Podcasts about Nyckelharpa

這集不聊大的，來點久違的小品路線！一個平凡的週末，主廚驅車逃離矽谷的高科技泡泡，來到瑞典移民小鎮 Kingsburg 一探一年一度的瑞典文化節。究竟瑞典人為何會來到這裡？在移民逐漸融入美國社會的今日，小鎮如何保存來自北歐的歷史記憶？加入北歐傳統社交舞蹈的陣容，如何讓主廚回憶起自己的學生時代？而在一家紀念品店裡，主廚又是如何意外撞見小時候最愛的繪本，進而發現這本書的瑞典根源？一起品味這趟雖然短暫卻拓展眼界的週末小旅行吧！ ✅ 本集重點： (00:00:16) 開場前言，雖然不是每個人都喜歡，但這集開頭就是要來閒聊啦！ (00:03:10) 節目近期規劃：做完了超級消耗時間力氣的巴西，接下來要做什麼？五週年企劃歡迎投稿 (00:08:37) 日常生活中的小旅行，暫時逃離高科技泡泡，前進中央谷地裡的瑞典移民小鎮 Kingsburg (00:13:41) 為什麼瑞典移民會來到美國？19世紀的移民史詩，如何成為瑞典文學經典 (00:17:14) 在日常生活中你我都知道的瑞典品牌，與瑞典傳統樂器鍵盤小提琴（Nyckelharpa）、像極了營火晚會的北歐社交舞蹈 (00:22:54) 在紀念品店意外撞見了小時候最愛的繪本《小蓮遊莫內花園》（Linnea in Monet's Garden），發現它的瑞典根源 Show note https://ltsoj.com/podcast-ep229 Facebook https://facebook.com/travel.wok Instagram https://instagram.com/travel.wok Thread https://www.threads.net/@travel.wok Youtube https://www.youtube.com/@travelwok 意見回饋 https://forms.gle/4v9Xc5PJz4geQp7K7 寫信給主廚 travel.wok@ltsoj.com 旅行熱炒店官網 https://ltsoj.com/ 《米國放大鏡》聽眾問卷 https://forms.gle/BtzQCx2xDHUoGjAUA

Songs des Portugiesen José Afonso, gespielt von einer pan-lusitanischen Band, armenische Musik, Tworna mit einer Nyckelharpa, Vimma aus Finnland und Meral Polat mit einer Hommage an die Gemeinschaft.

"Multiple tracks were played on a keyboard, arranged and combined with the audio field recording using midi workstation computer software. "The sound for this piece is a recording of a stream running under the snow with the sounds of running water, the popping of ice melting and pebbles bumping and clacking as they are rolled by the water. I live in California now but as a child I lived for a time in the northeastern United States where cold, snowy winters were the norm. As the snow melted I could hear water moving under the hard crust. The recording from the High Coast region of Sweden reminded me of that magical wintery memory. Melt water slowly begins to move beneath the glistening surface and gently forms channels through the snow, trickling downhill. Eventually the water makes its way into an established stream bed, carving a tunnel through the snow and ice while above, the snow still hides the movement beneath, reminiscent of the creatures of Nordic mythology who inhabit caverns and rivers. The stream joins others, perhaps emptying into a lake and eventually the water reaches the ocean. "I have incorporated sounds and rhythms from traditional Swedish folk music, suggesting the vibrating sympathetic drone strings of the Nyckelharpa and the beat of some Polska dances - an instrument and its music listed in the UNESCO Intangible Cultural Heritage database. "The landscape of the Swedish High Coast was formed by the arrival and departure of glaciers in the last ice age. The sounds of melting snow and ice are a reminder that present day glaciers are threatened by climate change. The Sonic Heritage project has helped make me aware of the fragility and ephemeral nature of many places that have contributed to world culture. It is imperative to protect these sites in order to preserve those qualities that make such places unique or valuable. My music expresses the passion and excitement of diverse world heritage and the resilience of the natural world. I hope my music resonates with all who hear our collaboration." Water under snow in Hall, Sweden reimagined by Martin Gregory. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

La nyckelharpa es un instrumento original y lleno de historia ✨. Es una fusión entre un violín y un arpa, pero con un toque muy particular: ¡tiene teclas! Estas teclas se usan para cambiar el tono de las cuerdas cuando se frota con un arco, lo que le da un sonido único y mágico[...] ¡Que lo disfrutes! ✅ Si desean sumarse a IVOOX solo tienen que suscribirse o darle el botón del corazoncito ❤️ y comentar : https://www.ivoox.com/podcast-meditaaccion_sq_f1707851_1.html ✅ Si nos sigues en Apple Podcast, ahora nos puedes ayudar a calificar con 5 estrellas ⭐️⭐️⭐️⭐️⭐️. Por favor ayúdanos a llegar a más personas. Tu calificación o Me gusta❤️ no te tomara mas de 10 segundos y ayudará a llegar a más personas. Gracias de antemano!!! Puedes visitarnos en nuestro Sitio Web, para ver el articulo completo: Web: https://meditaaccion.com Síguenos en el canal informativo de Telegram: https://t.me/meditaaccion Síguenos Instagram: https://www.instagram.com/meditaaccion_podcast/ e-Mail: contacto@meditaaccion.com

✳️Les comparto una muestra de lo que se subirá el día martes al Podcast, Que lo disfruten!!! ✅¿Qué te ha parecido el nuevo avance del episodio? Ayúdanos con tu bonito corazoncito❤️ Y gracias de antemano. ✅ Si desean sumarse a IVOOX solo tienen que suscribirse o darle el botón del corazoncito ❤️ y comentar : https://www.ivoox.com/podcast-meditaaccion_sq_f1707851_1.html ✅ Si nos sigues en Apple Podcast, ahora nos puedes ayudar a calificar con 5 estrellas ⭐️⭐️⭐️⭐️⭐️. Por favor ayúdanos a llegar a más personas. Tu calificación o Me gusta❤️ no te tomara mas de 10 segundos y ayudará a llegar a más personas. Gracias de antemano!!! Puedes visitarnos en nuestro Sitio Web, para ver el articulo completo: Web: https://meditaaccion.com Síguenos en el canal informativo de Telegram: https://t.me/meditaaccion Síguenos Instagram: https://www.instagram.com/meditaaccion_podcast/ e-Mail: contacto@meditaaccion.com

