Podcast appearances and mentions of elizabeth burke

Navigating a career change is often challenging; it's about breaking free from the confines of a single job title. When you're not passionate about your current role and it doesn't bring a sense of pride, contemplating change becomes crucial. It involves self-reflection, identifying your true interests, and embracing the courage to pursue something new. How do you navigate the complexities of transitioning to a career that better aligns with your passions and values? In this week's episode, I talked with Elizabeth Burke. She shared her journey from feeling disconnected and unsatisfied in her career to making a significant change. She took us through the disconnection and dissatisfaction she experienced in her career to the pivotal moment when she decided to make a substantial change.  But that's not all – she also offered valuable insights on navigating the lows of life, whether in your career, relationships, or family. Tune in for a candid conversation filled with inspiration and practical wisdom. --- Listen to the podcast here: Journey of Transformation, Growth, and Fulfillment with Elizabeth Burke Welcome to Action's Antidotes, your antidote to the mindset that keeps you settling for less. One question I think so many people are tired of being asked is, “What do you do?” Now, I want you all to think about that question for a second because, first of all, no human being really only does one thing so it's really kind of compartmentalizing people into just job titles. But, also, how do you respond to that question, “What do you do?” when you're not exactly in love with what you do right now? When you're not exactly proud of what you do, you don't exactly feel it, and it's not the thing that you want to talk about? I know what it feels like to be in that situation and my guest today knows what it feels like to be in that situation and she even presented a wonderful speech at the recent Denver Startup Week, recent as in two and a half months ago now.  ---   Elizabeth Burke, welcome to the program.   Thank you. I'm so excited to be here, Steven. Really appreciate getting to share.    Well, I'm glad you're here to share this wonderful story because I think that a lot of people listening and a lot of people in the world, in general, out there aren't necessarily content. They're not seeing all the purpose as well as the alignment. “I'm doing this for this reason and it's aligned with how I live my life,” and stuff like that. So, well, let's start off by telling us a little bit about your story about how you made the career change from when you were in that situation, how it felt and what you did to get to where you are now?    Yeah, so I'm happy to share about that. And we're kind of like not going to start with what I do first purposefully so that you can hold the tension of how does it feel to not know what I do as a first part of my story but you definitely will get to hear that. So, yeah, I have a background in public education and I think, for me, I went into that career and I loved it, I loved working with high schoolers, I taught high school art, built up an amazing program, taught four levels, and always felt like there was room for me to just find new parts of myself as I was teaching. And I started to notice a shift. I think there are times in our life when we maybe have been doing something for a while and we've gotten really good at it and we're kind of looking for that next step, that ability to expand, and I began to just not be able to find it anymore. And I think, for me, that was starting to happen but what really kind of just became a catalyst for really seeing some things that I could no longer unsee was being a teacher during the pandemic and being a teacher during, specifically, the fall of 2021 to the summer of 2022 school year. That school year was my eighth year teaching and it was just truly like the worst school year that any teacher on record has probably ever had.

Robert Powell is one of our best-known actors, with a career that began in the late sixties and exploded into almost instant fame; since then, there have been some fifty films, including “The Thirty-Nine Steps” and “The Italian Job”, numerous theatre roles, and television appearances which have included six years on Holby City. For many people, though, he will always be Gustav Mahler thanks to Ken Russell's 1973 biopic; for some, he became a memorable representation of Jesus Christ, thanks to his starring role in Zeffirelli's six-hour epic. Robert Powell begins by choosing Mahler's famous Adagietto from the Fifth Symphony. He listened to Mahler non-stop when rehearsing for the role, but was still surprised by some of the eccentric things Ken Russell asked him to do: he will never forget floating for hours in a freezing lake. He talks about the impact of early fame, conjuring up the excitement of the King's Road in the “swinging sixties”, and meeting his wife, Babs, who danced with Pan's People. And he tells the story of how, when he was playing Jesus, he delivered the Sermon on the Mount and “something really extraordinary happened”. These days he is a devoted grandfather, making up for the time he couldn't spend with his family when he was away filming. Other music choices include Stravinsky, Bach, Janacek, and his hero Bob Dylan. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Helena Kennedy is one of Britain's most distinguished lawyers. Brought up in a Glasgow tenement flat, she was the first in her family to go to university. But instead of going to Glasgow University to read English and becoming a teacher, as they expected, she startled everyone by travelling to London - to study for the Bar. Some of her friends misunderstood and thought she'd gone south to find bar work. This was the end of the sixties, a time when there were extremely few women barristers. Since then, her ambition, fierce intelligence and considerable charm have taken her right to the top, and she now sits in the House of Lords as Baroness Kennedy of the Shaws. She created a huge stir when she published her first book, Eve was Framed, in 1992 – a shocking examination of how the criminal justice system fails women. Three years ago, she felt so little had changed that she published a sequel – in a book with the title Misjustice. Helen Kennedy campaigns now too on wider human rights issues, such as the persecution and murder of women in Iran and the shocking genocide of the Uighurs in China. In conversation with Michael Berkeley, Helena Kennedy looks back to the childhood which has been so influential on her campaigns for justice, and chooses the music which has sustained her through a series of difficult and high-profile cases. Her playlist includes Handel, Bach, Schubert, George Benjamin, James MacMillan, and her favourite Puccini opera, with Mimi's famous aria from La Boheme. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Back when he was studying English at UEA, Peter J Conradi had a friend who ran the student literary society, organizing writers to come to Norwich and speak. He went along to a meeting and the speaker there changed the whole course of his life. The writer was Iris Murdoch. She became a friend, and he became – in his words – her “disciple”, and eventually her biographer. And then Peter and his partner, Jim O'Neill, spent eight months caring for Iris at the end of her life, as Alzheimer's took hold – they listened to a lot of music together. Peter has spent his career as an English Professor at the University of Kingston and his biography of Iris Murdoch is not his only book: he's also written about Dostoevsky, John Fowles, and Angus Wilson; about grief, about becoming a Buddhist, and about dogs. In conversation with Michael Berkeley, Peter discusses the extraordinary power Iris Murdoch exerted over all her friends and lovers, and her secretiveness, so that each would be kept in a separate compartment. He remembers how she kept singing and dancing right up to the end. And he reveals his own mental health struggles, and how Buddhism has helped him. Music choices include Strauss, Bartok, Bach, Britten's War Requiem, and the Anthem by Leonard Cohen that contains the famous words “There is a crack in everything, that's how the light gets in.” A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Joanna Scanlan is one of our great comic actors; she's best-known for “The Thick of It”, where she plays the obstructive civil servant Terri Coverley. But her range is much wider than comedy. She's extraordinarily moving in “After Love”, Aleem Khan's 2021 film about a widow who discovers her husband's secret life – a performance so powerful that it dominates the whole film, and won her BAFTA's lead actress award in 2022. Before that, she played Charles Dickens's long-suffering wife, Catherine, in “The Invisible Woman” – and appeared in “Girl with a Pearl Earring” and “Notes on a Scandal”, to name just a couple of her film roles. On television she's familiar from “The Larkins”, “No Offence” and “Puppy Love” – a series she co-wrote. She also co-wrote “Getting On”, a blackly comic portrayal of life on an NHS ward, which has become a great deal more topical in the fourteen years since it was first broadcast. Born in Merseyside, Joanna Scanlan grew up in North Wales; she went to Cambridge to study history and law, and only got her first job as an actress when she was thirty-four, after having a breakdown. She tells Michael about how that breakdown became a turning point, thanks to a doctor who told her that she would be ill all her life unless she acted. She remembers her schooldays in Wales, when she sang in a choir five times a day, and her early career working for the Arts Council, where the power-mad clock-watchers she worked with became the inspiration for the character of Terri Coverley. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Todd Field began his career as a jazz musician and as an actor; he has appeared in over forty films, including Kubrick's “Eyes Wide Shut” and Woody Allen's “Radio Days”. He then went on to direct two full-length award-winning films, “In the Bedroom” - about grief and revenge in a close-knit family - and “Little Children”, starring Kate Winslet. Both were nominated for multiple Oscars. This week his third feature film “Tar” opens in Britain. Cate Blanchett stars as Lydia Tar, the conductor of a major German orchestra; the film is an exploration of the darker side of the classical music world, the power of the conductor, and of abusive power more generally – it's also a celebration of some really wonderful music. In conversation with Michael Berkeley, Todd Field talks about how he started writing “Tar” by interviewing classical musicians, and particularly women working in the industry. He looks back on his “free-range” childhood in Oregon, and tells how his wife financed his ambition to become a film director by buying a truck, going round flea-markets, and starting an interior-design shop. He reveals the struggle to release his award-winning film “In the Bedroom” after Harvey Weinstein bought it and demanded more and more cuts. Field won the fight and retained the film he believed in, but it took six months and a fiendishly clever strategy invented by his friend Tom Cruise. Todd Field started out as a jazz musician in a big band, and his choices include two tracks by Sarah Vaughan, whom he met backstage at a concert in Oregon. Other choices include Mahler's Symphony No 5; Elgar's Cello Concerto; and Gorecki's second string quartet, which played constantly in his head while making “Tar”. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

It's hard to think of an artist with a more striking and ambitious range than William Kentridge; his work spans etching, drawing, collage, huge tapestries - as well as film, theatre, dance and opera. He was born in Johannesburg and brought up during the apartheid regime; his art is highly politically charged. His parents, both lawyers, were notable figures in the anti-apartheid movement – his father being Sir Sydney Kentridge, who represented Nelson Mandela. For forty years now William Kentridge has used his art to explore the legacy of colonialism, and the barbarity of war. He's probably best known for his charcoal sketches, which become stop-go animations, preserving almost every change and rubbing-out. But he has a keen eye for the absurdity of life too, so we watch typewriters turn into trees, birds flying off the pages of dictionaries, or a film titled “Portrait of the artist as a coffee pot”. In conversation with Michael Berkeley, William Kentridge talks about the importance of music in his work, and brings a playlist that reflects a lifetime of listening. We hear a famous 1937 recording of a Monteverdi madrigal; Janet Baker singing one of the songs from “Les Nuits d'ete” by Berlioz; a duet from The Magic Flute; a rare recording of the American guitarist Elizabeth Cotten; and a collaboration between the Kronos Quartet and a trio of musicians from Mali. He looks back to his childhood in South Africa, and what it was like to grow up under the cruel system of apartheid; and he reveals how important early failures were in enabling him to see the way forward. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Jules Montague trained as a doctor in Dublin before moving to London and becoming a consultant neurologist, specialising in treating people with dementia. This led to her first book, "Lost and Found: Why losing our memories doesn't mean losing ourselves". After fifteen years as a doctor, she has now left clinical practice to become an investigative journalist, focusing on some of the deeper questions raised by her medical work. Her second book is called The Imaginary Patient: How Diagnosis gets us Wrong. In conversation with Michael Berkeley, she explains that although most of us are relieved when our symptoms are explained by a medical label, diagnosis is not always a good thing. Her experience working as a doctor in Mozambique and in India has revealed how differently diseases may be diagnosed across different cultures. In some ways, she claims, a diagnosis of “spirit possession” may actually be more helpful to the patient than the label “PTSD”. She talks too about her work as a neurologist treating patients with brain damage and dementia, and how it's led her to ask questions about how much of the “real” person remains when memory is lost. Jules's parents are from the Assam region of India and took her back as a child to spend time there; her music choices include a New Year dance from Assam, as well as piano music by Beethoven, a heart-breaking scene from Puccini's Madame Butterfly; and music by Stravinsky, which he finished soon after suffering a stroke. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Sometimes a musical work of art is so perfect, so magnificent, that it's almost impossible to remember the work that's gone on, behind the scenes, from the early drafts to the anxiety and relief of the first performance. That's certainly true of a masterpiece such as Bach's St Matthew Passion. But writer James Runcie wants us to think about what went on in Bach's mind while he was creating that magnificent Passion, and he's written both a play and a novel about it. The novel, his twelfth, is called The Great Passion and it was published earlier this year; it was also broadcast on Radio 4 just before Easter. James is an award-wining film-maker, playwright and artistic director who has worked at the BBC, the Bath Literary Festival and Southbank Centre. He's also the author of the Grantchester detective novels, now filming their eighth series for television. The hero's a young priest, who solves crimes while wrestling with problems of religious faith - and religion is something James Runcie knows all about, as his father was Archbishop of Canterbury. In conversation with Michael Berkeley, James Runcie talks about the influence of his father, and of his unconventional mother, who was a pianist and piano teacher; in their household, he says, religion was optional, but music was compulsory. He shares his passion for the works of Bach in three of his choices, including the Matthew Passion. And he talks movingly about the death of his wife, the drama director Marilyn Imrie, from Motor Neurone Disease. When she was no longer able to speak, he played her music. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

