Podcasts about West Bank

Thousands more US ground forces are heading to the Gulf as President Trump claims the fighting could soon be over. Sources inside the intelligence community and the administration tell CNN that unclogging the Strait of Hormuz is a problem without a clear solution.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

The emancipatory potential and limits of land justice, when land is at once home, property, territory, and homeland. Peasant farming was once an integral part of Palestine's agrarian fabric. But after military occupation of the West Bank in 1967, Israeli land confiscations and economic policies pushed rural cultivators into wage labor. In recent decades, Palestinian land titling and private developers have driven the slow transformation of agricultural land into real estate. In Plots and Deeds: Agrarian Annihilation and the Fight for Land Justice in Palestine (Stanford UP, 2026) Paul Kohlbry argues that we should see these changes as part of a larger process of agrarian annihilation, one in which state violence and market coercion together devastate the social, ecological, and economic relationships that make agrarian livelihoods possible. Kohlbry tells the story of those who, refusing annihilation, struggle both for the return of land, and for their return to it. Through long-term engagements in the central highlands of the West Bank, Kohlbry shows how peasant practices and ethics matter for those fighting to rebuild collective attachments to rural places, and the surprising ways that property ownership has become a means of both land dispossession and defense. Going beyond accounts that treat the peasant as a tragic figure or a heroic national symbol, Kohlbry foregrounds the complexity of agrarian life to reveal the relationships between agrarian regeneration and political liberation—ultimately connecting Palestine within a global struggle for land justice. Paul Kohlbry is Assistant Professor of Global Studies at the University of California, Santa Barbara. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

The emancipatory potential and limits of land justice, when land is at once home, property, territory, and homeland. Peasant farming was once an integral part of Palestine's agrarian fabric. But after military occupation of the West Bank in 1967, Israeli land confiscations and economic policies pushed rural cultivators into wage labor. In recent decades, Palestinian land titling and private developers have driven the slow transformation of agricultural land into real estate. In Plots and Deeds: Agrarian Annihilation and the Fight for Land Justice in Palestine (Stanford UP, 2026) Paul Kohlbry argues that we should see these changes as part of a larger process of agrarian annihilation, one in which state violence and market coercion together devastate the social, ecological, and economic relationships that make agrarian livelihoods possible. Kohlbry tells the story of those who, refusing annihilation, struggle both for the return of land, and for their return to it. Through long-term engagements in the central highlands of the West Bank, Kohlbry shows how peasant practices and ethics matter for those fighting to rebuild collective attachments to rural places, and the surprising ways that property ownership has become a means of both land dispossession and defense. Going beyond accounts that treat the peasant as a tragic figure or a heroic national symbol, Kohlbry foregrounds the complexity of agrarian life to reveal the relationships between agrarian regeneration and political liberation—ultimately connecting Palestine within a global struggle for land justice. Paul Kohlbry is Assistant Professor of Global Studies at the University of California, Santa Barbara. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

A former MAGA influencer who saw the underbelly of the immense power and wealth around this administration says never-Trumpers should show compassion for people who are now feeling betrayed by him—and who are starting to have second thoughts about the cult they joined. Ashley, who is the mother of one of Elon's kids, also tells Tim that an increasing number of MAGA women are waking up to the fact that they've been used as pawns in the movement. Plus, Ric Grenell's desperate effort to land a job with Trump, the role of AIPAC in Tuesday's Illinois Democratic primary, and a pending congressional resolution on the West Bank.Cam Kasky and Ashley St. Clair join Tim Miller.show notes FYPod on looksmaxxing in February 2025 FYPod's interview with Kat Abughazaleh  Tickets for our LIVE show in Austin on March 19: TheBulwark.com/Events. Exclusive $35-off Carver Mat at https://on.auraframes.com/BULWARK. Promo Code BULWARK Get 15% off OneSkin with the code BULWARK at https://www.oneskin.co/BULWARK #oneskinpod

This is what it looks like when you give Zionists everything they want. This is Zionism put into practice. The wars. The massacres. The bombed-out schools and hospitals. The millions of displaced individuals. The invasion of Lebanon The explosions carpeting Tehran. The hollowed-out moonscape of Gaza. The horrific pogroms in the West Bank. Reading by Tim Foley.

Headlines for March 16, 2026; “A Sense of Despair”: Many Iranians Fear a Prolonged War — and What Comes After; Report from Jerusalem: As Israel Keeps Bombing Iran, Palestinians Face Growing Violence in West Bank; “Mr Nobody Against Putin” Wins Oscar; Meet the Russian Teacher in Film Who Confronts State Propaganda