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends! This week's friends are Anna Ekborg Hans-ers, Jerker Hans-ers, and Petrus Dillner of Northern Resonance, with special guests George Jackson and Morgan Harris! We recorded this in Viroqua, Wisconsin towards the end of our tour back in April. Tune in this episode: * Pride of America (0:54) * Polska efter Carl Sved (12:19) * Marion Reece's Cumberland Gap (29:15) * Over the Pacific (Petrus Dillner original) (39:01) * No. 1 (Anna Ekborg Hans-Ers original) (45:57) * Bonus Track: Chinquapin Hunting Visit their website (https://www.northernresonance.se/) Follow Northern Resonance on Instagram, (https://www.instagram.com/northernresonanceofficial) Facebook, (https://www.facebook.com/northernresonance) YouTube, (https://www.youtube.com/channel/UCyRG_AXzluXcUEPJqEdRtfg) and TikTok (https://www.tiktok.com/@northern.resonance) Buy their albums on Bandcamp (https://northernresonance.bandcamp.com/) Buy Anna Ekborg Hans-Ers' solo album (https://annaekborg.bandcamp.com/album/solo) Follow Morgan Harris on Instagram (https://www.instagram.com/morganharrisguitar/) Follow George Jackson on Instagram (https://www.instagram.com/georgefiddle/) Sign up for my Crooked Tunes workshop series! (https://www.camerondewhitt.com/store) Support Get Up in the Cool on Patreon (https://www.patreon.com/getupinthecool) Sign up at Pitchfork Banjo for my clawhammer instructional series! (https://www.pitchforkbanjo.com/) Schedule a banjo lesson with Cameron (https://www.camerondewhitt.com/banjolessons) Visit Tall Poppy String Band's website (https://www.tallpoppystringband.com/) and follow us on Instagram (https://www.instagram.com/tallpoppystringband/)

Songs zwischen Liebe, Eifersuchtsdramen und der Kraft des Frühlings. Akleja spielt Nyckelharpamusik. Nancy Vieira & Ana Lua Caiano bringen Fado, Morna und Beats, Grit Friedrich schaut auch nach Guinea, Japan und Vietnam.

Caught between the joy of a gaming win and the sorrow of a message never meant to be sent, our latest episode is a journey through life's highs and lows. We kick off with a celebratory moment, one of our kids achieving an impressive feat in Fortnite, and then pivot to a somber discussion about the consequences of texting while driving. It's a reminder that, with four new drivers in our homes, the stakes are high. The conversation takes an unexpected turn into the whimsical world of Australian slang – a laugh is had by all, but we don't shy away from the sobering news out of Tennessee, where a deputy and Tabitha Smith met their tragic end.The heart of our episode lies in Tennessee, where the gravity of life's unpredictability is felt through the chilling narrative of a submerged patrol car and its two occupants. We explore the deputy's nascent career, the enigmatic final text, and the significance of vehicle data in piecing together this puzzle. As we reflect on the six children left behind, the weight of the unfolding drama reminds us of the preciousness of human life.As we wrap up, we shift from the somber back to the supportive strains of emergency radio communication. Drawing from my own experiences, I underscore the importance of clarity and presence of mind when every second counts. Sharing stories from my early days on the job, we discuss how mental preparedness can make or break critical moments in the field. Whether it's bonding through late-night gaming or the shared adrenaline of a live concert, we close on a note of connection and the reminder to stay alert, to the rhythm of life and the road alike. Join us, Motor Cop and my friend Justin, the Happy Medic, as we navigate the intersections of joy, tragedy, and the resonance of the Nyckelharpa.X3 Bar - The ONLY gym gear you need Slash your workout time and triple your gains. Use "MotorCop" for $50 off!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showJoin our Facebook Community!Buy us a beer!Email Us! (Justin or Jason)Thanks for listening and please share the show!

Fred Black teaches a tune called "Hur ska det gå för jänta och mig", which translates to "How will it go for the girl and me" It was played on a Nyckelharpa, or Key fiddle, and the key is G major

If you didn't really understand my mumbling and stuttering, here is the page ;-) https://en.wikipedia.org/wiki/Nyckelharpa

Vi har träffat bandets grundare och spelat med akustiska instrument. Vi siktar in oss på ett genrep inför en kommande konsert.

