he bottled an electric reaction to “The Waiting” on the song's simple, iconic solo. Mike Campbell knows how to write the perfect parts to a song, and records them with the perfect guitar, amp, and tone to match. That's why Shifty has the Heartbreakers' lead man on this episode to get a look under the hood at what drives Campbell's solo on “The Waiting.” The song, from 1981's Hard Promises, was tracked at Sound City, where Campbell recalls the band had “every amp in the world lined up across the room, every amp you can imagine.” After miking and testing each, Campbell says they settled on a Fender Twin, which he brought to life with a white Les Paul he got from a pawn shop. Shifty notes the song's music video led him to believe the solo was tracked with a Rickenbacker, but Campbell snickers that it was just for show: “I did that different just to fuck people up,” he grins. (“I hate that video, I think I look like a total idiot,” he adds.) Campbell, who started playing guitar by ear at 16 on an “unplayable” Harmony acoustic, says he didn't labor over the solo for “The Waiting,” favoring spontaneity and instinct instead. “I like to come in fresh and capture as I'm discovering what it is, there's some electricity in that moment,” he explains. “The listener can hear that you're discovering it as they're discovering it at the same time.” That approach applies to his songwriting experience in general, too: “I don't even wanna talk about it too much, because its mysterious,” he says. “It comes to you when it wants to.” Later, Campbell lays out how he and Petty balanced their guitar parts, and why Campbell favored “droning” open notes over complexity for many of his leads. And stick around to hear how he figured out Lindsay Buckingham's guitar parts for Fleetwood Mac's 2018 tour, the difficulty of backing Bob Dylan, and why original Heartbreakers drummer Stan Lynch almost got in a fight with Johnny Rotten. Click below to subscribe to the podcast! Full Video Episodes: http://volume.com/shifty  Apple: https://podcasts.apple.com/podcast/id1690423642 Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/ Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314 Follow Chris Shiflett: Facebook: https://www.facebook.com/chrisshiflettmusic Instagram: https://www.instagram.com/shifty71 TikTok: https://www.tiktok.com/@chris.shiflett Twitter: https://twitter.com/chrisshiflett71 Website: http://www.chrisshiflettmusic.com Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag Producer: Jason Shadrick Executive Producers: Brady Sadler and Jake Brennan for Double Elvis Engineering support by Matt Tahaney and Matt Beaudoin Video Editors: Dan Destefano and Addison Sauvan Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.

This month, we turn our spotlight to Women in Rock, featuring Stauney's introduction to Stevie Nicks, the renowned lead singer of Fleetwood Mac, following a captivating concert in December. Stauney, alongside Sadie, delves into Stevie's musical journey, starting with her early collaboration with Lindsay Buckingham, their ascent to fame with Fleetwood Mac, and the band's rollercoaster of breakups and reunions. They also highlight her impressive solo career, her significant contributions to songwriting, and her inspiring recovery from addiction. Stevie Nicks, a symbol of resilience and grace in the face of stardom, has profoundly influenced early rock music and remains a powerful role model in the industry. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hoy platicamos del libro “DAISY JONES AND THE SIX” de Taylor Jenkins Reid. La versión en español es “TODOS QUIEREN A DAISY JONES”. El libro ya tiene serie, y comparamos mucho uno con el otro. Esta escrito en forma de documental y eso hace la serie también muy divertida. El libro está inspirado en el grupo de los 60s, Fleetwood Mac, y la relación que tenían Stevie Nicks y Lindsay Buckingham, la cual siempre se distinguió por ser una relación tormentosa y tóxica. Nos divertimos mucho en el episodio, no se lo pierdan!!

Join Timbo's Membership and take control of your marketing Dennis Dunstan managed Fleetwood Mac from 1984 to 1997. Referring to himself as the world's highest paid babysitter, he's seen it all … From arranging a private jet so Lindsay Buckingham could enjoy his favourite takeaway, to making sure the band never missed a gig (he nearly succeeded) Dennis knows a thing or three about managing a successful business.  It's time to go your own way on episode 633 of The (13 year-old, award-winning) Small Business Big Marketing podcast. A little more about Fleetwood Mac's Manager Dennis Dunstan... From 1984 to 1997, Dennis Dunstan managed Fleetwood Mac, the biggest band in the world at the time; so he knows a thing or three about managing a successful business.  He refers to himself as the world's highest paid babysitter, as managing a band like Fleetwood Mac with five very different (and at times testing) personalities including Stevie Nicks, Mick Fleetwood and Lindsay Buckingham, was no easy feat.  Dennis kindly came over to my place for this very honest and revealing chat in which we cover key aspects of the music business including people management, marketing, ideation, nurturing fans, difficult conversations and sooo much more. And don't worry, we don't just talk business. He also shares some fun anecdotes about Fleetwood Mac's heyday (wait until you hear the one about Lindsay, a private jet and Mexican food!), the making of their iconic albums, and what it was like to work and live with some of rock's biggest and richest names.  Interestingly, Dennis now manages a cover band out of Adelaide that's had almost half a billion views on YouTube; so his career definitely spans the ages! So sit back, relax, and turn up the volume as you're about to learn from one of the best in the biz! Businesses that make this podcast possible - Please support them DELL Technologies - Small business IT solutions Book Tim Reid to speak or emcee at your next business event As always, thanks for your support. May your marketing be the best marketing. Timbo Reid P.S. Tell me what marketing is working for you - 0480 015 150.See omnystudio.com/listener for privacy information.

1. She & Him 2. Black Keys 3. Hugh Cornwell 4. The Fourmyula 5. The Mavericks 6. Rosanne Cash 7. Vera Ellen 8. Liz Phair 9. Yo La Tengo 10. 3D's 11. Robert Scott 12. Bobby Darren 13. Buddy Miller & Jim Lauderdale 14. The Doors 15. Desmond Dekker And The Aces 16. Lindsay Buckingham 17. Luther Allison

I'm back with another episode and this week I'm featuring a show that has captured my heart and soul - then proceeded to make it explode! I'm still beaming from the joy this show brought to me. Adapted from the book of the same title by Taylor Jenkins Reid, this show follows the rise of rofck band Daisy Jones and The Six through the 1970s Los Angeles music scene on their quest for worldwide Icon status. Inspired by the real life tumultuous journey of legendary rock band Fleetwood Mac, specificially members Stevie Nicks and Lindsay Buckingham. Starring Riley Keough, Sam Claflin, Camila Morrone, Suki Waterhouse, Will Harrison, Josh Whitehouse, Sebastian Chacon, Nabiyah Be, Tom Wright and Timothy Olyphant. This cast is stellar, and the band is talented. Not only that, within the first 24 hours the album of the fictional band "Aurora" topped the music charts including Billboard's Emerging Artists chart - which makes them the first act to be No. 1 on this chart whose formation stems from a scripted series. If you are a music fan, or a fan of a compelling drama then this series is for you! I hope you enjoy this episode! Sources:  https://www.imdb.com/title/tt8749198/  https://www.billboard.com/music/chart-beat/daisy-jones-the-six-emerging-artists-aurora-soundtracks-chart-1235286950/amp/    Daisy Jones & The Six's album "Aurora" https://music.amazon.com/albums/B0BSK23F1F?ref=dm_sh_Re1cXidQRPJPoWKvcZoNB1PlA    Follow Me: Instagram: https://www.instagram.com/getyourbingeon/ Facebook: https://www.facebook.com/getyourbingeon TikTok: https://www.tiktok.com/@getyourbingeon?_t=8UfpvmNLD5u&_r=1 Twitter: https://www.twitter.com/getyourbingeon_/ https://www.getyourbingeon.com/

What a smile! What a sweetheart! Oh yeah, Walfredo Reyes Jr. is also a spectacular drummer/percussionist. Seeing Wally in action last month killing it with Chicago, and then meeting him afterward clinched that he's the trifecta. This time with him on Game Changers makes clear all three, even if he didn't lift a stick or slap a cajón. Wally brought his A+ game, treating us to stories about his musical royal family. From his maternal grandfather, his brilliant and accomplished father, Walfredo Reyes Sr., who played with Josephine Baker, Louie Bellson, Bobby Darin, Dionne Warwick, and Debbie Reynolds to name a few, and passed on the percussion/drummer whiz gene to his talented son, who also played with Debbie Reynolds, as well as Ricki Lee Jones, Richard Marx, Sergio Mendes, Smokey Robinson, Boz Scaggs… but we got the stories about his time with Santana, Traffic, then Steve Winwood, Lindsay Buckingham and how he got to Chicago, with a little help from his brother, Daniel, of the Zach Brown Band. We talked Wally's serendipitous twist with Chicago, this band he adores and has been a part of for 13 years - the woman he loves and met thanks to them, how the pandemic thwarted their wedding but not their marriage, their idyllic life off the beaten trail, Wally's passion for all music, his influences, heroes, side projects, his amazing kids, and perhaps a few dreams he's yet to live. I have no doubt he'll manifest them. Wally's career has run the gamut of every conceivable genre of music and he's seemingly mastered them all. As he has the gift of grace, kindness, warmth, passion, enthusiasm, and genuine charm. My heartfelt apologies for being under the weather and careless setting up the Live––last week's title still haunting the space, and after 4 hours of trying discovering there's not a damn thing I can do about it. I owe Wally big time for this, and for that drum/percussion solo, he shares with Ray Yslas in the Chicago show. Wow. Just wow! Chicago tours 8 months of the year, please do yourself a favor and don't miss them, and check out all the other cool stuff in Wally's World. For all things Walfredo: walfredoreyesjr.com I had such a great time with Wally! Come for the fun, stay for the inspiration. Walfredo Reyes Jr. Live on Game Changers With Vicki Abelson Wed, March 29, 5 pm PT, 8 pm ET Streamed Live on The Facebook Replay here: https://bit.ly/3nuQdXk