What makes a character so compelling that readers will forgive almost anything about the plot? How do you move beyond vague flaws and generic descriptions to create people who feel pulled from real life? In this solo episode, I share 15 actionable tips for writing deep characters, curated from past interviews on the podcast. In the intro, thoughts from London Book Fair [Instagram reel @jfpennauthor; Publishing Perspectives; Audible; Spotify]; Insights from a 7-figure author business [BookBub]. This show is supported by my Patrons. Join my Community and get articles, discounts, and extra audio and video tutorials on writing craft, author business, and AI tools, at Patreon.com/thecreativepenn This episode has been created from previous episodes of The Creative Penn Podcast, curated by Joanna Penn, as well as chapters from How to Write a Novel: From Idea to Book. Links to the individual episodes are included in the transcript below. In this episode: Master the ‘Believe, Care, Invest' trifecta, how to hook readers on the very first page Define the Dramatic Question: Who is your character when the chips are down? Absolute specificity. Why “she's controlling” isn't good enough Understand the Heroine's Journey, strength through connection, not solo action Use ‘Metaphor Families' to anchor dialogue and give every character a distinctive voice Find the Diagnostic Detail, the moments that prove a character is real Writing pain onto the page without writing memoir Write diverse characters as real people, not stereotypes or plot devices Give your protagonist a morally neutral ‘hero' status. Compelling beats likeable. Build vibrant side characters for series longevity and spin-off potential Use voice as a rhythmic tool Link character and plot until they're inseparable Why discovery writers can write out of order and still build deep character Find the sensory details that make characters live and breathe More help with how to write fiction here, or in my book, How to Write a Novel. Writing Characters: 15 Tips for Writing Deep Character in Your Fiction In today's episode, I'm sharing fifteen tips for writing deep characters, synthesised from some of the most insightful interviews on The Creative Penn Podcast over the past few years, combined with what I've learned across more than forty books of my own. I'll be referencing episodes with Matt Bird, Will Storr, Gail Carriger, Barbara Nickless, and Sarah Elisabeth Sawyer. I'll also draw on my own book, How to Write a Novel, which covers these fundamentals in detail. Whether you're writing your first novel or your fiftieth, whether you're a plotter or a discovery writer like me, these tips will help you create characters that readers believe in, care about, and invest in—and keep coming back for more. Let's get into it. 1. Master the ‘Believe, Care, Invest' Trifecta When I spoke with Matt Bird on episode 624, he laid out the three things you need to achieve on the very first page of your book or in the first ten minutes of a film. He calls it “Believe, Care, and Invest.” First, the reader must believe the character is a real person, somehow proving they are not a cardboard imitation of a human being, not just a generic type walking through a generic plot. Second, the reader must care about the character's circumstances. And third, the reader must invest in the character's ability to solve the story's central problem. Matt used The Hunger Games as his primary example, and it's brilliant. On the very first page, we believe Katniss's voice. Suzanne Collins writes in first person with a staccato rhythm—lots of periods, short declarative sentences—that immediately grounds us in a survivalist mentality. We care because Katniss is starving. She's protecting her little sister. And we invest because she is out there bow hunting, which Matt pointed out is one of the most badass things a character can do. She even kills a lynx two pages in and sells the pelt. We invest in her resourcefulness and grit before the plot has even begun. Matt was very clear that this has nothing to do with the character being “likable.” He said his subtitle, Writing a Hero Anyone Will Love, doesn't mean the character has to be a good person. He described “hero” as both gender-neutral and morally neutral. A hero can be totally evil or totally good. What matters is that we believe, care, and invest. He demonstrated this beautifully by breaking down the first ten minutes of WeCrashed, where the characters of Adam and Rebekah Neumann are absolutely not likable, but we are completely hooked. Adam steals his neighbour's Chinese food through a carefully orchestrated con involving an imaginary beer. It's not admirable behaviour, but the tradecraft involved, as Matt put it—using a term from spy movies—makes us invest in him. We see a character trying to solve the big problem of his life, which is that he's poor and wants to be rich, and we want to see if he can pull it off. Actionable step: Go to the first page of your current work in progress. Does it achieve all three? Does the reader believe this is a real person with a distinctive voice? Do they care about the character's circumstances? And do they invest in the character's ability to handle what's coming? If even one of those three is missing, that's your revision priority. 2. Define the Dramatic Question: Who Are They Really? Will Storr, author of The Science of Storytelling, came on episode 490 and gave one of the most powerful frameworks I've ever heard for character-driven fiction. He explained that the human brain evolved language primarily to swap social information—in other words, to gossip. We are wired to monitor other people, to ask the question: who is this person when the chips are down? That's what Will calls the Dramatic Question, and it's what he believes lies at the heart of all compelling storytelling. It's not a question about plot. It's a question about the character's soul. And every scene in your novel should force the character to answer it. His example of Lawrence of Arabia is unforgettable. The Dramatic Question for the entire film is: who are you, Lawrence? Are you ordinary or are you extraordinary? At the beginning, Lawrence is a cocky, rebellious young soldier who believes his rebelliousness makes him superior. Every iconic scene in that three-hour film tests that belief. Sometimes Lawrence acts as though he truly is extraordinary—leading the Arabs into battle, being hailed as a god—and sometimes the world strips him bare and he sees himself as ordinary. Because it's a tragedy, he never overcomes his flaw. He doubles down on his belief that he's extraordinary until he becomes monstrous, culminating in that iconic scene where he lifts a bloody dagger and sees his own reflection with horror. Will also used Jaws to demonstrate how this works in a pure action thriller. Brody's dramatic question is simple: are you going to be old Brody who is terrified of the water, or new Brody who can overcome that fear? Every scene where the shark appears is really asking that question. And the last moment of the film isn't the shark blowing up. It's Brody swimming back through the water, saying he used to be scared of the water and he can't imagine why. Actionable step: Write down the Dramatic Question for your protagonist in a single sentence. Is it “Are you ordinary or extraordinary?” or “Are you brave enough to love again?” or “Will you sacrifice your principles for survival?” If you can't answer this with specificity, your character might still be a sketch rather than a person. 3. Get rid of Vague Flaws, and use Absolute Specificity This was one of Will Storr's most important points. He said that vague thinking about characters is really the enemy. When he teaches workshops and asks writers to describe their character's flaw, most of them say something like “they're very controlling.” And Will's response is: that's not good enough. Everyone is controlling. How are they controlling? What's the specific mechanism? He gave the example of a profile he read of Theresa May during the UK's Brexit chaos. Someone who knew her said that Theresa May's problem was that she always thinks she's the only adult in every room she goes into. Will said that stopped him in his tracks because it's so precise. If you define a character with that level of specificity, you can take them and put them in any genre, any situation—a spaceship, a Victorian drawing room, a school playground—and you will know exactly how they're going to behave. The same applies to Arthur Miller's Willy Loman in Death of a Salesman, as Will described it: a man who believes absolutely in capitalistic success and the idea that when you die, you're going to be weighed on a scale, just as God weighs you for sin, but now you're weighed for success. That's not a vague flaw. That's a worldview you can drop into any story and watch it combust. Will made another counterintuitive point that I found really valuable: writers often think that piling on multiple traits will create a complex character, but the opposite is true. Starting with one highly specific flaw and running it through the demands of a relentless plot is what generates complexity. You end up with a far more nuanced, original character than if you'd started with a laundry list of vague attributes. Actionable step: Take your protagonist's flaw and pressure-test it. Is it specific enough that you could place this character in any situation and predict their behaviour? If you're stuck at “she's stubborn” or “he's insecure,” keep pushing. What kind of stubborn? What kind of insecure? Find the diagnostic sentence—the Theresa May level of precision. 4. Understand the Heroine's Journey: Strength Through Connection Gail Carriger came on episode 550 to discuss her nonfiction book, The Heroine's Journey, and it completely reframed how I think about some of my own fiction. Gail explained that the core difference between the Hero's Journey and the Heroine's Journey comes down to how strength and victory are defined. The Hero's Journey is about strength through solo action. The hero must be continually isolated to get stronger. He goes out of civilisation, faces strife alone, and achieves victory through physical prowess and self-actualisation. The Heroine's Journey is the opposite. The heroine achieves her goals by activating a network. She's a delegator, a general. She identifies where she can't do something alone, finds the people who can help, and portions out the work for mutual gain. Gail put it simply: the heroine is very good at asking for help, which our culture tends to devalue but which is actually a powerful form of strength. Crucially, Gail stressed that gender is irrelevant to which journey you're writing. Her go-to examples are striking: the recent Wonder Woman film is practically a beat-for-beat hero's journey—Gilgamesh on screen, as Gail described it. Meanwhile, Harry Potter, both the first book and the series as a whole, is a classic heroine's journey. Harry's power comes from his network—Dumbledore's Army, the Order of the Phoenix, his friendships with Ron and Hermione. He doesn't defeat Voldemort alone. He defeats Voldemort because of love and connection. This distinction has real practical consequences for writers. If you're writing a hero's journey and you hit writer's block, Gail said, the solution is usually to isolate your hero further and pile on more strife. But if you're writing a heroine's journey, the solution is probably to throw a new character into the scene—someone who has advice to offer or a skill the heroine lacks. The actual solutions to writer's block are different depending on which narrative you're writing. As I reflected on my own work, I realised that my ARKANE thriller protagonist, Morgan Sierra, follows a hero's journey—she's a solo operative, a lone wolf like Jack Reacher or James Bond. But my Mapwalker fantasy series follows a heroine's journey, with Sienna and her group of friends working together. I hadn't consciously chosen those paths; the stories led me there. But understanding the framework helps me write more intentionally now. Actionable step: Identify which journey your protagonist is on. Does your character gain strength by being alone (hero) or by building connections (heroine)? This will inform every plot decision you make, from how they face obstacles to how your story ends. 5. Use ‘Metaphor Families' to Anchor Dialogue and Voice One of the most practical techniques Matt Bird shared on episode 624 is the idea of assigning each character a “metaphor family”—a specific well of language that they draw from. This gives each character a distinctive voice that goes beyond accent or dialect. Matt explained how in The Wire, one of the most beloved TV shows of all time, every character has a different metaphor family. What struck him was that Omar, this iconic character, never utters a single curse word in the entire series. His metaphor family is pirate. He talks about parlays, uses language that feels like it belongs in Pirates of the Caribbean, and it creates this incredible ironic counterpoint against his urban setting. It tells us immediately that this is a character who sees himself in a tradition of people that doesn't match his immediate surroundings. Matt also referenced the UK version of The Office, where Gareth works at a paper company but aspires to the military. So all of his language is drawn from a military metaphor family. He doesn't talk about filing and photocopying; he talks about tactics and discipline and being on the front line. This tells us that the character has a life and dreams beyond the immediate scene—and it's the gap between aspiration and reality that makes him both funny and believable. He pointed out that a metaphor family sometimes comes from a character's background, but it's often more interesting when it comes from their aspirations. What does your character want to be? What world do they fantasise about inhabiting? That's where their language should come from. In Star Wars, Obi-Wan Kenobi is a spiritual hermit, but his metaphor family is military. He uses the language of generals and commanders, and that ironic counterpoint is part of what makes him feel so rich. Actionable step: Assign each of your main characters a metaphor family. It could be based on their job, their background, or—more interestingly—their secret aspirations. Then go through your dialogue and make sure each character is consistently drawing from that well of language. If two characters sound the same when you strip away the dialogue tags, this is the fix. 6. Find the Diagnostic Detail: The Diagonal Toast Avoid clichéd character tags—the random scar, the eye patch, the mysterious limp—unless they serve a deep narrative purpose. Matt Bird on episode 624 was very funny about this: he pointed out that Nick Fury, Odin, and eventually Thor all have eye patches in the Marvel Cinematic Universe. Eye patches are done, he said. You cannot do eye patches anymore. Instead, look for what I'm calling the “diagonal toast” detail, after a scene Matt described from Captain Marvel. In the film, Captain Marvel is trying to determine whether Nick Fury is who he says he is. She asks him to prove he isn't a shapeshifting alien. Fury shares biographical details—his history, his mother—but then she pushes further and says, name one more thing you couldn't possibly have made up about yourself. And Fury says: if toast is cut diagonally, I can't eat it. Matt said that detail is gold for a writer because it feels pulled from a real life. You can pull it from your own life and gift it to your characters, and the reader can tell it's not manufactured. He gave another example from The Sopranos: Tony Soprano's mother won't answer the phone after dark. The show's creator, David Chase, confirmed on the DVD commentary that this came from his own mother, who genuinely would not answer the phone after dark and couldn't explain why. Matt's practical advice was to keep a journal. Write down the strange, specific things that people do or say. Mine your own life for those hyper-specific details. You just need one per book. In my own writing, I've used this approach. In my ARKANE thrillers, my character Morgan Sierra has always been Angelina Jolie in my mind—specifically Jolie in Lara Croft or Mr and Mrs Smith. And Blake Daniel in my crime thriller series was based on Jesse Williams from Grey's Anatomy. I paste pictures of actors into my Scrivener projects. It helps with visuals, but also with the sense of the character, their energy and physicality. But visual details only take you so far. It's the behavioural quirks—the diagonal toast moments—that make a character feel genuinely alive. That said, physical character tags can work brilliantly when they serve the story. As I discuss in How to Write a Novel, Robert Galbraith's Cormoran Strike is an amputee, and his pain and the physical challenges of his prosthesis are a key part of every story—it's not a cosmetic detail, it's woven into the action and the character's psychology. My character Blake Daniel always wears gloves to cover the scars on his hands, which provides an angle into his wounded past as well as a visual cue for the reader. And of course, Harry Potter's lightning-shaped scar isn't just a mark—it's a direct connection to his nemesis and the mythology of the entire series. The rule of thumb is: if the tag tells us something about the character's interior life or connects to the plot, it's earning its place. If it's just there to make the character visually distinctive, it's probably a crutch. Game of Thrones takes character tags further with the family houses, each with their own mottos and sigils. The Starks say “Winter is coming” and their sigil is a dire wolf. Those aren't just labels—they're worldview made visible. Actionable step: Start a “diagonal toast” notebook. Every time you notice something strange and specific about someone's behaviour—something that feels too real to be made up—write it down. Then gift it to a character who needs more texture. 7. Displace Your Own Trauma into the Work Barbara Nickless shared something deeply personal on episode 732 that fundamentally changed how I think about putting pain onto the page. While starting At First Light, the first book in her Dr. Evan Wilding series, she lost her son to epilepsy—something called SUDEP, Sudden Unexplained Death in Epilepsy. One day he was there, and the next day he was gone. Barbara said that writing helped her cope with the trauma, that doing a deep dive into Old English literature and the Viking Age for the book's research became a lifeline. But here's what's important: she didn't give Dr. Evan Wilding her exact trauma. Evan Wilding is four feet five inches, and Barbara described how he has to walk through a world that won't adjust to him. That's its own form of learning to cope when circumstances are beyond your control. She displaced her genuine grief into the character's different but parallel struggle. When I asked her about the difference between writing for therapy and writing for an audience, she drew on her experience teaching creative writing to veterans through a collaboration between the US Department of Defense and the National Endowment for the Arts. She said she's found that she can pour her heartache into her characters and process it through them, even when writing professionally, and that the genuine emotion is what touches readers. We've all been through our own losses and griefs, so seeing how a character copes can be deeply meaningful. I've always found that putting my own pain onto the page is the most direct way to connect with a reader's soul. My character Morgan Sierra's musings on religion and the supernatural are often my own. Her restlessness, her fascination with the darker edges of faith—those come from me. But her Krav Maga fighting skills and her ability to kill the bad guys are definitely her own. That gap between what's mine and what's hers is where the fiction lives. Barbara also said something on that episode that I wrote down and stuck on my wall. She said the act of producing itself is a balm to the soul. I've been thinking about that ever since. On my own wall, I have “Measure your life by what you create.” Different words, same truth. Actionable step: If you're carrying something heavy—grief, anger, fear, regret—consider how you might displace it into a character's different but emotionally parallel struggle. Don't copy your exact situation; transform it. The emotion will be genuine, and the reader will feel it. 8. Write Diverse Characters as Real People When I spoke with Sarah Elisabeth Sawyer on episode 673—Sarah is Choctaw and a historical fiction author honoured by the Smithsonian's National Museum of the American Indian—she offered a perspective that every fiction writer needs to hear. The key message was to move away from stereotypes. Don't write your American Indian character as the “Wise Guide” who exists solely to dispense mystic wisdom to the white protagonist. Don't limit diverse characters to historical settings, as though they only exist in the past. Place them in normal, contemporary roles. Your spaceship captain, your forensic scientist, your small-town baker—any of them can be American Indian, or Nigerian, or Japanese, and their heritage should be a lived-in part of their identity, not the sole reason they exist in the story. I write international thrillers and dark fantasy, and my fiction is populated with characters from all over the world. I have a multi-cultural family and I've lived in many places and travelled widely, so I've met, worked with, and had relationships with people from different cultures. I find story ideas through travel, and if I set my books in a certain place, then the story is naturally populated with the people who live there. As I discuss in my book, How to Write a Novel, the world is a diverse place, so your fiction needs to be populated with all kinds of people. If I only populated my fiction with characters like me, they would be boring novels. There are many dimensions of difference—race, nationality, sex, age, body type, ability, religion, gender, sexual