De svenska böndernas långa representation i riksdagen är helt unik i ett internationellt perspektiv. Den svenska riksdagen kan räkna sin historia från medeltida herredagar då rikets förnämsta män möttes. Under unionsstriderna på 1400-talet blev det nödvändigt att brädda mötena till lågfrälse, borgare och bönder.Att bönderna deltog i rikets beslutsfattande gjorde det möjligt att flerdubbla skatterna och öka utskrivningen av bondpojkar till stormaktens alla krig. Den långa traditionen av inflytande för ofrälse har också bidragit till samhällets stabilitet.I detta avsnitt av podden Historia Nu samtalar programledaren Urban Lindstedt med Joakim Scherp, historiker verksam vid Riksdagsbiblioteket och Stockholms universitet, som bland annat skrivit artikeln The Peasant Estate of Sweden – Its Rise and Early Modern Evolution.Böndernas representation har sitt ursprung i det lokala och regionala som också hade makt över skatterna och lagstiftningen. Herredagarna rörde mer konstitutionella och storpolitiska frågor. Bland de ofrälse var det ekonomiskt starka grupper som Stockholms borgare och Dalarnas bönder och bergsmän som först blev kallade till de nationella mötena.Riksmötena på 1400-talet var ännu så oorganiserade att de inte var en självständig maktfaktor, men det fanns en stark potential för de ofrälse eftersom de redan möttes vid lokala möten. Under Gustav Vasas regentskap utvecklas riksdagen till rikets centrala politiska arena, där de allra viktigaste besluten fattas. Kungamakten kom ofta att spela ut de olika stånden mot varandra, men med tiden blev bönderna politiska aktörer med en egen agenda.Bild: Tre skattebönder i Sverige tecknade år 1674 av den italienska diplomaten Lorenzo Magalotti i skriften Notizie di Svezia.Musik: Gildentaverne (Hurdy Gurdy, Nyckelharpa, Guitar Music). CC BY 4.0, Soundcloud.Lyssna också på När bångstyriga bybor störde kyrkofriden under stormaktstidenKlippare: Emanuel Lehtonen Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Rosalyn sits down with Saskia Tomkins, as they discuss the invitations for vulnerability that can come with the highs and lows of living in a post-pandemic age.Tune in, as they consider concepts of self-discovery, creative expression, and having the courage to take the lead in sharing your story; as Saskia also offers listeners her reflections on how she navigates the connection between music, identity, and culture.In this episode we are thrilled to premiere the live video “Farewell to Music” performed by Saskia Tomkins. The track was recorded live off the floor at the 2022 Folk Music Ontario Conference. Link to “Saskia Tomkins - Farewell to Music” live video Link to “Saskia Tomkins + Mixed Museum” About Saskia TomkinsSaskia Tomkins is a master musician, educator, a composer, and multi-instrumentalist, performing on violin, viola, cello and Nyckelharpa. UK born, she is classically trained with a folk background and a B.A.hons. in Jazz Music. As an All-Britain Champion Irish Fiddler, in 2022, she also received an award for services to Irish Music in Canada.Saskia was the official Artist in Residence, in 2022, with Folk Alliance International, and is currently Artist in Residence with British-based organization The Mixed Museum - which works to preserve and share the social history of racial mixing in Britain of Black and ethnic minorities for future generations.Over the years, Saskia has worked with many musicians, including: The Chieftains, Sultans of String, Jabbour, MEDUSA, and many other fabulous acts along with her husband Steáfán Hannigan and son Oisín Hannigan.Follow Saskia on Social Media: WebsiteTik TokInstagramYouTubeFacebookBandcampPatreon______________Presented by Folk Music OntarioHosted by Rosalyn DennettProduced by Kayla Nezon (Folk Music Ontario), Rosalyn Dennett (Folk Music Ontario), Tim Fraser + Tanya Fraser (Murdoch Entertainment)Recorded by Kayla Nezon, and Jordan Moore of The Pod CabinEdited by Jordan Moore of The Pod CabinTheme music “Amsterdam” by King CardiacArtwork by Jaymie KarnThe ReFolkUs Project is made possible through the generous support of the Department of Canadian Heritage

Jennifer Walshe on the meaning of brown noise, music from Martinique by way of Paris from Sélène Saint-Aimé, the rise and rise of Julius Eastman, and rethinking Bach on the nyckelharpa.

The traditional Swedish instrument the nyckelharpa is entering strange new worlds from JS Bach to the Lord of The Rings soundtrack, thanks to virtuoso Erik Rydvall.

Many regard Olov Johannson as Sweden's greatest craftsman on the nyckelharpa. With his brilliant solo playing and as a member of the group Väsen, he has been largely responsible for the explosion of nyckelharpa playing that has been witnessed recently in Sweden. Olov grew up in Tärnsjö in northern Uppland and began to play the nyckelharpa at age 14. About a year later he began to study with Curt Tallroth, a well-known bearer of the tradition from Harbo. Through Curt, Olov has learned tunes that have been played in northern Uppland for centuries, passed on from musician to musician. Olov has also played with Eric Sahlström, the most prominent nyckelharpa player of the 20th century. Since 1989, Olov has worked exclusively as a musician, principally with Väsen. But he also plays with Anders Bromander, Nyckelharpsorkestern, Björn Ståbi, Mats Berglund, Kalle Almlöf and as a solo artist. The popularity of the folk-rock group Nordman has brought the sound of Olov's harpa to the ears of more than one million record buyers. In 1997 he was honored to be the first Swedish folk musician to work with the world renowned American ensemble, the Kronos Quartet. Olov has toured in the U.S.A., Canada, India, Libya, Slovenia, France, Ireland, Scotland, Luxembourg, Italy, Japan and elsewhere. Olov works actively to pass on his musical inheritance, and has become a role model for many young nyckelharpa players. He gives instruction both at The Eric Sahlström-Institute and through the Royal Music College in Stockholm. Olov has received many awards and scholarships for his achievements as a musician. In 1984 he was selected as a National Musician, in 1989 he was awarded the Viksta-Lasse Scholarship, and in 1990 he was chosen as World's Master of both the modern and older type of nyckelharpa. In 1992 he received the Ceylon Wallin Scholarship and in 1995 the Vuxenskolan's Artist Stipendium. 2013 he received the Zorn Medal in gold, possibly the finest reward a traditional musician can get in Sweden.

Leyla McCalla singt Geschichte(n) aus Haiti. Dazu läuft Afro-Flamenco, Nyckelharpamusik und Chanson Afro Maloya. Die Anti-DicKtators um Yuriy Gurzhy erinnern an inzwischen legendäre ukrainische Soldaten auf Snake Island.