CITE is the Center for Integrated Training and Education.For over 25 years, CITE has trained:TEACHERS: General and Special Ed Masters (Early Childhood or Childhood), Adolescent Special Ed / Professional Certification Masters, TESOL Masters, Special Ed license extension courses,Bilingual license extension courses, TESOL license extension courses, Early Childhood license extension coursesCOUNSELORS: School Counseling Masters, Mental Health Counseling Masters, Advanced Certificate in Mental Health or School CounselingADMINISTRATORS: School Building Leadership, School District Leadership, Doctorate for CSA members,Doctorate for non-CSA members, Public Administration Master's— in NYC, Yonkers, Westchester, Nassau and Suffolk.CITE PD: CITE offers CTLE-approved in-school or online professional development tailored to your school's needs and your vision. We can work remotely with your staff and parents. Info: citepd.com

Anyone who's spent any time with children in the last thirty years will know Horrid Henry and his brother, Perfect Peter. They're the creations of Francesca Simon, and they've appeared in 25 books, been translated into 31 languages and sold 25 million copies. They seem to embody archetypes: the chaotic, naughty brother who's always in trouble, and the neat well-behaved sibling who's always anxious to please the parents. In Private Passions, Francesca Simon tells Michael Berkeley that her own emotional memories of childhood are extraordinarily vivid. She was brought up living on the beach in Malibu, where her father Mayo Simon was a screenwriter, but then moved around to Paris and New York and London. It all sounds glamorous, but actually, she says, it was hard. They moved so often that she always felt like an outsider. Francesca chooses music that reflects the very diverse influences of her early life: Yiddish and Breton folk songs, and Jascha Haifetz playing the Bach Double Violin Concerto. She also chooses music by the young British composer Gavin Higgins, for whom she's written a libretto for his new work The Faerie Bride, and by E. J. Moeran, a composer she thinks should be much better known. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Misan Harriman didn't become a photographer till five years ago, when his wife gave him a camera for his fortieth birthday. Since then he's become world-famous, photographing celebrities such as Tom Cruise, Cate Blanchett, and Meghan Markle – his was the romantic black-and-white photograph of Harry and Meghan announcing her pregnancy last year. Alongside these high-profile celebrity commissions, he's also become a photographer known for documenting Extinction Rebellion, anti-Trump protests, and the Black Lives Matter movement. In 2020 he became the first black person in the 104-year history of British Vogue to shoot the cover of its prestigious September issue; last year he became the Chair of the Southbank Centre, the renowned arts complex in London. In conversation with Michael Berkeley, Misan talks about his journey to become a photographer, from early childhood in Nigeria to his time at an English boarding school. He reveals his “superpower” of dyslexia, and how he's found a new way of shooting portraits in lockdown: “remote photography”. Misan Harriman is a passionate film buff, and all his music choices come from movies that have made a profound impression on him, from the soundtrack to “Ghost” which he saw as a boy, to William Walton's score for “Henry V” and the moving Dunkirk scene in “Atonement”. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Theaster Gates is a potter, a sculptor, a film-maker, a curator of black history, a real estate developer and a professor of fine art in Chicago, where he lives - and where he's also transformed a whole run-down area near the university. When he was made a professor in 2007, he bought a derelict bank for a dollar, tore out the urinals, cut them up and sold them off at five thousand dollars each as artworks – thereby raising enough money to create a large new art centre. That was just the beginning, as he explains. Gates's art and installation work is shown all over the world, and current projects include a library for Obama and this year's Serpentine Pavilion building. As his recent show at the Whitechapel revealed, his work is ambitious and provocative - he takes pots and deconstructs them so that they're exploding, back to the original clay. He films his work in dream-like spaces - a huge abandoned factory, for instance, full of broken bricks and haunting music, including his own singing. Theaster Gates is also a musician, the founder of a group called The Black Monks of Mississippi, which aims to rescue old songs from the black South. He brings Michael Berkeley a playlist that includes Scott Joplin, Joseph Boulogne, Rachmaninoff and gospel music sung by Leontyne Price. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Jamila Gavin was born in the foothills of the Himalayas; her Indian father and English mother met as teachers in Iran and married in Mumbai. By the age of 12, she'd lived in an Indian palace in the Punjab, a bungalow in Poona - and a terraced house in Ealing, west London. Ealing was where the family settled in 1953; Jamila went on to study at London's Trinity College of Music, and to become a sound engineer and then a director in television. She didn't start to write until her late thirties, beginning a career distinguished by many awards for her novels, plays and short stories – around 50 books in all. It's a rich world of myths and fairy-tales, orphans and adventures, ranging from 15th-century Venice to the mountains of India. She's best known for Coram Boy, her prize-winning novel, later staged at the National Theatre, about the Foundling Hospital – to which Handel gave the royalties from his Messiah. In conversation with Michael Berkeley, Jamila Gavin reveals the shocking story, which inspired her to write her first book for children. Her books deal with serious themes: particularly slavery, both historic slavery and people-trafficking now. Reading them, you can forget that these are children's books; but, she says, any experiences which children suffer should also be experiences they can read about. Jamila Gavin's playlist includes Handel's Messiah, Tippett's A Child of Our Time, Schubert, Brahms, Stockhausen - and her favourite Night Raga. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Professor David Nutt is an expert on drugs, and how they work on the brain. He trained as a psychiatrist, and for almost 50 years his research has focused on new drug treatments for anxiety, depression and addiction. In the late 1980s, at Bristol University, he set up the first unit in Britain to bridge psychiatry and pharmacology. He's now at Imperial College, where he is Professor of Neuro-psychopharmacology. He has published hundreds of scientific papers and 27 books. All of this makes David Nutt sound like a pillar of the establishment. But the reason most people know his name is that he has repeatedly challenged the government over its policies on illegal drugs and alcohol, arguing, for instance, that it's more risky to go horse-riding than to take ecstasy. In his words: “no one in a position of authority dares to speak the truth”. But he also stresses “I have repeatedly said that cannabis is not safe”. In conversation with Michael Berkeley, David Nutt looks back on the childhood that gave him the confidence to challenge established opinion. Living on a council estate, he felt out of place at Bristol Grammar School, and was a very anxious child who couldn't sleep. At night he used to creep to the stairs to hear the Proms drifting up from his father's radio. Professor Nutt describes fascinating new research into treating depression using the active ingredient of magic mushrooms, and he reveals which music he plays to his patients during these experiments. Music choices include Faure, Nielsen, Grieg and Beethoven – his Seventh Symphony, which David persuaded the crowd to dance to at a New Year's Eve party. That experiment, he says, was a resounding success. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Meg Rosoff waited until she was 45 to write her first novel, How I Live Now, the story of a passionate love affair between young teenage cousins, set against the background of apocalyptic war. It changed her life, selling a million copies and becoming a film starring Saoirse Ronan. She gave up a series of unfulfilling jobs in advertising and reinvented herself as a writer. Over the last 16 years she's published eight more novels, as well as eight books for younger readers, including four about McTavish the rescue dog. She's won numerous awards, including the Astrid Lindgren Memorial Award - half a million Pounds, the biggest prize in children's literature. In Private Passions, she talks to Michael Berkeley about the ways in which she's reinvented her life over the years. First, there was the decision to come to England from New York and begin a new life here; then, after the tragic early death of her sister, there was the decision to become a writer. It didn't begin well; she decided to write a book about ponies aimed at teenaged girls, but no publisher would touch it – it was far too sexy. Finding her voice as a writer took a while, and has led Meg Rosoff to think about “voice” in relation to musicians and composers too. Music choices include Bach's B Minor Mass; “London Calling” by the Clash; Brahms's Second Piano Concerto, and Ravel's String Quartet in F Major. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

En los deliciososo sueños eróticos que llenan su mente, Elizabeth Burke abandona sus inhibiciones y deja que sus amantes colmen sus más ocultos deseos. En la realidad, en el día a día, nunca ha sido besada apasionadamente desde la muerte de su marido. Vender ropa interior de seda y seductores perfumes en su boutique Fantasy y criar a dos niños pequeños la mantienen ocupada… aún así anhela tener una salvaje pasión en los brazos de un hombre. Pero cuando se vió atrapada en un árbol tras salvar a un gato asustadizo, un inesperado caballero hizo su aparición para salvar a la dama en apuros, y Elizabet se sintió placenteramente sorprendida cuando Thad Randolph la llevó a un lugar seguro. Ella intenta convencerse a sí misma – y a él – que solo quiere amistad, pero Thad tiene otras cosas en mente. Tentado sin medida, ¿puede un héroe cumplir todos los sueños ocultos de una dama y capturar su alma? visitanos aca encontraras todos los libros que quieras   https://www.amazon.com/s?me=A1P0HKGH39IBZ3&marketplaceID=ATVPDKIKX0DER --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/dany-mac-pherson/support

Diplomat, Soldier, Explorer, Politician, Academic – Rory Stewart defies easy labels. By his own admission, his identity is complicated: he describes himself as “a Scot, born in Hong Kong and brought up in Malaysia”. After Eton, he went on to Oxford and to the Diplomatic Service, but then abandoned this conventional career path and spent two years walking across Afghanistan and Iran. He became a deputy governor in Iraq after the 2003 invasion, and then ten years later entered British politics as a Tory MP, serving under both Cameron and May, and finally making a bold bid to become Party Leader and Prime Minister. When Boris Johnson won the election in 2019 he resigned, and threw his hat into the ring to become the new London mayor. After that contest was delayed by Covid, he left politics, and indeed left the country; he now teaches international relations and politics at Yale University. In conversation with Michael Berkeley, Rory Stewart reveals that he feels nothing but relief at leaving politics behind. He looks back at the years he spent in Afghanistan and wonders how much of that work will survive, and he explains why he's now moving with his young family to Jordan. Music choices take him back to his father, who often sang to him, and to his travels in the Borders and in Iran. He talks too about his search for religious belief, a yearning expressed by a Bach cantata; and why above all we must continue to hope – not despair – about the future. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Walter Iuzzolino is an Italian television presenter who has become well known on our screens thanks to Walter Presents, Channel 4's free streaming service of European television dramas. He's a man with a mission to open up European culture to the British, and he has now begun a specially curated publishing list too, so that we can read the latest European fiction. Alongside that latest venture, he's created special playlists – because together with his passion for European television and literature, Walter Iuzzolino is a classical music fan, with a love of Chopin. In conversation with Michael Berkeley, Walter reflects on the challenges of opening up British culture to “foreign” influences, and explains why he'd actually rather live in London than Genoa. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

SHOW NOTES: On this show...it's all in the eye of the beholder. From your line of vision, are you on the ground staring at what can only be described as an unsurmountable mess of chaos, stress, and todos OR are you feeling the fresh air of victory as you look down and survey all you've accomplished and what might be your next move? Transportation from one visual to the next is within your power and your perspective. You might have heard it before “the day starts and ends with you”. This mantra isn't announcing your logistical whereabouts but instead describing your power over perception. The start and particularly your positive or negative acceptance are up to you. And at the end of the day, it's YOU who describes the sentiment of the day. Was it a good day or a bad day….only you know. You have the power to move mountains with what you expect, what you project, and what you accept.  I have been talking about Encouragementology - the practice of instilling hope, for over 5 years. It started with the revelation of encouragement and how that affects all creatures. Investing one's time, empathy, and positive energy can have a profound impact on the universe. Encouragement shouldn't be watered down to a “go gettum” mantra or a slogan like “just do it”. It's important to understand what appropriate encouragement looks like and the power one produces when delivering authentic encouragement.  I produced a couple of talks recently and it dawned on me; an overarching theme for everything I've ever talked about is Power & Perspective. I'm on a mission to help people understand the power they possess to rule over their lives. The golden combination includes one's perspective. With just a slight shift in perspective, your mental location can go from base camp to scaling the summit. And back….and back again.  Words Can Change Your Brain -according to Andrew Newberg, M.D. and Mark Robert Waldman, words can literally change your brain. Written by  Therese J. Borchard  and found at pschcentral.com Stacy Weibe gives us WAYS TO ENCOURAGE OTHERS found at thelife.com Patrick Buggy shines more light on this idea in The Power of Perception: Change Your Narrative, Change Your Life found at mindfulambition.com I found some interesting ideas at Mental Health America, mhanational.org - Getting Out of Thinking Traps Giving us solutions instead of problems is Elizabeth Burke with: How to Take Back Your Power & Regain Control Over Your Life found at empoweredtherapy.org    KEY HIGHLIGHTS -Moving Mountains, Power & Perspective You have the power to move mountains with what you expect, what you project, and what you accept. Sticks and stones may break your bones, but words can change your brain. A positive view of yourself will bias you toward seeing the good in others, whereas a negative self-image will include you toward suspicion and doubt.  It doesn't have to be a premeditated act of kindness to be encouraging. The sheer fact that you have a choice is another way to demonstrate your power. since life's events aren't imbued with universal meaning, you get to choose how you feel about things. You are in control of your life's narrative! your energy is not dictated by the randomness of life's happening When you understand that life's events don't carry universal meaning, your enthusiasm and energy are not held captive by the randomness of life's events. Investing time in another human being can pay the most rewarding dividends.   You have resources around you, a mouth to ask for help, a mind that can deliver patience, and the ability to soothe your stress. You are not powerless.   CHALLENGE: Recognize your power to choose perception, affect change, ignite positivity, and spread encouragement. Going from base camp to summit is all within your reach.   I Know YOU Can Do It!