orientation, socio-economic status, class, culture, education level—and even then, don't assume that similar types of people think the same way. Some authors worry they will make mistakes. We live in a time of outrage, and some authors have been criticised for writing outside their own experience. So is it too dangerous to try? Of course not. The media amplifies outliers, and most authors include diverse characters in every book without causing offence because they work hard to get it right. It's about awareness, research, and intent. Actionable step: Audit the cast of your current work in progress. Have you written a mono-cultural perspective for all of them? If so, consider who could bring a different background, perspective, or set of cultural specifics to the story. Not as a token addition, but as a real person with a real life. 9. Respect Tribal and Cultural Specificity Sarah Elisabeth Sawyer on episode 673 was emphatic about one thing: never treat diverse groups as monolithic. If you're writing a Native American character, you must research the specific nation. Choctaw is not Navajo, just as British is not French. Sarah described the distinct cultural markers of the Choctaw people—the diamond pattern you'll see on traditional shirts and dresses, which represents the diamondback rattlesnake. They have distinct dances and songs. She said that if she saw someone in traditional dress at a distance, she would know whether they were Choctaw based on what they were wearing. She encouraged writers who want to write specifically about a nation to get to know those people. Go to events, go to a powwow, learn about the individual culture. She noted that a big misconception is that American Indians exist only in the past—she stressed that they are still here, still living their cultures, and fiction should reflect that present reality. I took a similar approach when writing Destroyer of Worlds, which is set mostly in India. I read books about Hindu myth, watched documentaries about the sadhus, and had one of my Indian readers from Mumbai check my cultural references. For Risen Gods, set in New Zealand with a young Maori protagonist, I studied books about Maori mythology and fiction by Maori authors, and had a male Maori reader check for cultural issues. Research is simply an act of empathy. The practical takeaway is this: if you're going to include a character from a specific cultural background, do the work. Use specific cultural details rather than generic signifiers. Sarah talked about how even she fell into stereotypes when she was first writing, until her mother pointed them out. If someone from within a culture can fall into those traps, the rest of us certainly can. Do the research, try your best, ask for help, and apologise if you need to. Actionable step: If you're writing a character from a specific culture, identify three to five sensory or behavioural details that are particular to that culture—not the generic version, but the real, researched, lived-in version. Consider hiring a sensitivity reader from that community to check your work. 10. Give Your Protagonist a Morally Neutral ‘Hero' Status Matt Bird was clear about this on episode 624: the word “hero” simply means the protagonist, the person we follow through the story. It's a functional role, not a moral label. We don't have to like them. We don't even have to root for their goals in a moral sense. We just have to find them compelling enough to invest our attention in their problem-solving. Think of Succession, where every member of the Roy family is varying degrees of awful, and yet the show was utterly compelling. Or WeCrashed, where Adam Neumann is a narcissistic con artist, but we can't look away because he's trying to solve the enormous problem of building an empire from nothing, and the tradecraft he employs is fascinating. As I wrote in How to Write a Novel, readers must want to spend time with your characters. They don't have to be lovable or even likable—that will depend on your genre and story choices—but they have to be captivating enough that we want to spend time with them. A character who is trying to solve a massive problem will naturally draw investment from the audience, even if we wouldn't want to have tea with them. Will Storr extended this idea by pointing out that the audience will actually root for a character to solve their problem even if the audience doesn't actually want the character's goal to be achieved in the real world. We don't really want more billionaires, but we invested in Adam Neumann's rise because that was the problem the story posed, and our brains are wired to invest in problem-solving. This connects to something deeper: what does your character want, and why? As I explore in How to Write a Novel, desire operates on multiple levels. Take a character like Phil, who joins the military during wartime. On the surface, she wants to serve her country. But she also wants to escape her dead-end town and learn new skills. Deeper still, her father and grandfather served, and by joining up, she hopes to finally earn their respect. And perhaps deepest of all, her father died on a mission under mysterious circumstances, and she wants to find out what happened from the inside. That layering of motivation is what turns a flat character into a three-dimensional one. The audience doesn't need to be told all of this explicitly. It can emerge through action, dialogue, and the choices the character makes under pressure. But you, the writer, need to know it. You need to know what your character really wants deep down, because that desire—more than any external plot device—is what drives the story forward. And your antagonist needs the same depth. They also want something, often diametrically opposed to your protagonist, and they need a reason that makes sense to them. In my ARKANE thriller Tree of Life, my antagonist is the heiress of a Brazilian mining empire who wants to restore the Earth to its original state to atone for the destruction caused by her father's company. She's part of a radical ecological group who believe the only way to restore Nature is to end all human life. It's extreme, but in an era of climate change, it's a motivation readers can understand—even if they disagree with the solution. Actionable step: If you're struggling to make a morally grey character work, make sure their problem is big enough and their methods are specific and interesting enough that we invest in the how, even if we're ambivalent about the what. 11. Build Vibrant Side Characters Gail Carriger made a point on episode 550 that was equal parts craft advice and business strategy. In a Heroine's Journey model, side characters aren't just fodder to be killed off to motivate the hero. They form a network. And because you don't have to kill them—unlike in a hero's journey, where allies are often betrayed or removed so the hero can be further isolated—you can pick up those side characters and give them their own books. Gail said this creates a really voracious reader base. You write one series with vivid side characters, and then readers fall in love with those side characters and want their stories. So you write spin-offs. The romance genre does this brilliantly—think of the Bridgerton books, where each sibling gets their own novel. The side character in one book becomes the protagonist in the next. Barbara Nickless experienced this firsthand with her Dr. Evan Wilding series. She has River Wilding, Evan's adventurous brother, and Diana, the axe-throwing research assistant, and her editor has already expressed interest in a spin-off series with those characters. Barbara described creating characters she wants to spend time with, or characters who give her nightmares but also intrigue her. That's the dual test: are they interesting enough for you to write, and interesting enough for readers to demand more? As I wrote in How to Write a Novel, characters that span series can deepen the reader's relationship with them as you expand their backstory into new plots. Readers will remember the character more than the plot or the book title, and look forward to the next instalment because they want more time with those people. British crime author Angela Marsons described it as readers feeling like returning to her characters is like putting on a pair of old slippers. Actionable step: Look at your supporting cast. Is there a side character who is vivid enough to carry their own story? If not, what could you add—a specific hobby, a distinct voice, a compelling backstory—that would make readers want more of them? 12. Use Voice as a Rhythmic Tool Voice is one of the most important elements of novel writing, and Matt Bird helped me think about it in a technical, mechanical way that I found really useful. He pointed out that the ratio of periods to commas defines a character's internal reality. A staccato rhythm—lots of periods, short sentences—suggests a character who is certain, grounded, or perhaps survivalist and traumatised. Katniss in The Hunger Games has a period-heavy voice. She's in survival mode. She doesn't have time for complexity or qualification. A flowing, comma-heavy style suggests someone more academic, more nuanced, or possibly more scattered and manipulative. The character who qualifies everything, who adds sub-clauses and digressions, is a different kind of person from the character who speaks in declarations. This is something you can actually measure. Pull up a passage of your character's dialogue or internal monologue and count the periods versus the commas. If the rhythm doesn't match who the character is supposed to be, you've found a mismatch you can fix. Sentence length is the heartbeat of your character's persona. And voice extends beyond rhythm to the words themselves. As I discussed in the metaphor families tip, each character should draw from a distinctive well of language. But voice also encompasses their relationship to silence. Some characters talk around the thing they mean; others say it straight. Some are self-deprecating; others are blunt to the point of rudeness. All of these choices are character choices, not just style choices. I find it useful to read my dialogue aloud—and not just to check for naturalness, but to hear whether each character sounds distinct. If you could swap dialogue lines between two characters and nobody would notice, you have a voice problem. One practical test: cover the dialogue tags and see if you can tell who's speaking from the words alone. Actionable step: Choose a key passage from your protagonist's point of view and read it aloud. Does the rhythm match the character? A soldier under fire should not sound like a philosophy professor at a wine tasting. Adjust the ratio of periods to commas until the voice feels right. 13. Link Character and Plot Until They're Inseparable Will Storr made the case on episode 490 that the number one problem he sees in the writing he encounters—in workshops, in submissions, even in published books—is that the characters and the plots are unconnected. There's a story happening, and there are people in it, but the story isn't a product of who those people are. He said a story should be like life. In our lives, the plots are intimately connected to who we are as characters. The goals we pursue, the obstacles we face, the same problems that keep recurring—these are products of our personalities, our flaws, our specific ways of being in the world. His framework is that your plot should be designed specifically to plot against your character. You've got a character with a particular flaw; the plot exists to test that flaw over and over until the character either transforms or doubles down and explodes. Jaws is the perfect example. Brody is afraid of water. A shark shows up in the coastal town he's responsible for protecting. The entire plot is engineered to force him to confront the one thing he cannot face. Will pointed out that the whole plot of Jaws is structured around Brody's flaw. It begins with the shark arriving, the midpoint is when Brody finally gets the courage to go into the water, and the very final scene isn't the shark blowing up—it's Brody swimming back through the water. Even a film that's ninety-eight percent action is, at its core, structured around a character with a character flaw. This is the standard I aspire to in my own work, even in my action-heavy thrillers. The external plot should be a mirror of the internal struggle. When those two are aligned, the story becomes irresistible. Will also made an important point about series fiction, which is where most commercial authors live. I asked him how this works when your character can't be transformed at the end of every book because there has to be a next book. His answer was elegant: you don't cure them. Episodic TV characters like Fleabag or David Brent or Basil Fawlty never truly change—and the fact that they don't change is actually the source of the comedy. But every episode throws a new story event at them that tests and exposes their flaw. You just keep throwing story events at them again and again. That's a soap opera, a sitcom, and a book series. As I wrote in How to Write a Novel, character flaws are aspects of personality that affect the person so much that facing and overcoming them becomes central to the plot. In Jaws, the protagonist Brody is afraid of the water, but he has to overcome that flaw to destroy the killer shark and save the town. But remember, your characters should feel like real people, so never define them purely by their flaws. The character addicted to painkillers might also be a brilliant and successful female lawyer who gets up at four in the morning to work out at the gym, likes eighties music, and volunteers at the local dog shelter at weekends. Character wounds are different from flaws. They're formed from life experience and are part of your character's backstory—traumatic events that happened before the events of your novel but shape the character's reactions in the present. In my ARKANE thrillers, Morgan Sierra's husband Elian died in her arms during a military operation. This happened before the series begins, but her memories of it recur when she faces a firefight, and she struggles to find happiness again for fear of losing someone she loves once more. And then there's the perennial advice: show, don't tell. Most writers have heard this so many times that it's easy to nod and then promptly write scenes that tell rather than show. Basically, you need to reveal your character through action and dialogue, rather than explanation. In my thriller Day of the Vikings, Morgan Sierra fights a Neo-Viking in the halls of the British Museum and brings him down with Krav Maga. That fight scene isn't just about showing action. It opens up questions about her backstory, demonstrates character, and moves the plot forward. Telling would be something like: “Morgan was an expert in Krav Maga.” Showing is the reader discovering it through the scene itself. Actionable step: Look at the main plot events of your novel. For each major turning point, ask: does this scene specifically test my protagonist's flaw? If not, can you redesign the scene so that it does? The tighter the connection between character and plot, the more powerful the story. 14. The ‘Maestra' Approach: Write Out of Order If you're a discovery writer like me, you may feel like the deep character work I've been describing sounds more suited to plotters. But Barbara Nickless gave me a beautiful metaphor on episode 732 that reframes it entirely. Barbara described her evolving writing process as being like a maestra standing in front of an orchestra. Sometimes you bring in the horns—a certain theme—and sometimes you bring in the strings—a certain character—and sometimes you turn to the soloist. It's a more organic and jumping-around process than linear writing, and Barbara said she's only recently given herself permission to work this way. When I told her that I use Scrivener to write in scenes out of order and then drag and drop them into a structure later, she was genuinely intrigued. And this is how I've always worked. I'll see the story in my mind like a movie trailer—flashes of the big emotional scenes, the pivotal confrontations, the moments of revelation—and I write those first. I don't know how they hang together until quite late in the process. Then I'll move scenes around, print the whole thing out, and figure out the connective tissue. The point is that discovery writers can absolutely build deep characters. Sometimes writing the big emotional scenes first is how you discover who the character is before you fill in the rest. You don't need a twenty-page character worksheet or a 200-page outline like Jeffery Deaver. You need to be willing to follow the character into the unknown and trust that the structure will emerge. As Barbara said, she writes to know what she's thinking. That's the discovery writer's credo. And I would add: I write to know who my characters are. Actionable step: If you're stuck on your current chapter, skip it. Write the scene that's burning in your imagination, even if it's from the middle or the end. That scene might be the key to unlocking who your character really is. 15. Use Research to Help with Empathy Research shouldn't just be about factual accuracy—it's a tool for finding the sensory details that create empathy. Barbara Nickless described research as almost an excuse to explore things that fascinate her, and I feel exactly the same way. I would go so far as to say that writing is an excuse for me to explore the things that interest me. Barbara and I both travel for our stories. For her Dr. Evan Wilding books, she did deep research into Old English literature and the Viking Age. For my thriller End of Days, I transcribed hours of video from Appalachian snake-handling churches on YouTube to understand the worldview of the worshippers, because my antagonist was brought up in that tradition. I couldn't just make that up. I had to hear their language, feel their conviction, understand why they would hold venomous serpents as an act of faith. Barbara also mentioned getting to Israel and the West Bank for research, and I've been to both places too. Finding that one specific sensory detail—the smell of a particular location, the specific way an expert handles a tool, the sound of a particular kind of music—makes the character's life feel lived-in. It's the difference between a character who is described as living in a place and a character who inhabits it. As I wrote in How to Write a Novel, don't write what you know. Write what you want to learn about. I love research. It's part of why I'm an author in the first place. I take any excuse to dive into a world different from my own. Research using books, films, podcasts, and travel, and focus particularly on sources produced by people from the worldview you want to understand. Actionable step: For your next piece of character research, go beyond reading. Watch a documentary, visit a location, talk to someone who lives the experience. Find one sensory detail—a smell, a sound, a texture—that you couldn't have invented. That detail will make your character feel real. Bonus: Measure Your Life by What You Create In an age of AI and a tsunami of content, your ultimate brand protection is the quality of your human creation. Barbara Nickless said that the act of producing itself is a balm to the soul, and I believe that with every fibre of my being. Don't be afraid to take that step back, like I did with my deadlifting. Take the time to master these deeper craft skills. It might feel like you're slowing down or going backwards by not chasing the latest marketing trend, but it's the only way to step forward into a sustainable, high-quality career. Your characters are your signature. No AI can replicate the specificity of your lived experience, the emotional truth of your displaced trauma, or the sensory details you've gathered from a life of curiosity and travel. Those are yours. Pour them into your characters, and they will resonate for years to come. Actionable Takeaway: Identify the Dramatic Question for your current protagonist. Can you state it in a single sentence with the kind of specificity Will Storr described? Is it as clear as “Are you ordinary or extraordinary?” or “Are you the only adult in the room?” If you can't answer it with that kind of precision, your character might still be a sketch. Give them a diagonal toast moment today. Find the one hyper-specific detail that proves they are not an imitation of life. And then ask yourself: does your plot test your character's flaw in every major scene? If you can align those two things—a precisely defined character and a plot that exists to test them—you will have a story that readers cannot put down. References and Deep Dives The episodes I've referenced today are all available with full transcripts at TheCreativePenn.com: Episode 732 — Facing Fears, and Writing Unique Characters with Barbara Nickless Episode 673 — Writing Choctaw Characters and Diversity in Fiction with Sarah Elisabeth Sawyer Episode 624 — Writing Characters with Matt Bird Episode 550 — The Heroine's Journey with Gail Carriger Episode 490 — How Character Flaws Shape Story with Will Storr Books mentioned: The Secrets of Character: Writing a Hero Anyone Will Love by Matt Bird The Science of Storytelling by Will Storr The Heroine's Journey by Gail Carriger How to Write a Novel: From Idea to Book by Joanna Penn You can find all my books for authors at CreativePennBooks.com and my fiction and memoir at JFPennBooks.com Happy writing! How was this episode created? This episode was initiated created by NotebookLM based on YouTube videos of the episodes linked above from YouTube/TheCreativePenn, plus my text chapters on character from How to Write a Novel. NotebookLM created a blog post from the material and then I expanded it and fact checked it with Claude.ai 4.6 Opus, and then I used my voice clone at ElevenLabs to narrate it. The post Writing Characters: 15 Actionable Tips For Writing Deep Character first appeared on The Creative Penn.