I'm re-releasing my very first episode, recorded May 27, 2021 with the wonderful nyckelharpa player, violinist, teacher, and composer Kirsty Money.  During the episode she plays some wonderful music for us and shares some charming stories about how she got to know this beautiful and unusual instrument.  All of these episodes are also in video format, and I have also published the complete transcript of this episode. Video, transcript and short bonus episodes are linked here: https://www.leahroseman.com/episodes/e1s1kirstymoney Help me with a tip? https://ko-fi.com/leahroseman Thanks! I'm an independant podcaster who does all the things, and pays for all the things! photo credit: Hamish Gordon --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

I have re-released this in video format for those who follow this podcast on Spotify! Here's my very first interview of this podcast, recorded May 27, 2021 over Zoom, I spoke with Kirsty Money about her nyckelharpa journey and she demonstrates this beautiful instrument for us, as well as shares some charming stories about how she learned about the nyckelharpa. She plays some Bach, a traditional Swedish tune, and one of her own compositions,  The Grind Polska. As a separate bonus, at the end of this video  you can hear our improv together. If you're not on Spotify, the video is available on my YouTube, and is linked on my website along with the podcast format: https://www.leahroseman.com/episodes/e1s1kirstymoney  For Kirsty's new album, released 2022: https://kirstymoney.bandcamp.com/releases For those of you who want to study or learn more about Kirsty: https://kirstymoney.ca/ Here's her YouTube channel: https://www.youtube.com/channel/UCuDe... Buy me a coffee? Check out my Ko-fi page: https://ko-fi.com/leahroseman Thanks! photo credit: Hamish Gordon --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Nyckelharpa player Kirsty Money introduces us to this beautiful instrument in this short bonus episode .  She also performs one of her original tunes, The Grind Polska. This is compiled from excerpts from the original episode, which is also in video format,  available here: https://www.leahroseman.com/episodes/e1s1kirstymoney For more about Kirsty and her current projects: http://kirstymoney.ca/about/ Please help me keep this podcast going! https://ko-fi.com/leahroseman  If you enjoyed this, please listen to the full episode  and share this so more listeners can find out about this podcast and video series, with a really interesting mix of musicians, talking about their lives and careers, with perspectives on overcoming challenges, and finding inspiration and connection through a life so enriched by music. --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Mit Bube Dame König aus Halle und Weihnachtsmusik vom Nyckelharpa Trio und Tre Martelli aus dem Piemont. Dazu stellt Grit Friedrich neue Alben aus Kalabrien, Bollywood, Belgien/Slowakei und Frankreich/La Reunion vor.

El músico Xabier Zeberio nos quiere dar a conocer un instrumento musical que él descubrió hace décadas en los paises escandinavos: la nyckelharpa. Un instrumento de cuerda, que tiene teclas, y que es muy habitual del folclore sueco. ...

Vous avez tous appris en cours de physique la différence entre l'intensité et la tension. C'est la même différence entre ce qui se passe sur les chaînes info et ce podcast. Chez eux c'est la tension sociale, chez nous c'est l'intensité des vannes. Aujourd'hui vous aurez droit à un public en feu, des vannes toujours aussi gravement drôles, mais aussi un live de Nyckelharpa et une parodie. Avec Yassine Belattar, Thomas Barbazan, Hétonque, une instrument chelou, un mec qui a vécu en Suède, et un asiatique. Intense, drôle, musical, et presque toujours bienveillant. Un régal ! N'oubliez pas que ce podcast vit grâce à vous ! Alors merci pour vos dons sur www.legrandrapprochement.lol

Anna Tam has a very personal take on traditional British songs. 'Anchoress' is an excellent debut album, Anna's strong soprano voice is self-accompanied by a variety of lesser-known stringed instruments such as nyckelharpa, viola da gamba and hurdy gurdy. Sparse yet atmospheric arrangements enhance the songs; while ensuring the stories and the people who lived them are to the fore. During lockdown in March 2020 she launched ‘Folk from the Boat' on her YouTube Channel. She has brought weekly selections of songs, tunes and waterways adventures to a worldwide audience direct from the deck of her canal boat. Songs in this podcast (all trad arr Anna Tam): Whittingham Fair (studio performance from Anchoress album - played on viola da gamba) The Unquiet Grave (live performance at Anchoress launch event April 2021 - played on nyckelharpa) The Ship in Distress (live performance on Folk from the Boat February 2021 - played on hurdy gurdy) Love Will Find Out the Way (live performance on Folk from the Boat June 2021 - played on nyckelharpa) Brigg Fair (exclusive performance for this podcast - played on piano) YouTube Channel: https://www.youtube.com/user/annatammusic Website https://annatam.co.uk/

Die Sendung mit der Maus - Lach- und Sachgeschichten zum Hören. Heute: mit einem besonderen Instrument, dem Maus-Lieblingslied, mit Marie und natürlich mit der Maus und dem Elefanten.

Franz, Bobban och John i bandet Chørnobyl snackar om en annorlunda start, Deny, Myteri, Bombangrepp, Liptones, Mähälium, Slaveriet, Bastards F.C, Affray, P3, Dark Elk, 85-95, Alexander Bard, ett öre, La Belle Époque och Alastair Reynolds. Vidare till brötvröl, Brainwasher, Nyckelharpa, Disfear, Chain of Strength, Doom, Ring Så Vevar Vi, Masken, Gerda, Anatomi-71, Bad Brains, Total Misär och Left Hand Black.

It's hard to make music over Zoom, but one way to do it is this kind of back-and-forth improvisation. This was done right after Episode 1 was recorded. This music was totally unplanned and spontaneous! Link for the complete episode podcast and video here, with transcript and bonus episodes: https://www.leahroseman.com/episodes/e1s1kirstymoney Buy me a coffee? I need your help to keep this unique podcast going! https://ko-fi.com/leahroseman Thanks! photo credits: Hamish Gordon for Kirsty and Curtis Perry for Leah --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Saturday 22 May: Runa Cara's multi-instrumental folk fusion, and Elizabeth Llewellyn sings the forgotten songs of Samuel Coleridge-Taylor

Nyckelharpa är inslag i såväl stora rockband som vårt band. Vill alla som spelar visor egentligen spela i band? Att fylla på bränsle i elverk är svårt när det är totalt mörker.