Do you love the 1980s? John Hughes comedies such as "The Breakfast Club," "Ferris Bueller's Day Off," "Sixteen Candles," "Pretty in Pink," "Weird Science" and "Some Kind of Wonderful" captured the struggles of teens during the period. Hughes later shifted toward adulthood during the later part of the decade with movies like "She's Having a Baby," "Uncle Buck," "The Great Outdoors" and "Planes, Trains and Automobiles." John Hughes films and the nostalgia of the 1980s helped serve as the inspiration for and provided some themes in the new film "Prom Pact" that debuts March 30 on Disney Channel and Disney+.  Co-host Bruce Miller spoke with stars Peyton Elizabeth Lee, Blake Draper and Margaret Cho, as well as executive producer Julie Bowen of "Modern Family" fame and director/executive producer Anya Adams. Before those interviews, Miller and co-host Terry Lipshetz discuss "Life Moves Pretty Fast: The John Hughes Mixtapes," a box set compilation of music from those 1980s movies from Hughes that was released in November. The talk about how the songs provided the backdrop in key scenes in the movies and how some of the selections came about, as well as Hughes' love for music. About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was generated by Podium.page and may contain misspellings and other inaccuracies as it was generated automatically: 0:00:03Welcome everyone to another episode of streamed and screened and entertainment podcasts about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and cohost of the program with Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. Bruce How's everything going? You know, Terry, come on. I lived through the eighties, and now you've discovered something from the eighties that I urine all excited about. You got a a big kind of album collection, if you will, or a a what do they call box set? A set. Is that the term that you are you young people using that term box set today? Or is that just something from the old days? But it it samples John Hughes movies. That is correct. Let's hear all about it because I've the eighties are big. If you didn't know, the eighties are back. And we're gonna relive them. Babies are back in a big way. So recently, this isn't a yesterday release. 0:01:00This came out in the late I I think it was pretty much for Christmas that that selling period. Life moves pretty fast. The John Hughes mix tapes. It's a box set. It was released in England. 0:01:14They put out several configurations. There was, like, a two l p version of a condensed mix. Six LPs, four CD box set, and then there was like a deluxe four CD box set that also had a a seven inch single and a cassette. But what it did was it collected the key tracks? It's not like complete soundtracks from each movie, but it's a lot of the key tracks from John Hughes movies of the nineteen eighties. So we're talking sixteen candles, the breakfast club, weird science, ferris bueller, And then it kinda brings everything up to Uncle Buck, which was released in nineteen eighty nine. So that was the last movie that they really sampled from. So there's nothing new or none of the like, Christmas tracks from home alone or any of those. But it's it's that huge period. 0:02:04And and for me, you know, when I was boy, probably ten years old or so, my aunt took me to see Ferris Bueller's day off in the theater. And it was the greatest thing. And and that movie, Weird Science, some kind of wonderful these were movies that I just loved watching and growing up too, so they they kinda hold a special place in in my heart as a movie. But as a music collector, somebody who's got a really large collection of of CDs and Vinyl, I always love a really good soundtrack. And one thing that has eluded me all these years was a soundtrack to Ferris Bueller's day off because it never came out. They never released one. So this was kind of a fun way to collect not all the tracks from Ferris, but it has pretty much every key track you can think of from that movie in this box set. 0:02:56Is that something about a certain age when something strikes and hits you? That you go, I have got to have that. I've got to own a piece of that somehow because I remember that with my first Disney cartoon. It was stored in the stone. And I wanted something from sword and the stone in the worst way. Then it became I wanted something from midnight cowboy. Because that was my first x rated film that I'd ever seen. But I've never had it with music because I think I've gotten more than enough and a lot of times I don't listen to music more than once. I know that sounds really terrible, but it's like watching a TV show. I can watch it once, but then we're gone. 0:03:36The thing about John Hughes own, I think we've talked about this before. I've interviewed him many times during that eighties period when he was doing all these films, and the people who were in his films thought he was the coolest man ever. Just the coolest guy. He was like that uncle that always had the right record collection and would turn you on to things and make you feel like oh, yeah. I've got to know that too. So I does that come through in the music selection? Absolutely. So a lot of the songs in the box set. And and also just from his all of his movies in general kinda come from a certain period. He's a huge he was he obviously passed away a number of years ago, but he he was a huge music collector. So he would go to the studio, do his thing, leave in the early hours, go to the record store, kinda clean them out, you would be hanging out and whether it'd be at home, or in his office. He had, like, records all over the place, cassette he would make mix tapes, and that's kind of where The name of this album came from is the John Hughes mix tape because they found boxes of his mix tapes that he put together kind of with the soundtrack in mind that he wanted to use for the movie. So they they pulled the bits and pieces out of this, but you're right, even in the liner notes of this, It talked it talked a lot about the affinity that the actors had toward John because he was really about maybe ten years older than a lot of these. 0:05:06So the the cool uncle piece really comes through because I think he was born around nineteen fifty, but that brat pack era of actors, they were born right around like nineteen six feet. Right? So, you know, to to them as teenagers, here's this guy who's, like, twenty five, thirty years old, who has this cool record collection. He had he had a job. He was an advertising executive for a while and then, like, blew that off. And got into movies. So he was just this cool guy who when you're at that age of of, like, in your twenties, late twenties, you feel like you can still connect to younger people, but, you know, you're not necessarily a parent yet, so you don't, you know, you're you're not too restrictive and and you're kind of that that cool guy. It's funny because he looked like somebody who went to an Ivy League school and kind of, if you will, lorded it over you that he had more knowledge than you did. This is just impressions I remember from being around him. But he was always very giving and very friendly. And he would talk about these things, the inspiration. And I if I remember right, he would let the actors know about the songs that he wanted to use So they would be inspired by that music when they're when they're doing the acting. So he was very good at kind of creating an atmosphere that they could they could get into and understand and then hopefully project it on screen. 0:06:31The liner notes of this box that really got in deep into the weeds. So a lot of times when I'll get liner notes in in an album, I'll read them. I'll glance through them, but this one really sucked me in because they gave you each and every track in the box. And it would say, you know, such and such song. It came from this movie. This is the scene it was used in. And then they talked to the people that were involved. So it was mostly tarkin Gotch. 0:06:58He was a British music executive. He wrote the bulk of the liner notes, but along with him and a few others, they they kinda had the backstory of how these songs came into existence. So one really good example was with she's having a baby, which was a very personal story to John Hughes because it was a bit autobiographical with the birth of his son and kind of and it it was even in the movie. He was a advertising executive in Chicago, which was a lot like him. So he had planned out the scene and he filmed it and he had in it a song. It was called song to the siren. It was from an gear music band called Myrtle Coil. Okay? So he he films it. They've got the music over it. 0:07:43And then at that point, they're just like, okay, we gotta get the rights. We gotta pay the band and and we'll include the movie. So they go to them and they're like, no, we don't we don't wanna do it. So they just thought it was they're playing around. They just want more money. It's John Hughes, he had already made a name for himself. So they're like, alright. Just go back and pay him more money. And they're like, no. We we don't want that. And then finally, it got through to John, and they're like, John, they're not gonna accept any level of money. They don't wanna do anything that's seen as, like, commercial because it's unhip. It's not cool. 0:08:15So he was devastated because the entire scene of this movie, it it's that that and at the House spittle when, you know, will the baby survive? Will his wife survive? And so tarkin goes, says, I'm friends with Kate Bush. Let me talk to her and see if she'll do a song. So he talks to her. They bring her the end clip of the movie, probably on like a VHS tape or something. She watches a scene, composers a song, sings it, they get it back to John, and they're at this point, they're thinking we're gonna just to redo it and, you know, nice effort. And it's this beautiful song that they end up playing over it. The only thing he had to do was add in a couple your scenes because he didn't wanna trim the song. He wanted it to run its entire duration. So it ended up into this, like, wonderful piece of history, but you wouldn't know it without reading these liner notes, the back story. It was really cool. That's that's fascinating. It's It's weird how when you do see those scenes without any music behind them, how really like, this is gonna be this is gonna work. 0:09:25Really? I'm not so sure. You know? And then you can get a song that really pulls it together, and it's incredible. It makes a whole difference. I don't know how you, you know, as a creator, how you would envision that, especially if you have your mind set on something. Like, how do you regroup after somebody says, no, you're not having our music. We're not doing it. And that ends up being a real problem for some of these films coming out in any kind of other market because they didn't make a deal with them upfront for DVDs or whatever else streaming, whatever it might be. So sometimes you get those films and they don't have the real music with them, and I think it kills it. Didn't when they put married with children when they ended up releasing that on DVD years after the show aired on TV, they had to replace the theme song because they didn't have the the DVD rights to do it. 0:10:20But it it it was really interesting because they, you know, talking about songs, they took the final edit of planes, trains, and automobiles and started showing it to test audiences. So originally, the plan was to use nothing but, like, a country and western song. So they had, like, Steve Burrow and Emily Lou Harris, and it was gonna be nothing but, like, a country and western soundtrack. And the test came back and they're like, well, they kinda liked the movie, but they hated the music. So they had to go back to the drawing board and they still use some of them, but then they added in some more kind of popular tunes too to to bring it around. 0:10:59Again, you could look at those movies and you think this is a bomb. I've been at a couple of test screenings for things and you go, holy man, they're not this is not releasable. And then it ends up being one of the biggest hits because they tweak the right things. And like I say, music is a huge, huge part of that. But well then, what did you find out about Ferris Bueller? So Ferris Bueller was an interesting one too because if you watched the credits. Right? And it's the that song, yellow, the the oh, yeah. Right? That that rolls over and that they're on the school bus. At the bottom of that, at at the very end, almost when they cut back to the scene where where Matthew Broderick walks back in and you're still here, it says, like, by the soundtrack to Ferris Bueller's day off on cassette and record. And and I remember asking for it as a gift Christmas, and nobody could find it because it just it never actually existed. They never produced it. So what had happened, what they mentioned in in the liner notes was right around that time. 0:12:04The popular lore is that that John Hughes as well, the soundtrack wouldn't work well as a soundtrack. It's just a collection of songs. You know, it just doesn't make sense to release it. But that's b s because he he did that for every movie up to that point and he did it with every movie after that point. But what happened was right around that time he was trying to launch his own music label called Hughes Music. And they think what happened was it was just the timing was terrible. They couldn't release it on Hughes music because it was still, I think, on Arista, most of those and it just they couldn't get the rights worked out. There was a lot of conflict. So it just never came out. He put out a couple seven inch singles for for fan clubs, but that was it. And it was a very popular soundtrack of songs. 0:12:52Like, because each of those songs plays so uniquely with different scenes. You know, I sadly, I probably have that that because I should look. I should dig in my archives somewhere because I do remember that when we did the junket for that, there was something kind of interesting. Now, do you remember anything about The the song that was on the in the parade. Was it twist and shout? Was it twist and shout? Yeah. Yeah. We always have twist and shout, or do they have something else? No. 0:13:23That was that was kind of planned out. They the the funny thing was is I think there was actually, like, another song that they're gonna add in they were gonna like, they did that and they did Dunkin' Shay. Right? But they ended up deciding, like, this whole scene is getting way too long and that's that's fine. So I think they had originally talked about doing maybe another song in the parade. There were also a few other scenes that they were planning to film and they had songs in mind for them. But the movie like, the original cut off Harris Bueller was, two hours and forty five minutes. It just went on forever. Now they'd let them do that. Yeah. Probably. Yeah. Extremely. We're gonna yeah. Just take it up. We just we can get more ads for that. So, yeah, go for it. Well, that's fascinating because that was such a huge, huge part of our lives in the eighties. Those films were seminal, I think. 0:14:16And it's funny that somebody hasn't gone back and done something about him. I mean, is there a book about him? Is there a movie about him? Is there something about him that they could easily tie these things to. Because, you know, I think he was at the time as big as Steven Spielberg. Because you you know, here's who's influencing a generation. Now when you look in the grand scheme of things, that doesn't hold up. But at the time, I remember the wait for a John Hughes film. It was like guaranteed it was gonna be something you would go to. Because he didn't he didn't repeat himself, and he was always on the cutting edge of whatever was was trendier current at that time. So if you wanted to be a hip teenager, you had to be part of that that whole world. Yeah. They made a couple interesting notes about that in in the liner notes. They talked a little bit about how popular his films were during that time, but he never got to do he probably was deserved because comedies, they don't get nominated for anything. Right? It's just dramas and -- Right. Bad. So your your ferris bueller is not gonna get nominated for best picture. So that was part of it. 0:15:34And a lot of his films too were actually filmed on pretty small budgets. And if you look at the release of some of those films, he was cranking out like two movies a year. It was eighty five. He did the breakfast club in weird science. Eighty six. He did pretty in pink and ferrous bueller's. Eighty seven was some kind of wonderful in planes, trains, and automobiles. 0:15:53And he said, I always have to do a movie because he was worried that one would bomb and then the studio would say, you're done. So he said if I'm always working, they can't cancel me. Yeah. Well, you get three in those days, you get three films. Right. You get one, you say hit, then you have two more that will kind of hold you. But if you're not by the third, coming back with another hit, you're out of the business. That's how brutal it was. Yeah. One he one film when you're out. Yeah. So he would have, like, one one kind of in post production are ready to go, and then he'd already be working on the next one. And then the first one would do good. So then he would it would buy him another film after through that. And he was just kinda hop scotching from one to the next. 0:16:40One other interesting point too from the soundtrack It only included one song from vacation, which was holiday road by Lindsay Buckingham, which was actually very interesting when you read the notes because he hated kind of like mainstream rock and roll in a lot of ways. He he didn't like like Fleetwood Mac. He aided Fleetwood Mac because they were too commercial. But he had Lindsay Buckingham from Fleetwood Mac to Holiday Road, but he didn't really direct that. He just kind of wrote the green play, so that might have been part of it too. But they included that song in in the box, which is fun. You know? And that's the idea that he could write was his biggest success as a director. If he wrote a script, you knew the script is good and you know all these other directors who made hay with his work. But he whenever he was writing, he would be able to tweak it as he needed to for the film he was trying to produce. 0:17:40I remember one of the young people, and I wish I could tell you who it was. It was Rob Lowe, Demi Demi Moore, if it was Ellie Sheedy or Jed Nelson, I can't remember who it was, said that they thought he was the coolest guy ever, and they looked to him for style. And so I asked him about that. I said, they think that you're kind of like the style setter of all these above the Brad pack of whomever. And he said, me, I wear the same clothes all the time. I don't even I have no sense of style. I am not that person. But if they think I'm cool, that's okay. I'm alright with that. And I found that very fascinating because He did seem like he was at kid who came home from college, who knew a little bit more than everybody else did, and you looked up to him because he had seen the world, but he wasn't gonna volunteer what he had seen. You had to kind of pull it up. 0:18:36You know, you had asked if if anyone ever did anything on Hughes, you know, a movie or book, the only thing that I could think of offhand was Netflix does a program called the movies that made us, which looks back at films of like the nineteen eighties and pop culture and stuff. So they did one episode on home alone. And even though he he didn't direct that, that was a Chris Columbus film. He wrote it, he produced it. And it kinda got into a lot of the background of John Hughes and because they filmed it at that same abandoned high school that they used for, like, ferris bueller and and breakfast club and stuff. So they they set up offices in there, and they I think they used to Jim to build sets on it and things like that. So that was kinda interesting. 0:19:25But he was buddies with John Candy, and he didn't show up really to any of the filming except for the one day they had John Kandy on set to film his, like, two scenes as you know, that that guy that meets up with Catherine O'Hara at the airport. And it was funny because they said they paid scale for him. So, you know, whatever scale is and nineteen ninety ish. They they worked them for, like, twenty hours just just to get, you know, like, five minutes of screen time. They were gonna they were gonna milk that until the end and they said John Kandy ever exhausted. Yeah. Yeah. So he was exhausted. And then as soon as John Kandy was done, John Hughes took off and Chris Columbus took back over. Yeah. Is it that is weird. That is weird. But I think they would defer. I really think that was the kind of the way it was with him even though he was not listed as director, you know. 0:20:19They they have enough of these people who are still around who would make a great documentary. I think somebody should do that and interview the alcoholic calkins and all these other ones who have been part of that John Hughes world and give people a sense of what it is today because I don't know that kids today have anything like that. There isn't, you know, one of those kind of filmmakers that you say, it's a must. I've gotta go see it. Quentin Tarantino doesn't make enough films. To really merit the loyalty, if you will, that somebody like John Hughes engendered. You'd have to go back to the old forties and fifties to really find somebody else who had that same, yeah, will go attitude. It's interesting. 0:21:03When a celebrity dies, I'll have that moment, like, that's sad. You know, that he was a great musician, great actor, whatever. But it doesn't really I I don't feel it in any way. I the the two deaths that I could think of from from a celebrity standpoint, because it it impacted me in some way. When John Hughes died, I just felt crushed because there was my childhood. And the other one was Michael Kriton because he was my favorite author. He'd written so many, you know, Jurassic Park was I got roped in with that, but movies or books like The Androbanist rain and Congo and the terminal man rising sun. I mean, these were all really good books and and I was devastated by I think that death also. And actually, they just discovered some some books of his that were written under a pen name and they're gonna re release So I'm I'm excited about that. I'm getting ready for, like, more Michael Creighton books that that I didn't even know existed. But it it was, like, those two desks kinda just hit me hard because from as a child or as a teenager, these were huge parts of my life and a lot of other celebrities. It doesn't hit me that way. 0:22:13Well, can I give you something that I think you should watch? Sure. I'm not sure if you're gonna go all Bruce, please. No. But it's on the Disney Channel and Disney Plus. It's coming up this week and it's called prom packed. And it's about these two friends. It's a boy and a girl who are friends, not romantically, but they're just besties. You know? And I think that's something that we haven't seen for a while. And they decide that they're going to go to prom. Which has an eighties theme for its prom. But, you know, you hear about promposals all the time, where how somebody asks somebody to go to problem. Well, in the film, they do all of these kind of bits from eighties film. So you will see a lot of John Hughes represented in the in the course of this. And they're very funny, very cool the way they they pull off. And I was able to talk with members that cast the producers and a key guestar. But I have a I have an interview here that I think you might like because it talks all about them. 0:23:17Ram Peck premieres March thirtieth on Disney Channel and Disney Plus, and Bruce has interviews with key people from the film. In this first clip here from stars, Payton Elizabeth Lee and Blake Draper. Alright, Blake. Fill me in. 0:23:29What surprised you most about the United States when you came here? Oh. What surprised me most, I think Self-in-depth. Yeah. Yeah. Yeah. When I when I ride and Los Angeles for the first time and I was driving around with Milo actually, I couldn't believe how many billboards that were. That's just Which is, I guess, must be strained. But in Australia, we just don't have that many billboards of films and and then television shows. So that was kind of jiring to be like, wow, this is really a town built on entertainment. Sorry. System Are you on one now? Are you guys on one now yet? I think we're on a couple. Sorry. It's a big idea. You have to get over there and pose with it. That's the deal. Yeah. No. I was I was at the shelving mall recently and I popped up on one of the screens there, and it was kind of a jump scare. People like you. 0:24:19And So Satan believes a lot of Have you been teaching him everything? Are you now his his tudor in this too? He's he's tutor in fame. He never did that. Anything I'm doing right now? Yeah. Yeah. Yeah. Yeah. I know. I have to I see. 0:24:33Yeah. I needed a lot of help. Yeah. She needs more. No. I mean, I don't know enough to tutor anyone in anything. But now, they're also putting you with Milo in doggy. Right? Yes. Do you ever get rid of him? 0:24:49I try my very best and fail at every point. It's he is a a force that needs to be tamed at some point. Yes. I do my best. I do the same. I think it's Georgia. 0:25:03But you know, Mandy and Dewey are kind of alike, aren't they? Sorry? Aren't Mandy and Dewey kind of alike? Oh, definitely. I mean, I think they're both very strong, smart, independent women. And I just feel so lucky to be able to play both of them. And I guess if I can play a strong, smart woman, authentically, then it must mean something about me. Right. If she wouldn't like that or is she just really out of it? When you see her off the screen. This is for you, Blake. This is Yeah. She is really happy. It was just another screen. She's a mess. Don't tell them. No kidding. Pain. No sick. No pain. Pain's amazing. 0:25:48She's a he said she said, wow. She's she's a lot of similarities with the characters that she plays. We're smart. So it's all these types. It's a vague you. It's pretty smart. Yeah. She's a smart she's she is a smart lady. She's independent. She's he's very strong. She's very head strong, which I've definitely learned. The hard way? I love the hard way, but, no, I've taken a lot from Payton. And, yeah, she's she's amazing. Payton said off the set. I want him off the set now. Is that what she does? Yep. Yep. Definitely. 0:26:20I was shocked, though, Blakely, that you didn't know how to play basketball. Yeah. This is my first time. It's my first time learning it. Luckily for me. Or yes. Sorry. Go again. Is that easy to see? Super fast. Not easy. I for Seth. Already forgotten how to play because I haven't touched a basketball since I was lost on Seth. But luckily, if I may, my older brother is an amazing basketballist. So he actually helps coach me, which was really, really fun and I And what did he think? 0:26:49Did he think you were any good? I think he was worried at the start. But people had a lot of time that happened and somebody's really helped me out. But I had a few other coaches You need one of them? Payton and in in Vancouver as well. So Yeah. 0:27:03And did you use the beef method? I did actually. Yeah. I I did it. It it it it cried. My gram had a point and it and it helped me as Blake. 0:27:15Bing and Graham. Wow. It's very matters. Isn't it? This really kind of conjures a lot of John Hughes talk, I think. Yeah. Did you see it? Did you see that kind of central election for sure? Oh, definitely. I mean, I was raised on John Hughes movies. My mom loves the eighties, the music, the clothes, the the movies, and so all of it was very infused into my upbringing. So it was really exciting to get to sort of keep the spirit of the eighties romcom alive and then, you know, make some adjustments so that it makes sense in a in a twenty first century world. But yeah, it it was so much fun to get to dive into that that sort of feeling. 0:28:01Are you surprised by the little more adult tone that this took from other Disney films? I don't know if I was surprised. I was excited about it. You know, I think kids these days are so smart. And they're not to be underestimated. And I think it is our job to create content that speaks authentically to what it is to grow up today, what it looks like, what it sounds like, what it feels like. And so I don't know if it's more grown up, but it's just more truthful. So but it was very exciting for me because I think that's very important. Yeah. Definitely. 0:28:37Blake, if I said, get your head in the game, would you know what I was talking about? In basketball? High school. High school musical? Did you see she tutored you on that answering. I can see that. You I do love high school musical. Our high school musical is amazing. I remember I vividly remember saying a lot. You vividly No. The last one, like, the last musical three. I remember my older brother telling me about it. Right? Is that how it goes? Hey, Thank you guys so much. I appreciate it. Thank you. 0:29:11In the second clip, here an interview with another star of the show, Margaret Cho. Margaret, what was your your high school guidance counselor like? Gosh, I don't even know if I met with my high school counselor, I think a counselor, guidance counselor, I can't remember. I mean, it didn't make an impression on me. To the point where I can say who it even was, but the one person in high school that really believed in me was I had a high school theater teacher who would sign me up for open my comedy nights when I was a really young teenager with my comedy partner at the time who was Sam Rockwell, who's a very famous actor. So we were a comedy duo and she would sign us up because we were too young to sign up So she would call the club and put in our names, and then we would go. We were like fifteen. So young. 0:30:00But what an amazing vote of confidence and it set me off on a career in him too, I guess, for sure. I think something happened to him, didn't it? I think there's a little something. Well, today, she could get arrested for doing something like that. You know? Yeah. It's still very different. You know, it's a very different time, but she was a young woman. She was, like, in her twenties. You know, and she just saw such a energy in me and in Sam and you know, kind of gave us a lot of encouragement and really tested us to, like, okay, why don't you challenge this by going and doing something at a night club? And so, you know, when she was there to slap her own to make sure it didn't get weird. So she was like the responsible adult throughout, but at the same time was giving us this idea of opportunity, which is really important. 0:30:58How good were the two of you as a team? Were you good? I don't really remember. I think we were just so young that people were just kind of like, what is going on with these ideas. Right? What even is it? You could see there's footage of it on YouTube of some of our stuff that we would do. And so ridiculous and funny, but it's also like just trying things out, you know, when you're a kid that's sort of what high school's about. You know, I remember when you were the queen of ABC and when all American girl came out and that that was gonna be a big game changer. And now this year, we hear about everything everywhere as a big game changer. Is it It is. It's great. It's really exciting. I wanna see more Asian American participation in film and television. In arts in general, you know, it's really exciting. I think, you know, it's a long time coming. For sure. But I'm so proud that we get to sort of see ourselves in film and this film prompt act also features and centers on an Asian American woman who's forging a pop and you know, to me, that's really exciting. 0:32:12Did you when they approached you about this, did you say, well, I would be what? You know, I mean, did you see that the guidance counselor would be your role? Well, I I was just offered the role, but I I was really excited to do it. I wanted to work with Payton again. I'd done her show, Dewey, last year, which I I really was impressed by her acting her ability and her innovative genius when it comes to approaching these roles. And I was excited to work with her and The role was written as queer guidance counselor, which I thought was really interesting and really cool. So I really was excited to do it. Did you talk with her at all about, you know, the business? Did you give her any advice? Oh, she doesn't need advice for me. She's doing great. You know, she's, like, so I was looking for advice for me because I think I learned so much from younger people on how the industry has changed and how things are really different. You know, we're we're looking at social media differently. And there there really have so much to offer to like somebody like me who's trying to learn about what new stuff is going on. 0:33:19Howard Bauchner: You know, when this show makes a big deal about eighties films, What did you think when those eighties films were out? Did you say, oh my god. Yeah. That's really great, or were you looking at them and saying, you know, they're really not showing the picture. Well, I loved it because they were what we had, you know. And I remember going to the first showing pretty in pink at our local theater where I was growing up and was so exciting. Because you had just a film that was about being a teenager, which I think was just so Right. And the coolest adult, which is Annie Pott's is great in the movie. And so I was really channeling Annie Pott's in prom packed because I think that's kind of the right sort of like character that absorb mind matches. Well, I hope this is the start of a lot of things for you because I miss you. I don't see you enough. Yes. We need more meat. 0:34:20And finally, in this third clip, executive producer, Julie Bowen, known for her role on Modern Family is joined by director Anja Adams. Julie, what did you learn about producing? What did this teach you? I learned a lot. I learned that producers work much harder than actors and get paid less. That's what I learned, and I have a lot of respect for them. And will never complain again. 0:34:43Did you find though that now I understand some of the choices they make? You know, like when you say I didn't get cast in this because Well, casting is definitely something that I I've done some directing before, so I was more familiar with that process and definitely learn to take casting less personally after being on the other side. You you realize that there's so many forces at play. It's not always the best actor, it's it you're you're figuring out a whole ecosystem on how it's gonna work. I I think I really figured out that there's a lot of you've got a partner like Disney who's great, and there's a lot of you've got to meet a lot of different needs and a lot of from the people on the set to the highest levels and sometimes there's compromises that don't make sense to somebody who's just standing on set like I used to do. It makes sense. It makes sense. 0:35:40For both of you, this is a little more adult than most Disney films. And there there's a specific area that I could reference, but I don't wanna reference. Uh-huh. Goodbye with that. You wanna take that on yet? I mean, Disney I I feel like Disney wanted to do this movie because they also are trying to really grow their team, you know, mid kind of range viewership and and really dig into that, and this was a way to do it. 0:36:11I mean, when you look at the other stuff that's out there for teens, it is a little bit more grown up, and they are opposed to a lot more things on the Internet and on their phones. And so it's like this movie, I think, had a real strong Disney feel But, you know, we we tried to elevate it and and just bring it into kind of the the present day as it were and, you know, blazes trail for Disney into this? Yeah. Disney wants to grow with its with its audience. They have such a solid base in the Disney channel But then when you're moving into Disney plus and you have the whole family watching, there it's not inappropriate to have references to some more mature subject matter. So we did. 0:37:01I was saying, and I don't know if I got cut off. But I love it. Idea that there was a boy girl friendship, but it didn't have to lead to romance. I thought that was a really cool kind of aspect of the film, and I hope that that's a lot. I hope that happens a lot. Yeah. I mean, that was really important. 0:37:19When I read the script, I was like, I don't see this. I don't see a lot of, you know, hetero kids being friends, male, female. You just don't see that. And I think it's something that is a reality in the world. And it's you can have friends with the opposite sex and and support each other and love each other and be in a friendship. And I think payton and and Milo crafted it beautifully. Yeah. I think sometimes there's too much pressure if you will. You can't just be friends that's gotta lead to something else. But Yeah. 0:37:50Do you two remember promposals? I never had that in my day, but I'm ancient, so there you go. No. I think these are pretty recent. I I have my own theory and that is that they came along with social media and the rise of the smartphones in the late, you know, arts. Mhmm. Because before that, like, it you weren't doing big splashy things because you weren't trying to record them and show them on social media. But I could be wrong. 0:38:20Howard Bauchner: Well, well, how are you asked to prompt? You just somebody comes up to you and says, would you like to put a prom with me and that was it? Well, I on your back and I was back in the passing note stages, I mean, I wrote my prom data letter because he lived in another city and had to fly in for it, and he did, and it was amazing. But I think if, you know, you're in a high school back in the day, you were, like, writing a letter, you had your friend go ask. It was very you know, contained. And I didn't perform I went to a boarding school. We didn't have a prom, so I got to avoid that altogether. Oh, no. This is your prom then. This is it. All the better. Right? It's my wish fulfillment. 0:39:04There's also a very John Hughes vibe to this film. Did you plan that, or is it just because of the times? Hundred percent. It was up slowly planned in the script and in the development. We wanted to reference it. We wanted to say that those movies left us feeling really good, but then upon reflection, have some really problematic stuff, and we needed a director who could put all of that together in a visual language and and Annie did a great job. 0:39:36Alright, Bruce. Thanks for that interview. Be sure to watch prom packed. It's on both Disney Channel and it's on Disney plus, but I must tell you the Disney channel version has been sanitized for your protection. So you're not gonna get the kind of the dirty references where they actually go John Hughes on you in the Disney plus version. So watch that one and you'll get some things where you go, oh, I didn't realize that Disney did these kind of things, but they do. And look in the background of everything because you'll see promposals that are not meant to be overt. They're just ones that you as a fan of eighties films would be able to catch the the reference. Sounds good, Bruce. So we'll be back again next week with another episode of streamed and screened. Shownotes created by https://podium.pageSee omnystudio.com/listener for privacy information.

