Podcasts about Tino Sehgal

Today we are chatting with René Alejandro Huari Mateus. René is a dance artist from Colombia, she studied chemistry before discovering dance and the power of movement rolling down her spine one day. Encounters brought her to Germany where she trained At the Folkwang School in Essen - before dancing as a guest dancer for Pina Bausch. She then worked as a full time dancer of the the Staatsatheater Kassel, for 3 seasons, she also worked amongst others, with Tino Sehgal during Documenta13. René has always been interested in creating, she (and I quote) 'choreographs dances that celebrate the more-than-human, pursuing a naïve stubbornness: to defy the windmills of institutionalized discrimination, which in Germany occasionally allows some dances to be choreographed by some non-Germans.'René is a gift in my life, I will always remember the joy I felt when we bumped into each other in an elevator. This meant the audition we both attended, was about to offer 2 years of incredible friendship and artistic partnership. René is a dear friend and a wonderful artist and thinker I feel connected to - someone with an ultra creative mind and a fascinating analytical eye. She thinks outside the box and outside the box thats outside the box. You will laugh at her stories, and think through her words.. I hope you'll enjoy this chat as much as I did!

Send us a Text Message."You really want it to get into people's heads what the change is. You want it to be their new reality or the new normal. Storytelling is effective because stories are shared from generation to generation, remembered for a reason… because they stick in your brain."Agnes SoIn this episode you'll hear about:Improving support levels & customer satisfaction: How to win customer loyalty through understanding frontline perspectives, fostering collaboration & aligning organisational goals with customer needsThe power of storytelling: Exploring storytelling as a powerful leadership tool for driving change and how the way you use stories can change how you inspire, communicate complex ideas, and drive cultural shifts within organisations.Adaptive leadership: Setting up and managing a team where members are enabled to implement effective solutions and drive positive outcomes and you can remain flexible and freeLean approaches in startups: The necessity of lean approaches in startup environments, and strategies to improve resourcefulness, efficiency and flexibility to navigate challenges and foster growthStrategic prioritisation: The key to understanding when and where to focus time, energy and resources and identify quickly initiatives that will deliver the most significant impactKey linksHotDoc https://www.hotdoc.com.au/Tino Sehgal https://www.mariangoodman.com/artists/62-tino-sehgal/This Progress at Guggenheim https://www.guggenheim.org/artwork/22502GROW Framework https://www.coachingcultureatwork.com/the-grow-model/Good Strategy, Bad Strategy by Richard Camel https://www.youtube.com/watch?v=4uWKEG0s9KcAbout our guestAgnes So (www.linkedin.com/in/agnes-so/) had gained over 10 years of customer service experience prior to joining HotDoc in 2017. Agnes' main expertise include developing Customer Experience (CX) strategies, aimed at reducing churn and maintaining high customer satisfaction levels. Her work also informs and leads Go To Market events, ensuring the successful implementation and adoption of products for customers and employees.By focusing on technology and self-service techniques, Agnes empowers customers to seamlessly utilise and learn new products. Her leadership experience extends to refining customer journeys based on insights, and fostering impactful brand interactions.About our hostOur host, Chris Hudson (https://www.linkedin.com/in/chris-hudson-7464254/), is a Teacher, Experience Designer and Founder of business transformation coaching & consultancy Company Road (www.companyroad.co).Chris considers himself incredibly fortunate to have worked with some of the world's most ambitious and successful companies, including Google, Mercedes-Benz, Accenture (Fjord) and Dulux, to name a small few. He continues to teach with University of Melbourne in Innovation, and Academy Xi in CX, Product Management, Design Thinking and Service Design and mentors many business leaders internationally. For weekly updates and to hear about the latest episodes, please subscribe to The Company Road Podcast at https://companyroad.co/podcast/

This week Dorothy Dubrule catches up with Dana Bassett and Duncan, about “Being Work” her new book of essays on the performer's experience performing art. Essays written by effie bowen, Casey Brown, Dorothy Dubrule, Jessica Emmanuel, Paul Hamilton, Allie Hankins, Kestrel Farin Leah, and Mireya Lucio. Brilliant Illustrations by Eileen Wolf Echikson. Dorothy Dubrule is a choreographer and performer based in Los Angeles. Her choreography is often made in collaboration with people who do not identify as dancers and has been performed in theaters as well as bars, clubs, galleries, sound stages and sports arenas. She has performed in the work of artists, choreographers and directors such as alexx shilling, Alison D'Amato, Lea Anderson, Melinda Ring, Milka Djordjevich, Narcissister, Tino Sehgal and Zoe Aja Moore. Dorothy received an MFA from UCLA's Department of World Arts and Cultures/Dance and has been the director of Pieter Performance Space since 2017. Prior to moving to LA, she danced with DIY performance collective Club Lyfestile and comedy fly-girl crew Body Dreamz in Philadelphia. A board member of Grex, the West Coast Affiliate of the AK Rice Institute for the Study of Social Systems, Dorothy organizes workshops and writes about issues of social identity and power as they arise in art contexts. Following the publication of her essay, "What I'm Doing When I'm Selling Out," on SF MoMA's Open Space, she is currently working with 53rd State Press to edit a collection of writing by performers who have been contracted by visual arts institutions to work in live exhibitions. https://cargocollective.com/dorothydubrule https://insert.press/products/being-work https://apnews.com/article/moma-marina-abramovic-nude-imponderabilia-b3443d3706d2a46bdd02b4f08895e1d5 https://eileenechikson.com/about Artwork by Eileen Wolf Echikson