Su música transporta a tierras lejanas, a tiempos ancestrales y a lugares mágicos. Es una invitación a tender puentes entre culturas y una llamada a la tolerancia a través de la fusión musical. Para esta compositora, cantante e instrumentista, la música es su vehículo “para llegar a la belleza, el diálogo y el encuentro”. Ana Alcaide es la directora del ‘Festival de Músicas del Mundo’ de Toledo y pionera en España en la divulgación de la ‘Nyckelharpa’, un instrumento sueco antiguo capaz de hacer viajar en el tiempo a quien lo escucha. Con ella ha recorrido el mundo, reivindicando el poder transformador de la música y su valor pedagógico. También ha desarrollado una intensa actividad investigadora en torno a la música antigua, sus tradiciones y leyendas. Alcaide estudió violín en el Conservatorio de música de Getafe y Biología en la Universidad Complutense de Madrid. Completó sus estudios en la ‘Malmö Academy of Music’ de Suecia y en la Universidad de Baja California, México. Desde el marco de inspiración que le brinda la ciudad de Toledo, comenzó a escribir y tocar en la calles sus canciones, adaptando su instrumento a melodías de la España medieval. Su música ha sido descrita como “la banda sonora de Toledo” por su singular reinterpretación de la música antigua y sefardí. En 2017 fue galardonada con la Medalla al Mérito Cultural de las Artes Escénicas y la Música de Castilla la Mancha. 

1. Great Falls - lydia ievins (Montague, MA). A cheerful polska. Someday lydia’s town will reclaim this name, first bestowed on her area (in a variety of languages) when it was known as a peaceful gathering spot for the Native tribes who congregated here. Recorded on Koivu, lydia's duo album with Helsinki-based pianist Juha Kujanpää. www.lydiamusic.org  2. Now winter nights enlarge, by Thomas Campion. Read by Margaret Youngberg (Greenfield, MA).  3. The Stormy Scenes of Winter - Keith Murphy (Brattleboro, VT). Keith sings this traditional song on his 2005 solo album, Bound for Caanan. https://keithmurphy.bandcamp.com/  4. Bright star, by John Keats. Read by Julie Vallimont (Brattleboro, VT).   5. Morag’s Waltz - George Wilson and Friends (NY). This track is on the Great Meadow compilation album Contra Roots and Branches. https://www.greatmeadowmusic.com/crb.html  6. An excerpt from For one who is exhausted, a blessing, from To Bless the Space Between Us, by John O’Donohue. Read by Julie Vallimont (Brattleboro, VT).  7. La Gueussinette - Tidal Wave (QC) - This mazurka by Stephen Jones is on Tidal Wave’s eponymous debut album. http://home.total.net/~j.saintcyr/index_eng.html  The opening music is “The Pearl in Sorrow’s Hand” by Julie Vallimont, from her album Dark Sky, Bright Stars. Produced by Julie Vallimont. Mixed and mastered by Dana Billings. All content courtesy of the artists, all rights reserved. This series is supported in part by the Country Dance and Song Society, NEFFA, CDS-Boston, and Pinewoods Camp. If you enjoy this podcast, please consider supporting it via Patreon: www.patreon.com/starsintherafters

I had the opportunity to attend the Musical Instrument Museum here in Phoenix, Arizona and it was LIFE CHANGING!! Below is a link to an AWESOME video of Thomas Roth shredding it on the Nyckelharpa! I talk about a number of instruments in the podcast but this one is a treat! You're welcome :) https://www.youtube.com/watch?v=7sfBcWvVUbs --- Support this podcast: https://podcasters.spotify.com/pod/show/anna-summers/support

durée : 00:02:42 - Bach à la Nyckelharpa, le défi d¿un musicien suédois - par : Suzanne Gervais - Suzanne Gervais revient sur l'initiative d'un musicien suédois spécialiste d’un étrange instrument : la Nyckelharpa. Erik Rydvall propose aux musiciens du monde entier de jouer avec lui de cet instrument si rare.

1. Aurora's schottis / Hägg bland björkar (Bird-cherry among birches) - lydia ievins (Montague, MA). A pair of friendly schottis tunes by lydia, played here on nyckelharpa and piano. The second owes its name to lydia’s family's namesake tree (Swedish "hägg" = Latvian "ieva"). Recorded on Koivu, lydia's duo album with Helsinki-based pianist Juha Kujanpää. www.lydiamusic.org  2. Hyla brook, by Robert Frost. Read by Margaret Youngberg (Greenfield, MA).  3. Owl’s Cowl - Chimney Swift (Boston, MA). Chimney Swift is Cecile Leroy (cello), Daniel Raine (cittern, guitars, banjo), Yaron Shragai (recorders, whistles, percussion), and A.Z. Madonna (accordion). This is Daniel’s first tune written for cittern. He named it after an impressively plumed owl he saw perched high up in a friend’s tree. This track appears on their album, Fly Me Home. https://chimneyswift.bandcamp.com/  4. Eel-grass, by Edna St. Vincent Millay. Read by Ben Williams (Northampton, MA). Ben notes, “Spending some time growing up by the ocean, I sometimes long deeply for that specific habitat, which contains so much unique natural beauty and so many images and stories in my mind.”  5. Eleanor Plunkett - Curt Osgood (Binghamton, NY). Curt writes, “Turlogh O’Carolan composed numerous moving and fanciful melodies popular with folk musicians everywhere today. Eleanor Plunkett is one of my favorites. Played on my dulcimer for a YouTube video short I made this past March, I strove to create a peaceful visual and auditory moment away from the stresses of the past several months.” You can watch the YouTube video here: https://youtu.be/bC4X5Wwe8Xk  www.curtosgood.com  6. Waterbound -  Lauren Breunig (Brattleboro, VT). This song is from Windborne’s album Midwinter Meeting. They learned it from Dirk Powell in 2011, just before Vermont was hit by Tropical Storm Irene. Windborne is Lauren Breunig, Jeremy Carter-Gordon, Lynn Mahoney Rowan, and Will Thomas Rowan. www.windbornesingers.com  7. Going for water, by Robert Frost. Read by Julie Vallimont (Brattleboro, VT).  8. Capriccio Irreale - Mary Lea (Brattleboro, VT). This waltz by Kate Barnes is on Between Two Worlds, by Mary Lea and Friends. With Mary Lea (violin), Jeremiah McLane (accordion), Kate Barnes (piano), and Ralph Gordon (bass). https://dancefiddler.com/.  The opening music is “The Pearl in Sorrow’s Hand” by Julie Vallimont, from her album Dark Sky, Bright Stars. Produced by Julie Vallimont. Mixed and mastered by Dana Billings. All content courtesy of the artists, all rights reserved. This series is supported in part by the Country Dance and Song Society, NEFFA, and Pinewoods Camp. If you enjoy this podcast, please consider supporting it via Patreon: www.patreon.com/starsintherafters