Combating Islamophobia is about overcoming bigotry, says UN chiefMiddle East war: UN human rights office condemns killing of Palestinian Killing of Palestinians condemned in Gaza and occupied West Bank 

As the Iran war continues, attention is fixed on missiles flying across the region. But in the occupied West Bank, missile shrapnel falls on Palestinian towns while deadly settler attacks, Israeli military raids and strict limits on daily life continue. With the world looking elsewhere, how do Palestinians in the West Bank view the Iran war, and what does life look like on the ground now? In this episode: Nour Odeh (@nour_odeh), Al Jazeera Correspondent Episode credits: This episode was produced by Chloe K. Li with Adhil Veettil Sreechand, El Houssein Chouikhat, Tuleen Barakat, and our guest host, David Enders. It was edited by Sarí el-Khalili. David Enders and Alex Roldan mixed this episode. The Take production team is Marcos Bartolomé, Sonia Bhagat, Spencer Cline, Sarí el-Khalili, Chloe K. Li, Alexandra Locke, Catherine Nouhan, Alex Roldan, and Noor Wazwaz. Our host is Malika Bilal. Alex Roldan is our sound designer. Our editorial intern is Tuleen Barakat. Our engagement producers are Adam Abou-Gad and Vienna Maglio. Andrew Greiner is lead of audience engagement. Our video editors are Hisham Abu Salah and Mohannad al-Melhem. Alexandra Locke is The Take’s executive producer. Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

Welcome to What Matters Now, a weekly podcast exploring key issues currently shaping Israel and the Jewish World, with host Amanda Borschel-Dan speaking with Einat Wilf, a former MK, author and CEO of the newly formed Oz party. Wilf describes the potential fall of the Iranian Islamic Republic's regime as a shift in the magnitude of the fall of the Soviet Union. We discuss the seismic ripple effects on Gaza and the Palestinian Authority. Wilf proposes that this moment is a window of opportunity for Israel to end the ideology of "Palestinianism" -- the end to the Jewish state -- that could quickly shut again. She talks through Israel's need to create firm civil borders of its control in the West Bank and to maintain military control of the remaining areas and have what she calls, "an active occupation." And in the final portion of our conversation, we hear why Wilf formed her new party at this time and what it stands for. And so this week, we ask Einat Wilf, what matters now. What Matters Now podcasts are available for download on Apple Podcasts, Spotify, YouTube or wherever you get your podcasts. This episode was produced by Gabriella Jacobs and edited by Ari Schlacht. IMAGE: Motorbikes drive past a billboard depicting Iran’s late Supreme Leader Ayatollah Ali Khamenei, center, handing the country’s flag to his son and successor Ayatollah Mojtaba Khamenei, right, as the late revolutionary founder Ayatollah Ruhollah Khomeini stands at left, in a square in downtown Tehran, Iran, March 10, 2026. (AP Photo/Vahid Salemi)See omnystudio.com/listener for privacy information.

Riham Jafari has heard the stories of her grandparents. The stories of a time before the Nakba when her family lived a simple existence in a village outside Jerusalem. They enjoyed farming the land and their independence.It was a “beautiful life” her grandparents said before occupation came.After the Nakba, they lived in a camp one square kilometre, crowded with nowhere for children to play.Riham was born in the Dheisheh camp near Bethlehem. Today Riham Jafari works for Action Aid and when she came to Dublin last week she spoke about the suffering of the Palestinian people in Gaza and the West Bank.On Free State today she talks to us about life under occupation, why the Occupied Territories Bill has to pass and why a two-state solution with an independent Palestine could be a reality if the world was determined to see it. Hosted on Acast. See acast.com/privacy for more information.

Wer spricht für die Juden in Deutschland? Diese Frage gewinnt immer mehr an Dringlichkeit – nicht zuletzt angesichts der von den Vereinten Nationen als humanitäre Krise beschriebenen Lage in Gaza und der Westbank[1], die auch hierzulande eine ethische Standortbestimmung verlangt. Der Zentralrat der Juden tritt seit Jahrzehnten als politische Stimme des organisierten Judentums[

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comEli is a journalist and an old friend. He's a former senior national security correspondent for The Daily Beast and Newsweek, and a former columnist for the Bloomberg View. He's now a reporter for The Free Press, a contributing editor at Commentary Magazine, and the host of his own podcast, Breaking History. He's one of the most dogged defenders of Israel in America. Who better to slug it out with?For two clips of our convo — on the double standard of US aid to Israel and NATO, and escalation of settlements in the West Bank — head to our YouTube page.Other topics: Eli's speech at his bar mitzvah on Jewish views of nuclear proliferation; his Zionist sleepaway camp; the Iran-Contra affair; the Oslo Accords; the Second Intifada; Saddam and WMDs; mugged by the reality of the Iraq War; the rise of Hamas in Gaza; the Obama-Netanyahu feud; the Iran nuclear deal; Schumer's commitment to Israel; the Golden Dome; Israel's contributions to the US; the horrors of October 7; the Judeo-fascists in Bibi's cabinet; US bombs sent to the IDF for Gaza; the 12-Day War that “obliterated” Iran's nuke facilities; the mass slaughter of protesters in Iran; the shifting reasons for the current war; the lack of any public debate or Congressional approval; the farce of Hegseth; Witkoff and Kushner's “negotiations” with Iran; international law; assassinating the leadership in Iran; Lindsey Graham's fanaticism; Tucker Carlson; the dead schoolgirls; oil prices; and evangelical support for Israel.Browse the Dishcast archive for an episode you might enjoy. Coming up: Matt Goodwin on the political earthquake in the UK, Jeffrey Toobin on the pardon power, Derek Thompson on abundance, Jonah Goldberg on the state of conservatism, Tom Holland on the Christian roots of liberalism, Tiffany Jenkins on privacy in a liberal democracy, and Adrian Wooldridge on “the lost genius of liberalism.” As always, please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

In this episode of Occupied Thoughts, FMEP President Lara Friedman speaks with Ramallah-based Palestinian journalist/analyst/commentator Nour Odeh. Nour is an independent media professional and communications consultant with 20 years of experience as a distinguished journalist. In 2012, Ms. Odeh became Palestine's first female government spokesperson and she served in various capacities as a senior communications and public diplomacy advisor to the Palestinian leadership. She writes opinion and analysis in English and Arabic and is a regular guest in international news outlets. In this far-ranging conversation, Lara and Nour discuss the situation in the West Bank today; trends in West Bank settler and IDF terror and ethnic cleansing dating from before 10/7/23, escalating through 2.5 years of genocide, and now escalating again during the Israeli-U.S. war on Iran; the situation in Jerusalem and the Harm al-Sharif; the implementation of Israel's Gaza playbook in Lebanon and Iran; the role of the international community; the state of Palestinian domestic politics and the national movement for Palestinian rights and self-determination; and how all of this is playing out with respect to grassroots attitudes and activism around the globe.

Shane welcomes Rev. Gerlyn Henry, an Anglican priest. They discuss differences, her formation away from “Not of This World” individualism toward neighbor-centered faith, and her deepening solidarity with Palestinians through learning about the Nakba, meeting Palestinians, and traveling in the West Bank and Jerusalem. Connect with Gerlyn @rev.gerlynhenry @gerlynhenry Connect with RLC • Help sustain the work of RLC: www.redletterchristians.org/donate/  • To check out what RLC is up to, please visit us www.redletterchristians.org   • Follow us on Twitter: @RedLetterXians  • Instagram: @RedLetterXians  • Follow Shane on Instagram: @shane.claiborne  • Twitter: @ShaneClaiborne 

Comprehensive coverage of the day's news with a focus on war and peace; social, environmental and economic justice. Image by Orijentolog under Creative Commons Attribution-Share Alike 3.0 Unported license UN Security Council condemns Iran attacks on gulf nations, as official says bad actors are learning new ways to kill people; Radio Havana Cuba reports on humanitarian crisis amid US oil embargo; Rep. Min (D-CA) says ICE lying about conditions in detention after visit to Adelanto detention center; Striking Dublin teachers cite class size, pay as issues, school district says union asking too much amid budget shortfall; UN blasts rising violence, displacements in occupied West Bank amid settler violence; UN humanitarian chief Fletcher says past 2 weeks show “we're living in a time of brutality, a time of impunity and a time of indifference”, urges world to “spend a little bit less on weapons this year and a little bit more on doing something extraordinary and world-changing” The post UN condemns Iran attacks on gulf nations as official says bad practices spreading across crises; CA rep says ICE lying about conditions after visit to Adelanto detention center – March 11, 2026 appeared first on KPFA.