Carole Boyd is an accomplished theatre actress: she has recorded some three hundred audio books, and she does all the female voices in Postman Pat. But all this pales into insignificance compared with the role she has played on radio for thirty-five years, as Archer's character Lynda Snell. More than five million Archers listeners have been listening to her as the snobbish but good-hearted Lynda since she first arrived in Ambridge, in 1986. Lynda is the Archers' theatre director, putting on pantomimes and musicals; and Carole Boyd too is musical, creating words and music shows. In conversation with Michael Berkeley, Carole Boyd tells the story of how she became an actress, despite the opposition of her family (she applied to drama school secretly) and how she was inspired to create the inimitable grating speech of Lynda Snell by the voice of her husband's secretary. She concedes that her identity has become somewhat blurred with Lynda's, and that channeling Lynda's assertiveness is very useful when doing battle with utility companies on the phone. She admits, though, that she has never got close to a llama (unlike Lynda). More seriously, Carole Boyd talks movingly about what it's like to care for her husband, Patrick, who had a major stroke in 2003. She speaks very honestly about the daily reality of life as a carer: the loneliness, the frustration, the mourning for the person you used to know, and still love. Carole Boyd's playlist ranges from Schubert and Debussy to The Beatles, taking in Vaughan Williams, Canteloube, and Aaron Copland. We hear too Laurence Olivier with the St Crispin's Day speech from Henry V. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

One of the things that stands out, over more than 20 years of Private Passions, is the very strong connection between music and memory: as people choose music, which takes them way back, vividly evoking pivotal moments in their lives, it can be deeply emotional. Veronica O'Keane is perfectly placed to explain that response: as a practising psychiatrist, she's spent many years observing how memory and experience are interwoven, working with patients whose memories are often broken or disrupted through brain tumours or mental illness. She's Professor of Psychiatry and Consultant Psychiatrist at Trinity College Dublin, and the author of The Rag and Bone Shop: How we Make Memories and Memories Make Us. In conversation with Michael Berkeley, Professor O'Keane explains the latest research on memory, and why unreal experiences such as psychotic delusions can leave people with lasting traumatic memories, even when they know they're false. She chooses music that evokes a series of “memory snapshots” from her own life, going back to her childhood in rural Ireland. And she reveals that she has the perfect antidote to the sadness of her professional life: she swims every morning in the cold sea near her home in Howth. Music choices include Bach's cello suites, Maria Callas, John Lennon and Philip Glass, as well as the traditional Irish musicians she loves. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

For almost a decade, Alastair Campbell was Tony Blair's right-hand man, first as Press Secretary and then as Downing Street Director of Communications. He was at the heart of power through the Good Friday Agreement, the 9/11 attacks and the Iraq War, which involved him in the greatest controversy. These days he's a writer and mental health campaigner, and he's recently published a very frank book, “Living Better: How I learned to survive depression”. In conversation with Michael Berkeley, Alastair Campbell talks about how music helps him manage depression, and reveals his lifelong passion for the bagpipes. His father, who was from the Hebrides, played, and he and his brother Donald learned as boys. Donald was diagnosed with schizophrenia when Alastair was only nineteen: “a defining event in my life”. Donald left Alastair his bagpipes when he died, too young; and he also left recordings of himself playing – one of which we hear in the programme. Alastair himself played the pipes as a busker in the South of France as a student, where he discovered a lifelong musical passion for the songs of Jacques Brel. Other music choices include Mozart, Schubert, and Verdi's famous drinking song from La Traviata. Alcohol has played a major role in Campbell's life, and he talks about being drawn to the “drinking cultures” of both piping and politics. In fact, he says, it is not alcohol but politics – and his need to be needed by people in power – which is his real “demon”. He discusses too his inability to retire, his hatred of domesticity, particularly shopping with his partner Fiona, and why the satirical series “The Thick of It” is in some ways very close to the bone. A Loftus Media production from BBC Radio 3 Produced by Elizabeth Burke

This week our guest is Elizabeth Burke Beaty, Certified Peer Recovery Specialist and Founder of Sea Change RCO.   Sea Change is a Nonprofit Recover Community Organization. The mission of Sea Change RCO is to #crushthestigma of substance use disorder. Sea Change provides a fresh, non-clinical approach to recovery that focuses on compassionate connection with one another.  See omnystudio.com/listener for privacy information.

We are back with today's guest Elizabeth Burke Beaty, Certified Peer Recovery Specialist and Founder of Sea Change RCO.  Sea Change combines evidence-based practices with fun, health lifestyle approaches to recovery, supporting both individuals and their concerned families, friends and loved ones through private one on one meetings, various support groups, special events and outdoor activities.  Through peer support services, Sea Change makes prevention possible, helps survivors heal, and gives back to the community. For more information, visit seachangerco.org.  See omnystudio.com/listener for privacy information.

This week our guest is Elizabeth Burke Beaty, Certified Peer Recovery Specialist and Founder of Sea Change RCO.   Sea Change is a Nonprofit Recover Community Organization. The mission of Sea Change RCO is to #crushthestigma of substance use disorder. Sea Change provides a fresh, non-clinical approach to recovery that focuses on compassionate connection with one another. 

We are back with today's guest Elizabeth Burke Beaty, Certified Peer Recovery Specialist and Founder of Sea Change RCO.  Sea Change combines evidence-based practices with fun, health lifestyle approaches to recovery, supporting both individuals and their concerned families, friends and loved ones through private one on one meetings, various support groups, special events and outdoor activities.  Through peer support services, Sea Change makes prevention possible, helps survivors heal, and gives back to the community. For more information, visit seachangerco.org. 

If you've ever wondered why you love blue and hate the colour khaki, or have spent hours arguing over a colour chart because you and your partner can't agree on how to paint the bedroom, you'll be fascinated by Professor Anya Hurlbert. She's a neuroscientist and a leading researcher into how the brain perceives colour, and why we feel so strongly about it. Brought up in Texas, studying at Princeton and Harvard, she is now Professor of Visual Neuroscience at the University of Newcastle; she's also spent years advising the National Gallery on how to show their pictures so we can see the colours most vividly. She's married to the science writer Matt Ridley. In conversation with Michael Berkeley, Anya Hurlbert discusses the scientific research that reveals the world's favourite colour: blue. She talks about how the brain processes colour, and why colour perception is so individual and so bafflingly complex. A few years ago for instance, ten million people took to Twitter to argue about the colour of ‘The Dress' – was it blue and black, or white and gold? Professor Hurlbert got hold of the real dress, put it in a tent in Newcastle, and invited people to come look at it. So, can she tell us what colour it is really? Music is incredibly important in Anya Hurlbert's life, and she grew up with an ambition to be a concert pianist. She still finds that playing Bach ‘calms her soul'. Music choices include Bach, Beethoven, and two composers she believes should be better known: Thea Musgrave and Elisabeth Lutyens. She chooses a song by Schubert which is all about the colour green. And she reveals her passion for country music, with Jerry Jeff Walkers “Up Against the Wall, Red Neck Mother”. Produced by Elizabeth Burke. A Loftus Media production for BBC Radio 3

Bill Browder describes himself as Vladimir Putin’s number one enemy. When Putin came to power, Browder was the most successful international businessman in Moscow, seizing the opportunities offered by the collapse of communism to build up a multi-billion-pound investment fund. But then he uncovered what he calls serious corruption at various state-backed companies. In 2005, he was detained by the authorities and was kicked out of Russia. His tax adviser Sergei Magnitsky was arrested, and died in prison in Moscow in 2009. In his memory, Browder has spent the past decade leading a global campaign against Russian corruption – Magnitsky Acts have now been passed in America, Britain and Europe – legislation freezing the assets, and banning travel, of officials guilty of human rights violations. Browder’s exciting account of his time in Russia, Red Notice, has become a best-seller on both sides of the Atlantic. In conversation with Michael Berkeley, Browder tells his extraordinary and compelling personal story. He now lives in a secret location somewhere in London and lives in fear of his life. He talks about the guilt he felt when Magnitsky died, and how he found a new meaning in life afterwards, by campaigning for the laws which bear Magnitsky’s name. Browder’s music choices reflect the high drama of his life, with excerpts from operas by Verdi and by Puccini which he discovered when he went to the Bolshoi in Moscow. He includes too music by the Russian composer Sviridov, a setting of a Pushkin short story. And he ends with Jessye Norman singing “Amazing Grace” – a hymn which reflects his belief that he has been helped, and sustained, by powerful forces outside his control. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Rachel Clarke is a doctor who specialises in palliative care. She’s now on the Covid frontline; in March 2020 she moved to Horton General Hospital outside Banbury to care for the most gravely unwell patients on the Covid Wards. She’s the author of three books: the first, about being a junior doctor; the second, which was read on Radio 4, “Dear Life”, about working with the dying, and most recently, “Breath-taking”, which describes in moving detail what it’s been like in hospitals during the pandemic. In a moving programme recorded in mid-January, Rachel Clarke gives a frontline report from the hospital where she works. When she looks out of the window, she sees lines of parked cars – and people just sitting in them, watching the hospital, for hours: unable to visit their loved ones, they are just getting as close as they can, yearning for a glimpse through the windows. Instead, nursing staff must give loving care to people who are at the end of their lives - Rachel reassures listeners that nobody in hospital will ever die alone. In conversation with Michael Berkeley, Rachel Clarke reveals the music that gives her courage and hope on the way to the hospital every morning. She talks about the difficulty of explaining to her children why she has taken such personal risks to treat Covid patients, and shockingly she reveals the kind of abuse she faces on social media from people who think that Covid is fake. Music choices include Vaughan Williams, Bach, and Tchaikovsky. She loves Jimi Hendrix too, and tells the story of driving down to the South of France with the man who will become her husband, terrified to tell him she loves him, listening to Hendrix all the way. A Loftus Media production for BBC Radio 3. Produced by Elizabeth Burke.

Anyone who saw Sheku Kanneh-Mason play the cello at the Royal Wedding, or win BBC Young Musician of the Year at the age of only 17, will realise that he comes from the most extraordinary family. Two of his siblings are also Young Musician finalists, and his older sister, Isata, is a professional pianist. Collectively the seven Kanneh-Mason children make music wherever they are. During lockdown, that was the family home in Nottingham, from which they performed live on Facebook. Michael Berkeley’s guest is their mother, Kadiatu Kanneh-Mason: the woman who inspires them, who gets up before dawn to drive them to lessons and trains, who organises their practice schedules, who dances with them in the kitchen. She tells Michael Berkeley about how she does it – and why. She looks back on her childhood in Sierra Leone, and the huge transition of coming to live with her grandparents in Wales after her father died. She reveals her own musical ambition – to play the violin – and discusses how she manages to get the children to practise. She explores with Michael the question of prejudice in the classical music world. And she plays the reggae song the family will be dancing to at Christmas. Other choices include Verdi’s “Chorus of the Hebrew Slaves”, Shostakovich’s Second Piano Trio, Mozart’s Requiem, Schubert’s Trout Quintet and Samuel Coleridge-Taylor’s “Deep River”. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Sarah Perry’s novels are like extraordinary highly coloured dreams - or nightmares. Her bestseller The Essex Serpent features a mythical sea-creature that roams the Blackwater marshes, and the novel that followed, Melmoth, is a terrifying gothic tale with a female ghost who always seems to be just behind you, almost out of sight. In Private Passions, Sarah Perry talks to Michael Berkeley about ghosts and Gothic nightmares, and admits that the ghost in Melmoth haunted her too. She wrote the book high on painkillers amidst the ‘torment’ of spinal collapse, an experience of pain which thankfully she recovered from, but which has changed her view of life. She looks back on her upbringing in the Strict Baptist Chapel, in which popular culture was banned – but classical music was played on speakers so large they reached her shoulders, and Beethoven blasted her out of bed at night. She talks too about Essex, and trying to live down the social shame of being an “Essex Girl” – before realising that Essex girls have a proud tradition, and being an Essex girl was something to aspire to: loud, pleasure-loving, refusing to fit in. Sarah Perry was a viola player as a child, and her music choices include one of Hindemith’s sonatas for viola – which she describes as “the Essex girl of instruments”. She also loves late Beethoven quartets, and Dvorak, and Bach, and the contemporary composer Stephen Crowe, whose setting of fragments from Sappho is one of her choices. She hates jazz – well, almost all jazz. She invites us to hear the one track that completely seduced her. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

In this episode of the podcast, I sit down with Elizabeth Burke to discuss the fascinating story of how she became a medical coder and the ways she's maximized her growth potential in the industry.