Theatres regulate space and time for their audiences and demand collective engagement. Other kinds of venues – like museums or libraries – are designed to separate and isolate even large crowds and promote liberal ideas of emancipation. Everyone decides for themselves how long they want to stay and engage. The 25th edition of “The Art of Assembly” looks at artistic approaches to assemblies in cultural places not originally intended for performance. Choreographer Mette Edvardsen looks for soft spaces where her discrete performances become a porous part of the environment, where performers and audiences are in more than one space at the same time. Artist Tino Sehgal has been working with the DNA of museums and the liberal assemblies created by exhibitions, which he uses for his constructed situations – thin lines that direct attention and gazes, choreographing the paths of the audience.

Orrow Bell is a London based dance artist. They make, perform, work as dramaturg, facilitator, and curator. Orrow's solo works have toured widely. As a performer, they worked with Tino Sehgal, Hussein Chayalan & Damien Jalet, Lea Anderson, Maresa von Stockert, Alessandro Sciarroni and Chiara Frigo amongts others. To me, Orrow is a quiet strength. The kind of strength that radiates from people who are fully, rootedly, themselves.  Together we talked about queerness, failure being a systemic bullshit, lycra and blank on stage, the cosmos, being a recovering perfectionist, putting care alongside actions…. It is a dense and rich conversation you are about to listen to, it is bound to question your perspectives and angles… I hope you'll enjoy it as much as I did! 

Jess Forest (Jesse Neumann-Peterson) is a dancer, theater performer, choreographer, and visual artist residing in Minneapolis, Minnesota. As a nationally touring company member, teacher, and community outreach worker with Stuart Pimsler Dance and Theater (SPDT) for eight seasons he has performed in the following company repertory works, Tales From the Book of Longing, Matinee, Bohemian Grove, Walking, Singing and Other Habits, Ways to Be Hold, You and The Others, Sentry, The Listen Project, and Terra Incognita. He studied dance at the University of Minnesota, and the University of Minnesota Duluth. Before joining SPDT he was a company member, performer, and teacher with Intergenerational dance company Kairos Dance Theater (Kairos Alive!). As an independent dancer he has performed with Flying Foot Forum, Christopher Watson Dance Company, Minnesota Opera, Minnesota Dance Theater, Zenon, Rosy Simas, Vanessa Voskuil, Sharon Picasso, Off-Leash Area, Tino Sehgal, Claude Wampler,and many others. As a choreographer he has created works for Sally Dixon, 16 Feet, 9X22, Cities Ballet, and the 2022 Right Here Showcase. Jesse is a 2014 Sage Award Recipient for Outstanding Dance Performer, awarded for his performances in The Student by Vanessa Voskuil, Under the Current by Sharon Picasso, and Azalea Nights by Christine Maginnis.

Der deutsch-britische Künstler Tino Sehgal im Gespräch / "Vision einer Rückkehr” an den Münchner Kammerspielen / Bilderwelten des Grüffelo-Schöpfers Axel Scheffler in der Intern. Jugendbibliothek

Der deutsch-britische Künstler Tino Sehgal im Gespräch / Musical "Hair” an der Salzburger Felsenreitschule / Bilderwelten des Grüffelo-Schöpfers Axel Scheffler in der Intern. Jugendbibliothek

OK and Sarah this week cover the first two episodes of Nathan Fielder’s new video art collection The Rehearsal and larger labor politics of cast and crew, the work’s relationship to his former practice on Comedy Central, and the 2010 Tino Sehgal performance of This Progress at the good ‘ol famously liberatory Gug. Do you … Continue reading "168 – Nathan For Art"