Welcome to What Matters Now, a weekly podcast exploring key issues currently shaping Israel and the Jewish World, with host Amanda Borschel-Dan speaking with Einat Wilf, a former MK, author and CEO of the newly formed Oz party. Wilf describes the potential fall of the Iranian Islamic Republic's regime as a shift in the magnitude of the fall of the Soviet Union. We discuss the seismic ripple effects on Gaza and the Palestinian Authority. Wilf proposes that this moment is a window of opportunity for Israel to end the ideology of "Palestinianism" -- the end to the Jewish state -- that could quickly shut again. She talks through Israel's need to create firm civil borders of its control in the West Bank and to maintain military control of the remaining areas and have what she calls, "an active occupation." And in the final portion of our conversation, we hear why Wilf formed her new party at this time and what it stands for. And so this week, we ask Einat Wilf, what matters now. What Matters Now podcasts are available for download on Apple Podcasts, Spotify, YouTube or wherever you get your podcasts. This episode was produced by Gabriella Jacobs and edited by Ari Schlacht. IMAGE: Motorbikes drive past a billboard depicting Iran’s late Supreme Leader Ayatollah Ali Khamenei, center, handing the country’s flag to his son and successor Ayatollah Mojtaba Khamenei, right, as the late revolutionary founder Ayatollah Ruhollah Khomeini stands at left, in a square in downtown Tehran, Iran, March 10, 2026. (AP Photo/Vahid Salemi)See omnystudio.com/listener for privacy information.

Middle East strikes on Iranian petrol stores prompts WHO alertCondemnation for latest occupied West Bank killings: UN rights officeRefugee women's rights trail far behind men's, warns UNHCR

Send a textMai Shaheen is a Palestinian peace activist and therapist who uses nonviolent communication in her work with victims of trauma.  In a conversation both frank and inspirational, she talks  about how nonviolent dialogue brings Israelis, Palestinians and internationals together for healing, solidarity and nonviolent action.  A founder of the Satyam Homeland Peace Center in the Occupied West Bank, she discusses the growing number of Palestinians and Israelis taking action together even as conditions in the West Bank worsen for Palestinians. 

Two veteran journalists set out to document Israel's destruction of Gaza's health care system: hospitals attacked, medical workers killed, doctors detained and held for long periods without criminal charges. The BBC had commissioned the film. But their Palestinian sources in Gaza and the West Bank were skeptical. “We really had to try and persuade them…to talk to us because they didn't—and don't—trust the BBC,” says reporter Ramita Navai. One source doubted the BBC would air the film. “And I was quite shocked he felt that way,” says reporter Ben de Pear. “But actually, he was 100 percent right.”Over the last couple of years, big media organizations have been criticized—from the left and the right—about their coverage of the war in Gaza. But it's rare to get the chance to peel back the curtain to see what exactly was happening inside one of those organizations to learn whether political pressure played a role in journalistic decision-making.This week on Reveal, we're partnering with the KCRW podcast Question Everything to tell the story of a film the BBC wouldn't air and what it says about the future of journalism. Support Reveal's journalism at Revealnews.org/donatenow Subscribe to our weekly newsletter to get the scoop on new episodes at Revealnews.org/weekly Connect with us on Bluesky, Facebook and Instagram Learn about your ad choices: dovetail.prx.org/ad-choices

Ralph welcomes sociologist and historian Behrooz Ghamari-Tabrizi to discuss the United States' war of aggression on Iran.Behrooz Ghamari-Tabrizi is an Iranian-born American historian and sociologist. He is a Research Fellow at the Center for Place, Culture, and Politics at the CUNY Graduate Center. He was the Chair of the Department of Near Eastern Studies and Director of the Sharmin and Bijan Mossavar-Rahmani Center for Iran and Persian Gulf Studies at Princeton University. He is the author of four books on different aspects and historical context of the Iranian revolution of 1979 and its aftermath.The only countries that I see that are in constant violation of international law is the United States and Israel. And frankly, I am speechless, although I'm speaking, but I am speechless—in what universe can this war be justified as self-defense? You listened to Secretary Rubio's speech in Munich where he laments 400 years of colonial rule being lost to this international law and laws of fighting wars because they want to go back to the way things were in the 18th and 19th century. This is a naked expansionist, extortionist administration here, and that's the only reason they have launched this war, and there is absolutely no justification for it.Behrooz Ghamari-TabriziFor years and years, the Israelis have been assassinating Iranian scientists. They were sabotaging Iranian industries. And actually, the Iranian government showed tremendous restraint in responding to these Israeli provocations because they didn't want to create the situation in which we find ourselves today. But then at the end of the day, calling Iran the aggressor here I think is a total ignorance of history and the context in which this war has started.Behrooz Ghamari-TabriziAll these things are not to suggest that the Iranian government in any form or shape is a democratic and just state. But the question here is about the sovereignty of the Iranian state. And the only inheritance of the revolution that has been kept throughout these forty-odd years was the question of sovereignty. Because that was one of the demands of the revolution. The question of social justice was thrown out of the window after the revolution. The question of civil liberties was thrown out of the window after the revolution. The only thing that is left is Iranian sovereignty. And according to every single intelligence study, what Iranians do outside their borders is a defensive posture. Iran does not have an expansionist agenda.Behrooz Ghamari-TabriziNews 3/6/26* Last week, Bill and Hillary Clinton testified before the House Oversight Committee on their respective relationships with financier and sexual predator, Jeffrey Epstein. Hillary Clinton, in a deposition described as contentious, maintained that she had virtually zero connections with Epstein, stating at one point “I am so tired of answering that question,” per PBS. Former President Bill Clinton meanwhile, tried to downplay his relationship with Epstein, describing it as “cordial,” and claiming that he had come to an arrangement with Epstein where the financier provided his private jet for humanitarian trips in exchange for Clinton discussing politics and economics with him. The committee pressed Clinton on this point, noting that Epstein visited the White House numerous times during Clinton's presidency and that there are photos of the two men shaking hands. Clinton told lawmakers he “did not recall those interactions.” These answers leave much to be desired.* Meanwhile, another Epstein associate occupies the Oval Office today – Donald Trump – and on February 26th the Wall Street Journal reported that the Department of Justice, under the stewardship of Attorney General Pam Bondi, has been withholding interviews with a woman who accused President Donald Trump of sexual assault back in the 1980s. As the Journal writes, the suppression of this interview “raises new questions about the Justice Department's handling of the Epstein files release and the pages that have been kept private.” The Journal adds that “Trump officials initially opposed the release of the files and then fumbled their response, including inconsistent redactions that exposed dozens of Epstein victims and initially kept some prominent men's names hidden.” However, on March 5th, POLITICO reported that the FBI has now published a trio of FBI interviews with the woman who accused the president of sexually assaulting her in collusion with Jeffrey Epstein. Trump and his allies categorically deny any wrongdoing on the part of the president, with White House press secretary Karoline Leavitt calling the allegations “completely baseless…backed by zero credible evidence, from a sadly disturbed woman who has an extensive criminal history.” This story also highlights what is sure to be the next flashpoint in this saga: on Wednesday, a House committee voted to subpoena Attorney General Pam Bondi to testify about her handling of the Epstein files.* Turning to media news, last week we covered how Paramount-Skydance, led by the Ellison family and backed by the Trump administration, outmaneuvered Netflix to close a deal acquiring Warner Bros. Discovery – including CNN. Throughout this process, many have raised the alarm that if the Ellisons were to get their hands on CNN, they would turn it over to their ideological attack dog, Bari Weiss, as they did with CBS News. Variety is now echoing those concerns, reporting that “It's expected that Weiss will have a big role in steering CNN.” Just what exactly this role will be remains to be seen, but given her tenure as editor-in-chief of CBS News, there is much cause for concern.* In related news, Variety reports Warner Bros. Discovery CEO David Zaslav has filed to sell 4,004,149 shares – over $114 million worth of stock – in the company following the announcement of the sale to Paramount, including Paramount's eye-popping offer of $31 per share. Zaslav retains additional stock and options which he could cash out as the deal moves forward. Curiously, even as the Trump administration backed the Paramount buyout over the Netflix deal, the president himself continues to bank on the fiscal stability of the streaming giant, with the Hollywood Reporter documenting that Trump bought between $600,000 and $1.25 million worth of Netflix debt in January, adding to the $500,000 to $1 million in Netflix bonds that he purchased in December. This story notes that while the Netflix-Warner deal fell through, Netflix walked away with a $2.8 billion “break-up fee,” and an investment grade credit rating, unlike both WBD and Paramount.* Looking at domestic politics, this week primaries were held in Texas and North Carolina which yielded the nomination of James Talarico in Texas, beating out Congresswoman Jasmine Crockett for the Democratic nod, and the razor thin victory of incumbent Valerie Foushee over her progressive challenger Nida Allam in the Durham-Chapel Hill region. But many more primary battles lay ahead, perhaps the most interesting of which is unfolding in Maine, where the Bernie Sanders-backed veteran-turned-oysterman Graham Platner is duking it out with Chuck Schumer's preferred candidate, outgoing Governor Janet Mills. Platner, despite damaging stories, has continued to draw massive crowds and enjoys a huge polling advantage. Last week, Platner's allies, led by United Autoworkers President Shawn Fain, staged a sort of intervention with Schumer, with Fain lambasting the “shortcomings” in Democratic leaders' approach to the 2026 midterms, “particularly their failure to adequately listen to working-class voters.” Michael Monahan, a high-level official in the International Brotherhood of Electrical Workers, also sent a letter to the Democratic Senate Campaign Committee strongly urging the DSCC to “refrain from intervening further in [the Maine] primary.” A mid-February independent poll found Platner with a 38-point lead over Mills among likely Democratic primary voters, yet the party continues to back Mills to the hilt. This from NBC.* Our remaining stories this week concern foreign affairs. First, in South Africa, it seems the forces of the Left are looking to pool their support by entering into a political alliance. According to TimesLIVE, a prominent South African online newspaper, the country's largest standalone Left party, the Economic Freedom Fighters (EFF) has convened with the South African Communist Party (SACP) to discuss such an electoral pact. The SACP has long participated in a tripartite alliance with the African National Congress party (ANC), which has ruled South Africa since the end of Apartheid, but recently announced they would contest elections independently. The EFF and SACP emphasized that their priorities align on the “deep crises confronting South Africa: de-industrialisation, austerity-driven fiscal consolidation, collapsing energy security, mass unemployment, and extreme poverty.”* In another major political realignment, the Green Party of England and Wales is surging as the Labour Party, under the centrist leadership of Prime Minister Keir Starmer, continues to lose ground to the Nigel Farage-led far right party, Reform UK. The rise of the Green Party has been bubbling for some time, as progressive voters feel betrayed by Labour and the momentum behind Jeremy Corbyn's “Your Party” has fizzled, but the first major test occurred recently in the Labour stronghold riding of Groton and Denton in Greater Manchester. According to the BBC, this marks the first ever win for the Greens in a by-election, with 34-year-old plumber Hannah Spencer becoming the party's first ever MP in northern England. Reform ran second, with Labour dropping by 25% into third place. Moreover, Zeteo reports the Greens have leapfrogged ahead of Labour in national polling, second only to Reform and has become the single most popular party among voters under 50. For the past five months, the Greens have been led by self-described “eco-populist” Zack Polanski, and have espoused policies including giving councils the power to control rents, extending free school meals to all children, and imposing a new ‘wealth tax' on assets above £10m.* In Congress, Representative Ro Khanna has introduced the West Bank Human Rights Resolution to Condemn Israeli Settlement Expansion. This resolution is described as utilizing far more specific language to condemn “Israeli settler violence and referencing potential sanctions tools while also calling for a review of US policies that may indirectly subsidise settlement activity,” per the Middle East Eye. In part, this resolution is a response to the Israeli government's February 8th approval of “sweeping changes to land registration and civil control in Areas A and B of the West Bank, which Palestinians say breach the Oslo Accords and advance de facto annexation.” This resolution was drafted in conjunction with Cameron Kasky, the survivor of the 2018 Marjory Stoneman Douglas High School shooting who has become a leading activist on rights for Palestinians in Gaza and the West Bank. In a statement upon the introduction of this resolution, Kasky wrote “this is a necessary measure for Democrats and Republicans to unite behind the upholding of international law. Democrats and Republicans can agree that U.S. taxpayer money being used to subsidize the violation of international law is an outrage.”* Our final two stories concern the U.S. attacks on Iran. First, a bizarre sequence of conflicting claims between the U.S. and Spain have left many observers puzzled. First, on March 3rd, Spanish Prime Minister Pedro Sánchez addressed the Iberian nation, saying “Very often great wars start with a chain of events spiralling out of control due to miscalculations, technical failures, and unforeseen circumstances. Therefore, we must learn from history and cannot play Russian roulette with the fate of millions.” Sánchez warned of “repeating the mistakes of the past,” and drew a comparison with the invasion of Iraq, concluding his government's position is “No to war,” per CNBC. More pointedly, the Spanish government prevented two jointly operated bases in its territory from being used in the strikes on Iran. Trump responded on the 4th by vowing to cut off all trade with Madrid, saying “Spain has been terrible…We don't want anything to do with Spain.” Then, on March 5th, Karoline Leavitt told the press that “With respect to Spain, I think they heard the president's message yesterday loud and clear, and it's my understanding, over the past several hours, they've agreed to cooperate with the U.S. military.” Yet, the Spanish Foreign Minister Jose Manuel Albares immediately responded that “The Spanish government's position on the war in the Middle East ... and the use of our bases has not changed at all.” This also from CNBC. Trump's threat to cut off trade with Spain would be difficult to follow through on, given that the 27 nations in the European Union negotiate trade agreements collectively,* Finally, far from assuaging concerns about the attacks on Iran leading to blowback, the Hill reports that, when asked during a phone call with Time magazine about whether Americans should be worried about a potential strike on the homeland, Trump replied, “I guess.” Trump went on to say “We think about it all the time. We plan for it. But yeah…we expect some things…some people will die. When you go to war, some people will die.” Stunningly, despite Trump openly declaring that we are at war with Iran sans congressional authorization and even casually admitting Americans could be killed on home soil, the feckless Congress has voted down War Powers resolutions in the House and Senate. In the upper house, the bill introduced by Democratic Senator Tim Kaine of Virginia, failed 47-53, with Senator Rand Paul of Kentucky crossing party lines to support it while Senator John Fetterman of Pennsylvania crossed party lines to vote nay, per the AP. A similar measure in the House, introduced by Reps. Ro Khanna and Thomas Massie – the duo behind the Epstein Files Transparency Act and other war powers resolutions including on Venezuela – failed by a vote of 212-219. In addition to Massie, Republican Rep. Warren Davison of Ohio voted in favor of the resolution, while four House Democrats voted nay, per Axios. Again the question is presented to us, if this won't shock Congress to action, what will?This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