Créations de confinement : The King's Singers : And so it goes Virtual Choir : You'll never walk alone Camden Voices : Here comes the sun Pomplamoose ft Ledes Diaz : Bad Bunny vs Girl from Ipanema Roger Waters : Mother IA : Never gonna give you up Le jukebox Covers : Banjo Guy Ollie : Airwolf Samara Ginsberg : Knight Rider Pirate des Caraïbes au Nyckelharpa Colt Clark & the Quarantine Kids : Come Together Battlestar Galactica for solo piano Dan Dubuque : Killing in the name of Sultans of swing acoustic guitar solo The Plum forest singers : In the mood for love Jeff Beck & Johnny Depp : Isolation Kaleidoscope Orchestra : Daft Punk Medley Eminem Suite Scie musicale : Démonstration par Georges Baudelet Sakita Hajime : Musical saw performance Sons zarbi : Goldsands bière et gifles Lithophone Machine à laver Harry Potter washing machine Bourvil : Vive la chasse Les crayons Les rois fainéants Les abeilles Les abeilles (live) À bicyclette Houpetta la bella La dondon dodue La ballade irlandaise Bourvil & Brassens Trucs en vrac Les amis de ta femme : Laisse tomber, gros Musique de rue à Dublin Coldplay vs The Verve vs Oasis Adele vs Britney Adele vs Daft Punk Daft Punk vs Queen Laura Cox Band : Hard shot blues La +BCdM : The Korgis : Everybody's got to learn sometimes par Baby D - Brian Davis - Zucchero - Beck - Laurent Voulzy - Pomplamoose La Playlist de la +BCdM : sur le Tube à Walter sur Spotify (merci John Cytron) sur Deezer (merci MaO de Paris) sur Amazon Music (merci Hellxions) et sur Apple Music (merci Yawourt) Le son mystère : Coincoin et les zinhumains (best of) Sophie Daumier & Guy Bedos : Ce n'est qu'un au revoir avec : Rémi 2D Aude Cirbafe Dani Niko Quenton MaO Julien Patate merci à : Armos Camille Eelen K_rot Laurent Doucet Didtwit Pat Hogun KDFA Galactifrak Barberouss Che Averell Stéphane Laurent Doucet Christophe Cuq Tamala podcasts et liens : Harry Cover s'appelle désormais Recoversion L'Entrepod la Pifothèque Le podcast de Dany TechCraft Galaktifrak walter@linaudible.com

Sie sind etwas für Jung und Alt: folkloristische Gesellschaftstänze zu Livemusik. Jeder kann mitmachen, die Schritte sind leicht zu lernen – und man braucht keinen festen Tanzpartner.

Nyckelharpa-virtuoosi Marco Ambrosini poolt loodud Ensemble Supersonus ühendab oma albumil haruldased instrumendid Anna-Maria Hefele ülemhelilauluga.

Nyckelharpa-virtuoosi Marco Ambrosini poolt loodud Ensemble Supersonus ühendab oma albumil haruldased instrumendid Anna-Maria Hefele ülemhelilauluga.

Welcome to Get Up in the Christmas: Christmas Music with Cameron DeWhitt and Friends! This week's guests are Ellie and Amy Hakanson! We recorded this last week in my home in Portland, Oregon. Tunes in this episode: Breakin’ Up Christmas Old Christmas Morning I denne søte juletid Lantzens Julpolska O Beautiful Star of Bethlehem Bonus track: O Come, O Come Emmanuel Like and Follow Ellie Hakanson on Facebook for news about upcoming performances and contact her for fiddle and vocal lessons! https://www.facebook.com/elliehakanson/ Visit Amy’s band, Varelse, at their website: http://varelsemusic.com/ And their Facebook: https://www.facebook.com/varelsemusic/ Support Get Up in the Cool on Patreon: https://www.patreon.com/getupinthecool

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Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends! This week’s friend is Amy Hakanson! We recorded this about a month ago at my house in Portland, Oregon. Tunes we’ll play: Gilsaw/Katie at the Door Squirrel Hunters Flodens Död Bellmans Polska Bisonpolska Bonus track: Vagnshusschottis Varelse’s website: https://varelsemusic.com/ Like and Follow Varelse on Facebook: https://www.facebook.com/varelsemusic/ Amy’s website: https://www.amyhakanson.com/ Varelse’s CD release show: https://www.facebook.com/events/324477848203006/ Cameron is going on tour with Jake Blount in April! Follow the links below and RSVP: D.C. (https://www.facebook.com/events/2085239764904523/) Baltimore (https://www.facebook.com/events/292536198109451/) Lancaster (https://www.facebook.com/events/2106575782756097/) Brooklyn (https://www.facebook.com/events/820918151586512/) New Haven (https://www.facebook.com/events/2027390420889963/) Portland (https://www.facebook.com/events/2153498014685233/) Providence (https://www.facebook.com/events/2182275615166306/) Boston (https://www.facebook.com/events/2049414358505520/) Thanks to Elderly Instruments in Lansing, Michigan for supporting the show. Visit their website: https://www.elderly.com/.