Sigh. Nice to see a Go-Gos movie. Wasn't one VH1 special enough? Again, The Go-Gos were not a band after their second album. FIGHT ME. They were a brand. They were not great instrumentalists, but they did not have to be. Their songs were catchy, but there weren't that many of them. They were fun in a B-52's way, even if Belinda Carlisle's Cher-esque vibrato on helium always bothered me. Still, it was nice to see clean-cut, good-looking gals make good in the MTV era. And someday I will play some! But you should know that there were quite a few all-female bands before them. Bands like Birtha and Fanny would have wiped the floor with them.  Brian Hyland - Mail Order Gun (1970) Brian Hyland had three Top 10 hits in the decade. His first, "Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini", went right to #1! 1960. There was also "Gypsy Woman" in 1970 (written by Curtis Mayfield) and that wonderful September song, "Sealed With A Kiss". You know I love the artists who started in the pre-Beatle era and try to reinvent themselves later on. There were so many.  In September 2006 Paul Vance, the song's co-writer, read on TV his own mistaken obituary, as a consequence of the death of another man, Paul Van Valkenburgh, who claimed to have written "Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini" under the name Paul Vance. The impostor had explained his lack of royalty payments for the song by claiming that he had sold the rights as a teenager. Vance, the song's true co-author, has earned several million dollars from the song since 1960, describing it as "a money machine". Vance also co-wrote "Playground In My Mind," the hit for Clint Holmes, and "Run, Joey, Run", a hit for David Geddes.  Traffic Safety Tip - Loaded  Brian Hyland - The Bum Is Mine (1977) Written by Allen Toussaint. Jacqueline Taïeb - 7 A.M. (1968) Jerry Lee Lewis - The Cannikin Clink (Let A Soldier Drink) (1969) From rehearsals for the musical Catch My Soul, of which I will go into more detail in a future episode. Let's just say I bought the vinyl soundtrack, and it's a pretty good Hair-era retelling of Othello. This is from Peter Guralnick, who authored the ne plus ultra bio (to me) of Elvis Presley: Picture Jerry Lee Lewis as Iago in the rock ‘n’ roll version of “Othello.” You’re just going to have to imagine it. Me, too. Because as far as I know, no visual record exists except for a few scattered publicity photographs. He played the role in Los Angeles in 1968. The show was scheduled to come to New York next (we had already made plans to attend) – but it never did. According to Jerry Lee, it was because he had grown tired of the actor’s life, six weeks of following the same script night after night was enough, even if, like any Method performer, he never did play it the same way twice. (“I never worked so hard in my life. I mean two hours and forty-five minutes running up and down stairs – it was a mess.”) Very likely the fact that his recording career revived at exactly this time, with three Top 10 country hits in a row, had something to do with it, too. No matter. As this rehearsal recording clearly proves, Jerry Lee inhabited the role, just as he has inhabited virtually every song he has ever sung. Listen to the leer in his voice, listen to the clarity of the message, listen to his delight in the lines. Oh man, I wish I had seen the show.     When I first met him two years later, in the spring of 1970, the role was still clearly in his blood. “You know,” he said to me toward the end of my visit, “a lot of people think if you can make a lot of money, that’s what this life is all about. Well, that can’t be what life is all about, you know? If I can just play my piano and sing – you know, the proudest I ever was in my life was when I got my first record out, hear[ing] it on the radio for the first time.“ He meditated on that for a little while. “Well, life is just a vapor,” he said, winking at me, as if I, too, must surely recognize this Shakespearean allusion. “You breathe it in, and what the heck, it’s gone.“ Kenny Vance - Shuffling Up Your Downs (1969) Written by Becker and Fagen. From Wikipedia: In 1967, the songwriting duo of Walter Becker and Donald Fagen came to the Brill Building to sell their songs, and ended up knocking on Vance's door. Vance liked what he heard, and offered to manage them. The duo arranged horn and string sections for Jay and the Americans and toured with them as bassist and keyboardist, eventually recording demos and masters with Vance in 1969. He continued to work with Becker & Fagen until 1971, when he brought one of their songs ("I Mean to Shine") to Richard Perry, who then brought it to Barbra Streisand and recorded it on Barbra Joan Streisand.  Take A Dip With Dinah - Kenny Vance (1969) Ibid.  The Gass - In The City (1966) The Gass - The New Breed (1966) The She's - The Fool (1966)  The What Four - Ain't No Use In Crying Susan (1966) Formed in Manhattan and comprised of Elizabeth Burke (drums), Cathy Cochran (guitar), China Girard (rhythm guitar) and Diane Hartford (bass). They signed with Columbia in 1966, where they released "Baby I Dig Love" b/w "It's Hard to Live On Promises" and "I'm Gonna Destroy That Boy" and "Ain't No Use in Crying, Susan."  "I'm Gonna Destroy That Boy" is a great title.  The What Four - Do You Believe (1966) Different band, same name. This one from Dayton, Ohio.  The What Four - It's Hard To Live On Promises (1966)  Traffic Safety Tip - Corpse The What Four - Whenever (1966) The males.  The What Four - Baby, I Dig Love (1966) The females.  The What Four - I'm Gonna Destroy That Boy (1966) Topper Headon - Drumming Man (1985) Ex-drummer for The Clash. 'Drumming Man' is a cover of Gene Krupa's signature tune 'Drummin' Man', as originally recorded by Gene Krupa & His Orchestra in 1936. XTC - This World Over (1984) L Ron Hubbard/Yvonne Gillham Jentzsch - The Golden Dawn (1972) Scientology is an applied religious philosophy, jerk.  John Phillips - Zulu Warrior (1973-1979) Sensation Alex Harvey Band - Give My Compliments To The Chef (1974) The cover is a send-up of the big Roger Dean covers done for Yes, Uriah Heap, etc. I love this record very much. Alice Cooper was a pretty tame imitation/contemporary. This is the real stuff.  Traffic Safety Tip - Lady Luck Frank Zappa - Little House I Used To Live In (1970)  The Shadows Of Knight - Shake Revisited '69 (1969)  ?-? Velvet Underground  - Waiting For The Man (1967) The Webspinners (Ron Dante) - Theme From Spider Man (1972) Thee Prophets - Rag Doll Boy (1969)  ?-? Tito Puente - Oye Como Va (1962) Original version Traffic Safety Tip - Bottle Tony Martin - Aquarius (1982) Pink Floyd - Vegetable Man (1967)  Lorne Greene - Waco (1966) Traffic Safety Tip - Corpse II Winchester 76 - Buffalo (1967) Winston Cigarettes - It's How You Make It Long (1967) Joe Byrd and the Field Hippies - You Can Never Come Down (1968) Hot Chocolate - You Could've Been A Lady (1971)

Michael Berkeley’s guest is the writer Helen Macdonald, whose book "H is for Hawk" shot to the top of the bestseller lists, not just here but around the world. It’s perhaps no surprise that there’s a certain amount of birdlife in her playlist, from Stravinsky’s The Firebird to a piece inspired by a song thrush by the Finnish-English singer Hanna Tuulikki. She chooses music from A Carol Symphony by Victor Hely-Hutchinson, full of glittering ice, which consoled her when she was living in the desert of the UAE. We hear Britten’s Second String Quartet, Lully’s “The Triumph of Love”, Sibelius’s Seventh Symphony, and a song by Henry VIII. Helen Macdonald talks about why writing about nature can be a way of holding the world to account, and about how she finds joy in the fields and lanes around her in Suffolk, during this difficult time. She reveals too what it’s like living with her grumpy parrot Birdoole, who steals the keys from her computer keyboard. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke.

John Dyson spent 23 years as a judge, moving up through the High Court, the Court of Appeal, the Supreme Court and finally becoming Master of the Rolls. He retired as Master of the Rolls three years ago, but he’s back working on international arbitrations, busier than ever; in fact, he presided over the recent decision that the Saracens rugby team were being overpaid. Through it all, the great passion that has sustained him is music. He's an accomplished pianist and took lessons from the legendary teacher Dame Fanny Waterman. Piano music is his first love, and so his music choices include Beethoven’s exuberant first piano concerto; Schubert’s F Minor Piano Fantasy for Four Hands, and Bach’s Goldberg Variations. He loves opera too, especially Verdi’s Otello, an opera written when the composer was in his seventies. Choosing Leonard Bernstein’s Chichester Psalms becomes an opportunity to talk about his Jewish heritage, and about his grandmother, who escaped from Bergen Belsen. John Dyson talks too about the rise of anti-Semitism now; he says: “our suitcases are packed.” A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Isabel Allende’s first novel, “The House of the Spirits” catapulted her to literary stardom, and was acclaimed as a classic of Latin American magic realism. That was nearly forty years ago and she’s not stopped writing since: with twenty novels and four volumes of memoir, she’s been translated all over the world and has sold some seventy-four million books. They’re vivid family sagas, with eccentric characters, dramatic reversals, discoveries of lost children, violent death, disease and revolution, and sudden consuming love affairs. But Isabel Allende’s own life is as extraordinary as any of her novels. Abandoned by her father as a small child, she spent her early years travelling across South America with her stepfather, who was a diplomat. He was the cousin of Salvador Allende, Chile’s socialist leader, who became Isabel’s godfather. But when Allende was deposed by the right-wing government of General Pinochet in 1973, Isabel – by then married, with children – became caught up in the violent revolution and had to flee the country. She now lives with her third husband in California. In conversation with Michael Berkeley, Isabel Allende reflects on her extraordinary life, and reveals how she has found happiness now in her seventies. Music choices include Vivaldi, Mozart’s Flute Concerto No. 1, Albinoni, the Chilean singer Victor Jara, a moving song from the Spanish Civil War, and a Mexican love song from the 1940s, “Kiss Me Lots”. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

As part of Radio 3’s celebration of female composers, Michael Berkeley draws together some of his guests who have championed works by women. Turner Prize-winner Helen Cammock introduces the 17th-century Venetian composer Barbara Strozzi, and actor Greta Scacchi tells the story of her discovery of the 18th-century musician and composer Maria Cosway. There is music too by Hildegard of Bingen, the 12th-century writer, abbess and mystic, who is a role model for scientist Uta Frith; and a discussion of Clara Schumann and her complex relationship with husband Robert from biographer Lucasta Miller. Architect Daniel Libeskind champions the work of the Finnish composer Kaija Saariaho, whose work for him conjures up the glittering beauty of modern glass buildings. And Michael Berkeley reveals the answer to the question he’s frequently asked about this programme: which composer gets chosen most often? And the answer is that, apart from Bach, probably the most popular choice of all at the moment – from men, women, young, old, artists, scientists, writers – is Nina Simone. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Piers Gough co-founded his own architectural practice while he was still at college, at the age of only twenty-two. He made his name during the redevelopment of London’s Docklands, though you can also see his work in Liverpool (the golden “bling bling” building), in Nottingham, where he built a centre for Maggie’s cancer charity, and in Glasgow, where he designed the masterplan for the redevelopment of the Gorbals. He’s won numerous awards for his buildings, not least for his bright-green triangular public lavatory in London’s Westbourne Grove. And six of his buildings have been listed by English Heritage, protected for posterity. He’s been president of the Architectural Association, he’s a Royal Academician... which all sounds steady enough, but trying to sum up his style, the Architects Journal said: “One’s never certain whether one is in a town house, a country house, a castle, or a gigantic piece of sculpture.” In conversation with Michael Berkeley, Piers Gough reflects on the challenges of designing for the modern city, and on the influence of the accident that broke his spine and which at one point made him doubtful that he would ever walk again. He shares, too, the surprise and fun of becoming a father in his sixties. Music choices include William Walton’s “Belshazzar’s Feast”; Monteverdi’s haunting love duet “Pur ti miro”; Handel’s “Semele”; and Piers's favourite country-music track, “Truckstop Honeymoon”. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke.