The apocalyptic cruelty and dumbshittery of the US/Israel attacks on Iran are biblical - no, really. Meanwhile, attacks on Lebanon, Gaza and the West Bank continue. How far is too far, and who will stop the genociders when it's clear they'll never stop themselves? Meanwhile on the homefront, Idiocracy is a manual - pride in an arrogant ignorance has perhaps never been higher.    leecamp.net artkillingapathy.com

One week into the United States and Israel's war on Iran, and the messaging coming from the White House is consistently chaotic and contradictory. From regime change and nuclear threat to preemptive attack - the Trump administration is struggling to juggle its narrative. And while the mainstream media is working overtime to legitimise the Trump-Netanyahu war at home, Americans remain unconvinced. Contributors:  Negar Mortazavi – Host, The Iran Podcast Samira Mohyeddin – Host, On the Line Media Antony Loewenstein – Author, The Palestine Laboratory Borzou Daragahi – Writer, badlands, Substack On our radar Voices within the Iranian diaspora that support the US-Israeli bombing campaign are being given a disproportionate amount of airtime across Western mainstream media. One of the most prominent figures is Reza Pahlavi, the exiled son of Iran's former shah, who has presented himself as someone who could “lead the transition” to a new government in Tehran. Meenakshi Ravi looks at how the one-sided coverage lends credibility to the war. Reporting under fire in the West Bank With the eyes of the world focused on Gaza and now Iran, far too little attention has been paid to another territory where Israel exercises near-total control: the occupied West Bank. Israel has intensified its policy of fragmenting the territory, carving it up and expanding control over the land. Journalists in the occupied West Bank have seen their movement severely restricted by hundreds of new checkpoints and barriers. And they face the constant threat of soldiers who are more aggressive and settlers who - protected by the army - are more emboldened and violent than ever. One of those journalists is Ameed Shehade, a correspondent for Al Araby TV, whose unflinching reporting frequently places him directly in harm's way. Featuring: Ameed Shehade – West Bank correspondent, Al Araby TV

Mike Dawes and some of the Westbank crew reflect on their most recent adventure to Australia. Westbank Anglers guide Jimmie Cheers is introduced, followed by a recap of an amazing trip with the Aussie Fly Fisher. Permit to Crocs, fishing rigs to Dingos, sit back and enjoy a trip to the Down Under. 

While the Iranian regime “by and large, needed to be punished” and “did not deserve any mercy,” according to former Prime Minister Ehud Olmert, it is possible that “a little bit more flexibility” in the negotiations for a nuclear agreement leading up to the U.S.-Israel assault might have meant they “would have resulted in a different way.” Olmert made his remarks in a dialogue with Haaretz Global Editor Noa Landau, featured in a plenary at the J Street Convention in Washington D.C. – and coinciding with the initial days of the U.S.-Israel war with Iran. Olmert expressed satisfaction that U.S. President Donald Trump pushed back on remarks from prominent Republicans that Israel pushed the US into the war and “did not pretend to say that he was fighting for us. He said in the most explicit manner: ‘They are American enemies. This is an American war. I'm fighting for America, and I had to do it for America.’ No one saved Israel, or no one got mixed up in a war in order to save Israel.” In his dialogue with Landau, Olmert also discussed the Israeli-Palestinian peace initiative he is pursuing with former Palestinian Authority foreign minister Dr. Nasser al-Kidwa to “move forward into entirely new realities on the basis of cooperation and mutual respect and compromise and compassion.” He harshly condemned the ongoing and record-setting settler violence in the West Bank as “obnoxious” and “heartbreaking.” Speaking out against such actions, he added, "is essential if you want, as a Jew, not to be linked to these actions. You have to speak up.” Read more: 'I Might Have Forced Israel's Hand': Trump Denies Israel Dragged U.S. Into Iran War After Rubio Comments Draw Ire As Israeli Defense Officials Push for a Long Offensive, Trump Still Has Doubts 'Both Sides Are Tired of War': Former PM Ehud Olmert Makes Two-state Proposal With Former Palestinian Minister Police Report Average of Four Daily Incidents of West Bank Settler Violence in Early 2026 The latest reporting on West Bank settler violenceSee omnystudio.com/listener for privacy information.

The issue which has, more than any other, shown the depth of hypocrisy in the international rules based order is Palestine. In Gaza, the world watched a genocide in real time. Despite massive global protests, the machine rolled on – yet Palestinians remain hopeful. Host Nick Dearden speaks with Omar Barghouti, founder of the BDS (Boycott, Divest, Sanctions) Movement and the Palestinian Campaign for the Academic and Cultural Boycott of Israel, and a recipient of the Gandhi Peace Award. They discuss the source of hope in the face of ongoing atrocities, the continued devastation post-ceasefire, and what Trump's approach to Greenland and Gaza means for the world order. In This Episode Hope as a duty to future generations The ceasefire as a means to continue genocide with less media coverage — and how complicit media outlets inadvertently contributed to continued solidarity by causing people to seek out alternate, direct coverage from the beginning Israel's use of genocide in Gaza as a smokescreen for unprecedented brutality in the West Bank, including the destruction of refugee camps Israel's policy of brutality toward Palestinian political prisoners in the West Bank The links between the genocide in Gaza and corruption in the colonial West Trump's goal of undermining the United Nations with his ‘Board of Peace' The history, evolution, and success of the BDS movement – and what's next Why solidarity begins with ending complicity Boycott, Divest Sanction MovementBDS MovementFacebook: @BDSNationalCommitteeInstagram: @bds.movementTwitter/X: @bdsmovementTikTok: @bds.movementFeatured Organisation: Na'amodNa'amodFacebook: @NaamodUKInstagram: @NaamodUKTwitter/X: @NaamodUKABOUT THE PODCASTCOUNTER•POWER is brought to you by Stop Trump Coalition, Another Europe Is Possible and Global Justice Now, three organisations at the centre of the new global resistance. This podcast isn't just about chatting and conversation — it's about turning ideas into action and building real community power. That's why we have a simple pledge to you, our audience. On every single episode we'll leave you with something you can do to catalyse change. Whether it's the latest big ideas or the movements you need to check out, you'll find them on COUNTER•POWER. But we need your help to launch this project. We need £8,000 to catapult COUNTER•POWER into the podcasting sphere with the aim of making it self-sustaining in the future.The funds will cover high-quality production – including sound and visuals – as well as consistent editorial quality, all of which are essential to creating the kind of impactful podcast we're aiming for.Any donation – big or small – can help us get there. Thank you for your support.DONATE HEREFollow Us Instagram@anothereuropeispossible@globaljusticenow @ukstoptrumpTikTok@global.justice.now@uk.stop.trump.coaTwitter / X @Another_Europe@GlobalJusticeUK@UKStopTrumpMusic(cc): Intro R&B instrumental loop, Mcgrogo (Freesound.org)

In this episode of Occupied Thoughts, FMEP President Lara Friedman speaks with author and scholar Dr. Nathan J. Brown about his recent article, For Younger Palestinians, Crisis Has Become a Way of Life. -Dr. Brown's bio: https://carnegieendowment.org/people/nathan-j-brown -the article: https://carnegieendowment.org/research/2026/02/youth-palestine-west-bank-crisis