[Transcript included at the end of these show notes] Fleetwood Mac's "Everywhere" is one of the greatest pop songs ever. Although forged in tumultuous times, "Everywhere" sounds like it comes straight from heaven.  Thanks for spending your time with us! Follows, ratings, and recommendations are always appreciated! Helpful links mentioned in the episode: Our mixtape The demo That awful video You can find us on Instagram, Facebook, Twitter, Masadon, and our website. You can email us at BandFGuiltFree@gmail.com, too. Here is our Spotify playlist featuring every song we've featured. Our theme music is by the incredibly talented Ian McGlynn. Transcript (easier to read on our website) Bill: [0:07] Let me set the stage for you, Frank. It's 2011. Frank: [0:11] Okay, like now or then? Gotcha. Bill: [0:13] Then, so bring yourself back to 2011. Frank: [0:19] 34 years old? Oh, what was I doing? Bill: [0:23] I know what I was doing. Frank: [0:25] Oh, yeah, that's right. Bill: [0:26] I was pining. So it's somewhere in March and I'm wondering if things are going to work out with me and, Ashley because we're not back together yet. It's been this seven year stretch and things look like they're promising but there are no kind of guarantees. Frank: [0:44] Yeah. Bill: [0:52] She's actually living in France. dating somebody else. Frank: [0:58] So there's a lot of obstacles stacked up against you. Bill: [1:03] Yeah, I got some, I got a bit of faith. [1:09] And that's, that's what I had going for me. Gumption. Frank: [1:12] Yeah engumption yes. Bill: [1:16] Yeah, that's right. I had gumption. So it's my like week off from school and our great friend of the podcast, our mentor, Chris Newkirk, says to me, hey, I got to go back to the States. Do you want to drive with me? I got to go for the week. It's your holiday. Why don't we drive down and you can do we road trip it? Frank: [1:38] And just road trip it. Yeah, nice. Bill: [1:40] So I went with on this road trip with Chris Newkirk. And at one point we're doing a drive from New Jersey to Pennsylvania. And he said, you know what? I have an iPod. He had an actual one of those old iPods, not even a phone, just iPod full of music. Frank: [1:58] Yeah, yeah, yeah. I had one of those up until about two years ago when it was stolen out of my car. Bill: [1:59] Because when we play a game. [2:03] That's right. Frank: [2:04] Just so you know. Bill: [2:05] Yeah, that's right. No, of course not. So he said, why don't we play three songs each? Frank: [2:06] It's not that old. It's not that uncommon, Bill. Bill: [2:11] You pick three songs and you could set it up in queue and then he'd pick three songs in queue and so that would be our way to kind of get things moving on our journey. And so I'm looking through his music which of course is way cooler than mine so I'm like I don't know this Smith song, I don't know this Pure song. So I'm desperately trying to find a song that I could put on also to impress him because we're always kind of trying to impress him. And then I see this song, Fleetwood Max everywhere. And I think to myself, oh, I remember this song. I was a kid, I loved this song. So I put it on the queue and then those opening notes come out or what would we call it? Opening beats. Frank: [2:55] Notes. I think you were right the first time. Bill: [2:56] Notes. Notes. I think you were right the first time. Okay. And suddenly everything is right in the world. And I say to him, everything about this song, is what makes life beautiful, something like that. I had this like profound moment that everything is gonna be okay. This is the most joy I have felt. And suddenly when I heard this song, it brought back feelings of being a kid and full of wonder. And it brought back sort of memories of just straight up hopefulness. And then I knew things would be okay. And so within the week, things are looking good. I'm engaged to Ashley by June, we're married. And then flash forward 11 years later, you're sitting amongst a ton of toys and blocks. And I apologize, there was a diaper right at your feet. We couldn't figure out why this place smelled like sewage. My apologies, but this is the life. This is everywhere to me. Frank: [3:57] In your defense, you didn't smell it because you're nose-blind. But no, this is a good place to be, and I'm glad that we can do this podcast everywhere. Bill: [4:12] Christine McVie just passed away recently. So people have been commenting on social media and in the news about how she really was. Frank: [4:14] Yeah, yeah. Bill: [4:24] One of the great songwriters of the past 40 years in a sense. And with Fleetwood Mac, we love to talk about, the Buckingham Knicks thing, the kind of craziness surrounding their albums, but she was the sort of steady hand in terms of making consistently great songs. Frank: [4:44] Yeah, so after her passing, I found I was listening to the radio and they did this little thing talking about Christine McVie and how she joined the band. So I don't know if you if you heard this necessarily. So she she's married to the bass player John McVie, but she has her own solo thing going on. But the tensions of like, two artists, you know, separately on the road doing different things. She kind of took a backseat and decided like, you know, I'm gonna give up my solo career and, I'm gonna be a wife. I'm gonna try and like that this marriage is too important like I'm gonna make the sacrifice and and just like I'll give up music as my career and, Then I can't remember which album it was but they're in this cabin and they're, No, no, sorry. It was it was for a tour, tour. They're in this cabin and they're just kind of rehearsing and performing and all this. And she's sitting there just on the sidelines. She knows all the songs because she's been with the band for as long as they've been together at this cabin rehearsing, getting ready for this tour. And then at the last minute, it was just like, hey, do you want, Wanna just join the band? Bill: [5:58] And so that's 1970. She joins Fleetwood back in 1970. By 1971, she's writing and singing in Fleetwood Mac. And she stays right through, you know, you have Buckingham Nicks joining, right through this album, Tango in the Night. And then there was still behind the mask and time, albums in the 90s, she was still there. And still writing actually pretty good music for albums that were not strong. She still was the sort of steady hand. And then she was there for the reunion, retired, but then came back around, I think it was around 2014 or something like that. So she's back in the band and still playing up until recently. And so she's had an incredible career, and still released a pretty good album with Lindsay Buckingham a few years ago called Christine McVee, Lindsay Buckingham, although Buckingham McVee would have sounded way cooler. Frank: [6:52] Yeah, a little bit on the nose with the title of the album, right? Yeah. But yeah, to say that Fleetwood Mac's history of personality is tumultuous, I think is a slight understatement. Bill: [7:05] Oh my goodness. So, I mean, I dove deep for the last few days into the history of Fleetwood Mac and you can find it. You can find all these stories and it is a tale of massive excess. It's just insane. All the things I was warned about with heavy metal groups, I didn't realize Fleetwood Mac was way, oh man, it is insane. It's just insane. Just reading about the amount of drugs consumed and the amount of money spent and wasted is crazy. So we all know that, or if you don't know that, you can just look into it. so we won't dive into it. Frank: [7:44] Yeah, just just Google Fleetwood Mac Gong show and then it's something you'll get the whole history. Bill: [7:51] So Tango in the Night, which is this album, this was originally supposed to be Lindsey Buckingham's third solo album. He's working on it. He has three songs that are decent songs, Big Love, Caroline, and I think maybe Tango in the Night. I think that those are three songs he's already working on. And they ask him to come back and do a Fleetwood Mac album. So this is, I think, the record company. So his solo career is not taking off like Stevie Nicks and Christine McVie had a great album in the eighties. You really got a hold on me. Do you remember that song? Frank: [8:29] Oh, yeah, yeah, yeah, big. Bill: [8:30] So good. So good. She's just so steady. And Lindsay Buckingham, I think might have produced it. Either way, Buckingham's just like, okay, I'll put my solo aspirations on hold for the sake of the band. And because he's Lindsay Buckingham, He just can't go in there and play his music. He needs to kind of take over. So whoever was producing, they just ended up saying, okay, why don't you leave? Lindsay Buckingham, Richard Dashett will come in. They're gonna produce. And so there's these stories about it. And basically it's just super depressing, how much work they put in. They put in 18 months of nonstop work. It's insane. And Lindsay Buckingham is a perfectionist, but he's also experimenting with some synthesizers. the Fairlight program we've talked about, he's experimenting with that. He's doing so much. And so every song he'd spend weeks and weeks and weeks on. [9:27] So let's head into the backstory. They ended up recording at his house a lot of the time. And that wasn't good for Stevie Nicks, who was coming out of, who just came out of rehab, she wouldn't have gone in during it. And going to her ex-boyfriend's house to record didn't make her feel well. And he's, I don't think he has like a great bedside manner anyways, Mick Fleetwood and the others ended up renting an RV and stationing it in the driveway so they could go out of his house and do whatever it is they're doing. Like it sounded just like a mess. Often they would talk about how you have the sixties and they're doing all the experimenting. And then the seventies is a lot of cocaine. And the eighties, the drugs aren't working and that cocaine's now controlling the people more than they're using it to make their music. And this is what's going on. Like it's just a mess. And Buckingham talks about how they're all at their worst point when they're recording this album. I don't know much about Christine McVie in terms of this, but she brought these songs that are wonderful to this album. Frank: [10:33] She wrote some great songs for the album. Like there's this song in Little Lies, which is... Bill: [10:38] Which are the two greatest songs on the album to me. Frank: [10:40] Yeah, yeah, yeah. Absolutely there. Bill: [10:43] The amazing thing is her two songs that she brought, Little Lies and Everywhere are the third and fourth singles. You'd think they would be the lead singles. So, yeah. So the first two singles are Big Love and Seven Wonders, which are good. Frank: [10:49] They're so good. [10:51] Yeah. Well, I know, right? They're so good. Bill: [10:59] It's just so weird. whole time is weird because they those songs didn't stand the test of time in In terms of us, I like them. I like them all. I really like this album. Frank: [11:07] Well, in the context of those songs, like I don't or barely remember them. But Little Eyes and Everywhere, yeah, in a heartbeat. say Everywhere Fleetwood Mac? Yeah, I know exactly the song you're talking about and I know that it's awesome. Same with Little Lies. Bill: [11:24] Yeah. So whatever went on in production, they don't have like an interview where they talk about this. But there's a demo, which wasn't released on the deluxe edition, but I found it on YouTube. Frank: [11:30] Yeah. Bill: [11:37] So I'm assuming the demo was done by Buckingham and McVie. She brings it. He does some things to, it, but he hasn't done the full Buckingham to it. So I'm gonna play this for you. He hasn't bucking. Frank: [11:49] Yeah. He hasn't Buckinghammed it. Bill: [11:51] Their new verb. Okay. I'm going to play a little bit of it for you. So you can hear the beginnings of it, but it doesn't have that special quality. Frank: [12:02] It's really quite raw. It's missing a lot of the final touches, but you can feel hints of them. So when we played this song, it sounds magical. It sounds like a fantasy. Bill: [12:15] Yeah. Well, this is it. This is why the song is so perfect. is it creates this sort of fairy-like world where people, you can almost just see fireflies around you while the song is going on. So Richard Dashett, who is the co-producer, by co-producer, he was the encourager of Buckingham. Like he's really good about this when he talks about it. He said, I know my role. There's gonna be, Buckingham is the guy. So I'm there to support him and to kind of listen and do it. He said that the beginning that we always talk about is a half speed acoustic guitar and an electric guitar combined. And then, yeah, McV said, Buckingham slowed the tape down really slowly. So they did this all over the album, slows it down and played the part slowly. Then when it came to the right speed, it sounded bloody amazing. So whatever he was doing, he was playing with both acoustic and electric over top of each other and altering the speeds. Frank: [13:10] Mm-hmm. Yeah, okay. Yeah. Bill: [13:12] And so he does this actually with like voices too. Sometimes he uses his voice to become a female voice. Yeah, there's all these things going on. So even the voices in this song, I'm not sure who they are. And so, but apparently it is Stevie Nicks because she got into a big fight with him because she thought that he took her vocals off of this song. Stevie Nicks only showed up for two weeks to do any recording of this 18 month process. So just to put that out there, so Stevie Nicks is kind of to say the least. Frank: [13:36] Oh, tumultuous. Bill: [13:42] But anyways, we got everywhere out of this time and everywhere is perfect. Frank: [13:47] Yeah, yeah if it took 18 months to get everywhere I'm okay with that. Bill: [13:52] All right, so the opener, we got that already down. This is magical, this is perfect. Frank: [13:57] Yeah, because it's a song about those first sort of throws of being in love. Bill: [13:58] And so this is one of those things where the lyrics, they're just pretty straightforward, which she does well, but she also is able to kind of take in these sort of, the emotions of love. And she's really good at singing about this feeling in love. Frank: [14:20] And that really giddy sort of euphoric feeling you feel. And it's childlike and fun and everything's great and fantastic and the world could be crumbling around you but you're in love. So you're smiling and you're happy. Bill: [14:35] And what she say here, she says, Can you hear me calling out your name? You know that I'm falling and I don't know what to say. I'll speak a little louder. I'll even shout. You know that I'm proud and I can't get the words out. So, okay. Basically, when you're feeling this, everything seems right to say, or you have nothing to say. That sound makes sense? I'm trying to find the words myself and I can't find them. Frank: [14:59] Yeah. I can't mark. Just going through those lyrics. But like I immediately went back. There's that scene in Anchorman when Ron Burgundy is falling in love. It's like, I'm in love with Veronica Corningstone and I don't care who knows it. It's just like, did I say that loudly? It's like, yeah, Ron, you pretty much shouted it. That's that feeling, right? Like you don't care who knows. Yeah. Bill: [15:20] I think that does speak of my 2011. Like I was just so, it just set everything in motion. And then it leads to that chorus with all those voices. Frank: [15:30] Yeah. [15:31] And it's layered, right? Bill: [15:32] Yeah. Frank: [15:34] And it's soft and it's not saying a whole lot. It's just repeating the same line twice, but it's so effective and you can feel it. Bill: [15:47] I can't say this enough about how his instincts as a producer are right on the money. So he'll make his songs kind of complicated or difficult at times to listen to. They're not that difficult, but he knows that there is this sort of pure beauty to what she's doing. And he just highlights it and adds to it and does creative things, but they're all about this dreamlike feel, which he does in Little Eyes as well. It's just so incredible. And I don't know how many times he's layering voices what he's doing but I can guess just from the sounds of it. It's so pleasing to our ears but, it might have been a month of a nightmare for these other co-producers and engineers who are, just watching him. That's right the one producer used the following two words to describe the. Frank: [16:34] If they have to suffer for my pleasure, I'm okay with that. Bill: [16:41] Experience trauma. Still thank you it was worth it. The only other verse really because then they. Frank: [16:44] Yeah, exactly. Yeah. Bill: [16:52] Start repeating things but something's happening, happening to me, my friend's saying I'm acting peculiarly. Come on baby. Did I say peculiarly right? Sure. Okay. I'm gonna say yes. Come on baby. Frank: [17:02] Line, the Pekirulu. Bill: [17:06] We better make a start. You better make it soon before you break my heart. Frank: [17:10] That you said, Pekirulu, that's a good one. Bill: [17:16] Yeah. Frank: [17:17] That P word that you said, peculiar. Oh my goodness. Bill: [17:22] Peq- Oh, how did she say it? Peq-ular-ly. Yeah. Frank: [17:25] Yeah, yeah. But it's, my friends have me saying, I'm acting this way. And that's like, when you're kind of, again, giddy in love. I feel like I should write a song called Giddy in Love. It'll be like the spiritual sister to Crazy in Love by Beyonce. Anyways, when you're giddy in love, yeah, you're acting a little bit different. Like, you know, you're happy, you're bouncy, you're kind of doing goofy things, I find. Like, I know that's the way I've been, like when I'm kind of really into someone and they're into me and things are going good, before everything just falls apart. Bill: [18:07] Yeah, then it's a different song. I think that song you're looking for is Nowhere. Frank: [18:11] Yeah. That song's like every other song we've done on the podcast. Bill: [18:18] That's right. [18:19] This is a brief moment of levity. Frank: [18:20] I know, right? Yeah, so, you know, we'll do a breakup song again pretty quick, I'm sure. Bill: [18:21] I know. Thank you for bringing it back down. [18:26] Oh yeah, no question. She did co-write this with Jonas David Kroeper. I'm giving his full name just because it's on my songwriting sheet here. but that was her husband at the time. So this is about their love and their early love, so much joy and... Frank: [18:41] Yeah, yeah, he was he was also a keyboard player, right? Bill: [18:44] Okay, well then that, maybe that explains... Frank: [18:46] Because I think they married shortly after the recording of this album. Bill: [18:50] Okay, right, so they're already in this sort of love. Frank: [18:52] Yeah, this this giddy stage. Bill: [18:54] She has a tendency to do that with certain songs. By tendency, I mean she wrote one other song like that. So rumors she wrote, you make love and fun, which was about her affair or relationship, with the lighting guy in Fleetwood Mac. But she told John McVie it was about her dog so that he wouldn't get suspicious or angry. Oh man, so everywhere it was not about her dog. This is about this happy new relationship, and