News - Meteor Tutors has Created a Safe and Innovative Solution for Music and Language Online Tutoring - Read more ---> Check out the Causeartist Partners here.---> Subscribe to the Causeartist Newsletter here.In this episode of the Disruptors for Good podcast I speak with Sophia Wang, Co-Founder of MycoWorks, on disrupting the fashion industry by creating a biomaterials company that has developed natural alternatives to leather and plastics using mushroom mycelium technology.In 2013, with artist and inventor Phil Ross, Sophia co-founded MycoWorks, a biomaterials company that has developed natural alternatives to engineered wood, leather and plastics using mushroom mycelium technology.Her creative practice includes choreography, performance, writing, curation and producing original dance and multimedia works. Sophia has danced for Xavier Le Roy, Tino Sehgal, Jerome Bel, Amara Tabor-Smith and Xandra Ibarra, and co-founder of the Brontez Purnell Dance Company. Since 2015, she has co-produced Heavy Breathing, a discussion and movement workshop series that has featured over 45 presenting artists working at the intersection of performance, visual arts and pedagogy.Sophia also holds a PhD in English specializing in 20th and 21st century experimental American poetry, and a BA in English and Visual Arts.MycoWorks create materials at the intersection of art, nature and biotechnology using mycelium, one of the earth's most regenerative resources. The company's mission is to create a platform for the highest quality materials using Fine Mycelium™. Their first product, Reishi™ offers partners in the fashion industry an option for leather that is neither animal nor plastic, yet uncompromising in quality and aesthetic expression.The company announced last year the closing of a $45 million Series B financing to scale up and meet demand for Reishi™, the leading natural, non-animal leather material. WTT Investment Ltd. (Taipei, Taiwan) and DCVC Bio co-led the round, with major participation from new investors Valor Equity Partners, Humboldt Fund, Gruss & Co., and others, and existing investors Novo Holdings, 8VC, SOSV, AgFunder, Wireframe Ventures, Tony Fadell, and others.About Mushroom MyceliumA breakthrough in materials science and biotechnology, Fine Mycelium is an advanced manufacturing platform for high performance materials in fashion and footwear. The company's proprietary technology has enabled a new class of premium, non-animal materials that are the next evolution in mycelium.Mycelium is one of the earth's most powerful agents of regeneration and carbon sequestration. These fine, root-like threads are grown on the byproducts of agriculture and lumber, transforming plant matter into their own biomass.Unlike “mushroom leather,” which is compressed mycelium, MycloWorks patented Fine Mycelium technology engineers mycelium during growth to create the proprietary, interlocking cellular structures that give our material its superior strength and durability.Exclusive to MycoWorks, the Fine Mycelium process offers the unique advantage of total control over quality and customization.Fine Mycelium materials are custom-grown to our brand partners' specifications for performance, aesthetic features and more. This gives brands creative control to design from the material on up, while minimizing waste and ensuring consistent quality. Actionable traceability of the Fine Mycelium process allows our experts to capture and apply data at defining moments during production, fully optimizing our products from initial growth to harvest.Today, the team is growing in order to scale and deliver Reishi to an even broader range of partners in fashion, footwear and beyond. Together, they're working towards a world where mycelium enables resilient, creative solutions for any industry dependent on animal and petroleum-derived products.News - Meteor Tutors has Created a Safe and Innovative Solution for Music and Language Online Tutoring - Read more---> Check out the Causeartist Partners here.---> Subscribe to the Causeartist Newsletter here.Listen to more Causeartist podcast shows hereFollow Grant on Twitter and LinkedInFollow Causeartist on Twitter, LinkedIn, and Instagram

Critical Zones | Assembly Towards Permacircular Museums [21.04.2020] An art institution is a place of encounter of subjectivities, of visibility, and world-making. Its main functions are based on conservation, accumulation, and energy-intensive practices. This roundtable considers the concept of the »art footprint« to deconstruct the museum's foundation on practices inherited from ecocidal capitalism, such as temperature control, low-cost flights, and the white cube. In the spirit of Ivan Illich's »Tools for Conviviality«, what strategies could lead to re-tooling institutions and empowering low carbon communities? with Diane Drubay (Founder of We Are Museums, Berlin), Hicham Khalidi (director of Jan van Eyck Academie, Maastricht), farid rakun (member of ruangrupa, collective artistic director of documenta 15), Tino Sehgal (artist) and an activation by Mira Hirtz (performance artist and art mediator, Karlsruhe)