Helen Cammock grew up wanting to be a singer, and performed on the folk circuit as a teenager. But then she stopped, and became a social worker for more than ten years. Finally, at the age of 35, she took up photography, went to art school – and she’s never looked back. She’s known now for her richly-layered video installations, which mix film archive, dance and poetry with current interviews, all woven together with music. She is the joint winner of the 2019 Turner Prize; for the first time in its 35-year history, the Prize was shared between all four artists on the shortlist, at their request. In Private Passions, she talks to Michael Berkeley about why music is at the heart of all her work. Last year the MaxMara art prize paid for her to spend six months working in Italy, and there she began to explore the subject of lament, and particularly laments sung by women. As part of her performance work, Helen Cammock began to take singing lessons again, and lament, loss, longing, and hopes for a better future, are all captured in the music she chooses. She shares the excitement of discovering little-known women composers of the 17th century Francesca Caccini and Barbara Strozzi. She talks about the troubling incident which persuaded her to give up a career in social work, when she was told to abandon a young woman outside a police station. She remembers the isolation and boredom of growing up in the countryside of Somerset, and the racist abuse her family faced every Saturday when they went shopping together. Music choices include Jessye Norman singing Purcell’s “Dido’s Lament”; Glenn Gould humming along to Bach; Nina Simone on the piano; and Shostakovich’s Cello Concerto. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

As we start a new year, our thoughts turn towards the year ahead with all its plans and resolutions. And yet of course it is irrational to make this complete distinction between December and January; in fact, the more you think about it, the more you realise that everything about time is strangely slippery. The slippery nature of time is something that preoccupies Carlo Rovelli, a theoretical physicist who has worked in Italy and the United States and who is currently directing the quantum research group at the Centre for Theoretical Physics in Marseille. His books “Seven Brief Lessons on Physics”, “Reality is Not What it Seems” and “The Order of Time” have become international best-sellers, outselling “Fifty Shades of Grey”. In Private Passions, Carlo Rovelli talks to Michael Berkeley about how music has helped him think about time, and how memory of the past and expectation of the future come into constant play when we listen to music: “We don’t live in the present, we live a little bit in the future and a little bit in the past – we live in a clearing in the forest of time.” He looks back to his childhood, growing up in Verona, and hearing Vivaldi played every week in the local church. He discusses Philip Glass’s “Einstein on the Beach”, a work he admits he likes particularly for its title. He thinks about how Mozart represents the end of time in his “Dies Irae”, music he loves to listen to at full volume when his partner is out of the house. Other choices include Schubert, Arvo Pärt, Beethoven’s Missa Solemnis and the Bach cantata he discovered as a teenager that still astonishes him. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Darcey Bussell became principal dancer of the Royal Ballet at the age of only twenty; she went on to become a household name thanks to her seven years as a judge on Strictly Come Dancing, a job she unexpectedly stepped down from earlier this year. In conversation with Michael Berkeley, she looks back at a career which started when, against the wishes of her mother, she went to ballet school at thirteen – and was desperately unhappy, thinking she’d made the worst mistake of her life. Alone, away from her family, she used to listen to Mozart’s Requiem again and again. She had little hope of becoming a star ballerina as she was “too tall” at five foot seven, and “not British-looking”; what this amounted to is that most British male dancers were not tall enough to partner her. But then she met choreographer Kenneth Macmillan, and he saw her potential. She reflects candidly on the “disciplines and sacrifices” of a life devoted to dance: the long hours training, dancing till your stamina runs out and you literally can’t feel your legs. Tchaikovsky’s Sleeping Beauty pushed her to the limit. She reveals how becoming a judge on Strictly gave her new confidence to speak in public for the first time and why she doesn’t mind being labelled as the judge who was “too nice”. She talks too about creating a new post-performance life out of the glare of the public eye, her mission to bring dance to all schoolchildren, about injuries and the battle for fitness, and about the toll dancing has taken on her feet. Her music choices range from the intensely serious – Stravinsky's 'Agon, Poulenc's Gloria, the Mozart and Faure Requiems - to Dinah Washington’s “Mad about the Boy” and “Roxanne” by The Police. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

As a small child, Matthew Bourne used to put on shows in his parents’ living room in East London; by the age of eight or nine, he was staging musicals for the whole school, co-opting his friends to star in Mary Poppins and Cinderella. (He played an ugly sister.) Fast forward to today and Sir Matthew Bourne is now Britain’s most popular and successful choreographer and director, with a long list of awards for shows including Nutcracker, Swan Lake, Cinderella, The Car Man (based on Carmen), Edward Scissorhands, and The Red Shoes. Sir Matthew has become particularly associated with Christmas shows and he’s somehow nailed the essence of the Christmas “treat”. He attributes this to memories of the shows his parents took him to. But, despite their outings, it never occurred to anyone in the family that Matthew might make a living in the theatre, and he was twenty-two before he took his first dance lesson. This, he believes, has given him a strong connection with the audiences coming to see his shows. Despite this, there have been some bumps in the road: when he first staged Swan Lake with all-male swans and two male dancers dancing a love duet, some of the audience walked out. He reflects on the challenges of creating dances in which men dance together but are not strong enough to lift each other. Matthew Bourne is a profoundly musical choreographer: he talks about listening to famous pieces of Tchaikovsky and Prokofiev over and over again. Other choices include a Percy Grainger setting of an old Christmas carol; film music by Bernard Hermann; Mary Poppins; and his favourite song from his favourite musical, The Sound of Music: “Climb Every Mountain” – which could describe his own stellar career. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Della Hutchison of the Lewisburg Arts Council, and Artist Elizabeth Burke, speaking with VIA's Fiona Powell about the 20th Annual Stroll Through the Arts on Market Street in Lewisburg, PA, on Friday, November 1, 2019, from 6:00-9:00 pm. There will be musical performances form 6:00-11:30 pm at various venues. www.lewisburgartscouncil.com

Peter Tatchell was still a teenager, living in Australia, when he started on what has been a long and headline-grabbing career of political protest. He was only fifteen when he began campaigning against the death penalty, and in support of aboriginal rights. At the age of seventeen, he realised he was gay, and the struggle for gay rights became his increasing focus: he was a leading activist in the Gay Liberation Front in the 1970s, and, more recently, a campaigner for same-sex marriage. He gained international celebrity for his attempted citizen's arrest of Zimbabwean President Robert Mugabe in 1999 and again in 2001, on charges of torture and human rights abuses. Beaten by Mugabe’s bodyguards, he suffered permanent eye and brain damage. He has also been beaten up by Neo-Nazis in Moscow, and held in prisons across the world. He says, ruefully: “I’m the master of the motorcade ambush”. One of his tactics has been literally to run into the road and throw himself in front of official limousines; he did it not just to Mugabe, but also to Tony Blair – protesting against the war in Iraq – and John Major. In a rare personal interview, Peter Tatchell talks about the early experiences which fired him into trying to change the world. He grew up at a time when homosexuality was still illegal in Australia - his mother believed it was against her Christian principles. And yet despite this Peter loves, and forgives her. The music list is a mix of stirring protest and softer romantic pieces which help Peter escape from daily pressures. Choices include Prokofiev’s “Battle on the Ice” from the film score to Eistenstein’s Alexander Nevsky; Mozart’s “The Magic Flute”; Prince; and the jazz drummer Billy Cobham. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

David Cannadine describes himself as “staggeringly lucky”: he found what he wanted to do early in life, and it has rewarded him richly. He is one of our most distinguished historians; his period is the 19th and early 20th century, and he’s written more than twenty books, on Churchill, on class, on the aristocracy - among many others. He’s the editor of the Dictionary of National Biography and the President of the British Academy, and a frequent broadcaster on Radio 4. He was knighted for services to scholarship in 2009. But perhaps the most surprising thing about David Cannadine is that although he was born in Birmingham and his historical research focuses on Britain, he himself lives in America; he’s spent ten years at Columbia University and is currently Professor of History at Princeton. In Private Passions he reflects on how his trans-Atlantic life changes his perspective, and enables him to see both Britain and the US as foreign countries. Although he’s now at the heart of the British establishment, he confesses that he’s always felt an outsider. His childhood in Birmingham was far from privileged, although the grand 19th-century buildings that surrounded him gave him a sense of Victorian grandeur, and his schoolteachers inspired him to aim high. They also inspired his passion for classical music, and many of the choices relate to his childhood and to his years at Cambridge and Yale. David's music includes Haydn’s Creation, Purcell’s King Arthur, Walton’s First Symphony, and Sullivan’s Iolanthe, in a performance of which, somewhat improbably, Sir David sang in the girls’ chorus. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

James Ellroy has been dubbed the ‘demon dog of American crime fiction’, a label he relishes. His crime novels, fifteen to date, are international best-sellers; the world they depict is Los Angeles at its wildest and darkest, cops and criminals as violent as each other. Ellroy’s own life has been dominated by crime; his mother was murdered when he was ten, and Ellroy himself got involved in petty theft and, as a young man, spent time in jail. In Private Passions, James Ellroy reflects on a turbulent life, and how he honed his story-telling skills in a cell with five other criminals. He reveals how much he owes to classical music – and particularly to Beethoven. He has a bust of Beethoven on his desk as he writes, and speaks to him every day. Sometimes Beethoven answers back. James talks too about his other heroes: Mahler, Shostakovich, Bruckner and Wagner, and his admiration for their monumental works. The choices have a strong romantic streak, perhaps surprising in a writer whose world is so violent and dark. But in conversation with Michael Berkeley, James Ellroy reveals himself as never before. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Earlier this year, when Hannah Sullivan won the biggest prize in the poetry world, the TS Eliot Prize, the chair of the judges announced: “A star is born. Where has she come from?” Such a prestigious prize is a rare honour, as the book, Three Poems, was Hannah Sullivan’s first published collection. Up until then, she’d established a successful academic career, studying at Cambridge, teaching at Harvard and for the last seven years at New College Oxford, where she’s an Associate Professor of English. In Private Passions, Hannah Sullivan talks to Michael Berkeley about the time in New York which inspired her prize-winning poems, and why she wanted to capture what it’s like to be alone and vulnerable in a strange city. She reads from a new poem about Grenfell Tower, which will be published next year. And she reveals a passion for Nina Simone. Other music choices include Strauss’s “Der Rosenkavalier”, the Dvorak Cello Concerto, the Schubert String Quintet, and a setting of a poem by Thomas Campion so perfect she wishes she’d written it: “What is love but mourning?” A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Lucasta Miller is a writer fascinated by the Romantic, and the dark excesses of the Gothic. Her latest subject is a poet, Letitia Landon, whose life was scandalous and whose sudden death is like a scene from a detective novel. In her day, Landon was an icon, hailed as a “female Byron” – and a favourite of the Brontë sisters, who were the subject of Lucasta Miller’s previous book. Both biographies were years in the making, partly because they involved such meticulous research, partly because Lucasta Miller was at the same time writing journalism, editing books, teaching English to refugees, bringing up children and generally holding together a household, the other half of which is the singer Ian Bostridge. In Private Passions, Lucasta Miller talks to Michael Berkeley about her lasting obsession with the gothic, and about the dark secrets concealed in Letitia Landon’s life. The theme of dark secrets takes her to the first German Romantic opera, Weber’s Der Freischütz, and the terrifying Wolf’s Glen. She discusses too what biographers can bring to our understanding of music and chooses a song by Clara Schumann, written just as she was on the point of marriage to Robert. And in relation to her own husband, Lucasta talks honestly about how difficult the life of a professional musician is, both for them and for their family at home. Does husband Ian Bostridge make it onto the playlist? As she says, she felt she was damned if she chose him, damned if she didn’t. So she does include him in the end, singing a lyrical song by Hans-Werner Henze which was written for Bostridge. Other musical choices include Maria Callas singing from Bellini’s Norma, and the Bach cello suites played by Stephen Isserlis. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

At thirty-two, Robert Icke is already one of this country’s leading theatre directors. He’s best-known for his modern adaptations of classic texts; his version of the Greek tragedy the Oresteia won him an Olivier in 2016 for Best Director, and both the Critics Circle and the Evening Standard Theatre Awards. He wrote a seventy-minute prequel to the Aeschylus play himself, so there’s no shortage of ambition; and playfulness too – in Mary Stuart, which starred Juliet Stevenson and Lia Williams, a coin was tossed each night to decide which of them would play Elizabeth I and which Mary Stuart. He’s about to leave the Almeida after six years. His first production as a freelance director in Europe is with Ivo van Hove, in his International Theatre Amsterdam. Robert Icke has a lot to say about the state of theatre in this country, which he thinks is in big trouble. He’s particularly concerned about young people trying to enter the profession, when wages are so low and it’s so expensive to live in London, where most work is being made. Tickets have become so expensive that it’s simply impossible for young people to go to the theatre and see what’s being done. Rob’s musical tastes span 12th-century polyphony to 1960s pop music. And he includes a Chopin piece which he is struggling with himself on the piano, helped by his boyhood piano teacher Mrs White in Middlesborough, who now comes to all his shows. A Loftus production for BBC Radio 3. Produced by Elizabeth Burke.