this marriage that was coming. The power beyond those lyrics, of course, is just the sounds. It's what Buckingham is doing with those sounds. Frank: [19:31] I read a quote saying that it's a bulletproof pop song, which I will not disagree with. The song's, what, 87 it came out, so we're 36 years after this song comes out, and it still plays, and it's still bouncy and fun and poppy and great. It's not contemporary to in 2022, but it still plays. Bill: [19:55] It not only still plays, Like it shows up in commercials in the UK and then re charts at like got to number 15 recently. Frank: [20:02] Yeah, it was used for a Chevrolet electric vehicle commercial recently. Bill: [20:09] And there are a lot of bands that have kind of, arisen in the last decade, like Vampire Weekend, there's been more than a decade I know. Paramore, there's a bunch of other bands too, who've looked towards Tango in the Night as their inspiration. They talk about it and everywhere is covered by Vampire Weekend and Perron More. Frank: [20:27] Yeah, and Paramore, yeah. Bill: [20:29] So I think it is getting its due. And when you see like the top 50 songs, or Rolling Stone did the top 50 songs of Fleetwood Mac, this was number five. So I think it's not an unsung hero. People are realizing how incredible it is. It's still incredible to me that this is the fourth single. So if I had to choose between these two, I would put this ahead of Little Lies. I like Little Lies, but everywhere is the one. I can't believe this wasn't the lead-off single. Frank: [20:56] Yeah, oh I know. And it charted relatively well. It was 14 on the US Billboard Top 100. But I mean, ultimately, the Bill and Frank's guilt-free pleasure, the only chart we really care about is the adult contemporary chart, right? Bill: [21:14] Straight to number one, baby. So, and we brought this up before, even though I charted 14, whatever was number one that week. Frank: [21:16] Straight to number one. [21:24] I don't even know. Bill: [21:24] I know I don't even care because this is the one. Frank: [21:25] I don't care! Bill: [21:28] That endures, because it was played all the time. Frank: [21:30] I don't want to, you know, jump the gun here, but this is a roller rink song. Bill: [21:30] At least when I was a kid, I remember it. And so just hearing the, oh my goodness, there's so many bits and pieces to that song. [21:44] Yeah. Oh yeah. This is perfect. Roller rinks still around late 80s? Okay. Would you put, would you roller skate to this at Prudhommes Landing? Did you ever roller skate at Prudhams? Frank: [21:46] I think so. Yeah, I roller skated in the early 90s even. I mean, I would if I was cool enough to roller skate at Prudhommes Landing. No, no. Bill: [22:05] Oh man, this is a call back to our Prudhommes Landing episode. Just songs that remind you of. Frank: [22:11] If you don't know what you're talking about, just listen to all of our previous. Bill: [22:15] Yeah. Frank: [22:15] Episodes and eventually you'll get get the reference. No, no, no, no, don't tell them I'm trying to get listens here. Bill: [22:18] So in Gloria Stefan's bad boy, it's a, Oh, well we can get them straight to bad boy and we can see the, okay. Frank: [22:25] But I'm trying to get them to listen to everything. Bill: [22:27] Either way, if you don't know Prudhommes Landing, well, you'll know this is the summer song, not to jump into a category. We are there for jumping into these categories. Frank: [22:35] We're jumping into categories. Bill: [22:36] So, all right. I see this as a perfect breezy summer day. Frank: [22:44] Yes, absolutely. Bill: [22:46] Also, I could see this as snow falling close to Christmas. This could be like a Christmas song. Frank: [22:52] It's an all-season song. Bill: [22:53] It is because it just will make whatever situation you're in brighter. Now, I'll tell you what's not bright is the music video. Frank: [23:04] Yeah, it's... not good. Bill: [23:06] Yeah, apparently there was two. I can't find this other version that is with Fleetwood, McV and McV. Because by the time Everywhere comes out, this is depressing, but Buckingham has left the band. So he had done all this work on the album And then it came down to them planning their tour. And he just said, I can't do it. And basically saying, I can't be around you guys. You guys are destructive. You're gonna die. I don't wanna die. And then Stevie Nicks lunged at him while they're in Christine McVie's mansion. And then he got so angry that he chased her. And she talked about, this is Stevie Nicks saying, she was running through the halls of this sort of house that was almost like, it feels like they're in some sort, of maze and he's chasing her and they're end up on the street, he's still chasing her and she's afraid for her life. Frank: [24:05] Oh, jeez! Oh! Bill: [24:06] And he throws her against a car and then she threatens to have him killed by her family. It's just awful. And this of course is bringing over their relationship from a decade earlier and it's awful. I imagine Christine McVie just sitting still there in the house and it's- Frank: [24:17] Yeah. Oh my goodness. [24:22] I just want to sing everywhere on stage. Bill: [24:24] I know, so he's already gone, he's left the band. And so by the time this video comes out, they film it without any members of the band. And they think, oh, everywhere, why don't we do like something that's like a ghost story, and we do the highway man as a music video. Now the highway man is that old poem, and you can watch the music video and it kind of just follows the story of it. But this does not work with the song at all, because there's like... Frank: [24:53] Not at all. It's not, it's a song about falling in love and being in love early on and when everything's good and fantastic and fun. Bill: [25:04] It's not about getting kidnapped, killed and then getting revenge and then being a ghost. Oh, that's insane. The only time I want to hear the Highwayman is from Anne Shirley when she's. Frank: [25:08] Yeah, by redcoats! Bill: [25:15] Doing her speech competition and Anna Green Gables. That's the most powerful version of the Highwayman. Everything else doesn't matter. Oh, I'm sure he is. Megan Follows, best Highwayman. Frank: [25:25] Is Gilbert in the audience watching? Bill: [25:31] And rendition, that might've occurred at the same time. Cause standing green gables I think came around then. Sorry, Fleetwood Mac, bad choice. Frank: [25:35] Yeah, yeah, yeah. Bad choice, yeah. Bill: [25:39] Now, if you look at the cover of the single, this cover of the single has this sort of picture of someone whose arms are kind of open up to the world. Frank: [25:47] Oh, okay. Bill: [25:48] There's a planets star. It looks like the person who did the artwork for the little prince did the artwork for everywhere. It's perfect. It works exactly as it should. And that's what it should have been. Frank: [26:02] Yeah. [26:02] The video doesn't, yeah, it doesn't work. And if we're going to be critical of the video, so I watched it just once. And there's a bunch of scenes where like these British redcoats are running inside this cottage house or whatever it is. They're going up the stairs and it's clearly animated shadows on- so there's all these animated pieces that just like- it's like was your shadow guy on vacation? that's why you couldn't get the lighting right? I don't know. No, no, no, no, no. Bill: [26:31] It's not worthy of the song. The record company spent a boatload of money on producing this album, just like they've spent it on Tusk and other things. When oh, this is awful. This is side note, but when they would go to hotels in like the early 80s, they'd have them like bring in a grand piano. And if they couldn't get it through the doors, I don't know how you get through a hotel door, they have to like break open windows to get it in. They'd force them to repaint the walls white. so that they'd have white rooms like they were just the excess was ridiculous. That's crazy. But they didn't put any of that into this music video. No. No. No. No. How dare they? Okay. Frank: [27:08] No, no, no, no, no. How dare they? I mean, you know me, it's the chorus, right? But it's the opening of the chorus, the oh, like, I love that sustained. I right. I love that. And then I want to be with you everywhere. It's just so fun. I love it. Bill: [27:13] What's your favorite part of the song? [27:34] So that's what you're singing to in the car. Oh yeah. And you know me, I like doing backing vocals to the song so I'm doing whatever's going on in the background and trying to make those vocalizations. Frank: [27:36] Oh yeah, absolutely. [27:46] Well at the end of the chorus where it's like, I want to be with you everywhere. And then there's the sort of follow up, want to be with you everywhere. Bill: [27:53] Want to be with you everywhere. Yeah. Oh my goodness. Even thinking about that. Frank: [27:55] Yeah, yeah, yeah. Bill: [28:00] How could I pick a favorite part? Everything's perfect. Everything's great. Bulletproof. And the ending of the sort of vocals going back and forth. It's bubbly. It literally sounds like they're making bubbles to me. And it's just like, oh my goodness. Yeah. This is where. Frank: [28:02] Oh, I know. Proof Pop song. [28:14] Yeah, magical bubbles. Bill: [28:19] You go to dreamland. There's a picture of some sort of heaven where you have like grass just blowing in the wind, bubbles in the air, fairies dancing. Frank: [28:30] Yeah, people dancing with ribbons. Bill: [28:32] Yeah. [28:33] Yes. This is it. That leads us to a category pretty naturally. So for the talent show, you're going to be doing a floor routine. Frank: [28:41] Yeah. [28:41] Gymnastics floor routine with ribbons. Bill: [28:42] Yeah, gymnastics floor. Yeah, with the ribbons. Yeah. Yeah, that's that. This is easy. Frank: [28:44] Yeah. Yeah. Bill: [28:46] So there you go. Category check. Frank: [28:48] Check. Would you sing this at karaoke? Bill: [28:52] No, I don't think I could do it. It's so good that it demands this sort of perfection that I don't think I could even come near it. Frank: [28:57] I think the only way it could be done is if there's got to be someone taking the lead, but you need someone to harmonize on those choruses. Bill: [29:08] You better have someone incredible. Frank: [29:09] Yeah. I think Stevie Nicks would do karaoke with me, right? Bill: [29:14] Maybe but she might only show up for a few minutes like she did for this album. Frank: [29:19] Yeah. She showed up for enough for this album. Bill: [29:21] Oh, yeah. Okay. Hallmark movie. I have written here, no way. This needs to be a mainstream movie, not something on Hallmark TV, but this is a song that should. Frank: [29:28] Yeah? [29:28] Well, it has that, well, the opening magical like sort of dreamy sequence, right? Bill: [29:32] Be sort of like this heads in a mixtape territory. Remember when they'd play Dreams by Cranberries all the time to sort of set the stage? Forget Dreams. Play everywhere. Frank: [29:48] Well, Dreams had it too and it kind of had to because it was in the name, But also linger same same sort of a feel so I'm sure we'll do a cranberry song at some point too, but. Bill: [29:56] Our usual category, we, it keeps altering in different ways. Can Michael Bolton sing this song? Frank: [30:08] I think he can but I don't want to hear it. Bill: [30:10] No. What would Mariah Carey do to it? She would Mariah Carey it it would suck. Frank: [30:13] She would destroy this, Yeah, yeah, she I don't think she has the self-control not to go full Mariah on it. Bill: [30:23] Yeah, Celine Dion also I can't think of of anyone who could do it off the top of my head. Frank: [30:31] Also yeah. [30:32] There's a subtlety about the way that Christine McVie sings the vocals. Like she doesn't go over the top. She's a little bit reserved, like as much as it is like a fun happy song about being in love, she's reserved and conservative with it. Bill: [30:49] She does have a very British way of being, if I could say that. Yeah. She did also the song. Do you remember song, Songbird from Rumors? Frank: [30:52] Yeah. Stiff upper lip. Bill: [31:01] They closed every concert with it. So Eva Cassidy, if you remember Eva Cassidy. Frank: [31:03] Uh, yes. Yeah. Bill: [31:06] She did a version of Songbird, which is near perfect. It probably is perfect. I still don't know if Eva Cassidy could have done everywhere because there needs to be a bounciness that I, I never pictured with her, but maybe she could have done it. But there is something special about Christine McVie is both unassuming, but also is in these grand songs because she can go along with Buckingham. They always got along. So Buckingham, notoriously difficult to get along with, but he never had a bad thing to say about McVie and vice versa. They could do albums together. They understood each other. And she wasn't into all the drama. I mean, she partied hard, but compared to the rest of Fleetwood Mac, I think she's a girl guide. Frank: [31:45] Yeah, the rest of them. Yeah, she was... Yeah. Bill: [31:48] And she was also with Dennis Wilson from, um, the beach boys for a while. Yeah. There's a whole, she's got her own backstory and sadness too, right? Frank: [31:52] Oh, really? Okay. Bill: [31:56] About all that stuff. Mix tape. Frank: [31:59] You're just going to name Ashley's album? Bill: [32:01] You want me to go first? So I decided in honor of the person who was the catalyst for this song, kind of coming back to my life and then defining my 2011. Frank: [32:16] You're just gonna name Ashley's album? Bill: [32:18] You're just. Oh yeah. Well, we love you too, Ashley. But I'm thinking of Chris Newkirk. I'm dedicating this to Chris Newkirk. Frank: [32:20] Oh, that's fantastic. Bill: [32:26] Sorry, Ashley. So. She'll never listen to this. She'll never listen to this. So these are songs that I heard while hanging out with Chris Newkirk in 2011. Frank: [32:31] She'll never listen to it. Bill: [32:40] Not all of them actually, but they made me think about Chris Newkirk and his love of this sort of big dreamy sort of pop song. Okay, so everywhere we'll open it of course. Frank: [32:52] I'm sorry. Bill: [32:56] There's a song called I L U by the school of seven bells. It is insane. And the woman who sings lead also passed away few years ago, but in her 30s, I think. Frank: [33:08] Okay, oh. [33:09] Yeah, so Bill just played the song for me and it'll be in the show notes, but my goodness they gave me goosebumps bumps it's it's ethereal and and and dreamy and oh man that's good. Bill: [33:21] I heard that also on that same drive. Chris Newkirk. Wow. Great taste in music. And so also on the drive, we heard cloud busting by Kate Bush. I'm pretty sure that's like just so good. So hands of love from Kate Bush also inspired the production of Tango in the Night. So Kate Bush's style and her relentless drive was where Lindsay Buckingham was was looking towards for making this. Also, I don't think I'll ever be able to pronounce this right, but one more Chris Newkirk, number three. Hoppipolla, Hoppipolla. Frank: [34:02] Happy pool! That doesn't sound at all at least. Bill: [34:05] Yeah, that doesn't sound at all like Sigur Ross, but it is. And it's a Sigur Ross, like the major song, which played when Chris and Jade, I think we're walking down the aisle after their wedding. Frank: [34:09] That's like a new song. [34:15] Oh really? Oh nice. Bill: [34:16] So incredible song. So we were just discussing this as I was playing it, but cinematic in scope as is all these songs, as as is everywhere. Okay, and then I threw a couple more in, Fleet Fox's Can I Believe You? And one more song, Everywhere by Brandvan 3000, which I love. Frank: [34:42] Was that on that trip too or no? Bill: [34:45] No, but I just think I should have played it on the trip. I don't know if he would have liked it. Do you remember everywhere? Yes. Oh, I don't know if it fits. However, you know, those first three were something else. Frank: [34:51] Yeah, yeah, yeah, yeah. [34:57] Mix tapes are allowed to have an outlier, right? Bill: [35:01] Yeah, and maybe it transitions into yours. Frank: [35:03] All right. So my mixtape is, I tried to keep it like happy songs, like giddy songs, fun songs about falling in love. So Walking on Sunshine by Katrina and the Waves. Butterflies by Kacey Musgraves. Bill: [35:13] Okay, oh good. [35:20] Okay not crazy town. Frank: [35:22] No, surprisingly not. Bill: [35:25] No, okay, great. Frank: [35:26] He just threw me right off there. Bill: [35:31] Yeah, sorry about that. Frank: [35:33] The way you are by Bruno Mars. Love is in the Air by John Paul Young and then we finish it off with Sunshine Lollipops and Rainbows by Leslie Gore. Sunshine lollipops and rainbows everywhere that's how I feel when I feel that we're, together that's a and then finishing it off with the sunshine lollipops and. Bill: [36:00] Got it okay perfect well this mixtape just good thing i put in brandman 3000 it's just a transition straight to walking on sunshine oh good. Frank: [36:14] Rainbows. Bill: [36:15] Yeah, yeah. future I'm sure it's a future episode. Frank: [36:18] Well I'm sure yes so I before we before we came to record this song I was talking to my friend Becca and saying, oh, we got to go. I got to go and record this podcast. And he's asking, what song are you doing? I said, Everywhere by Fleetwood Mac. And she said, I love that song. When her and her partner were in New Zealand, they had this this, crappy garbage car and that had a tape deck. So her and Blake went to a thrift store to buy tapes just to play. and they bought Tango in the Night and just listened to that on repeat and this was far and away their favorite song on the album. I told Becca just like, all right I'm gonna tell that story if you're okay with it and well here it is it might actually make the cut. Bill: [37:06] I will and you know what? We don't often do these call-outs. I try to listen to other podcasts because often they're like, hey here's the name of our show which we... do we even say what we're called? Yes you did once but you have to be an astute listener but of course you also have been. Frank: [37:18] Great. Bill: [37:22] An astute enough person that if you're listening to our podcast you're looking at it and the name of our podcast is right in front of you. So we really are glad you're listening to Bill and Frank's. Frank: [37:28] Yeah, exactly. Bill: [37:31] Skill-free pleasures we don't have patreon right now for you to give us money or anything like that but what we would like is to hear your story about Fleetwood Max everywhere tell us how this song, has made your life brighter. Frank: [37:48] And also you can just mail cash to us to our addresses. Bill: [37:51] It's right. Frank: [37:52] We'll put those in the show notes. Bill: [37:53] That's right. Frank: [37:56] It's been a fun and fantastic experience putting this podcast out every week. And this song is coming out at the beginning of 2023. And we just want to thank everyone for listening to us and being with us and downloading and taking this on your drives, on your walks, wherever you listen to it. I listen to podcasts at work all the time instead of working. Bill and I would like to say we want to be with you everywhere. Bill: [38:25] Boop-a-doo-doo-doo.