The middle voice of Väsen, Mikael Marin brings a breadth of influences and musical influences to bear in his countermelodies and textures on the 5-string viola. In this wide ranging conversation he discusses the history of "second voice" playing in Swedish music, his own development as a classical and traditional musician and how a being passionate about your own specific culture and tradition can be common ground for connecting to traditional artists and cultures around the world. Music: opening piece is Knust Av Sorgens Hammer (crushed by the hammer of grief) and the closing piece is a Polonesse sourced from historical archives. More info: www.vasen.se as well as the album Sorpesoll and the archie at smus.se

Neil looks back on some of the great music created in the TradCafe episodes that came out in 2018 while looking forward to the next year of episodes.  This episode features Allison DeGroot (Ep. 44), Don Roy (Ep. 34), Soo Yeon Lyuh (Ep. 45), Kevin Henderson (Ep. 37), Hadith Bani-Adam (Ep. 26), Brittany Haas (Ep. 41), Andrea Beaton (Ep. 36) and a short preview of the music from Mikael Marin's upcoming episode. For more information on each of these, head to TradCafe.org and look them up in the archive. 

Olov Johansson is perhaps the best known Nyckelharpa player in the world today. As one third of the Swedish power-trio Väsen he has toured the world as an ambassador for Nordic folk music for several decades now. He sat down with Neil to share his journey exploring traditional melodies and fresh collaborations all while building a unique and influential musical identity.  Olov's website: olovjohansson.se Väsen: vasen.se

This episode is dedicated to the many wonderful tales shared in ballad form in Scandinavian countries. You'll learn that not all stories have happy endings (most don't), which part of the dragon you need to eat in order to gain the gift of prophecy (the heart), and how Groundhog Day is really a holiday about a Scottish hag's woodpile (she's called the Cailleach). Music: Intro theme - "Forest March" by Sylvia Woods "Herr Peders Sjöresa" by Hilma Ingberg "Kall Og Svein Ung by Sláið Ring" (Faroese ballad dancing) "Alex'Julpolska" by Daniel Peterson "Sigurdskvadet" by Strengleikr and Renessanse Consort "Drömde mig en Dröm" by Thomas von Wachenfeldt and Leo Flavum "Röcklavisan" by Sågskära "Kallt Väder" by Triakel "Rolandskvadet" by Jessica Comeau "Silibrand" by Marianne Maans "Maria Magdalena" by Hulling "Ebbe Skammelson" by Carin Kjellman & Ulf Gruvberg "Abrege - Folk Suite for Nyckelharpa and String Orchestra: Till Farmor" by Emilia Amper & Trondheimsolistene, Geir Inge Lotsberg, TrondheimSolistene, The Trondheim Soloists, Øyvind Gimse & Emilia Amper "Bendik og Årolilja" by Bukkene Bruse "Heiemo Og Nykkjen" by Ale Møller & Kirsten Bråten Berg "Hansin Koira" by Eeva-Leena Sariola, Martti Pokela & Matti Kontio "Varulven" by Elias Akselsen & Hulda Johansen "Villemann Og Magnhild" by Kalenda Maya Ian Cumpstey's site about Scandinavian ballads: http://balladspot.blogspot.com/ Image (of Faroese dancers) from TUTL Économusée: http://tutleconomusee.com/