Elizabeth Burke Bryant, the Executive Director of Rhode Island Kids Count. #WPRO The release of the Kids Count annual Factbook brings a trove of information about the condition of children in the state. http://www.rikidscount.org/

Elizabeth Burke Bryant, the Executive Director of Rhode Island Kids Count. #WPRO The release of the Kids Count annual Factbook brings a trove of information about the condition of children in the state. http://www.rikidscount.org/

Sigrid Rausing is a writer, publisher and philanthropist. She’s the co-founder of Portobello books, the owner of Granta books, and the editor of Granta literary magazine, a role she says she hugely enjoys. It’s impossible though to talk about her own achievements without mentioning her Swedish family background: her grandfather founded the packaging company Tetra Pak, and his brilliant idea for the invention of waxed cardboard cartons for milk and fruit juice brought him great wealth - and has allowed his grand-daughter to found one of the biggest philanthropic organizations in this country. But the family has been marked by great tragedy too: in 2012, Sigrid’s sister-in-law Eva died of a drugs overdose and her brother, who was also an addict, was arrested for possession of drugs, and for keeping his wife’s body at home with him. In conversation with Michael Berkeley, Sigrid talks about the terrible effect of drug addiction on her family, and the guilt she and everyone around her feels about what happened. She looks back on her early career as an anthropologist, and reflects on the pleasures and challenges of editing a literary magazine. Music choices include Mozart’s clarinet concerto, Brahms’s Handel Variations, Liszt’s transcription of Schubert, and Ella Fitzgerald singing “Anything Goes”. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Answer #1

David Rieff has admitted ruefully that he’s made a career out of telling people what they don’t want to hear: whether it’s the politics of the global food crisis in his book “The Reproach of Hunger”, or the failure of the West to prevent the terrible bloodbath of Bosnia in his provocatively-titled “Slaughterhouse: Bosnia and the failure of the West”. As a war correspondent, Rieff has worked in the Balkans, in Rwanda and the Congo, in Israel-Palestine, in Afghanistan and Iraq. He’s not afraid to tackle the big issues: immigration, exile, American imperialism. There are thirteen books in all, including a memoir about his mother, the American writer Susan Sontag. In Private Passions, David talks to Michael Berkeley about being “Susan Sontag’s son”, and whether that label has at times been a burden. He’s her only child and Sontag was only 19 when he was born. He reflects on the privilege and yet strangeness of his New York upbringing, and how he has used that background “to make a living being a critic of everything. That’s an immense privilege.” David Rieff is a passionate fan of Early music, and his choices include the 16th-century composer Orlando di Lassus, and Alfred Deller singing Purcell. Other choices include Bach’s moving cantata “Ich Habe Genug”, Shostakovich, Beethoven, and Bluegrass. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Rebecca Stott grew up in a community where the following things were forbidden: newspapers, television, cinema, radio, pets, universities, wristwatches, cameras, holidays – and music. Her family belonged to one of the most reclusive sects in Protestant History, the “Exclusive Brethren”, which has 45,000 followers worldwide. How and why she left the Brethren is the gripping story told in her memoir, “In the Days of Rain”, which won a Costa Prize in 2017. Before that there were two historical novels; two books about Darwin; and a body of academic work about 19th century writers. Rebecca Stott is currently Professor of literature and creative writing at the University of East Anglia. It’s a remarkable career for someone who grew up not being allowed to read freely, or even to enter a library. In Private Passions Rebecca Stott tells the story of how her family escaped from the sect, and how the outside world flooded in, in all its technicolour. The discovery of music was particularly exciting, and she has never forgotten the impact of Rachmaninov and of Mozart. She reveals that after she wrote about the sect, she gathered hundreds of thousands of pages of testimony from other former members, telling stories of scandal and suffering. And she reflects on the lifelong influence of growing up in a religious sect that believed the world would end any minute, and everyone on earth would literally disappear into the air. Music choices include Pergolesi’s “Stabat Mater”, Klezmer music, Mozart’s Piano Concerto no 21, Rachmaninov, Paul Simon, and Leonard Cohen. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

It’s the size and shape of a cauliflower, and weighs about 3 lbs. And yet the average human brain has so many intricate and complex connections that if you counted one connection every second it would take you more than three million years. Professor Anil Seth has devoted his career to trying to understand the brain, puzzling over the mystery of consciousness itself. He’s Professor of Cognitive and Computational Neuroscience at the Sackler Centre at the University of Sussex, and the author of a popular book, “The 30-second Brain”. In Private Passions, he muses on how our consciousness of the world, and of ourselves, is “one of the big central mysteries of life”. And it’s a mystery we face every day – when we fall asleep and when we wake up. In conversation with Michael Berkeley, Anil Seth explores the concept of free will (he doesn’t believe in it); why music evokes such strong memories; and how meditation changes the structure of the brain. Music choices include Chopin, Bach, Nina Simone, and an ancient Hindi mantra. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

As part of Radio 3’s celebration of forests this autumn, Michael Berkeley’s guest is the American novelist Richard Powers. His latest novel, The Overstory, is his twelfth, and it’s a monumental work which was entirely inspired by trees. It all started when Powers was teaching in California, and visited the giant redwoods there. That encounter amounted he says to “a religious conversion”. He realised he’d been blind to these amazing creatures all his life. So, to make up for lost time, in his new Booker long-listed novel he gives trees a voice: "A woman sits on the ground, leaning against a pine. Its bark presses hard against her back, as hard as life. Its needles scent the air and a force hums in the heart of the wood. Her ears tune down to the lowest frequencies. The tree is saying things, in words before words." Inspired by his passion for trees, Richard Powers has now moved to live in the forests of the Smoky Mountains which run along the border between North Carolina and Tennessee. "In 15 to 20 minutes, I can be up and walking in these forests that are recovering from a century-and-a-half of logging and see the way that nature persists and transforms and perseveres." On a brief trip to London, he looks back over a thirty-year writing career in which each novel is more audacious than the last. But one theme runs through all his writing: the power of music, and Powers plays the cello, guitar, clarinet and saxophone. His music choices include Dowland’s “Time Stands Still”, Bartok’s String Quartet No. 4, Bach’s Cantata BWV 100, and Charles Ives’ Concord Sonata. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Paco Peña first started playing the guitar at the age of six; it was his older brother's guitar, and since there were nine children in the family, all living in two rooms in a crowded house in Córdoba, he had a ready-made audience right from the beginning. He made his first professional appearance at the age of twelve, and toured through Spain before moving to London in the 1960s, where he found himself sharing concerts with Jimi Hendrix. Over the last fifty years he's established a world-wide reputation as a pre-eminent master of flamenco guitar. He's a composer too, of both a Requiem and a Mass in flamenco style. In Private Passions, Paco Peña takes us back to the Spain of his childhood; this was only a few years after the end of the Spanish Civil War, and he describes the country he was born into as "fragile and tortured". He talks too about making a living as a musician on the Costa Brava, where he met his wife, and about what it was like to arrive in London in the 1960s, a time when flamenco guitar was relatively unknown. Music choices include Mozart, Beethoven, de Falla, the Argentinian composer Eduardo Falú - and Bach, the composer Peña always listens to before going on stage to perform. He includes too the track he regards as flamenco at its quintessential best, by singer Camarón de la Isla and guitarist Paco de Lucía. And he gives away a few trade secrets about how to master passionate flamenco strumming - it involves painting your fingernails with glue. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke.

Elizabeth Burke Bryant, Executive Director of Rhode Island Kids Count #WPRO Information about Rhode Island children is contained in the latest national data book published by the Annie E. Casey Foundation http://www.rikidscount.org/

Elizabeth Burke Bryant, Executive Director of Rhode Island Kids Count #WPRO Information about Rhode Island children is contained in the latest national data book published by the Annie E. Casey Foundation http://www.rikidscount.org/

Learn how to clear your womb in order to improve your menstrual cycle, increase your fertility and release trauma. Listen to this awesome Interview with: Carlotta Mastrojanni is a shamanic midwife and womb healer based in Ojai, CA. She supports women on their journey of Creation from conception to birth. Founder of the Modern Medicine Woman, Carlotta weaves modern and ancestral wisdom on empowerment, sexuality and birth practices. She aims to forge a new way to heal the feminine lines of wounding and restore connection to the masculine. Carlotta teaches and leads workshops in Europe and the US, returning to her beloved home in the Valley of the Moon, where she lives with her husband and son.   You Can Find Carlotta Whats Your Medicine Visit MYSTICAL MOTHERHOOD Visit healer Elizabeth Burke as mentioned in podcast 

Ronan Bennett is a novelist and screenwriter whose latest drama series on the BBC, "Gunpowder", dramatizes the story of Guy Fawkes from the point of view of the Catholics, who were persecuted in England at the time. All through his substantial body of work Ronan Bennett has explored the roots of violence and terrorism, something he knows about from personal experience, having grown up as a Catholic in Northern Ireland in the 1970s. He was imprisoned twice as a young man, accused of IRA terrorist offences, but was acquitted both times, not before spending a total of almost three years in prison, sometimes in solitary confinement. After he came out of prison for the second time, Ronan Bennett made the decision to study history at King's College London, and went on to do a PhD on crime and law enforcement in 17th-century England. In Private Passions he talks about how studying history is a way of trying to make sense of his own painful experience. He looks back on his childhood and chooses Berlioz's opera "The Trojans" for his mother; he includes, too, choices for his own children, who have widened his musical tastes, with Chopin and the grime artist Kano. He talks movingly about the death of his wife, the journalist Georgina Henry, and about the music which he listened to as she died - and which then gave him hope. Musical choices include Thomas Tallis, the Chieftains, Jessye Norman singing from Strauss's "Four Last Songs", and Bon Iver. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke.

Elizabeth Burke Bryant, the Executive Director of RI Kids Count talks about the release of the 2017 Rhode Island Kids Count Factbook. It is described as "a statistical portrait of the status of Rhode Island's children and families". It is available at: http://www.rikidscount.org/DataPublications/RIKidsCountFactbook.aspx

Juliet Nicolson's childhood was dominated by secrets. She spent a lot of time - she now confesses - listening at doors, picking up the telephone and holding her breath so that nobody knew she was there. At one point she even cut a hole in her bedroom floor to spy on her mother. It was certainly a family where there were all sorts of complicated things going on. Juliet's grandmother was Vita Sackville-West; her grandfather Harold Nicolson; and her father, the publisher and writer Nigel Nicolson. Juliet Nicolson herself is the author of two works of history, one about living in the Shadow of the First World War, and the other, a study of the summer of 1911, "The Perfect Summer". She's also written a novel about the abdication of Edward VIII and most recently, a memoir, "A House Full of Daughters". In Private Passions, Juliet Nicolson talks to Michael Berkeley about how her childhood was actually the perfect training for a historian. She reflects on time, and her method as a historian of freezing time, focussing on a single summer for instance. She remembers her grandmother Vita, and discusses her brave decision to be honest about her alcoholism, and how giving up drinking gave her a new sense of clarity, and a second chance at life. Music choices include Bach, Beethoven, Handel, Dory Previn, Gershwin, and Joe Dassin. Produced by Elizabeth Burke. A Loftus production for BBC Radio 3.

Welcome back! In Episode 61 Therapy Chat host Laura Reagan, LCSW-C asked 11 therapists to contribute their best tips for using self care to manage holiday stress. With Thanksgiving Day tomorrow in the US, hopefully you will find something useful here.   Thanks for listening to Therapy Chat. Please get in touch and let host Laura Reagan know what you thought of this episode!   Thanks to the eleven therapists who participated! See below for their names and links to their websites!     Elizabeth Cush, MA, LGPC Progressioncounseling.com Robert Cox, MA, PLPC, NCC http://www.liferecoveryconsulting.com Charlotte Hiler Easley LCSW ESMHL www.charlotteeasley.com Daniela Paolone LMFT westlakevillage-counseling.com Elizabeth Burke, LCSW www.empoweredtherapy.org Gina Della Penna, LMHC www.ginadellapenna.com Jackie Flynn EdS | LMHC | RPT www.counselinginbrevard.com Melvin Varghese, PhD melvinvarghese.com Ellis Edmunds, Licensed Psychologist www.drellisedmunds.com Rebecca Wong, LCSW www.connectfulness.com Michelle Lewis, LCSW www.slweightcounseling.com     Resources mentioned in this episode:   Here’s the link to find out about clinical supervision and consultation with Laura Reagan, LCSW-C and the Trauma Therapist Community: http://www.laurareaganlcswc.com/for-professionals/   Visit Therapy Chat website at Http://therapychatpodcast.com and send host Laura Reagan a voice message letting her know what you think of Therapy Chat! Did you like this episode? Did you dislike it? Let her know! Also, if you’d like to share a tip that helps you get through the holidays, record a message and your comment may be included in the December holiday episode!   Thank you for listening!

Robert Harris made his name with Fatherland, a thriller which imagined what life would have been like in Britain had Hitler won the War. It sold over three million copies, was translated round the world, and became the first of three films inspired by his books. He went on to write thrillers about the Enigma Code, the financial crash, the Dreyfus Affair, and the destruction of Pompeii. And Ghost, a memorable book and film about a ghost-writer to a politician who closely resembles Tony Blair. Robert Harris's most recent book is Dictator and it completes a trilogy about the Roman politician and philosopher Cicero, a project which has preoccupied him for 12 years. In Private Passions, he talks to Michael Berkeley about the underlying theme running through his work: what really interests him is power, and the rise and fall of political fortunes. He looks back on the extraordinary overnight success of Fatherland, and its less than enthusiastic reception in Germany. Robert Harris reveals, too, the importance of music when he is researching a new novel, and shares his excitement at the discovery of composers of the Spanish Baroque. Other music choices include Bach, Beethoven, John Barry, and Amy Winehouse. And a rousing extract from a speech which he believes to be the best piece of political rhetoric ever delivered - we hear why. A Loftus Media Production for BBC Radio 3 Produced by Elizabeth Burke.