The Colvin Brothers are riding solo this week with tunes from Peter Gabriel, Lindsay Buckingham, John Lennon and others who first came to fame fronting bands. Speaking of bands, The T McCann Band joins us in studio with live musical interludes, a rendition of Foggy Dew and info on Ireland for Ukraine happening on Friday, October 21st at The Container in Tivoli. We are also joined by podcast savant Mole and the Five asks if you know me, you know I love ____.The Colvin Brothers on z93 airs 6pm Eastern Time every Sunday on z93.3 FM, z93hv.com AND z93 on the iHeart Radio App and our archives will continue to be gathered here in podcast form and is available immediately afterward wherever you enjoy podcasts. Thanks for listening! --- Support this podcast: https://podcasters.spotify.com/pod/show/colvin-brothers-on-z93/support

Weekend re-cap, Producer Kendall gets her first mammogram during Breast Cancer Awareness Month and hopes talking about it will encourage others to get their mammograms, Let's Go Brandon anniversary, tour cancellations for Lindsay Buckingham and Ringo Starr, your calls.. and more on the Pat Walsh Show on KFBK!

Happy 98th Birthday to Jimmy Carter and Frank Hannon! Kamala Harris saying communities of color being devestated by Hurricane Ian will be the first to receive help , Happy Birthday to Lindsay Buckingham! Your calls, hitchhiking stories, Pat's Colony Kitchen stories and more on the Pat Walsh Show!

El divorcio es una triste realidad, tan antigua como la Biblia, pero se ha vuelto algo más generalizado a partir de mediados del siglo pasado en Europa o Estados Unidos y en los países tradicionalmente católicos a partir de los años 80. Es ahora que los hijos de la generación del divorcio han llegado a la edad de poder decir lo que significó para ellos. Hay mucha amargura en sus relatos, que contrasta con la supuesta naturalidad con la que sus padres rehicieron su vida. Escuchar sus historias no es un ejercicio agradable para aquellos que no han asumido su responsabilidad por la infelicidad de sus hijos, llevados con su mochila de una casa a otra, cada fin de semana. Jesús muestra la realidad del divorcio en Mateo 19:1-12. La música popular contemporánea ha creado todo un subgénero que se conoce como "álbumes de divorcio", que describe las rupturas sentimentales vividas por los artistas en diferentes momentos de su vida. Se dice que "Rumours" (1977) de Fleetwood Mac es el disco que hizo el divorcio atractivo, pero la separación de Stevie Nicks y Lindsay Buckingham, por la relación de Nicks con Mick Fleetwood, a la vez Christine rompe con John McVie, no debió ser nada agradable. Llevo a una cadena de odio y resentimiento, que refleja muy bien la canción "The Chain". Quien mejor ha descrito las fases de un divorcio es Willie Nelson en su ""Phases and stages" (1974), que distingue cuatro etapas en su separación. "Si la ves, ¡dile hola!" es uno de los temas del álbum de divorcio de Bob Dylan, "Blood On The Tracks" (1975), cuando tras varios enfrentamientos y reencuentros, el Premio Nobel de Literatura rompe su relación más estable, su matrimonio con Sarah. El álbum de divorcio de Bruce Springsteen es "Tunnel Of Love" (1987), donde habla en una canción como "Brilliant Disguise" de cómo uno encubre la tragedia de la separación. Noah Baumbach es otro hijo del divorcio. Su cine muestra esa orfandad de padres ausentes que ha hecho que llamen a su generación, "los niños de la tormenta". Aunque se compara su película "Una historia en Brooklyn" (2005) con "Kramer contra Kramer", su amargura convierte en gazmoñería la ruptura entre los personajes de Dustin Hoffman y Meryl Streep. El duro retrato de egoísmo de estos padres intelectuales judíos que interpretan Jeff Daniels y Laura Linney produce un choque tal como el del calamar gigante y la ballena que fascina al adolescente encarnado por Jesse Eisenberg en el Museo de Historia Natural de Nueva York, que da título original a la película (The Squid and The Whale). Escuchamos algunas de sus intensas escenas con la música de la banda sonora original y la desarmante comprensión de esta historia, que emociona a José de Segovia. El Paul de Peter, Paul y Mary, el popular trío de folk de los años 60, fue convertido a la fe evangélica. José tuvo una larga conversación con él en Inglaterra. Escuchamos la canción de Noel Paul Stookey sobre el matrimonio (Wedding Song / There Is A Love), que en la Biblia es sobre todo, un compromiso. La Biblia utiliza el lenguaje del pacto y la alianza para describirlo. No se basa en sentimientos, sino en el voto que has hecho. Su ruptura es un fracaso que hace daño a los hijos del matrimonio que se divorcia. Jesús bendice a los niños al final de este texto y nos dice que de ellos es el Reino de los cielos (vv. 13-15).. Escuchamos una canción sobre "Los niños" (Ná Páistí) a Moya Brennan, la cantante de música celta, hermana de Enya, que estuvo en el grupo Clannad y fue convertida al cristianismo evangélico en una iglesia bautista de la católica república de Irlanda. Ahora canta a esa fe que ha cambiado su vida...

Harrisburg University and The River 97.3 Present - THE HU POWER HALF HOUR. An extra special episode because this week Frank Schofield & Glenn Hamilton talk to a true rock legend: Mike Campbell. One of the greatest guitar players of all time. Founding member of Tom Petty & The Heartbreakers, Tom's lifelong songwriting partner and friend, talk about writing some of the most iconic rock songs and guitar riffs, his new band The Dirty Knobs, subbing for Lindsay Buckingham in Fleetwood Mac, what's in store for the remaining Heartbreakers and a lot more. Be sure to follow Harrisburg University Presents on all the socials!