In episode 112 of the Disruptors for Good podcast I speak with Sophia Wang, Co-Founder of MycoWorks, on disrupting the fashion industry by creating a biomaterials company that has developed natural alternatives to leather and plastics using mushroom mycelium technologyIn 2013, with artist and inventor Phil Ross, Sophia co-founded MycoWorks, a biomaterials company that has developed natural alternatives to engineered wood, leather and plastics using mushroom mycelium technology.Her creative practice includes choreography, performance, writing, curation and producing original dance and multimedia works. Sophia has danced for Xavier Le Roy, Tino Sehgal, Jerome Bel, Amara Tabor-Smith and Xandra Ibarra, and co-founder of the Brontez Purnell Dance Company. Since 2015, she has co-produced Heavy Breathing, a discussion and movement workshop series that has featured over 45 presenting artists working at the intersection of performance, visual arts and pedagogy.Sophia also holds a PhD in English specializing in 20th and 21st century experimental American poetry, and a BA in English and Visual Arts.MycoWorks create materials at the intersection of art, nature and biotechnology using mycelium, one of the earth's most regenerative resources. The company's mission is to create a platform for the highest quality materials using Fine Mycelium™. Their first product, Reishi™ offers partners in the fashion industry an option for leather that is neither animal nor plastic, yet uncompromising in quality and aesthetic expression.The company announced last year the closing of a $45 million Series B financing to scale up and meet demand for Reishi™, the leading natural, non-animal leather material. WTT Investment Ltd. (Taipei, Taiwan) and DCVC Bio co-led the round, with major participation from new investors Valor Equity Partners, Humboldt Fund, Gruss & Co., and others, and existing investors Novo Holdings, 8VC, SOSV, AgFunder, Wireframe Ventures, Tony Fadell, and others.About Mushroom MyceliumA breakthrough in materials science and biotechnology, Fine Mycelium is an advanced manufacturing platform for high performance materials in fashion and footwear. The company's proprietary technology has enabled a new class of premium, non-animal materials that are the next evolution in mycelium.Mycelium is one of the earth's most powerful agents of regeneration and carbon sequestration. These fine, root-like threads are grown on the byproducts of agriculture and lumber, transforming plant matter into their own biomass.Unlike “mushroom leather,” which is compressed mycelium, MycloWorks patented Fine Mycelium technology engineers mycelium during growth to create the proprietary, interlocking cellular structures that give our material its superior strength and durability.Exclusive to MycoWorks, the Fine Mycelium process offers the unique advantage of total control over quality and customization.Fine Mycelium materials are custom-grown to our brand partners' specifications for performance, aesthetic features and more. This gives brands creative control to design from the material on up, while minimizing waste and ensuring consistent quality. Actionable traceability of the Fine Mycelium process allows our experts to capture and apply data at defining moments during production, fully optimizing our products from initial growth to harvest.Today, the team is growing in order to scale and deliver Reishi to an even broader range of partners in fashion, footwear and beyond. Together, they're working towards a world where mycelium enables resilient, creative solutions for any industry dependent on animal and petroleum-derived products.Listen to more Causeartist podcasts here.Check out:Partner with us - Learn moreImpactInvestor.io - Discover impact investors from around the world.Podcast Made with TransistorPodcast cover design Made with CanvaBuild amazing web platforms with Webflow

Tino Sehgal talks to Ben Luke about his unique work, which transforms the space in which it is shown through the power of movement and sound. Sehgal, who is based in Berlin, moved to art from dance after studying choreography alongside economics. His latest show, at Blenheim Palace, commissioned by the Blenheim Art Foundation, features his work from the last 20 years staged amid the Baroque palace and its gardens. It features interpreters or participants who enact "constructed situations" ranging from group work, where they sing in unison or move in formation, veering from slow controlled movement to dance or even game-playing, to more intimate pieces involving individuals or duos—but always directly engaging the viewer as a participant. Sehgal discusses the structures that underpin his work, making art that exists only in the moment or memory rather than as an object or through documentation, and why he sees it more in the tradition of sculpture and installation than performance art. He reflects on his early encounters with the art of Joseph Beuys and Yves Klein, his interest in the work of Antoine Watteau, the powerful effect of the works of radical theatre director Christoph Schlingensief and choreographer Felix Ruckert, how he regularly returns to William Forsythe's work In the Middle, Somewhat Elevated, and his response to the Belgian producers Soulwax and their 2manydjs project. And he responds to the questions we ask all our guests, including the ultimate question: what is art for? This episode is sponsored by ARTIKA.Links for this episode:Tino Sehgal at Blenheim Art FoundationBlenheim PalaceTino Sehgal at Globart Art Academy, Melk AbbeyJoseph Beuys's 7000 Oaks in KasselYves Klein ArchivesJean-Antoine Watteau's paintings in the LouvreAuguste Rodin's The KissXavier Le Roy, Product of Circumstances and context at tate.org.ukChristoph SchlingshiefFelix Ruckert and a performance of Hautnah (1995)Excerpt from In the Middle, Somewhat Elevated by William Forsythe from its original performance in 1987, featuring Fanny Gaïda and Sylvie Guillem, Opéra National de ParisJohn Maynard Keynes, Economic Possibilities for our GrandchildrenMargaret MeadJohn Kenneth Galbreath's The Affluent Society2manydjs: Soulwax's official YouTube channelOde to Joy, Friedrich Schiller poem The Robots on Kraftwerk's YouTube channelSock It to Me on Missy Elliot's YouTube channel See acast.com/privacy for privacy and opt-out information.