For New Year New Music, Michael Berkeley's guest is the Irish composer Gerald Barry. We tend to think of 'New Music' as something deadly serious and even agonised; Gerald Barry utterly confounds that stereotype. His latest opera, which will be staged at the Barbican this March, transforms The Importance of Being Earnest - with Lady Bracknell sung by a bass in a business suit, and Gwendolyn and Cecily throwing dinner plates at each other. It's Barry's fifth opera; his first, The Intelligence Park from 1990, told the story of an 18th century composer who fell in love with a castrato. As well as the operas there are scores of instrumental pieces, piano concertos and choral works. They have wonderful titles: Humiliated and Insulted; The Destruction of Sodom - a piece for 8 horns and 2 wind machines. In Private Passions, Gerald Barry talks to Michael Berkeley about his childhood in a small village in the West of Ireland. It wasn't a musical household, but as a young boy he heard Clara Butt singing Handel on the radio and that was an awakening for him, 'a visitation'. From then on, he knew he wanted to be a composer, though he didn't even know the word. At the age of 14, he won a medal for composition - by taking a Mozart piano sonata and cutting it up, sticking it together again in random order. Barry went on to study with Stockhausen and the Argentinian composer Mauricio Kagel, and he talks about his struggle to make a living as a church organist in Cologne: he was fired, first for being Catholic, then for being late for 7.30am Mass. He gives a moving account of his mother dying, just as his first opera was performed. And he reflects on the woeful blandness of singing voices in the musical world now, compared with the countertenors and castrati of the past. Gerald Barry's marvellously idiosyncratic choices include Mozart, Alfred Deller, Clara Butt, William Byrd, a hymn setting by Stainer, and Oscar Wilde's letter from Reading Gaol, De Profundis, set by the contemporary composer Rzewski. He ends with a hilarious recording of the Red Army Choir singing 'It's a Long Way to Tipperary'. A Loftus Production for BBC Radio 3 Produced by Elizabeth Burke.

Michael Berkeley's guest this week is Alan Bennett. We know him as the much-loved playwright and diarist who's been entertaining and moving us as a writer and performer since Beyond the Fringe in 1960. But there's one aspect of Alan Bennett that's less well-known: the central importance of music in his life, including the extraordinary fact that he once wrote a libretto for William Walton. (Sadly, Lady Walton was not impressed, and shoved it firmly to the bottom of her handbag.) In a moving and funny programme, Alan Bennett remembers the music that filled his childhood: his father was a gifted violinist, and his aunts played the piano for silent movies. As a teenager, new worlds were opened up by concerts in Leeds Town Hall, where Bennett sat in the cheapest seats behind the musicians, 'like sitting behind the elephants at the circus'. And then came fame, and Hollywood: 'Elizabeth Taylor actually sat on my knee at one point. It was not a pleasant experience'. In a touching conclusion to the programme, Alan Bennett listens to Elgar's Dream of Gerontius and is stirred to think about the boy he used to be, and what that boy might say to him now. Music choices include a 1939 recording of 'I can give you the starlight' by Ivor Novello; a waltz by Franz Lehar; Brahms's Second Piano Concerto; Bach's St Matthew Passion; Walton's First Symphony; Elgar's Dream of Gerontius; and Ella Fitzgerald singing 'Bewitched, Bothered and Bewildered'. This last song inspired The History Boys when Alan Bennett heard it on Private Passions in 2001. This special programme includes three bonus tracks available online: Alan Bennett chooses two further pieces of music, and talks about the music he hates and never wants to hear again. Produced by the Loftus Media Private Passions team (Elizabeth Burke, Jane Greenwood, Oliver Soden and Jon Calver).

Christina Lamb is one of Britain's leading foreign correspondents. As a young journalist barely into her twenties, she went to live with the Afghan Mujahidin fighting the Russians; her dispatches saw her named Young Journalist of the Year in the British Press Awards in 1988. Since then she has travelled by canoe through the Amazon rainforest, reported undercover from Zimbabwe, infiltrated a crime syndicate in Brazil, and survived an ambush by the Taliban. She has won Foreign Correspondent of the Year five times as well as the Prix Bayeux, Europe's most prestigious award for war correspondents. She's currently Chief Foreign Correspondent for the Sunday Times, and the author of several best-selling books, including a new book about her time in Afghanistan, 'Farewell Kabul'. During this last year she has been reporting on the refugee crisis in Europe, from detention camps in Libya and rescue ships in the Mediterranean. It's an extraordinary career, and it all started completely by chance when she was a young intern - with a surprise wedding invitation from Benazir Bhutto. In Private Passions, Christina Lamb talks to Michael Berkeley about the pressures and pleasures of her working life, and vividly describes encounters with critical danger. She was on the bus with Benazir Bhutto when a bomb exploded, killing more than a hundred people. She chooses music which transports her back to the countries she has lived in: tabla music she first heard in a bazaar in Pakistan, and drumming she danced to in the Rio Carnival. She has recently discovered the music of Clara Schumann, and Tchaikovsky's The Seasons in a brand-new recording by Lang Lang. And Maria Callas singing in Tosca is a must - it's the soundtrack for the first time she met her Portuguese husband. A Loftus Production for BBC Radio 3 Produced by Elizabeth Burke.

Henry Marsh is one of the country's leading neurosurgeons: as a senior consultant at St George's University Hospital in South London, he has pioneered brain surgery for more than 30 years. These are delicate, microscopic operations to deal with tumours and aneurisms where the least slip can be catastrophic: comparable, he says, to bomb disposal work. Henry Marsh's account of his career, 'Do No Harm: Stories of Life, Death and Brain Surgery', has become a best-seller. In Private Passions, he talks about how his work has given him a heightened awareness of the unpredictability of life, and about the role of music in dealing with stress. He discusses the use of music during operations themselves; he used to listen to music, but after one operation went badly wrong, now feels it is inappropriate. And he gives a neuroscientist's perspective on falling in love. Music choices include Bach's St Matthew Passion, Mozart's Magic Flute, Scarlatti, Bartok, Prokofiev, Beethoven, and African music which reminds him of time spent teaching in Ghana. Produced by Elizabeth Burke. A Loftus Production for BBC Radio 3.

Rachel Nicholson has an extraordinary artistic background: her mother was Barbara Hepworth, her father Ben Nicholson. Yet despite, perhaps because of, the burden of that parentage, she herself did not begin to paint until she was in her forties. Now in her early eighties, she's established a reputation as a painter of rhythmically beautiful landscapes and still lifes; her work influenced perhaps by her father's sense of space and colour, but very much her own. She paints every day in an attic studio in North London; for Private Passions she invited Michael Berkeley to her studio and gave a rare interview, revealing the central role music has played for her, right from earliest childhood. Rachel Nicholson has synaesthesia, which means that when she listens to music, she sees colours; so music provides inspiration when she's stuck, or searching for a new colour palette. She remembers sitting on the stairs listening to the music drifting from her mother's studio, but it was no ordinary childhood: Rachel was a triplet, and the babies were sent to a nursing college to be looked after as infants. Only later did she return home with a nanny from the college, and then she was sent away again to school. She was so excited when she first heard Bach's B Minor Mass at Dartington Hall School that she spent all her pocket money going to every performance. Other music choices include Haydn, Scarlatti, Handel, Schubert, Mozart, John Adams, and Priaulx Rainier - a composer who was a close friend of Barbara Hepworth's, and whom Rachel Nicholson remembers well. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke.

In this episode we speak with Elizabeth Burke-Dain, Marketing and Media Director for the Poetry Foundation. With a $200M endowment and its prestigious Poetry Magazine dating to 1912, The Poetry Foundation is the largest organization promoting poetry in the United States. Join us as we learn how the Poetry Foundation works to ensure poetry has a "vigorous presence... in our culture".   Podcast Notes:   The Poetry Foundation: http://www.poetryfoundation.org/ Mission: "To bring a more vigorous presence for poetry in our culture" Poetry Magazine: http://www.poetryfoundation.org/poetrymagazine/ Ruth Lilly: http://en.wikipedia.org/wiki/Ruth_Lilly Robert Polito, President: http://www.poetryfoundation.org/bio/robert-polito Polly Faust, Media Assistant   Mentioned Poets: Robert Frost: http://www.poetryfoundation.org/bio/robert-frost Sylvia Plath: http://www.poetryfoundation.org/bio/sylvia-plath Lisel Mueller: http://www.poetryfoundation.org/bio/lisel-mueller Henry James: http://www.poetryfoundation.org/bio/henry-james John Keats: http://www.poetryfoundation.org/bio/john-keats James Joyce: http://www.poetryfoundation.org/bio/james-joyce Harriet Monroe: http://www.poetryfoundation.org/bio/harriet-monroe Walt Whitman: http://www.poetryfoundation.org/bio/walt-whitman Ezra Pound: http://www.poetryfoundation.org/bio/ezra-pound T.S. Eliot: http://www.poetryfoundation.org/bio/t-s-eliot Marianne Moore: http://www.poetryfoundation.org/bio/marianne-moore H.D.: http://www.poetryfoundation.org/bio/h-d CAConrad: http://www.poetryfoundation.org/bio/c-a-conrad Ocean Vuong: http://www.poetryfoundation.org/bio/ocean-vuong   Poetry Foundation Programs: Poetry Out Loud: http://www.poetryoutloud.org/ Harriet Monroe Poetry Institute: http://www.poetryfoundation.org/foundation/poetryinstitute   Media Sponsorships: PBS News Hour: http://www.pbs.org/newshour/ NPR: http://www.npr.org/ The Writer's Almanac: http://writersalmanac.org/ American Life and Poetry: http://www.americanlifeinpoetry.org/ Poetry Now: http://www.poetryfoundation.org/foundation/press/2015/186494   Experimental Music and Sound: LAMPO: http://www.lampo.org/ Perfumer D.S. & Durga: http://www.dsanddurga.com/   Noted Lily Rosenburg Fellows with Political Work: Wendy Xu: http://www.poetryfoundation.org/bio/wendy-xu Ocean Vuong: http://www.poetryfoundation.org/bio/ocean-vuong On Earth We are Briefly Gorgeous: http://www.poetryfoundation.org/poetrymagazine/poem/249156 Danez Smith, Dinosaurs in the Hood: http://www.poetryfoundation.org/poetrymagazine/poem/249154 Hannah Gamble, I Wanted to Make Myself Like the Ravine: http://www.poetryfoundation.org/poetrymagazine/poem/249152 Solmaz Sharif, Persian Letters: http://www.poetryfoundation.org/poetrymagazine/poem/249144 Eric Ekstrand: http://www.poetryfoundation.org/bio/eric-ekstrand   Segment Break, 3-Sentence Reviews 3-Sentence Reviews: http://tatestreet.org/category/reviews/three-sentence-reviews/ Winter Stars 3-Sentence Review: http://tatestreet.org/2011/04/13/spring-review-of-winter-stars/ Larry Levis: http://www.poetryfoundation.org/bio/larry-levis     Producers: Ray Crampton and Abigail Browning Produced by: tatestreet.org: http://tatestreet.org Music Provided by: Jonathan Stout and his Campus Five featuring Hilary Alexander: http://www.campusfive.com Podcast Facebook: https://www.facebook.com/tatestreetorg Podcast Twitter: https://twitter.com/tatestreetorg Podcast Email: mailto:writeus@tatestreet.org

Sir Alan Moses is a distinguished lawyer who sat as a judge for almost 20 years, latterly in the Court of Appeal. He resigned last autumn to become the first Chairman of the new Press Standards Organisation, IPSO, the successor to the Press Complaints Commission. It's a challenging, and indeed highly controversial role. Alongside this he has spent 6 years as Chairman of Spitalfields Music, and is a dedicated concert goer, and a member of the Parliament Choir. In Private Passions, Sir Alan curates a playlist of great choral works: Bach, Monteverdi, Schubert, Donizetti, and a Handel oratorio, Saul. He introduces a little-known work by Birtwistle which was written for his wife, Dinah, and he chooses a French chanson by Brassens in tribute to his mother, a French teacher. Produced by Elizabeth Burke. A Loftus Production for BBC Radio 3.

Andy McNab is very lucky to be alive today; in fact from the beginning his life has been characterised by exceptional risk and danger. As a baby, he was found abandoned in a Harrods carrier bag on the steps of Guy's Hospital. By the time he was a teenager, he was in trouble with the police. Joining the army at 16, he served in the SAS, and in 1991, during the First Iraq war, he led a secret mission to infiltrate behind enemy lines. It was a disaster: he was captured, and tortured savagely. Three of his fellow soldiers didn't survive. Andy McNab's account of his captivity and eventual escape, Bravo Two Zero, became a world-wide best-seller and launched him on a career as a writer. Since then there have been more than 30 thrillers, with sales totalling 32 million. So the baby who was left in a carrier bag is not just a survivor, he's hugely successful. In Private Passions Andy McNab reveals the central place of music in his life, and particularly his passion for opera. Opera, he says, is the only thing that makes him cry: he chooses Wagner, Verdi and Puccini. McNab reveals too his love of the calm reflective music of Gregorian chant, which he first heard sung by the Benedictine monks of Belmont Abbey, when he was training for the SAS in Herefordshire. He talks movingly about his imprisonment and torture, and about how the particular sounds of that time are burned into his memory: the jangle of keys, the rattle of doors. To escape those dark memories, he chooses one of the most joyful pieces of music ever written: Handel's Messiah. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke.