//The Wire//2000Z March 3, 2026// //ROUTINE// //BLUF: DRONE AND MISSILE ATTACKS CONTINUE THROUGHOUT THE PERSIAN GULF. SAUDI FORCES DEPLOY TO QUELL RIOTS IN BAHRAIN. MAJOR OIL FACILITIES SHUT DOWN THROUGHOUT MIDDLE EAST DUE TO STRIKES. ISRAEL LAUNCHES GROUND INVASION OF LEBANON.// -----BEGIN TEARLINE-----  -International Events-Middle East: The Gulf War continues as Iranian forces begin shifting to strategic targets. Most of the drone/missile attacks overnight targeted oil production facilities, such as the Fujairah Industrial Zone in the UAE, which has been taken offline. Otherwise, the attacks on American installations continue, with the American Embassy in Riyadh being hit multiple times by drones overnight.Bahrain: Significant riots have broken out around the country, as the majority-Shia population begins expressing dissent with the Sunni government, and more specifically the American presence within the nation. Saudi Forces crossed the bridge this morning with anti-riot forces to help quell the more kinetic protests, which have become intense over the past 24 hours.Analyst Comment: Politics in Bahrain were complicated before the war, as the population is mostly Shia (and aligned with the Ayatollah), but the country is ruled by a Kingdom that is Sunni. Even before the shooting started the situation was tenuous at best, and the assassination of the Ayatollah might have been the spark needed to kick off a civil conflict within the island nation. This is a complicating factor for the United States, as Bahrain has long served as a major Center of Gravity for American combat power in the region. Now that some locals are getting rowdy (and are also aligned with Iran), this will make things more difficult.Lebanon: This morning Israeli forces launched a ground invasion in the south, opening up another front so as to seize terrain along the border. Lebanese Army forces have withdrawn from the border as Israeli units advance.Analyst Comment: It is not clear as to if this is a legitimate, full-scale ground invasion, or limited border incursions that Israel is known to do throughout southern Lebanon. So far, Israeli forces haven't crossed their limit of advance set during the height of the conflict two years ago.United Kingdom: A stabbing attack was reported in Edinburgh, which resulted in a standoff lasting several hours yesterday afternoon. One unidentified assailant began stabbing people an apartment building, which resulted in two people being wounded. After the attack, the suspect fled into the apartment building, which resulted in a standoff situation that lasted seven hours. Eventually, police were able to breach the building and detain the suspect.Separately, in Birmingham a different stabbing attack was captured on film this morning, which involved an assailant stabbing a man on the street outside a Catholic school in Alum Rock. This attacker was arrested at the scene, and very few details remain public regarding his identity.-----END TEARLINE-----Analyst Comments: Yesterday afternoon the US State Department published the list of nations that Americans should evacuate from, which includes the entire Middle East. The "depart now" order has been issued for the nations of: Bahrain, Egypt, Iran, Iraq, Israel, West Bank, Gaza, Jordan, Kuwait, Lebanon, Oman, Qatar, Saudi Arabia, Syria, the UAE, and Yemen.However, the US State Department has stated that Americans are on their own regarding evacuations. Even though the start of this combat operation was easily predicted down to the exact day (and nearly the exact hour) that it began, the United States somehow believes that they needed to maintain the element of surprise. The State Department believed that if they made attempts to evacuate the Middle East before the attack, the world would know that the war was imminent. This is also why many American bases appea

Among the many people I met, there was a pervasive feeling of hopelessness and a sense that resistance is slowly becoming a memory By Ewen MacAskill. Read by Greg Stylianou-Burns. Help support our independent journalism at theguardian.com/longreadpod

Subscribe now for the full episode and access to all of our breaking news specials. Danny and Derek welcome back to the show Séamus Malekafzali to talk about the assassination of Ayatollah Ali Khamenei, Iran's temporary leadership council and uncertainty around succession, continued U.S.–Israeli escalation and Iranian counterstrikes, the absence of a coherent American endgame beyond capitulation and regime change, and Israel's use of the war to intensify restrictions and violence in Gaza and the West Bank. Recorded early Sunday afternoon, March 1, 2026 Learn more about your ad choices. Visit megaphone.fm/adchoices

Early on Saturday morning, the US and Israel launched a wave of attacks on Iran, killing the supreme leader Ayatollah Khamenei. Iran has retaliated, with strikes reported in the UAE, Qatar and across the region. But will Trump get his regime change or could Iran become just another failed state? And is the middle east on the brink of all-out war?Our listener survey is live - find it here. This podcast was brought to you thanks to the support of readers of The Times and The Sunday Times. Subscribe today: http://thetimes.com/thestoryGuests:Gabrielle Weiniger, Israel, the West Bank and Gaza correspondent, The Times.Sir Peter Westmacott, formerly Britain's Ambassador to the United States of America, and Britain's political secretary, Tehran.Host: Manveen Rana.Producers: Olivia Case and Sophie McNulty.We want to hear from you - email: thestory@thetimes.comRead more: Iran latest: UK plans mass Middle East evacuation as Tehran strikes backFurther listening: Four years of war: can Ukraine continue to deny Putin?Clips: The White House / YouTube, CBS, Truth Social, ABC, BBC, The Times. Photo: Getty Images.This podcast was brought to you thanks to subscribers of The Times and The Sunday Times. To enjoy unlimited digital access to all our journalism subscribe here. Hosted on Acast. See acast.com/privacy for more information.

Subscribe now to skip the ads and get all of our episodes. Warner Brothers shamefully won't consider Danny and Derek's aggressive offer. In this week's news: U.S.-Iran nuclear talks resume in Geneva amid reports that the White House is weighing strike options (0:54), plus Trump claims in his State of the Union that Iran is building nuclear weapons and intercontinental ballistic missiles (9:58); on the fourth anniversary of the Ukraine invasion, the EU fails to advance new Russia sanctions and a Ukraine loan package due to Hungarian interference (12:28); fighting again intensifies in the eastern DRC (15:53); Mexican authorities kill alleged cartel leader El Mencho, triggering widespread violence (18:49); the Committee to Protect Journalists reports a record number of media workers killed in 2025, mostly killed by Israel (22:07); the UAE backs construction of Israeli-controlled camps in Rafah (23:25); the U.S. extends consular services to West Bank settlements (25:34); the so-called Islamic State declares a “new phase” of operations in Syria (27:37); Pakistan launches cross-border strikes into Afghanistan amid renewed tensions (29:16); the RSF massacres civilians in North Darfur (31:44); a diplomatic spat erupts between Washington and Paris over rhetoric on left-wing violence (33:22); Cuba faces a firefight off its coast and limited U.S. easing of fuel restrictions for private firms (35:44); Trump proposes sending a hospital ship to Greenland (38:51); and the Supreme Court overturns Trump's tariffs as the administration moves to reimpose duties via alternative means (41:14). Grab a copy of Danny and Michael Brenes' edited volume Cold War Liberalism: Power in a Time of Emergency. Use the discount code BESSNER26. Learn more about your ad choices. Visit megaphone.fm/adchoices

Warner Brothers shamefully won't consider Danny and Derek's aggressive offer. In this week's news: U.S.-Iran nuclear talks resume in Geneva amid reports that the White House is weighing strike options (0:54), plus Trump claims in his State of the Union that Iran is building nuclear weapons and intercontinental ballistic missiles (9:58); on the fourth anniversary of the Ukraine invasion, the EU fails to advance new Russia sanctions and a Ukraine loan package due to Hungarian interference (12:28); fighting again intensifies in the eastern DRC (15:53); Mexican authorities kill alleged cartel leader El Mencho, triggering widespread violence (18:49); the Committee to Protect Journalists reports a record number of media workers killed in 2025, mostly killed by Israel (22:07); the UAE backs construction of Israeli-controlled camps in Rafah (23:25); the U.S. extends consular services to West Bank settlements (25:34); the so-called Islamic State declares a “new phase” of operations in Syria (27:37); Pakistan launches cross-border strikes into Afghanistan amid renewed tensions (29:16); the RSF massacres civilians in North Darfur (31:44); a diplomatic spat erupts between Washington and Paris over rhetoric on left-wing violence (33:22); Cuba faces a firefight off its coast and limited U.S. easing of fuel restrictions for private firms (35:44); Trump proposes sending a hospital ship to Greenland (38:51); and the Supreme Court overturns Trump's tariffs as the administration moves to reimpose duties via alternative means (41:14).Grab a copy of Danny and Michael Brenes' edited volume Cold War Liberalism: Power in a Time of Emergency. Use the discount code BESSNER26.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On this week's Defense & Aerospace Report Washington Roundtable, Dr. Patrick Cronin of the Hudson Institute think tank, Michael Herson of American Defense International, former DoD Europe chief Jim Townsend of the Center for a New American Security, and Pentagon comptroller Dr. Dov Zakheim of the Center for Strategic and International Studies join Defense & Aerospace Report Editor Vago Muradian to discuss President Trump's new tariffs after the Supreme Court's ruling last week and Republican efforts to adopt new tariff legislation; takeaways from the president's longest ever state of the union address; efforts to restore full Department of Homeland Security funding and update on Reconciliation 2.0; whether the president will get the $1.5 trillion defense budget he wants for 2027 as consensus settles on a more modest boost of around $1.1 trillion to $1.2 trillion; US-Iran talks continue in Geneva as Washington masses more forces in the region and prepares to evacuate US personnel from Israel to press Tehran into a nuclear deal; tensions between the president and military leadership as Trump says his chairman of the Joint Chiefs of Staff, Gen. Dan Caine, thinks a war with Iran would be easy as news reports indicate military leaders are concerned about the impact of a protracted and unpredictable conflict on weapons stocks, equipment and personnel; Ukraine's allies shape another 106 billion euro aid package that Hungary has threatened to derail; as former US Army Europe chief retired Lt. Gen. Ben Hodges tells reporters his train was attacked, one of five suspected Russian attacks on Europe that day; the Pentagon's threat to seize Anthropic's Claude AI model and blacklist the company unless it allows its technology to be used for autonomous weapons and mass surveillance; after two months as Joint Staff Director Vice Adm. Fred Kacher will leave his job and return to the Navy; Beijing again cuts rare earth shipments to Japan; Kim Jong Un teases a summit with Trump amid US-Korea strategy strains; an escalating conflict between Pakistan and Afghanistan; Indian Prime Minister Narendra Modi's visit to Israel; and Washington's decision to open a pop-up consulate for Israeli settlers in the West Bank town of Efrat.

Danish Prime Minister Mette Frederiksen announced new snap elections for the end of March. It comes as her party sees resurgent support — thanks, especially, to her US counterpart President Donald Trump. Also, a health aid agreement between the US and Zimbabwe has collapsed after Harare rejected it over concerns about data sharing and sovereignty issues. And, dozens of humanitarian aid groups face expulsion from Gaza and the West Bank as soon as this weekend, unless they hand over detailed personal information about their staff to Israeli authorities. Plus, a Brazilian Indigenous group finds international acclaim for its art. Learn about your ad choices: dovetail.prx.org/ad-choices

Welcome to The Times of Israel's Daily Briefing, your 20-minute audio update on what's happening in Israel, the Middle East and the Jewish world. US bureau chief Jacob Magid joins host Jessica Steinberg for today's episode. In the foreign policy portion of his lengthy State of the Union address, US President Donald Trump repeated his oft-mentioned talking points about Iran, Magid reports, noting the president's terminology about never hesitating to confront threats against the US. Trump has said he is "aware of" last week's killing of Palestinian-American 19-year-old Nasrallah Abu Siam in an armed settler attack in the West Bank, and Magid reviews why the US administration has not commented or gotten involved in this latest incident of Jewish settler violence. As the US Embassy in Israel announces first-time pop-up locations for consular services in the Jewish settlements of Efrat and Beitar Illit, Magid discusses the decision to hold the project in these new locations. With a formal communication channel established between the Board of Peace and the Palestinian Authority, Magid discusses how the PA is seeking legitimacy and aims to be as involved as possible in the Gaza reconstruction. Magid also reports on conversations with Arab and European diplomats involved in the Board of Peace, and their comments about the enormous amount of pressure required to be applied on Hamas and Israel for the disarmament of Hamas to succeed. Check out The Times of Israel's ongoing liveblog for more updates. For further reading: Trump: US ‘wiped out’ Iran’s nuclear program ‘but they want to start all over again’ US avoids condemning settler killing of Palestinian-American in armed West Bank attack In first, US embassy to provide consular services at pop-ups in West Bank settlements US approves formal communication channel between PA and Board of Peace — officials Waving off the skeptics, US feeling bullish after Board of Peace inaugural confab Subscribe to The Times of Israel Daily Briefing on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode was produced by Ari Schlacht. IMAGE: President Donald Trump exits the House Chamber after delivering the State of the Union address to a joint session of Congress in the House chamber at the U.S. Capitol in Washington, Tuesday, Feb. 24, 2026. (Kenny Holston/The New York Times via AP, Pool)See omnystudio.com/listener for privacy information.