Alejandra Hernández Muñoz nasceu em Montevidéu, Uruguai, 1966. Ela reside em Salvador desde 1992. É arquiteta, mestre em Desenho Urbano e doutora em Urbanismo pela Universidade Federal da Bahia, com pós-doutorado pela Universidade de Brasília. Desde 2002 é professora de história da arte também na UFBA. Integrou as equipes curatoriais do Programa Rumos Artes Visuais (2011-2013 e 2017-2018) do Instituto Itaú Cultural (São Paulo), da 3ª Bienal da Bahia 2014 (Salvador), Lianzhou Photo 2018 (Lianzhou-China), 21ª Bienal SESC-Videobrasil 2019 (São Paulo) e 4° Photolux 2019 (Lucca-Itália). Coordenou o Colóquio de Fotografia da Bahia 2017 , 2018 e 2019 (Salvador). [Alejandra Hernénadez Muñoz was born in Montevidéu, Uruguay, 1966. She lives in Salvador, Bahia, since 1992. She's an architect, master in Urban Planning and has a PhD in Urbanism from the Federal University of Bahia, with a postdoctorate from the University of Brasília. Since 2002 she's a professor of art history at the Federal University of Bahia. She was part of the curatorial teams of the Program Rumos Artes Visuais (2011-2013 and 2017-2018) of Instituto Itaú Cultural (São Paulo); of the 3rd Bahia Biennial (2014, Salvador); Lianzhou Photo 2018 (China); 21st Biennial SESC_Videobrasil 2019 (São Paulo) and 4th Photolux 2019 (Lucca, Italy). She coordinated the Colóquio de Fotografia da Bahia, that happened from 2017 to 2019 in Salvador] ///imagens selecionadas|selected images: Olafur Eliasson, "The blind passenger", 2010 + Tino Sehgal, "This variation", 2012/// [entrevista realizada em 31 de janeiro de 2021|interview recorded on january 31st, 2021] [link para YouTube: https://youtu.be/EXfpMmBMSN8]

Jeder Bereich der Gesellschaft sei aufgerufen, auf die eigenen Ökobilanzen zu gucken, sagte der Künstler Tino Sehgal im Dlf. Museen sollten einen Dienst an der Gesellschaft tun: "Wenn sie aber da mit ihrer Klimaanlage das Gegenteil tun, dann geraten sie in ein Glaubwürdigkeitsproblem." Tino Sehgal im Gespräch mit Pascal Fischer www.deutschlandfunk.de, Essay und Diskurs Hören bis: .. Direkter Link zur Audiodatei

Jeder Bereich der Gesellschaft sei aufgerufen, auf die eigenen Ökobilanzen zu gucken, sagte der Künstler Tino Sehgal im Dlf. Museen sollten einen Dienst an der Gesellschaft tun: "Wenn sie aber da mit ihrer Klimaanlage das Gegenteil tun, dann geraten sie in ein Glaubwürdigkeitsproblem." Tino Sehgal im Gespräch mit Pascal Fischer www.deutschlandfunk.de, Essay und Diskurs Hören bis: .. Direkter Link zur Audiodatei

Joseph Beuys hat wie kein anderer die deutsche Kunst der Nachkriegszeit geprägt. Aber wie wirken seine Ideen auf aktuelle Künstler und Künstlerinnen nach? Wir haben nachgefragt bei Milo Rau, Tino Sehgal, Philipp Ruch (Zentrum für Politische Schönheit) und Jean Peters (Peng!).

Quando all'arte contemporanea non bastano più le installazioni o le fotografie, il corpo diventa l'ultima frontiera. Dalle performance sadomaso degli azionisti viennesi alla brutale manicure di Valie Export, dalle favolose trasformazioni di Leigh Bowery allo stunt-man esistenziale Chris Burden, dall'arte antipatriarcale di Ana Mendieta a quella facilona di Frida Kahlo: nella body art, buon sangue non mente.Costantino, l'Henry Kissinger della Maremma, spiega il concetto di “stato climatico interiore” (che non ha capito neanche lui), mentre Francesco racconta la riscoperta di un antico piacere all'indomani di un miracoloso intervento alla prostata. E, nel finale, una corposa rivelazione per tutti i fan di ArteFatti.In questa puntata si parla di Umberto Galimberti, Günther Brus, Otto Muehl, Rudolf Schwarzkogler, Hermann Nitsch, Egon Schiele, Gustav Klimt, Chuck Close, Adolf Loos, Sifgmund Freud, Ludwig Wittgenstein, Banksy, Henry Kissinger, Gerry Scotti, Carmelo Bene, Dario Cecchini, Justice Yeldham, Valie Export, Gina Pane, Marina Abramović, Slobodan Milošević, Carolee Schneemann, Robert Morris, Claes Oldenburg, Sabina Ciuffini, Mike Bongiorno, Donald Judd, Walter De Maria, Paula Cooper, Holly Solomon, Marian Goodman, Yoda, Midnight Cowboy, Madame Claude, Ana Mendieta, Fidel Castro, Sara Ann Otten, Carl Andre, O.J. Simpson, Frida Kahlo, David Alfaro Siqueros, Leon Trotsky, Leigh Bowery, Alberto Angela, Colonnello Bernacca, Damien Hirst, Alexander McQueen, Anthony d'Offay, Paolina Borghese, Nicola Bateman, Lucian Freud, Chris Burden e Tino Sehgal.