Michael Berkeley's guest is Anna Meredith - one of Britain's leading composers coming up from the younger generation. She is hard to label as she composes and performs both acoustic and electronic music, and her work has been performed everywhere from the Last Night of the Proms to flashmob events in the M6 services. She studied at York University and the Royal College of Music, and alongside numerous awards, she's been Composer in Residence with the BBC Scottish Symphony Orchestra and a judge for BBC Young Musician of the Year. She was recently commissioned as part of the BBC Ten Pieces initiative to write a piece which will be played to primary school children across the country, to introduce them to classical music. In Private Passions she talks to Michael Berkeley about the music which inspires her, and explains why composers now still have a lot to learn from 16th century madrigals. She celebrates Sibelius and his extraordinary 5th symphony, and Holst's music for wind band, unfashionable though it may be. She introduces work by a new generation of composers too: Emily Hall, Richard Ayres and Owen Pallet. And she reveals why she goes into schools to inspire teenage girls by playing Bjork, and reflects on what it means to be a woman composer now: My music tends to be quite bombastic, and I've heard people say "It doesn't sound very female", or "What's a nice girl like you doing writing music like that?" When I'm doing electronic music I do all the computer stuff myself and sometimes there's an assumption that there must be a guy somewhere behind the scenes working all the software magic... A Loftus production for BBC Radio 3 Produced by Elizabeth Burke.

Dame Vivienne Westwood needs little introduction; her name and her brand are known across the world. Indeed, in the Far East she's made it into the top ten most recognised global brands, with Coca Cola and Disney. Her fame rests not just on her fashion designs, daring and sexy and original as they are: because Vivienne Westwood is also the co-creator, with Malcolm McLaren, of punk - that revolution of music and fashion that changed Britain back in the mid-70s. What is less well known is her passion for classical music, and for going to concerts - 'it's brilliant, it's only £10, much cheaper than going out to a discotheque'. In Private Passions, she talks to Michael Berkeley about the music which has inspired her creations, and about creating costumes for the opera. She describes the hardship of her early days as a designer, when she was so short of money that she lived in a caravan with her two small sons. She remembers the heady days of punk, and marching up and down King's Road dressed entirely in rubber. ('Rubberwear for the office' was the concept, and it was very comfortable, she claims.) She tells the story of how she met her husband Andreas, who now designs with her, thanks to a cow. And why there is nothing more attractive than a man in a suit. Especially when he's bending over. Her music choices include the climactic orgy from Ravel's Daphnis and Chloe; ballet music by Stravinsky and Milhaud; Bach's St John Passion; Handel's Alcina; Larry Williams; and Musorgsky's Pictures at An Exhibition: 'If there are any punks out there - just listen to this - it will blow your mind!' Produced by Elizabeth Burke.

Elizabeth Burke Bryant of RI Kids Count attended the White House Summit on Early Childhood Education

Elizabeth Burke Bryant of RI Kids Count attended the White House Summit on Early Childhood Education

David Lan is a huge force in theatre in Britain, indeed internationally. But how he got there is surprising. Brought up in Cape Town, he began his career as an anthropologist, living for two years in a remote area of Zimbabwe in order to study spirit magic. He went on to become a playwright and documentary director, and he's written the libretto for two operas. One critic recently described Lan as a 'Diaghilev-like figure' because of his flair for bringing artists together. As Artistic Director of the Young Vic, he led the £12.5m theatre rebuild - and has over the last 14 years established a reputation both for spotting new talent, and for persuading directors from all over the world to come to London to direct wildly inventive productions. His latest role, announced this year, is Consulting Artistic Director for the New York Arts Centre, which is still being built, on the site of the 9/11 attacks. In Private Passions, David Lan talks about his upbringing in South Africa, and how he learnt to love music as a young boy in his grandmother's shop, which sold bicycles - and piles of old 78s. He describes his time as an anthropologist in Zimbabwe, living in a remote and dangerous part of the country just after the war of independence. And he pays tribute to the relationship at the heart of his life, with distinguished playwright Nicholas Wright, whom Lan met when he was only 17. Music includes Beethoven, Shostakovich, Paul Simon, Nina Simone, a Bach Prelude played by jazz pianist Keith Jarrett, and the overture to Mozart's Magic Flute - played on marimbas. To hear previous episodes of Private Passions, please visit http://www.bbc.co.uk/podcasts/series/r3pp/all A Loftus production for BBC Radio 3. Produced by Elizabeth Burke.

Charles Spencer, the 9th Earl Spencer, is probably best known as the younger brother of Diana, Princess of Wales, and is remembered above all for the moving eulogy he gave at Diana's funeral. But he's also had a successful career as a television reporter and presenter, and since Diana's death has turned to history; his latest book is a study of regicide, with the title 'Killers of the King'. The King in question is Charles I, and the book follows the fortunes of those who were responsible for his execution. According to Earl Spencer, they deserve to be remembered with 'respect and gratitude'. In conversation with Michael Berkeley, Earl Spencer talks about his life, and about his growing passion for history. He chooses music to recall his very challenging childhood, talking movingly about travelling back and forth on the train between his mother and father, with his older sister Diana. 'I remember in the eulogy to Diana I did talk about not only the train journeys but her looking after me. She had a very strong maternal streak and she was very loving, and I used to be terrified of the dark and she used to say it used to break her heart to hear me crying down the corridor. And I think she was a very reassuring female presence in my early life.' Musical choices include Beethoven, Sibelius's Finlandia, Fauré's Requiem, Mozart's The Magic Flute and Edith Piaf's La Vie en Rose. One surprising choice is the news archive of Martin Luther King's death, and Robert F Kennedy's moving speech after the assassination. Wisdom, says Kennedy, comes through suffering. Produced by Elizabeth Burke. A Loftus production for BBC Radio 3. To hear previous episodes of Private Passions, please visit http://www.bbc.co.uk/podcasts/series/r3pp/all.

Sophie Hannah is a prize-winning poet, whose work is studied in schools and universities across the country, and the author of nine dark psychological thrillers. Alongside the thrillers - one a year - she's edited an anthology of poems about sex, composed love lyrics for contemporary composers, and has been writer in residence at Trinity College Cambridge. Her latest project is to write a new Poirot mystery; she was chosen by the Christie Estate to fill in one of the great detective's missing years. Her Poirot mystery is published in early September. In Private Passions, she talks to Michael Berkeley about her fascination with crime, especially crimes of passion. She talks about being in love as a pathological state of mind, and she chooses songs which celebrate and dissect this peculiar state: from Schumann and Schubert, through Carmen, to Bob Dylan, Emmylou Harris, and Edith Piaf. Produced by Elizabeth Burke. A Loftus production for BBC Radio 3. To hear previous episodes of Private Passions, please visit http://www.bbc.co.uk/podcasts/series/r3pp/all.

Stephen Grosz waited until he was 60 to publish his first book, 'The Examined Life'. It was a huge overnight success - a bestseller here in Britain and translated into more than 20 languages across the world. It's a distillation of the lifetime he has spent as a psychoanalyst, tens of thousands of hours listening to people in hospitals, forensic clinics and in private practice. It reads like a collection of short stories, full of vignettes of memorable characters: the man who faked his own death, the pathological liar, the lovesick middle-aged woman who meets a man at a party - and turns up at his house the next week with a removals van to move in with him. In Private Passions, in conversation with Michael Berkeley, Stephen Grosz tells his own story: his childhood in Chicago, the son of immigrants who ran a grocery store; student days in radical Berkeley; and now, settled in Britain, how he's facing the challenges of fatherhood and ageing. Music has played an important part right from the beginning, and Grosz admits that his choice of music is very psychologically revealing. His musical choices include Scarlatti, Aaron Copland, Brahms's 3rd Symphony, gospel singer Bessie Jones, Schubert's Piano Sonata no 20, Bob Dylan - and a hilarious Alberta Hunter song about sex, My Handy Man Ain't Handy No More. Produced by Elizabeth Burke. A Loftus production for BBC Radio 3. First broadcast 03/08/2014 To hear previous episodes of Private Passions, please visit http://www.bbc.co.uk/podcasts/series/r3pp/all.

Nearly 30 years ago Emma Bridgewater, a young English graduate, went shopping for a cup and saucer for her mother's birthday present. She couldn't find anything she liked - so she designed one herself, and enjoyed the process so much that she installed a kiln in her London flat. That small kiln has grown into a company with an annual turnover of 11 million pounds - and has revitalised the old potteries industry of Stoke-on-Trent. Her teapots and mugs covered in polka dots, hens, dogs and birds have become a staple of the middle class kitchen, symbols of cosiness and comfort. In Private Passions, Emma Bridgewater talks to Michael Berkeley about our yearning for home - all the more intense as working lives become overwhelmingly demanding. She reveals the tragedy at the heart of her life - her mother's riding accident, which left her gravely brain-damaged but still alive, for 22 years. Under the pressure of that sorrow, Emma Bridgewater describes how work became a marvellous escape. She chooses music to remind her of her mother, and which consoled her after her mother's death last Christmas. She talks too about the adventure of setting up her business in Stoke-on-Trent, bringing derelict factories back to life - but missing her four children as she spent hour upon hour on the road. Her music choices include Pergolesi, Purcell, Kurt Weill, Boccherini, a carol by Benjamin Britten - and the UK Theme Tune, which used to start the day on Radio 4 as she was getting up early to begin work. Produced by Elizabeth Burke. A Loftus production, for BBC Radio 3.

Lady Hale is a trailblazer. 30 years ago, she was the first woman to be appointed to the Law Commission (and the youngest person there); 10 years ago, she was the first female judge to be appointed to the Appellate Committee of the House of Lords (as Baroness Hale of Richmond) and there hasn't been another woman appointed since. Last year she was appointed as the Deputy President of the Supreme Court. Where she is still the only woman! Her judgments have changed family and equality law in this country; and despite her eminent role she remains outspoken about domestic violence, women in prison, and the rights of children. In Private Passions, she talks about her upbringing in Yorkshire, one of three daughters ? and about being in such a minority when she began to study law. Lady Hale chooses music which connects with her professional life: operas about crime, punishment and injustice (Beethoven's Fidelio and Britten's Billy Budd). She talks about how she'd like to change the law on divorce, and why she loves Mozart's The Marriage of Figaro. She discusses the conflict between reason and emotion in her work, and reveals that she is haunted by certain cases from the past. And she reflects on the way her judicial role has revealed the worst ? but also the best ? of human nature. Finally, during this season of exam stress, she reveals her revision tip: march up and down the room, reciting the textbook and listening to Strauss. Produced by Elizabeth Burke, for Loftus. First broadcast 11/05/2014.

Charlotte Mendelson's novels are in danger of making you laugh out loud: the absurdities of family life, the excruciating embarrassment of being young, or clumsy, or not quite English enough. There are four prize-winning novels thus far, and the latest, Almost English - which has been longlisted both for the Booker Prize and for the Baileys Women's Prize for Fiction - comes out in paperback this spring. In this edition of Private Passions, Charlotte Mendelson talks entertainingly about embarrassment - her own embarrassment, and why she inflicts it on her fictional characters. Embarrassment, she claims, is the most under-reported emotion - because we just can't bear to think about it. She explores too the legacy of her Eastern European family, and the feeling of never being English, of never fitting in, and how that fuels her writing. And she reveals why her music teacher gave up trying to teach her the piano and settled for the can-can instead. Charlotte Mendelson's music choices include Bach, Schubert, Chopin, the country singer Gillian Welch, and Ella Fitzgerald singing Cole Porter's 'Always True to You in my Fashion' - a song which she claims has the best lyrics in the world. Produced by Elizabeth Burke for Loftus.

There's a huge revival in British craftsmanship going on at the moment, with a new generation keen to learn how to make beautiful things. For 40 years now, Theo Fennell has been one of the country's most distinctive and witty jewellers. His intricate and beautifully crafted designs take you into a strange dream-world: miniature skulls with jewelled snakes twisting from their eyes; bees cast in gold; dragonflies trailing amethysts; salamanders studded with diamonds. Perhaps not surprising that his jewellery has decorated rock stars such as Elton John, Lady Gaga and Freddie Mercury. In Private Passions, Theo Fennell reveals the music that inspires him when he's working - dreaming up those strange and beautiful new creatures. Music is what helps him, he says, when confronted by a blank sheet of paper. He also reveals that as a young art student he worked as a busker, and even bought a one-man band. He discusses the erotic power of jewellery, with a vivid story from his own experience. And during the recording, he sketches continuously, and has agreed to put some of his drawings on the Private Passions webpage. Theo Fennell's choices include Dvorak's Cello Concerto, Offenbach's opera 'The Tales of Hoffmann', Yehudi Menuhin playing Saint-Saëns's Violin Concerto No. 3 in B minor, and a Charles Trenet song from 1937. And his great patron, Elton John. A Loftus production produced by Elizabeth Burke.