Shortly after Lindsay Buckingham and Stevie Nicks Join Fleetwood Mac in 1975, they and the McVie's (the other couple in the group) find themselves having affairs with a bunch of other people and Stevie Nicks hooking up with drummer, Mick Fleetwood, during the recording of this album. We do our best to sort it out, and it is fodder for us on this podcast, leaving us with more questions than answers. We go off the rails frequently, and we give you our top non hits at the end. As badly as they screwed their lives up with the affairs and the cheating, they made what we and many rock critics believe is one of the best albums ever made. We did this podcast by request from “Fast Eddie", a friend of the show. Enjoy!!Support the show

Shortly after Lindsay Buckingham and Stevie Nicks Join Fleetwood Mac in 1975, they and the McVie's (the other couple in the group) find themselves having affairs with a bunch of other people and Stevie Nicks hooking up with drummer, Mick Fleetwood, during the recording of this album. We do our best to sort it out, and it is fodder for us on this podcast, leaving us with more questions than answers. We go off the rails frequently, and we give you our top non hits at the end. As badly as they screwed their lives up with the affairs and the cheating, they made what we and many rock critics believe is one of the best albums ever made. We did this podcast by request from “Fast Eddie", a friend of the show. Enjoy!!Support the show

Nick talks with music journalist Jim Ryan about the time he spent with Lindsay Buckingham of Fleetwood Mac; an interview with Bill Murray, Olivia Rodrigo and more. Later Nick and Esmeralda Leon talk about the latest crazy news stories including: A dumpster diver who got stuck in a dumpster for days, a group of Lucha libre wrestlers enforcing mask rules in Mexico and a basketball announcer who blamed his blood sugar levels for his use of the "N" word. Plus Nick's Dad Tells a Joke. [EP27]

Mike Campbell is responsible for crafting some of the most memorable guitar parts in rock music with Tom Petty, Stevie Nicks, Don Henley and others. The long time Heartbreaker joins us to talk about a remarkable career working as 'co-captain' with Tom Petty and the Heartbreakers, filling in for Lindsay Buckingham in Fleetwood Mac and stepping out front and center in his long term project, The Dirty Knobs. This episode was first published in December 2020. This episode is brought to you by Fretboard Biology - the online guitar college created by Joe Elliott, ex head of guitar at GIT and McNally Smith Music College. Fretboard Biology Guitar Speak Podcast #146 - Joe Elliott - ex guitar head of GIT - launches Fretboard Biology Guitar Speak Podcast #40 - Joe Elliott   Guitar Speak Podcast Links PayPal Tip Jar Visit us at guitarspeakpodcast.com Subscribe and find previous episodes at: Apple Podcasts Spotify Stitcher   Follow us on Facebook & Instagram Buy a T-Shirt! Contact us at guitarspeakpodcast@gmail.com

The love lives of Fleetwood Mac's band members have long been in the spotlight. Somehow through the back-and-forth relationships and breakups, we managed to get tons of incredible music and years of touring out of the group.Support the show (https://www.patreon.com/deathbypodcastteam)

The always eclectic, entertaining, enjoyable, and information packed chat is at it again with great appreciation for the new Beatles documentary, with the vinyl boom, Lindsay Buckingham, Counting Crows, The War on Drugs, Tom Waits, Steven Colbert, ticket vagaries, and much more in the mix.

Dave Gahan était en interview dans #LeDriveRTL2 pour parler de son projet Soulsavers dont le nouvel album "Imposter" vient de sortir. La nouveauté du jour : Bloc Party "Traps" Le journal de la musique : - Des instruments aux enchères au profit des victimes de la pandémie - Lindsay Buckingham de Fleetwood Mac assume un plagiat - The Weeknd & Britney dans une série ? 3 Trucs à savoir sur Depeche Mode Le jeu du #DriveRTL2 : Police, pas Police

Steven Hyden is a music writer from Minneapolis, he's worked with Grantland, AV Club, Rolling Stone, and more. His most recent book The Isn't Happening, about Radiohead's Kid A is out now. We chat about our tour being done, supply chain issues, supporting local music, teaching the future generation about podcasting, his first writing job, The Grateful Dead, bleep-bloop vs jangly guitar, John Mayer, interviewing Lindsay Buckingham, all the best music was made on cocaine, Pearl Jam, Kanye West, artists benefiting from dying, why Antinoff keeps getting hired, Minnesota's Lizzo, and of course Radiohead's Kid A. twitter.com/Steven_Hyden twitter.com/donetodeath twitter.com/themjeans --- Support this podcast: https://anchor.fm/howlonggone/support

PLUS: What's the show that you haven't watched yet, but you really feel like you need to watch? D-BAG Double Down: Farrah Abraham - She's thinking of going to Yale since Harvard abused her.

Elton John, Abba, Rick Astley, Fleetwood Mac and Mr Belvedere... and that's only the first 10 minutes! Another episode of That 80s Show - ready for your ear holes. Part 1: Elton John's new album. Part 2: The Abbatars and Rick Astley. Part 3: The Trouble with Lindsay Buckingham. Part 4: Movie Recommendations. Part 5: The Heritage Chart. Everything we discuss in this show can be found on @That80sShowSA on Facebook. This podcast originally plays as a radio show with music - here are the songs we spoke about and played. The Heritage Chart can be found at www.heritagechart.co.uk Hipsway - The Honeythief. Wham! - Young Guns. Phil Collins - Easy Lover.

Stevie Nicks finally addresses the whole Lindsay Buckingham firing dealy, John Corabi refutes rumours (in a very colourful way) that Nikki Sixx has threatened Vince Neil with firing to bring Corabi back, and Frank Hannon from Tesla on his "no joke" battle with the virus. (photo: teslatheband.com)

In this episode, I interview our friend, Lindsay Buckingham, who is the Special Projects Reporter at WKYC Channel 3 News.  Lindsay is a wonderful storyteller who connects to her audience and those she interviews with a strong sense of compassion, genuineness and encouragement.  She is open and warm, which helps her engage in such a positive way with others.  She shares her journey from Chicago's Columbia College to her current position at WKYC where her stories are positive, uplifting and often can teach all of us valuable lessons.  As she shares her story, she is vulnerable and gives us a peak into her own personal life, allowing us to hear how she has overcome career struggles while raising her two children as a single mom, to the exciting news of her recent marriage to her amazing husband.  You will become a huge fan of Lindsay's once you hear her story.  I know I did❤️!

Sloane has represented some of music's most prominent artists Entertainment attorney Owen Sloane has more than 45 years of experience representing some of music's most prominent artists and leading corporations in entertainment, internet and music publishing. He regularly handles complex and sophisticated transactions for music industry and other entertainment clients and handles all forms of contract, agreement, and licensing negotiation for clients in the music, film, television and digital media industries. Over the course of his career, Sloane has represented Elton John, Barry Manilow, Steve Winwood, Chris Daughtry, Rob Thomas, Matchbox Twenty, Stevie Nicks, Bonnie Raitt, Kenny Rogers, ABBA, Lindsay Buckingham and more. He has also represented major companies in entertainment such as Playboy, Lorimar, HBO, Coca Cola and Mary Tyler Moore. We chat with him about how the pandemic has affected the concert industry with last minute cancelations, precautions, and a hopeful return to normal. We also discuss the pending Nirvana lawsuit by the man appearing naked as a four month old on the cover of Nevermind, music talent search shows having predetermined winners, artists selling their catalogues and more. Be sure to subscribe to The Music Universe Podcast wherever you get your podcasts.

Gene Simmons drops the truth bomb about who ruined the music business (spoiler alert, he's blaming you), Kirk Hammett says he can understand how early core fans felt abandoned by the success of Metallica's Black Album, Lars' boys form a band and release a clip of new music, and hear the new single from Lindsay Buckingham.

Rudy Sarzo announces that he is "returning home" to Quiet Riot, Lindsay Buckingham explains his perspective on why he was fired from Fleetwood Mac, and what he feels the chances are that he will rejoin the band, and hear Bruce Springsteen on lead vocals of Tom Morello's cover of AC/DC's "Highway To Hell". (Photo: Rudy Sarzo/Twitter)

Welcome back! We get into the former Mos Def possibly playing Thelonious Monk, Eric Clapton claps back again, Ryan Adams begs for his career, Space Jam, mad big ups to Joey Jordison, David Hoggard, ZZ Top bassist Dusty Hill. Slaps include Quicksand, Lindsay Buckingham, Coheed and Cambria, James Blake. Become a Patron of the Podcast - https://bit.ly/PatreonTHSBandcamp - http://thehustleseason.bandcamp.comTHS YouTube -https://bit.ly/THSYouTubeChannelInstagram - http://instagram.com/thehustleseasonTwitter - http://twitter.com/thehustleseasonSpring (fmrly Teespring) - https://bit.ly/HustleSeasonMerchFacebook - http://bit.ly/HustleSeasonFBThe Hustle Season on Apple Podcasts - https://bit.ly/TheHSPodcastAppleThe Hustle Season on Spotify Podcasts - https://bit.ly/TheHSPodcastSpotify

Scott catches up with 8x New York Times best seller, Anthony Bozza, and the co-founder of Fleetwood Mac, Mick Fleetwood. They discuss how they both met and how Anthony came to write Mick's autobiography, Along they way they talk in length about Peter Green, later discussing the tribute concert, documentary and the time the band moved to LA and connected with Lindsay Buckingham and Stevie Knicks. They discuss everything from the blues to the different direction the band took with the lineup and jump into modern day Fleetwood Mac. The Tik Tok phenomena and Don't Stop from the Clinton campaign are discussed in length. Is the infamous band dropping new music? Tune in and find out!

On this week’s episode Big Brother and I go back to 1984 for some more random music pulled from the vinyl archives of WTBR-FM. Here is the playlist: Lindsay Buckingham – Go InsaneFalco – Junge RoemerFreddie Mercury – Love KillsBob Marley & the Wailers – I Shot The SheriffApollonia 6 – Sex ShooterHelix – Rock YouTina Turner – What’s Love Got To Do With It (Party Mix)Jack Wagner – All I NeedHoneydrippers – Rockin’ At Midnight.38 Special – Teacher, TeacherHall & Oates – Method of Modern Love

info@podcastone.comfa4ee14a-d5e6-4191-8bbc-380a830133c8Wed, 09 Jun 2021 15:00:00 PDT

Award-winning Canadian rock icon Carole Pope talks with Emmy Winner Charlotte Robinson host of OUTTAKE VOICES™ about her new single “World’s a Bitch” a collaboration with Canadian electro synth pop trio Church of Trees consisting of band members Bernard Frazer, Tara Hope and Allison Stanton. The song and music video relay a stirring sonic snapshot of the angst felt and coping mechanisms tapped when it comes to the COVID-19 pandemic and the world’s desperate need for vaccine distribution. The song is mixed and mastered by Jordon Zadorozny whose credits include Blinker the Star, Courtney Love, Chris Cornell and Lindsay Buckingham of Fleetwood Mac. The pairing of Pope with Church of Trees came by way of former Spoons/Honeymoon Suite keyboardist Rob Preuss. While working directly but separately with each artist he had a light bulb moment & suggested Frazer write something that might suit Pope’s voice. With her hit “High School Confidential'' recently inducted into the Canadian Songwriters Hall of Fame Carole Pope is the award-winning vocalist of Rough Trade and also known for leveraging her iconic status to openly table discussions around LGBTQ sexuality in her lyrics starting in the ‘70s. “World’s a Bitch” is one of several musical projects Pope is currently working on including “Attitude: The Art Rock Musical” a stage production based on the life of her late brother Howard a New York-based musician who passed away of AIDS in 1996. We talked to Carole about what she hopes to accomplish with “World’s a Bitch” and her spin on our LGBTQ issues.  Carole Pope has won three Juno Awards (Canada’s version of the Grammy), a Genie (Canada’s Oscar) and multiple gold and platinum records to her credit. Pope is a certified rock legend fronting the infamous post-punk band Rough Trade in the 1980’s and is now a successful solo artist. Throughout her career she's been known as a musical agent provocateur writing and performing songs that make you "think and dance at the same time." Pope has performed at the Brooklyn Museum, Joe's Pub and the Michigan Womyn's Music Festival as well as LGBTQ Pride festivals around the world. Her music has been featured in movies and television shows including Transparent, The L Word and Queer as Folk. “World’s A Bitch” with Church of Trees is now available everywhere.  For More Info... LISTEN: 500+ LGBTQ Chats @OUTTAKE VOICES 

In this edition of Rock Moments to Remember, we will talk about the infamous Rolling Stones muse Anita Pallenberg and how her relationship with Keith Richards and the explicit and controversial indie film "Performance" let to one of the greatest rock songs of all time!We'll also discuss the iconic Fleetwood Mac album "Rumours", but instead of telling the well known tales of Stevie Nicks, Lindsay Buckingham and Mick Fleetwood, we'll highlight Christine McVie's contributions to the album and the stories ( we mean drama!) behind the songs. Listen now and we'd love it if you would follow, rate or review My Rock Moment!Episode References:“Life,” published by Weidenfeld & Nicholson (UK) and Little, Brown and Company (US) , written by Keith Richards and James Foxhttps://www.express.co.uk/entertainment/music/1248591/Rolling-Stones-Keith-Richards-girlfriend-Anita-pallenberg-Brian-jones-mick-jagger https://faroutmagazine.co.uk/rolling-stones-gimme-shelter-merry-clayton-story-miscarriage/https://www.rollingstone.com/feature/fleetwood-macs-rumours-10-things-you-didnt-know-121876/https://fleetwoodmac.fandom.com/wiki/You_Make_Loving_Funhttps://www.uncut.co.uk/features/fleetwood-mac-everybody-was-pretty-weirded-out-the-story-of-rumours-26395/https://www.ranker.com/list/true-stories-behind-fleetwood-mac-rumours-album/melissa-sartorehttps://www.thesound.co.nz/home/music/2018/08/10-interesting-facts-you-may-not-know-about-fleetwood-mac.htmlhttps://crockpics.com/the-story-behind-fleetwood-macs-you-make-loving-fun/

On this week's 3 Things to Know with Stephanie Haney podcast, Cleveland Clinic Children's pediatric psychologist Dr. Emily Mudd, PhD, explains why returning to in-person learning is so important for students, what parents should watch out for as everyone adjusts, and what long-lasting impacts might await children after nearly a year of isolation due to the COVID-19 pandemic. Plus, 3News reporter Lindsay Buckingham shares why Alpine Valley Resort and the Cleveland Metroparks are the winter fun family destinations you Need to Know in NEO, and to go along with that, Stephanie breaks down by the metroparks accounts are such A Good Follow on Twitter and Instagram. Watch this podcast on YouTube: http://youtu.be/lP2E_WKJoiQ Connect with Dr. Emily Mudd, PhD: https://my.clevelandclinic.org/staff/23833-emily-mudd Need to Know in NEO: Alpine Valley Resorts http: //alpinevalleyohio.com/ Need to Know in NEO: Cleveland Metroparks https://clevelandmetroparks.com/ A Good Follow: Cleveland Metroparks https://twitter.com/hashtag/TenToExplore http://Twitter.com/clevemetroparks http://Instagram.com/clevemetroparks Connect with Lindsay Buckingham: http://twitter.com/LindsayBuckWKYC http://instagram.com/LindsayBuckinghamWKYC https://facebook.com/LindsayBuckWKYC Connect with Stephanie Haney: http://twitter.com/_StephanieHaney http://instagram.com/_StephanieHaney http://facebook.com/thestephaniehaney

Lindsay Buckingham e Stevie Nicks si erano lasciati. John McVie e Christine Perfect stavano divorziando. Mick Fleetwood aveva scoperto una relazione extraconiugale della moglie. Diciamo che i presupposti non erano dei migliori ma, nonostante la cocaina e il non rivolgersi praticamente parola, il 4 febbraio del 1977, i Fleetwood Mac pubblicano Rumours, non solo il loro maggior successo commerciale, ma un disco capace di vendere 40 milioni di copie.