"Att öva på våldtäkt" med musik av violinisten Karin Wiberg. Hanna Ohlson Nordh: Skulle jag välja astronaut eller dirigent? Tonsättare, ung kvinna eller trans? Konstmusiksystrar, ett nätverk för dig! Vi möter frilansande violinisten Karin Wiberg, ursprungligen från Norrbotten. Hon är solist, ensemble- och orkestermusiker, som även jobbar med att improvisera och komponera. Karin arbetar bl a med duon Stensöta, tangotrion Vråk, Trio Phantasm och konstprojektet Front Window Theatre.   -Min fiollärare meddelade att jag inte kunde göra karriär som violinist eftersom jag i framtiden skulle föda barn. När jag spelade pop ett tag så fick jag inte spela bas. Att däremot sjunga ansågs passande för en ung kvinna, säger Karin.Under Karins utbildningar i violin vid musikhögskolorna i Malmö och i Oslo har hon endast hört manliga tonsättares verk. Inte ens de främsta döda kvinnliga tonsättarna, som Lili Boulanger eller Carin Malmlöf-Forssling nämndes.Nu skapar Karin Wiberg därför speciella konsertprogram med verk av kvinnliga tonsättare, vars noter hon letar fram ur bland annat websidan Levande Musikarv. Som t ex franska tonsättaren Mel Bonis som skrev mer än 300 verk, en mässa, koraler, kammarmusik och musik för orkester och orgel.Under 2016 uruppför Karin Wiberg ett violinsolo av tonsättaren Britta Byström och ett tangoverk av tonsättaren Corinne von Dardel, samt ett verk av den isländska tonsättaren Bara Gisladottir.Med Trio Phantasm har Karin Wiberg tidigare turnerat, bland annat till Kuba, med teaterföreställning Att öva på våldtäkt. Den använder texter ur Strindbergs Fröken Julie och ur den självbiografi som Natascha Kampus skrev om sitt öde att som barn bli kidnappad, och under många år inspärrad, av en vuxen man.Orkesterdirigent-eleven Hanna Ohlson Nordh valde mellan att bli astronaut och dirigent. I sin utbildning vid Kungliga Musikhögskolan i Stockholm har hon varken mött kvinnliga lärare eller fått dirigera verk av etablerade kvinnliga tonsättare, endast av dem som studerar vid utbildningen.   -Hur ska vi kunna lyfta fram kvinnliga tonsättare och deras verk i framtiden om vi inte själva känner till dem eller har arbetat med dem? Ja, det är en svår balansgång mellan den fantastiska standardrepertoaren och nutida stycken av både kvinnor och män, säger Hanna, som varit ensam kvinna bland dirigenteleverna i sin årskurs. Ensam i dubbel bemärkelse....Medverkar gör även tonsättarna Lo Kristenson och Kajsa Lindgren som var med och startade Konstmusiksystrar, ett nätverk för unga kompositörer och ljudkonstnärer som definierar sig som kvinnor eller transpersoner:- Jag har pluggat på musikskolor sedan jag var tio år och 80 procent av de kompositörer vi studerar under utbildningarna är män. Då är det inte så konstigt att jag inte känner att jag kan identifiera sig med termen kompositör.- Det har länge funnits en tradition att kompositörens roll ska vara väldigt egen och att man ska kämpa för sig själv och armbåga sig fram eftersom det är hård konkurrens om jobben. Det manliga geniet, ni vet! Men vi gör tvärtom och det har öppnat upp för kreativiteten.- Vi har skapat ett sammanhang där vi bekräftar och stöttar varandra utan att vara dömande. För oss är mångfald inte någonting negativt utan det är positivt, förklarar Lo. Vi håller föreläsningar på olika skolor och vi har helgkurser för kvinnliga tonsättare i 18-19 årsåldern. Inför dessa letar vi fram kvinnliga förebilder från flera hundra år tillbaka för att förmedla det historiska arv som finns.- Vi diskuterar begrepp som kvalitet, vilket är så förhärskande inom konstmusikvärlden. Varför innebär en utbildning med hög kvalitet att det är ytterst få kvinnor som blir antagna? Betyder det att kvinnors musik inte har hög kvalitet? Nej, vi vill inte prata om kvalitet utan istället om bredd eller inkludering. Musiklista: Forest foodCorinne Von Dardel,Stensöta Karin Wiberg,Violin M Fl Vridna VågsångLo Kristenson,Tove Bagge, Viola Hanna Cronhjort, Kontrabas Julija Morgan, Violin Forest foodCorinne Von Dardel,Stensöta Karin Wiberg,Violin M Fl Tordyvelns DansKarin Wiberg,Trio Phantasm Karin Wiberg, Violin M Fl Serenade Suite en trioMel Bonis,Trio Dring Karin Wiberg, Violin M Fl SICILIENNE FORVIOLIN & PIANO ESS-DURMaria Theresia Von Paradis, Samuel DusjkinJacqueline Du Pre / Gerald MooreEMI 00542, 7243 5 55529 21 Korpen FlygerTrio Phantasm,Trio Phantasm Karin Wiberg , Violin M Fl Master the MachineCorinne Von Dardel,Stensöta Karin Wiberg, Violin M Fl Master the MachineCorinne Von Dardel,Stensöta Karin Wiberg, Violin M Fl Jorum orm i ögaMarie Samuelsson,Kerstin EkmanDavid Björkman, Dirigent M Fl Voidward into the raven flock - Mov II. Beneath the ice, i sleptGustav Lindsten,Hanna Ohlson Nordh, dirKungliga Musikhögskolans Symfoniorkester Voidward into the raven flock - Mov II. Beneath the ice, i sleptGustav Lindsten,Hanna Ohlson Nordh, dirKungliga Musikhögskolans Symfoniorkester Vridna VågsångLo Kristenson,Tove Bagge, Viola Hanna Cronhjort, Kontrabas Julija Morgan, Violin Vridna VågsångLo Kristenson,Tove Bagge, Viola Hanna Cronhjort, Kontrabas Julija Morgan, Violin CoalesceKajsa Lindgren,Kajsa Lindgren As Long As I Stayed OccupiedKajsa Lindgren,Kajsa Lindgren Med ett lätt föraktKajsa Lindgren,Kajsa Lindgren Klangkropp MotståndLo Kristenson,Tove Bagge, Viola Anna Gustavsson, Nyckelharpa

Otra vez lo hemos vuelto hacer! Estamos con el tercer programa de Pobrecito Satanás. Cumpliendo con nuestro objetivo de estar con vosotros cada quince días. Este programa está dedicado a dos pasiones: una vieja pasión, Woody Guthrie, nombre reverenciado por toda una generación, de la cual vuestro seguro servidor, sería de los elementos más jóvenes, y que por el rango mayor incuiría nombres como Dylan o Springsteen. Woody Guthrie, artista, Woody voz de los oprimidos y explotados del mundo. La unión perfecta. Música para los pobres pero hecha desde los pobres, de primera mano. Y una pasión nueva, Ana Alcaide, a quien descubrimos recuperando músicas sefardíes y que aquí nos presenta su última obra publicada "Tales of Pangea". El esplendor de un instrumento desconocido y mágico, el Nyckelharpa, la viola de teclas, el instrumento sueco que presenta Ana entre nosotros. Un podcast al que os podéis subscribir desde aquí. O directamente desde el reproductor de Ivoox. O desde Itunes.Toda la info en www.pobrecitosatanas.esUn podcast que tendrá vida en las redes a través de @pobrecitosatana en twitter y https://www.facebook.com/Pobrecito-Satan%C3%A1s-2058726362…/

SPIDER STORIES http://www.centralcitytower.com/#!spider-stories/cgop HONEY BADGER https://www.youtube.com/watch?v=Ua3M1O-WQrM KINSKII KICKSTARTER http://kck.st/1vzFbPa EXCEL TEMPLATE https://docs.google.com/spreadsheet/ccc?key=0AgfIQt2aLxs_dGhKeWc3U0ExRnZ6WW1NU241LU5DVUE&usp=sharing NYCKELHARPA http://en.wikipedia.org/wiki/Nyckelharpa

The multi-instrumentalist Clare Salaman presents a programme all about a once popular early instrument with Swedish origins that has all but dropped off the musical landscape in this country. However, the nyckelharpa (or 'keyed fiddle') makes a sound that delights audiences. Clare has delved into the best and most rare recordings of the instrument to cast some light on the nyckelharpa's beautiful and mysterious sound-world.

De herontdekking van een vergeten klank. Didier François speelt Nyckelharpa, Pianist Tico Pierhagen met Aquabajo, Strobos-Van den End-Van den Bercken ‘n trio met afzonderlijke solocarrière. De Belgische violist Didier François speelt Nyckelharpa, ook wel de Zweedse viool genoemd. In Zweden wordt er tot op heden volksmuziek op gespeeld maar het instrument werd in de [...]