La parola può essere uno slogan pubblicitario, un grido politico ma anche un'immagine. In questa puntata, Costantino e Francesco mettono a confronto il serioso Joseph Kosuth e il giocoso Lawrence Wiener, ci spiegano come fare arte fotocopiando un vocabolario e parlano dei neon logorroici di Maurizio Nannucci, di come un marchio di moda si è appropriato dello stile di Barbara Kruger e di quanto Jenny Holzer terrorizzasse i galleristi. Infine, Francesco ci propone la sua distinzione tra artisti-mattone e artisti-colonna e cerca di far luce su uno dei più grandi gialli del nostro tempo: Costantino è davvero stitico o ha solo un bagno deprimente?In questa puntata si parla di Joseph Kosuth, Ferdinand de Saussure, Ludwig Wittgenstein, Dawn French, Jennifer Saunders, Jacopo da Pontormo, Lawrence Wiener, Tino Sehgal, Maurizio Nannucci, Bruce Nauman, Kerry Hill, Geoffrey Bawa, Sophie Calle, Barbara Kruger, Guerrilla Girls, Cartesio, Jenny Holzer, Helmut Lang, Glenn Ligon, Okwui Enwezor, The Harlem Six, Robert Barry, Richard Prince, Hito Steyerl e Alberto Manzi.

Da quando Marcel Duchamp ha ribaltato un orinatoio e l'ha piazzato in una mostra, i musei e le gallerie sono diventati dei supermercati in cui si possono trovare oggetti di uso comune, lattine di birra e cibi di ogni tipo. In questa puntata Costantino e Francesco ci dicono che ruolo ha il Pad Thai nell'arte contemporanea, esplorano il rapporto tra artisti italiani e ferramenta e ci spiegano perché non dovremmo mai fidarci di un sacchetto di patatine.In questa puntata si parla di Willem de Kooning, Jasper Johns, Leo Castelli, Marcel Duchamp, Jean Arp, Brian Eno, Pierre Pinoncelli, Sherrie Levine, Andrea Fraser, Nicolas Bourriaud, Ralph Fiennes, Rirkrit Tiravanija, Dan Graham, Tino Sehgal, Maurizio Cattelan, Jorge Pardo, Donald Trump, Darren Bader, Andreas Gursky, Wayne Thiebaud, James Rosenquist, Man Ray, Claes Oldenburg, Gabriel Orozco, Piero Manzoni, Mario Merz, Jannis Kounellis, Michelangelo e Lawrence Abu Hamdan

Ein Hurra Hurra Podcast-Special mit den Bauhaus Study Rooms 2020: Kann man bei online übertragenen Performances den Zuschauer*innen ganz nah sein? Schafft man es sogar unter die Haut zu gehen? Gemeinsam mit Burg-Studentin Lilian Walters spricht Angelika Waniek über Ihre Performance im Rahmen der Bauhaus Study Rooms Dessau, über momentane Herausforderungen, was einem eigentlich so im Kopf rumschwirrt, während man performt und vieles mehr. #bauhausstudyrooms #performance #hgbleipzig Angelika Waniek ist Performerin und aktuell künstlerische Mitarbeiterin im Fachbereich Medienkunst an der Hochschule für Grafik und Buchkunst in Leipzig. Sie ist Mitbegründerin des Kollektivs Pik7 (mit Martina Hefter und Ulrike Feibig) und Performerin für unter anderem Tino Sehgal, She She Pop, Irina Pauls, Jana Ressel. In ihren Solo- Performances analysiert sie kulturelle und historische Narrative, die mit den jeweiligen Aufführungs- und Ausstellungsorten verbunden sind und erzählt diese in einer waniekschen Storytelling-Manier wieder. Damit einher geht die Reflexion über Formen kultureller Aneignung, die sich auch in der Auseinandersetzung mit kollektiven Arbeits- und Produktionsweisen widerspiegelt und mit dem Begriff des Erfahrungswissens agiert.

Welcome to "This Situation"! I talk about my time in Tino Sehgal's fascinating installation/performance piece at Gropius Bau this past month, and how it felt to be an often lone voice on climate action. Then I get real about this podcast and promise to get back to my intended focus on positive visions of the future and degrowth.

This week, I complain about cleaning yet MORE junk out of the junk house, the cluttered state of my apartment, and the problem of stuff in general. But there's a silver lining -- I'm taking part in an upcoming exhibition of "This Situation," an art piece that involves talking about current and age-old problems by Berlin-based artist Tino Sehgal, who doesn't use material in his work. Art without stuff, how does that work? More on the exhibition "Down To Earth" here: https://www.berlinerfestspiele.de/en/berliner-festspiele/programm/bfs-gesamtprogramm/programmdetail_309206.html And don't forget my other project, "Stories From the Future," which will be hosting another public workshop very soon: https://acudmachtneu.de/events/1643/stories-from-the-future-%E2%80%93-crisis-catalyst-for-carbon-neutrality/

Researchers Katarina Winter and Johan Lindquist talk about their participation in Tino Sehgal's “This progress”. They share their personal and professional reflections on what it meant to be an “interpreter” in the work exhibited at Accelerator from September to October in 2019. What questions did they come back to, what were their strategies and how did participating in the exhibition affect their research? Participants: Katarina Winter, Phd in Sociology, Postdoc in the Department of Criminology, Stockholm University Johan Lindquist, Professor of Social Anthropology in the Department of Social Anthropology, Stockholm University The conversation was moderated by Bronwyn Bailey-Charteris, Project Leader for Accelerator's researcher collaborations. Recorded at AcceleratorDecember 3rd 2019.