Mike Campbell is responsible for crafting some of the most memorable guitar parts in popular music. The long time Heartbreaker joins us to talk about a remarkable career working as 'co-captain' with Tom Petty and the Heartbreakers, filling in for Lindsay Buckingham in Fleetwood Mac and stepping out front and centre in his long term project, The Dirty Knobs. This episode is brought to you by Fretboard Biology - the online guitar college created by Joe Elliott, ex head of guitar at GIT and McNally Smith Music College. Fretboard Biology Guitar Speak Podcast #146 - Joe Elliott - ex guitar head of GIT - launches Fretboard Biology Guitar Speak Podcast #40 - Joe Elliott   Guitar Speak Podcast Links PayPal Tip Jar Visit us at guitarspeakpodcast.com Subscribe and find previous episodes at: Apple Podcasts Spotify Stitcher   Follow us on Facebook & Instagram Buy a T-Shirt! Contact us at guitarspeakpodcast@gmail.com  

Cleveland Clinic psychologist Dr. Adam Borland talks with 3News digital anchor Stephanie Haney on how to handle loneliness related to the COVID-19 pandemic and get what we need out of all types of relationships, from friends, family, lovers and even co-workers, when we can't be together in person. Plus, 3News reporter Lindsay Buckingham shares what you Need to Know in NEO about the unique opportunity to connect with others that she had a hand in bringing to Northeast Ohio, and Stephanie fills you in on why ISSA certified personal trainer Sara Ann Davis is such A Good Follow on Instagram. Connect with Dr. Borland: http://Twitter.com/DrAdamBorland Need to Know in NEO: Beachwood Pen Pal Program https://www.wkyc.com/amp/article/features/assisted-living-home-in-beachwood-starts-pen-pal-program/95-1b35c081-f61b-4c37-8e0e-911eb67d73d6 A Good Follow: ISSA Certified Personal Trainer Sara Ann Davis http://Instagram.com/SaraAnnDavis Connect with Lindsay Buckingham here: http://twitter.com/LindsayBuckWKYC http://instagram.com/LindsayBuckingham http://facebook.com/LindsayBuckWKYC Connect with Stephanie Haney here: http://twitter.com/_StephanieHaney http://instagram.com/_StephanieHaney http://facebook.com/thestephaniehaney Read more here: https://www.wkyc.com/article/life/wellness/how-to-handle-loneliness-and-get-what-you-need-from-relationships-while-living-through-a-pandemic-with-cleveland-clinic-psychologist-dr-adam-borland/95-6be2d4f6-da24-46c4-b1aa-bf8c84b71fbd Check out these resources for mental health support: Mental Health America of Ohio (MHAO) https://mhaohio.org/get-help/pro-bono-counseling/ Open Path Psychotherapy Collective https://openpathcollective.org/city/cleveland/ Substance Abuse and Mental Health Services Administration (SAMHSA) https://store.samhsa.gov/product/Taking-Care-of-Your-Behavioral-Health-Tips-for-Social-Distancing-Quarantine-and-Isolation-During-an-Infectious-Disease-Outbreak/PEP20-01-01-007 National Suicide Prevention Lifeline http://mha.ohio.gov/Families-Children-and-Adults/Suicide-Prevention Call: 1-800-273-8255. Text: Send "4HOPE" to 741-741

Lindsay Buckingham, reporter at WKYC, shares her story of single parenting. She discusses some of the most difficult things about parenting solo, things she learned, and what has helped her the most along the way. The post Podcast Episode #55: Single Parenting with Lindsay Buckingham at WKYC appeared first on Northeast Ohio Parent.

This week on Films in Black and White, we announce the winner of the Facebook quote contest(13:50) and also quiz each other with Catch That Quotable(14:51). The trio also gives their Top 3 movie soundtracks(23:59) as well as breaks down this week's worth of movie news(44:20). Rate and review us, wherever you get your podcast. We love y'all, we appreciate y'all, and we will be back next week with Episode 35: License to Podcast. Credits: - Jacob Shaddix and Tobin Esperance(2000). Last Resort performed by Papa Roach on Infest. Dreamworks Records. - Lindsay Buckingham, Mick Fleetwood, Christine McVie, Josh McVie, Stevie Nicks(1977). The Chain performed by Fleetwood Mac on Rumors. Warner Brothers Records. - Stephen Trask(2006). Cadillac Car performed by Eddie Murphy, Laura Burdy, Jennifer Hudson, Beyonce Knowles, Rory O'Mally, Anika Rose, Anne Warren on Dreamgirls(Music from the Motion Picture). Columbia Records. - Stephen Trask(2006). Step Into the Badside Eddie Murphy, Laura Burdy, Jennifer Hudson, Beyonce Knowles, Rory O'Mally, Anika Rose, Anne Warren on Dreamgirls(Music from the Motion Picture). Columbia Records. - Kendrick Duckworth, Pharrell Williams, Mark Spears(2015). All Right on To Pimp A Butterfuly. Top Dawg, Aftermath, and Interscope Records. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In Episode 6 we take a look at the incredible life journey of the enchanting, mystical and courageous Stevie Nicks. From her early days raised in Pheonix, Arizona as she was taken under the wing of her beloved grandfather and his musical passion. Her first encounter with Lindsay Buckingham before performing alongside each other in the Fritz Rabyne Memorial Band and as a duo named Buckingham Nicks. Stevie would slave away working around 3 jobs at once before the pair were scouted by Mick Fleetwood of Fleetwood Mac. From there Stevie would prove all the doubters wrong with her incredible live performances, unique but strong vocals and her heartfelt songwriting ability that cast a spell on fans from all over the world. Despite losing her way at times she would become an inspiring female figure as she attempted to make it in a man's world, she battled relationship drama's, affairs, scandals and drug addiction, striking out solo and would eventually earn her rightful place as the only woman in history to make the Rock N Roll hall of fame twice, opening the door for woman like her to follow in her footsteps. Sit back and enjoy as this is one hell of an inspiring and incredible story. We take a look at the meaning behind a large number of Stevie's most memorable songs and ones you may not know too much about including Dreams, Landslide, Stand Back, Sara, Rhiannon, Gypsy, Edge of Seventeen, Leather and Lace, Has Anyone Ever Written a Song For You, Gold Dust Woman, Silver Springs and many more. This episode was written, researched, narrated, edited and produced by Adam Hampton. If you enjoyed this episode feel free to subscribe for future episodes and please feel free to leave a positive review. You can also find us on Facebook, Twitter and Instagram at Lyrics of their Life Podcast and if you're feeling really generous you can support us further at Patreon, so we can continue to bring you more great episodes in the future. https://www.patreon.com/Lyricsoftheirlifepodcast Thanks for tuning in and enjoy.

Have Questions? Send yours to askjeff@comeonover.com! He may just answer it in a future podcast! (hyperlink to open an email)IGQ&A - Jeff’s Instagram Links & RecipesJeff’s MacDaddy Mauro Boneless BBQ RIBurger Sweet BBQ Rub Recipe  Lorenzo Gets to Work at the Mauro Family Home StudiosOther StuffsLeopard outside of Jeff’s Room in South Africa - See...he doesn’t exaggerate!Speaking of how we don’t exaggerate, check out this pic of the famous Mauro Family Van! https://www.eater.com/ Want to jam out again to those face-melting theme songs?Click HERE to listen to all of Jeff’s one-of-a-kind tunes. And guess what….there will be new ones each week! 

On July 11, 1975, Fleetwood Mac released its second self-titled album, but the first with the now-familiar lineup of John and Christine McVie, Mick Fleetwood, Lindsay Buckingham, and Stevie Nicks. The album spawned several singles, sold five million copies, and set the stage for the monster success of "Rumours" two years later. We tell the story of how the lieup came together, and the making of the album, as we make it our latest inductee into The Drive Rock Of Fame.

The usual lively discussion checks in on local musicians and the way they are reaching their fans, and helping their colleagues and the community. Meanwhile, we consume music away from closed venues with documentaries and shows with the likes of Stevie Ray Vaughn, ZZ Top, Lindsay Buckingham and more.

Drummer Mick Fleetwood and guitarists Peter Green and Jeremy Spencer founded one of the greatest rock bands in the entire world in London in 1967. Their roots were primarily as a British blues band. But the lineup we’ve come to know and love featuring Lindsay Buckingham, Christine McVie, and Stevie Nicks, wouldn’t materialize until 1974. This is the deep dive story of Fleetwood Mac: Original guitarist Green decided to keep the guitarists out of the spotlight, and instead name the band after drummer Mick Fleetwood and eventual joining bassist John McVie The first American tour the band ever had saw them third on the bill behind Jethro Tull, and Joe Cocker Before the 70s, founding guitarist Green left the group in a really bizarre manner. He apparently declared money to be evil, gave it all away, and took a job as a gravedigger. Critics suggested that a bad LSD trip may have been to blame for Green’s erratic behavior The other founding guitarist Jeremy Spencer disappeared after leaving the band, having joined a religious cult called the Children of God. When he was found, his head had been completely shaven. The cult apparently stuck with him; he decided to name his 1973 solo album after the cult Buckingham and Nicks played together in a newly formed, critically acclaimed group aptly named Buckingham-Nicks. Their first and only album sold poorly, but their sound opened the door to their joining Fleetwood Mac You see, Mick Fleetwood was searching for former member Bob Welsh’s replacement when he scouted Sound City Studios in Van Nuys, California. The studio owner played him a Buckingham-Nicks song to demonstrate the studio's acoustics. Fleetwood asked about the guitarist, Lindsay Buckingham, saying he came as a package deal with his girlfriend Stevie Nicks and also with studio owner and producer Keith Olsen, who had signed them to a production deal and produced their first album. Fleetwood took that deal, making Olsen a co-producer of the Fleetwood Mac album and recording it at Sound City. Nicks ended up giving the group a distinctive voice and an additional songwriter that helped define their new sound. Olsen was jettisoned after that album and later sued the band for withholding royalties. Mick Fleetwood and John McVie kept the group going throughout the decades and across the myriad changes. Fleetwood says they stuck it out through "abject fear." "That's the nature of being in a rhythm section. You need someone to play with," he told Rolling Stone in 2017. "What the hell would we do if there was no band?" Currently, there is a Fleetwood Mac, but featuring all the original all-star mid-70s lineup, except Lindsay Buckingham, who told CBS Sunday Morning that he wasn’t on the same page as the group, and preferred to concentrate on his solo work

Director Peter Jackson's new Beatles documentary culled from 55 hours of previously unreleased footage for the Let It Be sessions gets a release date, a surprise from a Danish band that overtakes U2 on a key sales record, and we have a preview of the new Killers tune featuring Lindsay Buckingham.

Director Peter Jackson's new Beatles documentary culled from 55 hours of previously unreleased footage for the Let It Be sessions gets a release date, a surprise from a Danish band that overtakes U2 on a key sales record, and we have a preview of the new Killers tune featuring Lindsay Buckingham.

In this episode Chris's mom brings us plenty of bagel bites. We discuss Lindsay Buckingham's future in Fleetwood Mac, promote Ozzy's upcoming album, and mention who Sammy Hagar is touring with this summer. As always, we give our Netflix recommendations and hope you listen and enjoy our ever improving train wreck of a show. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Fleetwood Mac was a British-American rock band formed in 1967 in London - led by Mick Fleetwood and John McVie.They really 'hit their straps' in 1974 when they relocated to California and added the soft rock duo of boyfriend/girlfriend partnership, Lindsay Buckingham and Stevie Nicks to their lineup.They were inducted into the Rock n Roll Hall of Fame in 1998 and performed at The Grammy Awards that year.

#Slayer #FleetwoodMac #LindsayBuckingham

Mick Fleetwood says there is no chance that Lindsay Buckingham will be back with Fleetwood Mac. Fleetwood also says he can't figure out why the band has gone through so many guitar players over the years...Mike has a theory. And My Chemical Romance announces and 18-date North American tour.

[JON's PICK] The year is 1977 and Valentines day is right around the corner. You want to get your significant other a memorable gift that really tells them how you feel. Fleetwood Mac just released the follow-up to their wildly popular self titled album, which featured musical power couple Buckingham Nicks. It's called 'Rumours,' and you grab it from the Sam Goody without listening to it, because you like how romantic it is that the two people in a passionate relationship can write music and tour together. They seem like the perfect couple. You give the album to your significant other for Valentines Day, and after a week passes, you start to have some heavy conversations about your relationship and your compatibility, and ultimately you decide it's best that you "go your own way..." One of the greatest breakup albums of all time, 'Rumours' and the story surrounding it are legendary in rock music history. Lindsay Buckingham and Stevie Nicks were at the end of their relationship and Christine and John McVie had gotten divorced, but they were all determined to power through it and made one of the most interesting and emotionally raw albums of the time. Join Brad, Dave, Jon A, and newcomer Scott Westley for a breakdown of the album and a little relationship advice... NEXT UP: (12-30-19) Sun Kil Moon - Benji "Dreams" with rough mix/vocals: https://youtu.be/6ZShvtyeUpk Miley Cyrus and Wayne Coyne Collaboration: https://en.wikipedia.org/wiki/Miley_Cyrus_%26_Her_Dead_Petz 89.9 WORT The Access Hour interview: https://soundcloud.com/wort-fm/brad-lebaron-revolover-audio Couch on the Couch: https://anchor.fm/couchonthecouch Other Links: https://linktr.ee/FlyoverStatePark --- Support this podcast: https://anchor.fm/albumconcepthour/support

Songwriter/producer Jordan Zadorozny riffs on his success with Blinker The Star, his life in LA writing songs with folks like Lindsay Buckingham and Courtney Love, his life as a producer and father, and what exactly is so great about Canada. hint: it's the weed.

Lindsay Buckingham plays live for the fires time since his heart surgery, David Lee Roth talks possible Vegas residency, Klaus talks about a possible new Scorpions album. and ZZ Top is involved in what we think is a horrible idea.

Aurora Workman and Dr. Lynnda Nadien talk with Michael Epstein, who graduated in 1983 and furthered his education at what was then C.W. Post in 1986. He is an accomplished musician and music producer, opening Dare Studios in Deer Park in 1986. He engineers, produces videos, rehearsals, live sound and podcasts. He is the founder of 2 tribute bands that tour nationally: Fleetwood Macked (playing Lindsay Buckingham) and Refugee, a Tom Petty tribute band (playing Tom Petty.)

Aurora Workman and Dr. Lynnda Nadien talk with Michael Epstein, who graduated in 1983 and furthered his education at what was then C.W. Post in 1986. He is an accomplished musician and music producer, opening Dare Studios in Deer Park in 1986. He engineers, produces videos, rehearsals, live sound and podcasts. He is the founder of 2 tribute bands that tour nationally: Fleetwood Macked (playing Lindsay Buckingham) and Refugee, a Tom Petty tribute band (playing Tom Petty.)

PLUS: An actual Jen and Brad reunion, THE LEGO MOVIE 2 tops box office and Lindsay Buckingham undergoes emergency heart surgery.

Oscar-nominated Albert Finney passes away at 82. Susan Lucci shares her scary heart attack story. If you could wake up in a rom-com, which would it be? Lindsay Buckingham has heart surgery. Frances Bean Cobain feels guilty about her inheritance.

Danny and longtime Kansas City music critic Timothy Finn with their recurring discussion of music. Top shows, reviews, memories, and more. This episode brings discussions of David Bowie, Kelly Clarkson, Lindsay Buckingham, Marty Stuart, Lou Reed and others.

A story of love, music, betrayal and copious amounts of cocaine.  This week Mara and Jane sit down with Lillian DeVane (Front of House podcast, Sunday Roast comedy at Max Fish) to discuss the lives and loves of Stevie Nicks and Lindsay Buckingham and the whole Fleetwood Mac crew.  

This week Chris and Skip look back on 2018 and all the goodies that we encountered, watched, read, listened to, etc. Thanks for listening! Enjoy. Deficit Pick(s) of the Week: We Need to Talk about Kevin Tickle We rate and review: Aquaman Bumblebee Vice Holmes & Watson American Nightmare Roma Bandersnatch We intro with 52 Girls by The B-52’s, interlude with Unique by GBH, second interlude with Barbie Girl by Aqua (you know you love it), and outro with Holiday Road by Lindsay Buckingham. Follow us on Twitter @adoradio0 or @M_ADOradio or @Skip_ADO_Radio. We're a proud member of the BAT SQUAD network (www.batsquadnetwork.com). Make sure to check out the other great shows! What?