Rev. Dr. Munther begins by tracing the historic roots of Christianity in the land and explaining the challenges facing Christians today. He describes how daily life is shaped by checkpoints, separation barriers, discrimination, and recurring violence, and shares his perspective on the pressures many Palestinians experience in their efforts to remain in their homeland. The conversation also explores the concept of Christian Zionism — how it is defined, its theological and political implications, and why Rev. Dr. Munther believes it presents serious challenges for Palestinian Christians. He discusses the recent visit of 1,000 pastors to the West Bank and reflects on the broader political and spiritual impact of Western Christian engagement in the region. Save West Bank Christians Vulnerable People Project has launched the Save West Bank Christians campaign to support historic Christian communities facing displacement and hardship. Through direct aid, advocacy, and partnerships with local leaders, the campaign works to help families remain in their ancestral homeland and preserve the Christian presence in the Holy Land. Learn More & Support • Save West Bank Christians: https://savewestbankchristians.com/ • Vulnerable People Project (VPP): https://www.vulnerablepeopleproject.com • Jason's Substack: https://thejasonjonesshow.substack.com • Instagram: @thevulnerablepeopleproject • X (Twitter): @Vulnerable_VPP

We have the SOTU tonight, and that's big. We will learn what we already know, and that's GREAT news for us.The US hockey team beat Canada in OT. Game winning goal by a Jew! What?!I secretly hoped the winning goal would be scored by a transexual Guatemalan midget!But we are all Americans!The mother of the kid who scored the winning goal is Ellen Hughes. Three of her sons play in the NHL. And she coaches the women's team, I think.What a legacy for that woman! She won't be honored in the women's movement because her sons LOVE AMERICA!If they were anarchists who died ramming their cars into ICE officers, she'd be canonized.President Trump addressed the hockey team, in what may be one of the most genuine celebrations ever[X] SB – Pres Trump calls hockey teamI'd like to give a partial of my SOTU [X] SB – NY Post Lydia Moynihan tired of late night hacksThe economy is doing quite well, despite Leftist claims otherwise. Iran's been warned. So the war on terror continues and we are winningA Palestinian-American took her Black friends to the West Bank to volunteer. Palestinians called them “monkeys” and “slaves” during the trip. When they complained, she defended it, saying that they should just accept the abuse.[X] SB – Lesbian couple miserable in CanadaCan't work. Surviving off savings.Shut out of the healthcare system. Understandable.You heard me speak about President Trump and calls of racism the other day. He has pretty much burned Democrats' race cards…See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

U.S. military aircraft land in Israel as Trump considers “limited Iran strike.” Netanyahu warns “no one knows what tomorrow will bring”; West Bank mosque torched in suspected extremist attack as settler violence spikes during Ramadan; Israel disqualifies Olympic bobsled team in last-minute scandal & Indian PM Modi prepares for high-stakes visit to Jerusalem.Hasod Story: IDN10 for 10% off - https://www.hasodstore.com/shopsmall/p/israeldailynewssupportIsrael Daily News website: https://israeldailynews.orgYOUTUBE: https://youtube.com/@israeldailynews?si=UFQjC_iuL13V7tyQIsrael Daily News Patreon: https://www.patreon.com/shannafuldSupport our Wartime News Coverage: https://www.gofundme.com/f/independent-journalist-covering-israels-warLinks to all things IDN:⁠ https://linktr.ee/israeldailynews⁠

How the Right is blurring the line between church and state, and the danger that poses to democracy; Former Obama Deputy National Security Adviser during the Obama Administration weighs in on what's happening in the West Bank; and new reporting shows ICE's coming expansion. To listen to this show and other MS podcasts without ads, sign up for MS NOW Premium on Apple Podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Donald Trump has lashed out at the US Supreme Court, after judges struck down his sweeping trade tariffs. The president has outlined a new plan to retain some of the levies, but the details are not clear. Also: the British government reviews the royal line of succession, as the police investigate Andrew's links to Jeffrey Epstein -- the former prince denies wrongdoing; Ukraine-Russia peace talks gather pace; what's the future of the Palestinian Authority in the occupied West Bank; North Korea holds its biggest political event in five years; and NASA sets a date to send astronauts back around the Moon. The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.uk

Sen. John Fetterman declares “you can't negotiate with cancer—you have to attack it” when discussing Iran. A Fox New host says Trump has to make a better case for going to war with Iran. In a 2.5 hour conversation with Tucker Carlson, Mike Huckabee denies Epstein's ties to Mossad, claims Israel has a biblical right to the entire Middle East, and defends America sending billions of dollars in aid to Israel. Tragedy deepens in the West Bank after a Palestinian-American teenager shot by Israeli settlers dies of his wounds. Thanks to Shopify and Zip Recruiter for today's episode: Sign up for your one-dollar-per-month trial today at shopify.com/tyt Just go to this exclusive web address right now to try ZipRecruiter FOR FREE: ziprecruiter.com/tyt Hosts: Ana Kasparian, Cenk Uygur SUBSCRIBE on YOUTUBE ☞  https://www.youtube.com/@TheYoungTurks FOLLOW US ON: FACEBOOK  ☞   https://www.facebook.com/theyoungturks TWITTER  ☞       https://twitter.com/TheYoungTurks INSTAGRAM  ☞  https://www.instagram.com/theyoungturks TIKTOK  ☞          https://www.tiktok.com/@theyoungturks

Subscribe now to skip the ads. Join our Discord. Danny and Derek have been disqualified from the Games for incessant podium crashing. In this week's news: tensions rise between the United States and Iran with reports of likely military strikes by the U.S. (1:32 ); Trump announces Gaza “Board of Peace” funding and troop details (11:39), Hamas refuses to disarm absent Palestinian statehood (15:31), and the UN Human Rights Office says that Israel is committing ethnic cleansing in Gaza and the West Bank (17:12); the Wall Street Journal reports the United States withdraws from Syria (21:00), Cambodia's prime minister accuses Thailand's military of occupying Cambodian territory (23:54); a UN investigation finds evidence of genocide in Sudan by the RSF (26:51); the U.S. deploys military personnel to Nigeria (28:38); another round of Ukraine peace talks makes little progress (31:01); British police arrest Andrew Mountbatten-Windsor, former prince, on suspicion of misconduct in public office tied to Jeffrey Epstein (34:00); Peru's congress removes President José Heri amid ongoing instability (36:20); Cuba's fuel crisis worsens as the U.S. blockade restricts oil supplies (39:09); Marco Rubio and Alexandria Ocasio-Cortez deliver Munich Security Conference speeches (41:26); and the EPA rescinds the 2009 endangerment finding as the administration rolls back more U.S. climate regulation (44:51). Learn more about your ad choices. Visit megaphone.fm/adchoices

A senior UN official, Rosemary DiCarlo, has told a meeting of the Security Council that Israel's plans for greater controls in the occupied West Bank amount to de facto annexation. Since last week, Israel has approved a series of reforms to property laws, making it easier for Jewish settlements to expand in the West Bank. Also, the founder of Microsoft, Bill Gates has pulled out of a keynote address to a major AI summit in India after growing scrutiny over his ties to the late sex offender Jeffrey Epstein. The tech billionaire, Mark Zuckerberg, has defended his Instagram site in a landmark legal case over social media addiction in LA. The Instagram, Facebook and WhatsApp owner said he regretted Meta's slow progress in identifying under-age users, in the face of a barrage of criticism. Fiji's former military leader, Frank Bainimarama and a former police commissioner have both been arrested and charged with inciting mutiny. A climber in Austria is going on trial after leaving his girlfriend to die on Austria's highest mountain. How content crazy influencers are taking over restaurants in major cities, one ring light at a time. And, the Australian TV reporter Danika Mason has apologised after appearing drunk in a live broadcast from the Winter Olympics, but not everyone thinks it's a bad thing...The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight.Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment.Get in touch: globalpodcast@bbc.co.uk

n our news wrap Thursday, the Palestinian Health Ministry says Israeli settlers shot and killed a Palestinian-American in the occupied West Bank, National Park Service workers in Philadelphia began restoring a slavery exhibit at the site of George Washington's former residence and the White House ballroom proposal has been approved by a panel whose members were handpicked by Trump himself. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Israel says there is no need for explanations as to why Hamas attacked on October 7, 2023. Pappé challenges that point of view. Without historical contextualization, the issues are not only incomprehensible but also make people vulnerable to propaganda. For decades, corporate media coverage has been lopsided in Israel's favor. Israelis are humanized. Palestinians are demonized. The Israel–Palestine conflict didn't start on October 7th, nor did it start with the 1917 Balfour Declaration or with 1967, when Israel occupied Gaza, the West Bank, East Jerusalem, and the Golan Heights, or in 1948 when the state of Israel was declared. Roots of the conflict began in 1882, when the first Zionist settlers arrived in Palestine.

Ben and guest co-host Ayman Mohyeldin break down the news out of the Munich Security Conference, including Marco Rubio's condescending speech, why all eyes were on Representative Alexandria Ocasio-Cortez, the grim outlook for Ukraine, and Ben's sense of the mood on the ground there. They also talk about Israel's slow-motion annexation of the West Bank, the lack of progress on Gaza, and Lindsay Graham's enthusiasm for future wars fought with Israeli tech. Also covered: what Iran could look like if the current regime falls, and Trump's responsibility for the dire humanitarian situation in Cuba. Finally, new clues on Kim Jong Un's succession plan for North Korea and the extremely satisfying downfall of MAGA troll Richard Grenell. You can find Ayman hosting The Weekend: Primetime, which airs Saturdays and Sundays at 6pm ET on MS NOW.Preorder Ben's book All We Say: The Battle for American Identity: A History in 15 Speeches and subscribe to his Substack here.For a closed-captioned version of this episode, click here. For a transcript of this episode, please email transcripts@crooked.com and include the name of the podcast.

Krystal and Emily discuss Randy Fine islamophobia, Israel annexation in West Bank, Lindsey Graham quiet part out loud, James Talarico Colbert interview blocked by CBS. Will Creeley: https://www.thefire.org/about-us/our-team/will-creeley Jasper Nathaniel: https://www.infinitejaz.com/ To become a Breaking Points Premium Member and watch/listen to the show AD FREE, uncut and 1 hour early visit: www.breakingpoints.comMerch Store: https://shop.breakingpoints.com/See omnystudio.com/listener for privacy information.

Airspace over El Paso, Texas, was closed abruptly late Tuesday night. The Washington Post’s Dan Lamothe talks through what we know about the sudden disruption. President Trump met with Israeli Prime Minister Benjamin Netanyahu in Washington on Wednesday. Sam Metz of the Associated Press joins to discuss the meeting and how Israel is taking steps to exert more control over the West Bank. More people than ever are in ICE detention under Trump’s immigration crackdown. The Associated Press’s Gisela Salomon breaks down reports of substandard conditions inside some ICE facilities. Plus, details are emerging about the mass shooting in British Columbia, what the new jobs report signals about the economy, and the interesting day job of one of Team USA’s Olympic curlers. Today’s episode was hosted by Cecilia Lei.