Hello listeners, We have indeed gone into 2020. But I reckon it has been a very bumpy transfer of the year for many people. Particularly in this current strange and fearful coronavirus pandemic time, I wish everyone stay safe at home and keep positive. I hope this podcast could bring you some stress relief and a contact to the art at home.This first episode of 2020, is a conversation made in December 2019 between Zamara Zamara, Emanuel Rodriguez and I.  It was just before Emanuel returned to his home country Costa Rico. In the conversation, Emanuel shared his experience of visiting MONA at the first time, in particularly his personal experience of visiting Alfredo Jaar’s spectacular installation titled The Divine Comedy shown at MONA at that time.  Joined with Emanuel, Zamara talked about their experiences of seeing some performance artworks in Documenta 14 and the 57th Venice Biennale in 2017. Please enjoy listening this episode. More episodes will come up shortly. **Apology for the mistake in this episode: The title of Alfredo Jaar's work shown in MONA is The Divine Comedy. Episode Notes:Speakers:Emanuel Rodriguez Chaveshttp://www.emanuelrodriguez.netZamara Zamarahttp://zamarazamara.comThe artists and exhibitions talked about in this episode: Alfredo Jaarhttps://alfredojaar.net/projects/“The Divine Comedy” 2019https://www.facebook.com/watch/?v=470846330447160Peter Greenawayhttps://www.imdb.com/name/nm0000425/James Turrellhttp://jamesturrell.comJamie McCartneyThe Great Wall of Vagina (2008)https://jamiemccartney.comTino SehgalLiving Memory 2016https://www.artnews.com/art-news/reviews/living-memory-tino-sehgal-takes-over-pariss-palais-de-tokyo-with-300-performers-and-a-few-friends-7186/Aphidswww.aphids.net

Pioneering artist Laurie Anderson traces the roots of performance art - the most daring and popular of contemporary art forms, which blurs the boundaries of art, theatre and dance. More and more artists are drawing on the live quality of performance in their work: the artist Marina Abramovic was present for three months in New York's Museum of Modern Art for visitors to lock eyes with, silent and motionless; this year's prestigious Venice Biennale Golden Lion prize was given to the performance artist Tino Sehgal; and the newest addition to the Tate are the Tate Tanks, dedicated to Performance art. But what is this transient medium and where has it come from? Laurie Anderson, famous for bringing her song O Superman to the British pop charts in the 1980s, focuses on this innovative and elusive art form, drawing out the qualities of ritual and gathering, pain and endurance. She turns to the earliest recordings of the Futurist artist, Marinetti's Zang Tumb Tumb, the actions of German artist Joseph Beuys; the influence of John Cage in contrast to the risk of Yoko Ono, the sexual politics of Vito Acconci, the confrontation of the Viennese Actionists or British artist Stuart Brisley's offal bath and the explosive shock of Chris Burden's Shoot.

Vi vrider och vänder på den nya filmen om komikerparet Hasse och Tage. Dessutom får vi träffa en världsstjärna inom konsten och personerna bakom den nya Jonas Hassen Khemiri-filmatiseringen i SVT. Det är Expressens filmkritiker Maria Brander och Kulturredaktionens Karsten Thurfjell som diskuterar Jane Magnussons dokumentärfilm om Hans Alfredson och Tage Danielsson. P1 Kulturs Roger Wilson träffar Pernilla August och många andra inblandade i SVT:s miniserie "Allt jag inte minns". Vi samtalar också om den nya konsthallen Accelerator i Stockholm, som öppnar i helgen - och intervjuar den världsberömde tysk-brittiske konstnären Tino Sehgal som är först ut att visa sina verk där. Dessutom hör vi om Niklas Rådströms pjäs "Dövheten", om Ludwig van Beethoven, som Kulturredaktionens teaterkritiker Jenny Teleman har sett på Drottningholms slottsteater. Programledare: Gunnar Bolin. Producent: Mattias Berg.

Mark Lawson presents a special programme from Derry~Londonderry, UK City of Culture 2013. This year's Turner Prize for contemporary art is on show in Derry~Londonderry and features artists Tino Sehgal, Laure Prouvost, David Shrigley and Lynette Yiadom-Boakye. David Shrigley and Laure Prouvost discuss their work and critic Philip Hensher delivers his verdict on the show. Derry-based writer Jennifer Johnston was shortlisted for the Booker Prize for her novel Shadows on Our Skin. Her Three Monologues, in response to The Troubles, are being performed as part of the City of Culture celebrations and her new novel A Sixpenny Song is published this month. She discusses the impact of the 2013 celebrations on the atmosphere in the city. Gerald Barry's comic opera The Importance of Being Earnest is being performed in Derry this week and then in Belfast, Cork and Dublin later in the year. He explains how he went about filleting Oscar Wilde's text and why Lady Bracknell was always going to be cast as a basso profondo. The inaugural City of Derry International Choral Festival is being hosted by local chamber choir Codetta. The festival's artistic director Dónal Doherty and soprano Laura Sheerin discuss how it feels to be taking part. Producer Ellie Bury.