After being fired by Fleetwood Mac earlier this year, Buckingham has reached an "agreement" with the band. #music #FleetwoodMac #StevieNicks #LindsayBuckingham #ChristineMcVie #MickFleetwood #PeterGreen #tour #lawsuit #rockandroll #ThreeStooges #NeilFinn #MikeCampbell #CrowdedHouse #TomPetty #Heartbreakers

Episode #196 -  Angels Don’t Fly With Their Arms  00:00:38 - On Writing  00:04:46 - Holiday Road  00:08:31 - TERMINAL VELOCITY  00:32:16 - Hollywood Florida  00:46:47 - UBER Pool  00:57:23 - The Sights, The Smells, The Sounds  Music  #Operation Ivy  #Lindsay Buckingham  #Michael Jackson #BillyJoel #TheEvolved  #AfricanMusicCrew   #RoodyRoodboy  #BarryVorzon  #DerekHall 

This week's Performance Anxiety is a little different. I speak with Jordon Zadorozny of Blinker The Star & Kellii Scott of Failure as well as Blinker The Star. We learn how the two of them started making music together. We also learn about Kellii's job's prior to becoming a professional drummer, and how that got him in touch with John Entwistle of The Who & Jani Lane of Warrant.Jordon talks about working with Lindsay Buckingham of Fleetwood Mac and how he broke into the music business.The stories in this episode are hilarious and the guys were a lot of fun to speak with. I hope you enjoy Jordon & Kellii

This week's Performance Anxiety is a little different. I speak with Jordon Zadorozny of Blinker The Star & Kellii Scott of Failure as well as Blinker The Star. We learn how the two of them started making music together. We also learn about Kellii's job's prior to becoming a professional drummer, and how that got him in touch with John Entwistle of The Who & Jani Lane of Warrant. Jordon talks about working with Lindsay Buckingham of Fleetwood Mac and how he broke into the music business. The stories in this episode are hilarious and the guys were a lot of fun to speak with. I hope you enjoy Jordon & Kellii

Side A: Frank Sinatra & Alberto Jobim "Bonita" Side B: Fleetwood Mac & Smashing Pumpkins "Landslide" Support the show (https://podcasts.apple.com/us/podcast/cover-story/id1316021270)

After a week off collecting their edges from Beychella, Vincent and Dana are back with their review of Beyonce's performance and the array of pop culture nuggets from the week including a farewell to Scandal and this week's Yeah or Meh segment featuring Lindsay Buckingham, Lauryn Hill and Crazy Rich Asians (the movie).

Rick has 24 Gold and Platinum records on his wall - primarily from his time spent with Fleetwood Mac (when Lindsay Buckingham was out), Bob Seger, and Jackson Browne. He’s also played with John Fogerty, Todd Rundgren, John Mayall, Bonnie Raitt, Maria Muldaur, John Prine, Little Richard and Dobie Gray. Rick shares some really cool stories about working and interacting with many of these artists, on this candid call… Rick also has 10 solo CD’s… Reverend is working on his 3rd signature guitar… he’s been nominated for a Grammy as a guitar player and co-producer of the Mick Fleetwood Blues Band’s album, Blue Again… and he was kind enough to share the biggest obstacles he’s struggled with, over the course of his career… along with the success behind his 35 year marriage. VERY candid call from this guitar warrior... Subscribe https://www.EveryoneLovesGuitar.com Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ Twitter: https://twitter.com/ELovesGuitar

Featuring songs from their Self-Titled debut album, Street Called Straight. – In Frontline Rewind episode 78, Executive Producer Adel Meisenheimer subs in for host Les Carlsen and interviews Scott Frankfurt, half of high-tech husband and wife pop duo, Street Called Straight. The other half, Jody Moreing Frankfurt, passed away in 2006, but Scott does a wonderful job of taking listeners through this dynamic couple’s spiritual, musical and relational journey. Listeners get to hear the progression from secular success, to salvation, to Sunday church, to CCM recordings on Frontline Records. Before marrying Scott, Jody had a record deal and secular success, including the writing of a song called “Danny” recorded on pop singer Tiffany’s debut album that sold over 11 million copies in 1987. Listeners will hear about her relationship with Lindsay Buckingham of Fleetwood Mac. Stevie Nicks almost wasn’t! Scott, a drummer, keyboardist and sound designer, started writing songs with Jody in the late ‘80s. Their first Contemporary Christian Music album, “Street Called Straight”, was one of the first in that market to be programmed digitally in 1991, thanks to Scott’s extraordinary tech talent. This episode includes songs with Jody’s unmistakable voice from the first album, complete with intros, recited lyrics and tech secrets straight from the artist.

Keppendur í Söngvakeppninni kíktu í spjalli og spilerí í std. 12, plata vikunnar með Starbright, ýmsir molar að lokinni Ofurskál, Lífshlaupið, MánudagsMayerinn og tónlistarfréttir. Lagalisti: 12:45-14:00: Grafík - Bláir fuglar. Justin Timberlake - Filthy. Anouk - Birds. Tom Walker - Leave a light on. Foster the people - Pumped up kicks. Joe Cocker - Unchain my heart. Hildur - I'll walk with you. Lady Gaga - Million reasons. Everything but the girl - Missing. Þórir Geir & Gyða Margrét - Brosa (Söngvakeppnin 2018). Birnir - Út í geim. Soundgarden - Fell on black days. Starbright - Dreams (af plötu vikunnar). Tellef Raabe - Sister (ft. Sigrid). David Bowie - Jean Genie. Egill Ólafsson - Hér er allt. 14:03-15:00: Hildur Vala - Geimvísindi. Toto - I'll supply the love. Umsjón: Hulda G. Geirsdóttir. Skítamórall - Hún. Dalí - Joke. Between Mountains - In the dark. Lindsay Buckingham & Christine McVie - In my world. Khalid - Young, dumb and broke. SÖNGVAKEPPNIN 2018 - Þórunn Antonía í std. 12 söng Euphoria og þau Agnar Friðbertsson spjölluðu við Björgu Magnúsdóttur. Anderson East - Girlfriend. Aerosmith - Dream on. Nýdönsk - Stundum. 15:03-16:00: Heimilistónar - Kúst og fæjó (SÖngvakeppnin 2018). Teitur Magnússon & DJ flugvél og geimskip - Lífsspeki. LÍFSHLAUPIÐ - VINNINGSHAFAR DAGSINS: Grunnskólakeppnin: 5. bekkur Oddeyrarskóla á Akureyri. Framhaldsskólakeppnin: Linda Rún Jónsdóttir úr MH. Vinnustaðakeppnin: Valgerður Jónsdóttir úr liðinu Góði heimurinn hjá Securitas. Damon Albarn - Mr. Tembo. SÖNGVAKEPPNIN 2018 - Þórir Geir & Gyða Margrét í std. 12 fluttu Never ever let you go og spjölluðu við Björgu Magnúsdóttur. MÁNUDAGSMAYERINN - John Mayer með Daughters frá 2003. Ari Árelíus - Won't ever stop. Bruno Mars - Finesse (ft. Cardi B.). George Ezra - Paradise. Supergrass - Pumping on your stereo.

This week Chris, Skip, and M (Josh was rubbing one out to John Williams) run down our 2017 top best and worst TV and Movies. We talk about California’s ridiculous tax on cannabis. We talk about our Player Unknown’s Battleground experience so far. Thanks for listening! Enjoy. Deficit Pick of the Week: City of Lost Children We rate and review: Star Wars: The Last Jedi We open with Holiday Road by Lindsay Buckingham and close with Here and Now by Letters to Clea. Follow us on Twitter @adoradio0 or @_ratking or @M_ADOradio or @Skip_ADO_Radio. We're a proud member of the BAT SQUAD network (www.batsquadnetwork.com). Make sure to check out the other great shows! What?

1 Everybody Wants the Rule the World (RMX) by Tears For Fears 2 The Way You Make Me Feel (Extended) by Michael Jackson 3 Need You Tonight (Remix) by Inxs 4 Kiss (Redrum) by Prince 5 Out Of Touch (Extended Mix) by Daryl Hall John Oates 6 I Can Dream About You (12' Extended ) by Dan Hartman 7 The Way It Is (Redrum) by Bruce Hornsby 8 Lessons In Love (Shep Pettibone Remix) by Level 42 9 New Sensation (Redrum) by Inxs 10 Rhythm Of The Night (Extended Version) by Debarge 11 Under Pressure (Extended) by Queen & David Bowie 12 Bette Davis Eyes (Extended) by Kim Carnes 13 Miss Me Blind (Ultimix) by Culture Clube 14 Come To My Aid (Remix) by Simply Red 15 What Have I Done To Deserve This by Pet Shop Boys 16 Der Kommissar (Original) by Falco 17 Good Vibrations (Remix) by Marky Mark & The Funky Bunch ft. Loletta Holloway 18 Livin' On A Prayer (Mixshow) by Bon Jovi 19 Sussudio (Perry Mix) by Phil Collins 20 Too Late For Goodbyes (Extended) by Julian Lennon 21 Trouble (Remix) by Lindsay Buckingham 22 Who Can It Be Now (Albertomix Xtend) by Men At Work 23 The reflex (Extended) by Duran Duran 24 Everybody Have Fun Tonight (12 Inches Of Fun) by Wang Chung 25 Talking In Your Sleep (Ultimix) by The Romantics 26 Perfect kiss (Remix) by New Order 27 Cry Wolf (Extended Mix) by A ha 28 Just Can't Get Enough (Remix) by Depeche Mode 29 Here comes the rain again (Remix) by Eurhythmics

Esta semana en Con Propiedad Intelectual - Radio Show tendremos la música de Lindsay Buckingham y la poesía de Mario Benedetti.Regresamos a la charla de cervezas obscuras con una deliciosa muestra de Cerveza Cucapá.En cinematografía platicaremos de la cinta El baisano Jalil de Joaquín Pardavé que es sin duda una referencia para los extranjeros que fueron bienvenidos en nuestro país y que se fusionaron con sus elementos culturales en México.El monstruo que se pasea por estos lares en la semana es canadiense y se ubica en el Lago Thetis, muy interesante la onda folk que le da vida y lo mantiene como un atractivo de la zona de Victoria del país de la hoja de maple.Si nos queda tiempo platicaremos un mito derivado de nuestro actor protagónico de la semana.Saludos y que tengan excelentes jornadas donde aparentemente nos hemos despedido ya del invierno por lo menos en sensación térmica.

Esta semana en Con Propiedad Intelectual - Radio Show tendremos la música de Lindsay Buckingham y la poesía de Mario Benedetti.Regresamos a la charla de cervezas obscuras con una deliciosa muestra de Cerveza Cucapá.En cinematografía platicaremos de la cinta El baisano Jalil de Joaquín Pardavé que es sin duda una referencia para los extranjeros que fueron bienvenidos en nuestro país y que se fusionaron con sus elementos culturales en México.El monstruo que se pasea por estos lares en la semana es canadiense y se ubica en el Lago Thetis, muy interesante la onda folk que le da vida y lo mantiene como un atractivo de la zona de Victoria del país de la hoja de maple.Si nos queda tiempo platicaremos un mito derivado de nuestro actor protagónico de la semana.Saludos y que tengan excelentes jornadas donde aparentemente nos hemos despedido ya del invierno por lo menos en sensación térmica.

50 episodes after Brian and Brian listened to Fleetwood Mac's Mirage, they're back with returning guest Zach Calhoun (Cadet, 1st Chair of the 5 Star Five) listening to the Mac's most recent studio full length with the classic lineup Tango in the Night. volcanovinyl@gmail.com @volcanovinyl #vv052

In the end it doesn't matter how the wins come, so long as they do come. And it was in that spirit of realism that Harry Warren and I consider yesterday's 2-1 victory over Lindsay Buckingham, Stevie Nicks and Mick Fleetwood (Town).Two penalties scored by Lee Gregory settled the issue, with just enough fingernail biting toward the end to make us all go our own way from The Den suitably frazzled. Onward next week to the Kassam Stadium home of Oxford United. Can't wait to see if we can continue our new direction of trying to string some passes together...NickCBLthemag@hotmail.co.uk Hosted on Acast. See acast.com/privacy for more information.

In the end it doesn't matter how the wins come, so long as they do come. And it was in that spirit of realism that Harry Warren and I consider yesterday's 2-1 victory over Lindsay Buckingham, Stevie Nicks and Mick Fleetwood (Town). Two penalties scored by Lee Gregory settled the issue, with just enough fingernail biting toward the end to make us all go our own way from The Den suitably frazzled. Onward next week to the Kassam Stadium home of Oxford United. Can't wait to see if we can continue our new direction of trying to string some passes together... Nick CBLthemag@hotmail.co.uk See acast.com/privacy for privacy and opt-out information.

Taylor Locke, co-founder of Rooney, Lindsay Buckingham in world renowned celebration of Fleetwood Mac "Rumors", producer, studio owner and frontman of garage-pop outfit 'The Great Indoors', joins me to open the lid on the Pixies classic 'Doolittle' and how it shows them bursting out of their genre confines to make an pure rock classic LP. My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album's influence on their own music. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia. He directed the music documentary Jim Lauderdale: The King of Broken Hearts and feature film Benjamin Sniddlegrass and the Cauldron of Penguins, and writes for Capital News magazine. If you've got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

We can feel the spirit in the air. Can you? Time for a little burst of holiday cheer that we like to call... EPISODE #26 // HOLIDAY SPECTACULAR, feat. our interview with John Howard of The Signal (@wearethesignal)!!! This week's extra-long holiday edition starts with Sam and Kev attempting to disprove the "3 Beefs of Christmas" as conceived by Mr. Bah Humbug himself, Justin Parkinson (@MadeInUtica). Then, the crew examines the nuances of various Christmas Traditions, before debating the best presents they ever received. Afterwards, Sam is joined by John Howard (@wearethesignal) to discuss journalism, film studies and the transition of turning the Clinton Courier into The Signal. Finally, the boys are joined by good friend of the show, and co-highest donator of Operation UTICAST, Mark Simon (@dirtyjerzimages) to talk about the Hanukkah-end of the holiday spectrum before closing out with a special movie-themed Holiday Over/Under. This is the Uticast and We're here to tell you a story. #JoinTheClub #ComeBackHiggins ---------- xx "Holiday Road" - Lindsay Buckingham "Frosty the Snowman" - The Ronettes "Feels Like Christmas" - Low "I Won't Be Home for Christmas" - Blink 182 "(Christmas) Baby Please" - Informers (My Christmas Wish is not to get sued.)

In episode seventy-one of Paul and Rach, Paul Murray and Rachel Corbett are back after two weeks in the iTunes wilderness.  They discuss the punish of traveling wth kids, what Paulie has in common with George Clooney, wearing active wear to court and Rach's new TV show idea.  They chat about why Rach changed her mind about Anthony Mundine, why hospitals should have a think about their ambience and whether Bindi Irwin is hot yet.  They talk about vacuums and hand dryers, why Rach doesn't care about the environment and is angry at the elderly  and why Lindsay Buckingham is a douche.  They hear from a few porn stars, discuss a new banana app idea and talk about why HIV is the least controversial thing Charlie Sheen has ever done.  They finish up with a 5-star shout out to some awesome Mad Rooters and Rach's Story Time. www.paulandrach.com.au

In episode seventy-one of Paul and Rach, Paul Murray and Rachel Corbett are back after two weeks in the iTunes wilderness.  They discuss the punish of traveling wth kids, what Paulie has in common with George Clooney, wearing active wear to court and Rach's new TV show idea.  They chat about why Rach changed her mind about Anthony Mundine, why hospitals should have a think about their ambience and whether Bindi Irwin is hot yet.  They talk about vacuums and hand dryers, why Rach doesn't care about the environment and is angry at the elderly  and why Lindsay Buckingham is a douche.  They hear from a few porn stars, discuss a new banana app idea and talk about why HIV is the least controversial thing Charlie Sheen has ever done.  They finish up with a 5-star shout out to some awesome Mad Rooters and Rach's Story Time. www.paulandrach.com.au