LifeArt – Can life itself be art? The stylization of life is currently a common trend—from stem cell research to cosmetic surgery, and from life-coaches to the politics of everyday life. In this lecture, Mr. Brand addresses the construction of life situations and experiences as a new medium for art. He approaches this subject through artists such as Tino Sehgal, Marina Abramović and others who abandon the usual and traditional art objects and attempt to shape life through direct encounters in which the encounter and life itself constitutes the art. Dr. Roy Brand is a Lecturer of Philosophy at the Graduate School of Bezalel Academy of Art and Design, and the Director and Chief Curator of Yaffo 23 – a center for contemporary art and culture in Jerusalem. He is the editor and translator of Philosophy in a Time of Terror: Dialogues with Habermas and Derrida, and editor and consultant curator of Bare Life: Contemporary Art Reflecting on the State of Emergency. His book LoveKnowledge: The Life of Philosophy from Socrates to Derrida, was published in 2012 by Columbia University Press; and he currently works on LifeArt: on the Stylization of Life in Culture and Art. Recorded April 18, 2013 in Magasin 3, Stockholm Language: English

LifeArt – Can life itself be art? The stylization of life is currently a common trend—from stem cell research to cosmetic surgery, and from life-coaches to the politics of everyday life. In this lecture, Mr. Brand addresses the construction of life situations and experiences as a new medium for art. He approaches this subject through artists such as Tino Sehgal, Marina Abramović and others who abandon the usual and traditional art objects and attempt to shape life through direct encounters in which the encounter and life itself constitutes the art. Dr. Roy Brand is a Lecturer of Philosophy at the Graduate School of Bezalel Academy of Art and Design, and the Director and Chief Curator of Yaffo 23 – a center for contemporary art and culture in Jerusalem. He is the editor and translator of Philosophy in a Time of Terror: Dialogues with Habermas and Derrida, and editor and consultant curator of Bare Life: Contemporary Art Reflecting on the State of Emergency. His book LoveKnowledge: The Life of Philosophy from Socrates to Derrida, was published in 2012 by Columbia University Press; and he currently works on LifeArt: on the Stylization of Life in Culture and Art. Recorded April 18, 2013 in Magasin 3, Stockholm Language: English

Curator Jessica Morgan and producer Asad Raza discuss the making of the latest project in The Unilever Series and the processes behind Tino Sehgal’s uniquely involving works.

Tino Sehgal has been chosen to create 2012’s The Unilever Series commission in the Turbine Hall. He will be in conversation about his practice with Jessica Morgan, the Daskalopoulos Curator International Art, and Chris Dercon, Director of Tate Modern

With Mark Lawson. Mark reports on the latest work to be created for the vast Turbine Hall at Tate Modern. This year Tino Sehgal is the artist who has taken on the challenge. Ruby Wax is aiming to tackle the workplace stigma of mental illness in a new Channel 4 documentary, Ruby's Mad Confessions. In it she encourages three high flyers to reveal a mental health condition to their colleagues. She explains the importance of speaking up about mental health at work. Danny DeVito and Zac Efron are among the stars providing the voices in The Lorax, the latest Dr Seuss book to be adapted for the big screen. The plot revolves around a young boy's quest to find the last real tree, after the environment has been destroyed to satisfy consumer demand. Children's writer Meg Rosoff reviews. With a wealth of Olympic-themed television in the offing, sports writer Alyson Rudd reviews three of the week's highlights - a special edition of Absolutely Fabulous; Bert and Dickie, starring Matt Smith in a tale of two British rowers in the 1948 Games; and Mike Leigh's short film A Running Jump. Producer Stephen Hughes.

This event is a part of the past Tate Modern event, Characters, Figures and Signs, a two-day programme that brings together contemporary dance, visual art and academic discourse. Talk by Bojana Cvejic and Tino Sehgal in conversation with Catherine Wood.

Lecture by Richard Julin in connection with the Tino Sehgal exhibition at Magasin III. Historical examples of immaterial art will be discussed from a personal perspective. Arthur Cravan, Valie Export and Yves Klein will be mentioned amongst others. Recorded April 24, 2008 in Magasin 3, Stockholm Language: Swedish

Lecture by Richard Julin in connection with the Tino Sehgal exhibition at Magasin III. Historical examples of immaterial art will be discussed from a personal perspective. Arthur Cravan, Valie Export and Yves Klein will be mentioned amongst others. Recorded April 24, 2008 in Magasin 3, Stockholm Language: Swedish

A conversation between Tino Sehgal and chief curator Richard Julin during the exhibition at Magasin 3 spring 2008. Recorded March 6, 2008 in Magasin 3, Stockholm Language: English

A conversation between Tino Sehgal and chief curator Richard Julin during the exhibition at Magasin 3 spring 2008. Recorded March 6, 2008 in Magasin 3, Stockholm Language: English